Episode 10 Antiques Road Trip


Episode 10

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-It's the nation's favourite antiques experts...

-This is beautiful!

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That's the way to do this.

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..with £200 each, a classic car and a goal, to scour for antiques...

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Joy! Hello!

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..the aim to make the biggest profit at auction.

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But it's no mean feat.

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There'll be worthy winners and valiant losers.

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Sorry!

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So will it be the high road to glory or the slow road to disaster?

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The handbrake's on!

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This is Antiques Road Trip.

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Yeah!

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Say hello to Stirling,

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the brooch which clasps Bonnie Scotland together.

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-This is a beautiful town, isn't it?

-It's a joy, is it not?

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And this morning, the light is good, the air is good.

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-You bottle this up and sell it.

-Oh!

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Sniffing the heather hard are auctioneers Paul Laidlaw

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-and Catherine Southon.

-And the people are so friendly.

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They are lovely. There are a few exceptions...

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WE ARE FRIENDLY!

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Yes, and you may have already detected only one of our plucky

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pair is indigenous.

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I think we'll be all right, because the Scots, they like their own.

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Oh, wait a minute, it's just me that's Scots.

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Awks...

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If you take a Scotsman, an Englishwoman and a Morris Minor,

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what do you get?

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A car which dates from before the time seat belts were mandatory

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and has been taken to auction already three times this week.

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Somebody's walking out with a big smile on their face,

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and it's not just me.

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And although Paul has thus far delivered a textbook profit

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performance, Catherine remains a model of composure.

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My plan is to have no plan and just let it happen. Let it happen!

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That I like.

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Except you don't see me in the shops going, "What am I going to get?!

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"How am I going to do?! Laidlaw, Laidlaw!"

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No, I'm so cool.

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Catherine has transformed her £200 stake

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into £195.92,

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whilst Paul, who began with the same sum, has almost doubled it,

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with £392.34 to spend in Scotland today.

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The journey began in Portrush, County Antrim

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and explored Northern Ireland before crossing the sea towards Scotland.

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They take in a lot of the Lowlands before arriving several

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hundred miles later in Aberdeen.

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But today, we start shopping in Callander and, after a thorough

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exploration of central Scotland, conclude at an auction in Kinbuck.

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Now, Catherine's first to shop.

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-Good morning!

-Good morning. How are we?

-I'm good, thank you.

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-You must be Mr George. Your name is outside.

-It is.

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That's so I can't run away.

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This shop is so full that you have to look in every direction.

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Now, what does George recommend?

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-Nice little country-interest snuff box.

-Oh, that's nice!

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-Always happy to help.

-A little bit of treen there.

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And you've got a nice little riding interest. See, that's nice.

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But how nice?

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20. 15.

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Ten. Eight. Five. Two?

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SHE LAUGHS

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Give me £20, you can have that, and there's a profit in it.

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One to think about...

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Keep 'em coming!

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A bit of Scottish jewellery. Hallmarked.

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It's an amethyst!

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A little scratch there. A little bit of a scratch across it.

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What's your price on that?

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-HE INHALES

-What do you think it should be?

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Seeing as you had an intake of breath, I start to wobble and worry.

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What do I think it should be?

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15.

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-15? No, it's a bit too far away.

-What are we, then?

-40.

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-I thought you were going to say 14. 40? Oh, no.

-We're not a boot sale.

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I feel a parcel coming on.

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I'll keep looking, as well,

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because I don't like anyone going out of here empty-handed.

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-I do like it when you do the job for me, actually.

-Oh, quite.

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But you can join in, Catherine.

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That's quite sweet, a little Art Nouveau pendant.

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That's quite pretty. What's on that?

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That's a bargain. That's 15 on it, but we can...

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I love the "But we can..." and then you stop.

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Yeah, "But we can..."

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Just leading you in.

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I'll sort a few things out and I'll give you a little groupie deal.

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-A groupie deal.

-Very rock and roll!

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-You a golfer?

-No.

-Curler, then?

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I really like this. How much is this?

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That's probably about your range.

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£48, actually, which I'm fairly sure she'll consider a bit steep.

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-Can that be sort of dirt-cheap?

-What's dirt-cheap?

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Dirt-cheap is, like, £15, £20.

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Cos I probably will get a little groupie going down there.

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Sort a group out and we'll sort you a price out.

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-We're getting a fairly large group together! OK.

-Gird your loins.

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Do they say that in curling?

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I'm going to put this here with my ever-expanding...

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-It's a buffet of bargains.

-It is, it is. It's a smorgasbord we have here.

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Yeah, which, for the record, is the brush, the snuff box,

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the brooch and pendant.

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-Can we do more sort of 12 on that?

-No.

-15, then.

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Come on, that's... 15. And then I've got a bit of a chance.

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-Do you 17 on that.

-OK, 17 on that. That's fine.

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-Yeah.

-40 is way, way too high for me.

-Mm-hm.

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I think I'd probably quite like to put those two bits

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together in a little group.

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-So what could they be, the two?

-Do you 40 for the two.

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35 on those. That will give me a little chance.

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Do you 35 on that, 25 and 17.

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-That's got to be more like 15, surely.

-20 on that.

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-You've never seen another one.

-I think she has.

-Come on, 15.

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-Go on, George. Go on, George.

-18.

-Go on, George.

-16.

-Go on, George.

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It's so there. Go on, 15. Come on.

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-I tell you what, roulette, red or black.

-Ahhh!

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-That never works for me!

-Makes a change from tossing a coin.

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-Right, red or black?

-It's got to be black. Come on...

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It worked before...

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Yeah!

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It's yours.

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And the winner pays £67.

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TIM CHUCKLES

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So, with Catherine sweeping all of Callander before her, whither Paul?

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On the road to Dunfermline, that's where,

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the town in Fife that's full of reminders of its most famous son,

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the entrepreneur and philanthropist Andrew Carnegie.

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Paul's come to find out more about the Scot who was once

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one of the richest men on earth.

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-Hello!

-Is it Morna?

-Hi, Paul. Yes, that's right.

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-This is the Carnegie Birthplace Museum.

-Indeed!

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Yes, Carnegie,

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the contradictory figure who made millions before giving away

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almost all of his vast fortune, came from this tiny Dunfermline dwelling.

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When was he born?

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-On the 25th of November 1835.

-Humble beginnings, clearly.

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-It was, very, yes.

-What was his family background?

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His father was a handloom weaver,

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and he made the best-quality damask linen in a workshop downstairs.

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It was humble. They didn't have running water, toilets were outside,

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all that kind of thing, but at the same time,

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the weavers were actually quite well off in the status of working people.

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Young Andrew even received a rudimentary education and showed

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early promise in memorising the poetry of Rabbie Burns.

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But the coming of steam power made his father's trade obsolete.

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He was struggling to make a living, his father,

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and his mother had twin sisters in Pittsburgh already, and she was

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the driving force. She was quite a formidable lady, as they say!

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So she's the one that made them go to America.

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His father didn't really want to go.

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In 1848, Carnegie began his working life in a Pittsburgh cotton

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mill before progressing to telegraph operator.

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The clever and hard-working young man

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was already impressing some important people.

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He became the personal assistant to Thomas Scott,

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who was a superintendent on the Pennsylvania Railroad Company.

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Thomas Scott suggested that he invest in a company called

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Adams Express, which became American Express,

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so it was a good investment.

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So he started putting money into shares.

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His mother acquired the money for him.

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-She remortgaged their house to get the money.

-Right!

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So she had great faith in Andrew,

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and I don't think I would do that for my son!

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Although much of his early investment was with the help

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from both Scott and the railroad president, John Edgar Thomson,

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Carnegie was clearly the right man at the right time.

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So, he's not a maker of things, he's an investor, he's a Warren Buffett.

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What else is he investing in?

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Essentially, it was all to do with the iron industry to start

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-with, so iron rails, iron bridges.

-Oh, I see.

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And then later in life he discovered that you could make steel more

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cheaply than you could initially,

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so then he moved into building steelworks.

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It's America growing, railroads crossing this huge country.

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-Absolutely.

-And what do they need? They need steel.

-Yes.

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But the tough capitalist who formed a vast steel empire to make rails,

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bridges and then skyscrapers was to surprise the world when, during

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his thirties, he started sharing, and philanthropy began at home.

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The first gift was when he was 38, and he gave Dunfermline

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the swimming baths, and that was followed by the very first library.

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We're talking about a man making his wealth out of steel and iron,

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but I can't help but notice a big piece of silver in front of us.

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Absolutely, yes. This is from the Stevens Institute in America.

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He gave money to fund the engineering laboratory,

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and so it was a thank you for his philanthropy.

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-That's a railway line.

-It is.

-Or a bit of one, I daresay.

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And this was inside the casket as part of the gift,

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-so something that Carnegie would appreciate, I'm sure.

-I see.

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And of course I guess these guys are rolling...

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-Yes, they're rolling steel rails, that's right.

-Yeah.

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Education and the arts were amongst the biggest benefactors, with

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New York's Carnegie Hall becoming perhaps his most famous monument.

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He was in many respects the embodiment of the American dream

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and, despite evidence of some rather ruthless business practices,

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clearly a man of noble intent

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determined to distribute his wealth so that others might thrive.

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He believed in Chartism and that all men should get the vote

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and that everyone should be equal, treated as equal.

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Interestingly, he would have people like the King to dinner

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and he would have all his Dunfermline aunts and uncles,

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and they would all sit together at dinner.

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So he was very...

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"Egalitarian" I think is maybe the word!

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-That's Carnegie's roll-top desk.

-It is indeed, yes.

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That makes you stop and think. Out of all things, the desk.

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It paints this picture of the industrious, the busy man.

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Absolutely, and he wrote a lot of books.

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He wrote Triumphant Democracy and The Gospel Of Wealth.

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There's an interesting title. Tell me more about that.

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Well, in that, there's a quote, "He who dies thus rich dies disgraced."

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Having explained how wealthy you might be,

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you should get rid of the money. If you keep it, you die disgraced.

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He was as good as his word, because when he died,

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on the 11th of August 1919, he'd given away about 90% of his

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fortune and encouraged several others to follow suit.

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He gave away 350 million in his lifetime, which is

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worth billions now.

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I mean, we say Bill Gates is worth about 53 billion.

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-Well, this was between 100 and 150 billion.

-That he gave away?

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That he gave away before he died. So a tremendous amount of money.

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And that work continues to this day.

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There are institutions spending Carnegie's money

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at the rate of 150 every minute of every day.

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-So in a sense, the old boy's still giving.

-He is.

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Meanwhile, Catherine's made her way to Falkirk,

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where she's getting a little help from David.

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Two can play at the Victory V game, Mr Paul Laidlaw.

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Yeah, Paul unearthed a similar tin earlier this trip.

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I know he would love that. I know he would love that.

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It sounds like I'm buying a present for Paul Laidlaw.

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I'm really not.

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His was Victory V-related, as well.

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Other lozenges are available.

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That's quite nice, sort of Austrian, isn't it?

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-You've got, like, a mountain scene or something here.

-Mountaineer.

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I love the shape of the vase. The handles here are lovely.

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I mean, they're very typical Art Nouveau,

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which I would say dates this to early 20th century.

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-Right, let's think about that. Can I put that to one side?

-OK.

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Catherine's off on a flier

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while Paul, today's late starter in the shopping stakes,

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is making has way to South Queensferry,

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where he's desperately seeking his first retail opportunity

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with Jenny.

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It's a little marine Aladdin's cave, is it not?

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-Nirvana for the nautically inclined.

-I like your teak books...

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-No, they're bookends, aren't they?

-Yes, yes.

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And they're actually made from the wood of HMS Ganges.

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Oh, is that a wee brass plaque? It's one of those!

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That's pleasingly wrought. Yeah, that's not bad work.

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The last sailing ship to serve as a seagoing flagship.

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-I see a price on those of £55.

-Mm-hm.

-Slack in that?

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Yeah, they could be 40.

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Anything for landlubbers?

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Ooh, I like your dressing-table set in Lucite. That's a sexy thing!

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-Very Art Deco.

-Ohhh! Any problems with it? No fractures or losses?

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There's not fractures. I mean, there's some signs of wear.

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-Is that an expensive thing?

-£45 for that.

-Ohhh!

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Is that your starting price, or is that...?

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Oh, that's always negotiable.

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On that highly promising note, let us return to Falkirk,

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where Catherine, with an early-20th-century advertising

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piece under consideration, is still on the hunt.

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There's a little knife there,

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a little sort of fruit knife, penknife.

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Now, this is interesting.

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With the little hook, it might have been

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part of a chatelaine or something like that.

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So perhaps a lady would have had her belt here

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and then might have had something like that hanging down.

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I just think that's quite pretty.

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This is actually made from bone, you can see the little flecks there.

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But the detail on there where you've

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got the lady's boot, right at the bottom there,

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all the buttons and the hooks.

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I think it's absolutely smashing.

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I would say that it is probably early to mid Victorian.

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The ticket price is £42.

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Could there be a deal afoot?

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What is your absolute rock bottom price?

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As it's you, I could do it for £32.

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Is that going to make a profit on £32?

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28.

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-That will be my best.

-And what about the tin that we saw?

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-Would that be, like, silly money?

-That could be very cheap.

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-Oh, could it?

-Yes.

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How about if I did you the knife and the tin for £30?

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That sounds very tempting.

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OK, so...

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-That I'm going to say 25.

-OK.

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And then your tin, I'm going to say 5. So £30 in total.

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£30 for the two.

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-Is that all right?

-Yeah.

-Put it there, my friend.

-Thank you.

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Thank you very much indeed.

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Things are also looking shipshape beside the Forth.

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-That's a soldier's strongbox, isn't it?

-It is.

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Is it dated on the inside?

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They sometimes have dated plaques on the underside of the lid.

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-I don't think that one has.

-Are you sure?

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No, I'm not sure because I can't remember the last time

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-I looked at it.

-May I?

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-Yeah, yeah.

-So the hasp is a replacement.

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That latch is missing. This one's here.

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And underneath there, there is a plaque with a date, 1916.

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We knew he'd be right, didn't we?

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Were you going to try and sell that or was that hidden on the way

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out the door just to get rid of?

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-It was propping up a few other things.

-Wasn't it just.

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Now, I tell you what, let's park that because

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what I'm going to do is try and buy something

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off you properly and I'm going to ask for that

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-at a pittance thrown in the deal.

-Right.

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What about the dressing table set you took a fancy to earlier, then?

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It's Lucite, which you and I both know is another term for Plexiglas

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-in America and Perspex to you and I.

-Yes.

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All the same, aircraft windshields, that's what you're looking at.

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There's a bit missing off it.

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-Is there?

-That's supposed to continue to there.

-Right.

0:16:450:16:49

-That changes everything, doesn't it?

-Could do, yes.

0:16:490:16:53

Right, a revised price.

0:16:530:16:55

Cheapy cheapy cheap cheap cheap cheap cheap?

0:16:550:16:58

What did I say? 45.

0:16:580:17:02

-30.

-What?! What?!

0:17:020:17:05

What were you thinking?

0:17:050:17:07

20 quid for that and the box means I might make a wee bit of profit.

0:17:070:17:11

I was thinking more 25 for the two.

0:17:110:17:14

I bet you were.

0:17:140:17:16

Any other desirable items we could include in this deal?

0:17:160:17:18

What's the story with the tiny little rocking crib?

0:17:180:17:21

-Is there age to that?

-Would you like to see it?

0:17:210:17:23

That's the first rule of selling, isn't it?

0:17:230:17:25

Get it into the mug's hand.

0:17:250:17:28

I reckon it's a wee charmer. It's too long.

0:17:300:17:33

It's a pretty spindly bairn that rattles about in there.

0:17:330:17:36

-How interesting. What's the price on that?

-£20.

0:17:360:17:39

I'd like to give you 15 for that.

0:17:390:17:41

That would make three things for £35.

0:17:410:17:45

Can we do this?

0:17:450:17:47

Yeah, I think we can, yep.

0:17:480:17:51

Is that just to get rid of me?

0:17:520:17:53

No, not at all! No, no!

0:17:530:17:56

But there's the door, Paul.

0:17:570:18:00

Nighty-night.

0:18:000:18:02

Next morning, and someone's being a bit girly.

0:18:020:18:06

I've embraced my feminine side, yet again.

0:18:060:18:09

-Oh, no, handbags! Was it handbags again?

-I couldn't possibly comment.

0:18:090:18:14

I think you'll go, "Not Laidlaw, but I like!"

0:18:140:18:17

Paul's first to shop today in the village of Kilcreggan

0:18:170:18:21

in Argyll and Bute. What will his forensic eye spot in here?

0:18:210:18:26

You know the drill, clockwise from the door.

0:18:300:18:32

Thorough as always.

0:18:320:18:34

You're shocked and appalled

0:18:340:18:37

-because Laidlaw is looking at brass candle sticks.

-Erm, well...

0:18:370:18:40

-Actually, that's not unattractive.

-But who cares,

0:18:400:18:42

it's Victorian brass candlestick.

0:18:420:18:44

Your point being?

0:18:440:18:46

This is not a Victorian brass candlestick.

0:18:460:18:48

That's George III.

0:18:480:18:50

That could be the thick end of 100 year older than the aforementioned.

0:18:500:18:55

How do you know that, Laidlaw? It's the form.

0:18:550:18:58

Price tag on these? Now £12.

0:18:580:19:00

And there's every likelihood I may buy them.

0:19:000:19:04

Paul's found a longbow and two axes.

0:19:060:19:10

Ticket price of £118.

0:19:100:19:14

Can dealer Roo help?

0:19:140:19:16

All right.

0:19:160:19:18

We have got some form of longbow of indeterminate origin,

0:19:180:19:22

whether it is South Asian or African. I cannot tell you.

0:19:220:19:26

It's the nature of the longbow.

0:19:260:19:28

The axes, on the other hand, we can absolutely assert are African.

0:19:280:19:33

So we are looking for an honest aged patina. Do you know what?

0:19:330:19:36

I think I see it there.

0:19:360:19:37

-They'd make beautiful wall pieces.

-Don't they?

0:19:370:19:40

These would have to be very reasonably priced for me.

0:19:400:19:43

-I'll offer you £40.

-Would you go to 45?

0:19:430:19:46

45, 45, 45.

0:19:460:19:48

-Done deal.

-You did it, you did it.

-No worries.

0:19:480:19:50

That's a good negotiating tool by the way,

0:19:500:19:52

when you've got that in your hand.

0:19:520:19:54

-As is one of those.

-I spied a pair of brass candlesticks next door.

0:19:540:19:58

-Right, OK.

-They are marked up at 12 quid at the moment.

0:19:580:20:01

Are they the ones that are reduced from £18?

0:20:010:20:03

-You can have them for 10.

-I'll give you a fiver for them.

0:20:030:20:07

-Seeing as you went to 45, you can have them for £5.

-Well said, Roo.

0:20:070:20:11

-You've been brilliant.

-So have you. Thank you very much.

-Thank you.

0:20:110:20:15

Catherine, meanwhile, has made her way to the outskirts of Glasgow,

0:20:150:20:18

to a shop called Love Salvage.

0:20:180:20:21

Wow! OK!

0:20:210:20:23

This is a bit different.

0:20:230:20:25

It's a wee bit jam-packed.

0:20:250:20:27

So, presented with the colossal selection Tina has to offer...

0:20:270:20:31

It's piled high!

0:20:310:20:33

..what does Catherine spot?

0:20:330:20:36

How much is little silver... It's not silver.

0:20:360:20:39

-How much is that little brooch?

-Another brooch, Catherine?

0:20:390:20:43

You can have it for eight quid.

0:20:430:20:44

Might fit in with the jewellery she bought yesterday.

0:20:440:20:47

She's already got plenty for the auction.

0:20:470:20:49

I'm just looking at it purely because, as you turn it over, there

0:20:490:20:53

are three little marks on there, and that tells me that it's silver.

0:20:530:20:59

What's your very, very best on that?

0:20:590:21:01

-£6.

-Is there any chance you can push it down to a fiver for me?

0:21:010:21:05

SHE SIGHS

0:21:080:21:09

-Will you come back?

-I will certainly try.

-OK then.

0:21:090:21:14

Fantastic. There we are.

0:21:140:21:16

That piece of silver salvage completes our buys.

0:21:170:21:21

But with the auction beckoning, what lots have they got?

0:21:210:21:24

Paul parted with £85 for a strongbox, some brass candlesticks,

0:21:240:21:29

a dressing table set, some ethnographica and a toy cradle.

0:21:290:21:33

While Catherine spent £102 on a penknife, a curling broom,

0:21:350:21:40

two brooches and a pendant, a sweet tin and a snuff box.

0:21:400:21:45

What did they make of each other's purchases?

0:21:450:21:47

I don't think there is anything that is going to fly.

0:21:470:21:50

I think she might make profits across the board, but I think after

0:21:500:21:53

charges she's not, she's going to make a small step again.

0:21:530:21:56

I won the last auction. Do you know what? I could do it again.

0:21:560:22:02

Bring it on.

0:22:020:22:04

After setting off from Callander, our experts are now

0:22:040:22:07

making for an auction not far from where they began, in Kinbuck.

0:22:070:22:12

In charge of the auction is Struan Robertson

0:22:130:22:17

and we've got a splendid turnout.

0:22:170:22:19

This is heaving!

0:22:190:22:21

Catherine starts off with her lozenge receptacle.

0:22:210:22:25

Who will give me £20? £20 for the tin. £20.

0:22:250:22:29

15, 10, £10 start.

0:22:290:22:30

Come on, guys. Nice and unusual piece for a tenner. 10 bid there.

0:22:300:22:34

Advance on 10. Keep it going. Advance on 10, 12.

0:22:340:22:38

Advance on 12, 14. 14, 16. Advance on 16. Advance on £16.

0:22:380:22:43

-All out on £16 then, ladies and gentlemen.

-I'll take that.

0:22:430:22:47

-I'll take that.

-All day long you'll take that.

-I will take that.

0:22:470:22:51

Good start. What about Paul's slightly random choice?

0:22:510:22:55

-It just doesn't say Paul Laidlaw.

-If anything it says funky Manchester.

0:22:550:23:02

-London.

-Funky?!

0:23:020:23:04

-Yeah, come on! It's cool.

-It's not cool.

0:23:040:23:07

Who will give me £40? £30, 20.

0:23:070:23:09

£20 then. £20. Come on, guys. Nice set there for £20. 20 bid.

0:23:090:23:13

An advance on 20.

0:23:130:23:15

Advance on £20, going cheap. 22, 24.

0:23:150:23:19

He's got commission bids.

0:23:190:23:21

30, 32, 34, 36. Advance on 36.

0:23:210:23:24

Does nobody have any style?

0:23:240:23:26

Still going cheap, guys. Nice set there for £36.

0:23:260:23:29

All out on £36 then.

0:23:290:23:31

Na-na-na-na-na!

0:23:310:23:33

It is not cool!

0:23:330:23:36

The object or Paul's mature response to profit?

0:23:360:23:38

How will Kinbuck rate Catherine's little collection.

0:23:400:23:43

I'll bid 18.

0:23:430:23:45

An advance on 18. 22, 24. I'm going to go to 25.

0:23:450:23:49

An advance on 26. 28.

0:23:490:23:51

Advance on 28. Advance on £28.

0:23:510:23:54

-Don't stop at £28.

-Going cheap, guys. 30. An advance on 30. 32.

0:23:540:23:57

-It's got legs.

-34, 36. Advance on 36. Still going cheap.

0:23:570:24:03

All out on £36 then.

0:24:030:24:06

-That was really cheap, wasn't it?

-A temporary setback, I'm sure.

0:24:060:24:09

Time for Paul's bargain militaria.

0:24:110:24:13

I'll bid 10. An advance on 10. An advance on 12. Going cheap.

0:24:130:24:16

An advance on £12.

0:24:160:24:18

All out on £12, guys. Going cheap.

0:24:180:24:20

14, 16, 18, 20. An advance on 20.

0:24:200:24:22

-22, 24.

-Oh, you've got it here.

-All out on £24.

0:24:220:24:27

A margin, that'll do.

0:24:270:24:30

That's quite a return.

0:24:300:24:32

How can you get something for £1 and turn it into £24? That's magic.

0:24:320:24:36

I'd rather have got it for a tenner and sold it for 240.

0:24:360:24:39

That would have been magic.

0:24:390:24:41

Now, there have already been a few people sniffing around this.

0:24:410:24:44

Got a number of bids. I'll start the bidding off at 20. An advance on 20.

0:24:440:24:48

-Good.

-Nice wee item here, guys. 22. Advance on £22. 24, 26.

0:24:480:24:53

-Advance on 26. 28. Still going cheap.

-It is cheap!

0:24:530:24:57

Come on you horse lovers here. 30.

0:24:570:24:59

An advance on 30. All out on £30 then.

0:24:590:25:01

-Last chance.

-I'm happy.

0:25:010:25:04

You're going to be happy.

0:25:040:25:06

And why not? A fine profit.

0:25:060:25:08

Paul spent over half of his meagre outlay on these beauties.

0:25:080:25:13

I'll bid 30. An advance on 30.

0:25:130:25:15

Advance on 30. 32, 34.

0:25:150:25:17

Advance on 34. £34.

0:25:170:25:20

They're faltering. I'm going to lose money.

0:25:200:25:22

All out at £34 then.

0:25:220:25:25

Does that hurt?

0:25:250:25:27

HE WHINES

0:25:270:25:28

His first loss of the trip.

0:25:280:25:31

Makes it competitive at least.

0:25:310:25:32

Swift return to form with his cradle?

0:25:320:25:35

Nice wee piece here.

0:25:350:25:36

Been kept in good condition.

0:25:360:25:37

It's a shame about the wee break at the end.

0:25:370:25:39

(Don't mention that!)

0:25:390:25:41

I'll bid 12. An advance on £12.

0:25:410:25:42

-Come on, guys. It's going cheap.

-That's got to be 40/50 quid.

0:25:420:25:45

-That is gorgeous.

-He's going to sell it for 12 quid.

0:25:450:25:48

All out on £12 for the rocking cradle then.

0:25:480:25:51

What just happened?

0:25:510:25:53

-What just happened?

-Straight face, Catherine.

0:25:530:25:56

Do you remember all of those conversations I've said, "auctions

0:25:560:25:59

"terrify me because of the uncertainty"? I rest my case.

0:25:590:26:01

Now, she's already sold a Sooty and a Sweep on this trip.

0:26:010:26:04

How often do these come up?

0:26:040:26:06

They never come up because no auctioneer would

0:26:060:26:08

stick a lot number on one.

0:26:080:26:10

This is something quite different.

0:26:120:26:14

Oh, no! He loves it, he loves it!

0:26:140:26:15

I'll bid 15.

0:26:150:26:17

An advance on £15 in the room. 18, 20, 22. An advance on 22.

0:26:170:26:22

Come on, if you don't like curling you can use it for the floors.

0:26:220:26:28

-Come on!

-Advance on 22. All out on 22. 24. Advance on 24.

0:26:280:26:33

All out on 24 then.

0:26:330:26:35

-He's still bidding.

-26. An advance on 26. Advance on £26.

0:26:350:26:39

Somebody make it stop.

0:26:390:26:40

All out at £28.

0:26:400:26:43

-I was actually hoping for a bit more, to be honest.

-What?!

0:26:430:26:47

She smells blood.

0:26:470:26:49

I've got the Laidlaw nervous twitch.

0:26:490:26:52

Is it catching? It's catching!

0:26:520:26:53

Jig along because you're little bit of bijouterie is up next.

0:26:550:26:58

I'll bid 80.

0:26:580:26:59

An advance on 80. 85, 90. Advance on 90. Advance on 90.

0:26:590:27:03

Still going cheap.

0:27:030:27:05

An advance on 90. All out at £90 then.

0:27:050:27:09

That was fantastic.

0:27:090:27:11

Where did that come from?

0:27:110:27:13

This is turning out to be another great auction for Catherine.

0:27:130:27:16

I didn't even get the chance to get into that. It was just...

0:27:160:27:19

SHE MUMBLES

0:27:190:27:21

Come on, Kinbuck. Prove Paul wrong

0:27:230:27:25

by bidding on his Georgian candlesticks.

0:27:250:27:28

I've got a cold sweat on.

0:27:280:27:30

Who will give me £40? £40. 35, 30 then. £30. 20 to start me.

0:27:300:27:35

£20 for the 18th century candlesticks there. 15 then.

0:27:350:27:38

Tenner starts. £10 for the candlesticks. 10 bid there.

0:27:380:27:42

An advance on 10. Going very cheap, guys. An advance on 10.

0:27:420:27:45

All out on £10 on the candlesticks.

0:27:450:27:47

Well, I didn't lose money.

0:27:490:27:51

Over 200 years old. Lordy!

0:27:510:27:53

Very good auction.

0:27:530:27:55

Interesting. Lovely. Want to come back here. When's the next one?

0:27:550:27:59

-Let's go.

-Get out of here.

0:27:590:28:01

Paul started out with £392.34 and after paying auction costs,

0:28:010:28:07

he made a profit of £10.12.

0:28:070:28:10

So he has £402.46.

0:28:100:28:13

Catherine began with £195.92.

0:28:150:28:19

And after auction costs she made a profit of £62.

0:28:190:28:23

So she wins today and has £257.92.

0:28:230:28:27

It's not much but it's in the right direction and I beat you.

0:28:290:28:32

What do you mean it's not much? What?!

0:28:320:28:34

And continuing our Road Trip adventure,

0:28:350:28:37

it's now Catherine and Paul's final leg.

0:28:370:28:40

They're somewhere in this Scottish mist. Oh, there we are.

0:28:400:28:45

This may be dank and misty, and arguably foreboding,

0:28:450:28:49

-but it's gorgeous!

-Yeah.

0:28:490:28:51

This is a bit Macbethian. Can I say that?

0:28:510:28:54

-Dramatic!

-It is dramatic. A dramatic final.

0:28:540:28:58

-HE CHUCKLES BOTH:

-Oh!

0:28:580:29:00

They're all about the drama, those two!

0:29:000:29:04

The last leg starts out in Doune

0:29:040:29:08

and heads in a north-easterly direction towards

0:29:080:29:11

that deciding auction in Aberdeen.

0:29:110:29:13

Be off with you! This is my territory.

0:29:160:29:19

The Scottish Antiques and Arts Centre is a very large establishment.

0:29:190:29:25

There's a chap there who has got his hands in the cabinet.

0:29:260:29:29

I'm guessing he's got to be a dealer.

0:29:290:29:32

I'll go and have a word with him. It could save me hours.

0:29:320:29:36

-Sir, I presume this is your stand?

-This? Yes.

-Catherine.

-Hiya. David.

0:29:360:29:41

David. Hi, David. Good to see you.

0:29:410:29:43

-So, what's revolving?

-Oh, Louis Wain. What's that Louis Wain book?

0:29:430:29:48

-Have we got to wait for it to revolve?

-Yes.

-It doesn't just stop?

0:29:480:29:51

No.

0:29:510:29:53

Patience, Catherine. Patience.

0:29:530:29:55

-Oh, in the meantime... Hold on.

-Yeah.

-What's that?

0:29:550:29:58

-Oh, that's quite cute, isn't it?

-Yes, compact.

0:30:000:30:03

-Little Deco compact. I like that.

-1930s, yeah.

0:30:030:30:05

-It's quite a nice design, isn't it?

-Yes.

-What are you asking for that?

0:30:050:30:10

-Dare I look?

-It's £48 on it.

0:30:100:30:12

What's your best on that, then?

0:30:120:30:15

-Maybe 40.

-Oh, really?

0:30:160:30:19

20?

0:30:190:30:20

-No.

-Can't go that low.

0:30:200:30:22

What would you do on that?

0:30:220:30:24

Erm, 28.

0:30:240:30:26

Getting close. Quick! The book is back.

0:30:260:30:28

There we go.

0:30:280:30:29

-See, what drew me to this was the whole Louis Wain thing.

-Yes.

0:30:290:30:32

Louis Wain, quite a famous artist

0:30:320:30:34

who was just mesmerised by cats, did lots of cat illustrations.

0:30:340:30:39

But what is this? Can you tell me a bit about this?

0:30:390:30:41

Obviously this is an early book. It's very rare.

0:30:410:30:45

Circa 1908.

0:30:450:30:46

The downside, of course, is the condition. The spine is not...

0:30:460:30:50

Because it's early.

0:30:500:30:51

Antiques, eh?

0:30:510:30:52

I like that. What have you got on that, David?

0:30:520:30:54

-75.

-Right.

0:30:540:30:56

But what would you offer me on it?

0:30:560:30:58

Ideally, I would love to pick up something like that for about 35.

0:30:580:31:01

-Make it 40 and you can have it.

-What do we say on this?

0:31:010:31:05

Say 28 on that.

0:31:050:31:06

-Can I just have a little think?

-What about if I did the two for 65?

0:31:060:31:10

Mmm...

0:31:100:31:11

Take your time, love.

0:31:110:31:13

I tell you what, if you could nudge it slightly under 60,

0:31:130:31:16

I will definitely shake your hand and run away with both of them.

0:31:160:31:19

Right, what about if we say 60, then?

0:31:190:31:22

58 and you've got a deal.

0:31:220:31:24

-OK.

-Yeah?

-58.

-Is that all right?

-Yeah, that's fine.

0:31:260:31:29

Thank you very much indeed.

0:31:290:31:31

Catherine's on a roll now

0:31:310:31:35

and she's heading across the glorious Scottish countryside

0:31:350:31:38

to Rait in Perth and Kinross,

0:31:380:31:41

where she's visiting Rait Antiques Centre.

0:31:410:31:45

-Hi. Catherine.

-Hi, I'm Andrew.

-Hi, Andrew.

0:31:450:31:49

This looks beautiful in here.

0:31:490:31:51

Yeah, shame you have less than £200 left to splash.

0:31:510:31:55

What's that little bell? That's nice.

0:31:560:31:58

It has been a hotel bell, I think.

0:31:580:32:01

But it is actually gilded, so it has got a fair bit of age to it.

0:32:010:32:03

Probably late 19th-century Victorian.

0:32:030:32:05

Yeah, I would have said it is about 1870, 1880.

0:32:050:32:08

-Yeah, can you do a good deal on that?

-I'm sure I probably could.

0:32:080:32:12

I love a bell. It is slightly wonky, or is that me just being fussy?

0:32:120:32:16

You have got to be fussy at this stage in the game.

0:32:160:32:19

-BELL DINGS

-Nice ring to it.

0:32:190:32:21

Come on, then, what's your best on that?

0:32:220:32:25

That is the sort of thing I am guessing you picked up

0:32:260:32:29

in a big job lot of stuff at an auction.

0:32:290:32:32

I don't buy job lots.

0:32:330:32:35

Oops! The ticket price is £50.

0:32:350:32:39

-You couldn't do 20 on it?

-No, sorry.

0:32:390:32:42

-30, then it would show me a £5 profit.

-OK, right.

0:32:420:32:45

I'm going to put that there.

0:32:450:32:47

There is a nice early wineglass up there,

0:32:470:32:49

that gilded one at the front, which is quite nice.

0:32:490:32:52

-Unfortunately it is only a one, but...

-Is it champagne, or...?

0:32:520:32:55

-I would think it is a champagne flute, yeah.

-That is lovely.

0:32:550:32:58

And it's gilded as well with the most beautiful decoration.

0:32:580:33:01

-And again, late Victorian?

-Yeah.

-Would you think a bit earlier?

0:33:010:33:04

It might be earlier because when you hold it up to the light

0:33:040:33:07

you can see there's imperfections in it.

0:33:070:33:08

That was the thing with the Victorians,

0:33:080:33:10

if they were going to decorate something

0:33:100:33:12

they were really going to go for it and you can see that here.

0:33:120:33:15

There is a bit of wear.

0:33:150:33:16

-Well, you might be a bit worn if you were as old as that!

-Oh!

0:33:160:33:19

Fair point.

0:33:190:33:21

-What have you got on that?

-Erm...

0:33:210:33:24

-Can that be, like, 20, then?

-Not quite.

0:33:240:33:26

But 30, I will do it for.

0:33:260:33:29

-OK. Can I put this in with my little bell?

-Certainly.

0:33:290:33:32

We are having a bit of a Victorian selection here.

0:33:320:33:36

There is a lot of it about.

0:33:360:33:38

Carpet bowls.

0:33:400:33:41

They're made of turned lignum vitae.

0:33:410:33:43

Each one is engraved with a different number

0:33:430:33:46

and then that one is your jack,

0:33:460:33:48

and they are pretty smart.

0:33:480:33:51

I have sold these before and I have done quite well with these.

0:33:510:33:54

115.

0:33:540:33:56

I wonder if he can do a good deal on those.

0:33:570:34:00

75 would be the absolute best on those.

0:34:000:34:02

-Right.

-Right!

0:34:040:34:06

The carpet bowls are on the list and I think she has designs on the lot.

0:34:060:34:10

So, we have Victorian bell, Victorian glass,

0:34:100:34:12

Victorian carpet bowls -

0:34:120:34:14

three completely different items!

0:34:140:34:17

What about £110 for the lot? That's fair, isn't it?

0:34:170:34:21

I'm really struggling at 110. Make it 115.

0:34:210:34:24

115 and that would make you...?

0:34:240:34:26

I might be able to have a fish supper tonight, if I'm lucky.

0:34:260:34:29

-Aww, I don't want that! Go on, then.

-Thank you.

-I can't do that to you!

0:34:290:34:32

-You have got to have a decent supper.

-Sweet.

0:34:320:34:36

So that is £30 for the glass, £20 for the bell and £65 for the bowls,

0:34:360:34:40

plus haddock and chips for Andrew later. Yum, yum.

0:34:400:34:44

Meanwhile, Paul is making his way

0:34:480:34:50

to the village of Comrie in Perth and Kinross

0:34:500:34:53

and the aptly named Comrie Antiques.

0:34:530:34:56

-Hi, Paul.

-Hello, is it Debbie?

-Yeah, pleased to meet you.

0:34:570:35:00

Off you go, then, Paul.

0:35:000:35:01

-What about the stick stand? Is that dear?

-Price on it is 78.

0:35:030:35:07

That's elegant, narrow, but it's way too much for me.

0:35:070:35:10

-The bolts that secure the dividers on that are loose.

-OK.

0:35:100:35:16

And you can't get at the heads of them because they are concealed.

0:35:160:35:19

So the darned things twist and turn.

0:35:190:35:23

See, that is how it should be - nice and rigid, fantastic.

0:35:230:35:27

That is a real annoyance because you stick your brolly in there and it

0:35:270:35:31

goes skewwhiff and if you're like me, you then can't sleep at night.

0:35:310:35:35

Thankfully, the rest of us aren't so afflicted.

0:35:350:35:38

So I'm offering 35 quid.

0:35:380:35:40

-OK.

-Seriously?

-OK, yeah.

0:35:410:35:45

-Got a deal?

-Yeah, deal.

0:35:450:35:46

Wonderful, thank you very much.

0:35:460:35:48

I'll give you some money and I'll be gone.

0:35:480:35:50

-Yeah, that'd be good.

-Brilliant.

-Thank you very much.

0:35:500:35:53

Now the hard work is done.

0:35:530:35:54

Time to get ready for tomorrow, so nighty-night.

0:35:540:35:57

It's a brand new Scottish morning.

0:36:000:36:04

Paul, we've taken a wrong turn.

0:36:040:36:07

-Go on!

-We have!

-We've not.

-We are in the South of France.

0:36:070:36:10

This weather is amazing.

0:36:100:36:13

Isn't it just?

0:36:130:36:17

They're heading for the port of Arbroath

0:36:170:36:19

and Paul's first to shop.

0:36:190:36:22

Hello, how are you doing? I'm Paul.

0:36:230:36:25

Hiya, Paul, nice to meet you, I'm Colette.

0:36:250:36:27

-Good to see you, Colette.

-And you.

0:36:270:36:29

-This is your emporium.

-It is that, yes.

-Very good.

0:36:290:36:32

There's a lot of choice. Look at that!

0:36:320:36:36

I've just picked up something randomly,

0:36:390:36:41

but I think it's delicious. Take a look at that.

0:36:410:36:44

This is a brooch.

0:36:440:36:46

We have enamelling

0:36:460:36:48

over what legally we always call white metal

0:36:480:36:53

but actually is silver.

0:36:530:36:55

In black enamel, in silhouette, this dancer.

0:36:550:37:01

And whose music is she dancing to?

0:37:010:37:03

That of a fawn, half chap, half goat.

0:37:030:37:07

Each to their own.

0:37:080:37:09

That works, that's charming. It dates to the 1920s, 1930s.

0:37:090:37:14

Does it appeal today?

0:37:140:37:16

Oh, come on!

0:37:160:37:17

Here is the problem - ta-da.

0:37:170:37:19

The pin is a paperclip.

0:37:190:37:22

What you do is you go to your local charity shop or whatever,

0:37:220:37:26

you buy a cheap throwaway brooch and you swap the pin.

0:37:260:37:29

-That's a start, is it not?

-Yeah.

0:37:290:37:31

Well, he has certainly confounded us

0:37:310:37:33

with a few of his purchases so far.

0:37:330:37:36

Add to that these assorted silver thimbles.

0:37:360:37:40

The piece for me is the royal commemorative.

0:37:400:37:42

Now, which royal commemorative is that?

0:37:420:37:46

The coronation in 1910 of George V.

0:37:460:37:51

-No...

-It's Elizabeth.

-It's Elizabeth.

0:37:510:37:55

How about we halve them

0:37:550:37:57

-and you have half and I have half?

-OK, right.

0:37:570:38:01

-What's the price on those?

-About 55.

0:38:010:38:05

-Throw something else into the melting pot.

-That is lovely.

0:38:050:38:08

What's the price on a wrecked brooch and thimbles?

0:38:080:38:12

How about we do 65 for the lot?

0:38:120:38:14

I am not going to give in that easily.

0:38:140:38:16

How about I come down a tenner?

0:38:160:38:19

So basically you're getting that for free.

0:38:190:38:22

Basically, Colette, you've got a deal.

0:38:220:38:25

Love working with you.

0:38:270:38:28

Once Colette has put him down,

0:38:280:38:30

he's got a much more Paul object in mind.

0:38:300:38:33

This tool is a clinometer.

0:38:330:38:37

A clinometer allows us to measure angle of elevation

0:38:370:38:42

of the barrel of a three-inch mortar.

0:38:420:38:44

A mortar is a type of artillery for infantry use.

0:38:440:38:49

That's neither use nor ornament.

0:38:490:38:51

But it is what it is -

0:38:510:38:53

it is utterly authentic Second World War ordnance equipment.

0:38:530:38:56

And because of that, Laidlaw is a little drawn to it.

0:38:560:39:00

-You've heard all of that, haven't you?

-I have, yes.

0:39:000:39:03

I couldn't help but notice in the back you've got other

0:39:030:39:05

little bits and bobs that are similar to this

0:39:050:39:08

-in so far as they are brass and military.

-Yeah.

0:39:080:39:09

-Put them on the table and see what we can do?

-Yeah.

0:39:090:39:12

-Give me a second...

-You can get them.

0:39:120:39:14

This is turning into Supermarket Sweep.

0:39:140:39:17

Those are artillery buttons.

0:39:170:39:19

The motto of the artillery is "ubique",

0:39:190:39:21

which is Latin for "everywhere".

0:39:210:39:23

-Right.

-These buttons are everywhere.

0:39:230:39:25

That's the cap badge of the Royal Scots Fusiliers

0:39:250:39:29

and that is...you get yourself a big brass nut

0:39:290:39:32

and then all you need are a couple of coins to solder either side

0:39:320:39:36

and you've created a vessel

0:39:360:39:38

which can be made into a little petrol lighter.

0:39:380:39:40

Now, while I might not be passionate about these things individually,

0:39:400:39:45

that is an auctionable lot.

0:39:450:39:46

But I need them to be cheap

0:39:460:39:48

and I'm just going to hit you with a little offer.

0:39:480:39:50

Oh, hit me, hit me.

0:39:500:39:52

Erm, a tenner.

0:39:520:39:53

-Oh!

-Yeah.

0:39:530:39:55

-What about 22?

-Oof, seriously?

0:39:550:39:58

I am going to pitch 15 quid.

0:39:580:40:01

How about 18? And then we're both happy.

0:40:010:40:04

All right, then.

0:40:040:40:06

Now, while Paul heads off with a bootful of antiques,

0:40:060:40:09

Catherine is headed down the beach to find out about one of Britain's

0:40:090:40:13

greatest feats of engineering, the Bell Rock Lighthouse.

0:40:130:40:18

-Hi, there. Catherine.

-Good morning.

-Very nice to meet you.

0:40:200:40:23

I am Colin Easton, the curator for the Signal Tower museum

0:40:230:40:25

and if we go indoors, I can show you a little bit more.

0:40:250:40:28

Lead the way, Colin.

0:40:280:40:29

Constructed 11 miles off the Angus coast

0:40:290:40:32

by the Glasgow-born lighthouse engineer Robert Stevenson,

0:40:320:40:36

the beacon and Arbroath Signal Tower were the solution to a pressing need.

0:40:360:40:41

-I'm guessing this is Bell Rock.

-This is the Bell Rock.

0:40:410:40:45

It was called the Bell Rock

0:40:450:40:46

because one of the abbots of the abbey here in Arbroath

0:40:460:40:50

a few hundred years ago thought it would be a bright idea

0:40:500:40:53

to mount a bell on it, mounted on a wooden structure

0:40:530:40:56

tethered to the rock so that it would be a warning to passing ships

0:40:560:41:00

that there was a dangerous rock there.

0:41:000:41:02

That bell was allegedly stolen by a Dutch pirate.

0:41:020:41:06

And by the time of the Industrial Revolution, with shipping greatly

0:41:060:41:09

increased, a manned lighthouse was required to keep mariners safe.

0:41:090:41:14

This is a copy of the original 1806 parliamentary act just giving

0:41:140:41:19

permission for a lighthouse to be constructed.

0:41:190:41:22

You can see this is dated 21st of July, 1806,

0:41:220:41:25

and August 1807 was when they set off from Arbroath to actually

0:41:250:41:29

begin the construction process.

0:41:290:41:31

Although the contract was awarded to the experienced John Rennie,

0:41:310:41:34

the design, which featured interlocking stones

0:41:340:41:37

for strength against the elements, was a Robert Stevenson feature

0:41:370:41:41

and it was he who supervised the hazardous building work.

0:41:410:41:45

If you're 11 miles offshore on a rock peeping up

0:41:450:41:48

out of the sea where the tide rises

0:41:480:41:50

and there's only a few hours each day that you can actually

0:41:500:41:53

work at low tide and you're exposed to the wind and the weather,

0:41:530:41:57

the rain and everything, the conditions were harsh.

0:41:570:42:01

I can see there's the model there.

0:42:010:42:03

Am I right in thinking that this here,

0:42:030:42:05

that's like the foundation, that's the beginning of it?

0:42:050:42:07

But what's that at the back of it there?

0:42:070:42:10

That was built as a beacon originally,

0:42:100:42:12

but then it was converted into what they called the barracks.

0:42:120:42:14

As the tide rose, instead of having to go onto one of the support ships,

0:42:140:42:18

they could go into the barracks, maybe have something to eat.

0:42:180:42:20

But they also slept in it during storms as well.

0:42:200:42:23

The lighthouse took just over three years to construct

0:42:230:42:26

and began operating in early 1811.

0:42:260:42:29

It's a testament to the engineer that in over 200 years

0:42:290:42:33

there have been only two recorded shipwrecks.

0:42:330:42:36

So, do you think the Bell Rock Lighthouse was one of the real

0:42:360:42:40

models for other lighthouses?

0:42:400:42:42

Robert Stevenson and several generations of his family

0:42:420:42:44

went on to be a dynasty of lighthouse builders,

0:42:440:42:47

learning from experience

0:42:470:42:49

and trial and error that they went on to use in later projects.

0:42:490:42:53

One other key element was the question of communication,

0:42:530:42:57

hence the signal tower.

0:42:570:42:59

Although it's now a museum and the lighthouse has been fully automated

0:43:010:43:04

since 1988, the link between them was once vital.

0:43:040:43:09

-Wow, this is amazing!

-It is.

0:43:090:43:11

So, how would communication actually work?

0:43:110:43:13

The basic communication method was this metal pole

0:43:130:43:17

with originally a copper ball, and it's painted red now but

0:43:170:43:20

originally it would have been a copper ball

0:43:200:43:22

that would have reflected the sun.

0:43:220:43:23

If they raised the ball to the top of the pole in the morning out on

0:43:230:43:27

the lighthouse, that was the signal that all was well in the lighthouse.

0:43:270:43:30

If the ball in the lighthouse was still at the bottom of the pole,

0:43:300:43:34

that meant there was a problem so the keepers

0:43:340:43:36

had to dispatch someone out to investigate.

0:43:360:43:38

Does this still work today?

0:43:380:43:40

The mechanism still works today and I can demonstrate it for you,

0:43:400:43:43

-if you like.

-Oh, yes, please.

0:43:430:43:45

-Turning this handle just raises the ball.

-Look at that!

0:43:450:43:48

Oh, that's fantastic.

0:43:480:43:49

And good exercise as well.

0:43:490:43:52

Paul meanwhile has headed North to Montrose,

0:43:540:43:57

and the last shop of his trip.

0:43:570:44:01

-Hi, George.

-Hello there.

-Good to see you.

0:44:020:44:05

I love the feel of this place, I don't mind telling you.

0:44:050:44:08

This is my kind of shop.

0:44:080:44:10

What's the story of the mirror in the doorway?

0:44:100:44:13

-Is it anything or nothing?

-It is probably Edwardian.

0:44:130:44:16

That could be yours for 40.

0:44:160:44:19

Who knows what he'll emerge with?

0:44:190:44:22

This is a big lump of pot.

0:44:220:44:26

I would call it a cachepot,

0:44:260:44:28

which is a French word that translates to "hide the pot".

0:44:280:44:32

You might call it a jardiniere.

0:44:320:44:34

Basically, you stick your plant pot in there.

0:44:340:44:37

How do we tell a cachepot?

0:44:370:44:39

A cachepot won't, and this doesn't, have a hole in the bottom.

0:44:390:44:43

There is no ticket price, either.

0:44:430:44:44

It's made by Bretby.

0:44:440:44:47

Now, listen up, Bretby Collectors' Club,

0:44:470:44:49

loads of Bretby stuff is pig ugly.

0:44:490:44:52

Get over it.

0:44:520:44:54

Which is why I have never bought a piece of Bretby in my life.

0:44:540:44:58

This, however, I am going to concede to you.

0:44:590:45:03

It's about 100 years old.

0:45:030:45:05

It was pre-First World War, so let's call it belle epoque.

0:45:050:45:08

I think this juxtaposition of the big, heavy,

0:45:080:45:12

bold bronze decoration

0:45:120:45:15

with this delicate,

0:45:150:45:17

almost aesthetic depiction of birds and blossom works.

0:45:170:45:23

It's a standout thing.

0:45:230:45:25

But while Paul wrestles with that pot,

0:45:250:45:28

Catherine has made her way to the Aberdeenshire village of Newmachar,

0:45:280:45:32

and her last shop of the trip.

0:45:320:45:35

-Hello there.

-Hi.

-Hi.

0:45:350:45:37

-And your name is?

-Brian.

-Hi, Brian, good to see you.

0:45:370:45:41

What else can Catherine squeeze into her trolley?

0:45:410:45:44

So we've got a refracting telescope as opposed to

0:45:460:45:49

a reflecting telescope.

0:45:490:45:52

This is probably going to be third-quarter 19th-century,

0:45:520:45:56

about 1860, 1870.

0:45:560:45:58

Hasn't got its lens cap, which is such a shame. Price...

0:45:580:46:02

-78. Your telescope, Brian.

-Mm-hm.

0:46:020:46:04

It's a nice little telescope.

0:46:040:46:06

The big, big downfall is the fact that you haven't got your lens cap.

0:46:060:46:09

Yeah, I was wondering that. I mean, it's pretty good.

0:46:090:46:12

It's got the name on it, the maker.

0:46:120:46:15

Nice that you have got a nice Scottish name on it.

0:46:150:46:18

And lovely that you've got the, you know,

0:46:180:46:20

-the eight sections, that it really does...

-Yeah.

0:46:200:46:22

-I hadn't seen them with as many sections before.

-Yeah.

0:46:220:46:24

It's just that, for me, is a number one issue

0:46:240:46:26

cos that's what people look for.

0:46:260:46:29

-Mmm, that is a shame.

-What can you say, eh, Brian?

0:46:290:46:32

OK, keep looking and we can see what we can do.

0:46:320:46:34

Her search continues.

0:46:350:46:37

Back in Montrose, however, they are getting down to brass tacks

0:46:380:46:42

with the pot and the mirror under consideration.

0:46:420:46:45

They were both 40 each...

0:46:450:46:46

Time for a closer look, then.

0:46:480:46:50

That could be a wall mirror or, by virtue of this easel back,

0:46:500:46:56

it could adorn your dressing table.

0:46:560:46:58

It would be late Victorian.

0:46:580:47:01

It's all about this extremely rich

0:47:010:47:06

embossed facing.

0:47:060:47:08

The manufacturer of this wanted it to look like silver,

0:47:080:47:12

back in the day, but it's not.

0:47:120:47:15

This is electroplate, I'm quite sure.

0:47:150:47:17

A rich thing in its day. Flamboyant, but just affordable.

0:47:170:47:21

Back to George.

0:47:210:47:23

-The Bretby.

-Yeah.

-The mirror.

0:47:230:47:24

If I bought the pair of them, squeeze another fiver off them

0:47:240:47:27

-so I can make them 30 quid a pop?

-We could indeed.

0:47:270:47:31

-Looks like a deal, then.

-Perfect, thank you.

0:47:310:47:33

Spot on. Thank you.

0:47:330:47:34

That £60 completes Paul's purchases.

0:47:340:47:37

But what about our Newmachar correspondent?

0:47:370:47:40

Back in those cabinets again, eh, girl?

0:47:400:47:43

Look at that sweet little pillbox.

0:47:430:47:47

Opening up these two little hinged lids there for little pills.

0:47:470:47:54

Now, the thing about this is it is beautifully embossed

0:47:540:47:57

around the sides with sheaves of corn and also

0:47:570:48:02

on the top there.

0:48:020:48:03

Really, really nice quality.

0:48:030:48:05

However, it is not hallmarked.

0:48:050:48:07

You would expect something of this quality, if it was silver,

0:48:070:48:10

to be hallmarked, so it's definitely not English.

0:48:100:48:13

£38 is on this.

0:48:130:48:14

I'm going to see if I can do something,

0:48:140:48:17

a really good deal on this.

0:48:170:48:19

Seconds out, round three.

0:48:190:48:21

-Brian...

-Yep.

0:48:210:48:23

..I just found your little pillbox.

0:48:230:48:25

I am really concerned that it might be plated and not solid silver.

0:48:250:48:30

You've got £38 on it.

0:48:300:48:32

I think if you're in any doubt

0:48:320:48:33

you're probably as well just to pass on it.

0:48:330:48:35

I like Brian!

0:48:350:48:36

I was thinking maybe of taking a little gamble with it.

0:48:360:48:39

What were you thinking?

0:48:390:48:41

£20.

0:48:430:48:44

I was thinking 15, to be perfectly honest with you.

0:48:460:48:49

OK, well, let's make it 18 and we can do a deal at that.

0:48:490:48:53

-If we weren't going for that, then maybe the telescope.

-Mm-hm.

0:48:530:48:56

The telescope I like, but at £78...

0:48:560:49:00

Yeah, that missing lens cap.

0:49:000:49:03

So, what would work for you on the telescope?

0:49:030:49:05

30-ish.

0:49:050:49:07

We could make it 35, I could do it for that.

0:49:070:49:10

Can you come down to 30 on that and then I'm done?

0:49:100:49:14

-Yes.

-Oh!

-Hoorah!

0:49:150:49:18

This is it, this is the end of the road for me!

0:49:180:49:20

So, with everything in the bag, let's take a sneaky peek.

0:49:220:49:25

Paul's pot, with £168 for a stick stand,

0:49:260:49:31

some silver thimbles,

0:49:310:49:33

a Bretby pot,

0:49:330:49:34

a brooch,

0:49:340:49:36

a mirror and a collection of militaria,

0:49:360:49:39

while Catherine has lavished £203 on a telescope,

0:49:390:49:43

some carpet bowls,

0:49:430:49:45

a cat book,

0:49:450:49:46

a desk bell,

0:49:460:49:47

a compact and a glass.

0:49:470:49:50

How is the mood in the two camps?

0:49:500:49:52

I particularly adore his brooch.

0:49:520:49:56

That is exquisite and he paid £10.

0:49:560:50:00

The book, I just don't know.

0:50:000:50:03

If it makes £120...

0:50:030:50:06

that's bad news for me.

0:50:060:50:09

After setting off from Doune, our experts are now

0:50:090:50:11

making for their final auction of the week at Aberdeen.

0:50:110:50:15

And still as fiercely competitive as ever.

0:50:150:50:18

It's a horrible thing to say,

0:50:180:50:19

but I would be so happy if I could be the one person

0:50:190:50:23

in the whole of the history of the Antiques Road Trip

0:50:230:50:27

to beat Paul Laidlaw.

0:50:270:50:29

Well, it's last chance saloon, this.

0:50:290:50:33

Er, get it?

0:50:330:50:37

John Milne Auctioneers is hosting the big finale,

0:50:370:50:39

and Steven Donaldson is the man with the gavel today.

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It's got a great feel, this auction, hasn't it?

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Good crowd here today.

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Mm, bums on seats.

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First under the hammer is Paul's bargain brooch.

0:50:490:50:51

30 for this lot.

0:50:510:50:53

20.

0:50:530:50:55

-10.

-Oh!

0:50:550:50:57

10, 12, 15,

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18, 20, 22...

0:50:590:51:01

-Got a little friend bidding on it.

-..25, 28, new place.

0:51:010:51:04

30, 32, 35...

0:51:040:51:06

-Darn.

-..38, 40,

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42, 45,

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48, 50,

0:51:120:51:15

55, 60,

0:51:150:51:17

65, 70, 75...

0:51:170:51:20

-No! Stop!

-..80, 85,

0:51:200:51:22

90, 95...

0:51:220:51:25

100, sir, rounds it up.

0:51:250:51:27

105, 110 - he's back. 115.

0:51:270:51:30

£115.

0:51:300:51:33

All done, sure and selling at 115...

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GAVEL BANGS

0:51:360:51:38

What a great start, eh? Hard to see Catherine overtaking him now.

0:51:380:51:42

Do you know what? I don't even know what it made. After 100, I cried.

0:51:420:51:47

Another Paul purchase - the pot.

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£60 for this lot.

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-Come on.

-40, 30, 20.

0:51:520:51:56

-Oh, please.

-10.

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Nobody interested? 10 here.

0:51:580:52:01

Any advance? 12 - we're off now.

0:52:010:52:03

-Oh, don't be off now.

-15, 18, 20,

0:52:030:52:05

22, 25. 25...

0:52:050:52:08

-No. No, no, no.

-Shut up!

-How can that happen?

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-That's it.

-GAVEL BANGS

0:52:120:52:14

Oh, I'm so happy.

0:52:140:52:16

Oh, well, he really mustn't grumble.

0:52:160:52:19

These people are going already.

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These people that were bidding on your lots...

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-They're going.

-Don't go!

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Quite. But not when her carpet bowls are up for grabs.

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£50 for these nice bowls.

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-30, 10.

-Oh...

-No-one's interested? £10. 10 bid, thank you, sir.

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-One bid at 10 for the Victorian carpet bowls.

-No!

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Going to be sold at £10 only.

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12, 15, 18, 20...

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-Come on!

-..22, 25.

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25. All done and finished at 25.

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GAVEL BANGS

0:52:500:52:52

Ouch. I mean...

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Not convincing, Paul.

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Someone has got some nice lumps of lignum vitae there.

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I would be genuinely upset if it was you.

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-No, you wouldn't!

-I would!

-You'd be dancing a jig.

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Time for Paul's stylish stick stand.

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30 for the stand.

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20.

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20, 22, 25, 28,

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30, 32, 35 - new place.

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38, 40...

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-Fresh outbreak.

-They all want it now.

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45 - I'll be with you in a minute. 48...

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They're queuing up, forming a queue. Form an organised queue.

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I'll sell for 50. Are we all done?

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GAVEL BANGS

0:53:300:53:32

That's all right, that's all right, that's all right.

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Like the man said, a fair reward.

0:53:350:53:37

How will her colourful compact fare?

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20.

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£10 for the Art Deco. 10 bid.

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12, 15, 18,

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-20, 22, 25...

-All right.

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Going to sell it, if we're all done and sure, at £25.

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GAVEL BANGS

0:53:540:53:56

No shame. No glory, but no shame.

0:53:560:53:58

Don't gloat.

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A loss after costs, but she just about got away with that one.

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Time for one of Paul's stranger buys - the thimbles.

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£30, then, for the silver thimbles.

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20.

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Bid. Any advance on 20?

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I've got one bid standing in the room at £20.

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-One bidder.

-All finished at 20...

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GAVEL BANGS

0:54:190:54:21

# So happy I could do a dance! #

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The huge profit from the brooch more than makes up for it.

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Catherine's big draw - no lens cap, remember, though.

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And I'll start bidding with me at £40 on this lot.

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Is there any advance on 40 for the scope? It's on commission at 40.

0:54:360:54:40

-Oh, come on.

-Are we all done and all sure at £40?

0:54:400:54:44

-GAVEL BANGS

-That's all right, you did OK there.

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Yeah, buck up! A clear profit.

0:54:470:54:50

Now it's champagne for one.

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£10 for the champagne glass.

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5 for a nice decorative glass.

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5 bid.

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-This should make 60.

-10, 12,

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15, 18.

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I am going to sell for 18 if we're all done.

0:55:020:55:05

-GAVEL BANGS

-No! Why?

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Why?

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If only we knew.

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What can Paul's shiny mirror manage?

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40 for this Victorian mirror.

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30.

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£20 only for the mirror is bid. Thank you, sir.

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22, 25, 28, 30.

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30, then, back where we started.

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Are we all done and sure at 30? I will sell at 30.

0:55:270:55:30

GAVEL BANGS

0:55:300:55:32

-Is it a loss?

-After taxes.

-Brilliant.

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I'm going out with a whimper.

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He can afford it, mind you.

0:55:370:55:38

Now, will Catherine finally ring up a profit with this?

0:55:400:55:43

My stomach's going over and over.

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This is not good, I'm not normally like this.

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£30, then, for this bell.

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20.

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-£10.

-Why isn't he ringing it?

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Is bid, 10 with the gentleman.

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-Any advance on 10?

-It's been broken!

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Not exactly tolling.

0:55:590:56:01

20, 22.

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It's 22 with the lady. 25.

0:56:030:56:06

-Come on.

-Any advance on 25?

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I'm going to sell it at 25.

0:56:080:56:10

GAVEL BANGS

0:56:100:56:12

-It's a profit.

-Yeah.

-But it's minimal.

0:56:120:56:14

It's a faint tinkle, that's what it is.

0:56:140:56:17

Next up it's Paul's batch of militaria.

0:56:170:56:21

-Some interest on the sheet starts me at £40 for this.

-What?!

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It's a commission bid at 40, 42, 45,

0:56:260:56:29

-48, 50...

-Oh, Paul.

-..52,

0:56:290:56:32

55, 58, 60,

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65, then, clears me.

0:56:340:56:36

Is there any advance on 65? Being sold at 65, all sure?

0:56:360:56:41

-GAVEL BANGS

-Slightly awkward.

0:56:410:56:43

Aberdeen wanted it, whatever it was.

0:56:430:56:46

Almost everyone likes cats, don't they?

0:56:480:56:50

This book has to make

0:56:500:56:53

about £450 for me to be on the same level as you.

0:56:530:56:57

40.

0:56:570:56:59

30.

0:56:590:57:01

20. I've got 20 on my right.

0:57:010:57:04

-Come on.

-22, 25, 28, 30,

0:57:040:57:07

32, 35, 38, 40.

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-Come on.

-OK, 40, then, back where we started.

0:57:110:57:14

Are we all done and selling at 40?

0:57:140:57:16

He's back at 42, 45, 48...

0:57:160:57:19

-Yes!

-..50, 55, 60.

0:57:190:57:23

-At 60 on my right again.

-Please!

0:57:230:57:26

Is there any advance on £60?

0:57:260:57:28

GAVEL BANGS

0:57:280:57:29

I'm coming back, I'm coming back.

0:57:290:57:32

Well, it was certainly good to end on a profit.

0:57:320:57:35

Right, come on, that was brilliant.

0:57:350:57:38

For the final leg, Catherine started out with £257.92

0:57:380:57:42

and after paying auction costs,

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she made a loss of £44.74,

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leaving her with £213.18.

0:57:480:57:52

While Paul began with £402.46,

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after paying auction costs he's made a profit of £82.10.

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So his final total is £484.56.

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All profits, of course, go to Children In Need.

0:58:050:58:07

Well done, team.

0:58:070:58:10

-Go on, then, be nice, be nice - for once.

-Your chariot awaits.

0:58:100:58:14

-Oh, thank you, sir. It's been fun, hasn't it?

-Yeah.

-It's been amazing.

0:58:140:58:17

-And at the last minute, you peaked.

-Over the horizon once again.

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Off we go.

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The end.

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Cheerio, you two!

0:58:250:58:27

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