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It's the nation's favourite antique experts. | 0:00:02 | 0:00:04 | |
-This is beautiful. -That's the way to do this. | 0:00:04 | 0:00:06 | |
With £200 each, a classic car and a goal to scour for antiques. | 0:00:06 | 0:00:12 | |
-Joy! -Hello! | 0:00:12 | 0:00:13 | |
The aim? To make the biggest profit at auction. | 0:00:13 | 0:00:16 | |
But it's no mean feat. | 0:00:16 | 0:00:18 | |
There will be worthy winners and valiant losers. | 0:00:19 | 0:00:22 | |
Sorry! Sorry! | 0:00:22 | 0:00:24 | |
So will it be the high road to glory or the slow road to disaster? | 0:00:24 | 0:00:27 | |
The handbrake's on! | 0:00:27 | 0:00:29 | |
This is Antiques Road Trip. | 0:00:29 | 0:00:31 | |
Yeah! | 0:00:34 | 0:00:35 | |
Welcome to the second leg of the trip. | 0:00:37 | 0:00:39 | |
We're soaking up the stunning scenery in Northern Ireland | 0:00:39 | 0:00:42 | |
with two top antique experts - | 0:00:42 | 0:00:44 | |
Catherine Southon and Paul Laidlaw. | 0:00:44 | 0:00:47 | |
They look happy now, but leg one saw tensions flair. | 0:00:47 | 0:00:52 | |
Would you please remove yourself from this cabinet? | 0:00:52 | 0:00:56 | |
-I thought you were my friend, Paul. -What?! | 0:00:56 | 0:00:58 | |
-The honeymoon's not even started! -No, it's divorce already. | 0:00:58 | 0:01:02 | |
-I'm sorry. -Oh, no! -It's divorce. -Well, I want the dog. | 0:01:02 | 0:01:04 | |
HE CACKLES | 0:01:04 | 0:01:07 | |
Anyway. With nearly 20 years of antiques experience under her belt, | 0:01:07 | 0:01:11 | |
Catherine certainly knows what she likes. | 0:01:11 | 0:01:13 | |
Oh, I love this. That's super. | 0:01:16 | 0:01:19 | |
Laughing boy Paul is an auctioneer who's just as opinionated. | 0:01:20 | 0:01:25 | |
But these are good. | 0:01:25 | 0:01:27 | |
-First auction behind us. -You were nervous at the auction. | 0:01:28 | 0:01:32 | |
I'm always nervous. Get used to it. | 0:01:32 | 0:01:34 | |
Is it because you have never been against such a good competitor? | 0:01:34 | 0:01:38 | |
-That's exactly what it is. -Is that why? -I'm quaking. | 0:01:38 | 0:01:42 | |
In his boots. | 0:01:42 | 0:01:43 | |
Catherine started this trip with £200 in her pocket. | 0:01:46 | 0:01:49 | |
After some wise buys on leg one, | 0:01:49 | 0:01:51 | |
she's turned it into a respectable £258.80. | 0:01:51 | 0:01:55 | |
Paul began with the same sum and also made some profitable purchases, | 0:01:58 | 0:02:01 | |
so has £282 to play with today. | 0:02:01 | 0:02:05 | |
The automobile of choice is this 1971 Morris Minor, | 0:02:08 | 0:02:12 | |
manufactured before seatbelts became mandatory. | 0:02:12 | 0:02:14 | |
Our journey began in Portrush, County Antrim, | 0:02:22 | 0:02:24 | |
and after exploring Northern Ireland, | 0:02:24 | 0:02:27 | |
they'll cross the sea to Scotland | 0:02:27 | 0:02:29 | |
before finally finishing several hundred miles later in Aberdeen. | 0:02:29 | 0:02:32 | |
This second leg kicks off in Aghadowey in Northern Ireland, | 0:02:34 | 0:02:37 | |
and will finish up in bonnie Scotland, | 0:02:37 | 0:02:39 | |
where they'll do battle at auction in Galashiels. | 0:02:39 | 0:02:43 | |
Catherine's first shop of the day is nestled in the lush countryside | 0:02:44 | 0:02:48 | |
of County Londonderry in Aghadowey. | 0:02:48 | 0:02:51 | |
Sarah Rose Antiques. We're going to get on famously, Sarah Rose and I. | 0:02:53 | 0:02:57 | |
The shop's namesake, Sarah Rose, | 0:02:58 | 0:03:01 | |
runs the family business with her dad, James. | 0:03:01 | 0:03:04 | |
Some nice things in here, all right. | 0:03:04 | 0:03:06 | |
Like that. | 0:03:06 | 0:03:08 | |
What is it? | 0:03:09 | 0:03:10 | |
Help me out here, Sarah. | 0:03:10 | 0:03:11 | |
This looks really interesting on the wall here. | 0:03:11 | 0:03:15 | |
Cast iron. Is it for being next to a fire for your...? | 0:03:15 | 0:03:20 | |
-That would have been for... -Bread? Scones? -For breads, uh-huh. | 0:03:20 | 0:03:23 | |
This is a harnen stand. | 0:03:23 | 0:03:25 | |
Traditionally used to toast or dry out large oatcakes | 0:03:25 | 0:03:28 | |
in front of the open fire. | 0:03:28 | 0:03:30 | |
This one probably dates from around the early 19th century | 0:03:30 | 0:03:33 | |
and is worth a closer look, I guess. | 0:03:33 | 0:03:35 | |
I like that. | 0:03:36 | 0:03:38 | |
What have you got on that? | 0:03:38 | 0:03:40 | |
There's, I think, £85 on that there. | 0:03:40 | 0:03:43 | |
I mean, I see that at auction probably | 0:03:43 | 0:03:45 | |
more like your £30 to £50 estimate, but... | 0:03:45 | 0:03:49 | |
That's OK. Well, sure, we can have a think about that one. | 0:03:49 | 0:03:52 | |
While Catherine continues to peruse, | 0:03:52 | 0:03:55 | |
Paul has made his way to Ballynure in County Antrim. | 0:03:55 | 0:03:59 | |
He's come to Bridgend Antiques, | 0:04:01 | 0:04:02 | |
a very unique shop, situated next door to its owner's house. | 0:04:02 | 0:04:07 | |
-Hello, there. -Hi, Paul. | 0:04:08 | 0:04:10 | |
Pleased to meet you. Hector Thompson. | 0:04:10 | 0:04:12 | |
Pleased to meet you. | 0:04:12 | 0:04:13 | |
No time for small talk. | 0:04:13 | 0:04:15 | |
And it looks like some Capodimonte figurines have turned Paul's head. | 0:04:18 | 0:04:23 | |
Excellent modelling. They want to be Belle Epoque. | 0:04:23 | 0:04:27 | |
-They want to be 1900, don't they? -Yeah. | 0:04:27 | 0:04:29 | |
They're quality. They're quality. | 0:04:29 | 0:04:32 | |
I see a price tag on there. 38 quid. | 0:04:32 | 0:04:36 | |
-That's the two, now. That's not one. -That's the two? -That's the pair. | 0:04:36 | 0:04:40 | |
But you know there's no way | 0:04:40 | 0:04:42 | |
I'm going to take the first price on anything. | 0:04:42 | 0:04:45 | |
We know that. That goes without saying. | 0:04:45 | 0:04:47 | |
That's good. So there's no surprises or disappointments here. | 0:04:47 | 0:04:50 | |
Just give me the absolute bottom line. | 0:04:50 | 0:04:52 | |
20 quid. | 0:04:52 | 0:04:54 | |
-You broke the ice. We're off and rolling. -OK. | 0:04:56 | 0:05:00 | |
Good man. | 0:05:00 | 0:05:01 | |
On that note, Catherine, what have you found? | 0:05:03 | 0:05:06 | |
-There's a little table there. -Mm-hm. | 0:05:06 | 0:05:09 | |
Now, I quite like the top of that table. | 0:05:09 | 0:05:11 | |
-I like the detail here. -Mm-hm. | 0:05:14 | 0:05:16 | |
I mean, I think this is the sort of thing | 0:05:16 | 0:05:18 | |
that was probably churned out en masse, | 0:05:18 | 0:05:20 | |
and it was made for the western market. | 0:05:20 | 0:05:24 | |
I like the legs, I think they're quite decorative. | 0:05:24 | 0:05:26 | |
And I think at £15, that's... | 0:05:26 | 0:05:29 | |
That's not bad. | 0:05:29 | 0:05:31 | |
Is there any movement in that one? | 0:05:31 | 0:05:33 | |
That one's actually £68 on that one. | 0:05:34 | 0:05:37 | |
Oh, I read the other side, which I prefer much more. | 0:05:37 | 0:05:41 | |
-Oh, no! -15. | 0:05:41 | 0:05:43 | |
-Sorry, that's our code for our book. -Oh, is it?! | 0:05:43 | 0:05:46 | |
-Mm-hm. -Oh, no! I thought that was the price! | 0:05:46 | 0:05:49 | |
Sorry about that. | 0:05:49 | 0:05:50 | |
-SHE MOUTHS: -Damn! | 0:05:50 | 0:05:52 | |
Unlucky, eh? | 0:05:52 | 0:05:53 | |
Paul, meanwhile, has found something else he fancies - | 0:05:53 | 0:05:56 | |
a rather nice Royal Crown Derby cabaret tea set. | 0:05:56 | 0:05:59 | |
What's a cabaret tea set? It's tea for two, is it not, yeah? | 0:06:00 | 0:06:03 | |
Which is sweet, I get the... | 0:06:03 | 0:06:05 | |
For me, there's a touch of romance there. | 0:06:05 | 0:06:08 | |
Now cabaret tea sets, yeah, you can buy those. | 0:06:08 | 0:06:10 | |
Cabaret tea sets with trays are uncommon. | 0:06:10 | 0:06:14 | |
So what you get is an uncommonly complete set | 0:06:14 | 0:06:21 | |
by one of the more desirable manufacturers. | 0:06:21 | 0:06:24 | |
I think that's pretty seductive. | 0:06:24 | 0:06:27 | |
But, at £185, it's too pricey for his purse. | 0:06:27 | 0:06:31 | |
Hector, what's your best? | 0:06:31 | 0:06:33 | |
125. | 0:06:35 | 0:06:36 | |
-No. -Where do you want to be? | 0:06:36 | 0:06:39 | |
-Do you know what? I'm going to make you a cheeky offer. -OK. | 0:06:39 | 0:06:42 | |
Going from porcelain figurines to china teaware | 0:06:42 | 0:06:45 | |
would suggest to many I have lost the plot. | 0:06:45 | 0:06:48 | |
But, at 75 quid, I don't think I could do bad. | 0:06:48 | 0:06:53 | |
90 quid. | 0:06:53 | 0:06:55 | |
Oh, jeez! Down to two figures. | 0:06:55 | 0:06:57 | |
-No, it just... -Are you a gambling man? | 0:06:59 | 0:07:01 | |
Oh, jeez, you're not going to pull a coin! | 0:07:01 | 0:07:04 | |
-I'll spin you. -Oh, no! I hate that! | 0:07:04 | 0:07:07 | |
75 or 85 quid. | 0:07:07 | 0:07:10 | |
Spin the coin. Tails. | 0:07:11 | 0:07:14 | |
Heads. | 0:07:16 | 0:07:17 | |
HE STAMMERS | 0:07:17 | 0:07:21 | |
That was me taking that well. But that is a good deal. | 0:07:21 | 0:07:23 | |
-Thank you very much. -Wonderful. No. Spot on. | 0:07:23 | 0:07:26 | |
-I'm happy with that. -It's fine. | 0:07:26 | 0:07:29 | |
Excuse me. Wait a minute. I think I forgot something. | 0:07:29 | 0:07:32 | |
YOU FOOL! | 0:07:32 | 0:07:34 | |
-ECHOES: -Fool...fool...! | 0:07:34 | 0:07:36 | |
Back in Aghadowey, Catherine's spotted a piece of silver. | 0:07:39 | 0:07:44 | |
The rest of it's plate in there. | 0:07:44 | 0:07:46 | |
It looks like it's initialled L and S. Levi and Salaman, maybe. | 0:07:49 | 0:07:53 | |
Yes, indeed, actually. | 0:07:53 | 0:07:54 | |
Probably about late 19th century. | 0:07:54 | 0:07:58 | |
Little belt buckle. | 0:07:58 | 0:08:00 | |
Really nicely decorated. | 0:08:00 | 0:08:02 | |
Not a lot to it. It's priced up £12. | 0:08:02 | 0:08:05 | |
A-ha! The shop owner returns. | 0:08:05 | 0:08:08 | |
Hi, Sarah, there was this one other thing. | 0:08:08 | 0:08:11 | |
This, which is just like a little... | 0:08:11 | 0:08:13 | |
-I mean, just like a simple belt buckle. -Yeah. | 0:08:13 | 0:08:16 | |
Sarah's going to consult her dad about the best price | 0:08:16 | 0:08:19 | |
for the belt buckle and the occasional table. | 0:08:19 | 0:08:21 | |
She's already agreed to knock £40 off the harnen stand, | 0:08:21 | 0:08:26 | |
giving that a price of £45, which has to be a snip. | 0:08:26 | 0:08:29 | |
Now, I have asked him about the table and I've explained to him | 0:08:32 | 0:08:36 | |
-that you'd seen the thing and you thought it was 15. -Yes. | 0:08:36 | 0:08:39 | |
-So he says we'd go down to 35 for you. -OK. | 0:08:39 | 0:08:43 | |
And this wee one, £10. | 0:08:43 | 0:08:45 | |
Right. OK. I will... | 0:08:45 | 0:08:48 | |
take this at 45. | 0:08:48 | 0:08:51 | |
If I can have that for 30, then I'll take it. | 0:08:52 | 0:08:55 | |
What happens if we just give you a wee luck penny back? | 0:08:55 | 0:09:00 | |
-Oh, what's a luck penny? -A luck penny's like an Irish thing. | 0:09:00 | 0:09:03 | |
The table's 35, so I'm giving you £2 and it means you're taking | 0:09:03 | 0:09:07 | |
the luck with you from Ireland. | 0:09:07 | 0:09:10 | |
-Aw! -And the table, you pay me £33. | 0:09:10 | 0:09:12 | |
-So the table was in fact £33? -Yes. | 0:09:12 | 0:09:15 | |
If you can do that for a fiver, I'll take that as well | 0:09:15 | 0:09:18 | |
and that will give me another bit of luck. | 0:09:18 | 0:09:20 | |
-That will do. -Is that all right? -Yeah. | 0:09:20 | 0:09:23 | |
-Thank you so much. -All right. Thank you. | 0:09:23 | 0:09:26 | |
So that's the harnen stand, | 0:09:26 | 0:09:28 | |
the occasional table and the silver buckle bought for £83. Wow! | 0:09:28 | 0:09:32 | |
Over in Ballynure, | 0:09:34 | 0:09:35 | |
Paul's found a pair of early 20th century evening bags. | 0:09:35 | 0:09:39 | |
Bit unusual for him. | 0:09:39 | 0:09:40 | |
Just what can these be? | 0:09:41 | 0:09:43 | |
£15. | 0:09:45 | 0:09:47 | |
They cannae be £15. That's not working for me. | 0:09:48 | 0:09:52 | |
What's cheap? What's the bottom line, | 0:09:52 | 0:09:55 | |
my last shot on the way out the door? | 0:09:55 | 0:09:57 | |
-To give you a chance... -That hinge is a wee bit iffy. | 0:10:01 | 0:10:03 | |
And that's no use at all. | 0:10:03 | 0:10:05 | |
Give me your hand and we'll have a deal at a fiver. | 0:10:05 | 0:10:08 | |
-We got a deal at a fiver. -Done. -Magic. | 0:10:08 | 0:10:10 | |
PAUL CHUCKLES | 0:10:10 | 0:10:12 | |
So that means Paul has paid £110 for his haul of three items. | 0:10:12 | 0:10:19 | |
Next up for Paul is the city of Belfast. | 0:10:21 | 0:10:24 | |
But he's not here to soak up the culture. Paul's here to shop. | 0:10:24 | 0:10:28 | |
-Hello, there. -Hi, Paul. Welcome to Belfast. | 0:10:30 | 0:10:33 | |
-Laurence. -It is indeed, yes. | 0:10:33 | 0:10:35 | |
Good to see you. Thank you very much for the greeting. | 0:10:35 | 0:10:38 | |
I'm looking for something interesting, | 0:10:38 | 0:10:40 | |
a bit stand-out, at the right money. | 0:10:40 | 0:10:42 | |
It's as easy as that. | 0:10:42 | 0:10:44 | |
Sounds simple enough. | 0:10:44 | 0:10:46 | |
What's that, with the trigger? | 0:10:46 | 0:10:47 | |
It's for Stilton. | 0:10:47 | 0:10:49 | |
Oh, yeah, yeah, yeah. | 0:10:49 | 0:10:51 | |
So what is it, Laidlaw? | 0:10:52 | 0:10:54 | |
It's a tiny little gardening shovel for leprechauns. | 0:10:54 | 0:10:58 | |
No, in all seriousness... | 0:10:59 | 0:11:02 | |
it's a Stilton scoop. OK? | 0:11:02 | 0:11:04 | |
So, when one delivers the Stilton to the table, you need this. | 0:11:05 | 0:11:12 | |
This is what you need. | 0:11:12 | 0:11:13 | |
I like that. It's cool. | 0:11:14 | 0:11:18 | |
Um... | 0:11:18 | 0:11:19 | |
Tell me the price. | 0:11:20 | 0:11:22 | |
£25 would show me a small profit. | 0:11:22 | 0:11:26 | |
Sir... | 0:11:28 | 0:11:29 | |
-..thank you very much. -Glad you found something. | 0:11:31 | 0:11:34 | |
I like that. I like that. | 0:11:34 | 0:11:36 | |
But I'm going to have another wee mooch about. | 0:11:36 | 0:11:39 | |
That cries out one of two trade names | 0:11:48 | 0:11:52 | |
coming out of Scotland. Monart and Vasart. | 0:11:52 | 0:11:55 | |
And why do I say that? | 0:11:55 | 0:11:57 | |
Well, we get the use of what's called aventurine glass here. | 0:11:57 | 0:12:02 | |
See these metallic, sparkling inclusions here? | 0:12:02 | 0:12:06 | |
It's like goldstone. | 0:12:06 | 0:12:09 | |
And then you get the mottled, almost blue opaline | 0:12:09 | 0:12:13 | |
and the lovely contrast between the two types of glass. | 0:12:13 | 0:12:16 | |
A good baluster form with a flared neck, | 0:12:16 | 0:12:18 | |
dating to the 1930s, '40s. £22. | 0:12:18 | 0:12:24 | |
Yeah, let's ask. | 0:12:24 | 0:12:25 | |
Is there a deal to be done with Laurence? | 0:12:27 | 0:12:30 | |
You can walk away with that one for 20, if that helps you. | 0:12:30 | 0:12:34 | |
I'll bid you a tenner on that. | 0:12:36 | 0:12:37 | |
Are you Scottish, by any chance? | 0:12:37 | 0:12:39 | |
Meet me halfway. 15 quid. | 0:12:43 | 0:12:46 | |
It's going to a Scottish auction and it's 15 quid and it's sold. | 0:12:46 | 0:12:50 | |
-Thank you, sir. -Thank you very much. -Great stuff. | 0:12:50 | 0:12:53 | |
-What do I owe you? 15 quid... Remind me. -25. -25. | 0:12:53 | 0:12:57 | |
I owe you 40 quid. | 0:12:57 | 0:12:59 | |
Then I'm out of your hair. | 0:12:59 | 0:13:01 | |
With those two lots bought by Paul, | 0:13:01 | 0:13:03 | |
we say nighty-night to a busy day of shopping. What fun. | 0:13:03 | 0:13:08 | |
Good morning, road trippers. | 0:13:11 | 0:13:13 | |
Catherine's come to central Belfast for her first shop of the day, | 0:13:14 | 0:13:18 | |
hoping to uncover some splendid buys. | 0:13:18 | 0:13:20 | |
Wow! This is much bigger than I thought. | 0:13:22 | 0:13:25 | |
-Hello. -Hello. | 0:13:25 | 0:13:26 | |
-Hi. Catherine. You must be Heather. -I'm Heather. | 0:13:26 | 0:13:29 | |
Hi, Heather, lovely to meet you. | 0:13:29 | 0:13:31 | |
I'm seeing in there that you've got a little belt buckle. | 0:13:31 | 0:13:34 | |
And the reason I'm asking that is just because | 0:13:34 | 0:13:36 | |
I've bought another belt buckle recently | 0:13:36 | 0:13:38 | |
and I'm thinking maybe I could put the two together. | 0:13:38 | 0:13:41 | |
That's an early one. | 0:13:42 | 0:13:44 | |
It's not a reproduction. | 0:13:44 | 0:13:47 | |
-Because so often these are reproductions. -Yes. | 0:13:47 | 0:13:50 | |
And that's quite nicely chased, isn't it? | 0:13:50 | 0:13:53 | |
Right. What would you do on this one cos you've got 68 on that? | 0:13:54 | 0:13:58 | |
I'll do it for 60. | 0:13:58 | 0:14:00 | |
Oh, Heather. | 0:14:00 | 0:14:02 | |
Is there no way you can do a bit more on that one? | 0:14:03 | 0:14:05 | |
I'll go to 50. | 0:14:05 | 0:14:07 | |
Can you do 40? | 0:14:08 | 0:14:10 | |
It's dropping an awful lot. | 0:14:10 | 0:14:12 | |
-Well, all right. -Is that OK? -40. | 0:14:12 | 0:14:13 | |
Thank you very much. | 0:14:13 | 0:14:15 | |
Now, what else? | 0:14:15 | 0:14:17 | |
That's lovely, isn't it? That book slide there with the fans on. | 0:14:19 | 0:14:24 | |
That's really nice. | 0:14:24 | 0:14:26 | |
It's all lacquered with mother-of-pearl inlay on it. | 0:14:26 | 0:14:29 | |
I don't really like book slides, they're normally terribly boring. | 0:14:29 | 0:14:33 | |
It's something I've never, ever bought, actually. | 0:14:33 | 0:14:36 | |
But that's actually really nice. | 0:14:36 | 0:14:38 | |
With a price tag of £120, do you like it enough? | 0:14:38 | 0:14:42 | |
What would be your very best on this? | 0:14:44 | 0:14:47 | |
Well, it really should be 100. | 0:14:47 | 0:14:50 | |
But, er... | 0:14:50 | 0:14:51 | |
..if I said 90. | 0:14:53 | 0:14:55 | |
Mm. | 0:14:55 | 0:14:57 | |
Can we say 80 on it? | 0:14:57 | 0:14:59 | |
And then I think I will shake your hand | 0:14:59 | 0:15:02 | |
because I do like that. | 0:15:02 | 0:15:04 | |
Er... | 0:15:04 | 0:15:06 | |
-Yes. -I shall shake your hand. Thank you very much. | 0:15:06 | 0:15:10 | |
That generous discount means Catherine parts with £120. | 0:15:10 | 0:15:14 | |
Paul, meanwhile, has made his way to Dungannon in County Armagh, | 0:15:16 | 0:15:21 | |
where he's visiting the Argory, | 0:15:21 | 0:15:23 | |
the family home of a soldier named Ralph Shelton - | 0:15:23 | 0:15:27 | |
an ordinary man who survived an extraordinary disaster | 0:15:27 | 0:15:30 | |
before he was out of his teens. | 0:15:30 | 0:15:32 | |
Here to tell Paul more is house manager Matthew Morrison. | 0:15:34 | 0:15:39 | |
This was the home of Captain Shelton. | 0:15:39 | 0:15:41 | |
He was a survivor of the Birkenhead disaster in 1852. | 0:15:41 | 0:15:45 | |
This is really significant in terms of maritime disasters, is it not? | 0:15:45 | 0:15:51 | |
It is. This was the largest maritime disaster | 0:15:51 | 0:15:54 | |
before the sinking of the Titanic. | 0:15:54 | 0:15:56 | |
And it was at this event that the Birkenhead protocol was established, | 0:15:56 | 0:15:59 | |
which is the women and children first were to be evacuated. | 0:15:59 | 0:16:02 | |
-My word! -So quite an important event in our history. | 0:16:02 | 0:16:06 | |
And actually, although we believe it happens a lot, | 0:16:06 | 0:16:08 | |
it's only ever been used officially twice in history. | 0:16:08 | 0:16:11 | |
Once on the Birkenhead and then again on the Titanic. | 0:16:11 | 0:16:13 | |
-Oh, my God! -So it's not as common as we think. | 0:16:13 | 0:16:16 | |
It was in January 1852, just shy of his 20th birthday, | 0:16:18 | 0:16:22 | |
that Shelton set off to fight in the Cape Frontier Wars in South Africa. | 0:16:22 | 0:16:27 | |
He travelled on HMS Birkenhead. | 0:16:27 | 0:16:30 | |
Who's aboard, just troops? | 0:16:30 | 0:16:32 | |
No, this was one of the very early voyages, | 0:16:32 | 0:16:35 | |
where women and children would have travelled along with the officers. | 0:16:35 | 0:16:38 | |
They were there to act as nurses and cooks to the men. | 0:16:38 | 0:16:42 | |
In the early hours of the 26th of February, | 0:16:42 | 0:16:45 | |
while travelling around the Cape of Good Hope, disaster struck. | 0:16:45 | 0:16:49 | |
The ship hit a rocky outcrop called Danger Point. | 0:16:49 | 0:16:53 | |
Shelton was fast asleep below deck. | 0:16:53 | 0:16:56 | |
At 2am, he was woken as they hit the rocks | 0:16:56 | 0:16:59 | |
-and, at that point, they were all called on to the deck. -Yeah. | 0:16:59 | 0:17:03 | |
Very early on, Shelton was ordered to remove the horses | 0:17:03 | 0:17:07 | |
and lead them overboard. | 0:17:07 | 0:17:08 | |
They were hoping to lighten the weight, | 0:17:08 | 0:17:11 | |
and they were very distressed. | 0:17:11 | 0:17:12 | |
Deary me! It's horrific quickly, isn't it? | 0:17:12 | 0:17:16 | |
Even with the horses cut loose and thrown overboard, | 0:17:16 | 0:17:19 | |
the ship continued to flounder. | 0:17:19 | 0:17:21 | |
It was then that the historic order | 0:17:21 | 0:17:24 | |
of "women and children first" was issued. | 0:17:24 | 0:17:26 | |
After that, Shelton went beneath deck, | 0:17:26 | 0:17:29 | |
where he took his own initiative to search | 0:17:29 | 0:17:32 | |
and make sure all women and children had evacuated safely. | 0:17:32 | 0:17:35 | |
And it was there that he found the two little girls | 0:17:35 | 0:17:37 | |
that were holding each other in one of the cabins, | 0:17:37 | 0:17:39 | |
terrified for their lives. | 0:17:39 | 0:17:41 | |
If we look here on the picture, | 0:17:41 | 0:17:42 | |
we can actually see Shelton with the two young girls that he saved. | 0:17:42 | 0:17:46 | |
And he passes them into the lifeboat, | 0:17:46 | 0:17:47 | |
-where their mother hysterically waited for them. -Right. | 0:17:47 | 0:17:50 | |
Now, like the Titanic, there's not enough lifeboats, are there? | 0:17:50 | 0:17:53 | |
There's not enough lifeboats and there was some difficulty | 0:17:53 | 0:17:55 | |
in launching those that were workable onboard. | 0:17:55 | 0:17:58 | |
And we believe there were several that actually made it safely away. | 0:17:58 | 0:18:02 | |
Fearing the few lifeboats carrying the women and children | 0:18:02 | 0:18:05 | |
would be swamped, | 0:18:05 | 0:18:07 | |
the commanding officer drew his sword | 0:18:07 | 0:18:08 | |
and ordered his men to stand fast and remain on the ship. | 0:18:08 | 0:18:12 | |
The Birkenhead split in two | 0:18:15 | 0:18:17 | |
and sank only 20 minutes after hitting the rocks. | 0:18:17 | 0:18:21 | |
So what becomes of Shelton in all this? | 0:18:21 | 0:18:25 | |
-He's aboard the vessel as it's going down. -He was. | 0:18:25 | 0:18:28 | |
As a reward for his courage and foresight, | 0:18:28 | 0:18:31 | |
Shelton was actually offered a place on the lifeboat to save his life. | 0:18:31 | 0:18:34 | |
-Really? -But he declined, | 0:18:34 | 0:18:36 | |
and he chose to stand with the men and go down with the ship. | 0:18:36 | 0:18:40 | |
Death by drowning came quickly to many of the men. | 0:18:40 | 0:18:43 | |
The more unfortunate were killed by great white sharks. | 0:18:43 | 0:18:48 | |
Shelton, however, survived, | 0:18:48 | 0:18:50 | |
enduring a terrifying three-hour swim to shore. | 0:18:50 | 0:18:53 | |
Our story doesn't end with just Shelton surviving the Birkenhead. | 0:18:55 | 0:18:58 | |
When he was removing the horses from board, | 0:18:58 | 0:19:00 | |
his own horse went overboard and into the sea. | 0:19:00 | 0:19:03 | |
When he landed on the bay and he came through, he was exhausted, | 0:19:03 | 0:19:08 | |
he looked up and there was his own horse, standing, | 0:19:08 | 0:19:10 | |
-and the two had survived the swim. -Behave yourself! | 0:19:10 | 0:19:14 | |
-Seriously? -It is, yes. | 0:19:14 | 0:19:16 | |
And this is the horse here which he brought back here to the Argory. | 0:19:16 | 0:19:18 | |
It was known as the Birkenhead Horse. | 0:19:18 | 0:19:20 | |
Of course it was. That's astonishing! | 0:19:20 | 0:19:23 | |
It's an incredible story. | 0:19:23 | 0:19:25 | |
193 people survived, including all the women and children, | 0:19:25 | 0:19:30 | |
but it's estimated nearly 450 men lost their lives. | 0:19:30 | 0:19:34 | |
Shelton went on to have a successful military | 0:19:40 | 0:19:43 | |
and diplomatic career before inheriting the Argory, aged 34. | 0:19:43 | 0:19:47 | |
He spent the rest of his life lovingly renovating the house, | 0:19:47 | 0:19:51 | |
but he never forgot his brush with death on board the HMS Birkenhead. | 0:19:51 | 0:19:55 | |
Reunited once again, Catherine and Paul have made their way | 0:19:57 | 0:20:00 | |
to their final stop on this leg of the road trip - | 0:20:00 | 0:20:03 | |
Ballinderry Upper in County Antrim. | 0:20:03 | 0:20:06 | |
Spread over three floors, | 0:20:06 | 0:20:07 | |
there's plenty on offer in Ballinderry Antiques, | 0:20:07 | 0:20:11 | |
and it's Paul who's first to find something. | 0:20:11 | 0:20:14 | |
The first thing I pick up is a Georgian firing glass. | 0:20:14 | 0:20:20 | |
Wait a minute. Did he say firing glass? | 0:20:20 | 0:20:22 | |
What on earth is one of those? | 0:20:22 | 0:20:25 | |
Well, there was a fashion amongst 18th | 0:20:25 | 0:20:28 | |
and early 19th century drinking clubs and societies for toasting. | 0:20:28 | 0:20:33 | |
And when one toasted... | 0:20:33 | 0:20:35 | |
"To the King! Hurrah!" | 0:20:36 | 0:20:40 | |
Imbibe. And then slam the glass down on the table in unison. | 0:20:40 | 0:20:46 | |
It'd go off like gunfire. | 0:20:46 | 0:20:48 | |
So what did they do? | 0:20:48 | 0:20:50 | |
Develop glasses specific for toasting. | 0:20:50 | 0:20:52 | |
A small bowl because you don't want to get drunk too quickly | 0:20:52 | 0:20:56 | |
and a heavy, heavy foot with a heavy, short stem. | 0:20:56 | 0:21:00 | |
It's a firing glass. | 0:21:00 | 0:21:02 | |
That's the term. | 0:21:02 | 0:21:04 | |
And that's what we've got there. | 0:21:04 | 0:21:06 | |
And if I went to buy that from a glass specialist, | 0:21:06 | 0:21:10 | |
I'd have a budget of £80 in mind. | 0:21:10 | 0:21:12 | |
Price tag on this says £28. | 0:21:13 | 0:21:18 | |
Smug face. | 0:21:18 | 0:21:20 | |
I think we'll keep this in mind. | 0:21:22 | 0:21:25 | |
But I've only just started. | 0:21:25 | 0:21:27 | |
Catherine's downstairs with dealer Donald. | 0:21:27 | 0:21:30 | |
What's that sampler? | 0:21:30 | 0:21:32 | |
Yeah, Victorian sampler. | 0:21:32 | 0:21:35 | |
"Ann Thomas." | 0:21:35 | 0:21:37 | |
That would be £55. | 0:21:37 | 0:21:39 | |
Often with samplers, you would find little children | 0:21:42 | 0:21:44 | |
doing like the alphabet or numbers, embroidering them. | 0:21:44 | 0:21:49 | |
But here we've got this little girl, | 0:21:49 | 0:21:51 | |
so we've got "Ann Thomas, aged 9 yrs." Dated 1867. | 0:21:51 | 0:21:56 | |
But what I like about this one is it's pictorial. | 0:21:56 | 0:22:01 | |
I think these are the ones that sell for more money. | 0:22:01 | 0:22:04 | |
Can we say £35 on that? | 0:22:06 | 0:22:08 | |
No, I couldn't. £40, that would be. Yeah? | 0:22:08 | 0:22:12 | |
£40, you say? | 0:22:12 | 0:22:14 | |
Yeah? That's the end? | 0:22:14 | 0:22:16 | |
-That's the end. -That's the end. Let me shake your hand. | 0:22:16 | 0:22:19 | |
Good work, Catherine. | 0:22:19 | 0:22:21 | |
Right, Paul, decision time on that firing glass. | 0:22:22 | 0:22:26 | |
I can't resist a nice piece of glass. | 0:22:26 | 0:22:28 | |
Would you sell me that? | 0:22:28 | 0:22:31 | |
Er, £20? | 0:22:31 | 0:22:32 | |
-Straightforward. -Easy. | 0:22:34 | 0:22:36 | |
-No problem at all. -Excellent. | 0:22:36 | 0:22:39 | |
Talk about blink and you'll miss it. | 0:22:39 | 0:22:41 | |
A speedy deal on the firing glass for £20. | 0:22:41 | 0:22:44 | |
And, just like that, both our experts are all bought up. | 0:22:44 | 0:22:47 | |
Catherine spent £243 on five lots - | 0:22:52 | 0:22:55 | |
the wrought iron harnen stand, the Indian carved occasional table, | 0:22:55 | 0:23:01 | |
the silver buckles, the unusual book slide and the Victorian sampler. | 0:23:01 | 0:23:07 | |
Paul spent less, forking out £170 on six lots, | 0:23:10 | 0:23:14 | |
buying the Capodimonte figures, the Royal Crown Derby tea set, | 0:23:14 | 0:23:18 | |
the ladies' evening bags, the Victorian Stilton scoop, | 0:23:18 | 0:23:23 | |
the glass baluster vase and the Georgian firing glass. | 0:23:23 | 0:23:27 | |
So what do they think of each other's lots? | 0:23:27 | 0:23:30 | |
I never thought Paul would go for the Crown Derby tea set. | 0:23:30 | 0:23:35 | |
And I didn't really think he would go for any Capodimonte figures. | 0:23:35 | 0:23:39 | |
And I definitely didn't think he would go for handbags. | 0:23:39 | 0:23:42 | |
Thankfully, there are two pieces that I think could be tricky, | 0:23:42 | 0:23:46 | |
and that saves my bacon. | 0:23:46 | 0:23:47 | |
After starting this leg in Aghadowey | 0:23:49 | 0:23:52 | |
and travelling around Northern Ireland, | 0:23:52 | 0:23:54 | |
our experts have now made their way to Scotland. | 0:23:54 | 0:23:57 | |
Here, they're motoring towards Galashiels, and Hall's Auctioneers. | 0:23:57 | 0:24:01 | |
There's your auction room. | 0:24:01 | 0:24:03 | |
-It's right by the river. This is lovely. -It beckons. | 0:24:03 | 0:24:06 | |
The man with the gavel today is Michael Hall. | 0:24:06 | 0:24:09 | |
Settle down, folks. | 0:24:11 | 0:24:12 | |
First up, Catherine's Indian carved occasional table. | 0:24:14 | 0:24:18 | |
£10 for the table. 10 for it. 10 is bid. | 0:24:18 | 0:24:22 | |
At 10 for the table. Any more at 10? | 0:24:22 | 0:24:24 | |
At £10. More, surely, there's a lot of work in it. | 0:24:24 | 0:24:28 | |
It is a lot of work. | 0:24:28 | 0:24:29 | |
Are we all finished? It will sell at 10. At 10. | 0:24:29 | 0:24:33 | |
Oh! | 0:24:34 | 0:24:36 | |
That's a bad start. | 0:24:36 | 0:24:38 | |
Looks like the luck penny didn't work after all. | 0:24:38 | 0:24:41 | |
That was your weakest link, put to bed, move on. | 0:24:41 | 0:24:45 | |
From now onwards, it's stratospheric. | 0:24:45 | 0:24:49 | |
Wise words, Paul. | 0:24:49 | 0:24:50 | |
And fitting, as your riskiest punt is up next. The tea set. | 0:24:50 | 0:24:55 | |
I can start it off at £16. I have £16 against you. | 0:24:55 | 0:24:59 | |
17. 18. 19. 20. 21. | 0:24:59 | 0:25:02 | |
-Any more at 21? -Oh, no! -22. -It's going up. | 0:25:02 | 0:25:05 | |
24. 25. 26. | 0:25:05 | 0:25:07 | |
Och! He's going up by the pound. | 0:25:07 | 0:25:09 | |
You've got two people bidding on this. | 0:25:09 | 0:25:13 | |
At 31. 32. 33. 34. 35. 36. | 0:25:13 | 0:25:19 | |
Pound by pound bidding, we could be here for a while. | 0:25:19 | 0:25:22 | |
40. 41. 42. 43. 44. | 0:25:22 | 0:25:24 | |
(Bump the increments, bump the increments!) | 0:25:24 | 0:25:27 | |
You're doing it. This could really climb. | 0:25:27 | 0:25:30 | |
48. 49. 50. | 0:25:30 | 0:25:32 | |
52. 54. | 0:25:32 | 0:25:34 | |
Oh, hang on. He's going up in £2 now. | 0:25:34 | 0:25:37 | |
64. 66. 68. 70. | 0:25:37 | 0:25:41 | |
How did you start at £16 and get up here? | 0:25:41 | 0:25:44 | |
78. 80. 82. | 0:25:44 | 0:25:47 | |
How did you do that, Paul Laidlaw? | 0:25:47 | 0:25:49 | |
-88. 90. -How do you do that? -£90. | 0:25:49 | 0:25:52 | |
At £90. All finished? £90, it goes now. | 0:25:52 | 0:25:55 | |
Thankfully, that's a profit for Paul after all of that. | 0:25:55 | 0:25:59 | |
Who needs their oatcakes toasted, eh? | 0:26:01 | 0:26:03 | |
Catherine's harnen stand is up next. | 0:26:03 | 0:26:07 | |
-£10. -Oh, no. | 0:26:07 | 0:26:09 | |
We'll start at 5, then. 5 is bid. | 0:26:09 | 0:26:11 | |
At £5. Any more at 5? | 0:26:11 | 0:26:13 | |
At 6. 7. 8. 9. 10. 11. | 0:26:13 | 0:26:19 | |
12. 13. 14. 15. 16. 17. | 0:26:19 | 0:26:25 | |
£17. Any more at 17? | 0:26:25 | 0:26:27 | |
At 18. New bidder. | 0:26:27 | 0:26:29 | |
At 19. 20. | 0:26:29 | 0:26:32 | |
I'm getting a hot sweat here. | 0:26:32 | 0:26:34 | |
23. 24. 25. 26. | 0:26:34 | 0:26:40 | |
At £26. | 0:26:40 | 0:26:42 | |
GAVEL BANGS | 0:26:42 | 0:26:44 | |
SHE GRUNTS | 0:26:44 | 0:26:46 | |
In the right room, that niche item might have faired better. | 0:26:46 | 0:26:49 | |
Unlucky, Catherine. | 0:26:49 | 0:26:51 | |
Maybe glass is more this crowd's thing. | 0:26:52 | 0:26:55 | |
Baluster vase, anyone? | 0:26:55 | 0:26:57 | |
16. 16 in the room. At 16. | 0:26:57 | 0:27:00 | |
17. 18. 19. 20. 21. | 0:27:00 | 0:27:03 | |
(It's going up. Edging up.) | 0:27:03 | 0:27:05 | |
22. 23. 24. 25. | 0:27:05 | 0:27:09 | |
26. 27. 28. | 0:27:09 | 0:27:12 | |
-29. 30. -Just amazing. How do you do this? | 0:27:12 | 0:27:14 | |
32. 34. 36. 38. | 0:27:14 | 0:27:17 | |
It's picking up pace again. | 0:27:17 | 0:27:18 | |
42. 44. 46. 48. 50. 2. 54. | 0:27:18 | 0:27:25 | |
56. 58. 60. 2. 64. | 0:27:25 | 0:27:29 | |
-Do you want to swap it? -Any more at 64? | 0:27:29 | 0:27:31 | |
At £64. All finished, then? | 0:27:31 | 0:27:34 | |
Yeah! That was good. | 0:27:34 | 0:27:37 | |
Ah, it might take a while, but that's another top result. | 0:27:39 | 0:27:42 | |
I've warmed to this auction, I don't know about you. | 0:27:43 | 0:27:45 | |
-This is a good auction. -Lovin' it(!) | 0:27:45 | 0:27:47 | |
He's a cheeky one. | 0:27:49 | 0:27:50 | |
Right, can Catherine make a comeback with her book slide? | 0:27:50 | 0:27:53 | |
At £20. At 21. 22. 23. 24. | 0:27:53 | 0:27:59 | |
25. 26. 27. 28. 29. 30. | 0:27:59 | 0:28:03 | |
31. Any more? At 31. 31 in front here. | 0:28:03 | 0:28:08 | |
-All finished? -GAVEL BANGS | 0:28:08 | 0:28:10 | |
That's so cheap. That was cheap at 31. | 0:28:10 | 0:28:12 | |
Well, somebody's walking out with a big smile on their face, | 0:28:12 | 0:28:15 | |
and it's not just me. | 0:28:15 | 0:28:16 | |
Is that the reek of smuggery I smell, Paul? | 0:28:18 | 0:28:21 | |
-Poor me. -I'll buy you a big cake after this. -Will you? | 0:28:21 | 0:28:24 | |
-Will that help? -That really will. | 0:28:24 | 0:28:27 | |
-I'm going to buy you a big cake. -If it's a really big cream cake. | 0:28:27 | 0:28:30 | |
There's the Laidlaw we know and love. | 0:28:31 | 0:28:34 | |
Time for your firing glass. | 0:28:34 | 0:28:36 | |
16 in the room. At 16. | 0:28:37 | 0:28:39 | |
Any more? 17. 18. | 0:28:39 | 0:28:41 | |
19. 20. 1. 22. 23. 24. | 0:28:41 | 0:28:45 | |
25. 26. 27. 28. 29. 30. £30. | 0:28:45 | 0:28:51 | |
At 30. Any more? 30 for the old wine glass. At £30. | 0:28:51 | 0:28:55 | |
At £30, all finished, then? It's going at 30. | 0:28:55 | 0:28:57 | |
GAVEL BANGS | 0:28:57 | 0:28:58 | |
Another profit for Paul. | 0:28:58 | 0:29:00 | |
Will his Stilton scoop see him fly further into the lead? | 0:29:00 | 0:29:05 | |
34. 35. 36. 37. 38. | 0:29:05 | 0:29:10 | |
38. Any more? 38. 39. 40. 1. 42. | 0:29:10 | 0:29:15 | |
43. 44. 45. 46. 47. 48. 49. | 0:29:15 | 0:29:21 | |
50. 1. 52. 53. 54. 55. 56. | 0:29:21 | 0:29:26 | |
57. 57, any more? At 57. | 0:29:26 | 0:29:29 | |
My goodness me, Paul! That's fantastic. | 0:29:29 | 0:29:31 | |
59. 60. 61. £61. | 0:29:31 | 0:29:35 | |
Nearest to me is 61. 61. 62. New bidder. | 0:29:35 | 0:29:39 | |
63. 64. 65. 66. | 0:29:39 | 0:29:43 | |
That's £66. | 0:29:43 | 0:29:45 | |
All done, then? Going. Last time. | 0:29:45 | 0:29:48 | |
Fantastic profit there. | 0:29:48 | 0:29:50 | |
Paul really has bought well. | 0:29:50 | 0:29:51 | |
Can Catherine redeem herself with her silver buckles? | 0:29:54 | 0:29:57 | |
-20 to start with. -Oh! | 0:29:57 | 0:29:59 | |
20 is bid. | 0:29:59 | 0:30:00 | |
£20. 22. 24. 26. 28. 30. | 0:30:00 | 0:30:05 | |
2. 34. 36. 38. 40. 2. 44. 46. | 0:30:05 | 0:30:11 | |
Yes! No, don't stop. Please, don't stop. | 0:30:11 | 0:30:15 | |
For the silver buckles. At 46. All finished? | 0:30:15 | 0:30:17 | |
GAVEL BANGS | 0:30:17 | 0:30:19 | |
-Oh, it's worth more than that. -That was lean. | 0:30:19 | 0:30:22 | |
Unfortunately, that £1 profit is turned into a loss | 0:30:22 | 0:30:25 | |
after auction costs. | 0:30:25 | 0:30:27 | |
Unlucky, Catherine. | 0:30:27 | 0:30:29 | |
OK, it's two cream cakes. | 0:30:29 | 0:30:30 | |
Thank you. | 0:30:32 | 0:30:33 | |
Time for Paul's impulse buy, the beaded handbags. | 0:30:34 | 0:30:38 | |
24. 25. | 0:30:38 | 0:30:41 | |
26. 27. 28. | 0:30:41 | 0:30:43 | |
29. 30. | 0:30:43 | 0:30:46 | |
31. 32. 33. 34. | 0:30:46 | 0:30:50 | |
At 34. All finished? | 0:30:50 | 0:30:52 | |
GAVEL BANGS | 0:30:52 | 0:30:54 | |
I'll get my jacket. | 0:30:54 | 0:30:55 | |
Sit down. | 0:30:56 | 0:30:57 | |
You might have made yet another great profit, | 0:30:57 | 0:31:00 | |
but we're not done yet. | 0:31:00 | 0:31:01 | |
And up next are a couple of your muses. | 0:31:03 | 0:31:06 | |
22. 24. 26. 28. 30. | 0:31:06 | 0:31:09 | |
32. 34. | 0:31:09 | 0:31:11 | |
Are we all finished? At £34, then, they go. | 0:31:11 | 0:31:15 | |
It's a shame, cos they deserve to do a lot better than that. | 0:31:15 | 0:31:18 | |
I mean, I'm glad! | 0:31:18 | 0:31:21 | |
Hey, that's still a nice little profit, Paul. | 0:31:23 | 0:31:26 | |
Think of poor Catherine. | 0:31:26 | 0:31:28 | |
This is it. This is my last chance to claw back SOMETHING today. | 0:31:28 | 0:31:33 | |
It's Catherine's sampler. | 0:31:35 | 0:31:37 | |
-I can start the bidding on the sampler at £50. -Yes! | 0:31:37 | 0:31:40 | |
At £50. Any more at 50 for the sampler? | 0:31:40 | 0:31:43 | |
For 55. 60. 65. 70. | 0:31:43 | 0:31:46 | |
75. At 75. Any more? At 75. | 0:31:46 | 0:31:49 | |
-Keep going. -It's worth that. | 0:31:49 | 0:31:51 | |
Please, keep going. | 0:31:51 | 0:31:53 | |
Are we all finished? 75. It goes, then. | 0:31:53 | 0:31:56 | |
-Short and sweet, but straight in. -Oh! | 0:31:56 | 0:31:59 | |
I'm so happy. | 0:31:59 | 0:32:01 | |
I bet you are. A well-deserved profit to end on. | 0:32:03 | 0:32:06 | |
Hot date with a big cream cake. | 0:32:07 | 0:32:09 | |
Oh, yeah. Come on. Please, Paul. Come on. | 0:32:09 | 0:32:13 | |
Before cake, let's talk money. | 0:32:13 | 0:32:15 | |
Catherine started this leg with £258.80. | 0:32:16 | 0:32:20 | |
Unfortunately, she made a loss of £88.84 after paying auction costs... | 0:32:20 | 0:32:26 | |
..leaving her £169.96. | 0:32:26 | 0:32:30 | |
Paul began with £282 and made a whopping profit of £90.76 | 0:32:35 | 0:32:40 | |
after paying auction costs. | 0:32:40 | 0:32:43 | |
He is today's winner, | 0:32:43 | 0:32:45 | |
and goes into the next leg in the lead with £372.76. | 0:32:45 | 0:32:50 | |
-Peaked late. -I peaked very late. | 0:32:52 | 0:32:54 | |
Onwards. | 0:32:55 | 0:32:56 | |
And the excitement continues as we move on to leg three. | 0:32:56 | 0:33:00 | |
Our two are embracing the prospect of their Caledonian jaunt. | 0:33:02 | 0:33:06 | |
I trust you've had your porridge this morning. | 0:33:07 | 0:33:09 | |
You'll be set up for the day. | 0:33:09 | 0:33:11 | |
Catherine and Paul are now | 0:33:11 | 0:33:13 | |
deep in the Scottish Borders. Look at that. | 0:33:13 | 0:33:17 | |
People say, "Oh, the Highlands!" But it's lovely round there, isn't it? | 0:33:17 | 0:33:21 | |
-Yes. -It's beautiful. | 0:33:21 | 0:33:22 | |
It certainly is, Catherine. | 0:33:23 | 0:33:25 | |
We begin in Melrose in the Borders | 0:33:25 | 0:33:27 | |
and then head north towards an auction in Edinburgh. | 0:33:27 | 0:33:30 | |
Paul's first to shop. | 0:33:30 | 0:33:32 | |
Hello, there. Is it Susan? | 0:33:35 | 0:33:37 | |
-Yes. -Lovely to see you. | 0:33:37 | 0:33:39 | |
To see you, nice! Lovely shop, too. | 0:33:39 | 0:33:42 | |
Ever so cream. | 0:33:42 | 0:33:43 | |
Yes, even you, Lulu. | 0:33:43 | 0:33:45 | |
So sweet. | 0:33:45 | 0:33:46 | |
Let me show you something. | 0:33:46 | 0:33:48 | |
A late 20th century wrought iron lamp or wine table. | 0:33:48 | 0:33:54 | |
And Laidlaw's eyes light up, | 0:33:54 | 0:33:56 | |
because here we have a splendid pair of 17th-century musketeers. | 0:33:56 | 0:34:03 | |
I like the juxtaposition of the 17th century with the 20th century. | 0:34:03 | 0:34:10 | |
Yeah, that said, I'd really rather hack them out! | 0:34:10 | 0:34:14 | |
Best buy it first, Paul. The ticket price is £65. | 0:34:14 | 0:34:19 | |
Is there much margin in that? Is there slack in that price? | 0:34:19 | 0:34:22 | |
There is, a little. | 0:34:22 | 0:34:24 | |
-Are you going to hit me with it? -50? -Dare I push you any further? | 0:34:24 | 0:34:28 | |
You can push me a little but not very much. | 0:34:28 | 0:34:30 | |
-I need a three at the beginning of that price. -No, I can't, sorry. | 0:34:30 | 0:34:34 | |
-Give me the bottom line. -45 would be the bottom line. | 0:34:34 | 0:34:37 | |
-Thank you, that's all I need to know. -We are getting close. | 0:34:37 | 0:34:40 | |
If you would sell that to me for £40, that fiver will seal the deal. | 0:34:40 | 0:34:45 | |
-OK. -Thank you very much. -You're welcome. | 0:34:47 | 0:34:51 | |
Gosh. All very convivial, | 0:34:51 | 0:34:53 | |
and a lot quicker than one might expect, too. | 0:34:53 | 0:34:55 | |
Let's see where Catherine's got to. | 0:34:55 | 0:34:57 | |
Deep in the woods, at the Dawyck Botanic Garden.... | 0:35:01 | 0:35:05 | |
..she has come to find out about an Edwardian adventurer | 0:35:07 | 0:35:10 | |
who hunted exotic plants. | 0:35:10 | 0:35:13 | |
-Hi, there, it's nice to meet you. -And you, too. | 0:35:13 | 0:35:16 | |
-A beautiful garden. -It is, isn't it? | 0:35:16 | 0:35:17 | |
You are very lucky to work somewhere like here. | 0:35:17 | 0:35:20 | |
Dawyck is now part of Edinburgh's Royal Botanic Garden | 0:35:20 | 0:35:23 | |
but as archivist Leonie reveals, in the 19th century, | 0:35:23 | 0:35:26 | |
it belonged to the wealthy Balfour family. | 0:35:26 | 0:35:28 | |
It is a garden with a long history of being associated | 0:35:30 | 0:35:32 | |
with plant collectors. | 0:35:32 | 0:35:34 | |
Well, I'm familiar with antique collecting | 0:35:34 | 0:35:36 | |
but where does plant collecting come from? | 0:35:36 | 0:35:37 | |
It is a similar thing - you would go out to different parts | 0:35:37 | 0:35:40 | |
of the world and collect whatever plants, flowers, trees as well... | 0:35:40 | 0:35:45 | |
You would take a plant cutting or you could collect the seeds from | 0:35:45 | 0:35:49 | |
the plant, send them back home and people were able to grow the plants | 0:35:49 | 0:35:52 | |
that you have seen growing in the world in various parts of the world. | 0:35:52 | 0:35:55 | |
The profitable pursuit of plant collecting for the gardens | 0:35:55 | 0:35:58 | |
of the rich has been around for hundreds of years. | 0:35:58 | 0:36:02 | |
But it was once highly dangerous. | 0:36:02 | 0:36:04 | |
So George Forrest, a 30-year-old herbarium clerk, | 0:36:04 | 0:36:08 | |
may not have been the obvious choice, | 0:36:08 | 0:36:10 | |
but in 1904, the rookie collector set off for China | 0:36:10 | 0:36:13 | |
in search of exotic plants. What fun! | 0:36:13 | 0:36:17 | |
There is an area in south-west China in the province of Yunnan, | 0:36:17 | 0:36:20 | |
cos there had been plant collectors | 0:36:20 | 0:36:21 | |
on the east coast of China before | 0:36:21 | 0:36:23 | |
but this part of China in the south-west | 0:36:23 | 0:36:25 | |
was relatively unexplored. | 0:36:25 | 0:36:26 | |
It is where the end of the Himalayas hooked down into it, | 0:36:26 | 0:36:28 | |
so you have got these huge, high mountain ranges | 0:36:28 | 0:36:31 | |
and then these low, tropical river valleys, | 0:36:31 | 0:36:33 | |
so you were able to get whatever environment or climate | 0:36:33 | 0:36:35 | |
you were looking for fairly close at hand. | 0:36:35 | 0:36:38 | |
Obviously, all you had to do was get there. | 0:36:38 | 0:36:41 | |
A look around the gardens reveals that Forrest was to become | 0:36:41 | 0:36:44 | |
one of the most successful plant collectors of all time. | 0:36:44 | 0:36:48 | |
But history could have turned out very differently. | 0:36:48 | 0:36:51 | |
So, how successful was the first expedition? | 0:36:52 | 0:36:56 | |
It started off fairly quietly, actually. | 0:36:56 | 0:36:58 | |
Forrest arrived too late in the season to collect any plants. | 0:36:58 | 0:37:01 | |
-Oh, no. -But it was OK. He spent the time usefully here. | 0:37:01 | 0:37:05 | |
He scoped his way around Yunnan, | 0:37:05 | 0:37:06 | |
working out where the best place to collect plants would be. | 0:37:06 | 0:37:09 | |
So 1905 finds him up the Mekong River in Yunnan, | 0:37:09 | 0:37:13 | |
staying at a mission, | 0:37:13 | 0:37:15 | |
but this is where it all starts to go wrong for Forrest, | 0:37:15 | 0:37:18 | |
illustrated quite nicely with this map that Forrest drew himself. | 0:37:18 | 0:37:21 | |
To the north are missions that were under siege by some irate locals | 0:37:21 | 0:37:25 | |
at the time, I think, quite fed up with western influence, | 0:37:25 | 0:37:28 | |
so Forrest is basically in a position, knowing that any moment, | 0:37:28 | 0:37:32 | |
these men could come down and do the same | 0:37:32 | 0:37:34 | |
and that is exactly what happens. He finds himself... | 0:37:34 | 0:37:37 | |
-It must have been terrifying. -Absolutely terrifying. | 0:37:37 | 0:37:39 | |
Yes, they found themselves having to flee in the dead of night | 0:37:39 | 0:37:43 | |
-and this map shows the little... -Oh, is that his escape route? | 0:37:43 | 0:37:46 | |
It is his escape route, indeed. | 0:37:46 | 0:37:47 | |
Unfortunately, they are not able to evade these men for long. | 0:37:47 | 0:37:50 | |
The attack eventually does happen and it is every man for himself. | 0:37:50 | 0:37:54 | |
What followed was a massacre, from which only a very fortunate few, | 0:37:54 | 0:37:58 | |
including Forrest, survived. | 0:37:58 | 0:38:01 | |
-Oh, is this him? -This is him, yes. -He looks completely different. | 0:38:01 | 0:38:04 | |
Completely different, yes, he has been starved, hunted. | 0:38:04 | 0:38:07 | |
He looks a lot thinner. | 0:38:07 | 0:38:08 | |
But after that, Forrest actually does then go | 0:38:08 | 0:38:11 | |
and have a very successful plant collecting summer in 1906 | 0:38:11 | 0:38:16 | |
and returns back to Edinburgh in 1907 with a massive haul of plants. | 0:38:16 | 0:38:21 | |
And then, as his fame grows, | 0:38:21 | 0:38:22 | |
he goes on to do another six expeditions out to China. | 0:38:22 | 0:38:25 | |
Altogether, Forrest brought back as many as 31,000 specimens, | 0:38:25 | 0:38:29 | |
including many new discoveries, but having ensured a place | 0:38:29 | 0:38:33 | |
in scientific history, his seventh trip in 1932 was to be his last. | 0:38:33 | 0:38:38 | |
He is just about to return home and he has a heart attack | 0:38:38 | 0:38:41 | |
in the hills outside Tengchong and he dies there and is actually... | 0:38:41 | 0:38:45 | |
Oh, he died there! | 0:38:45 | 0:38:47 | |
..buried out there in the hills that he loved, yes, | 0:38:47 | 0:38:49 | |
so he never made it back to Edinburgh. | 0:38:49 | 0:38:51 | |
But thanks to his extraordinary photographs | 0:38:51 | 0:38:53 | |
and immaculate record keeping, | 0:38:53 | 0:38:55 | |
Forrest's plant collecting legacy lives on. | 0:38:55 | 0:38:58 | |
So this is all listed in a number of field books, | 0:38:58 | 0:39:02 | |
-all the different specimens that he was picking up? -Yes. | 0:39:02 | 0:39:04 | |
-There's about 25 volumes of them that we have. -Goodness. | 0:39:04 | 0:39:07 | |
And they're still used today. That's the nice thing about these archives. | 0:39:07 | 0:39:10 | |
Although he was writing these almost 100 years ago, | 0:39:10 | 0:39:12 | |
we can still take a record such as this one here, | 0:39:12 | 0:39:15 | |
the Rhododendron species that he collected in June 1918, | 0:39:15 | 0:39:18 | |
and we can now just walk just up the road here | 0:39:18 | 0:39:21 | |
and have a look at this plant actually growing here now. | 0:39:21 | 0:39:23 | |
That's incredibly special, isn't it? | 0:39:23 | 0:39:25 | |
-And here it is. -So what is this particular plant? | 0:39:25 | 0:39:29 | |
This is Rhododendron roxieanum. | 0:39:29 | 0:39:31 | |
I quite like the fact that it's named after | 0:39:31 | 0:39:33 | |
the wife of a friend of George Forrest's as well. | 0:39:33 | 0:39:35 | |
Of course, Forrest could never have foreseen that several | 0:39:35 | 0:39:38 | |
of the plants he brought home would become threatened back in Yunnan. | 0:39:38 | 0:39:42 | |
But in the herbaria he helped to create, | 0:39:42 | 0:39:44 | |
biodiversity is in good hands. | 0:39:44 | 0:39:47 | |
If plants are in danger, or they're suffering in their native habitat, | 0:39:47 | 0:39:51 | |
we now have a lot of plant material we can now send back to China | 0:39:51 | 0:39:54 | |
and plant it in the botanic garden there. | 0:39:54 | 0:39:56 | |
And we can also make people more aware about their biodiversity. | 0:39:56 | 0:40:00 | |
I shall certainly look at a Rhododendron in a totally | 0:40:00 | 0:40:02 | |
different way now. | 0:40:02 | 0:40:04 | |
Thank you ever so much. | 0:40:04 | 0:40:05 | |
Meanwhile, Paul has got some collecting of his own to attend to, | 0:40:07 | 0:40:11 | |
taking our route a little closer to the border into Hawick. | 0:40:11 | 0:40:15 | |
This should be an interesting shop. | 0:40:15 | 0:40:17 | |
-What will he -hoik -out? | 0:40:17 | 0:40:19 | |
-Hello there. Is it Morris? -It is. Hello, Paul. -Good to see you. | 0:40:19 | 0:40:22 | |
-Good to see you. -You too. -What a structure. | 0:40:22 | 0:40:25 | |
-Is it a mill we're in? -It were a cashmere mill, yeah, | 0:40:25 | 0:40:28 | |
up to about ten years ago. | 0:40:28 | 0:40:30 | |
Recently transformed into this huge antiques emporium, | 0:40:30 | 0:40:34 | |
containing an awful lot of fine furniture. | 0:40:34 | 0:40:37 | |
I like that. | 0:40:37 | 0:40:38 | |
I like that. | 0:40:39 | 0:40:41 | |
This is the densest room in the building for smalls. | 0:40:43 | 0:40:46 | |
I keep looking at this stick stand here. | 0:40:46 | 0:40:49 | |
There's good workmanship there. | 0:40:49 | 0:40:51 | |
Don't write this off as the work of some 1960s blacksmith. | 0:40:51 | 0:40:56 | |
I think there's real quality in terms of design and execution here. | 0:40:56 | 0:41:01 | |
What makes it for me are these scrolls. | 0:41:01 | 0:41:04 | |
Slightly naturalistic, asymmetric. | 0:41:04 | 0:41:07 | |
And see the way that scroll wraps itself around the upright member. | 0:41:07 | 0:41:11 | |
That's good work. | 0:41:11 | 0:41:12 | |
But it's very black and that's not everyone's cup of tea. | 0:41:12 | 0:41:17 | |
It's also got some problems. It's a wee bit drunk. | 0:41:17 | 0:41:21 | |
Indeed, this little pan didn't sit right in the first place | 0:41:21 | 0:41:25 | |
because this replacement bowl is too long. | 0:41:25 | 0:41:28 | |
Ticket price £75. I'll tell you what. | 0:41:28 | 0:41:31 | |
You're not going to find anyone that could make anything | 0:41:31 | 0:41:33 | |
of that quality for £75. | 0:41:33 | 0:41:36 | |
Even with its wobble, Paul's interested. | 0:41:36 | 0:41:39 | |
Time to get a price from Morris. | 0:41:39 | 0:41:41 | |
-60. 60-ish. 60 quid. -I'm a long way off. | 0:41:42 | 0:41:46 | |
-I'm a 40 quid job on that. -Can I let you know? -Yeah, do. Yeah, yeah. | 0:41:46 | 0:41:50 | |
-Absolutely. But I'm seriously interested. -Right. | 0:41:50 | 0:41:53 | |
Sounds like Morris may be biddable. Anything else? | 0:41:53 | 0:41:56 | |
Look at that nice little burr walnut veneered collector's cabinet | 0:41:56 | 0:42:01 | |
with that little string inlay there. | 0:42:01 | 0:42:03 | |
Wrong! It's all tin plate. | 0:42:03 | 0:42:07 | |
Tin plate at that time, as it still is today, was used commonly to | 0:42:07 | 0:42:11 | |
package sweets. | 0:42:11 | 0:42:14 | |
And this one is issued for our world-famous | 0:42:14 | 0:42:19 | |
Victory V gums and lozenges. | 0:42:19 | 0:42:23 | |
Advertising packaging, vintage material, sells. | 0:42:23 | 0:42:27 | |
It's a hot market. | 0:42:27 | 0:42:29 | |
No price label, though. | 0:42:29 | 0:42:30 | |
Something to ask about, I'd imagine. | 0:42:30 | 0:42:32 | |
Gird your loins. | 0:42:32 | 0:42:34 | |
There's a tin plate chest of drawers, it's a Victory V's thing. | 0:42:34 | 0:42:38 | |
-Yeah. -It's a bit buckled. I can't get the top drawer open. | 0:42:38 | 0:42:41 | |
-10 or 20 quid. -Right. | 0:42:41 | 0:42:43 | |
-The stick stand which I offered 40 quid on and the box... -Uh-huh. | 0:42:43 | 0:42:47 | |
-£50 the two. We've got a deal. -Pleasure, Morris. Sweet as a nut. | 0:42:47 | 0:42:52 | |
-You're welcome. -I'll give you some money. -That sounds good. | 0:42:52 | 0:42:54 | |
THEY LAUGH | 0:42:54 | 0:42:56 | |
No sign of Paul's little fortune | 0:42:56 | 0:42:57 | |
going to his head just yet, is there? | 0:42:57 | 0:43:00 | |
Ah, now, here's Catherine, hands in her pockets. | 0:43:00 | 0:43:03 | |
That cheeky Laidlaw is already here. | 0:43:03 | 0:43:06 | |
I wouldn't worry, Catherine. | 0:43:06 | 0:43:08 | |
I'm sure you can charm the lovely Morris. | 0:43:08 | 0:43:11 | |
-Maybe this case. -This one? -Let's have a look. | 0:43:11 | 0:43:15 | |
Nice quality. Japanese. | 0:43:15 | 0:43:17 | |
-Cigarette. -That is nice quality, isn't it? | 0:43:17 | 0:43:20 | |
-With Mount Fuji in the background. -That's right. | 0:43:20 | 0:43:23 | |
So fresh it hasn't got a ticket on it yet. | 0:43:23 | 0:43:25 | |
So this is probably going to be produced in the early part of the | 0:43:25 | 0:43:28 | |
-20th century, I would say. -I would think so, yeah. | 0:43:28 | 0:43:30 | |
So you would have put your cigarettes all in here. | 0:43:30 | 0:43:32 | |
-Sometimes people use these today as cardholders or something like that. -Yeah. | 0:43:32 | 0:43:36 | |
-So this is all lacquered here. -Mm-hm. | 0:43:36 | 0:43:39 | |
-What's the best on that then, Morris? -55. | 0:43:39 | 0:43:44 | |
If you'd said to me yesterday, yes, I probably would have paid 55, | 0:43:44 | 0:43:47 | |
but I'm struggling on the cash front at the moment so... | 0:43:47 | 0:43:52 | |
Is a possibility... Is there any chance that we can deal a bit | 0:43:52 | 0:43:56 | |
-lower or should I look for something else? -How much lower? | 0:43:56 | 0:43:58 | |
-Would it be really cheeky to say 35? -I'll take your £35 for that. | 0:43:58 | 0:44:02 | |
-Right, OK. -So we've got a deal on one thing. | 0:44:02 | 0:44:05 | |
Anything else Morris can recommend? | 0:44:05 | 0:44:08 | |
What about a yacht? | 0:44:08 | 0:44:09 | |
-Nice. -Quite a nice thing, actually. | 0:44:10 | 0:44:12 | |
That is a proper pond yacht. | 0:44:12 | 0:44:14 | |
-200... -£80. -£80. | 0:44:16 | 0:44:19 | |
Quite a reduction. | 0:44:19 | 0:44:21 | |
What can that really go for at auction? | 0:44:21 | 0:44:23 | |
What can I see that making? | 0:44:23 | 0:44:24 | |
-200, 300. -No, it won't make as much as that. | 0:44:24 | 0:44:28 | |
I think it's a bit tatty. | 0:44:28 | 0:44:29 | |
I like it but it's a bit tatty so I think I'd have to... | 0:44:29 | 0:44:32 | |
-Knock me down a lot. -Yeah, I would. | 0:44:34 | 0:44:36 | |
Honestly I'd probably see that at £40. | 0:44:36 | 0:44:39 | |
HE GULPS | 0:44:39 | 0:44:40 | |
50 quid. | 0:44:42 | 0:44:44 | |
Let me... Do you know what? I'm not shaking on anything | 0:44:44 | 0:44:46 | |
at the moment because I'm... I've got a lot to think about. | 0:44:46 | 0:44:50 | |
Yeah. Well, hurry up, Catherine, cos Morris may get fed up with you! | 0:44:50 | 0:44:54 | |
Right, how about this little tobacco jar? Victorian, cast iron. | 0:44:54 | 0:44:58 | |
Love the shape. Octagonal shape. | 0:44:58 | 0:45:00 | |
Nice. It's cast iron. Nothing to it, is there? | 0:45:00 | 0:45:04 | |
Original tobacco press. | 0:45:04 | 0:45:06 | |
Everything is there. Little brass finial. | 0:45:06 | 0:45:09 | |
-Fiver. -That's a possibility. | 0:45:11 | 0:45:14 | |
OK, are we about to witness a handshake? | 0:45:15 | 0:45:17 | |
-Hello. -There you be. Are you ready for this? -Go on. | 0:45:17 | 0:45:20 | |
-There was the lacquered card case. -Card case, yeah. | 0:45:20 | 0:45:23 | |
-There was the little Victorian tobacco press. -Mm-hm. | 0:45:23 | 0:45:27 | |
There was the pond yacht. | 0:45:27 | 0:45:29 | |
So those three together with the prices that we discussed was 80. | 0:45:29 | 0:45:33 | |
Can I come down to 65, 70? | 0:45:33 | 0:45:36 | |
-Yeah, go on, then. -Which one? -70. Not 65. 70. | 0:45:36 | 0:45:41 | |
-Thank you very much indeed. -OK. You're welcome. -I'm really grateful. | 0:45:41 | 0:45:45 | |
Phew! They've both had quite a start. | 0:45:45 | 0:45:49 | |
Three items. Happy days. | 0:45:49 | 0:45:51 | |
But what will tomorrow bring? | 0:45:51 | 0:45:54 | |
-Do you know what would be my dream? -Go on. | 0:45:54 | 0:45:57 | |
Is that you would go out and spend £200 on something... | 0:45:57 | 0:46:00 | |
-And it makes 20! -And it makes... Oh! Oh! | 0:46:00 | 0:46:03 | |
Are you enjoying that? Are you enjoying that? | 0:46:03 | 0:46:06 | |
Ha-ha! Nighty night. | 0:46:06 | 0:46:08 | |
It's a new day, and Paul's being a nosey parker. | 0:46:11 | 0:46:15 | |
-Any windfalls? -There's nothing I'm going to make a lot of money on. | 0:46:15 | 0:46:20 | |
That's all right, then. I don't care any more. Aren't the views nice? | 0:46:20 | 0:46:24 | |
Ha-ha! Play nicely, now, Paul. | 0:46:24 | 0:46:27 | |
Our next stop is in Innerleithen, Tweeddale. | 0:46:27 | 0:46:31 | |
Have a good one, you. | 0:46:34 | 0:46:36 | |
-Thank you. Wish me luck. -See you later. -Ciao. | 0:46:36 | 0:46:40 | |
Is that Scottish? We'll catch up with Paul later. | 0:46:40 | 0:46:42 | |
-Hello, there. -Hi. Hi. Lovely to see you. -Hi. You are? | 0:46:42 | 0:46:47 | |
-Margaret. -Hi, Margaret. Nice to meet you. | 0:46:47 | 0:46:49 | |
It's a small space but it's absolutely rammed full, isn't it? | 0:46:49 | 0:46:53 | |
You took the words right out of my mouth, Catherine. Look at that lot. | 0:46:53 | 0:46:56 | |
-Is that silver, the golfing one or...? -Yes, it is. | 0:46:56 | 0:47:00 | |
-I've got 35 on that one. -Are you a golfer, Margaret? | 0:47:00 | 0:47:03 | |
No, I'm not a golfer. | 0:47:03 | 0:47:05 | |
THEY LAUGH | 0:47:05 | 0:47:06 | |
Quite a few are in Edinburgh, though. | 0:47:06 | 0:47:08 | |
Stamp 925 sterling so probably not English silver I wouldn't say. | 0:47:08 | 0:47:13 | |
I think it's really interesting. You've got a man there in his | 0:47:13 | 0:47:16 | |
plus fours taking a swing. And what could you do on that, Margaret? | 0:47:16 | 0:47:20 | |
I could do 28. | 0:47:20 | 0:47:22 | |
Well, I'll have a look to see if there's anything else, | 0:47:22 | 0:47:25 | |
because at 28, it might be a bit much. | 0:47:25 | 0:47:27 | |
And she's found some little friends. | 0:47:27 | 0:47:30 | |
Awww! | 0:47:30 | 0:47:31 | |
Puppets. You sell a lot of puppets, do you? | 0:47:31 | 0:47:33 | |
Not really, but that's Sooty and Sweep there, | 0:47:33 | 0:47:36 | |
which is a 1950s Sooty and Sweep. | 0:47:36 | 0:47:38 | |
I loved Sooty and Sweep. | 0:47:38 | 0:47:39 | |
These are the earlier ones, the '50s ones, when they came out earlier. | 0:47:39 | 0:47:43 | |
You'll notice, actually, that Sooty doesn't have black ears | 0:47:43 | 0:47:46 | |
in that one. He has brown ears. | 0:47:46 | 0:47:48 | |
The ticket price for the pair is £48. | 0:47:48 | 0:47:52 | |
-Where did you get them from, actually? -From a toy museum. | 0:47:52 | 0:47:56 | |
-Did you? -So that's why I felt | 0:47:56 | 0:47:58 | |
reasonably confident that they were right. | 0:47:58 | 0:48:00 | |
The fact that we've got a bit of provenance behind that, | 0:48:00 | 0:48:02 | |
-a bit of history... -Yeah. | 0:48:02 | 0:48:04 | |
Sounds like Sooty's passed the test, | 0:48:04 | 0:48:06 | |
but where are we on the deal, children? | 0:48:06 | 0:48:08 | |
What could you really do on these? Could you do 50 for the two? | 0:48:08 | 0:48:12 | |
Because that, I think this is mid-20th century. | 0:48:12 | 0:48:16 | |
-But I think 25 is top whack. -OK. | 0:48:16 | 0:48:18 | |
And then I think 25 on that is just a punt | 0:48:18 | 0:48:23 | |
-and a bit of fun. -OK, then. We'll go for 50. -Is that all right? -OK. | 0:48:23 | 0:48:27 | |
-Done. -I'm going to shake your hand. -Hope they do well for you. | 0:48:27 | 0:48:30 | |
I really hope they do. Yeah. | 0:48:30 | 0:48:32 | |
I mean, that face, it says, "Come on, buy me," doesn't it? | 0:48:32 | 0:48:35 | |
Awww! | 0:48:35 | 0:48:36 | |
Back together again, it's time to head to South Lanarkshire | 0:48:37 | 0:48:41 | |
and the village of Wiston. | 0:48:41 | 0:48:43 | |
Right, then. Elbows at dawn? | 0:48:44 | 0:48:47 | |
They've one last shop to share. | 0:48:47 | 0:48:49 | |
-Oh-ho-ho! Hello. -Hello. I'm Mark. | 0:48:49 | 0:48:52 | |
-I'm Catherine. -Nice to meet you. -Nice to meet you. | 0:48:52 | 0:48:54 | |
-How are you doing, Mark? Are you all right? -Hi. I'm fine, Paul. | 0:48:54 | 0:48:57 | |
Delightful place, but it might be a bit of a squeeze. | 0:48:57 | 0:49:00 | |
Though Catherine's taking it easy. She's all shopped out. | 0:49:00 | 0:49:04 | |
Now, what's Paul found? | 0:49:05 | 0:49:07 | |
You've seen a mariner's sextant before. | 0:49:07 | 0:49:10 | |
This is a variation on the theme called an octant. | 0:49:10 | 0:49:13 | |
That was used to measure the angle of elevation above the horizon | 0:49:13 | 0:49:18 | |
of a given celestial object. And thus one can determine longitude. | 0:49:18 | 0:49:26 | |
It was developed around 1730, | 0:49:26 | 0:49:28 | |
with both an Englishman and an American | 0:49:28 | 0:49:31 | |
having independent and equal claims to have got there first. | 0:49:31 | 0:49:35 | |
That's early 19th century. | 0:49:35 | 0:49:37 | |
I adore scientific instruments. And this one is incomplete. | 0:49:37 | 0:49:42 | |
However... | 0:49:42 | 0:49:44 | |
Maybe in that condition, it's buyable. | 0:49:44 | 0:49:47 | |
We'll ask the question. Oh, Mark? Octant? | 0:49:47 | 0:49:50 | |
-Very much so, yes. -Wrecked. | 0:49:50 | 0:49:52 | |
What's it worth, then? | 0:49:52 | 0:49:54 | |
Well, I have £100 on it at the moment. | 0:49:54 | 0:49:56 | |
Too much. | 0:49:56 | 0:49:57 | |
Are you open to offers, cheeky offers, insulting offers? | 0:49:57 | 0:50:01 | |
-Borderline insulting offers? -Make it 50. | 0:50:01 | 0:50:03 | |
-50 quid, eh? A thought for you. -Mm-hm. -Spotted that earlier. | 0:50:03 | 0:50:07 | |
Box full of random fobs, commemorative medallions, | 0:50:07 | 0:50:11 | |
-military insignia and brooches. -I would do the whole lot for 25. | 0:50:11 | 0:50:19 | |
So the total currently stands at £75. | 0:50:19 | 0:50:22 | |
I'll go 70. | 0:50:22 | 0:50:23 | |
I'm really struck now. 70 quid. | 0:50:23 | 0:50:26 | |
-That's it. I know when the bottom line's been reached. -OK. -Good. | 0:50:26 | 0:50:28 | |
-We did it. -We got there. -Phew! | 0:50:28 | 0:50:32 | |
With those final buys wrapped up, let's take a peek at what | 0:50:32 | 0:50:35 | |
they'll be bringing to auction. | 0:50:35 | 0:50:36 | |
Paul parted with £160 for a table, some tin drawers, | 0:50:38 | 0:50:43 | |
various badges, a stick stand and that octant. | 0:50:43 | 0:50:48 | |
While Catherine spent £120 on a cigarette case, | 0:50:49 | 0:50:53 | |
a golf brooch, | 0:50:53 | 0:50:54 | |
a pond yacht, a tobacco jar and two vintage glove puppets. | 0:50:54 | 0:51:00 | |
Who did good? | 0:51:00 | 0:51:01 | |
She's going to make money and there are some killers in there perhaps. | 0:51:01 | 0:51:05 | |
That stand. I'm surprised he paid so much for that. | 0:51:05 | 0:51:08 | |
He may have a little wobble with that. | 0:51:08 | 0:51:10 | |
After setting off from Melrose, our experts are now heading | 0:51:10 | 0:51:14 | |
towards an auction on the outskirts of the capital. | 0:51:14 | 0:51:17 | |
Welcome to Rosewell, the home of the long established | 0:51:18 | 0:51:21 | |
Thomson Roddick Scottish Auctions. | 0:51:21 | 0:51:24 | |
-Here we go. -Are you ready for a slaughtering? | 0:51:24 | 0:51:26 | |
HE LAUGHS | 0:51:26 | 0:51:28 | |
Listen to you. Get in there. | 0:51:28 | 0:51:30 | |
Sybelle Thomas is taking command of the rostrum. | 0:51:30 | 0:51:33 | |
OK? Eyes down, everyone. | 0:51:33 | 0:51:36 | |
Hotting up in here. | 0:51:36 | 0:51:37 | |
HE LAUGHS | 0:51:37 | 0:51:39 | |
# Feeling good. # | 0:51:39 | 0:51:40 | |
First at the hammer is Paul's slightly tatty table, | 0:51:40 | 0:51:43 | |
featuring two exquisite tiles. | 0:51:43 | 0:51:46 | |
-Can start at £25. -What a start. -25. 25. | 0:51:46 | 0:51:49 | |
Who's going on at 25? | 0:51:49 | 0:51:51 | |
28, 30, 2, 5, 8, 40. | 0:51:51 | 0:51:56 | |
-2, 42. -Close. | 0:51:56 | 0:51:58 | |
You're all out in the room at 42. Anyone else going on at £42? | 0:51:58 | 0:52:03 | |
HAMMER THUDS | 0:52:03 | 0:52:04 | |
-Oh! -Close but no cigar. | 0:52:04 | 0:52:06 | |
Not a bad start. | 0:52:06 | 0:52:08 | |
We'll move on. | 0:52:08 | 0:52:10 | |
HE MUTTERS | 0:52:10 | 0:52:12 | |
Catherine's turn. Her Japanese cigarette case. | 0:52:12 | 0:52:15 | |
And I can start straight in at ten bid. | 0:52:15 | 0:52:18 | |
-Ten bid for a nice cigarette case. -Come on. -Ten. -It's nice, apparently. | 0:52:18 | 0:52:21 | |
12, 15, 18, | 0:52:21 | 0:52:23 | |
20, 2, 25, 8, 30, | 0:52:23 | 0:52:27 | |
-2, 5, 8, 40. -It's going to do it. -Yes. -£40... | 0:52:27 | 0:52:32 | |
Come on, a bit more. A bit more. | 0:52:32 | 0:52:34 | |
Anyone else going on at £40? | 0:52:34 | 0:52:36 | |
HAMMER THUDS | 0:52:36 | 0:52:38 | |
Better than my table, though. | 0:52:38 | 0:52:39 | |
Yep, it's warming up. | 0:52:39 | 0:52:42 | |
So now we have your box of rust. Your rusty box. | 0:52:42 | 0:52:47 | |
Or an early 20th-century chest of drawers | 0:52:47 | 0:52:50 | |
modelled in tin, advertising Victory Vs. | 0:52:50 | 0:52:53 | |
And we will start this at ten bid. | 0:52:53 | 0:52:55 | |
Ten bid, ten bid, ten bid. | 0:52:55 | 0:52:57 | |
-12, 15, 18... -Well done. -Bid's with the lady at 18. | 0:52:57 | 0:53:02 | |
-Anyone else going on? -Made a profit there. | 0:53:02 | 0:53:04 | |
The lady seated at 18. 20... | 0:53:04 | 0:53:06 | |
-It's got life in it yet. -22. | 0:53:06 | 0:53:09 | |
On my right at 22. At 22. | 0:53:09 | 0:53:12 | |
HAMMER THUDS | 0:53:12 | 0:53:13 | |
-Happy days. -I take it all back about a rusty box. | 0:53:13 | 0:53:16 | |
Definitely V for victory. Now for Catherine's tobacco jar. | 0:53:16 | 0:53:22 | |
-A fiver. A fiver! -A bit of jealousy there? -A bit?! | 0:53:22 | 0:53:28 | |
£20 for this. 20, £10. | 0:53:28 | 0:53:30 | |
£10. £5. | 0:53:30 | 0:53:32 | |
5 bid, everywhere, | 0:53:32 | 0:53:34 | |
-8, 10... -Everywhere. I don't like the sound of that. | 0:53:34 | 0:53:37 | |
-..15, 18, 20, 22, 25... -Yes. | 0:53:37 | 0:53:43 | |
-28. The lady standing at the back at 28. -Keep going. | 0:53:43 | 0:53:47 | |
Anyone else going on at £28? | 0:53:47 | 0:53:50 | |
HAMMER THUDS | 0:53:50 | 0:53:51 | |
-28. -Loved that. | 0:53:51 | 0:53:53 | |
Are you sure, Paul? | 0:53:53 | 0:53:55 | |
I may have to lie down somewhere. | 0:53:55 | 0:53:57 | |
Mr Laidlaw, are you jealous of that purchase? Go on, admit it. Go on. | 0:53:57 | 0:54:01 | |
He picked this stick stand up pretty cheaply too. | 0:54:01 | 0:54:04 | |
Ten bid. 12, 15, 18, 20... | 0:54:04 | 0:54:08 | |
They didn't miss it. They walked round. | 0:54:08 | 0:54:10 | |
..8, 30, 2, 5, 8, 38. | 0:54:10 | 0:54:15 | |
Bid's on the right at 38. | 0:54:15 | 0:54:17 | |
40, 42, 45... | 0:54:17 | 0:54:20 | |
-People appreciated it like you did. -..at 45. | 0:54:20 | 0:54:22 | |
It's just going to wash its face. | 0:54:22 | 0:54:24 | |
HAMMER THUDS | 0:54:24 | 0:54:26 | |
It's flat, this. For me, it's flat. | 0:54:26 | 0:54:29 | |
An unusual experience for our Paul. | 0:54:29 | 0:54:32 | |
I am really enjoying this. | 0:54:32 | 0:54:35 | |
-Bring it on. What's next for you? -You're cold! | 0:54:35 | 0:54:38 | |
They're supposed to be quite keen on golf round here. | 0:54:38 | 0:54:42 | |
I have two bids on this and we start at 15 bid. | 0:54:42 | 0:54:45 | |
-15 on commission, 18, 20, 2, 5, 8, 28... -28. | 0:54:45 | 0:54:50 | |
..anyone else for 30? | 0:54:50 | 0:54:52 | |
30, 30, standing right at the back at 30. | 0:54:52 | 0:54:56 | |
Who am I missing for golfing interest? At £30. | 0:54:56 | 0:55:00 | |
HAMMER THUDS | 0:55:00 | 0:55:01 | |
We're not seeing the auction we would have liked today, are we, | 0:55:01 | 0:55:03 | |
with our purchases? | 0:55:03 | 0:55:05 | |
I think any golfer would be pleased with that. | 0:55:05 | 0:55:08 | |
Next, it's Paul's starry buy - the octant. | 0:55:08 | 0:55:11 | |
If this one just makes it over the line | 0:55:11 | 0:55:14 | |
and no more, as my other lots have, I'm doomed. | 0:55:14 | 0:55:18 | |
Anyone else going on? 38. | 0:55:18 | 0:55:22 | |
There are two bids on this and we must start straight in | 0:55:22 | 0:55:24 | |
at 55 bid, 55. | 0:55:24 | 0:55:27 | |
-55, 60, 5... -Come on. -..70, 5... -No. | 0:55:27 | 0:55:32 | |
..80, £80. You're all out in the room. | 0:55:32 | 0:55:35 | |
-Make no mistake, selling on commission. -On commission. -£80. | 0:55:35 | 0:55:38 | |
Any advance on £80? | 0:55:38 | 0:55:39 | |
HAMMER THUDS | 0:55:39 | 0:55:41 | |
I'll take it. | 0:55:41 | 0:55:42 | |
The best profit of the day. | 0:55:42 | 0:55:44 | |
Now, "Izzy wizzy, let's get busy." | 0:55:46 | 0:55:48 | |
Did you not have a Sooty and Sweep? | 0:55:48 | 0:55:50 | |
-Are you a bit old for that? -How very dare you, madam? | 0:55:50 | 0:55:56 | |
-And I can start this straight in at 20 bid, 20 bid... -What? | 0:55:56 | 0:56:01 | |
-..22, 25, 28, 30... -She's off. | 0:56:01 | 0:56:05 | |
..2, 5, 8, 40, £40, on my right at 40... | 0:56:05 | 0:56:10 | |
Keep going. | 0:56:10 | 0:56:11 | |
Anyone else going on at £40? | 0:56:11 | 0:56:14 | |
HAMMER THUDS | 0:56:14 | 0:56:15 | |
-Yes. -HE GROANS | 0:56:15 | 0:56:17 | |
Take that, Teletubbies! | 0:56:17 | 0:56:19 | |
Phew! | 0:56:19 | 0:56:21 | |
THEY LAUGH | 0:56:21 | 0:56:23 | |
Paul reverts to type with his next lot. | 0:56:23 | 0:56:25 | |
Very interesting collection of military and other badges. | 0:56:25 | 0:56:28 | |
"Very interesting collection." | 0:56:28 | 0:56:29 | |
I can start straight in at 10 bid, 10 bid for military badges, | 0:56:29 | 0:56:32 | |
at 10, 12, 15, | 0:56:32 | 0:56:35 | |
-18, 20, 2... -Oh, no. | 0:56:35 | 0:56:37 | |
..5, 8, 30, £30... | 0:56:37 | 0:56:40 | |
-Not enough. You've done it. -..30. anyone else going on at 30? | 0:56:40 | 0:56:44 | |
-Hammer down. -Interesting lot. At £30. | 0:56:44 | 0:56:47 | |
HAMMER THUDS | 0:56:47 | 0:56:48 | |
-I'm so sorry. -You've beat me and you've got a lot to go. | 0:56:48 | 0:56:52 | |
Never nice to see a grown man cry. | 0:56:52 | 0:56:54 | |
I like auctions here. | 0:56:54 | 0:56:56 | |
I think maybe we should come back here. | 0:56:56 | 0:56:58 | |
Yes, she's cruising towards victory today. | 0:56:58 | 0:57:01 | |
£50 for it. 50, 30? | 0:57:01 | 0:57:04 | |
She's stabbing me in the heart. | 0:57:04 | 0:57:06 | |
£20 for a pond yacht. 20 bid, 22, 25, | 0:57:06 | 0:57:09 | |
28, 30, 30, 30, 32... | 0:57:09 | 0:57:13 | |
-No. -..35, 38, 40, £40. On my left at £40. -Come on. | 0:57:13 | 0:57:19 | |
-Anyone else going on? On my left... -No-one else, I would hope. | 0:57:19 | 0:57:22 | |
..at £40. | 0:57:22 | 0:57:23 | |
HAMMER THUDS | 0:57:23 | 0:57:26 | |
Southon... Loving your work. | 0:57:26 | 0:57:30 | |
No losses and some tidy profits leaves Catherine set fair. | 0:57:30 | 0:57:34 | |
Oh-ho-ho-ho! Let's go and party. | 0:57:34 | 0:57:38 | |
I don't feel in a party mood, funnily enough. | 0:57:38 | 0:57:41 | |
-I don't know what it is(!) -Come on, don't be a party pooper. | 0:57:41 | 0:57:45 | |
SHE HUMS | 0:57:45 | 0:57:47 | |
We could do the conga. | 0:57:47 | 0:57:48 | |
SHE HUMS | 0:57:48 | 0:57:49 | |
Paul produced a profit of £19.58 after paying auction costs | 0:57:49 | 0:57:55 | |
so has £392.34 in his kitty... | 0:57:55 | 0:57:58 | |
..while Catherine started out with £169.96 | 0:58:00 | 0:58:04 | |
and after costs, she made a profit of £25.96, | 0:58:04 | 0:58:08 | |
so wins the day and has £195.92 to spend next time. | 0:58:08 | 0:58:14 | |
# At auction. # | 0:58:14 | 0:58:16 | |
-Oh! -There's only one way I'm going now and that is up. | 0:58:16 | 0:58:19 | |
What?! Fighting talk. | 0:58:19 | 0:58:22 | |
You've beaten me by a fiver and you've taken off like a rocket! | 0:58:22 | 0:58:26 | |
-Listen. Hare and tortoise, remember that. -Oh! | 0:58:26 | 0:58:28 | |
Toodle-pip, you two. | 0:58:28 | 0:58:30 |