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It's the nation's favourite antiques experts. | 0:00:02 | 0:00:04 | |
-This is beautiful. -That's the way to do this. | 0:00:04 | 0:00:06 | |
With £200 each, a classic car and a goal to scour for antiques. | 0:00:06 | 0:00:12 | |
-Joy! -Hello. | 0:00:12 | 0:00:14 | |
The aim? To make the biggest profit at auction, but it's no mean feat. | 0:00:14 | 0:00:17 | |
There'll be worthy winners and valiant losers, | 0:00:19 | 0:00:23 | |
so will it be the high road to glory or the slow road to disaster? | 0:00:23 | 0:00:27 | |
The handbrake's on! | 0:00:27 | 0:00:29 | |
This is Antiques Road Trip. | 0:00:29 | 0:00:32 | |
Yeah! | 0:00:34 | 0:00:35 | |
ROCK AND ROLL MUSIC | 0:00:35 | 0:00:38 | |
Today it's the final leg | 0:00:40 | 0:00:42 | |
with top auctioneers James Braxton and Charlie Ross. | 0:00:42 | 0:00:46 | |
Do you know, I'm going to miss this. I'm going to miss the car... | 0:00:46 | 0:00:50 | |
I'm going miss the car. | 0:00:50 | 0:00:51 | |
-I'm going to miss you. -I'm going to miss you, Charlie. | 0:00:51 | 0:00:54 | |
It's been as much fun as my first road trip with you. | 0:00:54 | 0:00:57 | |
But all good things must come to an end. | 0:00:58 | 0:01:02 | |
Road Trip veteran and auctioneer Charlie... | 0:01:02 | 0:01:04 | |
-Arghh! -LAUGHTER | 0:01:04 | 0:01:07 | |
..is ever the entertainer. | 0:01:07 | 0:01:09 | |
-What do you reckon? -Uncanny. | 0:01:09 | 0:01:12 | |
Oh, arm up a bit more. | 0:01:12 | 0:01:13 | |
While his partner in crime, fellow auctioneer James, | 0:01:15 | 0:01:18 | |
takes a more relaxed approach to things. | 0:01:18 | 0:01:21 | |
-Bring the arms up... -HE INHALES DEEPLY | 0:01:21 | 0:01:24 | |
..and bringing your toes down on the floor slowly, slowly, slowly. | 0:01:24 | 0:01:28 | |
-CHARLIE GROANS -Do you feel that? | 0:01:28 | 0:01:30 | |
On this journey, our boys have been touring around | 0:01:32 | 0:01:36 | |
in a 1961 Ford Zephyr, | 0:01:36 | 0:01:37 | |
manufactured before seat belts were legally required. | 0:01:37 | 0:01:41 | |
I did early-morning yoga today. | 0:01:41 | 0:01:44 | |
Ah, that could take you back a bit | 0:01:44 | 0:01:46 | |
because I've noticed that since you gave up yoga, | 0:01:46 | 0:01:49 | |
-you've been much better at... -LAUGHTER DROWNS SPEECH | 0:01:49 | 0:01:51 | |
No. No, the brain is reoxygenated. | 0:01:51 | 0:01:55 | |
-Oh, is it? -I am on form. | 0:01:55 | 0:01:58 | |
We shall see. Huh! | 0:01:58 | 0:02:00 | |
After starting this trip with £200 in his pocket, | 0:02:00 | 0:02:02 | |
Charlie now has £258.74 to play with today. | 0:02:02 | 0:02:07 | |
While James has more than doubled his original 200 stake | 0:02:09 | 0:02:14 | |
and starts this final leg with £464.38. | 0:02:14 | 0:02:19 | |
Awesome! | 0:02:19 | 0:02:20 | |
That's a modern word. | 0:02:20 | 0:02:22 | |
I would urge you not to throw in all your money. | 0:02:22 | 0:02:26 | |
Yeah, but can't you see this is the only way I have of beating you? | 0:02:26 | 0:02:30 | |
Well, winning is the name of the game, actually. | 0:02:30 | 0:02:33 | |
Their trip began in the Lincolnshire town of Boston | 0:02:34 | 0:02:37 | |
and meandered through Norfolk, Cambridgeshire, | 0:02:37 | 0:02:40 | |
up to Leicestershire, before heading south | 0:02:40 | 0:02:42 | |
towards the final destination | 0:02:42 | 0:02:44 | |
in the Surrey town of Cobham. | 0:02:44 | 0:02:46 | |
Our boys start their last leg in Brasted, Kent, | 0:02:46 | 0:02:50 | |
before finishing at their very last auction in Cobham. | 0:02:50 | 0:02:54 | |
James is kicking off proceedings today in Brasted. | 0:02:54 | 0:02:58 | |
So, let battle commence. | 0:02:58 | 0:03:01 | |
One of the longest-running antique dealerships in Kent, | 0:03:02 | 0:03:06 | |
Courtyard Antiques, is jam-packed with potential buys. | 0:03:06 | 0:03:11 | |
This is lovely to have all this choice. | 0:03:11 | 0:03:13 | |
Choice, choice, choice. | 0:03:13 | 0:03:15 | |
Ah, here's a nice bit. It's a really fun faux caddy. | 0:03:16 | 0:03:20 | |
Now, this is when biscuit makers were making serious money. | 0:03:20 | 0:03:24 | |
They used to produce novelty biscuit tins. | 0:03:24 | 0:03:28 | |
Things that people... | 0:03:28 | 0:03:29 | |
You know, resourceful, this was a time of thrift, | 0:03:29 | 0:03:32 | |
you'd buy your biscuits, biscuits would be nicely packed in there | 0:03:32 | 0:03:36 | |
and then you could use it as your tea caddy. | 0:03:36 | 0:03:39 | |
Beautifully done, all painted and it's all tin. | 0:03:39 | 0:03:41 | |
And there we are, | 0:03:41 | 0:03:43 | |
William Crawford & Sons - biscuit manufacturers. | 0:03:43 | 0:03:46 | |
Edinburgh, Liverpool and London. | 0:03:46 | 0:03:48 | |
By royal appointment. | 0:03:48 | 0:03:50 | |
What have we got on it? | 0:03:50 | 0:03:52 | |
-£38. -One to consider. | 0:03:52 | 0:03:55 | |
-JAMES SIGHS -What have we got here? | 0:03:55 | 0:03:57 | |
So, we've got lots of small things. | 0:03:57 | 0:03:59 | |
What's this? What's this? What does it say on the label? | 0:03:59 | 0:04:02 | |
18th-century cannonball retrieved from the River Thames by a mudlark. | 0:04:02 | 0:04:09 | |
Now, mudlarks are those funny people at low tide | 0:04:09 | 0:04:12 | |
who rush round the embankment finding things | 0:04:12 | 0:04:15 | |
and that is a cannonball. | 0:04:15 | 0:04:16 | |
History at £12. | 0:04:16 | 0:04:19 | |
Right, can a deal be done with Hugh? | 0:04:19 | 0:04:22 | |
What generously can you do on that? Is there a discount on that? | 0:04:22 | 0:04:25 | |
Yeah, I think we can go to ten for that. | 0:04:25 | 0:04:28 | |
-Ten. Put it there, Hugh. -OK. | 0:04:28 | 0:04:30 | |
-Come on. That's the first one, first one done. -OK, good. | 0:04:30 | 0:04:32 | |
Come on, come with me. | 0:04:32 | 0:04:35 | |
What about that faux tea caddy, James? Still interested? | 0:04:35 | 0:04:39 | |
I think the very, very, very best would have to be £30. | 0:04:39 | 0:04:43 | |
£30? Come on, put it there. | 0:04:43 | 0:04:45 | |
-30. -Thank you. | 0:04:45 | 0:04:46 | |
There we are, I've got a cannonball and I've got a tea caddy | 0:04:46 | 0:04:50 | |
and I'll give a prize for any sort of connection between the two, OK? | 0:04:50 | 0:04:54 | |
Answers on a postcard, please. Address them to James, not me. | 0:04:54 | 0:04:59 | |
Now, what's he found? | 0:04:59 | 0:05:01 | |
An interesting light pendant, me thinks. | 0:05:01 | 0:05:04 | |
I like that. A nice bit of frosted glass, Art Deco. | 0:05:07 | 0:05:11 | |
It's got quite a lot going for it - | 0:05:11 | 0:05:13 | |
stylised flowers, nice weight to it and a nice metal thing. | 0:05:13 | 0:05:18 | |
Complete with string. | 0:05:18 | 0:05:20 | |
Complete with string, even with string. | 0:05:20 | 0:05:22 | |
-We'll throw the string in. -What does it say? | 0:05:22 | 0:05:24 | |
"£10, no trade, cost only." | 0:05:24 | 0:05:27 | |
Done. | 0:05:27 | 0:05:29 | |
-Crikey! -There you are. | 0:05:29 | 0:05:30 | |
Some bold buying in James' very first shop secures him three lots. | 0:05:32 | 0:05:37 | |
Now he's off to catch up with Charlie in Westerham, | 0:05:37 | 0:05:41 | |
where they're going to their next shop of the day. | 0:05:41 | 0:05:45 | |
Now, Charlie, I've been in this shop before and I'll introduce you. | 0:05:46 | 0:05:50 | |
This is the owner. Mick, Charlie - Charlie, Mick. | 0:05:50 | 0:05:54 | |
-Nice to meet you, Charlie. -Lovely to meet you. | 0:05:54 | 0:05:56 | |
Nice to see you again, Mick. | 0:05:56 | 0:05:58 | |
With four rooms filled full of antiques | 0:05:58 | 0:06:00 | |
of all shapes and sizes, there's plenty for our boys to fight over, | 0:06:00 | 0:06:04 | |
metaphorically speaking. | 0:06:04 | 0:06:05 | |
And James has found some of his favourite bamboo. | 0:06:05 | 0:06:08 | |
The thing is, with these bamboo tables, | 0:06:09 | 0:06:12 | |
is that very light construction. | 0:06:12 | 0:06:14 | |
And the thing is with light construction, | 0:06:14 | 0:06:17 | |
is that you want it all to be sound. | 0:06:17 | 0:06:20 | |
We've got some use, so we've got...the legs have been bent out. | 0:06:20 | 0:06:24 | |
This is all pinned or nailed. | 0:06:25 | 0:06:29 | |
This is totally right | 0:06:29 | 0:06:31 | |
and all it needs is a piece of cut glass in there | 0:06:31 | 0:06:35 | |
and it's just perfectly functional. | 0:06:35 | 0:06:37 | |
I like it. | 0:06:37 | 0:06:39 | |
The ticket says £45, | 0:06:39 | 0:06:41 | |
so Hugh's phoned the owner with James' optimistic offer of £25. | 0:06:41 | 0:06:47 | |
-Well, the lady wants 35 for it, so a bottom price. -35? | 0:06:47 | 0:06:52 | |
Put it there, Mick. | 0:06:52 | 0:06:54 | |
-Thank you very much indeed. -Thank you. -Another bit of bamboo. | 0:06:54 | 0:06:57 | |
This is my turning point with bamboo. | 0:06:57 | 0:07:00 | |
Fingers crossed, eh? | 0:07:00 | 0:07:02 | |
And it looks like Charlie's found something he fancies, too. | 0:07:02 | 0:07:06 | |
A quadruple decanter for four different liqueurs. | 0:07:06 | 0:07:11 | |
-Mick... -Yes, Charlie. | 0:07:13 | 0:07:15 | |
..look at this, a four-sectioned bottle decanter. | 0:07:15 | 0:07:19 | |
-Is it yours? -No, I'm afraid not. | 0:07:19 | 0:07:21 | |
It's got 18 on the ticket, I would love to give you a tenner for it. | 0:07:21 | 0:07:25 | |
-I'm sure you would. -Yeah. | 0:07:25 | 0:07:28 | |
What do you think they would take? | 0:07:28 | 0:07:30 | |
I can always try her... | 0:07:30 | 0:07:31 | |
-May you try? -..and see what she says, yeah. | 0:07:31 | 0:07:33 | |
-Give her a quick call... -No problem. -..and we'll see what we can do. | 0:07:33 | 0:07:37 | |
(I think I will buy this anyway, | 0:07:37 | 0:07:40 | |
(even if it's a bit more than a tenner. | 0:07:40 | 0:07:43 | |
(But don't tell Mick.) | 0:07:43 | 0:07:45 | |
Right, Mick's got Sue on the blower. | 0:07:45 | 0:07:48 | |
Can he seal the deal for Charlie? | 0:07:48 | 0:07:50 | |
Come on, Sue! | 0:07:50 | 0:07:52 | |
The person who's trying to buy it wants it for a tenner. | 0:07:52 | 0:07:55 | |
Come on, Sue! | 0:07:55 | 0:07:58 | |
Erm...OK. | 0:07:58 | 0:08:00 | |
-Hello, Sue! -Right, so 15 is the best. | 0:08:00 | 0:08:03 | |
-Is it? -Yes, I'm afraid. | 0:08:03 | 0:08:05 | |
Thanks, Sue, very much indeed. And tell her...I'll have it! | 0:08:05 | 0:08:10 | |
All right, he's going to have it. Did you hear that? | 0:08:10 | 0:08:13 | |
It's made Sue's day, £15. | 0:08:16 | 0:08:19 | |
OK, Sue. Thanks, bye. | 0:08:19 | 0:08:21 | |
Well done, sir. | 0:08:22 | 0:08:24 | |
Charlie's bought his first lot of the final leg of the road trip. | 0:08:24 | 0:08:28 | |
And with that, our boys call it a day. | 0:08:28 | 0:08:31 | |
So, nighty-night. | 0:08:31 | 0:08:32 | |
Hey, good morning, gentlemen. | 0:08:35 | 0:08:38 | |
I'm in the last chance saloon today. | 0:08:40 | 0:08:44 | |
And how much spending money? Lots? | 0:08:44 | 0:08:46 | |
I've got about 200... 250-odd quid. | 0:08:46 | 0:08:50 | |
-That's all right. -Considerably better than it has been. | 0:08:50 | 0:08:53 | |
Yeah. Well, at least it's more than you started with. | 0:08:53 | 0:08:55 | |
That's true. | 0:08:55 | 0:08:56 | |
Right, let's get to it. | 0:08:57 | 0:09:00 | |
Charlie's arrived in Reigate, Surrey, | 0:09:00 | 0:09:02 | |
home to the quaintly-named Magpie House & The Yard. | 0:09:02 | 0:09:05 | |
-Hello! -Hello, hi. -Good morning. | 0:09:07 | 0:09:09 | |
-Morning. -How are you? -I'm fine thank you. | 0:09:09 | 0:09:11 | |
-It's Lynne, is it? -It's Lynne and you're Charlie, aren't you? | 0:09:11 | 0:09:14 | |
-I am Charlie, yeah. Well spotted. -Good to meet you. -This is fab. | 0:09:14 | 0:09:17 | |
You know, walking through, my eye line... | 0:09:18 | 0:09:21 | |
-took immediately to this man. -Oh, yes. He's beautiful, isn't he? | 0:09:21 | 0:09:25 | |
-Isn't he fab? -He's our Mercury. | 0:09:25 | 0:09:27 | |
-Mercury? -He's absolutely gorgeous. -The messenger god. | 0:09:27 | 0:09:29 | |
-The messenger of wealth, isn't it? -Wealth? Bringer of prosperity. | 0:09:29 | 0:09:33 | |
That's the one, yeah. | 0:09:33 | 0:09:35 | |
And I think he's also god of thieves. | 0:09:35 | 0:09:38 | |
-Right. I think I did hear that. -So, cheerio! | 0:09:38 | 0:09:41 | |
He's pretty heavy, I don't know if you can manage him. | 0:09:41 | 0:09:43 | |
-SHE LAUGHS -Blimey, he's heavy! | 0:09:43 | 0:09:45 | |
You wouldn't be able to just walk out the shop with him. | 0:09:45 | 0:09:47 | |
-And it's a genuine bronze. -Yes, definitely. | 0:09:47 | 0:09:50 | |
It's not old but it's quite well-modelled. | 0:09:50 | 0:09:53 | |
-Yeah. -Is that very cheap? | 0:09:53 | 0:09:55 | |
It doesn't seem to have a price, it's free at the moment. | 0:09:55 | 0:09:57 | |
Well, not really. | 0:09:57 | 0:09:59 | |
-But I can find out for you. -Could you? -Erm... | 0:09:59 | 0:10:02 | |
-Go and find out now. -OK. -That's the first thing that... | 0:10:02 | 0:10:04 | |
That's really caught your eye, hasn't it? | 0:10:04 | 0:10:07 | |
The dealer is looking for £375, | 0:10:07 | 0:10:10 | |
so Charlie's got some serious negotiating to do. | 0:10:10 | 0:10:13 | |
It's a straightforward thing. | 0:10:14 | 0:10:15 | |
I have got £240 and I think I've got £3.43 or something. | 0:10:15 | 0:10:20 | |
God, you'll get a latte with that, can't you? | 0:10:20 | 0:10:23 | |
-LAUGHING: -I don't want a latte. -You want Mercury. | 0:10:23 | 0:10:25 | |
-I've got to buy other things, but I want Mercury. -You want Mercury. | 0:10:25 | 0:10:28 | |
Spending almost every penny you have left on one item | 0:10:28 | 0:10:31 | |
is a big gamble. I hope you know what you're doing, Charlie. | 0:10:31 | 0:10:35 | |
It's a pathetic offer and I don't make any bones about it. | 0:10:35 | 0:10:38 | |
-If I had £350, I'd give you £350 for him but I haven't got it. -Yeah. | 0:10:38 | 0:10:42 | |
Shall I just double-check? | 0:10:42 | 0:10:44 | |
-Well, you'd better triple-check, yeah. -Let me just double-check. | 0:10:44 | 0:10:47 | |
I think, you know, just to be... | 0:10:47 | 0:10:48 | |
I would. | 0:10:48 | 0:10:50 | |
Charlie's after a hefty discount, so what's the verdict, Lynne? | 0:10:51 | 0:10:55 | |
It's your lucky day, talking about those rippling muscles. | 0:10:55 | 0:10:57 | |
-Are you sure? -Yeah, he's going to do it for you. -May I hug you? | 0:10:57 | 0:11:00 | |
That is SO generous. Ah! | 0:11:00 | 0:11:02 | |
Charlie's spent almost all of his money on the statue of Mercury. | 0:11:02 | 0:11:07 | |
It's a very risky punt and let's hope it pays off. | 0:11:07 | 0:11:11 | |
James is still in Kent and has made his way to the village of Hever. | 0:11:16 | 0:11:20 | |
He's come to Hever Castle, | 0:11:20 | 0:11:22 | |
a 13th-century castle saved from ruin | 0:11:22 | 0:11:25 | |
then extensively restored to its former glory | 0:11:25 | 0:11:28 | |
by a fabulously wealthy New York Senator, | 0:11:28 | 0:11:31 | |
William Waldorf Astor. | 0:11:31 | 0:11:34 | |
Here to show James more is guide Ian Smith. | 0:11:35 | 0:11:39 | |
-James, welcome to Hever Castle. -Isn't it glorious? | 0:11:39 | 0:11:43 | |
It's a lovely setting, | 0:11:43 | 0:11:46 | |
moat and this wonderful defensive stronghold. | 0:11:46 | 0:11:49 | |
Astor was captivated by the castle's royal connections, | 0:11:49 | 0:11:52 | |
particularly Anne Boleyn, who grew up here. | 0:11:52 | 0:11:56 | |
She was the ill-fated second wife of Henry VIII | 0:11:56 | 0:11:59 | |
and mother of the future Queen Elizabeth I. | 0:11:59 | 0:12:02 | |
And here we are inside. | 0:12:02 | 0:12:05 | |
What you see is not medieval | 0:12:05 | 0:12:07 | |
but a beautiful Tudor house from the late 1400s. | 0:12:07 | 0:12:11 | |
We believe built by Anne Boleyn's great-grandfather. | 0:12:11 | 0:12:15 | |
And subsequently, after many other owners, | 0:12:15 | 0:12:18 | |
by William Waldorf Astor in 1903. | 0:12:18 | 0:12:22 | |
-This was going to be his country retreat... -Yeah. | 0:12:22 | 0:12:25 | |
..and he was going to lavish his millions | 0:12:25 | 0:12:27 | |
in bringing this building back to life. | 0:12:27 | 0:12:30 | |
William Waldorf Astor's great-grandfather | 0:12:33 | 0:12:36 | |
was a fur and real estate tycoon | 0:12:36 | 0:12:39 | |
and was America's first multimillionaire. | 0:12:39 | 0:12:42 | |
William inherited a personal fortune, | 0:12:42 | 0:12:44 | |
which made him the richest man in America. | 0:12:44 | 0:12:48 | |
After a failing political career, William moved to England in 1891 | 0:12:48 | 0:12:52 | |
with a reputed 100 million to his name. | 0:12:52 | 0:12:56 | |
He set about trying to be accepted | 0:12:56 | 0:12:58 | |
into the upper echelons of English society. | 0:12:58 | 0:13:01 | |
He invested in newspapers and property | 0:13:01 | 0:13:03 | |
and purchased the historic Hever Castle. | 0:13:03 | 0:13:06 | |
Ian, what sort of state was the castle in | 0:13:09 | 0:13:11 | |
when William Waldorf Astor bought it? | 0:13:11 | 0:13:14 | |
In the 19th century, | 0:13:14 | 0:13:16 | |
it had become an absentee home | 0:13:16 | 0:13:19 | |
and tenant farmers lived here. | 0:13:19 | 0:13:22 | |
And it's suggested that the ground floor rooms | 0:13:22 | 0:13:25 | |
were inhabited by animals. | 0:13:25 | 0:13:27 | |
Upstairs, there was an artists' commune, | 0:13:27 | 0:13:30 | |
-so you can imagine... -JAMES LAUGHS | 0:13:30 | 0:13:32 | |
..the mess that was here. | 0:13:32 | 0:13:35 | |
So, what did William Astor do to this marvellous place? | 0:13:35 | 0:13:39 | |
This is an extraordinary room and it looks almost old Tudor. | 0:13:39 | 0:13:43 | |
Astor was an historical romanticist. | 0:13:43 | 0:13:47 | |
He wrote historical novels | 0:13:47 | 0:13:49 | |
and like many others he had fallen in love with the Anne Boleyn story. | 0:13:49 | 0:13:54 | |
But if Anne Boleyn walked into this room now, | 0:13:54 | 0:13:56 | |
she would be astonished. | 0:13:56 | 0:13:58 | |
"I just have to ask you, what has happened to my kitchen?" | 0:13:58 | 0:14:02 | |
-Because it's been given this tremendous makeover. -Yeah. | 0:14:02 | 0:14:05 | |
William Waldorf has turned it into an inner hall. | 0:14:05 | 0:14:08 | |
Not using oak, as any normal person might use | 0:14:08 | 0:14:12 | |
but walnut, to give these wonderful effects. | 0:14:12 | 0:14:15 | |
-Right. -So, he created these wonderful interiors | 0:14:15 | 0:14:18 | |
inside the moated walls for himself. | 0:14:18 | 0:14:22 | |
-Outside those moated walls, he built a Tudor village. -Really? | 0:14:22 | 0:14:26 | |
But not a Tudor village where, you know, | 0:14:26 | 0:14:28 | |
-peasants wander from house to house. -Right. | 0:14:28 | 0:14:31 | |
All the rooms interlink. | 0:14:31 | 0:14:34 | |
William Waldorf was a newcomer to England | 0:14:34 | 0:14:36 | |
but he'd actually housed himself in a medieval stronghold. | 0:14:36 | 0:14:40 | |
In other words, given himself 700 years of history | 0:14:40 | 0:14:43 | |
that his family here didn't really have. | 0:14:43 | 0:14:46 | |
Between 1903 and 1908, William restored the ruined castle, | 0:14:46 | 0:14:52 | |
creating magnificent gardens and a lake. | 0:14:52 | 0:14:55 | |
The remarkable mock-Tudor village he built | 0:14:55 | 0:14:58 | |
was the perfect place for his society friends to stay, | 0:14:58 | 0:15:01 | |
while attending his lavish parties. | 0:15:01 | 0:15:04 | |
And here we are in Anne Boleyn's bedroom. | 0:15:04 | 0:15:07 | |
Tradition says that this is where she spent her time as a girl | 0:15:07 | 0:15:11 | |
and she would keep coming back to Hever | 0:15:11 | 0:15:14 | |
all the way up to the time of her marriage to Henry VIII. | 0:15:14 | 0:15:17 | |
The panelling behind the bed conceals William Waldorf's wardrobe. | 0:15:17 | 0:15:21 | |
-This was his dressing room. -Right. | 0:15:21 | 0:15:24 | |
And he chose Anne Boleyn's bedroom for that purpose. | 0:15:24 | 0:15:27 | |
-But he would have this wonderful window to look out. -Rather fun. | 0:15:27 | 0:15:31 | |
He was in the castle, he looks out onto his village there. | 0:15:31 | 0:15:34 | |
As well as being completely enchanted by Hever Castle, | 0:15:34 | 0:15:38 | |
Astor became increasingly fascinated by the tragic story of Anne Boleyn. | 0:15:38 | 0:15:42 | |
William Waldorf searched the world for artefacts | 0:15:43 | 0:15:46 | |
that he could link to Anne. | 0:15:46 | 0:15:48 | |
He acquired many that have proved to have doubtful provenance, | 0:15:48 | 0:15:53 | |
but this is as close as you're going to get today to Anne's DNA. | 0:15:53 | 0:15:57 | |
It's a beautifully-illustrated book of hours, prayers, | 0:15:57 | 0:16:01 | |
that were said during the day. | 0:16:01 | 0:16:04 | |
Her fingerprints will be all over that book because she signed it. | 0:16:04 | 0:16:09 | |
-Really? -The inscription there says, | 0:16:09 | 0:16:12 | |
"Le temps viendra." The time will come. | 0:16:12 | 0:16:14 | |
"Je Anne Boleyn." | 0:16:14 | 0:16:17 | |
And there's a little celestial sphere there as well. | 0:16:17 | 0:16:21 | |
And she signed it on the page of the Last Judgment. | 0:16:21 | 0:16:25 | |
One would love to know just what she meant by, "The time will come." | 0:16:25 | 0:16:28 | |
Did it mean her marriage to Henry? | 0:16:28 | 0:16:30 | |
The birth of an heir? | 0:16:30 | 0:16:32 | |
Or it certainly couldn't mean the fact that | 0:16:32 | 0:16:35 | |
she was going to be beheaded after 1,000 days as Henry's Queen. | 0:16:35 | 0:16:41 | |
Over the years, | 0:16:41 | 0:16:43 | |
William donated a substantial amount of his fortune to charity. | 0:16:43 | 0:16:46 | |
He eventually achieved his ambition of acceptance into the aristocracy | 0:16:46 | 0:16:50 | |
when he was given the title Viscount Astor of Hever Castle. | 0:16:50 | 0:16:54 | |
It remained in the Astor family ownership until 1983 | 0:16:54 | 0:16:59 | |
and is now a popular tourist destination. | 0:16:59 | 0:17:02 | |
Meanwhile, Charlie has journeyed to Dorking, | 0:17:05 | 0:17:08 | |
and the Pilgrims Antiques Centre. | 0:17:08 | 0:17:10 | |
After taking a massive punt on Mercury, | 0:17:10 | 0:17:14 | |
here's hoping Steve will have a hidden bargain | 0:17:14 | 0:17:19 | |
for Charlie's remaining few pounds. | 0:17:19 | 0:17:21 | |
(It's not easy shopping with £3.74.) | 0:17:23 | 0:17:26 | |
Oh! I've seen something rather splendid. | 0:17:27 | 0:17:30 | |
WHISPERING: £5. | 0:17:31 | 0:17:33 | |
£5. | 0:17:33 | 0:17:34 | |
That's a 15% discount or thereabouts, | 0:17:36 | 0:17:39 | |
if I were to get it for £3.74. | 0:17:39 | 0:17:42 | |
-Right. -There's rather a charming glass there, | 0:17:42 | 0:17:45 | |
cordial glass. Sadly I don't think it's 18th-century. | 0:17:45 | 0:17:48 | |
No, I think you're probably right. | 0:17:48 | 0:17:50 | |
But it's got some nice diamond cutting into the side. | 0:17:52 | 0:17:58 | |
It's got a little bit of fruiting vine engraved round the top. | 0:17:58 | 0:18:01 | |
I'm really making it sound particularly good, aren't I? | 0:18:01 | 0:18:04 | |
-Well, I think it is rather good. -Edinburgh Crystal. | 0:18:04 | 0:18:07 | |
What would the Scots put in there? | 0:18:07 | 0:18:09 | |
I mean, it looks to me like a sherry, a port glass, I suppose. | 0:18:09 | 0:18:12 | |
Oh, I should think some... | 0:18:12 | 0:18:13 | |
Port, are you a drinker of port? | 0:18:13 | 0:18:15 | |
..Scottish wine in a Scotsman's measure. | 0:18:15 | 0:18:17 | |
A small measure, sir? | 0:18:17 | 0:18:19 | |
Poor old Greg. | 0:18:20 | 0:18:21 | |
That would probably be in my price range, wouldn't it? | 0:18:23 | 0:18:25 | |
It's not that much of a discount. | 0:18:25 | 0:18:27 | |
It's priced at five. | 0:18:27 | 0:18:28 | |
I should think we could scrape that down to 3.75 | 0:18:28 | 0:18:31 | |
-or whatever the last... -3.74. -3.74. | 0:18:31 | 0:18:34 | |
Looks like that's a done deal. | 0:18:34 | 0:18:38 | |
Och aye the noo. | 0:18:38 | 0:18:39 | |
Och aye... Oh, you're Scottish, too! | 0:18:39 | 0:18:41 | |
Would you like all my money? | 0:18:41 | 0:18:43 | |
-Yes, I will actually, I think I would. -Aye. | 0:18:43 | 0:18:45 | |
On the final leg, our Charlie has spent every last penny he has | 0:18:45 | 0:18:49 | |
on a pretty piece of Scottish glass. | 0:18:49 | 0:18:52 | |
James has now made his way to Dorking too | 0:18:54 | 0:18:57 | |
and he's going to try his luck in the Christique Antique Centre. | 0:18:57 | 0:19:01 | |
He's meeting old friend there, Christie. | 0:19:01 | 0:19:04 | |
Christie, get it? | 0:19:04 | 0:19:06 | |
-Oh, a familiar face. How are you? -How lovely to see you. | 0:19:06 | 0:19:09 | |
Yeah, really nice to see you. | 0:19:09 | 0:19:10 | |
With just under £380 in his pocket, there's plenty on offer. | 0:19:12 | 0:19:16 | |
Rather interestingly, I've just seen a bit, | 0:19:17 | 0:19:22 | |
which I hope is Tunbridge ware. | 0:19:22 | 0:19:24 | |
Quite an interesting, very fine tesserae mosaic of a butterfly. | 0:19:24 | 0:19:29 | |
And it's either £5 or 500, let's have a look. | 0:19:32 | 0:19:34 | |
No, it's five. Bound to be, down there. | 0:19:34 | 0:19:36 | |
-Is it? -Yeah. I just took it in the other day. | 0:19:36 | 0:19:38 | |
Let's have a look at this. | 0:19:38 | 0:19:41 | |
It reminds me... | 0:19:41 | 0:19:42 | |
I think this was a modern maker. | 0:19:42 | 0:19:45 | |
It's signed, "Robert Vorley, 1980." | 0:19:45 | 0:19:49 | |
In the Tunbridge ware tradition. | 0:19:49 | 0:19:50 | |
Tunbridge ware was made as, sort of, high quality souvenirs | 0:19:50 | 0:19:53 | |
for the spa town of Tunbridge Wells. | 0:19:53 | 0:19:57 | |
I think it would be churlish of me to argue about that, wouldn't it? | 0:19:57 | 0:20:01 | |
£5. Shall we say three, to give you a fighting chance? | 0:20:01 | 0:20:04 | |
Three. | 0:20:04 | 0:20:06 | |
It doesn't normally work that way, Christine. | 0:20:06 | 0:20:08 | |
Cor, you're a lucky man, James. | 0:20:08 | 0:20:10 | |
Go on, put it there. | 0:20:10 | 0:20:11 | |
Thank you very much indeed, thank you. | 0:20:11 | 0:20:13 | |
A swift final purchase from James. | 0:20:13 | 0:20:16 | |
James spent a total of £88 on five lots. | 0:20:20 | 0:20:24 | |
His cannonball, | 0:20:24 | 0:20:26 | |
the novelty biscuit box, | 0:20:26 | 0:20:28 | |
the Art Deco light pendant, | 0:20:28 | 0:20:29 | |
the bamboo tiered-table | 0:20:29 | 0:20:31 | |
and the modern Tunbridge ware box. | 0:20:31 | 0:20:33 | |
Charlie spent every penny he had on three lots. | 0:20:36 | 0:20:39 | |
The vintage decanter, | 0:20:39 | 0:20:41 | |
the Edinburgh Crystal glass | 0:20:41 | 0:20:43 | |
and his pricey purchase, the bronze of Mercury. | 0:20:43 | 0:20:46 | |
So, what do they make of each other's lots? | 0:20:46 | 0:20:49 | |
He bought that little bit of Tunbridge ware for £3. | 0:20:51 | 0:20:54 | |
Actually, I think that's a very good buy. | 0:20:54 | 0:20:57 | |
I think his cannonball is pretty ghastly, | 0:20:57 | 0:21:00 | |
Charlie has bought a whopper, though, £240. | 0:21:00 | 0:21:03 | |
It's a lovely item. | 0:21:03 | 0:21:04 | |
I think he'll do well on it. | 0:21:04 | 0:21:06 | |
Victory will be mine! | 0:21:06 | 0:21:09 | |
After starting this leg in Brasted, | 0:21:09 | 0:21:11 | |
our experts are now motoring towards their final auction | 0:21:11 | 0:21:14 | |
in Cobham, Surrey. | 0:21:14 | 0:21:16 | |
I can't believe it, this is the last few hundred yards of our trip... | 0:21:16 | 0:21:20 | |
-Yeah. -..to the final auction. | 0:21:20 | 0:21:21 | |
-What are we going to find in the auction room? -Our destiny. | 0:21:21 | 0:21:24 | |
Our destiny? Oh. | 0:21:24 | 0:21:26 | |
Well, we'll soon find out as our chirpy chaps have arrived | 0:21:26 | 0:21:29 | |
in the village of Cobham to battle it out | 0:21:29 | 0:21:32 | |
at Fryer & Brown Auctioneers. | 0:21:32 | 0:21:34 | |
I don't think whatever the auctioneer does | 0:21:35 | 0:21:37 | |
will provide me with enough luck to beat you. | 0:21:37 | 0:21:39 | |
I hope the wind of Mercury stays trapped. | 0:21:39 | 0:21:42 | |
CHARLIE LAUGHS | 0:21:42 | 0:21:45 | |
The lady with the gavel today is Jane Brown. | 0:21:46 | 0:21:48 | |
Take your seats and deep breaths, boys. | 0:21:48 | 0:21:53 | |
CHARLIE INHALES DEEPLY | 0:21:53 | 0:21:55 | |
First up is Charlie's vintage decanter. | 0:21:58 | 0:22:01 | |
£10, please. | 0:22:01 | 0:22:03 | |
-She's rather nervous. -Oh... £10. | 0:22:03 | 0:22:05 | |
10, I have. Thank you, sir. | 0:22:05 | 0:22:08 | |
12. | 0:22:08 | 0:22:10 | |
£12 with the lady. | 0:22:10 | 0:22:11 | |
-Disappointment. -£12. | 0:22:11 | 0:22:12 | |
Any interest on the internet? It is £12 with... | 0:22:14 | 0:22:18 | |
-Oh! -15. -Excitement. | 0:22:18 | 0:22:20 | |
Sniping at the last minute. £15 against you. | 0:22:20 | 0:22:23 | |
20. £20 with the lady. | 0:22:23 | 0:22:26 | |
Are you all done in the room? £20 then. | 0:22:26 | 0:22:30 | |
A profit to kick things off, great stuff. | 0:22:31 | 0:22:34 | |
-Do you know, after commission... -That was a result. | 0:22:34 | 0:22:36 | |
-It was a serious result. £20? -In the money. | 0:22:36 | 0:22:39 | |
Will James' Art Deco light pendant spark some interest? | 0:22:40 | 0:22:44 | |
Here comes your big hope, lampshade. Lampshade. | 0:22:44 | 0:22:47 | |
I have a bid at £15. | 0:22:47 | 0:22:50 | |
-Hallelujah! -£15, it is yours. | 0:22:50 | 0:22:53 | |
And we're going...15. | 0:22:53 | 0:22:56 | |
A pleasing little profit there for James. | 0:22:57 | 0:23:01 | |
James' cannonball is up next. | 0:23:01 | 0:23:04 | |
-£20. -£20. | 0:23:04 | 0:23:06 | |
-£20. -All around her. -Fell off a cruise. | 0:23:06 | 0:23:08 | |
-MAN SHOUTS -Oh! -£20, I have. | 0:23:08 | 0:23:10 | |
On the internet, £20. | 0:23:10 | 0:23:14 | |
Any advance on 20? | 0:23:14 | 0:23:16 | |
Maiden bid it is. | 0:23:16 | 0:23:17 | |
£20, on the internet. | 0:23:17 | 0:23:20 | |
-20. -Well done. Doubled your money, old bean. | 0:23:20 | 0:23:23 | |
Another huge success. | 0:23:23 | 0:23:24 | |
That solo bidder means James pulls in another profit. | 0:23:24 | 0:23:28 | |
How many bidders will there be after Charlie's Edinburgh Crystal glass? | 0:23:28 | 0:23:33 | |
Just the one. | 0:23:33 | 0:23:35 | |
£5, please. | 0:23:35 | 0:23:37 | |
And a host of hands. | 0:23:37 | 0:23:39 | |
£5 with the lady in the pink. | 0:23:40 | 0:23:43 | |
Six, sir. Six. | 0:23:43 | 0:23:45 | |
Seven. | 0:23:45 | 0:23:46 | |
-Eight. -Huh! | 0:23:46 | 0:23:48 | |
-Nine. -This is a world record. | 0:23:48 | 0:23:50 | |
Ten. | 0:23:50 | 0:23:51 | |
-11. -They want it. | 0:23:51 | 0:23:54 | |
11 with the lady in the pink. | 0:23:54 | 0:23:56 | |
Oh, I'll buy you a pint... Oh! | 0:23:56 | 0:23:59 | |
12. | 0:23:59 | 0:24:00 | |
13. | 0:24:00 | 0:24:02 | |
£13. | 0:24:02 | 0:24:03 | |
We have £13 with... 14. | 0:24:03 | 0:24:07 | |
The gentleman's come back in. | 0:24:07 | 0:24:08 | |
-£15. -This, by percentage, | 0:24:08 | 0:24:11 | |
is the most extraordinary profit I've had on this trip. | 0:24:11 | 0:24:15 | |
£15. | 0:24:15 | 0:24:17 | |
15. Thank you, madam. | 0:24:17 | 0:24:19 | |
Well worth the round of applause there. | 0:24:22 | 0:24:24 | |
What a nice little earner. | 0:24:24 | 0:24:26 | |
On that basis, my bronze could make £1,500. | 0:24:26 | 0:24:29 | |
-It could, it could. -Yeah. | 0:24:29 | 0:24:31 | |
We'll have to wait and see as next, it's James' canny little buy | 0:24:31 | 0:24:36 | |
that Charlie fancied, the Tunbridge ware box. | 0:24:36 | 0:24:39 | |
20. Yes, sir. | 0:24:39 | 0:24:41 | |
20. | 0:24:41 | 0:24:42 | |
-£20. -With an outlay of £3, this is good. -Any advance on 20? | 0:24:42 | 0:24:45 | |
£20. | 0:24:45 | 0:24:47 | |
£20? No. | 0:24:49 | 0:24:51 | |
£20 then, squashed. | 0:24:51 | 0:24:53 | |
Another maiden-bid sale there | 0:24:53 | 0:24:56 | |
and what a wonderful result. | 0:24:56 | 0:24:59 | |
It's James' novelty biscuit tin. | 0:24:59 | 0:25:01 | |
-£15. -MAN: -Yes. | 0:25:01 | 0:25:04 | |
-15, I have. -Oh, the internet's bubbling along now. | 0:25:04 | 0:25:06 | |
-15 is against you all in the room. -In the room. | 0:25:06 | 0:25:09 | |
18 with the young lady at the back. | 0:25:09 | 0:25:10 | |
18. 18 against you, internet. | 0:25:12 | 0:25:14 | |
Oh, it's all over the place. | 0:25:14 | 0:25:16 | |
I have 20 with the lady in front. | 0:25:16 | 0:25:19 | |
-Keep going. -22. | 0:25:19 | 0:25:21 | |
25. | 0:25:22 | 0:25:23 | |
28. | 0:25:27 | 0:25:29 | |
£28 with the young lady at the back. | 0:25:29 | 0:25:32 | |
£28, internet. | 0:25:32 | 0:25:36 | |
Last chance. | 0:25:36 | 0:25:37 | |
-Hovering on the net. -Hovering. | 0:25:37 | 0:25:39 | |
-Hovering, madam. -Hovering, they are. | 0:25:39 | 0:25:42 | |
28, though, is going to take it. | 0:25:42 | 0:25:44 | |
All done. | 0:25:44 | 0:25:45 | |
28. | 0:25:45 | 0:25:47 | |
The biscuit tin failed to deliver | 0:25:47 | 0:25:50 | |
but the loss doesn't put much of a dent in James' impressive lead. | 0:25:50 | 0:25:55 | |
Up next is bamboo table. | 0:25:56 | 0:25:58 | |
£10, I have. | 0:25:58 | 0:26:00 | |
Any advance on £10? | 0:26:00 | 0:26:02 | |
There'll be masses. | 0:26:02 | 0:26:03 | |
-Oh, madam. -12. | 0:26:03 | 0:26:05 | |
14. | 0:26:05 | 0:26:06 | |
Striking a chord here. | 0:26:06 | 0:26:08 | |
£14. | 0:26:08 | 0:26:09 | |
Do you want me to hold it up? £16. | 0:26:10 | 0:26:14 | |
18. | 0:26:14 | 0:26:16 | |
20. | 0:26:16 | 0:26:18 | |
22. | 0:26:18 | 0:26:19 | |
At this price, it's worth building a conservatory. | 0:26:19 | 0:26:22 | |
LAUGHTER | 0:26:22 | 0:26:25 | |
22, then. | 0:26:25 | 0:26:27 | |
-25. -25. Well done, madam. | 0:26:28 | 0:26:31 | |
28. | 0:26:31 | 0:26:32 | |
-30, madam. Go on! -I can't believe this. | 0:26:32 | 0:26:34 | |
Internet? | 0:26:34 | 0:26:35 | |
Are you all done at 28? | 0:26:35 | 0:26:37 | |
-30, at the last moment. -James. | 0:26:37 | 0:26:40 | |
35, madam. Come on. | 0:26:40 | 0:26:42 | |
-Go on. -32. | 0:26:42 | 0:26:43 | |
Go on, it's only money. | 0:26:44 | 0:26:46 | |
-35. -35! | 0:26:46 | 0:26:49 | |
37. Thank you. | 0:26:49 | 0:26:51 | |
It's got three tiers. | 0:26:51 | 0:26:53 | |
If it doesn't make any more money | 0:26:53 | 0:26:54 | |
you'll have a lot more than three tiers! | 0:26:54 | 0:26:57 | |
Last chance. | 0:26:57 | 0:26:58 | |
-37. -Where did that come from? | 0:26:58 | 0:27:01 | |
-That was superb. -That was hard work, wasn't it? | 0:27:01 | 0:27:03 | |
Worth it in the end, though. | 0:27:03 | 0:27:05 | |
Five days of toil, driving around... | 0:27:05 | 0:27:09 | |
-Yeah. -..banter, buying, selling has all come down to one bronze. | 0:27:09 | 0:27:15 | |
-Held on a puff of wind. -Oh. | 0:27:16 | 0:27:19 | |
Here we go then, it's the biggie. | 0:27:19 | 0:27:22 | |
Charlie's hopes for a big profit, | 0:27:22 | 0:27:24 | |
enough to catapult him into the lead, | 0:27:24 | 0:27:26 | |
all ride on the wings of his bronze of Mercury. | 0:27:26 | 0:27:30 | |
Deep breathing, James, deep breathing. | 0:27:31 | 0:27:33 | |
£200 for this nice bronze, at 200. | 0:27:33 | 0:27:38 | |
Shall we try 150? | 0:27:38 | 0:27:40 | |
It's all gone very quiet. | 0:27:40 | 0:27:42 | |
-150. -Oh, no. | 0:27:42 | 0:27:43 | |
-I'd try 30, if I was you. -James! | 0:27:43 | 0:27:45 | |
Sorry, sorry, sorry. | 0:27:47 | 0:27:49 | |
-How dare... -100. | 0:27:49 | 0:27:51 | |
100 for the bronze. | 0:27:51 | 0:27:52 | |
-I'm going to fold up my glasses. -He is 104cm high. | 0:27:52 | 0:27:55 | |
-It is. -50. | 0:27:55 | 0:27:57 | |
-Oh, no, James. -50. | 0:27:57 | 0:27:59 | |
£50. | 0:27:59 | 0:28:00 | |
-50, I have. -Oh, good Lord! -Oh, good Lord. | 0:28:01 | 0:28:04 | |
-Only another 400 to go. -LAUGHTER | 0:28:04 | 0:28:06 | |
£50. | 0:28:09 | 0:28:10 | |
Someone help this gentleman out. | 0:28:10 | 0:28:12 | |
-Any advance on 50? -I'm beyond help, madam. | 0:28:12 | 0:28:15 | |
£50. | 0:28:16 | 0:28:18 | |
-I think £50 is where... -Our Father... | 0:28:19 | 0:28:22 | |
-..is where we are stopping. -Who art in Heaven... | 0:28:22 | 0:28:25 | |
-£50. -Ah! -169. | 0:28:25 | 0:28:27 | |
Arrow in my heart, madam. | 0:28:27 | 0:28:30 | |
-No, that's Cupid. -Well done, James. | 0:28:30 | 0:28:32 | |
It was a bold move and we commend you for taking the risk, Charlie. | 0:28:34 | 0:28:39 | |
Someone is walking away with a bargain bit of bronze. | 0:28:39 | 0:28:43 | |
Hello? | 0:28:43 | 0:28:44 | |
Oh, dear. And he hasn't even heard the final figures. | 0:28:46 | 0:28:49 | |
Charlie started this final leg with £258.74. | 0:28:53 | 0:28:58 | |
Sadly, he made a loss today of £189.04 after auction costs. | 0:28:58 | 0:29:04 | |
That's dreadful. | 0:29:04 | 0:29:06 | |
So, he finishes with £69.70. | 0:29:06 | 0:29:09 | |
I'm pretty sure that's the worst result we've ever had. | 0:29:09 | 0:29:13 | |
Oh, dear, oh, dear! | 0:29:13 | 0:29:15 | |
James began with £464.38 after auction costs. | 0:29:16 | 0:29:22 | |
He made a profit of £10.40, | 0:29:22 | 0:29:24 | |
which means not only has he won today's battle, | 0:29:24 | 0:29:27 | |
he's crowned King of the Road Trip - | 0:29:27 | 0:29:30 | |
finishing with a massive £474.78. | 0:29:30 | 0:29:34 | |
And all profits go to Children in Need. | 0:29:34 | 0:29:37 | |
Will it be champagne, sir? | 0:29:38 | 0:29:40 | |
-I think for me. -I won't be buying it. | 0:29:40 | 0:29:43 | |
I think it's a mild for you. | 0:29:43 | 0:29:45 | |
The pint of mild. | 0:29:47 | 0:29:49 | |
Farewell, fellas, it's been a pleasure. | 0:29:49 | 0:29:52 | |
Welcome to brand-new Road Trip around Northern Ireland | 0:29:56 | 0:29:59 | |
with a couple of swells. | 0:29:59 | 0:30:01 | |
Have we got a picnic in the back? | 0:30:01 | 0:30:02 | |
Champagne and quails eggs, of course. | 0:30:02 | 0:30:05 | |
Oh, you're stylish, you are, Paul! | 0:30:05 | 0:30:07 | |
Not 'arf! | 0:30:07 | 0:30:08 | |
Our rovers of the Emerald Isle are none other than Catherine Southon | 0:30:08 | 0:30:12 | |
and Paul Laidlaw. | 0:30:12 | 0:30:14 | |
Smell that. Whatever he's doing is essentially farm cutting of grass. | 0:30:14 | 0:30:18 | |
-Isn't that gorgeous? -That is gorgeous. | 0:30:18 | 0:30:21 | |
Surrey's own Catherine is an auctioneer and a Road Trip regular... | 0:30:21 | 0:30:25 | |
Do I buy the brooch? | 0:30:25 | 0:30:27 | |
I DO buy the brooch! | 0:30:27 | 0:30:28 | |
..but she's particularly pumped up about this one. | 0:30:28 | 0:30:31 | |
Hello! He was nice. | 0:30:31 | 0:30:34 | |
Shall we turn round? | 0:30:34 | 0:30:36 | |
Catherine! | 0:30:36 | 0:30:38 | |
Auctioneer Paul from Carlisle, via Scotland, | 0:30:38 | 0:30:41 | |
is another tripper with many miles on the clock... | 0:30:41 | 0:30:44 | |
Mmmm, I LOVE this stuff. | 0:30:44 | 0:30:47 | |
Although the two have never been paired up before, | 0:30:47 | 0:30:50 | |
Mr Laidlaw's reputation precedes him. | 0:30:50 | 0:30:53 | |
You have this amazing ability to go in | 0:30:53 | 0:30:57 | |
and just Hoover up amazing things, | 0:30:57 | 0:31:01 | |
and you will see something that nobody else sees, | 0:31:01 | 0:31:04 | |
and everybody else will walk past. | 0:31:04 | 0:31:06 | |
And then it turns to gold. | 0:31:06 | 0:31:10 | |
Their Morris Minor's more custard than gold | 0:31:10 | 0:31:13 | |
and dates from a time before seatbelts were mandatory. | 0:31:13 | 0:31:17 | |
With £200 each and the sun shining down, let joy be your guide. | 0:31:17 | 0:31:21 | |
I think we're going to be happy here. Woohoo! We are on our way! | 0:31:21 | 0:31:26 | |
Our journey begins in Portrush, County Antrim, and after exploring | 0:31:28 | 0:31:32 | |
Northern Ireland, crosses the sea towards Scotland | 0:31:32 | 0:31:35 | |
before arriving several hundred miles later in Aberdeen. | 0:31:35 | 0:31:39 | |
Today we kick off on the coast at Portrush | 0:31:41 | 0:31:44 | |
and then make our way south towards an auction in Omagh. | 0:31:44 | 0:31:47 | |
-That looks tasty. -I'll swap. | 0:31:50 | 0:31:52 | |
-No! -Oh, Catherine. | 0:31:52 | 0:31:54 | |
-No. -Oh, please! -I'm going to come back with armfuls. | 0:31:54 | 0:31:58 | |
ARMFULS of goodies! | 0:31:58 | 0:32:00 | |
-See you later. -Have a good 'un. See you later. | 0:32:00 | 0:32:03 | |
-Hello. -Hello. -What have we here? | 0:32:06 | 0:32:10 | |
Quite a lot by the looks of it. | 0:32:10 | 0:32:12 | |
-Sorry, you are? -John. -Hello, John. I'm Catherine. | 0:32:12 | 0:32:15 | |
-Nice to meet you. -Yeah. -Charmed, I'm sure. | 0:32:15 | 0:32:19 | |
There's a lot of retro and there's a lot of vintage. | 0:32:20 | 0:32:23 | |
Of course, a lot of it comes down to really knowing the market, | 0:32:23 | 0:32:26 | |
knowing what people around here want to buy. | 0:32:26 | 0:32:29 | |
-Or I could just take a punt. -That's the spirit, girl. | 0:32:29 | 0:32:32 | |
That is amazing. | 0:32:32 | 0:32:34 | |
-Can I try it on? -Of course you can. | 0:32:34 | 0:32:37 | |
-Colourful. -I feel like I could do anything. | 0:32:38 | 0:32:42 | |
-John remains tight-lipped. -Oh, my goodness. | 0:32:42 | 0:32:45 | |
I just really, really, really want to buy that. | 0:32:45 | 0:32:49 | |
Unbelievably, there's a choice. | 0:32:49 | 0:32:51 | |
Yay, baby! | 0:32:51 | 0:32:53 | |
I feel like I should be on a children's TV programme. | 0:32:53 | 0:32:57 | |
Yikes! But will these things actually sell? | 0:32:57 | 0:33:00 | |
-Actually, it's an evening auction that we're going to. -Yeah. | 0:33:00 | 0:33:04 | |
-Turn down the light. -Yeah. -Put a bit of disco music on. | 0:33:04 | 0:33:08 | |
Sounds fab! This £70 one has the most flare though(!) | 0:33:08 | 0:33:13 | |
I will charge you...£25. | 0:33:13 | 0:33:16 | |
I've got to have that. | 0:33:17 | 0:33:19 | |
I've GOT to have it. | 0:33:19 | 0:33:21 | |
John, we are good friends here. I'm enjoying this. | 0:33:21 | 0:33:24 | |
Yeah, man. Groovy deal. | 0:33:24 | 0:33:26 | |
Now, what about our other man in tweed elsewhere in Portrush? | 0:33:26 | 0:33:30 | |
-Good morning. -Good morning, Paul. Great to have you here. | 0:33:30 | 0:33:33 | |
-Great to be here. You're Ernie? -I'm Ernie, yes. | 0:33:33 | 0:33:36 | |
My grandfaither was an Ernie. Another Irishman. | 0:33:36 | 0:33:38 | |
Well, who knew? | 0:33:38 | 0:33:40 | |
Much more of a traditional antiques shop, this one, which, | 0:33:41 | 0:33:44 | |
considering Paul's tastes, could be a good thing. | 0:33:44 | 0:33:47 | |
-Why is that open locket sitting on its own? -This? -Yeah. | 0:33:47 | 0:33:52 | |
That could pay £35. | 0:33:52 | 0:33:55 | |
It's nine carat. | 0:33:55 | 0:33:56 | |
It's going to be a late 19th, maybe early 20th century affair. | 0:33:56 | 0:34:00 | |
You've got those double bevel-edged oval plates, | 0:34:00 | 0:34:04 | |
and how on earth do you get your photograph in there? | 0:34:04 | 0:34:07 | |
You just unscrew that little terminal there and we're in. | 0:34:07 | 0:34:12 | |
-Two little photographs in there. -That's right. | 0:34:12 | 0:34:14 | |
I think it's rather nice, but there's not a lot of gold in it. | 0:34:14 | 0:34:17 | |
Just 20 quid's worth. | 0:34:17 | 0:34:19 | |
-£28. -28? | 0:34:19 | 0:34:21 | |
I'll come right back at you with 22. | 0:34:21 | 0:34:24 | |
-No. -It's inevitable where we end up, isn't it? | 0:34:24 | 0:34:28 | |
Surely you're ahead of me here. | 0:34:29 | 0:34:31 | |
-Think about that at 25. I'm going to put it there. -Did you say 25? | 0:34:31 | 0:34:35 | |
I did, aye. It's no done yet, but I think we both know it is. | 0:34:35 | 0:34:39 | |
HE LAUGHS | 0:34:39 | 0:34:42 | |
Er, to clarify, I think they've come down from 59 to £25. Now, moving on. | 0:34:42 | 0:34:47 | |
What's that? | 0:34:47 | 0:34:50 | |
I don't know. | 0:34:50 | 0:34:51 | |
It's £7.50, that's what it is. | 0:34:51 | 0:34:54 | |
Well, we know its date. | 0:34:54 | 0:34:56 | |
That's going to date to the '30s, isn't it, with that aesthetic? | 0:34:56 | 0:34:59 | |
Do me a deal. | 0:34:59 | 0:35:01 | |
Mystery object and that, and if you do me the right deal, | 0:35:01 | 0:35:03 | |
I'll tell you what it is. | 0:35:03 | 0:35:05 | |
That's one way of doing it! | 0:35:05 | 0:35:06 | |
-£32. -32? 32? | 0:35:06 | 0:35:09 | |
Uh-huh. | 0:35:09 | 0:35:11 | |
It's 30 quid's worth, isn't it? | 0:35:11 | 0:35:13 | |
-No, we'll split the two. -Are we? | 0:35:13 | 0:35:15 | |
You said I was mean - a quid?! | 0:35:15 | 0:35:16 | |
-Aye, but a quid's a quid. -Quid IS a quid. | 0:35:16 | 0:35:19 | |
Ernie, you're a gentleman. | 0:35:19 | 0:35:21 | |
Ernie, you know what it is? | 0:35:21 | 0:35:23 | |
I think that's the funkiest sugar caster I've ever seen. | 0:35:23 | 0:35:28 | |
Sweet! | 0:35:28 | 0:35:29 | |
Strawberries. "Pass me the sugar, darling." | 0:35:29 | 0:35:31 | |
He looks chuffed. What about Catherine? | 0:35:31 | 0:35:34 | |
-This is for washing? -No. -No? | 0:35:34 | 0:35:37 | |
-This would have been for mashing. -Oh, no, it's not a dolly. | 0:35:37 | 0:35:40 | |
Mashing potatoes. | 0:35:40 | 0:35:43 | |
-Feel the weight. -How old is this, by the way? | 0:35:43 | 0:35:46 | |
Around about 1920s, 1930s. | 0:35:46 | 0:35:48 | |
-What is on this anyway? -65. | 0:35:48 | 0:35:51 | |
I'll do you 25. | 0:35:51 | 0:35:54 | |
Everything's 25 in your shop. | 0:35:54 | 0:35:56 | |
I'm going to go outside and I'm going to rename this shop. | 0:35:56 | 0:36:00 | |
It's not Vintage any more, it's "Everything £25". | 0:36:00 | 0:36:03 | |
-It's cos I like your smile. -Oh, thank you. | 0:36:03 | 0:36:07 | |
It looks like, after a vintage start, she's hedging her bets a bit. | 0:36:07 | 0:36:11 | |
This is pokerwork, so we've got a frame. | 0:36:11 | 0:36:14 | |
This was probably going to be used as a mirror or something | 0:36:14 | 0:36:17 | |
once upon a time and then this pattern has been created with | 0:36:17 | 0:36:21 | |
a hot poker, but, against what I've just bought, | 0:36:21 | 0:36:25 | |
that just looks so dull, doesn't it? | 0:36:25 | 0:36:29 | |
Good solid antique, though. | 0:36:29 | 0:36:31 | |
What do you think about this? Do people buy this sort of thing? | 0:36:31 | 0:36:34 | |
Do they like this here in Northern Ireland? | 0:36:34 | 0:36:37 | |
Yes, it's fabulous to put a mirror in or make a fuller frame, | 0:36:37 | 0:36:40 | |
or a toilet seat. | 0:36:40 | 0:36:42 | |
That's a very strange toilet seat. | 0:36:42 | 0:36:44 | |
What sort of toilets do you have here in Northern Ireland? | 0:36:44 | 0:36:47 | |
Fancy ones, I guess. | 0:36:47 | 0:36:50 | |
-I'll do you 25. -Would you? | 0:36:50 | 0:36:52 | |
-As usual. -Can I put this to one side, John? -Yeah. | 0:36:52 | 0:36:55 | |
She's piling them up. | 0:36:55 | 0:36:57 | |
What is that? A little brooch with a bird on? | 0:36:57 | 0:36:59 | |
-That looks a bit arts and craftsy. -Yeah. | 0:36:59 | 0:37:02 | |
-What would you say that is? -A bird. | 0:37:02 | 0:37:06 | |
-No, but what type? -I don't know. | 0:37:06 | 0:37:09 | |
Even I know it's a bird. | 0:37:09 | 0:37:10 | |
Yeah, come on, John. | 0:37:10 | 0:37:11 | |
And you're going to ask me how much, aren't you? | 0:37:11 | 0:37:15 | |
Well, it's the million dollar question. | 0:37:15 | 0:37:17 | |
-We'd really be looking at 20. -That just really jumped out at me. | 0:37:17 | 0:37:21 | |
I want to buy another two items from you. | 0:37:21 | 0:37:24 | |
That's 25, that's 25 and that is not 25. | 0:37:24 | 0:37:29 | |
Could that be 15? | 0:37:29 | 0:37:31 | |
-18. -18. I'm definitely going to go for this. -Really? | 0:37:33 | 0:37:37 | |
I'm going to do 25. And I'm done. | 0:37:37 | 0:37:41 | |
Three items. | 0:37:41 | 0:37:44 | |
So, after that little buying frenzy, let's now follow Paul and the Minor | 0:37:46 | 0:37:51 | |
moving towards Londonderry, or Derry as it's also known. | 0:37:51 | 0:37:54 | |
Paul's come to the Tower Museum to find out about | 0:37:55 | 0:37:58 | |
the huge role the city played during World War II. | 0:37:58 | 0:38:02 | |
-Hi, is it Margaret? -It is indeed, Paul. Welcome to the museum. | 0:38:02 | 0:38:04 | |
Thanks very much. I am more than delighted to be here. | 0:38:04 | 0:38:08 | |
In the Battle of the Atlantic, | 0:38:08 | 0:38:10 | |
the conflict's longest military campaign, | 0:38:10 | 0:38:13 | |
the port on the River Foyle assumed huge strategic importance. | 0:38:13 | 0:38:19 | |
For almost the entire war, supply convoys from North America | 0:38:19 | 0:38:23 | |
and the Allied forces trying to protect them, | 0:38:23 | 0:38:25 | |
were pursued by the U-boats and warships of the German navy, | 0:38:25 | 0:38:28 | |
but it was the invasion of France that brought the battle here. | 0:38:28 | 0:38:33 | |
To protect the shipping, the Allies needed a port and Derry then, | 0:38:33 | 0:38:36 | |
after the fall of France, | 0:38:36 | 0:38:38 | |
became a really vital port in defence of those ships. | 0:38:38 | 0:38:41 | |
-OK. Was it a big port before then? -No, not really. | 0:38:41 | 0:38:45 | |
It was a fairly small port | 0:38:45 | 0:38:48 | |
and quite a small little town in its own right. | 0:38:48 | 0:38:50 | |
The war thrust Derry into the limelight. | 0:38:50 | 0:38:53 | |
Because the Allies needed this most westerly port, | 0:38:53 | 0:38:56 | |
Derry then became very significant, not only just for the British, | 0:38:56 | 0:38:59 | |
but also for the other Allied forces. | 0:38:59 | 0:39:01 | |
I just can't imagine what it was like in Derry at that time | 0:39:01 | 0:39:04 | |
cos it was a small backwater, and now, all of a sudden, | 0:39:04 | 0:39:07 | |
all these different voices and nationalities. | 0:39:07 | 0:39:10 | |
Those troops were stationed at a port blessed with a stretch of deep | 0:39:10 | 0:39:14 | |
water wide enough to accommodate up to 130 ships at any one time. | 0:39:14 | 0:39:20 | |
There are some interesting photographs in the archive | 0:39:20 | 0:39:22 | |
showing the sheer scale of the ships lined up alongside one another. | 0:39:22 | 0:39:26 | |
People have often commented in the past that you could | 0:39:26 | 0:39:28 | |
walk from ship to ship to ship from one side of the river to the other. | 0:39:28 | 0:39:32 | |
I don't know how true that is. | 0:39:32 | 0:39:34 | |
The city, which miraculously escaped destruction by the Luftwaffe, | 0:39:34 | 0:39:39 | |
became the front line in the battle against the U-boats. | 0:39:39 | 0:39:43 | |
By the time victory was won, over 100,000 lives had been lost | 0:39:43 | 0:39:48 | |
and, once again, the port of Derry made the headlines. | 0:39:48 | 0:39:52 | |
When the U-boats surrendered back in 1945, they had to surrender to their | 0:39:52 | 0:39:55 | |
nearest port, and it's interesting because Derry continues to play that | 0:39:55 | 0:39:59 | |
role, then, of being significant | 0:39:59 | 0:40:00 | |
-because the official surrendering of the U-boat is taken here. -Is it? | 0:40:00 | 0:40:06 | |
Yes, the Admiral, Commander of the Fleet | 0:40:06 | 0:40:08 | |
of the Western Approaches, Sir Max Horton, | 0:40:08 | 0:40:10 | |
he comes in person to the city to accept the official surrender. | 0:40:10 | 0:40:14 | |
So U-boats sail up the Foyle into the harbour? | 0:40:14 | 0:40:17 | |
Yes, to formally surrender. | 0:40:17 | 0:40:19 | |
I think in the first instance there are about eight | 0:40:19 | 0:40:22 | |
and they're escorted up the river by ships from each of the | 0:40:22 | 0:40:25 | |
Allied forces, the Americans, the British and the Canadians. | 0:40:25 | 0:40:28 | |
Over the next number of months, | 0:40:28 | 0:40:29 | |
upwards of 60 odd U-boats come into the city and surrendered here. | 0:40:29 | 0:40:34 | |
Then most are taken out and scuttled, but, because they were | 0:40:34 | 0:40:36 | |
here for a while, some of the things were obviously | 0:40:36 | 0:40:39 | |
taken from the U-boats and kept as souvenirs. | 0:40:39 | 0:40:41 | |
I recognise some but not all of these. | 0:40:41 | 0:40:44 | |
In front of us, and this is iconic, a Kriegsmarine bulkhead clock | 0:40:44 | 0:40:48 | |
-from a U-boat. -From a U-boat, yes. | 0:40:48 | 0:40:52 | |
Probably is one of our prized items within this collection. | 0:40:52 | 0:40:55 | |
I get that and I get the Iron Crosses, War Merit Crosses | 0:40:55 | 0:40:58 | |
and Schirmmutze and ratings caps, | 0:40:58 | 0:41:02 | |
but why is there a stock pot or whatever? | 0:41:02 | 0:41:05 | |
-What is that? -We see it as a cooking pot. | 0:41:05 | 0:41:09 | |
We think it was used for cooking food onboard. | 0:41:09 | 0:41:12 | |
-U1108 struck on the side of it. Is that a U-boat reference? -Yes. | 0:41:12 | 0:41:15 | |
Oh, my word. | 0:41:15 | 0:41:17 | |
You can imagine how cramped the conditions were onboard | 0:41:17 | 0:41:20 | |
the U-boats and how they had little space to do everyday tasks | 0:41:20 | 0:41:23 | |
like making some food. | 0:41:23 | 0:41:25 | |
In the Atlantic, in all the weather that that can generate, | 0:41:25 | 0:41:29 | |
-you and 30-odd of your comrades, this brings it home. -It does. | 0:41:29 | 0:41:35 | |
Those POWs on their way to Belfast may once have been | 0:41:35 | 0:41:38 | |
our bitter enemies, but they were also brave men. | 0:41:38 | 0:41:41 | |
The U-boat crews suffered a frightening death toll of over 82%. | 0:41:41 | 0:41:46 | |
The Kriegsmarine U-boat personnel referred to them commonly, | 0:41:46 | 0:41:49 | |
-I believe, as "Iron Coffins". -Yes, they did. | 0:41:49 | 0:41:52 | |
They were the enemy, but, again, it's a human story. | 0:41:52 | 0:41:55 | |
I can't imagine what it would have been like to witness those | 0:41:55 | 0:41:57 | |
guys coming off the U-boats as they surrendered here. | 0:41:57 | 0:42:00 | |
Obviously, it's the end of the war for them | 0:42:00 | 0:42:02 | |
but, luckily as well, they probably think, | 0:42:02 | 0:42:05 | |
"Thank goodness I've survived." | 0:42:05 | 0:42:07 | |
Elsewhere in the walled city, | 0:42:11 | 0:42:13 | |
Catherine's on the lookout for her next shop. | 0:42:13 | 0:42:16 | |
-Hello, there. Hi. I'm Catherine. -Simon. | 0:42:18 | 0:42:21 | |
-Hello, Simon. Nice to meet you. -You're very welcome today. | 0:42:21 | 0:42:24 | |
Thank you very much. | 0:42:24 | 0:42:26 | |
Got a good ring to it. | 0:42:33 | 0:42:34 | |
-What is the price you would put on that? -35. | 0:42:34 | 0:42:37 | |
What are people going to be interested in more? I don't know. | 0:42:37 | 0:42:41 | |
Best take a closer look at it then. | 0:42:41 | 0:42:43 | |
This is horn. | 0:42:43 | 0:42:44 | |
I mean, this isn't silver, | 0:42:44 | 0:42:46 | |
but we've got this sort of plated part at the top, mounts here | 0:42:46 | 0:42:49 | |
and they're quite nicely engraved and you've got this | 0:42:49 | 0:42:52 | |
nice plaque at the bottom where you could put a name on. | 0:42:52 | 0:42:54 | |
-Do people like having these in the home? -Around here, yes. | 0:42:54 | 0:42:57 | |
Gives them a sense of authority, does it, | 0:42:57 | 0:42:59 | |
when they're trying to get their loved ones down to dinner? | 0:42:59 | 0:43:02 | |
I can go down to 30 on that one. | 0:43:02 | 0:43:03 | |
And you think that's going to make some money? | 0:43:03 | 0:43:06 | |
I think so. Around here, yes. | 0:43:06 | 0:43:08 | |
Thank you very much. | 0:43:08 | 0:43:10 | |
What a deal for £30, Catherine! | 0:43:10 | 0:43:12 | |
Thanks a lot, Simon, bye-bye. | 0:43:12 | 0:43:13 | |
GONG CLANGS | 0:43:13 | 0:43:16 | |
And on that note, time to take a rest and have some shuteye. | 0:43:16 | 0:43:20 | |
Nighty-night. | 0:43:20 | 0:43:21 | |
Next morning, nobody's letting the weather dampen their spirits. | 0:43:23 | 0:43:27 | |
Why have we never done this before? | 0:43:27 | 0:43:29 | |
-Why have we never road-tripped before? -I don't know. | 0:43:29 | 0:43:32 | |
We're having so much fun. This is madness. | 0:43:32 | 0:43:35 | |
Our next stop is Sandholes, County Tyrone. | 0:43:36 | 0:43:41 | |
It's Paul's first shop of the day. | 0:43:41 | 0:43:44 | |
-Hello, there. Is it Stanley? -Yes. | 0:43:44 | 0:43:46 | |
-Welcome, Paul. -Good to see you. | 0:43:46 | 0:43:48 | |
Holy Moses! | 0:43:48 | 0:43:50 | |
-If you told me this was a museum, I'd pay you an admission fee. -Good. | 0:43:50 | 0:43:54 | |
I'm glad to hear it. | 0:43:54 | 0:43:57 | |
Luckily, Paul has his antiques radar turned on | 0:43:57 | 0:44:01 | |
and gets straight to business. | 0:44:01 | 0:44:02 | |
Give me a bargain price on that then. £10. | 0:44:04 | 0:44:08 | |
That was quick. What is it exactly, Paul? | 0:44:11 | 0:44:14 | |
A little Victorian gilt tooled burgundy leather case. | 0:44:14 | 0:44:19 | |
You open it up and this was expensive in its day, was it not? | 0:44:19 | 0:44:23 | |
-It would have been. -A lovely little lady's manicure set. | 0:44:23 | 0:44:28 | |
What does one need to tidy one's nails? | 0:44:28 | 0:44:30 | |
Well, you need a pair of...scissors and, if you're affluent enough, | 0:44:30 | 0:44:35 | |
you buy them with silver handles and that's what they have. | 0:44:35 | 0:44:39 | |
Yup, the ticket price was £19. | 0:44:39 | 0:44:41 | |
Any other underappreciated gems in here, Paul? | 0:44:41 | 0:44:45 | |
These are unusual. Very competently turned shoulder baluster there. | 0:44:45 | 0:44:51 | |
That is a good eye and a skilful hand at work. | 0:44:51 | 0:44:56 | |
Now, the label says "two rosewood candlesticks". | 0:44:56 | 0:45:00 | |
That's not rosewood. That's olivewood. | 0:45:00 | 0:45:04 | |
These come from what was Palestine, when these were made, | 0:45:04 | 0:45:08 | |
or the Holy Lands, as they'd have been referred to. | 0:45:08 | 0:45:11 | |
Do you know what, | 0:45:11 | 0:45:13 | |
I can prove that because there are little marks there. | 0:45:13 | 0:45:16 | |
That's Hebrew script. | 0:45:16 | 0:45:18 | |
These are tourist souvenirs brought back by some | 0:45:18 | 0:45:24 | |
late Victorian traveller who visited Jerusalem. | 0:45:24 | 0:45:26 | |
The ticket price on those is £18. | 0:45:26 | 0:45:30 | |
-Stanley? -Yeah. -You're not going to sell them quickly. | 0:45:30 | 0:45:33 | |
I think they're hard work, but you've got me. | 0:45:33 | 0:45:36 | |
-COUGHS: -Cheap! Cheap! | 0:45:38 | 0:45:40 | |
£10. You couldn't get much cheaper than that. | 0:45:40 | 0:45:43 | |
I'd be daft not to take a punt on that. You've done it. | 0:45:43 | 0:45:49 | |
Well done, Paul. Another two knots in the old bag. | 0:45:49 | 0:45:52 | |
And with our two trust experts reunited, it's time | 0:45:52 | 0:45:56 | |
to manoeuvre the Morris towards the village of Moy. | 0:45:56 | 0:45:59 | |
Isn't it lovely | 0:45:59 | 0:46:00 | |
how our pair seem to get on so well, most of the time? Ha! | 0:46:00 | 0:46:05 | |
There is one thing I have seen and it happens to be in this cabinet. | 0:46:05 | 0:46:09 | |
Does it have a doggy theme? | 0:46:09 | 0:46:11 | |
Would you please remove yourself from this cabinet? | 0:46:11 | 0:46:14 | |
-Oh, dear. -What is it? What have you seen? -I'm not telling. | 0:46:14 | 0:46:18 | |
-Get out! -Is it the spoon with the dog head terminal at £12, | 0:46:18 | 0:46:22 | |
and the christening spoon in the case at £12? | 0:46:22 | 0:46:24 | |
Oh, yes, nice things. | 0:46:24 | 0:46:27 | |
I've already had a look at it. It's bagsied. | 0:46:27 | 0:46:29 | |
PAUL LAUGHS | 0:46:29 | 0:46:32 | |
That's so unfair because... | 0:46:32 | 0:46:34 | |
I'm not playing any more. | 0:46:34 | 0:46:36 | |
-Is the expression "first dibs"? -I'm not playing. | 0:46:36 | 0:46:39 | |
Will Catherine graciously accept defeat? | 0:46:39 | 0:46:42 | |
Right, I'm going to sulk. I am gutted! | 0:46:42 | 0:46:44 | |
-The honeymoon's not even started. -No, it's divorce already. I'm sorry. | 0:46:44 | 0:46:49 | |
-Oh, no! -It's divorce. -Well, I want the dog. | 0:46:49 | 0:46:51 | |
HE LAUGHS | 0:46:51 | 0:46:54 | |
Looks like our gentleman's not having any second thoughts then. | 0:46:54 | 0:46:57 | |
-Dermot, how you doing? -Not too bad, Paul. How are you? | 0:46:57 | 0:47:00 | |
Two wee cheapies. Not badly priced either, in all honesty... | 0:47:00 | 0:47:04 | |
Fair price, yeah. | 0:47:04 | 0:47:06 | |
..but a hard man like myself is looking for a discount, of course. | 0:47:06 | 0:47:10 | |
Let me see. 24. Say three at £8. | 0:47:10 | 0:47:14 | |
£16 for the two, same price? | 0:47:14 | 0:47:17 | |
You're a gentleman, Dermot. | 0:47:17 | 0:47:19 | |
No clowning about with you or I, is there? Wonderful. | 0:47:19 | 0:47:21 | |
And from clowning about...to some monkey business. | 0:47:21 | 0:47:26 | |
If I look like the cat that got the cream, | 0:47:26 | 0:47:31 | |
how about, as an antidote, the monkey that got the apple? | 0:47:31 | 0:47:34 | |
Aye, it's a wee belter, I don't mind telling you. | 0:47:34 | 0:47:37 | |
English, mid-20th century. Late '30s-1940s. | 0:47:37 | 0:47:41 | |
It does have a back stamp which I cannot read. | 0:47:41 | 0:47:46 | |
-I think that is just a lovely little model. -Sounds promising. | 0:47:46 | 0:47:51 | |
I've spoken to Dermot and this can be bought today for all of £15, | 0:47:51 | 0:47:56 | |
and I think you're not looking at a monkey. | 0:47:56 | 0:47:59 | |
You're looking at a peace offering from me to Catherine. | 0:47:59 | 0:48:02 | |
-Wise move. -You've got to do some serious schmoozing. | 0:48:02 | 0:48:08 | |
-I'm trying. -A monkey's not going to do it, my friend. -It SHOULD. | 0:48:08 | 0:48:11 | |
I think that's a wee belter. | 0:48:11 | 0:48:13 | |
It's 15 quid if you want it. | 0:48:13 | 0:48:16 | |
You buy it and I'll have the spoon. | 0:48:16 | 0:48:18 | |
HE LAUGHS | 0:48:18 | 0:48:20 | |
You buy that and I'll have the spoon. | 0:48:20 | 0:48:22 | |
Remind me never to play poker with you. You're all want. | 0:48:22 | 0:48:24 | |
-Do you want it? -No, thank you. | 0:48:24 | 0:48:27 | |
Worth a try. Maybe flowers would have been more appropriate. | 0:48:27 | 0:48:30 | |
-How you doing? -Hi, Paul. -I'm back. -Good. | 0:48:30 | 0:48:32 | |
-£15 you said. -I said, yeah. -It's a deal. -Lordy! | 0:48:32 | 0:48:36 | |
-Catherine doesn't want my poor wee monkey. -He's a good guy, this. | 0:48:36 | 0:48:40 | |
-He's all right, isn't he? -Yeah, he's different, isn't he? | 0:48:40 | 0:48:42 | |
Well, he's different and he's coming home with me. | 0:48:42 | 0:48:45 | |
Yeah. | 0:48:45 | 0:48:47 | |
And now Catherine's grabbed Dermot for a bit of Southon schmoozing | 0:48:47 | 0:48:51 | |
and Dermot's had a rummage in his special cupboard. Look out! | 0:48:51 | 0:48:56 | |
Ah! | 0:48:56 | 0:48:58 | |
-So these are Victorian? -These are Victorian handcuffs. | 0:48:58 | 0:49:02 | |
They were known as Irish Eights, cos they're in the shape of an eight. | 0:49:02 | 0:49:05 | |
Where's the key number? There it is. | 0:49:05 | 0:49:07 | |
Matching numbers, so they still work. | 0:49:07 | 0:49:09 | |
They're great, aren't they? So these are Irish? | 0:49:09 | 0:49:12 | |
These would have been made in England | 0:49:12 | 0:49:15 | |
but only used in Ireland by the RIC, which was the Irish police. | 0:49:15 | 0:49:19 | |
-What are you asking for? -Well... | 0:49:19 | 0:49:22 | |
Please be kind to me. I've had a BAD afternoon with that ladle. | 0:49:22 | 0:49:25 | |
Online, these would make 120 quid. | 0:49:25 | 0:49:29 | |
Now, for you, I'll take the money back. | 0:49:31 | 0:49:33 | |
-What was your money? -50 quid. | 0:49:33 | 0:49:35 | |
-Sounds like a good price. -Can I give you a bit less than that? | 0:49:35 | 0:49:38 | |
-Blimey! -What were you thinking of? | 0:49:38 | 0:49:41 | |
Ideally, honestly, I would like about 30. What could you do? | 0:49:41 | 0:49:45 | |
40 quid. I'm taking a loss of a tenner on it. | 0:49:45 | 0:49:48 | |
You're a star. I think I've got a chance with those. | 0:49:50 | 0:49:53 | |
Take a chance. Those will make money. | 0:49:53 | 0:49:56 | |
With the golden handcuffs in the bag, | 0:49:57 | 0:49:59 | |
let's have a look at what they've got. | 0:49:59 | 0:50:02 | |
Paul parted with £82 for THOSE spoons, a sugar sifter, | 0:50:02 | 0:50:07 | |
some candlesticks, a locket, a manicure set | 0:50:07 | 0:50:11 | |
and, of course, a monkey figurine. | 0:50:11 | 0:50:14 | |
While Catherine spent £138 on a gong, a frame, a brooch, | 0:50:16 | 0:50:21 | |
some handcuffs and that very colourful suit. | 0:50:21 | 0:50:25 | |
So, what did they make of each other's buys? | 0:50:25 | 0:50:28 | |
Of course, I'm very upset about Spoongate, | 0:50:28 | 0:50:31 | |
so we're best not to mention the spoon. | 0:50:31 | 0:50:33 | |
The monkey that Catherine could have had for £15, | 0:50:33 | 0:50:38 | |
which I have now identified as early Beswick and rather rare. | 0:50:38 | 0:50:43 | |
After setting off from Portrush, | 0:50:43 | 0:50:46 | |
our experts are now making for an | 0:50:46 | 0:50:48 | |
auction closer to the border, in Omagh. | 0:50:48 | 0:50:50 | |
They're fairly used to livestock sales at Viewback Auctions, | 0:50:50 | 0:50:54 | |
although monkeys are, of course, rare. | 0:50:54 | 0:50:57 | |
Welcome to the world of Irish auctions, Catherine. | 0:50:57 | 0:51:00 | |
Good luck, my friend, good luck. | 0:51:00 | 0:51:03 | |
You say that with menace! | 0:51:03 | 0:51:05 | |
Auctioneer Geoffrey Simpson is commanding the room today. | 0:51:05 | 0:51:08 | |
-This is packed. -Bums on seats. -This is good. I've got a good feeling. | 0:51:11 | 0:51:15 | |
I told you. | 0:51:15 | 0:51:16 | |
She did, indeed. Let's see what they make of Paul's candlesticks. | 0:51:16 | 0:51:20 | |
-There's a twitching going on here. There's a nervous twitch. -There is. | 0:51:20 | 0:51:24 | |
£50. 40. 30. 20. 10. Starting at a fiver. | 0:51:24 | 0:51:28 | |
Fiver bid. At five, at five, at five. | 0:51:28 | 0:51:30 | |
Anybody going to give me seven? £7. £9 down the back. At nine. | 0:51:30 | 0:51:33 | |
-At 11. At 11, at 11. -We're in profit. | 0:51:33 | 0:51:36 | |
At 11. 13. 13, gentleman in the middle. | 0:51:36 | 0:51:39 | |
At 13. At 13. 15 to the lady. Is everybody happy at £15? | 0:51:39 | 0:51:44 | |
-Not ecstatic, but better than nought. I'm happy. -Well done. | 0:51:44 | 0:51:49 | |
Yep, a modest start. | 0:51:49 | 0:51:51 | |
Calling all fine diners, it's Catherine's first lot. | 0:51:51 | 0:51:55 | |
-Wait a minute. This is your lot. -This is my gong. | 0:51:55 | 0:52:02 | |
Do keep up. | 0:52:02 | 0:52:03 | |
At £30. Any advance on 30? | 0:52:03 | 0:52:05 | |
I'm going to sell at £35 if we can't get more money. | 0:52:05 | 0:52:07 | |
-Oh, no, more. -At £35. 40. At 40. And again at 40. | 0:52:07 | 0:52:11 | |
At 40, at 40, at 40, at £40. | 0:52:11 | 0:52:13 | |
At £40 it is once. £40 it is twice. | 0:52:13 | 0:52:16 | |
Is everybody happy at £40? | 0:52:16 | 0:52:20 | |
This bodes well. One profit each. | 0:52:20 | 0:52:22 | |
Oi-oi, it's the monkey. Was Catherine right to reject him? | 0:52:23 | 0:52:27 | |
You stared a gift horse in the mouth. | 0:52:27 | 0:52:29 | |
You didn't give it to me properly. If you... I was cross. | 0:52:29 | 0:52:32 | |
-If you'd have given that to me... -Were you? -Yes, I was. | 0:52:32 | 0:52:35 | |
-It's designed by... -Oh, OK. | 0:52:35 | 0:52:38 | |
It has a printed and impressed marque. | 0:52:38 | 0:52:40 | |
With a build-up like that, | 0:52:40 | 0:52:42 | |
who's going to give me £75 to start the bidding? | 0:52:42 | 0:52:45 | |
-60. -No. -50. 30. | 0:52:45 | 0:52:48 | |
£30 bid. At £30. At 30. At 35. | 0:52:48 | 0:52:51 | |
£40 at the back on the phone. | 0:52:51 | 0:52:52 | |
-Genius. -On the phone? | 0:52:52 | 0:52:54 | |
-£40. -Could have had that. | 0:52:54 | 0:52:56 | |
I'm going to sell it at £40 if I can't get more money. | 0:52:56 | 0:52:58 | |
At £40, it is once. At £40 twice. | 0:52:58 | 0:53:02 | |
All finished and done at... New blood. At 45. At 45. | 0:53:02 | 0:53:06 | |
At 45 here at the front. At 45 once. Twice. | 0:53:06 | 0:53:11 | |
All finished, all done at 45. Lady at the front at 45. | 0:53:11 | 0:53:15 | |
It's not peanuts. | 0:53:15 | 0:53:16 | |
It's hotting up. I can feel it. | 0:53:16 | 0:53:19 | |
How will Catherine's arresting purchase fair? | 0:53:19 | 0:53:22 | |
-Who's going to give me £100? -Oh, yes, please. | 0:53:22 | 0:53:25 | |
75. Start me at 50. £50 bid. At £50. | 0:53:25 | 0:53:30 | |
Any advance on 50? At £50. £60 on my right. | 0:53:30 | 0:53:34 | |
He's got 60 quid. | 0:53:34 | 0:53:36 | |
70. At £70. | 0:53:36 | 0:53:37 | |
Did he say 70? You wish you'd have bought these, don't you? | 0:53:37 | 0:53:41 | |
All finished, all done at £70. You got them at 70. | 0:53:41 | 0:53:45 | |
That'll ease the monkey regrets. | 0:53:45 | 0:53:47 | |
I knew I loved Northern Ireland. This is great. | 0:53:47 | 0:53:52 | |
Paul's manicure set next. | 0:53:52 | 0:53:54 | |
Do you manicure? | 0:53:54 | 0:53:56 | |
Well, no. | 0:53:56 | 0:53:58 | |
Who's going to give me £50? | 0:53:59 | 0:54:01 | |
40. 30. 20. £20 bid. At £20. | 0:54:01 | 0:54:05 | |
-That's all right. -That's fine. | 0:54:05 | 0:54:07 | |
25 over here. £30 in the back. At £30. At 30, at 30, at 30. | 0:54:07 | 0:54:12 | |
35 in the middle. £35. At 35. | 0:54:12 | 0:54:15 | |
-At 40. At 40, at 40, at 40. -40? | 0:54:15 | 0:54:18 | |
At £40 it is. 45. New blood. | 0:54:18 | 0:54:21 | |
God bless you. Come again. | 0:54:21 | 0:54:23 | |
At 50 down here. At £50. Any advance on 50? | 0:54:23 | 0:54:27 | |
All finished, all done at £50. Lady at the front at 50. | 0:54:27 | 0:54:30 | |
That was a hit. | 0:54:30 | 0:54:32 | |
I mean they were nice. They weren't that nice. | 0:54:32 | 0:54:35 | |
Never mind nice, they were spectacular. | 0:54:35 | 0:54:38 | |
50 quid spectacular, woman! | 0:54:38 | 0:54:42 | |
Catherine's pokerwork frame. No losses yet. | 0:54:42 | 0:54:45 | |
The most stylish object in tonight's sale. | 0:54:45 | 0:54:48 | |
Did he say it was the most stylish object in the sale? | 0:54:48 | 0:54:51 | |
That's what I said about it. | 0:54:51 | 0:54:53 | |
I rate this rather highly as an object. | 0:54:53 | 0:54:56 | |
You listening to this? | 0:54:56 | 0:54:57 | |
£200. 150. | 0:54:57 | 0:55:00 | |
Start me at £100. | 0:55:00 | 0:55:02 | |
Start me at £50. | 0:55:02 | 0:55:04 | |
40? £40 bid. | 0:55:04 | 0:55:06 | |
At £40. At 40, at 40, at 40. | 0:55:06 | 0:55:08 | |
Straight in, no? He thinks 200. | 0:55:08 | 0:55:11 | |
45. 50 on the phone. At 50 on the phone. | 0:55:11 | 0:55:14 | |
On the phone? Did he say on the phone? | 0:55:14 | 0:55:16 | |
55 seated. At 55 seated. Any advance on 55? | 0:55:16 | 0:55:20 | |
55. At 55. At 60, new blood. | 0:55:20 | 0:55:23 | |
They are queueing up to buy the mirror. | 0:55:23 | 0:55:25 | |
They've all come tonight to buy the mirror. | 0:55:25 | 0:55:29 | |
I see looks of pleasure, | 0:55:29 | 0:55:30 | |
almost ecstasy on the faces of our celebrities. | 0:55:30 | 0:55:34 | |
All finished and done at £60? Lady's bid on my extreme right at £60. | 0:55:34 | 0:55:39 | |
-I'm pleased with that. -Pleased? | 0:55:39 | 0:55:41 | |
This is a very nice auction indeed. | 0:55:42 | 0:55:45 | |
Time for Paul's controversial spoons and his caster. | 0:55:45 | 0:55:49 | |
Start me at £50. 40. 30. | 0:55:49 | 0:55:52 | |
£30 bid. At the very back at £30. | 0:55:52 | 0:55:54 | |
Straight in, come on, keep it going. | 0:55:54 | 0:55:56 | |
30. At 35. At 35 with me. | 0:55:56 | 0:55:58 | |
That's enough. | 0:55:58 | 0:55:59 | |
£40. Any advance on 40? Who's going to give me 45? | 0:55:59 | 0:56:03 | |
-I never liked that spoon anyway. -You like it a lot less now. | 0:56:03 | 0:56:07 | |
At £40 it is twice. | 0:56:07 | 0:56:09 | |
All finished, all done at £40. | 0:56:09 | 0:56:12 | |
Will the profits never cease? | 0:56:13 | 0:56:15 | |
Catherine's bird brooch is next. | 0:56:15 | 0:56:17 | |
Start me off at £20. 15. | 0:56:17 | 0:56:20 | |
10 anywhere to begin the bidding. £10 bid down here. | 0:56:20 | 0:56:23 | |
-£10? I paid 18. -Oh, right. | 0:56:23 | 0:56:28 | |
At £10 in the middle there. At £10 and I'm going to sell it. | 0:56:28 | 0:56:31 | |
At £10 if we can't get more money. | 0:56:31 | 0:56:33 | |
All finished, all done at the back there at £10. | 0:56:33 | 0:56:36 | |
£10 more than it's worth. | 0:56:36 | 0:56:40 | |
Don't be so rude. | 0:56:40 | 0:56:41 | |
Don't listen to him, Catherine. | 0:56:41 | 0:56:43 | |
Paul's locket is up now. | 0:56:43 | 0:56:45 | |
Start me off at £100. £70. | 0:56:45 | 0:56:47 | |
-I like his optimism. -No. | 0:56:47 | 0:56:48 | |
40. £40 bid. At 40, at 40, at 40. At 50. At £50. | 0:56:48 | 0:56:53 | |
Any advance on 50? | 0:56:53 | 0:56:54 | |
-50, that's amazing. -Not bad. | 0:56:54 | 0:56:57 | |
£50 it is once. | 0:56:57 | 0:56:58 | |
-That's good, Paul. -I'll take it. | 0:56:58 | 0:57:00 | |
All finished, all done at £50. That's £50. | 0:57:00 | 0:57:02 | |
Well done. That is good. | 0:57:02 | 0:57:04 | |
Doubled up. Just one lot to go. | 0:57:04 | 0:57:07 | |
My work here is done. Good luck with fancy dress. | 0:57:07 | 0:57:10 | |
Now that IS rude. I'm rooting for you, Catherine. | 0:57:10 | 0:57:14 | |
A vintage, retro 1970s jacket. | 0:57:14 | 0:57:17 | |
Hey! | 0:57:17 | 0:57:19 | |
That's the way to sell it, Bridget. | 0:57:19 | 0:57:22 | |
Wahey! | 0:57:22 | 0:57:23 | |
All you get is the... | 0:57:23 | 0:57:26 | |
Doesn't she look fabulous? | 0:57:26 | 0:57:28 | |
The star of the show, Bridget. | 0:57:30 | 0:57:33 | |
It actually fits really well. | 0:57:33 | 0:57:34 | |
£50. 40. 30. 20. | 0:57:34 | 0:57:36 | |
-£20 bid. At 25. -At 30 by a gentleman. | 0:57:36 | 0:57:39 | |
Oh, my goodness! | 0:57:39 | 0:57:41 | |
50 back there. At 50. | 0:57:41 | 0:57:43 | |
What? | 0:57:43 | 0:57:44 | |
At 50. At 60 at the back. At £60. | 0:57:44 | 0:57:46 | |
At £60, it is once. £60, it is twice. | 0:57:46 | 0:57:49 | |
All finished and done at £60. Well done, sir. | 0:57:49 | 0:57:53 | |
Well done! | 0:57:53 | 0:57:55 | |
You did a great job. | 0:57:55 | 0:57:57 | |
She certainly did. Another mighty profit. | 0:57:57 | 0:58:00 | |
Well, I don't know about you but I am ready for my bed. | 0:58:00 | 0:58:03 | |
-Are we going to get our slippers? -Absolutely. We need slippers. | 0:58:03 | 0:58:06 | |
That really was auction night fever. | 0:58:06 | 0:58:09 | |
Catherine started out with £200 | 0:58:09 | 0:58:11 | |
and made, after paying auction costs, a profit of £58.80. | 0:58:11 | 0:58:15 | |
Paul began with the same sum and, after paying auction costs, | 0:58:17 | 0:58:20 | |
he's produced a profit of £82 and a slim lead. | 0:58:20 | 0:58:24 | |
We are out of here. | 0:58:24 | 0:58:27 | |
Profits all the way! | 0:58:27 | 0:58:29 | |
Until next time, then, you cheeky scamps! | 0:58:29 | 0:58:31 |