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It's the nation's favourite antiques experts... | 0:00:02 | 0:00:04 | |
This is beautiful! | 0:00:04 | 0:00:05 | |
That's the way to do this. | 0:00:05 | 0:00:06 | |
..with £200 each, a classic car and a goal - to scour for antiques. | 0:00:06 | 0:00:12 | |
Joy. | 0:00:12 | 0:00:13 | |
Hello! | 0:00:13 | 0:00:14 | |
The aim - to make the biggest profit at auction, | 0:00:14 | 0:00:16 | |
but it's no mean feat. | 0:00:16 | 0:00:18 | |
There'll be worthy winners... | 0:00:19 | 0:00:22 | |
-Sorry, sorry! -..and valiant losers. | 0:00:22 | 0:00:23 | |
So, will it be the high road to glory | 0:00:23 | 0:00:26 | |
or the slow road to disaster? | 0:00:26 | 0:00:27 | |
The handbrake's on! | 0:00:27 | 0:00:29 | |
This is Antiques Road Trip. | 0:00:29 | 0:00:31 | |
Yeah! | 0:00:34 | 0:00:35 | |
SWING MUSIC PLAYS | 0:00:35 | 0:00:38 | |
On this third leg of the trip, it's all about North Wales | 0:00:38 | 0:00:42 | |
for Christina Trevanion and Thomas Plant. | 0:00:42 | 0:00:45 | |
# Bread of Heaven | 0:00:46 | 0:00:48 | |
-BOTH: -# Feed me now or never more | 0:00:48 | 0:00:51 | |
# Never more. # | 0:00:51 | 0:00:52 | |
All right, all right, all right. That's enough of that. | 0:00:52 | 0:00:55 | |
Quite. | 0:00:55 | 0:00:56 | |
This trip started out in Ireland... | 0:00:57 | 0:00:59 | |
I think it's the most beautiful antique shop I've ever been into. | 0:00:59 | 0:01:02 | |
..with varying degrees of success. | 0:01:02 | 0:01:05 | |
-Just pulled it down and it locked. -Now you've broken it. | 0:01:05 | 0:01:09 | |
They'll now finish their trip in Britain, | 0:01:09 | 0:01:11 | |
along with their 1962 Bedford van, | 0:01:11 | 0:01:14 | |
which was manufactured before it was compulsory to fit seatbelts. | 0:01:14 | 0:01:17 | |
Both our auctioneers began with £200. | 0:01:21 | 0:01:24 | |
After losing at both auctions so far, Thomas has just £136.94... | 0:01:26 | 0:01:32 | |
..meaning Christina has taken the lead and has £278.91. | 0:01:34 | 0:01:40 | |
So, you must be feeling like sort of Rockefeller there. | 0:01:42 | 0:01:45 | |
Ah, so flush. | 0:01:45 | 0:01:46 | |
-Can you lend me some money? -Nope. | 0:01:46 | 0:01:47 | |
-Nope. -Nope. -SHE LAUGHS | 0:01:47 | 0:01:51 | |
After setting off from Cashel, in Tipperary, | 0:01:52 | 0:01:56 | |
and a roam around Ireland, they hopped across to North Wales. | 0:01:56 | 0:02:00 | |
From here they'll travel through England, | 0:02:00 | 0:02:02 | |
finishing up over 700 miles later in Stoke-on-Trent, Staffordshire. | 0:02:02 | 0:02:07 | |
We begin in the picturesque town of Ruthin, in Denbighshire, | 0:02:07 | 0:02:12 | |
and head for auction in Colwyn Bay, Conwy. | 0:02:12 | 0:02:14 | |
Christina's first stop today is in a former cinema. | 0:02:15 | 0:02:19 | |
Oh, wow. | 0:02:19 | 0:02:20 | |
Oh, my goodness. | 0:02:22 | 0:02:23 | |
Onto something already? | 0:02:24 | 0:02:26 | |
There's an awful lot of stuff in here, isn't there? My gosh. | 0:02:26 | 0:02:29 | |
Oh, wow! Look at that! | 0:02:29 | 0:02:31 | |
It's a little salt and pepper cruet in the form of two gavels... | 0:02:31 | 0:02:35 | |
which is perfect! | 0:02:35 | 0:02:36 | |
Thomas and I are both auctioneers. That's amazing. | 0:02:36 | 0:02:38 | |
She's working fast this morning. | 0:02:38 | 0:02:41 | |
Best track down a Mr Andy Stow. | 0:02:41 | 0:02:45 | |
-Hello. -Hello, Christina. -Hello, my love. | 0:02:45 | 0:02:47 | |
Andy, I've already seen something I love. | 0:02:47 | 0:02:49 | |
Well, no, I don't love it. It's sort of, you know, OK. | 0:02:49 | 0:02:53 | |
Smoothly done, Christina. | 0:02:53 | 0:02:55 | |
So, what I saw, Andy, was this... | 0:02:55 | 0:02:58 | |
which I thought was a bit of fun. | 0:02:58 | 0:03:01 | |
That is fun! | 0:03:01 | 0:03:02 | |
So, you've obviously got salt and pepper | 0:03:02 | 0:03:04 | |
and you've got the stand for them to go on as well. | 0:03:04 | 0:03:06 | |
-Is there any maker's mark? -No, I don't think so. | 0:03:06 | 0:03:09 | |
That's got a bit of corrosion on there from the salt, | 0:03:09 | 0:03:13 | |
so obviously... | 0:03:13 | 0:03:14 | |
But unfortunately, it's very rare | 0:03:14 | 0:03:16 | |
to find them without that corrosion, isn't it? | 0:03:16 | 0:03:18 | |
-Absolutely. -Because of the very nature of salt itself. | 0:03:18 | 0:03:20 | |
They're priced at £35, so as we wait to hear back from the dealer, | 0:03:22 | 0:03:26 | |
Christina browses on. | 0:03:26 | 0:03:28 | |
Hey, I like this. What's this, Andy? | 0:03:30 | 0:03:33 | |
It's, in a sense, a dentist's chair, basically. | 0:03:33 | 0:03:38 | |
Really? | 0:03:38 | 0:03:39 | |
Well, it could be whatever you want it to be. | 0:03:39 | 0:03:42 | |
I was thinking it might be a barber's chair, in which case... | 0:03:42 | 0:03:44 | |
It is. It is actually a barber's chair. | 0:03:44 | 0:03:46 | |
As a dentist's chair, it's making me feel a bit nervous. | 0:03:46 | 0:03:48 | |
And what price have you got on it? | 0:03:48 | 0:03:50 | |
Well, I've got 230 on it. | 0:03:50 | 0:03:52 | |
-SHE LAUGHS -You're joking. | 0:03:52 | 0:03:54 | |
For you, 150 quid. | 0:03:54 | 0:03:56 | |
Generous. One to think about, then. | 0:03:56 | 0:03:59 | |
There's word back on the gavel cruet set. | 0:03:59 | 0:04:02 | |
Right, OK. So, 25, potentially, on that. | 0:04:02 | 0:04:07 | |
Now, what about that chair? | 0:04:07 | 0:04:10 | |
£150. | 0:04:10 | 0:04:11 | |
-Or double the value and call it a tattooist's chair. -A what? | 0:04:11 | 0:04:15 | |
-Tattooist. -That's a brilliant idea! | 0:04:15 | 0:04:17 | |
It's a tattoo... Yeah. What about can we do £150...? | 0:04:17 | 0:04:22 | |
-I'll give you your £150 for this... -Yeah. | 0:04:22 | 0:04:25 | |
..but I would like the salt and pepper as well. | 0:04:25 | 0:04:28 | |
-Go on. -Oh, Andy. You're a legend. Thank you. | 0:04:28 | 0:04:31 | |
So, that's 25 for the cruet set and £125 for the dentist's | 0:04:31 | 0:04:36 | |
or barber's or tattooist's chair. | 0:04:36 | 0:04:39 | |
Thomas has headed north | 0:04:41 | 0:04:43 | |
to the former quarrying village of Penmaenmawr. | 0:04:43 | 0:04:45 | |
Lying on the edge of Snowdonia, | 0:04:47 | 0:04:49 | |
this pretty coastal settlement is home to Perry Higgins Antiques, | 0:04:49 | 0:04:53 | |
owned by Michael King. | 0:04:53 | 0:04:56 | |
-Hello. I'm Thomas. -How do you do? -Very well, thank you. -Good. | 0:04:57 | 0:05:01 | |
This is amazing. | 0:05:01 | 0:05:02 | |
Indeed. Certainly a lot to see in this 15,000-square-foot showroom. | 0:05:02 | 0:05:08 | |
-It doesn't stop, does it? -No. | 0:05:08 | 0:05:10 | |
I mean, it's room after room! | 0:05:10 | 0:05:13 | |
I'm seeing a few things. I quite like your stick stand. | 0:05:13 | 0:05:17 | |
-It's not dear. -It's not dear? -No, I don't think so. | 0:05:17 | 0:05:19 | |
How much is it? | 0:05:19 | 0:05:21 | |
-You've got a four and a two next to it. -Yeah. | 0:05:21 | 0:05:23 | |
Couldn't be the other way around, could it? | 0:05:23 | 0:05:25 | |
No, but it's close. I'll do it at 30 quid. | 0:05:25 | 0:05:28 | |
25? | 0:05:28 | 0:05:30 | |
Hmm. | 0:05:30 | 0:05:31 | |
-26. -£26. | 0:05:31 | 0:05:33 | |
Makes a deal, doesn't it? | 0:05:33 | 0:05:35 | |
I think in Wales they need stick stands | 0:05:35 | 0:05:37 | |
to put their umbrellas in... | 0:05:37 | 0:05:38 | |
-They certainly do. -..with drip trays. -Yeah. | 0:05:38 | 0:05:40 | |
That's awesome. Done. | 0:05:40 | 0:05:42 | |
-Can we go outside now? -Yes. | 0:05:42 | 0:05:44 | |
At the back of the shop, | 0:05:44 | 0:05:45 | |
Michael also has an architectural salvage yard. | 0:05:45 | 0:05:49 | |
-I like these terracotta pots. -Yeah. -Were they a lot of money? | 0:05:49 | 0:05:52 | |
They cost me about 80 quid. | 0:05:52 | 0:05:54 | |
Have you got any sort of cheaper pots? | 0:05:54 | 0:05:56 | |
-What are those green ones there? -Those are cheap, yeah. -Yeah? | 0:05:56 | 0:05:59 | |
-These are concrete ones, are they? -Yeah, they're concrete. -Yeah. | 0:05:59 | 0:06:02 | |
How much is a pair of those? | 0:06:04 | 0:06:05 | |
I want about 35 quid each for them. I'll do 40 quid. | 0:06:05 | 0:06:09 | |
-Could you do them for 30? -Oh! | 0:06:09 | 0:06:11 | |
-Have you got some money in there?! -Honestly, I know I look like... | 0:06:11 | 0:06:14 | |
You must have some money in there. £32 and take them. Go on. | 0:06:14 | 0:06:17 | |
All right. You've got a deal. £32. | 0:06:17 | 0:06:21 | |
You're a star. | 0:06:21 | 0:06:22 | |
That's the pair of reconstituted green-painted planters | 0:06:22 | 0:06:26 | |
and an Art Nouveau umbrella stand for £58. Well done, Thomas. | 0:06:26 | 0:06:31 | |
Sticking with Thomas, he's made his way back up the coast | 0:06:31 | 0:06:34 | |
to the charming seaside town of Rhos-on-Sea. | 0:06:34 | 0:06:38 | |
Shawna Peters Antiques is Thomas' next stop, so it's stand by. | 0:06:38 | 0:06:43 | |
-Hello. -Hi. -I'm Thomas. | 0:06:43 | 0:06:45 | |
-How do you do? -How do you do? | 0:06:45 | 0:06:47 | |
Thomas has some serious catching up to do on this trip. | 0:06:49 | 0:06:53 | |
What am I going to buy which is going to make me loads of money? | 0:06:53 | 0:06:56 | |
That is the million-dollar question. | 0:06:56 | 0:06:58 | |
Now what's that he's found? | 0:06:59 | 0:07:01 | |
That's pretty, isn't it? | 0:07:01 | 0:07:02 | |
Enamel flower set with some sort of paste-set jewels. | 0:07:04 | 0:07:10 | |
If you were a lady and you were out for an evening, | 0:07:10 | 0:07:14 | |
want to do more of your rouge, out this would come, wouldn't it? | 0:07:14 | 0:07:18 | |
-Yeah. -Really pretty with that floral design. | 0:07:18 | 0:07:21 | |
-But it's just gilt metal. -Faberge. | 0:07:21 | 0:07:24 | |
Well, I wish, with the sort of filigree around it. | 0:07:24 | 0:07:26 | |
It does look quite beautiful. | 0:07:26 | 0:07:28 | |
What's your very best on that one? | 0:07:28 | 0:07:30 | |
25. | 0:07:31 | 0:07:33 | |
Ooh. That's very good, isn't it? | 0:07:33 | 0:07:35 | |
-Could I offer to 20? -SHE LAUGHS | 0:07:35 | 0:07:37 | |
-You just said that was good! -HE LAUGHS | 0:07:37 | 0:07:41 | |
Truthfully, I've spent a little bit of money today | 0:07:41 | 0:07:44 | |
and then Christina's thrashing me and I need all the help I can get. | 0:07:44 | 0:07:48 | |
-Was that a nod? -OK. | 0:07:49 | 0:07:52 | |
-OK? -Yeah. | 0:07:52 | 0:07:54 | |
-Oh, you're a sweetheart. -I know. -Thank you very much. | 0:07:54 | 0:07:56 | |
Very generous, Shawna. Deal done at £20 for the Art Nouveau compact. | 0:07:56 | 0:08:01 | |
I'm pleased with what I bought today. Tomorrow is another day. | 0:08:01 | 0:08:05 | |
And on that note, night-night, antiquers. | 0:08:06 | 0:08:10 | |
Another day dawns in North Wales. | 0:08:14 | 0:08:16 | |
-Bore da, Thomas. -Bore da, Christina. | 0:08:19 | 0:08:22 | |
-Oh, well done. -Do you like the roll of the R? | 0:08:22 | 0:08:26 | |
Impressive. | 0:08:26 | 0:08:27 | |
The auction awaits in Colwyn Bay. | 0:08:27 | 0:08:29 | |
But, for now, Thomas is heading to the small village of Llanystumdwy. | 0:08:29 | 0:08:34 | |
Here we are. Enjoy. | 0:08:36 | 0:08:38 | |
-Good luck. -Have fun. | 0:08:38 | 0:08:39 | |
-Bye! -Bye! | 0:08:39 | 0:08:41 | |
Christina is charging further down the Llyn Peninsula | 0:08:41 | 0:08:46 | |
the market town of Pwllheli, | 0:08:46 | 0:08:48 | |
home to Christina's first shop of the day. | 0:08:48 | 0:08:51 | |
-Hello. -Hello there. Hi. How are you? -Rodney Adams, I assume. | 0:08:51 | 0:08:54 | |
-No, I'm John Adams. That's my father. -Oh. | 0:08:54 | 0:08:57 | |
John and his father have three different units in the town. | 0:08:57 | 0:09:01 | |
Plenty of choice, Christina. | 0:09:01 | 0:09:03 | |
These are interesting. | 0:09:03 | 0:09:05 | |
Yes, they are. They've just come in. | 0:09:05 | 0:09:07 | |
They're a pair of little taper stick holders | 0:09:07 | 0:09:09 | |
on little onyx bases. | 0:09:09 | 0:09:11 | |
Those are quite fun. | 0:09:11 | 0:09:12 | |
"PHV and Co Made in England." | 0:09:12 | 0:09:14 | |
OK, so, probably about what, 1940s, 1950s? | 0:09:14 | 0:09:18 | |
Probably, yeah. | 0:09:18 | 0:09:19 | |
These candlesticks were designed to hold tapered candles. | 0:09:19 | 0:09:24 | |
Well, I like those. Can I go down in the cellar? | 0:09:24 | 0:09:26 | |
Yes. | 0:09:26 | 0:09:27 | |
Also leaving no stone unturned. | 0:09:27 | 0:09:31 | |
Oh, this is rather beautiful. | 0:09:31 | 0:09:32 | |
Locally-built ship in case, £40. | 0:09:34 | 0:09:36 | |
Yes, I'm actually selling it on behalf of somebody, | 0:09:36 | 0:09:39 | |
and that's what they want for it as a goodwill gesture. | 0:09:39 | 0:09:42 | |
All the rigging and so on is right, as it were. | 0:09:42 | 0:09:47 | |
OK. But it is quite bright, isn't it? | 0:09:47 | 0:09:49 | |
But it certainly looks like it's a galleon in full sail | 0:09:49 | 0:09:52 | |
-off the Welsh coast. -Yeah. | 0:09:52 | 0:09:55 | |
-Let's take that one upstairs. -OK. | 0:09:55 | 0:09:57 | |
She's even checking out John's other shop across the street. | 0:09:57 | 0:10:01 | |
That's nice. | 0:10:01 | 0:10:03 | |
-It is. It's a lovely thing, that. -Hmm. | 0:10:03 | 0:10:05 | |
It's got quite a sort of naive feel about it, hasn't it? | 0:10:05 | 0:10:07 | |
It's a pipe rack. What's on that, John? | 0:10:07 | 0:10:10 | |
Uh... | 0:10:10 | 0:10:12 | |
it has to be 60 quid. | 0:10:12 | 0:10:14 | |
Oh, my goodness. | 0:10:14 | 0:10:16 | |
Is there a deal afoot? | 0:10:16 | 0:10:17 | |
-So, I like the taper sticks. -Right. | 0:10:17 | 0:10:20 | |
-I like the ship. -Right. | 0:10:20 | 0:10:22 | |
And I like this. | 0:10:22 | 0:10:24 | |
So, what can our sort of best prices be on these, John? | 0:10:24 | 0:10:28 | |
The taper sticks I can do for 30. | 0:10:28 | 0:10:32 | |
-I'm selling that on behalf of somebody. -Right. | 0:10:32 | 0:10:35 | |
That thing, it has to be 40, which is sensibly priced. | 0:10:35 | 0:10:39 | |
OK. All right. And then the rack. | 0:10:39 | 0:10:41 | |
That can be 50. | 0:10:41 | 0:10:42 | |
So, can we negotiate on these, then? | 0:10:42 | 0:10:45 | |
What are you offering? | 0:10:45 | 0:10:47 | |
I would like to give you £50 for the ship and the tapers. | 0:10:47 | 0:10:52 | |
Put a fiver on top of that and then we'll have a deal on that. | 0:10:52 | 0:10:55 | |
-OK. 55. -Deal it is. | 0:10:55 | 0:10:58 | |
-Deal it is. Thank you very much. -Thank you. -It's been a pleasure. | 0:10:58 | 0:11:00 | |
That's £55 for the silver-plated taper sticks | 0:11:00 | 0:11:04 | |
and the ship in the case. | 0:11:04 | 0:11:06 | |
In Llanystumdwy, | 0:11:08 | 0:11:10 | |
Thomas has come to the childhood home of a radical social reformer | 0:11:10 | 0:11:14 | |
who became one of the greatest statesman of the 20th century. | 0:11:14 | 0:11:18 | |
He not only laid the foundations for the welfare state we have today, | 0:11:18 | 0:11:23 | |
but is the man often credited | 0:11:23 | 0:11:25 | |
for winning the First World War for the Allies. | 0:11:25 | 0:11:28 | |
Thomas is here to meet curator Emrys Williams. | 0:11:28 | 0:11:31 | |
Good morning. | 0:11:31 | 0:11:32 | |
Bore da. Croeso. | 0:11:32 | 0:11:34 | |
David Lloyd George, Britain's only ever Welsh prime minister, | 0:11:35 | 0:11:40 | |
moved to this cottage as a baby. | 0:11:40 | 0:11:42 | |
After the death of his father, it was his uncle, Richard Lloyd, | 0:11:42 | 0:11:45 | |
who helped raise and educate the young David. | 0:11:45 | 0:11:48 | |
He instilled a set of values in his nephew | 0:11:48 | 0:11:51 | |
that would stand throughout his life, | 0:11:51 | 0:11:53 | |
in part by turning his cobbler's workshop | 0:11:53 | 0:11:55 | |
into a hotbed for debate. | 0:11:55 | 0:11:57 | |
-It was like a debating society. -Oh, right. Yes. | 0:11:58 | 0:12:02 | |
And soon, Lloyd George became politically aware. | 0:12:02 | 0:12:08 | |
Ah. So, it gave him an education, | 0:12:08 | 0:12:11 | |
a work ethic and a passion for politics. | 0:12:11 | 0:12:14 | |
-Yes. -Debates. -Yes. -What's fair, what's right. | 0:12:14 | 0:12:16 | |
-Yes. -Interesting. | 0:12:16 | 0:12:19 | |
After training as a solicitor, | 0:12:19 | 0:12:21 | |
Lloyd George steered his passion for fairness into politics, | 0:12:21 | 0:12:25 | |
first as a Liberal MP and then as a member of the cabinet. | 0:12:25 | 0:12:28 | |
It was here he tackled social justice | 0:12:30 | 0:12:33 | |
as he'd always wanted. | 0:12:33 | 0:12:34 | |
He created the welfare state we take for granted today. | 0:12:34 | 0:12:39 | |
It was a revolutionary feat. | 0:12:39 | 0:12:41 | |
So, he became chancellor of the Exchequer. | 0:12:42 | 0:12:44 | |
-What did he do with that? -Yes. | 0:12:44 | 0:12:46 | |
Well, the first thing he did in 1908 | 0:12:46 | 0:12:49 | |
was to introduce the Old-Age Pensions bill. | 0:12:49 | 0:12:53 | |
-So, there wasn't an Old-Age Pensions bill before that. -No. | 0:12:53 | 0:12:57 | |
And then Lloyd George in 1909 | 0:12:57 | 0:13:00 | |
formulated his great People's Budget, | 0:13:00 | 0:13:04 | |
the budget he declared was to wage war against poverty, | 0:13:04 | 0:13:09 | |
-sickness and ill health. -Mm-hm. | 0:13:09 | 0:13:11 | |
He also went on to introduce national insurance, | 0:13:11 | 0:13:15 | |
designed as a safety net for anyone who became unemployed | 0:13:15 | 0:13:19 | |
or needed cash for medical treatment. | 0:13:19 | 0:13:22 | |
It predated the NHS, | 0:13:22 | 0:13:24 | |
which wouldn't come to fruition for another 37 years. | 0:13:24 | 0:13:28 | |
Such forward thinking. How did he become prime minister? | 0:13:28 | 0:13:32 | |
The Great War broke out in 1914. | 0:13:32 | 0:13:35 | |
In 1915, there was a shell shortage | 0:13:35 | 0:13:40 | |
and the king created a new post. | 0:13:40 | 0:13:43 | |
Lloyd George became the first minister of munitions. | 0:13:43 | 0:13:47 | |
The scandal threatened to defeat the Allies, | 0:13:49 | 0:13:51 | |
but by building munitions factories across the country | 0:13:51 | 0:13:54 | |
and utilising a previously untapped female workforce, | 0:13:54 | 0:13:58 | |
Lloyd George rearmed the British forces | 0:13:58 | 0:14:01 | |
and solved the crisis within months. | 0:14:01 | 0:14:03 | |
He was then the obvious choice to take over as prime minister | 0:14:03 | 0:14:07 | |
in a Liberal-Conservative coalition in 1916. | 0:14:07 | 0:14:11 | |
What did he do to move the war forward for us? | 0:14:11 | 0:14:15 | |
He galvanised everybody. | 0:14:15 | 0:14:17 | |
"We are going to win." | 0:14:17 | 0:14:19 | |
But the problem was that military strategy | 0:14:19 | 0:14:24 | |
was in the hands of the generals. | 0:14:24 | 0:14:27 | |
Lloyd George's dynamic leadership boosted morale. | 0:14:30 | 0:14:34 | |
With his newly formed war cabinet, | 0:14:34 | 0:14:36 | |
he coordinated the Allies under one command | 0:14:36 | 0:14:39 | |
and helped orchestrate American involvement. | 0:14:39 | 0:14:42 | |
This proved to be a major turning point in history. | 0:14:42 | 0:14:45 | |
-The Americans came into the war. -1917. -Yes. And the war was won. | 0:14:48 | 0:14:54 | |
And Lloyd George is now regarded by historians | 0:14:55 | 0:14:59 | |
and biographers as the man who won the war. | 0:14:59 | 0:15:03 | |
He remained prime minister until resigning in 1922, | 0:15:05 | 0:15:09 | |
but continued to be an active political figure. | 0:15:09 | 0:15:12 | |
Lloyd George returned to Wales in 1944 and died a year later. | 0:15:12 | 0:15:17 | |
He will be remembered as one of the greatest social reformers | 0:15:18 | 0:15:22 | |
of his time and a revolutionary leader. | 0:15:22 | 0:15:25 | |
Meanwhile, Christina has motored the Bedford van north to Llandwrog. | 0:15:29 | 0:15:33 | |
Christina's next shop is based in a former RAF base. | 0:15:34 | 0:15:39 | |
Hello! | 0:15:39 | 0:15:40 | |
-Hi. -Nice to meet you. Are you Mr Kill? | 0:15:40 | 0:15:43 | |
No. Martin Lewis, I am. | 0:15:43 | 0:15:45 | |
-It's a great name, though, isn't it? -It's wonderful, isn't it? -Yes. | 0:15:45 | 0:15:48 | |
-You sound like a bit of a secret agent. -Assassins, yeah. | 0:15:48 | 0:15:51 | |
-Yeah, very possibly. Are you an assassin, Martin? -No. | 0:15:51 | 0:15:54 | |
-No, you don't look like an assassin. -No. | 0:15:54 | 0:15:56 | |
Yeah, well that's good to know, then. | 0:15:56 | 0:15:58 | |
And Martin's got something in mind for Christina. | 0:15:58 | 0:16:00 | |
Have a look at that. | 0:16:00 | 0:16:02 | |
-What do you think? -How did I walk straight past that? | 0:16:02 | 0:16:05 | |
-So, that is an old wheelbarrow. -It's for carrying slate. | 0:16:05 | 0:16:09 | |
So, you would've quarried your slate and put it on that, | 0:16:09 | 0:16:11 | |
stacked it up so it didn't slide off the front. | 0:16:11 | 0:16:13 | |
-That's right. -You've got that guard on there as well. -Yeah. | 0:16:13 | 0:16:16 | |
That's quite fun, isn't it? | 0:16:16 | 0:16:18 | |
-IT SQUEAKS -It comes with the squeak. | 0:16:18 | 0:16:20 | |
-Does it? -Yeah. -A free squeak? | 0:16:20 | 0:16:22 | |
-It comes with a free squeak. -How could a girl refuse? | 0:16:22 | 0:16:25 | |
-How much have you got on it? -40. | 0:16:25 | 0:16:27 | |
IT SQUEAKS NOISILY Blimey, Christina. | 0:16:27 | 0:16:30 | |
-I do like it, but I don't like it for £40, I'm afraid. -OK. Try me. | 0:16:30 | 0:16:35 | |
-I was sort of thinking £10 or £20, to be honest... -Oh! | 0:16:35 | 0:16:38 | |
-I couldn't possibly take... -..as a nice outside piece. | 0:16:38 | 0:16:41 | |
What would be your absolute death on it? | 0:16:41 | 0:16:43 | |
You can have it for 25. | 0:16:43 | 0:16:45 | |
-I'm a happy girl at that. -I'll throw the squeak in. | 0:16:45 | 0:16:47 | |
You're too kind. | 0:16:47 | 0:16:48 | |
£25 for the slate barrow with added squeak. | 0:16:49 | 0:16:53 | |
Ha! Thomas meanwhile is back on the hunt. | 0:16:54 | 0:16:57 | |
He's headed to the stunning harbour resort of Barmouth | 0:16:57 | 0:17:00 | |
on Snowdonia's west coast | 0:17:00 | 0:17:02 | |
and to his final shop - | 0:17:02 | 0:17:04 | |
Fron House Antiques, run by Jamie Howard. | 0:17:04 | 0:17:08 | |
-Hello. -Hello. -I'm Thomas. -Jamie. | 0:17:08 | 0:17:11 | |
Jamie sources his eclectic mix of items both locally and overseas. | 0:17:11 | 0:17:16 | |
What's Thomas onto? | 0:17:16 | 0:17:18 | |
You've got some lovely things here. | 0:17:18 | 0:17:20 | |
Oh, that's naughty, Jamie, your little erotic cheroot holder. | 0:17:20 | 0:17:25 | |
It's a little Stanhope, which is a lens, | 0:17:25 | 0:17:29 | |
and the lens has a print on the back, | 0:17:29 | 0:17:33 | |
and that print then gets magnified as you look through the lens. | 0:17:33 | 0:17:37 | |
It's titchy, but you place it up to your eye | 0:17:37 | 0:17:40 | |
and you fill your eye with the scene. | 0:17:40 | 0:17:43 | |
This one has somebody on the beach in not many clothes. | 0:17:43 | 0:17:48 | |
And it's a cheroot holder. | 0:17:48 | 0:17:50 | |
Ticket price is £58. | 0:17:50 | 0:17:52 | |
-How about 20? -Can I offer you 15? | 0:17:55 | 0:17:57 | |
-How about 18? -Perfect. | 0:17:57 | 0:18:00 | |
Swift business. Anything else? | 0:18:00 | 0:18:02 | |
What a cool thing. | 0:18:05 | 0:18:06 | |
It's quite decorative, isn't it? | 0:18:06 | 0:18:08 | |
A garden windmill. | 0:18:08 | 0:18:09 | |
Look at that. | 0:18:11 | 0:18:12 | |
I just like the visuality of it. | 0:18:12 | 0:18:14 | |
Could be a sort of gardening theme with your pair of planters, perhaps. | 0:18:14 | 0:18:18 | |
"Please shut the gate." | 0:18:18 | 0:18:20 | |
That's a heavy bit of stone there, isn't it? | 0:18:21 | 0:18:24 | |
I wonder if I could buy the stone and the windmill. | 0:18:24 | 0:18:26 | |
HE LAUGHS | 0:18:26 | 0:18:28 | |
Sort of garden lots, aren't they? | 0:18:28 | 0:18:30 | |
Time to bring back Jamie, eh? | 0:18:30 | 0:18:32 | |
You've got a few things down here I quite like. | 0:18:32 | 0:18:34 | |
-First of all, I like the windmill. -It's quirky. | 0:18:34 | 0:18:36 | |
Could be Dutch. It's fun. | 0:18:36 | 0:18:38 | |
-It's not that old. -No, it's not. | 0:18:38 | 0:18:39 | |
And just talk me through the stone. | 0:18:39 | 0:18:42 | |
-It's fun. -I've got 40 quid left. | 0:18:42 | 0:18:44 | |
-40 quid left. -And I want to spend 40 quid with you. -OK. | 0:18:44 | 0:18:48 | |
So, 18 on the cheroot holder and 40 on these two? | 0:18:48 | 0:18:53 | |
-Yeah. Cos this will be a lot. -We could have a deal at that. | 0:18:53 | 0:18:56 | |
-Could we? -All right? -Thank you very much. -OK. | 0:18:56 | 0:18:59 | |
And with that, shopping is complete. | 0:18:59 | 0:19:01 | |
Let's take a gander at our experts' treasures. | 0:19:01 | 0:19:05 | |
Along with the stone, windmill and cheroot holder, | 0:19:06 | 0:19:10 | |
Thomas bought an enamel compact, | 0:19:10 | 0:19:13 | |
the garden planters and an Art Deco umbrella stand | 0:19:13 | 0:19:17 | |
all for £136. | 0:19:17 | 0:19:20 | |
Christina spent £230 on the chair... | 0:19:20 | 0:19:23 | |
A gavel cruet set, | 0:19:25 | 0:19:27 | |
a pair of taper sticks, | 0:19:27 | 0:19:29 | |
a ship in a box and a barrow with a squeak. | 0:19:29 | 0:19:33 | |
So, what do they think of each other's lots? | 0:19:33 | 0:19:35 | |
She's bought one dangerous item, | 0:19:35 | 0:19:37 | |
the big barber's-cum-tattooist's chair. | 0:19:37 | 0:19:39 | |
Three figures on it. A lot of money. | 0:19:39 | 0:19:41 | |
What I absolutely love is her cruets as gavels. | 0:19:41 | 0:19:45 | |
We're both auctioneers, we'll both love those. | 0:19:45 | 0:19:48 | |
I think Thomas has done exceptionally well. | 0:19:48 | 0:19:50 | |
I think the compact that he bought was particularly lovely. | 0:19:50 | 0:19:53 | |
He's been very clever. He's been very tactical. | 0:19:53 | 0:19:55 | |
If my chair bombs, which I slightly have a sad feeling that it might, | 0:19:55 | 0:20:00 | |
I think he might hold the stronger hand | 0:20:00 | 0:20:02 | |
in this little round here. | 0:20:02 | 0:20:04 | |
After kicking off from Ruthin, | 0:20:04 | 0:20:07 | |
Christina and Thomas are now headed towards their third auction | 0:20:07 | 0:20:10 | |
in Colwyn Bay. | 0:20:10 | 0:20:11 | |
-Oh, my goodness. -I love it. I love it. -Good parking, Thomas. | 0:20:11 | 0:20:14 | |
See? You know, I'm gifted. Natural. In you go. | 0:20:14 | 0:20:18 | |
John Rogers Jones will be manning the rostrum at this family-run auction room. | 0:20:20 | 0:20:24 | |
Let's see what the people of Colwyn Bay think of our experts' lots. | 0:20:24 | 0:20:27 | |
First up, Thomas's pair of planters. | 0:20:27 | 0:20:29 | |
Thomas Plant-er... Get it? | 0:20:29 | 0:20:31 | |
40 for the pair on stands. | 0:20:31 | 0:20:34 | |
Start me at a tenner then. | 0:20:34 | 0:20:36 | |
Tenner. That's a way to start. | 0:20:36 | 0:20:37 | |
£5 only. Eight over there. | 0:20:37 | 0:20:40 | |
Ten is here. 12 there. 15. | 0:20:40 | 0:20:42 | |
-Well done. Well done. This is better. -18. | 0:20:42 | 0:20:44 | |
18. 18 and the hammer's up. | 0:20:44 | 0:20:48 | |
Still time to make that back, Thomas. | 0:20:50 | 0:20:52 | |
That's a good loss. | 0:20:52 | 0:20:53 | |
-That's half. -That's a good loss. -That's a good loss. | 0:20:53 | 0:20:56 | |
That's half the money gone. | 0:20:56 | 0:20:58 | |
Can Christina's slate barrow do any better? | 0:20:58 | 0:21:02 | |
Give me £50. | 0:21:02 | 0:21:03 | |
There's no justice if there's a bid of 50. | 0:21:03 | 0:21:05 | |
20 anywhere. Come on. | 0:21:05 | 0:21:08 | |
Look good in the front garden. | 0:21:09 | 0:21:11 | |
-A tenner. -Yes, it would. Exactly. | 0:21:11 | 0:21:12 | |
Tenner I have. A tenner. | 0:21:12 | 0:21:14 | |
12. 15. 18. | 0:21:14 | 0:21:16 | |
-Oh, they're all over it now. -20. 22. | 0:21:16 | 0:21:19 | |
25. 28. | 0:21:19 | 0:21:21 | |
30. 32. | 0:21:21 | 0:21:23 | |
35. New bidder. | 0:21:23 | 0:21:24 | |
Look at this. I don't believe it. | 0:21:24 | 0:21:26 | |
35 in the middle. 38 over there. | 0:21:26 | 0:21:28 | |
40. 42. 45, seated. 48, standing. 48. 50. | 0:21:28 | 0:21:33 | |
-Well done. -50 on the left. I'm going to sell at 50 now. | 0:21:33 | 0:21:36 | |
That's really good. | 0:21:36 | 0:21:38 | |
-Oh, bravo. Magnificently done. -Yeah, well done. | 0:21:38 | 0:21:40 | |
Well done, sir. Well done. | 0:21:40 | 0:21:42 | |
Christina's doubled her money. | 0:21:42 | 0:21:44 | |
Now it's back over to Thomas with his plinth and windmill. | 0:21:46 | 0:21:50 | |
Give me £40. 40. | 0:21:50 | 0:21:52 | |
Try me at 20 then. | 0:21:54 | 0:21:56 | |
-So heavy. It was so heavy. -Eight, ten, 12. | 0:21:56 | 0:21:59 | |
See, now they're all over it. | 0:21:59 | 0:22:01 | |
15. 18. 20. 22. 25. | 0:22:01 | 0:22:05 | |
28. 28. 28. | 0:22:05 | 0:22:07 | |
All done? | 0:22:07 | 0:22:09 | |
Thanks for coming. Thanks for coming. | 0:22:09 | 0:22:11 | |
28. | 0:22:11 | 0:22:12 | |
Oh, Thomas. | 0:22:13 | 0:22:15 | |
-You're having a bad day. -A bad day. | 0:22:15 | 0:22:17 | |
-It's OK. We're only two lots in. -Two lots in. -We'll be OK. | 0:22:17 | 0:22:20 | |
I've already sort of lost a load of money. | 0:22:20 | 0:22:22 | |
It's Christina's ship in a box up now. | 0:22:24 | 0:22:26 | |
Give me £50. £50. | 0:22:26 | 0:22:29 | |
Try me at 30. Five. Where's eight now? | 0:22:31 | 0:22:34 | |
-Fiver. £5. -I have eight. | 0:22:34 | 0:22:36 | |
Ten behind. 12. 15. | 0:22:36 | 0:22:38 | |
Rightly so. It's worth more than that. | 0:22:38 | 0:22:40 | |
15 behind you. Where's 18? | 0:22:40 | 0:22:42 | |
18. 20. | 0:22:42 | 0:22:43 | |
-Oh, here we go. -22. -22. -25. -25. Moving on. | 0:22:43 | 0:22:47 | |
It's still a loss. | 0:22:47 | 0:22:49 | |
28. | 0:22:49 | 0:22:50 | |
Are we all done at 28? | 0:22:50 | 0:22:52 | |
Fair warning at 28. | 0:22:53 | 0:22:55 | |
A good buy for someone. | 0:22:58 | 0:23:00 | |
I'm disappointed for your loss. | 0:23:00 | 0:23:02 | |
Thanks, but...? | 0:23:02 | 0:23:03 | |
Disappointed, but I'm pleased it didn't make more | 0:23:03 | 0:23:07 | |
than my plinth and windmill. | 0:23:07 | 0:23:08 | |
Well, at least he's honest. | 0:23:08 | 0:23:10 | |
Maybe it'll be third time lucky for Thomas | 0:23:10 | 0:23:13 | |
with his Art Deco umbrella stand. | 0:23:13 | 0:23:15 | |
15. Where's 18 now? 18. | 0:23:15 | 0:23:17 | |
-He's got a commission price. -Where's two now? £20. | 0:23:17 | 0:23:20 | |
22. 25. 28. 30. | 0:23:20 | 0:23:24 | |
-32. -Thomas! I told you. -35. 38. | 0:23:24 | 0:23:27 | |
-32. -Yeah. | 0:23:27 | 0:23:28 | |
40, new bidder. £40. £40. | 0:23:28 | 0:23:31 | |
42. 45. 48. | 0:23:31 | 0:23:35 | |
48, I have. Final call at 48. | 0:23:35 | 0:23:38 | |
Finally, a profit for Thomas. | 0:23:40 | 0:23:42 | |
-Brilliant. -It's OK. -£20 profit! -It's marginal. | 0:23:42 | 0:23:45 | |
Take the wins while you can, eh? | 0:23:45 | 0:23:47 | |
Next it's Christina's gavel cruet set. | 0:23:47 | 0:23:50 | |
Ten to start. Ten I have. 12, lady. 15. 15. 18. 20. 22. | 0:23:50 | 0:23:56 | |
22, the gent. | 0:23:56 | 0:23:58 | |
All done at 22? | 0:23:58 | 0:23:59 | |
-This is making me a bit... -Oh, oh! -Final call. | 0:23:59 | 0:24:01 | |
A small loss to help close the gap. | 0:24:04 | 0:24:06 | |
-Mine just isn't going well any more. -No. | 0:24:07 | 0:24:10 | |
-Stop it. -Yes! | 0:24:10 | 0:24:12 | |
-SHE LAUGHS -Yes! Yes! | 0:24:12 | 0:24:14 | |
Next it's Thomas's enamel box. | 0:24:15 | 0:24:17 | |
A bit of interest in this. It starts with me at 25. | 0:24:18 | 0:24:21 | |
-Already profit. Straight away. I know. -Thomas, that's wonderful. | 0:24:21 | 0:24:24 | |
-It's good, yeah. -32 with you. 35 with me. | 0:24:24 | 0:24:27 | |
-40 sees me out. £40. Anyone? -Might... | 0:24:27 | 0:24:30 | |
-Very savvy buyers. -Go on. -£40. Where's two now? | 0:24:30 | 0:24:32 | |
42. 42. 45. 48. | 0:24:32 | 0:24:36 | |
-48. Where's 50 now? -Go on. Make 50. Make me a happy man. | 0:24:36 | 0:24:39 | |
The hammer's up at 48. | 0:24:39 | 0:24:42 | |
Final call. | 0:24:42 | 0:24:43 | |
-Yes! -Well done. -Yes! -£28 profit. | 0:24:44 | 0:24:47 | |
-Yeah, all right, all right. -That is fantastic. | 0:24:47 | 0:24:49 | |
An amazing profit for Thomas, doubling his money. | 0:24:49 | 0:24:51 | |
Now let's see if Christina's taper sticks can do the same. | 0:24:53 | 0:24:57 | |
I've got a bit of interest. Starting me at £20. | 0:24:57 | 0:24:59 | |
20. Is there two anywhere? 22. 25. | 0:24:59 | 0:25:02 | |
-Good. Look. -28. | 0:25:02 | 0:25:04 | |
-30 with me. -Double money. -Double money. -Mm. | 0:25:04 | 0:25:07 | |
£30. I am going to sell at £30. | 0:25:07 | 0:25:11 | |
Have you finished? | 0:25:11 | 0:25:12 | |
Anybody else? | 0:25:12 | 0:25:15 | |
The hammer's up. | 0:25:15 | 0:25:17 | |
-Doubled your money. Well done. -Brilliant. | 0:25:17 | 0:25:19 | |
Well done indeed. | 0:25:19 | 0:25:21 | |
Now it's Thomas's final item, the Stanhope cheroot holder. | 0:25:21 | 0:25:24 | |
£50. | 0:25:24 | 0:25:26 | |
-Go on. -It's fabulous. -It's very rare. | 0:25:26 | 0:25:27 | |
Give me a tenner then. Ten. | 0:25:27 | 0:25:30 | |
12. 15. | 0:25:30 | 0:25:33 | |
18. 20. 22. 25. | 0:25:33 | 0:25:37 | |
-Instant profit. -It is. It is profit. | 0:25:37 | 0:25:39 | |
25, lady. 28, new bidder. | 0:25:39 | 0:25:41 | |
30, seated. 32. | 0:25:42 | 0:25:44 | |
-Brilliant, Thomas. -It's very good. | 0:25:44 | 0:25:47 | |
Final call at 32. | 0:25:47 | 0:25:48 | |
I'm now three profits in a row. | 0:25:51 | 0:25:54 | |
It could be just what Thomas needs. | 0:25:54 | 0:25:56 | |
But it all comes down to Christina's last item, | 0:25:56 | 0:25:59 | |
her biggest spend and riskiest buy - | 0:25:59 | 0:26:02 | |
the dentist or barber's or tattooist's chair. | 0:26:02 | 0:26:06 | |
Give me 100. | 0:26:06 | 0:26:07 | |
20 as a start. | 0:26:10 | 0:26:12 | |
-25 I have. -20. -25. 25. | 0:26:12 | 0:26:14 | |
30. 35. 40. 45. 50. 55. 60. | 0:26:14 | 0:26:20 | |
It's moving on. It's going to get to 100. | 0:26:20 | 0:26:22 | |
65. 70. 75. 80, new bidder. | 0:26:22 | 0:26:24 | |
New bidder. New bidder. | 0:26:24 | 0:26:26 | |
-90, new bidder. -90, new bidder. New legs. | 0:26:26 | 0:26:29 | |
95, seated. 100 over there. | 0:26:29 | 0:26:31 | |
105. | 0:26:31 | 0:26:33 | |
You see 105? You can stop now. It's fine. | 0:26:33 | 0:26:36 | |
120 in front of me. | 0:26:36 | 0:26:38 | |
130 over there. | 0:26:38 | 0:26:39 | |
130. Are we all done at 130? | 0:26:39 | 0:26:43 | |
-We're going to sell. -That's brilliant, Christina. -140. | 0:26:43 | 0:26:46 | |
-140, standing. -All done at 140? | 0:26:46 | 0:26:49 | |
She's back in the game with another profit. | 0:26:50 | 0:26:53 | |
I bought that thinking, "It's not going to make me a huge profit." | 0:26:53 | 0:26:56 | |
-You got most of your money back. -"It's funky!" | 0:26:56 | 0:26:58 | |
But has Christina done enough? | 0:26:58 | 0:26:59 | |
-Come on. Let's go. -Yeah. | 0:26:59 | 0:27:01 | |
Christina set off this leg with £278.91. | 0:27:03 | 0:27:07 | |
After paying auction costs, she's down £8.60, | 0:27:07 | 0:27:12 | |
so she's still hanging onto her overall lead with £270.31. | 0:27:12 | 0:27:18 | |
Thomas began with £136.94 | 0:27:18 | 0:27:22 | |
and after auction costs, he made £6.68, | 0:27:22 | 0:27:26 | |
leaving him £143.62 in his kitty. | 0:27:26 | 0:27:31 | |
Thomas has his first win of the week. Hurrah! | 0:27:31 | 0:27:35 | |
With that, onto leg four with stylish antiques hotshots. | 0:27:36 | 0:27:39 | |
Christina and Thomas each raring to win. | 0:27:39 | 0:27:42 | |
-You have had your haircut! -Yeah. -When was that? | 0:27:42 | 0:27:45 | |
I don't know, a while ago. | 0:27:45 | 0:27:47 | |
-I feel terrible, I didn't notice. -Thanks(!) | 0:27:47 | 0:27:50 | |
I don't know, Thomas! In this penultimate leg, | 0:27:50 | 0:27:52 | |
are starting off in Stratford-upon-Avon | 0:27:52 | 0:27:55 | |
and aiming for auction in the Cotswold town of Winchcombe. | 0:27:55 | 0:27:59 | |
Time to get Thomas' shopping under way. | 0:27:59 | 0:28:03 | |
-Bye, love. -Bye-bye. | 0:28:03 | 0:28:05 | |
-Hello. -Hi, Thomas, nice to see you. How are you doing? -Nice to see you. | 0:28:08 | 0:28:11 | |
-What's your name? -Richard. -Richard. -This is my wife, Zoe. -Hello, Thomas. | 0:28:11 | 0:28:15 | |
And I'm Tim. So, now we all know each other, | 0:28:15 | 0:28:19 | |
let's get cracking. | 0:28:19 | 0:28:20 | |
What we've got here is a vintage bracelet. | 0:28:22 | 0:28:27 | |
Most unusual silver gilt bracelet. | 0:28:27 | 0:28:30 | |
Hallmarked from 1975. | 0:28:30 | 0:28:32 | |
Look at that rock here. | 0:28:32 | 0:28:35 | |
The matrix of the quartz. | 0:28:35 | 0:28:38 | |
It's got a replacement clasp on it, but it's £55. | 0:28:40 | 0:28:45 | |
If we can... Not a fiver, but a bit more than that. | 0:28:45 | 0:28:48 | |
OK, let's see what we can do, Thomas. Absolutely. | 0:28:48 | 0:28:51 | |
With over 40 dealers on display, | 0:28:51 | 0:28:53 | |
Richard is going to have to get on the phone. | 0:28:53 | 0:28:56 | |
-OK, Thomas. -Richard. -We have some news. -Oh, yeah, what is the news? | 0:28:56 | 0:28:59 | |
-It's quite good. -Oh, yeah? | 0:28:59 | 0:29:01 | |
-So, it' at 55. Usually, I'd stop around 50. -Yeah, yeah. | 0:29:01 | 0:29:04 | |
-But we can go to 45. -45... Do you think we could have this for 40? | 0:29:04 | 0:29:08 | |
-Could you do a pound or two more? -Could we do 4...1? -Go on, then, 41. | 0:29:08 | 0:29:13 | |
HE LAUGHS | 0:29:13 | 0:29:15 | |
You know, I hate even...odd numbers. | 0:29:15 | 0:29:18 | |
-Right, OK. Deal. -Thank you. | 0:29:18 | 0:29:20 | |
That's one done. Anything else? | 0:29:20 | 0:29:22 | |
A letter opener with the clown on the top. | 0:29:27 | 0:29:31 | |
Some people don't like clowns. But this is very Deco in style. | 0:29:31 | 0:29:35 | |
Is it Deco? I think it is. It's got a nice... | 0:29:35 | 0:29:38 | |
It's been well rubbed and worn. | 0:29:38 | 0:29:40 | |
I don't think I've ever seen a paper knife like that. | 0:29:40 | 0:29:44 | |
It is quite a cool thing. I think I'm going to go for that. | 0:29:44 | 0:29:47 | |
If that can be the right sort of price, definitely. | 0:29:47 | 0:29:50 | |
See, I can put something else with it. You see? | 0:29:50 | 0:29:53 | |
It's only, you know, £22. | 0:29:53 | 0:29:54 | |
So what we have here is a brass Art Deco ink stand. | 0:29:57 | 0:30:03 | |
I love it. | 0:30:04 | 0:30:05 | |
Because in here is DR, 1922. | 0:30:05 | 0:30:11 | |
So it's engraved in here. | 0:30:11 | 0:30:13 | |
It has got a bit of a nick. It is a bit of a sizable nick. | 0:30:13 | 0:30:17 | |
But once you put it in, you can't see it. | 0:30:17 | 0:30:19 | |
So one would put one's letters there. | 0:30:19 | 0:30:21 | |
And the ink goes in there. And your pens rest on here. | 0:30:21 | 0:30:25 | |
What is the price of that? | 0:30:25 | 0:30:27 | |
-WHISPERS: -£38... | 0:30:27 | 0:30:29 | |
Time to sweet talk Richard. | 0:30:29 | 0:30:31 | |
So these two... | 0:30:31 | 0:30:33 | |
You know, 38 and 22. | 0:30:33 | 0:30:36 | |
What does that come to? | 0:30:36 | 0:30:38 | |
-Well, so we're at 60. -Yeah. -Um... | 0:30:38 | 0:30:41 | |
-Can you do 52? -I was more like thinking 39. | 0:30:41 | 0:30:44 | |
That's a bit too low. | 0:30:44 | 0:30:46 | |
Can we meet somewhere in the middle? | 0:30:46 | 0:30:47 | |
-HESITANTLY: -45? | 0:30:47 | 0:30:50 | |
-Yeah, go on, we can work with 45. -Yeah? -Yeah, we can do that. -45? | 0:30:50 | 0:30:53 | |
Thank you. | 0:30:53 | 0:30:54 | |
That's £86 for the paper knife, letter stand and bracelet. | 0:30:54 | 0:30:58 | |
Bye-bye. | 0:30:58 | 0:30:59 | |
Now, where's Christina? | 0:30:59 | 0:31:01 | |
Heading for her first shop in the village of Long Marston. | 0:31:01 | 0:31:05 | |
-Good morning. -Good morning. -Hello, are you a Laura? -I am a Laura, yes. | 0:31:08 | 0:31:12 | |
Lovely to meet you, I'm Christina. This is rather magnificent. | 0:31:12 | 0:31:15 | |
-It goes on... Look, it goes on forever. -It does go on forever, yes. | 0:31:15 | 0:31:18 | |
Almost daunting, isn't it? | 0:31:18 | 0:31:21 | |
You've just got to start searching, Christina. | 0:31:21 | 0:31:24 | |
I love that. | 0:31:24 | 0:31:26 | |
I sold one of these on Saturday, and it was for the Savoy. | 0:31:28 | 0:31:31 | |
It was for the Savoy Laundry Company. | 0:31:31 | 0:31:33 | |
It only made about £20, but it was wonderful. Look at that. | 0:31:33 | 0:31:36 | |
London Laundry, Coventry, Limited. | 0:31:36 | 0:31:38 | |
"Articles for dry cleaners to be parcelled separately, please. 1971." | 0:31:38 | 0:31:42 | |
A bit of vintage kit, really. I love that. | 0:31:42 | 0:31:44 | |
It doesn't have a price on it. | 0:31:44 | 0:31:46 | |
Which is a bit worrying. | 0:31:46 | 0:31:47 | |
Time to get Laura. | 0:31:47 | 0:31:49 | |
OK... | 0:31:49 | 0:31:50 | |
I'll find out for you. | 0:31:50 | 0:31:52 | |
I mean, really, I've sold one of those recently for £15, £20. | 0:31:52 | 0:31:55 | |
-So that is what I would want to be looking at... -OK. | 0:31:55 | 0:31:58 | |
-..securing it for, at the most. -Okey dokey. | 0:31:58 | 0:32:00 | |
-But if you can give them a buzz... -Of course I will, I'll do that now. | 0:32:00 | 0:32:03 | |
Lovely, thank you. | 0:32:03 | 0:32:04 | |
-I may have a bit of good news for you. -Oh. -15. | 0:32:08 | 0:32:11 | |
-Have you done your best for me? -I've done my best, course I have. | 0:32:11 | 0:32:14 | |
-Of course you have! -Of course I have! | 0:32:14 | 0:32:16 | |
-£15... That's a deal at 15. -Brilliant. | 0:32:16 | 0:32:20 | |
-Thank you, Laura. -No problem. | 0:32:20 | 0:32:21 | |
Right, let's go. With my laundry. | 0:32:21 | 0:32:24 | |
And with that, Christina is up and running. | 0:32:24 | 0:32:28 | |
Back in the van, she's now motoring north to Henley-in-Arden, | 0:32:29 | 0:32:32 | |
where she's pulling up | 0:32:32 | 0:32:34 | |
at alliteration-loving Fabulous Finds. Ha! | 0:32:34 | 0:32:38 | |
Shop owner Caroline is on hand to show her around. | 0:32:38 | 0:32:41 | |
Oh, look! You have got some unusual things. | 0:32:41 | 0:32:44 | |
It feels like hunting for the Easter egg sometimes. | 0:32:44 | 0:32:46 | |
That's right. You never know what you're going to find. | 0:32:46 | 0:32:49 | |
You never know what you are going to find. Oh, that's nice. | 0:32:49 | 0:32:52 | |
OK, so we've got a little compact which looks to be base metal | 0:32:54 | 0:32:57 | |
rather than silver. So you'd put your powder in there. | 0:32:57 | 0:33:01 | |
And obviously, that would spin round. | 0:33:01 | 0:33:03 | |
You'd have your powder puff on top and the mirror on the top. | 0:33:03 | 0:33:06 | |
So you could just make sure that everything was in the right place. | 0:33:06 | 0:33:09 | |
And then the enamel on the top. It's very Art Deco, isn't it? | 0:33:09 | 0:33:12 | |
Very sort of 1930s, 1940s. | 0:33:12 | 0:33:14 | |
£95. OK, all right. Is there any sort of negotiation in that? | 0:33:14 | 0:33:18 | |
-Certainly there is, yes. -Brilliant. Let's pop that back for now. -OK. | 0:33:18 | 0:33:21 | |
I think that is a really charming thing. | 0:33:21 | 0:33:23 | |
That sounds promising. | 0:33:23 | 0:33:24 | |
-Look at these. -Lovely French posters. | 0:33:24 | 0:33:27 | |
"Interdit aux cyclotouristes et cyclomotoristes." | 0:33:27 | 0:33:33 | |
Tres bien. | 0:33:33 | 0:33:34 | |
-Something about cyclists and motor...? -Yes. | 0:33:34 | 0:33:37 | |
Interdit, so these are the things that you're not allowed to do. | 0:33:37 | 0:33:40 | |
So this would have been used as sort of an educational poster... | 0:33:40 | 0:33:43 | |
-That's right. -..about road rules in France. -Yes. -I like that. | 0:33:43 | 0:33:46 | |
-How much is on that, Caroline? -I've got 45 on that. | 0:33:46 | 0:33:49 | |
Another one to think about. | 0:33:50 | 0:33:52 | |
-Caroline, look at that! -Isn't it wonderful? | 0:33:52 | 0:33:55 | |
That is a stunner. | 0:33:55 | 0:33:57 | |
Oh, my goodness! Oh, my goodness! | 0:33:57 | 0:34:00 | |
-Can you manage? There we go. -Wow. Can I put that on top there? -Yes, of course. | 0:34:00 | 0:34:03 | |
-Wow. Tell me it's by Coalbrookdale or Minton or... -It's Minton. | 0:34:05 | 0:34:10 | |
-It's Minton! -It is Minton, you see. -Heaven! | 0:34:10 | 0:34:13 | |
I mean, just the colourway is fabulous, isn't it? | 0:34:13 | 0:34:15 | |
Minton started producing ceramics in Stoke | 0:34:15 | 0:34:18 | |
at the end of the 18th century. | 0:34:18 | 0:34:20 | |
This one dates from around 1900 and has a ticket price of £140. | 0:34:20 | 0:34:26 | |
-But £140 is quite steep for me. -I could possibly do... | 0:34:26 | 0:34:30 | |
-I'm terribly poor. -DEALER LAUGHS | 0:34:30 | 0:34:32 | |
-I can do better for you. -You can? -Yeah, I can, certainly. | 0:34:32 | 0:34:36 | |
She'll hold you to that, Caroline. | 0:34:36 | 0:34:38 | |
Oh, I love that. Is that copper? | 0:34:38 | 0:34:40 | |
It is copper, yeah. It's wonderful. | 0:34:40 | 0:34:43 | |
-Got a hole in it, hasn't it? -Yes, unfortunately. | 0:34:43 | 0:34:46 | |
That's wonderful. | 0:34:46 | 0:34:48 | |
Ticket price is £100. | 0:34:48 | 0:34:50 | |
SHE GROANS | 0:34:50 | 0:34:52 | |
What would you do with that? Is that some sort of mixing, cooking...? | 0:34:54 | 0:34:57 | |
I think it probably was, yes. | 0:34:57 | 0:34:59 | |
But nowadays, people use them in the gardens, don't they? | 0:34:59 | 0:35:02 | |
That's what I was thinking, as a sort of... | 0:35:02 | 0:35:03 | |
-That's right, or a planter or anything like that. -Yeah. | 0:35:03 | 0:35:06 | |
Shall we take this downstairs? I will carry it if... | 0:35:06 | 0:35:09 | |
-THEY LAUGH -..if you can be flexible on price. | 0:35:09 | 0:35:11 | |
If you can't, then it's staying up here. | 0:35:11 | 0:35:13 | |
-No, no, I can be flexible on price. -OK. All right, let's... | 0:35:13 | 0:35:16 | |
SHE GROANS | 0:35:16 | 0:35:18 | |
-Let's go. Watch these steps. -Right. | 0:35:18 | 0:35:20 | |
Crikey, that's four items and a combined ticket price of £380. | 0:35:20 | 0:35:26 | |
Just how flexible can Caroline be? | 0:35:26 | 0:35:29 | |
So I am thinking £140 for the lot. | 0:35:29 | 0:35:33 | |
Talking about these three here, if I could do 110... | 0:35:33 | 0:35:38 | |
-And what about the compact? -50. | 0:35:38 | 0:35:40 | |
Can we say 150 for the lot? | 0:35:40 | 0:35:42 | |
-Oh, you drive a hard bargain, don't you? -I think I've met my match! | 0:35:44 | 0:35:48 | |
-My goodness, 150... Um... -Go on. -Go on, then. Go on. | 0:35:48 | 0:35:53 | |
-Brilliant. Thank you very much. -You're welcome. | 0:35:53 | 0:35:56 | |
-That's brilliant. -Good luck. -Thank you. | 0:35:56 | 0:35:58 | |
Very generous, Caroline. Not bad for a day's shopping. | 0:35:58 | 0:36:01 | |
But time to put all that excitement to bed for one night. | 0:36:01 | 0:36:05 | |
So off you go. | 0:36:05 | 0:36:08 | |
And...nighty-night. | 0:36:08 | 0:36:10 | |
It's another day on the Road Trip | 0:36:14 | 0:36:16 | |
and our experts are up with the larks. | 0:36:16 | 0:36:20 | |
-It is quite foggy, isn't it? -It's really foggy! And it's really early. | 0:36:20 | 0:36:24 | |
I know, it is immensely early in the morning. | 0:36:24 | 0:36:27 | |
Our pair have whizzed cross-country | 0:36:27 | 0:36:30 | |
and are heading for Steeple Bumpstead, in Essex. | 0:36:30 | 0:36:33 | |
What a lovely name! | 0:36:33 | 0:36:34 | |
-Now, I've been here before, Thomas. -Have you? -Yes. | 0:36:34 | 0:36:37 | |
Oh, this man is an absolute delight. | 0:36:37 | 0:36:40 | |
Well, I don't think it's open. | 0:36:40 | 0:36:42 | |
No, I'm sure... I remember Graham from last time, he's lovely. | 0:36:42 | 0:36:45 | |
-I don't think it's very open, though. -It can't be closed, can it? | 0:36:45 | 0:36:48 | |
-I suppose it is quite early, isn't it? -Quite early, Christina. | 0:36:48 | 0:36:51 | |
-I think it's... -I think he... -..closed. | 0:36:53 | 0:36:56 | |
Oh, well, I guess we'll just have to wait then. | 0:36:56 | 0:36:59 | |
SHE WHISTLES | 0:36:59 | 0:37:01 | |
Blimey. | 0:37:01 | 0:37:02 | |
-Thankfully, Graham is here to save us all. -Oh, Graham! | 0:37:02 | 0:37:06 | |
And with the doors opened up, there is no stopping them | 0:37:07 | 0:37:10 | |
from diving straight in. | 0:37:10 | 0:37:11 | |
I've got lots of toys and things in here. | 0:37:11 | 0:37:15 | |
Quite an interesting box. | 0:37:15 | 0:37:16 | |
What is this? New... | 0:37:17 | 0:37:19 | |
new picture cubes. | 0:37:19 | 0:37:20 | |
British maker, always nice. | 0:37:22 | 0:37:24 | |
Take the lid off. | 0:37:24 | 0:37:25 | |
And these, on the top here, | 0:37:25 | 0:37:26 | |
are the guides as to what your picture was supposed to look like. | 0:37:26 | 0:37:30 | |
So cats, Katzen, gati, katten. | 0:37:30 | 0:37:33 | |
There. Half a... Oh, maybe that's the... | 0:37:33 | 0:37:35 | |
Is that the rear end of the donkey, do you think? | 0:37:35 | 0:37:38 | |
SHE LAUGHS | 0:37:38 | 0:37:40 | |
These are very worn, sadly, aren't they? But nonetheless wonderful. | 0:37:40 | 0:37:44 | |
But these...these blocks are really rather lovely. | 0:37:44 | 0:37:47 | |
And still, it looks like it has got all its pieces to it. | 0:37:47 | 0:37:50 | |
So you'd have to assemble these cubes to create your picture. | 0:37:50 | 0:37:54 | |
I'd say this is probably Victorian or Edwardian, | 0:37:54 | 0:37:57 | |
so we're probably looking at sort of 1880, 1910. | 0:37:57 | 0:38:00 | |
I love that. | 0:38:00 | 0:38:02 | |
Hm. Indeed. | 0:38:02 | 0:38:03 | |
But there is no ticket price. So how is Thomas getting on? | 0:38:03 | 0:38:07 | |
Graham, what has this goblet got to be? | 0:38:07 | 0:38:10 | |
The goblet and the dish, £60. | 0:38:10 | 0:38:15 | |
Is that your very best on that? | 0:38:15 | 0:38:16 | |
No, it could be 75, which is even better. | 0:38:16 | 0:38:20 | |
I was thinking that these could be 30 quid. | 0:38:20 | 0:38:23 | |
-What, each? -No. | 0:38:23 | 0:38:25 | |
-Because that would make it 60. -That's correct. | 0:38:25 | 0:38:27 | |
-It is a nice sort of goblet and dish. -Yeah, they are sort of 19... | 0:38:27 | 0:38:31 | |
-probably early 20th century. -Early 20th century. | 0:38:31 | 0:38:34 | |
Signed, I think, one is. | 0:38:34 | 0:38:36 | |
Just. | 0:38:36 | 0:38:38 | |
-And, yeah, they're Danish, of course. -Let me... | 0:38:38 | 0:38:41 | |
Have a little think around and we'll see. | 0:38:41 | 0:38:43 | |
Yeah, I'll let you think about it, I'll think about it, | 0:38:43 | 0:38:46 | |
-and I'll walk around and see what else I can see. -Yeah. | 0:38:46 | 0:38:49 | |
Good strategy. But Graham's work is not done yet. | 0:38:49 | 0:38:52 | |
I love your shop and I would like to buy something from you. | 0:38:53 | 0:38:56 | |
Kind of you to say. | 0:38:56 | 0:38:57 | |
I did see this, which is a really, obviously, lovely Victorian puzzle. | 0:38:57 | 0:39:01 | |
But I'm not under any pressure, | 0:39:01 | 0:39:02 | |
I don't necessarily have to buy anything, so I was thinking, | 0:39:02 | 0:39:05 | |
if it was cheap enough... | 0:39:05 | 0:39:06 | |
And I was sort of thinking maybe £10 to £15, really. | 0:39:06 | 0:39:10 | |
-Would that be a goer for you? -No. | 0:39:10 | 0:39:13 | |
-I can do it at around 25. -I mean, it has seen better days, has it not? | 0:39:13 | 0:39:18 | |
Oh, yes, it has been well played with. Go up another five... | 0:39:18 | 0:39:20 | |
I really can't. I mean, really, my maximum was ten. | 0:39:20 | 0:39:23 | |
I'll meet you in the middle at 15 and that's my absolute death on it. | 0:39:23 | 0:39:26 | |
-OK, yeah, we'll do that. -Brilliant. £15, I'm a happy girl. | 0:39:26 | 0:39:31 | |
-I bet you are. -Great. Thank you very much. | 0:39:31 | 0:39:33 | |
Christina lands the Victorian wooden puzzle for £15. | 0:39:33 | 0:39:37 | |
And just like that, her shopping is complete. | 0:39:37 | 0:39:40 | |
-Bye, Thomas! -Bye-bye. | 0:39:40 | 0:39:42 | |
See you this afternoon. | 0:39:42 | 0:39:43 | |
Looks like you have got the run of the shop, Thomas. | 0:39:43 | 0:39:46 | |
Time for some more negotiating. Round two. | 0:39:46 | 0:39:49 | |
-Now, how about that goblet and dish? -How about it? -30 quid. | 0:39:49 | 0:39:53 | |
I'm terribly sorry, but I can't do it at that. | 0:39:53 | 0:39:55 | |
-Despite everything. -Really? | 0:39:55 | 0:39:58 | |
Where could we go? And I can't do 40. | 0:39:58 | 0:40:00 | |
-And I don't really want to go over 35. -Sorry, Thomas, I can't on those. | 0:40:00 | 0:40:05 | |
35. | 0:40:05 | 0:40:07 | |
You drive a very, very hard bargain, you really do. | 0:40:09 | 0:40:12 | |
-OK, I will do it at 35. -You are a good man. -I'm a silly man. | 0:40:12 | 0:40:16 | |
-You are not a silly man. -But there we are. | 0:40:16 | 0:40:19 | |
The good news is, Graham's generous discount means | 0:40:19 | 0:40:22 | |
Thomas got his goblet and tray for £35. | 0:40:22 | 0:40:24 | |
The bad news is he has less than £23 left to shop with. | 0:40:24 | 0:40:28 | |
Unaware of Thomas's spending plight, | 0:40:34 | 0:40:36 | |
Christina is on her way to Duxford, where she is in for a treat. | 0:40:36 | 0:40:40 | |
Christina has the opportunity to witness an extraordinary | 0:40:40 | 0:40:43 | |
display of World War II aircraft as they commemorate | 0:40:43 | 0:40:47 | |
one of the most pivotal moments in British history - | 0:40:47 | 0:40:50 | |
the Battle of Britain. | 0:40:50 | 0:40:52 | |
In the summer of 1940, Hitler began an initial push before attempting | 0:40:52 | 0:40:57 | |
an invasion, which brought the war to the skies over Britain. | 0:40:57 | 0:41:01 | |
For three months, the RAF repelled relentless attacks from the Germans. | 0:41:01 | 0:41:06 | |
Their battles above the British countryside saved this country's | 0:41:06 | 0:41:09 | |
shores from Nazi invasion. | 0:41:09 | 0:41:12 | |
As the first airfield to take delivery of the Spitfire, | 0:41:12 | 0:41:16 | |
RAF Duxford played a crucial role during the Second World War. | 0:41:16 | 0:41:20 | |
Now, over the course of two days, | 0:41:20 | 0:41:23 | |
around 40,000 people will watch the breathtaking displays | 0:41:23 | 0:41:26 | |
showing the aerial prowess of these restored aircraft. | 0:41:26 | 0:41:31 | |
Esther Blaine is introducing Christina | 0:41:31 | 0:41:34 | |
to the most famous of all - the Spitfire. | 0:41:34 | 0:41:37 | |
-SHE GASPS -The Spitfire! -Absolutely. | 0:41:38 | 0:41:40 | |
The iconic fighter of the Second World War | 0:41:40 | 0:41:43 | |
in all the public's imagination. | 0:41:43 | 0:41:45 | |
I mean, I never thought that I would say that there is an | 0:41:45 | 0:41:47 | |
aeroplane that is beautiful, but it really is, isn't it? | 0:41:47 | 0:41:50 | |
When you watch it fly, it is so agile, | 0:41:50 | 0:41:53 | |
such a beautiful aircraft. | 0:41:53 | 0:41:55 | |
You can see why those young pilots absolutely loved flying in it. | 0:41:55 | 0:41:59 | |
Amazingly, there are still around 30 airworthy | 0:41:59 | 0:42:02 | |
Spitfires in existence around the UK. | 0:42:02 | 0:42:05 | |
One of the men lucky enough to fly these magnificent machines | 0:42:05 | 0:42:08 | |
is John Romain. | 0:42:08 | 0:42:09 | |
I am the director of the Aircraft Restoration Company, | 0:42:09 | 0:42:12 | |
which is based here at Duxford. We own a Blenheim, | 0:42:12 | 0:42:14 | |
which is flying in the show today. | 0:42:14 | 0:42:16 | |
-So I am flying that in the first slot. -Right. | 0:42:16 | 0:42:18 | |
-And then we have also got a lovely Mark I Spitfire. -Oh! | 0:42:18 | 0:42:21 | |
Which is now owned by the Imperial War Museum. | 0:42:21 | 0:42:24 | |
-Wow! Oh, my goodness. -But it was a 1940s Duxford aeroplane. | 0:42:24 | 0:42:26 | |
-How wonderful. -So it is very famous. | 0:42:26 | 0:42:28 | |
-Especially linked to Duxford. -So what is it like to fly a Spitfire? | 0:42:28 | 0:42:33 | |
The first reaction is, of course, they are lovely. | 0:42:33 | 0:42:35 | |
But they actually are. I mean, they... | 0:42:35 | 0:42:37 | |
You sort of don't get in one, you put it on. It becomes part of you. | 0:42:37 | 0:42:41 | |
But as a flying machine, stunning. Absolutely stunning. | 0:42:41 | 0:42:44 | |
So when you are flying within that formation, | 0:42:44 | 0:42:47 | |
with all those Spitfires behind you, | 0:42:47 | 0:42:48 | |
do you think it will give you a real sense of what it was like? | 0:42:48 | 0:42:51 | |
Yeah, it will. | 0:42:51 | 0:42:52 | |
To look back and see those numbers of aeroplanes all around you | 0:42:52 | 0:42:55 | |
will really make you realise what those boys were doing. | 0:42:55 | 0:42:59 | |
The battle in the skies continued beyond the Battle of Britain | 0:42:59 | 0:43:02 | |
for fighter pilots of Hurricanes and Spitfires | 0:43:02 | 0:43:05 | |
and for others in long-range bombers. | 0:43:05 | 0:43:08 | |
A seat in a Lancaster bomber was one of the most dangerous places to be. | 0:43:08 | 0:43:12 | |
Some 55,000 aircrew died in raids over Europe. | 0:43:12 | 0:43:17 | |
The life expectancy of new aircrews was just two weeks. | 0:43:17 | 0:43:22 | |
One veteran of these bombing raids is gunner Don Chinnery. | 0:43:22 | 0:43:27 | |
I went in the early part of the war. | 0:43:27 | 0:43:30 | |
-And I toured all through the war. -Mm-hm. | 0:43:30 | 0:43:34 | |
I'd done my tour of operations, which was 30, | 0:43:34 | 0:43:39 | |
that was your full tour. | 0:43:39 | 0:43:41 | |
And then you had six months' rest | 0:43:41 | 0:43:44 | |
and you went back for a second trip. | 0:43:44 | 0:43:47 | |
What was it like to be in a Lancaster? | 0:43:47 | 0:43:50 | |
-I would be back in tomorrow, if I could. -Would you? -Yeah. | 0:43:50 | 0:43:53 | |
What an amazing man. | 0:43:56 | 0:43:57 | |
These incredible aerial displays today commemorate | 0:43:57 | 0:44:01 | |
those heroic actions of air crewmembers like Don. | 0:44:01 | 0:44:05 | |
Esther, tell me, what is happening here? | 0:44:05 | 0:44:07 | |
It's all happening in the skies above us at the moment. | 0:44:07 | 0:44:10 | |
So the German Air Force fighters have flown into Duxford and | 0:44:10 | 0:44:13 | |
we now have a Spitfire and a Hurricane taking off | 0:44:13 | 0:44:16 | |
to repel the enemy. It's exactly as it would've been | 0:44:16 | 0:44:18 | |
-back in the Battle of Britain. -I've got goose bumps. | 0:44:18 | 0:44:21 | |
-It's unbelievable. -Absolutely, it's very emotional. | 0:44:21 | 0:44:23 | |
Really, I've got tears running down my face. | 0:44:23 | 0:44:26 | |
Well, understandable. | 0:44:26 | 0:44:28 | |
It's those very emotive moments that really bring it home | 0:44:28 | 0:44:30 | |
what it would have been like during the Battle of Britain. | 0:44:30 | 0:44:33 | |
Of course, you know, that would have been fairly | 0:44:33 | 0:44:35 | |
relentless from July to September, throughout 1940. | 0:44:35 | 0:44:39 | |
-Just makes you realise how special those young men were. -Absolutely. | 0:44:39 | 0:44:43 | |
Look how close they are getting. I feel like I should be ducking. | 0:44:43 | 0:44:46 | |
It must have been very difficult to deal with emotionally. | 0:44:47 | 0:44:50 | |
-How wonderful! -It's amazing. It's amazing. | 0:44:50 | 0:44:52 | |
And people watched these dogfights happening, didn't they? | 0:44:52 | 0:44:56 | |
-Over their very heads. -Absolutely. | 0:44:56 | 0:44:58 | |
Actually, that's the bit that I wonder what it must have been like | 0:44:58 | 0:45:01 | |
to see those contrails in the sky and to think, | 0:45:01 | 0:45:03 | |
actually, those are our boys up there fighting. | 0:45:03 | 0:45:06 | |
It must've been a very, very emotional experience. | 0:45:06 | 0:45:09 | |
Whilst Christina continues to enjoy the airshow, | 0:45:12 | 0:45:16 | |
Thomas still has some shopping to do and is headed to Debden Barns. | 0:45:16 | 0:45:21 | |
Dealer Andy is on hand to help out. | 0:45:21 | 0:45:24 | |
-Hello, I'm Thomas. -Hello. | 0:45:24 | 0:45:25 | |
Oh, that was good, wasn't it? | 0:45:25 | 0:45:27 | |
-What happened there? -Hello, Thomas! | 0:45:27 | 0:45:29 | |
Are you into breaking things, Andy? | 0:45:29 | 0:45:32 | |
It's my main talent, actually. | 0:45:32 | 0:45:33 | |
I love that. Look at that. | 0:45:33 | 0:45:35 | |
It will never be the same again. | 0:45:37 | 0:45:38 | |
What can you find for your slender budget then, Tom? | 0:45:40 | 0:45:44 | |
These are our main cabinets for some silver and bits and pieces. | 0:45:44 | 0:45:47 | |
Yeah, well, my budget is really quite low. | 0:45:47 | 0:45:50 | |
-Do you want me to level with you? -Yeah. -I've got 22 quid and some... | 0:45:50 | 0:45:53 | |
-Oh! -HE LAUGHS | 0:45:53 | 0:45:55 | |
-Sorry. -Honestly. That's it. | 0:45:55 | 0:45:56 | |
Oh, dear. | 0:45:56 | 0:45:57 | |
The items inside may be a bit too rich for you, Thomas, | 0:45:57 | 0:46:01 | |
but will you be tempted by Andy's old stock | 0:46:01 | 0:46:03 | |
which currently resides in the back of his car? | 0:46:03 | 0:46:06 | |
I have been brought to the back of, um, Andy's vehicle. | 0:46:06 | 0:46:11 | |
And it is like a dusty...a dusty experience. | 0:46:11 | 0:46:16 | |
-Now, I used to do a little bit of jewellery. -Did you? -Yes. | 0:46:16 | 0:46:20 | |
Now, this is sort of like... | 0:46:20 | 0:46:23 | |
This is a Trifari. | 0:46:23 | 0:46:25 | |
-I know about Trifari. -OK. | 0:46:25 | 0:46:27 | |
Trifari are one of the most famous houses of costume jewellery. | 0:46:27 | 0:46:31 | |
Yes, that's right. | 0:46:31 | 0:46:33 | |
And it is one of those things that I could've sold it | 0:46:33 | 0:46:35 | |
once for about 30 quid, but I didn't. | 0:46:35 | 0:46:37 | |
-I regretted it thereafter. -What else have you got? | 0:46:37 | 0:46:40 | |
Well, there you are, you see, we've got nine carat gold. | 0:46:40 | 0:46:43 | |
-A little pearl in there. -Very pretty. | 0:46:43 | 0:46:45 | |
-Silver ring. -Look at you. Right, OK. -Big clunky jewel. -Oh, nice. | 0:46:45 | 0:46:48 | |
All right, what else are you going to pull out? | 0:46:48 | 0:46:51 | |
-This is like Mary Poppins' bag. -Oh, yes. This. | 0:46:51 | 0:46:53 | |
You may know exactly what it is straightaway, | 0:46:53 | 0:46:56 | |
but nobody else can tell me. | 0:46:56 | 0:46:57 | |
Well, you have handed me a stoneware... | 0:46:57 | 0:47:00 | |
..vase. | 0:47:02 | 0:47:03 | |
-Tin-glazed earthenware. -Yeah. | 0:47:03 | 0:47:05 | |
-In the Iznik style. -Yes. | 0:47:05 | 0:47:07 | |
Iznik pottery was produced between the 15th and 17th centuries | 0:47:07 | 0:47:11 | |
in what is now Turkey. However, this is rather more modern. | 0:47:11 | 0:47:15 | |
-Probably Iranian. -Right. -Persian. -Right. | 0:47:15 | 0:47:18 | |
-It is probably 1920s. -Yes. | 0:47:18 | 0:47:20 | |
-That's what I thought. -Peacocks. And it is just a bud vase. | 0:47:20 | 0:47:23 | |
-You put one budding flower in. -That's it. I was going to say, | 0:47:23 | 0:47:25 | |
you're not going to get a lot of them, a big bunch of roses. | 0:47:25 | 0:47:28 | |
What a fun thing that is, isn't it? What a beautiful object. | 0:47:28 | 0:47:31 | |
-But you know my position. -Yes. | 0:47:31 | 0:47:33 | |
-£22 and a couple of pennies. -Yep. | 0:47:33 | 0:47:35 | |
The Trifarian stuff - the rings - I mean, they are just leftovers. | 0:47:35 | 0:47:40 | |
-This, it didn't cost me a lot. -OK. | 0:47:40 | 0:47:43 | |
OK. | 0:47:43 | 0:47:44 | |
-So this could be my lucky day. -Once-in-a-lifetime opportunity. | 0:47:44 | 0:47:47 | |
Could I give you all my money for that vase | 0:47:47 | 0:47:50 | |
-and that bit of jewellery in there? -HE GASPS LOUDLY | 0:47:50 | 0:47:54 | |
You are a good man. | 0:47:54 | 0:47:55 | |
That is a great deal. | 0:47:55 | 0:47:57 | |
£22.62 for the vase and the jewellery collection | 0:47:57 | 0:48:01 | |
of four rings and three necklaces. | 0:48:01 | 0:48:02 | |
Thomas is now all spent up. | 0:48:02 | 0:48:04 | |
So, with everyone's shopping all wrapped up, | 0:48:08 | 0:48:11 | |
Thomas is making the trip to join Christina at Duxford | 0:48:11 | 0:48:14 | |
for the climax of those astonishing aerial displays. | 0:48:14 | 0:48:17 | |
He just needs to find her. | 0:48:18 | 0:48:20 | |
Come on, Thomas, you don't want to miss something really special, | 0:48:23 | 0:48:26 | |
do you? | 0:48:26 | 0:48:27 | |
-You made it. -I made it, Christina. -Hello. Look. | 0:48:30 | 0:48:33 | |
You are just in time, look. Absolutely mind-blowing. | 0:48:33 | 0:48:36 | |
-Listen, everybody is quiet. -Yeah. | 0:48:36 | 0:48:38 | |
-I've had a good look around. -Have you? -Yeah. -Have you really? | 0:48:40 | 0:48:43 | |
-I really have. -Have you bought anything? | 0:48:43 | 0:48:45 | |
No, I haven't bought anything! Here we go. | 0:48:45 | 0:48:47 | |
It is just so emotive, isn't it? | 0:48:48 | 0:48:50 | |
MOTORS ROAR | 0:48:51 | 0:48:56 | |
It's just that lovely noise, that fabulous noise. | 0:48:56 | 0:49:00 | |
And these planes are sort of over 75 years old. | 0:49:00 | 0:49:04 | |
-They really are national treasures, aren't they? -They are. | 0:49:04 | 0:49:06 | |
As are the people who flew them. | 0:49:06 | 0:49:08 | |
Very well said, Christina. | 0:49:08 | 0:49:10 | |
What a sight to see, eh? | 0:49:17 | 0:49:20 | |
This incredible road trip is nearly at an end. | 0:49:20 | 0:49:23 | |
After starting out in Stratford-upon-Avon, | 0:49:24 | 0:49:27 | |
our duo have travelled from east to west and back again | 0:49:27 | 0:49:29 | |
to arrive at their final destination in Winchcombe. | 0:49:29 | 0:49:32 | |
Christina's lots for auction include | 0:49:35 | 0:49:39 | |
the 1970s laundry box, | 0:49:39 | 0:49:41 | |
an enamel compact, | 0:49:41 | 0:49:43 | |
a Minton jardiniere, | 0:49:43 | 0:49:45 | |
a French cycling poster, | 0:49:45 | 0:49:48 | |
a copper bowl | 0:49:48 | 0:49:50 | |
and a Victorian child's puzzle. | 0:49:50 | 0:49:52 | |
Thomas's offerings are a silver gilt bracelet, | 0:49:55 | 0:49:59 | |
a polished brass inkwell and letter tidy, | 0:49:59 | 0:50:02 | |
an Art Deco paper knife, | 0:50:02 | 0:50:05 | |
a Danish copper goblet and tray, | 0:50:05 | 0:50:08 | |
a tin-glazed vase and a collection of jewellery. | 0:50:08 | 0:50:12 | |
So what do they make of each other's items? | 0:50:13 | 0:50:15 | |
I adore that peacock vase. | 0:50:15 | 0:50:17 | |
I just think the colours in it are quite splendid. | 0:50:17 | 0:50:19 | |
And that little job lot of jewellery that he got... What did he pay? | 0:50:19 | 0:50:22 | |
£22.64 or something? Ridiculous. | 0:50:22 | 0:50:27 | |
Taxi for Trevanion! | 0:50:27 | 0:50:29 | |
The compact is great. The quality of it. The painting is brilliant. | 0:50:29 | 0:50:33 | |
She is sort of in my wake now because I beat her last time. | 0:50:33 | 0:50:36 | |
Am I going to beat her this time? I don't know. | 0:50:36 | 0:50:39 | |
All will be revealed at the auction in Gloucestershire. | 0:50:40 | 0:50:43 | |
A packed saleroom at Bespoke Auctions awaits. | 0:50:43 | 0:50:46 | |
-Let's rock and roll. -Where are you? -I'm here. -Ladies first. | 0:50:48 | 0:50:53 | |
In charge is auctioneer Nicolas Granger, | 0:50:53 | 0:50:55 | |
assisted by a parrot, which is alive. | 0:50:55 | 0:50:59 | |
Oh, my goodness, right. | 0:50:59 | 0:51:00 | |
Woo, it's rather exciting. Did you see the parrot? | 0:51:00 | 0:51:03 | |
Oh, I love a parrot. | 0:51:03 | 0:51:04 | |
You'll be looking for more than pieces of eight for your first lot, | 0:51:04 | 0:51:07 | |
Thomas. It is your Art Deco paper knife. | 0:51:07 | 0:51:10 | |
Lovely. Good luck. | 0:51:10 | 0:51:12 | |
Starting at 15. 18. 20 now. | 0:51:12 | 0:51:13 | |
-That's really good. -22 in the room. Thank you. Straight away on my left. | 0:51:13 | 0:51:17 | |
At 22 now. Looking for 25. | 0:51:17 | 0:51:18 | |
At 22 with you, madam, in the pink. | 0:51:18 | 0:51:20 | |
At £22, we're selling... | 0:51:20 | 0:51:23 | |
-22. -Well done, Thomas. -Done. | 0:51:23 | 0:51:25 | |
Nice little profit, too. | 0:51:26 | 0:51:28 | |
-That's all right. I'm pleased by that. -Good. | 0:51:28 | 0:51:30 | |
Christina fell in love with the Victorian puzzle. Will the bidders? | 0:51:31 | 0:51:35 | |
Start the bidding here at 15. 18. £20 now. | 0:51:35 | 0:51:37 | |
Looking for 22. | 0:51:37 | 0:51:38 | |
-£20. -20. | 0:51:38 | 0:51:40 | |
At 22 now, looking for 25. | 0:51:40 | 0:51:42 | |
-And five on my left, thank you. -Oh! -On my right. 25. And eight. | 0:51:42 | 0:51:45 | |
Would you like to go 28 now? And 30, sir, would you like to go? | 0:51:45 | 0:51:48 | |
Are you sure? That's once, twice, selling at £28... | 0:51:48 | 0:51:51 | |
That is everyone off to a good start. | 0:51:51 | 0:51:54 | |
It took a lot of persuading to get your hands on this goblet and tray, | 0:51:54 | 0:51:57 | |
Thomas. Let's hope it was worth it. | 0:51:57 | 0:51:59 | |
Start the bidding with me on the book at £40. 40 I've got. | 0:51:59 | 0:52:01 | |
Looking for 42. At 40 bid with me, a commission bid. | 0:52:01 | 0:52:04 | |
Looking for 42. | 0:52:04 | 0:52:05 | |
We're selling then at £40... | 0:52:05 | 0:52:08 | |
-Sold. -Another £5 profit. | 0:52:08 | 0:52:10 | |
Small profit, but creeping forward. | 0:52:10 | 0:52:13 | |
Thanks for coming. | 0:52:13 | 0:52:14 | |
Time for Christina's laundry box. | 0:52:16 | 0:52:18 | |
It is a London Laundry Coventry laundry box. | 0:52:18 | 0:52:21 | |
Reminds me of my days in Savile Row. | 0:52:21 | 0:52:23 | |
Going to start the bidding with me, a commission bid, at £15. | 0:52:23 | 0:52:25 | |
-£15. -Looking for £18 now. 15 bid. | 0:52:25 | 0:52:27 | |
At 18 now. In the room now with you, madam, at £18. | 0:52:27 | 0:52:30 | |
Looking for 20. Don't know what's inside it, have you had a look? | 0:52:30 | 0:52:32 | |
At £18, we're selling then. | 0:52:32 | 0:52:34 | |
-And sold, thank you very much. -Sold. Done. | 0:52:34 | 0:52:36 | |
That just about holds its own. | 0:52:36 | 0:52:39 | |
Thanks. Just a bit out-of-the-way. | 0:52:39 | 0:52:41 | |
Thomas is still searching for the lot that will bring him | 0:52:41 | 0:52:44 | |
back into this road trip. | 0:52:44 | 0:52:45 | |
His inkwell is next. | 0:52:45 | 0:52:47 | |
We've got a bid here at 20. 22. Five. Eight. I've got 30. | 0:52:47 | 0:52:50 | |
32 on the net now. And five, madam? Thank you. | 0:52:50 | 0:52:53 | |
35. I'm looking for 38 now. And eight in the room now. 38. | 0:52:53 | 0:52:56 | |
And 40, madam. And two, sir. | 0:52:56 | 0:52:57 | |
-42. And five. Are you sure? Shakes the head. -Don't shake the head. | 0:52:57 | 0:53:02 | |
One more. 45. With you, sir, at 45. Looking for 48 elsewhere now. | 0:53:02 | 0:53:06 | |
At 48 in the room then. | 0:53:06 | 0:53:07 | |
-Sir, at 48. -One more. -Looking for 50. | 0:53:07 | 0:53:10 | |
And 50 in the room, back of the room. | 0:53:10 | 0:53:12 | |
Looking for 55 elsewhere. I'm going to sell then. At £50 to the room... | 0:53:12 | 0:53:17 | |
-Yes! -Well done. Well done. | 0:53:17 | 0:53:20 | |
That is a very decent profit. | 0:53:20 | 0:53:23 | |
Now, a very large copper bowl with several holes in it. | 0:53:24 | 0:53:27 | |
At £15, asking. 15 we have. I'm looking for £18. | 0:53:27 | 0:53:32 | |
-18... -Something to wash your feet in at night, maybe. | 0:53:32 | 0:53:34 | |
At £15 we've got. Although it is not big enough to be a Jacuzzi. | 0:53:34 | 0:53:37 | |
15 we've got. | 0:53:37 | 0:53:38 | |
That is not making it any better. I've just lost a lot of money. | 0:53:38 | 0:53:42 | |
In the room at 20. Looking for 22 on the net. At 22. | 0:53:42 | 0:53:45 | |
And five, sir, would you like to go? 25 now. At 25. | 0:53:45 | 0:53:48 | |
And 28. Looking for 28. At 28. And 30 in the room, thank you. | 0:53:48 | 0:53:51 | |
With you at 30 now. | 0:53:51 | 0:53:52 | |
32 up here. Going once, twice... | 0:53:52 | 0:53:54 | |
At £32 for the footbath... And sold. | 0:53:54 | 0:53:58 | |
-Horrendous. He worked jolly hard. -# There's a hole in my bucket | 0:53:58 | 0:54:01 | |
-# Christina, Christina... # -Good auctioneering. | 0:54:01 | 0:54:03 | |
He certainly did his best. But it is still a loss, I'm afraid. | 0:54:03 | 0:54:07 | |
# There's a hole in my bucket Dear Thomas, dear Thomas | 0:54:07 | 0:54:10 | |
-# There's a hole in my bucket.. # -There's a big hole! | 0:54:10 | 0:54:13 | |
# Dear Thomas, a hole. # | 0:54:13 | 0:54:15 | |
It is the first of Thomas's car-park purchases. | 0:54:16 | 0:54:19 | |
OK, we start the bidding at £15. And 18. Looking for 20 now. | 0:54:19 | 0:54:22 | |
-So you made a profit. -Yeah, definitely. Straight away. | 0:54:22 | 0:54:25 | |
Looking for 22. Some dust on there, for nothing. 22 now. | 0:54:25 | 0:54:27 | |
Looking for 25. At £22. | 0:54:27 | 0:54:29 | |
Once, twice... At £22... And sold. | 0:54:29 | 0:54:32 | |
Almost doubling his money, that's a great result. | 0:54:32 | 0:54:35 | |
Well done, Thomas. | 0:54:35 | 0:54:37 | |
Christina's lagging behind a bit, and it is her enamel compact next. | 0:54:37 | 0:54:42 | |
-Who will start the bidding on that? At £40? -No bids? -£40. | 0:54:42 | 0:54:45 | |
-All the hands go up at £40. 42. 45. 48. 50. -Oh, oh, oh! | 0:54:45 | 0:54:49 | |
What's going on? | 0:54:49 | 0:54:50 | |
55 at the back there, looking for 60. | 0:54:50 | 0:54:52 | |
-You can stop now. -No, go on. | 0:54:52 | 0:54:54 | |
And 60. And five, sir? | 0:54:54 | 0:54:56 | |
-Christina, race away. -70. | 0:54:56 | 0:54:59 | |
At £65... | 0:54:59 | 0:55:00 | |
Sold to the back of the room. | 0:55:00 | 0:55:02 | |
An excellent profit that brings it neck and neck. | 0:55:02 | 0:55:05 | |
Splendid. | 0:55:05 | 0:55:06 | |
You sounded immensely Welsh then. | 0:55:06 | 0:55:09 | |
-Oh, did I? -SplenDID! -Splendid. | 0:55:09 | 0:55:11 | |
Thomas loved this 1970s bracelet. Will it be a winner today? | 0:55:12 | 0:55:16 | |
Let's start the bidding, ladies and gentlemen, on that. At £15. | 0:55:16 | 0:55:19 | |
At 15. 18. Looking for 20. 20 bid on the net. Looking for 22. | 0:55:19 | 0:55:21 | |
Are you going to buy as well? You going to bid? | 0:55:21 | 0:55:23 | |
I'm going to lose all that money. | 0:55:23 | 0:55:24 | |
Looking for £28. At 25 on the net now. And eight. Looking for 30. | 0:55:24 | 0:55:28 | |
-At 28 then. -He's trying hard. | 0:55:28 | 0:55:30 | |
At £28, we are selling. And sold. Thank you. | 0:55:30 | 0:55:33 | |
You see, that was a bad thing. I lost. Big loss. | 0:55:35 | 0:55:38 | |
Oh, the first loss of the day for Thomas. | 0:55:38 | 0:55:41 | |
-You've still got your Persian vase to go. -Still got that to go. | 0:55:41 | 0:55:43 | |
That is going to make £2 million. | 0:55:43 | 0:55:45 | |
-£5 million, I'm thinking. -Do you think? | 0:55:45 | 0:55:47 | |
Christina has her own ceramic offering. | 0:55:47 | 0:55:50 | |
It is her Minton jardiniere. | 0:55:50 | 0:55:52 | |
We'll start the bidding on that at £40. Looking for 40. | 0:55:52 | 0:55:55 | |
Looking for 40. At £30 I have now, at 30. At 32. And 35. | 0:55:55 | 0:55:59 | |
-It's moving up. We'll get there in the end. -And 38. And 40, sir. | 0:55:59 | 0:56:04 | |
I'm asking 42. 42. And five, sir? | 0:56:04 | 0:56:07 | |
-And five with you. -Hang on. -It's so beautiful, look at it. | 0:56:07 | 0:56:10 | |
48. £48, thank you, on the net. 50 in the room now. | 0:56:10 | 0:56:14 | |
And five asking. 55? | 0:56:14 | 0:56:16 | |
-And 60, sir? Are you sure? Shakes his head. -Go on, it's lovely. | 0:56:16 | 0:56:20 | |
Who's bidding? | 0:56:20 | 0:56:21 | |
Once, twice then. At £55 to the net. Sold. | 0:56:21 | 0:56:25 | |
And thank you. | 0:56:25 | 0:56:26 | |
A small loss, but Christina is still in the lead. | 0:56:26 | 0:56:29 | |
You were sort of going into this crescendo in Ireland and Wales. | 0:56:29 | 0:56:32 | |
I was. I was going almost stratospherically well. | 0:56:32 | 0:56:34 | |
And then suddenly we come here and it's...pooooom. | 0:56:34 | 0:56:37 | |
Thomas has high hopes for his Persian vase | 0:56:37 | 0:56:40 | |
bought out of the back of the car. | 0:56:40 | 0:56:42 | |
This is my final hope. | 0:56:42 | 0:56:44 | |
At 30. Now with me. 32. 32. And five. 35. And eight. And 40. | 0:56:44 | 0:56:50 | |
At 42 with you. I'm looking for 45. | 0:56:50 | 0:56:52 | |
-I think it's beautiful. -I love it. | 0:56:52 | 0:56:54 | |
-I love that. -On the internet, surely. -Nothing online yet. | 0:56:54 | 0:56:57 | |
60 at the back. And five. 65. | 0:56:57 | 0:56:59 | |
-Nothing online? I'm quite... -Do you catch...? | 0:56:59 | 0:57:03 | |
Fair warning then. At £65. | 0:57:03 | 0:57:06 | |
That's over 500% profit. | 0:57:06 | 0:57:09 | |
Well done, Thomas. | 0:57:09 | 0:57:11 | |
-Jolly well done, Thomas, that's fantastic. -Thank you very much. | 0:57:11 | 0:57:14 | |
Their final lot of the day is Christina's French cycling poster. | 0:57:14 | 0:57:18 | |
At 50 in the room. Straight away now. Looking for £18. | 0:57:18 | 0:57:20 | |
At 15 now. Have I got 18 elsewhere? At 18 at the back there. At 18. | 0:57:20 | 0:57:24 | |
£20 back with you, sir. At £20. | 0:57:24 | 0:57:26 | |
We are looking for 22 elsewhere. | 0:57:26 | 0:57:27 | |
-Going to have to sell at 20 then. -No! | 0:57:27 | 0:57:30 | |
To a good home then... | 0:57:30 | 0:57:32 | |
-I want to go back to Ireland. -THEY LAUGH | 0:57:32 | 0:57:35 | |
Zut alors! After costs, that is a small loss. | 0:57:35 | 0:57:38 | |
Have I beaten you again? Have I beaten you again? | 0:57:38 | 0:57:41 | |
Time to find out, Thomas. | 0:57:41 | 0:57:43 | |
Christina started with £270.31. | 0:57:43 | 0:57:47 | |
And after auction costs, she made a tiny loss, poor love, | 0:57:47 | 0:57:51 | |
of £1.24, leaving her with £269.07. | 0:57:51 | 0:57:58 | |
But still looking gorgeous. | 0:57:58 | 0:58:00 | |
Thomas spent all of his £143.62 and made a very nice profit | 0:58:00 | 0:58:05 | |
after costs of £42.52, giving him his second auction victory in a row. | 0:58:05 | 0:58:12 | |
He now has a total of £186.14. | 0:58:12 | 0:58:16 | |
But Christina holds on to the lead for the decisive next leg. | 0:58:16 | 0:58:20 | |
-It's a great result - two auctions each. -Oh, I don't like this. | 0:58:20 | 0:58:24 | |
This is making me feel quite uncomfortable. | 0:58:24 | 0:58:26 | |
You never know, Christina, I might catch up at the last auction. | 0:58:26 | 0:58:29 | |
I know, you might. | 0:58:29 | 0:58:30 | |
Cheerio. | 0:58:32 | 0:58:33 |