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It's the nation's favourite antiques experts. | 0:00:02 | 0:00:04 | |
-This is beautiful. -That's the way to do this. | 0:00:04 | 0:00:06 | |
With £200 each, a classic car and a goal - to scour for antiques. | 0:00:06 | 0:00:12 | |
-Joy. -Hello! | 0:00:12 | 0:00:14 | |
The aim, to make the biggest profit at auction, but it's no mean feat. | 0:00:14 | 0:00:17 | |
There'll be worthy winners and valiant losers. | 0:00:19 | 0:00:22 | |
So, will it be the high road to glory or the slow road to disaster? | 0:00:23 | 0:00:27 | |
The handbrake's on! | 0:00:27 | 0:00:29 | |
This is Antiques Road Trip. | 0:00:29 | 0:00:31 | |
Yeah! | 0:00:33 | 0:00:34 | |
It's the final leg for auctioneers Christina Trevanion | 0:00:37 | 0:00:40 | |
and Thomas Plant. | 0:00:40 | 0:00:42 | |
So, it's been a total pleasure crossing these Celtic countries, | 0:00:44 | 0:00:49 | |
and it's your last chance to tell me how much you love me. | 0:00:49 | 0:00:52 | |
LAUGHTER | 0:00:52 | 0:00:54 | |
Christina was bowled over in Ireland. | 0:00:54 | 0:00:56 | |
The people are so friendly and so sweet. | 0:00:56 | 0:00:59 | |
And Thomas was wowed by Wales. | 0:00:59 | 0:01:01 | |
Some lovely things here. | 0:01:01 | 0:01:03 | |
Their 1962 Bedford van has done them proud so far, | 0:01:05 | 0:01:09 | |
especially as it was made before it was compulsory to fit seatbelts. | 0:01:09 | 0:01:13 | |
Both our experts started this trip with £200. | 0:01:16 | 0:01:20 | |
Despite triumphing at two out of four auctions so far, | 0:01:20 | 0:01:25 | |
Thomas has less than he started with - just £186.14. | 0:01:25 | 0:01:31 | |
Christina took an early lead and hung on to most of her winnings, | 0:01:31 | 0:01:36 | |
so has £269.07. | 0:01:36 | 0:01:37 | |
You are a tiny snifter away from me now. | 0:01:37 | 0:01:41 | |
You have held the lead all week. | 0:01:41 | 0:01:43 | |
I have held the lead all week, and I have a very sneaky feeling | 0:01:43 | 0:01:46 | |
you might just pip me to the post at the very last minute. | 0:01:46 | 0:01:49 | |
Their adventure began in Cashel, Tipperary. | 0:01:51 | 0:01:54 | |
After tootling around Ireland, they crossed into North Wales, | 0:01:54 | 0:01:57 | |
then over to England, where they'll be finishing up | 0:01:57 | 0:02:00 | |
over 700 miles later in Stoke-on-Trent, Staffordshire. | 0:02:00 | 0:02:03 | |
Today's trip gets underway at Gwersyllt, Wrexham, | 0:02:05 | 0:02:10 | |
aiming for auction in Stoke-on-Trent. | 0:02:10 | 0:02:12 | |
This former coal-mining village is snazzy dresser Thomas' first stop this morning. | 0:02:13 | 0:02:17 | |
-Bye! -Bye! | 0:02:17 | 0:02:19 | |
Thomas has his work cut out on this leg. | 0:02:19 | 0:02:22 | |
Time to meet the folks in charge. | 0:02:22 | 0:02:24 | |
-Hello. -Hello. | 0:02:24 | 0:02:25 | |
Nice to see you, I'm Thomas. | 0:02:25 | 0:02:27 | |
-Hi, I'm Carol. -Carol, nice to see you. | 0:02:27 | 0:02:29 | |
-And... -This is my husband, Dennis. | 0:02:29 | 0:02:31 | |
-Hello. -Nice to see you, Thomas. | 0:02:31 | 0:02:32 | |
The Prices run this place, full of bygone treasures. | 0:02:32 | 0:02:37 | |
There's a number of things in here. | 0:02:37 | 0:02:38 | |
I quite like the eclectic mix, what's going on. | 0:02:38 | 0:02:42 | |
What I have seen was this cup. | 0:02:42 | 0:02:44 | |
It says here, "Unusual stone goblet, the Holy Grail." | 0:02:45 | 0:02:50 | |
SHE LAUGHS | 0:02:50 | 0:02:52 | |
Is this the Holy Grail of the Antiques Road Trip? | 0:02:52 | 0:02:55 | |
Look at that! | 0:02:55 | 0:02:57 | |
It's beautifully done. | 0:02:57 | 0:02:58 | |
-It's done in a soapstone. -Yeah. | 0:02:58 | 0:03:00 | |
What's it got on there? £32. | 0:03:00 | 0:03:02 | |
I think that's brilliant, don't you? | 0:03:02 | 0:03:04 | |
-Oh, gosh. -Yes, a bit of weight. | 0:03:04 | 0:03:06 | |
Yeah, yeah. Well, I'm super-strong, you see. | 0:03:06 | 0:03:09 | |
-1920s, I would say. -Yes. | 0:03:09 | 0:03:11 | |
Probably from a church communion. | 0:03:11 | 0:03:13 | |
It's not the only thing he's spotted. | 0:03:13 | 0:03:16 | |
What a cool thing. | 0:03:17 | 0:03:18 | |
It's got this trademark here. | 0:03:18 | 0:03:22 | |
Crikey. Where did you get that from?! | 0:03:23 | 0:03:25 | |
That's better. | 0:03:25 | 0:03:27 | |
Westbourne Grove, London. | 0:03:27 | 0:03:30 | |
Put your teddy bear on there. | 0:03:30 | 0:03:32 | |
Little friend. | 0:03:32 | 0:03:33 | |
-It's £35. Carol? -Yes? | 0:03:33 | 0:03:37 | |
-I found a chair. -Oh, that's quaint. | 0:03:37 | 0:03:39 | |
So, there's a label on here which says £35. | 0:03:39 | 0:03:42 | |
-Really cheeky offer. -OK? | 0:03:42 | 0:03:44 | |
Sort of like...a tenner? | 0:03:44 | 0:03:48 | |
While Carol calls the dealer, Thomas spies something else. | 0:03:48 | 0:03:51 | |
-HE GASPS -Look at that! | 0:03:51 | 0:03:54 | |
Love those. | 0:03:56 | 0:03:57 | |
So what it is, it's a goblet, | 0:03:57 | 0:03:59 | |
and on the goblet are Masonic engraved designs. | 0:03:59 | 0:04:03 | |
50 quid on it, though. | 0:04:03 | 0:04:04 | |
It's a lot of money. | 0:04:04 | 0:04:06 | |
-Oh, Carol? -I like this, because it's got a yellow to it. | 0:04:06 | 0:04:09 | |
So it sort of dates it, early 20th century, I would have thought. | 0:04:09 | 0:04:13 | |
He's got £50 on it. | 0:04:13 | 0:04:14 | |
Ooh! I'm sure Roy is open to offers. | 0:04:14 | 0:04:16 | |
So where are we with the other items? | 0:04:16 | 0:04:19 | |
OK, the chair, the answer is yes on that. | 0:04:19 | 0:04:21 | |
-What, for a tenner? -Yes. -Deal! Done. Yeah, yeah. | 0:04:21 | 0:04:24 | |
Carol's also managed to get the Masonic goblet's owner on the phone. | 0:04:24 | 0:04:28 | |
Hi, Roy? I want to make you a cheeky offer. | 0:04:28 | 0:04:32 | |
25 quid. | 0:04:32 | 0:04:33 | |
I'd love a two in front of it. Could we deal at 28? | 0:04:33 | 0:04:37 | |
-'If it helps you, yes.' -It does. Oh, you're a star. | 0:04:39 | 0:04:42 | |
Thank you very much. Well, that's a buy. | 0:04:42 | 0:04:44 | |
That's a generous deal, as Masonic items often do well. | 0:04:44 | 0:04:47 | |
Now, what about the soapstone goblet? | 0:04:47 | 0:04:49 | |
-We have an answer. -Oh, yes? -The goblet. | 0:04:49 | 0:04:51 | |
-Yeah? -25. -£25? -Yes. | 0:04:51 | 0:04:54 | |
-That's his best. -Yeah, that's all right. | 0:04:54 | 0:04:57 | |
I think I'd be very happy with that. | 0:04:57 | 0:04:59 | |
It's just really unusual. | 0:04:59 | 0:05:01 | |
So, that's £63 for the 19th-century Masonic goblet, | 0:05:01 | 0:05:05 | |
the soapstone goblet, | 0:05:05 | 0:05:07 | |
and the Edwardian bamboo chair. | 0:05:07 | 0:05:09 | |
Well done, Tom! | 0:05:09 | 0:05:11 | |
Meanwhile, rival Christina has travelled 20 minutes north to Mold, | 0:05:11 | 0:05:15 | |
in the beautiful border county of Flintshire. | 0:05:15 | 0:05:18 | |
Time now for her first shop of the day. | 0:05:18 | 0:05:21 | |
Hello! You must be Holly. | 0:05:21 | 0:05:23 | |
-I am. Nice to meet you. -Hello, Holly. Lovely to meet you. | 0:05:23 | 0:05:25 | |
-Can you show me around? -Absolutely. We'll start in the back room. | 0:05:25 | 0:05:28 | |
All right. I love a good back room! Ha-ha-ha! | 0:05:28 | 0:05:31 | |
She's rather gorgeous, isn't she? | 0:05:31 | 0:05:32 | |
-She's elegant, isn't she? -Isn't she fab? | 0:05:32 | 0:05:35 | |
Doesn't look like it's got a huge amount of age to it, | 0:05:35 | 0:05:37 | |
-but she's certainly got a look to her, hasn't she? -Yeah, I mean, | 0:05:37 | 0:05:40 | |
with the Art Deco at the moment, there's just so much import, | 0:05:40 | 0:05:42 | |
and it's really hard to find, sort of to find the originals. | 0:05:42 | 0:05:45 | |
Sometimes, it's nice just to have a bit of modern. | 0:05:45 | 0:05:47 | |
Also, obviously, it's reflected in the price. | 0:05:47 | 0:05:49 | |
As an original Art Deco lamp, that'd be hundreds, | 0:05:49 | 0:05:52 | |
-if not thousands. -And probably at home in my house! | 0:05:52 | 0:05:55 | |
She's got 64 on her now. | 0:05:55 | 0:05:57 | |
Is there a deal that can be done on that, Holly? | 0:05:57 | 0:06:00 | |
I can certainly consider it. | 0:06:00 | 0:06:01 | |
Ooh! | 0:06:01 | 0:06:02 | |
Let's not be too hasty. | 0:06:02 | 0:06:04 | |
You haven't been upstairs yet. | 0:06:04 | 0:06:06 | |
That's caught my eye. | 0:06:07 | 0:06:08 | |
-The light? -Yes. -The light fitting. | 0:06:08 | 0:06:11 | |
It's cool. It is cool. | 0:06:11 | 0:06:12 | |
We've had it wired so that it can be run off a plug. | 0:06:12 | 0:06:15 | |
-It's built to be a pool table light. -Yes. | 0:06:15 | 0:06:17 | |
But I'm thinking it could also be for over a kitchen island... | 0:06:17 | 0:06:19 | |
-Love that idea. -It's got that kind of look. | 0:06:19 | 0:06:21 | |
-Is it very expensive? -How does 60 sound? | 0:06:21 | 0:06:23 | |
-Expensive. -Expensive. | 0:06:23 | 0:06:26 | |
Maybe so, but the ticket price is £78. | 0:06:26 | 0:06:29 | |
-What did we have on our lady downstairs? -65. | 0:06:29 | 0:06:32 | |
I would want to pay £50 for the two. | 0:06:32 | 0:06:37 | |
-OK. -How are you feeling about that? | 0:06:37 | 0:06:39 | |
-Rather faint! -Well, there's a bed. | 0:06:39 | 0:06:41 | |
-Do you want to have a lie down?! -THEY LAUGH | 0:06:41 | 0:06:44 | |
-OK. -Tell me what you can do for me. | 0:06:44 | 0:06:46 | |
I mean, if you can't do that, then that's absolutely understandable. | 0:06:46 | 0:06:49 | |
I think if I can squeeze another £10 out of you, I'd be happy. | 0:06:49 | 0:06:53 | |
OK. So if we said £60 for that lamp | 0:06:53 | 0:06:57 | |
and our lady lamp downstairs, happy at that? | 0:06:57 | 0:07:00 | |
-Happy at that. -It's a deal. | 0:07:00 | 0:07:01 | |
So, that £60 for the Art Deco-style lamp and a snooker table light. | 0:07:01 | 0:07:06 | |
-There we go, darling. 20, 40, 60. -Spot on. | 0:07:06 | 0:07:09 | |
That's what we agreed, isn't it? Brilliant. You're a star. | 0:07:09 | 0:07:12 | |
-Thank you very much. -Thank you so much. | 0:07:12 | 0:07:13 | |
-We'll see you again. -Take care. -Bye now. | 0:07:13 | 0:07:15 | |
Meanwhile, Thomas has travelled east, | 0:07:16 | 0:07:19 | |
just over the border into Cheshire, to the historic city of Chester. | 0:07:19 | 0:07:22 | |
Thomas is here to check out a local gem. | 0:07:22 | 0:07:25 | |
-Hello. -Hello. -I'm Thomas. | 0:07:27 | 0:07:28 | |
-Hi, I'm Simon. -Simon, nice to meet you. | 0:07:28 | 0:07:31 | |
Simon specialises in antiques and decorative items | 0:07:31 | 0:07:34 | |
for the home and garden sourced from around the world. | 0:07:34 | 0:07:38 | |
Aw, what a lovely pooch! | 0:07:38 | 0:07:41 | |
What's this? | 0:07:41 | 0:07:43 | |
That is a model from a hat shop. | 0:07:43 | 0:07:47 | |
It's for a woman's...milliner. | 0:07:47 | 0:07:52 | |
Actually, that could be a potential purchase. | 0:07:52 | 0:07:54 | |
It could be quite good fun. | 0:07:54 | 0:07:55 | |
I quite like the angular lines to it. | 0:07:55 | 0:07:57 | |
It's made from rubber, | 0:07:57 | 0:07:59 | |
and could have come from an old department store. | 0:07:59 | 0:08:01 | |
It's priced at £35. | 0:08:01 | 0:08:03 | |
Let's talk about the head. The model. | 0:08:03 | 0:08:06 | |
Do you think we could do something slightly on the price? | 0:08:06 | 0:08:09 | |
-I can help a little. I could do it for £30. -£30. | 0:08:09 | 0:08:12 | |
I think I'm going to have to go for her. I'll give you £30 for her. | 0:08:12 | 0:08:15 | |
-Is that all right? -That's fine. -Thank you, thank you very much. | 0:08:15 | 0:08:18 | |
£30 for the rather odd rubber mannequin head. | 0:08:18 | 0:08:22 | |
I've got to think of a name for her. | 0:08:22 | 0:08:24 | |
If you come up with any bright ideas, give me a call. | 0:08:24 | 0:08:27 | |
You could always name her after my little pup. | 0:08:27 | 0:08:30 | |
-Ella. -Ella! Done. | 0:08:30 | 0:08:32 | |
Bye-bye, Ella. Woof! | 0:08:32 | 0:08:35 | |
And on that note, it's off to bed. | 0:08:36 | 0:08:39 | |
So nighty-night. | 0:08:39 | 0:08:40 | |
What a lovely morning. | 0:08:42 | 0:08:44 | |
Oh, this is beautiful, isn't it? | 0:08:46 | 0:08:47 | |
-I can't believe how well you're driving this van. -I know. | 0:08:47 | 0:08:50 | |
-Oh, no, here we are, we're going up a hill now. -I'm so impressed. | 0:08:50 | 0:08:53 | |
-Oh, OK, well... -THEY LAUGH | 0:08:53 | 0:08:54 | |
But when we started out, you were hopeless. | 0:08:54 | 0:08:57 | |
And sadly, it's nearly the end of this road trip. | 0:08:57 | 0:09:00 | |
This is it! I cannot believe it! It's gone so quickly. | 0:09:00 | 0:09:03 | |
It really has gone quickly, hasn't it? Yeah. | 0:09:03 | 0:09:06 | |
And we seem to have covered an awful lot of miles together. | 0:09:06 | 0:09:09 | |
With the auction nearing in Stoke-on-Trent, Staffordshire, | 0:09:09 | 0:09:13 | |
Christina starts her final buying day just outside Northwich | 0:09:13 | 0:09:16 | |
in the heart of Cheshire. | 0:09:16 | 0:09:17 | |
Here we are. An antique shop. | 0:09:17 | 0:09:20 | |
-Looks lovely. -I'll see you this afternoon. | 0:09:20 | 0:09:22 | |
Owner Jan Gnatiuk has a passion for old furniture, amongst other things. | 0:09:22 | 0:09:28 | |
Hello! Nice to meet you. | 0:09:28 | 0:09:30 | |
-Hello! Who are you? -I'm Jan. | 0:09:30 | 0:09:32 | |
-Jan, lovely to meet you. -Thank you. | 0:09:32 | 0:09:34 | |
What will she spot in here, then? | 0:09:34 | 0:09:37 | |
You've got some interesting pictures here. | 0:09:38 | 0:09:40 | |
So, Marcel Pic, I think, was quite well-known for doing caricatures, | 0:09:40 | 0:09:43 | |
-I think, of sort of military themes. -Yes. | 0:09:43 | 0:09:46 | |
He looks like he's sort of almost gone to select his horse, | 0:09:46 | 0:09:48 | |
and you've got his dear old horse over here, | 0:09:48 | 0:09:50 | |
which is propped up with crutches. | 0:09:50 | 0:09:52 | |
Looks like something from a pantomime! | 0:09:52 | 0:09:54 | |
SHE LAUGHS | 0:09:54 | 0:09:55 | |
What have you got on that? | 0:09:55 | 0:09:57 | |
-I can do it you for a tenner. -That might be interesting. | 0:09:57 | 0:09:59 | |
You should be able to make some money on that. | 0:09:59 | 0:10:01 | |
It looks like an original, | 0:10:01 | 0:10:02 | |
because it's actually in pastel, and it's picked out in white. | 0:10:02 | 0:10:05 | |
It's got the pencil date mark on it, as well, somewhere. | 0:10:05 | 0:10:08 | |
Signed and dated 1891. | 0:10:08 | 0:10:10 | |
OK, well, that could be a goer. | 0:10:10 | 0:10:11 | |
Cor, she works fast! You've only just arrived, Christina. | 0:10:11 | 0:10:14 | |
As I'm going to Stoke, I think I'd like to buy some pots. | 0:10:14 | 0:10:18 | |
I've got a dinner service which is going cheap. | 0:10:20 | 0:10:23 | |
-I've had it for a while. -Have you? | 0:10:23 | 0:10:25 | |
It's in the bottom cupboard in the press. | 0:10:25 | 0:10:28 | |
-Have you got things stashed in drawers?! -Yes. -Have you? | 0:10:28 | 0:10:31 | |
-Always have things stashed in drawers. -Have you?! | 0:10:31 | 0:10:33 | |
Oh, go on, show me your drawers, Jan. | 0:10:33 | 0:10:36 | |
Hey, that's a bit forward, Christina! | 0:10:36 | 0:10:38 | |
I think it's 1960s or 1950s, | 0:10:38 | 0:10:41 | |
but it's complete. | 0:10:41 | 0:10:43 | |
Oh, my goodness! That's Denby, isn't it? | 0:10:43 | 0:10:46 | |
Yeah. It's got the pepper, tea, the butter... | 0:10:46 | 0:10:50 | |
I have sold one of these quite recently. | 0:10:50 | 0:10:52 | |
You can have the lot for a fiver. | 0:10:52 | 0:10:56 | |
-Really?! -Yes. | 0:10:56 | 0:10:58 | |
The service for six is circa 1970, | 0:10:58 | 0:11:01 | |
and comes complete with dinner plates, side plates, | 0:11:01 | 0:11:03 | |
soup bowls, tureens, a teapot, | 0:11:03 | 0:11:05 | |
cups, saucers and condiment items to boot. | 0:11:05 | 0:11:08 | |
Let's think about this. What about the picture... | 0:11:08 | 0:11:11 | |
and the dinner service, for a tenner? | 0:11:11 | 0:11:14 | |
-HE GASPS -Go on. | 0:11:14 | 0:11:16 | |
-I'll twist you. -Really? -Yes. -You're an angel. | 0:11:16 | 0:11:19 | |
-You're welcome. -Do I have to wrap it up now? -Yes! | 0:11:19 | 0:11:21 | |
I'm not wrapping it up! I hate wrapping up! | 0:11:21 | 0:11:24 | |
That's fair enough. | 0:11:24 | 0:11:25 | |
And Christina's managed to bag herself | 0:11:25 | 0:11:27 | |
two fabulous lots for just £10. | 0:11:27 | 0:11:31 | |
Meanwhile, Thomas has taken the Bedford van ten miles east | 0:11:31 | 0:11:35 | |
to just outside the old farming village of Goostrey in Cheshire. | 0:11:35 | 0:11:39 | |
He's come to Jodrell Bank observatory | 0:11:41 | 0:11:43 | |
to find out about a world-famous pioneer | 0:11:43 | 0:11:47 | |
whose ground-breaking inventions helped put our nation | 0:11:47 | 0:11:51 | |
among the front runners in the golden age of the space race. | 0:11:51 | 0:11:55 | |
Thomas is meeting astrophysicist Professor Tim O'Brien | 0:11:59 | 0:12:03 | |
-to hear more. -Hello, I'm Thomas. -Hello, I'm Tim. | 0:12:03 | 0:12:05 | |
That's not going to be confusing, is it? | 0:12:05 | 0:12:07 | |
No, no, that's very easy. Tim and Tom. | 0:12:07 | 0:12:09 | |
Ha-ha! Sir Bernard Lovell was born in 1913. | 0:12:09 | 0:12:13 | |
By the outbreak of the Second World War, | 0:12:15 | 0:12:17 | |
he led a team to develop new radar technology, | 0:12:17 | 0:12:21 | |
helping to significantly halt the Nazi campaign by sea. | 0:12:21 | 0:12:26 | |
Once the war ended, Lovell's career turned to astronomy. | 0:12:26 | 0:12:31 | |
So, what happened then, after the war? | 0:12:31 | 0:12:34 | |
Lovell wanted to use radar, | 0:12:34 | 0:12:35 | |
that he had helped develop, to do some physics. | 0:12:35 | 0:12:39 | |
They were throwing away a lot of war-surplus equipment, | 0:12:39 | 0:12:41 | |
and the people here at Jodrell got a big army truck, | 0:12:41 | 0:12:44 | |
and they drove around the country, | 0:12:44 | 0:12:45 | |
piling electronics into the back of the truck, | 0:12:45 | 0:12:48 | |
-because it was being chucked down mineshafts. -Yeah, yeah. | 0:12:48 | 0:12:51 | |
It was ripped apart, cannibalised, and built into... | 0:12:51 | 0:12:53 | |
-Other things. -..this equipment, | 0:12:53 | 0:12:55 | |
-which was used to look at outer space. -THOMAS LAUGHS | 0:12:55 | 0:12:58 | |
Components of these electronics | 0:12:59 | 0:13:01 | |
became vital to Lovell's future scientific pursuits. | 0:13:01 | 0:13:05 | |
He realised that larger equipment | 0:13:05 | 0:13:08 | |
would allow him to delve further into the unexplored universe. | 0:13:08 | 0:13:12 | |
So, in 1952, work began on a huge 250-foot telescope - | 0:13:12 | 0:13:17 | |
the largest steerable telescope in the world. | 0:13:17 | 0:13:21 | |
But despite its original intention, | 0:13:24 | 0:13:26 | |
it was soon called on for another purpose. | 0:13:26 | 0:13:29 | |
At the beginning of the space race, | 0:13:29 | 0:13:31 | |
when Russia launched their beachball-sized satellite | 0:13:31 | 0:13:34 | |
Sputnik 1 into space to orbit Earth, | 0:13:34 | 0:13:38 | |
Lovell and his telescope made history, | 0:13:38 | 0:13:40 | |
suddenly playing a key role in the Cold War. | 0:13:40 | 0:13:43 | |
He got a phone call from somebody in government, who said to him, | 0:13:43 | 0:13:47 | |
"Actually, you know, the thing that carried Sputnik into space, | 0:13:47 | 0:13:51 | |
"the rocket, is actually a missile, | 0:13:51 | 0:13:53 | |
"an intercontinental ballistic missile. | 0:13:53 | 0:13:56 | |
"Would you be able to use a radar transmitter on your telescope, | 0:13:56 | 0:13:59 | |
"not to track Sputnik itself, but to track the rocket?" | 0:13:59 | 0:14:03 | |
Because the next thing that might be launched by the Soviet Union | 0:14:03 | 0:14:06 | |
might be something rather more serious - a nuclear warhead. | 0:14:06 | 0:14:09 | |
In October 1957, Lovell's telescope tracked the rocket | 0:14:10 | 0:14:14 | |
that had launched the Russian satellite | 0:14:14 | 0:14:16 | |
as it too circled the Earth, | 0:14:16 | 0:14:18 | |
passing over the Lake District at five miles a second. | 0:14:18 | 0:14:22 | |
It was the only instrument in the world | 0:14:24 | 0:14:27 | |
capable of following such a missile, | 0:14:27 | 0:14:29 | |
technology that has since evolved into | 0:14:29 | 0:14:32 | |
the basis for our current missile defence systems. | 0:14:32 | 0:14:35 | |
Lovell and his team continued to track rockets | 0:14:37 | 0:14:40 | |
launched by Russia and America, and in 1966, they made headlines again. | 0:14:40 | 0:14:46 | |
What else has it been used for in that golden period of space race? | 0:14:47 | 0:14:53 | |
We actually tracked a Russian rocket onto the moon, that landed in 1966. | 0:14:53 | 0:14:59 | |
It took the very first pictures of the moon from the moon. | 0:14:59 | 0:15:04 | |
Developed the photograph, scanned it, | 0:15:04 | 0:15:06 | |
sent it back to Earth as a radio signal. | 0:15:06 | 0:15:09 | |
We eavesdropped on that signal, and actually... | 0:15:09 | 0:15:12 | |
-You couldn't help? -Well, you would, wouldn't you? | 0:15:12 | 0:15:14 | |
One of the astronomers here recognised the sound of the signal, | 0:15:14 | 0:15:19 | |
and he said, "Do you know, it sounds like | 0:15:19 | 0:15:21 | |
"one of these newfangled fax machines." | 0:15:21 | 0:15:22 | |
Not very many people had them. They put out a call. | 0:15:22 | 0:15:25 | |
The Daily Express in London answered the call. | 0:15:25 | 0:15:28 | |
They drove up the road with an early facsimile receiver, | 0:15:28 | 0:15:33 | |
plugged it into the telescope, | 0:15:33 | 0:15:35 | |
and out came a picture of the surface of the moon, | 0:15:35 | 0:15:38 | |
the very first picture ever sent from the moon, | 0:15:38 | 0:15:40 | |
and they'd used fax technology, basically, to do it. | 0:15:40 | 0:15:43 | |
-Wow. -We hacked into it and printed it on the front page | 0:15:43 | 0:15:45 | |
-of the Daily Express the next day. -Gosh! | 0:15:45 | 0:15:48 | |
Britain published these pictures | 0:15:51 | 0:15:52 | |
before the Russians got a chance to release their own official images - | 0:15:52 | 0:15:56 | |
a major worldwide coup. | 0:15:56 | 0:15:58 | |
The telescope is now the third largest of its kind in the world, | 0:16:01 | 0:16:04 | |
and, as technology evolves, it is upgraded, | 0:16:04 | 0:16:07 | |
keeping it at the forefront of cutting-edge science. | 0:16:07 | 0:16:11 | |
It's discovered distant galaxies powered by supermassive black holes, | 0:16:11 | 0:16:16 | |
and two-thirds of all known pulsars, | 0:16:16 | 0:16:19 | |
which are remnants of exploded stars. | 0:16:19 | 0:16:22 | |
Every day, we make a new discovery. | 0:16:22 | 0:16:25 | |
We are creeping our way forward, | 0:16:25 | 0:16:28 | |
but we also discover things we don't understand, | 0:16:28 | 0:16:31 | |
so the sort of boundary of our knowledge is ever-increasing, | 0:16:31 | 0:16:35 | |
but equally, there's stuff outside that boundary | 0:16:35 | 0:16:38 | |
that we're still yet to understand. That's what makes it so exciting. | 0:16:38 | 0:16:42 | |
Exciting. Sometimes frustrating. | 0:16:42 | 0:16:44 | |
Sir Bernard Lovell died in 2012, | 0:16:46 | 0:16:48 | |
but his passion for science and innovation | 0:16:48 | 0:16:51 | |
made him a visionary leader in his field. | 0:16:51 | 0:16:54 | |
His incredible inventions continue to assist | 0:16:56 | 0:17:00 | |
astronomic discoveries today, | 0:17:00 | 0:17:02 | |
and hopefully will do well into the future. | 0:17:02 | 0:17:05 | |
Just a few miles south, though, | 0:17:08 | 0:17:10 | |
Christina's made her way to Congleton. | 0:17:10 | 0:17:13 | |
She's come to a former ribbon mill-turned-antiques centre | 0:17:13 | 0:17:17 | |
and to welcome her is dealer Eric. | 0:17:17 | 0:17:19 | |
Hello, hello, my old friend! | 0:17:19 | 0:17:22 | |
-Hello. -How are you? All right? -Yes, fine. -Very nice to see you. | 0:17:22 | 0:17:25 | |
Christina's got just under £200 left, | 0:17:25 | 0:17:28 | |
and something soon catches her interest. | 0:17:28 | 0:17:30 | |
-Those are nice, aren't they? -That one's in good condition. | 0:17:30 | 0:17:33 | |
-This one's been a bit... -That's been repainted. | 0:17:33 | 0:17:35 | |
-Yes, it was how I got them. -Pair of vintage black coach lamps. | 0:17:35 | 0:17:38 | |
In your horse-drawn coach, | 0:17:38 | 0:17:40 | |
these would have gone on the side, wouldn't they? | 0:17:40 | 0:17:42 | |
They would have slot in so that you could light your way. | 0:17:42 | 0:17:45 | |
32. OK. All right. | 0:17:45 | 0:17:47 | |
-Worth thinking about. -Yeah. | 0:17:47 | 0:17:49 | |
I quite like those. | 0:17:49 | 0:17:50 | |
They've certainly got some character to them, as well. | 0:17:50 | 0:17:53 | |
There are two other floors to check out, Christina. | 0:17:53 | 0:17:55 | |
Right, what have we got in here? Ooh, this looks good. | 0:17:55 | 0:17:58 | |
Quite nice to have a look at a piece of something sparkly, anyway. | 0:17:58 | 0:18:02 | |
A Georgian caddy spoon. | 0:18:02 | 0:18:04 | |
-So, caddy spoons are eternally collectable. -Mm-hm. | 0:18:04 | 0:18:07 | |
And this is quite a sweet one. | 0:18:07 | 0:18:11 | |
So you've got the duty mark there. George III. | 0:18:11 | 0:18:13 | |
So I think that's quite lovely. | 0:18:13 | 0:18:16 | |
This 18th-century silver tea caddy spoon has a ticket price of £28, | 0:18:16 | 0:18:21 | |
but Eric thinks the spoons' dealer might be able to do better. | 0:18:21 | 0:18:24 | |
-What did Kate say about a best price on our caddy spoon? -17. | 0:18:24 | 0:18:28 | |
That is a good price, but I only really want to buy one more thing, | 0:18:28 | 0:18:33 | |
and I do like your lanterns downstairs. | 0:18:33 | 0:18:36 | |
-How much do you have on your lanterns? -32. | 0:18:36 | 0:18:38 | |
-Can you do any better than that? -Oh, yeah. I can do you them for 20. | 0:18:38 | 0:18:41 | |
With the damage on the glass and the fact they've been repainted, | 0:18:41 | 0:18:44 | |
I'd want to be getting them for £15 maximum. | 0:18:44 | 0:18:47 | |
-Is that something that you could do? -Yeah, go on. | 0:18:47 | 0:18:49 | |
Generous of you, Eric. | 0:18:49 | 0:18:51 | |
Ooh, look! The centre even has a cafe. | 0:18:51 | 0:18:53 | |
That was my very last purchase of the week, so I owe you some money. | 0:18:55 | 0:18:59 | |
-Okey-doke. -There you are, my darling. Five, ten, 15. Cheers. | 0:18:59 | 0:19:04 | |
-Thank you very much. -Cheers. | 0:19:04 | 0:19:06 | |
Look who it is. | 0:19:08 | 0:19:09 | |
Brace yourself, lads. | 0:19:10 | 0:19:12 | |
-Hello! -Hello, hello. | 0:19:13 | 0:19:14 | |
-How are you? -Very well. | 0:19:14 | 0:19:16 | |
-Can I join you? -Yeah, do. Absolutely. | 0:19:16 | 0:19:18 | |
-I'm done. -Five items? | 0:19:18 | 0:19:20 | |
-Five items. All done. -Really? | 0:19:20 | 0:19:21 | |
-Yeah. How many have you got? -One... | 0:19:21 | 0:19:23 | |
-One more to get? -One more to get. | 0:19:23 | 0:19:25 | |
I'll see you back here for some cake. Go and do some shopping. | 0:19:25 | 0:19:27 | |
Oh, bossy! The pressure's on Thomas now. | 0:19:27 | 0:19:29 | |
He's got just under £90 left to spend. | 0:19:29 | 0:19:32 | |
See, I quite like a centre. I really do. There's loads of stuff. | 0:19:32 | 0:19:36 | |
And soon enough, Thomas spots something rather interesting. | 0:19:36 | 0:19:39 | |
In the First World War, when you were shot, | 0:19:41 | 0:19:44 | |
your family were sent a bronze penny | 0:19:44 | 0:19:47 | |
called a death penny or death plaque. | 0:19:47 | 0:19:50 | |
Arthur Preece, private, Royal Worcester Regiment, | 0:19:50 | 0:19:53 | |
died 7/9/16, aged 39. | 0:19:53 | 0:19:56 | |
God. So he was just a year younger than me. | 0:19:56 | 0:19:58 | |
Very nice. I mean, that is an amazing thing. | 0:19:58 | 0:20:01 | |
And it's only £55. | 0:20:01 | 0:20:03 | |
While Eric is sharing cake with Christina, | 0:20:03 | 0:20:06 | |
dealer Kate takes care of Thomas. | 0:20:06 | 0:20:09 | |
This death penny here. | 0:20:09 | 0:20:11 | |
Yes. I notice he's got 55 on it. | 0:20:11 | 0:20:14 | |
-Yeah. -Yeah. Do you think there'd be anything to be done on that? | 0:20:14 | 0:20:18 | |
It's pretty near the mark what he paid for it, | 0:20:18 | 0:20:20 | |
but I'm sure you could... | 0:20:20 | 0:20:22 | |
Give him a call. | 0:20:22 | 0:20:23 | |
While he waits to hear, Thomas has another look around. | 0:20:23 | 0:20:28 | |
This is a Victorian jug. | 0:20:30 | 0:20:33 | |
It's made probably in Stoke-on-Trent. | 0:20:33 | 0:20:35 | |
It's quite good. Sounds OK. | 0:20:35 | 0:20:37 | |
There's a little bit of a hairline up there. | 0:20:37 | 0:20:39 | |
But what's so delightful about these hand-painted flowers is... | 0:20:39 | 0:20:43 | |
The token it says underneath it - | 0:20:44 | 0:20:46 | |
so this is something you'd give to your lover - "Forget Me Not". | 0:20:46 | 0:20:49 | |
Isn't that sweet? | 0:20:49 | 0:20:51 | |
(And for £27!) | 0:20:51 | 0:20:53 | |
Time to find Kate again. | 0:20:53 | 0:20:55 | |
-I've found this. -Yeah. | 0:20:55 | 0:20:57 | |
Do you think we can do anything on that price? | 0:20:57 | 0:20:59 | |
Well, normally, that would be about £25. | 0:20:59 | 0:21:02 | |
-OK. -But for you... | 0:21:02 | 0:21:04 | |
16? | 0:21:04 | 0:21:06 | |
Around 16? | 0:21:07 | 0:21:09 | |
Yeah, all right. I mean, you know, we could round it up and say 15. | 0:21:09 | 0:21:12 | |
-Go on, then. -Yeah? -15. 15 for that. | 0:21:12 | 0:21:14 | |
Or I have news on the death... | 0:21:14 | 0:21:16 | |
Oh, yes? | 0:21:16 | 0:21:18 | |
35 would be the very best. | 0:21:18 | 0:21:19 | |
Oh, my gosh! | 0:21:19 | 0:21:20 | |
So you have a choice. | 0:21:20 | 0:21:22 | |
-Oh. -Or buy both! | 0:21:22 | 0:21:23 | |
That's a handsome £20 discount on the plaque. | 0:21:23 | 0:21:27 | |
Take your time, Thomas. No need to rush! | 0:21:27 | 0:21:30 | |
-I've made a decision. -Right. | 0:21:30 | 0:21:32 | |
I'm going to buy them both. | 0:21:32 | 0:21:34 | |
So, that's £50 for an early Victorian jug | 0:21:34 | 0:21:37 | |
and the First World War death plaque. | 0:21:37 | 0:21:39 | |
-Wish me luck! And thank you. -Thank you. | 0:21:39 | 0:21:41 | |
That's shopping complete. | 0:21:41 | 0:21:43 | |
Along with the death plaque and jug, | 0:21:43 | 0:21:46 | |
Thomas bought an Edwardian bamboo chair, | 0:21:46 | 0:21:48 | |
a vintage mannequin head, | 0:21:48 | 0:21:50 | |
a 19th-century Masonic glass, | 0:21:50 | 0:21:52 | |
and a soapstone goblet for £143. | 0:21:52 | 0:21:57 | |
Christina spent £85 on a snooker table light, | 0:21:58 | 0:22:01 | |
an Art Deco-style lamp, | 0:22:01 | 0:22:04 | |
a Marcel Pic sketch, | 0:22:04 | 0:22:06 | |
a Denby dinner service, and a pair of Victorian carriage lanterns. | 0:22:06 | 0:22:10 | |
So, what do they think? | 0:22:10 | 0:22:12 | |
All in all, I think Christina's got a chance to make a profit. | 0:22:12 | 0:22:16 | |
The only thing I think she's got a risk on | 0:22:16 | 0:22:19 | |
is the snooker table light. | 0:22:19 | 0:22:21 | |
Thomas is so clever | 0:22:21 | 0:22:22 | |
to buy ceramics to bring to the homeland of the ceramics industry, | 0:22:22 | 0:22:26 | |
and that sentiment - "forget me not" - | 0:22:26 | 0:22:28 | |
I certainly won't forget him. | 0:22:28 | 0:22:29 | |
Christina and Thomas' last leg left from Gwersyllt in Wrexham, | 0:22:29 | 0:22:35 | |
with the final auction of the week | 0:22:35 | 0:22:37 | |
finishing up in Stoke-on-Trent, Staffordshire. | 0:22:37 | 0:22:39 | |
Right, let's go. | 0:22:41 | 0:22:43 | |
Sun shines on the righteous, Thomas. | 0:22:43 | 0:22:44 | |
Well, we'll see about that. Holding fort at the rostrum today | 0:22:44 | 0:22:47 | |
is auctioneer Lee Sherratt, | 0:22:47 | 0:22:49 | |
who's been running ASH Auctions for over 20 years. | 0:22:49 | 0:22:53 | |
First up is Christina's Denby dinner service. | 0:22:56 | 0:23:00 | |
Quite a lot of interest in this. | 0:23:00 | 0:23:02 | |
Quite a lot of interest! | 0:23:02 | 0:23:03 | |
We've got two or three commission bids. | 0:23:03 | 0:23:05 | |
We've also got a telephone bid. | 0:23:05 | 0:23:07 | |
And a phone bid! I don't believe it. | 0:23:07 | 0:23:10 | |
All the lot. Start the bidding. | 0:23:10 | 0:23:12 | |
-26. -I've got £26 straight in. | 0:23:12 | 0:23:13 | |
-£26! -On the phone at 28... | 0:23:13 | 0:23:16 | |
Phone bid straight in. | 0:23:16 | 0:23:17 | |
Four... | 0:23:17 | 0:23:19 | |
On the phone at 32 for the Denby. | 0:23:19 | 0:23:20 | |
Wonderful, Christina. Well done, you. | 0:23:20 | 0:23:23 | |
Sold at 32. | 0:23:23 | 0:23:25 | |
High-five! | 0:23:25 | 0:23:27 | |
A fantastic profit to start things off, Christina. | 0:23:27 | 0:23:30 | |
I sincerely hope we carry on in this vein, | 0:23:30 | 0:23:32 | |
although I very much doubt it. | 0:23:32 | 0:23:34 | |
Continuing the pottery theme, | 0:23:35 | 0:23:37 | |
Thomas' early Victorian jug is up next. | 0:23:37 | 0:23:40 | |
Nice jug there. Do I have a fiver? | 0:23:40 | 0:23:42 | |
-A fiver. -Five commission bid. | 0:23:42 | 0:23:45 | |
I've got six, I've got seven, seven bid. Eight. | 0:23:45 | 0:23:47 | |
Eight bid now, nine, nine bid now, ten. | 0:23:47 | 0:23:49 | |
Ten bid now, 12. | 0:23:49 | 0:23:50 | |
Go on, go on, go on! | 0:23:50 | 0:23:52 | |
At £12. Commission winner, at £12, going. | 0:23:52 | 0:23:55 | |
Don't worry, it's early days, Thomas, | 0:23:55 | 0:23:58 | |
and only a small loss. | 0:23:58 | 0:24:00 | |
Forget you not. Forget the jug! | 0:24:00 | 0:24:03 | |
Let's hope Thomas does better with his Masonic glass. | 0:24:05 | 0:24:08 | |
I've got £30 bid. Straight onto commissions at 30 bid now. | 0:24:08 | 0:24:11 | |
Take five if you like. At 32, I'll take, then. | 0:24:11 | 0:24:13 | |
At £30. If not, I'm going to sell it to the commission buyer. | 0:24:13 | 0:24:15 | |
At £30, only bid at £30, and all done. | 0:24:15 | 0:24:18 | |
-Oh, no! -Commission buyer gets it. | 0:24:18 | 0:24:20 | |
-£30. -Thomas, I'm disappointed. It should have made more. | 0:24:20 | 0:24:22 | |
It made a £2 profit. | 0:24:22 | 0:24:24 | |
It all adds up. | 0:24:24 | 0:24:25 | |
Back with Christina and her pair of Victorian carriage lamps. | 0:24:25 | 0:24:29 | |
Can I see £50 to get on? | 0:24:29 | 0:24:30 | |
£50 to get on? £40. | 0:24:30 | 0:24:32 | |
No, no. Maybe? | 0:24:32 | 0:24:34 | |
For the two, this is. £20 for the two. Ten, then, somebody. | 0:24:34 | 0:24:37 | |
-Ten I'm bid, now. -There we go. | 0:24:37 | 0:24:39 | |
12. Is that a bid? | 0:24:39 | 0:24:41 | |
On my right. 12. 12 bid. | 0:24:41 | 0:24:43 | |
14. 14. Here we go. | 0:24:43 | 0:24:44 | |
16, 18. 18, 20. 20, 22. | 0:24:44 | 0:24:48 | |
-Rightly so. -Well, I think... | 0:24:48 | 0:24:50 | |
Can you imagine either side of the front door, or... | 0:24:50 | 0:24:52 | |
-They're very good, yeah. -They're smart. | 0:24:52 | 0:24:54 | |
26. Where's eight? Now I'm going to sell. | 0:24:54 | 0:24:56 | |
At £26, and the hammer's up... | 0:24:56 | 0:24:58 | |
Anybody else? | 0:24:58 | 0:24:59 | |
Another decent profit for Christina. | 0:25:01 | 0:25:05 | |
Thomas has bundled together his vintage mannequin head | 0:25:05 | 0:25:09 | |
and Edwardian bamboo teddy's chair. | 0:25:09 | 0:25:11 | |
Bit random, but let's see how it goes. | 0:25:11 | 0:25:14 | |
£15 commission bid, straight in now at 15. | 0:25:14 | 0:25:16 | |
Looking for 16. If not, I'll sell. | 0:25:16 | 0:25:17 | |
Oh, dear. | 0:25:17 | 0:25:19 | |
..at 16, I'm going to sell it. | 0:25:19 | 0:25:20 | |
At £15, all done. | 0:25:20 | 0:25:22 | |
-That was pretty quick, wasn't it? -It was jolly quick. -Jolly quick. | 0:25:22 | 0:25:25 | |
He's still got two more items | 0:25:25 | 0:25:27 | |
to wow the auction-goers of Stoke with, though. | 0:25:27 | 0:25:30 | |
-If I hadn't bought the head, that would have been a profit. -Yeah! | 0:25:30 | 0:25:34 | |
That's one way to look at it. | 0:25:34 | 0:25:36 | |
Can Christina make a third profit in a row | 0:25:36 | 0:25:38 | |
with her Art Deco-style lamp? | 0:25:38 | 0:25:41 | |
£20, bid me, somebody. | 0:25:41 | 0:25:42 | |
20 bid, straight in at 20. | 0:25:42 | 0:25:44 | |
At £20 bid, where? Two. | 0:25:44 | 0:25:45 | |
At 22, four? 24. | 0:25:45 | 0:25:47 | |
Well done, Christina. | 0:25:47 | 0:25:48 | |
Again, another profit. | 0:25:48 | 0:25:49 | |
Brilliant! | 0:25:49 | 0:25:51 | |
On the second row, you're all out now. | 0:25:51 | 0:25:53 | |
At 36 now. Eight. | 0:25:53 | 0:25:54 | |
-38 now! -Really?! | 0:25:54 | 0:25:56 | |
Doubling money. | 0:25:56 | 0:25:57 | |
Right lot. | 0:25:57 | 0:25:59 | |
Being sold. I'm going to receive it at 40. | 0:25:59 | 0:26:01 | |
Go, Christina. | 0:26:03 | 0:26:04 | |
Another brilliant profit. | 0:26:04 | 0:26:06 | |
Can this soapstone goblet make Thomas some money? | 0:26:06 | 0:26:10 | |
Put it in, somebody. | 0:26:10 | 0:26:11 | |
What's it worth? £20? | 0:26:11 | 0:26:13 | |
-Ooh! -Nice piece, this is. | 0:26:13 | 0:26:14 | |
£20. £10, bid me, somebody? | 0:26:14 | 0:26:15 | |
Who's going to bid me? Ten, I'm bid on my right. | 0:26:15 | 0:26:18 | |
At ten bid, we're off now. At ten bid. Where's 12 short? | 0:26:18 | 0:26:20 | |
It's got to be worth more than this. | 0:26:20 | 0:26:21 | |
-What did you pay for this? 25? -Yes. | 0:26:21 | 0:26:24 | |
£10 only. You got a chance. | 0:26:24 | 0:26:26 | |
You're going to lose it. | 0:26:26 | 0:26:27 | |
At £10... | 0:26:27 | 0:26:29 | |
Shame. But maybe he's saving his best for last. | 0:26:29 | 0:26:34 | |
We're back with Christina again for the snooker table light trio. | 0:26:34 | 0:26:38 | |
£40 for it. | 0:26:38 | 0:26:39 | |
40. £30. | 0:26:39 | 0:26:41 | |
£30, worth that, surely. | 0:26:41 | 0:26:42 | |
Not much we can do without lights. Come on. £30. | 0:26:42 | 0:26:45 | |
Not going to make any money. | 0:26:45 | 0:26:47 | |
35 now. Five. 25, 30. | 0:26:47 | 0:26:48 | |
-30 bidding now, five... -It's not going to make any money. | 0:26:48 | 0:26:51 | |
-It's going to make it. -No, it's not. -It's going to make £40! | 0:26:51 | 0:26:53 | |
At £40. At £40. The hammer looking. £40... | 0:26:53 | 0:26:56 | |
It's a loss after auction costs, | 0:26:56 | 0:26:59 | |
but it gives Thomas a chance to catch up. | 0:26:59 | 0:27:01 | |
Now it's Christina's final item - | 0:27:01 | 0:27:03 | |
the Marcel Pic charcoal sketch. | 0:27:03 | 0:27:06 | |
Open the bidding, somebody. | 0:27:06 | 0:27:07 | |
£20. 15 for it? Come on. | 0:27:07 | 0:27:09 | |
Give me ten. £10. £10? | 0:27:09 | 0:27:11 | |
Where are we? We've got a bid of ten. | 0:27:11 | 0:27:13 | |
I think people think it's a print, but it's not. | 0:27:13 | 0:27:15 | |
No, you said it's a sketch. | 0:27:15 | 0:27:16 | |
Well, we've got a bid. | 0:27:16 | 0:27:18 | |
Right-hand side. 12. 12 bid. At 12, now 14. | 0:27:18 | 0:27:21 | |
14. 14, 16. | 0:27:21 | 0:27:23 | |
-For you... -Is that the last item of our road trip? | 0:27:23 | 0:27:25 | |
-£14. -Well, it's making a profit. | 0:27:25 | 0:27:27 | |
..at £14. | 0:27:27 | 0:27:29 | |
She's almost tripled her money on that last item. Great stuff. | 0:27:30 | 0:27:35 | |
But now, it's Thomas' World War I death plaque, | 0:27:35 | 0:27:39 | |
and could be just what Thomas needs to take Christina's Road Trip crown. | 0:27:39 | 0:27:44 | |
We've got loads and loads of commission bids. | 0:27:44 | 0:27:47 | |
-See? -£40. | 0:27:47 | 0:27:48 | |
£40 bid, straight in at £40. | 0:27:48 | 0:27:50 | |
-Brilliant! Instant profit. -45. | 0:27:50 | 0:27:52 | |
-50. -Five. | 0:27:52 | 0:27:53 | |
-55. -60. | 0:27:53 | 0:27:55 | |
60, I'm bid. Five... | 0:27:55 | 0:27:56 | |
Thomas! This is brilliant! | 0:27:56 | 0:27:58 | |
70 bid now. 75... | 0:27:58 | 0:27:59 | |
75. We got £70 commission. | 0:27:59 | 0:28:01 | |
We haven't finished yet. | 0:28:01 | 0:28:02 | |
Go on, go on, go on! | 0:28:02 | 0:28:03 | |
75, 80. 85... | 0:28:03 | 0:28:06 | |
Go on. | 0:28:06 | 0:28:07 | |
-85, 90... -I'm out. | 0:28:07 | 0:28:09 | |
All commission bids are now out. | 0:28:09 | 0:28:11 | |
In the room at £85. | 0:28:11 | 0:28:12 | |
Where's 90? I'm going to sell it. | 0:28:12 | 0:28:14 | |
Go on, one more. | 0:28:14 | 0:28:16 | |
£85. The hammer's up. | 0:28:16 | 0:28:17 | |
All finished. | 0:28:17 | 0:28:19 | |
Well done! £50 profit. | 0:28:19 | 0:28:21 | |
That's amazing. | 0:28:21 | 0:28:22 | |
What an incredible finish for Thomas. | 0:28:22 | 0:28:24 | |
Well done. Well done. | 0:28:24 | 0:28:26 | |
But has he done enough? | 0:28:26 | 0:28:28 | |
Thomas began this leg with £186.14. | 0:28:28 | 0:28:32 | |
and after today's auction costs, | 0:28:32 | 0:28:34 | |
that last great profit wasn't enough to save him. | 0:28:34 | 0:28:39 | |
He's down £18.36 | 0:28:39 | 0:28:42 | |
leaving him £167.78. | 0:28:42 | 0:28:45 | |
Christina kicked off with £269.07. | 0:28:45 | 0:28:49 | |
After a great auction, post costs, she's made £39.64. | 0:28:49 | 0:28:54 | |
giving her a total of with £308.71, | 0:28:54 | 0:28:58 | |
making her the overall winner! | 0:28:58 | 0:29:00 | |
All profits, of course, go to Children In Need. | 0:29:00 | 0:29:03 | |
Blimey! | 0:29:05 | 0:29:06 | |
Christina... | 0:29:06 | 0:29:07 | |
Go on. Tell me. | 0:29:07 | 0:29:08 | |
-I need to drive you. -Why? | 0:29:08 | 0:29:10 | |
Because you've again annihilated me. | 0:29:10 | 0:29:12 | |
-Did I win this auction? -You did! You've done it. | 0:29:12 | 0:29:14 | |
-So does that mean I get chauffeured? -You get chauffeured by moi. | 0:29:14 | 0:29:17 | |
Oh, my goodness! How spoilt! | 0:29:17 | 0:29:19 | |
-I know. -How spoilt! | 0:29:19 | 0:29:20 | |
THEY LAUGH | 0:29:20 | 0:29:23 | |
That's it for these two. Cheerio! | 0:29:23 | 0:29:26 | |
So long, farewell in the van! | 0:29:26 | 0:29:30 | |
Well, it's goodbye to them | 0:29:35 | 0:29:37 | |
and hello to the exuberant Charles Hanson and Margie Cooper. | 0:29:37 | 0:29:42 | |
-That's going fast! -Get out of here! There we go, Marge. | 0:29:43 | 0:29:48 | |
-It's going to be a wonderful week. -It is. -I feel like I'm with a Hollywood star. | 0:29:52 | 0:29:55 | |
-GEARS CRUNCH -I do, seriously! I feel like I'm with a Bond Girl. | 0:29:55 | 0:29:59 | |
007 wouldn't crunch those gears. | 0:30:01 | 0:30:04 | |
Margie may never have been a Bond Girl | 0:30:04 | 0:30:06 | |
but, by gosh, she was a model before starting out in the antiques biz. | 0:30:06 | 0:30:10 | |
And our Charles is an auctioneer who appreciates the finer | 0:30:10 | 0:30:12 | |
things in life. | 0:30:12 | 0:30:14 | |
I look at you, Marge, and I think upmarket. | 0:30:14 | 0:30:17 | |
-How am I going to get through this week with you? -Look at me! | 0:30:17 | 0:30:21 | |
You're gorgeous! Look at me! | 0:30:21 | 0:30:23 | |
I'm going red now. | 0:30:23 | 0:30:26 | |
They're in a very rare 1959 Elva Courier. | 0:30:28 | 0:30:32 | |
Only 400 or so were made | 0:30:32 | 0:30:34 | |
and this is believed to be the only one on British roads. | 0:30:34 | 0:30:37 | |
This trip starts in the Leicestershire town | 0:30:41 | 0:30:43 | |
of Melton Mowbray and meanders through | 0:30:43 | 0:30:45 | |
Nottinghamshire, Derbyshire and Lincolnshire, then dips | 0:30:45 | 0:30:48 | |
into Norfolk before arriving for the final sale in the city of Leicester. | 0:30:48 | 0:30:52 | |
Today's leg starts off from the market town of Melton Mowbray | 0:30:52 | 0:30:55 | |
and heads to auction in the fine, fair city of Nottingham. | 0:30:55 | 0:30:59 | |
All I was saying, Margie, | 0:31:00 | 0:31:02 | |
is Leicestershire is in my neighbourhood. | 0:31:02 | 0:31:03 | |
I hope we're not going into shops where you know people. | 0:31:03 | 0:31:07 | |
Get out of here, Margie! Get out of here! | 0:31:07 | 0:31:10 | |
Our experts have £200 each to spend. | 0:31:10 | 0:31:12 | |
If they ever make it to the shops, that is. | 0:31:12 | 0:31:15 | |
Oh, no. | 0:31:15 | 0:31:16 | |
-Margie! -Yeah? -I found it. That's what's come off. -Oh, crikey. | 0:31:16 | 0:31:22 | |
-You said you heard a thump. -That's what came off. -What is that? | 0:31:22 | 0:31:26 | |
I don't know, but it came off the car. Hold on, I've got a plan. | 0:31:26 | 0:31:30 | |
-Trust me, come on. -Oh, no, Charles. -I'm no mechanic... | 0:31:30 | 0:31:33 | |
but listen... Can you see that pipe there? | 0:31:33 | 0:31:36 | |
All this brown liquid, which is... | 0:31:36 | 0:31:39 | |
-Can I just say... -Yes. | 0:31:39 | 0:31:40 | |
-..I wash my hands of anything to do with you with that? -Quite right. | 0:31:40 | 0:31:44 | |
I'm going to my first shop. Bye. See you. | 0:31:44 | 0:31:47 | |
-Marge! -Bye! | 0:31:47 | 0:31:49 | |
Fortunately, Margie hasn't far to go. | 0:31:49 | 0:31:52 | |
Milton Mowbray is just down the road, | 0:31:52 | 0:31:54 | |
and in the centre of town, her first shop. | 0:31:54 | 0:31:57 | |
-Good morning. -Good morning. -Lovely shop. -Thank you. -I'm Margie. | 0:31:59 | 0:32:05 | |
-I'm Sue. -And you're the owner? -I'm the owner, John. -John. | 0:32:05 | 0:32:10 | |
Introductions over, time to shop. | 0:32:10 | 0:32:13 | |
Right, more stuff. | 0:32:13 | 0:32:16 | |
Oh, this African stool... They're hot at the moment, aren't they? | 0:32:18 | 0:32:22 | |
-They are. -These things. | 0:32:22 | 0:32:24 | |
Margie has uncovered a West African tribal stool | 0:32:24 | 0:32:28 | |
which is probably Ashanti. | 0:32:28 | 0:32:31 | |
I'm not an expert in tribal stuff. Early 20th-century African. | 0:32:31 | 0:32:35 | |
That's it! | 0:32:35 | 0:32:36 | |
-Yeah, it's not in great condition, is it? -No, it's cracked. | 0:32:38 | 0:32:43 | |
It's seen better days and it's priced at £140. Wow. | 0:32:43 | 0:32:47 | |
Right... | 0:32:47 | 0:32:48 | |
I'm going to carry on a bit longer and all will be well. | 0:32:48 | 0:32:52 | |
Tribal, tribal, tribal... | 0:32:54 | 0:32:57 | |
Hm... | 0:32:57 | 0:32:59 | |
On an African theme, Margie has found a late 19th-century carved | 0:32:59 | 0:33:03 | |
hardwood stick, ticketed at £35. | 0:33:03 | 0:33:05 | |
Go on, give it a poke. | 0:33:06 | 0:33:08 | |
I'm going to point it now! | 0:33:08 | 0:33:10 | |
How much can that be? | 0:33:10 | 0:33:12 | |
-Well, the stick could be £10 on its own. -Yeah. | 0:33:13 | 0:33:16 | |
The headrest could be 80, so that's £90 for the pair. | 0:33:16 | 0:33:20 | |
Two possibilities for Margie to think about. | 0:33:20 | 0:33:23 | |
Meanwhile, with the car fixed, Charles has motored 22 miles | 0:33:25 | 0:33:28 | |
south-west, to the outskirts of Leicester. | 0:33:28 | 0:33:30 | |
His first shop is Hidden Treasures. | 0:33:30 | 0:33:33 | |
-Mark, isn't it? -Hello, how are you? -Long time no see. -It's been a while. | 0:33:35 | 0:33:39 | |
I'll have to shake your left, unfortunately. | 0:33:39 | 0:33:41 | |
There are goodies galore here. | 0:33:41 | 0:33:44 | |
Something soon stirs Charles. | 0:33:46 | 0:33:49 | |
It looks a feast. | 0:33:49 | 0:33:51 | |
-It's got some weight to it. -Has it? -Yeah. -Oh, good, it has. | 0:33:52 | 0:33:55 | |
-I believe it to be bronze. -I think you're right. It's a lovely... | 0:33:55 | 0:34:00 | |
What we've got here is a big charger, a big circular display | 0:34:00 | 0:34:05 | |
dish, which you can see has been pierced for the purpose of hanging. | 0:34:05 | 0:34:11 | |
How old is this? | 0:34:11 | 0:34:12 | |
-1880? -I would say around the turn of the century, yes. | 0:34:12 | 0:34:16 | |
-It's a nice thing, isn't it? -Yeah. -It's decorative. | 0:34:16 | 0:34:19 | |
-How much is it? -Oh, now, there's the rub. £30. | 0:34:19 | 0:34:24 | |
25? | 0:34:24 | 0:34:26 | |
Oh, to an old mate... | 0:34:26 | 0:34:28 | |
£25 for a really handsome bronze charger, I think is very good. | 0:34:28 | 0:34:33 | |
-I'll leave it there for the time being and go for a wander... -OK. | 0:34:33 | 0:34:37 | |
-..and just see what else takes my fancy. Thanks a lot. -OK. | 0:34:37 | 0:34:40 | |
Good price on a nice item. | 0:34:40 | 0:34:42 | |
Back in Melton Mowbray, Margie is getting excited. | 0:34:45 | 0:34:48 | |
Dealer John has new stock hidden behind his counter | 0:34:48 | 0:34:50 | |
and it's silver, right up Margie's street. | 0:34:50 | 0:34:53 | |
-So have we got any sets of anything in there? -Er... | 0:34:53 | 0:34:57 | |
Spoons would be quite good. Hm... | 0:34:57 | 0:34:59 | |
Five, six... | 0:34:59 | 0:35:01 | |
Ah, you've got six. Right, yeah. | 0:35:01 | 0:35:03 | |
They look to me as though they are early 20th century, | 0:35:06 | 0:35:09 | |
but sadly they might end up melting, going in the pot. | 0:35:09 | 0:35:12 | |
To buy those new would be hundreds of pounds. | 0:35:12 | 0:35:15 | |
Sadly, antique silver isn't reaching the money it once did, | 0:35:15 | 0:35:18 | |
so Margie is buying these at scrap value. | 0:35:18 | 0:35:20 | |
Handily enough, John has some scales. | 0:35:20 | 0:35:23 | |
11oz. Yeah. | 0:35:23 | 0:35:25 | |
-Right, and you're telling me how much? -That would come to about £43. | 0:35:25 | 0:35:29 | |
Yeah... You don't want to round it off, call it 40? | 0:35:29 | 0:35:33 | |
So, does that soften that a bit? | 0:35:33 | 0:35:36 | |
-70 including the stick, then. -So 70 and 40... | 0:35:36 | 0:35:40 | |
-Yeah. -..is a hundred and... -Ten. -Ten. Yeah. | 0:35:40 | 0:35:44 | |
SHE CHUCKLES | 0:35:48 | 0:35:50 | |
Deal, at £60 for the African stool, the stick for £10, | 0:35:50 | 0:35:54 | |
and the silver weighed in at £40. | 0:35:54 | 0:35:57 | |
That's cheap. | 0:35:57 | 0:35:58 | |
-Thank you very much for your patience. -No problem at all. | 0:35:58 | 0:36:01 | |
Three lots in the first shop - not bad at all. | 0:36:01 | 0:36:04 | |
I wonder if Charles is having any luck. | 0:36:08 | 0:36:10 | |
What I do quite like is... | 0:36:10 | 0:36:13 | |
-..this Davenport here. -OK. | 0:36:15 | 0:36:17 | |
A Davenport is a small desk with a lifting lid, named after | 0:36:19 | 0:36:22 | |
Captain Davenport, who commissioned | 0:36:22 | 0:36:24 | |
the first design about 200 years ago. | 0:36:24 | 0:36:26 | |
This example in walnut dates from around 1870. | 0:36:26 | 0:36:29 | |
It's only been in about a week. | 0:36:29 | 0:36:32 | |
-Um... -So it's fresh. -Fresh on the market, yeah. -Yes, yes. | 0:36:32 | 0:36:37 | |
-It's quite tired, isn't it? -Yeah. But pretty much all there. | 0:36:37 | 0:36:41 | |
Yeah, I think ingenious because the cupboard door here, open it up | 0:36:41 | 0:36:45 | |
-and these... Delicious drawers, aren't they? -They are very nice. | 0:36:45 | 0:36:50 | |
Look at that original colour. I do like it. | 0:36:50 | 0:36:52 | |
It's a nice little piece. | 0:36:52 | 0:36:53 | |
It's ticketed at £50, | 0:36:53 | 0:36:55 | |
but as it's new in, is there any chance of a deal? | 0:36:55 | 0:36:59 | |
What's your rock-bottom... | 0:36:59 | 0:37:00 | |
..for you to still make a profit? | 0:37:02 | 0:37:04 | |
-Oh... -And a small margin. -Very, very small profit - 35. | 0:37:04 | 0:37:07 | |
That's good. | 0:37:10 | 0:37:11 | |
And at that price, Charles gets his money out quick. | 0:37:11 | 0:37:15 | |
-I'll take it. -You're taking that? -Thanks a lot. -Lovely, thanks. | 0:37:15 | 0:37:18 | |
A flying start for Charles there - two deals in his first shop. | 0:37:18 | 0:37:21 | |
-Cheers, Mark, see you. -Bye. | 0:37:21 | 0:37:23 | |
Just down the road from Bosworth battlefield | 0:37:27 | 0:37:30 | |
is the medieval village of Shenton. | 0:37:30 | 0:37:32 | |
That is Margie's next shop, at Whitemoors Antique Centre. | 0:37:33 | 0:37:38 | |
She has £90 left to spend. | 0:37:38 | 0:37:40 | |
-A fine bowl. -GLASS RINGS | 0:37:44 | 0:37:47 | |
A fine bowl. | 0:37:47 | 0:37:49 | |
It's got clarity, hasn't it? | 0:37:49 | 0:37:51 | |
It certainly has. Time to speak to the top man. | 0:37:51 | 0:37:54 | |
-Hi, Robert. -I've had a wander round. I mean, I love the bowl. | 0:37:54 | 0:37:58 | |
Mm-hm. | 0:37:58 | 0:38:00 | |
-Is it 15? -No, it wasn't! I've got 30 on it. | 0:38:00 | 0:38:03 | |
And my absolute bottom, which I paid, is 20. | 0:38:03 | 0:38:07 | |
You can have it for what I paid for it. | 0:38:07 | 0:38:09 | |
I shall stroll over and have a look at it. | 0:38:09 | 0:38:11 | |
It is a magnificent thing, isn't it? | 0:38:11 | 0:38:14 | |
Oh, crikey, no. I'm not going to do that. | 0:38:14 | 0:38:17 | |
-Can you...? -Yes. -You're a nice, big, strong man. | 0:38:17 | 0:38:20 | |
-It's heavy. -Yeah, that's lovely. -GLASS RINGS | 0:38:20 | 0:38:24 | |
-Yeah, I'm going to go for that. -Deal done. -Thank you. | 0:38:24 | 0:38:26 | |
£20 for that cut glass bowl is a steal. It could do well later. | 0:38:26 | 0:38:31 | |
Meanwhile, Charles is back on the open road. | 0:38:35 | 0:38:37 | |
LOUD CLUNKING FROM ENGINE | 0:38:37 | 0:38:38 | |
Lordy, that doesn't sound good. | 0:38:38 | 0:38:40 | |
Oh, no. | 0:38:40 | 0:38:42 | |
CHARLES COUGHS | 0:38:42 | 0:38:44 | |
Here we go. I've got smoke coming out of the heater. | 0:38:44 | 0:38:47 | |
Charles! Not again! | 0:38:47 | 0:38:49 | |
It's a lovely, lovely car. But it's not made for me. | 0:38:49 | 0:38:53 | |
-I think what I'm going to do... is... -Walk! | 0:38:54 | 0:38:58 | |
..let it cool down, and hopefully I'll cool down as well | 0:38:58 | 0:39:01 | |
and our road trip can be off and running again. | 0:39:01 | 0:39:05 | |
It's been a great day, apart from for the car. | 0:39:05 | 0:39:09 | |
Time for some well earned rest. Nighty-night, everyone. | 0:39:09 | 0:39:12 | |
It's a brand-new day and good news, | 0:39:15 | 0:39:17 | |
because the car is back up and running. | 0:39:17 | 0:39:19 | |
Margie's taking on the driving duties. | 0:39:19 | 0:39:22 | |
Watch these nettles. Crikey, me. | 0:39:22 | 0:39:24 | |
We're in Warwick this morning, | 0:39:24 | 0:39:26 | |
where Margie is kindly dropping off young Charles at his next shop. | 0:39:26 | 0:39:30 | |
Drive carefully. See you later. | 0:39:31 | 0:39:34 | |
Bye. | 0:39:34 | 0:39:35 | |
Warwick Antiques Centre is home to around 25 dealers | 0:39:35 | 0:39:38 | |
covering a wide range of antiques and collectibles. | 0:39:38 | 0:39:41 | |
Charles gets straight on the hunt. | 0:39:41 | 0:39:43 | |
If only these objects could talk. | 0:39:45 | 0:39:48 | |
Oh, wow. They could be good. | 0:39:48 | 0:39:50 | |
"A group of three pieces of iron grape shot." | 0:39:50 | 0:39:53 | |
Gosh, they are interesting. | 0:39:53 | 0:39:55 | |
I might just have to get this cabinet open. | 0:39:55 | 0:39:57 | |
Grape shot consisted of small balls wrapped tightly in a canvas bag | 0:39:59 | 0:40:03 | |
and loaded with gun powder into cannon. | 0:40:03 | 0:40:06 | |
The dealer claims these were found in Nottinghamshire | 0:40:06 | 0:40:08 | |
and could have been fired | 0:40:08 | 0:40:10 | |
in the battle between Cromwell and King Charles I. | 0:40:10 | 0:40:13 | |
Peter has the keys. | 0:40:13 | 0:40:14 | |
Those English Civil War iron grape shots... | 0:40:14 | 0:40:18 | |
They could be quite expensive, I bet. | 0:40:18 | 0:40:20 | |
-Aren't they wonderful? -£70, the asking price. | 0:40:20 | 0:40:23 | |
-So these would have been fired in the 1640s. -Indeed. | 0:40:23 | 0:40:27 | |
Isn't that wonderful? | 0:40:27 | 0:40:28 | |
The gentleman whose cabinet this is only deals in authentic antiquities. | 0:40:28 | 0:40:34 | |
Good for him. | 0:40:34 | 0:40:35 | |
Every item is guaranteed and it comes with a certificate. | 0:40:35 | 0:40:39 | |
Sounds promising. | 0:40:39 | 0:40:40 | |
That could be a very good spot, | 0:40:40 | 0:40:42 | |
but is there any wiggle room on the price? | 0:40:42 | 0:40:45 | |
-The very best would be 50. -I just think they're balls of fire. | 0:40:45 | 0:40:50 | |
For what they might ignite in terms of Nottinghamshire history, | 0:40:50 | 0:40:53 | |
they could do quite well in a local sale in Nottingham. | 0:40:53 | 0:40:59 | |
Sounds like you've settled on your next buy. | 0:40:59 | 0:41:01 | |
-So your best is 50. -It is. -Look at me. -Afraid so. | 0:41:03 | 0:41:08 | |
Margie Cooper, you're in that bunker - | 0:41:08 | 0:41:10 | |
watch out, I'm coming to get you. I'll take them. Thanks, Peter. | 0:41:10 | 0:41:14 | |
A piece of local history for £50 that could do very well at auction. | 0:41:14 | 0:41:18 | |
Meanwhile, Margie is headed to Baginton, | 0:41:20 | 0:41:23 | |
on the outskirts of Coventry... | 0:41:23 | 0:41:24 | |
..not far from the birthplace of a man | 0:41:27 | 0:41:29 | |
who changed the course of history, the way we live and how we travel. | 0:41:29 | 0:41:34 | |
His invention has arguably had the greatest impact on the world | 0:41:34 | 0:41:39 | |
over the past 85 years. | 0:41:39 | 0:41:41 | |
Margie is meeting Midland Air Museum curator, Barry. | 0:41:41 | 0:41:45 | |
How are you? Shall we go in? | 0:41:45 | 0:41:47 | |
Yeah, by all means. | 0:41:47 | 0:41:50 | |
Frank Whittle was born in 1907. | 0:41:50 | 0:41:53 | |
As a boy, he was fascinated by the new flying machines | 0:41:53 | 0:41:56 | |
taking to the sky. | 0:41:56 | 0:41:59 | |
There he is as a young lad with his first model aeroplane. | 0:41:59 | 0:42:02 | |
Basically, as a young lad, | 0:42:02 | 0:42:03 | |
that's how he got to handle the planes of that period. | 0:42:03 | 0:42:06 | |
There's an image here of him as a young lad | 0:42:06 | 0:42:09 | |
seeing an aeroplane taking off. This is very much his early days, | 0:42:09 | 0:42:12 | |
when he got to be excited by the idea of flying. | 0:42:12 | 0:42:15 | |
Frank's dreams of flying came true when he joined the RAF, | 0:42:17 | 0:42:20 | |
and his career soon took off. | 0:42:20 | 0:42:22 | |
-He was a trained pilot. -He was a very well-trained pilot. | 0:42:25 | 0:42:28 | |
In fact, he was renowned for being a little bit chancy. | 0:42:28 | 0:42:33 | |
-Oh. -He took chances, he was overconfident. -Daredevil. | 0:42:33 | 0:42:37 | |
Frank was a maverick and pushed planes to their limit. | 0:42:39 | 0:42:42 | |
His fighter pilot training taught him that flying higher | 0:42:42 | 0:42:46 | |
and faster gave you the upper hand in dogfights. | 0:42:46 | 0:42:50 | |
Frank knew if he wanted to increase altitude and speed | 0:42:50 | 0:42:53 | |
he needed a new type of thrust, | 0:42:53 | 0:42:55 | |
one better than a propeller attached to a piston engine. | 0:42:55 | 0:42:59 | |
So, in 1928, fuelled by wild ambition, | 0:42:59 | 0:43:03 | |
he designed the turbo jet - a revolutionary form of propulsion. | 0:43:03 | 0:43:08 | |
He was coming out with something at the cutting edge of technology. | 0:43:08 | 0:43:12 | |
This was totally in a new field. | 0:43:12 | 0:43:14 | |
This was something the people of the day didn't really fully comprehend. | 0:43:14 | 0:43:18 | |
The RAF was unimpressed and rejected his idea. | 0:43:21 | 0:43:24 | |
Undeterred, Frank found funding to make a prototype in his spare time. | 0:43:24 | 0:43:28 | |
This is a Whittle engine. | 0:43:30 | 0:43:32 | |
The air comes in at that end, comes through, | 0:43:32 | 0:43:35 | |
fuel is put into here, spark plugs ignite the fuel | 0:43:35 | 0:43:39 | |
to keep it burning, then it goes back out that way. | 0:43:39 | 0:43:42 | |
Long before modern health and safety, | 0:43:42 | 0:43:44 | |
Frank and his colleagues ran a series of dangerous tests, | 0:43:44 | 0:43:48 | |
some of which Frank later helped to reconstruct | 0:43:48 | 0:43:51 | |
in this government information film. | 0:43:51 | 0:43:53 | |
WHIRRING | 0:43:53 | 0:43:55 | |
-Out the way. -Out the way. | 0:43:59 | 0:44:00 | |
EXPLOSION | 0:44:02 | 0:44:03 | |
He was very brave to stand there while it blew up. | 0:44:07 | 0:44:10 | |
There are other words you could use. | 0:44:10 | 0:44:12 | |
Despite the setbacks, | 0:44:14 | 0:44:15 | |
he was determined to get his invention in the air. | 0:44:15 | 0:44:18 | |
A decade later, and as the Nazi threat grew, | 0:44:18 | 0:44:22 | |
the RAF put Frank on special duties to develop his jet engine. | 0:44:22 | 0:44:26 | |
He thought it was a war winner. This would give Britain the edge. | 0:44:27 | 0:44:31 | |
There was a race to get the first fighter into the air, | 0:44:31 | 0:44:34 | |
as the Germans were developing their own jet engine. | 0:44:34 | 0:44:38 | |
But, by 1944, British jets powered by Frank's engines | 0:44:38 | 0:44:41 | |
were taking to the skies. | 0:44:41 | 0:44:43 | |
This plane in front of us is the Meteor. | 0:44:45 | 0:44:47 | |
This was Britain's first operational jet fighter. | 0:44:47 | 0:44:50 | |
They went into operation in July 1944. | 0:44:50 | 0:44:53 | |
They were largely used to take on the Doodlebugs, the flying bombs. | 0:44:53 | 0:44:57 | |
Had the authorities listened to young Frank, | 0:44:59 | 0:45:02 | |
Allied pilots might have been flying jets rather than Spitfires sooner, | 0:45:02 | 0:45:06 | |
and the Luftwaffe almost certainly would not have picked a fight. | 0:45:06 | 0:45:10 | |
History might have been very different. | 0:45:10 | 0:45:12 | |
These machines were operating at speeds that were | 0:45:14 | 0:45:17 | |
far in excess of anything like the Spitfires of their day, | 0:45:17 | 0:45:20 | |
so they took you another 200, 300mph faster. | 0:45:20 | 0:45:23 | |
-Gosh. -Double the speed, almost. | 0:45:23 | 0:45:26 | |
When the public heard about the new jet engine, | 0:45:26 | 0:45:29 | |
Frank Whittle became a household name, | 0:45:29 | 0:45:31 | |
and the skies echoed to a new sound. | 0:45:31 | 0:45:33 | |
There's a Meteor! | 0:45:34 | 0:45:36 | |
Look, an AW52. | 0:45:37 | 0:45:39 | |
That's a Vampire! | 0:45:40 | 0:45:42 | |
After the war, Britain led the way in jet propulsion. | 0:45:46 | 0:45:50 | |
Frank's invention revolutionised travel, commercial jet liners | 0:45:50 | 0:45:55 | |
permitted further, faster, more comfortable journeys. | 0:45:55 | 0:45:58 | |
Frank Whittle could have been a rich man, | 0:46:00 | 0:46:01 | |
but he was not motivated by money. | 0:46:01 | 0:46:04 | |
He was, however, recognised with a knighthood in 1948, | 0:46:04 | 0:46:07 | |
the year he retired from the RAF. | 0:46:07 | 0:46:10 | |
We're all beneficiaries of this modest British boffin, who shrank | 0:46:10 | 0:46:15 | |
the globe - a genius responsible for a remarkable achievement. | 0:46:15 | 0:46:19 | |
Sir Frank Whittle died in 1996. | 0:46:19 | 0:46:22 | |
The next stop for both experts is in Staffordshire | 0:46:31 | 0:46:34 | |
and the city of Lichfield. | 0:46:34 | 0:46:36 | |
Margie is a few miles behind, | 0:46:37 | 0:46:39 | |
so Charles will get the first picks at Lichfield Antiques Centre. | 0:46:39 | 0:46:44 | |
Oh, that's gorgeous. | 0:46:44 | 0:46:45 | |
William Moorcroft pomegranate pattern vase. | 0:46:45 | 0:46:49 | |
550. | 0:46:49 | 0:46:50 | |
Come on, Charles. Put your back into it, lad. | 0:46:52 | 0:46:55 | |
I've only got £90, haven't I? | 0:46:58 | 0:47:00 | |
You have. | 0:47:00 | 0:47:01 | |
But maybe your local knowledge will get you out of this hole. | 0:47:01 | 0:47:05 | |
Oh, look who's here. | 0:47:07 | 0:47:08 | |
-What are you doing here? -Have you had a good day? | 0:47:08 | 0:47:11 | |
-Not bad. -Well, I'm going to go in. One more thing to buy. | 0:47:11 | 0:47:15 | |
The antiques are over there, OK? See you later. Good luck. | 0:47:15 | 0:47:18 | |
I wonder where he's off to. | 0:47:18 | 0:47:21 | |
Maybe Margie will have better luck here with her remaining £70, | 0:47:21 | 0:47:24 | |
but the clock is ticking. | 0:47:24 | 0:47:26 | |
I don't really want to buy any silver. | 0:47:26 | 0:47:28 | |
Brand-new. | 0:47:33 | 0:47:35 | |
Leave that alone. | 0:47:35 | 0:47:36 | |
I'm not finding anything at the moment. | 0:47:38 | 0:47:40 | |
Margie has now realised why Charles was headed in the other direction. | 0:47:40 | 0:47:44 | |
We're supposed to be in this shop together. | 0:47:44 | 0:47:46 | |
He's been in and he's disappeared. I think he's up to no good. | 0:47:46 | 0:47:51 | |
I really do. | 0:47:51 | 0:47:53 | |
You're right to be a little suspicious, my girl. | 0:47:53 | 0:47:56 | |
Charles, on his home patch, knows of another shop a short walk away - | 0:48:00 | 0:48:04 | |
James A Jordan Antiques. | 0:48:04 | 0:48:06 | |
Jim specialises in watches and clocks, | 0:48:06 | 0:48:08 | |
but Charles may well find a few things here for auction. | 0:48:08 | 0:48:12 | |
I like your teapot, Jim, in the window. | 0:48:16 | 0:48:20 | |
-Yes? -The cockerel. -Mm-hmm. | 0:48:20 | 0:48:22 | |
May I pick it up, Jim? | 0:48:22 | 0:48:23 | |
Of course you can. | 0:48:23 | 0:48:25 | |
Are you a man for tea? | 0:48:25 | 0:48:28 | |
-I am. -Isn't that a fine cockerel? | 0:48:28 | 0:48:30 | |
There's no maker's mark, but this pot dates to the 1930s. | 0:48:30 | 0:48:35 | |
He's priced at £45. | 0:48:35 | 0:48:37 | |
For a good Art Deco rooster teapot with a cover, Jim, | 0:48:37 | 0:48:41 | |
what's the best price on that? | 0:48:41 | 0:48:44 | |
How does 25 sound? | 0:48:44 | 0:48:45 | |
That's a good discount, Jim, from 45. Wow-ee. | 0:48:45 | 0:48:49 | |
I'll give it some thought. | 0:48:49 | 0:48:50 | |
-Right. Pleasure. -I'll put him back. | 0:48:50 | 0:48:54 | |
Great discount. Back with Margie and, with a bit of luck... | 0:48:54 | 0:48:57 | |
dealer Madeleine has had an idea. | 0:48:57 | 0:48:59 | |
-There's that one there. -Oh, right. Yeah, yeah. | 0:48:59 | 0:49:02 | |
How creative is this? | 0:49:04 | 0:49:05 | |
Yeah, that's quite nice, yes, it is, that's nice, actually. | 0:49:05 | 0:49:09 | |
And it says... | 0:49:09 | 0:49:11 | |
-Somebody, somebody... Rook, somebody and Rook. Skinner and Rook. -Skinner. | 0:49:11 | 0:49:15 | |
Wine merchants, Nottingham. | 0:49:15 | 0:49:17 | |
Madeleine has priced the crate at £28. Wow. | 0:49:17 | 0:49:21 | |
Could that be, like, 15 quid? | 0:49:21 | 0:49:24 | |
-Go on, Margie. -OK, darling, thank you very much. That's fine. | 0:49:24 | 0:49:28 | |
Well, that's Margie's fifth and final lot for auction. | 0:49:28 | 0:49:32 | |
Just around the corner, Charles has struck lucky. | 0:49:33 | 0:49:36 | |
Dealer Jim has found some old pocket watches. | 0:49:36 | 0:49:39 | |
Oh, great, Jim. | 0:49:39 | 0:49:41 | |
-I don't know if there's anything there that... -Wow-ee, Jim. | 0:49:41 | 0:49:43 | |
-..interests you? -Yeah, amazing. | 0:49:43 | 0:49:47 | |
Jim has three late 19th-century pocket watches. | 0:49:48 | 0:49:51 | |
This is a nice silver pocket watch, probably around 1900. | 0:49:51 | 0:49:56 | |
It's tired, but of course, when you've got the intrinsic | 0:49:56 | 0:49:58 | |
worth of the silver, and this one here, Jim... | 0:49:58 | 0:50:01 | |
-That too, that's a Victorian... -Is that a Continental? -It is. | 0:50:01 | 0:50:05 | |
They are pretty, aren't they? | 0:50:05 | 0:50:07 | |
What could that job lot be, in terms of price? | 0:50:07 | 0:50:09 | |
-Make it a tenner apiece, 30. -I'd be a fool to say no. | 0:50:11 | 0:50:14 | |
-Jim, I'll take them. Thanks, Jim. -Sold. -Sold! | 0:50:14 | 0:50:18 | |
-Tick-tock! Thanks, Jim. -Charles isn't finished yet. | 0:50:18 | 0:50:21 | |
-Jim, I'm back again. -Right. -With the teapot! I just... | 0:50:21 | 0:50:26 | |
-It's humorous, isn't it? -It is. -What would be your very best on the pot? | 0:50:26 | 0:50:30 | |
Would you give me £20? | 0:50:30 | 0:50:32 | |
Going, going, gone! | 0:50:32 | 0:50:35 | |
Sold! Thanks, Jim. | 0:50:35 | 0:50:37 | |
I'll take those two lots. | 0:50:37 | 0:50:39 | |
Those two final lots add to Charles' booty, including a bronze | 0:50:39 | 0:50:43 | |
charger, a Victorian Davenport and three pieces of Civil War grapeshot. | 0:50:43 | 0:50:48 | |
All that lot came to £160. | 0:50:48 | 0:50:52 | |
Margie parted with £145 for an African stool, | 0:50:52 | 0:50:57 | |
a hardwood stick, | 0:50:57 | 0:50:58 | |
six silver dessert spoons, | 0:50:58 | 0:51:00 | |
a cut glass bowl and a wine crate. | 0:51:00 | 0:51:03 | |
So, what do they make of each other's buys? | 0:51:03 | 0:51:06 | |
Margie's objects are quite exotic. | 0:51:07 | 0:51:09 | |
I really like the headrest, I like the tribal stick as well, | 0:51:09 | 0:51:14 | |
that was a really good buy. | 0:51:14 | 0:51:16 | |
Charles Hanson, bless him, is never straightforward. | 0:51:16 | 0:51:18 | |
He looks, he digs deep, he looks for the interesting. | 0:51:18 | 0:51:22 | |
Then, there's some grapeshot! £50, he's paid. | 0:51:22 | 0:51:26 | |
For somebody who wants to have three lumps of iron? | 0:51:26 | 0:51:29 | |
Interesting, though. Interesting. | 0:51:29 | 0:51:31 | |
After setting off from Melton Mowbray, | 0:51:31 | 0:51:33 | |
our experts are now heading for auction in the city of Nottingham. | 0:51:33 | 0:51:37 | |
Business is brisk at Arthur Johnson and Sons, | 0:51:37 | 0:51:40 | |
with six saleroom auctions taking place today. | 0:51:40 | 0:51:43 | |
Come on, Margie, in we go! | 0:51:44 | 0:51:46 | |
Morning! | 0:51:46 | 0:51:48 | |
Phil Poyser is in command of the gavel. | 0:51:48 | 0:51:52 | |
First up, Charles' rooster teapot. | 0:51:52 | 0:51:55 | |
£20? 20 I've got. 20, £20 bid, at 20. Five, 30. Five, 40. | 0:51:55 | 0:52:03 | |
-Are you sure? I'll take 42. -One more! -42. -Thank you! -45. | 0:52:03 | 0:52:08 | |
-I'm selling at £45. -That was a good start. | 0:52:08 | 0:52:11 | |
-You have got ants in your pants! -I get nervous, I twitch. | 0:52:11 | 0:52:14 | |
I get nervous. | 0:52:14 | 0:52:15 | |
No need for nerves, Charlie, | 0:52:15 | 0:52:17 | |
that rooster has pocketed you a decent profit. | 0:52:17 | 0:52:19 | |
Next up, Margie's large cut glass bowl. | 0:52:19 | 0:52:24 | |
Two commission bids here. The lowest is 30. I'm going 35. £35 bid. 40. | 0:52:24 | 0:52:29 | |
Five. 45 bid. 50. | 0:52:29 | 0:52:31 | |
-55. -60, go on! | 0:52:31 | 0:52:33 | |
-65, lady at the back at 65. 70, 70 bid. -Yes! | 0:52:33 | 0:52:37 | |
-At £70. 75 bid. -This is getting annoying now! | 0:52:37 | 0:52:41 | |
-80 online. -That's amazing. | 0:52:41 | 0:52:44 | |
85, at 85. 90, back in. At 90. | 0:52:44 | 0:52:47 | |
Being sold, done at 90. | 0:52:47 | 0:52:50 | |
Well, you have surprised me! | 0:52:50 | 0:52:52 | |
-Well done, Margie. -Well, racing ahead! | 0:52:53 | 0:52:56 | |
You are. A great return on an item bought for £20. | 0:52:56 | 0:53:01 | |
Next is Charles' bronze charger. | 0:53:01 | 0:53:03 | |
-£40. -Come on! -20. | 0:53:03 | 0:53:05 | |
-Oh, no! I really rate this. -I've got 12 only bid. | 0:53:05 | 0:53:09 | |
-With me at 12, £12 bid, at 12. 15, 18. -Quickly! | 0:53:09 | 0:53:13 | |
-20, and I'm selling at £20. -I really rate that. -Done, sold at 20. | 0:53:13 | 0:53:18 | |
I like his style! | 0:53:18 | 0:53:20 | |
Bad luck, first loss of the day. | 0:53:20 | 0:53:23 | |
But there's still time to make it up. | 0:53:23 | 0:53:25 | |
Margie's African stool is next. | 0:53:25 | 0:53:28 | |
Help yourselves here, at 20, £20 bid, at 20. Five, 30, five, 40. | 0:53:28 | 0:53:33 | |
-It's going to run! -40 bid, five, 50. Five? 55, on the back wall at 55. | 0:53:33 | 0:53:38 | |
-You're joking! -What did it cost you, 50? -Done at £55? -No, 60! | 0:53:38 | 0:53:43 | |
-Oh! -Bad luck. It's only a small loss, though, Margie. | 0:53:43 | 0:53:48 | |
Time now for Charles' pocket watches. | 0:53:48 | 0:53:51 | |
£30 to start. Bid 30, 30 I've got. | 0:53:51 | 0:53:54 | |
Bidding five, 35, 40, in the room at 40. | 0:53:54 | 0:53:57 | |
-Five, 45 bid, in France at 45. -In France? I'm impressed! | 0:53:57 | 0:54:01 | |
-It was a French bid on the internet. -Come on, France! | 0:54:01 | 0:54:03 | |
Online at 50. The three together go at £50. £50. | 0:54:03 | 0:54:08 | |
-And that's a small profit. -Well... Well done. | 0:54:08 | 0:54:10 | |
Sparking global interest, too, Charles! | 0:54:10 | 0:54:14 | |
Margie hoped the Nottingham link would attract some bids. Let's see. | 0:54:14 | 0:54:18 | |
Bid ten I've got, at ten, 12. 15 is with me now. At 15, 18, 20. | 0:54:18 | 0:54:25 | |
Five, 25, the lady at the back at 25. | 0:54:25 | 0:54:27 | |
-A bit more! -It goes at 25. | 0:54:27 | 0:54:30 | |
A good profit for Margie. | 0:54:31 | 0:54:33 | |
Charles is still on catch-up. Can his Davenport turn a profit? | 0:54:33 | 0:54:38 | |
-£100 to start me. -Oh, I say! -£50. -Come on! | 0:54:38 | 0:54:42 | |
Well, I've got various commission bids. | 0:54:42 | 0:54:45 | |
-I can start the bidding at 35. -There you go. | 0:54:45 | 0:54:47 | |
At 35, 40. Five, 50. 50 in the room. A £50 bid. | 0:54:47 | 0:54:54 | |
-It's on the back wall at 50. And I'm selling. Five, at 55. -Yes! -60. | 0:54:54 | 0:54:59 | |
-60 still in the room. -Is there a fire? Where is the fire? -65 online. | 0:54:59 | 0:55:03 | |
-Go on! -70 in the room. Being sold, then, £70. Done at 70. | 0:55:03 | 0:55:09 | |
-I'm over the moon. -Doubled your money. -Thanks, partner! | 0:55:09 | 0:55:12 | |
Yup, well done, Charles. | 0:55:12 | 0:55:14 | |
Margie's carved hardwood stick is up next. | 0:55:14 | 0:55:17 | |
-10, bid 10, front row. At £10 bid. -Oh, no! -At 10, at £10. | 0:55:17 | 0:55:22 | |
Help yourselves here. 12, 15, 18. | 0:55:22 | 0:55:26 | |
18 bid, right at the back at 18. At £18 bid, I'll take 20. | 0:55:26 | 0:55:29 | |
-Double your money, Margie. -At £18, I'm selling, it goes, done at £18. | 0:55:29 | 0:55:34 | |
Profit! Put it there, partner. | 0:55:35 | 0:55:37 | |
No, I'm miffed, I'm not doing it! | 0:55:38 | 0:55:41 | |
Chin up, Margie, you nearly doubled your money there. | 0:55:41 | 0:55:44 | |
And your silver dessert spoons are coming up. | 0:55:44 | 0:55:48 | |
My finale coming up, my Dutch spoons. | 0:55:48 | 0:55:51 | |
-They look gorgeous. Absolutely gorgeous. -Hold tight. | 0:55:51 | 0:55:56 | |
And I've got 60 bid, 60 on these. | 0:55:56 | 0:55:58 | |
-Wow! -£60 bid. At 60. -Awesome, well done. -Put your hand down! | 0:55:58 | 0:56:02 | |
-Fantastic! -No, wait a minute. -Put it there. -No, put your hand down! | 0:56:02 | 0:56:07 | |
-70. -There you go. No, put your hand down! | 0:56:07 | 0:56:10 | |
At £70, it's with me at 70, I'm selling on commission. £70. | 0:56:10 | 0:56:15 | |
Wonderful! | 0:56:15 | 0:56:16 | |
They made £70 and another great profit for Margie. | 0:56:16 | 0:56:20 | |
The final lot for our pair now, Charles' grapeshot. | 0:56:22 | 0:56:26 | |
Will there be a whiff of interest? | 0:56:26 | 0:56:28 | |
They don't present very well, do they? | 0:56:28 | 0:56:30 | |
Margie, these are important balls. | 0:56:30 | 0:56:33 | |
These, hopefully, today, will become balls of fire, | 0:56:33 | 0:56:36 | |
and a frenzy of competition ignites! Like they did 400 years ago. | 0:56:36 | 0:56:41 | |
This will be very interesting. | 0:56:41 | 0:56:43 | |
-I've got two commission bids, 20 is the only bid, though. -Oh, no! | 0:56:43 | 0:56:46 | |
-20, £20 bid. Five, 30. -Come on! -Five, 40. 40 bid with me, at 40. | 0:56:46 | 0:56:52 | |
-Five, 50. -Come on, let's go! -60. -It's history! | 0:56:52 | 0:56:56 | |
60 bid. Five online, 65. 70 online. | 0:56:56 | 0:56:58 | |
-Let's get that atmosphere! -70 bid, five, 80. -Come on! -Five, 90. | 0:56:58 | 0:57:03 | |
-Five, 100. 110, 120. -Let's do it! | 0:57:03 | 0:57:08 | |
All online now, 130, 140, 150. | 0:57:08 | 0:57:10 | |
-Let's go, Margie, this is history, come on! -..180, 190. 200, 210... | 0:57:10 | 0:57:16 | |
Crikey! | 0:57:16 | 0:57:17 | |
-220, 230. -Oh, my goodness! -240. -Wonderful! -250. -History! | 0:57:17 | 0:57:23 | |
250 bid. | 0:57:23 | 0:57:25 | |
-Oh! -250, 250 bid online. At 250. -Anybody else? | 0:57:25 | 0:57:31 | |
-At 250 bid. -Anybody else? -Being sold at 250. | 0:57:31 | 0:57:34 | |
250 online. | 0:57:34 | 0:57:35 | |
Thank you very much, thank you! Wow! | 0:57:35 | 0:57:37 | |
Here we are in Nottingham, that's history! Thank you very much. | 0:57:37 | 0:57:42 | |
Well done, Charles. What an amazing profit. | 0:57:42 | 0:57:45 | |
What a great way to end the auction. | 0:57:45 | 0:57:48 | |
We're going, come on. Thank you, auctioneer! | 0:57:48 | 0:57:51 | |
Margie started out with £200. | 0:57:51 | 0:57:54 | |
After paying auction house costs, | 0:57:54 | 0:57:56 | |
she's made a respectable profit of £66.56, | 0:57:56 | 0:58:00 | |
leaving her with £266.56 to spend next time. | 0:58:00 | 0:58:05 | |
Charles also started with £200. | 0:58:07 | 0:58:09 | |
After fees were paid, he made a remarkable profit of £196.70. | 0:58:09 | 0:58:16 | |
So, he is the winner today and takes forward £396.70 for the next leg. | 0:58:16 | 0:58:23 | |
See you, goodbye! Give them a wave, Margie. | 0:58:25 | 0:58:27 | |
Wait, wait, the handbrake's on! | 0:58:27 | 0:58:29 | |
Sorry, sorry. Goodbye! | 0:58:30 | 0:58:32 | |
Cheerio, chaps. | 0:58:32 | 0:58:34 |