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It's the nation's favourite antique experts... | 0:00:02 | 0:00:04 | |
-This is beautiful! -That's the way to do this. | 0:00:04 | 0:00:06 | |
..with £200 each, a classic car and a goal - | 0:00:06 | 0:00:09 | |
to scour for antiques. | 0:00:09 | 0:00:12 | |
Joy! Hello! | 0:00:12 | 0:00:13 | |
The aim - to make the biggest profit at auction. | 0:00:13 | 0:00:16 | |
But it is no mean feat. | 0:00:16 | 0:00:17 | |
There'll be worthy winners and valiant losers. | 0:00:19 | 0:00:23 | |
So, will it be the high road to glory or the slow road to disaster? | 0:00:23 | 0:00:28 | |
The handbrake's on! | 0:00:28 | 0:00:29 | |
This is Antiques Road Trip. | 0:00:29 | 0:00:31 | |
Yeah! | 0:00:33 | 0:00:35 | |
Welcome to the second leg of the road trip | 0:00:36 | 0:00:39 | |
with the ever effervescent Margie Cooper and Charles Hansen. | 0:00:39 | 0:00:43 | |
Look at me. | 0:00:43 | 0:00:45 | |
You are classy. | 0:00:45 | 0:00:46 | |
Their racy two-seater is a 1959 Elva Courier believed to be | 0:00:48 | 0:00:53 | |
the only one of its kind on British roads. | 0:00:53 | 0:00:56 | |
-We haven't changed gears for the last five minutes. -It's in top gear. | 0:00:56 | 0:00:59 | |
-Are you in top gear? -Top gear. You are not back-seat driving, are you? | 0:00:59 | 0:01:02 | |
No, I'm not. | 0:01:02 | 0:01:03 | |
Sounds like it. | 0:01:03 | 0:01:05 | |
Our experts each started with £200. | 0:01:05 | 0:01:07 | |
Margie has some catching up to do. | 0:01:07 | 0:01:09 | |
She currently has £266.56 to spend. | 0:01:09 | 0:01:13 | |
Charles, meanwhile, is in the lead with £396.70. | 0:01:13 | 0:01:19 | |
These two are on one epic road trip. | 0:01:21 | 0:01:24 | |
Starting in the Leicestershire town of Melton Mowbray, | 0:01:24 | 0:01:27 | |
they're weaving their way across six counties before finishing | 0:01:27 | 0:01:31 | |
their week near where they started, in Leicester. | 0:01:31 | 0:01:34 | |
This leg starts off in Newark-on-Trent in Nottinghamshire | 0:01:35 | 0:01:38 | |
and ends with an auction in Lancashire's Bolton. | 0:01:38 | 0:01:41 | |
The first stop for both our experts is Newark-on-Trent. | 0:01:41 | 0:01:46 | |
The first shop of this trip is a shared experience, so stand by. | 0:01:46 | 0:01:50 | |
-It is huge. -It is, isn't it? | 0:01:50 | 0:01:52 | |
It certainly is. | 0:01:52 | 0:01:54 | |
That is a sweet little chair, that, isn't it? | 0:01:54 | 0:01:56 | |
Look at that little baby. | 0:01:57 | 0:02:00 | |
This is a typical design of the mid-Victorian era. | 0:02:00 | 0:02:03 | |
And quite usually... | 0:02:03 | 0:02:06 | |
I think it's in walnut. | 0:02:06 | 0:02:07 | |
I kind of like that. | 0:02:08 | 0:02:10 | |
This Victorian nursing chair is priced at £115. Wow. | 0:02:10 | 0:02:15 | |
That is such a nice little chair. It's perfect. | 0:02:15 | 0:02:19 | |
HE HUMS | 0:02:19 | 0:02:21 | |
Oh, Charles is humming. Is that a good sign? | 0:02:21 | 0:02:25 | |
What I quite like... There's a wonderful, | 0:02:25 | 0:02:28 | |
rusty old World War I | 0:02:28 | 0:02:31 | |
German water bottle. | 0:02:31 | 0:02:33 | |
It has clearly been buried for some time. | 0:02:33 | 0:02:36 | |
Priced at ten pounds, is it worth a closer look? | 0:02:36 | 0:02:39 | |
As Charles seeks out the keys for the cabinet, | 0:02:41 | 0:02:43 | |
Margie has tracked down dealer Jill. | 0:02:43 | 0:02:45 | |
That furniture up there, is that your...? | 0:02:45 | 0:02:48 | |
-Right at the far end? -Right at the far end. | 0:02:48 | 0:02:50 | |
I've just seen this sweet little chair up there. | 0:02:50 | 0:02:53 | |
It has got 115 on it. It needs to really topple down. | 0:02:53 | 0:02:56 | |
What... Where are we? | 0:02:56 | 0:02:59 | |
-Let's have a start... Let's have a starting point. -Oh, gosh. | 0:02:59 | 0:03:03 | |
Well, I was thinking when I saw it - 68. | 0:03:03 | 0:03:07 | |
-70 and I'll take the... -Oh, go on. | 0:03:07 | 0:03:09 | |
-OK? -Yeah, thanks a lot. -OK. | 0:03:11 | 0:03:13 | |
Generous, Jill. | 0:03:13 | 0:03:14 | |
£45 knocked off the Victorian nursing chair seals the first deal | 0:03:14 | 0:03:19 | |
of this leg of the trip. | 0:03:19 | 0:03:21 | |
Earlier, Charles spotted a First World War German water bottle, | 0:03:21 | 0:03:25 | |
exhumed, apparently, from the Somme. | 0:03:25 | 0:03:27 | |
Dealer Wendy is on hand. | 0:03:27 | 0:03:29 | |
Wow. | 0:03:31 | 0:03:32 | |
We've even got a bullet hole here. | 0:03:32 | 0:03:35 | |
So when the World War I German water bottle.... | 0:03:35 | 0:03:38 | |
It is tin, basically, that has nearly severely corroded, | 0:03:38 | 0:03:41 | |
having been in the ground. | 0:03:41 | 0:03:43 | |
But what is its provenance? | 0:03:43 | 0:03:45 | |
This bottle is a unique item, but it will only appeal to collectors | 0:03:45 | 0:03:49 | |
if its origin can be verified. | 0:03:49 | 0:03:51 | |
Wendy is only holding the keys for another dealer, | 0:03:51 | 0:03:54 | |
so while Charles heads off to make a phone call... | 0:03:54 | 0:03:57 | |
Margie has found a hidden corner of the shop...and Roger. | 0:03:57 | 0:04:02 | |
-See, you're tucked away, I nearly missed you. -We have so much. | 0:04:02 | 0:04:05 | |
-All you have to do is say what you are looking for. -Right. | 0:04:05 | 0:04:08 | |
Well, I was looking for silver bits of jewellery. | 0:04:08 | 0:04:10 | |
-I'm not looking for badges. -We have got some little bits over there. | 0:04:10 | 0:04:13 | |
You got any suggestions? | 0:04:13 | 0:04:15 | |
-There is a lovely little brooch there. -Very stylish, isn't it? | 0:04:15 | 0:04:19 | |
Very Deco-looking, although it is quite modern. | 0:04:19 | 0:04:22 | |
And it says £35. | 0:04:22 | 0:04:25 | |
30 to you. | 0:04:25 | 0:04:27 | |
-That's a gift. -And I'm going to shake your hand at £30. -OK. | 0:04:27 | 0:04:31 | |
Thank you very much. Thank you very much. | 0:04:31 | 0:04:34 | |
Two items in the first shop for Margie. | 0:04:34 | 0:04:37 | |
But Charles is still to get off the mark. | 0:04:37 | 0:04:39 | |
How's he getting on with the dealer? | 0:04:39 | 0:04:41 | |
It's not so much on price, I think you can't buy history, | 0:04:41 | 0:04:44 | |
but you can with that bottle. | 0:04:44 | 0:04:46 | |
I'll shake Wendy's hand now. Ten pounds. | 0:04:46 | 0:04:48 | |
-'You enjoy it.' -We will enjoy what it represents. Thanks awfully, sir. | 0:04:48 | 0:04:53 | |
Bye-bye. | 0:04:53 | 0:04:54 | |
Wow, so he was a teacher and he was on the Somme 20 or | 0:04:54 | 0:04:58 | |
so years ago as a teacher and it was literally just uncovered | 0:04:58 | 0:05:02 | |
and was sold to him for a sum of money. | 0:05:02 | 0:05:06 | |
It can't be proven, but at least it gives SOME provenance. | 0:05:06 | 0:05:10 | |
-Thank you. All the best to you. Thanks, Wendy. Bye-bye. -Thank you. | 0:05:10 | 0:05:13 | |
-Bye-bye. -See you. Bye! | 0:05:13 | 0:05:15 | |
Margie is taking a break from shopping to head to Laxton, | 0:05:20 | 0:05:23 | |
in Nottinghamshire. | 0:05:23 | 0:05:24 | |
She is visiting a centre set up to educate children about the glimmer | 0:05:25 | 0:05:29 | |
of light that shone during one of the darkest periods in history. | 0:05:29 | 0:05:34 | |
The guide for the afternoon is centre Chief Executive Phil Lyons. | 0:05:36 | 0:05:40 | |
-Ah. -Margie, hi. -Hello, Phil. -Welcome. -Thank you. | 0:05:42 | 0:05:45 | |
Welcome to Beth Shalom, house of peace. | 0:05:45 | 0:05:47 | |
-Come on in. -Thank you. | 0:05:47 | 0:05:49 | |
Margie has come to hear how thousands of lives were saved from the Nazis | 0:05:49 | 0:05:55 | |
by the children's transport known as Kindertransport in German. | 0:05:55 | 0:05:59 | |
So, tell me the story of Kindertransport. | 0:05:59 | 0:06:02 | |
Well, the story has a very, very complex background to it. | 0:06:02 | 0:06:07 | |
It starts in the mid-'30s in Germany when Hitler came to power. | 0:06:07 | 0:06:13 | |
And part of his programme was to remove, as best he could, | 0:06:13 | 0:06:17 | |
the Jews from the German population. | 0:06:17 | 0:06:20 | |
Simple as that. | 0:06:20 | 0:06:22 | |
In the mid-'30s, anti-Semitism was on the rise in Europe. | 0:06:23 | 0:06:27 | |
Jews were persecuted and their businesses destroyed. | 0:06:27 | 0:06:31 | |
Synagogues were burned to the ground, shops, | 0:06:31 | 0:06:34 | |
homes were trashed, were ruined. | 0:06:34 | 0:06:38 | |
30,000 German Jewish men were arrested, sent to the camps. | 0:06:38 | 0:06:43 | |
And in a sense, the State had engineered all of this. | 0:06:43 | 0:06:48 | |
In 1935, new laws were announced by the Nazi party that excluded | 0:06:49 | 0:06:54 | |
German Jews from citizenship. | 0:06:54 | 0:06:57 | |
Effectively refugees in their own country, | 0:06:57 | 0:06:59 | |
it was virtually impossible for them to leave. | 0:06:59 | 0:07:02 | |
The international community started to take notice. | 0:07:02 | 0:07:05 | |
This civilised country suddenly descending into this dreadful, | 0:07:07 | 0:07:12 | |
oppressive regime. | 0:07:12 | 0:07:14 | |
And here in the UK, the government passed | 0:07:14 | 0:07:19 | |
through emergency legislation within a fortnight. | 0:07:19 | 0:07:23 | |
And what it was saying is that they will take children | 0:07:23 | 0:07:26 | |
refugees between ages of three and 17, mostly at the younger age... | 0:07:26 | 0:07:31 | |
-Yeah. -..and they could come into the country | 0:07:31 | 0:07:33 | |
without travel documents. | 0:07:33 | 0:07:35 | |
In an unprecedented undertaking, trains were arranged by charities | 0:07:37 | 0:07:41 | |
and religious groups to save persecuted children. | 0:07:41 | 0:07:44 | |
For nine months, the Nazis permitted the trains to leave Germany | 0:07:44 | 0:07:47 | |
and Eastern Europe. | 0:07:47 | 0:07:49 | |
Many ended up at train stations around Britain, | 0:07:49 | 0:07:52 | |
just like this reconstruction at the museum. | 0:07:52 | 0:07:54 | |
While a few were greeted by relatives, the majority of boys | 0:07:54 | 0:07:58 | |
and girls were welcomed into the arms of foster families. | 0:07:58 | 0:08:03 | |
When they arrived in the UK, what faced them? | 0:08:03 | 0:08:06 | |
The vast majority if not all of them had no language, | 0:08:06 | 0:08:09 | |
didn't speak English. | 0:08:09 | 0:08:11 | |
We'd like to think that most of them had very quickly some love | 0:08:11 | 0:08:15 | |
-and support offered to them. -Yes. -That is what you want for children, | 0:08:15 | 0:08:18 | |
what you'd want for children. I'd want that. | 0:08:18 | 0:08:20 | |
Through all the travesty, they did survive. | 0:08:20 | 0:08:23 | |
-That is the most important thing. -Yeah, survival. -They did survive. | 0:08:23 | 0:08:26 | |
And most of them went on to lead positive family lives of their own. | 0:08:26 | 0:08:32 | |
One of those survivors was Bernard Grunberg, | 0:08:33 | 0:08:37 | |
just 15 when his German Jewish parents feared for his safety. | 0:08:37 | 0:08:41 | |
Now 92, he regularly shares his remarkable story of survival | 0:08:41 | 0:08:46 | |
with schoolchildren who visit the centre. | 0:08:46 | 0:08:48 | |
I came over with the second Kindertransport that left Berlin | 0:08:49 | 0:08:55 | |
in December 1938. | 0:08:55 | 0:08:58 | |
And that was the last time I ever saw anyone from my family again. | 0:08:58 | 0:09:02 | |
Although I didn't know what was happening - | 0:09:02 | 0:09:04 | |
nobody had told me anything. | 0:09:04 | 0:09:06 | |
I didn't know why I was on that train, | 0:09:06 | 0:09:08 | |
I didn't know where it was going. | 0:09:08 | 0:09:10 | |
-I thought it was just a temporary way to be away from home... -Yeah. | 0:09:10 | 0:09:15 | |
..and, eventually, you'd meet up again and live like a family again. | 0:09:15 | 0:09:21 | |
After the war, Bernard settled in northern England and married in 1947. | 0:09:21 | 0:09:27 | |
Like some other Kindertransport children, | 0:09:27 | 0:09:30 | |
he found an appointment as a farm labourer. | 0:09:30 | 0:09:33 | |
Do you think Kindertransport saved your life? | 0:09:34 | 0:09:37 | |
Out of the 10,000 children, | 0:09:37 | 0:09:40 | |
I don't know how many, but there is very, | 0:09:40 | 0:09:45 | |
very few that ever saw their parents again, or any relatives again. | 0:09:45 | 0:09:51 | |
And I am sure they will know that Kindertransport | 0:09:51 | 0:09:56 | |
-saved their lives... -Yeah. | 0:09:56 | 0:09:59 | |
..as it did mine. And I will never forget that. | 0:09:59 | 0:10:02 | |
Approximately 10,000 children who made it to the safety of Britain were | 0:10:02 | 0:10:07 | |
able to start new lives and, like Bernard, contribute to our society. | 0:10:07 | 0:10:11 | |
Back in Newark-on-Trent, Charles has made the short walk across town | 0:10:19 | 0:10:23 | |
-to his next shop. Dealer Simon is ready to help. -Sir, Charles Hansen. | 0:10:23 | 0:10:28 | |
Simon, what a lovely antiques centre you've got here. | 0:10:28 | 0:10:31 | |
Anything in particular catching your eye, Charles? | 0:10:31 | 0:10:34 | |
One thing I love about history is the sampler. | 0:10:35 | 0:10:40 | |
And here you've got a wonderful sampler. | 0:10:40 | 0:10:43 | |
And we marvel at samplers because they were a girl's education. | 0:10:43 | 0:10:48 | |
I do like it. | 0:10:48 | 0:10:50 | |
The embroidered crown with letters G and R | 0:10:50 | 0:10:53 | |
probably date this sampler to around 1770. | 0:10:53 | 0:10:58 | |
Simon, this sampler here, I can't see a price. | 0:10:58 | 0:11:03 | |
-50. -50, OK. | 0:11:03 | 0:11:05 | |
You want to do £40? | 0:11:07 | 0:11:08 | |
I'll meet you in the middle, 45. | 0:11:10 | 0:11:12 | |
-I'll take it. -OK. -45. -Sold. | 0:11:12 | 0:11:15 | |
Despite the few holes, this is a nice item for £45. | 0:11:17 | 0:11:20 | |
Anything else in here, Charles? | 0:11:20 | 0:11:22 | |
How about a pair of clogs? | 0:11:22 | 0:11:25 | |
Aren't they wonderful? | 0:11:25 | 0:11:26 | |
May I try one on? Do you mind? | 0:11:31 | 0:11:32 | |
Knock yourself out then, Charles. | 0:11:32 | 0:11:35 | |
Wow. These are early-19th-century clogs. | 0:11:35 | 0:11:40 | |
And it's interesting, the clog market really took | 0:11:40 | 0:11:43 | |
off in the 1840s, in the 1850s, in industrial England, in the North. | 0:11:43 | 0:11:49 | |
Do they suit me or not? Not really, do they? | 0:11:49 | 0:11:51 | |
But the reason I like these is because they are so crude. | 0:11:51 | 0:11:55 | |
The clogs are priced at £35. | 0:11:55 | 0:11:59 | |
Simon, I love these. | 0:11:59 | 0:12:00 | |
-What is the best price? -20 then. -Oh, I say! Really? | 0:12:00 | 0:12:04 | |
-Yes. -Sold. I'll take them. Thanks, Simon. Thanks a lot. | 0:12:04 | 0:12:07 | |
Two in the old bag, eh, Charles? But is there still more? | 0:12:07 | 0:12:10 | |
What we've got is a bronze Buddha, possibly 19th century. | 0:12:11 | 0:12:16 | |
I just quite like it. | 0:12:16 | 0:12:17 | |
It's got this dirty appeal of just being well-worn. | 0:12:17 | 0:12:19 | |
Simon is asking £35 for this little Buddha. | 0:12:21 | 0:12:24 | |
Simon, I quite like this. | 0:12:25 | 0:12:27 | |
-I'll do it for 25. -Would you really? -Yeah. | 0:12:27 | 0:12:30 | |
-Are you happy with that? -Yes. -Done, I'll take it. | 0:12:30 | 0:12:33 | |
A successful shopping trip, I'd say, | 0:12:33 | 0:12:35 | |
picking up an 18th-century sampler, a pair of 19th-century clogs | 0:12:35 | 0:12:39 | |
and a bronze Buddha, all for a total of £90. | 0:12:39 | 0:12:44 | |
And with that, today's shopping comes to a close. | 0:12:45 | 0:12:47 | |
Nighty-night. | 0:12:47 | 0:12:49 | |
The next morning, it's a bit of a damp start. | 0:12:55 | 0:12:59 | |
-You OK? -I'm going under. So I'll say goodbye to you. | 0:12:59 | 0:13:02 | |
THEY LAUGH | 0:13:02 | 0:13:04 | |
Hold tight, Marge. | 0:13:04 | 0:13:06 | |
This morning, they are heading for Mansfield, in Nottinghamshire | 0:13:06 | 0:13:09 | |
and Margie's first stop of the day. | 0:13:09 | 0:13:11 | |
-There. Luke. -Very nice to meet you. | 0:13:12 | 0:13:15 | |
-Nice to meet you, too. What a horrible day. -I know! | 0:13:15 | 0:13:18 | |
I'm sure a spot of shopping will cheer you up though, Marge. | 0:13:18 | 0:13:22 | |
Uh... So what have you got in here? Let's look. | 0:13:22 | 0:13:26 | |
-What's that? -That's a medical fleam. -Yeah. -Used for -blood-letting. Eugh. | 0:13:26 | 0:13:31 | |
It was once believed blood-letting could treat | 0:13:31 | 0:13:36 | |
everything from fever to madness in both people and animals. | 0:13:36 | 0:13:40 | |
The three sharp blades of this fleam are likely to have been used | 0:13:40 | 0:13:44 | |
on farm livestock. Gruesome. | 0:13:44 | 0:13:46 | |
Georgian. That is Georgian. | 0:13:46 | 0:13:48 | |
My, I'm glad I didn't live then. Can you imagine? | 0:13:48 | 0:13:51 | |
Yeah! It is priced at £45. | 0:13:51 | 0:13:53 | |
Is that the very best on that? | 0:13:53 | 0:13:55 | |
-I'll do it for 30, and that is my best. -Mm. | 0:13:55 | 0:13:58 | |
Once somebody says that's the best, | 0:13:58 | 0:14:01 | |
I feel as though it is a bit rude to say 28. | 0:14:01 | 0:14:03 | |
THEY LAUGH | 0:14:03 | 0:14:05 | |
Go on, then. | 0:14:07 | 0:14:09 | |
Thank you very much. | 0:14:09 | 0:14:11 | |
Luke has kindly knocked £17 off the asking price, | 0:14:11 | 0:14:15 | |
and Margie has got something a little different to auction. | 0:14:15 | 0:14:18 | |
Continuing our journey with Margie, she's headed over the county | 0:14:18 | 0:14:21 | |
border, into Derbyshire and the market town of Belper. | 0:14:21 | 0:14:24 | |
Her next shop is a big'un, | 0:14:24 | 0:14:27 | |
set in a former Victorian mill. | 0:14:27 | 0:14:30 | |
Colin is in charge today, so look out. | 0:14:30 | 0:14:32 | |
-Hello, good afternoon. -Hello there. How are you? -Are you Colin? | 0:14:34 | 0:14:38 | |
-I am, yeah. -I'm Margie. -Hello, Margie. | 0:14:38 | 0:14:40 | |
That's nice, isn't it? Lovely old gate, look. | 0:14:43 | 0:14:45 | |
I love that. Don't you? Magnifico. | 0:14:45 | 0:14:49 | |
Isn't that something else? | 0:14:49 | 0:14:51 | |
Margie has fallen for this Victorian iron gate, priced at £90. | 0:14:51 | 0:14:56 | |
Here comes Colin, though. | 0:14:56 | 0:14:58 | |
It is not the prettiest thing we've got, is it? | 0:15:01 | 0:15:03 | |
-Are you surprised I selected that? -I am a little, yeah. -Are you? | 0:15:03 | 0:15:06 | |
-Yeah. -Good, it'll be cheap then. -HE LAUGHS | 0:15:06 | 0:15:09 | |
-Well, where has it got to be? -Well, I would be happy buying that for 40. | 0:15:09 | 0:15:13 | |
-I tell you what... -Yeah. | 0:15:13 | 0:15:14 | |
-Add a fiver to it so I can have me tea and it is yours. -OK. | 0:15:14 | 0:15:17 | |
-I think we'll go for that. -45. Excellent. -Thank you, sir. | 0:15:17 | 0:15:20 | |
45? That's half-price. Well done, Margie. | 0:15:20 | 0:15:23 | |
Does anything else take your fancy? | 0:15:24 | 0:15:26 | |
Well, this is one of these boots that a pony...a pony... | 0:15:26 | 0:15:30 | |
Well, it's quite a big pony. | 0:15:30 | 0:15:33 | |
It is a bootie to wear on its hoof to stop | 0:15:33 | 0:15:37 | |
digging into the garden | 0:15:37 | 0:15:39 | |
when he's pulling on a lawnmower. Back in the day. | 0:15:39 | 0:15:43 | |
This one boot is priced at £55. | 0:15:43 | 0:15:46 | |
Oh, Colin! | 0:15:46 | 0:15:48 | |
-What have we found? -What have we found? Something really daft. | 0:15:48 | 0:15:53 | |
-I'm just looking at this, which I find really interesting. -OK, yeah. | 0:15:53 | 0:15:56 | |
-It would be nice if... -And you know what it is? -I do know what it is. | 0:15:56 | 0:15:59 | |
Yeah. Interesting piece. | 0:15:59 | 0:16:01 | |
-It is an interesting piece. -You could make something of it. | 0:16:01 | 0:16:03 | |
Yeah, but it all depends... OK, here, there is a bit... | 0:16:03 | 0:16:06 | |
-Somebody has written on here... -OK. -..£55. -Yeah. | 0:16:06 | 0:16:10 | |
-What do you think a nice bottle of wine would cost you? -25 quid? | 0:16:10 | 0:16:13 | |
-35. -SHE LAUGHS | 0:16:13 | 0:16:15 | |
Oh, Colin. How about if we split that? And then we can be friends. | 0:16:15 | 0:16:20 | |
-32.50? -Yeah. Go on, then. | 0:16:20 | 0:16:22 | |
THEY LAUGH | 0:16:22 | 0:16:25 | |
We got there in the end. | 0:16:25 | 0:16:27 | |
Margie has her last lots for auction - | 0:16:27 | 0:16:30 | |
a Victorian iron gate and a leather pony boot, | 0:16:30 | 0:16:32 | |
plus Colin's found a little box that, for 50p, | 0:16:32 | 0:16:34 | |
will help sell the Art Deco brooch Margie bought yesterday. | 0:16:34 | 0:16:38 | |
Thank you. That feels like a win. | 0:16:39 | 0:16:42 | |
-Bye-bye. -Bye now. | 0:16:42 | 0:16:43 | |
Brilliant. Well done, Margie. | 0:16:43 | 0:16:46 | |
Charles' last stop today is in Derbyshire, | 0:16:49 | 0:16:52 | |
in the former mining town of Bolsover. | 0:16:52 | 0:16:55 | |
He still has £296.70 left to spend here, | 0:16:56 | 0:17:01 | |
at Bolsover Antique Centre. | 0:17:01 | 0:17:03 | |
She's quite nice. I quite like this lady in here. | 0:17:07 | 0:17:11 | |
This 1930s figurine is made of an alloy of zinc, also known as spelter. | 0:17:11 | 0:17:17 | |
She's been given a coating of bronze to give the impression | 0:17:17 | 0:17:20 | |
she's the real McCoy. | 0:17:20 | 0:17:23 | |
She is quite nice. I'm quite surprised. | 0:17:23 | 0:17:25 | |
-£18. -£18 is surprisingly cheap. | 0:17:25 | 0:17:29 | |
I wonder why. Perhaps Carol knows. | 0:17:29 | 0:17:32 | |
Oh, she's gorgeous, Carol. | 0:17:33 | 0:17:35 | |
-Hello! Margie Cooper-esque. Isn't she lovely? -She is. | 0:17:36 | 0:17:41 | |
-Just got one problem. Thumbs. -It's a shame, yeah. | 0:17:41 | 0:17:45 | |
-Has she been nibbling her nails and gone too far? -Must have, yes. | 0:17:45 | 0:17:48 | |
Carol, she is missing her thumbs, but she can still dance. | 0:17:48 | 0:17:53 | |
-Do you like her? -I do, yeah. | 0:17:53 | 0:17:54 | |
-Take £12? -Do you want me to go and check? -Could you for me? | 0:17:54 | 0:17:57 | |
I won't be long. | 0:17:57 | 0:17:58 | |
Carol, if you want to take a chance... | 0:17:58 | 0:18:00 | |
-# On me... # Try a tenner. -Right! | 0:18:00 | 0:18:03 | |
-All right. We'll try. -Thanks, Carol. | 0:18:03 | 0:18:05 | |
Ten pounds? He is trying his luck. | 0:18:07 | 0:18:10 | |
-Hold tight. -I've had a word. -Yeah. | 0:18:15 | 0:18:17 | |
-Whisper it in my... -The best we can do is 15. | 0:18:17 | 0:18:19 | |
For that sort of price, I'd be rude not to. I'll take her. | 0:18:19 | 0:18:23 | |
She may be thumbless, but at that price, she is worth a punt. | 0:18:23 | 0:18:27 | |
And Charles isn't finished here - oh, no. | 0:18:27 | 0:18:30 | |
He's being drawn to a cabinet filled with militaria. | 0:18:30 | 0:18:34 | |
World War II relic. | 0:18:34 | 0:18:36 | |
June 6, 1944, D-Day landing. | 0:18:36 | 0:18:40 | |
How interesting. | 0:18:40 | 0:18:42 | |
This, of course, represents a very important day | 0:18:42 | 0:18:46 | |
when, sadly, so many individuals lost their lives. | 0:18:46 | 0:18:49 | |
And this could just be a piece of relic | 0:18:49 | 0:18:53 | |
from that D-Day landing, | 0:18:53 | 0:18:56 | |
who knows, brought back by a soldier. | 0:18:56 | 0:18:58 | |
I doubt it. | 0:18:58 | 0:19:00 | |
If it's right, a military collector would pay well over ten pounds | 0:19:00 | 0:19:04 | |
for something which has such emotive value. | 0:19:04 | 0:19:08 | |
I'd love to learn more about this. | 0:19:08 | 0:19:10 | |
Best call the owner, then. | 0:19:10 | 0:19:11 | |
Fortunately, Carol has his number at hand. Go, Carol. | 0:19:11 | 0:19:15 | |
Can I just pass you over? | 0:19:15 | 0:19:17 | |
Hi, mate. | 0:19:19 | 0:19:20 | |
The owner claims it came from a specialist dealer. | 0:19:20 | 0:19:23 | |
Provenance here is hard to prove, but Charles is taking a risk. | 0:19:23 | 0:19:28 | |
What is your best price? On at ten pounds. | 0:19:28 | 0:19:31 | |
A fiver? | 0:19:31 | 0:19:32 | |
I think for what it potentially represents, | 0:19:32 | 0:19:35 | |
I'd be a fool to say no. | 0:19:35 | 0:19:38 | |
I'm going to say I'll buy it and thanks ever so much. Thanks, mate! | 0:19:38 | 0:19:42 | |
And that concludes the shopping. | 0:19:42 | 0:19:45 | |
-Bye. -Bye. | 0:19:45 | 0:19:47 | |
They've been busy on this trip. | 0:19:47 | 0:19:49 | |
Charles has paired the possible Utah Beach barbed wire with | 0:19:49 | 0:19:54 | |
the First World War German water bottle to make a militaria lot. | 0:19:54 | 0:19:58 | |
He has four other items, including the bronze Buddha, | 0:19:58 | 0:20:00 | |
a George III sampler, | 0:20:00 | 0:20:02 | |
a pair of 18th-century clogs, | 0:20:02 | 0:20:04 | |
and an Art Deco figurine. | 0:20:04 | 0:20:06 | |
All that lot cost him £120. | 0:20:06 | 0:20:11 | |
While Margie parted with £206 for a Victorian nursing chair, | 0:20:11 | 0:20:17 | |
a gold brooch with box, | 0:20:17 | 0:20:19 | |
the Georgian fleam, | 0:20:19 | 0:20:21 | |
a Victorian iron gate | 0:20:21 | 0:20:23 | |
and one leather pony boot. | 0:20:23 | 0:20:25 | |
So, what do they make of each other's buys? | 0:20:25 | 0:20:28 | |
I love that Art Deco brooch. | 0:20:29 | 0:20:31 | |
And heaven forbid, for £30.50, you've bought real gold. | 0:20:31 | 0:20:36 | |
I can't believe he's bought a pair of clogs. I mean, | 0:20:36 | 0:20:39 | |
-the saleroom is in Lancashire. -SHE GIGGLES | 0:20:39 | 0:20:43 | |
And that is taking coals to Newcastle. | 0:20:43 | 0:20:45 | |
We'll soon see, because it's across the Peak District | 0:20:47 | 0:20:51 | |
they head for an auction in Bolton, Lancashire. | 0:20:51 | 0:20:55 | |
This leg's sale is taking place at Bolton auction rooms, | 0:20:55 | 0:20:58 | |
housed in the former Metropolitan Library building. | 0:20:58 | 0:21:02 | |
-I shouldn't have worn a skirt. -It's all to come. | 0:21:02 | 0:21:06 | |
-It's all to come, Margie. -Oh, gosh, this car'll be the death... | 0:21:06 | 0:21:10 | |
That's the way, Margie, a Lancashire lass does it. | 0:21:10 | 0:21:13 | |
-I was out before you. -I'm a Derbyshire man. | 0:21:13 | 0:21:16 | |
Presiding over proceedings is auctioneer Stephen Sloan. | 0:21:16 | 0:21:20 | |
As Stephen readies himself, | 0:21:20 | 0:21:22 | |
his colleague Mia is primed to receive online bids. | 0:21:22 | 0:21:26 | |
Time for our experts to take their seats. | 0:21:26 | 0:21:29 | |
It's Charles's pair of clogs first. | 0:21:31 | 0:21:33 | |
Thank you, sir. 30, bid. 30. | 0:21:33 | 0:21:35 | |
-Come on. -32. 34. | 0:21:35 | 0:21:37 | |
-34. 36. -Come on, they are wonderful boots. | 0:21:37 | 0:21:41 | |
-40. -Let's go. -And two. | 0:21:41 | 0:21:43 | |
-42, thank you. -Happy with that. -At £42, this is for two. | 0:21:43 | 0:21:46 | |
-21 each. -MARGIE LAUGHS | 0:21:46 | 0:21:48 | |
-21 each! -At 42. Thanks. | 0:21:48 | 0:21:51 | |
-Welcome to Lancashire, Margie. -Are you sure? -I'm delighted. | 0:21:51 | 0:21:54 | |
And so you should be. | 0:21:54 | 0:21:56 | |
You've walked away with a £22 profit. | 0:21:56 | 0:21:58 | |
Next up, Margie's 19th-century fleam. | 0:22:00 | 0:22:02 | |
-25 bid, thank you. -Good. -That's OK, isn't it? -On the net. | 0:22:02 | 0:22:07 | |
-'31!' -Yes. -31? | 0:22:07 | 0:22:09 | |
32. 34? At £34. | 0:22:09 | 0:22:13 | |
-36. 38? -Come on, crawl a bit more. | 0:22:13 | 0:22:16 | |
-38. 40? £40. And two? 42. -Gosh, | 0:22:16 | 0:22:20 | |
-it is giving me heart failure. -42. Are you sure? | 0:22:20 | 0:22:23 | |
That is Charles and Margie both making a profit on their first lots. | 0:22:25 | 0:22:29 | |
A great start. Now, time for Charles' sampler. | 0:22:29 | 0:22:34 | |
-Anybody got £40 for it? £40? -HE SIGHS | 0:22:34 | 0:22:38 | |
30 bid. 30. Five anywhere? At £30. | 0:22:38 | 0:22:41 | |
And five anywhere else? | 0:22:41 | 0:22:43 | |
-Come on, let's go! -At 40. At £40. | 0:22:43 | 0:22:46 | |
-Keep selling. -£50, give me five. | 0:22:46 | 0:22:47 | |
-55. -I should think so. -Quite right, I like her style. | 0:22:47 | 0:22:50 | |
-£60. Five. -Come on! | 0:22:50 | 0:22:53 | |
-All done at £60? It is here to be sold. -A little profit. | 0:22:53 | 0:22:57 | |
That's great, I'm very happy. It could've gone the other way. | 0:22:58 | 0:23:01 | |
But it didn't, and you're faring well. | 0:23:01 | 0:23:04 | |
Margie's gate is next to go under the gavel. | 0:23:04 | 0:23:07 | |
-£30, kick it in. -SHE LAUGHS | 0:23:07 | 0:23:10 | |
Gracious me, scrap metal now. | 0:23:10 | 0:23:12 | |
20 bid, thank you. 20. Two. | 0:23:12 | 0:23:15 | |
-24? 24. 26? -That's better. -28? 28. -Go on keep going. | 0:23:15 | 0:23:19 | |
30. 30, and two? Two, thank you. | 0:23:19 | 0:23:22 | |
-34? 34. 36? 36. -Still going. Come on. -38, thank you. | 0:23:22 | 0:23:27 | |
-That's better, Margie. Good. -£40. And two. | 0:23:27 | 0:23:30 | |
42. 44. At 42. | 0:23:30 | 0:23:33 | |
I am selling at £42. This is no money at all. | 0:23:33 | 0:23:36 | |
Oh, Margie, so close. | 0:23:38 | 0:23:40 | |
It's Charles's little Buddha next. | 0:23:42 | 0:23:44 | |
-Say what, £100 to start me? -HE BREATHES QUICKLY | 0:23:44 | 0:23:47 | |
-£70. 70 bid. -70 bid! Come on, let's go! -Five anywhere? -Come on! | 0:23:47 | 0:23:51 | |
At £70 bid. | 0:23:51 | 0:23:52 | |
-Shut up! -It is a very rare opportunity. -It is rare. | 0:23:52 | 0:23:55 | |
All done at 70? Last time, gavel's up... | 0:23:55 | 0:23:59 | |
-Well done. -Very good. Thank you very much. Thanks, partner. | 0:23:59 | 0:24:01 | |
A brilliant profit on that little chap. Well done, Charles. | 0:24:01 | 0:24:06 | |
First clogs and now Margie's pony boot. | 0:24:06 | 0:24:09 | |
But will our second footwear lot be as successful? | 0:24:09 | 0:24:13 | |
Say what, kick it in at £20? | 0:24:13 | 0:24:15 | |
20 in the room. £20, thank you. And two. | 0:24:15 | 0:24:18 | |
-Two. 22. -Come on, Margie. | 0:24:18 | 0:24:20 | |
24. 26. 28. | 0:24:20 | 0:24:21 | |
-30. 32? 32. -Good. | 0:24:21 | 0:24:24 | |
-Profit. -Oh, no! -Profit. | 0:24:24 | 0:24:27 | |
34! | 0:24:27 | 0:24:28 | |
-'Oh, she's at it.' -36, new money. 38? Try two. | 0:24:28 | 0:24:31 | |
-38! -Yeah! Well done, Margie. | 0:24:31 | 0:24:33 | |
-38. -Good job. -Spoilsport. | 0:24:33 | 0:24:36 | |
Back to the net then at 38. 38. 40 anywhere else? | 0:24:36 | 0:24:39 | |
-At £38. -Well done, partner. They're all in the room. | 0:24:39 | 0:24:43 | |
-And two? -Tight. -40? -It's kicking. | 0:24:43 | 0:24:46 | |
Wonderful. | 0:24:47 | 0:24:49 | |
Another profit for Margie. | 0:24:49 | 0:24:51 | |
Next up, Charles' thumbless figurine. | 0:24:51 | 0:24:55 | |
-£30 to start me. Thank you. -Thank you very much. | 0:24:55 | 0:24:57 | |
In the room at £30. 30. And two. | 0:24:57 | 0:25:00 | |
-32. -Come on, let's go. -34. 36? | 0:25:00 | 0:25:02 | |
-36. 38? 38. 40? -She's coming home. | 0:25:02 | 0:25:05 | |
-£40, and two. -Let's go. | 0:25:05 | 0:25:07 | |
-Two, sir, thank you. -The Lancashire lady. | 0:25:07 | 0:25:09 | |
Thank you very much, sir. Thank you. | 0:25:09 | 0:25:11 | |
-44. -Come on, sir. -46. | 0:25:11 | 0:25:13 | |
46 in the room. All done at 46? | 0:25:13 | 0:25:16 | |
I can't believe it. | 0:25:16 | 0:25:17 | |
She had no thumbs but she was a lovely lady. I am really pleased. | 0:25:18 | 0:25:22 | |
Super profit. | 0:25:22 | 0:25:25 | |
-Margie's brooch is next. -£40 for it? | 0:25:25 | 0:25:28 | |
-40 bid, sir. -Margie! Brilliant! -Two anywhere? On the blower at 42. | 0:25:28 | 0:25:33 | |
-You watch, Margie. -44. 46. | 0:25:33 | 0:25:35 | |
-48. 50. -Good buy, Margie. -52. | 0:25:35 | 0:25:38 | |
Four. 56. | 0:25:38 | 0:25:40 | |
-58. £60. 62. -Oh, good. | 0:25:40 | 0:25:43 | |
-64. -Funny old game, Margie. | 0:25:43 | 0:25:45 | |
-68. £70. -I didn't think it would... | 0:25:45 | 0:25:48 | |
72? At 70. | 0:25:48 | 0:25:49 | |
Wow, Margie Cooper, take a bow! | 0:25:49 | 0:25:52 | |
-Two. 72. -Oh, Margie. -In two places. 74, sir? -Wow! -74, is it? | 0:25:52 | 0:25:58 | |
In the room at 74. 76? At 74 in the room. Gentleman's bid in the room. | 0:25:58 | 0:26:03 | |
-Marge, they've all been waiting for this. -£74... | 0:26:03 | 0:26:06 | |
Good girl, Margie. | 0:26:06 | 0:26:08 | |
Margie has bagged another great profit. | 0:26:08 | 0:26:10 | |
And she's up again with her Victorian nursing chair. | 0:26:12 | 0:26:14 | |
Where would you like to be with that one for me? | 0:26:14 | 0:26:16 | |
65, thanks. There we go. | 0:26:16 | 0:26:17 | |
-That's what I should've paid. -Good, Margie. -We are starting. | 0:26:17 | 0:26:20 | |
-Is that profit? -70 anywhere? | 0:26:20 | 0:26:22 | |
-£70. 70 here. And five. -Hold tight, Margie. | 0:26:22 | 0:26:25 | |
That's 70 here. £70. | 0:26:25 | 0:26:27 | |
Golden opportunity. | 0:26:27 | 0:26:29 | |
SHE LAUGHS | 0:26:31 | 0:26:33 | |
I just love buying things and selling them at the same price. | 0:26:33 | 0:26:37 | |
It's wiped its face, Margie. | 0:26:37 | 0:26:39 | |
Our pair's last lot now. | 0:26:39 | 0:26:43 | |
It is Charles' wartime memorabilia. | 0:26:43 | 0:26:45 | |
They were both risky buys as the provenance is questionable. | 0:26:45 | 0:26:50 | |
Thank you, sir. 20, and we're away. 20, and two. I have 20. Two. | 0:26:50 | 0:26:54 | |
22. 24? 24. 26. 28? | 0:26:54 | 0:26:57 | |
28, thank you. | 0:26:57 | 0:26:58 | |
30? 30 and two? | 0:26:58 | 0:27:00 | |
32, thank you. | 0:27:00 | 0:27:02 | |
34. Sir, 34. And six? | 0:27:02 | 0:27:04 | |
Six, thank you. | 0:27:04 | 0:27:06 | |
-38? 38, thank you. -Ah! You are getting there. | 0:27:06 | 0:27:09 | |
-42. 44? 44. -Ooooh... -46? 46. | 0:27:09 | 0:27:12 | |
-48? 48. -It is real history, Margie. | 0:27:12 | 0:27:16 | |
You can't buy history, but you can today. | 0:27:16 | 0:27:19 | |
-A rare opportunity. -Margie... And that's history. | 0:27:19 | 0:27:22 | |
And ending on another profit for Charles. Well done, both of you. | 0:27:23 | 0:27:27 | |
-Come on. -Let's go. | 0:27:27 | 0:27:29 | |
Time to tally up who will be today's winner. | 0:27:30 | 0:27:33 | |
Margie started this leg with £266.56. | 0:27:33 | 0:27:37 | |
After paying auction house fees, | 0:27:37 | 0:27:40 | |
she has made a profit of £13.76. | 0:27:40 | 0:27:43 | |
This means she carries forward £280.32. | 0:27:43 | 0:27:48 | |
Charles, meanwhile, started with £396.70. | 0:27:50 | 0:27:55 | |
He's made an impressive profit of £99.76, | 0:27:55 | 0:28:00 | |
which means he is stretching ahead with £496.46 | 0:28:00 | 0:28:06 | |
to spend next time. Well done, boy. | 0:28:06 | 0:28:10 | |
The next stretch of the road trip | 0:28:10 | 0:28:12 | |
sees Margie on Charles's home territory. | 0:28:12 | 0:28:15 | |
Yup, they're in Derbyshire! | 0:28:15 | 0:28:17 | |
Welcome to Derbyshire, Margie! | 0:28:17 | 0:28:19 | |
Smell the Derbyshire air! | 0:28:19 | 0:28:21 | |
He is as excited as usual. | 0:28:21 | 0:28:23 | |
Just as well Margie is in command, or, she thinks she is. | 0:28:23 | 0:28:27 | |
I would just change gear if I were you. | 0:28:27 | 0:28:30 | |
I wouldn't... I would just gently caress the accelerator now, Margie. | 0:28:30 | 0:28:35 | |
I was driving cars before you were even thought of. | 0:28:35 | 0:28:37 | |
-Are you being serious? -Yes. -You're not that old, are you? Look at me. | 0:28:37 | 0:28:41 | |
-GEARS CRUNCH -Oh! -Whoops. | 0:28:43 | 0:28:46 | |
This leg starts off from Melbourne in South Derbyshire, | 0:28:46 | 0:28:49 | |
destined for an auction in the Norfolk town of Aylsham. | 0:28:49 | 0:28:52 | |
Charles is shopping first today. | 0:28:52 | 0:28:54 | |
-Morning. -Good morning. How are you? | 0:28:54 | 0:28:56 | |
-All right, thank you. -What a lovely shop. | 0:28:56 | 0:28:58 | |
-Thank you very much. -Charles Hanson. -Welcome to Melbourne Antiques. | 0:28:58 | 0:29:01 | |
The delightful Helen is on hand to help. | 0:29:01 | 0:29:04 | |
These are nice. | 0:29:05 | 0:29:07 | |
Charles has uncovered a nice pair of Art Nouveau Royal Dux figurines, | 0:29:07 | 0:29:12 | |
but I spy a problem. | 0:29:12 | 0:29:13 | |
-What a shame. Oh, I don't believe it. -That's... | 0:29:13 | 0:29:16 | |
I was feeling so good and then I saw the instruments. | 0:29:16 | 0:29:20 | |
-Her little harpsichord has been damaged. -Yes. | 0:29:20 | 0:29:23 | |
Missing that section there, but also missing a thumb | 0:29:23 | 0:29:27 | |
and if we turn it round, we'll see, good quality, | 0:29:27 | 0:29:31 | |
raised pink Triangle Mark for Royal Dux, but what a shame. | 0:29:31 | 0:29:36 | |
They must be so cheap, Helen. | 0:29:36 | 0:29:39 | |
They are very cheap. £20 for the pair. | 0:29:39 | 0:29:42 | |
Will you take £10? Happy? | 0:29:42 | 0:29:45 | |
-Thanks a lot. Thank you. -Thank you. -Thank you so much. -Thank you. -£10. | 0:29:45 | 0:29:49 | |
Thank you, Helen. | 0:29:49 | 0:29:51 | |
Despite the damage, these two figurines could do well at auction. | 0:29:51 | 0:29:54 | |
Margie's motored her way to the north-west tip of Leicestershire | 0:29:57 | 0:30:00 | |
and the town of Castle Donington, | 0:30:00 | 0:30:03 | |
and her first shop of the day. | 0:30:03 | 0:30:06 | |
-Hello. -Hello. -Hi. -Hi, I'm Philip. | 0:30:07 | 0:30:10 | |
Oh, hello, Phil. Margie. | 0:30:10 | 0:30:13 | |
-Good to meet you. -Yeah, so, I'd love to have a look round. | 0:30:13 | 0:30:16 | |
Sure, yes. Feel free to wander. | 0:30:16 | 0:30:18 | |
Margie's got just over £280 to spend. | 0:30:20 | 0:30:24 | |
What will she plump for? | 0:30:24 | 0:30:26 | |
-That's been nice in its time, hasn't it? -Yes. | 0:30:26 | 0:30:30 | |
Margie's spotted an Edwardian ladies' toilet mirror. | 0:30:30 | 0:30:34 | |
A nice bit of satinwood around here. | 0:30:34 | 0:30:36 | |
Just turn it round to see what's going on at the back. | 0:30:36 | 0:30:40 | |
-Yes, as is. -All original, yes, it's not been... | 0:30:40 | 0:30:44 | |
It's as original, nothing been tampered with at all or changed. | 0:30:44 | 0:30:48 | |
-Phil, I quite like that. -Yeah. -So, how much is that? | 0:30:48 | 0:30:52 | |
-Well, that could be £25. -Oh. -Which, you know... -Oh, crumbs. -Yeah. | 0:30:52 | 0:30:58 | |
Very reasonable, Phil. | 0:30:59 | 0:31:02 | |
I'm going to shake your hand on that. | 0:31:02 | 0:31:03 | |
-Oh, right, thank you very much. -Thank YOU very much. -Cheers. | 0:31:03 | 0:31:06 | |
One sale. You can wrap it then. | 0:31:06 | 0:31:09 | |
One purchase already and Margie's still to explore Phil's basement. | 0:31:10 | 0:31:15 | |
-I'm going to go down. -OK. | 0:31:15 | 0:31:17 | |
Small but packed with stock. | 0:31:18 | 0:31:21 | |
Oh. | 0:31:23 | 0:31:24 | |
A gramophone player. | 0:31:24 | 0:31:27 | |
-Gosh, I've never, ever bought one in my life. -Oh. | 0:31:27 | 0:31:29 | |
-Does it work? -Yes, I can give you a demonstration if you want. | 0:31:29 | 0:31:32 | |
Crank it up for you. | 0:31:32 | 0:31:34 | |
MUSIC PLAYS | 0:31:36 | 0:31:38 | |
There you go. | 0:31:39 | 0:31:42 | |
Hey! This 1920s gramophone comes with a few records, too. | 0:31:42 | 0:31:46 | |
Phil's starting price is £90. Stand by. | 0:31:46 | 0:31:49 | |
Yeah, I don't know whether to risk it. | 0:31:49 | 0:31:51 | |
But I could go a little bit... | 0:31:51 | 0:31:53 | |
I'll go to 50. I could drop down to 50. | 0:31:53 | 0:31:55 | |
-I'll have another browse upstairs. -OK. -I know it's here. | 0:31:55 | 0:31:58 | |
-Yeah, fair enough, yes. -Right? | 0:31:58 | 0:32:01 | |
After another quick look upstairs, it's decision time. | 0:32:01 | 0:32:05 | |
So I bought that, so do I just leave it at that and move on? | 0:32:05 | 0:32:11 | |
Or do I have a crack at your record player? | 0:32:11 | 0:32:13 | |
I think that's what we're down to. | 0:32:13 | 0:32:16 | |
-40 quid won't buy it? -Say 43 then. | 0:32:16 | 0:32:19 | |
Let's just cut it down to... | 0:32:19 | 0:32:22 | |
Thanks. | 0:32:22 | 0:32:23 | |
£43. We're done. I'm on my way. | 0:32:23 | 0:32:27 | |
That's the Edwardian toilet mirror | 0:32:27 | 0:32:29 | |
and a gramophone with a dozen old 78s thrown in | 0:32:29 | 0:32:32 | |
for a total of £68. | 0:32:32 | 0:32:34 | |
Nice find. | 0:32:34 | 0:32:37 | |
What's that little glass over there? | 0:32:37 | 0:32:40 | |
Well, I think that's a French vase, 1950s-ish, I think. | 0:32:40 | 0:32:46 | |
-I quite like that. -Yes, it's different, isn't it? | 0:32:46 | 0:32:49 | |
-It looks very nice in the light. -How much would you throw that in for? | 0:32:49 | 0:32:53 | |
Well, I bought that, again, very well, | 0:32:53 | 0:32:55 | |
so you could have that for a bargain £8. | 0:32:55 | 0:32:58 | |
Oh! I can't leave that, can I? | 0:32:58 | 0:33:00 | |
An impulse buy. A 1950s vase, a snip at just £8. | 0:33:00 | 0:33:05 | |
Great work, Margie! | 0:33:05 | 0:33:06 | |
Meanwhile, Charles has made his way across the county border to | 0:33:10 | 0:33:13 | |
the Derbyshire town of Matlock. | 0:33:13 | 0:33:15 | |
Here we are. | 0:33:15 | 0:33:16 | |
This antiques centre has nearly 70 dealers. | 0:33:18 | 0:33:21 | |
With £486 to splash, | 0:33:21 | 0:33:24 | |
he dives straight in. | 0:33:24 | 0:33:27 | |
He's onto something. | 0:33:28 | 0:33:30 | |
Just found the best thing in the shop | 0:33:30 | 0:33:32 | |
and what I've found is pretty mundane to many eyes. | 0:33:32 | 0:33:37 | |
It's a piece of timber, carved with acanthus foliage | 0:33:37 | 0:33:41 | |
and these lovely scroll volutes. | 0:33:41 | 0:33:43 | |
So, many years ago, this piece of timber was very important. | 0:33:43 | 0:33:47 | |
It probably formed part of a very elaborate Florentine frame. | 0:33:47 | 0:33:54 | |
If you had the whole frame and there was a mirror, | 0:33:54 | 0:33:57 | |
it might be £5,000. | 0:33:57 | 0:33:59 | |
Sadly this is only a quarter of that frame and is priced at £65. | 0:33:59 | 0:34:05 | |
I might just see if I can spot... | 0:34:05 | 0:34:09 | |
anything else. | 0:34:09 | 0:34:11 | |
That's quite sweet. | 0:34:14 | 0:34:16 | |
What I like about this box is it's no cheap, square box. | 0:34:16 | 0:34:20 | |
In fact, what we've got here is a good rosewood inlaid, veneered box | 0:34:20 | 0:34:25 | |
with this star motif on top in ebony. | 0:34:25 | 0:34:28 | |
There's your interior. | 0:34:28 | 0:34:30 | |
I think it has got some age. | 0:34:30 | 0:34:33 | |
It is probably 1900 in date. | 0:34:33 | 0:34:35 | |
Hm, the ticket price is £14. | 0:34:35 | 0:34:39 | |
The dealer trading from this corner of the shop isn't here today | 0:34:39 | 0:34:43 | |
so it's back up the stairs to make a phone call. | 0:34:43 | 0:34:45 | |
Head honcho Lynne gets dealer Bernadette on the blower. | 0:34:45 | 0:34:50 | |
I'll put him on, Bernadette. | 0:34:50 | 0:34:51 | |
I just wondered, I'm just intrigued. | 0:34:51 | 0:34:53 | |
This almost scroll acanthus panel... | 0:34:53 | 0:34:57 | |
..I just quite like it because it's got some age. | 0:34:58 | 0:35:01 | |
What's your best price? 48. | 0:35:01 | 0:35:05 | |
I will say, "Thank you very much." I'll take that for 48 | 0:35:05 | 0:35:09 | |
and I also like the inlaid box, as well, that... | 0:35:09 | 0:35:12 | |
-So, that for a tenner. -Right. -Thank you, Bernadette. | 0:35:14 | 0:35:17 | |
Wasn't she nice? | 0:35:17 | 0:35:18 | |
The 18th-century cornice and the rosewood box for a total of £58. | 0:35:18 | 0:35:24 | |
And, with that, an exciting day on the road comes to a close. | 0:35:24 | 0:35:28 | |
So nighty-night, you two lovebirds. | 0:35:28 | 0:35:30 | |
Charles is behind the wheel this morning, so watch out. | 0:35:33 | 0:35:37 | |
For Queen and country, Margie. | 0:35:37 | 0:35:39 | |
Hold tight. | 0:35:39 | 0:35:40 | |
-GEARS CRUNCH -Oh, sorry. Sorry, Margie. | 0:35:40 | 0:35:44 | |
First stop is in Kimberley, Nottinghamshire. | 0:35:46 | 0:35:49 | |
Good morning. | 0:35:50 | 0:35:52 | |
Michael is in charge of Alice's Antiques. Hello, Michael. | 0:35:52 | 0:35:56 | |
Oh, off she goes! | 0:35:56 | 0:35:58 | |
Wow. | 0:35:59 | 0:36:00 | |
Right, so it's, yeah... What have we got up here? This is all... | 0:36:00 | 0:36:04 | |
-Shabby chic. -Yeah, shabby chic, yes. Go round here. | 0:36:04 | 0:36:08 | |
I don't really want to buy stepladders but they do sort of... | 0:36:10 | 0:36:13 | |
-Yeah. -They're popular now, aren't they? People paint them, as well. | 0:36:13 | 0:36:16 | |
Yeah, they do, and put them in the bedrooms and put, you know, | 0:36:16 | 0:36:20 | |
ornaments on them. | 0:36:20 | 0:36:22 | |
Or shoes. | 0:36:22 | 0:36:24 | |
Hm. They're not the best pair I've ever seen. | 0:36:28 | 0:36:31 | |
There's something rather nice about them. They've been used. | 0:36:31 | 0:36:33 | |
These steps were priced at £35, | 0:36:33 | 0:36:36 | |
but, as luck would have it, they're in the sale. | 0:36:36 | 0:36:39 | |
It's going to have to be so cheap, | 0:36:39 | 0:36:41 | |
and that's not cheap enough. | 0:36:41 | 0:36:43 | |
So if you can sell me that for 15 quid, I'll buy it. | 0:36:43 | 0:36:46 | |
Well, I don't want you to leave without buying... | 0:36:46 | 0:36:48 | |
-Right, well, there we go. 15. -£15. -OK, Mike, thanks very much indeed. | 0:36:48 | 0:36:52 | |
Thank you. | 0:36:52 | 0:36:53 | |
Michael's been most kind and Margie has another item to take to auction. | 0:36:53 | 0:36:58 | |
Thank you. | 0:36:58 | 0:36:59 | |
Charles has travelled north of Nottingham, | 0:37:05 | 0:37:07 | |
near to the village of Papplewick. | 0:37:07 | 0:37:09 | |
He's visiting this unassuming building to hear how | 0:37:11 | 0:37:14 | |
the pumping equipment inside saved millions of lives. | 0:37:14 | 0:37:17 | |
Tony Keyworth is the local expert on Victorian engineer Thomas Hawksley, | 0:37:19 | 0:37:23 | |
the forgotten hero of Nottingham. | 0:37:23 | 0:37:25 | |
-Mr Keyworth. -Call me Tony. -Tony. Charles Hanson. | 0:37:27 | 0:37:30 | |
-Nice to meet you and welcome. -Great to hear. What a building. | 0:37:30 | 0:37:33 | |
It is, isn't it? It's beautiful. It was built by Thomas Hawksley, | 0:37:33 | 0:37:35 | |
the best water engineer of the 19th century. | 0:37:35 | 0:37:39 | |
Wow. It looks amazing. | 0:37:39 | 0:37:41 | |
-May we go for a wander indoors? -Let's do that, yes. -Thanks a lot. | 0:37:41 | 0:37:46 | |
In the 19th century, the Industrial Revolution saw | 0:37:46 | 0:37:48 | |
a boom in textile industries, mining and engineering. | 0:37:48 | 0:37:52 | |
Thousands left life in the country to seek work. | 0:37:52 | 0:37:56 | |
Cities soon became overcrowded, and Nottingham was no exception. | 0:37:56 | 0:38:00 | |
The population by 1830 had risen to about 50,000, | 0:38:02 | 0:38:06 | |
from 10,000 in the mid-18th century. | 0:38:06 | 0:38:09 | |
They were cramped into houses | 0:38:09 | 0:38:10 | |
that were built specifically to house them by speculative landlords. | 0:38:10 | 0:38:15 | |
They had no drainage, no water supply, | 0:38:15 | 0:38:18 | |
didn't even have a back door. | 0:38:18 | 0:38:19 | |
It was an appalling way to live. | 0:38:19 | 0:38:23 | |
60% of children below five years old died. | 0:38:23 | 0:38:25 | |
Overcrowding led to outbreaks of disease. | 0:38:28 | 0:38:31 | |
One of the most feared was water-borne cholera. | 0:38:31 | 0:38:35 | |
How was cholera getting into the system? | 0:38:35 | 0:38:38 | |
There was an attempt by some water companies to pump | 0:38:38 | 0:38:40 | |
water into the town to standpipes. Some into the houses. | 0:38:40 | 0:38:43 | |
But it leaked, basically, | 0:38:43 | 0:38:46 | |
and in order to prevent this leakage from exhausting the water | 0:38:46 | 0:38:49 | |
supply and costing too much money, they turned the water off, | 0:38:49 | 0:38:55 | |
and only turned it back on again in a certain area of the town | 0:38:55 | 0:38:58 | |
for two hours a day, and when the pipes emptied, | 0:38:58 | 0:39:01 | |
they drew in the contaminated waste in the ground. | 0:39:01 | 0:39:04 | |
Sewage, basically. | 0:39:04 | 0:39:05 | |
So people were actually infecting themselves by drinking the water. | 0:39:05 | 0:39:09 | |
-And that obviously gave that low life expectancy. -It caused havoc. | 0:39:09 | 0:39:13 | |
Even in the best part of Nottingham, | 0:39:13 | 0:39:15 | |
the life expectancy was somewhere between 12 | 0:39:15 | 0:39:18 | |
and, in some of the wards, 18. | 0:39:18 | 0:39:21 | |
Local engineer Thomas Hawksley believed those | 0:39:21 | 0:39:24 | |
suffering from illness would benefit from clean water. | 0:39:24 | 0:39:28 | |
He set out to revolutionise the supply system by replacing | 0:39:28 | 0:39:31 | |
the leaky pipes and pumping a continuous supply of water. | 0:39:31 | 0:39:36 | |
He had the good sense to recognise that when you stopped | 0:39:36 | 0:39:40 | |
a pipe from having pressure inside it and it emptied, | 0:39:40 | 0:39:44 | |
sewage would get in and contaminate people, so his idea was to keep it | 0:39:44 | 0:39:47 | |
under pressure all the time to keep the contamination out. | 0:39:47 | 0:39:51 | |
Without knowing it, Hawksley wasn't just offering a supply of fresh | 0:39:51 | 0:39:54 | |
water, he was also stopping outbreaks of cholera. | 0:39:54 | 0:39:58 | |
When he put forward his idea of pumping fresh water 24 hours a day | 0:39:58 | 0:40:03 | |
to a sceptical establishment, he faced stiff opposition. | 0:40:03 | 0:40:08 | |
His revolutionary piece of engineering didn't come cheap. | 0:40:08 | 0:40:11 | |
What did he say to get them on board? | 0:40:13 | 0:40:15 | |
Hawksley worked out later in his life the mortality cost, | 0:40:15 | 0:40:20 | |
the consequences of people dying early. | 0:40:20 | 0:40:22 | |
A man would die, he would leave a wife and children | 0:40:22 | 0:40:25 | |
and if they became ill, | 0:40:25 | 0:40:26 | |
they couldn't pay for the hospital treatment, | 0:40:26 | 0:40:29 | |
that had to be paid for by the town. | 0:40:29 | 0:40:32 | |
So if they lived long enough, of course, | 0:40:32 | 0:40:34 | |
-they would be able to pay more taxes. -Absolutely, yeah. | 0:40:34 | 0:40:37 | |
Hawksley raised financial backing from a water company to build | 0:40:39 | 0:40:43 | |
this steam-powered pumping station at Papplewick. | 0:40:43 | 0:40:46 | |
Fresh water was pumped through leak-proof pipes | 0:40:46 | 0:40:49 | |
to taps in people's homes. | 0:40:49 | 0:40:51 | |
-Did it work, Tony? -It did. It did work extremely well. | 0:40:51 | 0:40:54 | |
Almost on cue, a couple of years later, there was | 0:40:54 | 0:40:58 | |
a cholera outbreak in the country. | 0:40:58 | 0:40:59 | |
Nottingham didn't have any problems at all. Nobody died in Nottingham. | 0:40:59 | 0:41:03 | |
Thousands died around the rest of the country. | 0:41:03 | 0:41:07 | |
Hawksley had proved his doubters wrong | 0:41:07 | 0:41:10 | |
and his system was soon adopted by other cities. | 0:41:10 | 0:41:12 | |
His ingenuity saved countless lives | 0:41:12 | 0:41:15 | |
and is one reason why Britain's health and prosperity | 0:41:15 | 0:41:17 | |
accelerated ahead of many others in the following decades. | 0:41:17 | 0:41:21 | |
He's a man I never knew but it's certainly got me | 0:41:23 | 0:41:26 | |
pumped up now on the Antiques Road Trip. | 0:41:26 | 0:41:28 | |
My pressure is increasing, Tony. | 0:41:28 | 0:41:30 | |
I'm feeling, you know, a sweat coming on and I shall head off | 0:41:30 | 0:41:34 | |
and attempt to find my next few antique buys. | 0:41:34 | 0:41:36 | |
Thank you for a wonderful visit. It's been really, really rewarding. | 0:41:36 | 0:41:39 | |
-It's a pleasure. -Thanks, Tony. | 0:41:39 | 0:41:42 | |
The final shop for both our experts is in Grantham, Lincolnshire. | 0:41:43 | 0:41:46 | |
Charles is running a little late... | 0:41:47 | 0:41:50 | |
..giving Margie first dibs at Notions Antiques Centre. | 0:41:51 | 0:41:55 | |
-Good afternoon. How are you? -Hello. -And you are? -Sharon. | 0:41:55 | 0:41:59 | |
Sharon, I should call like that. | 0:41:59 | 0:42:02 | |
-And you're Lewis. -I am Lewis, yes. -All right. Margie. -Hello. | 0:42:02 | 0:42:05 | |
Desperately looking for a couple of items | 0:42:05 | 0:42:07 | |
so I'm going to have a look around. | 0:42:07 | 0:42:09 | |
-Fine. -I'll be back. -OK. | 0:42:09 | 0:42:11 | |
Margie still has £189.32 to spend. | 0:42:15 | 0:42:20 | |
What is she on to here? | 0:42:24 | 0:42:25 | |
Cigarette dispenser? | 0:42:27 | 0:42:30 | |
How does this work, Lewis? | 0:42:32 | 0:42:33 | |
What you basically do is pull that lever back... | 0:42:33 | 0:42:37 | |
Yeah. A cigarette pops up. | 0:42:37 | 0:42:40 | |
-You pop your cigarette in there, right? -Yeah. | 0:42:40 | 0:42:42 | |
Pull that lever and it shoots the cigarette through the torpedo hole. | 0:42:43 | 0:42:48 | |
Oh. | 0:42:48 | 0:42:50 | |
Why would you want to do that | 0:42:50 | 0:42:51 | |
if you've had to put it in in the first place? | 0:42:51 | 0:42:54 | |
-If you stand in the right direction and the right height... -Yeah? | 0:42:54 | 0:42:59 | |
-..it shoots it straight into your mouth. -Oh, for goodness' sake! | 0:42:59 | 0:43:03 | |
Very good, Lewis. | 0:43:04 | 0:43:06 | |
This boat is likely to date from the 1940s | 0:43:06 | 0:43:09 | |
and Margie thinks it falls into the collectable category of trench art, | 0:43:09 | 0:43:13 | |
as it may have been made by a soldier or a POW during the war. | 0:43:13 | 0:43:18 | |
Fire. | 0:43:18 | 0:43:19 | |
LEVER CLICKS | 0:43:19 | 0:43:20 | |
Ticketed at £49. | 0:43:20 | 0:43:23 | |
-I must say I quite like that. -Yeah. -Right, well, I mustn't linger. | 0:43:23 | 0:43:26 | |
No. One to think about. | 0:43:26 | 0:43:29 | |
Right, what's spinning round in here? | 0:43:29 | 0:43:31 | |
Let's have a look. | 0:43:32 | 0:43:34 | |
Just have a look at this. What's this little chap here? Hey. | 0:43:35 | 0:43:39 | |
This little wooden boot is a Victorian inkwell, priced at £52. | 0:43:39 | 0:43:45 | |
It's very cute. It's got the original little bottle in. | 0:43:45 | 0:43:49 | |
We've got a bit of damage. | 0:43:49 | 0:43:52 | |
Oh, that's cute, isn't it? I quite like that. | 0:43:52 | 0:43:54 | |
Margie seems to like it so that's her second possible. | 0:43:56 | 0:43:59 | |
I will go for either the boot or the trench art, but I've got | 0:44:00 | 0:44:04 | |
to make my mind up soon cos Charles Hanson is about to arrive. | 0:44:04 | 0:44:08 | |
Speak of the devil. | 0:44:10 | 0:44:12 | |
Lordy. Margie's on the move. Look at her shift. | 0:44:12 | 0:44:16 | |
Oh, I can hear his car outside. | 0:44:16 | 0:44:18 | |
If I bought the two items... | 0:44:18 | 0:44:20 | |
-30 for that. -Quick, quick. -30 for that. -Yeah? -And... | 0:44:20 | 0:44:24 | |
-Could that be 20? -30... | 0:44:24 | 0:44:26 | |
-I can't do... I can't... -50 for the two. -I can't sanction that. | 0:44:26 | 0:44:30 | |
-It's not my stock so... -I know it's not. -..I'm limited. | 0:44:30 | 0:44:33 | |
-You don't want to ring her? -We can phone, yeah. | 0:44:33 | 0:44:36 | |
Hurry up, Lewis. I hope that dealer's on speed dial. | 0:44:36 | 0:44:39 | |
Oops. | 0:44:39 | 0:44:40 | |
-28 you can have it. That'll do. -I've got the two in the bag. | 0:44:40 | 0:44:43 | |
Got the 28 and I've got yours at... | 0:44:43 | 0:44:45 | |
25. | 0:44:45 | 0:44:48 | |
53. | 0:44:48 | 0:44:49 | |
For £53, she takes the 1940s cigarette dispenser | 0:44:49 | 0:44:53 | |
and the Victorian inkwell, | 0:44:53 | 0:44:55 | |
and just in time cos here comes Charles. | 0:44:55 | 0:44:58 | |
-How are you? -Fine, thank you. -Charles Hanson. | 0:44:59 | 0:45:03 | |
-Is she here yet? -She is. She is. | 0:45:03 | 0:45:05 | |
-Margie Cooper's here? -Yes. -OK, fine. | 0:45:05 | 0:45:08 | |
I'll go for a little mingle round and if you see her... | 0:45:08 | 0:45:10 | |
I'm incognito. | 0:45:10 | 0:45:11 | |
-Oh, it's you! You! -How are you? -Well, late. I'm late! | 0:45:11 | 0:45:17 | |
I know you're late. It's been terrific. I've had hours here. | 0:45:17 | 0:45:20 | |
-Have you been a magpie around the entire...? -I'm done and dusted. | 0:45:20 | 0:45:25 | |
-You're joking. -You're on your own, kid. Good luck, mate. See you. | 0:45:25 | 0:45:30 | |
Margie leaves Charles to it, with over £428 still in his pocket. | 0:45:30 | 0:45:37 | |
Margie never found the basement. | 0:45:41 | 0:45:43 | |
Yes. What's great is down here, | 0:45:43 | 0:45:47 | |
this teapot goes back to 1810. | 0:45:47 | 0:45:50 | |
We're talking what essentially is a boat-shaped, octagonal teapot, | 0:45:50 | 0:45:56 | |
beautifully painted in a whimsical, regency style. | 0:45:56 | 0:46:01 | |
What's really nice is you get the teapot stand, as well. | 0:46:01 | 0:46:04 | |
Yeah, priced at just £12.50, it's one to leave to brew. | 0:46:05 | 0:46:09 | |
What I do quite like, having just come upstairs, and sometimes | 0:46:09 | 0:46:13 | |
you need your mates with you, are the seven dwarfs down here, | 0:46:13 | 0:46:16 | |
and they're really quite sweet. | 0:46:16 | 0:46:19 | |
Hey, guys, you fancy coming to Norfolk with me? | 0:46:19 | 0:46:21 | |
These seven chaps are priced at £49. | 0:46:23 | 0:46:26 | |
With nothing else to tease him on this floor, Charles heads upstairs. | 0:46:26 | 0:46:30 | |
That's nice. What we've got here is a very nice dish from circa 1810. | 0:46:33 | 0:46:39 | |
This dish, although it is very oriental, | 0:46:39 | 0:46:42 | |
was in fact made in Staffordshire, and the body, | 0:46:42 | 0:46:45 | |
you'll see from the slightly bluish glaze, is a pearlware. | 0:46:45 | 0:46:51 | |
Ticketed at £20, Charles is interested. | 0:46:51 | 0:46:54 | |
I'll leave that down there. | 0:46:54 | 0:46:57 | |
-Sharon? -Yes? -I just wonder, this jardiniere over here... -Yes. | 0:46:57 | 0:47:02 | |
..which has a plant in it, is it for sale? | 0:47:02 | 0:47:04 | |
-Yes, it is. -How much is it? Is it yours? -Yeah. | 0:47:04 | 0:47:07 | |
-Has it not got a price mark? -It's a bit cracked. -I know it is. | 0:47:07 | 0:47:11 | |
-Let me give you that plant. -It's not wet, is it? | 0:47:11 | 0:47:14 | |
This porcelain jardiniere is Japanese and is over 100 years old. | 0:47:16 | 0:47:20 | |
Sharon and Lewis even have a stand to go with it. | 0:47:20 | 0:47:23 | |
Oh, that's nice. I just need something which has a look. | 0:47:23 | 0:47:28 | |
Indeed, a grand stand for a Japanese pot. | 0:47:28 | 0:47:32 | |
If I said to you... | 0:47:33 | 0:47:35 | |
.."Would you sell the two together," what would be your best price? | 0:47:36 | 0:47:40 | |
75 for the two. | 0:47:40 | 0:47:41 | |
I'm going to come to some decisions now, if that's OK with you, Sharon. | 0:47:43 | 0:47:46 | |
-Yeah. -OK. Let me show you over here. | 0:47:46 | 0:47:48 | |
-I brought this downstairs from your top floor. -Yes. Yes. | 0:47:48 | 0:47:52 | |
That's a nice dish. What would be the best on that? | 0:47:52 | 0:47:56 | |
15 on that. | 0:47:56 | 0:47:57 | |
You wouldn't take ten for it, would you? | 0:47:57 | 0:48:00 | |
Meet me halfway at 12? | 0:48:00 | 0:48:02 | |
-Go on, I'll do it for 12. -Are you sure? -Yes. | 0:48:02 | 0:48:04 | |
Sold one. We've got a deal. Thank you, Sharon. That's great. | 0:48:04 | 0:48:07 | |
-So I've bought one thing. -Yes. | 0:48:07 | 0:48:09 | |
-In your cellar, there is a teapot and cover on stand. -Right. | 0:48:09 | 0:48:15 | |
-May I just run and get it for you now very quickly? -Yes, yes. -OK. | 0:48:15 | 0:48:18 | |
-I'll be back in ten seconds, OK? Count me in. -I will. | 0:48:18 | 0:48:22 | |
-Nine, ten. -Oh, yes. | 0:48:30 | 0:48:31 | |
-Is it yours? -That is ours, yeah. -Oh, well done. £12.50. | 0:48:31 | 0:48:35 | |
-We're doing that for 12, aren't we? -Yeah. -8. So 20 for the two. | 0:48:35 | 0:48:39 | |
I'll take that. That's one more down. What else have I seen? | 0:48:40 | 0:48:44 | |
-I like the dwarves. Are they yours? -Yes. -Where do they come from? | 0:48:44 | 0:48:47 | |
-The garden in Lincolnshire. -Did they? | 0:48:47 | 0:48:49 | |
I think they've been almost highlighted. | 0:48:49 | 0:48:52 | |
Their colours are so flashy, aren't they? | 0:48:52 | 0:48:54 | |
They're priced at £49 for seven. | 0:48:54 | 0:48:58 | |
-Would you take £25? -Yes. -Done. | 0:48:58 | 0:49:02 | |
Thank you very much. | 0:49:02 | 0:49:03 | |
There we go. We're not hanging around, now. Bang, bang, bang. | 0:49:03 | 0:49:06 | |
Going, going, gone. | 0:49:06 | 0:49:07 | |
-That's three things. -Yes. -I do like this. -What were we at, 75? | 0:49:07 | 0:49:13 | |
-50 and our wagons roll. -If you're happy on that. Yes? | 0:49:13 | 0:49:17 | |
-I'm happy and you know it. Clap your hands. -Yes. -I'll take it. | 0:49:17 | 0:49:22 | |
Thanks a lot. Thank you so much. | 0:49:22 | 0:49:24 | |
-That's all right. -Give us a kiss. Thanks very much. | 0:49:24 | 0:49:28 | |
After struggling yesterday, | 0:49:28 | 0:49:29 | |
Charles has bought four items in as many minutes. | 0:49:29 | 0:49:32 | |
The pearlware plate, | 0:49:32 | 0:49:34 | |
the Staffordshire teapot, | 0:49:34 | 0:49:37 | |
a large Japanese jardiniere with a stand, | 0:49:37 | 0:49:40 | |
and seven garden gnomes, | 0:49:40 | 0:49:42 | |
all for £95, | 0:49:42 | 0:49:44 | |
and that brings our shopping to an end. | 0:49:44 | 0:49:46 | |
Until next time. Bye! | 0:49:47 | 0:49:49 | |
On the last haul, Charles married together the pearlware plate | 0:49:51 | 0:49:54 | |
and Staffordshire teapot into one lot. | 0:49:54 | 0:49:58 | |
His other buys include a pair of Royal Dux figurines, | 0:49:58 | 0:50:01 | |
a Victorian rosewood box, | 0:50:01 | 0:50:03 | |
and an 18th-century cornice. | 0:50:03 | 0:50:05 | |
All that lot cost him £163. | 0:50:05 | 0:50:08 | |
Margie parted with £144, | 0:50:10 | 0:50:14 | |
buying an Edwardian toilet mirror, | 0:50:14 | 0:50:16 | |
a gramophone, | 0:50:16 | 0:50:17 | |
a 1950s glass vase, | 0:50:17 | 0:50:19 | |
a 1930s stepladder, | 0:50:19 | 0:50:21 | |
a Victorian inkwell | 0:50:21 | 0:50:23 | |
and a wooden cigarette dispenser. | 0:50:23 | 0:50:25 | |
Like the look of the competition, guys? | 0:50:25 | 0:50:28 | |
Margie's bought really well this time. | 0:50:28 | 0:50:30 | |
The gramophone, well, Margie, | 0:50:30 | 0:50:31 | |
we all like sweet music and roll back the years because | 0:50:31 | 0:50:34 | |
they're wonderful objects, it's in a great case and that's a star buy. | 0:50:34 | 0:50:38 | |
I think that stands out, that carved piece of wood. | 0:50:38 | 0:50:41 | |
Probably 18th century. Gilded. I like it very much. | 0:50:41 | 0:50:45 | |
The final stop of this leg is located in the Norfolk countryside | 0:50:46 | 0:50:50 | |
in the attractive market town of Aylsham. | 0:50:50 | 0:50:52 | |
Oh! | 0:50:54 | 0:50:55 | |
Oh, it's a bit damp today. | 0:50:55 | 0:50:58 | |
-I've got a wet leg. -I know. My leg's wet. | 0:50:58 | 0:51:00 | |
I'm not sure what's happened, Margie. | 0:51:00 | 0:51:02 | |
It's either the nerves or it's the rain. | 0:51:02 | 0:51:05 | |
Not a good thought, that. | 0:51:05 | 0:51:07 | |
This leg's auction is taking place at Keys Auctioneers, a local | 0:51:07 | 0:51:10 | |
institution, and they've been selling from here for well over 60 years. | 0:51:10 | 0:51:16 | |
I think there's two things. It's getting out of the car | 0:51:16 | 0:51:19 | |
and also getting out here without a huge loss. | 0:51:19 | 0:51:22 | |
Come on, man. | 0:51:23 | 0:51:25 | |
Our auctioneer today is Dave Gould. | 0:51:25 | 0:51:28 | |
Time now for Charles and Margie to take their seats. | 0:51:28 | 0:51:32 | |
The first lot to go under Dave's gavel is Charles's seven gnomes. | 0:51:33 | 0:51:39 | |
I've got to start these on commissions at £30 here. | 0:51:39 | 0:51:42 | |
Come on, let's go. Come on. Let's go. Come on. | 0:51:42 | 0:51:45 | |
-32, 35. -Let's go. | 0:51:45 | 0:51:49 | |
-It's sticky. -35. It's with me. -Come on, sell. One more. 35. One more. | 0:51:49 | 0:51:54 | |
-They were cheap. -They were cheap. Doesn't matter. | 0:51:54 | 0:51:57 | |
Doesn't matter, Margie. | 0:51:57 | 0:51:58 | |
Kicking off with a profit. | 0:51:58 | 0:51:59 | |
Next up, Margie's Edwardian toilet mirror. | 0:51:59 | 0:52:03 | |
30? 30. 30? 30. 30? 30. | 0:52:03 | 0:52:05 | |
32, 35. | 0:52:05 | 0:52:06 | |
You're flying high, Margie. Doubled up. | 0:52:06 | 0:52:10 | |
48. 48? 48. 50. | 0:52:10 | 0:52:12 | |
Margie Cooper, take a bow. | 0:52:12 | 0:52:15 | |
Come on. | 0:52:15 | 0:52:17 | |
All out now then at 50. | 0:52:17 | 0:52:19 | |
-Margie Cooper! -It's not that brilliant. -25. | 0:52:19 | 0:52:22 | |
That's the biggest profit of the day so far. Take a bow. | 0:52:22 | 0:52:25 | |
We're only two lots in, Charles. But, yes, Margie's doubled her money. | 0:52:25 | 0:52:30 | |
This chap with a stick is telling us | 0:52:30 | 0:52:32 | |
Charles's Japanese jardiniere and stand is up next. | 0:52:32 | 0:52:36 | |
I've got to start that one here at 35. | 0:52:36 | 0:52:39 | |
Come on. I'm behind. Come on. | 0:52:39 | 0:52:42 | |
-38, 40. -Come on, sir. | 0:52:42 | 0:52:44 | |
-Come on. -49. 50. | 0:52:44 | 0:52:47 | |
-55, 60. -Come on! | 0:52:47 | 0:52:49 | |
Yes, over there. Sorry. Sorry. | 0:52:49 | 0:52:53 | |
-With you, madam. -Thank you very much, madam. -Anyone else now? | 0:52:53 | 0:52:56 | |
-Away now then at 65. -OK. That's OK. | 0:52:56 | 0:53:01 | |
A strong profit for Charles. Well done. | 0:53:01 | 0:53:04 | |
It's that stick again. Margie's stepladders are up now. | 0:53:04 | 0:53:08 | |
Start this here at £15. | 0:53:08 | 0:53:11 | |
-My money back. -£50? £50? -15, 15. | 0:53:11 | 0:53:15 | |
Maiden bid with commissions and I'll sell away now at 15. | 0:53:15 | 0:53:18 | |
-Got away with it. Got away with it. -That's good. £15. Broken even. | 0:53:18 | 0:53:23 | |
It will be a small loss after commission, though. | 0:53:23 | 0:53:26 | |
But it's early days. | 0:53:26 | 0:53:27 | |
Charles loved the carved 18th-century cornice. How will it do? | 0:53:27 | 0:53:33 | |
I've got to start this at £30 I'm bid. | 0:53:33 | 0:53:35 | |
-It could bomb. -30? 30. 30? 30. | 0:53:35 | 0:53:38 | |
-Doesn't matter. That's OK. -35? 35. | 0:53:38 | 0:53:42 | |
-38. 40. -Go on. One more. | 0:53:42 | 0:53:45 | |
-42. 45. -Go on, sir. One more. | 0:53:45 | 0:53:48 | |
-I'll sell them at 45. -History. | 0:53:48 | 0:53:51 | |
Someone's got a so-called 300-year-old cornice for a steal. | 0:53:51 | 0:53:56 | |
The next lot is Margie's 1950s glass vase. | 0:53:56 | 0:53:58 | |
£10 here for that at 10. | 0:53:58 | 0:54:01 | |
10? 10. At 12? 12. | 0:54:01 | 0:54:02 | |
15? At 15. 15. 18? At 18. | 0:54:02 | 0:54:05 | |
18? 18. 18? | 0:54:05 | 0:54:07 | |
Go on. At 18. 18. 18. It's in front. | 0:54:07 | 0:54:10 | |
It goes now at 18. | 0:54:10 | 0:54:12 | |
-18. Got a tenner. -That's good. Oh, that's great. | 0:54:12 | 0:54:15 | |
It is. And Margie's slowly stretching ahead. | 0:54:15 | 0:54:18 | |
Charles's next lot was supposed to be the pearlware plate and the teapot. | 0:54:18 | 0:54:21 | |
However, the plate was broken during the auction viewing - a tragedy. | 0:54:21 | 0:54:26 | |
The auction house has given an insurance valuation of £45 | 0:54:26 | 0:54:29 | |
for both items and if the teapot on its own sells for any less, | 0:54:29 | 0:54:32 | |
Charles will still receive 45. | 0:54:32 | 0:54:35 | |
Make sense? Good. | 0:54:35 | 0:54:36 | |
What a shame. | 0:54:36 | 0:54:38 | |
Yeah, the teapot's great. OK. I'm still standing, Margie. | 0:54:38 | 0:54:41 | |
At £10. At 10. 10, 10, 10, | 0:54:41 | 0:54:44 | |
-12, 15. -Very attractive. -At 15, 18. | 0:54:44 | 0:54:46 | |
-Very lovely, yeah. I love it. -£20. | 0:54:46 | 0:54:49 | |
20. Commission takes it away again. | 0:54:49 | 0:54:51 | |
That's broken even. | 0:54:51 | 0:54:53 | |
Hammer's gone down at 20, but the insurance was 45, | 0:54:54 | 0:54:57 | |
so Charles walks away with a £25 profit. | 0:54:57 | 0:55:00 | |
Smashing. Now time for Margie's cigarette dispenser. | 0:55:00 | 0:55:03 | |
Start me, then, at 10. 10, 12, 15. | 0:55:03 | 0:55:06 | |
18, 20? At 20. 2, do you want? 22. | 0:55:06 | 0:55:10 | |
-25. -Margie, you're flying high. -No, I'm not. | 0:55:10 | 0:55:12 | |
At 22. 22. 25. 25. | 0:55:12 | 0:55:15 | |
28. 28. 28, you're sure? | 0:55:15 | 0:55:17 | |
-Come on. -At 28. 28. | 0:55:17 | 0:55:18 | |
-28. 28. With Nelson, away it goes now. -That's good, Margie. | 0:55:18 | 0:55:21 | |
No, it's not! | 0:55:21 | 0:55:22 | |
Is that profit for you? | 0:55:22 | 0:55:24 | |
If should have made about £70. | 0:55:24 | 0:55:26 | |
It made Margie a few pounds' profit. | 0:55:26 | 0:55:28 | |
Now it's the turn of Charles's Royal Dux figurines. | 0:55:29 | 0:55:33 | |
-Unfortunately, a bit of damage. -Don't say that! | 0:55:33 | 0:55:35 | |
One hand been cut in half and glued together, but still a nice pair. | 0:55:35 | 0:55:39 | |
Well, that's killed them. | 0:55:39 | 0:55:40 | |
Hey, let's see. | 0:55:40 | 0:55:41 | |
25. 25. | 0:55:41 | 0:55:44 | |
-28. 30... -Hey, there you go. | 0:55:44 | 0:55:47 | |
-35. -Come on! -38. | 0:55:47 | 0:55:49 | |
At 38. 38. 40. | 0:55:49 | 0:55:51 | |
-At 40. 40, 40, 40, 40. -Come on. Let's go. | 0:55:51 | 0:55:55 | |
That's where we're stuck now then at £40. | 0:55:55 | 0:55:57 | |
I'm delighted with that, Margie. I'm over the moon. | 0:55:57 | 0:55:59 | |
-That's a great return. -Well done. -Thanks, Margie. | 0:55:59 | 0:56:02 | |
Well done indeed. A cracking return. | 0:56:02 | 0:56:04 | |
Next, Margie's Victorian ink well. | 0:56:04 | 0:56:08 | |
-We'll start that at £10 here. -Oh, Margie Cooper! | 0:56:08 | 0:56:11 | |
12, 15. At 15. 15, 18. | 0:56:11 | 0:56:14 | |
At 18. 18, 20. | 0:56:14 | 0:56:17 | |
-At 20. -2. -At 20. Lady takes a seat and you're all out? | 0:56:17 | 0:56:20 | |
Away it goes, then, at 20. | 0:56:20 | 0:56:22 | |
That was so cheap. That was so cheap! | 0:56:23 | 0:56:26 | |
That's a shame, Margie. | 0:56:26 | 0:56:28 | |
Will Charles have better luck with his piece of Victoriana? | 0:56:28 | 0:56:32 | |
His rosewood box is up now. | 0:56:32 | 0:56:34 | |
I'm going to start that here at £5 only. | 0:56:34 | 0:56:36 | |
-Oh, no. Come on! -At 5, 6, 8... | 0:56:36 | 0:56:38 | |
Let's go. Come on, let's go. | 0:56:38 | 0:56:39 | |
At 10. 12, 15? At 15. 18. 20. At 20. | 0:56:39 | 0:56:44 | |
-22, 25. -Come on! | 0:56:44 | 0:56:48 | |
Anybody else? 28 there! | 0:56:48 | 0:56:49 | |
-28. 28, 28, 28. -Go on, madam. | 0:56:49 | 0:56:52 | |
-28, standing near... -One for the road! | 0:56:52 | 0:56:55 | |
One for Norfolk. | 0:56:55 | 0:56:56 | |
And that's all, folks. | 0:56:56 | 0:56:57 | |
-That's you done. -I'm happy. | 0:56:57 | 0:56:59 | |
Well done, Charles. You're ending on a profit. | 0:56:59 | 0:57:01 | |
Ooh, stick's back, look. And pointing out our pair's last lot, | 0:57:01 | 0:57:06 | |
Margie's gramophone and records. | 0:57:06 | 0:57:09 | |
-Start this here at £35. -Get in! Well played. | 0:57:09 | 0:57:11 | |
-40. 2, 45. -You're flying, Margie Cooper! | 0:57:11 | 0:57:14 | |
50. 55? 55. | 0:57:14 | 0:57:16 | |
-60. -Yeah, £60! | 0:57:16 | 0:57:18 | |
-70. 75. -Margie Cooper! | 0:57:18 | 0:57:20 | |
75. 80. 85. 90. | 0:57:20 | 0:57:23 | |
-Hey! -5, do you want? -Oh, my goodness! | 0:57:23 | 0:57:26 | |
Coming out in a hot flush! | 0:57:26 | 0:57:29 | |
-100. At 100. -MARGIE LAUGHS | 0:57:29 | 0:57:33 | |
-Margie, you're the queen of the east. -That's brilliant. | 0:57:33 | 0:57:37 | |
A brilliant profit for Margie to end the auction, | 0:57:38 | 0:57:40 | |
but is it enough to win this leg? | 0:57:40 | 0:57:43 | |
Margie started off with £280.32. | 0:57:45 | 0:57:48 | |
After paying auction house fees, she's made a profit today of £45.42, | 0:57:48 | 0:57:55 | |
meaning she has £325.74 for next time. | 0:57:55 | 0:58:01 | |
Charles started this leg with £496.46. | 0:58:01 | 0:58:05 | |
After costs, he's made a profit of £48.56, | 0:58:05 | 0:58:10 | |
which means - by a slim margin of just over £3 - | 0:58:10 | 0:58:14 | |
he's this auction's winner and carries forward £545.02 | 0:58:14 | 0:58:20 | |
to the next leg. So proud. | 0:58:20 | 0:58:22 | |
-Pipped at the post, that's what I've been. -It was a funny old game today. | 0:58:22 | 0:58:26 | |
It was high and low. The helter-skelter of the road trip. | 0:58:26 | 0:58:29 | |
-You've got the luck of the Irish, you have. -Get out of here! | 0:58:29 | 0:58:31 | |
Until next time, then, bye-bye. | 0:58:31 | 0:58:33 | |
Bye! | 0:58:33 | 0:58:35 |