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It's the nation's favourite antiques experts. | 0:00:02 | 0:00:04 | |
-This is beautiful. -That's the way to do this. | 0:00:04 | 0:00:06 | |
With £200 each, a classic car and a goal - to scour for antiques. | 0:00:06 | 0:00:12 | |
-Joy. -Hello. | 0:00:12 | 0:00:14 | |
The aim - to make the biggest profit at auction, but it's no mean feat. | 0:00:14 | 0:00:17 | |
HE LAUGHS | 0:00:17 | 0:00:19 | |
-There'll be worthy winners and valiant losers. -Sorry! | 0:00:19 | 0:00:23 | |
So, will it be the high road to glory or the slow road to disaster? | 0:00:23 | 0:00:27 | |
The handbrake's on! | 0:00:27 | 0:00:29 | |
This is Antiques Road Trip. | 0:00:29 | 0:00:32 | |
Yeah! | 0:00:33 | 0:00:36 | |
It's the first leg of a brand-new road trip | 0:00:37 | 0:00:41 | |
and this week, it's the return of old partners in crime, | 0:00:41 | 0:00:44 | |
James Braxton and Charlie Ross. | 0:00:44 | 0:00:48 | |
# Another opening, another show | 0:00:48 | 0:00:51 | |
# In Philly, Boston or Baltimo' | 0:00:51 | 0:00:55 | |
# Another chance for the folks to show | 0:00:55 | 0:00:58 | |
# Another opening of another show. # | 0:00:58 | 0:01:02 | |
How's that? | 0:01:02 | 0:01:04 | |
Sounds all right to me, Charlie. | 0:01:04 | 0:01:06 | |
They are travelling in a 1961 Ford Zephyr, manufactured | 0:01:06 | 0:01:10 | |
before seatbelts were mandatory, and spirits are high on day one. | 0:01:10 | 0:01:15 | |
-The sun is out. -The sun is out. | 0:01:15 | 0:01:18 | |
I'm in the hands of an expert driver. | 0:01:18 | 0:01:20 | |
-Yes. -In a luxury car. | 0:01:20 | 0:01:23 | |
On the last outing those two took together, | 0:01:23 | 0:01:25 | |
Charlie smashed a road trip record. | 0:01:25 | 0:01:28 | |
He paid just £8 for a Staffordshire elephant, | 0:01:28 | 0:01:31 | |
and sold it for an astonishing £2,700. | 0:01:31 | 0:01:35 | |
You're hearing this? | 0:01:35 | 0:01:37 | |
For the last time, £2,700... | 0:01:37 | 0:01:40 | |
APPLAUSE | 0:01:42 | 0:01:45 | |
-Take a bow. -Take a bow. | 0:01:45 | 0:01:47 | |
James took his defeat on the chin. | 0:01:47 | 0:01:49 | |
I'm leaving. I think my road trip is over. | 0:01:49 | 0:01:53 | |
LAUGHTER | 0:01:53 | 0:01:54 | |
But this time round, he's going to new lengths to try | 0:01:54 | 0:01:57 | |
to gain the upper hand. | 0:01:57 | 0:02:00 | |
Since I last saw you, since our Scottish trip, | 0:02:00 | 0:02:02 | |
I bring a new thing in my life, which is yoga. | 0:02:02 | 0:02:06 | |
Don't tell me you're into yoga?! | 0:02:07 | 0:02:10 | |
Both mentally prepared and physically prepared. | 0:02:10 | 0:02:15 | |
You are taking on the athlete of antiques. | 0:02:15 | 0:02:19 | |
Could have fooled me! | 0:02:19 | 0:02:22 | |
Our experts have £200 to spend. | 0:02:22 | 0:02:24 | |
Their trip starts in the Lincolnshire town of Boston | 0:02:24 | 0:02:27 | |
and meanders through Norfolk and Cambridgeshire, up to Leicestershire | 0:02:27 | 0:02:30 | |
before heading south and finishing in the Surrey town of Cobham. | 0:02:30 | 0:02:33 | |
Today's leg starts off from Boston | 0:02:35 | 0:02:38 | |
and heads to auction in the rural Norfolk town of Fakenham. | 0:02:38 | 0:02:41 | |
Charlie's first shop is an old railway station office. | 0:02:48 | 0:02:51 | |
Look at this. Oh! | 0:02:51 | 0:02:54 | |
All my shopping will be over in a twinkling of an eyelash. | 0:02:54 | 0:02:58 | |
-Go forward and multiply. -Multiply. | 0:02:58 | 0:03:01 | |
-Multiply. -200 quid! Bingo! | 0:03:01 | 0:03:04 | |
Crikey, he's in a hurry! | 0:03:06 | 0:03:09 | |
-Jack, I'm running to meet you. -I don't blame you. | 0:03:09 | 0:03:13 | |
It's always such a pleasure to be here. Can I have a look round? | 0:03:13 | 0:03:16 | |
-Yeah, have a look round. -Wonderful. | 0:03:16 | 0:03:19 | |
They bill themselves here as dealers in nostalgia, and that may be true, | 0:03:20 | 0:03:25 | |
but it's outside that looks rather interesting. | 0:03:25 | 0:03:28 | |
Good Lord, you've got a camel! Was that here last time I came? | 0:03:30 | 0:03:33 | |
-No, no, that's recent. -Can I go and sit on him? -Yeah, you go sit on him. | 0:03:33 | 0:03:37 | |
-I've never bought a camel. -No. | 0:03:37 | 0:03:40 | |
-I'm going to fall over this damn thing. -Mind how you go, Charlie. | 0:03:42 | 0:03:46 | |
-Oh, gosh! -The stepladder is not very strong. | 0:03:46 | 0:03:50 | |
I feel like Lawrence of Arabia already. | 0:03:52 | 0:03:54 | |
You look a bit like Peter O'Toole. | 0:03:54 | 0:03:56 | |
SINGS THEME TO LAWRENCE OF ARABIA | 0:03:58 | 0:04:02 | |
Haven't got any white robes, have you, Jack? | 0:04:03 | 0:04:06 | |
This is not a camel for a hernia problem, is it? | 0:04:06 | 0:04:10 | |
-How much is your camel, Jack? -He can be 275 to you. | 0:04:10 | 0:04:13 | |
-What a steal, Jack. -It's for nothing, isn't it? -It is. | 0:04:13 | 0:04:16 | |
A steal, but, sadly, too rich for your blood, Charlie. | 0:04:16 | 0:04:20 | |
Time to get inside and see | 0:04:20 | 0:04:22 | |
if there's anything in your price range here. | 0:04:22 | 0:04:25 | |
-It's a bit more modern, that, isn't it? -Yeah, it's '50s, isn't it? | 0:04:25 | 0:04:28 | |
Got a plastic head. He's quite fun, though. | 0:04:28 | 0:04:31 | |
We're getting almost buyable. | 0:04:31 | 0:04:34 | |
-Can that be 30 quid? -No. | 0:04:34 | 0:04:37 | |
Jack, I thought I'd ask. | 0:04:37 | 0:04:40 | |
There's never any harm in asking, Jack. | 0:04:40 | 0:04:42 | |
-£70. -55? | 0:04:42 | 0:04:45 | |
£60, I'll have a deal with you. | 0:04:45 | 0:04:47 | |
-He's coming down. Jack's coming my way. -£60. -Jack's coming to meet me. | 0:04:47 | 0:04:51 | |
Oh, hang on. | 0:04:51 | 0:04:53 | |
-That's ghastly, isn't it? -What's that? | 0:04:53 | 0:04:56 | |
You must agree with me - | 0:04:56 | 0:04:57 | |
-that's the most awful cruet I've ever seen in my life. -Yeah. | 0:04:57 | 0:05:01 | |
But... Chromium plated, | 0:05:01 | 0:05:04 | |
-19... -It's got to be '50s. -..60-something, I'd say. | 0:05:04 | 0:05:08 | |
Salt and pepper in the form of a rather... | 0:05:08 | 0:05:13 | |
-£35, Charlie. -35. | 0:05:13 | 0:05:15 | |
Now we're going, now we're going. We're really motoring now. | 0:05:15 | 0:05:18 | |
Could spend all my £200 here today and then go to the seaside. | 0:05:18 | 0:05:23 | |
Bingo would be so jealous. | 0:05:23 | 0:05:25 | |
So would I. | 0:05:25 | 0:05:27 | |
With the model car and the salt-and-pepper cruet | 0:05:27 | 0:05:30 | |
under consideration, he is making progress. | 0:05:30 | 0:05:34 | |
-Charlie... -Yeah. -..what about this globe here? That's quite nice. | 0:05:34 | 0:05:37 | |
Very 1960s, isn't it? | 0:05:37 | 0:05:40 | |
-That's nice, isn't it? -Is that a 30-quid globe? | 0:05:40 | 0:05:43 | |
-No, it's not. 75. -75. | 0:05:43 | 0:05:46 | |
-But it's just nice. -Lovely globe. It's in super condition. | 0:05:46 | 0:05:50 | |
We'll talk prices. | 0:05:50 | 0:05:51 | |
I've seen three things there I might well be able to get... | 0:05:51 | 0:05:54 | |
Come round, Jack. Let's get to the nitty-gritty of this. | 0:05:54 | 0:05:57 | |
HE EXHALES | 0:05:59 | 0:06:01 | |
I quite like your globe. I love your toy. | 0:06:01 | 0:06:03 | |
The cruet I think is ghastly, but is saleable at a price. | 0:06:03 | 0:06:09 | |
-Not going to take 100 quid for those three, are you? -No. | 0:06:09 | 0:06:12 | |
Or are you? Cash. | 0:06:12 | 0:06:15 | |
Give me another 20 and you've got a deal. | 0:06:15 | 0:06:17 | |
-120 for the three? -Yeah. | 0:06:17 | 0:06:20 | |
-110? -No, 120. -That's it, isn't it? | 0:06:20 | 0:06:23 | |
-Yeah, that's the lot. -And not a penny less. -No. | 0:06:23 | 0:06:25 | |
I'm not going to knock you any more | 0:06:25 | 0:06:27 | |
because I think you've been very fair to me. | 0:06:27 | 0:06:29 | |
Charlie's off on a flyer. | 0:06:29 | 0:06:32 | |
He's got the globe for £50, the 1960s battery-operated car, | 0:06:32 | 0:06:35 | |
also for £50, | 0:06:35 | 0:06:39 | |
and the chromium-plated cruet in the form of an aeroplane for £20. | 0:06:39 | 0:06:43 | |
Got it? Good. | 0:06:43 | 0:06:45 | |
-Lovely to see you, Jack. -Well done. -Thank you very much indeed. | 0:06:45 | 0:06:47 | |
-See you again. -Bye-bye. -Yeah, bye-bye. | 0:06:47 | 0:06:50 | |
Meanwhile, James is heading to the centre of Boston. | 0:06:55 | 0:06:58 | |
This charming little antiques and collectables emporium | 0:06:59 | 0:07:03 | |
is his first shop, | 0:07:03 | 0:07:05 | |
and if the paint looks fresh, well, that's because it only just opened. | 0:07:05 | 0:07:09 | |
-Hello, James. -Welcome to the Magpie's Nest. -Hello. | 0:07:11 | 0:07:14 | |
-What are you called? -Des. -Des, very nice to meet you. | 0:07:14 | 0:07:17 | |
-We've only been open for one week now. -One week? -One week. | 0:07:17 | 0:07:20 | |
So there's no point in me saying fresh goods here. They're all fresh. | 0:07:20 | 0:07:23 | |
-All fresh goods. -Lead on. Lead on, Des. | 0:07:23 | 0:07:27 | |
This way into one of the first rooms. | 0:07:27 | 0:07:30 | |
The shop may be new and the stock may be fresh, | 0:07:30 | 0:07:33 | |
but nothing's got James hooked just yet. | 0:07:33 | 0:07:36 | |
We're not finding you a sale yet? | 0:07:38 | 0:07:40 | |
No, don't worry. I just like to drink it all in. | 0:07:40 | 0:07:43 | |
Drink it all in. | 0:07:43 | 0:07:46 | |
And he won't miss a thing. | 0:07:46 | 0:07:48 | |
Look at this tall fellow. He is handsome. | 0:07:49 | 0:07:53 | |
I always like something that's a little tall. What is this for? | 0:07:53 | 0:07:57 | |
-I think that's for gladioli. -Gladioli. | 0:07:57 | 0:08:00 | |
Dame Edna Everage's great, great thing. | 0:08:00 | 0:08:03 | |
I love the way she used to throw it at the end of the thing. | 0:08:03 | 0:08:06 | |
She used to throw these things out. | 0:08:06 | 0:08:08 | |
Gladioli is like being hit by a bit of bamboo, isn't it? | 0:08:08 | 0:08:12 | |
THEY LAUGH | 0:08:12 | 0:08:13 | |
I think it's made for a '60s, '70s market, isn't it? | 0:08:13 | 0:08:18 | |
-So very light, isn't it? -What have you got on it? -£22 on it. | 0:08:18 | 0:08:21 | |
-You chancer, Des, eh? -What about 15? | 0:08:21 | 0:08:24 | |
What about 15? What about 10, mate? | 0:08:24 | 0:08:27 | |
-£12 and it's yours. -12, you say? | 0:08:27 | 0:08:31 | |
-12. -12, put it there. | 0:08:31 | 0:08:33 | |
-Thank you very much. -Very kind. Thank you, Des. | 0:08:33 | 0:08:36 | |
Well, possums, the Dame-Edna-inspired gladioli vase, | 0:08:36 | 0:08:41 | |
which had a ticket price for £22, | 0:08:41 | 0:08:43 | |
has been snapped up by James for £12. | 0:08:43 | 0:08:46 | |
Charlie has travelled to the Lincolnshire town of Spalding. | 0:08:52 | 0:08:57 | |
With three items already under his belt, he's on a roll. | 0:08:57 | 0:09:01 | |
-Ah, this must be the boss? -This is the boss. -Hello, boss. | 0:09:02 | 0:09:06 | |
-Hello, Charlie. Nice to see you. -Your name is? -John. | 0:09:06 | 0:09:09 | |
John, lovely to be here, John. Now, may I have a quick look round? | 0:09:09 | 0:09:12 | |
You have a look round with pleasure. | 0:09:12 | 0:09:14 | |
It's not every antique shop which can boast its very own | 0:09:14 | 0:09:18 | |
oil painting of Chas and Dave, so what other gems are there in here? | 0:09:18 | 0:09:24 | |
On my way in here, out of the corner of my eye, | 0:09:25 | 0:09:28 | |
I caught a glimpse of an extremely exciting item. | 0:09:28 | 0:09:31 | |
Now, what would that be? | 0:09:31 | 0:09:33 | |
Well, I tell you what, what do fish have on the outside? | 0:09:33 | 0:09:36 | |
-They have scales. -Scales? -They do. -What's outside? -A set of scales. | 0:09:36 | 0:09:39 | |
THEY LAUGH | 0:09:39 | 0:09:41 | |
-Can we go and have a look at them? -Yes, let's have a look. | 0:09:41 | 0:09:43 | |
-Thank you. -After you. | 0:09:43 | 0:09:46 | |
-Here they are. Look at that. -Yes. | 0:09:48 | 0:09:51 | |
-Avery of Birmingham. -That's right. -Victorian. | 0:09:51 | 0:09:54 | |
Hang your weights on there, I suppose, don't you, | 0:09:54 | 0:09:57 | |
-and there's the fine tuning for your pounds. -That's right. | 0:09:57 | 0:10:00 | |
On the scale of things, these look very nice. | 0:10:00 | 0:10:03 | |
I'll be perfectly honest with you. | 0:10:05 | 0:10:07 | |
-I think they'll probably sell for 35 quid at auction. -What about... | 0:10:07 | 0:10:11 | |
rock bottom... | 0:10:11 | 0:10:13 | |
£30 notes? | 0:10:13 | 0:10:16 | |
Charlie's going to think about that one. | 0:10:16 | 0:10:20 | |
He's also spotted a flash little number | 0:10:20 | 0:10:23 | |
that might just suit his personality. | 0:10:23 | 0:10:25 | |
Ooh, you've got a racing car, a Ferrari, no less. | 0:10:25 | 0:10:28 | |
-I think it is a Ferrari. -It is a Ferrari. | 0:10:28 | 0:10:31 | |
I can tell you it's a Ferrari. Look at that. | 0:10:31 | 0:10:34 | |
-Wonderful. I've sold a real one of these. -I know you have. | 0:10:34 | 0:10:38 | |
Do you know how much it made? 16 million. | 0:10:38 | 0:10:41 | |
I think this is probably a little less. | 0:10:41 | 0:10:43 | |
This is a very good model, actually. It's even got the old... | 0:10:43 | 0:10:46 | |
Well, that's terribly expensive. | 0:10:46 | 0:10:49 | |
-It's a tenner. -Is it a tenner? | 0:10:49 | 0:10:51 | |
-It's a tenner. -What, a Ferrari for a tenner? -A Ferrari for a tenner. | 0:10:51 | 0:10:56 | |
You're in Spalding. | 0:10:56 | 0:10:58 | |
THEY LAUGH | 0:10:58 | 0:11:01 | |
I love that line. | 0:11:01 | 0:11:03 | |
"A Ferrari for a tenner. You're in Spalding!" | 0:11:03 | 0:11:07 | |
-I'm getting very excited... -Really? | 0:11:07 | 0:11:10 | |
..by your Ferrari and your Victorian scales. | 0:11:10 | 0:11:13 | |
We might be able to do a little package, do you think? | 0:11:15 | 0:11:18 | |
The scales have a ticket price of £40, and the car £10, | 0:11:20 | 0:11:24 | |
but can Charlie strike a deal for the two? | 0:11:24 | 0:11:28 | |
Now, you don't want to take £20 for your scales, do you? | 0:11:28 | 0:11:30 | |
-I'm trying hard. -I'll take £30 for the scales. | 0:11:30 | 0:11:34 | |
The scales I want to buy because I think I might make a profit. | 0:11:34 | 0:11:37 | |
This I want to buy cos I don't think it will make a profit, | 0:11:37 | 0:11:40 | |
but it's me, isn't it? | 0:11:40 | 0:11:42 | |
-I'll give you 30 quid for your scales, John. -OK. | 0:11:42 | 0:11:45 | |
I'm sorry I haggled so hard. That was a bit naughty of me, really. | 0:11:45 | 0:11:48 | |
No, it wasn't. It was most enjoyable. | 0:11:48 | 0:11:51 | |
But you stuck your ground and I'm happy to give you £30. | 0:11:51 | 0:11:54 | |
Well, that's very kind of you. You ought to have the Ferrari. | 0:11:54 | 0:11:58 | |
I should have a Ferrari, shouldn't I? It's silly not to buy a Ferrari. | 0:11:58 | 0:12:02 | |
-That's right. -£30 for your scales. -Thank you very much indeed. | 0:12:02 | 0:12:05 | |
I shall be able to go out this evening now. | 0:12:05 | 0:12:08 | |
Yeah, I'm going to have your bloomin' Ferrari. | 0:12:08 | 0:12:11 | |
-I can't resist it. -I can go out tomorrow night as well. | 0:12:11 | 0:12:14 | |
You can go out for the rest of the week, sir. | 0:12:14 | 0:12:17 | |
-John, it's been a pleasure. -I enjoyed it. | 0:12:17 | 0:12:18 | |
Thank you very much indeed. | 0:12:18 | 0:12:20 | |
So, Charlie walks away with the scales for £30 | 0:12:20 | 0:12:23 | |
and a rather sentimental purchase of the model Ferrari Testarossa | 0:12:23 | 0:12:27 | |
for £10, bringing his total spend to £160. | 0:12:27 | 0:12:32 | |
Bingo, who would have thought it? | 0:12:32 | 0:12:35 | |
I've come to Spalding and what have I found? | 0:12:35 | 0:12:37 | |
A Ferrari Testarossa! | 0:12:37 | 0:12:40 | |
While Charlie's been spending, James is heading to King's Lynn. | 0:12:44 | 0:12:48 | |
During the early part of World War I, | 0:12:50 | 0:12:52 | |
this historic Norfolk town was literally struck with tragedy. | 0:12:52 | 0:12:57 | |
It was one of the first places in Britain to be | 0:12:57 | 0:12:59 | |
bombed from the air by the Germans. | 0:12:59 | 0:13:03 | |
To make matters worse, King's Lynn wasn't even the intended target. | 0:13:03 | 0:13:07 | |
James has come to the Lynn Museum, | 0:13:07 | 0:13:10 | |
where curator Dana Woolbright can tell him more. | 0:13:10 | 0:13:13 | |
-Hello. -Hello. James Braxton. -Welcome to Lynn Museum. -Hello. | 0:13:14 | 0:13:19 | |
-Would you like to follow me? -Yes, lead on. | 0:13:19 | 0:13:21 | |
In January 1915, two massive German Zeppelin airships came | 0:13:21 | 0:13:26 | |
floating over the Norfolk skies. | 0:13:26 | 0:13:29 | |
Many people in Britain had heard of these, but nobody would ever | 0:13:29 | 0:13:33 | |
have expected to see them flying overhead, | 0:13:33 | 0:13:36 | |
leave alone what was about to come. | 0:13:36 | 0:13:39 | |
King's Lynn was actually one of the first places | 0:13:39 | 0:13:41 | |
to be bombed by a Zeppelin. | 0:13:41 | 0:13:43 | |
On the night of 19th January 1915, | 0:13:43 | 0:13:46 | |
two Zeppelins flew over from Germany, both carrying bombs. | 0:13:46 | 0:13:49 | |
When the L4 Zeppelin came over King's Lynn, | 0:13:49 | 0:13:52 | |
it dropped a total of eight bombs. | 0:13:52 | 0:13:54 | |
Some of them didn't explode, others did. | 0:13:54 | 0:13:58 | |
Several people were injured and buildings were destroyed, | 0:13:58 | 0:14:01 | |
and there was two casualties, unfortunately, on that night. | 0:14:01 | 0:14:04 | |
This is actually a piece of the Zeppelin bomb | 0:14:04 | 0:14:06 | |
which came down in a very small village outside of King's Lynn. | 0:14:06 | 0:14:10 | |
-So is this just the tip of it? -It's just the tip of it. | 0:14:10 | 0:14:14 | |
-And that's a real weight, isn't it? -It really is, yeah. | 0:14:14 | 0:14:18 | |
The bombing of King's Lynn and the deaths of two locals inspired | 0:14:18 | 0:14:22 | |
the community to become more involved with the war effort. | 0:14:22 | 0:14:26 | |
Engineers, in particular, had valuable expertise to bring to the | 0:14:26 | 0:14:31 | |
table and local firm Savage's turned their business towards the fight. | 0:14:31 | 0:14:36 | |
Frederick Savage was a fantastic engineer and entrepreneur. | 0:14:38 | 0:14:42 | |
He started off his business in farming and agricultural equipment | 0:14:42 | 0:14:46 | |
before he then branched off into fairground rides. | 0:14:46 | 0:14:49 | |
In the Victorian era, no fairground would be complete without | 0:14:49 | 0:14:52 | |
one of the Savage's carousels. | 0:14:52 | 0:14:54 | |
So, from a carousel, from a sort of tractor-maker to carousel-maker, | 0:14:54 | 0:14:59 | |
which avenue did he go down for the war effort? | 0:14:59 | 0:15:03 | |
By the time the First World War started, | 0:15:03 | 0:15:05 | |
Frederick Savage had unfortunately died, | 0:15:05 | 0:15:07 | |
but his sons were running the business instead | 0:15:07 | 0:15:09 | |
and they managed to secure the manufacturing rights | 0:15:09 | 0:15:12 | |
to the Voisin LA biplane, | 0:15:12 | 0:15:14 | |
which they made in their factory here in King's Lynn. | 0:15:14 | 0:15:17 | |
The skills of working with canvas and wire, engineering equipment | 0:15:17 | 0:15:20 | |
was easily transferable into working with these planes. | 0:15:20 | 0:15:25 | |
From flying horses to flying planes, | 0:15:25 | 0:15:28 | |
Savage's produced a number of these aircraft for the British war effort, | 0:15:28 | 0:15:34 | |
and the King's Lynn engineering expertise didn't stop there. | 0:15:34 | 0:15:37 | |
A local inventor by the name of Thomas Cooper | 0:15:37 | 0:15:40 | |
revolutionised how we bombed the enemy. | 0:15:40 | 0:15:44 | |
This is a Thomas Cooper bomb, which were made in King's Lynn, | 0:15:44 | 0:15:47 | |
and they were one of the first small aerial bombs to be | 0:15:47 | 0:15:50 | |
used during the First World War. | 0:15:50 | 0:15:52 | |
They were fitted with a safety device, which meant that they | 0:15:52 | 0:15:54 | |
wouldn't explode until they'd been dropped out of the aeroplane. | 0:15:54 | 0:15:58 | |
That's a very wise idea. | 0:15:58 | 0:16:00 | |
And this great wheel thing going on in the front? | 0:16:00 | 0:16:03 | |
Yeah, that's part of the safety device, | 0:16:03 | 0:16:05 | |
-so this little propeller would have fitted on the front there. -Yeah. | 0:16:05 | 0:16:08 | |
That would have been spinning as it went out | 0:16:08 | 0:16:10 | |
and once it had spun enough times, you get your explosion. | 0:16:10 | 0:16:13 | |
Interesting that in King's Lynn, we've got Savage's, | 0:16:13 | 0:16:15 | |
we've got Cooper's and this probably was replicated all over the country, | 0:16:15 | 0:16:20 | |
everybody migrating their existing skills | 0:16:20 | 0:16:24 | |
to help with the mighty war effort. | 0:16:24 | 0:16:26 | |
This collective invention and spirit played an important role, | 0:16:26 | 0:16:30 | |
and its impact on helping win the First World War | 0:16:30 | 0:16:33 | |
cannot be underestimated. | 0:16:33 | 0:16:35 | |
Right now, it's time for the chaps to have some well-earned rest | 0:16:42 | 0:16:46 | |
so, nighty-night. | 0:16:46 | 0:16:49 | |
It's a brand-new day and the boys are back on the hunt | 0:16:53 | 0:16:56 | |
for antiques, with Charlie taking on chauffeuring duties. | 0:16:56 | 0:17:00 | |
-Is everything all right in the back, sir? -Lovely, thank you. | 0:17:00 | 0:17:04 | |
Yesterday, Charlie was a big spender, | 0:17:04 | 0:17:07 | |
splashing £160 on five lots. | 0:17:07 | 0:17:10 | |
A 1960s vintage battery-operated car, | 0:17:11 | 0:17:15 | |
a cruet in the form of an aeroplane, | 0:17:15 | 0:17:19 | |
a globe, | 0:17:19 | 0:17:21 | |
a set of Victorian baker's scales, and a model car. | 0:17:21 | 0:17:25 | |
That leaves him with just £40 to spend today. | 0:17:25 | 0:17:28 | |
James had far less fruitful day, | 0:17:30 | 0:17:32 | |
spending only £12 on a gladioli vase. | 0:17:32 | 0:17:37 | |
His pockets are pretty full, with £188 left to spend. | 0:17:37 | 0:17:41 | |
The fellows are still in King's Lynn this morning | 0:17:44 | 0:17:47 | |
and heading to James's first shop. | 0:17:47 | 0:17:49 | |
-Lovely. -Will that do for you, sir? | 0:17:50 | 0:17:53 | |
-Lovely, thank you. -Splendid. | 0:17:53 | 0:17:55 | |
I'll be around, sir, don't worry. | 0:17:55 | 0:17:57 | |
HE LAUGHS | 0:17:57 | 0:18:00 | |
-Ah, thank you. Thank you. -Pleasure, sir. | 0:18:02 | 0:18:05 | |
-Are you going shopping this morning, sir? -Yes, shopping. -Marvellous. | 0:18:05 | 0:18:10 | |
-Just freshen you up a little, sir. -There we are. -Marvellous. | 0:18:10 | 0:18:14 | |
-Have a good day, sir. -Same to you, Ross. -See you later. -Bye. | 0:18:14 | 0:18:17 | |
How sweet. | 0:18:17 | 0:18:19 | |
James still has plenty of money burning a hole in his pocket | 0:18:19 | 0:18:22 | |
and with only one item to show for yesterday, | 0:18:22 | 0:18:25 | |
he'd best not dilly-dally today. | 0:18:25 | 0:18:28 | |
-Hello. -Good morning. -Hello. James. | 0:18:28 | 0:18:30 | |
-Hello, James. I'm Maggie. -Hello, Maggie. Nice to see you. | 0:18:30 | 0:18:34 | |
-Nice to meet you. -Now, how long have you had this lovely place for? | 0:18:34 | 0:18:37 | |
-Two-and-a-half years. -Two-and-a-half years? Good. Going strong. | 0:18:37 | 0:18:41 | |
OK, well, I'll just have a good old rootle around. | 0:18:41 | 0:18:44 | |
Chop chop. You're lagging behind here. | 0:18:44 | 0:18:48 | |
Crikey, he's an acquired taste! | 0:18:50 | 0:18:53 | |
Maggie, can I look in this cabinet down here? | 0:18:55 | 0:18:59 | |
Lovely piece of wood. | 0:18:59 | 0:19:01 | |
"The Beaver Talbot tie press." | 0:19:01 | 0:19:04 | |
-I'd like the nameplate. -Would that have been... | 0:19:04 | 0:19:08 | |
..something, yeah, | 0:19:10 | 0:19:11 | |
that a gentleman would have simply | 0:19:11 | 0:19:14 | |
put in his wardrobe with the tie in? | 0:19:14 | 0:19:18 | |
Yeah, I think so. He would have left it overnight, | 0:19:18 | 0:19:20 | |
-rather like putting trousers in a trouser-press. -Yeah. | 0:19:20 | 0:19:23 | |
Or maybe at rest, when he was reading his newspaper. | 0:19:23 | 0:19:28 | |
You just recline in your armchair, | 0:19:28 | 0:19:30 | |
there we are, doing two jobs at once. | 0:19:30 | 0:19:33 | |
SHE LAUGHS | 0:19:33 | 0:19:35 | |
A man should look his best at all times. | 0:19:35 | 0:19:39 | |
With James's tie now nice and straight, and the tie-presser | 0:19:39 | 0:19:43 | |
a definite contender, are there any other items on his radar? | 0:19:43 | 0:19:47 | |
It's a stand, it's a tazza. | 0:19:47 | 0:19:50 | |
The rather nice thing is, it has a little | 0:19:50 | 0:19:53 | |
pictorial thing here, | 0:19:53 | 0:19:56 | |
and I think it's probably Windsor Castle. | 0:19:56 | 0:19:59 | |
This is rather fun so, a paper knife, | 0:19:59 | 0:20:01 | |
wholly appropriate it should have a terminal here, the Penny Black. | 0:20:01 | 0:20:05 | |
This was the mighty stamp. | 0:20:05 | 0:20:07 | |
This is the stamp that made the world slightly smaller, | 0:20:07 | 0:20:10 | |
introduced in the early part of the 1840s. | 0:20:10 | 0:20:14 | |
Incredibly successful. | 0:20:14 | 0:20:16 | |
This was an invention that introduced a new item. | 0:20:16 | 0:20:20 | |
-It's like the internet revolution, isn't it? -Yeah, absolutely. | 0:20:20 | 0:20:24 | |
An amazing take-up. | 0:20:24 | 0:20:26 | |
Maggie is off to chat with colleague Ian to see what price they'll | 0:20:26 | 0:20:30 | |
be able to do on the tazza and the paper knife. | 0:20:30 | 0:20:34 | |
We could do...maybe 40 would probably be the best, I think. | 0:20:35 | 0:20:40 | |
So that's sort of looking at about £20 each, isn't it? | 0:20:40 | 0:20:44 | |
What about if I bought the strange beaver fellow, what could that be? | 0:20:44 | 0:20:50 | |
-Four. -That could be four, could it? | 0:20:50 | 0:20:53 | |
How about the whole lot for 40? | 0:20:53 | 0:20:56 | |
-Erm, yeah, OK. -That's very kind of you. | 0:20:58 | 0:21:01 | |
Thank you very much indeed, Maggie. | 0:21:01 | 0:21:03 | |
So that's a deal done for £40 for all three items. | 0:21:03 | 0:21:08 | |
£18 for the tazza, | 0:21:08 | 0:21:09 | |
£18 for the paper knife | 0:21:09 | 0:21:12 | |
and the tie press thrown in for £4. | 0:21:12 | 0:21:15 | |
-£40. Very kind of you. -Lovely. | 0:21:15 | 0:21:18 | |
Is that you done in here now, James? | 0:21:19 | 0:21:22 | |
-Maggie, I did notice one more thing. Can I show you? -Yes, certainly. | 0:21:22 | 0:21:26 | |
It's sort of winking at me. | 0:21:26 | 0:21:28 | |
My eye suddenly alighted on this rather magnificent pheasant. | 0:21:28 | 0:21:32 | |
-Ah, yes. -The mighty cock bird. | 0:21:32 | 0:21:34 | |
And I just wondered, I've had a look at the price tag, | 0:21:34 | 0:21:37 | |
and I was sort of tempted... | 0:21:37 | 0:21:40 | |
Could it be bought for 45? | 0:21:42 | 0:21:45 | |
The ticket price is a very specific £92.52p, | 0:21:45 | 0:21:49 | |
so Maggie's off for another tete-a-tete with Ian, | 0:21:49 | 0:21:52 | |
armed with James's £45 offer. | 0:21:52 | 0:21:56 | |
What's the result, Maggie? | 0:21:56 | 0:21:58 | |
-What is the result? -He says yes. | 0:21:58 | 0:22:01 | |
He says yes, the man from Del Monte says yes! | 0:22:01 | 0:22:04 | |
-45, let's not fiddle around. -Thank you. -Thank you very much indeed. | 0:22:04 | 0:22:09 | |
I've had a lovely morning with you | 0:22:09 | 0:22:12 | |
and I am now offski. | 0:22:12 | 0:22:14 | |
Bird in the hand is worth two in the bush. | 0:22:14 | 0:22:17 | |
So that last-minute purchase of the pheasant brings James's total spend | 0:22:18 | 0:22:22 | |
to £97, with one more shop to go. | 0:22:22 | 0:22:26 | |
King's Lynn is steeped in maritime tradition. | 0:22:29 | 0:22:32 | |
For centuries, it was one of the country's most vital river ports, | 0:22:32 | 0:22:36 | |
providing easy access for trade with mainland Europe, | 0:22:36 | 0:22:39 | |
so it's perhaps not surprising that two of the town's | 0:22:39 | 0:22:42 | |
most celebrated sons are a pair of sailors | 0:22:42 | 0:22:45 | |
who made their mark on the world stage. | 0:22:45 | 0:22:48 | |
George Vancouver and Samuel Gurney Cresswell were both born in the town | 0:22:48 | 0:22:54 | |
and were both instrumental in some crucial geographic discoveries. | 0:22:54 | 0:22:59 | |
Charlie's come to meet Doreen Leventhall | 0:22:59 | 0:23:02 | |
from the King's Lynn Preservation Trust to find out more. | 0:23:02 | 0:23:05 | |
Doreen, what a splendid sea breeze there is today. | 0:23:05 | 0:23:09 | |
I've been to King's Lynn before, | 0:23:09 | 0:23:11 | |
but I've never really realised its historical importance. | 0:23:11 | 0:23:15 | |
It was a very important port, | 0:23:15 | 0:23:18 | |
and from earliest times, grew up on the side of the River Great Ouse | 0:23:18 | 0:23:23 | |
and by the early 13th century, | 0:23:23 | 0:23:26 | |
it was one of the four most important ports in England. | 0:23:26 | 0:23:30 | |
The port was the hub for trade with Europe for centuries, and buildings | 0:23:33 | 0:23:37 | |
like the old custom house were right at the heart of the business. | 0:23:37 | 0:23:41 | |
Not far from here is a tribute | 0:23:43 | 0:23:45 | |
to our first King's Lynn maritime hero, George Vancouver. | 0:23:45 | 0:23:50 | |
Born in the town in 1757, he joined the Navy at just 13. | 0:23:50 | 0:23:56 | |
At the end of the 18th century, there was | 0:23:56 | 0:23:58 | |
a race to discover a faster trade route between Europe and Asia. | 0:23:58 | 0:24:02 | |
Vancouver was sent to explore. | 0:24:02 | 0:24:05 | |
-Here he is. -Here he is. | 0:24:05 | 0:24:07 | |
Captain George Vancouver. | 0:24:07 | 0:24:09 | |
He made his career in the Navy | 0:24:09 | 0:24:11 | |
and in 1791, he was given the commission of charting | 0:24:11 | 0:24:16 | |
the west coast of America. | 0:24:16 | 0:24:18 | |
They made this massive journey from California right up to Alaska. | 0:24:18 | 0:24:23 | |
All the little inlets, they went in on small boats, charting them | 0:24:23 | 0:24:28 | |
and keeping the records, and his maps were | 0:24:28 | 0:24:31 | |
so good that they were still used until relatively recent times. | 0:24:31 | 0:24:36 | |
After the longest surveying expedition in history, | 0:24:36 | 0:24:39 | |
which lasted four-and-a-half years, | 0:24:39 | 0:24:41 | |
Vancouver didn't find the elusive Northwest Passage but he made all | 0:24:41 | 0:24:46 | |
sorts of other discoveries, and even had a Canadian city named after him. | 0:24:46 | 0:24:51 | |
When he got back here, he didn't make old bones, did he? | 0:24:51 | 0:24:54 | |
-You're right about the old bones. He was only 39. -Gosh. | 0:24:54 | 0:24:57 | |
He died of illness, but this seems to be quite common with sailors. | 0:24:57 | 0:25:03 | |
I think it was just a very tough life at sea. | 0:25:03 | 0:25:05 | |
That didn't stop another of King's Lynn's finest taking up the mantle. | 0:25:07 | 0:25:12 | |
Samuel Gurney Cresswell was born in 1827 | 0:25:12 | 0:25:15 | |
and was to become another King's Lynn naval legend. | 0:25:15 | 0:25:19 | |
Cresswell was born into a banking family | 0:25:19 | 0:25:23 | |
in these opulent surroundings. | 0:25:23 | 0:25:26 | |
So this is a bank house. It's really rather splendid. | 0:25:26 | 0:25:29 | |
And this was where Samuel Gurney Cresswell was born. | 0:25:29 | 0:25:32 | |
We know from his mother's letters that he was always a restless child, | 0:25:32 | 0:25:36 | |
so it was suggested by a family friend, who was in the Navy, | 0:25:36 | 0:25:39 | |
that perhaps a naval life would be better for young Samuel. | 0:25:39 | 0:25:42 | |
Young Cresswell loved Navy life, | 0:25:44 | 0:25:46 | |
ao much so, that he signed up for an Arctic voyage in 1849, | 0:25:46 | 0:25:51 | |
hoping to discover the Northwest Passage that had eluded | 0:25:51 | 0:25:55 | |
fellow King's Lynn sailor, Vancouver. | 0:25:55 | 0:25:58 | |
Cresswell was on a ship that was captained by a man called McClure | 0:25:58 | 0:26:01 | |
and he was absolutely determined to be the first man | 0:26:01 | 0:26:05 | |
-to find the Northwest Passage. -Yeah. | 0:26:05 | 0:26:07 | |
So he pressed on in when the other ship that was with them | 0:26:07 | 0:26:12 | |
actually turned back because they thought it was too dangerous. | 0:26:12 | 0:26:17 | |
And that's how we know that they made it into the Arctic | 0:26:17 | 0:26:21 | |
but, of course, they got stuck in the ice. | 0:26:21 | 0:26:24 | |
Cresswell's ship, HMS Investigator, | 0:26:24 | 0:26:27 | |
was trapped in the ice for over two years. | 0:26:27 | 0:26:31 | |
The crew, faced with starvation, were eventually rescued. | 0:26:31 | 0:26:35 | |
Cresswell, who was still in good health, volunteered to lead | 0:26:35 | 0:26:39 | |
a group overland for 300 miles to meet a rescue ship. | 0:26:39 | 0:26:42 | |
This journey was the first documented evidence | 0:26:44 | 0:26:47 | |
of the Northwest Passage. | 0:26:47 | 0:26:49 | |
Cresswell arrived back in England as living proof of the discovery | 0:26:49 | 0:26:52 | |
of this long-sought-after route. | 0:26:52 | 0:26:54 | |
All the people of King's Lynn turned out and gave him a hero's welcome. | 0:26:54 | 0:26:58 | |
-The church bells were rung... -Oh, my goodness. -..and flags were waved. | 0:26:58 | 0:27:02 | |
-He'd never have got that if he'd been a banker, would he? -No. | 0:27:02 | 0:27:05 | |
And so he was home and he was safe. | 0:27:07 | 0:27:10 | |
King's Lynn may not be a thriving port today, but, thanks to | 0:27:10 | 0:27:14 | |
its two naval heroes, it holds a special place in maritime history. | 0:27:14 | 0:27:18 | |
James's final shop is in the seaside town of Hunstanton. | 0:27:20 | 0:27:25 | |
Le Strange Old Barns is located only 200 yards from the beach | 0:27:25 | 0:27:31 | |
and while we do like to be beside the seaside, | 0:27:31 | 0:27:34 | |
James still has some shopping to do. | 0:27:34 | 0:27:37 | |
-James Braxton. -Hello, James. | 0:27:37 | 0:27:39 | |
-Patrick. -Hello. Nice to meet you, Patrick. -You too. | 0:27:39 | 0:27:41 | |
James still has just over £100 to play with. | 0:27:44 | 0:27:47 | |
On such a sunny day, his thoughts are turning to the outdoors | 0:27:51 | 0:27:55 | |
and this funny-looking little old chap. | 0:27:55 | 0:27:58 | |
-Well, he's a humorous old fellow, isn't he? -He's a little planter. | 0:27:58 | 0:28:01 | |
He's a planter, is he? Very smart. | 0:28:01 | 0:28:05 | |
A smart gnome's hat, hasn't he? | 0:28:05 | 0:28:07 | |
He's rather funny. What sort of price is he, Patrick? | 0:28:07 | 0:28:12 | |
£35 on him. | 0:28:12 | 0:28:14 | |
-35? -You could make an offer. | 0:28:14 | 0:28:17 | |
The only thing that is steering me towards the gnome is to hear | 0:28:17 | 0:28:22 | |
Charlie... my competitor's reaction to it. | 0:28:22 | 0:28:26 | |
Patrick, would a tenner buy that? | 0:28:26 | 0:28:28 | |
-Yes, it will. -You had me worried there for a moment. -£10. | 0:28:30 | 0:28:34 | |
I thought you'd held your breath and you were going to faint on me. | 0:28:34 | 0:28:38 | |
-I'm sure he'll go to a good home, definitely. -I think he's rather fun. | 0:28:38 | 0:28:42 | |
-Antiques should have a little humour. -Of course. | 0:28:42 | 0:28:45 | |
Will there be a profit in humour, though? That remains to be seen. | 0:28:45 | 0:28:49 | |
Let's go to your till. | 0:28:49 | 0:28:52 | |
So, for £10 down from a ticket price of £35, | 0:28:52 | 0:28:55 | |
the gnome is off to auction, and James's shopping is complete. | 0:28:55 | 0:28:59 | |
Thank you. | 0:28:59 | 0:29:01 | |
Thank you. | 0:29:01 | 0:29:04 | |
Charlie's final shop is in the Norfolk village of Snettisham. | 0:29:04 | 0:29:09 | |
The Old Granary is packed to the gunwales, | 0:29:09 | 0:29:11 | |
but with only £40 left, Charlie will have to be resourceful. | 0:29:11 | 0:29:16 | |
No better fellow for resource. | 0:29:16 | 0:29:18 | |
-A-ha, are you Sarah, by any chance? -I am. | 0:29:18 | 0:29:22 | |
-Marvellous. I'm Charlie. -Hello, Charlie. -Lovely to meet you. | 0:29:22 | 0:29:26 | |
-Am I allowed to do that? -You are. -We've only just met! | 0:29:26 | 0:29:29 | |
-Can I have a look round... -Of course you can. | 0:29:29 | 0:29:32 | |
-..and I'll scream for you if I see the bid of my dreams? -OK, thank you. | 0:29:32 | 0:29:35 | |
Ooh, look at this. Columbia grafonola number 202 portable. | 0:29:43 | 0:29:47 | |
What amazing condition! I don't think anybody's ever used it. | 0:29:47 | 0:29:50 | |
Price, £85. Problem. I don't have £85. | 0:29:50 | 0:29:56 | |
Not even half that, in fact. | 0:29:56 | 0:29:58 | |
-Sarah... -Hello. -..I need you. -You need me? -I need you. -Wonderful. | 0:29:58 | 0:30:03 | |
-This is fab. Does it play? -It does. | 0:30:03 | 0:30:06 | |
RECORD PLAYS | 0:30:06 | 0:30:09 | |
I think I'm falling in love. Hang on. | 0:30:11 | 0:30:15 | |
-Would you dance? -I would. | 0:30:15 | 0:30:17 | |
Ah, this is romance! Dim the lights! | 0:30:20 | 0:30:24 | |
You old charmer, Charlie. | 0:30:24 | 0:30:27 | |
-I could give you a few lessons, if you like? -That's fab. | 0:30:27 | 0:30:30 | |
It's portable, so you could take it on a picnic. | 0:30:30 | 0:30:32 | |
I'll be quite frank with you, | 0:30:32 | 0:30:34 | |
-I don't think I'm going to be able to buy this... -Right. | 0:30:34 | 0:30:36 | |
-..because I went shopping yesterday. -Could we run to 50? | 0:30:36 | 0:30:39 | |
I haven't got 50. I have not got £50. | 0:30:39 | 0:30:42 | |
-I can tell you, I've got 40 quid. -Do you have rubber gloves? | 0:30:42 | 0:30:46 | |
-Do I have rubber gloves? -Yes. -No, why? Odd question. | 0:30:46 | 0:30:49 | |
You could do some washing up downstairs, I'm sure, earn £40. | 0:30:49 | 0:30:53 | |
-I'll tell you what, I've got a better idea. -All right. | 0:30:53 | 0:30:55 | |
-Would you like a ride in my car? -I'd love a ride in your car. | 0:30:55 | 0:30:58 | |
If I gave you a ride in my car, | 0:30:58 | 0:30:59 | |
would I still have to do the washing up? | 0:30:59 | 0:31:02 | |
OK, we'll forget the washing up. | 0:31:02 | 0:31:04 | |
Forget the washing up and have a ride in my car. | 0:31:04 | 0:31:06 | |
Oh, I'm not quite sure this is within the rules | 0:31:06 | 0:31:08 | |
but Sarah seems quite happy. | 0:31:08 | 0:31:10 | |
-So where are we going? -Right, we're going... | 0:31:10 | 0:31:15 | |
..to Paradise Island. | 0:31:15 | 0:31:17 | |
Good work, Charlie. | 0:31:17 | 0:31:19 | |
The grafonola is yours for £40 and a spin round the block | 0:31:19 | 0:31:23 | |
and you even got out of doing those dishes, you old rogue! | 0:31:23 | 0:31:27 | |
So, with the shopping complete, | 0:31:27 | 0:31:29 | |
Charlie Ross has spent all of his £200 picking up six lots - | 0:31:29 | 0:31:33 | |
the set of scales, two very different model cars, | 0:31:33 | 0:31:36 | |
a globe, | 0:31:36 | 0:31:39 | |
a chromium-plated cruet and the grafonola. | 0:31:39 | 0:31:43 | |
James Braxton was a lot more frugal, only spending £107 on his six lots - | 0:31:43 | 0:31:50 | |
the gladioli vase, the tie-press, the brass tazza, | 0:31:50 | 0:31:54 | |
the silver paper knife, the stuffed pheasant | 0:31:54 | 0:31:58 | |
and, topping it all off, | 0:31:58 | 0:31:59 | |
the gnome guarding naturally over Mother Earth. | 0:31:59 | 0:32:03 | |
But what do they make of each other's items? | 0:32:03 | 0:32:05 | |
I'm most worried about the Avery scales, | 0:32:05 | 0:32:09 | |
the globe and the Testarossa. | 0:32:09 | 0:32:12 | |
Well, amongst James's sea of mediocrity, he bought a tie-press. | 0:32:12 | 0:32:17 | |
Well, Bingo and I are the only two people in the world that wear ties | 0:32:17 | 0:32:21 | |
so although it was £4, it's probably worth 5. | 0:32:21 | 0:32:24 | |
Charlie and James are travelling to the auction in the Norfolk | 0:32:26 | 0:32:29 | |
town of Fakenham, and thoughts are turning to the competition. | 0:32:29 | 0:32:34 | |
Bingo, are you pleased with your purchases? | 0:32:34 | 0:32:36 | |
Cos I was quite amused by some of them, to be perfectly honest. | 0:32:36 | 0:32:39 | |
I was delighted with them. | 0:32:39 | 0:32:41 | |
I thought, when in Norfolk, what do you think about Norfolk? | 0:32:41 | 0:32:44 | |
You think about pheasants, you think about wildlife. OK, mine's stuffed. | 0:32:44 | 0:32:48 | |
I will declare my hand. | 0:32:48 | 0:32:50 | |
I am not confident, and looking at your purchases | 0:32:50 | 0:32:53 | |
and the fact that you've only spent half your money | 0:32:53 | 0:32:56 | |
and mine, I'm expecting defeat. | 0:32:56 | 0:32:59 | |
Oh, yeah, that's the spirit, Charlie. | 0:32:59 | 0:33:02 | |
Today's auction is taking place at the local racecourse. | 0:33:02 | 0:33:05 | |
Look at this. | 0:33:05 | 0:33:07 | |
-What time is the first race? -The first race will be 2.30, won't it? | 0:33:07 | 0:33:10 | |
-Or 1.30. -I'll put on a tenner. | 0:33:10 | 0:33:13 | |
I stand a better chance with that than my lots, I think. | 0:33:13 | 0:33:15 | |
But does auctioneer David James think there's an odds-on favourite? | 0:33:15 | 0:33:21 | |
Well, I think the teams have chosen an interesting range of items. | 0:33:21 | 0:33:25 | |
Not so sure about the garden gnome, | 0:33:25 | 0:33:27 | |
but it does look a bit aged, so it might sit well in somebody's garden. | 0:33:27 | 0:33:31 | |
I'm not sure that stuffed pheasants in Norfolk will be a prize-winner, | 0:33:31 | 0:33:35 | |
cos we've all got them in the garden all the time, | 0:33:35 | 0:33:37 | |
and the rest, well, we'll just have to see how it goes. | 0:33:37 | 0:33:40 | |
We will indeed. Time for the auction. | 0:33:40 | 0:33:44 | |
First up, James's gladioli vase. | 0:33:44 | 0:33:48 | |
And I have been given bids to start at £15. | 0:33:48 | 0:33:52 | |
-You're into a profit. -15, I have. | 0:33:52 | 0:33:55 | |
20 in the room. 20, I have. | 0:33:55 | 0:33:57 | |
In the room at 20. Five, do I hear? | 0:33:57 | 0:34:00 | |
-That's not bad. -Are we all sure? At £20, it is. | 0:34:00 | 0:34:04 | |
First, second, last time at £20. | 0:34:04 | 0:34:07 | |
A promising start there. | 0:34:07 | 0:34:09 | |
Next up, Charlie's baker's scales. | 0:34:09 | 0:34:14 | |
-My bid starts at £20 only. -Well, £20. | 0:34:14 | 0:34:18 | |
That's a big price. | 0:34:18 | 0:34:21 | |
£30 bid. 40 do I hear? | 0:34:21 | 0:34:23 | |
At £30, at 30, £40, I have. | 0:34:23 | 0:34:27 | |
-Oh. -50 will do. | 0:34:27 | 0:34:29 | |
£40 I am bid. At 40. | 0:34:29 | 0:34:31 | |
Go on, go 50. At 40. | 0:34:31 | 0:34:34 | |
At £40, are we done with them? | 0:34:34 | 0:34:36 | |
-At £40. -A working profit. -Yeah. | 0:34:36 | 0:34:40 | |
Another profit. So, it's still a close contest. | 0:34:40 | 0:34:46 | |
Well done, well done. | 0:34:46 | 0:34:47 | |
-Very nip and tuck, isn't it? -It is. | 0:34:47 | 0:34:49 | |
It's very tight. | 0:34:49 | 0:34:51 | |
James's tie-press is next to go. | 0:34:51 | 0:34:54 | |
Tenner then, come on. Start me at a tenner. | 0:34:55 | 0:34:58 | |
-Surely a tenner. -£8 I am bid. | 0:34:58 | 0:35:01 | |
Ten, do I hear? Eight, I have. | 0:35:01 | 0:35:02 | |
Ten do I hear for the tie-press? | 0:35:02 | 0:35:05 | |
-At £8 only. -Eight? -Eight only. | 0:35:05 | 0:35:07 | |
A working profit, James. | 0:35:07 | 0:35:09 | |
At eight I'll sell. £10 on the net, saved by the net. | 0:35:09 | 0:35:12 | |
At £10 on the net. Internet bid at 10. | 0:35:12 | 0:35:15 | |
12 anywhere? At £10, first, second, last time at 10... | 0:35:15 | 0:35:19 | |
A small profit for the tie-press. | 0:35:20 | 0:35:23 | |
Up now is the grafonola record player. | 0:35:23 | 0:35:27 | |
This is my coup de grace. | 0:35:27 | 0:35:28 | |
-This is the grafonola? -Yeah. | 0:35:28 | 0:35:30 | |
I have all my eggs in this basket. | 0:35:30 | 0:35:33 | |
I'm delighted to say that the bidding starts at £70. | 0:35:33 | 0:35:37 | |
Five, do I hear? 70 I have. | 0:35:37 | 0:35:40 | |
Five do I hear? | 0:35:40 | 0:35:41 | |
£70 bid. 75 bid. | 0:35:41 | 0:35:43 | |
£80. £80 bid. | 0:35:43 | 0:35:45 | |
At £80 and selling, are we all sure? At £80... | 0:35:45 | 0:35:50 | |
First, second, last time at 80... | 0:35:50 | 0:35:53 | |
That was marvellous. | 0:35:53 | 0:35:55 | |
That puts Charlie in the lead. | 0:35:55 | 0:35:58 | |
Wow! Can James's Victorian tazza help him catch up? | 0:35:58 | 0:36:02 | |
-I think your tazza's got a bit of money there. Honestly. -Do you? | 0:36:02 | 0:36:06 | |
-Quite collectable, these are. -They are. -They are. | 0:36:06 | 0:36:09 | |
Not very valuable, but quite collectable. | 0:36:09 | 0:36:13 | |
Not saleable. | 0:36:13 | 0:36:14 | |
-Start me 10. -Sounds a little low. | 0:36:14 | 0:36:17 | |
10, I have. £10 I'm bid. 12 I'll take. | 0:36:17 | 0:36:19 | |
£10 I'm bid. £10 I'm bid. | 0:36:19 | 0:36:21 | |
£12 on the net. 15 do I hear? | 0:36:21 | 0:36:23 | |
-£15 against the bar. -On the net. | 0:36:23 | 0:36:26 | |
-15 bid. 18 do I hear? -Keep going. | 0:36:26 | 0:36:29 | |
Are we all done with it? At £15 it is, then. | 0:36:29 | 0:36:33 | |
First, second, last time at 15. | 0:36:33 | 0:36:35 | |
-Oh, dear. -Sold to the butler. -Oh, dear. -Roger the butler. | 0:36:35 | 0:36:39 | |
First loss of the day for James, which puts him further behind. | 0:36:39 | 0:36:43 | |
Charlie's tinplate car is next to go. | 0:36:45 | 0:36:48 | |
You see, he's an expert in his field | 0:36:48 | 0:36:50 | |
and he's put 20 to 30 on my toy. | 0:36:50 | 0:36:53 | |
And how much did you pay for it? | 0:36:53 | 0:36:55 | |
-It cost 50. -Excellent. | 0:36:55 | 0:36:57 | |
£10 I'm bid. | 0:36:57 | 0:36:59 | |
£12, madam. £12 to the lady. | 0:36:59 | 0:37:01 | |
15 against the bar. £16 to the lady. | 0:37:01 | 0:37:04 | |
18 at the bar. 18 at the bar. | 0:37:04 | 0:37:07 | |
-Come on. -£20 on the net. 22 on the net. | 0:37:07 | 0:37:10 | |
-25 on the internet. -Ah, the internet. | 0:37:10 | 0:37:12 | |
30, do I hear? 25 I'm bid. | 0:37:12 | 0:37:15 | |
28 do I hear? £28 to the lady. | 0:37:15 | 0:37:18 | |
-Well done. -Come on. | 0:37:18 | 0:37:20 | |
Still making a substantial loss, of course. | 0:37:20 | 0:37:23 | |
£28. Are we all done at £28? | 0:37:23 | 0:37:25 | |
-227. -Thank you, madam. | 0:37:25 | 0:37:28 | |
That helps James catch up a bit. | 0:37:28 | 0:37:31 | |
Things are a lot tighter now. | 0:37:31 | 0:37:33 | |
How will James's gnome fair? | 0:37:33 | 0:37:36 | |
I think he's going to be your surprise thumping profit of the day. | 0:37:36 | 0:37:42 | |
I'm rather hoping anything north of 30 and I'll be delighted. | 0:37:42 | 0:37:47 | |
Who's in at 10? 10 at the back. 10. | 0:37:47 | 0:37:49 | |
12 against the bar. 15 to the lady. | 0:37:49 | 0:37:52 | |
-Good Lord! -£18 standing at the back. | 0:37:52 | 0:37:54 | |
£20 there seated. | 0:37:54 | 0:37:56 | |
22 seated to the lady. 25 bid here. | 0:37:56 | 0:37:59 | |
£28 to the lady. £30 bid. | 0:37:59 | 0:38:03 | |
At 32, bid reluctantly. | 0:38:03 | 0:38:06 | |
35 bid. My God. | 0:38:06 | 0:38:08 | |
LAUGHTER | 0:38:08 | 0:38:10 | |
-There's no accounting for taste, sir, is there? -Or a lack of it. | 0:38:10 | 0:38:14 | |
-35 bid. -Quirky and ugly. | 0:38:14 | 0:38:16 | |
38. £40. At £40 standing here. | 0:38:16 | 0:38:20 | |
All done with it at 40. | 0:38:20 | 0:38:22 | |
-Well played, sir. -Well done. | 0:38:22 | 0:38:24 | |
Sensational. | 0:38:24 | 0:38:25 | |
-Marvellous. What an auctioneer. -Yes, marvellous. | 0:38:25 | 0:38:28 | |
Well, that's a turn-up for the books and puts James narrowly in the lead. | 0:38:28 | 0:38:32 | |
Your in-depth knowledge of antiques is second to none. | 0:38:33 | 0:38:37 | |
It's marvellous, isn't it? | 0:38:37 | 0:38:38 | |
Now for Charlie's cruet. | 0:38:38 | 0:38:41 | |
10 I have, thank you. £10 bid. | 0:38:41 | 0:38:43 | |
-12 do I hear? -It's a bit tight. | 0:38:43 | 0:38:45 | |
16 on the net. 18 do we hear? | 0:38:45 | 0:38:48 | |
18 on the net. £18 on the net. | 0:38:48 | 0:38:50 | |
20 do we hear? £20 in the room. | 0:38:50 | 0:38:52 | |
-£20 in the room. -You're in profit. | 0:38:52 | 0:38:55 | |
-No, it's what it cost. -At 20. | 0:38:55 | 0:38:57 | |
First, second, last time at £20... | 0:38:57 | 0:39:00 | |
-Oh, dear. -Oh, dear. What's going on? | 0:39:00 | 0:39:02 | |
Crumbs! | 0:39:02 | 0:39:04 | |
Oh, dear. | 0:39:04 | 0:39:05 | |
After commission, it's a small loss, I'm afraid. | 0:39:05 | 0:39:09 | |
-I'm going down the pan. -No, you're not. -You're pulling away. | 0:39:09 | 0:39:12 | |
-Am I pulling away? -Two lots each. | 0:39:12 | 0:39:14 | |
You've got a paper knife, which is going to | 0:39:14 | 0:39:16 | |
make you a thumping great profit. | 0:39:16 | 0:39:19 | |
Will the paper knife do as well as they think? | 0:39:19 | 0:39:22 | |
We'll make a start at £30 to start. 40 do I hear? £40 bid. | 0:39:22 | 0:39:27 | |
50 do I hear? £40 bid. 50 do I hear? | 0:39:27 | 0:39:30 | |
At £40, seated in the room. | 0:39:30 | 0:39:33 | |
-45 bid, fresh bid. -45! -Well done. | 0:39:33 | 0:39:36 | |
At £45. 50 do I hear? At £45. | 0:39:36 | 0:39:41 | |
Standing there at 45. | 0:39:41 | 0:39:43 | |
All done with it? £45. | 0:39:43 | 0:39:45 | |
-I'm up against a master here. -£45, you see. -Yeah. | 0:39:45 | 0:39:49 | |
Just steady work, steady work. | 0:39:49 | 0:39:52 | |
That's another good bit of business for James. Charlie's globe now. | 0:39:52 | 0:39:58 | |
He had high hopes for this one. | 0:39:58 | 0:40:00 | |
So start me off at £30, then. | 0:40:00 | 0:40:02 | |
-Oh, dear, is that all? -Start me off at 20. Come on. 15 I'm bid. | 0:40:02 | 0:40:06 | |
-£20 standing at the back. -20. -This is... Come on. | 0:40:06 | 0:40:11 | |
25 standing here. £30 at the back. | 0:40:11 | 0:40:13 | |
It's bouncing around. | 0:40:13 | 0:40:15 | |
This needs to be £60. | 0:40:15 | 0:40:18 | |
£40 at the bar. | 0:40:18 | 0:40:20 | |
At 40. 45 standing. | 0:40:20 | 0:40:21 | |
We need a bit more, don't we? | 0:40:21 | 0:40:23 | |
-It's coming on, coming on. -At £50. | 0:40:23 | 0:40:26 | |
-55 standing. At 55. -Almost a profit. -At £55. | 0:40:26 | 0:40:30 | |
In the room and standing at £55, are we all done? | 0:40:30 | 0:40:33 | |
For the second and last time at £55... | 0:40:33 | 0:40:36 | |
Another small profit in the old bag. | 0:40:36 | 0:40:40 | |
We're down to one item each and it's still all to play for. | 0:40:40 | 0:40:44 | |
It's basically all boiling down to a pheasant versus a Ferrari. | 0:40:44 | 0:40:47 | |
-A stuffed pheasant. -Yeah. | 0:40:47 | 0:40:50 | |
James's pheasant is last up for him. | 0:40:50 | 0:40:54 | |
Start me 10, then, come on. | 0:40:54 | 0:40:56 | |
£10 I have. £10 bid. 15 bid. | 0:40:56 | 0:41:00 | |
£18 I have. | 0:41:00 | 0:41:01 | |
-James... -Well done. -£20 I'm bid. £20 I'm bid. At the bar, £25 on the net. | 0:41:01 | 0:41:06 | |
-Well done. -Oh, yes! -At £25 for the pheasant... | 0:41:06 | 0:41:10 | |
Coming home to Norfolk, 467. | 0:41:10 | 0:41:13 | |
How stuffed is that? | 0:41:13 | 0:41:16 | |
If the Ferrari can come up trumps for Charlie, he will win the day. | 0:41:16 | 0:41:21 | |
-I'm very nervous. -Start me at 10, then. | 0:41:21 | 0:41:24 | |
It's got to be worth more than that. | 0:41:24 | 0:41:26 | |
£10 to start. £10 to start. | 0:41:26 | 0:41:28 | |
-£10 to start. Where are we? -Don't they like Ferraris here? -10 I have. | 0:41:28 | 0:41:32 | |
12 do we here? £12 internet bid. | 0:41:32 | 0:41:34 | |
-15 do we hear? -Oh, on the internet. | 0:41:34 | 0:41:37 | |
£12 only on the net. At £12 only, are we... 15 standing at the back. | 0:41:37 | 0:41:41 | |
-15 at the back. -One more, sir. | 0:41:41 | 0:41:44 | |
We take our time in Norfolk. | 0:41:44 | 0:41:46 | |
-15 at the back. 18. -You need a Ferrari. -15 at the back. 18. | 0:41:46 | 0:41:51 | |
16 on the net. £18. Got there. | 0:41:51 | 0:41:54 | |
-18 bid. -Oh! -20 do we hear? | 0:41:54 | 0:41:58 | |
18 bid in the room. At £18 and selling. Are we done with it at 18? | 0:41:58 | 0:42:02 | |
It's a close one, but let's see who's coming out on top. | 0:42:02 | 0:42:07 | |
Charlie started this first leg with £200. | 0:42:08 | 0:42:12 | |
After auction costs, he's made a small loss of £2.38, | 0:42:12 | 0:42:16 | |
leaving him with £197.62 to spend next time. | 0:42:16 | 0:42:21 | |
James has emerged victorious today. | 0:42:24 | 0:42:26 | |
He also started off with £200. | 0:42:26 | 0:42:28 | |
After auction costs, he's made a profit of £20.10, | 0:42:28 | 0:42:32 | |
meaning he takes £220.10 on to the next leg. | 0:42:32 | 0:42:38 | |
Pleasure to be thrashed by you, sir. | 0:42:38 | 0:42:41 | |
As always! Where to, sir? | 0:42:41 | 0:42:44 | |
-I think the station. -The station, sir. -The station, thank you. | 0:42:44 | 0:42:48 | |
Cheerio, chaps. | 0:42:54 | 0:42:57 | |
Next time on Antiques Road Trip, | 0:42:57 | 0:42:59 | |
Charlie's doing all he can to balance his budget... | 0:42:59 | 0:43:03 | |
I feel like the Chancellor of the Exchequer. | 0:43:03 | 0:43:06 | |
..and James is on electrifying form. | 0:43:06 | 0:43:08 | |
I'll be buzzy, I'll be singing arias. Ahhh! | 0:43:08 | 0:43:12 |