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It's the nation's favourite antiques experts. | 0:00:02 | 0:00:03 | |
-This is beautiful. -That's the way to do this. | 0:00:03 | 0:00:06 | |
With £200 each, a classic car and a goal - to scour for antiques. | 0:00:06 | 0:00:12 | |
-Joy. -Hello! | 0:00:12 | 0:00:14 | |
The aim, to make the biggest profit at auction, but it's no mean feat. | 0:00:14 | 0:00:17 | |
There'll be worthy winners and valiant losers. | 0:00:19 | 0:00:22 | |
So, will it be the high road to glory or the slow road to disaster? | 0:00:23 | 0:00:27 | |
The handbrake's on! | 0:00:27 | 0:00:29 | |
This is Antiques Road Trip. | 0:00:29 | 0:00:31 | |
Yeah! | 0:00:33 | 0:00:34 | |
It's the final leg for auctioneers Christina Trevanion | 0:00:37 | 0:00:40 | |
and Thomas Plant. | 0:00:40 | 0:00:42 | |
So, it's been a total pleasure crossing these Celtic countries, | 0:00:44 | 0:00:49 | |
and it's your last chance to tell me how much you love me. | 0:00:49 | 0:00:52 | |
LAUGHTER | 0:00:52 | 0:00:54 | |
Christina was bowled over in Ireland. | 0:00:54 | 0:00:56 | |
The people are so friendly and so sweet. | 0:00:56 | 0:00:59 | |
And Thomas was wowed by Wales. | 0:00:59 | 0:01:01 | |
Some lovely things here. | 0:01:01 | 0:01:03 | |
Their 1962 Bedford van has done them proud so far, | 0:01:05 | 0:01:09 | |
especially as it was made before it was compulsory to fit seatbelts. | 0:01:09 | 0:01:13 | |
Both our experts started this trip with £200. | 0:01:16 | 0:01:20 | |
Despite triumphing at two out of four auctions so far, | 0:01:20 | 0:01:25 | |
Thomas has less than he started with, just £186.14. | 0:01:25 | 0:01:31 | |
Christina took an early lead and hung on to most of her winnings, | 0:01:31 | 0:01:36 | |
so has £269.07. | 0:01:36 | 0:01:39 | |
You are a tiny snifter away from me now. | 0:01:42 | 0:01:46 | |
You have held the lead all week. | 0:01:46 | 0:01:47 | |
I have held the lead all week, and I have a very sneaky feeling | 0:01:47 | 0:01:50 | |
you might just pip me to the post at the very last minute. | 0:01:50 | 0:01:53 | |
Their adventure began in Cashel, Tipperary. | 0:01:55 | 0:01:58 | |
After tootling around Ireland, they crossed into North Wales, | 0:01:58 | 0:02:01 | |
then over to England, where they'll be finishing up | 0:02:01 | 0:02:04 | |
over 700 miles later in Stoke-on-Trent, Staffordshire. | 0:02:04 | 0:02:08 | |
Today's trip gets underway at Gwersyllt, Wrexham, | 0:02:10 | 0:02:14 | |
aiming for auction in Stoke-on-Trent. | 0:02:14 | 0:02:17 | |
I love your new jumper. | 0:02:23 | 0:02:25 | |
-I know you do! -It's gorgeous. | 0:02:25 | 0:02:27 | |
Look, look! | 0:02:27 | 0:02:28 | |
Oh, we're matching. Slightly matching. | 0:02:28 | 0:02:30 | |
This former coal-mining village is snazzy dresser Thomas' | 0:02:32 | 0:02:36 | |
first stop this morning. | 0:02:36 | 0:02:37 | |
I'm feeling, you know, positively wealthy. | 0:02:39 | 0:02:41 | |
Well, I think you should spend it all. | 0:02:41 | 0:02:43 | |
-Well, you never know. I might do. -Enjoy. -Ow! | 0:02:43 | 0:02:46 | |
-Did you just hit your head? -Yes! | 0:02:46 | 0:02:47 | |
-Bye! -Bye! | 0:02:49 | 0:02:51 | |
Thomas has his work cut out on this leg. | 0:02:51 | 0:02:53 | |
He's settling in. | 0:02:56 | 0:02:58 | |
Time to meet the folks in charge. | 0:03:00 | 0:03:02 | |
-Hello. -Hello. | 0:03:02 | 0:03:03 | |
Nice to see you, I'm Thomas. | 0:03:03 | 0:03:05 | |
-Hi, I'm Carol. -Carol, nice to see you. | 0:03:05 | 0:03:07 | |
-And... -This is my husband, Dennis. | 0:03:07 | 0:03:09 | |
-Hello. -Nice to see you, Thomas. | 0:03:09 | 0:03:10 | |
The Prices run this place, full of bygone treasures. | 0:03:10 | 0:03:14 | |
This is a shop of shops. | 0:03:16 | 0:03:18 | |
If you can't find anything here, there's something wrong with you. | 0:03:18 | 0:03:21 | |
Sounds promising. | 0:03:21 | 0:03:23 | |
HE PLAYS GLOCKENSPIEL | 0:03:23 | 0:03:25 | |
That's so cool! You could just have that in your house | 0:03:25 | 0:03:29 | |
and play with it for hours and hours. | 0:03:29 | 0:03:30 | |
But at £250, it's slightly out of his price range. | 0:03:30 | 0:03:34 | |
There's a number of things in here. | 0:03:34 | 0:03:36 | |
I quite like the eclectic mix, what's going on. | 0:03:36 | 0:03:39 | |
What I have seen was this cup. | 0:03:39 | 0:03:42 | |
It says here, "unusual stone goblet, the Holy Grail." | 0:03:43 | 0:03:48 | |
SHE LAUGHS | 0:03:48 | 0:03:50 | |
Is this the Holy Grail of the Antiques Road Trip? | 0:03:50 | 0:03:53 | |
Look at that! | 0:03:53 | 0:03:54 | |
It's beautifully done. | 0:03:54 | 0:03:56 | |
-It's done in a soapstone. -Yeah. | 0:03:56 | 0:03:58 | |
What's it got on there? £32. | 0:03:58 | 0:04:00 | |
I think that's brilliant, don't you? | 0:04:00 | 0:04:02 | |
-Oh, gosh. -Yes, a bit of weight. | 0:04:02 | 0:04:03 | |
Yeah, yeah. Well, I'm super-strong, you see. | 0:04:03 | 0:04:06 | |
-1920s, I would say. -Yes. | 0:04:06 | 0:04:08 | |
Probably from a church communion. | 0:04:08 | 0:04:10 | |
It's not the only thing he's spotted. | 0:04:10 | 0:04:13 | |
What a cool thing. | 0:04:14 | 0:04:16 | |
It's got this trademark here. | 0:04:16 | 0:04:19 | |
Crikey. Where did you get that from?! | 0:04:20 | 0:04:22 | |
That's better. | 0:04:22 | 0:04:24 | |
Westbourne Grove, London. | 0:04:24 | 0:04:27 | |
Put your teddy bear on there. | 0:04:27 | 0:04:29 | |
Little friend. | 0:04:29 | 0:04:30 | |
-It's £35. Carol? -Yes? | 0:04:30 | 0:04:34 | |
-I found a chair. -Oh, that's quaint. | 0:04:34 | 0:04:36 | |
So, there's a label on here which says £35. | 0:04:36 | 0:04:39 | |
-Really cheeky offer. -OK? | 0:04:39 | 0:04:41 | |
Sort of like... A tenner? | 0:04:41 | 0:04:45 | |
While Carol calls the dealer, Thomas spies something else. | 0:04:45 | 0:04:49 | |
-HE GASPS -Look at that! | 0:04:49 | 0:04:51 | |
Love those. | 0:04:53 | 0:04:54 | |
So what it is, it's a goblet, | 0:04:54 | 0:04:57 | |
and on the goblet are Masonic engraved designs. | 0:04:57 | 0:05:00 | |
50 quid on it, though. | 0:05:00 | 0:05:02 | |
It's a lot of money. | 0:05:02 | 0:05:03 | |
-Oh, Carol? -I like this, because it's got a yellow to it. | 0:05:03 | 0:05:06 | |
So it sort of dates it, early 20th century, I would have thought. | 0:05:06 | 0:05:10 | |
He's got £50 on it. | 0:05:10 | 0:05:12 | |
Ooh! I'm sure Roy is open to offers. | 0:05:12 | 0:05:14 | |
So where are we with the other items? | 0:05:14 | 0:05:16 | |
OK, the chair, the answer is yes on that. | 0:05:16 | 0:05:19 | |
-What, for a tenner? -Yes. -Deal! Done. Yeah, yeah. | 0:05:19 | 0:05:22 | |
Carol's also managed to get the Masonic goblets' owner on the phone. | 0:05:22 | 0:05:26 | |
Hi, Roy? I want to make you a cheeky offer. | 0:05:26 | 0:05:29 | |
25 quid. | 0:05:29 | 0:05:31 | |
I'd love a two in front of it. Could we deal at 28? | 0:05:31 | 0:05:34 | |
-'If it helps you, yes.' -It does. Oh, you're a star. | 0:05:36 | 0:05:39 | |
Thank you very much. Well, that's a buy. | 0:05:39 | 0:05:41 | |
That's a generous deal, as Masonic items often do well. | 0:05:41 | 0:05:44 | |
Now, what about the soapstone goblet? | 0:05:46 | 0:05:48 | |
-We have an answer. -Oh, yes? -The goblet. | 0:05:49 | 0:05:52 | |
-Yeah? -25. -£25? -Yes. | 0:05:52 | 0:05:55 | |
-That's his best. -Yeah, that's all right. | 0:05:55 | 0:05:57 | |
I think I'd be very happy with that. | 0:05:57 | 0:06:00 | |
It's just really unusual. | 0:06:00 | 0:06:01 | |
So, that's £63 for the 19th-century Masonic goblet, | 0:06:01 | 0:06:05 | |
the soapstone goblet, | 0:06:05 | 0:06:07 | |
and the Edwardian bamboo chair. | 0:06:07 | 0:06:09 | |
Meanwhile, rival Christina has travelled 20 minutes north to Mold, | 0:06:15 | 0:06:19 | |
in the stunning border county of Flintshire. | 0:06:19 | 0:06:22 | |
The Normans were the first to settle these parts, | 0:06:22 | 0:06:25 | |
and there's been a street market here since medieval times. | 0:06:25 | 0:06:28 | |
Christina's at her first shop of the day. | 0:06:28 | 0:06:31 | |
Oh, Lordy! | 0:06:33 | 0:06:35 | |
Hello! | 0:06:35 | 0:06:36 | |
-How are we? -Hello! You must be Holly. | 0:06:36 | 0:06:37 | |
-I am. Nice to meet you. -Hello, Holly. Lovely to meet you. | 0:06:37 | 0:06:40 | |
-Can you show me around? -Absolutely. We'll start in the back room. | 0:06:40 | 0:06:43 | |
All right. I love a good backroom! | 0:06:43 | 0:06:44 | |
She's rather gorgeous, isn't she? | 0:06:48 | 0:06:50 | |
-She's elegant, isn't she? -Isn't she fab? | 0:06:50 | 0:06:52 | |
Doesn't look like it's got a huge amount of age to it, | 0:06:52 | 0:06:54 | |
-but she's certainly got a look to her, hasn't she? -Yeah, I mean, | 0:06:54 | 0:06:57 | |
with the Art Deco at the moment, there's just so much import, | 0:06:57 | 0:07:00 | |
and it's really hard to find, sort of to find the originals. | 0:07:00 | 0:07:02 | |
Sometimes, it's nice just to have a bit of modern. | 0:07:02 | 0:07:05 | |
Also, obviously, it's reflected in the price. | 0:07:05 | 0:07:07 | |
As an original Art Deco lamp, that'd be hundreds, | 0:07:07 | 0:07:09 | |
-if not thousands. -And probably at home in my house! | 0:07:09 | 0:07:12 | |
She's got 64 on her now. | 0:07:13 | 0:07:15 | |
Is there a deal that can be done on that, Holly? | 0:07:15 | 0:07:18 | |
I can certainly consider it. | 0:07:18 | 0:07:19 | |
Ooh! | 0:07:19 | 0:07:20 | |
Let's not be too hasty. | 0:07:20 | 0:07:22 | |
You haven't been upstairs yet. | 0:07:22 | 0:07:24 | |
Oh, my goodness! | 0:07:24 | 0:07:26 | |
We like our weird and wonderful. | 0:07:26 | 0:07:28 | |
-That's a pair of stocks! -It is indeed. | 0:07:28 | 0:07:30 | |
Is it a pair? Is it just...? | 0:07:30 | 0:07:32 | |
-I wouldn't want to share it. -So if I don't pay... | 0:07:32 | 0:07:35 | |
-We'll leave you here. -Gosh, there's a deterrent if ever I needed it. | 0:07:35 | 0:07:38 | |
These are fab! | 0:07:38 | 0:07:39 | |
We could get Thomas in there, and throw sponges at him. | 0:07:39 | 0:07:42 | |
-Sounds brilliant! I'll be front of the queue. -Would you?! | 0:07:42 | 0:07:45 | |
THEY LAUGH | 0:07:45 | 0:07:47 | |
No, you'd have to beat me to the front of that queue! | 0:07:47 | 0:07:50 | |
Look out, Thomas! | 0:07:50 | 0:07:52 | |
That's caught my eye. | 0:07:55 | 0:07:56 | |
-The light? -Yes. -The light fitting. | 0:07:56 | 0:07:58 | |
It's cool. It is cool. | 0:07:58 | 0:08:00 | |
We've had it wired so that it can be run off a plug. | 0:08:00 | 0:08:02 | |
-It's built to be a pool table light. -Yes. | 0:08:02 | 0:08:04 | |
But I'm thinking it could also be for over a kitchen island... | 0:08:04 | 0:08:07 | |
-Love that idea. -It's got that kind of look. | 0:08:07 | 0:08:09 | |
-Is it very expensive? -How does 60 sound? | 0:08:09 | 0:08:11 | |
-Expensive. -Expensive. | 0:08:11 | 0:08:13 | |
Maybe so, but the ticket price is £78. | 0:08:13 | 0:08:17 | |
-What did we have on our lady downstairs? -65. | 0:08:17 | 0:08:20 | |
I would want to pay £50 for the two. | 0:08:20 | 0:08:24 | |
-OK. -How are you feeling about that? | 0:08:24 | 0:08:27 | |
-Rather faint! -Well, there's a bed. | 0:08:27 | 0:08:29 | |
-Do you want to have a lie down?! -THEY LAUGH | 0:08:29 | 0:08:31 | |
-OK. -Tell me what you can do for me. | 0:08:31 | 0:08:34 | |
I mean, if you can't do that, then that's absolutely understandable. | 0:08:34 | 0:08:37 | |
I think if I can squeeze another £10 out of you, I'd be happy. | 0:08:37 | 0:08:40 | |
OK. So if we said £60 for that lamp | 0:08:40 | 0:08:44 | |
and our lady lamp downstairs, happy at that? | 0:08:44 | 0:08:47 | |
-Happy at that. -It's a deal. | 0:08:47 | 0:08:49 | |
So, that £60 for the Art Deco style lamp and a snooker table light. | 0:08:49 | 0:08:54 | |
-There we go, darling. 20, 40, 60. -Spot on. | 0:08:54 | 0:08:57 | |
That's what we agreed, isn't it? Brilliant. You're a star. | 0:08:57 | 0:08:59 | |
-Thank you very much. -Thank you so much. | 0:08:59 | 0:09:01 | |
-We'll see you again. -Take care. -Bye now. | 0:09:01 | 0:09:03 | |
Meanwhile, Thomas has travelled east, | 0:09:08 | 0:09:10 | |
just over the border into Cheshire, to the historic city of Chester. | 0:09:10 | 0:09:13 | |
It's not only famous for its medieval walls | 0:09:13 | 0:09:16 | |
and 1,000-year-old cathedral, | 0:09:16 | 0:09:19 | |
but it's also home to the oldest shopping facade in England. | 0:09:19 | 0:09:23 | |
These unique two-tiered black-and-white shopping galleries | 0:09:23 | 0:09:26 | |
were created over 700 years ago. | 0:09:26 | 0:09:29 | |
Thomas is here to check out a local gem. | 0:09:29 | 0:09:32 | |
-Hello. -Hello. -I'm Thomas. -Hi, I'm Simon. | 0:09:34 | 0:09:37 | |
Simon, nice to meet you. | 0:09:37 | 0:09:39 | |
Simon specialises in antiques and decorative items | 0:09:41 | 0:09:43 | |
for the home and garden sourced from around the world. | 0:09:43 | 0:09:47 | |
That's a stylish thing, isn't it? | 0:09:47 | 0:09:49 | |
This is a hunting horn, | 0:09:50 | 0:09:52 | |
but what it really is is a cigar or cigarette lighter. | 0:09:52 | 0:09:56 | |
And it's by the famous maker, Dunhill. | 0:09:56 | 0:10:00 | |
This would be passed around as the table light. | 0:10:00 | 0:10:02 | |
You can see where it has been bashed a bit. | 0:10:02 | 0:10:04 | |
I think these evenings can get a little bit raucous. | 0:10:04 | 0:10:07 | |
(I think it's going to be quite expensive.) | 0:10:07 | 0:10:09 | |
It's going to be a lot of money. But what a cool thing! | 0:10:09 | 0:10:13 | |
-How much is it? -It's going to be £200. | 0:10:13 | 0:10:15 | |
-Yeah, yeah, absolutely. -Purely because of the name. | 0:10:15 | 0:10:18 | |
Oh, of course. | 0:10:18 | 0:10:19 | |
Oh, gosh. | 0:10:19 | 0:10:20 | |
I didn't even have £200 at the start of the day. | 0:10:20 | 0:10:23 | |
More like the start of the week! | 0:10:23 | 0:10:25 | |
Sweet pup. Awww. | 0:10:25 | 0:10:28 | |
What's this? | 0:10:29 | 0:10:30 | |
That is a model from a hat shop. | 0:10:30 | 0:10:34 | |
It's for a woman's milliner. | 0:10:34 | 0:10:39 | |
Actually, that could be a potential purchase. | 0:10:39 | 0:10:41 | |
It could be quite good fun. | 0:10:41 | 0:10:42 | |
I quite like the angular lines to her. | 0:10:42 | 0:10:44 | |
It's made from rubber, | 0:10:44 | 0:10:46 | |
and could have come from an old department store. | 0:10:46 | 0:10:48 | |
It's priced at £35. | 0:10:48 | 0:10:50 | |
Let's talk about the head. The model. | 0:10:53 | 0:10:56 | |
Do you think we could do something slightly on the price? | 0:10:56 | 0:10:59 | |
-I can help a little. I could do it for £30. -£30. | 0:10:59 | 0:11:02 | |
I think I'm going to have to go for her. I'll give you £30 for her. | 0:11:02 | 0:11:05 | |
-Is that all right? -That's fine. -Thank you, thank you very much. | 0:11:05 | 0:11:08 | |
£30 for the rather odd rubber mannequin head. | 0:11:08 | 0:11:11 | |
I've got to think of a name for her. | 0:11:11 | 0:11:14 | |
If you come up with any bright ideas, give me a call. | 0:11:14 | 0:11:17 | |
You could always name her after my little pup. | 0:11:17 | 0:11:19 | |
-Ella. -Ella! Done. | 0:11:19 | 0:11:22 | |
Christina's travelled west to Hawarden. | 0:11:27 | 0:11:30 | |
A charming village in Flintshire, and home to Gladstone's library, | 0:11:32 | 0:11:36 | |
which tells of the secret love of William Gladstone, | 0:11:36 | 0:11:40 | |
one of Britain's most revolutionary Prime Ministers. | 0:11:40 | 0:11:43 | |
Christina's come to meet warden Peter Francis. | 0:11:43 | 0:11:46 | |
Hello! You must be Peter. | 0:11:49 | 0:11:50 | |
Hello, Christina. Welcome to Gladstone's library. | 0:11:50 | 0:11:52 | |
Thank you so much. Lovely to meet you. | 0:11:52 | 0:11:54 | |
Born in 1809, William Ewart Gladstone was educated at Eton | 0:11:56 | 0:12:00 | |
and Oxford University before becoming a Conservative MP | 0:12:00 | 0:12:04 | |
at the tender age of 23. He rose through the ranks, | 0:12:04 | 0:12:07 | |
eventually becoming Prime Minister, | 0:12:07 | 0:12:10 | |
but outside politics, his passion was reading. | 0:12:10 | 0:12:13 | |
Throughout his life, he amassed a collection of over 30,000 books, | 0:12:13 | 0:12:17 | |
now on display, along with his papers. | 0:12:17 | 0:12:20 | |
People know about Gladstone because he was four times Prime Minister, | 0:12:23 | 0:12:28 | |
and what they don't know is he was a voracious reader. | 0:12:28 | 0:12:30 | |
He read about 22,000 books in his lifetime. | 0:12:30 | 0:12:33 | |
He always listed what he read every day in his diary, | 0:12:33 | 0:12:36 | |
and if you add them up, it comes to 22,000. | 0:12:36 | 0:12:39 | |
-That's about a book a day. -A book a day! | 0:12:39 | 0:12:42 | |
And most of those have his annotations throughout. | 0:12:42 | 0:12:45 | |
These self-penned thoughts give later readers | 0:12:45 | 0:12:48 | |
a fascinating understanding of the great man. | 0:12:48 | 0:12:51 | |
Here is a book that's a life of William Wilberforce, | 0:12:51 | 0:12:55 | |
the great slavery reformer. | 0:12:55 | 0:12:58 | |
He wrote, "I breakfasted with Mr Wilberforce | 0:12:58 | 0:13:02 | |
"four days before his death. | 0:13:02 | 0:13:04 | |
"He asked for my father, 'And how is your sweet mother?' | 0:13:04 | 0:13:08 | |
"His conversation was cheerful, musical, and flowing, | 0:13:08 | 0:13:13 | |
"his prayer like that of one already released." | 0:13:13 | 0:13:17 | |
And signed by him. | 0:13:17 | 0:13:18 | |
At peace. Isn't that wonderful? | 0:13:18 | 0:13:20 | |
And here's one that's a biography of his great rival, Disraeli. | 0:13:20 | 0:13:26 | |
And it's quite heavily annotated throughout, | 0:13:26 | 0:13:29 | |
and Gladstone's written across the page, | 0:13:29 | 0:13:31 | |
"untrue, untrue, untrue." | 0:13:31 | 0:13:33 | |
I think that's wonderful. That tells you quite a lot | 0:13:33 | 0:13:36 | |
-about the man as well, doesn't it? -Yes, it does. | 0:13:36 | 0:13:38 | |
Gladstone moved to liberalism, | 0:13:40 | 0:13:42 | |
and his radical views saw great reform in the Victorian era. | 0:13:42 | 0:13:47 | |
He championed free-trade, home rule for Ireland, | 0:13:47 | 0:13:51 | |
and introduced a secret ballot. | 0:13:51 | 0:13:53 | |
He brought about an education act | 0:13:56 | 0:13:59 | |
that gave numeracy and literacy to all children | 0:13:59 | 0:14:02 | |
at a time when it was predominantly the rich that were educated. | 0:14:02 | 0:14:06 | |
However, like many great reformers, Gladstone didn't please everyone, | 0:14:06 | 0:14:09 | |
and experienced a famously frosty relationship with the monarch. | 0:14:09 | 0:14:13 | |
This was a present from Queen Victoria to Gladstone. | 0:14:17 | 0:14:20 | |
-Oh, really? -They didn't get on very well. | 0:14:20 | 0:14:23 | |
But she gave him a book. | 0:14:23 | 0:14:24 | |
The Right Honourable William Gladstone, | 0:14:24 | 0:14:26 | |
from Victoria Regina. | 0:14:26 | 0:14:28 | |
1868. | 0:14:28 | 0:14:30 | |
-Yes. -Well, that's a pretty special book. | 0:14:30 | 0:14:33 | |
And what's this? Is this some sort of library security measure? | 0:14:33 | 0:14:36 | |
HE LAUGHS | 0:14:36 | 0:14:38 | |
No. I mean, it probably functions as that as well! | 0:14:38 | 0:14:40 | |
But actually, it's one of Gladstone's axes. | 0:14:40 | 0:14:42 | |
Gladstone was very struck when they were building the railway | 0:14:42 | 0:14:46 | |
in Hawarden by the dignity of human labour, | 0:14:46 | 0:14:50 | |
and he wondered what he could do. | 0:14:50 | 0:14:52 | |
And so, he began to cut down trees. | 0:14:52 | 0:14:56 | |
He thought that cutting some down | 0:14:56 | 0:14:58 | |
would help him enter into the spirit of this. | 0:14:58 | 0:15:01 | |
He seems like quite a diverse character. | 0:15:01 | 0:15:03 | |
Very diverse character. | 0:15:03 | 0:15:05 | |
Gladstone believed reading was key to people bettering themselves. | 0:15:07 | 0:15:11 | |
He helped set up libraries across the country, | 0:15:11 | 0:15:14 | |
and often lent out his own books. | 0:15:14 | 0:15:16 | |
When he retired from politics, aged 85, | 0:15:16 | 0:15:19 | |
he wanted to share his huge private collection with the wider public, | 0:15:19 | 0:15:23 | |
hoping to bring together readers who had no books | 0:15:23 | 0:15:26 | |
and books who had no readers. | 0:15:26 | 0:15:28 | |
Aged 85, he built a sort of corrugated iron hut. | 0:15:29 | 0:15:34 | |
He then packed up the 33,000 books in little piles | 0:15:34 | 0:15:37 | |
with string on the top, and he put them in a wheelbarrow, | 0:15:37 | 0:15:40 | |
and with the help of one of his daughters and a member of staff, | 0:15:40 | 0:15:43 | |
he wheeled the 33,000 books the mile from his house | 0:15:43 | 0:15:47 | |
-to the corrugated iron hut. -Really?! -Yeah. | 0:15:47 | 0:15:49 | |
When he died, it was thought a leaky, corrugated iron hut | 0:15:49 | 0:15:52 | |
-wasn't a suitable place for the great man's books. -No, quite. | 0:15:52 | 0:15:55 | |
So this was built as a national memorial to him. | 0:15:55 | 0:15:57 | |
Gladstone died in 1898, | 0:15:59 | 0:16:01 | |
and this impressive building was erected soon after. | 0:16:01 | 0:16:04 | |
Gladstone's intention was to create a haven for students and readers, | 0:16:04 | 0:16:08 | |
a legacy that has stretched across the pond, too. | 0:16:08 | 0:16:12 | |
It was also the model for American presidential libraries. | 0:16:13 | 0:16:16 | |
-This library? -This library was. -Oh, wonderful. | 0:16:16 | 0:16:18 | |
And Gladstone's example of giving his books and papers to the public | 0:16:18 | 0:16:23 | |
and available to people was taken by Woodrow Wilson, | 0:16:23 | 0:16:26 | |
who was American president at the time of the First World War, | 0:16:26 | 0:16:31 | |
and then Roosevelt played on that a bit more and built his own library, | 0:16:31 | 0:16:36 | |
and every president since then has had their own library. | 0:16:36 | 0:16:40 | |
But this is the only Prime Ministerial library in the UK. | 0:16:40 | 0:16:43 | |
This truly unique library gives us | 0:16:43 | 0:16:46 | |
an extraordinary insight into this revolutionary man. | 0:16:46 | 0:16:50 | |
A befitting tribute to one of Britain's greatest statesmen. | 0:16:50 | 0:16:54 | |
And on that note, it's off to bed. | 0:17:01 | 0:17:04 | |
So nighty-night. | 0:17:04 | 0:17:05 | |
What a lovely morning. | 0:17:13 | 0:17:14 | |
Oh, this is beautiful, isn't it? | 0:17:17 | 0:17:18 | |
-I can't believe how well you're driving this van. -I know. | 0:17:18 | 0:17:21 | |
-Oh, no, here we are, we're going up a hill now. -I'm so impressed. | 0:17:21 | 0:17:24 | |
-Oh, OK, well... -THEY LAUGH | 0:17:24 | 0:17:25 | |
But when we started out, you were hopeless. | 0:17:25 | 0:17:27 | |
Yesterday, Thomas picked up four items, | 0:17:27 | 0:17:30 | |
spending £33 on a soapstone goblet, | 0:17:30 | 0:17:33 | |
a Masonic goblet, | 0:17:33 | 0:17:34 | |
an Edwardian bamboo chair and a mannequin head. | 0:17:34 | 0:17:37 | |
He's now got just over £90 left. | 0:17:37 | 0:17:40 | |
Christina spent £60 on two items. | 0:17:41 | 0:17:44 | |
An Art Deco-style lamp | 0:17:44 | 0:17:46 | |
and a snooker table light, | 0:17:46 | 0:17:47 | |
so she still has just under £210. | 0:17:47 | 0:17:51 | |
And sadly, it's nearly the end of this road trip. | 0:17:51 | 0:17:55 | |
This is it! I cannot believe it! It's gone so quickly. | 0:17:55 | 0:17:58 | |
It really has gone quickly, hasn't it? Yeah. | 0:17:58 | 0:18:01 | |
And we seem to have covered an awful lot of miles together. | 0:18:01 | 0:18:04 | |
With the auction nearing in Stoke-on-Trent, Staffordshire, | 0:18:04 | 0:18:08 | |
Christina starts her final buying day just outside Northwich | 0:18:08 | 0:18:11 | |
in the heart of Cheshire. This attractive market town | 0:18:11 | 0:18:14 | |
is known for its beautiful timber buildings and canal network. | 0:18:14 | 0:18:19 | |
Here we are. An antique shop. | 0:18:19 | 0:18:21 | |
-Looks lovely. -I'll see you this afternoon. | 0:18:21 | 0:18:23 | |
Oh, my goodness. | 0:18:30 | 0:18:31 | |
Look at this. Ah, Lister. | 0:18:33 | 0:18:35 | |
So, we have got in here a butter churn. | 0:18:35 | 0:18:38 | |
So we would have stood here for about 10 hours, | 0:18:38 | 0:18:42 | |
churning and churning and churning. | 0:18:42 | 0:18:44 | |
It was the most thankless task, churning your butter. | 0:18:44 | 0:18:47 | |
It's quite fun, isn't it? | 0:18:47 | 0:18:49 | |
Owner Jan Gnatiuk has a passion for old furniture, amongst other things. | 0:18:49 | 0:18:54 | |
Hello! Nice to meet you. | 0:18:54 | 0:18:56 | |
-Hello! Who are you? -I'm Jan. | 0:18:56 | 0:18:58 | |
-Jan, lovely to meet you. -Thank you. | 0:18:58 | 0:19:00 | |
What will she spot in here, then? | 0:19:00 | 0:19:02 | |
You've got some interesting pictures here. | 0:19:04 | 0:19:06 | |
So, Marcel Pic, I think, was quite well-known for doing caricatures, | 0:19:06 | 0:19:09 | |
-I think, of sort of military themes. -Yes. | 0:19:09 | 0:19:12 | |
He looks like he's sort of almost gone to select his horse, | 0:19:12 | 0:19:14 | |
and you've got his dear old horse over here, | 0:19:14 | 0:19:16 | |
which is propped up with crutches. | 0:19:16 | 0:19:18 | |
Looks like something from a pantomime! | 0:19:18 | 0:19:20 | |
SHE LAUGHS | 0:19:20 | 0:19:21 | |
What have you got on that? | 0:19:21 | 0:19:22 | |
-I can do it you for a tenner. -That might be interesting. | 0:19:22 | 0:19:25 | |
You should be able to make some money on that. | 0:19:25 | 0:19:27 | |
It looks like an original, | 0:19:27 | 0:19:28 | |
because it's actually in pastel, and it's picked out in white. | 0:19:28 | 0:19:31 | |
It's got the pencil date mark on it as well, somewhere. | 0:19:31 | 0:19:34 | |
Signed and dated 1891. | 0:19:34 | 0:19:36 | |
OK, well, that could be a goer. | 0:19:36 | 0:19:37 | |
Cor, she works fast! You've only just arrived, Christina. | 0:19:37 | 0:19:40 | |
As I'm going to Stoke, I think I'd like to buy some pots. | 0:19:40 | 0:19:44 | |
I've got a dinner service which is going cheap. | 0:19:45 | 0:19:49 | |
-I've had it for a while. -Have you? | 0:19:49 | 0:19:51 | |
It's in the bottom cupboard in the press. | 0:19:51 | 0:19:54 | |
-Have you got things stashed in drawers?! -Yes. -Have you? | 0:19:54 | 0:19:57 | |
-Always have things stashed in drawers. -Have you?! | 0:19:57 | 0:19:59 | |
Oh, go on, show me your drawers, Jan. | 0:19:59 | 0:20:02 | |
Hey, he's not lying! | 0:20:02 | 0:20:04 | |
There are all sorts of things hidden away. | 0:20:04 | 0:20:07 | |
It's in the bottom drawer. | 0:20:07 | 0:20:09 | |
I think it's 1960s or 1950s, but it's complete. | 0:20:09 | 0:20:14 | |
Oh, my goodness! That's Denby, isn't it? | 0:20:14 | 0:20:17 | |
Yeah. It's got the pepper, tea, the butter... | 0:20:17 | 0:20:21 | |
I have sold one of these quite recently. | 0:20:21 | 0:20:24 | |
You can have the lot for a fiver. | 0:20:24 | 0:20:27 | |
-Really?! -Yes. | 0:20:27 | 0:20:30 | |
Yeah, I'm being serious. | 0:20:30 | 0:20:31 | |
I need it out. | 0:20:31 | 0:20:33 | |
I mean, it has got that retro look about it, | 0:20:33 | 0:20:35 | |
-and its saving grace is, it's quite nice. -And there's no damage. | 0:20:35 | 0:20:39 | |
But it'll take half an hour to wrap it all up! | 0:20:39 | 0:20:42 | |
The service for six is circa 1970, | 0:20:44 | 0:20:47 | |
and comes complete with dinner plates, side plates, | 0:20:47 | 0:20:49 | |
soup bowls, tureens, a teapot, | 0:20:49 | 0:20:51 | |
cups, saucers and condiment items to boot. | 0:20:51 | 0:20:54 | |
Let's think about this. What about the picture... | 0:20:55 | 0:20:58 | |
..and the dinner service, for a tenner? | 0:21:00 | 0:21:02 | |
-HE GASPS -Go on. | 0:21:02 | 0:21:04 | |
-I'll twist you. -Really? -Yes. -You're an angel. | 0:21:04 | 0:21:07 | |
-You're welcome. -Do I have to wrap it up now? -Yes! | 0:21:07 | 0:21:10 | |
I'm not wrapping it up! I hate wrapping up! | 0:21:10 | 0:21:12 | |
That's fair enough. | 0:21:12 | 0:21:14 | |
And Christina's managed to bag herself | 0:21:14 | 0:21:16 | |
two fabulous lots for just £10. | 0:21:16 | 0:21:19 | |
-Take care, see you again. -Bye, thank you. | 0:21:19 | 0:21:21 | |
Meanwhile, Thomas has taken the Bedford van ten miles east | 0:21:27 | 0:21:30 | |
to just outside the old farming village of Goostrey in Cheshire. | 0:21:30 | 0:21:35 | |
He's come to Jodrell Bank observatory | 0:21:36 | 0:21:39 | |
to find out about a world-famous pioneer | 0:21:39 | 0:21:42 | |
whose ground-breaking inventions helped put our nation | 0:21:42 | 0:21:46 | |
among the front runners in the golden age of the space race. | 0:21:46 | 0:21:50 | |
Thomas is meeting astrophysicist Professor Tim O'Brien | 0:21:55 | 0:21:59 | |
-to hear more. -Hello, I'm Thomas. -Hello, I'm Tim. | 0:21:59 | 0:22:01 | |
That's not going to be confusing, is it? | 0:22:01 | 0:22:03 | |
No, no, that's very easy. Tim and Tom. | 0:22:03 | 0:22:05 | |
Ha-ha! Sir Bernard Lovell was born in 1913. | 0:22:05 | 0:22:09 | |
By the outbreak of the Second World War, | 0:22:10 | 0:22:13 | |
he led a team to develop new radar technology, | 0:22:13 | 0:22:17 | |
helping to significantly halt the Nazi campaign by sea. | 0:22:17 | 0:22:22 | |
Once the war ended, Lovell's career turned to astronomy. | 0:22:22 | 0:22:27 | |
So, what happened then after the war? | 0:22:27 | 0:22:29 | |
Lovell wanted to use radar, | 0:22:29 | 0:22:31 | |
that he had helped develop, to do some physics. | 0:22:31 | 0:22:34 | |
They were throwing away a lot of war-surplus equipment, | 0:22:34 | 0:22:37 | |
and the people here at Jodrell got a big army truck, | 0:22:37 | 0:22:39 | |
and they drove around the country, | 0:22:39 | 0:22:41 | |
piling electronics into the back of the truck, | 0:22:41 | 0:22:44 | |
-because it was being chucked down mineshafts. -Yeah, yeah. | 0:22:44 | 0:22:46 | |
It was ripped apart, cannibalised, and built into... | 0:22:46 | 0:22:49 | |
-Other things. -..this equipment, | 0:22:49 | 0:22:51 | |
-which was used to look at outer space. -THOMAS LAUGHS | 0:22:51 | 0:22:54 | |
Components of these electronics | 0:22:55 | 0:22:57 | |
became vital to Lovell's future scientific pursuits. | 0:22:57 | 0:23:01 | |
He realised that larger equipment | 0:23:01 | 0:23:03 | |
would allow him to delve further into the unexplored universe. | 0:23:03 | 0:23:07 | |
So, in 1952, work began on a huge 250-foot telescope, | 0:23:07 | 0:23:13 | |
the largest steerable telescope in the world. | 0:23:13 | 0:23:17 | |
But despite its original intention, | 0:23:20 | 0:23:22 | |
it was soon called on for another purpose. | 0:23:22 | 0:23:24 | |
At the beginning of the space race, | 0:23:24 | 0:23:26 | |
when Russia launched their beachball-sized satellite | 0:23:26 | 0:23:30 | |
Sputnik 1 into space to orbit Earth, | 0:23:30 | 0:23:34 | |
Lovell and his telescope made history, | 0:23:34 | 0:23:36 | |
suddenly playing a key role in the Cold War. | 0:23:36 | 0:23:39 | |
He got a phone call from somebody in government, who said to him, | 0:23:39 | 0:23:43 | |
"Actually, you know, the thing that carried Sputnik into space, | 0:23:43 | 0:23:47 | |
"the rocket, is actually a missile, | 0:23:47 | 0:23:49 | |
"an intercontinental ballistic missile. | 0:23:49 | 0:23:51 | |
"Would you be able to use a radar transmitter on your telescope, | 0:23:51 | 0:23:55 | |
"not to track Sputnik itself, but to track the rocket?" | 0:23:55 | 0:23:58 | |
Because the next thing that might be launched by the Soviet Union | 0:23:58 | 0:24:02 | |
might be something rather more serious, a nuclear warhead. | 0:24:02 | 0:24:05 | |
In October 1957, Lovell's telescope tracked the rocket | 0:24:06 | 0:24:09 | |
that had launched the Russian satellite | 0:24:09 | 0:24:12 | |
as it too circled the Earth, | 0:24:12 | 0:24:14 | |
passing over the Lake District at five miles a second. | 0:24:14 | 0:24:17 | |
It was the only instrument in the world | 0:24:20 | 0:24:22 | |
capable of following such a missile, | 0:24:22 | 0:24:25 | |
technology that has since evolved into | 0:24:25 | 0:24:27 | |
the basis for our current missile defence systems. | 0:24:27 | 0:24:30 | |
Lovell and his team continued to track rockets | 0:24:33 | 0:24:36 | |
launched by Russia and America, and in 1966, they made headlines again. | 0:24:36 | 0:24:42 | |
What else has it been used for in that golden period of space race? | 0:24:43 | 0:24:49 | |
We actually tracked a Russian rocket onto the moon, that landed in 1966. | 0:24:49 | 0:24:54 | |
It took the very first pictures of the moon from the moon. | 0:24:54 | 0:25:00 | |
Developed the photograph, scanned it, | 0:25:00 | 0:25:02 | |
sent it back to Earth as a radio signal. | 0:25:02 | 0:25:04 | |
We eavesdropped on that signal, and actually... | 0:25:04 | 0:25:07 | |
-You couldn't help? -Well, you would, wouldn't you? | 0:25:07 | 0:25:10 | |
One of the astronomers here recognised the sound of the signal, | 0:25:10 | 0:25:14 | |
and he said, "Do you know, it sounds like | 0:25:14 | 0:25:16 | |
"one of these newfangled fax machines." | 0:25:16 | 0:25:18 | |
Not very many people had them. They put out a call. | 0:25:18 | 0:25:21 | |
The Daily Express in London answered the call. | 0:25:21 | 0:25:23 | |
They drove up the road with an early facsimile receiver, | 0:25:23 | 0:25:28 | |
plugged it into the telescope, | 0:25:28 | 0:25:30 | |
and out came a picture of the surface of the moon, | 0:25:30 | 0:25:33 | |
the very first picture ever sent from the moon, | 0:25:33 | 0:25:36 | |
and they'd used fax technology, basically, to do it. | 0:25:36 | 0:25:38 | |
-Wow. -We hacked into it and printed it on the front page | 0:25:38 | 0:25:41 | |
-of the Daily Express the next day. -Gosh! | 0:25:41 | 0:25:44 | |
Britain published these pictures | 0:25:46 | 0:25:48 | |
before the Russians got a chance to release their own official images, | 0:25:48 | 0:25:52 | |
a major worldwide coup. | 0:25:52 | 0:25:54 | |
The telescope is now the third largest of its kind in the world, | 0:25:56 | 0:26:00 | |
and as technology evolves, it is upgraded, | 0:26:00 | 0:26:03 | |
keeping it at the forefront of cutting-edge science. | 0:26:03 | 0:26:06 | |
It's discovered distant galaxies powered by supermassive black holes, | 0:26:06 | 0:26:11 | |
and two-thirds of all known pulsars, | 0:26:11 | 0:26:14 | |
which are remnants of exploded stars. | 0:26:14 | 0:26:18 | |
Every day, we make a new discovery. | 0:26:18 | 0:26:21 | |
We are creeping our way forward, | 0:26:21 | 0:26:24 | |
but we also discover things we don't understand, | 0:26:24 | 0:26:27 | |
so the sort of boundary of our knowledge is ever-increasing, | 0:26:27 | 0:26:31 | |
but equally, there's stuff outside that boundary | 0:26:31 | 0:26:33 | |
that we're still yet to understand. That's what makes it so exciting. | 0:26:33 | 0:26:37 | |
Exciting. Sometimes frustrating. | 0:26:37 | 0:26:40 | |
Sir Bernard Lovell died in 2012, | 0:26:41 | 0:26:43 | |
but his passion for science and innovation | 0:26:43 | 0:26:47 | |
made him a visionary leader in his field. | 0:26:47 | 0:26:49 | |
His incredible inventions continue to assist | 0:26:52 | 0:26:56 | |
astronomic discoveries today, | 0:26:56 | 0:26:58 | |
and hopefully will do well into the future. | 0:26:58 | 0:27:01 | |
Just a few miles south, though, | 0:27:04 | 0:27:06 | |
Christina's made her way to Congleton. | 0:27:06 | 0:27:09 | |
The town's settlers date back to Neolithic times, | 0:27:12 | 0:27:15 | |
but it grew in the 18th century thanks to the textile industry. | 0:27:15 | 0:27:19 | |
Christina's come to a former ribbon mill. | 0:27:19 | 0:27:22 | |
I've been here before, and I made a friend last time I was here. | 0:27:25 | 0:27:29 | |
Is he there? | 0:27:29 | 0:27:30 | |
Eric? Hello, hello, my old friend! | 0:27:32 | 0:27:34 | |
-Hello. -How are you? All right? -Yes, fine. | 0:27:34 | 0:27:36 | |
Very nice to see you. | 0:27:36 | 0:27:38 | |
Now, last time I was here, you had some really interesting things. | 0:27:38 | 0:27:40 | |
So, have you got anything for me this time? | 0:27:40 | 0:27:43 | |
Oh, I love your Fry's chocolate sign. | 0:27:43 | 0:27:45 | |
-Mm-hm. -That's fabulous. | 0:27:45 | 0:27:46 | |
-What have you got on that? -185. -Oh! | 0:27:46 | 0:27:50 | |
-Sorry! -Thanks, but no thanks. | 0:27:50 | 0:27:52 | |
Christina's got just under £200 left, | 0:27:52 | 0:27:55 | |
but probably best not to risk that lead on one item. | 0:27:55 | 0:27:59 | |
-Those are nice, aren't they? -That one's in good condition. | 0:28:00 | 0:28:03 | |
-This one's been a bit... -That's been repainted. | 0:28:03 | 0:28:05 | |
-Yes, it was how I got them. -Pair of vintage black coach lamps. | 0:28:05 | 0:28:08 | |
In your horse-drawn coach, | 0:28:08 | 0:28:09 | |
these would have gone on the side, wouldn't they? | 0:28:09 | 0:28:11 | |
They would have slot in so that you could light your way. | 0:28:11 | 0:28:15 | |
32. OK. All right. | 0:28:15 | 0:28:17 | |
-Worth thinking about. -Yeah. | 0:28:17 | 0:28:19 | |
I quite like those. | 0:28:19 | 0:28:20 | |
They've certainly got some character to them as well. | 0:28:20 | 0:28:23 | |
There are two other floors to check out, Christina. | 0:28:23 | 0:28:25 | |
Right, what have we got in here? Ooh, this looks good. | 0:28:25 | 0:28:28 | |
Quite nice to have a look at a piece of something sparkly, anyway. | 0:28:28 | 0:28:31 | |
A Georgian caddy spoon. | 0:28:31 | 0:28:34 | |
So, that's really rather sweet. | 0:28:34 | 0:28:36 | |
-So, caddy spoons are eternally collectable. -Mm-hm. | 0:28:36 | 0:28:40 | |
And this is quite a sweet one. | 0:28:40 | 0:28:43 | |
So you've got the duty mark there. George III, Q 1791. | 0:28:43 | 0:28:47 | |
So I think that's quite lovely. | 0:28:47 | 0:28:49 | |
This 18th-century silver tea caddy spoon has a ticket price of £28, | 0:28:49 | 0:28:53 | |
but Eric thinks the spoons' dealer might be able to do better. | 0:28:53 | 0:28:58 | |
-What did Kate say about a best price on our caddy spoon? -17. | 0:28:58 | 0:29:02 | |
That is a good price, but I only really want to buy one more thing, | 0:29:02 | 0:29:07 | |
and I do like your lanterns downstairs. | 0:29:07 | 0:29:10 | |
-How much do you have on your lanterns? -32. | 0:29:10 | 0:29:12 | |
-Can you do any better than that? -Oh, yeah. I can do you them for 20. | 0:29:12 | 0:29:15 | |
With the damage on the glass and the fact they've been repainted, | 0:29:15 | 0:29:18 | |
I'd want to be getting them for £15 maximum. | 0:29:18 | 0:29:21 | |
-Is that something that you could do? -Yeah, go on. | 0:29:21 | 0:29:23 | |
Generous of you, Eric. | 0:29:23 | 0:29:24 | |
Ooh, look! The centre even has a cafe. | 0:29:24 | 0:29:27 | |
That was my very last purchase of the week, so I owe you some money. | 0:29:29 | 0:29:33 | |
-Okey doke. -There you are, my darling. Five, 10, 15. Cheers. | 0:29:33 | 0:29:38 | |
-Thank you very much. -Cheers. | 0:29:38 | 0:29:40 | |
Look who it is. | 0:29:42 | 0:29:43 | |
Brace yourself, lads. | 0:29:44 | 0:29:45 | |
-Hello! -Hello, hello. | 0:29:47 | 0:29:48 | |
-How are you? -Very well. | 0:29:48 | 0:29:50 | |
-Can I join you? -Yeah, do. Absolutely. | 0:29:50 | 0:29:52 | |
-I'm done. -Five items? | 0:29:52 | 0:29:53 | |
-Five items. All done. -Really? | 0:29:53 | 0:29:55 | |
-Yeah. How many have you got? -One... | 0:29:55 | 0:29:57 | |
-One more to get? -One more to get. | 0:29:57 | 0:29:59 | |
I'll see you back here for some cake. Go and do some shopping. | 0:29:59 | 0:30:01 | |
Oh, bossy! The pressure's on Thomas now. | 0:30:01 | 0:30:03 | |
He's got just under £90 left to spend. | 0:30:03 | 0:30:06 | |
See, I quite like a centre. I really do. There's loads of stuff. | 0:30:06 | 0:30:10 | |
And soon enough, Thomas spots something rather interesting. | 0:30:10 | 0:30:13 | |
In the First World War, when you were shot, | 0:30:15 | 0:30:18 | |
your family were sent a bronze penny | 0:30:18 | 0:30:21 | |
called a death penny or death plaque. | 0:30:21 | 0:30:24 | |
Arthur Preece, private, Royal Worcester Regiment, | 0:30:24 | 0:30:26 | |
died 7/9/16, aged 39. | 0:30:26 | 0:30:30 | |
God. So he was just a year younger than me. | 0:30:30 | 0:30:32 | |
Very nice. I mean, that is an amazing thing. | 0:30:32 | 0:30:35 | |
And it's only £55. | 0:30:35 | 0:30:37 | |
While Eric is sharing cake with Christina, | 0:30:37 | 0:30:40 | |
dealer Kate takes care of Thomas. | 0:30:40 | 0:30:43 | |
This death penny here. | 0:30:43 | 0:30:45 | |
Yes. I notice he's got 55 on it. | 0:30:45 | 0:30:48 | |
-Yeah. -Yeah. Do you think there'd be anything to be done on that? | 0:30:48 | 0:30:52 | |
It's pretty near the mark what he paid for it, | 0:30:52 | 0:30:54 | |
but I'm sure you could... | 0:30:54 | 0:30:56 | |
Give him a call. | 0:30:56 | 0:30:57 | |
While he waits to hear, Thomas is covering all bases. | 0:30:57 | 0:31:02 | |
Hang on a minute. | 0:31:02 | 0:31:04 | |
I've got a coffee, because I think I deserve one. | 0:31:04 | 0:31:06 | |
Well, a bit premature, perhaps, | 0:31:06 | 0:31:09 | |
but what about that £55 death penny, Thomas? | 0:31:09 | 0:31:12 | |
The death plaque is such an emotive thing. | 0:31:12 | 0:31:15 | |
And I think there's a profit in there, definitely. | 0:31:15 | 0:31:18 | |
But there's still no word from the dealer, | 0:31:18 | 0:31:21 | |
so Thomas is having a last look. | 0:31:21 | 0:31:23 | |
This is a Victorian jug. | 0:31:23 | 0:31:26 | |
It's made probably in Stoke-on-Trent. | 0:31:26 | 0:31:29 | |
It's quite good. Sounds OK. | 0:31:29 | 0:31:31 | |
There's a little bit of a hairline up there. | 0:31:31 | 0:31:33 | |
But what's so delightful about these hand-painted flowers is... | 0:31:33 | 0:31:37 | |
The token it says underneath it, | 0:31:38 | 0:31:39 | |
so this is something you'd give to your lover, "Forget Me Not". | 0:31:39 | 0:31:42 | |
Isn't that sweet? | 0:31:42 | 0:31:44 | |
(And for £27!) | 0:31:44 | 0:31:46 | |
Time to find Kate again. | 0:31:46 | 0:31:48 | |
-I've found this. -Yeah. | 0:31:48 | 0:31:50 | |
Do you think we can do anything on that price? | 0:31:50 | 0:31:52 | |
Well, normally, that would be about £25. | 0:31:52 | 0:31:55 | |
-OK. -But for you... | 0:31:55 | 0:31:58 | |
16? | 0:31:58 | 0:31:59 | |
Round 16? | 0:32:00 | 0:32:02 | |
Yeah, all right. I mean, you know, we could round it up and say 15. | 0:32:02 | 0:32:05 | |
-Go on, then. -Yeah? -15. 15 for that. | 0:32:05 | 0:32:08 | |
Or I have news on the death... | 0:32:08 | 0:32:09 | |
Oh, yes? | 0:32:09 | 0:32:11 | |
35 would be the very best. | 0:32:11 | 0:32:13 | |
Oh, my gosh! | 0:32:13 | 0:32:14 | |
So you have a choice. | 0:32:14 | 0:32:15 | |
-Oh. -Or buy both! | 0:32:15 | 0:32:16 | |
That's a handsome £20 discount on the plaque. | 0:32:16 | 0:32:20 | |
Take your time, Thomas. | 0:32:20 | 0:32:22 | |
No need to rush! | 0:32:22 | 0:32:24 | |
-I've made a decision. -Right. | 0:32:24 | 0:32:26 | |
I'm going to buy them both. | 0:32:26 | 0:32:27 | |
So, that's £50 for an early Victorian jug | 0:32:27 | 0:32:30 | |
and the First World War death plaque. | 0:32:30 | 0:32:33 | |
-Wish me luck! And thank you. -Thank you. | 0:32:33 | 0:32:35 | |
That's shopping complete. | 0:32:35 | 0:32:37 | |
Along with the death plaque and jug, | 0:32:37 | 0:32:39 | |
Thomas bought an Edwardian bamboo chair, | 0:32:39 | 0:32:41 | |
a vintage mannequin head, | 0:32:41 | 0:32:43 | |
a 19th-century Masonic glass, | 0:32:43 | 0:32:45 | |
and a soapstone goblet for £143. | 0:32:45 | 0:32:50 | |
Christina spent £85 on a snooker table light, | 0:32:51 | 0:32:55 | |
an Art Deco-style lamp, | 0:32:55 | 0:32:57 | |
a Marcel Pic sketch, | 0:32:57 | 0:32:59 | |
a Denby dinner service, and a pair of Victorian carriage lanterns. | 0:32:59 | 0:33:04 | |
So, what do they think? | 0:33:04 | 0:33:05 | |
Thomas is so clever | 0:33:05 | 0:33:07 | |
to buy ceramics to bring to the homeland of the ceramics industry, | 0:33:07 | 0:33:10 | |
and that sentiment, "forget me not" - | 0:33:10 | 0:33:12 | |
I certainly won't forget him. | 0:33:12 | 0:33:14 | |
So, Christina's gone out and bought an Art Deco-style table lamp | 0:33:14 | 0:33:17 | |
in the form of a beautiful woman. | 0:33:17 | 0:33:20 | |
They're very decorative, and I think it's going to do quite well, | 0:33:20 | 0:33:23 | |
certainly where we're selling. | 0:33:23 | 0:33:24 | |
The Masonic goblet, again, very, very, very savvy buy. | 0:33:24 | 0:33:27 | |
There's going to be a good market for that. | 0:33:27 | 0:33:29 | |
All in all, I think Christina's got a chance to make a profit. | 0:33:29 | 0:33:33 | |
The only thing I think she's got a risk on | 0:33:33 | 0:33:36 | |
is the snooker table light. | 0:33:36 | 0:33:38 | |
Secretly, I'm a little bit nervous! | 0:33:38 | 0:33:41 | |
Christina and Thomas' last leg left from Gwersyllt in Wrexham, | 0:33:41 | 0:33:47 | |
with the final auction of the week | 0:33:47 | 0:33:48 | |
finishing up in Stoke-on-Trent, Staffordshire. | 0:33:48 | 0:33:51 | |
Well, it's a lovely day, isn't it? | 0:33:52 | 0:33:54 | |
-It is a beautiful day. -Gorgeous. | 0:33:54 | 0:33:56 | |
And I'm so happy. But I'm also sad. | 0:33:56 | 0:33:59 | |
That is exactly... | 0:33:59 | 0:34:00 | |
And the weather does not match my mood, Thomas, | 0:34:00 | 0:34:02 | |
because I feel like it should be matching the misery | 0:34:02 | 0:34:05 | |
I feel inside at leaving you. | 0:34:05 | 0:34:07 | |
-Are you crying inside? -I am crying inside. | 0:34:07 | 0:34:09 | |
Bravely smiling on the outside! | 0:34:09 | 0:34:10 | |
No, I'm almost externally crying as well. | 0:34:10 | 0:34:12 | |
The city of Stoke-on-Trent, affectionately called The Potteries, | 0:34:12 | 0:34:17 | |
was formed in the early 20th century of six neighbouring towns. | 0:34:17 | 0:34:21 | |
Are we ready? | 0:34:22 | 0:34:24 | |
-I'm going to be very sad at the end of this. -Are you sure? | 0:34:24 | 0:34:27 | |
-Yeah. -Oh, van. | 0:34:27 | 0:34:29 | |
I'm going to miss our van. | 0:34:29 | 0:34:30 | |
Right, let's go. | 0:34:30 | 0:34:32 | |
Sun shines on the righteous, Thomas. | 0:34:32 | 0:34:34 | |
12, 14... | 0:34:34 | 0:34:36 | |
Well, we'll see about that. Holding fort at the rostrum today | 0:34:36 | 0:34:39 | |
is auctioneer Lee Sherratt, | 0:34:39 | 0:34:41 | |
who's been running ASH Auctions for over 20 years. | 0:34:41 | 0:34:45 | |
We've had interest in quite a number of the items, to be honest. | 0:34:47 | 0:34:49 | |
Denby tea set, I think we've got a telephone bid coming through, | 0:34:49 | 0:34:53 | |
plus commission bids come in on that item. | 0:34:53 | 0:34:56 | |
The thing that most interests me, really, is the death plaque. | 0:34:56 | 0:34:58 | |
Usually those things go well. | 0:34:58 | 0:35:00 | |
My least favourite lot, really, is the jug. | 0:35:00 | 0:35:02 | |
I would think that one might struggle. | 0:35:02 | 0:35:05 | |
It's the final auction of the week. | 0:35:05 | 0:35:07 | |
On the phone, then... | 0:35:07 | 0:35:08 | |
First up is Christina's Denby dinner service. | 0:35:10 | 0:35:14 | |
Quite a lot of interest in this. | 0:35:15 | 0:35:17 | |
Quite a lot of interest! | 0:35:17 | 0:35:19 | |
We've got two or three commission bids. | 0:35:19 | 0:35:20 | |
We've also got a telephone bid. | 0:35:20 | 0:35:22 | |
And a phone bid! I don't believe it. | 0:35:22 | 0:35:25 | |
All the lot. Start the bidding. | 0:35:25 | 0:35:27 | |
-26. -I've got £26 straight in. | 0:35:27 | 0:35:28 | |
-£26! -On the phone at 28... | 0:35:28 | 0:35:31 | |
Phone bid straight in. | 0:35:31 | 0:35:32 | |
Four... | 0:35:32 | 0:35:34 | |
On the phone at 32 for the Denby. | 0:35:34 | 0:35:35 | |
Wonderful, Christina. Well done, you. | 0:35:35 | 0:35:38 | |
Sold at 32. | 0:35:38 | 0:35:40 | |
High-five! | 0:35:40 | 0:35:42 | |
A fantastic profit to start things off, Christina. | 0:35:42 | 0:35:45 | |
I sincerely hope we carry on in this vein, | 0:35:45 | 0:35:47 | |
although I very much doubt it. | 0:35:47 | 0:35:49 | |
Continuing the pottery theme, | 0:35:50 | 0:35:52 | |
Thomas' early Victorian jug is up next. | 0:35:52 | 0:35:55 | |
Nice jug there. Do I have a fiver? | 0:35:55 | 0:35:57 | |
-A fiver. -Five commission bid. | 0:35:57 | 0:36:00 | |
I've got six, I've got seven, seven bid. Eight. | 0:36:00 | 0:36:02 | |
Eight bid now, nine, nine bid now, ten. | 0:36:02 | 0:36:04 | |
Ten bid now, 12. | 0:36:04 | 0:36:06 | |
Go on, go on, go on! | 0:36:06 | 0:36:07 | |
At £12. Commission winner, at £12, going. | 0:36:07 | 0:36:10 | |
Don't worry, it's early days, Thomas, | 0:36:10 | 0:36:13 | |
and only a small loss. | 0:36:13 | 0:36:15 | |
Forget you not. Forget the jug! | 0:36:15 | 0:36:18 | |
Let's hope Thomas does better with his Masonic glass. | 0:36:20 | 0:36:23 | |
I've got £30 bid. Straight onto commissions at 30 bid now. | 0:36:23 | 0:36:26 | |
Take five if you like. At 32, I'll take, then. | 0:36:26 | 0:36:28 | |
At £30. If not, I'm going to sell it to the commission buyer. | 0:36:28 | 0:36:30 | |
At £30, only bid at £30, and all done. | 0:36:30 | 0:36:33 | |
-Oh, no! -Commission buyer gets it. | 0:36:33 | 0:36:35 | |
-£30. -Thomas, I'm disappointed. It should have made more. | 0:36:35 | 0:36:37 | |
It made a £2 profit. | 0:36:37 | 0:36:39 | |
It all adds up. | 0:36:39 | 0:36:40 | |
Are you OK? | 0:36:41 | 0:36:42 | |
-HE FEIGNS CRYING -Don't be glum on me. | 0:36:42 | 0:36:44 | |
Back with Christina and her pair of Victorian carriage lamps. | 0:36:45 | 0:36:49 | |
Can I see £50 to get on? | 0:36:49 | 0:36:50 | |
£50 to get on? £40. | 0:36:50 | 0:36:53 | |
No, no. Maybe? | 0:36:53 | 0:36:54 | |
For the two, this is. £20 for the two. Ten, then, somebody. | 0:36:54 | 0:36:57 | |
-Ten I'm bid, now. -There we go. | 0:36:57 | 0:36:59 | |
12. Is that a bid? | 0:36:59 | 0:37:01 | |
On my right. 12. 12 bid. | 0:37:01 | 0:37:03 | |
14. 14. Here we go. | 0:37:03 | 0:37:05 | |
16, 18. 18, 20. 20, 22. | 0:37:05 | 0:37:08 | |
-Rightly so. -Well, I think... | 0:37:08 | 0:37:10 | |
Can you imagine either side of the front door, or... | 0:37:10 | 0:37:12 | |
-They're very good, yeah. -They're smart. | 0:37:12 | 0:37:14 | |
26. Where's eight? Now I'm going to sell. | 0:37:14 | 0:37:16 | |
At £26, and the hammer's up... | 0:37:16 | 0:37:18 | |
Anybody else? | 0:37:18 | 0:37:19 | |
Another decent profit for Christina. | 0:37:21 | 0:37:24 | |
I'm finding my feet now. | 0:37:24 | 0:37:26 | |
I think that's a brilliant result. | 0:37:26 | 0:37:28 | |
Well done, Christina. | 0:37:28 | 0:37:29 | |
Indeed. | 0:37:29 | 0:37:31 | |
Thomas has bundled together his vintage mannequin head | 0:37:31 | 0:37:35 | |
and Edwardian bamboo teddy's chair. | 0:37:35 | 0:37:37 | |
Bit random, but let's see how it goes. | 0:37:37 | 0:37:40 | |
£15 commission bid, straight in now at 15. | 0:37:40 | 0:37:42 | |
Looking for 16. If not, I'll sell. | 0:37:42 | 0:37:43 | |
Oh, dear. | 0:37:43 | 0:37:45 | |
..at 16, I'm going to sell it. | 0:37:45 | 0:37:46 | |
At £15, all done. | 0:37:46 | 0:37:48 | |
-That was pretty quick, wasn't it? -It was jolly quick. -Jolly quick. | 0:37:48 | 0:37:51 | |
He's still got two more items | 0:37:51 | 0:37:53 | |
to wow the auction-goers of Stoke with, though. | 0:37:53 | 0:37:56 | |
-If I hadn't bought the head, that would have been a profit. -Yeah! | 0:37:56 | 0:38:00 | |
That's one way to look at it. | 0:38:00 | 0:38:02 | |
Can Christina make a third profit in a row | 0:38:02 | 0:38:04 | |
with her Art Deco-style lamp? | 0:38:04 | 0:38:07 | |
£20, bid me, somebody. | 0:38:07 | 0:38:08 | |
20 bid, straight in at 20. | 0:38:08 | 0:38:10 | |
At £20 bid, where? Two. | 0:38:10 | 0:38:11 | |
At 22, four? 24. | 0:38:11 | 0:38:13 | |
Well done, Christina. | 0:38:13 | 0:38:14 | |
Again, another profit. | 0:38:14 | 0:38:15 | |
Brilliant! | 0:38:15 | 0:38:17 | |
On the second row, you're all out now. | 0:38:17 | 0:38:19 | |
At 36 now. Eight. | 0:38:19 | 0:38:20 | |
-38 now! -Really?! | 0:38:20 | 0:38:22 | |
Doubling money. | 0:38:22 | 0:38:23 | |
Right lot. | 0:38:23 | 0:38:25 | |
Being sold. I'm going to receive it at 40. | 0:38:25 | 0:38:27 | |
Go, Christina. | 0:38:29 | 0:38:30 | |
Another brilliant profit. | 0:38:30 | 0:38:32 | |
Another great success! | 0:38:32 | 0:38:34 | |
Can't believe this, Thomas. | 0:38:34 | 0:38:36 | |
Can this soapstone goblet make Thomas some money? | 0:38:37 | 0:38:41 | |
Put it in, somebody. | 0:38:41 | 0:38:42 | |
What's it worth? £20? | 0:38:42 | 0:38:43 | |
-Ooh! -Nice piece, this is. | 0:38:43 | 0:38:45 | |
£20. £10, bid me, somebody? | 0:38:45 | 0:38:46 | |
Who's going to bid me? Ten, I'm bid on my right. | 0:38:46 | 0:38:49 | |
At ten bid, we're off now. At ten bid. Where's 12 short? | 0:38:49 | 0:38:51 | |
It's got to be worth more than this. | 0:38:51 | 0:38:52 | |
-What did you pay for this? 25? -Yes. | 0:38:52 | 0:38:55 | |
£10 only. You got a chance. | 0:38:55 | 0:38:57 | |
You're going to lose it. | 0:38:57 | 0:38:58 | |
At £10... | 0:38:58 | 0:39:00 | |
Shame. But maybe he's saving his best for last. | 0:39:00 | 0:39:03 | |
It'll be fine, Thomas. It will be fine. | 0:39:03 | 0:39:05 | |
Please, Christina. If I'd have known, | 0:39:05 | 0:39:07 | |
if I'd have sort of got a flavour of the auction, | 0:39:07 | 0:39:10 | |
I think I would have bought slightly differently. | 0:39:10 | 0:39:12 | |
Too late for that now, Thomas. | 0:39:12 | 0:39:14 | |
We're back with Christina again for the snooker table light trio. | 0:39:14 | 0:39:18 | |
£40 for it. | 0:39:18 | 0:39:19 | |
40. £30. | 0:39:19 | 0:39:21 | |
£30, worth that, surely. | 0:39:21 | 0:39:23 | |
Not much we can do without lights. Come on. £30. | 0:39:23 | 0:39:26 | |
Not going to make any money. | 0:39:26 | 0:39:27 | |
35 now. Five. 25, 30. | 0:39:27 | 0:39:29 | |
-30 bidding now, five... -It's not going to make any money. | 0:39:29 | 0:39:31 | |
-It's going to make it. -No, it's not. -It's going to make £40! | 0:39:31 | 0:39:34 | |
At £40. At £40. The hammer looking. £40... | 0:39:34 | 0:39:37 | |
It's a loss after auction costs, | 0:39:37 | 0:39:39 | |
but it gives Thomas a chance to catch up. | 0:39:39 | 0:39:42 | |
-Well done, Christina. -Thanks. | 0:39:42 | 0:39:43 | |
Now it's Christina's final item, | 0:39:43 | 0:39:46 | |
the Marcel Pic charcoal sketch. | 0:39:46 | 0:39:48 | |
Open the bidding, somebody. | 0:39:48 | 0:39:49 | |
£20. 15 for it? Come on. | 0:39:49 | 0:39:51 | |
Give me ten. £10. £10? | 0:39:51 | 0:39:53 | |
Where are we? We've got a bid of ten. | 0:39:53 | 0:39:55 | |
I think people think it's a print, but it's not. | 0:39:55 | 0:39:57 | |
No, you said it's a sketch. | 0:39:57 | 0:39:58 | |
Well we've got a... Yeah, got a bid. | 0:39:58 | 0:40:00 | |
Right-hand side. 12. | 0:40:00 | 0:40:02 | |
12 bid. At 12, now 14. | 0:40:02 | 0:40:04 | |
14. 14, 16. | 0:40:04 | 0:40:05 | |
-For you... -Is that the last item of our road trip? | 0:40:05 | 0:40:08 | |
-£14. -Well, it's making a profit. | 0:40:08 | 0:40:10 | |
..at £14. | 0:40:10 | 0:40:11 | |
She's almost tripled her money on that last item. Great stuff. | 0:40:13 | 0:40:16 | |
-Thomas... -HE LAUGHS | 0:40:17 | 0:40:20 | |
-Are you crying? Are you crying because this is it? -So glad. | 0:40:20 | 0:40:23 | |
The first time on our road trip I'm glad | 0:40:23 | 0:40:25 | |
that you've got your pocket square. | 0:40:25 | 0:40:27 | |
But now, it's Thomas' World War I death plaque. | 0:40:28 | 0:40:32 | |
It's auctioneer Lee's pick, | 0:40:32 | 0:40:34 | |
and could be just what Thomas needs to take Christina's Road Trip crown. | 0:40:34 | 0:40:39 | |
We've got loads and loads of commission bids. | 0:40:39 | 0:40:41 | |
-See? -£40. | 0:40:41 | 0:40:43 | |
£40 bid, straight in at £40. | 0:40:43 | 0:40:44 | |
-Brilliant! Instant profit. -45. | 0:40:44 | 0:40:47 | |
-50. -Five. | 0:40:47 | 0:40:48 | |
-55. -60. | 0:40:48 | 0:40:49 | |
60, I'm bid. Five... | 0:40:49 | 0:40:51 | |
Thomas! This is brilliant! | 0:40:51 | 0:40:52 | |
70 bid now. 75... | 0:40:52 | 0:40:54 | |
75. We got £70 commission. | 0:40:54 | 0:40:55 | |
We haven't finished yet. | 0:40:55 | 0:40:57 | |
Go on, go on, go on! | 0:40:57 | 0:40:58 | |
75, 80. 85... | 0:40:58 | 0:41:01 | |
Go on. | 0:41:01 | 0:41:02 | |
-85, 90... -I'm out. | 0:41:02 | 0:41:04 | |
All commission bids are now out. | 0:41:04 | 0:41:06 | |
In the room at £85. | 0:41:06 | 0:41:07 | |
Where's 90? I'm going to sell it. | 0:41:07 | 0:41:09 | |
Go on, one more. | 0:41:09 | 0:41:10 | |
£85. The hammer's up. | 0:41:10 | 0:41:12 | |
All finished. | 0:41:12 | 0:41:14 | |
Well done! £50 profit. | 0:41:14 | 0:41:15 | |
That's amazing. | 0:41:15 | 0:41:17 | |
What an incredible finish for Thomas. | 0:41:17 | 0:41:19 | |
Well done. Well done. | 0:41:19 | 0:41:21 | |
But has he done enough? | 0:41:21 | 0:41:23 | |
Thomas began this leg with £186.14. | 0:41:25 | 0:41:29 | |
Despite that great last profit, | 0:41:29 | 0:41:32 | |
he's down £18.36 after auction costs, | 0:41:32 | 0:41:36 | |
leaving him £167.78. | 0:41:36 | 0:41:40 | |
Christina kicked off with £269.07. | 0:41:40 | 0:41:44 | |
After a great auction, she's made £39.64. | 0:41:44 | 0:41:49 | |
She finishes with £308.71, | 0:41:49 | 0:41:53 | |
making her this week's queen of the Road Trip. | 0:41:53 | 0:41:56 | |
All profits, of course, go to Children In Need. | 0:41:56 | 0:41:58 | |
Blimey! | 0:42:00 | 0:42:01 | |
Christina... | 0:42:01 | 0:42:03 | |
Go on. Tell me. | 0:42:03 | 0:42:04 | |
-I need to drive you. -Why? | 0:42:04 | 0:42:05 | |
Because you've again annihilated me. | 0:42:05 | 0:42:07 | |
-Did I win this auction? -You did! You've done it. | 0:42:07 | 0:42:09 | |
-So does that mean I get chauffeured? -You get chauffeured by moi. | 0:42:09 | 0:42:12 | |
Oh, my goodness! How spoilt! | 0:42:12 | 0:42:14 | |
-I know. -How spoilt! | 0:42:14 | 0:42:15 | |
THEY LAUGH | 0:42:15 | 0:42:18 | |
That's it for these two, and what a week, eh? | 0:42:18 | 0:42:21 | |
Their trip took them from Ireland... | 0:42:22 | 0:42:24 | |
I don't want to go back to the United Kingdom. | 0:42:24 | 0:42:27 | |
..to Wales... | 0:42:27 | 0:42:28 | |
It comes with a free squeak. | 0:42:28 | 0:42:30 | |
How could a girl refuse(?) | 0:42:30 | 0:42:32 | |
..and England... | 0:42:32 | 0:42:33 | |
This could be my lucky day. | 0:42:33 | 0:42:34 | |
Luckily, Thomas' driving has improved. | 0:42:34 | 0:42:37 | |
Go on, go on, go on. You can do it! You can do it! | 0:42:39 | 0:42:41 | |
-Go on. Go on. -Hooray! -Third's easy. Third is easy. | 0:42:41 | 0:42:44 | |
Sadly, his singing hasn't. | 0:42:44 | 0:42:46 | |
# Why, why, why, Delilah... # | 0:42:46 | 0:42:51 | |
But they've had a blast. | 0:42:52 | 0:42:54 | |
Probably really ought to start doing some more shopping, hadn't I? | 0:42:54 | 0:42:57 | |
Next time: A brand-new pair hit the road. | 0:43:00 | 0:43:03 | |
Charlie Ross is doing everything he can to reach new heights. | 0:43:03 | 0:43:07 | |
Oh! | 0:43:07 | 0:43:08 | |
But James Braxton has a secret weapon up his sleeve. | 0:43:08 | 0:43:11 | |
I bring a new thing in my life, | 0:43:11 | 0:43:14 | |
which is yoga. | 0:43:14 | 0:43:15 |