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It's the nation's favourite antique experts... | 0:00:02 | 0:00:04 | |
-This is beautiful! -That's the way to do this. | 0:00:04 | 0:00:06 | |
..with £200 each, a classic car and a goal - to scour for antiques. | 0:00:06 | 0:00:12 | |
Joy! | 0:00:12 | 0:00:13 | |
Hello! | 0:00:13 | 0:00:14 | |
The aim - to make the biggest profit at auction. But it is no mean feat. | 0:00:14 | 0:00:17 | |
HE LAUGHS | 0:00:17 | 0:00:19 | |
There will be worthy winners and valiant losers. | 0:00:19 | 0:00:22 | |
Sorry, sorry! | 0:00:22 | 0:00:23 | |
So will it be the high road to glory or the slow road to disaster? | 0:00:23 | 0:00:28 | |
The handbrake's on! | 0:00:28 | 0:00:29 | |
This is Antiques Road Trip. | 0:00:29 | 0:00:31 | |
Yeah! | 0:00:33 | 0:00:35 | |
This week, we've been on a road trip with two stylish | 0:00:36 | 0:00:40 | |
antiques hotshots. | 0:00:40 | 0:00:42 | |
-You have had your haircut! -Yeah. -When was this? | 0:00:42 | 0:00:44 | |
I don't know, a while ago. | 0:00:44 | 0:00:47 | |
-I feel terrible, I didn't notice. -Thanks(!) | 0:00:47 | 0:00:50 | |
Well, you always look so well turned out. | 0:00:50 | 0:00:52 | |
-SHE LAUGHS -Whoa! Sorry! | 0:00:52 | 0:00:54 | |
What were you doing there? | 0:00:54 | 0:00:56 | |
You distracted me by talking about my hair. | 0:00:56 | 0:00:58 | |
Yes, behind the wheel is debonair auctioneer Christina Trevanion - | 0:01:00 | 0:01:04 | |
elegant but always willing to fight for a bargain. | 0:01:04 | 0:01:08 | |
Hello. Have you got any bargains for me? | 0:01:08 | 0:01:10 | |
Her rival is jewellery expert | 0:01:11 | 0:01:14 | |
dashing, dapper and cheeky chappy Thomas Plant. | 0:01:14 | 0:01:17 | |
This one has somebody in not many clothes. | 0:01:18 | 0:01:22 | |
Our duo set off on this road trip with £200 each. | 0:01:22 | 0:01:26 | |
As this penultimate leg gets underway, | 0:01:26 | 0:01:29 | |
Christina is in the lead | 0:01:29 | 0:01:31 | |
with £270.31 to spend. | 0:01:31 | 0:01:34 | |
But Thomas has his sights on a comeback. | 0:01:37 | 0:01:40 | |
He has £143.62 to shop with. | 0:01:40 | 0:01:45 | |
-The sun will come out, the jumper will come off. -Oh, thank God! | 0:01:46 | 0:01:49 | |
I know you don't like the jumper... | 0:01:49 | 0:01:51 | |
You are resembling a middle-aged geography teacher this morning. | 0:01:51 | 0:01:54 | |
I feel that is quite harsh. | 0:01:54 | 0:01:57 | |
Hm. Poor Thomas. They've been clocking up the miles, though, | 0:01:57 | 0:02:00 | |
in their Bedford van, | 0:02:00 | 0:02:01 | |
which dates from a time before seatbelts were compulsory. | 0:02:01 | 0:02:04 | |
Starting off in Cashel, Tipperary, they had a good gad about Ireland | 0:02:07 | 0:02:11 | |
before hopping across to North Wales, | 0:02:11 | 0:02:13 | |
then are whizzing around England before ending up, | 0:02:13 | 0:02:16 | |
over 700 miles later, in Stoke-on-Trent. | 0:02:16 | 0:02:18 | |
In this penultimate leg, | 0:02:21 | 0:02:23 | |
our pair are starting off in Stratford-upon-Avon | 0:02:23 | 0:02:25 | |
and aiming for auction in the Cotswold town of Winchcombe. | 0:02:25 | 0:02:30 | |
Time to get Thomas's shopping underway. | 0:02:32 | 0:02:35 | |
-Bye, love! -Bye-bye. | 0:02:35 | 0:02:36 | |
-Hello. -Hi, Thomas, nice to see you. How are you doing? -Nice to see you. | 0:02:39 | 0:02:42 | |
-What is your name? -Richard. -Richard. -This is my wife, Zoe. -Hello, Thomas. | 0:02:42 | 0:02:47 | |
And I am Tim. So, now we all know each other, | 0:02:47 | 0:02:50 | |
let's get cracking. | 0:02:50 | 0:02:52 | |
One is not finding this easy. The competition is tough. | 0:02:53 | 0:02:57 | |
She is a fierce oppo... | 0:02:57 | 0:03:00 | |
..and relentless in her quest for thrashing me. | 0:03:01 | 0:03:05 | |
Blimey! Better focus then. | 0:03:05 | 0:03:08 | |
So what we've got here is a vintage bracelet. | 0:03:08 | 0:03:14 | |
Most unusual silver gilt bracelet. | 0:03:14 | 0:03:17 | |
Hallmarked from 1975. | 0:03:17 | 0:03:19 | |
Look at that rock here. | 0:03:19 | 0:03:22 | |
The matrix of the quartz. | 0:03:22 | 0:03:25 | |
It's got a replacement clasp on it. It has got a look... | 0:03:27 | 0:03:31 | |
I like the fact that the links are quite textured. | 0:03:31 | 0:03:34 | |
So it is silver, which has been gilded. | 0:03:34 | 0:03:37 | |
And in the olden days, | 0:03:37 | 0:03:38 | |
it was mercury gilded to give it its good look. | 0:03:38 | 0:03:41 | |
But it's £55. | 0:03:41 | 0:03:43 | |
If we can... Not a fiver, but a bit more than that. | 0:03:43 | 0:03:47 | |
OK, let's see what we can do, Thomas. Absolutely. | 0:03:47 | 0:03:49 | |
With over 40 dealers on display, | 0:03:49 | 0:03:51 | |
Richard is going to have to get on the phone. | 0:03:51 | 0:03:54 | |
-OK, Thomas. -Richard. -We have some news. -Oh, yeah, what is the news? | 0:03:54 | 0:03:57 | |
-It's quite good. -Oh, yeah? | 0:03:57 | 0:03:59 | |
-So, it' at 55. Usually, I'd stop around 50. -Yeah, yeah. | 0:03:59 | 0:04:03 | |
-But we can go to 45. -45... Do think we could have this for 40? | 0:04:03 | 0:04:07 | |
-Could you do a pound or two more? -Could we do 4...1? -Go on then, 41. | 0:04:07 | 0:04:11 | |
HE LAUGHS | 0:04:11 | 0:04:13 | |
You know, I hate even...odd numbers. | 0:04:13 | 0:04:16 | |
-Right, OK. Deal. -Thank you. | 0:04:16 | 0:04:18 | |
That's one done. Anything else? | 0:04:18 | 0:04:20 | |
A letter opener with the clown on the top. | 0:04:25 | 0:04:29 | |
Some people don't like clowns. But this is very Deco in style. | 0:04:29 | 0:04:34 | |
Is it Deco? I think it is. It's got a nice... | 0:04:34 | 0:04:37 | |
It's been well rubbed and worn. | 0:04:37 | 0:04:39 | |
I don't think I've ever seen a paper knife like that. | 0:04:39 | 0:04:42 | |
It is quite a cool thing. I think I'm going to go for that. | 0:04:42 | 0:04:45 | |
If that can be the right sort of price, definitely. | 0:04:45 | 0:04:48 | |
See, I can put something else with it. You see? | 0:04:48 | 0:04:51 | |
It's only, you know, £22. | 0:04:51 | 0:04:53 | |
So what we have here is a brass Art Deco ink stand. | 0:04:55 | 0:05:01 | |
I love it. | 0:05:02 | 0:05:04 | |
Because in here is DR, 1922. | 0:05:04 | 0:05:09 | |
So it was engraved in here. | 0:05:09 | 0:05:12 | |
It has got a bit of a nick. It is a bit of a sizable nick. | 0:05:12 | 0:05:15 | |
But once you put it in, you can't see it. | 0:05:15 | 0:05:17 | |
So one would put one's letters there. | 0:05:17 | 0:05:20 | |
And the ink goes in there. And your pens rest on here. | 0:05:20 | 0:05:24 | |
Just to prove it to you... | 0:05:24 | 0:05:25 | |
Like that. | 0:05:28 | 0:05:29 | |
Doesn't that look good? What is the price on that? | 0:05:29 | 0:05:32 | |
-WHISPERS: -£38... | 0:05:32 | 0:05:34 | |
Time to sweet talk Richard. | 0:05:34 | 0:05:37 | |
So these two... | 0:05:37 | 0:05:39 | |
You know, 38 and 22. | 0:05:39 | 0:05:42 | |
What does that come to? | 0:05:42 | 0:05:43 | |
-Well, so we're at 60. -Yeah. -Um... | 0:05:43 | 0:05:46 | |
-Can you do 52? -I was more like thinking 39. | 0:05:46 | 0:05:50 | |
That is a bit too low. | 0:05:50 | 0:05:51 | |
-Can we meet somewhere in the middle? -HESITANTLY: -45? | 0:05:51 | 0:05:55 | |
-Yeah, go on, we can work with 45. -Yeah? -Yeah, we can do that. -45? | 0:05:55 | 0:05:59 | |
Thank you. | 0:05:59 | 0:06:00 | |
That is £86 for the paper knife, letter stand and bracelet. | 0:06:00 | 0:06:04 | |
-Bye-bye. -Now, where is Christina? | 0:06:04 | 0:06:06 | |
Heading for her first shop in the village of Long Marston. | 0:06:06 | 0:06:11 | |
-Good morning. -Good morning. -Hello, are you Laura? -I am Laura, yes. | 0:06:14 | 0:06:18 | |
Lovely to meet you, I'm Christina. This is rather magnificent. | 0:06:18 | 0:06:21 | |
-It goes on... Look, it goes on forever. -It does go on forever, yes. | 0:06:21 | 0:06:24 | |
Almost daunting, isn't it? | 0:06:24 | 0:06:26 | |
You've just got to start searching, Christina. | 0:06:26 | 0:06:30 | |
And walking. | 0:06:30 | 0:06:32 | |
On. | 0:06:32 | 0:06:33 | |
And on. | 0:06:34 | 0:06:36 | |
-Having a nice time, are we? -Oh, look. -A little read? | 0:06:36 | 0:06:40 | |
I probably really ought to start doing some more shopping, hadn't I? | 0:06:40 | 0:06:43 | |
I'd say so. | 0:06:43 | 0:06:45 | |
That is quite Thomas, actually. I can see him wearing that. | 0:06:46 | 0:06:49 | |
It's all his colours. It is very this season. | 0:06:49 | 0:06:51 | |
Look, very...lovely crushed berry colours there. | 0:06:51 | 0:06:54 | |
That is very Thomas Plant. | 0:06:54 | 0:06:55 | |
We'll leave that one there. | 0:06:57 | 0:06:59 | |
I love that. | 0:06:59 | 0:07:00 | |
I sold one of these on Saturday, and it was for the Savoy. | 0:07:02 | 0:07:06 | |
It was for the Savoy Laundry company. | 0:07:06 | 0:07:08 | |
It only made about £20, but it was wonderful. Look at that. | 0:07:08 | 0:07:10 | |
London Laundry, Coventry, Limited. | 0:07:10 | 0:07:12 | |
"Articles for dry cleaners to be parcelled separately, please. 1971." | 0:07:12 | 0:07:16 | |
A bit of vintage kit, really. But... | 0:07:16 | 0:07:18 | |
Isn't it wonderful it was something designed to be so totally | 0:07:18 | 0:07:21 | |
just disposable? It wasn't really made to last particularly long. | 0:07:21 | 0:07:25 | |
It is only made of stiffened card, | 0:07:25 | 0:07:27 | |
but it is so iconic of its time now - | 0:07:27 | 0:07:29 | |
that sort of typography, that lettering... I love that. | 0:07:29 | 0:07:33 | |
It doesn't have a price on it. Which is a bit worrying. | 0:07:33 | 0:07:36 | |
Time to get Laura. | 0:07:36 | 0:07:38 | |
OK... | 0:07:38 | 0:07:39 | |
I will find out for you. | 0:07:39 | 0:07:41 | |
I mean, really, I've sold one of those recently for £15, £20. | 0:07:41 | 0:07:44 | |
-So that is what I would want to be looking at... -OK. | 0:07:44 | 0:07:47 | |
-..securing it at, at the most. -Okey dokey. | 0:07:47 | 0:07:49 | |
-But if you can give them a buzz... -Course I will, I'll do that now. | 0:07:49 | 0:07:52 | |
Lovely, thank you. | 0:07:52 | 0:07:53 | |
-I may have a bit of good news for you. -Oh. -15. | 0:07:57 | 0:08:00 | |
-Have you done your best for me? -I've done my best, course I have. | 0:08:00 | 0:08:03 | |
-Of course you have! -Of course I have! | 0:08:03 | 0:08:05 | |
-£15... That's a deal at 15. -Brilliant. | 0:08:05 | 0:08:09 | |
-Thank you, Laura. -No problem. | 0:08:09 | 0:08:10 | |
Right, let's go. With my laundry. | 0:08:10 | 0:08:13 | |
And with that, Christina is up and running. | 0:08:13 | 0:08:16 | |
Thomas has made his way to Worcester, | 0:08:20 | 0:08:22 | |
where rising gracefully above the banks of the River Severn | 0:08:22 | 0:08:25 | |
is Worcester Cathedral. | 0:08:25 | 0:08:27 | |
He's here to learn the story of King John I. | 0:08:27 | 0:08:29 | |
For centuries, he has held a reputation of being the evil tyrant | 0:08:31 | 0:08:35 | |
who plunged the country into civil war. | 0:08:35 | 0:08:37 | |
There has been a place of worship on this site | 0:08:41 | 0:08:44 | |
since the seventh century, but it gained its prominence as the final | 0:08:44 | 0:08:47 | |
resting place of this controversial monarch. | 0:08:47 | 0:08:50 | |
When he took the throne, | 0:08:52 | 0:08:54 | |
King John also inherited great territory in Europe. | 0:08:54 | 0:08:57 | |
However, this was all | 0:08:57 | 0:08:59 | |
but lost after he sparked war with France soon after his coronation. | 0:08:59 | 0:09:04 | |
Taxes soared to fund his fighting overseas, | 0:09:06 | 0:09:10 | |
and the king enforced them mercilessly. | 0:09:10 | 0:09:13 | |
The rich and the influential barons were forced into rebellion. | 0:09:13 | 0:09:16 | |
They seized London and forced the king to the negotiating table. | 0:09:16 | 0:09:20 | |
King John's tyranny created such unrest across the country | 0:09:23 | 0:09:26 | |
that the Magna Carta was drawn up to restrict his power. | 0:09:26 | 0:09:30 | |
This document would later inspire democracy | 0:09:30 | 0:09:33 | |
and was created to halt the actions of a tyrant king. | 0:09:33 | 0:09:36 | |
In 1260, just a year after signing the Magna Carta, | 0:09:40 | 0:09:43 | |
the king became gravely ill. | 0:09:43 | 0:09:45 | |
In his final days, he became desperate to | 0:09:45 | 0:09:47 | |
save his reputation in the eyes of both men and God. | 0:09:47 | 0:09:51 | |
He requested that he be buried in Worcester Cathedral, | 0:09:51 | 0:09:54 | |
which already held the shrine of St Wulfstan. | 0:09:54 | 0:09:58 | |
John had been a driving force in making this former bishop | 0:09:58 | 0:10:02 | |
of Worcester a saint | 0:10:02 | 0:10:03 | |
and hoped this decision would aid his immortal soul. | 0:10:03 | 0:10:07 | |
Archivist Dr David Morrison is showing Thomas the remarkable | 0:10:07 | 0:10:11 | |
artefacts held within the cathedral | 0:10:11 | 0:10:13 | |
that reveal the king's last-ditch attempts to save his legacy. | 0:10:13 | 0:10:18 | |
Probably the most important item, in terms of this king, is his will. | 0:10:19 | 0:10:24 | |
And that is the earliest medieval royal will left in the UK | 0:10:24 | 0:10:27 | |
as an original. | 0:10:27 | 0:10:29 | |
-So this is an original...? -The original document... | 0:10:29 | 0:10:31 | |
-I am holding... -..from 1216. -..a 1216 document. | 0:10:31 | 0:10:34 | |
Do you think he actually wrote this or he got a scribe to write it? | 0:10:34 | 0:10:37 | |
-He got a scribe to write it, but he probably dictated it. -Dictated it. | 0:10:37 | 0:10:42 | |
Because it starts, "I, John..." | 0:10:42 | 0:10:44 | |
rather than some formal greeting. | 0:10:44 | 0:10:47 | |
So he is obviously speaking on his deathbed. | 0:10:47 | 0:10:50 | |
-I'm holding a real piece of history. -It is. It is very special. | 0:10:50 | 0:10:53 | |
What does it say? | 0:10:53 | 0:10:55 | |
He is basically most concerned | 0:10:55 | 0:10:57 | |
with ensuring his son's inheritance to the throne. | 0:10:57 | 0:11:00 | |
And then his other big concern is for his soul, his going to heaven. | 0:11:00 | 0:11:04 | |
So he wants money to be given to Jerusalem | 0:11:04 | 0:11:06 | |
and money given to the poor. | 0:11:06 | 0:11:08 | |
And at the bottom of the will are all his...what I would suppose | 0:11:08 | 0:11:10 | |
we would call nowadays executors. | 0:11:10 | 0:11:12 | |
These are all his key supporters who will make sure that | 0:11:12 | 0:11:15 | |
when he dies, his son will inherit the throne. | 0:11:15 | 0:11:18 | |
It is short and rather less stately than you might expect, | 0:11:18 | 0:11:22 | |
suggesting that it was written in haste in John's attempt to | 0:11:22 | 0:11:25 | |
protect his son and his own soul in his final moments. | 0:11:25 | 0:11:29 | |
-16 lines. -16 lines. -16 lines. | 0:11:29 | 0:11:32 | |
-Quite a lot of them are made up of people's names. -Yep. | 0:11:32 | 0:11:35 | |
-16 lines to... -Yeah. -..set his kingdom straight. -A kingdom! | 0:11:35 | 0:11:39 | |
-A kingdom straight! -Yeah. -You're right. Isn't it? | 0:11:39 | 0:11:42 | |
It's a KINGDOM straight. | 0:11:42 | 0:11:44 | |
He knew he was dying. That's real history. | 0:11:44 | 0:11:47 | |
After his death, the tomb was placed directly in front of the high altar. | 0:11:49 | 0:11:53 | |
With this prominent position, | 0:11:53 | 0:11:55 | |
the monks hoped to give the king the best chance of reaching heaven | 0:11:55 | 0:11:59 | |
but also aimed to convince John's son, King Henry III, | 0:11:59 | 0:12:03 | |
to allow the tomb to remain in Worcester. | 0:12:03 | 0:12:05 | |
The tomb is the earliest royal effigy in England. | 0:12:05 | 0:12:09 | |
Having it here secured the future of the cathedral and allowed | 0:12:09 | 0:12:12 | |
the monks to create the majestic Gothic building we see today. | 0:12:12 | 0:12:16 | |
But the tomb has not remained completely undisturbed. | 0:12:16 | 0:12:20 | |
In 1797, it was opened to record details of what remained inside. | 0:12:20 | 0:12:25 | |
And unbelievably, various artefacts were removed. | 0:12:25 | 0:12:29 | |
They found some interesting items | 0:12:29 | 0:12:32 | |
that included the front part of one of his shoes. | 0:12:32 | 0:12:35 | |
It's extraordinary, isn't it? It's a fragment of his shoe. | 0:12:35 | 0:12:38 | |
And then we have a fragment of his shroud, | 0:12:38 | 0:12:41 | |
-or perhaps his coronation robe. -That's amazing, isn't it? | 0:12:41 | 0:12:45 | |
These artefacts show the human hopes | 0:12:45 | 0:12:47 | |
and fears of a monarch on his deathbed. | 0:12:47 | 0:12:49 | |
And Thomas is very lucky to be so close to them. | 0:12:49 | 0:12:52 | |
And then we have got what is thought to be his thumb bone. | 0:12:52 | 0:12:55 | |
-Can I touch it? -Certainly. | 0:12:55 | 0:12:57 | |
Gosh, a royal thumb bone. | 0:12:57 | 0:12:59 | |
History may remember him as a tyrant, but the famous document that | 0:13:01 | 0:13:05 | |
resulted from his actions became the foundation of our modern democracy. | 0:13:05 | 0:13:09 | |
And his burial within these walls | 0:13:09 | 0:13:11 | |
allowed the grand monument | 0:13:11 | 0:13:13 | |
of Worcester Cathedral to flourish. | 0:13:13 | 0:13:15 | |
Christina has now toddled north to Henley-in-Arden, | 0:13:18 | 0:13:21 | |
where she is pulling up | 0:13:21 | 0:13:23 | |
at alliteration-loving Fabulous Finds. Ha! | 0:13:23 | 0:13:27 | |
Shop owner Caroline is on hand to show her around. | 0:13:27 | 0:13:31 | |
Wander around with me, Caroline. Oh, look! | 0:13:31 | 0:13:33 | |
You have got some unusual things. | 0:13:33 | 0:13:36 | |
It feels like hunting for the Easter egg sometimes. | 0:13:36 | 0:13:38 | |
That's right. You never know what you are going to find. | 0:13:38 | 0:13:41 | |
You never know what you are going to find. Oh, that's nice. | 0:13:41 | 0:13:44 | |
OK, so we have got a little compact which looks to be base metal | 0:13:46 | 0:13:49 | |
rather than silver. So you'd put your powder in there. | 0:13:49 | 0:13:53 | |
And obviously, that would spin round. | 0:13:53 | 0:13:55 | |
You'd have your powder puff on top and the mirror on the top. | 0:13:55 | 0:13:58 | |
So you could just make sure that everything was in the right place. | 0:13:58 | 0:14:01 | |
And then the enamel on the top. It's very Art Deco, isn't it? | 0:14:01 | 0:14:04 | |
Very sort of 1930s, 1940s. | 0:14:04 | 0:14:06 | |
£95. OK, all right. Is there any sort of negotiation in that? | 0:14:06 | 0:14:09 | |
-Certainly there is, yes. -Brilliant. | 0:14:09 | 0:14:11 | |
-OK, well, let's pop that back for now. -OK. | 0:14:11 | 0:14:13 | |
I think that is a really charming thing. | 0:14:13 | 0:14:15 | |
That sounds promising. | 0:14:15 | 0:14:16 | |
Thomas made a good profit on his compact at the last auction. | 0:14:16 | 0:14:20 | |
Look at these. | 0:14:20 | 0:14:22 | |
Lovely French posters. | 0:14:22 | 0:14:24 | |
"Interdit aux cyclotouristes et cyclomotoristes." | 0:14:24 | 0:14:30 | |
Tres bien. | 0:14:30 | 0:14:31 | |
-Something about cyclists and motor...? -Yes. | 0:14:31 | 0:14:34 | |
Interdit, so these are the things that you're not allowed to do. | 0:14:34 | 0:14:37 | |
So this would have been used as sort of an educational poster... | 0:14:37 | 0:14:40 | |
-That's right. -..about road rules in France. -Yes. -I like that. | 0:14:40 | 0:14:43 | |
-How much is on that, Caroline? -I've got 45 on that. | 0:14:43 | 0:14:46 | |
Another one to think about. | 0:14:47 | 0:14:49 | |
-Caroline, look at that! -Isn't it wonderful? | 0:14:49 | 0:14:52 | |
That is a stunner. Oh, my goodness! Oh, my goodness! | 0:14:52 | 0:14:57 | |
-Can you manage? There we go. -Wow. Can I put that on top there? | 0:14:57 | 0:15:00 | |
Yes, of course. | 0:15:00 | 0:15:01 | |
-Wow. Tell me it's by Coalbrookdale or Minton or... -It's Minton. | 0:15:03 | 0:15:07 | |
-It's Minton! -It is Minton, you see. -Heaven! | 0:15:07 | 0:15:10 | |
I mean, just the colourway is fabulous, isn't it? | 0:15:10 | 0:15:13 | |
Minton started producing ceramics in Stoke | 0:15:13 | 0:15:15 | |
at the end of the 18th century. | 0:15:15 | 0:15:18 | |
This one dates from around 1900 and has a ticket price of £140. | 0:15:18 | 0:15:23 | |
There is a chip to the foot there, | 0:15:23 | 0:15:25 | |
but that almost looks like it's probably from the kiln. | 0:15:25 | 0:15:27 | |
I love it. | 0:15:27 | 0:15:29 | |
-OK. But £140 is quite steep for me. -I could possibly do... | 0:15:30 | 0:15:35 | |
-I'm terribly poor. -DEALER LAUGHS | 0:15:35 | 0:15:37 | |
-I can do better for you. -You can? -Yeah, I can, certainly. | 0:15:37 | 0:15:41 | |
She'll hold you to that, Caroline. | 0:15:41 | 0:15:44 | |
Oh, I love that. Is that copper? | 0:15:44 | 0:15:46 | |
It is copper, yeah. It's wonderful. | 0:15:46 | 0:15:48 | |
-Got a hole in it, hasn't it? -Yes, unfortunately. | 0:15:48 | 0:15:51 | |
That's wonderful. | 0:15:51 | 0:15:53 | |
Ticket price is £100. | 0:15:53 | 0:15:55 | |
SHE GROANS | 0:15:55 | 0:15:58 | |
What would you do with that? Is that some sort of mixing, cooking...? | 0:15:59 | 0:16:03 | |
I think it probably was, yes. | 0:16:03 | 0:16:05 | |
But nowadays, people use them in the gardens, don't they? | 0:16:05 | 0:16:07 | |
That's what I was thinking, as a sort of... | 0:16:07 | 0:16:09 | |
-That's right, or a planter or anything like that. -Yeah. | 0:16:09 | 0:16:12 | |
Shall we take this downstairs? I will carry it if... | 0:16:12 | 0:16:14 | |
-THEY LAUGH -..if you can be flexible on price. | 0:16:14 | 0:16:17 | |
If you can't, then it's staying up here. | 0:16:17 | 0:16:19 | |
-No, no, I can be flexible on price. -OK. All right, let's... | 0:16:19 | 0:16:21 | |
SHE GROANS | 0:16:21 | 0:16:23 | |
-Let's go. Watch these steps. -Right. | 0:16:23 | 0:16:26 | |
Crikey, that's four items and a combined ticket price of £380. | 0:16:26 | 0:16:31 | |
Just how flexible can Caroline be? | 0:16:32 | 0:16:34 | |
So I am thinking £140 for the lot. | 0:16:36 | 0:16:40 | |
Talking about these three here, if I could do 110... | 0:16:40 | 0:16:45 | |
-And what about the compact? -50. | 0:16:45 | 0:16:47 | |
Can we say 150 for the lot? | 0:16:47 | 0:16:51 | |
-Oh, you drive a hard bargain, don't you? -I think I've met my match! | 0:16:51 | 0:16:55 | |
-My goodness, 150... Um... -Go on. -Go on, then. Go on. | 0:16:56 | 0:17:01 | |
-Brilliant. Thank you very much. -You're welcome. | 0:17:01 | 0:17:04 | |
-That's brilliant. -Good luck. -Thank you. | 0:17:04 | 0:17:05 | |
Very generous, Caroline. Not bad for a day's shopping. | 0:17:05 | 0:17:08 | |
But time to put all that excitement to bed for one night. | 0:17:08 | 0:17:13 | |
So off you go, you two. And...nighty-night. | 0:17:13 | 0:17:16 | |
It's another day on the Road Trip | 0:17:22 | 0:17:24 | |
and our experts are up with the larks. | 0:17:24 | 0:17:27 | |
-It is quite foggy, isn't it? -It's really foggy! And it's really early. | 0:17:27 | 0:17:32 | |
I know, it is immensely early in the morning. | 0:17:32 | 0:17:34 | |
Christina shopped up a storm yesterday, grabbing five items - | 0:17:38 | 0:17:43 | |
the laundry box, | 0:17:43 | 0:17:44 | |
compact, | 0:17:44 | 0:17:45 | |
jardiniere, | 0:17:45 | 0:17:47 | |
cycling poster | 0:17:47 | 0:17:48 | |
and copper bowl. | 0:17:48 | 0:17:50 | |
That lot set her back £165. | 0:17:50 | 0:17:53 | |
In his bid to make up ground, | 0:17:54 | 0:17:56 | |
Thomas picked up a silver gilt bracelet, | 0:17:56 | 0:17:58 | |
an Art Deco paper knife | 0:17:58 | 0:18:00 | |
and a polished brass inkwell. | 0:18:00 | 0:18:02 | |
He shelled out a total of £86, so has £57.62 for today's shopping. | 0:18:02 | 0:18:09 | |
Now, look, I think we are coming up to a T-junction here, | 0:18:09 | 0:18:12 | |
-Geography Teacher. Is it left or right? -Um... I think... | 0:18:12 | 0:18:15 | |
You have got that jumper on again! | 0:18:15 | 0:18:17 | |
I'm going to have to surgically remove that jumper from you. | 0:18:17 | 0:18:20 | |
It's cold! | 0:18:20 | 0:18:21 | |
In order to kick off their jaunt today, our pair have whizzed | 0:18:21 | 0:18:25 | |
cross-country and are headed for Steeple Bumpstead, in Essex. | 0:18:25 | 0:18:29 | |
-Now, I've been here before, Thomas. -Have you? -Yes. | 0:18:29 | 0:18:33 | |
Oh, this man is an absolute delight. | 0:18:33 | 0:18:35 | |
Well, I don't think it's open. | 0:18:35 | 0:18:37 | |
No, I'm sure... I remember Graham from last time, he's lovely. | 0:18:37 | 0:18:40 | |
-I don't think it's very open, though. -It can't be closed, can it? | 0:18:40 | 0:18:43 | |
-I suppose it is quite early, isn't it? -Quite early, Christina. | 0:18:43 | 0:18:46 | |
-I think it's... -I think he... -..closed. | 0:18:48 | 0:18:51 | |
Oh, well, I guess we'll just have to wait then. | 0:18:51 | 0:18:54 | |
SHE WHISTLES | 0:18:54 | 0:18:56 | |
I spy with my little eye something beginning with...B. | 0:18:59 | 0:19:05 | |
-Bin. -No. -Bumpstead Antiques. -No, not Bumpstead Antiques. -Oh. | 0:19:05 | 0:19:09 | |
-Go on, give me a clue. -Bird. | 0:19:09 | 0:19:11 | |
SHE LAUGHS | 0:19:11 | 0:19:13 | |
Oh, blimey. | 0:19:13 | 0:19:15 | |
-Thankfully, Graham is here to save us all. -Oh, Graham! | 0:19:15 | 0:19:19 | |
And with the doors opened up, there is no stopping them | 0:19:20 | 0:19:22 | |
from diving straight in. | 0:19:22 | 0:19:24 | |
I've got lots of toys and things in here. | 0:19:29 | 0:19:32 | |
We've got a novelty money box there. | 0:19:32 | 0:19:34 | |
There are collectors for novelty money boxes, | 0:19:34 | 0:19:36 | |
but that one looks like it has been repainted. | 0:19:36 | 0:19:38 | |
A quite interesting box. | 0:19:38 | 0:19:40 | |
What is this? New... | 0:19:41 | 0:19:43 | |
new picture cubes. | 0:19:43 | 0:19:44 | |
British maker, always nice. | 0:19:45 | 0:19:47 | |
Take the lid off. | 0:19:47 | 0:19:48 | |
And on these, on the top here, | 0:19:48 | 0:19:50 | |
are the guides as to what your picture was supposed to look like. | 0:19:50 | 0:19:54 | |
So cats, Katzen, gati, katten. | 0:19:54 | 0:19:56 | |
There. Half a... Oh, maybe that's the... | 0:19:56 | 0:19:59 | |
Is that the rear end of the donkey, do you think? | 0:19:59 | 0:20:01 | |
SHE LAUGHS | 0:20:01 | 0:20:03 | |
These are very worn, sadly, aren't they? But nonetheless wonderful. | 0:20:03 | 0:20:07 | |
But these...these blocks are really rather lovely. | 0:20:07 | 0:20:10 | |
And still, it looks like it has got all its pieces to it. | 0:20:10 | 0:20:14 | |
So you'd have to assemble these cubes to create your picture. | 0:20:14 | 0:20:18 | |
I'd say this is probably Victorian or Edwardian, | 0:20:18 | 0:20:21 | |
so we're probably looking at sort of 1880, 1910. | 0:20:21 | 0:20:24 | |
I love that. | 0:20:24 | 0:20:25 | |
Hm. Indeed. | 0:20:25 | 0:20:27 | |
But there is no ticket price. So how is Thomas getting on? | 0:20:27 | 0:20:30 | |
Graham, what has this goblet got to be? | 0:20:30 | 0:20:33 | |
The goblet and the dish, £60. | 0:20:33 | 0:20:38 | |
Is that your very best on that? | 0:20:38 | 0:20:40 | |
No, it could be 75, which is even better. | 0:20:40 | 0:20:43 | |
I was thinking that these could be 30 quid. | 0:20:43 | 0:20:46 | |
-What, each? -No. | 0:20:46 | 0:20:49 | |
-Because that would make it 60. -That's correct. | 0:20:49 | 0:20:51 | |
-It is a nice sort of goblet and dish. -Yeah, they are sort of 19... | 0:20:51 | 0:20:55 | |
-probably early 20th century. -Early 20th century. | 0:20:55 | 0:20:57 | |
Signed, I think, one is. | 0:20:57 | 0:21:00 | |
Just. | 0:21:00 | 0:21:01 | |
-And, yeah, they're Danish, of course. -Let me... | 0:21:01 | 0:21:05 | |
Have a little think around and we'll see. | 0:21:05 | 0:21:07 | |
Yeah, I'll let you think about it, I'll think about it, | 0:21:07 | 0:21:09 | |
-and I'll walk around and see what else I can see. -Yeah. | 0:21:09 | 0:21:12 | |
Good strategy. But Graham's work is not done yet. | 0:21:12 | 0:21:15 | |
I love your shop and I would like to buy something from you. | 0:21:16 | 0:21:19 | |
Kind of you to say. | 0:21:19 | 0:21:21 | |
I did see this, which is a really, obviously, lovely Victorian puzzle. | 0:21:21 | 0:21:24 | |
But I'm not under any pressure, | 0:21:24 | 0:21:26 | |
I don't necessarily have to buy anything, so I was thinking, | 0:21:26 | 0:21:28 | |
if it was cheap enough... | 0:21:28 | 0:21:30 | |
And I was sort of thinking maybe £10 to £15, really. | 0:21:30 | 0:21:33 | |
-Would that be a goer for you? -No. | 0:21:33 | 0:21:37 | |
-I can do it at around 25. -I mean, it has seen better days, has it not? | 0:21:37 | 0:21:41 | |
Oh, yes, it has been well played with. Go up another five... | 0:21:41 | 0:21:44 | |
I really can't. I mean, really, my maximum was ten. | 0:21:44 | 0:21:46 | |
I'll meet you in the middle at 15 and that's my absolute death on it. | 0:21:46 | 0:21:49 | |
-OK, yeah, we'll do that. -Brilliant. £15, I'm a happy girl. | 0:21:49 | 0:21:54 | |
-I bet you are. -Great. Thank you very much. | 0:21:54 | 0:21:57 | |
Christina lands the Victorian wooden puzzle for £15. | 0:21:57 | 0:22:01 | |
And just like that, her shopping is complete. | 0:22:01 | 0:22:04 | |
-Bye, Thomas! -Bye-bye. | 0:22:04 | 0:22:05 | |
See you this afternoon. | 0:22:05 | 0:22:07 | |
Looks like you have got the run of the shop, Thomas. | 0:22:07 | 0:22:09 | |
How are you bearing up? | 0:22:09 | 0:22:11 | |
Got a hot flash. | 0:22:12 | 0:22:14 | |
Too young for that. | 0:22:14 | 0:22:15 | |
Anyway, time for some more negotiating. Round two. | 0:22:17 | 0:22:20 | |
-Now, how about that goblet and dish? -How about it? -30 quid. | 0:22:20 | 0:22:24 | |
I'm terribly sorry, but I can't do it at that. | 0:22:24 | 0:22:26 | |
-Despite everything. -Really? | 0:22:26 | 0:22:29 | |
Where could we go? And I can't do 40. | 0:22:29 | 0:22:31 | |
-And I don't really want to go over 35. -Sorry, Thomas, I can't on those. | 0:22:31 | 0:22:36 | |
35. | 0:22:36 | 0:22:37 | |
You drive a very, very hard bargain, you really do. | 0:22:40 | 0:22:43 | |
-OK, I will do it at 35. -You are a good man. -I'm a silly man. | 0:22:43 | 0:22:47 | |
-You are not a silly man. -But there we are. | 0:22:47 | 0:22:50 | |
The good news is, Graham's generous discount means | 0:22:50 | 0:22:52 | |
Thomas got his goblet and tray for £35. | 0:22:52 | 0:22:55 | |
The bad news is he has less than £23 left to shop with. | 0:22:55 | 0:22:59 | |
Unaware of Thomas's spending plight, | 0:23:05 | 0:23:07 | |
Christina is on her way to Duxford, where she is in for a treat. | 0:23:07 | 0:23:11 | |
Christina has the opportunity to witness an extraordinary | 0:23:11 | 0:23:14 | |
display of World War II aircraft as they commemorate | 0:23:14 | 0:23:18 | |
one of the most pivotal moments in British history - | 0:23:18 | 0:23:21 | |
the Battle of Britain. | 0:23:21 | 0:23:23 | |
In the summer of 1940, Hitler began an initial push before attempting | 0:23:23 | 0:23:28 | |
an invasion, which brought the war to the skies over Britain. | 0:23:28 | 0:23:32 | |
For three months, the RAF repelled relentless attacks from the Germans. | 0:23:32 | 0:23:37 | |
Their battles above the British countryside saved this country's | 0:23:37 | 0:23:40 | |
shores from Nazi invasion. | 0:23:40 | 0:23:43 | |
As the first airfield to take delivery of the Spitfire, | 0:23:43 | 0:23:47 | |
RAF Duxford played a crucial role during the Second World War. | 0:23:47 | 0:23:51 | |
Now, over the course of two days, | 0:23:51 | 0:23:54 | |
around 40,000 people will watch the breathtaking displays | 0:23:54 | 0:23:57 | |
showing the aerial prowess of these restored aircraft. | 0:23:57 | 0:24:02 | |
Esther Blaine is introducing Christina | 0:24:02 | 0:24:05 | |
to the most famous of all - the Spitfire. | 0:24:05 | 0:24:08 | |
-SHE GASPS -The Spitfire! -Absolutely. | 0:24:09 | 0:24:11 | |
The iconic fighter of the Second World War | 0:24:11 | 0:24:14 | |
in all the public's imagination. | 0:24:14 | 0:24:16 | |
I mean, I never thought that I would say that there is an | 0:24:16 | 0:24:18 | |
airplane that is beautiful, but it really is, isn't it? | 0:24:18 | 0:24:21 | |
When you watch it fly, it is so agile, | 0:24:21 | 0:24:24 | |
such a beautiful aircraft. | 0:24:24 | 0:24:26 | |
You can see why those young pilots absolutely loved flying in it. | 0:24:26 | 0:24:30 | |
Amazingly, there are still around 30 airworthy | 0:24:30 | 0:24:33 | |
Spitfires in existence around the UK. | 0:24:33 | 0:24:36 | |
One of the men lucky enough to fly these magnificent machines | 0:24:36 | 0:24:39 | |
is John Romain. | 0:24:39 | 0:24:40 | |
I am the director of the Aircraft Restoration Company, | 0:24:40 | 0:24:43 | |
which is based here at Duxford. We own a Blenheim, | 0:24:43 | 0:24:45 | |
which is flying in the show today. | 0:24:45 | 0:24:47 | |
-So I am flying that in the first slot. -Right. | 0:24:47 | 0:24:49 | |
-And then we have also got a lovely Mark I Spitfire. -Oh! | 0:24:49 | 0:24:52 | |
Which is now owned by the Imperial War Museum. | 0:24:52 | 0:24:55 | |
-Wow! Oh, my goodness. -But it was a 1940s Duxford airplane. | 0:24:55 | 0:24:57 | |
-How wonderful. -So it is very famous. | 0:24:57 | 0:24:59 | |
-Especially linked to Duxford. -So what is it like to fly a Spitfire? | 0:24:59 | 0:25:04 | |
The first reaction is, of course, they are lovely. | 0:25:04 | 0:25:06 | |
But they actually are. I mean, they... | 0:25:06 | 0:25:08 | |
You sort of don't get in one, you put it on. It becomes part of you. | 0:25:08 | 0:25:12 | |
But as a flying machine, stunning. Absolutely stunning. | 0:25:12 | 0:25:15 | |
So when you are flying within that formation, | 0:25:15 | 0:25:18 | |
with all those Spitfires behind you, | 0:25:18 | 0:25:19 | |
do you think it will give you a real sense of what it was like? | 0:25:19 | 0:25:22 | |
Yeah, it will. | 0:25:22 | 0:25:23 | |
To look back and see those numbers of airplanes all around you | 0:25:23 | 0:25:26 | |
will really make you realise what those boys were doing. | 0:25:26 | 0:25:30 | |
The battle in the skies continued beyond the Battle of Britain | 0:25:30 | 0:25:33 | |
for fighter pilots of Hurricanes and Spitfires | 0:25:33 | 0:25:36 | |
and for others in long-range bombers. | 0:25:36 | 0:25:39 | |
A seat in a Lancaster bomber was one of the most dangerous places to be. | 0:25:39 | 0:25:43 | |
Some 55,000 aircrew died in raids over Europe. | 0:25:43 | 0:25:48 | |
The life expectancy of new aircrews was just two weeks. | 0:25:48 | 0:25:53 | |
One veteran of these bombing raids is gunner Don Chinnery. | 0:25:53 | 0:25:58 | |
I went in the early part of the war. | 0:25:58 | 0:26:01 | |
-And I toured all through the war. -Mm-hm. | 0:26:01 | 0:26:05 | |
I'd done my tour of operations, which was 30, | 0:26:05 | 0:26:10 | |
that was your full tour. | 0:26:10 | 0:26:12 | |
And then you had six months' rest | 0:26:12 | 0:26:15 | |
and you went back for a second trip. | 0:26:15 | 0:26:18 | |
What was it like to be in a Lancaster? | 0:26:18 | 0:26:21 | |
-I would be back in tomorrow, if I could. -Would you? -Yeah. | 0:26:21 | 0:26:24 | |
What an amazing man. | 0:26:27 | 0:26:28 | |
These incredible aerial displays today commemorate | 0:26:28 | 0:26:32 | |
those heroic actions of air crewmembers like Don. | 0:26:32 | 0:26:36 | |
Esther, tell me, what is happening here? | 0:26:36 | 0:26:38 | |
It's all happening in the skies above us at the moment. | 0:26:38 | 0:26:41 | |
So the German Air Force fighters have flown into Duxford and | 0:26:41 | 0:26:44 | |
we now have a Spitfire and a Hurricane taking off | 0:26:44 | 0:26:47 | |
to repel the enemy. It's exactly as it would've been | 0:26:47 | 0:26:49 | |
-back in the Battle of Britain. -I've got goose bumps. | 0:26:49 | 0:26:52 | |
-It's unbelievable. -Absolutely, it's very emotional. | 0:26:52 | 0:26:54 | |
Really, I've got tears running down my face. | 0:26:54 | 0:26:57 | |
Well, understandable. | 0:26:57 | 0:26:59 | |
It's those very emotive moments that really bring it home | 0:26:59 | 0:27:01 | |
what it would have been like during the Battle of Britain. | 0:27:01 | 0:27:04 | |
Of course, you know, that would have been fairly | 0:27:04 | 0:27:06 | |
relentless from July to September, throughout 1940. | 0:27:06 | 0:27:10 | |
-Just makes you realise how special those young men were. -Absolutely. | 0:27:10 | 0:27:14 | |
Look how close they are getting. I feel like I should be ducking. | 0:27:14 | 0:27:17 | |
It must have been very difficult to deal with emotionally. | 0:27:18 | 0:27:21 | |
-How wonderful! -It's amazing. It's amazing. | 0:27:21 | 0:27:23 | |
And people watched these dogfights happening, didn't they? | 0:27:23 | 0:27:27 | |
-Over their very heads. -Absolutely. | 0:27:27 | 0:27:29 | |
Actually, that's the bit that I wonder what it must have been like | 0:27:29 | 0:27:32 | |
to see those contrails in the sky and to think, | 0:27:32 | 0:27:34 | |
actually, those are our boys up there fighting. | 0:27:34 | 0:27:37 | |
It must've been a very, very emotional experience. | 0:27:37 | 0:27:40 | |
Whilst Christina continues to enjoy the airshow, | 0:27:43 | 0:27:47 | |
Thomas still has some shopping to do and is headed to Debden Barns. | 0:27:47 | 0:27:52 | |
Dealer Andy is on hand to help out. | 0:27:52 | 0:27:55 | |
-Hello, I'm Thomas. -Hello. | 0:27:55 | 0:27:56 | |
Oh, that was good, wasn't it? | 0:27:56 | 0:27:58 | |
-What happened there? -Hello, Thomas! | 0:27:58 | 0:28:00 | |
Are you into breaking things, Andy? | 0:28:00 | 0:28:03 | |
It's my main talent, actually. | 0:28:03 | 0:28:04 | |
I love that. Look at that. | 0:28:04 | 0:28:06 | |
It will never be the same again. | 0:28:08 | 0:28:09 | |
What can you find for your slender budget then, Tom? | 0:28:11 | 0:28:15 | |
These are our main cabinets for some silver and bits and pieces. | 0:28:15 | 0:28:18 | |
Yeah, well, my budget is really quite low. | 0:28:18 | 0:28:21 | |
-Do you want me to level with you? -Yeah. -I've got 22 quid and some... | 0:28:21 | 0:28:24 | |
-Oh! -HE LAUGHS | 0:28:24 | 0:28:26 | |
-Sorry. -Honestly. That's it. | 0:28:26 | 0:28:27 | |
Have you ever been laughed out of a shop before, Thomas? | 0:28:27 | 0:28:30 | |
I have some stuff which really got left behind. | 0:28:30 | 0:28:33 | |
I have one very intriguing piece. | 0:28:33 | 0:28:35 | |
In fact, a couple of very intriguing pieces. | 0:28:35 | 0:28:37 | |
OK, I'm intrigued. I'm getting more intrigued. | 0:28:37 | 0:28:39 | |
The items inside may be a bit too rich for you, Thomas, | 0:28:39 | 0:28:43 | |
but will you be tempted by Andy's old stock | 0:28:43 | 0:28:45 | |
which currently resides in the back of his car? | 0:28:45 | 0:28:48 | |
I have been brought to the back of, um, Andy's vehicle. | 0:28:48 | 0:28:53 | |
And it is like a dusty...a dusty experience. | 0:28:53 | 0:28:58 | |
-Now, I used to do a little bit of jewellery. -Did you? -Yes. | 0:28:58 | 0:29:03 | |
Now, this is sort of like... | 0:29:03 | 0:29:05 | |
This is a Trifari. | 0:29:05 | 0:29:07 | |
-I know about Trifari. -OK. | 0:29:07 | 0:29:09 | |
Trifari are one of the most famous houses of costume jewellery. | 0:29:09 | 0:29:13 | |
Yes, that's right. | 0:29:13 | 0:29:14 | |
And it is one of those things that I could've sold it | 0:29:14 | 0:29:17 | |
once for about 30 quid, but I didn't. | 0:29:17 | 0:29:19 | |
-I regretted it thereafter. -What else have you got? -Well, there you are. | 0:29:19 | 0:29:23 | |
You see, we've got nine carat gold. | 0:29:23 | 0:29:25 | |
-A little pearl in there. -Very pretty. | 0:29:25 | 0:29:27 | |
-Silver ring. -Look at you. Right, OK. -Big clunky jewel. -Oh, nice. | 0:29:27 | 0:29:30 | |
All right, what else are you going to pull out? | 0:29:30 | 0:29:32 | |
-This is like Mary Poppins' bag. -Oh, yes. This. | 0:29:32 | 0:29:35 | |
You may know exactly what it is straightaway, | 0:29:35 | 0:29:37 | |
but nobody else can tell me. | 0:29:37 | 0:29:39 | |
Well, you have handed me a stoneware... | 0:29:39 | 0:29:42 | |
..vase. | 0:29:44 | 0:29:45 | |
-Tin-glazed earthenware. -Yeah. | 0:29:45 | 0:29:47 | |
-In the Iznik style. -Yes. | 0:29:47 | 0:29:49 | |
Iznik pottery was produced between the 15th and 17th centuries | 0:29:49 | 0:29:53 | |
in what is now Turkey. However, this is rather more modern. | 0:29:53 | 0:29:57 | |
-Probably Iranian. -Right. -Persian. -Right. | 0:29:57 | 0:30:00 | |
-It is probably 1920s. -Yes. | 0:30:00 | 0:30:02 | |
-That's what I thought. -Peacocks. And it is just a bud vase. | 0:30:02 | 0:30:05 | |
-You put one budding flower in. -That's it. I was going to say, | 0:30:05 | 0:30:07 | |
you're not going to get a lot of them, a big bunch of roses. | 0:30:07 | 0:30:10 | |
What a fun thing that is, isn't it? What a beautiful object. | 0:30:10 | 0:30:13 | |
-But you know my position. -Yes. | 0:30:13 | 0:30:15 | |
-£22 and a couple of pennies. -Yep. | 0:30:15 | 0:30:17 | |
The Trifarian stuff - the rings - I mean, they are just leftovers. | 0:30:17 | 0:30:22 | |
-This, it didn't cost me a lot. -OK. | 0:30:22 | 0:30:25 | |
OK. | 0:30:25 | 0:30:26 | |
-So this could be my lucky day. -Once-in-a-lifetime opportunity. | 0:30:26 | 0:30:29 | |
Could I give you all my money for that vase | 0:30:29 | 0:30:32 | |
-and that bit of jewellery in there? -HE GASPS LOUDLY | 0:30:32 | 0:30:36 | |
You are a good man. | 0:30:36 | 0:30:37 | |
That is a great deal. | 0:30:37 | 0:30:39 | |
£22.62 for the vase and the jewellery collection | 0:30:39 | 0:30:42 | |
of four rings and three necklaces. | 0:30:42 | 0:30:44 | |
Thomas is now all spent up. | 0:30:44 | 0:30:46 | |
So with everyone's shopping all wrapped up, | 0:30:54 | 0:30:57 | |
Thomas is making the trip to join Christina at Duxford | 0:30:57 | 0:30:59 | |
for the climax of those astonishing aerial displays. | 0:30:59 | 0:31:03 | |
He just needs to find her. | 0:31:04 | 0:31:06 | |
Air Cadet Plant seems to have been distracted. | 0:31:08 | 0:31:12 | |
He never misses an opportunity to dress up. | 0:31:12 | 0:31:14 | |
I don't think I could even get in a cockpit right now, | 0:31:17 | 0:31:20 | |
let alone climb up the ladder. | 0:31:20 | 0:31:22 | |
You know, you see all of these different | 0:31:22 | 0:31:25 | |
aspects around the shops we go to, the museums we see. | 0:31:25 | 0:31:29 | |
To actually try it on, it actually brings it home. It is very sobering. | 0:31:29 | 0:31:32 | |
Come on, Thomas, you don't want to miss something really special, | 0:31:32 | 0:31:36 | |
do you? | 0:31:36 | 0:31:37 | |
-You made it. -I made it, Christina. -Hello. Look. | 0:31:40 | 0:31:42 | |
You are just in time, look. Absolutely mind-blowing. | 0:31:42 | 0:31:45 | |
-Listen, everybody is quiet. -Yeah. | 0:31:45 | 0:31:47 | |
-I've had a good look around. -Have you? -Yeah. -Have you really? | 0:31:50 | 0:31:53 | |
-I really have. -Have you bought anything? | 0:31:53 | 0:31:54 | |
-No, I haven't bought anything! -Have you been dressing up? | 0:31:54 | 0:31:57 | |
-Um... Maybe a little. -THEY LAUGH | 0:31:57 | 0:31:59 | |
Here we go. | 0:31:59 | 0:32:00 | |
It is just so emotive, isn't it? | 0:32:03 | 0:32:05 | |
AIRPLANE MOTORS ROAR | 0:32:06 | 0:32:11 | |
It's just that lovely noise, that fabulous noise. | 0:32:11 | 0:32:14 | |
And these planes are sort of over 75 years old. | 0:32:14 | 0:32:18 | |
-They really are national treasures, aren't they? -They are. | 0:32:18 | 0:32:21 | |
As are the people who flew them. | 0:32:21 | 0:32:23 | |
Very well said, Christina. | 0:32:23 | 0:32:25 | |
What a sight to see, eh? | 0:32:32 | 0:32:35 | |
This incredible road trip is nearly at an end. | 0:32:35 | 0:32:38 | |
After starting out in Stratford-upon-Avon, | 0:32:39 | 0:32:42 | |
our duo have travelled from east to west and back again | 0:32:42 | 0:32:44 | |
to arrive at their final destination in Winchcombe. | 0:32:44 | 0:32:47 | |
Christina's lots for auction include | 0:32:50 | 0:32:54 | |
the 1970s laundry box, | 0:32:54 | 0:32:56 | |
an enamel compact, | 0:32:56 | 0:32:58 | |
a Minton jardiniere, | 0:32:58 | 0:33:00 | |
a French cycling poster, | 0:33:00 | 0:33:03 | |
a copper bowl | 0:33:03 | 0:33:05 | |
and a Victorian child's puzzle. | 0:33:05 | 0:33:07 | |
Thomas's offerings are a silver gilt bracelet, | 0:33:10 | 0:33:14 | |
a polished brass inkwell and letter tidy, | 0:33:14 | 0:33:17 | |
an Art Deco paper knife, | 0:33:17 | 0:33:20 | |
a Danish copper goblet and tray, | 0:33:20 | 0:33:23 | |
a tin-glazed vase and a collection of jewellery. | 0:33:23 | 0:33:27 | |
So what do they make of each other's items? | 0:33:28 | 0:33:30 | |
I adore that peacock vase. | 0:33:30 | 0:33:32 | |
I just think the colours in it are quite splendid. | 0:33:32 | 0:33:34 | |
And that little job lot of jewellery that he got... What did he pay? | 0:33:34 | 0:33:37 | |
£22.64 or something? Ridiculous. | 0:33:37 | 0:33:42 | |
Taxi for Trevanion! | 0:33:42 | 0:33:44 | |
The compact is great. The quality of it. The painting is brilliant. | 0:33:44 | 0:33:48 | |
She is sort of in my wake now because I beat her last time. | 0:33:48 | 0:33:51 | |
Am I going to beat her this time? I don't know. | 0:33:51 | 0:33:54 | |
All will be revealed at the auction in Gloucestershire. | 0:33:55 | 0:33:59 | |
It is very good to see you looking so jollily clothed this morning. | 0:33:59 | 0:34:02 | |
-Well... -No jumper, thank the Lord. | 0:34:02 | 0:34:04 | |
Do you know, the sun is out. It's shining. | 0:34:04 | 0:34:07 | |
You dressed your trousers to match the van, I like it. | 0:34:07 | 0:34:10 | |
You know, I thought about my outfit because you were so harsh last time. | 0:34:10 | 0:34:14 | |
-Was I? -Yes. -Oh, I didn't mean to be. | 0:34:14 | 0:34:17 | |
You know, "Oh, you look like a geography teacher." | 0:34:17 | 0:34:19 | |
Phil Serrell was a geography teacher. | 0:34:21 | 0:34:23 | |
Anyway, a packed saleroom at Bespoke Auctions awaits. | 0:34:23 | 0:34:28 | |
-Come on. -OK. | 0:34:29 | 0:34:32 | |
-Let's -rock and roll. Where are you? -I'm here. -Ladies first. | 0:34:32 | 0:34:36 | |
In charge of today is auctioneer Nicolas Granger, | 0:34:36 | 0:34:39 | |
assisted by a parrot. | 0:34:39 | 0:34:40 | |
Called Polly, maybe. | 0:34:40 | 0:34:42 | |
The bracelet is silver gilt. | 0:34:42 | 0:34:44 | |
Now, it's a shame it's not gold because silver jewellery is | 0:34:44 | 0:34:47 | |
valued on the metal value and content. Quite a nice piece. | 0:34:47 | 0:34:50 | |
See what happens. | 0:34:50 | 0:34:51 | |
The enamel compact is most probably my favourite. | 0:34:51 | 0:34:53 | |
The guilloche enamel is in wonderful condition. | 0:34:53 | 0:34:56 | |
I think that will do quite well. | 0:34:56 | 0:34:58 | |
Thomas spent all of his £143.62 on six items. | 0:34:58 | 0:35:03 | |
Christina also gathered up six lots for a total of £180. | 0:35:03 | 0:35:08 | |
Oh, my goodness, right. | 0:35:10 | 0:35:11 | |
Woo, it's rather exciting. Did you see the parrot? | 0:35:11 | 0:35:14 | |
Oh, I love a parrot. | 0:35:14 | 0:35:15 | |
You'll be looking for more than pieces of eight for your first lot, | 0:35:15 | 0:35:18 | |
Thomas. It is your Art Deco paper knife. | 0:35:18 | 0:35:20 | |
Lovely. Good luck. | 0:35:20 | 0:35:22 | |
Starting at 15. 18. 20 now. | 0:35:22 | 0:35:24 | |
-That's really good. -22 in the room. Thank you. Straight away on my left. | 0:35:24 | 0:35:27 | |
At 22 now. Looking for 25. | 0:35:27 | 0:35:28 | |
At 22 with you, madam, in the pink. | 0:35:28 | 0:35:30 | |
At £22, we're selling... | 0:35:30 | 0:35:33 | |
-22. -Well done, Thomas. -Done. | 0:35:33 | 0:35:35 | |
Nice little profit, too. | 0:35:36 | 0:35:38 | |
-That's all right. I'm pleased by that. -Good. | 0:35:38 | 0:35:41 | |
Christina fell in love with the Victorian puzzle. Will the bidders? | 0:35:42 | 0:35:45 | |
Start the bidding here at 15. 18. £20 now. | 0:35:45 | 0:35:48 | |
Looking for 22. | 0:35:48 | 0:35:49 | |
-£20. -20. | 0:35:49 | 0:35:51 | |
At 22 now, looking for 25. | 0:35:51 | 0:35:53 | |
-And five on my left, thank you. -Oh! -On my right. 25. And eight. | 0:35:53 | 0:35:55 | |
Would you like to go 28 now? And 30, sir, would you like to go? | 0:35:55 | 0:35:58 | |
Are you sure? That's once, twice, selling at £28... | 0:35:58 | 0:36:02 | |
That is everyone off to a good start. | 0:36:02 | 0:36:04 | |
-Straight out of the box! -Great start. -Ha! Straight out of the box! | 0:36:04 | 0:36:07 | |
-Did you get...? -Oh, God! | 0:36:07 | 0:36:09 | |
Oh, dear. | 0:36:09 | 0:36:11 | |
It took a lot of persuading to get your hands on this goblet and tray, | 0:36:11 | 0:36:14 | |
Thomas. Let's hope it was worth it. | 0:36:14 | 0:36:15 | |
Start the bidding with me on the book at £40. 40 I've got. | 0:36:15 | 0:36:18 | |
Looking for 42. At 40 bid with me, a commission bid. | 0:36:18 | 0:36:20 | |
Looking for 42. | 0:36:20 | 0:36:22 | |
We're selling then at £40... | 0:36:22 | 0:36:24 | |
-Sold. -Another £5 profit. | 0:36:24 | 0:36:26 | |
Small profit, but creeping forward. | 0:36:26 | 0:36:29 | |
Thanks for coming. | 0:36:29 | 0:36:30 | |
Time for Christina's laundry box. | 0:36:33 | 0:36:35 | |
It is a London Laundry Coventry laundry box. | 0:36:35 | 0:36:37 | |
Reminds me of my days in Savile Row. | 0:36:37 | 0:36:39 | |
Going to start the bidding with me, a commission bid, at £15. | 0:36:39 | 0:36:42 | |
-£15. -Looking for £18 now. 15 bid. | 0:36:42 | 0:36:44 | |
At 18 now. In the room now with you, madam, at £18. | 0:36:44 | 0:36:46 | |
Looking for 20. Don't know what's inside it, have you had a look? | 0:36:46 | 0:36:49 | |
At £18, we're selling then. | 0:36:49 | 0:36:50 | |
-And sold, thank you very much. -Sold. Done. | 0:36:50 | 0:36:53 | |
That just about holds its own. | 0:36:53 | 0:36:55 | |
Thanks. Just a bit out-of-the-way. | 0:36:55 | 0:36:58 | |
Thomas is still searching for the lot that will bring him | 0:36:58 | 0:37:00 | |
back into this road trip. | 0:37:00 | 0:37:02 | |
His inkwell is next. | 0:37:02 | 0:37:04 | |
We've got a bid here at 20. 22. Five. Eight. I've got 30. | 0:37:04 | 0:37:07 | |
32 on the net now. And five, madam? Thank you. | 0:37:07 | 0:37:10 | |
35. I'm looking for 38 now. And eight in the room now. 38. | 0:37:10 | 0:37:12 | |
And 40, madam. And two, sir. | 0:37:12 | 0:37:14 | |
-42. And five. Are you sure? Shakes the head. -Don't shake the head. | 0:37:14 | 0:37:18 | |
-One more. -45. With you, sir, at 45. Looking for 48 elsewhere now. | 0:37:18 | 0:37:22 | |
At 48 in the room then. | 0:37:22 | 0:37:24 | |
-Sir, at 48. -One more. -Looking for 50. | 0:37:24 | 0:37:27 | |
And 50 in the room, back of the room. | 0:37:27 | 0:37:29 | |
Looking for 55 elsewhere. I'm going to sell then. At £50 to the room... | 0:37:29 | 0:37:33 | |
-Yes! -Well done. Well done. | 0:37:33 | 0:37:37 | |
That is a very decent profit. | 0:37:37 | 0:37:39 | |
-Thomas, you might make it over £200 at this rate. -I might! -You might. | 0:37:40 | 0:37:44 | |
-Well, I've got high hopes for my vase. -Stranger things have happened. | 0:37:44 | 0:37:48 | |
Now, a very large copper bowl with several holes in it. | 0:37:50 | 0:37:53 | |
At £15, asking. 15 we have. I'm looking for £18. | 0:37:53 | 0:37:57 | |
-18... -Something to wash your feet in at night, maybe. | 0:37:57 | 0:37:59 | |
At £15 we've got. Although it is not big enough to be a Jacuzzi. | 0:37:59 | 0:38:02 | |
15 we've got. | 0:38:02 | 0:38:04 | |
That is not making it any better. I've just lost a lot of money. | 0:38:04 | 0:38:08 | |
In the room at 20. Looking for 22 on the net. At 22. | 0:38:08 | 0:38:11 | |
And five, sir, would you like to go? 25 now. At 25. | 0:38:11 | 0:38:14 | |
And 28. Looking for 28. At 28. And 30 in the room, thank you. | 0:38:14 | 0:38:17 | |
With you at 30 now. | 0:38:17 | 0:38:18 | |
32 up here. Going once, twice... | 0:38:18 | 0:38:20 | |
At £32 for the footbath... And sold. | 0:38:20 | 0:38:24 | |
-Horrendous. He worked jolly hard. -# There's a hole in my bucket | 0:38:24 | 0:38:27 | |
-# Christina, Christina... # -Good auctioneering. | 0:38:27 | 0:38:29 | |
He certainly did his best. But it is still a loss, I'm afraid. | 0:38:29 | 0:38:33 | |
# There's a hole in my bucket Dear Thomas, dear Thomas | 0:38:33 | 0:38:36 | |
-# There's a hole in my bucket.. # -There's a big hole! | 0:38:36 | 0:38:39 | |
# Dear Thomas, a hole. # | 0:38:39 | 0:38:41 | |
It is the first of Thomas's car-park purchases. | 0:38:42 | 0:38:45 | |
OK, we start the bidding at £15. And 18. Looking for 20 now. | 0:38:45 | 0:38:48 | |
-So you made a profit. -Yeah, definitely. Straight away. | 0:38:48 | 0:38:51 | |
Looking for 22. Some dust on there, for nothing. 22 now. | 0:38:51 | 0:38:53 | |
Looking for 25. At £22. | 0:38:53 | 0:38:55 | |
Once, twice... At £22... And sold. | 0:38:55 | 0:38:58 | |
Almost doubling his money, that's a great result. | 0:38:58 | 0:39:01 | |
Well done, Thomas. | 0:39:01 | 0:39:03 | |
Christina's lagging behind a bit, and it is her enamel compact next. | 0:39:03 | 0:39:07 | |
-Who will start the bidding on that? At £40? -No bids? -£40. | 0:39:07 | 0:39:11 | |
-All the hands go up at £40. 42. 45. 48. 50. -Oh, oh, oh! | 0:39:11 | 0:39:15 | |
What's going on? | 0:39:15 | 0:39:16 | |
55 at the back there, looking for 60. | 0:39:16 | 0:39:18 | |
-You can stop now. -No, go on. | 0:39:18 | 0:39:20 | |
And 60. And five, sir? | 0:39:20 | 0:39:22 | |
-Christina, race away. -70. | 0:39:22 | 0:39:24 | |
At £65... | 0:39:24 | 0:39:26 | |
Sold to the back of the room. | 0:39:26 | 0:39:28 | |
An excellent profit that brings it neck and neck. | 0:39:28 | 0:39:32 | |
Splendid. | 0:39:32 | 0:39:34 | |
You sounded immensely Welsh then. | 0:39:34 | 0:39:36 | |
-Oh, did I? -SplenDID! -Splendid. | 0:39:36 | 0:39:38 | |
Thomas loved this 1970s bracelet. Will it be a winner today? | 0:39:40 | 0:39:43 | |
Let's start the bidding, ladies and gentlemen, on that. At £15. | 0:39:43 | 0:39:46 | |
At 15. 18. Looking for 20. 20 bid on the net. Looking for 22. | 0:39:46 | 0:39:48 | |
Are you going to buy as well? You going to bid? | 0:39:48 | 0:39:50 | |
I'm going to lose all that money. | 0:39:50 | 0:39:52 | |
Looking for £28. At 25 on the net now. And eight. Looking for 30. | 0:39:52 | 0:39:56 | |
-At 28 then. -He's trying hard. | 0:39:56 | 0:39:58 | |
At £28, we are selling. And sold. Thank you. | 0:39:58 | 0:40:01 | |
You see, that was a bad thing. I lost. Big loss. | 0:40:02 | 0:40:06 | |
Oh, the first loss of the day for Thomas. | 0:40:06 | 0:40:08 | |
-You've still got your Persian vase to go. -Still got that to go. | 0:40:08 | 0:40:11 | |
That is going to make £2 million. | 0:40:11 | 0:40:12 | |
-£5 million, I'm thinking. -Do you think? | 0:40:12 | 0:40:14 | |
Christina has her own ceramic offering, it is a Minton jardiniere. | 0:40:14 | 0:40:19 | |
We'll start the bidding on that at £40. Looking for 40. | 0:40:19 | 0:40:22 | |
Looking for 40. At £30 I have now, at 30. At 32. And 35. | 0:40:22 | 0:40:27 | |
-It's moving up. We'll get there in the end. -And 38. And 40, sir. | 0:40:27 | 0:40:31 | |
I'm asking 42. 42. And five, sir? | 0:40:31 | 0:40:34 | |
-And five with you. -Hang on. -It's so beautiful, look at it. | 0:40:34 | 0:40:37 | |
48. £48, thank you, on the net. 50 in the room now. | 0:40:37 | 0:40:41 | |
And five asking. 55? | 0:40:41 | 0:40:43 | |
-And 60, sir? Are you sure? Shakes his head. -Go on, it's lovely. | 0:40:43 | 0:40:47 | |
Who's bidding? | 0:40:47 | 0:40:48 | |
Once, twice then. At £55 to the net. Sold. | 0:40:48 | 0:40:52 | |
And thank you. | 0:40:52 | 0:40:54 | |
A small loss, but Christina is still in the lead. | 0:40:54 | 0:40:56 | |
You were sort of going into this crescendo in Ireland and Wales. | 0:40:56 | 0:40:59 | |
I was. I was going almost stratospherically well. | 0:40:59 | 0:41:01 | |
And then suddenly we come here and it's...pooooom. | 0:41:01 | 0:41:05 | |
Thomas has high hopes for his Persian vase | 0:41:05 | 0:41:08 | |
bought out of the back of a car. | 0:41:08 | 0:41:10 | |
This is my final hope. | 0:41:10 | 0:41:12 | |
At 30. Now with me. 32. 32. And five. 35. And eight. And 40. | 0:41:12 | 0:41:17 | |
At 42 with you. I'm looking for 45. | 0:41:17 | 0:41:19 | |
-I think it's beautiful. -I love it. | 0:41:19 | 0:41:22 | |
-I love that. -On the internet, surely. -Nothing online yet. | 0:41:22 | 0:41:25 | |
60 at the back. And five. 65. | 0:41:25 | 0:41:27 | |
-Nothing online? I'm quite... -Do you catch...? | 0:41:27 | 0:41:31 | |
Fair warning then. At £65. | 0:41:31 | 0:41:34 | |
That's over 500% profit. | 0:41:34 | 0:41:37 | |
Well done, Thomas. | 0:41:37 | 0:41:39 | |
-Jolly well done, Thomas, that's fantastic. -Thank you very much. | 0:41:39 | 0:41:41 | |
Their final lot of the day is Christina's French cycling poster. | 0:41:43 | 0:41:47 | |
At 50 in the room. Straight away now. Looking for £18. | 0:41:47 | 0:41:49 | |
At 15 now. Have I got 18 elsewhere? At 18 at the back there. At 18. | 0:41:49 | 0:41:53 | |
£20 back with you, sir. At £20. | 0:41:53 | 0:41:54 | |
We are looking for 22 elsewhere. | 0:41:54 | 0:41:56 | |
-Going to have to sell at 20 then. -No! | 0:41:56 | 0:41:59 | |
To a good home then... | 0:41:59 | 0:42:00 | |
-I want to go back to Ireland. -THEY LAUGH | 0:42:00 | 0:42:03 | |
Zut alors! After costs, that is a small loss. | 0:42:03 | 0:42:06 | |
Have I beaten you again? Have I beaten you again? | 0:42:07 | 0:42:11 | |
Time to find out, Thomas. | 0:42:11 | 0:42:12 | |
Christina started with £270.31. | 0:42:12 | 0:42:17 | |
And after auction costs, she made a tiny loss, poor love, | 0:42:17 | 0:42:21 | |
of £1.24, leaving her with £269.07. | 0:42:21 | 0:42:27 | |
But still looking gorgeous. | 0:42:27 | 0:42:29 | |
Thomas spent all of his £143.62 and made a very nice profit | 0:42:29 | 0:42:35 | |
after costs of £42.52, giving him his second auction victory in a row. | 0:42:35 | 0:42:41 | |
He now has a total of £186.14. | 0:42:41 | 0:42:45 | |
But Christina holds on to the lead for the decisive next leg. | 0:42:45 | 0:42:50 | |
-It's a great result - two auctions each. -Oh, I don't like this. | 0:42:50 | 0:42:53 | |
This is making me feel quite uncomfortable. | 0:42:53 | 0:42:55 | |
You never know, Christina, I might catch up at the last auction. | 0:42:55 | 0:42:58 | |
I know, you might. | 0:42:58 | 0:42:59 | |
Cheerio. | 0:43:01 | 0:43:02 | |
Next time, Christina and Thomas face their final leg. | 0:43:03 | 0:43:06 | |
I cannot believe it has gone so quickly. | 0:43:06 | 0:43:09 | |
Christina pulls out all the stocks. | 0:43:09 | 0:43:11 | |
We could get Thomas in there. | 0:43:11 | 0:43:12 | |
But Thomas isn't going down without a fight. | 0:43:12 | 0:43:15 | |
HE PLAYS XYLOPHONE | 0:43:15 | 0:43:17 | |
That's so cool! | 0:43:17 | 0:43:18 |