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It's the nation's favourite antiques experts... | 0:00:02 | 0:00:04 | |
This is beautiful! | 0:00:04 | 0:00:05 | |
That's the way to do this. | 0:00:05 | 0:00:06 | |
..with £200 each, a classic car and a goal - to scour for antiques. | 0:00:06 | 0:00:12 | |
Joy. | 0:00:12 | 0:00:13 | |
Hello! | 0:00:13 | 0:00:14 | |
The aim - to make the biggest profit at auction, | 0:00:14 | 0:00:16 | |
but it's no mean feat. | 0:00:16 | 0:00:18 | |
There'll be worthy winners... | 0:00:19 | 0:00:22 | |
-Sorry, sorry! -..and valiant losers. | 0:00:22 | 0:00:23 | |
So, will it be the high road to glory | 0:00:23 | 0:00:26 | |
or the slow road to disaster? | 0:00:26 | 0:00:27 | |
The handbrake's on! | 0:00:27 | 0:00:29 | |
This is Antiques Road Trip. | 0:00:29 | 0:00:31 | |
Yeah! | 0:00:34 | 0:00:35 | |
SWING MUSIC PLAYS | 0:00:35 | 0:00:38 | |
On this third leg of the trip, | 0:00:38 | 0:00:40 | |
it's all about North Wales for Christina Trevanion and Thomas Plant. | 0:00:40 | 0:00:45 | |
# Bread of Heaven | 0:00:46 | 0:00:48 | |
-BOTH: -# Feed me now or never more | 0:00:48 | 0:00:51 | |
# Never more. # | 0:00:51 | 0:00:52 | |
All right, all right, all right. That's enough of that. | 0:00:52 | 0:00:55 | |
Quite. | 0:00:55 | 0:00:56 | |
This trip started out in Ireland... | 0:00:57 | 0:00:59 | |
I think it's the most beautiful antique shop I've ever been into. | 0:00:59 | 0:01:02 | |
..with varying degrees of success. | 0:01:02 | 0:01:05 | |
-Just pulled it down and it locked. -Now you've broken it. | 0:01:05 | 0:01:09 | |
They'll now finish their trip in Britain, | 0:01:09 | 0:01:11 | |
along with their 1962 Bedford van, | 0:01:11 | 0:01:14 | |
which was manufactured before it was compulsory to fit seatbelts. | 0:01:14 | 0:01:17 | |
Both our auctioneers began with £200. | 0:01:21 | 0:01:24 | |
After losing at both auctions so far, Thomas has just £136.94... | 0:01:26 | 0:01:32 | |
..meaning Christina has taken the lead and has £278.91. | 0:01:34 | 0:01:40 | |
So, you must be feeling like sort of Rockefeller there. | 0:01:42 | 0:01:45 | |
Ah, so flush. | 0:01:45 | 0:01:46 | |
-Can you lend me some money? -Nope. | 0:01:46 | 0:01:47 | |
-Nope. -Nope. -SHE LAUGHS | 0:01:47 | 0:01:51 | |
-You have kept the faith. -Yeah. -You've bought antiques. -Yeah. | 0:01:51 | 0:01:54 | |
-You haven't wavered. -Failed. | 0:01:54 | 0:01:56 | |
-And you've done brilliantly. -Failed. | 0:01:56 | 0:01:58 | |
Oh, no, you haven't. | 0:01:58 | 0:01:59 | |
After setting off from Cashel, in Tipperary, | 0:02:02 | 0:02:05 | |
they roamed around Ireland before hopping across | 0:02:05 | 0:02:08 | |
to North Wales, from where they'll travel through to England, | 0:02:08 | 0:02:11 | |
finishing up over 700 miles later in Stoke-on-Trent, Staffordshire. | 0:02:11 | 0:02:17 | |
Today's leg begins in the picturesque town | 0:02:17 | 0:02:20 | |
of Ruthin, in Denbighshire, | 0:02:20 | 0:02:22 | |
and heads for auction in Colwyn Bay, Conwy. | 0:02:22 | 0:02:25 | |
We are in Wales where it rains. It does nothing else but rain. | 0:02:29 | 0:02:34 | |
It does... | 0:02:34 | 0:02:35 | |
The sun shines in Wales. | 0:02:35 | 0:02:37 | |
I've not seen it. | 0:02:37 | 0:02:38 | |
Sun or not, these two are certainly excited this morning. | 0:02:39 | 0:02:43 | |
MUSIC: Delilah by Tom Jones | 0:02:45 | 0:02:47 | |
-BOTH: -# Why, why, why, Delilah... # | 0:02:47 | 0:02:50 | |
I don't know any more. I don't know really any more. | 0:02:50 | 0:02:52 | |
-# My, my, my, Delilah -Delilah... # | 0:02:52 | 0:02:56 | |
There's a 13th-century castle in Ruthin, | 0:02:59 | 0:03:01 | |
around which the gorgeous town grew. | 0:03:01 | 0:03:05 | |
Christina's first stop today is in a former cinema. | 0:03:06 | 0:03:10 | |
Oh, wow. | 0:03:11 | 0:03:12 | |
Oh, my goodness. | 0:03:14 | 0:03:15 | |
Onto something already? | 0:03:17 | 0:03:18 | |
There's an awful lot of stuff in here, isn't there? | 0:03:18 | 0:03:21 | |
My gosh. | 0:03:21 | 0:03:22 | |
Oh, wow! Look at that! | 0:03:22 | 0:03:24 | |
It's a little salt and pepper cruet in the form of two gavels... | 0:03:24 | 0:03:28 | |
which is perfect! | 0:03:28 | 0:03:29 | |
Thomas and I are both auctioneers. That's amazing. | 0:03:29 | 0:03:31 | |
She's working fast this morning. | 0:03:31 | 0:03:34 | |
Best track down a Mr Andy Stow. | 0:03:34 | 0:03:38 | |
-Hello. -Hello, Christina. -Hello, my love. | 0:03:38 | 0:03:40 | |
Andy, I've already seen something I love. | 0:03:40 | 0:03:42 | |
Well, no, I don't love it. It's sort of, you know, OK. | 0:03:42 | 0:03:46 | |
Smoothly done, Christina. | 0:03:46 | 0:03:48 | |
So, what I saw, Andy, was this... | 0:03:48 | 0:03:51 | |
which I thought was a bit of fun. | 0:03:51 | 0:03:54 | |
That is fun! | 0:03:54 | 0:03:55 | |
So, you've obviously got salt and pepper | 0:03:55 | 0:03:57 | |
and you've got the stand for them to go on as well. | 0:03:57 | 0:03:59 | |
-Is there any maker's mark? -No, I don't think so. | 0:03:59 | 0:04:02 | |
That's got a bit of corrosion on there from the salt, | 0:04:02 | 0:04:06 | |
so obviously... | 0:04:06 | 0:04:07 | |
But unfortunately, it's very rare | 0:04:07 | 0:04:09 | |
to find them without that corrosion, isn't it? | 0:04:09 | 0:04:11 | |
-Absolutely. -Because of the very nature of salt itself. | 0:04:11 | 0:04:13 | |
They're priced at £35, so as we wait to hear back from the dealer, | 0:04:15 | 0:04:19 | |
Christina browses on. | 0:04:19 | 0:04:21 | |
Hey, I like this. What's this, Andy? | 0:04:24 | 0:04:28 | |
It's, in a sense, a dentist's chair, basically. | 0:04:28 | 0:04:32 | |
Really? | 0:04:32 | 0:04:33 | |
Well, it could be whatever you want it to be. | 0:04:33 | 0:04:36 | |
I was thinking it might be a barber's chair, in which case... | 0:04:36 | 0:04:39 | |
It is. It is actually a barber's chair. | 0:04:39 | 0:04:40 | |
As a dentist's chair, it's making me feel a bit nervous. | 0:04:40 | 0:04:43 | |
And what price have you got on it? | 0:04:43 | 0:04:45 | |
Well, I've got 230 on it. | 0:04:45 | 0:04:46 | |
-SHE LAUGHS -You're joking. | 0:04:46 | 0:04:48 | |
For you, 150 quid. | 0:04:48 | 0:04:50 | |
Generous. One to think about, then. | 0:04:51 | 0:04:53 | |
There's a bit too much in here to tempt me. | 0:04:55 | 0:04:59 | |
I could be here all day. You might have to kick me out. | 0:04:59 | 0:05:01 | |
There's word back on the gavel cruet set. | 0:05:01 | 0:05:05 | |
Right, OK. So, 25, potentially, on that. | 0:05:05 | 0:05:10 | |
150 on that. | 0:05:10 | 0:05:11 | |
Do I like that chair as much as that, Andy? | 0:05:11 | 0:05:13 | |
-I think you love it. -Is it... Ooh, I like that. | 0:05:13 | 0:05:17 | |
-HE LAUGHS -Hello! | 0:05:17 | 0:05:19 | |
THEY LAUGH | 0:05:19 | 0:05:21 | |
That was a very subtle entrance! | 0:05:21 | 0:05:24 | |
Yeah, I'm just on my way to the pond. | 0:05:24 | 0:05:26 | |
THEY LAUGH | 0:05:26 | 0:05:29 | |
Boys' toys, isn't it? | 0:05:29 | 0:05:30 | |
What's on your pond yacht. | 0:05:30 | 0:05:31 | |
On that, with the stand and everything, erm... | 0:05:31 | 0:05:35 | |
110. | 0:05:35 | 0:05:37 | |
What's going to make me more money, Andy - that or your chair? | 0:05:37 | 0:05:40 | |
-I'd say the chair. -Really? | 0:05:40 | 0:05:42 | |
Can you match him on the price for the chair? | 0:05:42 | 0:05:44 | |
-Uh, watch my lips. No. -Oh, Andy! -Sorry, darling! | 0:05:44 | 0:05:48 | |
Andy's best on the chair still £150. | 0:05:51 | 0:05:55 | |
£150. | 0:05:55 | 0:05:57 | |
-Or double the value and call it a tattooist's chair. -A what? | 0:05:57 | 0:06:01 | |
-Tattooist. -That's a brilliant idea! | 0:06:01 | 0:06:03 | |
It's a tattoo... Yeah. What about can we do £150...? | 0:06:03 | 0:06:08 | |
-I'll give you your £150 for this... -Yeah. | 0:06:08 | 0:06:11 | |
..but I would like the salt and pepper as well. | 0:06:11 | 0:06:14 | |
-Go on. -Oh, Andy. You're a legend. Thank you. | 0:06:14 | 0:06:17 | |
So, that's 25 for the cruet set and £125 for the dentist's | 0:06:19 | 0:06:24 | |
or barber's or tattooist's chair. | 0:06:24 | 0:06:27 | |
Crikey, it's only Ruthin's mayor Anne Roberts come to say hello. | 0:06:27 | 0:06:32 | |
That's a bit of bling, girl. | 0:06:32 | 0:06:34 | |
It's 18-carat... It's 18-carat gold! | 0:06:34 | 0:06:36 | |
-Is it all 18-carat gold? -Yeah. | 0:06:36 | 0:06:38 | |
-Is it for sale? -No! -ANDY LAUGHS | 0:06:38 | 0:06:41 | |
Whilst Christina makes friends in high places, | 0:06:41 | 0:06:45 | |
Thomas has headed north | 0:06:45 | 0:06:47 | |
to the former quarrying village of Penmaenmawr. | 0:06:47 | 0:06:49 | |
Lying on the edge of Snowdonia, | 0:06:51 | 0:06:53 | |
this pretty coastal settlement is home to Perry Higgins Antiques, | 0:06:53 | 0:06:58 | |
owned by Michael King. | 0:06:58 | 0:07:00 | |
-Hello. I'm Thomas. -How do you do? -Very well, thank you. -Good. | 0:07:06 | 0:07:09 | |
This is amazing. | 0:07:09 | 0:07:11 | |
Indeed. Certainly a lot to see in this 15,000-square-foot showroom. | 0:07:12 | 0:07:18 | |
-Leg irons, I think. -What have we got these for? -Well... | 0:07:18 | 0:07:21 | |
-Some bad customers? -Yeah, yeah. Keep them in here. -Yeah? | 0:07:21 | 0:07:23 | |
Keep them in here long enough with them on them, | 0:07:23 | 0:07:26 | |
then they might buy something. | 0:07:26 | 0:07:28 | |
Well, put them back. | 0:07:28 | 0:07:30 | |
Michael's been round the block. It's best behaviour in here, Thomas. | 0:07:32 | 0:07:36 | |
I don't want too much ticket turning going on in here, | 0:07:36 | 0:07:39 | |
you know, with you. | 0:07:39 | 0:07:40 | |
-Well, I haven't turned over any tickets. -You have. | 0:07:40 | 0:07:42 | |
You're going to get a habit and turn all these tickets. | 0:07:42 | 0:07:45 | |
You don't like that? | 0:07:45 | 0:07:47 | |
-I loathe ticket turners coming in the shop. -Do you? | 0:07:47 | 0:07:50 | |
Is that what you call them - ticket turners? | 0:07:50 | 0:07:52 | |
Ticket turners, yeah. | 0:07:52 | 0:07:53 | |
-You're not a wi-wo, are you? -What's a...? | 0:07:53 | 0:07:56 | |
Walk in, walk out. | 0:07:56 | 0:07:58 | |
-HE LAUGHS -Walk in, walk out! Wi-wo. | 0:07:58 | 0:08:00 | |
-Wi-wos. -No, I won't be walking in, walking out. | 0:08:00 | 0:08:03 | |
Right, OK. | 0:08:03 | 0:08:04 | |
-Promise. -I'll put the leg irons on if you do. | 0:08:04 | 0:08:07 | |
I like you, Michael. | 0:08:07 | 0:08:09 | |
-It doesn't stop, does it? -No. | 0:08:10 | 0:08:13 | |
I mean, it's room after room! | 0:08:13 | 0:08:15 | |
I'm seeing a few things. I quite like your stick stand. | 0:08:15 | 0:08:19 | |
-It's not dear. -It's not dear? -No, I don't think so. | 0:08:19 | 0:08:22 | |
How much is it? I don't know. | 0:08:22 | 0:08:23 | |
Look who's ticket-turning now. | 0:08:23 | 0:08:25 | |
You've got the drip tray. | 0:08:25 | 0:08:27 | |
-You've got a four and a two next to it. -Yeah. | 0:08:27 | 0:08:30 | |
Couldn't be the other way around, could it? | 0:08:30 | 0:08:32 | |
No, but it's close. I'll do it at 30 quid. | 0:08:32 | 0:08:34 | |
25? | 0:08:34 | 0:08:36 | |
Hmm. | 0:08:36 | 0:08:37 | |
-26. -£26. | 0:08:37 | 0:08:40 | |
Makes a deal, doesn't it? | 0:08:40 | 0:08:41 | |
I think in Wales they need stick stands | 0:08:41 | 0:08:43 | |
to put their umbrellas in... | 0:08:43 | 0:08:44 | |
-They certainly do. -..with drip trays. -Yeah. | 0:08:44 | 0:08:46 | |
That's awesome. Done. | 0:08:46 | 0:08:49 | |
-Can we go outside now? -Yes. | 0:08:49 | 0:08:51 | |
Out the back of the shop, | 0:08:51 | 0:08:52 | |
Michael also has an architectural salvage yard. | 0:08:52 | 0:08:55 | |
-I like these terracotta pots. -Yeah. -Were they a lot of money? | 0:08:55 | 0:08:58 | |
They cost me about 80 quid. | 0:08:58 | 0:09:00 | |
Have you got any sort of cheaper pots? | 0:09:00 | 0:09:02 | |
-What are those green ones there? -Those are cheap, yeah. -Yeah? | 0:09:02 | 0:09:05 | |
-These are concrete ones, are they? -Yeah, they're concrete. -Yeah. | 0:09:05 | 0:09:08 | |
How much is a pair of those? | 0:09:10 | 0:09:12 | |
I want about 35 quid each for them. I'll do 40 quid. | 0:09:12 | 0:09:15 | |
-Could you do them for 30? -Oh! | 0:09:15 | 0:09:18 | |
-Have you got some money in there?! -Honestly, I know I look like... | 0:09:18 | 0:09:21 | |
You must have some money in there. £32 and take them. Go on. | 0:09:21 | 0:09:24 | |
All right. You've got a deal. £32. | 0:09:24 | 0:09:28 | |
You're a star. | 0:09:28 | 0:09:29 | |
That's the pair of reconstituted green painted planters | 0:09:29 | 0:09:33 | |
and an Art Nouveau umbrella stand for £58. | 0:09:33 | 0:09:37 | |
You're a star and you've been really kind. | 0:09:37 | 0:09:39 | |
-Thank you very much. -You've been really kind. | 0:09:39 | 0:09:41 | |
-I know I've been hard work, so... -Very hard work. -Yeah. | 0:09:41 | 0:09:43 | |
Don't hold back, Michael. | 0:09:43 | 0:09:45 | |
Christina has taken a break from shopping | 0:09:46 | 0:09:49 | |
to head half an hour down the coast to Caernarfon. | 0:09:49 | 0:09:52 | |
The town is known for its imposing 13th-century castle. | 0:09:56 | 0:09:59 | |
Christina is here to meet | 0:09:59 | 0:10:01 | |
Caernarfon Castle's guide John Sherlock. | 0:10:01 | 0:10:04 | |
-Hello, John. -Hello, Christina. -My goodness. Lovely to meet you. | 0:10:04 | 0:10:07 | |
And you. Croeso, as they around here. | 0:10:07 | 0:10:09 | |
Indeed, Croeso. | 0:10:09 | 0:10:11 | |
Croeso i Castell Caernarfon. | 0:10:11 | 0:10:13 | |
The castle dates to a time when Wales was in turmoil. | 0:10:14 | 0:10:17 | |
Battles raged between the Welsh royalty | 0:10:17 | 0:10:21 | |
and the invading English king. | 0:10:21 | 0:10:23 | |
The ruthless Edward I was determined | 0:10:23 | 0:10:26 | |
to enforce his supremacy throughout the British Isles, | 0:10:26 | 0:10:28 | |
starting with Wales. | 0:10:28 | 0:10:30 | |
He attacked in 1277, | 0:10:30 | 0:10:31 | |
building a chain of castles throughout North Wales, | 0:10:31 | 0:10:34 | |
and this impenetrable fortress in Caernarfon was to be his grandest. | 0:10:34 | 0:10:40 | |
The ensuing power struggle changed Wales's future forever. | 0:10:41 | 0:10:45 | |
-It just looks, for a castle, so daunting. -Absolutely. | 0:10:47 | 0:10:51 | |
Really formidable, doesn't it? | 0:10:51 | 0:10:53 | |
If you are trying to attack it from this side, | 0:10:53 | 0:10:56 | |
you'd struggle to find a way in. | 0:10:56 | 0:11:00 | |
It looks totally impenetrable. | 0:11:00 | 0:11:02 | |
Edward's castles were symbols of power, | 0:11:05 | 0:11:08 | |
designed to kill any unwelcome visitors | 0:11:08 | 0:11:10 | |
who dared to enter. | 0:11:10 | 0:11:12 | |
Welcome to the impressive King's Gate. | 0:11:12 | 0:11:14 | |
Very elegant, you might think. | 0:11:14 | 0:11:16 | |
Yes, quite. | 0:11:16 | 0:11:17 | |
But where you're actually standing now is what would have been known | 0:11:17 | 0:11:20 | |
as the killing zone. | 0:11:20 | 0:11:21 | |
This area featured a series of doors that could trap potential enemies | 0:11:22 | 0:11:27 | |
and then be attacked through the arrow slits on either side. | 0:11:27 | 0:11:31 | |
Then we've got right up above us what were called the murder holes, | 0:11:34 | 0:11:38 | |
and what they would've used those for | 0:11:38 | 0:11:40 | |
is dropping anything down on people invading the castle. | 0:11:40 | 0:11:44 | |
-OK. -And by anything, I mean stones, hot sand, boiling water... | 0:11:44 | 0:11:51 | |
even human effluent. | 0:11:51 | 0:11:53 | |
So, it looks like a really nice, pretty entrance, | 0:11:53 | 0:11:56 | |
but actually, it's not really designed to be... | 0:11:56 | 0:11:59 | |
-Not at all. -No. No. OK. | 0:11:59 | 0:12:01 | |
It's said that Edward felt the best way to cement his authority | 0:12:03 | 0:12:07 | |
was to have his child born at the castle. | 0:12:07 | 0:12:10 | |
So, did Edward I ever live here then? | 0:12:11 | 0:12:13 | |
Well, he didn't actually live here, but he did engineer for his wife, | 0:12:13 | 0:12:18 | |
Eleanor of Castile, | 0:12:18 | 0:12:20 | |
to give birth to what he hoped would be a boy... | 0:12:20 | 0:12:23 | |
-And therefore his son and heir. -..within in the castle... | 0:12:23 | 0:12:25 | |
And therefore his son and heir. | 0:12:25 | 0:12:27 | |
..who could then be made Prince of Wales. | 0:12:27 | 0:12:31 | |
What you see here in front of you is obviously the finished article. | 0:12:31 | 0:12:34 | |
At that time, this would've been a building site. | 0:12:34 | 0:12:36 | |
So, poor old Eleanor is dragged here on horse and cart heavily pregnant. | 0:12:36 | 0:12:40 | |
Well, this is all how the story goes, | 0:12:40 | 0:12:42 | |
that she gave birth to what was a boy who they named Edward, | 0:12:42 | 0:12:48 | |
and he became the first English Prince of Wales, | 0:12:48 | 0:12:53 | |
the tradition of which comes right up into the present day. | 0:12:53 | 0:12:55 | |
The present day. | 0:12:55 | 0:12:56 | |
The English legal and administrative system | 0:12:58 | 0:13:01 | |
had already been enforced in Wales, | 0:13:01 | 0:13:03 | |
but Edward II's new title sent a potent message of domination | 0:13:03 | 0:13:08 | |
over the Welsh. | 0:13:08 | 0:13:09 | |
Once complete, this imposing symbol of strength remained safe | 0:13:09 | 0:13:13 | |
from Welsh rebellion for a century. | 0:13:13 | 0:13:16 | |
Were they ever attacked? | 0:13:16 | 0:13:18 | |
Yes, probably most famously about 100 years later | 0:13:18 | 0:13:22 | |
in 1404 by the infamous Owain Glyndwr, | 0:13:22 | 0:13:26 | |
who was striving to retake the Welsh prince's | 0:13:26 | 0:13:30 | |
back to the Welsh. | 0:13:30 | 0:13:32 | |
Owain Glyndwr led the Welsh revolt attempting to gain independence | 0:13:33 | 0:13:38 | |
from the English. | 0:13:38 | 0:13:40 | |
They seized forts throughout North Wales one by one, | 0:13:40 | 0:13:44 | |
then they reached Caernarfon. | 0:13:44 | 0:13:46 | |
Edward may have been long gone, but the attacking Welsh army | 0:13:49 | 0:13:53 | |
was thwarted by his clever architectural features. | 0:13:53 | 0:13:56 | |
If you just look up the top here, | 0:13:56 | 0:13:58 | |
you can see weathered remains of a stone head, | 0:13:58 | 0:14:01 | |
and they actually go all the way around. | 0:14:01 | 0:14:05 | |
And so if you were looking from down below... | 0:14:05 | 0:14:07 | |
-They look like heads with helmets on, don't they? -That's right. -Yeah. | 0:14:07 | 0:14:10 | |
Oh, my goodness. That's very clever. | 0:14:10 | 0:14:12 | |
So, the people attacking would've thought | 0:14:12 | 0:14:14 | |
there would've been troops up here, and in fact there were only 24. | 0:14:14 | 0:14:17 | |
24 people. | 0:14:17 | 0:14:18 | |
Despite being guarded by so few, the castle withstood Glyndwr's army. | 0:14:18 | 0:14:23 | |
This was a turning point in the rebellion, and by 1415, | 0:14:23 | 0:14:28 | |
England regained power over Wales. | 0:14:28 | 0:14:31 | |
In 1536, an agreement was signed formalising the union | 0:14:31 | 0:14:35 | |
between the two countries. | 0:14:35 | 0:14:37 | |
Had Caernarfon not withstood those attacks, | 0:14:37 | 0:14:41 | |
the history of Wales and England could be very different. | 0:14:41 | 0:14:44 | |
Thomas has made his way back up the coast | 0:14:49 | 0:14:51 | |
to the charming seaside town of Rhos-on-Sea. | 0:14:51 | 0:14:54 | |
Thomas's next stop is Shawna Peters Antiques, | 0:15:00 | 0:15:04 | |
run by...Shawna Peters! | 0:15:04 | 0:15:06 | |
Ha! No surprises there then. | 0:15:06 | 0:15:08 | |
-Hello. -Hi. -I'm Thomas. | 0:15:09 | 0:15:12 | |
-How do you do? -How do you do? | 0:15:12 | 0:15:14 | |
Thomas has some serious catching up to do on this trip. | 0:15:16 | 0:15:20 | |
What am I going to buy which is going to make me loads of money? | 0:15:20 | 0:15:23 | |
That is the million-dollar question. | 0:15:23 | 0:15:26 | |
I do like my glass. | 0:15:26 | 0:15:28 | |
You've got some lovely Vaseline glass, haven't you? | 0:15:28 | 0:15:31 | |
It's fabulous. | 0:15:31 | 0:15:32 | |
This is Vaseline here, this glass, with this very yellow top to it. | 0:15:32 | 0:15:39 | |
If you put a Geiger counter against it, it would tick. | 0:15:39 | 0:15:42 | |
It's got a bit of uranium in it. | 0:15:43 | 0:15:45 | |
Vaseline glass glows bright green under UV light | 0:15:45 | 0:15:50 | |
courtesy of the uranium oxide it contains. | 0:15:50 | 0:15:54 | |
It is radioactive, but the amounts are so small it's harmless. | 0:15:54 | 0:15:57 | |
It's named Vaseline because of its colour and oily tinge. | 0:15:57 | 0:16:01 | |
I like going on my hands and knees. You never know what you might see. | 0:16:03 | 0:16:07 | |
Oh, yes. He's leaving no stone unturned in here. | 0:16:08 | 0:16:11 | |
That's pretty, isn't it? | 0:16:15 | 0:16:16 | |
Enamel flower set with some sort of paste-set jewels. | 0:16:18 | 0:16:24 | |
If you were a lady and you were out for an evening, | 0:16:24 | 0:16:28 | |
want to do more of your rouge, out this would come, wouldn't it? | 0:16:28 | 0:16:31 | |
-Yeah. -Really pretty with that floral design. | 0:16:31 | 0:16:34 | |
-But it's just gilt metal. -Faberge. | 0:16:34 | 0:16:37 | |
Well, I wish, with the sort of filigree around it. | 0:16:37 | 0:16:40 | |
It does look quite beautiful. | 0:16:40 | 0:16:42 | |
What's your very best on that one? | 0:16:42 | 0:16:44 | |
25. | 0:16:45 | 0:16:46 | |
Ooh. That's very good, isn't it? | 0:16:46 | 0:16:49 | |
-Could I offer to 20? -SHE LAUGHS | 0:16:49 | 0:16:51 | |
-You just said that was good! -HE LAUGHS | 0:16:51 | 0:16:55 | |
Truthfully, I've spent a little bit of money today | 0:16:55 | 0:16:57 | |
and then Christina's thrashing me and I need all the help I can get. | 0:16:57 | 0:17:02 | |
-Was that a nod? -OK. | 0:17:03 | 0:17:06 | |
-OK? -Yeah. | 0:17:06 | 0:17:07 | |
-Oh, you're a sweetheart. -I know. -Thank you very much. | 0:17:07 | 0:17:10 | |
Very generous, Shawna. Deal done at £20 for the Art Nouveau compact. | 0:17:10 | 0:17:15 | |
I'm pleased with what I bought today. Tomorrow is another day. | 0:17:15 | 0:17:19 | |
And on that note, night-night, antiquers. | 0:17:20 | 0:17:24 | |
Another day dawns in North Wales. | 0:17:28 | 0:17:30 | |
-Bore da, Thomas. -Bore da, Christina. | 0:17:33 | 0:17:36 | |
-Oh, well done. -Do you like the roll of the R? | 0:17:36 | 0:17:39 | |
Impressive. | 0:17:39 | 0:17:41 | |
So far, Thomas has gathered three items for auction - | 0:17:41 | 0:17:44 | |
an Art Nouveau umbrella stand, two reconstituted planters | 0:17:44 | 0:17:48 | |
and an Art Nouveau enamel compact - all for £78, | 0:17:48 | 0:17:52 | |
leaving him £58.94 to spend today. | 0:17:52 | 0:17:57 | |
Christina has just two items so far - | 0:17:57 | 0:17:59 | |
the versatile chair and a novelty cruet, costing £150. | 0:17:59 | 0:18:04 | |
She still has £128.91 left. | 0:18:05 | 0:18:10 | |
So, yesterday, my tactics were to not spend a huge amount of money, | 0:18:10 | 0:18:15 | |
but unfortunately, I sort of accidentally did. | 0:18:15 | 0:18:18 | |
-What did you spend? -I spent over half what I had left. -Oh, great. | 0:18:18 | 0:18:21 | |
-I've spent half my money as well. -Oh, really? | 0:18:21 | 0:18:23 | |
-But then again, I had to. -Oh. | 0:18:23 | 0:18:24 | |
You've got to be in it to win it, though, Thomas. | 0:18:26 | 0:18:29 | |
Oh, look how beautiful it is. | 0:18:29 | 0:18:31 | |
Well, it is beautiful. It's very green and... | 0:18:31 | 0:18:35 | |
Lush. | 0:18:35 | 0:18:36 | |
-Oh, grass! -Grass! | 0:18:36 | 0:18:38 | |
See, this makes me feel at home. | 0:18:38 | 0:18:40 | |
Having grass growing down the middle of the road | 0:18:40 | 0:18:42 | |
is just heaven, isn't it? | 0:18:42 | 0:18:43 | |
-It's very rural, as one would say. -Very rural. | 0:18:43 | 0:18:46 | |
The auction awaits in Colwyn Bay. | 0:18:48 | 0:18:50 | |
But the first stop today is for Thomas | 0:18:53 | 0:18:55 | |
at the small village of Llanystumdwy. | 0:18:55 | 0:18:58 | |
Here we are. Enjoy. | 0:19:00 | 0:19:02 | |
-Good luck. -See you soon. Have fun. | 0:19:02 | 0:19:04 | |
-Bye! -Bye! | 0:19:04 | 0:19:06 | |
Christina is charging further down the Llyn Peninsula | 0:19:06 | 0:19:10 | |
the market town of Pwllheli, | 0:19:10 | 0:19:12 | |
home to Christina's first shop of the day. | 0:19:12 | 0:19:16 | |
-Hello. -Hello there. Hi. How are you? -Rodney Adams, I assume. | 0:19:16 | 0:19:18 | |
-No, I'm John Adams. That's my father. -Oh. | 0:19:18 | 0:19:21 | |
John and his father have three different units in the town. | 0:19:21 | 0:19:25 | |
Plenty of choice, Christina. | 0:19:25 | 0:19:26 | |
Oh, John, is this Caernarfon? | 0:19:28 | 0:19:30 | |
-Uh, yeah. Yeah. -What have we got? -The name's on the back. | 0:19:30 | 0:19:33 | |
They're all scenes from early parts of Wales. Minton. | 0:19:33 | 0:19:38 | |
Wow. Oh, my goodness. And how much have you got on those? | 0:19:38 | 0:19:42 | |
A couple of hundred quid. | 0:19:42 | 0:19:43 | |
Really nice...but out of my budget, sadly. | 0:19:43 | 0:19:46 | |
-Sorry. -Never mind. Let's move on. | 0:19:46 | 0:19:48 | |
Hey, this looks more like my cup of tea. | 0:19:48 | 0:19:50 | |
Yes, the box of treasures. | 0:19:50 | 0:19:53 | |
Up until this point, John, | 0:19:53 | 0:19:54 | |
I haven't actually seen any love spoons. | 0:19:54 | 0:19:57 | |
-You've got lots of love spoons. -That's a bit of a soft spot of mine. | 0:19:57 | 0:20:00 | |
-Oh, is it? -Yeah. -What's that? | 0:20:00 | 0:20:02 | |
I think they denoted how many children you wanted. | 0:20:02 | 0:20:06 | |
-Oh, really? -Yeah, yeah. -SHE LAUGHS | 0:20:06 | 0:20:09 | |
The traditional craft of making love spoons from wood | 0:20:09 | 0:20:13 | |
dates back to the 17th century. | 0:20:13 | 0:20:16 | |
They were hand-carved as a token of affection | 0:20:16 | 0:20:19 | |
and often given to girls by their admirers. | 0:20:19 | 0:20:23 | |
These are interesting. | 0:20:23 | 0:20:25 | |
Yes, they are. They've just come in. | 0:20:25 | 0:20:27 | |
They're a pair of little taper stick holders | 0:20:27 | 0:20:29 | |
on little onyx bases. | 0:20:29 | 0:20:31 | |
Those are quite fun. | 0:20:31 | 0:20:32 | |
"PHV and Co Made in England." | 0:20:32 | 0:20:34 | |
OK, so, probably about what, 1940s, 1950s? | 0:20:34 | 0:20:38 | |
Probably, yeah. | 0:20:38 | 0:20:40 | |
These candlesticks were designed to hold tapered candles. | 0:20:40 | 0:20:44 | |
Well, I like those. Can I go down in the cellar? | 0:20:44 | 0:20:46 | |
Yes. | 0:20:46 | 0:20:47 | |
Also leaving no stone unturned. | 0:20:47 | 0:20:51 | |
Oh, this is rather beautiful. | 0:20:51 | 0:20:52 | |
Locally-built ship in case, £40. | 0:20:59 | 0:21:02 | |
Yes, I'm actually selling it on behalf of somebody, | 0:21:02 | 0:21:05 | |
and that's what they want for it as a goodwill gesture. | 0:21:05 | 0:21:07 | |
All the rigging and so on is right, as it were. | 0:21:07 | 0:21:12 | |
OK. But it is quite bright, isn't it? | 0:21:12 | 0:21:14 | |
But it certainly looks like it's a galleon in full sail | 0:21:14 | 0:21:17 | |
-off the Welsh coast. -Yeah. | 0:21:17 | 0:21:20 | |
-Let's take that one upstairs. -OK. | 0:21:20 | 0:21:23 | |
She's even checking out John's other shop across the street. | 0:21:23 | 0:21:26 | |
That's nice. | 0:21:26 | 0:21:28 | |
-It is. It's a lovely thing, that. -Hmm. | 0:21:28 | 0:21:30 | |
It's got quite a sort of naive feel about it, hasn't it? | 0:21:30 | 0:21:33 | |
It's a pipe rack. What's on that, John? | 0:21:33 | 0:21:35 | |
Uh... | 0:21:35 | 0:21:37 | |
it has to be 60 quid. | 0:21:37 | 0:21:39 | |
Oh, my goodness. | 0:21:39 | 0:21:41 | |
Is there a deal afoot? | 0:21:41 | 0:21:43 | |
-So, I like the taper sticks. -Right. | 0:21:43 | 0:21:46 | |
-I like the ship. -Right. | 0:21:46 | 0:21:47 | |
And I like this. | 0:21:47 | 0:21:49 | |
So, what can our sort of best prices be on these, John? | 0:21:49 | 0:21:53 | |
The taper sticks I can do for 30. | 0:21:53 | 0:21:57 | |
-I'm selling that on behalf of somebody. -Right. | 0:21:57 | 0:22:00 | |
That thing, it has to be 40, which is sensibly priced. | 0:22:00 | 0:22:04 | |
OK. All right. And then the rack. | 0:22:04 | 0:22:06 | |
That can be 50. | 0:22:06 | 0:22:08 | |
So, can we negotiate on these, then? | 0:22:08 | 0:22:10 | |
They're nice, | 0:22:10 | 0:22:12 | |
but they're chipped... | 0:22:12 | 0:22:15 | |
..and they probably need re-plating. | 0:22:16 | 0:22:18 | |
What are you offering? | 0:22:18 | 0:22:19 | |
I would like to give you £50 for the ship and the tapers. | 0:22:20 | 0:22:25 | |
Put a fiver on top of that and then we'll have a deal on that. | 0:22:25 | 0:22:28 | |
-OK. 55. -Deal it is. | 0:22:28 | 0:22:31 | |
-Deal it is. Thank you very much. -Thank you. -It's been a pleasure. | 0:22:31 | 0:22:34 | |
That's £55 for the silver-plated taper sticks | 0:22:34 | 0:22:37 | |
and the ship in the case. | 0:22:37 | 0:22:39 | |
In Llanystumdwy, | 0:22:41 | 0:22:43 | |
Thomas has come to the childhood home of a radical social reformer | 0:22:43 | 0:22:47 | |
who became one of the greatest statesman of the 20th century. | 0:22:47 | 0:22:51 | |
He not only laid the foundations for the welfare state we have today, | 0:22:51 | 0:22:56 | |
but is the man often credited | 0:22:56 | 0:22:58 | |
for winning the First World War for the Allies. | 0:22:58 | 0:23:01 | |
Thomas is here to meet curator Emrys Williams. | 0:23:01 | 0:23:04 | |
Good morning. | 0:23:04 | 0:23:05 | |
Prynhawn da. Croeso. | 0:23:05 | 0:23:07 | |
David Lloyd George, Britain's only ever Welsh prime minister, | 0:23:09 | 0:23:13 | |
moved to this cottage as a baby. | 0:23:13 | 0:23:15 | |
After the death of his father, it was his uncle, Richard Lloyd, | 0:23:15 | 0:23:18 | |
who helped raise and educate the young David. | 0:23:18 | 0:23:21 | |
He instilled a set of values in his nephew | 0:23:21 | 0:23:24 | |
that would stand throughout his life, | 0:23:24 | 0:23:26 | |
in part by turning his cobbler's workshop | 0:23:26 | 0:23:29 | |
into a hotbed for debate. | 0:23:29 | 0:23:30 | |
-It was like a debating society. -Oh, right. Yes. | 0:23:31 | 0:23:35 | |
And soon, Lloyd George became politically aware. | 0:23:35 | 0:23:42 | |
Ah. So, it gave him an education, | 0:23:42 | 0:23:44 | |
a work ethic and a passion for politics. | 0:23:44 | 0:23:47 | |
-Yes. -Debates. -Yes. -What's fair, what's right. | 0:23:47 | 0:23:49 | |
-Yes. -Interesting. | 0:23:49 | 0:23:52 | |
After training as a solicitor, | 0:23:52 | 0:23:54 | |
Lloyd George steered his passion for fairness into politics, | 0:23:54 | 0:23:58 | |
first as a Liberal MP and then as a member of the cabinet. | 0:23:58 | 0:24:01 | |
It was here he tackled social justice | 0:24:03 | 0:24:06 | |
as he'd always wanted. | 0:24:06 | 0:24:07 | |
He created the welfare state we take for granted today. | 0:24:07 | 0:24:12 | |
It was a revolutionary feat. | 0:24:12 | 0:24:14 | |
So, he became chancellor of the Exchequer. | 0:24:15 | 0:24:17 | |
-What did he do with that? -Yes. | 0:24:17 | 0:24:19 | |
Well, the first thing he did in 1908 | 0:24:19 | 0:24:22 | |
was to introduce the Old-Age Pensions bill. | 0:24:22 | 0:24:26 | |
-So, there wasn't an Old-Age Pensions bill before that. -No. | 0:24:26 | 0:24:30 | |
And then Lloyd George in 1909 | 0:24:30 | 0:24:33 | |
formulated his great People's Budget, | 0:24:33 | 0:24:37 | |
the budget he declared was to wage war against poverty, | 0:24:37 | 0:24:42 | |
sickness and ill health. | 0:24:42 | 0:24:43 | |
Mm-hm. | 0:24:43 | 0:24:44 | |
He also went on to introduce national insurance, | 0:24:44 | 0:24:48 | |
designed as a safety net for anyone who became unemployed | 0:24:48 | 0:24:52 | |
or needed cash for medical treatment. | 0:24:52 | 0:24:55 | |
It predated the NHS, | 0:24:55 | 0:24:57 | |
which wouldn't come to fruition for another 37 years. | 0:24:57 | 0:25:01 | |
Such forward thinking. How did he become prime minister? | 0:25:01 | 0:25:05 | |
The Great War broke out in 1914. | 0:25:05 | 0:25:08 | |
In 1915, there was a shell shortage | 0:25:08 | 0:25:13 | |
and the king created a new post. | 0:25:13 | 0:25:16 | |
Lloyd George became the first minister of munitions. | 0:25:16 | 0:25:20 | |
The scandal threatened to defeat the Allies, | 0:25:22 | 0:25:24 | |
but by building munitions factories across the country | 0:25:24 | 0:25:27 | |
and utilising a previously untapped female workforce, | 0:25:27 | 0:25:31 | |
Lloyd George rearmed the British forces | 0:25:31 | 0:25:34 | |
and solved the crisis within months. | 0:25:34 | 0:25:36 | |
He was then the obvious choice to take over as prime minister | 0:25:36 | 0:25:40 | |
in a Liberal-Conservative coalition in 1916. | 0:25:40 | 0:25:44 | |
What did he do to move the war forward for us? | 0:25:44 | 0:25:48 | |
He galvanised everybody. | 0:25:48 | 0:25:50 | |
"We are going to win." | 0:25:50 | 0:25:52 | |
But the problem was that military strategy | 0:25:52 | 0:25:57 | |
was in the hands of the generals. | 0:25:57 | 0:26:00 | |
Lloyd George's dynamic leadership boosted morale. | 0:26:03 | 0:26:07 | |
With his newly formed war cabinet, | 0:26:07 | 0:26:10 | |
he coordinated the Allies under one command | 0:26:10 | 0:26:13 | |
and helped orchestrate American involvement. | 0:26:13 | 0:26:15 | |
This proved to be a major turning point in history. | 0:26:15 | 0:26:18 | |
-The Americans came into the war. -1917. -Yes. And the war was won. | 0:26:21 | 0:26:27 | |
And Lloyd George is now regarded by historians | 0:26:28 | 0:26:32 | |
and biographers as the man who won the war. | 0:26:32 | 0:26:36 | |
He remained prime minister until resigning in 1922, | 0:26:38 | 0:26:42 | |
but continued to be an active political figure. | 0:26:42 | 0:26:45 | |
Lloyd George returned to Wales in 1944 and died a year later. | 0:26:45 | 0:26:50 | |
He will be remembered as one of the greatest social reformers | 0:26:52 | 0:26:55 | |
of his time and a revolutionary leader. | 0:26:55 | 0:26:58 | |
Meanwhile, Christina has motored the Bedford van north to Llandwrog. | 0:27:02 | 0:27:07 | |
Christina's next shop is based in a former RAF base. | 0:27:09 | 0:27:14 | |
Hello! | 0:27:14 | 0:27:15 | |
-Hi. -Nice to meet you. Are you Mr Kill? | 0:27:15 | 0:27:18 | |
No. Martin Lewis, I am. | 0:27:18 | 0:27:20 | |
-It's a great name, though, isn't it? -It's wonderful, isn't it? -Yes. | 0:27:20 | 0:27:23 | |
-You sound like a bit of a secret agent. -Assassins, yeah. | 0:27:23 | 0:27:26 | |
-Yeah, very possibly. Are you an assassin, Martin? -No. | 0:27:26 | 0:27:29 | |
-No, you don't look like an assassin. -No, no, no. | 0:27:29 | 0:27:31 | |
Christina has just under £75 left, so get looking. | 0:27:31 | 0:27:36 | |
Oh, nice vintage telephone. | 0:27:36 | 0:27:38 | |
Unfortunately, it doesn't work. | 0:27:38 | 0:27:40 | |
Oh, that's a shame. So you've got it... | 0:27:40 | 0:27:42 | |
-It's been out on a few film sets. -Has it? -It has. | 0:27:42 | 0:27:44 | |
-So, a famous telephone. -I think it is, yeah. -That's lovely. | 0:27:44 | 0:27:47 | |
It's a 164 series, and 47 indicates the date, doesn't it? So 1947. | 0:27:47 | 0:27:52 | |
-Yeah. -That's a good early one, that one. -It is, isn't it? Yeah. | 0:27:52 | 0:27:55 | |
Hello. | 0:27:55 | 0:27:56 | |
-Have you got any bargains for me? -I have. -Oh, good. | 0:27:56 | 0:28:00 | |
Let's go looking for them. | 0:28:00 | 0:28:02 | |
Martin took over the business seven years ago. | 0:28:02 | 0:28:05 | |
This part of the shop was the former RAF officers' mess. | 0:28:05 | 0:28:09 | |
-Ooh, what's in here? -That's our junk room. | 0:28:09 | 0:28:11 | |
Ooh! Magic words. Like music to my ears. | 0:28:11 | 0:28:15 | |
-This is most people's favourite place. -So, what have we got? | 0:28:15 | 0:28:18 | |
We've got some old ladders. We've got... | 0:28:18 | 0:28:19 | |
-That's an old butler's tray stand, isn't it? -It is. | 0:28:19 | 0:28:22 | |
Yep. | 0:28:22 | 0:28:23 | |
-That's quite fun. Have you got the top for that? -No. | 0:28:23 | 0:28:26 | |
What's on that, Martin? | 0:28:26 | 0:28:28 | |
30. | 0:28:28 | 0:28:29 | |
-£30 for a butler's tray stand. -Hmm. -I like that. | 0:28:29 | 0:28:32 | |
OK. So, butler's tray stand there. £30. | 0:28:32 | 0:28:36 | |
Does Martin have something else to tempt Christina? | 0:28:36 | 0:28:39 | |
Have a look at that. | 0:28:39 | 0:28:41 | |
-What do you think? -How did I walk straight past that? | 0:28:41 | 0:28:44 | |
-So, that is an old wheelbarrow. -It's for carrying slate. | 0:28:44 | 0:28:48 | |
So, you would've quarried your slate and put it on that, | 0:28:48 | 0:28:50 | |
stacked it up so it didn't slide off the front. | 0:28:50 | 0:28:52 | |
-That's right. -You've got that guard on there as well. -Yeah. | 0:28:52 | 0:28:55 | |
That's quite fun, isn't it? | 0:28:55 | 0:28:57 | |
-IT SQUEAKS -It comes with the squeak. | 0:28:57 | 0:28:59 | |
-Does it? -Yeah. -A free squeak? | 0:28:59 | 0:29:01 | |
-It comes with a free squeak. -How could a girl refuse? | 0:29:01 | 0:29:04 | |
IT SQUEAKS | 0:29:04 | 0:29:06 | |
You could use it for maybe outside. Plants, that sort of thing. | 0:29:06 | 0:29:10 | |
It's almost decorative, isn't it? | 0:29:10 | 0:29:12 | |
-So, how much have you got on it? -40. | 0:29:12 | 0:29:15 | |
IT SQUEAKS NOISILY Blimey, Christina. | 0:29:15 | 0:29:18 | |
-I do like it, but I don't like it for £40, I'm afraid. -OK. Try me. | 0:29:18 | 0:29:23 | |
-I was sort of thinking £10 or £20, to be honest... -Oh! | 0:29:23 | 0:29:26 | |
-I couldn't possibly take... -..as a nice outside piece. | 0:29:26 | 0:29:28 | |
What would be your absolute death on it? | 0:29:28 | 0:29:31 | |
You can have it for 25. | 0:29:31 | 0:29:32 | |
-I'm happy to go with that. -I'll throw the squeak in. | 0:29:32 | 0:29:35 | |
You're too kind. | 0:29:35 | 0:29:36 | |
£25 for the slate barrow with added squeak. | 0:29:37 | 0:29:41 | |
Ha! Thomas meanwhile is back on the hunt. | 0:29:42 | 0:29:44 | |
He's headed to the stunning harbour resort of Barmouth | 0:29:44 | 0:29:48 | |
on Snowdonia's west coast | 0:29:48 | 0:29:50 | |
and to his final shop - | 0:29:50 | 0:29:52 | |
Fron House Antiques, run by Jamie Howard. | 0:29:52 | 0:29:56 | |
-Hello. -Hello. -I'm Thomas. -Jamie. | 0:29:56 | 0:29:59 | |
Jamie sources his eclectic mix of items both locally and overseas. | 0:29:59 | 0:30:04 | |
What's Thomas onto? | 0:30:04 | 0:30:05 | |
So, what we have is a bamboo shaft, a parasol - or umbrella - | 0:30:05 | 0:30:11 | |
and on the top is surmounted by the most exquisite | 0:30:11 | 0:30:15 | |
chubby chick in silver. | 0:30:15 | 0:30:18 | |
-And it's made by Briggs. -It's a good London maker. | 0:30:18 | 0:30:21 | |
Good London makers of all this gear. | 0:30:21 | 0:30:23 | |
Yes, you have £185. I have nowhere near £185. | 0:30:23 | 0:30:27 | |
Less than £60, actually. | 0:30:28 | 0:30:30 | |
You've got some lovely things here. | 0:30:30 | 0:30:32 | |
Oh, that's naughty, Jamie, your little erotic cheroot holder. | 0:30:32 | 0:30:38 | |
It's a little Stanhope, which is a lens, | 0:30:38 | 0:30:42 | |
and the lens has a print on the back, | 0:30:42 | 0:30:45 | |
and that print then gets magnified as you look through the lens. | 0:30:45 | 0:30:49 | |
It's titchy, but you place it up to your eye | 0:30:49 | 0:30:52 | |
and you fill your eye with the scene. | 0:30:52 | 0:30:55 | |
This one has somebody on the beach in not many clothes. | 0:30:55 | 0:31:01 | |
And it's a cheroot holder. I think it's a cool thing. | 0:31:01 | 0:31:03 | |
A cheroot would be a sort of a rolled up cigarette | 0:31:03 | 0:31:06 | |
you'd put in here and smoke it. | 0:31:06 | 0:31:08 | |
Ticket price is £58. | 0:31:09 | 0:31:10 | |
-How about 20? -Can I offer you 15? | 0:31:13 | 0:31:16 | |
-How about 18? -Perfect. | 0:31:16 | 0:31:18 | |
Swift business. Anything else? | 0:31:18 | 0:31:20 | |
What a cool thing. | 0:31:23 | 0:31:25 | |
It's quite decorative, isn't it? | 0:31:25 | 0:31:26 | |
A garden windmill. | 0:31:26 | 0:31:28 | |
Look at that. | 0:31:29 | 0:31:30 | |
I just like the visuality of it. | 0:31:30 | 0:31:32 | |
Could be a sort of gardening theme with your pair of planters, perhaps. | 0:31:32 | 0:31:37 | |
"Please shut the gate." | 0:31:37 | 0:31:39 | |
That's a heavy bit of stone there, isn't it? | 0:31:40 | 0:31:42 | |
I wonder if I could buy the stone and the windmill. | 0:31:42 | 0:31:45 | |
HE LAUGHS | 0:31:45 | 0:31:47 | |
Sort of garden lots, aren't they? | 0:31:47 | 0:31:49 | |
Time to bring back Jamie, eh? | 0:31:49 | 0:31:50 | |
You've got a few things down here I quite like. | 0:31:50 | 0:31:52 | |
-First of all, I like the windmill. -It's quirky. | 0:31:52 | 0:31:54 | |
Could be Dutch. It's fun. | 0:31:54 | 0:31:56 | |
-It's not that old. -No, it's not. | 0:31:56 | 0:31:58 | |
And just talk me through the stone. | 0:31:58 | 0:32:00 | |
-It's fun. -I've got 40 quid left. | 0:32:00 | 0:32:03 | |
-40 quid left. -And I want to spend 40 quid with you. -OK. | 0:32:03 | 0:32:06 | |
So, 18 on the cheroot holder and 40 on these two? | 0:32:06 | 0:32:11 | |
-Yeah. Cos this will be a lot. -We could have a deal at that. | 0:32:11 | 0:32:15 | |
-Could we? -All right? -Thank you very much. | 0:32:15 | 0:32:17 | |
OK. | 0:32:17 | 0:32:18 | |
And with that, shopping is complete. | 0:32:18 | 0:32:20 | |
Let's take a gander at our experts' treasures. | 0:32:20 | 0:32:23 | |
Along with the stone, windmill and cheroot holder, | 0:32:24 | 0:32:29 | |
Thomas bought an enamel compact, | 0:32:29 | 0:32:32 | |
the garden planters and an Art Deco umbrella stand | 0:32:32 | 0:32:35 | |
all for £136. | 0:32:35 | 0:32:39 | |
Christina spent £230 on the chair... | 0:32:39 | 0:32:43 | |
a gavel cruet set, | 0:32:43 | 0:32:45 | |
a pair of taper sticks, | 0:32:45 | 0:32:47 | |
a ship in a box and a borrow with a squeak. | 0:32:47 | 0:32:51 | |
So, what do they think of each other's lots? | 0:32:51 | 0:32:54 | |
She's bought one dangerous item, | 0:32:54 | 0:32:56 | |
the big barber's-cum-tattooist's chair. | 0:32:56 | 0:32:58 | |
Three figures on it. A lot of money. | 0:32:58 | 0:33:00 | |
What I absolutely love is her cruets as gavels. | 0:33:00 | 0:33:04 | |
We're both auctioneers, we both love those. | 0:33:04 | 0:33:06 | |
I think Thomas has done exceptionally well. | 0:33:06 | 0:33:08 | |
I think the compact that he bought was particularly lovely. | 0:33:08 | 0:33:11 | |
He's been very clever. He's been very tactical. | 0:33:11 | 0:33:14 | |
If my chair bombs, which I slightly have a sad feeling that it might, | 0:33:14 | 0:33:19 | |
I think he might hold the stronger hand | 0:33:19 | 0:33:21 | |
in this little round here. | 0:33:21 | 0:33:22 | |
Hopefully that tattooist's chair - or the barber's chair - | 0:33:22 | 0:33:25 | |
dives at the auction and I retake the throne and make a profit. | 0:33:25 | 0:33:30 | |
After kicking off from Ruthin, | 0:33:30 | 0:33:33 | |
Christina and Thomas are now headed | 0:33:33 | 0:33:35 | |
towards their third auction | 0:33:35 | 0:33:36 | |
in Colwyn Bay. | 0:33:36 | 0:33:37 | |
Look at this view, Thomas. | 0:33:39 | 0:33:40 | |
I have to admit, I am going to be disappointed to leave Wales. | 0:33:40 | 0:33:43 | |
-That is stunning. Are you? -Yes. -What? | 0:33:43 | 0:33:46 | |
Cos it is beautiful. | 0:33:46 | 0:33:47 | |
That's it. It's gone. | 0:33:47 | 0:33:49 | |
We're now going to be shopping and selling in England, so boo-hoo. | 0:33:49 | 0:33:52 | |
Chin up, Thomas. | 0:33:53 | 0:33:55 | |
Whoo! I smell burning! I think I might change up. | 0:33:55 | 0:33:58 | |
Exciting. Go, Thomas! | 0:33:58 | 0:34:01 | |
-No, that ain't going to work. -SHE LAUGHS | 0:34:01 | 0:34:04 | |
Oxygen! | 0:34:04 | 0:34:05 | |
Oh! | 0:34:06 | 0:34:07 | |
If the van makes it to auction, how do you think you'll fare, guys? | 0:34:07 | 0:34:12 | |
I've gone out there, I've spent every penny. | 0:34:12 | 0:34:15 | |
I've worked hard. | 0:34:15 | 0:34:16 | |
I've battled, I've fought. People should really feel for me. | 0:34:16 | 0:34:20 | |
-Think I'm going to rather bomb. -No! Don't be ridiculous. -Oh! | 0:34:20 | 0:34:23 | |
You got some lovely things. | 0:34:23 | 0:34:24 | |
What are you most anxious about? | 0:34:24 | 0:34:26 | |
I am most anxious about my chair. | 0:34:26 | 0:34:28 | |
-I think you'll be all right. -Hmm. | 0:34:28 | 0:34:30 | |
Lying in the middle of the north Welsh coast, | 0:34:32 | 0:34:35 | |
Colwyn Bay has three miles of golden beaches. | 0:34:35 | 0:34:38 | |
-I am going to swing it around. -Wow! -Woohoo! Look at this! | 0:34:40 | 0:34:42 | |
Hey, that was a turning circle. I like it. | 0:34:42 | 0:34:44 | |
You know, I'm a bit impressed by this, but I do like this van. | 0:34:44 | 0:34:48 | |
-Oh, my goodness. -I love it. I love it. -Good parking, Thomas. | 0:34:48 | 0:34:51 | |
See? You know, Gifted now. Natural. In you go. | 0:34:51 | 0:34:55 | |
-Ladies first. -Why, thank you. | 0:34:55 | 0:34:56 | |
Today's rostrum will be manned by John Rogers Jones | 0:34:57 | 0:35:01 | |
at this family-run auction room. | 0:35:01 | 0:35:02 | |
The Stanhope got plenty of attention from our porters, as you'd imagine. | 0:35:04 | 0:35:09 | |
The barber's chair, we have those occasionally and they seem to do OK. | 0:35:09 | 0:35:13 | |
The plinth on its own might fetch a bit of interest. | 0:35:13 | 0:35:17 | |
I don't know about the windmill. | 0:35:17 | 0:35:19 | |
Bit of a strange one, so I wouldn't envisage a great interest in that. | 0:35:19 | 0:35:24 | |
Let's see what the customers of Colwyn Bay think. | 0:35:24 | 0:35:27 | |
First up, it's Thomas's pair of planters. | 0:35:28 | 0:35:31 | |
40 for the pair on stands. | 0:35:31 | 0:35:34 | |
Start me at a tenner then. | 0:35:34 | 0:35:36 | |
Tenner. That's weird to start. | 0:35:36 | 0:35:37 | |
£5 only. Eight over there. | 0:35:37 | 0:35:40 | |
Ten is here. 12 there. 15. | 0:35:40 | 0:35:42 | |
-Well done. Well done. This is better. -18. | 0:35:42 | 0:35:44 | |
18. 18 and the hand is up. | 0:35:44 | 0:35:48 | |
Still time to make that back, Thomas. | 0:35:50 | 0:35:52 | |
That's a good loss. | 0:35:52 | 0:35:53 | |
-That's half. -That's a good loss. -That's a good loss. | 0:35:53 | 0:35:56 | |
That's half the money gone. | 0:35:56 | 0:35:58 | |
Can Christina's slate barrow do any better? | 0:35:59 | 0:36:02 | |
Give me £50. | 0:36:02 | 0:36:03 | |
There's no justice if there's a bid at 50. | 0:36:03 | 0:36:05 | |
20 anywhere. Come on. | 0:36:05 | 0:36:08 | |
Look good in the front garden. | 0:36:09 | 0:36:11 | |
-A tenner. -Yes, it would. Exactly. | 0:36:11 | 0:36:12 | |
Tenner I have. A tenner. | 0:36:12 | 0:36:14 | |
12. 15. 18. | 0:36:14 | 0:36:16 | |
-Oh, they're all over it now. -20. 22. | 0:36:16 | 0:36:19 | |
25. 28. | 0:36:19 | 0:36:21 | |
30. 32. | 0:36:21 | 0:36:23 | |
35. New bidder. | 0:36:23 | 0:36:24 | |
Look at this. I don't believe it. | 0:36:24 | 0:36:26 | |
35 in the middle. 38 over there. | 0:36:26 | 0:36:28 | |
40. 42. 45, seated. 48, standing. 48. 50. | 0:36:28 | 0:36:33 | |
-Well done. -50 on the left. I'm going to sell at 50 now. | 0:36:33 | 0:36:36 | |
That's really good. | 0:36:36 | 0:36:38 | |
-Oh, bravo. Magnificently done. -Yeah, well done. | 0:36:38 | 0:36:40 | |
Well done, sir. Well done. | 0:36:40 | 0:36:42 | |
Christina's doubled her money. | 0:36:42 | 0:36:44 | |
Now it's back over to Thomas with his plinth and windmill. | 0:36:46 | 0:36:50 | |
Give me £40. 40. | 0:36:50 | 0:36:52 | |
Try me at 20 then. | 0:36:54 | 0:36:56 | |
-So heavy. It was so heavy. -Eight, ten, 12. | 0:36:56 | 0:36:59 | |
See, now they're all over it. | 0:36:59 | 0:37:01 | |
15. 18. 20. 22. 25. | 0:37:01 | 0:37:05 | |
28. 28. 28. | 0:37:05 | 0:37:07 | |
All done? | 0:37:07 | 0:37:09 | |
Thanks for coming. Thanks for coming. | 0:37:09 | 0:37:11 | |
28. | 0:37:11 | 0:37:12 | |
Oh, Thomas. | 0:37:13 | 0:37:15 | |
-You're having a bad day. -A bad day. | 0:37:15 | 0:37:17 | |
-It's OK. We're only two lots in. -Two lots in. -We'll be OK. | 0:37:17 | 0:37:20 | |
Already sort of lost a load of money. | 0:37:20 | 0:37:22 | |
It's Christina's ship in the box up now. | 0:37:24 | 0:37:26 | |
Give me £50. £50. | 0:37:26 | 0:37:29 | |
Try me at 30. Five. Where's eight now? | 0:37:31 | 0:37:34 | |
-Fiver. £5. -I have eight. | 0:37:34 | 0:37:36 | |
Ten behind. 12. 15. | 0:37:36 | 0:37:38 | |
Rightly so. It's worth more than that. | 0:37:38 | 0:37:40 | |
15 behind you. Where's 18? | 0:37:40 | 0:37:42 | |
18. 20. | 0:37:42 | 0:37:43 | |
-Oh, here we go. -22. -22. -25. -25. Moving on. | 0:37:43 | 0:37:47 | |
It's still a loss. | 0:37:47 | 0:37:48 | |
28. | 0:37:48 | 0:37:50 | |
Are we all done at 28? | 0:37:50 | 0:37:52 | |
Fair warning at 28. | 0:37:53 | 0:37:55 | |
A good buy for someone. | 0:37:58 | 0:38:00 | |
I'm disappointed for your loss. | 0:38:00 | 0:38:02 | |
Thanks, but...? | 0:38:02 | 0:38:03 | |
Disappointed, but I'm pleased it didn't make more | 0:38:03 | 0:38:07 | |
than my plinth and windmill. | 0:38:07 | 0:38:08 | |
Well, at least he's honest. | 0:38:08 | 0:38:10 | |
Maybe it'll be third time lucky for Thomas | 0:38:10 | 0:38:13 | |
with his Art Deco umbrella stand. | 0:38:13 | 0:38:15 | |
15. Where's 18 now? 18. | 0:38:15 | 0:38:17 | |
-He's got a commission price. -Where's two now? £20. | 0:38:17 | 0:38:20 | |
22. 25. 28. 30. | 0:38:20 | 0:38:24 | |
-32. -Thomas! I told you. -35. 38. | 0:38:24 | 0:38:27 | |
-32. -Yeah. | 0:38:27 | 0:38:28 | |
40, new bidder. £40. £40. | 0:38:28 | 0:38:30 | |
42. 45. 48. | 0:38:30 | 0:38:35 | |
48, I have. Final call at 48. | 0:38:35 | 0:38:38 | |
Finally, a profit for Thomas. | 0:38:40 | 0:38:42 | |
-Brilliant. -It's OK. -£20 profit! -It's marginal. | 0:38:42 | 0:38:45 | |
Take the winds why you can, eh? | 0:38:45 | 0:38:47 | |
Next it's Christina's gavel cruet set. | 0:38:47 | 0:38:50 | |
Ten to start. Ten I have. 12, lady. 15. 15. 18. 20. 22. | 0:38:50 | 0:38:56 | |
22, the gent. | 0:38:56 | 0:38:58 | |
All done at 22? | 0:38:58 | 0:38:59 | |
-This is making me a bit... -Oh, oh! -Final call. | 0:38:59 | 0:39:01 | |
A small loss to help close the gap. | 0:39:04 | 0:39:06 | |
-Mine just isn't going well any more. -No. | 0:39:07 | 0:39:10 | |
-Start me at £20. -Stop it. -Yes! | 0:39:10 | 0:39:12 | |
-SHE LAUGHS -Yes! Yes! | 0:39:12 | 0:39:14 | |
Next it's Thomas's enamel box. | 0:39:15 | 0:39:17 | |
Bit of interest in this. It starts with me at 25. | 0:39:18 | 0:39:21 | |
-Already profit. -Straightaway. -I know. -Thomas, that's wonderful. | 0:39:21 | 0:39:24 | |
-It's good, yeah. -32 with you. 35 with me. | 0:39:24 | 0:39:27 | |
-40 sees me out. £40. Anyone? -Might... | 0:39:27 | 0:39:30 | |
-Very savvy buyers. -Go on. -£40. Where's two now? | 0:39:30 | 0:39:32 | |
42. 42. 45. 48. | 0:39:32 | 0:39:36 | |
-48. Where's 50 now? -Go on. Make 50. Make me a happy man. | 0:39:36 | 0:39:39 | |
The hammer's up at 48. | 0:39:39 | 0:39:42 | |
Final call. | 0:39:42 | 0:39:43 | |
-Yes! -Well done. -Yes! -£28 profit. | 0:39:44 | 0:39:47 | |
-Yeah, all right, all right. -That is fantastic. | 0:39:47 | 0:39:49 | |
An amazing profit for Thomas, doubling his money. | 0:39:49 | 0:39:51 | |
Now let's see if Christina's taper sticks can do the same. | 0:39:53 | 0:39:56 | |
I've got a bit of interest. Starting me at £20. | 0:39:56 | 0:39:59 | |
20. Is there two anywhere? 22. 25. | 0:39:59 | 0:40:02 | |
-Good. Look. -28. | 0:40:02 | 0:40:04 | |
-30 with me. -Double money. -Double money. -Mm. | 0:40:04 | 0:40:07 | |
£30. I am going to sell at £30. | 0:40:07 | 0:40:11 | |
Have you finished? | 0:40:11 | 0:40:12 | |
Anybody else? | 0:40:12 | 0:40:14 | |
The hammer's up. | 0:40:14 | 0:40:17 | |
-Doubled your money. Well done. -Brilliant. | 0:40:17 | 0:40:19 | |
Well done indeed. | 0:40:19 | 0:40:20 | |
Now it's Thomas's final item, the Stanhope cheroot holder. | 0:40:20 | 0:40:24 | |
50. | 0:40:24 | 0:40:25 | |
-Go on. -It's fabulous. -It's very rare. | 0:40:25 | 0:40:27 | |
Give me a tenner then. Ten. | 0:40:27 | 0:40:30 | |
12. 15. | 0:40:30 | 0:40:33 | |
18. 20. 22. 25. | 0:40:33 | 0:40:37 | |
-Instant profit. -It is. It is profit. | 0:40:37 | 0:40:39 | |
25, lady. 28, new bidder. | 0:40:39 | 0:40:41 | |
30, seated. 32. | 0:40:42 | 0:40:44 | |
-Brilliant, Thomas. -It's very good. | 0:40:44 | 0:40:47 | |
Final call at 32. | 0:40:47 | 0:40:48 | |
I'm now three profits in a row. | 0:40:51 | 0:40:54 | |
It could be just what Thomas needs. | 0:40:54 | 0:40:56 | |
But it all comes down to Christina's last item, | 0:40:56 | 0:40:59 | |
her biggest spend and riskiest buy - | 0:40:59 | 0:41:02 | |
the dentist or barber's or tattooist's chair. | 0:41:02 | 0:41:06 | |
Give me 100. | 0:41:06 | 0:41:07 | |
20 as a start. | 0:41:10 | 0:41:12 | |
-25 I have. -20. -25. 25. | 0:41:12 | 0:41:14 | |
30. 35. 40. 45. 50. 55. 60. | 0:41:14 | 0:41:20 | |
It's moving on. It's going to get to 100. | 0:41:20 | 0:41:22 | |
65. 70. 75. 80, new bidder. | 0:41:22 | 0:41:24 | |
New bidder. New bidder. | 0:41:24 | 0:41:26 | |
-90, new bidder. -90, new bidder. New legs. | 0:41:26 | 0:41:29 | |
95, seated. 100 over there. | 0:41:29 | 0:41:31 | |
105. | 0:41:31 | 0:41:33 | |
You see 105? You can stop now. It's fine. | 0:41:33 | 0:41:36 | |
120 in front of me. | 0:41:36 | 0:41:38 | |
130 over there. | 0:41:38 | 0:41:39 | |
130. Are we all done at 130? | 0:41:39 | 0:41:43 | |
-We're going to sell. -That's brilliant, Christina. -140. | 0:41:43 | 0:41:46 | |
-140, standing. -All done at 140? | 0:41:46 | 0:41:48 | |
She's back in the game with another profit. | 0:41:50 | 0:41:53 | |
I bought that thinking, "It's not going to make me a huge profit..." | 0:41:53 | 0:41:55 | |
-Got most of your money back. -"..but it's funky!" | 0:41:55 | 0:41:58 | |
But has Christina done enough? | 0:41:58 | 0:41:59 | |
-Come on. Let's go. -Yeah. | 0:41:59 | 0:42:01 | |
Christina set off this leg with £278.91. | 0:42:03 | 0:42:07 | |
After paying auction costs, she's down £8.60, | 0:42:07 | 0:42:12 | |
so she's still hanging onto her overall lead with £270.31. | 0:42:12 | 0:42:18 | |
Thomas began with £136.94 | 0:42:18 | 0:42:22 | |
and after auction costs, he made £6.68, | 0:42:22 | 0:42:26 | |
leaving him £143.62 in his kitty. | 0:42:26 | 0:42:31 | |
Thomas has his first win of the week. Hurrah! | 0:42:31 | 0:42:35 | |
It wasn't a bloodbath. | 0:42:35 | 0:42:37 | |
What? Christina, you're still streets ahead. | 0:42:37 | 0:42:40 | |
Right. Have you got the keys? | 0:42:40 | 0:42:42 | |
-Are the keys in it? -The keys are in it. | 0:42:42 | 0:42:43 | |
-Where are the keys? -I left the keys in there. | 0:42:43 | 0:42:45 | |
-You left the keys in the van? -Yeah. It's still there. -Thomas! | 0:42:45 | 0:42:48 | |
-This is Colwyn Bay. It's honest! -They are still here! | 0:42:48 | 0:42:51 | |
-Of course they are! -SHE LAUGHS | 0:42:51 | 0:42:53 | |
Come on. Lead on! | 0:42:53 | 0:42:54 | |
Go! | 0:42:54 | 0:42:56 | |
There we go. | 0:42:56 | 0:42:57 | |
Next time on Antiques Road Trip, | 0:43:00 | 0:43:02 | |
Thomas finds himself in a promising situation... | 0:43:02 | 0:43:05 | |
-So, this could be my lucky day. -Once-in-a-lifetime opportunity. | 0:43:05 | 0:43:08 | |
..while Christina takes things a bit more leisurely. | 0:43:08 | 0:43:11 | |
I really ought to start doing some more shopping, haven't I? | 0:43:11 | 0:43:15 |