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It's the nation's favourite antiques experts. | 0:00:02 | 0:00:04 | |
This is beautiful! | 0:00:04 | 0:00:05 | |
That's the way to do this. | 0:00:05 | 0:00:06 | |
With £200 each, a classic car | 0:00:06 | 0:00:09 | |
and a goal - to scour for antiques. | 0:00:09 | 0:00:11 | |
Joy. | 0:00:11 | 0:00:13 | |
Hello. | 0:00:13 | 0:00:14 | |
The aim? To make the biggest profit at auction, but it's no mean feat. | 0:00:14 | 0:00:19 | |
They'll be worthy winners | 0:00:19 | 0:00:21 | |
-and valiant losers. -Sorry! Sorry! | 0:00:21 | 0:00:23 | |
So will it be the high road to glory or the slow road to disaster? | 0:00:23 | 0:00:28 | |
The handbrake's on! | 0:00:28 | 0:00:29 | |
This is Antiques Road Trip. | 0:00:29 | 0:00:31 | |
Yeah! | 0:00:33 | 0:00:35 | |
What could be finer than a road trip through Ireland | 0:00:37 | 0:00:40 | |
with two titans of antiques? | 0:00:40 | 0:00:42 | |
So if you were an antique, what would you be? | 0:00:42 | 0:00:47 | |
I'd be like a beautiful golden enamel... | 0:00:47 | 0:00:51 | |
A beautiful bit of Edwardian jewellery. | 0:00:51 | 0:00:54 | |
What would you be? | 0:00:54 | 0:00:55 | |
-I think I'd be a pitchfork. -Lordy. | 0:00:57 | 0:00:59 | |
Behind the wheel today is pitchfork enthusiast, auctioneer | 0:00:59 | 0:01:03 | |
and country lass Christina Trevanion. | 0:01:03 | 0:01:06 | |
Were you sporty at school? | 0:01:11 | 0:01:12 | |
Individual sports, a very keen fencer. | 0:01:12 | 0:01:15 | |
-You did fencing?! -Fencing. | 0:01:15 | 0:01:17 | |
You did fencing at school?! | 0:01:17 | 0:01:18 | |
Oh, my God! I think you are the poshest person | 0:01:18 | 0:01:20 | |
-I've ever met in my life. -Don't be ridiculous. -You are. | 0:01:20 | 0:01:23 | |
Fencing isn't that posh. | 0:01:23 | 0:01:24 | |
Oh, yes, our favourite fencing auctioneer, | 0:01:26 | 0:01:29 | |
Thomas Plant is locked in a duel with his fellow road tripper. | 0:01:29 | 0:01:32 | |
On this road trip, our pair kicked off in Cashel in Tipperary | 0:01:36 | 0:01:40 | |
and are enjoying the delights of Ireland | 0:01:40 | 0:01:42 | |
before hopping across to North Wales, travelling around England | 0:01:42 | 0:01:45 | |
and will end up over 700 miles later in Stoke-on-Trent. | 0:01:45 | 0:01:49 | |
Today they begin in Prosperous... | 0:01:52 | 0:01:54 | |
HE LAUGHS | 0:01:54 | 0:01:55 | |
..in County Kildare, before making the journey over the water | 0:01:55 | 0:01:58 | |
and heading for auction in the Welsh town of Wrexham. | 0:01:58 | 0:02:01 | |
-What else did you do? Backgammon, chess? -No, I swam, sailed. | 0:02:01 | 0:02:04 | |
-Sailed! -Sailed! | 0:02:04 | 0:02:06 | |
Oh, my God! | 0:02:06 | 0:02:08 | |
Sailing would certainly explain the jacket covering your usual | 0:02:08 | 0:02:11 | |
elegant attire, Thomas. | 0:02:11 | 0:02:13 | |
Just like their schooldays, this fabulous Bedford van | 0:02:15 | 0:02:17 | |
is from another era, a time before seatbelts were compulsory. | 0:02:17 | 0:02:21 | |
Did you learn to dance when you were at school? | 0:02:23 | 0:02:26 | |
-Do I have to have this conversation with you? -Yes! | 0:02:26 | 0:02:29 | |
We used to have dance classes at home in... | 0:02:29 | 0:02:31 | |
-In a ballroom! -No! | 0:02:31 | 0:02:34 | |
In the main hall. | 0:02:34 | 0:02:36 | |
-And did the maids help? -We didn't have staff... | 0:02:37 | 0:02:40 | |
Well... | 0:02:40 | 0:02:42 | |
No, we didn't have staff then. | 0:02:42 | 0:02:44 | |
There'll be some currency converting to do when they head to Wales later, | 0:02:47 | 0:02:52 | |
but they begin their road trip in Ireland with 285 euros each. | 0:02:52 | 0:02:55 | |
After their first trip to auction, Christina pulled in a small profit, | 0:02:55 | 0:02:59 | |
giving her just over 292 euros to splash today. | 0:02:59 | 0:03:04 | |
That's about £205. | 0:03:04 | 0:03:06 | |
And it's close so far, as Thomas lost a little, | 0:03:07 | 0:03:11 | |
leaving him with almost 281 euros in his pocket. | 0:03:11 | 0:03:14 | |
That works out at almost £198. | 0:03:14 | 0:03:17 | |
In the heart of County Kildare, | 0:03:19 | 0:03:20 | |
the rather confidently named Prosperous was given its title | 0:03:20 | 0:03:24 | |
in the hope that its 18th century cotton trade would follow suit. | 0:03:24 | 0:03:28 | |
Guess what? | 0:03:28 | 0:03:30 | |
-High-class furniture. -Come on. | 0:03:34 | 0:03:36 | |
-Brilliant. Let's go. -In you go. | 0:03:36 | 0:03:38 | |
-Hello. -Hello, Thomas. How are you? -Very well. -Lovely to meet you. | 0:03:40 | 0:03:43 | |
Ger Nevin is my name. How are you? Christina, lovely to meet you. | 0:03:43 | 0:03:46 | |
-Sorry, what was your name? -Ger Nevin is my name. | 0:03:46 | 0:03:48 | |
-Ger...? -Ger. | 0:03:48 | 0:03:49 | |
Introductions over, it's time to get cracking. | 0:03:49 | 0:03:52 | |
Oh! | 0:03:56 | 0:03:57 | |
I'm a bit confused because these things have got lot numbers on them. | 0:03:57 | 0:04:01 | |
Am I in the right place? | 0:04:02 | 0:04:04 | |
Well, this establishment is a little different, | 0:04:04 | 0:04:06 | |
as it also operates as an auction house. | 0:04:06 | 0:04:08 | |
The items here are ready to go under the hammer, | 0:04:08 | 0:04:10 | |
but many of the sellers are happy to let them go presale | 0:04:10 | 0:04:13 | |
if the money's right. | 0:04:13 | 0:04:15 | |
Moorcroft. | 0:04:16 | 0:04:18 | |
Look at that, isn't that beautiful? | 0:04:20 | 0:04:23 | |
Modesty will get you everywhere, girl. | 0:04:23 | 0:04:25 | |
Kidney-shaped lacquer... | 0:04:28 | 0:04:29 | |
All these different boxes, it could be a little lot, really. | 0:04:29 | 0:04:33 | |
We've got a little horn snuff, with white metal ends. | 0:04:33 | 0:04:38 | |
That would be for cheroots, tobacco. | 0:04:38 | 0:04:42 | |
Probably 19th century. | 0:04:42 | 0:04:45 | |
A cigar case. | 0:04:45 | 0:04:47 | |
Sort of zinc-lined to keep that tobacco fresh. | 0:04:47 | 0:04:50 | |
A Japanese kidney-shaped little box, | 0:04:50 | 0:04:53 | |
slightly damaged but in the lacquer. | 0:04:53 | 0:04:57 | |
A souvenir ring box | 0:04:57 | 0:05:01 | |
and this Californian poppy brilliantine. | 0:05:01 | 0:05:05 | |
I think that is for tobacco as well. | 0:05:06 | 0:05:09 | |
It's a nice little lot. You know, it looks rather good. | 0:05:09 | 0:05:13 | |
Let's get Ger over. | 0:05:13 | 0:05:15 | |
-I'll try and set you off on a good deal. -Could you? | 0:05:15 | 0:05:18 | |
How about 50 euro? They are surely worth 10 euro each. | 0:05:18 | 0:05:22 | |
Could we do a little bit better? | 0:05:22 | 0:05:26 | |
How about 40, then? | 0:05:26 | 0:05:28 | |
That seems very fair, doesn't it? That does seem fair. 40 euros. | 0:05:28 | 0:05:32 | |
-You're a good man. -Deal. -So that's my first deal. -You're very welcome. | 0:05:32 | 0:05:35 | |
I'm going to carry on looking. First deal of the day. | 0:05:35 | 0:05:38 | |
How are things faring upstairs? | 0:05:40 | 0:05:42 | |
Beautiful, I love that. | 0:05:42 | 0:05:45 | |
That's a great picture. A wonderful rural scene. | 0:05:45 | 0:05:47 | |
You've got, obviously, bygone days. | 0:05:47 | 0:05:49 | |
The guy is driving his cattle down the road, leading his horse. | 0:05:49 | 0:05:53 | |
There's a little girl there, feeding her chickens. | 0:05:53 | 0:05:55 | |
It's just luminous, isn't it? It's wonderful. I like that a lot. | 0:05:55 | 0:05:59 | |
I suspect it'll have quite a high price tag on, I think. | 0:05:59 | 0:06:02 | |
That's one to consider, then. | 0:06:02 | 0:06:04 | |
How about Thomas? | 0:06:04 | 0:06:06 | |
This is like the bowl which keeps on giving. | 0:06:14 | 0:06:17 | |
Like a cornucopia, which, sort of, carries on. | 0:06:17 | 0:06:20 | |
(Oh, I love mother-of-pearl!) | 0:06:20 | 0:06:23 | |
Mother-of-pearl is carved shell. | 0:06:23 | 0:06:25 | |
The way you can tell if it's real mother-of-pearl is, | 0:06:25 | 0:06:28 | |
it's like a pearl... | 0:06:28 | 0:06:30 | |
A bit gritty against your teeth. | 0:06:30 | 0:06:33 | |
Can you see the way it shimmers? | 0:06:33 | 0:06:36 | |
These are obviously ends off handles or something. | 0:06:36 | 0:06:39 | |
But I love it. | 0:06:39 | 0:06:41 | |
This I think is a piece of agate. Well, it is a piece of agate. | 0:06:41 | 0:06:44 | |
If you get the light on this... | 0:06:44 | 0:06:46 | |
It's got a really grey | 0:06:46 | 0:06:50 | |
but, sort of, translucency to it. | 0:06:50 | 0:06:53 | |
It could be a salt dish for the centre of the table. | 0:06:53 | 0:06:56 | |
Then we've got a collection of Oriental soapstone. | 0:06:56 | 0:07:01 | |
These are scroll weights. So when you're laying out that Chinese | 0:07:01 | 0:07:04 | |
scroll you want to weigh it down so that it doesn't roll in on itself. | 0:07:04 | 0:07:08 | |
I might call over Ger and see what we've got here. | 0:07:08 | 0:07:11 | |
See if there's a price to be had. | 0:07:11 | 0:07:12 | |
Ger, can I have a chat with you? | 0:07:12 | 0:07:14 | |
-That's the little hidden gem. -Is it a little hidden gem? | 0:07:14 | 0:07:18 | |
-Was I allowed to find this bowl? -Of course you were. | 0:07:18 | 0:07:20 | |
-A bit naughty of me. -Absolutely. | 0:07:20 | 0:07:22 | |
-So you've got the contents of the bowl. -Yes, exactly. | 0:07:22 | 0:07:25 | |
-I mean, I like it. -Yes. | 0:07:25 | 0:07:27 | |
It all depends on value-wise what you want to charge. | 0:07:27 | 0:07:31 | |
-Well, for you... -Yeah. | 0:07:31 | 0:07:32 | |
-..I'm going to give you a good price. -Do you think so? | 0:07:32 | 0:07:35 | |
Absolutely. Absolutely. | 0:07:35 | 0:07:37 | |
-If we said 55 euros for the lot. -That's immensely fair. | 0:07:37 | 0:07:40 | |
-I don't think I can argue with that. -No, I don't think you could. | 0:07:40 | 0:07:43 | |
I'm not going to argue with it. I am really not. | 0:07:43 | 0:07:45 | |
-Are you sure you're happy with that? -Absolutely. -55 euros. -For you. | 0:07:45 | 0:07:49 | |
After that buying frenzy, | 0:07:49 | 0:07:50 | |
Thomas has landed the soapstone collection, some mother-of-pearl | 0:07:50 | 0:07:54 | |
handles and that lovely salt, and enough boxes to start a collection. | 0:07:54 | 0:07:58 | |
Christina best get a move on. | 0:07:58 | 0:08:00 | |
-Oh, look at that! -SHE GASPS | 0:08:01 | 0:08:03 | |
It's a fantastic country house club fender with this leather top. | 0:08:03 | 0:08:07 | |
Brass based. Put that in front of your fire. | 0:08:07 | 0:08:09 | |
Can you imagine warming your back on the fire? | 0:08:09 | 0:08:12 | |
That's fabulous. Again, these are selling really well at the moment. | 0:08:12 | 0:08:15 | |
But there's no price tag. | 0:08:15 | 0:08:16 | |
Time to call on Ger. | 0:08:19 | 0:08:21 | |
Comfortable? | 0:08:23 | 0:08:24 | |
I'm feeling very confident, | 0:08:24 | 0:08:26 | |
which is always a bad thing. | 0:08:26 | 0:08:27 | |
Ah, fantastic. | 0:08:31 | 0:08:32 | |
I do really like that. | 0:08:35 | 0:08:36 | |
-So we have got the signature down there as well. -Yes. | 0:08:36 | 0:08:38 | |
-So G.C. Barlow on that. -Yes. | 0:08:38 | 0:08:40 | |
-So it's oil on board? -Oil on board. Exactly, yes. | 0:08:40 | 0:08:43 | |
Ah, G.C. Barlow. Artist, exhibitor, Paris. | 0:08:43 | 0:08:45 | |
-So that's great that that label's still on there. -Yes, yes. | 0:08:45 | 0:08:48 | |
-That's fantastic. Right, can we spin it over? -Absolutely. | 0:08:48 | 0:08:50 | |
-And it's got its original frame, again. -Mm-hm. | 0:08:50 | 0:08:53 | |
So how much is on that one? | 0:08:53 | 0:08:54 | |
-175. -And what could you do me that for? | 0:08:54 | 0:08:57 | |
How about 120? | 0:08:57 | 0:08:59 | |
-120 on that one? -Yes. -OK. | 0:08:59 | 0:09:01 | |
That's definitely a potential. | 0:09:01 | 0:09:03 | |
Any more, Christina? | 0:09:05 | 0:09:06 | |
How much for your tatty club fender? | 0:09:07 | 0:09:09 | |
There's a good... This could be a deal for you. | 0:09:09 | 0:09:12 | |
220 euro. | 0:09:12 | 0:09:14 | |
That's nearly all my budget! | 0:09:14 | 0:09:16 | |
Well, how about 180? | 0:09:18 | 0:09:20 | |
-SHE SIGHS -You've got to keep going. | 0:09:20 | 0:09:22 | |
I think it's well worth that. That's quite good value. | 0:09:22 | 0:09:24 | |
And how much did you want for the picture? | 0:09:24 | 0:09:26 | |
-120. -Could you come down any more on this? | 0:09:26 | 0:09:30 | |
-What did you say on this? 180? -180. | 0:09:30 | 0:09:32 | |
160. | 0:09:32 | 0:09:33 | |
Is there any, any, any, any, any chance you could do me | 0:09:35 | 0:09:39 | |
the picture and the fender for 200? | 0:09:39 | 0:09:41 | |
HE GASPS | 0:09:41 | 0:09:43 | |
You are such a convincing woman. | 0:09:43 | 0:09:44 | |
-Really? -SHE LAUGHS | 0:09:44 | 0:09:46 | |
-Am I? -You have a deal. -I don't think many people would say that. -Yeah. | 0:09:46 | 0:09:49 | |
-Yeah, deal. -So 200 for the club fender and the picture? | 0:09:49 | 0:09:51 | |
-Deal. -I'm a happy woman. -That's good. I'm glad you are. | 0:09:51 | 0:09:54 | |
I love shopping in Ireland. It's amazing. | 0:09:54 | 0:09:56 | |
-Brilliant, thank you so much. -You are more than welcome. -Brilliant. | 0:09:56 | 0:09:58 | |
With that very generous deal, it's no wonder Christina's happy. | 0:09:58 | 0:10:01 | |
Time to wake Sleeping Beauty. | 0:10:04 | 0:10:07 | |
What are you doing?! | 0:10:07 | 0:10:09 | |
Get your feet off the bed! Wake up! | 0:10:09 | 0:10:12 | |
Thanks, Tina. | 0:10:12 | 0:10:13 | |
-Come on, we've got things to do. -I've actually done quite well today. | 0:10:13 | 0:10:16 | |
-Oh, have you? Hang on a second... -Yeah, I'm feeling quite... -What?! | 0:10:16 | 0:10:20 | |
While Thomas goes in search of his next shop, | 0:10:21 | 0:10:24 | |
Christina has made the trip to Dublin. | 0:10:24 | 0:10:27 | |
From medieval castles to Georgian splendour, | 0:10:27 | 0:10:29 | |
Dublin has a vibrant and charismatic reputation. | 0:10:29 | 0:10:33 | |
Ireland's capital has been home to Oscar Wilde, Samuel Beckett, | 0:10:33 | 0:10:37 | |
and James Joyce, and Christina is on the trail of another literary great. | 0:10:37 | 0:10:42 | |
She's visiting Trinity College, | 0:10:42 | 0:10:44 | |
Ireland's premier seat of education, where archivist Jane Maxwell | 0:10:44 | 0:10:47 | |
is on hand to reveal the story of former student Jonathan Swift. | 0:10:47 | 0:10:51 | |
Known for his masterpiece Gulliver's Travels, | 0:10:51 | 0:10:54 | |
he became one of the greatest satirists in the world and | 0:10:54 | 0:10:57 | |
started a legacy that would change the face of literature in Ireland. | 0:10:57 | 0:11:00 | |
He's the chap that's famous for saying that the world was | 0:11:00 | 0:11:04 | |
founded, more or less. | 0:11:04 | 0:11:05 | |
Jane, this is just visually the most stunning place I think I've ever been. | 0:11:07 | 0:11:11 | |
-Isn't it lovely? It's wonderful. -It really is, gorgeous... | 0:11:11 | 0:11:13 | |
-The old library. -..it really is. So, was Swift ever here? | 0:11:13 | 0:11:17 | |
Not physically in this building, no. He predated this. | 0:11:17 | 0:11:19 | |
This is 300 years old. He was here in the 17th century. | 0:11:19 | 0:11:23 | |
-This is an 18th-century room. -Right. | 0:11:23 | 0:11:25 | |
Erm, but, this library has the privilege of holding | 0:11:25 | 0:11:28 | |
the Jonathan Swift collection. | 0:11:28 | 0:11:30 | |
Born in Dublin in 1667, | 0:11:30 | 0:11:33 | |
Swift was sent to Trinity College in the city at the age of 14. | 0:11:33 | 0:11:38 | |
This is the register that records him arriving in Trinity College. | 0:11:39 | 0:11:44 | |
Oh, there he is! | 0:11:44 | 0:11:46 | |
Jonathan Swift. | 0:11:46 | 0:11:47 | |
Did he show any talent for being a writer when, | 0:11:47 | 0:11:49 | |
when he was this age, when he was here? | 0:11:49 | 0:11:51 | |
Certainly we don't have anything that he wrote at the time | 0:11:51 | 0:11:53 | |
and he got into disciplinary problems, you know? | 0:11:53 | 0:11:55 | |
-He was a naughty boy? -He was a naughty boy, yeah. So... | 0:11:55 | 0:11:58 | |
I think I quite like him. | 0:11:58 | 0:12:01 | |
It ends up with... he gets his degree by special grace. | 0:12:01 | 0:12:04 | |
Despite a shaky academic career, | 0:12:05 | 0:12:07 | |
Swift began to build a reputation as a writer, | 0:12:07 | 0:12:11 | |
first working for former politician William Temple, then | 0:12:11 | 0:12:14 | |
as a clergyman, arguing the position of the church on political matters. | 0:12:14 | 0:12:19 | |
He becomes a political propagandist | 0:12:19 | 0:12:21 | |
and he is writing pamphlets left, right and centre. | 0:12:21 | 0:12:23 | |
That's what they did. That's how you waged war. You wrote. | 0:12:23 | 0:12:26 | |
-And you produced pamphlets? -Endless pamphlets. | 0:12:26 | 0:12:28 | |
And because Swift's specific talent was satire | 0:12:28 | 0:12:33 | |
and if you can make people laugh, you have them half won over. | 0:12:33 | 0:12:36 | |
So, he made it... he made it really readable? | 0:12:36 | 0:12:38 | |
While satire has been around for centuries, | 0:12:38 | 0:12:41 | |
in this age of the Enlightenment, Swift was part | 0:12:41 | 0:12:44 | |
of a resurgence of the craft | 0:12:44 | 0:12:46 | |
which interrogated moral and political views. | 0:12:46 | 0:12:49 | |
Later in his life, Swift was to display his moral outrage | 0:12:49 | 0:12:53 | |
at the treatment of Ireland's poor | 0:12:53 | 0:12:55 | |
in one of the most famous satirical essays in the English language. | 0:12:55 | 0:12:59 | |
This is The Modest Proposal which everybody knows about | 0:12:59 | 0:13:02 | |
even if they're not entirely sure... | 0:13:02 | 0:13:04 | |
"A modest proposal for preventing the children of poor people from | 0:13:04 | 0:13:07 | |
"being a burden to their parents or the country and for making them | 0:13:07 | 0:13:10 | |
"beneficial to the public"? | 0:13:10 | 0:13:11 | |
-Yeah, they kind of liked long titles. -It's snappy, isn't it? | 0:13:11 | 0:13:14 | |
This is a time when poor people were considered to be slightly less human. | 0:13:14 | 0:13:18 | |
So, he starts off in this tone of voice, | 0:13:18 | 0:13:19 | |
saying, "Yeah, we all know this is a problem" and then he just, | 0:13:19 | 0:13:22 | |
without as much as a blink of the eye he segues | 0:13:22 | 0:13:24 | |
seamlessly into a... "I think they should eat their children. | 0:13:24 | 0:13:28 | |
"I mean, if you fed a nice plump poor baby well, you know, | 0:13:28 | 0:13:34 | |
-"you could serve him up for dinner." -What? | 0:13:34 | 0:13:36 | |
And then all of a sudden you realise | 0:13:36 | 0:13:38 | |
-he's making fun of you. -Yeah. -And your prejudices. -Yeah. | 0:13:38 | 0:13:40 | |
And your biases, because for a moment you might have thought yeah, he's right... | 0:13:40 | 0:13:44 | |
-SHE GASPS -Oops! -Yeah, yeah. | 0:13:44 | 0:13:46 | |
That's what he did and he did it beautifully because he sucks you in. | 0:13:46 | 0:13:48 | |
You think he's writing a boring economic pamphlet. | 0:13:48 | 0:13:51 | |
With his wit and fearless approach, Swift towered over his predecessors. | 0:13:51 | 0:13:56 | |
As partisan politics emerged, | 0:13:56 | 0:13:59 | |
he used his satire to tackle this new complex political world. | 0:13:59 | 0:14:03 | |
Ah, so, here we have... | 0:14:03 | 0:14:05 | |
In 1726, he took his arguments to a wide audience, | 0:14:05 | 0:14:10 | |
creating what would become his best-known work. | 0:14:10 | 0:14:12 | |
-This is how we know Jonathan Swift, really, isn't it? -Yes. | 0:14:12 | 0:14:15 | |
-His Gulliver's Travels. -Yes. | 0:14:15 | 0:14:17 | |
But it says here, "Travels into several remote | 0:14:17 | 0:14:19 | |
"nations of the world in four parts by Lemuel Gulliver, | 0:14:19 | 0:14:22 | |
"first a surgeon and then a captain of several ships, volume 1..." | 0:14:22 | 0:14:25 | |
-It goes on and on and on. -Yes, I know. | 0:14:25 | 0:14:27 | |
Well, at the very first page he's... | 0:14:27 | 0:14:29 | |
making a little fun of the tradition of writing travelogues. | 0:14:29 | 0:14:33 | |
-Right. -Which were becoming very popular at the time. -OK. | 0:14:33 | 0:14:36 | |
So, he gives the name Gulliver but also he gives a little background | 0:14:36 | 0:14:40 | |
to make it seem more like this is actually a genuine travelogue. | 0:14:40 | 0:14:43 | |
By presenting the book as Gulliver's own memoirs, | 0:14:43 | 0:14:46 | |
Swift distanced himself from a controversial tale | 0:14:46 | 0:14:49 | |
that criticised the politicians he felt had blocked his own career. | 0:14:49 | 0:14:54 | |
This is political satire again | 0:14:54 | 0:14:55 | |
because he goes to all of these countries and, erm, | 0:14:55 | 0:14:59 | |
he picks out individuals and characters whom | 0:14:59 | 0:15:02 | |
all of his readership know | 0:15:02 | 0:15:03 | |
who the contemporary politician is who he's making fun of. | 0:15:03 | 0:15:06 | |
Oh, it's not a children's book at all? It's actually political satire? | 0:15:06 | 0:15:10 | |
Yes. But now it's marketed as a children's book. | 0:15:10 | 0:15:12 | |
-I mean, you couldn't get more poles apart, really, could you? -No. | 0:15:12 | 0:15:15 | |
Each group that Gulliver encounters represents a different | 0:15:15 | 0:15:18 | |
section of society, all afflicted by one type of prejudice or another. | 0:15:18 | 0:15:23 | |
Like the character of Flimnap, a wily politician | 0:15:23 | 0:15:27 | |
torn by jealousy, who is understood to be a thinly-veiled caricature | 0:15:27 | 0:15:31 | |
of Britain's first modern Prime Minister, Robert Walpole. | 0:15:31 | 0:15:36 | |
Scared of prosecution by those targeted in the book, | 0:15:36 | 0:15:39 | |
Swift's publisher used several different printers | 0:15:39 | 0:15:43 | |
and even changed sections of text, | 0:15:43 | 0:15:45 | |
the tale becoming an instant success. | 0:15:45 | 0:15:48 | |
It was immediately hugely popular. | 0:15:48 | 0:15:50 | |
Even people who said they didn't understand who the targets were | 0:15:50 | 0:15:53 | |
found it incredible. | 0:15:53 | 0:15:54 | |
And even people who didn't like Swift had to admit that | 0:15:54 | 0:15:58 | |
it was wonderful. | 0:15:58 | 0:16:00 | |
Swift's book gave readers an entirely different perspective on this | 0:16:00 | 0:16:03 | |
new age of politics and politicians. | 0:16:03 | 0:16:06 | |
Since its first release, Gulliver's Travels has never been | 0:16:07 | 0:16:10 | |
out of print and is heralded as a milestone in satirical literature. | 0:16:10 | 0:16:15 | |
Once he had an idea, he took it to its rational obvious conclusion | 0:16:16 | 0:16:21 | |
and he was prepared to go a step further than everybody else. | 0:16:21 | 0:16:24 | |
-Always... -Stretching the boundaries? -Absolutely. | 0:16:24 | 0:16:27 | |
Swift died in Dublin in 1745. | 0:16:27 | 0:16:31 | |
His pamphlets remain amongst the most important texts | 0:16:31 | 0:16:36 | |
held in the great library of Trinity College, and Gulliver's Travels | 0:16:36 | 0:16:40 | |
inspired readers and influenced writers for centuries to come. | 0:16:40 | 0:16:43 | |
Just over 15 miles back down the River Liffey, | 0:16:49 | 0:16:52 | |
Thomas is in the village of Straffan, in County Kildare. | 0:16:52 | 0:16:56 | |
Straffan Antiques is a family-run affair, managed by Eoin. | 0:16:56 | 0:17:00 | |
The jacket's off. He means business. | 0:17:03 | 0:17:07 | |
They're rather fun. | 0:17:07 | 0:17:09 | |
Very stylish. | 0:17:09 | 0:17:11 | |
Much like yourself, Tom. | 0:17:11 | 0:17:14 | |
Oh, so vain. Really! | 0:17:16 | 0:17:20 | |
These are good. | 0:17:20 | 0:17:21 | |
Look at these sweet little things. | 0:17:21 | 0:17:23 | |
Children's folding chairs. | 0:17:23 | 0:17:26 | |
They look great fun. Ow! | 0:17:26 | 0:17:27 | |
I'd take a seat, Thomas, if I were you. Ticket price is 480 euros. | 0:17:29 | 0:17:34 | |
-We've got a pair of them. -A pair is unusual, yeah. | 0:17:34 | 0:17:37 | |
-It is unusual, isn't it? -Yeah. | 0:17:37 | 0:17:39 | |
-And it looks like original upholstery on them. -I think so. | 0:17:39 | 0:17:42 | |
Probably, um, maybe late 19th century, | 0:17:42 | 0:17:45 | |
-something like that. -They're quite sweet, aren't they? | 0:17:45 | 0:17:48 | |
What can you do those for? | 0:17:48 | 0:17:50 | |
Erm...we could do those about...maybe 220. | 0:17:50 | 0:17:53 | |
Oh, my gosh. | 0:17:53 | 0:17:55 | |
I don't think I've got 220. | 0:17:55 | 0:17:56 | |
I've only got 185 and I need some left for tomorrow. | 0:17:57 | 0:18:02 | |
So, I was looking at those as sort of 50 euros each, 100 euros. | 0:18:02 | 0:18:06 | |
-But if you can do it, you can't do it. -Yeah. | 0:18:06 | 0:18:09 | |
I'll try and find something else. | 0:18:09 | 0:18:11 | |
Could do 150 on them. | 0:18:11 | 0:18:13 | |
I think 150 is a bit, a bit strong for me. | 0:18:15 | 0:18:17 | |
Could you meet me halfway somewhere? | 0:18:18 | 0:18:21 | |
-Could do 130? -125, we've got a deal. | 0:18:21 | 0:18:25 | |
-Go on? -Go on. 125. -Yeah, good man. | 0:18:25 | 0:18:28 | |
A bold buy, Thomas. | 0:18:28 | 0:18:30 | |
Great discount but it doesn't leave you very much. | 0:18:30 | 0:18:33 | |
HE MOUTHS | 0:18:33 | 0:18:35 | |
(What have I done? What have I done?) | 0:18:35 | 0:18:38 | |
Heaven knows. | 0:18:38 | 0:18:39 | |
You won't make money on those. | 0:18:39 | 0:18:41 | |
Blissfully unaware of Thomas's big spending, Christina is | 0:18:44 | 0:18:47 | |
hotfooting through Dublin's streets in search of a bargain. | 0:18:47 | 0:18:51 | |
-Hello. -Hey, how you doing? -Very well, thank you. I'm Christina, nice to meet you. | 0:18:51 | 0:18:54 | |
-Alistair, how are you? -Alistair? Do you mind if I have a quick look around? -Yeah, sure. | 0:18:54 | 0:18:58 | |
If there's anything I like the look of, | 0:18:58 | 0:19:00 | |
-I'll come and give you a holler. -OK. -A holler, eh? | 0:19:00 | 0:19:03 | |
Owner Alistair has been running the shop, along with his mother, | 0:19:03 | 0:19:06 | |
for four years and they do a lot of their buying in French markets, | 0:19:06 | 0:19:10 | |
so the shop has a certain je ne sais quoi. | 0:19:10 | 0:19:12 | |
-You are feeling it? -Oh. | 0:19:13 | 0:19:16 | |
That's quite cool, isn't it? | 0:19:20 | 0:19:22 | |
So, normally with British telephones you'll always get a series number | 0:19:22 | 0:19:25 | |
on the inside of the handle and usually a date as well | 0:19:25 | 0:19:28 | |
when they were registered. | 0:19:28 | 0:19:30 | |
This is a French example. 95 euros? | 0:19:30 | 0:19:34 | |
I haven't got that much left in my budget, have I? Never mind, move on. | 0:19:34 | 0:19:39 | |
So, that is quite cool, isn't it? Look at that. "The Royal Dragoon." | 0:19:41 | 0:19:45 | |
"Ales and prize medal beers," So, it's obviously an old pub sign, isn't it? | 0:19:47 | 0:19:51 | |
The Royal Dragoon. | 0:19:51 | 0:19:53 | |
Breweriana in advertising is really quite in vogue at the moment | 0:19:53 | 0:19:56 | |
but that's also really a very powerful, strong image. | 0:19:56 | 0:19:59 | |
It's 45 euros. | 0:19:59 | 0:20:00 | |
-I wonder what Alistair can do on that. Alistair? -Yes. | 0:20:00 | 0:20:04 | |
Where are you, darling? | 0:20:04 | 0:20:06 | |
We picked this up at a French market about two months ago. | 0:20:08 | 0:20:12 | |
-Did you? -I'm not sure how old it is but it's certainly nice, anyway. | 0:20:12 | 0:20:17 | |
It's a decorative thing, isn't it? | 0:20:17 | 0:20:19 | |
I hasn't got a huge amount of age to it, has it? | 0:20:19 | 0:20:22 | |
Yeah, probably about 1970s, I'd say, maybe. | 0:20:22 | 0:20:25 | |
-So, what would be your best price on that? -20. -It's quite fun, isn't it? | 0:20:25 | 0:20:28 | |
I do quite like that. There's something about the image which is really quite powerful, | 0:20:28 | 0:20:32 | |
-isn't it? -Yeah. -That horsey strutting off to war. | 0:20:32 | 0:20:35 | |
Is there any chance you could do that for 15? | 0:20:35 | 0:20:38 | |
-20 is quite cheap for it, as is... -Is it? For a modern repro sign? | 0:20:39 | 0:20:44 | |
-For a bit of fun? -It is hand-painted. | 0:20:44 | 0:20:46 | |
Go on, 15 euros. | 0:20:48 | 0:20:49 | |
-And you've got a sale. -OK. -Yeah? -Yeah. -It's a deal. | 0:20:49 | 0:20:53 | |
I shall take my Royal Dragoon and charge off into the sunset. | 0:20:53 | 0:20:57 | |
With 15 euros spent on an oldish pub sign, your sunset awaits | 0:20:57 | 0:21:02 | |
so nighty-night, you two. | 0:21:02 | 0:21:04 | |
Good morning, Dublin! | 0:21:09 | 0:21:10 | |
I love Ireland but I do spend a lot of money in Ireland. | 0:21:13 | 0:21:16 | |
-Join the club. -You're telling me. | 0:21:16 | 0:21:19 | |
Thomas got off to a flying start yesterday, | 0:21:20 | 0:21:22 | |
grabbing a collection of boxes, a pair of mother-of-pearl handles, | 0:21:22 | 0:21:26 | |
an assortment of Oriental soapstone, an agate salt | 0:21:26 | 0:21:31 | |
and a pair of Edwardian chairs. | 0:21:31 | 0:21:33 | |
That leaves him with just 60 euros, 98 cents. | 0:21:33 | 0:21:38 | |
-I'll get your change. -Thank you. | 0:21:38 | 0:21:40 | |
Christina was no slouch either. | 0:21:40 | 0:21:42 | |
She picked up an oil painting, a 19th-century fender | 0:21:42 | 0:21:45 | |
and a painted pub sign. | 0:21:45 | 0:21:48 | |
After all that, she has 77 euros, 16 cents for today's Irish adventure. | 0:21:48 | 0:21:54 | |
I have a renewed appreciation of Ireland now. | 0:21:54 | 0:21:58 | |
-I'm very sad that this is our last day here. -Yeah. | 0:21:58 | 0:22:01 | |
-It's been like a little holiday. -Yeah. | 0:22:01 | 0:22:03 | |
Later, they will be heading for auction in Wrexham | 0:22:03 | 0:22:05 | |
but for the rest of the day, Dublin beckons. | 0:22:05 | 0:22:08 | |
As Christina goes off in search of a place to spend her last few euros, | 0:22:11 | 0:22:15 | |
Thomas is headed to the cultural home of Irish sporting glory. | 0:22:15 | 0:22:21 | |
While Ireland can lay claim to many sporting stars of rugby, | 0:22:21 | 0:22:24 | |
football, snooker and golf, | 0:22:24 | 0:22:26 | |
the most widely-played and popular sports in the land | 0:22:26 | 0:22:29 | |
have a distinctly Irish flavour. | 0:22:29 | 0:22:31 | |
Thomas is meeting Micheal at the Gaelic Athletic Association's | 0:22:31 | 0:22:35 | |
Museum at Croke Park to discover the story of the man who turned | 0:22:35 | 0:22:39 | |
hurling and Gaelic football into a cultural phenomenon. | 0:22:39 | 0:22:42 | |
Nicky Rackard gets a ground pass, | 0:22:45 | 0:22:46 | |
pulls hard and the ball shakes the net. | 0:22:46 | 0:22:48 | |
Who are we standing in front of? | 0:22:48 | 0:22:51 | |
A man called Michael Cusack. | 0:22:51 | 0:22:53 | |
He was the visionary that instigated | 0:22:53 | 0:22:56 | |
the founding of the GAA, Gaelic Athletic Association, | 0:22:56 | 0:23:01 | |
I'm sure before the day is out we'll learn a little bit about him. | 0:23:01 | 0:23:04 | |
Born in 1847, Michael Cusack was a schoolteacher who worked | 0:23:07 | 0:23:11 | |
in Dublin. An athlete in his youth, he was evangelical about sport. | 0:23:11 | 0:23:17 | |
We'll go inside, yeah. | 0:23:17 | 0:23:19 | |
So, as Ireland emerged from long, hard years of famine, | 0:23:19 | 0:23:23 | |
Cusack became a part of a resurgence of spirit. | 0:23:23 | 0:23:27 | |
His desire was to use sport to regain a sense of national | 0:23:29 | 0:23:34 | |
and cultural identity. | 0:23:34 | 0:23:36 | |
He reached out to local leaders, asking them to support | 0:23:36 | 0:23:39 | |
the creation of a national sporting organisation. | 0:23:39 | 0:23:42 | |
Michael Cusack was the first person to say, why not have an association | 0:23:42 | 0:23:47 | |
dedicated to the preservation and cultivation of national pastimes, | 0:23:47 | 0:23:52 | |
-in Ireland? It was a good idea. -It's a brilliant idea. | 0:23:52 | 0:23:56 | |
Across Europe, associations were being created. | 0:23:56 | 0:23:59 | |
Rugby and football were formalised into leagues, | 0:23:59 | 0:24:02 | |
their popularity increased across the continent, | 0:24:02 | 0:24:05 | |
but in Ireland, which was still under British rule, | 0:24:05 | 0:24:08 | |
Cusack was part of the newly-formed Gaelic Athletic Association | 0:24:08 | 0:24:13 | |
which governed a number of sports capturing the spirit of the nation. | 0:24:13 | 0:24:17 | |
Ireland embraced their own games, making Gaelic football and hurling | 0:24:17 | 0:24:22 | |
the most celebrated, played and watched sports in the country. | 0:24:22 | 0:24:26 | |
The Gaelic games are the national games, | 0:24:30 | 0:24:33 | |
they are by far the strongest sport in Ireland. | 0:24:33 | 0:24:36 | |
And it's still amateur today? | 0:24:36 | 0:24:37 | |
-Still amateur today and I think that is its main strength. -Wow. | 0:24:37 | 0:24:42 | |
The emphasis is on the community, betterment of the community, | 0:24:42 | 0:24:46 | |
have a good football pitch, dressing rooms in every parish in Ireland. | 0:24:46 | 0:24:51 | |
Each team became an integral part of life in each community. | 0:24:51 | 0:24:54 | |
Gaelic football and hurling are energetic team games. | 0:24:54 | 0:24:58 | |
The ball can be struck at speeds around about 100mph, | 0:24:58 | 0:25:02 | |
giving it claim to be the fastest field sport in the world. | 0:25:02 | 0:25:06 | |
..and the cameramen scatter in all directions. | 0:25:06 | 0:25:10 | |
In 1913, the GAA purchased the land that would become Croke Park. | 0:25:10 | 0:25:15 | |
-And the spectators flooded in to watch the games. -This is final day. | 0:25:17 | 0:25:21 | |
The Gaelic Games were first broadcast on TV in 1961, making players | 0:25:21 | 0:25:25 | |
instantly recognisable. | 0:25:25 | 0:25:27 | |
The popularity of one player was so great that it helped him | 0:25:28 | 0:25:31 | |
to become the most powerful man in the country. | 0:25:31 | 0:25:34 | |
I would say a person that captured the imagination of a lot of people | 0:25:34 | 0:25:38 | |
-was a man called Jack Lynch. -Really? | 0:25:38 | 0:25:41 | |
-And what did he play? -He played both. | 0:25:41 | 0:25:43 | |
Jack Lynch was one of the few players talented enough to win | 0:25:43 | 0:25:47 | |
titles in both hurling and Gaelic football. | 0:25:47 | 0:25:50 | |
Towards the end of his playing career, he entered political life. | 0:25:50 | 0:25:53 | |
His popularity was so great that he rose to the position of Taoiseach, | 0:25:53 | 0:25:58 | |
equivalent to Prime Minister, | 0:25:58 | 0:26:00 | |
serving two terms in the 1960s and '70s. | 0:26:00 | 0:26:02 | |
He was the most powerful man in the country, | 0:26:02 | 0:26:05 | |
and everywhere he went, he was recognised as a popular sportsman. | 0:26:05 | 0:26:09 | |
-He was popular at all levels. -Was he? | 0:26:09 | 0:26:12 | |
He often stated he could go into a constituency | 0:26:12 | 0:26:15 | |
where people normally did not vote for his party, | 0:26:15 | 0:26:19 | |
-he'd be welcomed there as Jack the sportsman. -Jack the sportsman. | 0:26:19 | 0:26:23 | |
He behaved like an ordinary man - no airs and graces about him. | 0:26:23 | 0:26:27 | |
-Popular all over the country. -A man of the people? | 0:26:27 | 0:26:30 | |
And beyond it. A man of the people. | 0:26:30 | 0:26:32 | |
The popularity of the games continues to grow. | 0:26:32 | 0:26:35 | |
The 80,000 seats of Croke Park | 0:26:35 | 0:26:38 | |
are regularly filled by spectators of Gaelic games. | 0:26:38 | 0:26:41 | |
Matches are now broadcast globally, | 0:26:41 | 0:26:43 | |
and GAA teams can be found across the globe. | 0:26:43 | 0:26:46 | |
But on home turf, traditions are still maintained - | 0:26:48 | 0:26:50 | |
teams are still amateur and based in their communities. | 0:26:50 | 0:26:54 | |
All over Ireland, children grow up playing Gaelic football and hurling. | 0:26:54 | 0:26:58 | |
The ambition of every young person is, "Will I reach Croke Park?" | 0:26:58 | 0:27:03 | |
-As a player, not as a spectator. -HE LAUGHS | 0:27:03 | 0:27:06 | |
Will I reach Croke Park? It's the ambition of everybody. | 0:27:06 | 0:27:09 | |
-On that hallowed turf. -Yes, indeed. | 0:27:09 | 0:27:12 | |
Cusack helped to create a sporting phenomenon. | 0:27:12 | 0:27:16 | |
Gaelic football and hurling represented a unifying passion. | 0:27:16 | 0:27:20 | |
They have helped create a sense of cultural identity | 0:27:21 | 0:27:24 | |
and continue to grow in popularity. | 0:27:24 | 0:27:26 | |
It has been a real pleasure. It has been absolutely marvellous. | 0:27:27 | 0:27:31 | |
I have absolutely enjoyed myself. | 0:27:31 | 0:27:33 | |
Christina, meanwhile, is wandering | 0:27:39 | 0:27:41 | |
through Dublin's art and antiques quarter, | 0:27:41 | 0:27:43 | |
hoping to uncover something special. | 0:27:43 | 0:27:46 | |
-Hello. -Hi, how are you doing? -I'm all right, thanks. How are you? | 0:27:46 | 0:27:50 | |
-Good, thanks. -What's your name? -Alistan. -Alistan. Great name. | 0:27:50 | 0:27:52 | |
-Alistan, you are very tall. -I know. -How tall are you? | 0:27:52 | 0:27:55 | |
-6'6", 6'7" on a good day. -I think I should have worn my heels today. | 0:27:55 | 0:28:00 | |
This is pretty cool. | 0:28:00 | 0:28:01 | |
It is certainly eclectic. Mind your feet. | 0:28:01 | 0:28:04 | |
-So what have we got? Have we got the shop back here as well? -Yeah. | 0:28:04 | 0:28:07 | |
We've got some nice teak furniture in here. | 0:28:07 | 0:28:10 | |
-Oh, I like your skeleton. How much is on him? -He's about 500. | 0:28:10 | 0:28:14 | |
-Alistan, I have to be perfectly honest with you... -Go on. | 0:28:14 | 0:28:17 | |
-..I do not have 500 euros. Steve the skeleton is not for me then, no? -No. | 0:28:17 | 0:28:21 | |
No, a bit out of my price range. | 0:28:21 | 0:28:23 | |
Never mind, Steve. | 0:28:23 | 0:28:25 | |
What is on your storage jars? | 0:28:25 | 0:28:28 | |
-They're about 175. -Are they? -Yes. | 0:28:28 | 0:28:32 | |
They're nice, aren't they? Clean kitchenware, one pint. | 0:28:32 | 0:28:36 | |
I mean, they are very kitsch, aren't they? | 0:28:36 | 0:28:39 | |
-I like the typography on them. -Yeah, that text on them is fab, isn't it? | 0:28:39 | 0:28:43 | |
It's cool, yes. | 0:28:43 | 0:28:44 | |
Also you get the TG green ones, | 0:28:44 | 0:28:46 | |
which are the blue-banded Cornishware ones | 0:28:46 | 0:28:48 | |
but I really like the fact that these are in green. | 0:28:48 | 0:28:51 | |
It's the colour of Ireland, isn't it? | 0:28:51 | 0:28:53 | |
-Yeah. -Very cool. -It's true. | 0:28:53 | 0:28:55 | |
I'm a bit worried, | 0:28:55 | 0:28:56 | |
there is a little bit of damage around them, isn't there? | 0:28:56 | 0:28:59 | |
We can talk about price. I mean, what have you got in your mind? | 0:28:59 | 0:29:02 | |
Uh... | 0:29:02 | 0:29:03 | |
-Don't hate me. -Go on. -But I think I have 77 euros left. | 0:29:04 | 0:29:10 | |
-77 euros? -Yeah. | 0:29:10 | 0:29:11 | |
-I tell you what, I could probably give you half the set. -No! | 0:29:11 | 0:29:15 | |
-You can't split the set! What about...? -OK... | 0:29:15 | 0:29:18 | |
You look like a really cool, mid-century guy, | 0:29:18 | 0:29:21 | |
I have got a really cool mid-century vehicle outside. | 0:29:21 | 0:29:25 | |
-OK, so we do a swap? -No. -OK. | 0:29:25 | 0:29:27 | |
-Hmm... -OK, OK. I thought that was where this was going. | 0:29:29 | 0:29:32 | |
What about 77 euros and a ride in my van? | 0:29:32 | 0:29:35 | |
-What do you think? -That sounds a bit... | 0:29:37 | 0:29:39 | |
-Does that sound like a deal? -Do you know what? OK, OK. -Yeah? | 0:29:39 | 0:29:42 | |
OK, as long as it is going to a good home, | 0:29:42 | 0:29:44 | |
I think it's going to go to a good home. | 0:29:44 | 0:29:46 | |
-Done. -Happy? -Yeah, I think so. | 0:29:46 | 0:29:48 | |
It's pretty cool, and it does go quite fast. | 0:29:50 | 0:29:52 | |
Here we go. | 0:29:52 | 0:29:54 | |
You will be amazed. | 0:29:54 | 0:29:55 | |
Hope on in, baby. | 0:29:57 | 0:29:58 | |
I hope someone is watching the shop. | 0:30:02 | 0:30:04 | |
Can you fit in my van? | 0:30:04 | 0:30:06 | |
OK, there are no straps. | 0:30:06 | 0:30:08 | |
-There are no straps? -No, it's pre-straps. You will be fine. | 0:30:08 | 0:30:12 | |
-Are you ready for the ride of your life? -Yes, let's go. | 0:30:12 | 0:30:14 | |
Second. Good gear change. Hold on tight. | 0:30:17 | 0:30:20 | |
Be careful with him, Christina. | 0:30:21 | 0:30:23 | |
There is just time for a quick run around the block. | 0:30:25 | 0:30:28 | |
-So I didn't terrify the life out of you? -No, you didn't. -Are you sure? | 0:30:28 | 0:30:31 | |
-No, not at all. -Good. | 0:30:31 | 0:30:33 | |
Well, that's one way to get yourself a set of storage jars for 77 euros. | 0:30:33 | 0:30:39 | |
-You're an angel. -So are you. -Very, very pleased with my jars. | 0:30:39 | 0:30:42 | |
-Nice to meet you. -Take care, see you again. -See you. | 0:30:42 | 0:30:45 | |
Just a few paces down the street, Thomas is on the prowl. | 0:30:49 | 0:30:52 | |
-Hello, I'm Thomas. -Thomas, how are you? Mervyn is my name. | 0:30:54 | 0:30:56 | |
You're very welcome, you're very welcome. | 0:30:56 | 0:30:58 | |
This looks fabulous. I'm going to have a really good look around. | 0:30:58 | 0:31:01 | |
-Yeah, good stuff. -I will warn you... | 0:31:01 | 0:31:04 | |
Oh, yes. Stand by. | 0:31:04 | 0:31:05 | |
..there is not a huge budget, | 0:31:05 | 0:31:07 | |
but what there is is burning a hole in my pocket. | 0:31:07 | 0:31:11 | |
OK, we will try and help you spend it. | 0:31:11 | 0:31:13 | |
I don't think he needs much help. | 0:31:13 | 0:31:15 | |
The thing about these big, oval trays is that | 0:31:15 | 0:31:17 | |
once one's got one's gin and tonic on them, or drinks, | 0:31:17 | 0:31:21 | |
they are immensely heavy to lift up. | 0:31:21 | 0:31:22 | |
You've got to make sure one's butler has got the strength | 0:31:22 | 0:31:26 | |
to carry it around the room and serve the drinks. | 0:31:26 | 0:31:30 | |
It's just difficult. | 0:31:30 | 0:31:31 | |
You just can't get them these days. | 0:31:32 | 0:31:34 | |
Oh, if Christina could hear you now. | 0:31:34 | 0:31:37 | |
Look at that. That's quite a fun thing, that, isn't it? | 0:31:37 | 0:31:40 | |
-It's a cartridge filler, isn't it? -That's right, yeah. | 0:31:40 | 0:31:42 | |
They were for filling one's guns cartridges, weren't they? | 0:31:42 | 0:31:45 | |
You clamp that onto the table. On it goes. | 0:31:45 | 0:31:49 | |
This is where your firing pin goes, on the top here. | 0:31:49 | 0:31:53 | |
You fill your beast as you wind it off with all the powder. | 0:31:53 | 0:31:59 | |
Then you fold it up into there. | 0:31:59 | 0:32:02 | |
This is when one used to make | 0:32:02 | 0:32:04 | |
one's own gun cartridges for shooting. | 0:32:04 | 0:32:06 | |
-It is quite an interesting thing, isn't it? -Yeah, it's nice, yeah. | 0:32:06 | 0:32:09 | |
-I've not seen one like that before. -Right, OK. | 0:32:09 | 0:32:11 | |
You called it Victorian. Yes, it is about that sort of level, isn't it? | 0:32:11 | 0:32:14 | |
-Yes. -Yes. OK. | 0:32:14 | 0:32:17 | |
Ticket price is 185 euros. | 0:32:17 | 0:32:19 | |
Merv, I'm going to level with you. | 0:32:19 | 0:32:21 | |
I said I had some money burning a hole in my pocket. | 0:32:21 | 0:32:24 | |
I do, and it is going to have to be spent. There is 60 euros. | 0:32:24 | 0:32:29 | |
What can you do for 60 euros? | 0:32:29 | 0:32:31 | |
What can I do for 60 euros? | 0:32:31 | 0:32:33 | |
Well, you were looking at that. | 0:32:33 | 0:32:34 | |
That would relieve me of 60 euros, would it? | 0:32:34 | 0:32:36 | |
-It would. -That would be it, done. -Done and dusted. | 0:32:36 | 0:32:39 | |
That is really not a bad price. That has to be a purchase, really. | 0:32:39 | 0:32:43 | |
-Very good. -Very fair. You have been immensely fair. | 0:32:43 | 0:32:46 | |
He has relieved me of all my money. | 0:32:46 | 0:32:48 | |
-Apart from a couple of cent. -Right. You can throw that in if you want. | 0:32:48 | 0:32:51 | |
Well, I can probably throw that in, couldn't I, really? | 0:32:51 | 0:32:54 | |
So that generous deal makes it 60 euros, 98 cents. | 0:32:54 | 0:32:58 | |
That has cleaned Thomas out and ends this trip's shopping. | 0:32:58 | 0:33:02 | |
Thomas spent all of his 289 euros, 98 cents on the collection of boxes, | 0:33:04 | 0:33:11 | |
the 19th-century soapstone items, | 0:33:11 | 0:33:13 | |
an agate salt, | 0:33:13 | 0:33:16 | |
the mother-of-pearl handles, | 0:33:16 | 0:33:18 | |
the cartridge loader, | 0:33:18 | 0:33:20 | |
and a pair of children's chairs. | 0:33:20 | 0:33:23 | |
Christina only left herself with loose change, | 0:33:24 | 0:33:27 | |
as she spent 292 euros on a set of 1950s storage jars with coffee pot, | 0:33:27 | 0:33:33 | |
a 19th-century brass fender, | 0:33:33 | 0:33:35 | |
an oil painting of a rustic scene, | 0:33:35 | 0:33:38 | |
and a painted pub sign. | 0:33:38 | 0:33:40 | |
What do they think of each other's offerings? | 0:33:40 | 0:33:43 | |
I think actually he has been quite risky. | 0:33:43 | 0:33:44 | |
He has been quite plucky, and I like that. | 0:33:44 | 0:33:46 | |
I would happily swap probably most of my stuff, | 0:33:46 | 0:33:48 | |
to be perfectly honest, for that beautiful banded agate salt | 0:33:48 | 0:33:51 | |
that he bought, which I think is just an absolute stunner. | 0:33:51 | 0:33:54 | |
But I am not entirely sure | 0:33:54 | 0:33:55 | |
that I have a huge amount of faith in those chairs. | 0:33:55 | 0:33:57 | |
I really love her picture that she has bought. | 0:33:57 | 0:34:00 | |
I think it is delightful. | 0:34:00 | 0:34:02 | |
The item I don't like are all those jars, | 0:34:02 | 0:34:04 | |
but there is a lot there for your money. | 0:34:04 | 0:34:06 | |
It's going to be such a close-call thing. | 0:34:06 | 0:34:09 | |
After starting this leg in Prosperous, in County Kildare, | 0:34:10 | 0:34:13 | |
our experts have travelled via Dublin to the Welsh town of Wrexham. | 0:34:13 | 0:34:17 | |
I love Ireland. I miss it. | 0:34:19 | 0:34:22 | |
See, I feel at home - less than half an hour away from my house, | 0:34:22 | 0:34:26 | |
and I am a happy girl. | 0:34:26 | 0:34:28 | |
That is a very comfortable feeling to have. | 0:34:28 | 0:34:30 | |
Yeah, it is. | 0:34:30 | 0:34:32 | |
The largest urban area in North Wales, Wrexham, | 0:34:32 | 0:34:35 | |
was a renowned centre for the brewing trade | 0:34:35 | 0:34:38 | |
thanks to its natural underground water reserves. | 0:34:38 | 0:34:41 | |
Today, our pair are headed straight to Wingetts Auction House. | 0:34:43 | 0:34:47 | |
Wielding the gavel is John Lloyd. So, what does he make of our pair's lots? | 0:34:47 | 0:34:53 | |
It is an eclectic mix of items. | 0:34:53 | 0:34:55 | |
The collection, ten pieces of soapstone, | 0:34:55 | 0:34:58 | |
they are quite decorative. | 0:34:58 | 0:34:59 | |
Nothing exceptional, though. Sort of £30-£40 mark. | 0:34:59 | 0:35:03 | |
Club fender, nice bit of Victoriana. | 0:35:03 | 0:35:05 | |
The gentleman's-club look is very much in vogue at the moment. | 0:35:05 | 0:35:09 | |
I wouldn't be surprised if we get £100-£150 for that. | 0:35:09 | 0:35:13 | |
Now in Britain, the rest of the trip will be pounds. | 0:35:14 | 0:35:18 | |
So, with currency converted, | 0:35:18 | 0:35:19 | |
Christina has spent a total of £205.63 on four items, | 0:35:19 | 0:35:26 | |
while Thomas's six lots have set him back a total of £197.87. | 0:35:26 | 0:35:32 | |
We are back into pounds now. I feel slightly more comfortable. | 0:35:33 | 0:35:36 | |
Do you? I quite like the euro. | 0:35:36 | 0:35:39 | |
First up are Thomas' collection of boxes. | 0:35:39 | 0:35:42 | |
I've got £20 bid with me to go straight in. | 0:35:42 | 0:35:45 | |
20 bid, 5 bid, 30. | 0:35:45 | 0:35:46 | |
5, sir? | 0:35:46 | 0:35:48 | |
40. 5. | 0:35:48 | 0:35:49 | |
-£40 bid. -Profit. -That's good. | 0:35:49 | 0:35:51 | |
I'm out. Sold on the internet. | 0:35:51 | 0:35:55 | |
-Yes! -Well done. | 0:35:55 | 0:35:57 | |
-Good job. -Result! -Yeah. | 0:35:57 | 0:35:59 | |
A cracking start for Thomas. | 0:35:59 | 0:36:02 | |
Will his luck keep going? | 0:36:02 | 0:36:04 | |
His cartridge loader is next. | 0:36:04 | 0:36:07 | |
I've got £15 bid. Straight in with me to go... | 0:36:07 | 0:36:10 | |
What did you spend on this? | 0:36:10 | 0:36:12 | |
40... | 0:36:12 | 0:36:13 | |
45, OK. | 0:36:13 | 0:36:15 | |
In the door at £20. I'll take 2 for it. | 0:36:15 | 0:36:17 | |
Now at 22 I'm bid. 24. 26? | 0:36:17 | 0:36:21 | |
24. | 0:36:21 | 0:36:23 | |
Next time. | 0:36:25 | 0:36:27 | |
That's a blow, but there's plenty left to go at, Thomas. | 0:36:27 | 0:36:31 | |
-So disappointed. -It's OK, it's OK. | 0:36:31 | 0:36:33 | |
Do you think you'll cope? | 0:36:33 | 0:36:36 | |
It's all right. I'm going to lose loads of money today. | 0:36:36 | 0:36:38 | |
That's the spirit. It took Christina some clever negotiating | 0:36:38 | 0:36:42 | |
to get the storage jars, | 0:36:42 | 0:36:43 | |
but how will they fare? | 0:36:43 | 0:36:45 | |
We're on the internet, then, at £26. | 0:36:45 | 0:36:48 | |
28 bid. 30. | 0:36:49 | 0:36:51 | |
And 5, sir. 40. | 0:36:51 | 0:36:53 | |
God, making more. | 0:36:53 | 0:36:55 | |
-40, bid. 5, sir? -Oh, go on, sir. They're lovely. | 0:36:55 | 0:36:57 | |
£40 we've got bid. | 0:36:57 | 0:37:00 | |
All finished at 40. | 0:37:00 | 0:37:02 | |
Perhaps the damage to the jars has hit your chances of a profit. | 0:37:02 | 0:37:07 | |
I think that's disappointing. | 0:37:07 | 0:37:09 | |
I don't mind taking a loss | 0:37:09 | 0:37:10 | |
-because I had such a lovely ride in the van with Alistan. -Did you? -Yeah. | 0:37:10 | 0:37:14 | |
Let's see if Thomas can get us back on track | 0:37:14 | 0:37:16 | |
with his mother-of-pearl handles. | 0:37:16 | 0:37:18 | |
I'll take £20 to start for them. | 0:37:18 | 0:37:21 | |
Nobody is going to bid. | 0:37:21 | 0:37:22 | |
-No bid for these? -I can't believe that. | 0:37:22 | 0:37:24 | |
10, then? | 0:37:24 | 0:37:26 | |
£10 I've got. 12 I'm bid. 14. | 0:37:26 | 0:37:28 | |
16. | 0:37:28 | 0:37:29 | |
16, back in. 18. | 0:37:29 | 0:37:30 | |
20. | 0:37:30 | 0:37:32 | |
-They're out on the net at 18 bid. -It's £18. 18. | 0:37:32 | 0:37:35 | |
That's good. £7 profit. | 0:37:35 | 0:37:37 | |
I was expecting three figures. | 0:37:37 | 0:37:39 | |
I was! | 0:37:39 | 0:37:40 | |
Well, you know what they say about expectations. | 0:37:40 | 0:37:43 | |
No, don't, don't... | 0:37:43 | 0:37:44 | |
Perhaps your hopes were a little high, but that's still a profit. | 0:37:45 | 0:37:50 | |
-Are you in a huff? -No, of course not. | 0:37:50 | 0:37:51 | |
Well, at least you're not giving me the cold shoulder. | 0:37:51 | 0:37:54 | |
Actually, I think I prefer it when you give me the cold shoulder. Go away. | 0:37:54 | 0:37:57 | |
Next up, the club fender. | 0:37:57 | 0:37:59 | |
This cost Christina 120 euros, which comes out at just under £85. | 0:37:59 | 0:38:04 | |
Cheap. | 0:38:04 | 0:38:06 | |
I've got £100 straight in with me to start, then. 100. 110. 120. 130. | 0:38:06 | 0:38:10 | |
140. 150. | 0:38:10 | 0:38:11 | |
High-five? High-five? | 0:38:11 | 0:38:14 | |
-170. 180. 190. 200. -£200 on the internet. | 0:38:14 | 0:38:17 | |
£200 on the internet. | 0:38:17 | 0:38:19 | |
-Get in there. -£220 in the room. | 0:38:19 | 0:38:22 | |
-£220, the bid is in the room. -This never happens to me. | 0:38:22 | 0:38:24 | |
220 bid. | 0:38:24 | 0:38:26 | |
-All done? -GAVEL BANGS | 0:38:26 | 0:38:29 | |
Well done. | 0:38:29 | 0:38:31 | |
A superb profit for the fender gives Christina a healthy lead. | 0:38:31 | 0:38:35 | |
-I've got some catching up to do, Christina. -No, you haven't. -I have. | 0:38:35 | 0:38:38 | |
No, no. | 0:38:38 | 0:38:39 | |
Can the collection of Chinese soapstone perform as well for Thomas? | 0:38:41 | 0:38:45 | |
£10 I'm bid, starting. | 0:38:45 | 0:38:46 | |
12 I've got on the internet. 14 bid, 16. | 0:38:46 | 0:38:49 | |
See, it's going, it's going. | 0:38:49 | 0:38:51 | |
£18. | 0:38:51 | 0:38:52 | |
You're out on the internet. | 0:38:52 | 0:38:54 | |
-Thanks for coming. -20, you're into a profit. | 0:38:54 | 0:38:57 | |
On the net. | 0:38:57 | 0:38:58 | |
Sadly, after auction costs, that's a small loss. | 0:39:02 | 0:39:07 | |
Next up, it's Christina's painted pub sign. | 0:39:07 | 0:39:10 | |
Ought to be £20 to start. | 0:39:10 | 0:39:12 | |
Oh, internet bid 15, that's good. | 0:39:12 | 0:39:14 | |
15, see - straight in, profit. | 0:39:14 | 0:39:17 | |
I'll take 16 if it helps you. 16 I am bid. | 0:39:17 | 0:39:20 | |
At £16 we're still on the net at £16. It'll take 18. | 0:39:20 | 0:39:23 | |
18 I've got. 20? | 0:39:23 | 0:39:25 | |
20 bid. 2. | 0:39:25 | 0:39:27 | |
24. 26. 28. | 0:39:27 | 0:39:30 | |
28 bid. 30. 2? | 0:39:30 | 0:39:32 | |
In the room at 30. | 0:39:33 | 0:39:35 | |
-That's good, isn't it? -Again, high-five. | 0:39:36 | 0:39:39 | |
That's more of a medium-five. | 0:39:39 | 0:39:41 | |
Jealous. | 0:39:43 | 0:39:44 | |
Well jel. | 0:39:44 | 0:39:46 | |
Another good profit. Things are going very well for Christina. | 0:39:46 | 0:39:51 | |
I'm this green here - green with jealousy. | 0:39:51 | 0:39:54 | |
-That's pink. -No, there's a green there. | 0:39:54 | 0:39:56 | |
-Oh, is there? -Green with envy. | 0:39:56 | 0:39:58 | |
Thomas is playing catch-up and his agate salt is next. | 0:40:00 | 0:40:04 | |
£5 I've got to start. | 0:40:04 | 0:40:06 | |
It's in the door. I'll take 6, I'm bid 8. | 0:40:06 | 0:40:08 | |
6, internet. 8, internet. 10, internet. | 0:40:08 | 0:40:10 | |
See? Profit, profit, profit, profit. | 0:40:10 | 0:40:12 | |
14. 16. | 0:40:12 | 0:40:13 | |
18. | 0:40:13 | 0:40:15 | |
Goes on the internet. | 0:40:16 | 0:40:19 | |
-£18. -What's that, £7 profit? -Yeah, £7. | 0:40:19 | 0:40:21 | |
-That's good. -It's OK. | 0:40:21 | 0:40:23 | |
A modest profit for Thomas. | 0:40:23 | 0:40:27 | |
Christina's oil painting is her final lot. | 0:40:27 | 0:40:30 | |
Maiden bid for this one at £30. | 0:40:30 | 0:40:32 | |
I'm only bid 30. 35 got, and I'm out. | 0:40:32 | 0:40:35 | |
At £35 the bid is in the room. | 0:40:35 | 0:40:37 | |
-It's cheap at 35. -It'll wipe out all my profits. | 0:40:37 | 0:40:39 | |
No, I don't think so. | 0:40:39 | 0:40:40 | |
-Moving on. -Quite rightly. | 0:40:40 | 0:40:42 | |
50? | 0:40:42 | 0:40:43 | |
All done? | 0:40:43 | 0:40:45 | |
Oh, go on. | 0:40:45 | 0:40:46 | |
-50 bid. 5? -See? There you are. | 0:40:46 | 0:40:47 | |
Sold at 50. | 0:40:47 | 0:40:49 | |
A small loss, and it's not over yet. | 0:40:51 | 0:40:55 | |
You're not going to end up with a loss like me. | 0:40:55 | 0:40:58 | |
(Just ignore them and they'll go away.) | 0:40:58 | 0:41:00 | |
No, I can't. They're there...looking at me. | 0:41:00 | 0:41:03 | |
Thomas spent a huge 125 euros on those chairs, | 0:41:05 | 0:41:09 | |
which is around £90. | 0:41:09 | 0:41:10 | |
But will it pay off? | 0:41:10 | 0:41:13 | |
10 for them. | 0:41:13 | 0:41:14 | |
£10. Early bid on my right, standing. 12 bid. 14. 16. | 0:41:14 | 0:41:18 | |
18. 20. And 2? | 0:41:18 | 0:41:22 | |
24. | 0:41:22 | 0:41:23 | |
26. | 0:41:23 | 0:41:24 | |
It's getting there. | 0:41:24 | 0:41:26 | |
-It's getting there. -40. And 2? | 0:41:26 | 0:41:29 | |
£42 I'm bid in the room, standing, at 42 bid. | 0:41:29 | 0:41:32 | |
I'll take 44 if you want. | 0:41:32 | 0:41:35 | |
It's standing. | 0:41:35 | 0:41:37 | |
Actually, that's like a body blow... | 0:41:37 | 0:41:40 | |
A hammer going through my body. | 0:41:40 | 0:41:44 | |
Well, someone's got a bargain, | 0:41:44 | 0:41:46 | |
picking up a beautiful pair of chairs for a great price. | 0:41:46 | 0:41:50 | |
Anyway, go on. Let's go and see how much money I've made. | 0:41:50 | 0:41:53 | |
-I think... No. -It might take us a while. | 0:41:53 | 0:41:57 | |
To count it all? | 0:41:57 | 0:41:58 | |
You're so cruel. | 0:41:58 | 0:41:59 | |
So how have our pair fared? | 0:42:01 | 0:42:04 | |
Thomas, looking grim, spent every last penny of his £197.87. | 0:42:04 | 0:42:10 | |
After auction costs, | 0:42:10 | 0:42:12 | |
he's made a loss of £60.93, | 0:42:12 | 0:42:14 | |
leaving him a total of £136.94 | 0:42:14 | 0:42:18 | |
to take on to the next leg. | 0:42:18 | 0:42:21 | |
Christina started with £205.75 | 0:42:21 | 0:42:24 | |
and after auction costs | 0:42:24 | 0:42:26 | |
made a fantastic £73.17 profit. | 0:42:26 | 0:42:29 | |
So she has won the day with £278.91 and a substantial lead, | 0:42:29 | 0:42:36 | |
so well done, girl. | 0:42:36 | 0:42:37 | |
-My goodness. -Well done. | 0:42:43 | 0:42:44 | |
I need a telescope to see where you are. | 0:42:44 | 0:42:47 | |
And you need a telescope to see where I am. | 0:42:47 | 0:42:49 | |
You might have to go and get the van | 0:42:49 | 0:42:51 | |
-because my pockets are weighing me down. -Are they? | 0:42:51 | 0:42:54 | |
-Can I borrow some money? -I'm not sure I can walk. | 0:42:54 | 0:42:57 | |
Can I borrow some money? You've, like, made hundreds. | 0:42:57 | 0:42:59 | |
Cheerio. | 0:42:59 | 0:43:00 | |
Next time, our experts' adventure continues. | 0:43:03 | 0:43:07 | |
We are in Wales, where it rains. | 0:43:07 | 0:43:09 | |
Christina calls for help. | 0:43:09 | 0:43:11 | |
Hello? Have you got any bargains for me? | 0:43:11 | 0:43:13 | |
And Thomas gets a bit cheeky. | 0:43:13 | 0:43:14 | |
This one has somebody in not many clothes. | 0:43:14 | 0:43:18 |