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It's the nation's favourite antiques experts... | 0:00:02 | 0:00:04 | |
-This is beautiful. -That's the way to do this. | 0:00:04 | 0:00:06 | |
..with £200 each, a classic car, and a goal - to scour for antiques. | 0:00:06 | 0:00:12 | |
Joy! Hello! | 0:00:12 | 0:00:14 | |
The aim, to make the biggest profit at auction, but it's no mean feat. | 0:00:14 | 0:00:18 | |
There'll be worthy winners and valiant losers. | 0:00:19 | 0:00:22 | |
So, will it be the high road to glory or the slow road to disaster? | 0:00:24 | 0:00:28 | |
The handbrake's on! | 0:00:28 | 0:00:29 | |
This is Antiques Road Trip. | 0:00:29 | 0:00:31 | |
Yeah. | 0:00:34 | 0:00:35 | |
Today, we begin a very special road trip, | 0:00:39 | 0:00:41 | |
starting right here in the Republic of Ireland. | 0:00:41 | 0:00:44 | |
Oh, yes, this'll be a treat for our top auctioneers, | 0:00:44 | 0:00:47 | |
Christina Trevanion and Thomas Plant. | 0:00:47 | 0:00:50 | |
What a combo. | 0:00:50 | 0:00:51 | |
Your impressions of Ireland? You've been here before, I've been here before. | 0:00:51 | 0:00:55 | |
You can go anywhere in the world, and you can go and visit countries | 0:00:55 | 0:00:58 | |
and they're beautiful, but it's all about the welcome you get, isn't it? | 0:00:58 | 0:01:01 | |
Yeah, absolutely. | 0:01:01 | 0:01:02 | |
It's wonderful, and the people are so friendly, and so accommodating, | 0:01:02 | 0:01:06 | |
and so sweet. | 0:01:06 | 0:01:07 | |
Hey, I love the Wedgwood blue wheels, guys. | 0:01:07 | 0:01:10 | |
Their quirky 1962 Bedford van was manufactured before it was | 0:01:10 | 0:01:13 | |
compulsory to fit seatbelts, so it's legal to drive without them. | 0:01:13 | 0:01:17 | |
-Do you know what slightly worries me? -What? | 0:01:17 | 0:01:20 | |
That's the engine! | 0:01:20 | 0:01:21 | |
-It is the engine, isn't it? -And it's quite nice as a heater. | 0:01:21 | 0:01:24 | |
It was originally built as a crew van for workers, | 0:01:24 | 0:01:27 | |
and survivors of its type are rare. | 0:01:27 | 0:01:29 | |
I did a bit of research about this last night. | 0:01:29 | 0:01:31 | |
They are the most amazing utility vehicles. | 0:01:31 | 0:01:34 | |
This was the basis of the ambulance. Ice cream vans. | 0:01:34 | 0:01:38 | |
-Yep. -Amazing. | 0:01:38 | 0:01:40 | |
Our jewellery and silver buffs start their trip with £200 apiece, | 0:01:40 | 0:01:45 | |
but as they begin in Ireland, they'll kick off with 285 euros. | 0:01:45 | 0:01:48 | |
Get it? | 0:01:50 | 0:01:51 | |
Starting in Cashel in County Tipperary, | 0:01:51 | 0:01:54 | |
they'll get about Ireland, hop across to North Wales, | 0:01:54 | 0:01:57 | |
whizz around England, | 0:01:57 | 0:01:58 | |
and then end up, over 700 miles later, in Stoke-on-Trent. | 0:01:58 | 0:02:01 | |
This first leg will see them travel from Cashel | 0:02:01 | 0:02:05 | |
towards the opening auction in Birr, County Offaly. | 0:02:05 | 0:02:09 | |
Third, darling, third. | 0:02:09 | 0:02:11 | |
-Hang on a minute! -Well done. | 0:02:11 | 0:02:13 | |
Those two are like an old married couple already. | 0:02:16 | 0:02:20 | |
Remember to look out the window once in a while, guys. | 0:02:20 | 0:02:23 | |
-There's a castle! -There's castles everywhere. | 0:02:23 | 0:02:27 | |
-There are kings and queens and clans and everything here. -Ooh. | 0:02:27 | 0:02:31 | |
At the southern end of Ireland, | 0:02:31 | 0:02:33 | |
County Tipperary is known as the subject of a world-famous song. | 0:02:33 | 0:02:38 | |
It became popular with the British Army after young Irish soldiers | 0:02:38 | 0:02:42 | |
began to sing it as they marched into battle at the start of World War I. | 0:02:42 | 0:02:46 | |
# It's a long way to Tipperary... # | 0:02:46 | 0:02:50 | |
However, it's not far to Thomas's first shop of the trip. | 0:02:50 | 0:02:54 | |
-See you later. Bye! -You look marvellous! | 0:02:56 | 0:02:58 | |
Owner Ruth Barry's in charge here. | 0:02:59 | 0:03:01 | |
Looks like she does more than antiques, too. | 0:03:01 | 0:03:04 | |
Bit of lotus, maybe. | 0:03:04 | 0:03:05 | |
-You're Ruth? -Yes, I am. -I saw your name on the door. -Yes. | 0:03:05 | 0:03:08 | |
And it's sort of Giver of Hope. | 0:03:08 | 0:03:09 | |
I'm a yoga teacher and when you do your teacher training, | 0:03:09 | 0:03:13 | |
they bestow a name on you, and that was Asha, Giver of Hope. | 0:03:13 | 0:03:17 | |
-Well, I hope you're going to give me hope today. -I hope so, I hope! | 0:03:17 | 0:03:22 | |
Make yourself at home and if you need any help, just give me a shout. | 0:03:22 | 0:03:25 | |
-I will do, thank you. -All right, thank you. | 0:03:25 | 0:03:27 | |
THUD! Oh, careful! | 0:03:27 | 0:03:29 | |
Ruth only opens for alfresco shopping in good weather, | 0:03:29 | 0:03:32 | |
so enjoy it while it lasts, Thomas! | 0:03:32 | 0:03:35 | |
THOMAS LAUGHS | 0:03:35 | 0:03:37 | |
I just totally... | 0:03:39 | 0:03:41 | |
..love these tambour-fronted cabinets. | 0:03:42 | 0:03:46 | |
What's even better is this here. Wait for it... | 0:03:46 | 0:03:49 | |
RATTLING | 0:03:49 | 0:03:50 | |
Ah! And it's all hidden away. | 0:03:50 | 0:03:53 | |
This early 20th-century oak cabinet is 490 euros, | 0:03:53 | 0:03:57 | |
way over Thomas's budget. | 0:03:57 | 0:03:58 | |
Looks like that's not his only problem now. | 0:04:00 | 0:04:03 | |
Whoops, has he broken it? | 0:04:03 | 0:04:05 | |
Ruth, erm, is there a key for this? | 0:04:05 | 0:04:08 | |
I'm afraid not. What did you do? | 0:04:08 | 0:04:10 | |
-I just pulled it down and it locked. -Well... | 0:04:10 | 0:04:13 | |
you really should have asked for some help with that, Thomas. | 0:04:13 | 0:04:17 | |
-Now you've broken it. -I don't think I've broken it. | 0:04:17 | 0:04:20 | |
Bit awkward, this. | 0:04:20 | 0:04:21 | |
It has happened before, so Ruth knows how to fix it, thankfully. | 0:04:21 | 0:04:25 | |
Meanwhile, Christina has headed just half an hour north, | 0:04:27 | 0:04:31 | |
still in Tipperary, to the small village of Templetuohy. | 0:04:31 | 0:04:34 | |
Her first shop is Larkins Antiques, | 0:04:37 | 0:04:40 | |
a family-run affair that's been on the go for over 30 years. | 0:04:40 | 0:04:45 | |
-Hello! -Hello. | 0:04:45 | 0:04:47 | |
-Hello, good morning. -How are you, Christina? -Very well, thank you. | 0:04:47 | 0:04:50 | |
-Nice to meet you, I'm Christina. -And I'm Mary. | 0:04:50 | 0:04:53 | |
Lovely to meet you, Mary. My goodness, what a shop! | 0:04:53 | 0:04:56 | |
-So tell me, Mary. -Yes? -I'm going in completely blind. | 0:04:56 | 0:05:00 | |
I know nothing about the Irish auction market. | 0:05:00 | 0:05:03 | |
So what are people buying? | 0:05:03 | 0:05:05 | |
Lovely sets of China. China is in big-time in Ireland. | 0:05:05 | 0:05:09 | |
Are people buying furniture over here? | 0:05:09 | 0:05:11 | |
Oh, they are, yeah. Antique furniture. | 0:05:11 | 0:05:13 | |
I'll go and have a wander and I'll see you in a bit. | 0:05:13 | 0:05:15 | |
Absolutely. Right. | 0:05:15 | 0:05:17 | |
Well, neither sell brilliantly in the UK at the moment. | 0:05:17 | 0:05:20 | |
Just goes to show that local knowledge is key. | 0:05:20 | 0:05:22 | |
Clever move, there, Christina. | 0:05:22 | 0:05:24 | |
So China's selling well. That's interesting, isn't it? | 0:05:24 | 0:05:28 | |
Tea sets, my goodness. | 0:05:28 | 0:05:30 | |
That's rather fun, isn't it? | 0:05:31 | 0:05:34 | |
This isn't early enough... | 0:05:34 | 0:05:36 | |
..sadly, to be a George Jones piece. Quite interesting, though, isn't it? | 0:05:38 | 0:05:41 | |
Certainly got a look and we're finding that, in the UK, | 0:05:41 | 0:05:46 | |
majolica is selling incredibly well. | 0:05:46 | 0:05:48 | |
George Jones began manufacturing this type of elaborately moulded ceramics | 0:05:49 | 0:05:54 | |
in the late 1860s - however, this was made long after George Jones died | 0:05:54 | 0:05:58 | |
and that's why it's called "majolica-style". | 0:05:58 | 0:06:01 | |
What have you got on that, Mary? | 0:06:01 | 0:06:02 | |
Well, I could give you that for... | 0:06:02 | 0:06:06 | |
..40 euros. | 0:06:07 | 0:06:08 | |
-Well, it's certainly got a look to it. -Absolutely, yes. | 0:06:08 | 0:06:12 | |
OK, so that could be a possibility, | 0:06:12 | 0:06:14 | |
-cos I quite like that. -It's gorgeous. | 0:06:14 | 0:06:15 | |
But Christina's only scratched the surface of Mary's wares. | 0:06:15 | 0:06:20 | |
Oh, that's quite fun. How much is on that? | 0:06:20 | 0:06:22 | |
-Do we know? -Mike? | 0:06:22 | 0:06:24 | |
-My husband. This is Christina. -Hello. Nice to meet you. | 0:06:24 | 0:06:27 | |
-You're in charge of the furniture, are you? -Yes. | 0:06:27 | 0:06:29 | |
How much is on your chair that needs some TLC, Michael? | 0:06:29 | 0:06:32 | |
Er, that's 100 euros. | 0:06:32 | 0:06:33 | |
-100 euros. It does need a lot of TLC. -It does. | 0:06:33 | 0:06:37 | |
Indeed. At least the frame of this Victorian carved chair | 0:06:38 | 0:06:40 | |
is still in pretty good condition. | 0:06:40 | 0:06:43 | |
Is there any flexibility on that price, Michael? | 0:06:43 | 0:06:46 | |
Maybe a little bit. | 0:06:46 | 0:06:47 | |
Um, 85? | 0:06:47 | 0:06:49 | |
85 euro, OK. | 0:06:49 | 0:06:51 | |
I quite like that. | 0:06:51 | 0:06:53 | |
It's definitely a possibility. Thank you, Mike, you're a gentleman. | 0:06:53 | 0:06:56 | |
I will give it some thought. | 0:06:56 | 0:06:58 | |
Back in Cashel, Thomas has been doing some al fresco browsing. | 0:06:58 | 0:07:02 | |
-Can I go inside? -Of course you may, yes. | 0:07:04 | 0:07:07 | |
He's on to something, look. | 0:07:07 | 0:07:09 | |
I love these, these are fab. | 0:07:09 | 0:07:11 | |
They're gorgeous. | 0:07:11 | 0:07:12 | |
-So we've got the Burgundy, we've got Chartreuse. -Yes. | 0:07:12 | 0:07:15 | |
-I have another one inside. -Do you? -Yeah, hang on. | 0:07:15 | 0:07:17 | |
By the turn of the 18th century, | 0:07:17 | 0:07:19 | |
decanters were popular in the homes of both the middle and upper classes. | 0:07:19 | 0:07:23 | |
The labels indicating the liquid contents | 0:07:23 | 0:07:26 | |
were originally called "bottle tickets". | 0:07:26 | 0:07:28 | |
-Look, "Kew-rac-oh". -Curacao, actually. | 0:07:28 | 0:07:31 | |
In perfect condition. | 0:07:31 | 0:07:33 | |
-So they're on copper with enamel. -Yeah. | 0:07:33 | 0:07:34 | |
-And how much are these each? -Ten each. | 0:07:34 | 0:07:37 | |
-Ten each. -They're a giveaway. -OK, we'll talk about that. | 0:07:37 | 0:07:40 | |
-Oh, right. -And then how much are these? | 0:07:40 | 0:07:42 | |
This one is 12. | 0:07:42 | 0:07:44 | |
And these two little ones are eight. | 0:07:44 | 0:07:46 | |
-I mean... -Two, three, four, five - 50 euro. | 0:07:46 | 0:07:48 | |
-62. -OK. | 0:07:48 | 0:07:50 | |
-78 euros. -You're good at the maths. | 0:07:50 | 0:07:52 | |
How about we start at 40 euros and then we work somewhere... | 0:07:52 | 0:07:55 | |
Oh, my God, no. | 0:07:55 | 0:07:56 | |
-Where can we meet in the middle? -Thomas...really. | 0:07:56 | 0:07:59 | |
-You're not going to sell them to me at 40, I get that. -OK, 65. | 0:07:59 | 0:08:02 | |
Ah, that's far too much! | 0:08:02 | 0:08:03 | |
-No. -Yes, it is. | 0:08:03 | 0:08:05 | |
-These are beautiful. -They are beautiful. | 0:08:05 | 0:08:07 | |
-I love them. -You never see these. They're gorgeous. | 0:08:07 | 0:08:10 | |
-Could say 60 and it's a deal? -Oh, OK, for you. -Yeah, you think so? | 0:08:10 | 0:08:14 | |
-Yeah. -Let's do it. -All right. | 0:08:14 | 0:08:17 | |
60 euros is for the eight | 0:08:17 | 0:08:18 | |
silver-plated and enamelled decanter labels. | 0:08:18 | 0:08:21 | |
Before I go, you are a yoga teacher. | 0:08:22 | 0:08:25 | |
Are there any moves you can teach me to sort of bring me any Zen | 0:08:25 | 0:08:29 | |
on my trip in Ireland? | 0:08:29 | 0:08:30 | |
I think the best thing you can do is to practise your breathing. | 0:08:30 | 0:08:34 | |
As you exhale, simply make a "ha" sound at the back of the throat. | 0:08:34 | 0:08:38 | |
I think that grunting would kind of annoy Christina quite a lot. | 0:08:38 | 0:08:42 | |
But it's quite funny, I'm going to do it. | 0:08:42 | 0:08:46 | |
Lucky Christina! | 0:08:46 | 0:08:47 | |
Speaking of which, back in Templetuohy, | 0:08:47 | 0:08:51 | |
she's enlisted Mary's help once more. | 0:08:51 | 0:08:53 | |
I thought these were quite fun. | 0:08:53 | 0:08:54 | |
Oh, you've lovely taste. | 0:08:54 | 0:08:57 | |
Aren't they beautiful? | 0:08:57 | 0:08:59 | |
I mean, typically 1830, this body to me looks like a Coalport body. | 0:08:59 | 0:09:03 | |
But that's really unusual decoration. | 0:09:03 | 0:09:06 | |
I mean, this is what we call a spur handle, | 0:09:06 | 0:09:09 | |
that typical spur handle of about 1830. | 0:09:09 | 0:09:11 | |
-Is there any more of the tea set? -I have. | 0:09:11 | 0:09:14 | |
-It's so funny, I have. -Have you? | 0:09:15 | 0:09:18 | |
And Mary's secret stash is in a drawer behind the counter, obviously. | 0:09:19 | 0:09:23 | |
What else have you got in that drawer? | 0:09:23 | 0:09:25 | |
-No, I can't show you what's in my drawers, Christina. -Oh, my goodness. | 0:09:25 | 0:09:30 | |
Crikey, there's loads of it, look! | 0:09:30 | 0:09:32 | |
-Are they not fabulous? -They are fabulous. | 0:09:32 | 0:09:34 | |
Are they not the nicest you've ever seen? | 0:09:34 | 0:09:37 | |
I love the fact that you've got the breakfast cups | 0:09:37 | 0:09:41 | |
-and you've got the coffee cups. -I have. -I love that. | 0:09:41 | 0:09:45 | |
The tea and coffee service isn't complete, | 0:09:45 | 0:09:47 | |
but there's so much of it that you could make easily a full set of six, | 0:09:47 | 0:09:51 | |
with spares. | 0:09:51 | 0:09:53 | |
-I need 180. -Oh, God. -Which is nothing, because it's a beauty. | 0:09:53 | 0:09:59 | |
Christina, you're never going to see another one. Never. | 0:09:59 | 0:10:05 | |
Can we do... | 0:10:05 | 0:10:07 | |
200 for the tea service and the chair? | 0:10:07 | 0:10:13 | |
-You have a deal. -I'm still quite tempted by the majolica. | 0:10:13 | 0:10:16 | |
Can we say 210 for all of it? | 0:10:16 | 0:10:19 | |
-210. -For the tea service, the chair and the majolica. | 0:10:20 | 0:10:23 | |
-She's hitting me the whole time, you are a hard woman. -Go on. Will you? | 0:10:23 | 0:10:27 | |
-A smile. -Will you? Yeah, thank you, Mary! | 0:10:27 | 0:10:30 | |
Christina has certainly gone big and bold on day one, | 0:10:30 | 0:10:34 | |
parting with 210 euros for three items. | 0:10:34 | 0:10:38 | |
She's now taking a break from the shopping, heading north, | 0:10:39 | 0:10:42 | |
crossing into County Offaly to the Irish heritage town of Birr. | 0:10:42 | 0:10:47 | |
Its 17th-century castle was once home | 0:10:47 | 0:10:50 | |
to a hotbed of world-famous scientific discovery. | 0:10:50 | 0:10:54 | |
This magnificent contraption was once the world's largest telescope, | 0:11:00 | 0:11:04 | |
known as the Leviathan of Parsonstown. | 0:11:04 | 0:11:08 | |
It was the brainchild of William Parsons, | 0:11:08 | 0:11:10 | |
the 3rd Earl of Rosse, and put Birr on the global map. | 0:11:10 | 0:11:13 | |
Christina is here to meet the castle's current resident, | 0:11:13 | 0:11:16 | |
the 3rd Earl's great-great-grandson, | 0:11:16 | 0:11:18 | |
Brendan Parsons, also known as Lord Rosse. | 0:11:18 | 0:11:21 | |
-Welcome to you, Christina. -Thank you so much. | 0:11:23 | 0:11:26 | |
Welcome to the great telescope of Birr. | 0:11:26 | 0:11:28 | |
This amazing feat of engineering and invention | 0:11:28 | 0:11:31 | |
played a major role in astronomical discovery. | 0:11:31 | 0:11:34 | |
What was he trying to do with his telescope? | 0:11:34 | 0:11:37 | |
He wanted to see further into space than anyone had ever been able | 0:11:37 | 0:11:41 | |
to see before and he wanted to build bigger. | 0:11:41 | 0:11:45 | |
How does it work? | 0:11:45 | 0:11:46 | |
-It works as a reflecting telescope. -Right. | 0:11:46 | 0:11:50 | |
-With a mirror in the big black box at the bottom. -Right. | 0:11:50 | 0:11:54 | |
The eyepiece picked up the image received | 0:11:54 | 0:11:56 | |
-in the huge, huge, six-foot mirror at the bottom. -At the bottom. | 0:11:56 | 0:12:00 | |
Armed with an idea and a degree in mathematics from Oxford, | 0:12:01 | 0:12:05 | |
William Parsons and his team, made up largely of locals from Birr, | 0:12:05 | 0:12:09 | |
spent three years inventing and building | 0:12:09 | 0:12:12 | |
the telescope's component parts in the castle workshop. | 0:12:12 | 0:12:15 | |
So, did he build the telescope... | 0:12:15 | 0:12:17 | |
did he get someone in to design and build it for him? | 0:12:17 | 0:12:19 | |
He had to think it all up himself and make it all himself. | 0:12:19 | 0:12:22 | |
Every single thing. | 0:12:22 | 0:12:24 | |
He had to start by setting up foundries in the boat, | 0:12:24 | 0:12:28 | |
-fired by the fuel from the turf from the local bog. -Uh-huh. | 0:12:28 | 0:12:32 | |
The biggest challenge was constructing | 0:12:33 | 0:12:36 | |
the central piece of the telescope, its huge mirror. | 0:12:36 | 0:12:38 | |
I would imagine that in the 1840s, | 0:12:38 | 0:12:43 | |
creating a six-foot diameter mirror was not easy. | 0:12:43 | 0:12:47 | |
It was impossible to create a mirror of anything like that size | 0:12:49 | 0:12:53 | |
in glass, as one would expect today. | 0:12:53 | 0:12:56 | |
The first mirrors cracked | 0:12:56 | 0:12:57 | |
because the outside cooled before the inside. | 0:12:57 | 0:13:01 | |
Can you imagine the disappointment? | 0:13:01 | 0:13:02 | |
But there was far greater determination. | 0:13:02 | 0:13:04 | |
And the determination paid off. | 0:13:04 | 0:13:07 | |
In 1845, work was complete on the 54-foot, 16-ton telescope. | 0:13:07 | 0:13:13 | |
Its fame quickly spread around the world. | 0:13:13 | 0:13:16 | |
What did they discover? | 0:13:16 | 0:13:18 | |
His greatest discovery was what's now called the spiral nebula. | 0:13:18 | 0:13:23 | |
It was groundbreaking at the time, and for the next few decades, | 0:13:24 | 0:13:28 | |
hundreds of the world's greatest minds came to Birr | 0:13:28 | 0:13:31 | |
to observe the great discovery. | 0:13:31 | 0:13:33 | |
Three years after unveiling his telescope, | 0:13:33 | 0:13:36 | |
William Parsons became President of the Royal Society, | 0:13:36 | 0:13:38 | |
a world-renowned scientific organisation. | 0:13:38 | 0:13:41 | |
When he died in 1867, his telescope was still | 0:13:41 | 0:13:44 | |
the largest in the world, and would remain so for a further 50 years. | 0:13:44 | 0:13:49 | |
Birr became a global centre for astronomical research, | 0:13:49 | 0:13:53 | |
spurring on further generations of the family, | 0:13:53 | 0:13:55 | |
most notably the 4th Earl, who focused his attention on the moon. | 0:13:55 | 0:13:59 | |
What do we have here, Lord Rosse? | 0:14:03 | 0:14:05 | |
This is a machine that was made by the 4th Earl | 0:14:05 | 0:14:10 | |
-in 1867. -Did he inherit the telescope? | 0:14:10 | 0:14:12 | |
So he inherited the telescope and a passion for astronomy, | 0:14:12 | 0:14:16 | |
but focused it slightly more on measuring the heat of the moon | 0:14:16 | 0:14:20 | |
-with this instrument. -Measuring the heat of the moon? | 0:14:20 | 0:14:23 | |
Yes, he spent years and years trying to measure the heat of the moon, | 0:14:23 | 0:14:28 | |
only to see his measurements dismissed at the time | 0:14:28 | 0:14:31 | |
as the madness of a typically mad Irish Earl, he was thought to be, | 0:14:31 | 0:14:35 | |
wasting all his time. | 0:14:35 | 0:14:37 | |
Amazingly, it wasn't until man finally stepped on the moon | 0:14:37 | 0:14:41 | |
that the 4th Earl's calculations | 0:14:41 | 0:14:43 | |
were tested and found to be more accurate than originally thought. | 0:14:43 | 0:14:47 | |
So, this is a letter from Neil Armstrong? | 0:14:48 | 0:14:50 | |
That is a letter to the my mother... | 0:14:50 | 0:14:53 | |
-Yeah. -..after his visit here, | 0:14:53 | 0:14:56 | |
and sharing with her the temperature of the moon as he found it, | 0:14:56 | 0:15:00 | |
as it related to the temperature of the moon as measured | 0:15:00 | 0:15:02 | |
by my great-grandfather, the 4th Earl, with that instrument there. | 0:15:02 | 0:15:06 | |
-So, the 4th Earl... -It wasn't as mad as was dismissed at the time. | 0:15:06 | 0:15:10 | |
In fact, it was accurate to within about 4%. | 0:15:10 | 0:15:13 | |
-So, almost 100 years later, he was proved right? -Yes. | 0:15:13 | 0:15:16 | |
Through the ingenuity of the Parsons family, | 0:15:16 | 0:15:19 | |
Birr Castle was a hub of discovery and innovation. | 0:15:19 | 0:15:22 | |
Now, with its modern-day science centre, they hope to continue | 0:15:22 | 0:15:27 | |
inspiring budding astronomers to follow in their footsteps. | 0:15:27 | 0:15:30 | |
I have to say, it's been absolutely fascinating | 0:15:31 | 0:15:33 | |
learning about your astronomical family. Thank you so much. | 0:15:33 | 0:15:36 | |
Thank you, Christina, for your interest. | 0:15:36 | 0:15:38 | |
Meanwhile, rival Thomas has joined Christina in Birr, County Offaly, | 0:15:38 | 0:15:44 | |
but he's here to shop. | 0:15:44 | 0:15:46 | |
-Hi, Tom, how are you? -Very well. | 0:15:46 | 0:15:48 | |
-What's your name? -Breda. -Breda? -Yes. -Nice to see you, Breda. | 0:15:48 | 0:15:51 | |
Indeed, nice place you've got here too. | 0:15:52 | 0:15:55 | |
Lovely office chair. Just a bit more than I've got to spend. | 0:15:59 | 0:16:02 | |
There's loads to look at, | 0:16:02 | 0:16:04 | |
so hopefully I shall be buying something. | 0:16:04 | 0:16:06 | |
The question, of course, is - what? | 0:16:06 | 0:16:09 | |
Quite a cool cocktail shaker. | 0:16:09 | 0:16:11 | |
You know, drinking is always a popular thing. | 0:16:11 | 0:16:14 | |
And certainly cocktail shakers, it evokes that sort of vintage style. | 0:16:14 | 0:16:17 | |
It's silver-plated. | 0:16:17 | 0:16:19 | |
And one puts your mixers in there. | 0:16:19 | 0:16:23 | |
It's got a cork stopper, which means that none of the mix will fall out. | 0:16:23 | 0:16:27 | |
Rather lovely, really, with a handle, | 0:16:27 | 0:16:29 | |
and it just looks rather good fun. | 0:16:29 | 0:16:33 | |
Not a bad option, though. | 0:16:33 | 0:16:34 | |
But I'm sure there's more temptation somewhere. | 0:16:34 | 0:16:37 | |
This is an extraordinarily thing. | 0:16:37 | 0:16:39 | |
Being marked sterling means it could be American. | 0:16:39 | 0:16:42 | |
Cos that's how the Americans stamped their silver, | 0:16:44 | 0:16:47 | |
with the sterling mark, rather than our British hallmarks. | 0:16:47 | 0:16:51 | |
British and Irish hallmarks, one should say. | 0:16:51 | 0:16:54 | |
I'm not going to spend 95 euros on something I don't know what it is. | 0:16:54 | 0:16:58 | |
Perhaps Breda does. | 0:16:58 | 0:16:59 | |
-What is this? -It's a cake breaker. | 0:16:59 | 0:17:02 | |
If you have a very fresh sponge, what the Victorians - | 0:17:02 | 0:17:05 | |
and they had something for everything, as you know yourself - | 0:17:05 | 0:17:09 | |
they'd push it down through it | 0:17:09 | 0:17:11 | |
and it would stop the cake literally from breaking. | 0:17:11 | 0:17:14 | |
And they'd slip the knife in and then you'd have a perforated slice. | 0:17:14 | 0:17:17 | |
Oh, yes! Cor, those Victorians certainly knew how to prevent | 0:17:17 | 0:17:21 | |
their cakes from being squashed! | 0:17:21 | 0:17:22 | |
What an interesting object. | 0:17:22 | 0:17:24 | |
In the right sort of climate, really. | 0:17:24 | 0:17:27 | |
Baking is quite popular these days, isn't it? | 0:17:27 | 0:17:30 | |
Another one to ponder. | 0:17:30 | 0:17:31 | |
Some soda siphons, they could... | 0:17:31 | 0:17:34 | |
We could make a sort of cocktail lot. | 0:17:35 | 0:17:38 | |
"Mineral Waters Distributors Ltd, Dublin." | 0:17:38 | 0:17:42 | |
So an Irish soda siphon. | 0:17:42 | 0:17:45 | |
There's a pewter one there. | 0:17:46 | 0:17:48 | |
Here we are. | 0:17:48 | 0:17:49 | |
"A & R Thwaites & Co." | 0:17:49 | 0:17:53 | |
There's no price on there. It's obviously free. | 0:17:53 | 0:17:56 | |
Hey, time to do some buying. You're needed, Breda. | 0:17:56 | 0:18:00 | |
-The cocktail shaker. -OK. -What can that be? | 0:18:00 | 0:18:03 | |
-There's a price of 45 on it, isn't there? -Yes. | 0:18:03 | 0:18:07 | |
-OK. -I was thinking maybe 25. | 0:18:07 | 0:18:10 | |
Well, since you're such a nice gentleman, | 0:18:11 | 0:18:15 | |
-and you obviously need it... -Yeah, I do. | 0:18:15 | 0:18:17 | |
-OK. -25 for that. -Yeah. -Great. | 0:18:17 | 0:18:20 | |
-So that's one thing out of the way. -OK. | 0:18:20 | 0:18:22 | |
What about that rather unusual cake-breaking thingy? | 0:18:22 | 0:18:25 | |
-What could you do that for? -Well, it's 95. | 0:18:25 | 0:18:29 | |
-Yeah. -Mm. | 0:18:29 | 0:18:32 | |
What about 45? | 0:18:32 | 0:18:33 | |
-Now, it is nice, and it is silver. -It is, yes. | 0:18:35 | 0:18:38 | |
-I would be very happy with 55. -55. I think you've got yourself a deal. | 0:18:38 | 0:18:42 | |
-OK, very good. -I like it very much. | 0:18:42 | 0:18:43 | |
He's clocking up the purchases in here, | 0:18:43 | 0:18:45 | |
and those soda siphons are still an option. | 0:18:45 | 0:18:48 | |
Pub is very much in vogue at the moment. A lot of people collect it. | 0:18:48 | 0:18:52 | |
And they're going away from the contemporary look in pubs | 0:18:52 | 0:18:55 | |
-and are actually doing them up in the old style. -Are they? | 0:18:55 | 0:18:58 | |
How much can the three of them be? 30? | 0:18:58 | 0:19:00 | |
-35? -No, I didn't have that number in my head, no. | 0:19:00 | 0:19:04 | |
-40, then? -Well, as I said, you are such a gentleman, yeah, OK, | 0:19:04 | 0:19:09 | |
40 would suit me. | 0:19:09 | 0:19:10 | |
-Would that suit you? -Mm. | 0:19:10 | 0:19:12 | |
-Deal. That's another deal. -You are very welcome. | 0:19:12 | 0:19:16 | |
Good work, Thomas, that's the Art Deco cocktail shaker, | 0:19:16 | 0:19:19 | |
a sterling silver cake-breaker | 0:19:19 | 0:19:21 | |
and three soda siphons for 120 euros. | 0:19:21 | 0:19:24 | |
Well, a successful sort of day, really. | 0:19:27 | 0:19:29 | |
We've got...mainly drinking and eating items. | 0:19:29 | 0:19:32 | |
Tomorrow I've got to buy that sure-fire profit. | 0:19:32 | 0:19:36 | |
And with that, it's time for our experts | 0:19:36 | 0:19:39 | |
to head off to the land of Nod. | 0:19:39 | 0:19:41 | |
Night-night. | 0:19:41 | 0:19:42 | |
Another glorious day in Ireland. | 0:19:46 | 0:19:49 | |
I keep on going...for... | 0:19:49 | 0:19:51 | |
this gear stick here. | 0:19:51 | 0:19:52 | |
-It's here, darling. -I know, I know. | 0:19:52 | 0:19:54 | |
-The stick here is here. The stick is here, Thomas. -Well done. | 0:19:54 | 0:19:58 | |
And third, go on, go on, you can do it, you can do it, go on. | 0:19:58 | 0:20:01 | |
-Go on! Third is easy. -Hurrah! -Third is easy. | 0:20:01 | 0:20:05 | |
Fortunately, Thomas is better at dealing than driving. | 0:20:05 | 0:20:09 | |
Yesterday, he secured some decanter labels, | 0:20:09 | 0:20:12 | |
a cocktail shaker, | 0:20:12 | 0:20:13 | |
three soda siphons | 0:20:13 | 0:20:15 | |
and a cake breaker for 180 euros, | 0:20:15 | 0:20:18 | |
leaving him 105 euros. | 0:20:18 | 0:20:21 | |
Christina spent big, blowing three-quarters of her budget | 0:20:22 | 0:20:25 | |
on a tea and coffee service, | 0:20:25 | 0:20:27 | |
a Victorian chair and a majolica-style jardiniere. | 0:20:27 | 0:20:31 | |
So, she has just 75 euros to spend today. | 0:20:31 | 0:20:34 | |
-How was your shopping? -It was good. | 0:20:34 | 0:20:36 | |
However, I did feel that maybe I spent a little bit too much money. | 0:20:36 | 0:20:40 | |
But Mary did give me some good tips | 0:20:40 | 0:20:41 | |
about what was selling in Ireland and what wasn't. | 0:20:41 | 0:20:43 | |
-Well, what is selling well in Ireland? -According to Mary, | 0:20:43 | 0:20:46 | |
anything that's not selling in the UK apparently sells well in Ireland. | 0:20:46 | 0:20:50 | |
-That's superb. -So I bought brown furniture and tea sets. | 0:20:50 | 0:20:53 | |
THEY LAUGH | 0:20:53 | 0:20:55 | |
But will Mary be proved right, come the auction? | 0:20:57 | 0:21:00 | |
This morning, our duo are starting at Portlaoise. | 0:21:00 | 0:21:04 | |
-Where we were yesterday? -Where we were yesterday? | 0:21:04 | 0:21:08 | |
-We were in County Tipperary, weren't we? -And where are we today? | 0:21:08 | 0:21:10 | |
Portlaoise? | 0:21:10 | 0:21:12 | |
# We're a long way from Tipperary | 0:21:12 | 0:21:14 | |
# It's a long way to go. # | 0:21:14 | 0:21:17 | |
And on that rather terrible note, Portlaoise, in County Laoise, | 0:21:19 | 0:21:24 | |
is an attractive, rapidly-growing market town. | 0:21:24 | 0:21:27 | |
-Don't buy too well. -Enjoy. Don't break it. -I won't break it. | 0:21:28 | 0:21:32 | |
Christina's next shop is run by David Kane and Robert Colin. | 0:21:33 | 0:21:39 | |
-Good morning, how are you? -Good morning, I'm very well. | 0:21:40 | 0:21:42 | |
You're very welcome to the Store Yard. | 0:21:42 | 0:21:44 | |
-Thank you, what's your name? -I'm Robert. | 0:21:44 | 0:21:46 | |
-Lovely to meet you, Robert. And you are? -David, how are you? | 0:21:46 | 0:21:49 | |
-Pleased to meet you. -This is amazing. | 0:21:49 | 0:21:51 | |
-This is a sort of hidden world. -It's a treasure inside. | 0:21:51 | 0:21:55 | |
Oh, yes, it's big enough | 0:21:55 | 0:21:56 | |
and rammed with architectural and decorative items. | 0:21:56 | 0:22:00 | |
I know nothing really about the Irish market | 0:22:00 | 0:22:03 | |
because we are selling in an auction in Birr. | 0:22:03 | 0:22:07 | |
-Do you know about auction houses here? -I do. | 0:22:07 | 0:22:09 | |
-I do know the one in Birr. -Good, I like that. | 0:22:09 | 0:22:11 | |
-It's a strong family auction house for years. -Brilliant. | 0:22:11 | 0:22:14 | |
-Insider information, I like it. Brilliant. -Do lots of rural bygones. | 0:22:14 | 0:22:19 | |
-Quirky things also, actually. -OK. -Good house. | 0:22:19 | 0:22:22 | |
What about...fairly knackered old chairs? | 0:22:22 | 0:22:25 | |
-Do you think that will sell well there? -No. -Oh, really? | 0:22:25 | 0:22:29 | |
Oh, Christina, perhaps you can spread the risk with some more items? | 0:22:29 | 0:22:34 | |
I think it's the most beautiful antique shop I've never been into. | 0:22:34 | 0:22:38 | |
-Thanks very much. -I'm in love with it. It's wonderful. | 0:22:38 | 0:22:41 | |
David and his team often provide pieces for sets of period dramas. | 0:22:41 | 0:22:45 | |
-Ah, beautiful. -More there for you. | 0:22:45 | 0:22:47 | |
Like an alleyway of gorgeousness, isn't it? Look at those colours. | 0:22:47 | 0:22:50 | |
They can kit out entire rooms for certain periods. | 0:22:50 | 0:22:53 | |
This is beautiful! | 0:22:53 | 0:22:55 | |
Even down to wall coverings, | 0:22:55 | 0:22:57 | |
like this room of 18th-century American pine panelling. | 0:22:57 | 0:23:01 | |
-Is this room for sale? -Yes. | 0:23:02 | 0:23:04 | |
Just stunning. I love it. | 0:23:04 | 0:23:06 | |
How much would it cost me to buy this room? | 0:23:06 | 0:23:09 | |
The price of a bungalow in Ireland at the moment. | 0:23:09 | 0:23:11 | |
Oh, really? I definitely haven't got that in my budget. | 0:23:11 | 0:23:14 | |
Ha! I bet you wish you had more than 75 euros left, eh, Christina? | 0:23:14 | 0:23:18 | |
-That's quite nice. -That's a nice little thing, actually. | 0:23:18 | 0:23:21 | |
It's priced very well, there is some damage. | 0:23:21 | 0:23:23 | |
But it's nice Florian ware. | 0:23:23 | 0:23:25 | |
Florian ware was the company that Moorcroft started working for. | 0:23:25 | 0:23:28 | |
-Correct. -Before he started his own factory. | 0:23:28 | 0:23:31 | |
And you've got "WM des", so William Moorcroft designer. | 0:23:31 | 0:23:34 | |
Nice Florian ware stamp. | 0:23:34 | 0:23:36 | |
-25 euros? -Yeah. | 0:23:37 | 0:23:39 | |
I mean, yes, it's got some damage to it, but I still think | 0:23:39 | 0:23:41 | |
for a Moorcroft collector, that's a really nice thing, isn't it? | 0:23:41 | 0:23:45 | |
A good thing, yes, a very good thing. | 0:23:45 | 0:23:46 | |
Well, that's a distinct possibility, David. I like this a lot. | 0:23:46 | 0:23:50 | |
-OK, shall we keep wandering? -Yeah. | 0:23:50 | 0:23:52 | |
Sounds positive. | 0:23:52 | 0:23:53 | |
Let's leave Christina to explore her new favourite shop | 0:23:53 | 0:23:57 | |
and join our other intrepid antiques hunter. | 0:23:57 | 0:24:00 | |
He's taking a breather from shopping to find out | 0:24:00 | 0:24:02 | |
about one of Ireland's great heroes - | 0:24:02 | 0:24:04 | |
a world-renowned explorer | 0:24:04 | 0:24:06 | |
and pioneer of the heroic age of Antarctic discovery. | 0:24:06 | 0:24:10 | |
Thomas is visiting Athy Heritage Centre | 0:24:13 | 0:24:16 | |
just a few miles from the birthplace of Sir Ernest Shackleton. | 0:24:16 | 0:24:21 | |
Thomas is here to meet head of the Shackleton Society, Seamus Taaffe. | 0:24:21 | 0:24:26 | |
Seamus, we're here because you have a famous hero, a man of great note. | 0:24:26 | 0:24:32 | |
Yes, we're very lucky, we have one of the greatest explorers | 0:24:32 | 0:24:34 | |
of all time. Ernest Shackleton was born in Kilkea. | 0:24:34 | 0:24:37 | |
As the eldest son of 10 children, | 0:24:37 | 0:24:39 | |
Shackleton was expected to help support his family. | 0:24:39 | 0:24:43 | |
But instead, at 16 he went off to sea and became a master mariner. | 0:24:43 | 0:24:47 | |
He charmed his way onto Captain Scott's Antarctic expedition in 1901, | 0:24:47 | 0:24:54 | |
gaining experience that led to his own endeavours | 0:24:54 | 0:24:58 | |
into the then uncharted continent. | 0:24:58 | 0:25:00 | |
We know Shackleton had lots of expeditions. | 0:25:00 | 0:25:02 | |
Which one is the one we all know? | 0:25:02 | 0:25:05 | |
The greatest expedition is obviously | 0:25:05 | 0:25:07 | |
his 1914 Imperial Trans-Antarctic Expedition. | 0:25:07 | 0:25:10 | |
Bear in mind, at this stage, | 0:25:10 | 0:25:12 | |
the pole has been reached by Amundsen and Scott in 1913. | 0:25:12 | 0:25:14 | |
So he comes with a plan - he's going to cross the Antarctic from sea to sea. | 0:25:14 | 0:25:18 | |
The South Pole, the Antarctic? | 0:25:18 | 0:25:20 | |
-Yes. -Cross it? -Yes. | 0:25:20 | 0:25:21 | |
But from the very start, it all goes terribly wrong. | 0:25:21 | 0:25:24 | |
The mission was to sail from South Georgia to the Weddell Sea. | 0:25:27 | 0:25:30 | |
Once they hit land, they would continue by foot and sledge | 0:25:30 | 0:25:33 | |
until they reached the Ross Sea. | 0:25:33 | 0:25:36 | |
It had never been done before, and when they got near, | 0:25:36 | 0:25:39 | |
disaster struck. | 0:25:39 | 0:25:40 | |
The 28-man crew got stuck in ice in the Weddell Sea. | 0:25:40 | 0:25:44 | |
Their ship, Endurance, eventually sank, | 0:25:44 | 0:25:47 | |
forcing them to set up camp on the ice. | 0:25:47 | 0:25:50 | |
20 months after setting out, the ice finally melted | 0:25:50 | 0:25:53 | |
and starts pulling them in the wrong direction. | 0:25:53 | 0:25:56 | |
How did they survive? | 0:25:59 | 0:26:00 | |
They kept three lifeboats from the ship which they're pulling | 0:26:00 | 0:26:03 | |
across the ice towards the direction they want to go, | 0:26:03 | 0:26:06 | |
but the ice is still drifting, so eventually they get into open water. | 0:26:06 | 0:26:09 | |
They decide to go for a place called Elephant Island, | 0:26:09 | 0:26:12 | |
a desolate rock in the middle of nowhere in the South Atlantic. | 0:26:12 | 0:26:16 | |
And they spend about seven days in the three boats | 0:26:16 | 0:26:18 | |
until they get to Elephant Island. | 0:26:18 | 0:26:19 | |
-How do they do that - under sail or rowing? -A bit of both. | 0:26:19 | 0:26:22 | |
But there's no hope of being rescued from this small, inhospitable island. | 0:26:23 | 0:26:28 | |
Shackleton knows, to stand the chance of survival, | 0:26:28 | 0:26:31 | |
he must take his five best sailors in one lifeboat and travel | 0:26:31 | 0:26:35 | |
over 1,000 kilometres back to the inhabited island of South Georgia. | 0:26:35 | 0:26:39 | |
The other 22 men are left behind. | 0:26:40 | 0:26:43 | |
The South Atlantic is a miserable place to be, | 0:26:44 | 0:26:46 | |
-the southern oceans, it's the worst... -Big waves. | 0:26:46 | 0:26:49 | |
Big waves, daylight is very poor, it's very hard to read. | 0:26:49 | 0:26:52 | |
And after 70 days, they reach South Georgia, | 0:26:52 | 0:26:54 | |
an extraordinary boat journey, there's nothing to compare to it. | 0:26:54 | 0:26:58 | |
Despite their incredible achievement, | 0:26:58 | 0:27:01 | |
they arrive on the wrong side of the island. | 0:27:01 | 0:27:03 | |
The boat is battered and the crew exhausted, | 0:27:03 | 0:27:06 | |
so Shackleton then has to lead his team across uncharted, | 0:27:06 | 0:27:10 | |
rough, icy terrain by foot | 0:27:10 | 0:27:12 | |
to get to the whaling station on the northern side. | 0:27:12 | 0:27:15 | |
They spent 36 hours crossing non-stop. | 0:27:18 | 0:27:20 | |
At one point, the men are very tired, | 0:27:20 | 0:27:21 | |
so Shackleton says we'll have a sleep. | 0:27:21 | 0:27:23 | |
He lets them sleep for five minutes. | 0:27:23 | 0:27:25 | |
Then he wakes them up and says, "That was an hour, lads, great." | 0:27:25 | 0:27:29 | |
He was very clever how he managed his men. | 0:27:29 | 0:27:31 | |
But eventually they get across | 0:27:31 | 0:27:33 | |
and they hear the sound of the steam whistle of the whaling station. | 0:27:33 | 0:27:36 | |
In the morning, they know they've reached safety. | 0:27:36 | 0:27:38 | |
But Shackleton couldn't rest | 0:27:38 | 0:27:41 | |
until he'd saved all his crew from Elephant Island. | 0:27:41 | 0:27:44 | |
He mustered boats from Norway and Chile | 0:27:44 | 0:27:47 | |
to make several rescue attempts. | 0:27:47 | 0:27:49 | |
But it wasn't until 25th August 1916 that he reached his remaining 22 men. | 0:27:49 | 0:27:55 | |
They'd been stranded for almost four months | 0:27:55 | 0:27:58 | |
with very little in the way of provisions, but they all survived. | 0:27:58 | 0:28:02 | |
Seamus, what have we got here? | 0:28:02 | 0:28:03 | |
This is actually one of the few relics | 0:28:03 | 0:28:05 | |
we have of the Endurance expedition. | 0:28:05 | 0:28:07 | |
It's the last biscuit that Shackleton had in his pocket | 0:28:07 | 0:28:09 | |
crossing South Georgia. | 0:28:09 | 0:28:11 | |
The last bit of food he had left to feed himself and his men with. | 0:28:11 | 0:28:14 | |
I think he kept it as a reminder to himself for the rest of his life | 0:28:14 | 0:28:17 | |
-of how close they came to death at that time. -That's marvellous. | 0:28:17 | 0:28:20 | |
Although Shackleton didn't achieve his scientific goals, | 0:28:20 | 0:28:24 | |
his heroism has gone down in history. | 0:28:24 | 0:28:27 | |
He set off on what would be his final Antarctic expedition | 0:28:27 | 0:28:31 | |
in late 1921, this time aiming to circumnavigate the continent. | 0:28:31 | 0:28:35 | |
Is this the album of his last voyage? | 0:28:35 | 0:28:38 | |
It's images from the expedition from the very get-go. | 0:28:38 | 0:28:41 | |
This album is in some ways a sad relic of the expedition | 0:28:41 | 0:28:44 | |
because that's where he died - | 0:28:44 | 0:28:46 | |
at the scene of his greatest triumph, where he rescued his men. | 0:28:46 | 0:28:48 | |
-He died there. -He died there. | 0:28:48 | 0:28:50 | |
Shackleton died of a heart attack in January 1922 | 0:28:50 | 0:28:54 | |
and was buried on South Georgia. | 0:28:54 | 0:28:56 | |
His courage and skill in keeping everyone alive | 0:28:56 | 0:28:59 | |
on his trans-Antarctic expedition has become his enduring legacy. | 0:28:59 | 0:29:05 | |
Back in Portlaoise, Christina is still shopping in heaven. | 0:29:13 | 0:29:17 | |
-That's quite smart, isn't it? -Yes, nice little pond yacht, actually. | 0:29:19 | 0:29:23 | |
I mean, it's typically early-20th century, isn't it? | 0:29:23 | 0:29:26 | |
-Can you imagine the hours of fun someone's had with that? -Exactly. | 0:29:26 | 0:29:29 | |
-Pure enjoyment. -Yeah, exactly. -And the sails are all original. | 0:29:29 | 0:29:33 | |
-Have you got the stand? -I don't have the stand, unfortunately. | 0:29:33 | 0:29:36 | |
-But the condition is good. -I do love these things. | 0:29:36 | 0:29:38 | |
What have you got on that, David? | 0:29:38 | 0:29:40 | |
125 we have on it, but we'll do something on it. | 0:29:40 | 0:29:43 | |
Could you do quite a lot on it? | 0:29:43 | 0:29:45 | |
-Do I have to sit down? -I think you might have to. -Tell me. | 0:29:47 | 0:29:51 | |
I really don't have much money left and I don't want to offend you, | 0:29:51 | 0:29:55 | |
-but I love the Moorcroft. -Mm-hm. | 0:29:55 | 0:29:57 | |
I mean, would you really, really, really, really | 0:29:57 | 0:30:00 | |
throw me out of this beautiful place - please don't, | 0:30:00 | 0:30:03 | |
because I love it - if I said 50 euros for the two? | 0:30:03 | 0:30:07 | |
I'll do 60 for the two. Is that fair? | 0:30:07 | 0:30:10 | |
-60 for the two, I think that is more than fair. -Very good. | 0:30:10 | 0:30:13 | |
You're incredibly generous. | 0:30:13 | 0:30:14 | |
That you are. | 0:30:14 | 0:30:15 | |
That's 60 euros for a reasonably priced, but slightly damaged, | 0:30:15 | 0:30:19 | |
Florian ware butter dish | 0:30:19 | 0:30:21 | |
and a late-Victorian or early-Edwardian pond yacht. | 0:30:21 | 0:30:24 | |
Meanwhile, Thomas has one last chance to shop in Kilkenny, | 0:30:28 | 0:30:33 | |
at Darcy & Ralph Antiques. | 0:30:33 | 0:30:36 | |
-Hello. -Hello. -I'm Thomas. | 0:30:36 | 0:30:38 | |
-I'm George. -George, nice to see you. | 0:30:38 | 0:30:41 | |
Have you got anything particularly sort of Irish related? | 0:30:41 | 0:30:46 | |
I had Waterford glass yesterday, but I've run out today. | 0:30:46 | 0:30:49 | |
-But I've got some Belleek. -Belleek over there, is there? | 0:30:49 | 0:30:53 | |
Yes, there's a bit of Belleek and a lot more besides. | 0:30:53 | 0:30:57 | |
It doesn't sort of stop, does it? | 0:30:57 | 0:30:59 | |
You've got pictures, mirrors, guitars, | 0:30:59 | 0:31:02 | |
fans. | 0:31:02 | 0:31:03 | |
I need to cool myself down. Scales. | 0:31:05 | 0:31:07 | |
This is what George mentioned, a bit of Belleek. | 0:31:07 | 0:31:09 | |
Belleek's founder, John Caldwell Bloomfield, | 0:31:09 | 0:31:13 | |
set up the Northern Irish pottery business | 0:31:13 | 0:31:16 | |
to provide employment after the potato famine | 0:31:16 | 0:31:19 | |
in the mid-19th century, and has been producing fine China ever since. | 0:31:19 | 0:31:23 | |
Oh, look at this. | 0:31:23 | 0:31:25 | |
-County Fermanagh. -Yeah, that's right. | 0:31:27 | 0:31:30 | |
County Fermanagh. | 0:31:30 | 0:31:32 | |
Marked "Ireland". | 0:31:32 | 0:31:34 | |
-Green mark. -Hm? | 0:31:34 | 0:31:36 | |
Green mark. | 0:31:36 | 0:31:37 | |
-The green mark is the later one? -Yes, it is. | 0:31:37 | 0:31:40 | |
A possible, then. | 0:31:40 | 0:31:42 | |
Or there's this Irish transfer-printed dinner service. | 0:31:42 | 0:31:45 | |
Look at that, made in the Republic. | 0:31:45 | 0:31:48 | |
You could have that for 40. | 0:31:48 | 0:31:50 | |
-40!? -Yeah. | 0:31:50 | 0:31:51 | |
-You're having a laugh. 40? -Mm. | 0:31:52 | 0:31:55 | |
-It's perfect, though, isn't it? Arklow pottery. -Yeah. | 0:31:55 | 0:31:57 | |
HOLLOW RINGING | 0:31:57 | 0:31:59 | |
A good ring. | 0:31:59 | 0:32:00 | |
But there's more there. | 0:32:00 | 0:32:02 | |
In fact, George has got tons of it. | 0:32:02 | 0:32:03 | |
But it's not a complete dinner service and there is some damage. | 0:32:03 | 0:32:07 | |
I do like this Belleek, because it's known and although it's modern, | 0:32:08 | 0:32:12 | |
its lustre, it's rather smart, very fine porcelain. | 0:32:12 | 0:32:16 | |
HOLLOW RINGING | 0:32:16 | 0:32:18 | |
-Sounds good. -A good jingle out of it, yes. | 0:32:18 | 0:32:21 | |
A bit of paint on there, but that's not the end of the world. | 0:32:21 | 0:32:24 | |
So, would you take 20 euros for this? | 0:32:24 | 0:32:27 | |
-I will. -You would? -I will. -You have a deal. Thank you. | 0:32:27 | 0:32:30 | |
You're a star. I'll give you some money. | 0:32:30 | 0:32:32 | |
Swift business. 20 euros for a Belleek jug and bowl. | 0:32:32 | 0:32:36 | |
-I wish you good luck. -Thank you. -Thanks a million. -You're a star. | 0:32:36 | 0:32:39 | |
Thank you. Thanks a lot. | 0:32:39 | 0:32:41 | |
And with that, their first shopping trip draws to a close. | 0:32:41 | 0:32:45 | |
Christina spent 270 euros on a rather worn Victorian chair, | 0:32:45 | 0:32:49 | |
a majolica-style jardiniere, | 0:32:49 | 0:32:53 | |
a tea and coffee service, | 0:32:53 | 0:32:55 | |
a Florian ware butter dish | 0:32:55 | 0:32:57 | |
and a pond yacht. | 0:32:57 | 0:32:59 | |
While Thomas paid out 200 euros for eight decanter labels, | 0:32:59 | 0:33:03 | |
an Art Deco cocktail shaker, | 0:33:03 | 0:33:05 | |
a cake breaker, | 0:33:05 | 0:33:07 | |
three soda siphons, | 0:33:07 | 0:33:08 | |
and a Belleek jug and bowl. So, what do they think? | 0:33:08 | 0:33:11 | |
I think this is going to be really interesting. | 0:33:11 | 0:33:14 | |
Cos there's a couple of things Christina has bought | 0:33:14 | 0:33:17 | |
which I would never have entertained. | 0:33:17 | 0:33:19 | |
There seems to be quite a common theme to Thomas's purchases, | 0:33:19 | 0:33:22 | |
I think the Irish black stuff might have slightly gone to his head. | 0:33:22 | 0:33:25 | |
He's bought a lot of sort of alcohol-related ephemera. | 0:33:25 | 0:33:27 | |
I don't know if he's trying to build himself | 0:33:27 | 0:33:29 | |
a little category in the auction, maybe, to attract buyers. | 0:33:29 | 0:33:32 | |
One thing I think should be consigned | 0:33:32 | 0:33:36 | |
to the hole of hell of antique buying, | 0:33:36 | 0:33:39 | |
that's that reproduction jardiniere. What?! | 0:33:39 | 0:33:44 | |
The cocktail shaker is just Thomas through and through. | 0:33:44 | 0:33:46 | |
It's sleek, it's a bit glam, it's quite suave. | 0:33:46 | 0:33:49 | |
I think it's fabulous, I love it, I'd buy that, I think it's great. | 0:33:49 | 0:33:52 | |
After setting out from Cashel, our experts are now heading for | 0:33:52 | 0:33:57 | |
their first auction, back in Birr, County Offaly, | 0:33:57 | 0:34:00 | |
which is Offaly nice! | 0:34:00 | 0:34:02 | |
-So, did you enjoy our first Irish buying leg? -I did, I loved it. | 0:34:02 | 0:34:06 | |
I want to stay here, I don't want to go back to the United Kingdom. | 0:34:06 | 0:34:09 | |
But will he be saying that after round one of Trevanion versus Plant? | 0:34:09 | 0:34:14 | |
So, first leg. | 0:34:14 | 0:34:16 | |
First up, literally both of us straight out of the box. | 0:34:16 | 0:34:21 | |
Who's going to be victorious? | 0:34:21 | 0:34:22 | |
Christina, I think you might come out of this one better than myself, | 0:34:22 | 0:34:27 | |
-although you have risked more on the bigger lots. -Yeah, I have. | 0:34:27 | 0:34:31 | |
I'm not confident about any of my lots, I am not confident. | 0:34:31 | 0:34:35 | |
Too late now, Thomas. | 0:34:35 | 0:34:37 | |
Oh, there you are. | 0:34:38 | 0:34:40 | |
You have mastered this thing now. | 0:34:40 | 0:34:42 | |
-Well, I knew I would. -Right, neutral? -Yeah. | 0:34:42 | 0:34:46 | |
-I'm in neutral, it's off. -Handbrake? -Handbrake on, come on. | 0:34:46 | 0:34:50 | |
-Ladies first. -Thank you. | 0:34:52 | 0:34:54 | |
Welcome to 45-year-old Purcell Auctioneer's. | 0:34:54 | 0:34:58 | |
Today's guy with the gavel is Conor Purcell. | 0:34:58 | 0:35:01 | |
What does he think about our expert's treasures? | 0:35:01 | 0:35:03 | |
Chair, yeah, I really don't see the demand for that at all. | 0:35:05 | 0:35:09 | |
The pond yacht is a nice decorative thing. | 0:35:09 | 0:35:11 | |
Lovely in a man cave or something like that. | 0:35:11 | 0:35:13 | |
The set of decanter labels are lovely and pretty, | 0:35:13 | 0:35:16 | |
but I don't think people leave alcohol that long. | 0:35:16 | 0:35:19 | |
So it might struggle. | 0:35:19 | 0:35:21 | |
The cocktail shaker is a nice, collectable thing. | 0:35:21 | 0:35:23 | |
I would imagine it will certainly...it'll do OK. | 0:35:23 | 0:35:27 | |
Time to find out who has the luck of the Irish. | 0:35:27 | 0:35:30 | |
First up is Thomas's Belleek jug and bowl. | 0:35:32 | 0:35:34 | |
20 anywhere for this lot? | 0:35:34 | 0:35:36 | |
20 anywhere? 10 and see what happens. | 0:35:36 | 0:35:38 | |
-Any advance on 10? -10, he's got 10. 12? -Any advance on 12. 14 online. | 0:35:38 | 0:35:42 | |
-Any advance on 14? -Come on. -16 in the room. | 0:35:42 | 0:35:45 | |
Still in the room at 16. It's against you, online bidder. | 0:35:45 | 0:35:49 | |
Last chance. I'm selling in the room at 16. | 0:35:49 | 0:35:53 | |
It's a shaky start, but it can only get better. | 0:35:53 | 0:35:56 | |
Easy for you to say. | 0:35:58 | 0:36:00 | |
Let's see if Thomas's Art Deco cocktail shaker | 0:36:00 | 0:36:03 | |
can turn his luck around? | 0:36:03 | 0:36:05 | |
The commission is here with me at 30, and two, | 0:36:05 | 0:36:07 | |
-and five, and eight, and 40, and two. -Profit. -42 now. | 0:36:07 | 0:36:11 | |
-45 online. 45, 48 commission. -And rightly so. -Go on. | 0:36:11 | 0:36:15 | |
On commission at 48. All done and dusted. | 0:36:15 | 0:36:17 | |
It's here to be sold, and selling at 48. | 0:36:17 | 0:36:20 | |
-Well done. See? -Yes! | 0:36:20 | 0:36:23 | |
-I've made back that four-euro loss. -And some. -And a bit more. | 0:36:23 | 0:36:26 | |
-You're doing well. -It's a good profit really there. -Well done. | 0:36:26 | 0:36:30 | |
-So, are you feeling happy about that for me? -Not really. | 0:36:30 | 0:36:33 | |
All's fair in love and antiques. | 0:36:33 | 0:36:36 | |
Thomas has almost doubled his money on the cocktail shaker. | 0:36:36 | 0:36:39 | |
Now, it's over to Christina's majolica-style jardiniere. | 0:36:39 | 0:36:44 | |
-Lovely squirrel handles there. -Ahh! -Lovely squirrel handles. | 0:36:44 | 0:36:48 | |
50? Have we 40 anywhere? See what happens. 40 anywhere? 40 bid online. | 0:36:48 | 0:36:52 | |
-At 40 bid. -Christina! | 0:36:52 | 0:36:55 | |
42, lady's bid. 45. 45, 48. 50 bid. | 0:36:55 | 0:36:58 | |
-50 bid online. -Well done. -50 bid. | 0:36:58 | 0:37:02 | |
-Any advance? 55. 60 bid. Two bidders online. -I'd stop now, it's fine. | 0:37:02 | 0:37:07 | |
60 bid. Any advance on 60 bid? 65 bid. At 65. Any advance on 65? | 0:37:07 | 0:37:12 | |
Still there at 65. Online bidder winning. At 65, and selling at 65. | 0:37:12 | 0:37:18 | |
-High-funf, young girl. -I'm going to lose it all in a minute. | 0:37:18 | 0:37:22 | |
Have faith, milady, have faith. | 0:37:22 | 0:37:24 | |
Next up, it's Christina's biggest spend, | 0:37:24 | 0:37:27 | |
the tea and coffee service, loads of it. | 0:37:27 | 0:37:29 | |
50 anywhere for this lot? 50, 60, 70, 80 online. | 0:37:29 | 0:37:34 | |
You see, 90 now. | 0:37:34 | 0:37:35 | |
-90 bid. -Oh, come on. Come on, internet! | 0:37:35 | 0:37:39 | |
Any other hands in the room at 90? 95, 100. | 0:37:39 | 0:37:41 | |
-It's still hugely losing money. -It doesn't matter. 120. | 0:37:41 | 0:37:45 | |
Still there at 120. 130 bid. 140. 140 bid. | 0:37:45 | 0:37:49 | |
All done at 140. | 0:37:49 | 0:37:52 | |
Online bidder... At 150 bid. | 0:37:52 | 0:37:54 | |
Last chance to you all, online, in the room and elsewhere at 150. | 0:37:54 | 0:37:57 | |
It's selling at 150. | 0:37:57 | 0:38:00 | |
Well done. See? All of that. How do you feel? | 0:38:00 | 0:38:04 | |
-You must feel exhausted. -Relieved. Hugely relieved. -Exhausted. | 0:38:04 | 0:38:07 | |
It's a lucky escape, with only a small loss after auction costs. | 0:38:07 | 0:38:11 | |
Now, it's back over to Thomas with his three soda siphons. | 0:38:11 | 0:38:15 | |
Nice lot again. And straight in. 32, 35, 40, 42, 45, 48, 50 bid. | 0:38:15 | 0:38:21 | |
-That's a profit. -That's a profit. Ugh! -That's a profit. -At 55. | 0:38:21 | 0:38:25 | |
I'm out at 55. In the room at 55. | 0:38:25 | 0:38:27 | |
-More, more, more. -Any advance on 65? 60 bid. -60. -Oh, my goodness. | 0:38:27 | 0:38:32 | |
Any advance on 60? 60 bid. Last chance, going, going... 65. | 0:38:32 | 0:38:36 | |
-65, go on. -Stop it. | 0:38:36 | 0:38:38 | |
Any advance on 65? | 0:38:38 | 0:38:40 | |
-With a little encouragement at 65. -One more? | 0:38:40 | 0:38:43 | |
-No, he doesn't need any encouragement. -And selling at 65. | 0:38:43 | 0:38:47 | |
Well done. Seriously, well done. I'm amazed. | 0:38:47 | 0:38:49 | |
Top job, Thomas. Another solid profit. | 0:38:49 | 0:38:53 | |
Now for Christina's bargain Florian ware butter dish, | 0:38:53 | 0:38:56 | |
but will the damage hold it back? | 0:38:56 | 0:38:58 | |
-Commissions in again. 30, 32, 35, 38, 40 bid. -Starting bids. | 0:38:58 | 0:39:03 | |
-Two, five, six. -45 with me. At 45. 48? 50 bid. | 0:39:03 | 0:39:06 | |
55. Takes me out at 55. | 0:39:06 | 0:39:09 | |
-Come on, internet. Come on. -Oh, no! | 0:39:09 | 0:39:12 | |
-Five. -That should have made more than that. | 0:39:12 | 0:39:15 | |
-I feel bad for you, Christina. -It's a profit. -It's a profit. | 0:39:15 | 0:39:18 | |
Don't feel too bad, she's doubled her money. | 0:39:18 | 0:39:21 | |
Christina's Victorian chair is up now. Stand by. | 0:39:22 | 0:39:25 | |
Needs a bit of TLC. Who will start us at 80? 60? 50? | 0:39:27 | 0:39:31 | |
-Have we 40 anywhere? 40 anywhere? -Go on. It's beautiful. | 0:39:31 | 0:39:35 | |
-30 have we? 20 anywhere? -Ouch! | 0:39:35 | 0:39:38 | |
20 anywhere for this one? 20 anywhere? | 0:39:38 | 0:39:41 | |
I think I might take that and be grateful for it. | 0:39:41 | 0:39:43 | |
-20, all done around the room? -That's not great news, is it? -Oh, no! | 0:39:43 | 0:39:47 | |
-20 euros. I can't really... -Mary. | 0:39:47 | 0:39:51 | |
It's not exactly in peak condition, Christina. | 0:39:51 | 0:39:54 | |
Can the pond yacht do any better? | 0:39:55 | 0:39:58 | |
50 anywhere? 50 anywhere for the pond yacht? 40, start me at 30. | 0:39:58 | 0:40:02 | |
-30 bid. 30 bid. -Come on! | 0:40:02 | 0:40:05 | |
32 online. 32. And 35. | 0:40:05 | 0:40:07 | |
-One more, come on. Come on. -Any advance on 35? -Come on, come on! | 0:40:07 | 0:40:11 | |
Any advance on 35? 38 bid. 38 bid. | 0:40:11 | 0:40:14 | |
-It needs to make a bit more than that. -Last chance to you all. | 0:40:14 | 0:40:17 | |
-It's going, going at 30... At 40 bid. -Hooray! | 0:40:17 | 0:40:21 | |
42 bid in the room. | 0:40:21 | 0:40:22 | |
-Oh, he's in the room as well. -Two in the room now. -45, 48. | 0:40:22 | 0:40:26 | |
They can put their hands down now. | 0:40:26 | 0:40:28 | |
-She's getting too big for her boots. -Selling at 48. | 0:40:29 | 0:40:32 | |
I think you have done tremendously well. | 0:40:32 | 0:40:36 | |
-Well done, you. -That's it, I'm done. | 0:40:36 | 0:40:37 | |
That's Christina all out, ending with a nice little profit. | 0:40:37 | 0:40:41 | |
But Thomas still has two more items to go, | 0:40:41 | 0:40:43 | |
starting with his sterling silver cake breaker. | 0:40:43 | 0:40:47 | |
Commission is in at 50, and five, 60 bid. | 0:40:47 | 0:40:51 | |
-What did you pay for it? -55. -Oh! -Put your hand up if you are bidding. 65. | 0:40:51 | 0:40:56 | |
-70 bid. -70 bid, whoa, yes! | 0:40:56 | 0:40:59 | |
-Any advance? 75. -75. -It is there, isn't it? | 0:40:59 | 0:41:02 | |
My commission buyer is winning. | 0:41:02 | 0:41:04 | |
At 80 bid, make no mistake, I'm selling at 80. | 0:41:04 | 0:41:07 | |
Goodness. That was really good. Well spotted. | 0:41:08 | 0:41:11 | |
Cakes are popular, people like baking at the moment. | 0:41:11 | 0:41:14 | |
But it would also be very useful if you'd forgotten your hairbrush. | 0:41:14 | 0:41:17 | |
Another little earner for him. | 0:41:17 | 0:41:19 | |
Finally, it's Thomas's eight decanter labels. | 0:41:19 | 0:41:24 | |
Starting at 40. | 0:41:24 | 0:41:25 | |
30, nice things, these. 30 anywhere? | 0:41:25 | 0:41:28 | |
-Oh, no, he we go. -20 anywhere for all the labels? 20 bid. | 0:41:28 | 0:41:31 | |
-Any advance on 20? -Go on. -22. -22. 22 bid. 22, 25. | 0:41:31 | 0:41:37 | |
-Go on. -It's a bidding war. -30 bid. Any advance on 30 bid? | 0:41:37 | 0:41:41 | |
Here to be sold. Selling at 30. | 0:41:41 | 0:41:45 | |
-It's a hard loss. -Welcome to my world. -It's a horrible loss. | 0:41:45 | 0:41:49 | |
This one could be a close call. | 0:41:49 | 0:41:51 | |
Let's go check the figures and have a cup of tea. | 0:41:51 | 0:41:53 | |
-Maybe we can go and use your cocktail shaker. -I've sold it now. | 0:41:53 | 0:41:56 | |
-Oh, Thomas! -It's gone. | 0:41:56 | 0:41:58 | |
-Come on. -Come on, then. | 0:42:00 | 0:42:02 | |
Thomas began with 285 euros. | 0:42:04 | 0:42:06 | |
After auction costs, he lost four euros, two cents, | 0:42:06 | 0:42:10 | |
leaving him with almost 281 euros to spend next time. | 0:42:10 | 0:42:15 | |
Christina started with the same sum. | 0:42:17 | 0:42:19 | |
After deducting auction costs, | 0:42:19 | 0:42:21 | |
she made a profit of seven euros, 16 cents, | 0:42:21 | 0:42:25 | |
giving her the early lead and just over 292 euros. | 0:42:25 | 0:42:29 | |
-My goodness, what a roller coaster! -Up and down. -Up and down. | 0:42:29 | 0:42:34 | |
-Losses, profits. -I think we are almost on the level. | 0:42:34 | 0:42:38 | |
No, I made a little bit of a profit, and I have to say that | 0:42:38 | 0:42:41 | |
-because it hardly ever happens. -In you go. -So what happened...? | 0:42:41 | 0:42:44 | |
I'm not telling you. Get in. | 0:42:44 | 0:42:45 | |
-Did you make a profit or a loss? -Get in, I'm not telling you. | 0:42:45 | 0:42:48 | |
-I was about equal, all right? -I don't think it was. | 0:42:49 | 0:42:52 | |
I was about equal, remember? Do we need to talk about this? | 0:42:52 | 0:42:56 | |
-I think we do. -It's not fair. | 0:42:56 | 0:42:58 | |
Next time, on the Antiques Road Trip, Christina gets in a muddle... | 0:43:00 | 0:43:04 | |
And I in the right place? I'm very confused. | 0:43:04 | 0:43:07 | |
..and Thomas takes a relaxed approach. | 0:43:07 | 0:43:10 | |
I'm feeling very confident... which is always a bad thing. | 0:43:10 | 0:43:14 |