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It's the nation's favourite antiques experts. | 0:00:02 | 0:00:04 | |
-This is beautiful! -That's the way to do this. | 0:00:04 | 0:00:06 | |
With £200 each, a classic car, and a goal - | 0:00:06 | 0:00:10 | |
-to scour for antiques. -Joy. | 0:00:10 | 0:00:13 | |
The aim, to make the biggest profit at auction, but it's no mean feat. | 0:00:13 | 0:00:18 | |
LAUGHTER | 0:00:18 | 0:00:19 | |
There'll be worthy winners and valiant losers. | 0:00:19 | 0:00:22 | |
Sorry! | 0:00:22 | 0:00:23 | |
So, will it be the high road to glory or the slow road to disaster? | 0:00:23 | 0:00:28 | |
The handbrake's on! | 0:00:28 | 0:00:29 | |
This is Antiques Road Trip. | 0:00:29 | 0:00:32 | |
Yeah. | 0:00:33 | 0:00:35 | |
We're starting the final leg of this road trip | 0:00:38 | 0:00:41 | |
in beautiful Dumfries & Galloway in Scotland. | 0:00:41 | 0:00:43 | |
And Philip's keen to get going. | 0:00:43 | 0:00:46 | |
Anita, fire up the Fiat. | 0:00:46 | 0:00:48 | |
ENGINE SPLUTTERS | 0:00:48 | 0:00:51 | |
-That sounds poorly, doesn't it? -Phil, it's not going to start. | 0:00:53 | 0:00:56 | |
We had this on the first day, didn't we? | 0:00:56 | 0:00:58 | |
And now it's the last day, and the thing's haunting us. | 0:00:58 | 0:01:00 | |
-What will we do? I mean, you're a man. -Really? -Can you can fix it? | 0:01:00 | 0:01:04 | |
Oh, yeah, leave it to me. | 0:01:04 | 0:01:06 | |
Good luck with that. | 0:01:06 | 0:01:08 | |
So, Philip - diagnosis, please. | 0:01:13 | 0:01:16 | |
Now, that's dead. It might be the fan belt. | 0:01:16 | 0:01:18 | |
-Have you got any stockings on? Have you? -None of your business. | 0:01:18 | 0:01:21 | |
Well, no, if you take them off | 0:01:21 | 0:01:23 | |
you can replace the fan belt with a pair of ladies' stockings. | 0:01:23 | 0:01:25 | |
We can't hang about, Phil. | 0:01:25 | 0:01:27 | |
We've got to carry on to the next shop, come on. | 0:01:27 | 0:01:31 | |
Let's go, close it up. | 0:01:31 | 0:01:33 | |
I'm just hopeful. Leave the keys in it because someone might nick it. | 0:01:33 | 0:01:37 | |
-Give me your hand. -Here we go. | 0:01:37 | 0:01:39 | |
Our two auctioneers, Philip Serrell and Anita Manning, | 0:01:42 | 0:01:45 | |
have had quite a week of it. | 0:01:45 | 0:01:46 | |
So, it all comes down now to the final leg. | 0:01:46 | 0:01:49 | |
-70, 80, 90... -This is looking good. | 0:01:49 | 0:01:52 | |
They set out with £200 each. | 0:01:52 | 0:01:55 | |
Although Anita raked in big profits at the start of the week... | 0:01:55 | 0:01:59 | |
I think you've brought the right thing to this room | 0:01:59 | 0:02:02 | |
and I don't think I have. | 0:02:02 | 0:02:03 | |
..Philip's fought back, winning the last two auctions. | 0:02:03 | 0:02:06 | |
150, right across that side. | 0:02:06 | 0:02:08 | |
I knew that would do well. | 0:02:10 | 0:02:12 | |
On this final stretch, Anita has £294.24 at her disposal. | 0:02:12 | 0:02:18 | |
Philip, however, has £469.58 to spend. | 0:02:20 | 0:02:25 | |
Earlier this week they set off from the Lake District | 0:02:25 | 0:02:28 | |
and travelled north. | 0:02:28 | 0:02:29 | |
They've dipped into Scotland, before returning south back over the border | 0:02:29 | 0:02:33 | |
into England, and will end their trip in Crooklands, Cumbria. | 0:02:33 | 0:02:37 | |
This leg kicks off in Castle Douglas, in Kirkcudbrightshire, | 0:02:39 | 0:02:43 | |
and finishes this week's auction in Crooklands. | 0:02:43 | 0:02:46 | |
In 1792, and incredibly wealthy Scot named William Douglas, | 0:02:51 | 0:02:56 | |
decided to build his very own town, | 0:02:56 | 0:02:58 | |
and modestly named the place after himself. | 0:02:58 | 0:03:02 | |
Must be a local tradition. | 0:03:02 | 0:03:03 | |
Guess the name of the owner of Philip's first shop. | 0:03:03 | 0:03:07 | |
-Hazel, how are you, my love? -I'm very well. | 0:03:07 | 0:03:09 | |
-How are you? -Long time since I was here. -Three, four years. | 0:03:09 | 0:03:13 | |
Well, it is full by the looks of things. | 0:03:13 | 0:03:15 | |
Right, I'm going to go down here and see what I can find. | 0:03:15 | 0:03:18 | |
-That's fine. -All right? -You carry on. | 0:03:18 | 0:03:20 | |
The shop is packed, quite literally, to the rafters. | 0:03:22 | 0:03:25 | |
Look at that! | 0:03:25 | 0:03:26 | |
Those look like they're old military binoculars, don't they? | 0:03:30 | 0:03:33 | |
Yeah, they do. | 0:03:33 | 0:03:35 | |
You're right. | 0:03:35 | 0:03:37 | |
They're a pair of First World War German-issue army binos, | 0:03:37 | 0:03:41 | |
priced at £45. | 0:03:41 | 0:03:44 | |
What's the best you can do on those? | 0:03:44 | 0:03:46 | |
-30, bottom. -Try again. | 0:03:46 | 0:03:48 | |
No. | 0:03:48 | 0:03:49 | |
I'll tell you what, I think there's | 0:03:49 | 0:03:51 | |
a bit of room for manoeuvre there, isn't there? | 0:03:51 | 0:03:53 | |
Go and put them up by the counter, Hazel. | 0:03:53 | 0:03:55 | |
And we'll have a look at those. | 0:03:55 | 0:03:57 | |
-We'll speak later. -We can talk later. | 0:03:57 | 0:03:58 | |
-We can perhaps do a little bit of a package deal here. -OK. | 0:03:58 | 0:04:01 | |
I'll put them at the desk. | 0:04:01 | 0:04:03 | |
One contender, and still time for another nosy around. | 0:04:04 | 0:04:08 | |
-I like that. -Nice little table. | 0:04:13 | 0:04:16 | |
Well, it's not always been a table, has it? | 0:04:16 | 0:04:19 | |
If you imagine no top on this and, | 0:04:19 | 0:04:22 | |
like, a broom handle up there, and then... | 0:04:22 | 0:04:25 | |
Your pull-screen on the top. | 0:04:25 | 0:04:27 | |
A screen there like that, | 0:04:27 | 0:04:29 | |
and the screen was designed to keep the heat off | 0:04:29 | 0:04:32 | |
the lady of the house's face so that her make-up didn't melt. | 0:04:32 | 0:04:36 | |
It's a plausible theory. | 0:04:36 | 0:04:38 | |
That base is probably 1860. | 0:04:38 | 0:04:41 | |
And then if you look at the top, this white fleck in this mahogany | 0:04:41 | 0:04:48 | |
indicates to me that that is probably Edwardian. | 0:04:48 | 0:04:50 | |
-How much is it, Hazel? -75. | 0:04:50 | 0:04:53 | |
I tell you what I'll do, I'll give you... | 0:04:53 | 0:04:55 | |
£60 for the binoculars and the table. | 0:04:57 | 0:05:00 | |
I think you're going to give me | 0:05:03 | 0:05:05 | |
£70 for the binoculars and the table. | 0:05:05 | 0:05:08 | |
Why do you think that? | 0:05:08 | 0:05:09 | |
Because you're so nice and you've a lovely smile, | 0:05:09 | 0:05:11 | |
and you're going to do it, I know you are. | 0:05:11 | 0:05:13 | |
-Hazel, you're full of it. -Absolutely. -65 quid. | 0:05:13 | 0:05:17 | |
Thank you, Hazel. | 0:05:17 | 0:05:18 | |
Hazel's been very generous. | 0:05:18 | 0:05:20 | |
The First World War German binoculars for £25, | 0:05:21 | 0:05:24 | |
and this occasional table for 40. | 0:05:24 | 0:05:26 | |
Hazel, as ever, it has been a pleasure. | 0:05:28 | 0:05:29 | |
-Thank you very much. -You're an angel. | 0:05:29 | 0:05:31 | |
-Thank you very much. -Thank you very much indeed. Thank you. | 0:05:31 | 0:05:35 | |
Good job, Philip. | 0:05:35 | 0:05:37 | |
Anita, meanwhile, has made her way | 0:05:40 | 0:05:43 | |
ten miles south-west to Kirkcudbright. | 0:05:43 | 0:05:45 | |
She's come to see why this picture-perfect harbour town | 0:05:45 | 0:05:49 | |
is so highly regarded in the art world, | 0:05:49 | 0:05:52 | |
and why locals will be forever indebted to one pioneering artist, | 0:05:52 | 0:05:56 | |
whose generous legacy has left | 0:05:56 | 0:05:58 | |
a unique collection hidden within his former home. | 0:05:58 | 0:06:01 | |
-Hello. -Hello, Anita. Welcome to Broughton House and Garden. | 0:06:03 | 0:06:06 | |
-Lovely to have you here. -Oh, it is wonderful to be here. | 0:06:06 | 0:06:08 | |
This is a fabulous house. Tell me a bit about it. | 0:06:08 | 0:06:13 | |
The home of artist Edward Atkinson Hornel from 1901 until 1933. | 0:06:13 | 0:06:17 | |
He was a local lad made good, | 0:06:17 | 0:06:19 | |
and he is the foundation of | 0:06:19 | 0:06:21 | |
Kirkcudbright's reputation as an artists' town. | 0:06:21 | 0:06:23 | |
-I can't wait. Can we go in? -Of course, come on. -Let's go. | 0:06:23 | 0:06:26 | |
Edward Hornel was born in 1864. | 0:06:30 | 0:06:34 | |
He grew up in Kirkcudbright, | 0:06:34 | 0:06:36 | |
before studying at art school in Edinburgh and Antwerp. | 0:06:36 | 0:06:39 | |
After completing his studies, he felt creatively inspired, | 0:06:39 | 0:06:43 | |
ready to take on the establishment | 0:06:43 | 0:06:44 | |
and rebel against the traditional way of painting. | 0:06:44 | 0:06:48 | |
He became friends with like-minded artists, | 0:06:50 | 0:06:53 | |
including John Lavery, James Guthrie and George Henry. | 0:06:53 | 0:06:57 | |
They became known as the Glasgow Boys. | 0:06:57 | 0:07:00 | |
It was almost like an explosion of new ideas, new thought, | 0:07:00 | 0:07:04 | |
about making art about real people, real places and real things. | 0:07:04 | 0:07:07 | |
Glasgow was becoming a very, very prosperous city. | 0:07:07 | 0:07:10 | |
Ordinary people had more money to buy art | 0:07:10 | 0:07:12 | |
and they wanted to see themselves reflected in that. | 0:07:12 | 0:07:15 | |
At first, critics derided their work, | 0:07:15 | 0:07:18 | |
but the public loved | 0:07:18 | 0:07:19 | |
the Glasgow Boys' new and exciting approach to art. | 0:07:19 | 0:07:23 | |
They were soon regarded as Scotland's own Impressionist artists. | 0:07:23 | 0:07:28 | |
Within a few years, | 0:07:28 | 0:07:29 | |
their exhibitions were shown around the world to much acclaim. | 0:07:29 | 0:07:33 | |
The Glasgow Boys' achievement was to be the most significant art movement | 0:07:33 | 0:07:38 | |
in Britain since the romantic artists of Turner and Constable. | 0:07:38 | 0:07:43 | |
So, they were rejecting the establishment's idea | 0:07:43 | 0:07:49 | |
of painting, drawing, and art. | 0:07:49 | 0:07:52 | |
Yes, very much so. | 0:07:52 | 0:07:53 | |
And Hornel's work was highly decorative. | 0:07:53 | 0:07:55 | |
And beautiful colour harmonies. | 0:07:55 | 0:07:57 | |
Wonderful sense of movement in his paintings. | 0:07:57 | 0:08:00 | |
Was that at the time when he became successful, | 0:08:00 | 0:08:03 | |
or financially successful? | 0:08:03 | 0:08:05 | |
That's really the start of his financial success | 0:08:05 | 0:08:07 | |
and making his name as a painter. | 0:08:07 | 0:08:09 | |
While some of his contemporaries were moving to the big cities | 0:08:09 | 0:08:13 | |
to find fame and fortune, in 1901 Hornel bought | 0:08:13 | 0:08:17 | |
one of the grandest properties in his hometown of Kirkcudbright. | 0:08:17 | 0:08:22 | |
As other artists came to visit, they too fell in love with the town. | 0:08:22 | 0:08:27 | |
It really was a sort of a snowballing effect. | 0:08:27 | 0:08:30 | |
Hornel was part of the core of that, | 0:08:30 | 0:08:32 | |
that attracted other artists to come here, | 0:08:32 | 0:08:34 | |
and it became a very successful place. | 0:08:34 | 0:08:36 | |
-It must've been a wonderful place to go about in those days. -Oh, yes. | 0:08:36 | 0:08:39 | |
You would be hobnobbing with artists every time you | 0:08:39 | 0:08:41 | |
walked down the street. | 0:08:41 | 0:08:42 | |
It is said the quality of light in Kirkcudbright | 0:08:42 | 0:08:45 | |
was the main draw for many artists. | 0:08:45 | 0:08:48 | |
A favourite subject for Hornel was the local people. | 0:08:48 | 0:08:50 | |
One of his most recognised works is | 0:08:50 | 0:08:53 | |
Brighouse Bay, Wild and Burnet Roses, from 1919. | 0:08:53 | 0:08:58 | |
And this one here, so typical of his work, with these wee girls. | 0:08:58 | 0:09:03 | |
-Were these wee girls local girls? -Yes, they were. | 0:09:03 | 0:09:06 | |
And in latter days they came back as old ladies to visit, | 0:09:06 | 0:09:10 | |
and their relatives still do get in touch to say, | 0:09:10 | 0:09:12 | |
"Oh, it was my great-auntie", | 0:09:12 | 0:09:14 | |
-or, "It was my granny that used to pose for him." -Aw. | 0:09:14 | 0:09:16 | |
Hornel was a passionate collector. | 0:09:17 | 0:09:20 | |
From pottery to sculpture, to books. | 0:09:20 | 0:09:22 | |
His library is still one of the world's biggest collections | 0:09:22 | 0:09:26 | |
of works by Robert Burns. | 0:09:26 | 0:09:28 | |
It cost him tens of thousands of pounds in today's money, | 0:09:28 | 0:09:31 | |
and includes an incredibly rare first edition of Burns poems. | 0:09:31 | 0:09:36 | |
That is a very warming thought, | 0:09:36 | 0:09:39 | |
not only did he love Kirkcudbright and the people of Kirkcudbright, | 0:09:39 | 0:09:44 | |
but I'm sure the people of Kirkcudbright did, | 0:09:44 | 0:09:47 | |
and still do, love him. | 0:09:47 | 0:09:49 | |
Very much so. He was a benefactor for the town in many ways. | 0:09:49 | 0:09:52 | |
Hornel died in 1933. | 0:09:53 | 0:09:56 | |
Today his work sells for tens of thousands of pounds. | 0:09:56 | 0:09:59 | |
Yet he bequeathed his own art collection, his home, | 0:09:59 | 0:10:03 | |
and other contents to the people of Kirkcudbright. | 0:10:03 | 0:10:06 | |
Today, Broughton House is a library | 0:10:06 | 0:10:09 | |
and art gallery open to anyone | 0:10:09 | 0:10:11 | |
wishing to appreciate the life works | 0:10:11 | 0:10:13 | |
of one of Scotland's greatest artists. | 0:10:13 | 0:10:16 | |
The next stop is across the border in Cumbria. | 0:10:22 | 0:10:24 | |
In the small village of High Hesket. | 0:10:24 | 0:10:28 | |
During the First World War, the Government took control | 0:10:28 | 0:10:30 | |
of breweries in the area, to stop the drunkenness of locals | 0:10:30 | 0:10:33 | |
working in the munitions factories at Gretna Green. | 0:10:33 | 0:10:37 | |
Licensing hours imposed on pubs still exist in some form today. | 0:10:37 | 0:10:42 | |
Both our experts will be shopping in the Cumbria Curiosity Shop, | 0:10:45 | 0:10:48 | |
but Philip arrives first. | 0:10:48 | 0:10:50 | |
25 dealers trade from here. | 0:10:50 | 0:10:52 | |
Philip soon spots something he likes. | 0:10:54 | 0:10:57 | |
-What are those there? Are they portals? -Yeah, brass portals. | 0:10:57 | 0:11:01 | |
-And how much are they? -£70 each. | 0:11:01 | 0:11:05 | |
Aye, aye, Captain. | 0:11:05 | 0:11:07 | |
Phil still has £404.58 to spend. | 0:11:07 | 0:11:12 | |
Let's put that one down there. | 0:11:12 | 0:11:14 | |
I think a pair of those would make 80-120 at auction. | 0:11:15 | 0:11:18 | |
-That's what I think it would make. -Right. | 0:11:18 | 0:11:21 | |
Which means I've got to try and buy them | 0:11:21 | 0:11:23 | |
for just under the "£80 the two" mark. | 0:11:23 | 0:11:26 | |
-I'll do them for 85. -Right. Job's a good 'un. | 0:11:26 | 0:11:30 | |
Well done, Phil. First deal bagged before Anita arrives. | 0:11:30 | 0:11:35 | |
Speak of the little devil. | 0:11:35 | 0:11:36 | |
Anita has £294.24 in her purse. | 0:11:40 | 0:11:44 | |
What's this? | 0:11:44 | 0:11:46 | |
I think it's a magazine rack. | 0:11:46 | 0:11:48 | |
It is made of pine. | 0:11:48 | 0:11:50 | |
What I like most about it is this leather on the front. | 0:11:50 | 0:11:55 | |
And it's been beautifully done. | 0:11:55 | 0:11:57 | |
We've got the little cottage here and the huntsman with the hounds. | 0:11:57 | 0:12:01 | |
It's rather a nice thing. | 0:12:03 | 0:12:05 | |
It's priced at £28. | 0:12:05 | 0:12:08 | |
I'm going to have a go at that. | 0:12:08 | 0:12:11 | |
Meanwhile, Phil's found a stag and a dealer called Martin. | 0:12:11 | 0:12:15 | |
Right, I've been building up for this, now, for a long time, | 0:12:18 | 0:12:21 | |
and I just want ask you one question. | 0:12:21 | 0:12:23 | |
This isn't a little "dear", is it? | 0:12:24 | 0:12:26 | |
Oh, just a little bit dear. | 0:12:26 | 0:12:30 | |
Priced at £250. | 0:12:30 | 0:12:32 | |
-So this is a coal-painted Viennese bronze, isn't it? -Yes. | 0:12:34 | 0:12:37 | |
And that refers to the process in which it's made. I like that. | 0:12:37 | 0:12:41 | |
I tell you what. Let's put him down, because I like him a lot. | 0:12:41 | 0:12:45 | |
-We'll have a deal on that. -Yes. | 0:12:45 | 0:12:47 | |
But I'd like to go and have a look at that little table over there. | 0:12:47 | 0:12:50 | |
Let's go have a look, thank you. | 0:12:50 | 0:12:51 | |
Anita's found Ben. | 0:12:51 | 0:12:53 | |
Are you able to negotiate a deal on this with me? | 0:12:53 | 0:12:57 | |
I'm sure I can come down a little bit. | 0:12:57 | 0:12:59 | |
I'd be looking round about the £20 mark or... | 0:12:59 | 0:13:02 | |
-20. -Yeah. | 0:13:02 | 0:13:04 | |
Could you do 16? | 0:13:04 | 0:13:06 | |
-Go on, then. -Oh, OK, that's great. | 0:13:06 | 0:13:09 | |
That is great. | 0:13:09 | 0:13:11 | |
£12 knocked off the ticket price, | 0:13:11 | 0:13:12 | |
and this magazine rack becomes Anita's first buy today. | 0:13:12 | 0:13:16 | |
Back to Philip and that table. | 0:13:16 | 0:13:18 | |
Martin's asking £140 for it. | 0:13:18 | 0:13:22 | |
-We've got a drawer here, haven't we? -We have. | 0:13:22 | 0:13:24 | |
Does that look like, to you, that it's 1760? | 0:13:28 | 0:13:33 | |
I actually would have thought that's a bit more modern. | 0:13:33 | 0:13:36 | |
OK, so I don't... | 0:13:36 | 0:13:37 | |
I don't like that. | 0:13:37 | 0:13:39 | |
That bothers me. | 0:13:39 | 0:13:40 | |
And to you. OK. | 0:13:45 | 0:13:47 | |
There's silver-tongued Serrell, | 0:13:49 | 0:13:52 | |
serenading a dealer over there. | 0:13:52 | 0:13:56 | |
-You can just see where that's been done that many times. -It has. | 0:13:56 | 0:14:00 | |
-And you've got that line there. -He's looking very serious. | 0:14:00 | 0:14:03 | |
He's nodding his head. | 0:14:03 | 0:14:05 | |
But I'm not convinced that top and bottom have always, always, | 0:14:06 | 0:14:13 | |
always been together. | 0:14:13 | 0:14:16 | |
Oh, I can't look at it. | 0:14:16 | 0:14:18 | |
OK, this is my one offer, OK? I'll give you £140 for the two. | 0:14:18 | 0:14:23 | |
That's my one offer. No more. That's it finished. | 0:14:24 | 0:14:28 | |
Well, you've got to have a percentage to win this game, | 0:14:28 | 0:14:33 | |
-and I think that should give you about that. -You're a gentleman. | 0:14:33 | 0:14:37 | |
Thank you very much indeed. Thank you. Thank you. | 0:14:37 | 0:14:39 | |
Crikey. That's the £250 bronze stag for just £100, | 0:14:39 | 0:14:44 | |
and £100 off this gateleg table. | 0:14:44 | 0:14:48 | |
Meaning, with the portals, he's spent £225 in total. | 0:14:48 | 0:14:52 | |
Anita's not finished either. | 0:14:55 | 0:14:58 | |
This is a rather sweet wee box. | 0:14:58 | 0:15:01 | |
This little pillbox look like the sort of thing | 0:15:01 | 0:15:03 | |
made for a Georgian lady, although it may date from a bit later. | 0:15:03 | 0:15:07 | |
It's made up a yellow metal, not gold. There is no hallmark on it. | 0:15:07 | 0:15:13 | |
But what I do like about it is the lapis inset | 0:15:13 | 0:15:18 | |
on the lid and the bottom. | 0:15:18 | 0:15:21 | |
And I love lapis lazuli. It's the most beautiful colour, | 0:15:21 | 0:15:25 | |
that wonderful singing blue, | 0:15:25 | 0:15:27 | |
and for me, it is the stone that makes this little box. | 0:15:27 | 0:15:32 | |
Lapis lazuli is a semiprecious blue stone. | 0:15:32 | 0:15:35 | |
Probably most famously used in the funeral mask | 0:15:35 | 0:15:38 | |
of the young pharaoh, Tutankhamen. | 0:15:38 | 0:15:42 | |
Priced at £25, but is Ben open to another deal? | 0:15:42 | 0:15:46 | |
I quite like this wee box. What's the best that you can do on that? | 0:15:46 | 0:15:50 | |
-How's about 20? Is that all right? -20 is wee bit much on it. | 0:15:50 | 0:15:54 | |
Can you come down another wee bit? | 0:15:54 | 0:15:58 | |
18, I can do. The best on that. | 0:15:58 | 0:16:00 | |
18, yeah, we'll go for that. That's lovely. | 0:16:00 | 0:16:04 | |
So, that's the pillbox and magazine rack for £34. | 0:16:04 | 0:16:08 | |
-Thank you very, very, very much. -Thank you very much. Pleasure. | 0:16:08 | 0:16:11 | |
Oh, hello, Phil. How you doing? | 0:16:11 | 0:16:13 | |
-How are you, all right? -Yeah, I'm fine. | 0:16:13 | 0:16:15 | |
Time for Phillip to pay up. | 0:16:15 | 0:16:18 | |
20, 30, 40, 50, 60, 70, 80, 90... | 0:16:18 | 0:16:24 | |
This is looking good. To me, this is looking very, very... | 0:16:24 | 0:16:28 | |
-He's had a good day. -That's about £600 of goods for 225. Top man, Ben. | 0:16:28 | 0:16:33 | |
-Have you done all right? -I am happy as well. -Come on. | 0:16:33 | 0:16:36 | |
You spent all that money? | 0:16:36 | 0:16:38 | |
-Yeah, it's good, isn't it? -Great. -What a top shop this is. | 0:16:38 | 0:16:41 | |
-So, how much did you spend? -About 30-odd quid. | 0:16:41 | 0:16:45 | |
30-odd quid? | 0:16:45 | 0:16:47 | |
Well done, both of you. After all that walking today, a rest beckons. | 0:16:47 | 0:16:52 | |
Sadly, the little Fiat's still struggling. | 0:16:52 | 0:16:55 | |
But what will tomorrow bring? Nighty night. | 0:16:55 | 0:16:59 | |
Good morning. And good news. | 0:17:03 | 0:17:06 | |
The car is dead. Long live the car! | 0:17:06 | 0:17:08 | |
A shiny 1969 Triumph Herald keeps our pair on the road today. | 0:17:08 | 0:17:13 | |
This is the type of car that a guy would take a gal out on | 0:17:14 | 0:17:20 | |
for a hot date. | 0:17:20 | 0:17:22 | |
Shall we pretend that you're taking me on a hot date? | 0:17:22 | 0:17:25 | |
Hey, no time for romance. The final auction is drawing ever closer. | 0:17:28 | 0:17:32 | |
Let's remind ourselves what's been bought so far. | 0:17:32 | 0:17:35 | |
Yesterday, Anita bought two items. | 0:17:36 | 0:17:38 | |
A lapis lazuli pillbox and a pine magazine rack. | 0:17:38 | 0:17:42 | |
Meaning, she still has £260.24. | 0:17:42 | 0:17:45 | |
As for Phil, he spent big, buying five items. | 0:17:47 | 0:17:50 | |
A pair of German army binoculars, a mahogany table, | 0:17:50 | 0:17:54 | |
a pair of portals, | 0:17:54 | 0:17:55 | |
and oak gate-leg table. | 0:17:57 | 0:17:59 | |
and a bronze stag. | 0:17:59 | 0:18:00 | |
He has £179.58 in his pocket. | 0:18:01 | 0:18:06 | |
Do you feel confident in your lead? | 0:18:08 | 0:18:10 | |
-I'm going to try and spend, spend, spend. -Go for broke. | 0:18:10 | 0:18:13 | |
That's the spirit! | 0:18:13 | 0:18:16 | |
The first stop is the Cumbrian town of Cockermouth, | 0:18:16 | 0:18:20 | |
so named as it's where the confluence of the River Cocker | 0:18:20 | 0:18:24 | |
flows into the River Derwent. | 0:18:24 | 0:18:26 | |
-Perfect, perfect, darling. -There we are. You have a good day. | 0:18:26 | 0:18:30 | |
-Have a great time. Bye. -Bye, now. | 0:18:30 | 0:18:33 | |
The lady in charge of Anita's first shop is Gwenda, | 0:18:33 | 0:18:36 | |
who's been in the antiques biz for well over 30 years. | 0:18:36 | 0:18:40 | |
Hello. | 0:18:40 | 0:18:42 | |
How are you? Welcome back to Cockermouth. | 0:18:42 | 0:18:44 | |
It's lovely to see you again and to be back in this Aladdin's cave. | 0:18:44 | 0:18:50 | |
Yeah, there's lots here. Better get to it. | 0:18:50 | 0:18:52 | |
Ah, found something? | 0:18:57 | 0:18:59 | |
I must say that I'm not particularly drawn to football things | 0:18:59 | 0:19:03 | |
but I quite like this item. | 0:19:03 | 0:19:05 | |
It's an inkwell and we have a lid which opens here, | 0:19:06 | 0:19:12 | |
and inside would have been a glass or a porcelain inkwell. | 0:19:12 | 0:19:15 | |
It's missing but... | 0:19:15 | 0:19:16 | |
It wouldn't be much to get a new one there. | 0:19:16 | 0:19:20 | |
I think this is probably from the 1930s or '40s. | 0:19:20 | 0:19:23 | |
Because these long shorts are not what footballers are wearing now. | 0:19:24 | 0:19:29 | |
And I think I might have a wee go at that. | 0:19:29 | 0:19:34 | |
-Gwenda! -Yep? | 0:19:34 | 0:19:37 | |
-You know, Glasgow's daft about football. -Yeah. | 0:19:37 | 0:19:40 | |
I'm not football-daft myself, | 0:19:40 | 0:19:43 | |
but I was kind of drawn to that we thing because I liked the figure. | 0:19:43 | 0:19:47 | |
It sports a ticket price of £45. | 0:19:47 | 0:19:49 | |
What can Gwenda do? | 0:19:49 | 0:19:50 | |
How about 32? | 0:19:50 | 0:19:53 | |
How about 32? | 0:19:53 | 0:19:55 | |
-Let's go for that. That's smashing. Thank you very much. -Thank you. | 0:19:55 | 0:19:58 | |
I think that's a great thing. | 0:19:58 | 0:20:01 | |
That's a swift deal. And still plenty more to see. | 0:20:01 | 0:20:04 | |
This plaque looks like it could tell a story. | 0:20:05 | 0:20:08 | |
Gwenda, I quite like this. | 0:20:08 | 0:20:11 | |
It's an image of the Carmanian. | 0:20:12 | 0:20:14 | |
Workington? Is that near here? | 0:20:14 | 0:20:16 | |
Yes, it's six miles up the road and it was a very busy port. | 0:20:16 | 0:20:20 | |
-So this is maybe of local interest? -Very much of local interest, yeah. | 0:20:20 | 0:20:25 | |
The Carmanian was a cargo ship built just down the road | 0:20:25 | 0:20:29 | |
and launched in 1897. | 0:20:29 | 0:20:31 | |
While returning from when Buenos Aries in 1916, | 0:20:31 | 0:20:35 | |
she was sunk by a German U-boat. | 0:20:35 | 0:20:37 | |
This plaque commemorates not only the ship, | 0:20:37 | 0:20:39 | |
but a once-thriving local industry, too. | 0:20:39 | 0:20:43 | |
Priced at £95. | 0:20:43 | 0:20:44 | |
But what's Gwenda's best? | 0:20:44 | 0:20:47 | |
I'll come down to... | 0:20:47 | 0:20:49 | |
-68. But that is the absolute... -68, 68. -..bottom line on it. | 0:20:51 | 0:20:56 | |
I can't even negotiate further than that. | 0:20:56 | 0:20:58 | |
-You can't? You definitely can't? -No, I can't, no. | 0:20:58 | 0:21:00 | |
-You couldn't come to 60? -I really couldn't. | 0:21:00 | 0:21:02 | |
-OK, I'm going to go for that. -You're going for that one? -68. -Yes, 68, OK. | 0:21:02 | 0:21:06 | |
-That's absolutely fine. -Let's shake on that. | 0:21:06 | 0:21:09 | |
-Thank you very much. Thank you. -OK, right, okie-doke. | 0:21:09 | 0:21:11 | |
With the footballer inkwell, Anita's spent a total of £100. | 0:21:11 | 0:21:16 | |
-Thank you very much. -OK. It's been lovely being here. | 0:21:17 | 0:21:21 | |
Thank you. Bye-bye. OK, bye now. | 0:21:21 | 0:21:23 | |
Well done, Anita. | 0:21:23 | 0:21:25 | |
Meanwhile, Philip's headed to the Cumbrian coast and to Whitehaven. | 0:21:28 | 0:21:32 | |
This picturesque tourist town was | 0:21:32 | 0:21:34 | |
once one of the biggest shipbuilding ports in the country. | 0:21:34 | 0:21:37 | |
And there was one family at the centre of Whitehaven's boom period. | 0:21:38 | 0:21:43 | |
An entrepreneurial spirit saw their fortunes soar, | 0:21:43 | 0:21:47 | |
and helped to make Whitehaven so famous. | 0:21:47 | 0:21:51 | |
Philip's meeting Celia MacKenzie. | 0:21:51 | 0:21:54 | |
Hi, I'm Philip. How are you? | 0:21:54 | 0:21:56 | |
Welcome, Philip. Welcome to The Rum Story, here in Whitehaven. | 0:21:56 | 0:21:59 | |
Whitehaven - it would've been a real buzzy place, | 0:21:59 | 0:22:01 | |
wouldn't it, back in about 1760? | 0:22:01 | 0:22:03 | |
It grew very rapidly in population. | 0:22:03 | 0:22:06 | |
From about 1,000 to about 9,000 people, within about 70 or 80 years. | 0:22:06 | 0:22:12 | |
A huge shipbuilding industry, talented, able sailors, | 0:22:12 | 0:22:17 | |
and an established connection with trade ports | 0:22:17 | 0:22:20 | |
in Africa and the New World, | 0:22:20 | 0:22:21 | |
made Whitehaven the perfect location for merchants to run their empires. | 0:22:21 | 0:22:26 | |
The Jeffersons were one of the big families around here. | 0:22:26 | 0:22:29 | |
They were not just merchants, | 0:22:29 | 0:22:31 | |
they didn't just focus on their own commercial activity, | 0:22:31 | 0:22:34 | |
but they also supported the town and made it grow. | 0:22:34 | 0:22:37 | |
Generations of Jeffersons captained | 0:22:37 | 0:22:39 | |
cargo ships around the world, | 0:22:39 | 0:22:42 | |
but when Henry Jefferson married | 0:22:42 | 0:22:45 | |
his family's fortunes changed forever. | 0:22:45 | 0:22:47 | |
The oil painting behind me is Henry as a young man | 0:22:47 | 0:22:51 | |
Beside him is his wife, | 0:22:51 | 0:22:54 | |
a lady called Anne Tweedie, | 0:22:54 | 0:22:56 | |
who was the daughter of | 0:22:56 | 0:22:58 | |
a plantation owner | 0:22:58 | 0:23:00 | |
on Antigua. | 0:23:00 | 0:23:02 | |
Quite a powerful combination. | 0:23:02 | 0:23:04 | |
They certainly were. She brought a dowry | 0:23:04 | 0:23:06 | |
of a sugar cane plantation, | 0:23:06 | 0:23:08 | |
and this is where the rum really started to come into it. | 0:23:08 | 0:23:12 | |
Henry and Anne had two sons, | 0:23:12 | 0:23:14 | |
Robert and Henry Jr. | 0:23:14 | 0:23:16 | |
They used their mother's inheritance | 0:23:16 | 0:23:18 | |
and father's merchant connections | 0:23:18 | 0:23:20 | |
to build one of Whitehaven's most successful businesses. | 0:23:20 | 0:23:23 | |
The Jeffersons had one advantage over their competitors, | 0:23:23 | 0:23:26 | |
as they owned the sugar cane plantations, | 0:23:26 | 0:23:29 | |
the raw material for rum. | 0:23:29 | 0:23:33 | |
They were wholesalers. | 0:23:33 | 0:23:34 | |
They actually distilled and blended the rum | 0:23:34 | 0:23:38 | |
here in these premises, | 0:23:38 | 0:23:39 | |
and we've got the original blending barrel, | 0:23:39 | 0:23:42 | |
which would hold the equivalent in today's values | 0:23:42 | 0:23:45 | |
of £250,000's worth. | 0:23:45 | 0:23:48 | |
Rum became the fashionable drink of the working class, | 0:23:48 | 0:23:51 | |
and with 50 coalmines in the local area, | 0:23:51 | 0:23:53 | |
and several hundred elsewhere in Cumbria, | 0:23:53 | 0:23:56 | |
sales of Jefferson's Rum went from strength to strength. | 0:23:56 | 0:24:00 | |
Jefferson's also manufactured rum for other companies | 0:24:00 | 0:24:03 | |
and secured some of the biggest contracts in the world. | 0:24:03 | 0:24:07 | |
It's reported that Jefferson's | 0:24:07 | 0:24:09 | |
were the first suppliers of rum to the UK Navy. | 0:24:09 | 0:24:12 | |
And that they were allowed a tot | 0:24:12 | 0:24:15 | |
or a supply of about half a pint a day | 0:24:15 | 0:24:19 | |
That doesn't bear thinking about. | 0:24:19 | 0:24:21 | |
The Jeffersons built a vast and powerful business from Whitehaven, | 0:24:21 | 0:24:24 | |
selling not only their own brand of rum, | 0:24:24 | 0:24:27 | |
but imported wine, port and champagne. | 0:24:27 | 0:24:31 | |
Who exactly were their clientele? | 0:24:31 | 0:24:33 | |
I've got a few documents here | 0:24:33 | 0:24:35 | |
that refer to a supply | 0:24:35 | 0:24:38 | |
-of product... -White Star Line. | 0:24:38 | 0:24:40 | |
-..to the White Star Line. -Titanic. | 0:24:40 | 0:24:43 | |
Absolutely. And this | 0:24:43 | 0:24:44 | |
is dated 27 May, 1907. | 0:24:44 | 0:24:48 | |
It doesn't actually state that they provided directly onto the Titanic | 0:24:48 | 0:24:52 | |
but they provided the White Star Line. | 0:24:52 | 0:24:55 | |
Despite Robert's death, the family business | 0:24:57 | 0:24:59 | |
continue to grow in Whitehaven, | 0:24:59 | 0:25:02 | |
even after other businesses abandoned the town | 0:25:02 | 0:25:05 | |
as it went into decline. | 0:25:05 | 0:25:07 | |
Henry Jr used his family's wealth | 0:25:07 | 0:25:09 | |
and influence to bring a hospital, banks and railways to the town, | 0:25:09 | 0:25:13 | |
attracting the very best names in engineering to do so. | 0:25:13 | 0:25:17 | |
So here we have got the prospectus for the new | 0:25:17 | 0:25:20 | |
Whitehaven and Furness Junction Railway. | 0:25:20 | 0:25:23 | |
The engineer they have here is one George Stephenson. | 0:25:23 | 0:25:26 | |
That's quite cool, isn't it? | 0:25:26 | 0:25:27 | |
It was something that was important to the local community. | 0:25:27 | 0:25:30 | |
-Right. -They were an extremely wealthy family at the time. | 0:25:30 | 0:25:33 | |
They put their money to good use | 0:25:33 | 0:25:36 | |
in other projects around the area. | 0:25:36 | 0:25:39 | |
Leisure, commercial, and also | 0:25:39 | 0:25:42 | |
looking after the social welfare. | 0:25:42 | 0:25:43 | |
Six generations of Jeffersons built a business that | 0:25:43 | 0:25:47 | |
became the longest-running wine merchants in the country, | 0:25:47 | 0:25:50 | |
finally succumbing to the commercial pressures from supermarkets. | 0:25:50 | 0:25:54 | |
Henry Jr's great-great-great granddaughters | 0:25:54 | 0:25:58 | |
closed the doors in 1998. | 0:25:58 | 0:26:00 | |
But Jefferson's Rum lives on | 0:26:00 | 0:26:03 | |
and is one of the oldest brands of rum in the country. | 0:26:03 | 0:26:07 | |
Anita has made her way into the beautiful Lake District | 0:26:12 | 0:26:15 | |
National Park, and to Keswick. | 0:26:15 | 0:26:19 | |
For well over 200 years, the town | 0:26:19 | 0:26:21 | |
has been a popular holiday destination, | 0:26:21 | 0:26:24 | |
and occasionally visited by a shrewd antiques expert. | 0:26:24 | 0:26:27 | |
It is one of those days and Anita is headed to dealer Mark's shop | 0:26:27 | 0:26:32 | |
looking for a deal. | 0:26:32 | 0:26:34 | |
-I'm Anita. -Hello, Anita. Nice to meet you. | 0:26:34 | 0:26:37 | |
I'm just looking at all this vinyl here. | 0:26:37 | 0:26:41 | |
-Oh, I like my records. -Do you? | 0:26:41 | 0:26:42 | |
-Yeah. -What I might do is concentrate | 0:26:42 | 0:26:44 | |
on the antiques | 0:26:44 | 0:26:47 | |
-and jewellery. -Oh, yes. | 0:26:47 | 0:26:48 | |
I know you like your jewellery. | 0:26:48 | 0:26:50 | |
Uh-huh. If I need to ask any questions, or prices, give you a wee | 0:26:50 | 0:26:55 | |
-shout? -Give us a shout, no problem. -OK, thank you. | 0:26:55 | 0:26:59 | |
Anita still has £160.24 | 0:26:59 | 0:27:02 | |
to spend, and, | 0:27:02 | 0:27:03 | |
true to form... | 0:27:03 | 0:27:05 | |
Look at all these lovely wee brooches. | 0:27:05 | 0:27:09 | |
I am very, very tempted with this cabinet. | 0:27:09 | 0:27:12 | |
We've got wonderful Victorian examples, | 0:27:12 | 0:27:15 | |
we've got everything that a girl might want. | 0:27:15 | 0:27:19 | |
But... I'm going to have a good look around | 0:27:19 | 0:27:23 | |
and not give into temptation just immediately. | 0:27:23 | 0:27:28 | |
She is showing restraint. | 0:27:28 | 0:27:30 | |
But she did spot something on her way in. | 0:27:30 | 0:27:33 | |
Looks heavy, though. | 0:27:33 | 0:27:35 | |
Oh! Oh, no! | 0:27:35 | 0:27:37 | |
Well, this certainly isn't a wee brooch. | 0:27:37 | 0:27:41 | |
But it's a very interesting object. | 0:27:41 | 0:27:44 | |
It is a book press. | 0:27:44 | 0:27:46 | |
I'm not exactly sure how this works, | 0:27:46 | 0:27:49 | |
but it is such a visually exciting | 0:27:49 | 0:27:53 | |
object, and it is part of our industrial history. | 0:27:53 | 0:27:59 | |
It sports John Christie's name. | 0:27:59 | 0:28:01 | |
A book publisher working in the late 19th century, | 0:28:01 | 0:28:04 | |
it is priced at £125. | 0:28:04 | 0:28:07 | |
I'm going to see what the dealer says about | 0:28:07 | 0:28:10 | |
and I'm going to see if I can do a deal on it. | 0:28:10 | 0:28:14 | |
Careful, Anita. | 0:28:16 | 0:28:17 | |
SHE LAUGHS | 0:28:17 | 0:28:19 | |
Would you like a hand with that, Anita? | 0:28:19 | 0:28:22 | |
Would you like a hand with that one? | 0:28:22 | 0:28:24 | |
And you wonder why I buy jewellery. | 0:28:24 | 0:28:26 | |
It is easy to lift up. | 0:28:26 | 0:28:28 | |
But I think this is a great object. | 0:28:28 | 0:28:30 | |
But I am struggling with the weight of it. | 0:28:30 | 0:28:32 | |
It is a bit heavy. | 0:28:32 | 0:28:35 | |
First of all, where did you get it? | 0:28:40 | 0:28:42 | |
-It is actually a family piece. -Oh, no! -It is a family piece, yeah. | 0:28:42 | 0:28:46 | |
Does that mean you are sentimental about it? | 0:28:46 | 0:28:49 | |
Not that sentimental, but it's a nice piece. | 0:28:49 | 0:28:52 | |
I remember that being in my dad's shed. | 0:28:52 | 0:28:54 | |
Oh, fabulous. | 0:28:54 | 0:28:56 | |
Do you know how that works? | 0:28:56 | 0:28:59 | |
I presume that is obviously | 0:28:59 | 0:29:01 | |
to rise and fall. | 0:29:01 | 0:29:03 | |
Would you put the whole book in? | 0:29:03 | 0:29:05 | |
To be honest, do you want to have a try? | 0:29:05 | 0:29:08 | |
I'll just pop that in. | 0:29:08 | 0:29:10 | |
Would this be for the final sort of...? | 0:29:10 | 0:29:12 | |
I think... I've never tried this. | 0:29:12 | 0:29:13 | |
I'm not an expert on this. | 0:29:13 | 0:29:15 | |
Let's see if this works. | 0:29:17 | 0:29:18 | |
Oh, there you go. Yeah. | 0:29:18 | 0:29:20 | |
So that just gives it that extra push just to bind | 0:29:20 | 0:29:23 | |
everything in. | 0:29:23 | 0:29:24 | |
I would like to be buying it for about 50 quid. | 0:29:24 | 0:29:27 | |
I'll be honest with you. I was thinking if I got 70 quid | 0:29:27 | 0:29:30 | |
for it you are not going to be far off on that. | 0:29:30 | 0:29:33 | |
I would be happy at 70 quid. | 0:29:33 | 0:29:34 | |
-I'm going to take a chance on it. -Excellent. | 0:29:34 | 0:29:37 | |
Put it there. Thank you very much. | 0:29:37 | 0:29:40 | |
Mark has kindly knocked £55 | 0:29:40 | 0:29:43 | |
off and Anita has her fifth and final lot for auction. | 0:29:43 | 0:29:47 | |
You're not putting it in your handbag, then? | 0:29:47 | 0:29:50 | |
No, I'm not. OK, bye-bye. | 0:29:50 | 0:29:51 | |
Thank you, Anita. Bye-bye. | 0:29:51 | 0:29:53 | |
Anita is done but Philip has one last opportunity | 0:29:53 | 0:29:56 | |
to shop. | 0:29:56 | 0:29:58 | |
In Cockermouth, not far from the River Cocker, | 0:30:01 | 0:30:04 | |
is Castle Antiques and Curios. | 0:30:04 | 0:30:07 | |
Philip has just under £180 | 0:30:07 | 0:30:10 | |
left to spend. | 0:30:10 | 0:30:12 | |
Dealer Matt knows all about Phil's wily ways | 0:30:12 | 0:30:14 | |
as he has had the pleasure of his custom on a previous Road Trip. | 0:30:14 | 0:30:19 | |
-Matt, how are you? -Hi, Phil. | 0:30:19 | 0:30:21 | |
-Lovely to see you again. Are you busy? -Yeah, not bad. | 0:30:21 | 0:30:24 | |
I will just stop you straightaway. | 0:30:24 | 0:30:26 | |
I am not giving the game away here, but my hero. | 0:30:26 | 0:30:31 | |
-Leonard, yeah. -I am a massive Star Trek fan. | 0:30:31 | 0:30:35 | |
-Could be the thing for you, then. -Live long and hopefully prosper. | 0:30:35 | 0:30:38 | |
-Can we just have a look at him? -Yeah, sure. | 0:30:38 | 0:30:40 | |
The man is a legend, isn't he? | 0:30:40 | 0:30:42 | |
And Leonard Nimoy just recently died, didn't he? | 0:30:42 | 0:30:44 | |
He dead, not too long ago. | 0:30:44 | 0:30:46 | |
Oh, look at it, the man is so cool. | 0:30:46 | 0:30:49 | |
In all seriousness, this is, what, a 1980s...? | 0:30:49 | 0:30:51 | |
Just to show my Trekkie knowledge here, | 0:30:51 | 0:30:53 | |
this would have been the journey home, The Wrath of Khan, | 0:30:53 | 0:30:56 | |
that would have come out, wouldn't it? | 0:30:56 | 0:30:58 | |
So how much is that, Matt? | 0:30:58 | 0:31:00 | |
£15. | 0:31:00 | 0:31:01 | |
I am not even going to bid you for that, Matt. | 0:31:01 | 0:31:03 | |
I've got my hero, look. | 0:31:03 | 0:31:06 | |
Hello, Spocky. | 0:31:06 | 0:31:07 | |
Lordy, that was quick. | 0:31:07 | 0:31:10 | |
He's boldly gone and got it. | 0:31:10 | 0:31:13 | |
He didn't even try to haggle. | 0:31:13 | 0:31:15 | |
That's a Road Trip first for Serrell. | 0:31:15 | 0:31:17 | |
I think Anita is going to absolutely love Mr Spock. | 0:31:17 | 0:31:21 | |
Because Mr Spock has got... | 0:31:21 | 0:31:24 | |
-IMITATES ANITA: -A nice wee brooch. | 0:31:24 | 0:31:27 | |
Ha-ha, cheeky. | 0:31:27 | 0:31:29 | |
He may have bought a tatty piece of cardboard | 0:31:29 | 0:31:32 | |
rather than an antique, | 0:31:32 | 0:31:33 | |
but I have never seen Philip so happy. | 0:31:33 | 0:31:35 | |
Do you reckon James T Kirk had a bit of a fling with Uhura or not? | 0:31:35 | 0:31:40 | |
Lordy. | 0:31:40 | 0:31:41 | |
-Matt, you've been a star. Thank you very much indeed. -No problem. | 0:31:41 | 0:31:44 | |
Phil leaves Cockermouth with a 1980s | 0:31:44 | 0:31:47 | |
cardboard Spock for £15. | 0:31:47 | 0:31:50 | |
Thank you once again very much indeed, thank you. | 0:31:50 | 0:31:52 | |
Come on, Spock, we better go see if | 0:31:52 | 0:31:53 | |
we can find the Enterprise, my friend. | 0:31:53 | 0:31:55 | |
It's parked round here somewhere. | 0:31:55 | 0:31:57 | |
Let's remind ourselves who bought what. | 0:31:59 | 0:32:02 | |
Philip parted with £305 | 0:32:04 | 0:32:06 | |
for a pair of German army issue binoculars, | 0:32:06 | 0:32:09 | |
a mahogany table, | 0:32:09 | 0:32:11 | |
two brass portholes, | 0:32:11 | 0:32:13 | |
an oak gate-leg table, | 0:32:13 | 0:32:15 | |
a cold-painted bronze stag | 0:32:15 | 0:32:17 | |
and a cardboard Mr Spock. | 0:32:17 | 0:32:20 | |
What a mixture. | 0:32:20 | 0:32:21 | |
While Anita lavished £204 | 0:32:21 | 0:32:24 | |
on a magazine rack, a pillbox, | 0:32:24 | 0:32:26 | |
an inkwell, a local plaque | 0:32:26 | 0:32:29 | |
and a Victorian book press. | 0:32:29 | 0:32:32 | |
What do they make of each other's buys? | 0:32:32 | 0:32:35 | |
Philip is a furniture man. | 0:32:37 | 0:32:39 | |
He HAS to buy furniture. | 0:32:39 | 0:32:42 | |
But he might not make any profit on them. | 0:32:42 | 0:32:47 | |
The lot that worries me more than any is that footballer, | 0:32:47 | 0:32:50 | |
because he could just turn out to be a match-winner. | 0:32:50 | 0:32:52 | |
Everybody's a Trekkie. | 0:32:52 | 0:32:54 | |
£15 for all that fun? | 0:32:54 | 0:32:57 | |
That's a bargain. | 0:32:57 | 0:32:59 | |
I just think it's all about, live long and prosper, Jim. | 0:32:59 | 0:33:03 | |
Tim, not Jim. | 0:33:03 | 0:33:06 | |
After setting off from Castle Douglas, | 0:33:06 | 0:33:08 | |
our pair will now boldly go | 0:33:08 | 0:33:10 | |
where experts have been before. | 0:33:10 | 0:33:13 | |
Not the final frontier but auction just outside Kendal, | 0:33:13 | 0:33:16 | |
in the village of Crooklands. | 0:33:16 | 0:33:19 | |
Hey, Fiat's back. | 0:33:19 | 0:33:21 | |
I'm so pleased that we are back in our own wee car again. | 0:33:21 | 0:33:25 | |
Are you not happy about that? | 0:33:25 | 0:33:27 | |
No. | 0:33:27 | 0:33:28 | |
SHE LAUGHS | 0:33:28 | 0:33:30 | |
Not impressed with the car, eh, Philip? | 0:33:30 | 0:33:32 | |
Anita is in awe of your buying. | 0:33:32 | 0:33:34 | |
You haven't played it safe. You've gone out there, | 0:33:34 | 0:33:37 | |
you've spent money, | 0:33:37 | 0:33:38 | |
you bought big, you've scattered your cash. | 0:33:38 | 0:33:41 | |
Well, the thing is, I was £100-plus ahead of you. | 0:33:41 | 0:33:45 | |
And I think I spent £100 more than you. | 0:33:45 | 0:33:48 | |
-We could end up neck and neck at the end of this. -We could. | 0:33:48 | 0:33:52 | |
It's certainly a close one. | 0:33:52 | 0:33:53 | |
Crooklands is located in the Lancaster Canal, | 0:33:53 | 0:33:57 | |
once used to transport coal | 0:33:57 | 0:33:59 | |
from one northern town to another. | 0:33:59 | 0:34:01 | |
Today's sale is at Eighteen Eighteen Auctioneers. | 0:34:01 | 0:34:05 | |
Our very, very last auction. | 0:34:05 | 0:34:08 | |
I'm terribly sad. | 0:34:08 | 0:34:10 | |
Now, I might need some help getting out of here. | 0:34:10 | 0:34:12 | |
Hang on, darling, I'll give you a wee hand. | 0:34:12 | 0:34:15 | |
Gordon Bennett! | 0:34:15 | 0:34:16 | |
Aw! | 0:34:16 | 0:34:18 | |
Do you want a piggyback? | 0:34:18 | 0:34:20 | |
SHE LAUGHS | 0:34:20 | 0:34:21 | |
I think I'll probably break your back. | 0:34:21 | 0:34:23 | |
One of the auctioneers here is young Rob Kerr. | 0:34:23 | 0:34:26 | |
Your thoughts, please. | 0:34:26 | 0:34:28 | |
I think the book press should do really well. | 0:34:28 | 0:34:30 | |
I like that piece a lot. A piece that I think may struggle, | 0:34:30 | 0:34:33 | |
you're probably looking at the furniture, | 0:34:33 | 0:34:35 | |
especially the gateleg table. | 0:34:35 | 0:34:37 | |
It is a big sale day, | 0:34:37 | 0:34:39 | |
so young Rob will be on the rostrum a little later. | 0:34:39 | 0:34:42 | |
For now, old hand Kevin Kendall | 0:34:42 | 0:34:45 | |
is wielding the gavel. | 0:34:45 | 0:34:47 | |
Last auction. | 0:34:47 | 0:34:49 | |
Yeah, it is. | 0:34:49 | 0:34:51 | |
-Good luck, though. -And to you, too. | 0:34:51 | 0:34:53 | |
20! | 0:34:53 | 0:34:55 | |
First to go today is Anita's pillbox. | 0:34:56 | 0:34:59 | |
Start me at 30, then, for a quick start. | 0:34:59 | 0:35:02 | |
£30, thank you... | 0:35:02 | 0:35:03 | |
-£30 start. -Straight into profit there. | 0:35:03 | 0:35:05 | |
35, 38... | 0:35:05 | 0:35:07 | |
-40 now. -(Come on!) | 0:35:07 | 0:35:09 | |
42, 45, 48. | 0:35:09 | 0:35:11 | |
50, 5, 60. | 0:35:11 | 0:35:14 | |
£60, then, in the centre. | 0:35:14 | 0:35:16 | |
£60, are we all done this time? At 60... | 0:35:16 | 0:35:19 | |
Yes! | 0:35:19 | 0:35:20 | |
Bang on the money, isn't it? | 0:35:20 | 0:35:22 | |
-Yes. -Isn't it? | 0:35:22 | 0:35:24 | |
Oh! | 0:35:24 | 0:35:26 | |
She's happy, more than tripling her money from the off. | 0:35:26 | 0:35:30 | |
What a great start. | 0:35:30 | 0:35:31 | |
Have I got you worried? Are you worried? | 0:35:31 | 0:35:34 | |
Yeah, yeah. | 0:35:34 | 0:35:36 | |
Next, Philip's German military binoculars. | 0:35:36 | 0:35:39 | |
Start with £20, then. | 0:35:39 | 0:35:41 | |
£20, thank you, sir. | 0:35:41 | 0:35:43 | |
You're away, Phil. | 0:35:43 | 0:35:45 | |
22, 25, | 0:35:45 | 0:35:46 | |
28, 30. | 0:35:46 | 0:35:48 | |
£30 now. 30 in the room. | 0:35:48 | 0:35:50 | |
I'm selling, all done, | 0:35:50 | 0:35:51 | |
at 30. | 0:35:51 | 0:35:53 | |
Philip's first profit, albeit a small one. | 0:35:53 | 0:35:56 | |
They all count. | 0:35:56 | 0:35:58 | |
You haven't lost any money. | 0:35:58 | 0:36:00 | |
Now the turn of Anita's magazine rack. | 0:36:01 | 0:36:04 | |
£10, thank you, £10 bid. | 0:36:04 | 0:36:06 | |
10, 12, 15. | 0:36:06 | 0:36:08 | |
£15 now. | 0:36:08 | 0:36:09 | |
£15, 18. | 0:36:09 | 0:36:11 | |
20, £20. | 0:36:11 | 0:36:14 | |
I'm going to sell if we are all done at 20. | 0:36:14 | 0:36:17 | |
Another profit. | 0:36:18 | 0:36:21 | |
I am not quite snapping at your heels | 0:36:21 | 0:36:24 | |
but I am... | 0:36:24 | 0:36:26 | |
Now Philip's favoured buy, | 0:36:26 | 0:36:28 | |
his cardboard Spock. | 0:36:28 | 0:36:30 | |
£20, start me, then. A bit of fun. | 0:36:30 | 0:36:32 | |
£20? | 0:36:32 | 0:36:34 | |
Mm, tough crowd. | 0:36:34 | 0:36:35 | |
Start me at 10, then, if you like. | 0:36:35 | 0:36:37 | |
Only £10 for a legend. | 0:36:37 | 0:36:39 | |
Where are the Trekkies? | 0:36:39 | 0:36:40 | |
£10? £10, thank you. | 0:36:40 | 0:36:42 | |
-£10 bid. -We're away, we're away. | 0:36:42 | 0:36:44 | |
£10 bid. I feel like being beamed up now. | 0:36:44 | 0:36:46 | |
£10 bid. All done | 0:36:46 | 0:36:48 | |
at 10... | 0:36:48 | 0:36:51 | |
Oh, bad luck, Philip. | 0:36:51 | 0:36:53 | |
Ah. | 0:36:53 | 0:36:55 | |
Oh, Philip. | 0:36:55 | 0:36:56 | |
Now it is Anita's local commemorative plaque. | 0:36:56 | 0:37:00 | |
£30, thank you. £30 on the internet. | 0:37:00 | 0:37:03 | |
30 on the internet. | 0:37:03 | 0:37:05 | |
-32. -Struggling. | 0:37:05 | 0:37:06 | |
38 now. 38. £40 now on the internet. | 0:37:06 | 0:37:10 | |
-There's interest on the internet. -£40, and selling. | 0:37:10 | 0:37:13 | |
To the internet buyer then. Have you all done this time? | 0:37:13 | 0:37:15 | |
-At 40... -BANGS GAVEL | 0:37:15 | 0:37:18 | |
-Bad luck, Anita! Your first loss. -Stop smiling! | 0:37:18 | 0:37:23 | |
Sorry. | 0:37:23 | 0:37:24 | |
Philip's big buy is next - his stag set him back quite a bit. | 0:37:26 | 0:37:30 | |
-And I have got interest. -Yes, yes. -Starting with me at £50 only. | 0:37:30 | 0:37:34 | |
That's not bad. | 0:37:34 | 0:37:36 | |
50 bid. 5. 60. 5. 70. 5. | 0:37:36 | 0:37:39 | |
-Telephone... Phil... -5. 95. 100. | 0:37:39 | 0:37:44 | |
Have to be 10 now. | 0:37:44 | 0:37:47 | |
110 now. 110. 110 on the telephone. Have you all done? | 0:37:47 | 0:37:51 | |
-At 110... -BANGS GAVEL | 0:37:51 | 0:37:53 | |
A small loss after costs, but he's just about got away with it. | 0:37:53 | 0:37:56 | |
You get someone on the phone, you're always thinking - | 0:37:56 | 0:37:59 | |
-I wonder how far he might have gone. -Yeah. | 0:37:59 | 0:38:02 | |
Next up, Anita's book press. | 0:38:02 | 0:38:04 | |
-I have got interest. -Oh, oh, oh... | 0:38:04 | 0:38:06 | |
Start the bid with me at £30. | 0:38:06 | 0:38:08 | |
-£30 bid. 32. -It's a piece of history! | 0:38:08 | 0:38:12 | |
35. 8 on the net? 38. 40. | 0:38:12 | 0:38:15 | |
£40 bid now. 42. 48 on the net. £50 on commission now. | 0:38:15 | 0:38:19 | |
-55. 60. -60! | 0:38:19 | 0:38:20 | |
£60 bid now. 60 bid. 60 bid. | 0:38:20 | 0:38:23 | |
65 in the room. 65. New bidder in the room. | 0:38:23 | 0:38:26 | |
-65. 70. -5. Yes! | 0:38:26 | 0:38:30 | |
-75. 75. -Yes! -75. | 0:38:30 | 0:38:33 | |
-80. -Yes! -85. -Yes! | 0:38:33 | 0:38:36 | |
-Are you all done this time? At 85... -BANGS GAVEL | 0:38:36 | 0:38:39 | |
-See, that's just stood still, hasn't it? -I'm very, very... | 0:38:39 | 0:38:42 | |
happy! | 0:38:42 | 0:38:44 | |
LAUGHTER | 0:38:44 | 0:38:46 | |
Ha-ha! Philip, not so happy. | 0:38:46 | 0:38:48 | |
Well done, Anita, another profit sees you streaking ahead. | 0:38:48 | 0:38:51 | |
-The money doesn't matter. I just... -Can I just say something to you? | 0:38:51 | 0:38:54 | |
-What? -It does! | 0:38:54 | 0:38:56 | |
Yes, it does! Will Philip's luck change with the start of Rob's shift? | 0:38:56 | 0:39:01 | |
The first of his two tables is next. | 0:39:01 | 0:39:03 | |
Start me, £70, for it please. | 0:39:03 | 0:39:06 | |
£70. 70... | 0:39:06 | 0:39:08 | |
30 will go, then. | 0:39:08 | 0:39:10 | |
Oh, dear, Philip. | 0:39:10 | 0:39:12 | |
Thank you very much, madam. £30 bid. | 0:39:12 | 0:39:13 | |
Are you all out in the room otherwise? | 0:39:13 | 0:39:16 | |
-£30, maiden bid. -It's so, so cheap, isn't it? | 0:39:16 | 0:39:19 | |
BANGS GAVEL | 0:39:19 | 0:39:21 | |
That's Philip's third loss today. | 0:39:21 | 0:39:24 | |
Now, it's Anita's inkwell. Can it score her another profit? | 0:39:24 | 0:39:29 | |
And I have commission interest, so it's with me at £38. | 0:39:29 | 0:39:33 | |
£38 bid on commission. | 0:39:33 | 0:39:35 | |
40. 2. 5. 8. 50. | 0:39:35 | 0:39:39 | |
Commission's done. £50 in the room. Any further interest? | 0:39:39 | 0:39:42 | |
I will sell at the 50. | 0:39:42 | 0:39:44 | |
-All done. -BANGS GAVEL | 0:39:44 | 0:39:47 | |
I'm happy at that. | 0:39:47 | 0:39:48 | |
And so you should be. It helps further increase your lead. | 0:39:48 | 0:39:52 | |
This is going to be a lot closer | 0:39:52 | 0:39:54 | |
than I'd like it to be, I think. | 0:39:54 | 0:39:57 | |
Yeah. | 0:39:57 | 0:39:58 | |
There's still only a few pounds in it at the moment | 0:39:58 | 0:40:01 | |
and your second table is up now. | 0:40:01 | 0:40:03 | |
£30. £30 somewhere. | 0:40:03 | 0:40:05 | |
They're not liking it, Philip. | 0:40:05 | 0:40:07 | |
20 then. | 0:40:07 | 0:40:09 | |
£20, thank you, sir. 20 bid. 22. | 0:40:09 | 0:40:12 | |
25. 28. | 0:40:12 | 0:40:14 | |
Somebody's holding a bid. | 0:40:14 | 0:40:16 | |
28, if there's no further interest... | 0:40:16 | 0:40:19 | |
SHE GASPS | 0:40:19 | 0:40:20 | |
BANGS GAVEL | 0:40:20 | 0:40:22 | |
This all helps Anita catch up, you know. | 0:40:22 | 0:40:25 | |
-I think I should probably stay away from furniture. -Yeah. | 0:40:25 | 0:40:29 | |
Philip's portholes are our pair's final lot. | 0:40:29 | 0:40:32 | |
A big loss here may decide our Road Trip winner. | 0:40:32 | 0:40:35 | |
Start me £40, please. | 0:40:37 | 0:40:39 | |
Ouch. | 0:40:39 | 0:40:40 | |
No interest? £30, then. 30 for a start, please. | 0:40:40 | 0:40:43 | |
-Go on. -20, then, I'll take. | 0:40:43 | 0:40:45 | |
Oh, Philip! | 0:40:45 | 0:40:46 | |
-Thank you, madam. £20. -That is for nothing, really. | 0:40:46 | 0:40:50 | |
-Philip. -Online now. | 0:40:50 | 0:40:52 | |
25 fresh bidder. Thank you, sir. | 0:40:52 | 0:40:54 | |
-28. Is it 30, madam? -Am I still in with a chance? | 0:40:54 | 0:40:58 | |
-..No further. -BANGS GAVEL | 0:40:58 | 0:41:01 | |
Well, this makes for an exciting finale, eh? | 0:41:01 | 0:41:04 | |
Is it possible Anita has pipped him at the post? | 0:41:04 | 0:41:07 | |
-Let's go and do the sums. -I think it could be quite close. | 0:41:07 | 0:41:10 | |
Yes! | 0:41:10 | 0:41:12 | |
After five incredible auctions, the results are in. | 0:41:12 | 0:41:16 | |
Anita started with £294.24. | 0:41:16 | 0:41:19 | |
After auction costs, she made a profit of £5.10. Huh! | 0:41:19 | 0:41:24 | |
Meaning she ends the week with £299.34. | 0:41:24 | 0:41:28 | |
Philip set out with £469.58. | 0:41:30 | 0:41:34 | |
After fees, he made a loss of £109.84, | 0:41:34 | 0:41:40 | |
meaning his grand total is £359.74. | 0:41:40 | 0:41:45 | |
Although Anita's won this leg, Philip's crowned this week's | 0:41:45 | 0:41:50 | |
Road Trip winner and all profits from the series go to Children In Need. | 0:41:50 | 0:41:54 | |
The thing is, Philip, I made up a little bit, | 0:41:54 | 0:41:57 | |
but you've still come out really well, so congratulations, darling. | 0:41:57 | 0:42:01 | |
-It's been a good old week. You're driving. -It's been fabulous. | 0:42:01 | 0:42:04 | |
-You're driving, my love. -Off we go. | 0:42:04 | 0:42:06 | |
I'm never going to wash that cheek again. | 0:42:06 | 0:42:09 | |
There's just one last journey to make. | 0:42:09 | 0:42:12 | |
It's down memory lane. | 0:42:12 | 0:42:14 | |
It's been a fun old Road Trip. | 0:42:21 | 0:42:24 | |
You've got to be careful when Phil Serrell's about. | 0:42:24 | 0:42:27 | |
Oh! Try to keep your eye on the road, Phil! | 0:42:27 | 0:42:29 | |
With some big, big wins. | 0:42:29 | 0:42:32 | |
That'll make a fantastic bog roll holder. | 0:42:32 | 0:42:35 | |
And a few bruising blows. | 0:42:35 | 0:42:37 | |
I wonder if I can give Phil Serrell a hammering with that! | 0:42:37 | 0:42:41 | |
But what a week they've had! | 0:42:41 | 0:42:43 | |
If I was going to buy a classic car, | 0:42:43 | 0:42:45 | |
I'm not sure that I would buy one of these. | 0:42:45 | 0:42:48 | |
Forward, Macduff! And you're a lot better looking than Phil Serrell! | 0:42:48 | 0:42:52 | |
Thank you very, very much. | 0:42:52 | 0:42:55 | |
So long, you two. | 0:42:59 | 0:43:02 | |
Next time, a brand-new pairing hit the roads of Ireland. | 0:43:02 | 0:43:06 | |
Well done! | 0:43:06 | 0:43:08 | |
Christina Trevanion's in paradise. | 0:43:08 | 0:43:10 | |
I think this is the most beautiful antique shop I've ever been into. | 0:43:10 | 0:43:13 | |
-And Thomas Plant's in trouble. -Just pulled it down and it locked. | 0:43:13 | 0:43:17 | |
Now, you've broken it. | 0:43:17 | 0:43:19 |