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-It's the nation's favourite antiques experts... -This is beautiful. | 0:00:02 | 0:00:05 | |
That's the way to do this. | 0:00:05 | 0:00:06 | |
..with £200 each, a classic car and a goal - to scour for antiques. | 0:00:06 | 0:00:12 | |
-Joy! -Hello! | 0:00:12 | 0:00:14 | |
The aim - to make the biggest profit at auction, but it's no mean feat. | 0:00:14 | 0:00:18 | |
HE LAUGHS | 0:00:18 | 0:00:20 | |
There'll be worthy winners and valiant losers. | 0:00:20 | 0:00:23 | |
So, will it be the high road to glory or the slow road to disaster? | 0:00:23 | 0:00:28 | |
-The handbrake's on! -This is Antiques Road Trip. | 0:00:28 | 0:00:31 | |
Yeah! | 0:00:34 | 0:00:35 | |
Today is the fourth instalment of our road trip with auctioneers | 0:00:39 | 0:00:42 | |
Anita Manning and Phil Serrell. | 0:00:42 | 0:00:44 | |
Get out of here! | 0:00:46 | 0:00:48 | |
Do you not like being caressed by a beautiful Scottish girl, Philip? | 0:00:48 | 0:00:52 | |
-Your knees are irresistible! -I know. | 0:00:52 | 0:00:55 | |
A lot of people have said that through the years. Nothing else. | 0:00:55 | 0:00:59 | |
-Just my knees. -Quite. | 0:00:59 | 0:01:01 | |
Ha! | 0:01:01 | 0:01:02 | |
Anita was knocked off her winning pedestal after | 0:01:02 | 0:01:05 | |
she blew the budget on the last leg. | 0:01:05 | 0:01:08 | |
It could have been a lot worse, Phil. Could have been a lot worse. | 0:01:08 | 0:01:12 | |
Now Phil's in front after totting up a series of sizeable | 0:01:13 | 0:01:16 | |
profits at the last auction, including over £100 on a pub table. | 0:01:16 | 0:01:21 | |
You've done well. Congratulations. | 0:01:21 | 0:01:23 | |
SHE LAUGHS | 0:01:23 | 0:01:24 | |
The trusty 1970s Fiat 500 is their chariot this week. | 0:01:25 | 0:01:31 | |
-I think I'm quite... I'm getting to like this car. -Oh, that's wonderful! | 0:01:31 | 0:01:35 | |
-You mean you're growing into it? -I think it's growing into me. | 0:01:35 | 0:01:39 | |
Our Road Trip pals started off with £200 each. | 0:01:40 | 0:01:43 | |
So far, Anita has had a journey of ups and downs. | 0:01:43 | 0:01:47 | |
She has £258.30 for the day ahead. | 0:01:47 | 0:01:51 | |
Phil, meanwhile, has found his stride | 0:01:53 | 0:01:55 | |
and has a rather sizeable £399.40 stuffed in his back pocket. | 0:01:55 | 0:02:00 | |
Anita and Phil are making a monster 1,200-mile tour which | 0:02:04 | 0:02:07 | |
kicked off in stunning Windermere in the Lake District. | 0:02:07 | 0:02:10 | |
They will travel around the North of England and dip into Bonnie Scotland | 0:02:10 | 0:02:14 | |
before heading back south to end in the village of Crooklands in Cumbria. | 0:02:14 | 0:02:18 | |
Today's journey begins in the village of Amble in Northumberland, | 0:02:20 | 0:02:24 | |
and we will auction in Carlisle in Cumbria. | 0:02:24 | 0:02:28 | |
Hello! What's going on here? | 0:02:28 | 0:02:30 | |
I love this bit of the coastline. It's glorious, isn't it? | 0:02:30 | 0:02:33 | |
The skies are blue, the water's lapping gently on the shore. | 0:02:33 | 0:02:37 | |
Cor, they don't half treat themselves, do they? | 0:02:37 | 0:02:40 | |
-Are you getting all romantic? -With you, darling, any time! | 0:02:40 | 0:02:44 | |
-I'm getting back to the car. -Oh, Phil, you spoilsport! | 0:02:44 | 0:02:47 | |
We'll have to keep an eye on you, though. | 0:02:47 | 0:02:49 | |
Anita's playing catch-up now, and nestled here, | 0:02:52 | 0:02:55 | |
in the village of Amble, is her first shop of the day. | 0:02:55 | 0:02:58 | |
And they love a bit of vintage in here. | 0:02:59 | 0:03:01 | |
-Hi, I'm Anita. -Hello, Anita. I'm Tony. Very nice to meet you. | 0:03:04 | 0:03:07 | |
Oh, it's lovely to meet you. Lovely to meet you. | 0:03:07 | 0:03:10 | |
I can see all these wonderful things over here and I can see all these | 0:03:10 | 0:03:14 | |
wonderful cakes here! | 0:03:14 | 0:03:16 | |
The cakes look delicious, but it's antiques we're after. | 0:03:16 | 0:03:19 | |
With eagle-eyed precision, Anita finds something. Hey, snazzy shoes! | 0:03:21 | 0:03:28 | |
I think this is quite a sweet little thing. | 0:03:28 | 0:03:31 | |
It's a little three-legged milking stool, | 0:03:31 | 0:03:34 | |
but what I like about this is the illustration. | 0:03:34 | 0:03:39 | |
The Widecombe Fair took place in Dartmoor and it started, | 0:03:39 | 0:03:44 | |
I don't know, early 1800s. And it's still going on today. | 0:03:44 | 0:03:48 | |
And this little stool might have been sold as a souvenir at the fair. | 0:03:48 | 0:03:53 | |
And what we have here is this rather naive painting. | 0:03:53 | 0:03:59 | |
-What's that all about? -Well, I'll tell you. | 0:03:59 | 0:04:03 | |
It could have been sold at Widecombe Fair, | 0:04:03 | 0:04:05 | |
but it certainly is related to the 19th-century ditty of the same | 0:04:05 | 0:04:09 | |
name, where the | 0:04:09 | 0:04:10 | |
poor old horse met a sticky end after carrying six people to the fair. | 0:04:10 | 0:04:14 | |
Oh, poor old love! | 0:04:14 | 0:04:16 | |
Anyway, ticket price is £23. Anything else, my dear? | 0:04:16 | 0:04:21 | |
I think that this has got bags of style. | 0:04:24 | 0:04:29 | |
It's a table lamp and a little cabinet. | 0:04:29 | 0:04:33 | |
So we're getting away from heavy, clumsy furniture | 0:04:34 | 0:04:37 | |
into something which had what we call the New Look. | 0:04:37 | 0:04:41 | |
The New Look began with Christian Dior's Spring collection in 1947. | 0:04:41 | 0:04:47 | |
It startled the fashion world and resulted in a transformation | 0:04:47 | 0:04:50 | |
in design within the home and workplace. | 0:04:50 | 0:04:54 | |
It's priced at £72. | 0:04:54 | 0:04:56 | |
Now, it says on here that it will need rewiring, | 0:04:56 | 0:05:02 | |
and items like this do need rewiring and it can be quite costly, | 0:05:02 | 0:05:07 | |
but I wonder if I might be able to get a deal with Tony | 0:05:07 | 0:05:11 | |
because it needs this done. | 0:05:11 | 0:05:14 | |
Only one way to find out... | 0:05:14 | 0:05:17 | |
I thought that this lamp-cabinet affair... | 0:05:17 | 0:05:21 | |
-Oh, OK. -..was very good fun. -Yes. | 0:05:21 | 0:05:25 | |
It's the type of thing that the city slickers | 0:05:25 | 0:05:27 | |
would like in their 1950s interiors. | 0:05:27 | 0:05:31 | |
I mean, I remember the 1950s... | 0:05:31 | 0:05:34 | |
Surely not, Anita(!) | 0:05:34 | 0:05:37 | |
Remember, it's priced at £72. | 0:05:37 | 0:05:39 | |
-On the ticket, it tells us that it needs rewired. -Yes. | 0:05:39 | 0:05:43 | |
Is there a drop-dead price that you could sell that for? | 0:05:43 | 0:05:48 | |
Simply because of the rewiring issue? | 0:05:48 | 0:05:52 | |
Do you want to make me an offer? | 0:05:52 | 0:05:55 | |
-An offer that you can't refuse? -Yes! | 0:05:55 | 0:05:56 | |
THEY LAUGH | 0:05:56 | 0:05:58 | |
I would be looking to pay maybe round about £40 for it, | 0:05:58 | 0:06:04 | |
-but I don't know if you can come down that far... -Yes, yes. | 0:06:04 | 0:06:07 | |
-I could come down to probably about £50. -50? | 0:06:07 | 0:06:12 | |
How would you feel about that? | 0:06:13 | 0:06:15 | |
I know... I mean, to me, it's certainly worth that, | 0:06:15 | 0:06:17 | |
-but I have to sell it in auction, you know? -Yes, yes, of course. | 0:06:17 | 0:06:20 | |
And it's got that thing on it. | 0:06:20 | 0:06:22 | |
Um... How about 45? Would that... | 0:06:22 | 0:06:25 | |
-45 sounds fine to me. -Is that all right, are you sure? | 0:06:25 | 0:06:27 | |
Yes, that's fine. | 0:06:27 | 0:06:29 | |
-Oh, thank you very much! -Good luck with that. | 0:06:29 | 0:06:31 | |
What about the milking stool, then? | 0:06:31 | 0:06:33 | |
But there was something else that I liked the look of, | 0:06:33 | 0:06:36 | |
and it was this little novelty milking stool. | 0:06:36 | 0:06:40 | |
-Ah, yes. -What's the best that you can do on that? | 0:06:40 | 0:06:43 | |
Well, we've got 23... | 0:06:43 | 0:06:46 | |
I could do a special price for, what, £12 for that? | 0:06:46 | 0:06:51 | |
Put it there! Lovely. £12, I'm delighted with that. | 0:06:51 | 0:06:55 | |
I think that it's just an absolutely fun thing. | 0:06:55 | 0:06:58 | |
Good work, Anita. | 0:06:58 | 0:07:00 | |
The 1950s lamp and cabinet for £45 and the little milking stool for £12. | 0:07:01 | 0:07:08 | |
That's lovely, thank you very much. | 0:07:08 | 0:07:09 | |
-It's been lovely. -Thank you. -Bye-bye! -Bye. | 0:07:09 | 0:07:11 | |
Phil is easing into this leg. He's journeyed northwards | 0:07:17 | 0:07:21 | |
to the coastal village of Bamburgh in Northumberland. | 0:07:21 | 0:07:24 | |
The area boasts one of the largest castles in the country. | 0:07:27 | 0:07:31 | |
Not just a magnificent landmark, | 0:07:31 | 0:07:33 | |
this castle was once the centre of a revolutionary social movement. | 0:07:33 | 0:07:37 | |
Before the NHS and the welfare state, | 0:07:38 | 0:07:40 | |
Bamburgh Castle played host to a utilitarian society, | 0:07:40 | 0:07:44 | |
providing health care, education and the country's first lifeboat station. | 0:07:44 | 0:07:49 | |
Phil is meeting with curator Chris Calvert to find out more. | 0:07:51 | 0:07:55 | |
-Hi, I'm Philip. -Hi, I'm Chris. How're you? | 0:07:55 | 0:07:58 | |
You know, I don't know this part of the world, | 0:07:58 | 0:08:00 | |
-but this is just absolutely stunning, isn't it? -Beautiful. | 0:08:00 | 0:08:04 | |
In 1758, local man and vicar Dr John Sharp became the head | 0:08:04 | 0:08:09 | |
of the Crew Trust, set up by the owners | 0:08:09 | 0:08:11 | |
of the castle to manage affairs. | 0:08:11 | 0:08:13 | |
He was given full control of running the estate | 0:08:14 | 0:08:17 | |
and, as a great philanthropist, he set about creating | 0:08:17 | 0:08:21 | |
a much-needed life support for the people of Bamburgh. | 0:08:21 | 0:08:24 | |
-If that a windmill? -It certainly was in its heyday, yes. | 0:08:25 | 0:08:29 | |
What's a castle doing with a windmill? | 0:08:29 | 0:08:31 | |
We go back to the Crew Trustees - when they owned the castle, | 0:08:31 | 0:08:35 | |
John Sharp realised that corn was getting very expensive | 0:08:35 | 0:08:39 | |
and he got the Crew Trustees to agree to buy in corn | 0:08:39 | 0:08:43 | |
he could then sell to the poor people - corn at a reasonable cost. | 0:08:43 | 0:08:48 | |
And then from that came the windmills so that they could then | 0:08:48 | 0:08:50 | |
come up and they could grind their own corn for free in the windmill. | 0:08:50 | 0:08:55 | |
Free education was next on his agenda. | 0:08:55 | 0:08:57 | |
A local school was set up within the castle, | 0:08:57 | 0:09:00 | |
teaching children who would have otherwise no access to learning. | 0:09:00 | 0:09:04 | |
They are the original schoolbooks, yeah, from the 1700s. | 0:09:04 | 0:09:08 | |
There are two schoolbooks here... Obviously mathematics was very big. | 0:09:08 | 0:09:12 | |
-Division and logarithms? -I know, very complicated isn't it? | 0:09:12 | 0:09:15 | |
So we've got logarithm... | 0:09:15 | 0:09:16 | |
Well, this is all mathematical, really, isn't it? | 0:09:16 | 0:09:18 | |
What else did they teach here? | 0:09:18 | 0:09:20 | |
They taught reading, as well, and writing. | 0:09:20 | 0:09:23 | |
But they were taught practical skills as well, later on, | 0:09:23 | 0:09:25 | |
so they were taught sewing and they were taught spinning, | 0:09:25 | 0:09:28 | |
hence the spinning wheel that we have here. | 0:09:28 | 0:09:30 | |
So it was always an industry for life, wasn't it? | 0:09:30 | 0:09:33 | |
It is, giving them life skills. I mean real life skills. | 0:09:33 | 0:09:35 | |
And I can see, clearly, all our mathematical stuff here, | 0:09:35 | 0:09:39 | |
we've got the children's chairs and we've got the spinning wheel | 0:09:39 | 0:09:42 | |
that they worked on, but why have we got a sedan chair here? | 0:09:42 | 0:09:46 | |
Well, it's normally associated with the aristocrats and the gentry | 0:09:46 | 0:09:51 | |
for getting carried around town in, | 0:09:51 | 0:09:52 | |
but this one was actually used as an ambulance. | 0:09:52 | 0:09:55 | |
In 1772, Dr Sharp opened a surgery here, | 0:09:58 | 0:10:02 | |
providing free medical care and supplies. | 0:10:02 | 0:10:05 | |
By the end of the decade, | 0:10:05 | 0:10:07 | |
the surgery was treating over 1,500 patients a year. | 0:10:07 | 0:10:10 | |
The original surgery and dispensary hasn't survived, | 0:10:13 | 0:10:17 | |
but Dr John Sharp is still very much present. | 0:10:17 | 0:10:21 | |
The painting embodies everything he did here, really, | 0:10:21 | 0:10:23 | |
with his plans for the castle, the development of the castle, | 0:10:23 | 0:10:26 | |
the surgery, the dispensary... | 0:10:26 | 0:10:28 | |
The poor people there either | 0:10:28 | 0:10:29 | |
thanking him for the treatment they've received | 0:10:29 | 0:10:31 | |
or maybe beseeching him to take their children into the school. | 0:10:31 | 0:10:34 | |
And through the window over his shoulder there, | 0:10:34 | 0:10:37 | |
-you can see that there's ship foundering. -Oh, yeah, yeah! | 0:10:37 | 0:10:40 | |
Dr John Sharp was troubled by the shipwrecks | 0:10:43 | 0:10:46 | |
on the perilous Bamburgh coastline. | 0:10:46 | 0:10:48 | |
Determined to make the seas as safe as possible, he created a pioneering | 0:10:48 | 0:10:52 | |
coastguard system thought to be the first of its kind in the world. | 0:10:52 | 0:10:56 | |
So if there was a ship that was in distress... | 0:10:56 | 0:10:58 | |
..the coastguard, Sharp's coastguard saw it, and I mean | 0:11:00 | 0:11:04 | |
if it was sinking or whatever, did they help them, or what happened? | 0:11:04 | 0:11:08 | |
Yes, they had a system of signals using these guns here. | 0:11:08 | 0:11:12 | |
These are actually the guns used. | 0:11:12 | 0:11:14 | |
And they would signal to the villagers with the smaller gun | 0:11:14 | 0:11:16 | |
and then had a larger gun that was used to signal to the ships | 0:11:16 | 0:11:19 | |
-that help was on its way. -And what sort of help would it have been? | 0:11:19 | 0:11:22 | |
Manpower, basically. | 0:11:22 | 0:11:24 | |
So any sailors that were injured or whatever, | 0:11:24 | 0:11:26 | |
what would have happened to them? | 0:11:26 | 0:11:28 | |
Well, they were treated here and any sailors that unfortunately drowned, | 0:11:28 | 0:11:32 | |
their funerals and their coffins | 0:11:32 | 0:11:34 | |
were paid for by the Crew Trustees here. | 0:11:34 | 0:11:36 | |
Where did all the money come from to fund this? | 0:11:36 | 0:11:40 | |
He put up a lot of it himself. | 0:11:40 | 0:11:42 | |
But the Crew Trustees did have quite extensive lands, as well. | 0:11:42 | 0:11:46 | |
The lifeboat station was successfully managed until the 1860s, | 0:11:47 | 0:11:51 | |
when it was taken over by the RNLI. | 0:11:51 | 0:11:54 | |
Not only did Dr Sharp begin the quest to make our seas safe, | 0:11:54 | 0:11:59 | |
but he also created a miniature welfare state | 0:11:59 | 0:12:02 | |
that lasted at Bamburgh for over 100 years. | 0:12:02 | 0:12:05 | |
Chris, it's been absolutely fantastic. | 0:12:05 | 0:12:08 | |
You'd better show me out, because this place is so big, | 0:12:08 | 0:12:10 | |
I've got to go and find that dreadful little car. | 0:12:10 | 0:12:12 | |
CHRIS LAUGHS | 0:12:12 | 0:12:14 | |
Anita's travelled south west to the Northumbrian town of Corbridge. | 0:12:16 | 0:12:21 | |
It's here, in the very heart of Hadrian's Wall country, | 0:12:27 | 0:12:30 | |
that romantic novelist Catherine Cookson lived. | 0:12:30 | 0:12:34 | |
Our very own leading lady is going for a nosy | 0:12:34 | 0:12:37 | |
in Corbridge Antiques Centre. | 0:12:37 | 0:12:40 | |
-Alison is holding the fort here today. -Hello, I'm Anita. | 0:12:40 | 0:12:44 | |
-Hello, nice to meet you. -Ah, it's lovely to be here. | 0:12:44 | 0:12:46 | |
-And I can't wait to have a look around. -Yeah. | 0:12:46 | 0:12:49 | |
If there's anything I want to ask you about, | 0:12:49 | 0:12:51 | |
can I give you a wee shout? | 0:12:51 | 0:12:53 | |
-Yeah, of course, I'll just be here. -OK, thank you. Thank you. | 0:12:53 | 0:12:56 | |
With over 30 dealers here, | 0:12:56 | 0:12:59 | |
Anita should be able to snaffle up something. | 0:12:59 | 0:13:01 | |
We know how she loves to shop. | 0:13:01 | 0:13:04 | |
I absolutely adore this mirror. | 0:13:04 | 0:13:08 | |
It's so beautiful. | 0:13:08 | 0:13:10 | |
It's an Art Nouveau mirror, made probably between 1900-1910. | 0:13:10 | 0:13:16 | |
We have our geometric feel to it, but, at the same time, | 0:13:16 | 0:13:21 | |
we have these wonderful, naturalistic inlays | 0:13:21 | 0:13:25 | |
of perhaps a sandalwood or an exotic wood. | 0:13:25 | 0:13:30 | |
The whole thing is an absolute harmony and if I had... | 0:13:30 | 0:13:35 | |
..a four-figure sum, I would definitely go for it. | 0:13:38 | 0:13:43 | |
This is actually a Liberty mirror and it's priced at £1,800. | 0:13:43 | 0:13:47 | |
Shame you've only got a little over 200. | 0:13:49 | 0:13:51 | |
But I've already seen something that I quite like. | 0:13:52 | 0:13:55 | |
Great! | 0:13:55 | 0:13:57 | |
Down here, it's made of pine | 0:13:57 | 0:13:59 | |
and it's a little Art Deco doll's three-piece suite. | 0:13:59 | 0:14:05 | |
I think it's quite a nice little thing. | 0:14:06 | 0:14:09 | |
I think I might ask her about it. | 0:14:09 | 0:14:10 | |
It's been quite simply made, | 0:14:12 | 0:14:15 | |
maybe by an amateur carpenter or maybe even by an apprentice. | 0:14:15 | 0:14:22 | |
But it's got that 1930s, 1940s Art Deco look about it, | 0:14:22 | 0:14:27 | |
which I think's quite charming. | 0:14:27 | 0:14:31 | |
If that was life-sized, I wouldn't mind it myself. | 0:14:31 | 0:14:34 | |
Yeah! | 0:14:34 | 0:14:35 | |
Me too, Anita. | 0:14:35 | 0:14:36 | |
And it's a snip at £14. | 0:14:36 | 0:14:39 | |
Is there any movement on that, Ali? | 0:14:39 | 0:14:43 | |
-Could do the set for £12. -£12? -Yeah. | 0:14:43 | 0:14:47 | |
-I think I might take that. -Yeah? -I think I might take that. | 0:14:47 | 0:14:50 | |
It has a kind of simple, naive look about it, | 0:14:50 | 0:14:54 | |
-but I find that quite charming. -Yeah. -So, £12? -Yeah. -Thank you. | 0:14:54 | 0:14:58 | |
-Thank you very, very much. -Thanks. -Thank you. | 0:14:58 | 0:15:01 | |
£12 secures the little Art Deco-style three-piece suite. | 0:15:02 | 0:15:07 | |
-Thank you very much. -Bye-bye! -Bye. | 0:15:09 | 0:15:11 | |
As for Phil, he's journeyed south to the city of Newcastle. | 0:15:14 | 0:15:17 | |
Phil hasn't started shopping yet - maybe this fair city | 0:15:23 | 0:15:27 | |
can tempt him with something different | 0:15:27 | 0:15:29 | |
to his usual rusty offerings. Ha! | 0:15:29 | 0:15:31 | |
Stand by. | 0:15:31 | 0:15:32 | |
-Hello, Philip, how you doing? -Yeah, good to see you. You are? | 0:15:32 | 0:15:35 | |
I'm Giuseppe and this is Fern Avenue Antiques Centre. Welcome. | 0:15:35 | 0:15:39 | |
You've got some stuff, you, haven't you? | 0:15:39 | 0:15:42 | |
So what's cheap, then, Giuseppe, what's cheap? | 0:15:49 | 0:15:52 | |
We've got a pair of canaries up there, so they're double cheap. | 0:15:52 | 0:15:55 | |
Yeah, great, great, great. | 0:15:55 | 0:15:57 | |
Geddit? Hoo-hoo! | 0:15:57 | 0:15:58 | |
But Phil doesn't want a pair of birds - | 0:16:00 | 0:16:03 | |
he's got his eye on something else. | 0:16:03 | 0:16:04 | |
Giuseppe, what's that trunk underneath there, how much is that? | 0:16:04 | 0:16:08 | |
Er, we'll get it out. | 0:16:08 | 0:16:10 | |
It's one of the cleanest ones... | 0:16:10 | 0:16:11 | |
..that I've ever had. | 0:16:13 | 0:16:14 | |
-All the original address there, come via Dieppe to Newhaven. -Yeah. | 0:16:16 | 0:16:21 | |
Unusual to have the key. | 0:16:21 | 0:16:22 | |
There we go. | 0:16:29 | 0:16:31 | |
PHIL GASPING | 0:16:31 | 0:16:33 | |
140 quid. | 0:16:33 | 0:16:34 | |
Are you all RIGHT there, Phil? | 0:16:34 | 0:16:35 | |
Undecided on the trunk, he moves on. | 0:16:37 | 0:16:40 | |
-25, Scottish Masonic. -That's quite nice. | 0:16:42 | 0:16:46 | |
No great age, how do you know it's Scottish? | 0:16:47 | 0:16:49 | |
Well, because it's shaped like a thistle. | 0:16:49 | 0:16:52 | |
And it's a firing glass. | 0:16:52 | 0:16:54 | |
-Right. -So you would drink your toast | 0:16:54 | 0:16:56 | |
and then it would be... banged on the table. | 0:16:56 | 0:16:58 | |
And that is why it's got such a thick bottom, | 0:16:58 | 0:17:01 | |
if you'll pardon the expression. | 0:17:01 | 0:17:03 | |
-That might be a possibility. -OK. -That might well be a possibility. | 0:17:03 | 0:17:07 | |
Masonic items can be very sought-after at auction. | 0:17:07 | 0:17:11 | |
That could be a good choice, Phil. | 0:17:11 | 0:17:13 | |
-This is a Masonic jewel. -Right. | 0:17:13 | 0:17:16 | |
It's no big deal, but it's just a nice little Masonic jewel. | 0:17:16 | 0:17:19 | |
It's priced at £18. | 0:17:19 | 0:17:21 | |
Well, I might be interested, perhaps, if I could... | 0:17:21 | 0:17:24 | |
-Do a deal on...? -On the two, yeah. | 0:17:24 | 0:17:26 | |
Both belong to different concessions, | 0:17:26 | 0:17:28 | |
but I'm sure we could do something. | 0:17:28 | 0:17:30 | |
-That your problem, my friend. -GIUSEPPE LAUGHS | 0:17:30 | 0:17:32 | |
Not mine. | 0:17:32 | 0:17:33 | |
Mmm, charming! | 0:17:33 | 0:17:35 | |
The Masonic jewel is another possibility, | 0:17:35 | 0:17:37 | |
and Phil's got his eye on another big wooden trunk. | 0:17:37 | 0:17:40 | |
Uh-oh! | 0:17:40 | 0:17:42 | |
What's that one up there, then? How much is that one? | 0:17:42 | 0:17:45 | |
That one's cheap and cheerful, 40 quid. | 0:17:45 | 0:17:48 | |
What?! Can I have a look at it, please? | 0:17:48 | 0:17:50 | |
You certainly can. | 0:17:50 | 0:17:51 | |
I'm struggling now. | 0:17:53 | 0:17:55 | |
-I'm being deadly serious, I want you to explain to me... -Yeah? | 0:17:55 | 0:18:00 | |
..why there is £100 in difference between that one | 0:18:00 | 0:18:02 | |
and the first one I looked at. | 0:18:02 | 0:18:04 | |
-Sometimes you can buy things right. -You bought that right? | 0:18:04 | 0:18:07 | |
-I bought that right. -I'll give you 30 quid for it. | 0:18:07 | 0:18:10 | |
35. | 0:18:10 | 0:18:11 | |
You know those... That little bit of Masonic glass? | 0:18:11 | 0:18:14 | |
-And that little jewel thing? -Yeah. -Could I buy... | 0:18:14 | 0:18:17 | |
-..the three bits off you for 60 quid? -Which three? | 0:18:20 | 0:18:23 | |
The glass, the jewel and that trunk. | 0:18:23 | 0:18:25 | |
No. | 0:18:27 | 0:18:28 | |
There wasn't an ounce of emotion there, was there? | 0:18:30 | 0:18:32 | |
Just nothing at all. | 0:18:32 | 0:18:34 | |
-I'll meet you in the middle. -What's that, 65? -65. | 0:18:34 | 0:18:37 | |
-Giuseppe, you've been as good as gold, mate. -Thank you very much. | 0:18:37 | 0:18:40 | |
£65 and three, you're a gent. | 0:18:40 | 0:18:41 | |
-Thank you. -Thank you. -No problem, best of luck. | 0:18:41 | 0:18:43 | |
-Bye-bye, now. -Phil now has two lots. | 0:18:43 | 0:18:46 | |
£30 for the Masonic firing glass and jewel and £35 for the wooden trunk. | 0:18:46 | 0:18:52 | |
This signals the end of a very busy day. | 0:18:54 | 0:18:57 | |
It's time for our weary duo to turn in and get some shut-eye. | 0:18:57 | 0:19:02 | |
Nighty-night. | 0:19:02 | 0:19:04 | |
Anita's in command of the Fiat 500 this fair morning. | 0:19:13 | 0:19:17 | |
Uh-oh. | 0:19:18 | 0:19:19 | |
One of the joys about this road trip - all road trips - | 0:19:20 | 0:19:24 | |
-is that you work with your old mates, don't you? -Oh, yeah, I know. | 0:19:24 | 0:19:28 | |
And those friendships stay true. | 0:19:28 | 0:19:30 | |
Although I do have to say, | 0:19:30 | 0:19:32 | |
not convinced your driving's got any better! | 0:19:32 | 0:19:35 | |
Get over! | 0:19:35 | 0:19:37 | |
He's a rascal. | 0:19:37 | 0:19:38 | |
Let's have a refresher on their shopping trip thus far. | 0:19:41 | 0:19:45 | |
Anita has three lots. | 0:19:46 | 0:19:48 | |
The 1950s standard-lamp and cabinet combo, the milking stool | 0:19:48 | 0:19:53 | |
and the Art Deco three-piece miniature suite for a doll's house. | 0:19:53 | 0:19:57 | |
This gives Anita £189.30 for the day ahead. | 0:19:57 | 0:20:01 | |
As for Phil, he has two lots, | 0:20:02 | 0:20:04 | |
comprising the two 19th-century Masonic items | 0:20:04 | 0:20:09 | |
and the wooden trunk. | 0:20:09 | 0:20:11 | |
He has a rather lovely £334.40 left. | 0:20:11 | 0:20:16 | |
Do you know what? | 0:20:17 | 0:20:19 | |
We have traversed from one side of England to the other side. | 0:20:19 | 0:20:22 | |
-I don't know how that happened. -And where are we now? | 0:20:22 | 0:20:24 | |
Bonnie Scotland! | 0:20:24 | 0:20:26 | |
Aye! | 0:20:26 | 0:20:28 | |
That's right, Anita. They've crossed the border | 0:20:28 | 0:20:30 | |
and Phil is going for a shop in the town of Moffat in Dumfriesshire. | 0:20:30 | 0:20:34 | |
What will he uncover in here? | 0:20:40 | 0:20:41 | |
-Morning, Phil. -Oh, hi. | 0:20:45 | 0:20:47 | |
You've got a bloomin' room full of stuff here, haven't you? | 0:20:47 | 0:20:50 | |
A wee bit of everything, yes. | 0:20:50 | 0:20:52 | |
A wee bit... I love that, "A wee bit of everything!" | 0:20:52 | 0:20:54 | |
SHE LAUGHS | 0:20:54 | 0:20:55 | |
And he's off. On the hunt. | 0:20:55 | 0:20:57 | |
You often look at these and think that these are like glass dumbbells, | 0:21:02 | 0:21:06 | |
but, in fact, at the end of the 19th century, these would have sat | 0:21:06 | 0:21:09 | |
on the dining table and they're for resting your knife on. | 0:21:09 | 0:21:13 | |
They're always that shape, sometimes they're silver, | 0:21:13 | 0:21:16 | |
sometimes they're silver-plated... | 0:21:16 | 0:21:18 | |
But a lot of them are glass, so next time you see these, | 0:21:18 | 0:21:21 | |
what they aren't is little glass dumbbells. But they're knife rests. | 0:21:21 | 0:21:26 | |
Glad you cleared that one up, Phil, thank you. | 0:21:26 | 0:21:29 | |
What is he on to now? | 0:21:29 | 0:21:31 | |
I quite like that. That's just a company seal. | 0:21:32 | 0:21:36 | |
And one of the requirements, if you were an incorporated company, | 0:21:36 | 0:21:40 | |
was that... I think you had your business articles, | 0:21:40 | 0:21:43 | |
but you also had THE company seal. | 0:21:43 | 0:21:46 | |
That's a precursor of a publishing package on a computer. | 0:21:46 | 0:21:51 | |
That's priced at £79, which is a whole load of money. | 0:21:51 | 0:21:54 | |
But it's a bit of fun, isn't it? | 0:21:54 | 0:21:57 | |
That's a possibility, isn't it, you know? | 0:21:57 | 0:21:59 | |
Phil's seeks out the lovely Linda to find out more. | 0:21:59 | 0:22:03 | |
So that... I just thought that was quite nice. | 0:22:03 | 0:22:05 | |
I don't know what on earth you'd ever do with it. | 0:22:05 | 0:22:08 | |
It is nice. I mean, as you say, probably not a lot of practical use. | 0:22:08 | 0:22:13 | |
-No, but I just think it's sort of... -It's very decorative. | 0:22:13 | 0:22:16 | |
Yeah, it is, isn't it? | 0:22:16 | 0:22:18 | |
I think at auction, that might be £40-£60 worth. | 0:22:18 | 0:22:21 | |
What would be the very best you could do that for? | 0:22:21 | 0:22:23 | |
Bottom line on it, 30. | 0:22:23 | 0:22:25 | |
OK. | 0:22:25 | 0:22:26 | |
-I think I'd like that. -Certainly. | 0:22:28 | 0:22:30 | |
I think I'd like that, but I'm going to leave it there, | 0:22:30 | 0:22:33 | |
because there's a couple of other things | 0:22:33 | 0:22:35 | |
-I want to look at on the way out. -OK. | 0:22:35 | 0:22:36 | |
He sounds keen. | 0:22:36 | 0:22:38 | |
And Linda's treating him to a special part of the shop. Ooh-ah! | 0:22:38 | 0:22:42 | |
If you want to come through here, we'll go upstairs. | 0:22:42 | 0:22:45 | |
-So, Linda, this is sort of the hidden storage area? -It is. | 0:22:45 | 0:22:47 | |
This is where all the old antiques go to die. | 0:22:47 | 0:22:50 | |
Blimey. | 0:22:50 | 0:22:51 | |
Lord above. | 0:22:51 | 0:22:53 | |
So this is basically where things just get brought up until... | 0:22:53 | 0:22:57 | |
either they go out or get sent auction. | 0:22:57 | 0:23:01 | |
I like the ladders, how much are they? | 0:23:01 | 0:23:03 | |
I think we actually use them, dare I say! | 0:23:04 | 0:23:07 | |
SHE LAUGHS | 0:23:07 | 0:23:08 | |
This is not a shop, it's a museum! Actually, it is a museum, isn't it? | 0:23:08 | 0:23:11 | |
Well, the floor downstairs, yes. | 0:23:11 | 0:23:13 | |
So the ladders are definitely not for sale? | 0:23:13 | 0:23:16 | |
I think they're definitely still in use. | 0:23:16 | 0:23:19 | |
-Do you know, I don't think those confirm to health-and-safety rules. -SHE LAUGHS | 0:23:19 | 0:23:23 | |
I think they're dangerous. | 0:23:23 | 0:23:25 | |
You don't want to be clambering up stuff like that. | 0:23:25 | 0:23:29 | |
I think Linda might see through that, Phil, heh! | 0:23:29 | 0:23:32 | |
After a snoop about, he's just got one thing on his mind. | 0:23:32 | 0:23:36 | |
I've spoken to my husband, who's the one who uses the ladders, | 0:23:36 | 0:23:40 | |
and he said depending on what you're prepared to offer, | 0:23:40 | 0:23:44 | |
he might let you have them. | 0:23:44 | 0:23:46 | |
It'll be 30 quid, something like that. | 0:23:46 | 0:23:49 | |
30... | 0:23:51 | 0:23:52 | |
35? | 0:23:53 | 0:23:55 | |
So if I did 60 for the stamper thing and the ladders, | 0:23:55 | 0:23:58 | |
how would that grab you? | 0:23:58 | 0:24:00 | |
I suppose we could. Seeing as it's you. | 0:24:00 | 0:24:02 | |
You're an angel. You're an angel, thank you so much. | 0:24:02 | 0:24:05 | |
Success! £30 for the ladders and £30 for the seal press. | 0:24:05 | 0:24:10 | |
Anita has journeyed south to the village of Ecclefechan | 0:24:18 | 0:24:22 | |
in Dumfries & Galloway. | 0:24:22 | 0:24:24 | |
Anita's in for a real treat, because this rural village | 0:24:28 | 0:24:32 | |
is birthplace to local legend Thomas Carlyle. | 0:24:32 | 0:24:35 | |
Little-known now, Thomas rose from obscurity to become one | 0:24:37 | 0:24:41 | |
of the 19th century's most prominent thinkers, rubbing shoulders | 0:24:41 | 0:24:45 | |
with intellectual giants such as Charles Darwin and Alfred Tennyson. | 0:24:45 | 0:24:49 | |
As a published author of both history and philosophy, | 0:24:51 | 0:24:54 | |
he courted admiration from around the world, | 0:24:54 | 0:24:57 | |
but also attracted controversy, | 0:24:57 | 0:25:00 | |
as some of his work became associated with slavery and the Nazis. | 0:25:00 | 0:25:04 | |
Anita is meeting with David Heal | 0:25:06 | 0:25:09 | |
to find out more about this formidable man. | 0:25:09 | 0:25:12 | |
David, tell me about this place. | 0:25:12 | 0:25:15 | |
Thomas's father and his uncle were the local stonemasons in this | 0:25:15 | 0:25:19 | |
village and they built this house around about 1794. | 0:25:19 | 0:25:24 | |
What sort of family were they? | 0:25:24 | 0:25:26 | |
They were a close-knit family. Father was very hard-working, | 0:25:26 | 0:25:29 | |
a deeply religious man, and Mother very supportive of the family, | 0:25:29 | 0:25:35 | |
and particularly Thomas. | 0:25:35 | 0:25:36 | |
Despite Thomas' humble background, his parents focused on his education. | 0:25:36 | 0:25:42 | |
After a period of teaching, | 0:25:43 | 0:25:44 | |
Thomas realised that he wanted to become a writer full-time. | 0:25:44 | 0:25:49 | |
Following a move to London with his wife, Jane, he wrote his first | 0:25:49 | 0:25:52 | |
major work in 1837 on the history of the French Revolution. | 0:25:52 | 0:25:56 | |
It became THE authority of events | 0:25:56 | 0:25:59 | |
and put Thomas firmly on the intellectual map. | 0:25:59 | 0:26:02 | |
So there he was in London, the book was a success, | 0:26:03 | 0:26:07 | |
what was next for Carlyle? | 0:26:07 | 0:26:09 | |
That put him on the map as far as the public was concerned | 0:26:09 | 0:26:12 | |
and for future writings, they were all popular. | 0:26:12 | 0:26:15 | |
It enabled him, the income coming in, to travel, | 0:26:15 | 0:26:19 | |
to research the rest of his writings and to improve the family's general | 0:26:19 | 0:26:24 | |
standard of life, because certainly the first four or five years, | 0:26:24 | 0:26:28 | |
Jane had to be pretty frugal with things | 0:26:28 | 0:26:31 | |
and control the purse strings. | 0:26:31 | 0:26:33 | |
This weighty account of the French Revolution wowed Victorian readers. | 0:26:33 | 0:26:38 | |
They loved Carlyle's revolutionary, dramatic style of writing. | 0:26:39 | 0:26:44 | |
It also inspired one of the world's greatest works of fiction. | 0:26:44 | 0:26:48 | |
It sounds like a wonderful time. | 0:26:48 | 0:26:50 | |
Of course, Dickens was influenced by Thomas. | 0:26:50 | 0:26:55 | |
Dickens lived fairly close at one point in time | 0:26:55 | 0:26:58 | |
-and the two families became great friends. -Mm-hm. | 0:26:58 | 0:27:00 | |
And Charles Dickens and Thomas were | 0:27:00 | 0:27:02 | |
great friends for the rest of their lives. | 0:27:02 | 0:27:04 | |
And of course, Dickens, with his Tale Of Two Cities... | 0:27:04 | 0:27:08 | |
Used Thomas's History Of The French Revolution as his research material. | 0:27:08 | 0:27:12 | |
Thomas went on to publish ground-breaking ideas | 0:27:13 | 0:27:16 | |
in maths, history and philosophy. | 0:27:16 | 0:27:18 | |
After studying the impact of great leaders, | 0:27:18 | 0:27:21 | |
he developed a theory that history is shaped by individuals | 0:27:21 | 0:27:25 | |
and that true progress can only take place under the control of great man. | 0:27:25 | 0:27:30 | |
He wrote a book called Heroes And Hero Worship, | 0:27:32 | 0:27:35 | |
relating to several of these men. | 0:27:35 | 0:27:37 | |
He felt that these "supermen" really guided history | 0:27:37 | 0:27:43 | |
and everyone should... | 0:27:43 | 0:27:45 | |
Should take a lead from some of them, certainly. | 0:27:45 | 0:27:48 | |
As Thomas' fame grew worldwide, so did the controversy surrounding him. | 0:27:48 | 0:27:54 | |
His ideas at that time didn't always find favour. | 0:27:54 | 0:27:59 | |
They didn't. | 0:27:59 | 0:28:00 | |
His first main friend, JS Milne in London, | 0:28:01 | 0:28:04 | |
fell out with him round about 1840 | 0:28:04 | 0:28:07 | |
because of Thomas's views on slavery, | 0:28:07 | 0:28:10 | |
that he didn't join the abolitionist cause at all - quite the opposite. | 0:28:10 | 0:28:14 | |
He really wanted to restore slavery, but in a different form. | 0:28:14 | 0:28:17 | |
These views, expressed in the years following the abolition of slavery | 0:28:19 | 0:28:22 | |
throughout the British Empire, would tarnish his reputation. | 0:28:22 | 0:28:26 | |
But he continued to publish. | 0:28:26 | 0:28:29 | |
One of his last major works, on Frederick the Great, | 0:28:29 | 0:28:32 | |
focused on his established ideas of the hero. | 0:28:32 | 0:28:36 | |
It's said that Hitler was reading a copy of the book in his bunker | 0:28:36 | 0:28:40 | |
at the end of World War II. | 0:28:40 | 0:28:42 | |
Tell me a little about the latter part of his life. | 0:28:44 | 0:28:47 | |
Well, he was on his travels in 1866 and while he is | 0:28:47 | 0:28:51 | |
away from home in Edinburgh, Jane unfortunately died | 0:28:51 | 0:28:55 | |
and that had a very drastic effect on Thomas's health. | 0:28:55 | 0:28:58 | |
It deteriorated to the point | 0:28:58 | 0:29:00 | |
that he almost became a recluse and he had to be looked after. | 0:29:00 | 0:29:04 | |
Thomas was heartbroken and retired from public life. | 0:29:04 | 0:29:08 | |
Before his death at the age of 85, Thomas was such a revered writer | 0:29:08 | 0:29:13 | |
and historian that he was offered a burial place at Westminster Abbey. | 0:29:13 | 0:29:17 | |
Thomas being Thomas, however, turned that down. | 0:29:17 | 0:29:20 | |
-LAUGHING: -Always controversial! | 0:29:20 | 0:29:22 | |
Absolutely. | 0:29:22 | 0:29:23 | |
He made it perfectly plain he didn't want to be buried in | 0:29:23 | 0:29:26 | |
Westminster Abbey, he wanted to be buried in Ecclefechan, | 0:29:26 | 0:29:28 | |
alongside his parents. | 0:29:28 | 0:29:30 | |
To the very end, Carlyle remained true to his roots | 0:29:30 | 0:29:34 | |
and although at times a contentious figure, people from all over | 0:29:34 | 0:29:37 | |
the world continue to visit this humble little cottage in Ecclefechan. | 0:29:37 | 0:29:42 | |
Still in Dumfries & Galloway, | 0:29:48 | 0:29:50 | |
our pair are heading for the village of New Abbey. | 0:29:50 | 0:29:53 | |
-So we've got one last shop between us, haven't we? -Yes. | 0:29:53 | 0:29:57 | |
-I know what you could buy. -What? | 0:29:57 | 0:29:59 | |
-IN MOCK SCOTS ACCENT: -A nice wee brooch! | 0:29:59 | 0:30:01 | |
Philip! | 0:30:01 | 0:30:03 | |
The mischief-makers are sharing their last shop of the day. | 0:30:03 | 0:30:06 | |
Bit of a tight squeeze there, Phil! | 0:30:08 | 0:30:10 | |
After you, my dear. | 0:30:10 | 0:30:12 | |
-Ah, thank you, darling! What a gentleman. -After you. | 0:30:12 | 0:30:15 | |
Well, he can be, sometimes. | 0:30:15 | 0:30:16 | |
Anita's visited Admirable Antiques before. | 0:30:16 | 0:30:19 | |
-Hello, guys! -Hello! -It's lovely, lovely, lovely to see you! | 0:30:19 | 0:30:22 | |
I've brought my wee pal along today. | 0:30:22 | 0:30:25 | |
I've brought my wee pal along, as well. | 0:30:25 | 0:30:27 | |
ANITA LAUGHS | 0:30:27 | 0:30:28 | |
Phil's got over £270 to play with. | 0:30:30 | 0:30:33 | |
On the way in, there was a curling stone. | 0:30:33 | 0:30:36 | |
I'm in Scotland, it would be a real shame not to buy something Scottish. | 0:30:36 | 0:30:39 | |
Unfortunately, it didn't look like it's got a handle with it, | 0:30:39 | 0:30:42 | |
but I'm going to go and have a word with the boss man. | 0:30:42 | 0:30:45 | |
Ian's the man. | 0:30:45 | 0:30:47 | |
-When I came in, you've got a curling stone out there... -Oh, yes. | 0:30:47 | 0:30:50 | |
..that doesn't have a handle on it. | 0:30:50 | 0:30:52 | |
-You have another handle, have you? -Unfortunately not. | 0:30:52 | 0:30:54 | |
You haven't got anything else like that? That's peculiarly Scottish? | 0:30:54 | 0:30:57 | |
-I've got a tiny one that you might be interested in. -Can I have a look? | 0:30:57 | 0:31:02 | |
Blimey, that is a tiny one. | 0:31:02 | 0:31:04 | |
And there we are. | 0:31:04 | 0:31:05 | |
-And is that... -An exact copy. | 0:31:05 | 0:31:07 | |
-Miniature. -These are from Ailsa Craig, aren't they? | 0:31:08 | 0:31:11 | |
-Indeed, yes. -Is it a granite? | 0:31:11 | 0:31:13 | |
It is a granite, yes. | 0:31:13 | 0:31:14 | |
From the mid-19th century, the island of Ailsa Craig | 0:31:14 | 0:31:18 | |
in the Firth of Clyde has been quarried for granite. | 0:31:18 | 0:31:21 | |
It's one of only two sources for the production of curling stones. | 0:31:21 | 0:31:26 | |
And what's your ticket price on that? | 0:31:26 | 0:31:28 | |
-65. -Oooh-hoo! | 0:31:28 | 0:31:30 | |
-What's the best you can do on it? -50. | 0:31:30 | 0:31:33 | |
That's just way too much money for me. | 0:31:33 | 0:31:35 | |
And how much is this stone without the candle in it? | 0:31:35 | 0:31:38 | |
75, but I could perhaps do you a package for the two. | 0:31:38 | 0:31:41 | |
-Honestly, I think 50 is my limit. -Mm-hm. | 0:31:41 | 0:31:44 | |
-If you could do that, I'll have them. -OK. | 0:31:44 | 0:31:47 | |
-OK. -You're a gentleman, thank you very much indeed. | 0:31:47 | 0:31:51 | |
A little-and-large set of curling stones for a generous deal of £50. | 0:31:51 | 0:31:55 | |
Phil might have finished shopping, | 0:31:56 | 0:31:58 | |
but Anita's on the prowl to spend her cash. | 0:31:58 | 0:32:01 | |
She's got just under £200 in her purse and she looks determined. | 0:32:01 | 0:32:05 | |
In Victorian times, Staffordshire figures, or "flatbacks" as they're | 0:32:06 | 0:32:11 | |
called, would grace the mantelpiece of every Victorian kitchen. | 0:32:11 | 0:32:17 | |
Flatback figures are so-called because they're | 0:32:17 | 0:32:20 | |
generally flat on the back and are undecorated there. | 0:32:20 | 0:32:24 | |
There were often placed against a wall or chimneybreast | 0:32:24 | 0:32:27 | |
in a Victorian house to add some interest. | 0:32:27 | 0:32:30 | |
Now, Staffordshire figures would often command | 0:32:31 | 0:32:35 | |
high prices in the saleroom. But they have gone out of fashion. | 0:32:35 | 0:32:40 | |
That one's possible. | 0:32:42 | 0:32:44 | |
What's Anita got her eye on now? | 0:32:44 | 0:32:48 | |
She loves a trade. | 0:32:48 | 0:32:50 | |
So, the girls want their boyfriends out of their T-shirts, | 0:32:50 | 0:32:54 | |
out of the sloppy joes | 0:32:54 | 0:32:56 | |
and into a nice, crisp white shirt | 0:32:56 | 0:32:59 | |
with a lovely pair of stylish cuff links. | 0:32:59 | 0:33:03 | |
So cuff links are doing well and I quite fancy these. | 0:33:03 | 0:33:07 | |
Time to talk money. | 0:33:07 | 0:33:08 | |
The combined ticket price for the two items is £52.99. | 0:33:09 | 0:33:13 | |
I've found two things really that I like. | 0:33:15 | 0:33:18 | |
What I would like to pay for the two is probably... | 0:33:18 | 0:33:22 | |
..in the region of 25-30. | 0:33:25 | 0:33:29 | |
-32. -£32 for the two? | 0:33:29 | 0:33:32 | |
Let's go for that. | 0:33:33 | 0:33:34 | |
Thank you very, very much. | 0:33:34 | 0:33:37 | |
Yeah, nice work, Anita. | 0:33:37 | 0:33:39 | |
£27 for the Staffordshire flatback and £5 for the dapper cuff links. | 0:33:39 | 0:33:43 | |
That completes this late shopping trip. | 0:33:43 | 0:33:47 | |
And Anita has a total of five items as well as the last two she's | 0:33:47 | 0:33:51 | |
just picked up. There's the 1950s standard-lamp and cabinet, | 0:33:51 | 0:33:55 | |
the milking stool, and the little doll's house three-piece suite. | 0:33:55 | 0:33:59 | |
Anita was canny with her cash - she spent £101. | 0:33:59 | 0:34:04 | |
Phil had a tidy budget to play with and also bought five items - | 0:34:05 | 0:34:09 | |
his Masonic lot, the wooden trunk, the 19th-century seal press, | 0:34:09 | 0:34:14 | |
the set of ladders and the little-and-large curling stones. | 0:34:14 | 0:34:19 | |
Phil spent a total of £175. | 0:34:19 | 0:34:23 | |
Now for the juicy bit. Ha! | 0:34:24 | 0:34:26 | |
What do they think of each other's items? | 0:34:26 | 0:34:28 | |
I love the company seal! | 0:34:28 | 0:34:30 | |
I think it's fabulous. | 0:34:30 | 0:34:32 | |
It's a giant! | 0:34:32 | 0:34:34 | |
Got to make a profit on that. | 0:34:34 | 0:34:36 | |
The two bits that I really love are | 0:34:36 | 0:34:38 | |
the Uncle Tom Cobley Widecombe Fair stool | 0:34:38 | 0:34:40 | |
and that really little three-piece suite. | 0:34:40 | 0:34:42 | |
I think that's really cute. | 0:34:42 | 0:34:44 | |
The shopkeeper's ladder is a smashing item - it won't fly, | 0:34:44 | 0:34:48 | |
but it's a good solid profit for him once again. | 0:34:48 | 0:34:52 | |
Game on, eh? | 0:34:52 | 0:34:53 | |
Yeah. | 0:34:53 | 0:34:55 | |
Anita and Phil are crossing the border once more | 0:34:55 | 0:34:57 | |
to auction in the city of Carlisle in Cumbria. | 0:34:57 | 0:35:00 | |
I think a wee bit of sartorial might be the thing for you. | 0:35:02 | 0:35:07 | |
I'd like to see a nice white shirt, pair of cuff links, | 0:35:07 | 0:35:11 | |
your hair combed, your face shaved... | 0:35:11 | 0:35:15 | |
I'm clean-shaven, this is like a baby's bottom! | 0:35:15 | 0:35:18 | |
SHE LAUGHS | 0:35:18 | 0:35:20 | |
Yeah, give the fellow a chance, Anita. | 0:35:20 | 0:35:24 | |
Let's hope lovely Carlisle will give them lots and lots of profits. | 0:35:24 | 0:35:27 | |
H&H Auctions is their penultimate battleground. | 0:35:27 | 0:35:32 | |
Stand by. | 0:35:32 | 0:35:33 | |
Don't drive straight in! Stop! | 0:35:33 | 0:35:36 | |
ANITA LAUGHS | 0:35:36 | 0:35:38 | |
What a carry-on, eh? | 0:35:38 | 0:35:39 | |
Dear me! I feel like I've been welded into that thing. | 0:35:39 | 0:35:43 | |
-Well... -Penultimate auction! -Yeah, I've got a lot to make up, Phil. | 0:35:43 | 0:35:48 | |
Can you do it? | 0:35:48 | 0:35:49 | |
Fingers crossed. | 0:35:49 | 0:35:51 | |
The best of luck to you both. | 0:35:51 | 0:35:53 | |
Our auctioneer today is Stephen Farthing. | 0:35:54 | 0:35:57 | |
What does he think of Anita and Phil's lots? | 0:35:57 | 0:36:00 | |
If you've seen the joke with the Two Ronnies, the four candles joke, | 0:36:02 | 0:36:06 | |
it's identical to the sort of ladder | 0:36:06 | 0:36:08 | |
that you would see in that old DIY shop | 0:36:08 | 0:36:10 | |
and I'm sure a lot of people will recognise that. | 0:36:10 | 0:36:12 | |
It'll probably go for the £50-£60 mark. | 0:36:12 | 0:36:14 | |
Continental silver cuff links, um, yeah. They're very plain, | 0:36:14 | 0:36:17 | |
very simple and very stylish. | 0:36:17 | 0:36:20 | |
So, again, I'm hoping that they might do well. | 0:36:20 | 0:36:22 | |
Make yourself comfortable, the auction is about to begin. | 0:36:24 | 0:36:27 | |
HAMMER BANGS | 0:36:27 | 0:36:28 | |
First up are Anita's stylish cuff links. | 0:36:28 | 0:36:30 | |
5, 8, 10 on the books. | 0:36:30 | 0:36:32 | |
10 bid, at 10 I'm bid, 10 for the pair. | 0:36:32 | 0:36:34 | |
-12 at the back. -Yes! -Right at the back, £12 bid. | 0:36:34 | 0:36:37 | |
At £12, at £12 bid, right at the back at £12. | 0:36:37 | 0:36:41 | |
HAMMER BANGS | 0:36:41 | 0:36:42 | |
Tidy little profit there, Anita. Great start. | 0:36:42 | 0:36:45 | |
That's not bad. | 0:36:45 | 0:36:46 | |
-That was short and sharp. -Yeah. | 0:36:46 | 0:36:49 | |
Next are Phil's curling stones. | 0:36:49 | 0:36:52 | |
Straight in at £10 on the books. | 0:36:52 | 0:36:54 | |
10 bid. At £10 I'm bid, 10 on the books, 12, 12 bid, | 0:36:54 | 0:36:57 | |
at 15 bid, at 15, 18, 18, 20 bid, | 0:36:57 | 0:37:01 | |
at 22, 25, 28, 30... | 0:37:01 | 0:37:04 | |
-It's climbing. -..30, at 32, 35, 38, 40. | 0:37:04 | 0:37:10 | |
-It's getting there, Phil. -40 bid, at £40, at £40 in | 0:37:10 | 0:37:14 | |
-All done at £40. -HAMMER BANGS | 0:37:14 | 0:37:16 | |
Despite that series of bids, it's a loss, Phil. | 0:37:16 | 0:37:19 | |
Not too bad, though. | 0:37:19 | 0:37:21 | |
I'm not going to count my chickens and my sheep and my "cooows"... | 0:37:21 | 0:37:26 | |
Or your "dugs". | 0:37:26 | 0:37:27 | |
Next, Anita's three-piece suite for a doll's house. | 0:37:27 | 0:37:31 | |
A nice little lot there. | 0:37:31 | 0:37:33 | |
There we are, we are straight in at 5, 8, 10 on the books, | 0:37:33 | 0:37:36 | |
again, 10 bid, commission bid at 10, 12 at the back, 12 in, at £12, | 0:37:36 | 0:37:40 | |
right at the back at 12. 14, new bidder. At £14, 16. | 0:37:40 | 0:37:45 | |
-Come on! -18, £18 on my right, £18 in. | 0:37:45 | 0:37:49 | |
HAMMER BANGS | 0:37:49 | 0:37:50 | |
It's a miniature-sized profit, but it all adds up. | 0:37:50 | 0:37:54 | |
I'd sort of kind of settle for that, really. | 0:37:54 | 0:37:57 | |
-ANITA CHUCKLES -Yeah! | 0:37:57 | 0:37:58 | |
Back to Phil and his big wooden trunk. | 0:37:58 | 0:38:02 | |
Next! | 0:38:02 | 0:38:03 | |
A bit of interest in this one. | 0:38:03 | 0:38:04 | |
Lot 62, so we start the bidding, four bids, | 0:38:04 | 0:38:07 | |
we'll start the bidding at 20, 25-30 on the books. | 0:38:07 | 0:38:10 | |
30 bid, at 35, 40, 45, I'm out at 45. | 0:38:10 | 0:38:16 | |
-Lady's bid 50. -50! | 0:38:16 | 0:38:18 | |
-55... -Thank you, Lord, thank you. -Front row, lady's bid. 65, then. | 0:38:18 | 0:38:22 | |
All done. 65. | 0:38:22 | 0:38:24 | |
HAMMER BANGS | 0:38:24 | 0:38:25 | |
That's more like it, good on you, Phil. | 0:38:25 | 0:38:28 | |
Big, hulking furniture scores well with this audience. | 0:38:28 | 0:38:31 | |
-Well done! -Never any doubt, never any doubt in my mind at all. | 0:38:31 | 0:38:35 | |
I knew that would do well. | 0:38:35 | 0:38:37 | |
Phil's currently in the lead, Anita. | 0:38:37 | 0:38:40 | |
Can your Staffordshire flatback show him who's boss? | 0:38:40 | 0:38:43 | |
-Commission bids at 20, 25, 30, 35... -Yes! -Well done, you! | 0:38:43 | 0:38:50 | |
-38, 40. -Yes! | 0:38:50 | 0:38:51 | |
-42, 44. -Yes! -At 44, then, all done at 44. Commission paid. | 0:38:51 | 0:38:56 | |
HAMMER BANGS | 0:38:56 | 0:38:58 | |
Well done, Anita. | 0:38:58 | 0:38:59 | |
-Well done, you. -I'm happy with that. | 0:39:00 | 0:39:02 | |
-I have to say, it sort of deserved that, didn't it? -Yes. It did. | 0:39:02 | 0:39:06 | |
Can Phil take the lead once more with his lot of Masonic items? | 0:39:08 | 0:39:12 | |
A bit of interest again. | 0:39:12 | 0:39:13 | |
5, 8, 10, 12, 15 on the book, 18, 20, 22, 24, 26, I'm out. | 0:39:13 | 0:39:19 | |
-All done at £26, then? -Ouch! -Another chance, 26... | 0:39:20 | 0:39:25 | |
HAMMER BANGS | 0:39:25 | 0:39:26 | |
Cor! Someone's got a good buy there. | 0:39:26 | 0:39:29 | |
-It didn't double its money then. -I really thought it would. | 0:39:29 | 0:39:32 | |
That was a nasty thing to say! | 0:39:32 | 0:39:36 | |
Next, Anita's milking stool. | 0:39:36 | 0:39:38 | |
We'll start the bidding at 2, 5, 8 bid, £8 bid. | 0:39:38 | 0:39:41 | |
10, I'm bid 10. at £10. | 0:39:41 | 0:39:44 | |
In the room at £10, in the room and £10, 12 at the back, £12. | 0:39:44 | 0:39:46 | |
Aw, come on! | 0:39:46 | 0:39:49 | |
14, 16, 18. | 0:39:49 | 0:39:52 | |
-All done at £18 in. -HAMMER BANGS | 0:39:52 | 0:39:55 | |
Another tiny profit, but you're still in the lead, Anita. | 0:39:55 | 0:39:58 | |
That's all right. | 0:39:58 | 0:39:59 | |
Well, it is, but it isn't, really, | 0:39:59 | 0:40:01 | |
because I thought that was worth a lot more than that. | 0:40:01 | 0:40:04 | |
I know, I know. | 0:40:04 | 0:40:05 | |
Can Phil's shop-style ladders help him bulk up his profits? | 0:40:05 | 0:40:10 | |
A bit of interest again. | 0:40:10 | 0:40:11 | |
-We'll start the bidding at 20, 30, 40, 50, 60 bid. -Yes! | 0:40:11 | 0:40:16 | |
70. At 70 bid, at 70 bid. | 0:40:16 | 0:40:19 | |
-I must admit, that's huge.... -Yes! | 0:40:19 | 0:40:21 | |
99, 100, 110, 120, 130, 130 bid, | 0:40:21 | 0:40:26 | |
-lady's bid at 130. -I'm pleased with that. | 0:40:26 | 0:40:29 | |
-Lady's bid at £130, then. -HAMMER BANGS | 0:40:29 | 0:40:33 | |
Amazing result, Phil. | 0:40:33 | 0:40:35 | |
That huge profit has catapulted you into the lead. | 0:40:35 | 0:40:39 | |
That's probably the stairway to success, isn't it, really? | 0:40:39 | 0:40:41 | |
ANITA CHUCKLES | 0:40:41 | 0:40:43 | |
It's taking a step up, isn't it? | 0:40:43 | 0:40:45 | |
Oh! Enough of these terrible puns. | 0:40:45 | 0:40:48 | |
Now, Anita's 1950s standard-lamp and cabinet combo. | 0:40:50 | 0:40:54 | |
We're straight in at 20, 30, 40, 50 on the books. | 0:40:54 | 0:40:57 | |
50 bid, at £50. 55, I'm outbid 55. | 0:40:57 | 0:41:00 | |
I've 60, and 5, 70. | 0:41:00 | 0:41:04 | |
Lovely young blonde lady. | 0:41:04 | 0:41:05 | |
75, right in the corner at 75, then, at £75. | 0:41:05 | 0:41:08 | |
In the corner at 75, then... All done. | 0:41:08 | 0:41:11 | |
HAMMER BANGS | 0:41:11 | 0:41:12 | |
The 1950s look is definitely in vogue with the Carlisle bidders. | 0:41:12 | 0:41:16 | |
For something that does resemble a three-humped camel... | 0:41:16 | 0:41:20 | |
I think you've done very well. No, it's a cool thing. | 0:41:20 | 0:41:22 | |
No, it is. It's all a matter of taste, isn't it? | 0:41:22 | 0:41:25 | |
It certainly is, Anita. | 0:41:25 | 0:41:26 | |
Now their last item of the day, Phil's company seal press. | 0:41:27 | 0:41:32 | |
We're straight in at 20, 25, 30 on the books. | 0:41:32 | 0:41:37 | |
I'll take two, if it helps. | 0:41:37 | 0:41:38 | |
32, 35... | 0:41:38 | 0:41:40 | |
..38. I'm out at £38, it's in the room at £38. | 0:41:41 | 0:41:45 | |
-All done at 38? -HAMMER BANGS | 0:41:45 | 0:41:47 | |
That's a good result, Phil. | 0:41:47 | 0:41:48 | |
Looks like the bidders like your style. | 0:41:48 | 0:41:51 | |
-Well done! -I am quite pleased... | 0:41:51 | 0:41:54 | |
Let's get the sums done over a cup of tea. | 0:41:54 | 0:41:57 | |
Indeed we will, Anita. | 0:41:57 | 0:41:59 | |
Who will be the jubilant winner of this crucial leg? | 0:41:59 | 0:42:02 | |
Anita started out £258.30. | 0:42:04 | 0:42:07 | |
After auction costs, she made a profit of £35.94, | 0:42:07 | 0:42:12 | |
giving her a total of £294.24 for the final leg of the trip. | 0:42:12 | 0:42:18 | |
Phil started off with £399.40 and takes the crown today. | 0:42:22 | 0:42:26 | |
After auction costs, he made a profit of £70.18, | 0:42:28 | 0:42:32 | |
giving him a handsome sum of £469.58 to carry forward. | 0:42:32 | 0:42:37 | |
Well, I tell you what, I think you're still driving. | 0:42:41 | 0:42:44 | |
-Oh, for sure. Chauffeur! -SHE LAUGHS | 0:42:44 | 0:42:47 | |
So I think you pulled ahead even more in this auction. | 0:42:47 | 0:42:51 | |
-Be my driver. -SHE CHUCKLES | 0:42:51 | 0:42:54 | |
I thought you didn't like Anita's driving, Phil? | 0:42:54 | 0:42:57 | |
Bye-bye, you two! | 0:42:57 | 0:42:59 | |
Next time, a thrilling final leg of the Road Trip. | 0:43:00 | 0:43:03 | |
-Have you got any stockings on? -None of your business. | 0:43:03 | 0:43:05 | |
Anita weighs in with some big antiques... | 0:43:05 | 0:43:08 | |
Well, this certainly isn't a "wee brooch". | 0:43:08 | 0:43:10 | |
-..and Philip's found his soul mate. -My hero, look! Hello, Spocky! | 0:43:10 | 0:43:15 |