Browse content similar to Episode 13. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
It's the nation's favourite antiques experts... | 0:00:02 | 0:00:04 | |
This is beautiful! | 0:00:04 | 0:00:05 | |
That's the way to do this. | 0:00:05 | 0:00:06 | |
..with £200 each, a classic car and a goal - to scour for antiques. | 0:00:06 | 0:00:12 | |
Joy. | 0:00:12 | 0:00:13 | |
Hello! | 0:00:13 | 0:00:14 | |
The aim - to make the biggest profit at auction. | 0:00:14 | 0:00:16 | |
But it's no mean feat. | 0:00:16 | 0:00:18 | |
There'll be worthy winners... | 0:00:19 | 0:00:22 | |
-Sorry, sorry! -..and valiant losers. | 0:00:22 | 0:00:23 | |
So, will it be the high road to glory | 0:00:23 | 0:00:26 | |
or the slow road to disaster? | 0:00:26 | 0:00:27 | |
The handbrake's on! | 0:00:27 | 0:00:29 | |
This is Antiques Road Trip. | 0:00:29 | 0:00:31 | |
Yeah! | 0:00:34 | 0:00:35 | |
SWING MUSIC PLAYS | 0:00:35 | 0:00:37 | |
This week we've been traversing the country in the company | 0:00:37 | 0:00:41 | |
of auctioneers Anita and Phil. | 0:00:41 | 0:00:43 | |
Philip, did you put my coat and bag in the back? | 0:00:43 | 0:00:47 | |
I've been doing television for 16 years | 0:00:47 | 0:00:49 | |
and I've ended up as your lackey. | 0:00:49 | 0:00:51 | |
-Do you love it? -Oh, it's great. | 0:00:51 | 0:00:53 | |
Philip Serrell and Anita Manning are both a little competitive. | 0:00:55 | 0:00:59 | |
Don't let that Anita Manning anywhere near them. | 0:01:00 | 0:01:03 | |
I wonder if I could give Phil Serrell a hammering with that. | 0:01:04 | 0:01:08 | |
They've had plenty of fun too so far this week, | 0:01:08 | 0:01:11 | |
pootling around the country in their beautiful 1970 Fiat 500. | 0:01:11 | 0:01:16 | |
-It's a wee bit... -IMITATES ANITA: -It's a wee bit... | 0:01:16 | 0:01:18 | |
..a wee bit dreich today, | 0:01:18 | 0:01:20 | |
but there is sunshine in our hearts, Phil. | 0:01:20 | 0:01:24 | |
-Speak for yourself. -Is there sunshine in your heart? | 0:01:24 | 0:01:27 | |
No, there's not. | 0:01:27 | 0:01:28 | |
My heart is very much reflected in the weather at the minute. | 0:01:28 | 0:01:31 | |
Yeah, Phil's heart was dampened a little at the last auction | 0:01:31 | 0:01:35 | |
when a loss on his bureau left Anita to take the day. | 0:01:35 | 0:01:38 | |
Having started out on this road trip with £200 each, | 0:01:41 | 0:01:44 | |
Phil now has £191.80 to spend. | 0:01:44 | 0:01:48 | |
After two auctions, | 0:01:51 | 0:01:52 | |
Anita is storming out into the lead with £307.06. | 0:01:52 | 0:01:57 | |
Listen, I'll tell you a couple of jokes later on and cheer you up. | 0:01:58 | 0:02:02 | |
-They'll all be about bureaus. -Thanks very much. | 0:02:02 | 0:02:06 | |
All right, chaps, there's still a long way to go. | 0:02:06 | 0:02:09 | |
It certainly is an epic journey. | 0:02:09 | 0:02:11 | |
So far, our competitive experts | 0:02:12 | 0:02:14 | |
have been whizzing around the north of England. | 0:02:14 | 0:02:16 | |
They started their journey in Windermere in the Lake District | 0:02:16 | 0:02:19 | |
and will take a 1,200-mile tour around the north of England | 0:02:19 | 0:02:23 | |
and into Scotland before heading back south | 0:02:23 | 0:02:26 | |
to finish up in Crooklands in Cumbria. | 0:02:26 | 0:02:29 | |
Today's leg begins in Frodsham in Cheshire | 0:02:30 | 0:02:33 | |
and will end up at an auction in Easingwold in Yorkshire. | 0:02:33 | 0:02:36 | |
Golly gosh. | 0:02:36 | 0:02:37 | |
-Here we are, Phil. Here we are. -SHE LAUGHS | 0:02:37 | 0:02:40 | |
Goodness gracious me. I'm going to unclip myself. | 0:02:40 | 0:02:43 | |
-All right. -Yep. | 0:02:43 | 0:02:44 | |
-Don't buy any big bits of furniture. -What was that? | 0:02:46 | 0:02:48 | |
-What was that? -Don't buy any big bits of furniture. -What did you say? | 0:02:50 | 0:02:53 | |
SHE LAUGHS He's such a joker. | 0:02:53 | 0:02:55 | |
-Have a good day. -Bye. | 0:02:55 | 0:02:56 | |
Time to get the shopping underway. | 0:03:00 | 0:03:03 | |
-Hi. Hello. How are you? I'm Phil. -Morning. I'm fine. | 0:03:03 | 0:03:07 | |
-Good to see you. -Jan. -What have you got there? | 0:03:07 | 0:03:09 | |
It's just stuff that's just going out. | 0:03:09 | 0:03:12 | |
You don't hang about, do you, Phil? | 0:03:12 | 0:03:15 | |
That's a little silver-plated shoe. | 0:03:15 | 0:03:18 | |
With a tape measure. | 0:03:18 | 0:03:19 | |
-That's quite sweet, isn't it? -Yep. | 0:03:19 | 0:03:21 | |
It's a little compass. | 0:03:21 | 0:03:24 | |
It's a little cauldron in ebony, but what on earth would you want... | 0:03:24 | 0:03:28 | |
-A compass. -..a compass? | 0:03:28 | 0:03:29 | |
-You're not going to sort of pull it out of your pocket. -No. | 0:03:29 | 0:03:31 | |
It's a collectible, isn't it? | 0:03:31 | 0:03:33 | |
-Just a sweet little thing. -It's for show. | 0:03:33 | 0:03:34 | |
Hang on to those two and you think what you can do them for. | 0:03:34 | 0:03:37 | |
I mean, I think 30 to 50. They might do 50. | 0:03:37 | 0:03:40 | |
They might not. | 0:03:40 | 0:03:41 | |
Because I have to pay commission, | 0:03:41 | 0:03:43 | |
I've got to try and buy them for just under that if I can. | 0:03:43 | 0:03:45 | |
-So, have a think on and let me have a wander around. -OK. | 0:03:45 | 0:03:49 | |
Crikey. Blink and you miss it this morning. | 0:03:49 | 0:03:52 | |
That's two items Phil has his eye on | 0:03:52 | 0:03:54 | |
that haven't even made it onto the shop floor. | 0:03:54 | 0:03:57 | |
While he checks out the rest of the shop, | 0:04:00 | 0:04:02 | |
Anita is meandering towards the Cheshire village of Sandiway | 0:04:02 | 0:04:05 | |
where her first shop awaits. | 0:04:05 | 0:04:08 | |
-Hello. -Hi. -I'm Anita. -Are you all right? | 0:04:09 | 0:04:12 | |
-Oh, it's lovely to be here. -Yeah, yeah. | 0:04:12 | 0:04:14 | |
Well, there's plenty for you to see. | 0:04:14 | 0:04:16 | |
Oh, there certainly is. | 0:04:16 | 0:04:17 | |
I think I look like one of those 1960s lamps. | 0:04:21 | 0:04:25 | |
Well, each to their own. | 0:04:25 | 0:04:26 | |
In here we've got some lovely Lalique items. | 0:04:28 | 0:04:32 | |
Rene Lalique was a French designer who started his work | 0:04:32 | 0:04:36 | |
in the late 19th century. | 0:04:36 | 0:04:38 | |
Known for using glass instead of precious stones | 0:04:38 | 0:04:41 | |
to make fantastic jewellery more affordable, | 0:04:41 | 0:04:44 | |
he created his work with glass further | 0:04:44 | 0:04:47 | |
and soon became known the world over for his creations. | 0:04:47 | 0:04:51 | |
This one here has a lilac tinge which is very attractive, | 0:04:51 | 0:04:57 | |
and the other one is a clear-glass. | 0:04:57 | 0:04:59 | |
They're both female figures. | 0:04:59 | 0:05:01 | |
They're both slightly risque, | 0:05:01 | 0:05:04 | |
which is always a plus in the auction room. | 0:05:04 | 0:05:07 | |
Nice things. | 0:05:07 | 0:05:09 | |
Time to get Andy round for a closer inspection. | 0:05:09 | 0:05:12 | |
-These are both more modern pieces. -They are. | 0:05:13 | 0:05:16 | |
-They are very beautiful. -Mm-hm. | 0:05:16 | 0:05:18 | |
I like that one for the simplicity, | 0:05:18 | 0:05:20 | |
but I think I love this | 0:05:20 | 0:05:22 | |
because of the wonderful opalescent hue... | 0:05:22 | 0:05:25 | |
-Yeah, yeah. -..that it has. | 0:05:25 | 0:05:27 | |
If I could be buying it round about for £80... | 0:05:27 | 0:05:30 | |
-I'll do my best. -..could you have a try at that? | 0:05:30 | 0:05:32 | |
-Certainly, yes. -Yeah. -Yes, certainly. -That's smashing. | 0:05:32 | 0:05:34 | |
With a ticket price of £130, your best may well be required, Andy. | 0:05:34 | 0:05:40 | |
All right, thank you. Bye-bye. | 0:05:40 | 0:05:42 | |
-£95... -95? | 0:05:45 | 0:05:47 | |
..is she'll go to. Yeah. | 0:05:47 | 0:05:49 | |
-Let me see it. -There you go. | 0:05:49 | 0:05:51 | |
-Let's go for it. 95. -OK. All right. | 0:05:53 | 0:05:55 | |
-Thank you very much. -Thanks very much. | 0:05:55 | 0:05:57 | |
This week's leader gets off the mark. | 0:05:57 | 0:05:59 | |
-IMITATES ELVIS: -Thank you very much. | 0:06:02 | 0:06:04 | |
This is quite a fun thing, isn't it? Let's just put it up here. | 0:06:16 | 0:06:19 | |
-It's blooming heavy, isn't it? Solid mahogany. -It is solid. | 0:06:21 | 0:06:25 | |
If I had to bet a pound on this, | 0:06:25 | 0:06:26 | |
I would say that that's something that either the local undertaker | 0:06:26 | 0:06:32 | |
or a blacksmith or somebody has knocked up in the village. | 0:06:32 | 0:06:34 | |
-Yeah. -And it's been designed like a shoebox or something like that. | 0:06:34 | 0:06:39 | |
What's the best you could do and that for...? | 0:06:39 | 0:06:41 | |
65 on it, isn't there? | 0:06:41 | 0:06:42 | |
-DOG BARKS -Oh... | 0:06:42 | 0:06:45 | |
See? The dog's barking in approval. | 0:06:45 | 0:06:47 | |
The best we can do on that would be £35... | 0:06:47 | 0:06:51 | |
..which is a good price on that. | 0:06:53 | 0:06:55 | |
It's wooden, but it's not a bureau. | 0:06:55 | 0:06:58 | |
How's Anita feeling? | 0:06:58 | 0:06:59 | |
I'm feeling a little French, a little continental today. | 0:06:59 | 0:07:04 | |
I bought a lovely piece of French glass, | 0:07:04 | 0:07:07 | |
and I can see these Art Deco clocks. | 0:07:07 | 0:07:10 | |
There are two here, and they are probably French as well. | 0:07:10 | 0:07:15 | |
And we've got this one here, | 0:07:15 | 0:07:16 | |
a garniture which is the clock and two side ornaments. | 0:07:16 | 0:07:21 | |
It has this wonderful Art Deco geometric shape, | 0:07:21 | 0:07:25 | |
and it's only £35. | 0:07:25 | 0:07:29 | |
It's marked as a project piece | 0:07:29 | 0:07:31 | |
as on closer inspection it's in need of some serious TLC, | 0:07:31 | 0:07:34 | |
but Anita is keen, so Andy is back on the phone | 0:07:34 | 0:07:38 | |
to see if there's a deal to be done. | 0:07:38 | 0:07:40 | |
I always say to myself, | 0:07:40 | 0:07:43 | |
"Don't buy anything which is defective | 0:07:43 | 0:07:46 | |
"because it will struggle in the auction," | 0:07:46 | 0:07:48 | |
and I've just maybe bought a clock which has glass missing, | 0:07:48 | 0:07:54 | |
a hand missing, a foot missing | 0:07:54 | 0:07:56 | |
and a couple of wee chips on the garniture. | 0:07:56 | 0:07:59 | |
I might've got carried away there. | 0:07:59 | 0:08:01 | |
That's not like you. | 0:08:01 | 0:08:03 | |
Hi, Anita. Yes, she'll take £25. | 0:08:03 | 0:08:05 | |
25, that's great. That's great. That's smashing. | 0:08:05 | 0:08:08 | |
That's a ten-pound discount and Anita has another item. | 0:08:08 | 0:08:12 | |
Anything else catch your eye, old girl? | 0:08:12 | 0:08:14 | |
This is a little Edwardian pendant made between 1900 and 1910. | 0:08:14 | 0:08:20 | |
People were moving away from the elaborate decoration | 0:08:20 | 0:08:23 | |
of Victorian jewellery into something simpler, | 0:08:23 | 0:08:27 | |
and to this little pendant here, which is made of nine carat gold, | 0:08:27 | 0:08:31 | |
is studded with this lovely peridot - | 0:08:31 | 0:08:33 | |
this green stone - | 0:08:33 | 0:08:35 | |
and encrusted with tiny, tiny, delicate little sea pearls, | 0:08:35 | 0:08:40 | |
and the drop is a lovely luminous blister pearl. | 0:08:40 | 0:08:46 | |
With a ticket price of £140, | 0:08:46 | 0:08:49 | |
time to get onto the dealer. | 0:08:49 | 0:08:51 | |
Ali, it's Anita from the Antiques Road Trip | 0:08:51 | 0:08:54 | |
and I have absolutely fallen in love | 0:08:54 | 0:08:57 | |
with the little peridot and sea pearl pendant. | 0:08:57 | 0:09:00 | |
I mean, would 85 buy it? | 0:09:00 | 0:09:02 | |
Oh, that's great. Oh, that's great! Oh, I'm so happy. | 0:09:04 | 0:09:09 | |
Thank you very much on that. Bye-bye. | 0:09:09 | 0:09:11 | |
Well... | 0:09:12 | 0:09:15 | |
£85. | 0:09:15 | 0:09:16 | |
-Well done. -Oh, thank you very much. | 0:09:16 | 0:09:18 | |
Straight out of the traps, Anita has three items for £205, | 0:09:18 | 0:09:23 | |
a figure Mr Serrell can only dream of. | 0:09:23 | 0:09:25 | |
But our Phil also has three things under his watchful gaze - | 0:09:27 | 0:09:32 | |
the ebony miniature compass, | 0:09:32 | 0:09:34 | |
the silver pincushion with wind-up tape measure | 0:09:34 | 0:09:37 | |
and the mahogany box. | 0:09:37 | 0:09:38 | |
Any chance of a deal on the lot maybe? Stand by. | 0:09:38 | 0:09:42 | |
Can I give you 60 quid for the three and I'll love you forever. | 0:09:42 | 0:09:46 | |
Just say it. The words you're looking for are, "Yes, Philip." | 0:09:46 | 0:09:50 | |
-HE MOCKINGLY SOBS -Do you know what? | 0:09:50 | 0:09:52 | |
Just cause it's you, I will. | 0:09:52 | 0:09:53 | |
Oh, you're an angel. Thank you so much. | 0:09:53 | 0:09:55 | |
I better pay you, haven't I? | 0:09:55 | 0:09:57 | |
-I think you better. -I better pay you and run before I get thrown out. | 0:09:57 | 0:10:00 | |
-You've got a really good deal there. -You've given me a top deal. | 0:10:00 | 0:10:02 | |
Oh, yes, she has. Take it and run, Phil. | 0:10:02 | 0:10:05 | |
Anita has nipped north to Warrington where she's meeting Craig Sherwood | 0:10:10 | 0:10:14 | |
who is going to help her uncover the secret past | 0:10:14 | 0:10:17 | |
of some everyday items. | 0:10:17 | 0:10:19 | |
Behind each one is a history that not only entertained | 0:10:19 | 0:10:23 | |
but influenced cultures, principles and whole societies. | 0:10:23 | 0:10:26 | |
-Hi! -Hello, Anita! -I'm Anita. -Pleased to meet you. | 0:10:26 | 0:10:30 | |
Board games have been around for at least 5,000 years. | 0:10:33 | 0:10:38 | |
The Romans and Vikings helped spread games of strategy | 0:10:38 | 0:10:41 | |
across Europe and beyond. | 0:10:41 | 0:10:43 | |
The game of chess developed in India | 0:10:43 | 0:10:45 | |
and later spread to Europe in the sixth century. | 0:10:45 | 0:10:49 | |
Such games were played mainly by adults. | 0:10:49 | 0:10:51 | |
There were games of skill that developed the mind | 0:10:51 | 0:10:54 | |
and were used to teach military strategy. | 0:10:54 | 0:10:56 | |
Some games were designed for children, | 0:10:58 | 0:11:00 | |
but even then their purpose was not as an idle pastime | 0:11:00 | 0:11:04 | |
but as part of their education. | 0:11:04 | 0:11:05 | |
Now, I remember snakes and ladders as a wee girl, | 0:11:07 | 0:11:10 | |
and it was a favourite game. | 0:11:10 | 0:11:11 | |
Surely, that's a fairly modern board game. | 0:11:11 | 0:11:14 | |
Not at all. Snakes and ladders is quite an ancient game. | 0:11:14 | 0:11:17 | |
We don't know exactly how old it is, | 0:11:17 | 0:11:20 | |
but we believe that snakes and ladders may actually go back | 0:11:20 | 0:11:23 | |
to the second century BC. | 0:11:23 | 0:11:25 | |
Mm-hm. And where did it come from? | 0:11:25 | 0:11:27 | |
It originally came from India, | 0:11:27 | 0:11:29 | |
and the original idea of the game was to teach people | 0:11:29 | 0:11:33 | |
Hindu ideas of karma and rebirth. | 0:11:33 | 0:11:36 | |
If you lived a good life, a good and virtuous life, | 0:11:36 | 0:11:39 | |
you were sent into the heavens on a ladder. | 0:11:39 | 0:11:41 | |
If you lived a life full of sin and depravity, | 0:11:41 | 0:11:44 | |
you slid down the snake back to the demons and the hells. | 0:11:44 | 0:11:48 | |
Now, one interesting thing about these early Indian sets | 0:11:48 | 0:11:51 | |
were there were always more snakes than ladders. | 0:11:51 | 0:11:54 | |
It was always harder to live a good and virtuous life | 0:11:54 | 0:11:57 | |
than it was to fall into sin and depravity. | 0:11:57 | 0:12:00 | |
Returning colonial families brought the game to Britain | 0:12:00 | 0:12:03 | |
in the latter half of 19th century. | 0:12:03 | 0:12:05 | |
A flavour of its Indian roots remained in the artwork, | 0:12:05 | 0:12:09 | |
giving a sense of the exotic in a time of empire, | 0:12:09 | 0:12:12 | |
but the game itself was adapted to fit the Victorian lifestyle. | 0:12:12 | 0:12:16 | |
If you land on this one, which is 95 and stealing, | 0:12:18 | 0:12:22 | |
you will slide down this slippery slope to...prison. | 0:12:22 | 0:12:28 | |
-SHE LAUGHS -Absolutely. | 0:12:28 | 0:12:30 | |
The Victorians replaced the Hindu ideas of karma and rebirth | 0:12:30 | 0:12:35 | |
with their own Christian moral virtues. | 0:12:35 | 0:12:38 | |
And interestingly, when it moved to Britain, | 0:12:38 | 0:12:40 | |
the number of snakes and ladders became balanced, | 0:12:40 | 0:12:43 | |
so it became 50-50 whether you ascended to heaven | 0:12:43 | 0:12:46 | |
or fell into depravity. | 0:12:46 | 0:12:48 | |
Advocating a virtuous life through games | 0:12:48 | 0:12:51 | |
has long been part of their history, | 0:12:51 | 0:12:53 | |
and as board games became a regular feature in households | 0:12:53 | 0:12:56 | |
at the turn of the 20th century, inventors continued the tradition | 0:12:56 | 0:13:00 | |
using games to promote their own principles. | 0:13:00 | 0:13:04 | |
Now, there's a game that's instantly recognisable - Monopoly. | 0:13:04 | 0:13:08 | |
Yes. | 0:13:08 | 0:13:09 | |
Do you know, it was never one of my favourites. | 0:13:09 | 0:13:12 | |
I always felt that Monopoly was about greed and acquisition | 0:13:12 | 0:13:17 | |
and getting things off of other people. | 0:13:17 | 0:13:21 | |
Well, it is now, but would you believe it | 0:13:21 | 0:13:24 | |
that it was originally designed to teach people | 0:13:24 | 0:13:26 | |
the principles of socialism? | 0:13:26 | 0:13:28 | |
In 1904, an American called Lizzie Magie | 0:13:29 | 0:13:32 | |
received the patent for The Landlord's Game. | 0:13:32 | 0:13:35 | |
Lizzie was a trailblazer. | 0:13:35 | 0:13:37 | |
At the turn of the century, a young, single woman, | 0:13:37 | 0:13:40 | |
she worked as a stenographer, was a published writer, | 0:13:40 | 0:13:42 | |
an outspoken feminist and believed in progressive economics. | 0:13:42 | 0:13:46 | |
She wanted to do something to ease what she saw | 0:13:47 | 0:13:50 | |
as great inequalities in society. | 0:13:50 | 0:13:52 | |
At the age of 26, | 0:13:53 | 0:13:55 | |
she decided that she could use a board game to open people's minds | 0:13:55 | 0:13:58 | |
to a more socialist way of thinking. | 0:13:58 | 0:14:02 | |
Her game, like the later versions, | 0:14:02 | 0:14:04 | |
featured money, deeds and properties, but it had some very different rules. | 0:14:04 | 0:14:10 | |
Her game promoted a theory that land should belong to everyone. | 0:14:10 | 0:14:13 | |
She hoped the game would demonstrate | 0:14:13 | 0:14:16 | |
that rent made property owners richer and their tenants poorer. | 0:14:16 | 0:14:20 | |
The original idea of the game was that all the players | 0:14:23 | 0:14:26 | |
would put money into the centre rather than pay one another, | 0:14:26 | 0:14:29 | |
the landlords, the rent, | 0:14:29 | 0:14:30 | |
and at various points during the game, | 0:14:30 | 0:14:33 | |
all the players would take money out from this community chest | 0:14:33 | 0:14:36 | |
and it was distributed for the common good. | 0:14:36 | 0:14:39 | |
That sounds much better than the game it is today. | 0:14:39 | 0:14:41 | |
How did it change into this sort of capitalist thing then? | 0:14:41 | 0:14:45 | |
Well, 30 years later, | 0:14:45 | 0:14:48 | |
a gentleman by the name of Charles Darrow played the game. | 0:14:48 | 0:14:51 | |
Now, he liked the game, | 0:14:51 | 0:14:52 | |
but he didn't like the principles underlying it. | 0:14:52 | 0:14:55 | |
So, he rewrote the rules so it became | 0:14:55 | 0:14:58 | |
all about becoming as rich as possible | 0:14:58 | 0:15:00 | |
and bankrupting all of the other players. | 0:15:00 | 0:15:02 | |
He changed the name to Monopoly | 0:15:02 | 0:15:03 | |
and it became one of the most popular games in the world. | 0:15:03 | 0:15:06 | |
The popularity of board games continues to grow, | 0:15:06 | 0:15:09 | |
and to this day, the simple items that have been | 0:15:09 | 0:15:12 | |
at the heart of family lives for so long | 0:15:12 | 0:15:15 | |
continue to sell in their millions. | 0:15:15 | 0:15:17 | |
Thank you very, very much, Craig. | 0:15:19 | 0:15:21 | |
It's been very interesting. | 0:15:21 | 0:15:22 | |
Thank you, Anita. | 0:15:22 | 0:15:24 | |
Now back to our own contest. | 0:15:24 | 0:15:26 | |
Phil is out and about in Barnton | 0:15:28 | 0:15:31 | |
in search of his next bargain | 0:15:31 | 0:15:33 | |
at Northwich Antiques Centre. | 0:15:33 | 0:15:36 | |
Hello. | 0:15:36 | 0:15:37 | |
Hi. Philip. How are you? | 0:15:37 | 0:15:39 | |
Welcome. My name is David. | 0:15:39 | 0:15:40 | |
This is interesting. | 0:15:49 | 0:15:51 | |
This is an old... | 0:15:51 | 0:15:52 | |
..time recorder's clock, | 0:15:54 | 0:15:56 | |
so when you went to work, you went to clock on. | 0:15:56 | 0:15:59 | |
Time recorders were introduced into large factories in the 1880s. | 0:15:59 | 0:16:04 | |
These machines stamped a worker's timecard | 0:16:04 | 0:16:07 | |
with the exact time they started and finished work, | 0:16:07 | 0:16:11 | |
and then they were paid accordingly. | 0:16:11 | 0:16:13 | |
The only issue with that for me, | 0:16:15 | 0:16:17 | |
if you look at this here, it's been completely cleaned off. | 0:16:17 | 0:16:21 | |
That old pub table is interesting. | 0:16:24 | 0:16:25 | |
Nice table. | 0:16:30 | 0:16:32 | |
There's another one. | 0:16:34 | 0:16:35 | |
This is quite nice. I quite like these old pub tables. | 0:16:35 | 0:16:38 | |
A lot of them, the value is in whose mark is here, | 0:16:38 | 0:16:44 | |
so you can get some with Queen Victoria, | 0:16:44 | 0:16:45 | |
you can get some with WG Grace, | 0:16:45 | 0:16:47 | |
and they're really, really collectible. | 0:16:47 | 0:16:49 | |
This one is fairly standard. They're pub tables. | 0:16:49 | 0:16:53 | |
You know, now they get used... | 0:16:53 | 0:16:58 | |
outside as garden tables. | 0:16:58 | 0:17:00 | |
What does David have to say about it? | 0:17:00 | 0:17:02 | |
-The pub table, I quite like that. It's an old one. -It is, yeah. | 0:17:02 | 0:17:06 | |
-It's Victorian. Copper-topped. -Yeah. -Big iron base. | 0:17:06 | 0:17:09 | |
-We've got it up for 125... -Right. | 0:17:09 | 0:17:13 | |
..but...willing to come down a little bit. | 0:17:13 | 0:17:16 | |
-It's not a little bit, David. -Well, what you talking about? | 0:17:16 | 0:17:19 | |
Well, I've got to put this into auction, | 0:17:19 | 0:17:21 | |
so if I see that making £50 to £80, | 0:17:21 | 0:17:23 | |
I've got to try to buy it for 40 quid. | 0:17:23 | 0:17:25 | |
-40? -Mm. | 0:17:25 | 0:17:26 | |
-Perhaps... -Well, think about it. Let's just think about it. | 0:17:26 | 0:17:29 | |
Let's just have a look. | 0:17:29 | 0:17:30 | |
Not only is David very accommodating | 0:17:30 | 0:17:32 | |
in the face of your discount request, Phil, | 0:17:32 | 0:17:34 | |
but you've also got him doing all the carting, you cheeky beggar. | 0:17:34 | 0:17:37 | |
Are they both the same price, this one and that one there? | 0:17:37 | 0:17:40 | |
-Yes. -Can I have a look at the... | 0:17:40 | 0:17:42 | |
Do you mind if we get it out and have a look? | 0:17:42 | 0:17:44 | |
-By all means. -I'm sorry to be an absolute... | 0:17:44 | 0:17:46 | |
-That's OK. -..pain. | 0:17:46 | 0:17:49 | |
Someone's painted a Britannia flag on this one, haven't they? | 0:17:51 | 0:17:54 | |
Sounds like he prefers the first table, | 0:17:54 | 0:17:56 | |
but will David take his £40 offer? | 0:17:56 | 0:17:59 | |
-That one, yeah? -Blimey. That was a quick deal. | 0:18:00 | 0:18:03 | |
David generously accepts and Phil gets the table at an £85 discount. | 0:18:03 | 0:18:08 | |
-Tell you what, you've been really kind to me. Thank you. -OK. | 0:18:10 | 0:18:12 | |
That's another item for Phil, | 0:18:12 | 0:18:14 | |
and it ends a very productive day all round. | 0:18:14 | 0:18:18 | |
Time for a well-deserved kip, you two. | 0:18:18 | 0:18:21 | |
Nighty-night. | 0:18:21 | 0:18:22 | |
The sun is shining and the roof is down | 0:18:23 | 0:18:26 | |
on our glamorous Italian icon. | 0:18:26 | 0:18:28 | |
You know what they say, Anita, don't you? | 0:18:28 | 0:18:31 | |
The sun always shines on the righteous. | 0:18:31 | 0:18:34 | |
The sun is shining on me this morning. | 0:18:34 | 0:18:36 | |
I know, but it's shining on me as well. | 0:18:36 | 0:18:39 | |
HE CHUCKLES Things are looking bright all round. | 0:18:39 | 0:18:42 | |
Anita made a hefty spend yesterday, | 0:18:42 | 0:18:44 | |
parting with £205 for a Lalique figurine, | 0:18:44 | 0:18:48 | |
an Art Deco clock garniture and a nine carat gold pendant. | 0:18:48 | 0:18:53 | |
In his bid to regain ground, | 0:18:53 | 0:18:56 | |
Phil picked up a silver-plated pincushion and miniature compass, | 0:18:56 | 0:19:00 | |
a 19th-century mahogany box and a copper-topped pub table | 0:19:00 | 0:19:04 | |
all for £100. | 0:19:04 | 0:19:07 | |
Wow. | 0:19:07 | 0:19:08 | |
This morning, Anita is bound for the village of Sabden | 0:19:08 | 0:19:12 | |
in the scenic Ribble Valley. | 0:19:12 | 0:19:14 | |
Try and buy something really expensive. | 0:19:16 | 0:19:18 | |
I think I'll have to be a wee bit careful now. | 0:19:18 | 0:19:21 | |
-(Get out of here.) -Bye! -Bye. | 0:19:21 | 0:19:23 | |
Anita's heading into Pendle Antiques Centre where owner Walter awaits. | 0:19:23 | 0:19:28 | |
-Watch out, Walt. -Good morning. | 0:19:28 | 0:19:30 | |
-Oh, hi, Anita. -Hello! -Nice to see you. | 0:19:30 | 0:19:32 | |
Oh, it's lovely to be here. | 0:19:32 | 0:19:34 | |
And this is an extraordinary building, fascinating. | 0:19:34 | 0:19:38 | |
What was it before? | 0:19:38 | 0:19:40 | |
It was an old cotton mill, originally built in 1856. | 0:19:40 | 0:19:44 | |
From Lancashire mill to antiques haven, | 0:19:44 | 0:19:47 | |
jam-packed with all sorts of treats and trinkets. | 0:19:47 | 0:19:50 | |
Careful, Anita. | 0:19:51 | 0:19:53 | |
One of the lovely things about antique hunting | 0:19:53 | 0:19:57 | |
is looking at things, and you really don't know what they are, | 0:19:57 | 0:20:01 | |
and you've got to work it out for yourself. | 0:20:01 | 0:20:04 | |
Our dealer here has got these two things, | 0:20:04 | 0:20:08 | |
and he's at a loss to know what they are, | 0:20:08 | 0:20:11 | |
so he's named them a pair of wood things | 0:20:11 | 0:20:16 | |
with a question mark there. | 0:20:16 | 0:20:17 | |
-SHE LAUGHS -That's good. | 0:20:17 | 0:20:20 | |
A pair of wood things! | 0:20:20 | 0:20:22 | |
The question is, is there anything you'd like to buy? | 0:20:22 | 0:20:25 | |
Now, this is an interesting set of chairs here. | 0:20:29 | 0:20:32 | |
These are in the style of Arne Jacobsen, | 0:20:35 | 0:20:40 | |
a Danish designer. | 0:20:40 | 0:20:43 | |
In the 1950s, he perfected the design of chairs | 0:20:43 | 0:20:49 | |
where the back of it was made of one piece of moulded plywood. | 0:20:49 | 0:20:56 | |
This was a ground-breaking design. | 0:20:56 | 0:20:59 | |
This 1980s plastic set is priced at £120. | 0:20:59 | 0:21:04 | |
With just rover 100 left in your pocket, | 0:21:04 | 0:21:07 | |
can you sweet-talk the dealer? | 0:21:07 | 0:21:09 | |
Hiya, Philip. I have a young lady here who would like a word with you. | 0:21:09 | 0:21:14 | |
OK, just a sec. | 0:21:14 | 0:21:15 | |
Hey, Philip. Did you hear Walter calling me a young lady? | 0:21:17 | 0:21:20 | |
SHE LAUGHS | 0:21:20 | 0:21:23 | |
I'm looking at these orange plastic chairs of yours, | 0:21:23 | 0:21:26 | |
which I've got really quite excited about. | 0:21:26 | 0:21:28 | |
Can I make you an offer of £70? | 0:21:28 | 0:21:33 | |
Oh, you're an absolute darling. | 0:21:35 | 0:21:37 | |
Thank you. Bye-bye. | 0:21:37 | 0:21:39 | |
£70. | 0:21:42 | 0:21:44 | |
Great. I'm happy. | 0:21:44 | 0:21:45 | |
Let me shake your hand. | 0:21:45 | 0:21:46 | |
-Thank you, darling, for being my go-between. -Oh, you're welcome. | 0:21:46 | 0:21:50 | |
Excellent work, Anita. | 0:21:50 | 0:21:52 | |
Some stackable design classics winging their way | 0:21:52 | 0:21:55 | |
to a Yorkshire auction. | 0:21:55 | 0:21:56 | |
Meanwhile, Phil is toddling west towards Preston | 0:21:58 | 0:22:01 | |
where he's headed to the Museum of Lancashire. | 0:22:01 | 0:22:04 | |
Stephen Bull is on hand to give him | 0:22:04 | 0:22:06 | |
the lowdown on an incredible discovery. | 0:22:06 | 0:22:09 | |
In 2011, local stonemason Darren Webster | 0:22:11 | 0:22:14 | |
was scouring a field ten miles up the coast from Morecambe | 0:22:14 | 0:22:18 | |
with his metal detector. | 0:22:18 | 0:22:20 | |
Little did he know he was about to make a significant discovery | 0:22:20 | 0:22:23 | |
that would open a new window into the life of Viking Britain. | 0:22:23 | 0:22:28 | |
When he dug down into the ground, | 0:22:28 | 0:22:30 | |
what he found was some sort of lead container, like a lead pouch. | 0:22:30 | 0:22:35 | |
And he lifts this up out off the ground | 0:22:35 | 0:22:37 | |
and almost immediately it's apparent there's other things underneath. | 0:22:37 | 0:22:41 | |
Did he know what he got? | 0:22:41 | 0:22:43 | |
For the first few seconds, probably not. | 0:22:43 | 0:22:47 | |
But it began to leak, which must've been quite spectacular. | 0:22:47 | 0:22:50 | |
Yeah. | 0:22:50 | 0:22:51 | |
As coins began to spill from the container, | 0:22:51 | 0:22:54 | |
the significance of the discovery became clearer. | 0:22:54 | 0:22:57 | |
Buried just a few inches beneath the surface was a collection | 0:22:57 | 0:23:00 | |
of 200 silver items, including coins and jewellery | 0:23:00 | 0:23:05 | |
that were later dated to around 980 AD. | 0:23:05 | 0:23:09 | |
What became known as the Silverdale Hoard | 0:23:09 | 0:23:12 | |
is the third-largest haul of Viking treasure | 0:23:12 | 0:23:16 | |
ever discovered in Britain. | 0:23:16 | 0:23:18 | |
Stephen, my history is really, really sketchy, | 0:23:18 | 0:23:21 | |
but the Vikings are Scandinavian, aren't they? | 0:23:21 | 0:23:24 | |
Essentially, yes. Norway, Denmark, parts of Sweden. | 0:23:24 | 0:23:28 | |
So, I'd always thought that they'd sort of... | 0:23:28 | 0:23:30 | |
if they were going to come anywhere in to this country, | 0:23:30 | 0:23:32 | |
it'd be on the east coast, not on the west coast. | 0:23:32 | 0:23:34 | |
And you're right. | 0:23:34 | 0:23:35 | |
They did originally come to the east coast of England, | 0:23:35 | 0:23:38 | |
but they worked their way around the north, | 0:23:38 | 0:23:41 | |
through Scotland, Scottish islands, | 0:23:41 | 0:23:43 | |
down to the Isle of Man and also to Ireland. | 0:23:43 | 0:23:47 | |
Britain was no stranger to invaders. | 0:23:48 | 0:23:51 | |
In the eighth century, | 0:23:51 | 0:23:52 | |
nearly 400 years after the Roman army had left, | 0:23:52 | 0:23:56 | |
Vikings began their first attacks on British shores. | 0:23:56 | 0:24:00 | |
For nearly 70 years, | 0:24:00 | 0:24:02 | |
these fearsome warriors plundered all along the east and west coasts. | 0:24:02 | 0:24:06 | |
Then in 866, a huge Viking army landed intent on conquest. | 0:24:09 | 0:24:15 | |
They decimated the northern kingdoms of England and captured York. | 0:24:15 | 0:24:19 | |
The Anglo-Saxon King Alfred was forced to make a truce. | 0:24:19 | 0:24:23 | |
The Vikings were granted their own area to settle in - | 0:24:23 | 0:24:26 | |
this large section of the country became known as Danelaw. | 0:24:26 | 0:24:31 | |
The Silverdale Hoard was buried for safekeeping near the coast | 0:24:31 | 0:24:35 | |
of modern-day Lancashire, | 0:24:35 | 0:24:37 | |
which at that time was part of a Viking kingdom. | 0:24:37 | 0:24:40 | |
We have some ingots of silver, | 0:24:40 | 0:24:44 | |
and these are literally pieces of silver of set weights | 0:24:44 | 0:24:48 | |
that could be used as a method of exchange. | 0:24:48 | 0:24:51 | |
Or you could actually melt them down and turn them into a... | 0:24:51 | 0:24:53 | |
-A Viking bullion almost, isn't it? -Absolutely. | 0:24:53 | 0:24:56 | |
-That's just what they are. -Yeah. | 0:24:56 | 0:24:57 | |
-And what about the coins? -The coins? -They're fascinating. | 0:24:57 | 0:25:01 | |
This one is a Carolingian one. | 0:25:01 | 0:25:03 | |
We're talking about Eastern France or Western Germany. | 0:25:03 | 0:25:09 | |
So, that's a 1,000-year-old silver coin from Western Europe. | 0:25:09 | 0:25:14 | |
Yes. | 0:25:14 | 0:25:15 | |
At the start of the Viking age, | 0:25:15 | 0:25:17 | |
coins were valued only for their weight in silver or gold. | 0:25:17 | 0:25:21 | |
It was common for coins brought back from other countries | 0:25:21 | 0:25:24 | |
to be found together, and currency from anywhere could still be used. | 0:25:24 | 0:25:28 | |
So, that there, in Viking times would that have been a week's wages, | 0:25:28 | 0:25:32 | |
a month's wages, a year's wages? | 0:25:32 | 0:25:34 | |
Very often, people didn't get wages. | 0:25:34 | 0:25:37 | |
They were supplied with goods or materials or supplied... | 0:25:37 | 0:25:41 | |
-Barter. -..with the goods back. -Yeah. | 0:25:41 | 0:25:43 | |
But I would've thought we're talking a chicken there for a single penny. | 0:25:43 | 0:25:46 | |
Really? | 0:25:46 | 0:25:47 | |
Amongst the collection is what is known as hacksilver - | 0:25:47 | 0:25:51 | |
large pieces of jewellery that were divided into smaller pieces | 0:25:51 | 0:25:54 | |
to make up exact weight of silver for trading. | 0:25:54 | 0:25:57 | |
The various coins from locations as far as modern day Baghdad | 0:25:57 | 0:26:02 | |
shows that the Viking world was vast. | 0:26:02 | 0:26:05 | |
Scandinavian travellers traded as far away | 0:26:05 | 0:26:08 | |
as Russia and Newfoundland. | 0:26:08 | 0:26:11 | |
Which is your favourite piece out of the hoard? | 0:26:11 | 0:26:13 | |
It may look insignificant, but coin number one is a coin | 0:26:13 | 0:26:18 | |
of somebody called Harthacnut. | 0:26:18 | 0:26:21 | |
Now, we didn't know a Viking ruler of the name Harthacnut | 0:26:21 | 0:26:28 | |
before this particular hoard was found, so... | 0:26:28 | 0:26:31 | |
-He's rewritten history. -He has rewritten history. | 0:26:31 | 0:26:34 | |
Although little else is currently known, | 0:26:34 | 0:26:36 | |
this discovery confirmed that a previously unknown ruler | 0:26:36 | 0:26:40 | |
significant enough to be named on a coin | 0:26:40 | 0:26:43 | |
controlled a large section of this country. | 0:26:43 | 0:26:46 | |
This opens a new chapter not just in Lancashire's history, | 0:26:46 | 0:26:50 | |
but for all of Britain. | 0:26:50 | 0:26:51 | |
And all this comes from a guy perhaps on a Sunday morning | 0:26:51 | 0:26:55 | |
with his hobby going out metal detecting. | 0:26:55 | 0:26:58 | |
That's it. | 0:26:58 | 0:26:59 | |
I'm just going to go and dig a field up. I'll be back in a minute. | 0:27:00 | 0:27:03 | |
The Vikings remained as settlers and invaders for 200 years. | 0:27:04 | 0:27:08 | |
Their final action in this country was their defeat in battle | 0:27:10 | 0:27:13 | |
just a few weeks before Norman forces invaded in 1066. | 0:27:13 | 0:27:18 | |
The collection is now on display not far from where it was buried | 0:27:20 | 0:27:24 | |
over 1,000 years ago by the people | 0:27:24 | 0:27:26 | |
who once controlled this part of Britain. | 0:27:26 | 0:27:28 | |
Back on the road and our pair are reunited | 0:27:36 | 0:27:39 | |
as they head for the city of Lancaster. | 0:27:39 | 0:27:41 | |
Look at that there. How can you beat that for scenery? | 0:27:41 | 0:27:44 | |
It's love... Keep your eye on the road. | 0:27:44 | 0:27:46 | |
She's right. | 0:27:46 | 0:27:47 | |
On the banks of the River Lune, Lancaster was once a Roman frontier | 0:27:47 | 0:27:50 | |
defending the area from marauding Scots. | 0:27:50 | 0:27:53 | |
Ha! | 0:27:53 | 0:27:54 | |
Ironic that, because today our own forager from the north | 0:27:54 | 0:27:57 | |
only has antiques on her mind. | 0:27:57 | 0:27:58 | |
This is one of the biggest antique centres in the UK. | 0:27:58 | 0:28:01 | |
-It's massive, isn't it? -Very, very busy. | 0:28:01 | 0:28:04 | |
It's certainly sizable, | 0:28:04 | 0:28:05 | |
so it's up to father and son Alan and Jimmy to help our pair navigate. | 0:28:05 | 0:28:09 | |
Somewhere or other, | 0:28:11 | 0:28:12 | |
there's going to be an absolute steal of a bargain, | 0:28:12 | 0:28:15 | |
and all you've got to do is find it. | 0:28:15 | 0:28:17 | |
Lovely to see you. Thanks for coming. | 0:28:20 | 0:28:23 | |
Doesn't say much, does she? | 0:28:23 | 0:28:24 | |
Just like that. It's just like that. Not like that. Like that. | 0:28:27 | 0:28:30 | |
SHE LAUGHS | 0:28:35 | 0:28:38 | |
This is not an umbrella. | 0:28:38 | 0:28:41 | |
An umbrella keeps the rain off of you. | 0:28:41 | 0:28:45 | |
This is a parasol, and a parasol is a fashion statement. | 0:28:45 | 0:28:51 | |
Now, costume and textiles are really quite hot | 0:28:51 | 0:28:57 | |
in today's market, | 0:28:57 | 0:28:59 | |
so I think it might be quite a nice thing to go for a parasol. | 0:28:59 | 0:29:05 | |
Now, this one is rather big. | 0:29:05 | 0:29:10 | |
But this one, it's small, it's dainty... | 0:29:14 | 0:29:21 | |
and it's sweet. | 0:29:21 | 0:29:23 | |
I mean, what is this parasol doing? | 0:29:24 | 0:29:27 | |
Absolutely nothing except being a wee bit glamorous. | 0:29:27 | 0:29:34 | |
Speaking of glamour, | 0:29:34 | 0:29:36 | |
what has our sophisticated Mr Serrell found? | 0:29:36 | 0:29:39 | |
So, this is an old boot scraper. | 0:29:39 | 0:29:41 | |
It would've been outside someone's front door, wasn't it? | 0:29:41 | 0:29:44 | |
-Well, yeah. -You just put your foot on there and just do that. | 0:29:44 | 0:29:47 | |
Yes, that's for scraping. | 0:29:47 | 0:29:48 | |
But I think the curve underneath was to actually put your boot | 0:29:48 | 0:29:53 | |
underneath and help to loosen it. | 0:29:53 | 0:29:55 | |
Oh, right. Right. | 0:29:55 | 0:29:57 | |
So, it helped you get it off as well as scrape it clean. | 0:29:57 | 0:30:01 | |
You see, at auction, I think that's going to make £30 to £50. | 0:30:01 | 0:30:04 | |
I've got to try it for £20, £25. | 0:30:04 | 0:30:06 | |
That's where... Which is tough, but can we just... | 0:30:06 | 0:30:09 | |
-Let's put it back there. -Yeah. | 0:30:09 | 0:30:11 | |
Tough indeed. Its ticket price is 68. | 0:30:11 | 0:30:15 | |
Back with the glamorous parasol, Anita has called in Jimmy. | 0:30:15 | 0:30:19 | |
-Hi. -Hi, Anita. | 0:30:19 | 0:30:20 | |
I had a look at this parasol here. Quite liked that. | 0:30:20 | 0:30:24 | |
-OK. -It's small, it's dainty. -Yeah. | 0:30:24 | 0:30:27 | |
And I think it just... | 0:30:27 | 0:30:29 | |
I think there's quite a bit of age to it as well, isn't there? | 0:30:29 | 0:30:32 | |
-Yeah. -It's... | 0:30:32 | 0:30:33 | |
-What I do have, though, is damage there. -Right. OK. | 0:30:33 | 0:30:37 | |
-And in textiles, damage is very important. -Yeah. | 0:30:37 | 0:30:41 | |
And I think I've had a repair here. | 0:30:41 | 0:30:43 | |
In fact, I have had repair. | 0:30:43 | 0:30:45 | |
-There. -Yeah. | 0:30:45 | 0:30:47 | |
Let me see if it suits you. | 0:30:47 | 0:30:49 | |
Probably not as well as you, to be honest. | 0:30:49 | 0:30:51 | |
-Aw! -SHE LAUGHS | 0:30:51 | 0:30:53 | |
-So, it's priced at £44 at the moment. -But it is damaged. | 0:30:53 | 0:30:57 | |
-Yeah, I'm taking on board exactly what you're saying. -Mm-hm. | 0:30:57 | 0:31:01 | |
How's £25 sound? | 0:31:01 | 0:31:03 | |
Would 22 buy it? | 0:31:03 | 0:31:05 | |
Go on, then. | 0:31:05 | 0:31:07 | |
-Shall we do it? -Yeah. Absolutely. -OK. | 0:31:07 | 0:31:08 | |
-That's great. -I'll be sad to see it go cos I like twirling it myself. | 0:31:08 | 0:31:12 | |
-SHE LAUGHS -I saw it first! | 0:31:12 | 0:31:15 | |
That's half price for the parasol. | 0:31:15 | 0:31:18 | |
What has Phil found? | 0:31:20 | 0:31:21 | |
I quite like these. They're different, aren't they? | 0:31:21 | 0:31:24 | |
Yeah, very authentic. | 0:31:24 | 0:31:25 | |
-These would've been sat in an office. -Correct. | 0:31:25 | 0:31:27 | |
I'm not actually sure that these drawers all match, | 0:31:27 | 0:31:31 | |
but I kind of think it doesn't matter. | 0:31:31 | 0:31:34 | |
They're that shabby side of shabby chic, aren't they? | 0:31:34 | 0:31:37 | |
Well, I don't know how much they are cos there's no price, | 0:31:37 | 0:31:39 | |
but, I mean, I think... | 0:31:39 | 0:31:41 | |
HE TAPS Easy, Phil. | 0:31:41 | 0:31:45 | |
I don't think that base has got anything to do with it, has it? | 0:31:45 | 0:31:47 | |
-It just does the job. -It does the job, exactly. | 0:31:47 | 0:31:50 | |
-The stone wrought-iron step thing that we saw earlier... -Yes. | 0:31:50 | 0:31:54 | |
-..and these chests... -Right. | 0:31:54 | 0:31:56 | |
..now, I think these two will make 30 to 50 at auction, | 0:31:56 | 0:31:59 | |
and I think the stone scraper thing will make 30 to 50 at auction, | 0:31:59 | 0:32:04 | |
which means I've got to try and buy this little pile for 20 quid | 0:32:04 | 0:32:07 | |
if I can and the stone thing for 20 quid if I can, | 0:32:07 | 0:32:09 | |
which is the two for 40. | 0:32:09 | 0:32:11 | |
How is that going to...? | 0:32:11 | 0:32:13 | |
Well, I think we could do 50, Phil. | 0:32:13 | 0:32:17 | |
45, would that squeeze you? | 0:32:17 | 0:32:19 | |
-45 is probably the right price. -You're a gentlemen. | 0:32:19 | 0:32:22 | |
Thank you ever so, ever so much. | 0:32:22 | 0:32:24 | |
Phil gets the boot scraper and the filing cabinets for £45. | 0:32:24 | 0:32:29 | |
Now, where would we find Anita? | 0:32:32 | 0:32:35 | |
I'm just looking at a nice Victorian brooch. | 0:32:35 | 0:32:38 | |
Now, I wanted to spend all of my money, | 0:32:38 | 0:32:42 | |
but I still have £10.06 left. | 0:32:42 | 0:32:46 | |
This brooch here, Victorian brooch... | 0:32:46 | 0:32:50 | |
It won't be gold. It will be pinchbeck or rolled gold | 0:32:50 | 0:32:53 | |
with a very nice citrine in the middle. | 0:32:53 | 0:32:57 | |
It's priced at £18. | 0:32:57 | 0:33:00 | |
What I'm going to do is I'm going to say to Jimmy, | 0:33:00 | 0:33:03 | |
"Can I buy that for £10.06?" and see what happens. | 0:33:03 | 0:33:09 | |
Only one way to find out. | 0:33:09 | 0:33:11 | |
-Can I have a wee look at that one? -Absolutely. | 0:33:11 | 0:33:13 | |
It's been... | 0:33:13 | 0:33:15 | |
They've polished it and cleaned it up beautifully. | 0:33:15 | 0:33:18 | |
-Not gold. Rolled gold or pinchbeck. -Yeah. | 0:33:18 | 0:33:21 | |
It's priced at £18. | 0:33:21 | 0:33:23 | |
That's the only thing. | 0:33:23 | 0:33:25 | |
I've got £10.06. | 0:33:25 | 0:33:29 | |
Can I buy this for £10.06? | 0:33:29 | 0:33:33 | |
As long as you add the six pence to the ten pounds, we've got a deal. | 0:33:33 | 0:33:36 | |
-Oh, that's great. -Thank you. | 0:33:36 | 0:33:38 | |
I've spent every single penny, and that's what I wanted to do. | 0:33:38 | 0:33:42 | |
With that bold move from Anita, all our shopping is done. | 0:33:42 | 0:33:47 | |
Phil spent £145 on a silver-plated pincushion | 0:33:50 | 0:33:54 | |
and miniature compass, | 0:33:54 | 0:33:55 | |
a 19th-century mahogany box, a copper-topped pub table, | 0:33:55 | 0:34:00 | |
a wrought-iron boot scraper and a set of vintage drawers. | 0:34:00 | 0:34:05 | |
Anita cleared out every last penny of her £307.06, | 0:34:07 | 0:34:12 | |
picking up a Lalique figurine, | 0:34:12 | 0:34:15 | |
an Art Deco clock garniture, | 0:34:15 | 0:34:17 | |
a set of plastic chairs, | 0:34:17 | 0:34:20 | |
a Victorian parasol | 0:34:20 | 0:34:21 | |
and a gold pendant that she's now pairing with her yellow metal brooch. | 0:34:21 | 0:34:25 | |
What do they say about their opponent's finds? | 0:34:28 | 0:34:32 | |
If you're going to buy a piece of French glass, you buy Lalique. | 0:34:32 | 0:34:35 | |
It's the best, and Anita has done just that. | 0:34:35 | 0:34:37 | |
I hope for her sake the people of Yorkshire really appreciate it too. | 0:34:37 | 0:34:41 | |
Phil Serrell has bought well this time. | 0:34:41 | 0:34:44 | |
The boot scraper is just down his street, | 0:34:44 | 0:34:48 | |
and I think he could double his money on that. | 0:34:48 | 0:34:52 | |
So, with hope in their hearts, it's off to the auction. | 0:34:53 | 0:34:56 | |
After starting this leg in Frodsham, | 0:34:56 | 0:34:58 | |
our pair have zipped their way through Cheshire and Lancashire | 0:34:58 | 0:35:02 | |
and are ending up in Easingwold in North Yorkshire. | 0:35:02 | 0:35:05 | |
All this rural travel seems to agree with our pair. | 0:35:05 | 0:35:09 | |
A big moo-cow! | 0:35:09 | 0:35:10 | |
Aw! Now here's the ducks. I like ducks. | 0:35:10 | 0:35:12 | |
Cock-a-doodle-doo! Cock-a-doodle-doo! | 0:35:12 | 0:35:16 | |
Once they've finish playing in the farmyard, | 0:35:16 | 0:35:19 | |
it's time to do battle at the auction. | 0:35:19 | 0:35:22 | |
This should be fun, Philip. | 0:35:22 | 0:35:24 | |
-SHE LAUGHS -Here we go again. Into the coliseum. | 0:35:24 | 0:35:27 | |
The lions are waiting for me. Look. Oh, no! | 0:35:27 | 0:35:32 | |
Summersgills Auctions are family-run affair | 0:35:32 | 0:35:34 | |
and have been striking the gavel in Yorkshire since 1959. | 0:35:34 | 0:35:37 | |
Auctioneer Tim Summersgill is taking care of proceedings today, | 0:35:37 | 0:35:41 | |
but before the off, what does he make of our pair's lots? | 0:35:41 | 0:35:45 | |
The clock garniture set is a nice lot. | 0:35:45 | 0:35:47 | |
It fits well in with our items that we sell. | 0:35:47 | 0:35:50 | |
I would say that would do quite well. | 0:35:50 | 0:35:52 | |
I'd say probably 50 to 100. | 0:35:52 | 0:35:53 | |
The filing drawers are an unusual lot. | 0:35:53 | 0:35:56 | |
It's not normally what we sell, but you just never know. That's it. | 0:35:56 | 0:35:59 | |
So, we've got the internet, so let's see how it goes | 0:35:59 | 0:36:01 | |
and hope we go very well. | 0:36:01 | 0:36:03 | |
Both experts have five lots, | 0:36:05 | 0:36:08 | |
but leader Anita has risked all her cash. | 0:36:08 | 0:36:12 | |
Will she regret it? | 0:36:12 | 0:36:13 | |
First lot. Keep your fingers crossed. | 0:36:16 | 0:36:19 | |
Our first lot of the day is Anita's parasol. | 0:36:19 | 0:36:23 | |
Bit of interest straight in on this one at £20. £20 bid on this one. | 0:36:23 | 0:36:26 | |
22 there. 24. 26. 28. 28. 30 just in time. At £30 at the back. | 0:36:26 | 0:36:32 | |
A feeling of deja vu at the moment. | 0:36:32 | 0:36:35 | |
No-one else come in. We're selling. £30. 61. | 0:36:35 | 0:36:38 | |
Ha! A great profit to start us off. | 0:36:38 | 0:36:41 | |
Not a big profit. | 0:36:41 | 0:36:42 | |
-No, no, no. -Fair. Fair. -Just another little profit. Well done, you. | 0:36:42 | 0:36:47 | |
Next up is Phil's mahogany box. | 0:36:47 | 0:36:50 | |
Bids all over, so we're straight in at £90 for this one. | 0:36:50 | 0:36:52 | |
-Oh! -£90 bid on this. 95 anywhere else? | 0:36:52 | 0:36:55 | |
On commission at £90. | 0:36:55 | 0:36:58 | |
All out in the room? | 0:36:58 | 0:36:59 | |
£90. You beauty. | 0:37:01 | 0:37:03 | |
Going for a maiden commission bid, | 0:37:03 | 0:37:06 | |
that great profit has sure floored Phil. | 0:37:06 | 0:37:09 | |
-I'll settle for that. That's really good, isn't it? -That's fabulous. | 0:37:09 | 0:37:13 | |
Yeah. | 0:37:13 | 0:37:14 | |
Anita got carried away with the clock. | 0:37:14 | 0:37:16 | |
Let's hope the bidders do the same. | 0:37:16 | 0:37:18 | |
-Straight in at 25 on this one. -25. -25 bid on commission. | 0:37:18 | 0:37:21 | |
28 anywhere else? | 0:37:21 | 0:37:22 | |
28. 30 there. 32. 34 here. | 0:37:22 | 0:37:26 | |
34 on commission. 35 now on the internet. | 0:37:26 | 0:37:29 | |
-36. 45 now on the internet. -The internet's interested. | 0:37:29 | 0:37:34 | |
50 anywhere else? | 0:37:34 | 0:37:35 | |
On the internet at 45. | 0:37:35 | 0:37:38 | |
There was no need to worry, as Anita lands another profit. | 0:37:38 | 0:37:43 | |
-I'm happy with that. -Oh, yeah, yeah. -Are you happy for me? | 0:37:43 | 0:37:45 | |
Oh, I'm over the moon. Absolutely over the moon. | 0:37:45 | 0:37:48 | |
Always good to see some friendly support, eh, Phil? | 0:37:48 | 0:37:52 | |
They caught his eye at the counter, | 0:37:52 | 0:37:54 | |
but will his compass and pincushion bring him a profit? | 0:37:54 | 0:37:58 | |
20 straight in. £20 bid on this. 25 anywhere else? | 0:37:58 | 0:38:02 | |
-25. 28 here. -Good, good, good. | 0:38:02 | 0:38:04 | |
Just in time at 30. Right at the back at £30. | 0:38:04 | 0:38:07 | |
Your bid, sir, at £30. | 0:38:07 | 0:38:10 | |
Aw. No gain, no pain. | 0:38:10 | 0:38:12 | |
It's a small loss after costs, | 0:38:12 | 0:38:15 | |
but there's plenty of time to make that back. | 0:38:15 | 0:38:18 | |
Never mind. You're a mere man. | 0:38:18 | 0:38:21 | |
Sometimes you do make mistakes, you know. You can't help it. | 0:38:21 | 0:38:25 | |
Hey, let's hope there's no mistake | 0:38:25 | 0:38:26 | |
with your Danish-design-inspired chairs then, Anita. | 0:38:26 | 0:38:30 | |
Bids on these, straight in at 50 on these. | 0:38:30 | 0:38:32 | |
£50 bid. 55. 60 on these. | 0:38:32 | 0:38:34 | |
70 there. 75. 80. £80. 90, sir? | 0:38:34 | 0:38:39 | |
Your bid at £80. Last chance. | 0:38:39 | 0:38:43 | |
That's OK. | 0:38:43 | 0:38:44 | |
Yeah, yeah, yeah. It's just another little profit, isn't it? | 0:38:44 | 0:38:47 | |
Certainly is. Another profit then for Anita. | 0:38:47 | 0:38:51 | |
It's just a tiny, tiny little profit. | 0:38:51 | 0:38:53 | |
-IMITATES ANITA: -It's a just a tiny little wee profit! | 0:38:53 | 0:38:55 | |
But there's time to catch up, Phil. Your boot scraper is next. | 0:38:57 | 0:39:01 | |
Three bids here, so we're straight in at 55 on this one. | 0:39:01 | 0:39:04 | |
-Get in. -55 bid on it. 60 anywhere else? | 0:39:04 | 0:39:07 | |
£60 just in time. £60 here. | 0:39:07 | 0:39:09 | |
We're selling at £60. All out in the room? At 60 we sell. | 0:39:09 | 0:39:14 | |
That's a great profit for Phil. | 0:39:14 | 0:39:16 | |
-Well done. -That'll do, won't it? That'll do. | 0:39:16 | 0:39:19 | |
It's one of Anita's big-money purchases. | 0:39:20 | 0:39:23 | |
Will it set pulses racing? | 0:39:23 | 0:39:25 | |
Straight in at £50 on this one. £50 on this. | 0:39:25 | 0:39:28 | |
Nice little lot at £50. | 0:39:28 | 0:39:30 | |
All done? 55. 60. Five. 70. | 0:39:30 | 0:39:34 | |
£70 there. All in at 70 to sell? | 0:39:34 | 0:39:37 | |
Last chance. | 0:39:37 | 0:39:38 | |
Uh-oh. | 0:39:40 | 0:39:41 | |
That's the first loss of the day for Anita | 0:39:41 | 0:39:44 | |
and opens the door for Phil. | 0:39:44 | 0:39:45 | |
It could've been a lot worse, Phil. | 0:39:45 | 0:39:48 | |
Our auctioneer thought these were unusual for his sale room, | 0:39:48 | 0:39:51 | |
but Phil is holding out hope. | 0:39:51 | 0:39:53 | |
I am like them - bang on trend. | 0:39:53 | 0:39:55 | |
-Yeah? -Yeah. -Uh-huh. | 0:39:55 | 0:39:56 | |
Can tell that by the anoraks you wear. | 0:39:56 | 0:39:59 | |
91 is the Oriental light... | 0:39:59 | 0:40:01 | |
Bids again, so straight in at 45 bid on this. | 0:40:01 | 0:40:03 | |
-45. Well done. -45. 48. 50. | 0:40:03 | 0:40:06 | |
Five. 60. Five. 70 at the back. 75. 80. 85. | 0:40:06 | 0:40:11 | |
-Oh, brilliant. Brilliant. -90. 95. 100 for you, Sean. | 0:40:11 | 0:40:15 | |
All done at £100? All out? | 0:40:15 | 0:40:18 | |
Brilliant. | 0:40:21 | 0:40:22 | |
A fantastic 300% profit for Phil. | 0:40:22 | 0:40:26 | |
What's really mad about this business is that has just made | 0:40:26 | 0:40:29 | |
the same sort of money that a Victorian chest of drawers has made. | 0:40:29 | 0:40:31 | |
-Yeah. -And that's madness, isn't it? -Mm-hm. | 0:40:31 | 0:40:34 | |
Mad it may be, but it puts you right back in the running, Phil. | 0:40:34 | 0:40:39 | |
Anita's turn now with her pendant and brooch. | 0:40:39 | 0:40:42 | |
I mean, I wouldn't wish ill on you, Anita, | 0:40:42 | 0:40:44 | |
cos you're very dear and old friend of mine, | 0:40:44 | 0:40:46 | |
but it would be ever so nice if they paid 20 quid, wouldn't it? | 0:40:46 | 0:40:49 | |
Bids all over on these, so straight in at 90 again. | 0:40:49 | 0:40:52 | |
£90 on these. 95 anywhere else? | 0:40:52 | 0:40:56 | |
All done then? £90. | 0:40:56 | 0:40:58 | |
Don't miss them for a fiver. | 0:40:58 | 0:41:00 | |
Last chance. | 0:41:00 | 0:41:02 | |
Someone picked them up without a fight and for a great price, | 0:41:02 | 0:41:05 | |
and it's more good news for Phil. | 0:41:05 | 0:41:08 | |
-I was glad I bought them. -Fair play to you. | 0:41:08 | 0:41:10 | |
You spent every penny, and I don't think you've lost... | 0:41:10 | 0:41:13 | |
It's a dangerous strategy, that, | 0:41:13 | 0:41:14 | |
and I don't think you've actually lost that much money. | 0:41:14 | 0:41:17 | |
Phil's final lot is his pub table. | 0:41:17 | 0:41:20 | |
Straight in at £40 on this one. £40. 45. 50. | 0:41:20 | 0:41:24 | |
Five. 60. Five. 70. | 0:41:24 | 0:41:26 | |
Five. 80. | 0:41:26 | 0:41:28 | |
90. 100. | 0:41:28 | 0:41:30 | |
110. 110 then. | 0:41:30 | 0:41:32 | |
-110. -I'm surprised. -Yeah. | 0:41:32 | 0:41:34 | |
120. 130. 130. | 0:41:34 | 0:41:37 | |
140, is it? 140. 150. | 0:41:37 | 0:41:40 | |
150 right across that side. | 0:41:40 | 0:41:42 | |
Well, well done, anyway. | 0:41:44 | 0:41:46 | |
Yeah, I should say so. | 0:41:46 | 0:41:47 | |
Phil is stunned, and it's a cracking profit. | 0:41:47 | 0:41:50 | |
What a great way to round up today's auction. | 0:41:50 | 0:41:53 | |
You've done well. Congratulations. | 0:41:53 | 0:41:56 | |
Let's go. | 0:41:56 | 0:41:58 | |
So, what does that do to this week's totals? | 0:41:58 | 0:42:01 | |
Anita made the daring move of spending all of her £307.06. | 0:42:02 | 0:42:07 | |
After costs, she made a small loss of £48.76, | 0:42:07 | 0:42:12 | |
taking her total to £258.30. | 0:42:12 | 0:42:17 | |
Phil's in the pink after today's display. | 0:42:20 | 0:42:23 | |
Starting off with £191.80, | 0:42:23 | 0:42:26 | |
he made a fantastic £207.60 profit after costs, | 0:42:26 | 0:42:31 | |
giving him the win today and swinging him into | 0:42:31 | 0:42:34 | |
the overall lead with a total of £399.40. | 0:42:34 | 0:42:39 | |
Well done, Phil. | 0:42:39 | 0:42:40 | |
I'm not used to these dizzy heights. | 0:42:42 | 0:42:45 | |
You've romped ahead athletically. | 0:42:45 | 0:42:47 | |
-It's all just turned the tables, hasn't it? -It certainly has. | 0:42:47 | 0:42:50 | |
Forward to the next leg, Phil. | 0:42:54 | 0:42:56 | |
Cheerio! | 0:43:00 | 0:43:01 | |
Next time on the Antiques Road Trip, | 0:43:04 | 0:43:07 | |
romantic Anita turns up the heat... | 0:43:07 | 0:43:09 | |
Skies are blue, the water is lapping gently on the shore. | 0:43:09 | 0:43:14 | |
..but Phil's still out in the cold. | 0:43:14 | 0:43:16 | |
Wasn't an ounce of emotion there, was there? | 0:43:16 | 0:43:18 |