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-It's the nation's favourite antiques experts... -This is beautiful! | 0:00:02 | 0:00:05 | |
That's the way to do this! | 0:00:05 | 0:00:06 | |
-..with £200 each, a classic car and a goal - to scour for antiques. -Joy! | 0:00:06 | 0:00:12 | |
-Hello! -The aim? | 0:00:12 | 0:00:14 | |
To make the biggest profit at auction, but it's no mean feat. HE LAUGHS | 0:00:14 | 0:00:19 | |
-GAVEL BANGS There will be worthy winners and valiant losers. -Sorry! Sorry! | 0:00:19 | 0:00:23 | |
So, will it be the high road to glory or the slow road to disaster? | 0:00:23 | 0:00:28 | |
The handbrake's on! | 0:00:28 | 0:00:29 | |
This is Antiques Roadtrip! | 0:00:29 | 0:00:31 | |
Yeah! | 0:00:33 | 0:00:34 | |
Today, the Roadtrip continues for our two auctioneers, Anita Manning | 0:00:42 | 0:00:46 | |
and Philip Serrell. | 0:00:46 | 0:00:48 | |
Phil, the beginning of our next buy leg. | 0:00:48 | 0:00:52 | |
-Aye, I can hardly wait(!) -SHE LAUGHS | 0:00:52 | 0:00:55 | |
-Are you not raring to go? -I've got some catching up to do, haven't I? | 0:00:55 | 0:00:59 | |
-You completely drilled me yesterday. -I know. | 0:00:59 | 0:01:02 | |
Anita won the first leg and is prepared to fight to keep her lead. | 0:01:02 | 0:01:07 | |
-You've got to be careful when Phil Serrell's about. -Indeed! | 0:01:07 | 0:01:11 | |
But our Philip can find a use for anything. | 0:01:11 | 0:01:15 | |
That would make a fantastic bog roll holder. | 0:01:15 | 0:01:18 | |
That's what we have at home. | 0:01:18 | 0:01:20 | |
They're taking to the road in this classic Italian micro car, | 0:01:22 | 0:01:25 | |
the 1970 Fiat 500. | 0:01:25 | 0:01:28 | |
Oh! | 0:01:28 | 0:01:30 | |
Try to keep your eye on the road, Phil! | 0:01:30 | 0:01:33 | |
Oh, no! | 0:01:33 | 0:01:34 | |
Our experts both began their trip with £200. | 0:01:37 | 0:01:40 | |
One auction down and Philip has already gone backwards, | 0:01:40 | 0:01:43 | |
leaving him with £196.40. | 0:01:43 | 0:01:46 | |
Anita took the early lead, giving her £242.43 to spend today. | 0:01:48 | 0:01:54 | |
This week, they started in Windermere in the Lake District | 0:01:57 | 0:02:01 | |
and will travel over 1,200 miles around the north of England | 0:02:01 | 0:02:04 | |
and Scotland, before finishing up in Crooklands, Cumbria. | 0:02:04 | 0:02:08 | |
Today's leg begins in Barnard Castle, County Durham, | 0:02:12 | 0:02:16 | |
and ends at auction in Driffield in the East Riding of Yorkshire. | 0:02:16 | 0:02:20 | |
-I love this part of the world. -Oh, yes! -Barnard Castle. -Yeah. | 0:02:20 | 0:02:24 | |
-It's a wonderful place. -Up around the North and | 0:02:24 | 0:02:26 | |
the Yorkshire Dales, I think it's absolutely glorious. I really do. | 0:02:26 | 0:02:30 | |
Is there a plan today then? | 0:02:30 | 0:02:32 | |
-Tell me about your tactics. -That's simple. Beat you. | 0:02:32 | 0:02:37 | |
LAUGHTER | 0:02:37 | 0:02:39 | |
You think you're going to beat me? | 0:02:39 | 0:02:41 | |
No! | 0:02:41 | 0:02:42 | |
I'm going to try. | 0:02:42 | 0:02:44 | |
Good luck with that. The spectacular market | 0:02:44 | 0:02:47 | |
town of Barnard Castle, or Barney to its friends, | 0:02:47 | 0:02:50 | |
takes its name from the 12th century castle around which the town grew. | 0:02:50 | 0:02:55 | |
It's also an antiques shopping Mecca. | 0:02:55 | 0:02:58 | |
-There we are. -Perfect! Perfect! -Job's a good 'un! | 0:02:58 | 0:03:02 | |
It's THE perfect place for both our shoppers to start this leg's | 0:03:02 | 0:03:06 | |
shopping together. | 0:03:06 | 0:03:08 | |
Now, Phil, I don't want you following me around. | 0:03:08 | 0:03:11 | |
Get out of here! | 0:03:11 | 0:03:12 | |
Opened six years ago, | 0:03:14 | 0:03:16 | |
Mission Hall is located in the heart of the town's antiques district. | 0:03:16 | 0:03:20 | |
Dale Robson is the man to meet. | 0:03:20 | 0:03:23 | |
-Hi. -Hiya. -I'm Anita. And this is Philip Serrell. -Hello, Philip. | 0:03:23 | 0:03:28 | |
-You've got some good things in here, haven't you? -Yeah. | 0:03:28 | 0:03:31 | |
-Have a good wander round. -We'll have a good wander around. | 0:03:31 | 0:03:33 | |
-Right, we'll see you in a bit. -I'm going to the sparkly cabinet. -Get out of here! | 0:03:33 | 0:03:37 | |
Plenty of choice. | 0:03:38 | 0:03:40 | |
And Phil is quick to spot something. | 0:03:43 | 0:03:45 | |
I've come hundreds of miles from home, and all this stuff here | 0:03:45 | 0:03:49 | |
was made about 50 yards from my office in Worcester. | 0:03:49 | 0:03:53 | |
This is all Worcester porcelain. And this is all by the Stinton family. | 0:03:53 | 0:03:57 | |
They all painted at the Worcester porcelain factory, in various guises. | 0:03:57 | 0:04:00 | |
The worst thing is, it's all out of my price range. | 0:04:00 | 0:04:03 | |
But it is really, really lovely. | 0:04:03 | 0:04:05 | |
Anita is having a little more luck with one of the other cabinets. | 0:04:08 | 0:04:13 | |
I rather like this little inkwell and pen tray. | 0:04:13 | 0:04:17 | |
It's in the Art Nouveau style. | 0:04:17 | 0:04:20 | |
Decorated and embossed with flowers. | 0:04:20 | 0:04:23 | |
I love items which have to do with writing. | 0:04:23 | 0:04:26 | |
It takes you back to a time when people wrote letters. | 0:04:26 | 0:04:30 | |
And I love the Art Nouveau period. | 0:04:30 | 0:04:32 | |
So I'm going to have a closer look at that. | 0:04:32 | 0:04:36 | |
Dale's your man, then. | 0:04:36 | 0:04:39 | |
-It is made of...some sort of base metal, I would imagine. -Britannia metal. | 0:04:39 | 0:04:43 | |
Britannia metal. I think it would be something for a lady's writing desk. | 0:04:43 | 0:04:48 | |
-Oh, it is very pretty, yes. -It is pretty. "Orphea." | 0:04:48 | 0:04:51 | |
Don't know anything about it, | 0:04:51 | 0:04:53 | |
but I like to see something which has a maker's name on it. | 0:04:53 | 0:04:57 | |
-Yes, it is nice to see. -Puts it in a certain place. | 0:04:57 | 0:04:59 | |
There's 26 on it. Which I think is not too bad. | 0:04:59 | 0:05:03 | |
-Very reasonable. -It is very reasonable. | 0:05:03 | 0:05:05 | |
-You might not need a discount. -I might not need a discount. | 0:05:05 | 0:05:08 | |
-I might not. -SHE LAUGHS | 0:05:08 | 0:05:11 | |
Could it be bought sort of somewhere between 15 and 18? | 0:05:11 | 0:05:14 | |
-I could do it for 20. -You could do it for 20? | 0:05:14 | 0:05:17 | |
I'm going to go for that. I like it. Thank you very much. | 0:05:18 | 0:05:21 | |
-Thank you very much. -You haven't been suckered in already, have you? | 0:05:21 | 0:05:25 | |
-Succumbed to the Manning charm. -Och, away and buy one of your big... | 0:05:25 | 0:05:30 | |
Have you found anything big and crazy yet? | 0:05:30 | 0:05:33 | |
Yes, and here it is. | 0:05:33 | 0:05:34 | |
HE LAUGHS | 0:05:34 | 0:05:36 | |
Ha-ha. Behave, Phil. | 0:05:36 | 0:05:38 | |
He's on to something, though, look. | 0:05:38 | 0:05:41 | |
-Dale, I've just seen these, look. -Oh, right. | 0:05:41 | 0:05:44 | |
-They're quite nice, aren't they? -Yes. | 0:05:44 | 0:05:47 | |
-And they are measures, aren't they? -Yeah. | 0:05:47 | 0:05:50 | |
Got a half pint and a pint. You can have the half, I'll have the pint. | 0:05:50 | 0:05:52 | |
What could be the best on those, do you think? | 0:05:52 | 0:05:55 | |
-They are 40 quid, the two, currently. -Maybe 30 quid. | 0:05:55 | 0:05:58 | |
-Could they be 20 quid? -They couldn't be 20, no. | 0:05:58 | 0:06:02 | |
-Dale just said that with no hint of compassion. -No. | 0:06:02 | 0:06:05 | |
One to think about, then. | 0:06:05 | 0:06:07 | |
Whatever you do, don't let that Anita Manning anywhere near them. | 0:06:07 | 0:06:10 | |
I'll do my best. | 0:06:10 | 0:06:12 | |
Speak of the little devil. | 0:06:12 | 0:06:14 | |
Wouldn't it be nice to have a lovely pen to go with my little | 0:06:14 | 0:06:19 | |
inkwell and pen holder? | 0:06:19 | 0:06:22 | |
And I have noticed a Conway Stewart fountain pen here. | 0:06:22 | 0:06:26 | |
And pens are very collectable in today's market. | 0:06:26 | 0:06:30 | |
So I'm going to have a look at that. It is £35, a wee bit dear... | 0:06:30 | 0:06:33 | |
-Anita, Anita, Anita. -What is it? -Could you just do me a favour? -What? | 0:06:33 | 0:06:39 | |
-Just hold that a second for me. -Oh, for heaven's sake! | 0:06:39 | 0:06:41 | |
Hold it, hold it. Thank you very much. | 0:06:41 | 0:06:43 | |
SHE LAUGHS | 0:06:43 | 0:06:45 | |
Cheeky boy! | 0:06:45 | 0:06:46 | |
Fortunately, he knows it's a dummy. What else has he found? | 0:06:46 | 0:06:50 | |
Just a little turned wooden box, isn't it? | 0:06:50 | 0:06:53 | |
It looks like rosewood or a hardwood. | 0:06:53 | 0:06:56 | |
What I particularly like about it is the price. | 0:06:56 | 0:07:00 | |
THEY LAUGH | 0:07:00 | 0:07:02 | |
So we might be having a little lot here. What else could we find? | 0:07:02 | 0:07:05 | |
How much are those little shells there? | 0:07:05 | 0:07:08 | |
Country-made military chest of drawers. | 0:07:08 | 0:07:10 | |
£80. | 0:07:10 | 0:07:12 | |
-How much movement is there on price on that? -£80. | 0:07:14 | 0:07:17 | |
-They would have to be about 70. Maybe 65. -Can you come any lower? | 0:07:17 | 0:07:21 | |
-I can't really do any lower on those. -50 quid is my limit on that. | 0:07:21 | 0:07:25 | |
I couldn't do it for 50. | 0:07:25 | 0:07:27 | |
Could you do £80 for them all? The belt, the two bell tankards and that? | 0:07:27 | 0:07:30 | |
-Yes, we could do that. -OK, I need to have a think. -Mm-hm. | 0:07:30 | 0:07:33 | |
Good idea. | 0:07:33 | 0:07:35 | |
Anita has been pawing over the fountain pen. | 0:07:35 | 0:07:38 | |
-Dale has certainly been busy today. -The condition is good. | 0:07:38 | 0:07:42 | |
This wonderful mottled effect, that's what the buyers like. | 0:07:42 | 0:07:45 | |
-It is a nice, bright colour. -It is marked at 35. | 0:07:45 | 0:07:48 | |
But what I'd like to be paying, really, is round about £20. | 0:07:48 | 0:07:53 | |
I mean, I could maybe go to about 25. | 0:07:53 | 0:07:56 | |
Could you go to 22? | 0:07:56 | 0:07:58 | |
I don't think I can do 22, no. | 0:07:58 | 0:08:00 | |
-Could you go 23? -SHE LAUGHS | 0:08:02 | 0:08:04 | |
-23? -Let's go 23. | 0:08:04 | 0:08:07 | |
-23. -Oh, thank you very much. | 0:08:07 | 0:08:09 | |
Anita is making herself a little theme there. | 0:08:09 | 0:08:12 | |
Meanwhile, it looks like Phil has made a decision. Wow. | 0:08:12 | 0:08:16 | |
-Dale. -Hello. | 0:08:16 | 0:08:17 | |
I think you've been more than fair with me. So these two for 80, yeah? | 0:08:17 | 0:08:20 | |
-Yes, we can do that. -And that is a handshake because you, sir, | 0:08:20 | 0:08:23 | |
-have been an absolute gentleman. -Thank you. -I'll be back. | 0:08:23 | 0:08:25 | |
-You've got some really lovely things. -Thanks for the business. | 0:08:25 | 0:08:29 | |
£80 for the pair of bell metal tankards | 0:08:30 | 0:08:33 | |
and a 19th-century miniature chest of drawers. | 0:08:33 | 0:08:36 | |
Now, how is Anita getting on? | 0:08:38 | 0:08:41 | |
What I like most about this bronze is this | 0:08:41 | 0:08:44 | |
fantastical fish. | 0:08:44 | 0:08:47 | |
Important, though, in bronzes - | 0:08:47 | 0:08:49 | |
name, foundry, any details that you can get. | 0:08:49 | 0:08:54 | |
And if we look underneath, we see, "C and F Smith, Birmingham." | 0:08:54 | 0:08:58 | |
So I think that's a super item. | 0:08:58 | 0:09:01 | |
Another bronze that I like in here... | 0:09:01 | 0:09:04 | |
is this fantastic stylised cat. | 0:09:04 | 0:09:08 | |
Now, this is... | 0:09:08 | 0:09:10 | |
It has a modernist look about it. | 0:09:10 | 0:09:12 | |
But it could be from the 1920s or 1930s. | 0:09:12 | 0:09:17 | |
There is no foundry. There is no maker's name. | 0:09:17 | 0:09:21 | |
But I think that that is wonderful. | 0:09:21 | 0:09:24 | |
Dale?! | 0:09:24 | 0:09:26 | |
This one has got 68 on it. | 0:09:26 | 0:09:28 | |
-Right. -And this one has got...60. | 0:09:28 | 0:09:33 | |
-A-ha. -What one do you think you could give me the best deal on? | 0:09:33 | 0:09:37 | |
I mean, that one would be about 60. And the other one would be about 50. | 0:09:37 | 0:09:41 | |
This is the one that my heart is going with, and I think I'll go with that. | 0:09:41 | 0:09:45 | |
-Yes. -Is there any other movement on it? -It would have to be that £60. | 0:09:45 | 0:09:49 | |
60. Let's just go for that. Thank you very much. I'm delighted. | 0:09:49 | 0:09:53 | |
That's a good thing. | 0:09:53 | 0:09:55 | |
Along with the bronze cat for £60, | 0:09:58 | 0:10:00 | |
Anita's found herself a French Art Nouveau inkwell | 0:10:00 | 0:10:03 | |
and pen tray for 20 and a Conway Stewart fountain pen for £23. | 0:10:03 | 0:10:09 | |
That's £103 altogether. | 0:10:09 | 0:10:11 | |
I'm really happy with all my terrific treasures! | 0:10:12 | 0:10:15 | |
Philip's travelled towards Durham, | 0:10:19 | 0:10:21 | |
a stunning city known for its Norman castle and cathedral | 0:10:21 | 0:10:25 | |
and just outside the city is the town of Bishop Auckland, | 0:10:25 | 0:10:29 | |
once home to a unique seat of power that was | 0:10:29 | 0:10:32 | |
pivotal in the history of England and Scotland. | 0:10:32 | 0:10:35 | |
Philip's meeting Chris Ferguson to hear more. | 0:10:38 | 0:10:41 | |
-Chris, how are you? -Very nice to meet you. -Good to see you as well. | 0:10:41 | 0:10:44 | |
-So this is Auckland Castle? -It is indeed. | 0:10:44 | 0:10:47 | |
You're very welcome to join us here. | 0:10:47 | 0:10:49 | |
In the 11th century, County Durham became a bloody battleground. | 0:10:50 | 0:10:54 | |
William the Conqueror was defending north-east | 0:10:55 | 0:10:59 | |
England from the King of Scotland at a time | 0:10:59 | 0:11:01 | |
when the border between the two countries was ever changing. | 0:11:01 | 0:11:05 | |
To cement his authority in the area, | 0:11:05 | 0:11:07 | |
William granted the Bishop of Durham unprecedented powers. | 0:11:07 | 0:11:11 | |
He was to be responsible for protecting England's | 0:11:11 | 0:11:14 | |
interests in the north and given the title of Prince Bishop. | 0:11:14 | 0:11:18 | |
They could raise their own army, they had their own taxes, | 0:11:18 | 0:11:21 | |
-they had their own mint, they had their own legal system. -You think of a bishop today | 0:11:21 | 0:11:24 | |
and he's very much an ecclesiastical figure, isn't he? | 0:11:24 | 0:11:27 | |
But in those days, they were wealthy men... | 0:11:27 | 0:11:30 | |
Yeah, I mean, all the way through from the medieval period right the way through the 19th century, | 0:11:30 | 0:11:35 | |
bishops are wealthy men, they're diplomats, they're military leaders. | 0:11:35 | 0:11:38 | |
They're... They're corrupt, some of them. | 0:11:38 | 0:11:42 | |
Some of them are quite into gambling, wine, women and song. | 0:11:42 | 0:11:45 | |
There were 53 Prince Bishops in total. | 0:11:45 | 0:11:48 | |
The first was William Walker in 1075 and the last, | 0:11:48 | 0:11:53 | |
William Van Mildert, served until 1836. | 0:11:53 | 0:11:57 | |
Auckland Castle was the centre of all this power. | 0:11:57 | 0:12:00 | |
After the King, | 0:12:00 | 0:12:02 | |
they were like second most important people in the land. | 0:12:02 | 0:12:04 | |
They are the second most powerful people in the country, | 0:12:04 | 0:12:07 | |
often standing up to the King, rebelling, some of them. | 0:12:07 | 0:12:10 | |
And really trying to promote their own authority and power. | 0:12:10 | 0:12:14 | |
This unparalleled rule included control over local agriculture | 0:12:14 | 0:12:18 | |
and mining. | 0:12:18 | 0:12:21 | |
These were taxed and the money was used in whatever way | 0:12:21 | 0:12:24 | |
they saw fit, to fund a life of luxury, control territory or | 0:12:24 | 0:12:28 | |
create a grand palace, fit for the King of the North. | 0:12:28 | 0:12:32 | |
They are really competing with the King, | 0:12:32 | 0:12:35 | |
so this building is built with two great halls, | 0:12:35 | 0:12:38 | |
it's built with a double-storey chapel | 0:12:38 | 0:12:40 | |
and those things are copying, out-competing what the King's | 0:12:40 | 0:12:44 | |
building at Westminster or at Windsor. | 0:12:44 | 0:12:46 | |
This is a palace complex to compete with royalty. | 0:12:46 | 0:12:50 | |
Over the centuries, the Prince Bishops were | 0:12:54 | 0:12:58 | |
involved in thwarting the Scots' attempts to invade northern England. | 0:12:58 | 0:13:02 | |
In the 13th century, the notorious Prince Bishop Bek helped defeat | 0:13:02 | 0:13:07 | |
William Wallace, leaving Scotland in the hands of the King of England. | 0:13:07 | 0:13:12 | |
At times, Prince Bishops chose to side with whoever was most | 0:13:12 | 0:13:17 | |
powerful, even if that meant allegiance with | 0:13:17 | 0:13:19 | |
the Scots against the English king who had appointed them. | 0:13:19 | 0:13:24 | |
Do you ever get a state where the Bishop tried to | 0:13:24 | 0:13:26 | |
-sort of outflank or outrank the King? -They do. | 0:13:26 | 0:13:30 | |
At times, they try to sort of have this idea of an independent | 0:13:30 | 0:13:34 | |
buffer state of Durham, between England and Scotland, | 0:13:34 | 0:13:37 | |
so Durham at that time being Durham, Northumberland, Cumbria, is | 0:13:37 | 0:13:40 | |
a buffer state between the warring kingdoms of England and Scotland. | 0:13:40 | 0:13:45 | |
After the two countries merged politically in the 17th century, | 0:13:45 | 0:13:49 | |
the role of Prince Bishop became less about military dominance | 0:13:49 | 0:13:53 | |
and more about maintaining local law and order, | 0:13:53 | 0:13:55 | |
often enjoying the perks of their position. | 0:13:55 | 0:13:58 | |
I know that you look at, in my world, sort of old oil paintings | 0:14:00 | 0:14:05 | |
of bishops and you can see they were having a bit of a ball, really. | 0:14:05 | 0:14:10 | |
Large cigars, wine, fine wines, brandy... | 0:14:10 | 0:14:14 | |
Especially if you look at the 18th century Bishops, they are feasting all the time. | 0:14:14 | 0:14:18 | |
They are having huge banquets and this building, | 0:14:18 | 0:14:21 | |
what is now the chapel, were built as banqueting halls to entertain in. | 0:14:21 | 0:14:25 | |
The reign of the Prince Bishops continued until the 1830s, | 0:14:26 | 0:14:30 | |
when it was replaced with the Bishop of Durham in the traditional | 0:14:30 | 0:14:34 | |
religious role that continues today. | 0:14:34 | 0:14:36 | |
But without this extraordinary position set | 0:14:36 | 0:14:38 | |
up as a stronghold for English royalty, | 0:14:38 | 0:14:41 | |
the borders of England and Scotland could now be very different. | 0:14:41 | 0:14:45 | |
Anita has also made her way to Bishop Auckland. | 0:14:52 | 0:14:55 | |
She's heading for Antiques On The Green, run by Alistair Donaldson. | 0:14:55 | 0:14:59 | |
-Hello. I'm Anita. -Nice to see you. -I see you've got the champagne out! | 0:15:01 | 0:15:06 | |
-Well, you know... Just in case. -Just in case. -We can pop one later. | 0:15:06 | 0:15:10 | |
Yes, a bit of shopping to do first, though. | 0:15:10 | 0:15:13 | |
Now, this is interesting. Boxes of stuff underneath a table. | 0:15:16 | 0:15:22 | |
Alistair might have got these from a house clearance | 0:15:22 | 0:15:26 | |
and they haven't been opened yet. | 0:15:26 | 0:15:28 | |
And don't worry about getting your hands dirty. | 0:15:28 | 0:15:31 | |
There could be treasure in here. | 0:15:31 | 0:15:33 | |
And sometimes, where there's muck there's brass. | 0:15:33 | 0:15:37 | |
Not in there, though. | 0:15:37 | 0:15:39 | |
Wow! | 0:15:43 | 0:15:45 | |
That's the kind of thing that Phil Serrell would love. | 0:15:45 | 0:15:49 | |
He would love that. | 0:15:49 | 0:15:51 | |
Huge big bellows. | 0:15:51 | 0:15:53 | |
She's not wrong there. | 0:15:53 | 0:15:55 | |
Now, what do we have here? | 0:15:55 | 0:15:58 | |
Oh! Ho-ho! | 0:15:58 | 0:16:00 | |
I wonder if I could give Phil Serrell a hammering with that! | 0:16:00 | 0:16:03 | |
Or beat out a profit from it. | 0:16:06 | 0:16:07 | |
I like that! | 0:16:08 | 0:16:11 | |
It's £65, which is quite a lot of money. | 0:16:11 | 0:16:15 | |
But it's a good item and it's a fun item. | 0:16:15 | 0:16:19 | |
Alistair! You're needed! | 0:16:19 | 0:16:22 | |
I usually buy lovely, gentle... | 0:16:22 | 0:16:26 | |
-Brooches. -..feminine items. | 0:16:26 | 0:16:29 | |
-Yes. -But my eye was drawn to this big hammer. -Right. | 0:16:29 | 0:16:33 | |
Can you tell me, Alistair, what on earth this is used for? | 0:16:33 | 0:16:36 | |
-To be frank, I don't actually know what it would have been used for. -Right. | 0:16:36 | 0:16:40 | |
But it's wood, obviously, so you could hit metal, like brass, with it and it wouldn't damage it. | 0:16:40 | 0:16:45 | |
Obviously, we've got a massive chunk out there, but that's its history. | 0:16:45 | 0:16:48 | |
-I like that. -Oh, it's great. | 0:16:48 | 0:16:50 | |
I'm an auctioneer and if this came in to my auction, | 0:16:50 | 0:16:54 | |
I would estimate that round about £20. | 0:16:54 | 0:16:57 | |
It might make more than that, I don't know, | 0:16:59 | 0:17:02 | |
because who knows the price of a big hammer? | 0:17:02 | 0:17:04 | |
Well, if it's Mr Serrell that you're trying to beat then I don't think | 0:17:04 | 0:17:08 | |
I've got any option, really, than allowing you to have that for £20. | 0:17:08 | 0:17:11 | |
-I think we'll do a deal. -Is that all right? Put your hand there. Thank you. -Thank you very much. | 0:17:11 | 0:17:15 | |
A very generous discount lands Anita the rather large | 0:17:17 | 0:17:22 | |
-early 20th century hammer. -OK, put it over my shoulder. | 0:17:22 | 0:17:25 | |
Yeah, watch out, Mr Serrell. | 0:17:25 | 0:17:26 | |
And on that note, it's probably best to call it a day. So, nighty-night! | 0:17:26 | 0:17:32 | |
What a glorious morning! | 0:17:41 | 0:17:43 | |
-How did you get on yesterday? -Great. I had a great time. -That's just what I wanted to hear(!) | 0:17:43 | 0:17:48 | |
I enjoyed myself a lot. The dealers, I thought they were lovely. | 0:17:48 | 0:17:53 | |
-So, how much have you spent? -I don't know. 100-odd quid? | 0:17:53 | 0:17:57 | |
You've bought four items for £100?! | 0:17:57 | 0:18:00 | |
-Ah, that's not... -Aye. Just be a wee bit careful! | 0:18:02 | 0:18:08 | |
-I wouldnae suppose you'd take 50p for it?! -SHE LAUGHS | 0:18:08 | 0:18:11 | |
Yesterday, Anita bagged herself an Art Nouveau inkwell and pen tray, | 0:18:11 | 0:18:16 | |
a fountain pen, a bronze cat | 0:18:16 | 0:18:19 | |
and an early 20th century hammer, | 0:18:19 | 0:18:22 | |
all for £123, leaving her just under £120 to spend today. | 0:18:22 | 0:18:27 | |
Phil bought a pair of bell metal tankards, | 0:18:29 | 0:18:33 | |
and a 19th century miniature chest of drawers for £80. | 0:18:33 | 0:18:35 | |
He still has £106.40 for today's shopping. | 0:18:35 | 0:18:39 | |
Do you know, I have to say, if I was going to buy a classic car, | 0:18:42 | 0:18:45 | |
-I'm not sure that I would buy one of these. -Ah, stop moaning! | 0:18:45 | 0:18:49 | |
-It's a lovely wee thing! -Well said, Anita! | 0:18:49 | 0:18:52 | |
They're heading for the magnificent spa town of Harrogate, | 0:18:52 | 0:18:55 | |
often voted one of the happiest places to live in Britain, | 0:18:55 | 0:19:00 | |
despite its Royal Pump Room housing the strongest sulphur well in Europe. | 0:19:00 | 0:19:05 | |
-Harrogate's beautiful, isn't it? -I know. | 0:19:05 | 0:19:07 | |
It's the jewel of the north, isn't it? | 0:19:07 | 0:19:09 | |
I think it's really, really lovely. | 0:19:09 | 0:19:11 | |
And well known for so many things. | 0:19:11 | 0:19:13 | |
-It's crammed with really good quality antiques shops, isn't it? -Yep. | 0:19:13 | 0:19:17 | |
And I'll tell you something else, you get a great cup of tea in this town. | 0:19:17 | 0:19:21 | |
First to shop this morning is Phil. | 0:19:24 | 0:19:26 | |
Door-to-door delivery. | 0:19:27 | 0:19:30 | |
It looks as if there's plenty of lovely things there. | 0:19:30 | 0:19:33 | |
-I'm going to go and give it a really good go. -Yeah. | 0:19:33 | 0:19:36 | |
-If I can get out of this thing! -SHE LAUGHS | 0:19:36 | 0:19:39 | |
Located in the trendy Montpellier Quarter, Montpellier Muse | 0:19:39 | 0:19:44 | |
Antique Market has been trading for over 25 years. | 0:19:44 | 0:19:48 | |
-Dealer David Wallace is looking after Phil today. -Hi, Phil. -I'm Philip. | 0:19:48 | 0:19:53 | |
-How are you doing? -David, is it? -David. | 0:19:53 | 0:19:55 | |
You're playing catch-up, Phil, | 0:19:57 | 0:20:00 | |
so what's going to appeal to you in here? | 0:20:00 | 0:20:02 | |
If they were going to give anything away in this centre, | 0:20:06 | 0:20:09 | |
I would take this Pilkington's Lancastrian vase away with me, | 0:20:09 | 0:20:13 | |
which I think is just a beautiful, beautiful thing. | 0:20:13 | 0:20:17 | |
It is designed by a man called Mycock. | 0:20:17 | 0:20:20 | |
It's priced up £1,995, which is | 0:20:20 | 0:20:24 | |
roughly £1,900 more than | 0:20:24 | 0:20:28 | |
I currently have to spend. | 0:20:28 | 0:20:31 | |
Ha. Moving on... | 0:20:31 | 0:20:33 | |
-Can I perhaps have a look at these... -You can indeed. | 0:20:33 | 0:20:36 | |
..snuff boxes, please? | 0:20:36 | 0:20:37 | |
So this is a papier mache snuff box and... | 0:20:37 | 0:20:42 | |
it's got this little miniature on the cover here. | 0:20:42 | 0:20:45 | |
It's priced at £25, but David says he can do it for 18. | 0:20:45 | 0:20:49 | |
For me, the golden age of papier mache is from about 1850 to 1880. | 0:20:49 | 0:20:53 | |
Um... | 0:20:53 | 0:20:55 | |
But the problem is this damage here cos you can't really repair | 0:20:55 | 0:20:58 | |
papier mache. | 0:20:58 | 0:21:00 | |
-Can you do that for 15 quid? -I'll stick my neck out and say yes. | 0:21:00 | 0:21:04 | |
You're a gentleman. Go on, I'll take that. Thank you very much indeed. | 0:21:04 | 0:21:07 | |
-My pleasure. -I'd better give you some money now, hadn't I? | 0:21:07 | 0:21:10 | |
So, that's £15 for the 19th century papier mache snuff box. | 0:21:10 | 0:21:14 | |
Out on the open road, Anita's travelled to the village of Ripley. | 0:21:17 | 0:21:21 | |
She's visiting Ripley Castle. | 0:21:26 | 0:21:29 | |
This was once home to an extraordinary woman who took on | 0:21:29 | 0:21:33 | |
the most powerful man in the country in an astounding act of bravery. | 0:21:33 | 0:21:37 | |
Anita's meeting Sir Thomas and Lady Emma Ingleby, | 0:21:39 | 0:21:44 | |
who are the 26th generation to live here. | 0:21:44 | 0:21:49 | |
-Hello! Welcome to Ripley Castle! -Hello. Very nice to meet you. | 0:21:49 | 0:21:53 | |
-What a wonderful place! -We call it home and we have for 700 years. | 0:21:53 | 0:21:57 | |
We're still paying off the mortgage, so we can't lose it! | 0:21:57 | 0:22:00 | |
The Inglebys' home was once at the centre of one of the most | 0:22:03 | 0:22:07 | |
tumultuous periods of British history. | 0:22:07 | 0:22:09 | |
In the 17th century, the English Civil War broke out, | 0:22:12 | 0:22:15 | |
with Parliament on one side, led by Oliver Cromwell, and King Charles I | 0:22:15 | 0:22:20 | |
on the other, defending the absolute power of the monarchy. | 0:22:20 | 0:22:24 | |
The battle between Royalists | 0:22:24 | 0:22:26 | |
and Parliamentarians raged for nine years, | 0:22:26 | 0:22:29 | |
resulting in Charles I being beheaded | 0:22:29 | 0:22:32 | |
and Cromwell establishing Britain as a republic, with himself as leader. | 0:22:32 | 0:22:37 | |
The Inglebys at Ripley Castle were involved from the beginning. | 0:22:37 | 0:22:41 | |
Sir William Ingleby and his sister Jane were fierce Royalists. | 0:22:41 | 0:22:45 | |
In July 1644, they became embroiled in what was | 0:22:45 | 0:22:49 | |
one of the bloodiest battles in English history. | 0:22:49 | 0:22:52 | |
Lady Emma's taking Anita to the Knight's Chamber to tell her more. | 0:22:52 | 0:22:58 | |
William Ingleby went to fight and was followed by his sister, | 0:22:58 | 0:23:02 | |
Jane Ingleby. Now, this is very unusual for a lady to go | 0:23:02 | 0:23:06 | |
and fight in a battle. | 0:23:06 | 0:23:07 | |
It was an amazing situation that a fine born lady, | 0:23:07 | 0:23:12 | |
coming from the castle, should be there in the battle, | 0:23:12 | 0:23:16 | |
in armour, fighting for the King. | 0:23:16 | 0:23:19 | |
Yeah. Well, they must have believed truly in their cause. | 0:23:19 | 0:23:22 | |
Over 4,000 died in the Battle of Marston Moor, | 0:23:24 | 0:23:28 | |
the vast majority of them Royalists. | 0:23:28 | 0:23:30 | |
Oliver Cromwell and the Parliamentarians were victorious. | 0:23:31 | 0:23:35 | |
William and Jane retreated back to Ripley Castle, | 0:23:38 | 0:23:41 | |
but as known Royalists, Cromwell's soldiers were hot on their heels. | 0:23:41 | 0:23:45 | |
Trapped in the castle, William had no choice but to hide, | 0:23:48 | 0:23:51 | |
supposedly in a secret hole at the top of a tower. | 0:23:51 | 0:23:54 | |
So, he was cramped in this hole here. | 0:23:58 | 0:24:01 | |
-He would literally have been making himself as small as possible in there, fearful of his life. -Yeah. | 0:24:01 | 0:24:05 | |
When they used to search, they would go through the panelling with | 0:24:05 | 0:24:09 | |
their swords because they were aware that there might be hiding places. | 0:24:09 | 0:24:12 | |
-It's a claustrophobic space. -Yeah. | 0:24:12 | 0:24:14 | |
-Just enough room for your Bible, your candle and an air hole. -ANITA GASPS | 0:24:14 | 0:24:20 | |
The fate of the family was in Jane's hands. | 0:24:20 | 0:24:23 | |
Cromwell's army hammered at the gates. | 0:24:23 | 0:24:27 | |
It's said that Jane changed out of her battle clothes | 0:24:27 | 0:24:30 | |
and, armed with two pistols, courageously went to face her | 0:24:30 | 0:24:33 | |
enemy and the country's future leader. | 0:24:33 | 0:24:36 | |
Jane decides to allow him in and almost negotiate. | 0:24:36 | 0:24:41 | |
He was the victor, they were the vanquished, | 0:24:41 | 0:24:44 | |
-why didn't he just chop her head off? -Well, because from that moment | 0:24:44 | 0:24:48 | |
onward he has to live with these people for his republic to work. | 0:24:48 | 0:24:52 | |
Cromwell insisted on staying the night to recover from battle. | 0:24:52 | 0:24:58 | |
His army took to an outbuilding with their Royalist prisoners in tow. | 0:24:58 | 0:25:02 | |
Cromwell demanded to sleep inside. | 0:25:04 | 0:25:06 | |
Jane kept the mighty general at gunpoint in the armchair, | 0:25:06 | 0:25:10 | |
while William was hiding in the priest hole upstairs. | 0:25:10 | 0:25:14 | |
This bravery earned her the name "Trooper Jane". | 0:25:14 | 0:25:17 | |
They would sit down, warm themselves by the fire. | 0:25:19 | 0:25:23 | |
She might have offered him refreshments. | 0:25:23 | 0:25:25 | |
What do you think Cromwell thought of Trooper Jane? | 0:25:25 | 0:25:29 | |
Of course, she reputedly was carrying pistols, | 0:25:29 | 0:25:32 | |
so I think he probably thought, "Do you know, I might just sleep." | 0:25:32 | 0:25:36 | |
If she had the pistols and he was asleep, | 0:25:36 | 0:25:41 | |
-could have changed the course of history. -Could have done. | 0:25:41 | 0:25:45 | |
After winning one of the greatest victories of his career and then | 0:25:45 | 0:25:49 | |
being held hostage by a woman, Cromwell left the next morning. | 0:25:49 | 0:25:52 | |
He may have spared Jane's life and without realising it, | 0:25:54 | 0:25:57 | |
her brother's too, but many of the Royalist prisoners were | 0:25:57 | 0:26:01 | |
shot at the castle on Cromwell's orders. | 0:26:01 | 0:26:04 | |
This is literally the marks of the bullet holes against the wall, | 0:26:05 | 0:26:09 | |
so the Inglebys may have got away scot free, | 0:26:09 | 0:26:12 | |
but many people died that night. | 0:26:12 | 0:26:13 | |
Although the country was in turmoil for another seven years, thanks | 0:26:15 | 0:26:19 | |
to Trooper Jane's heroic efforts, the Ingleby family were safe. | 0:26:19 | 0:26:24 | |
Once they realised Sir William survived, | 0:26:24 | 0:26:27 | |
the Parliamentarians ordered him to pay a fine equivalent | 0:26:27 | 0:26:31 | |
to £2.5 million, which he did, over several years. | 0:26:31 | 0:26:35 | |
Jane died of natural causes soon after, aged 51, | 0:26:36 | 0:26:40 | |
but she'll always be remembered for her incredible bravery. | 0:26:40 | 0:26:44 | |
Back in Harrogate, Phil has ventured further into antiques territory. | 0:26:54 | 0:26:58 | |
The antiques business is a really, really small world. | 0:26:58 | 0:27:01 | |
And there are shops there and here that I've done business with for a long, long time. | 0:27:01 | 0:27:07 | |
But this guy, picture dealer, he's got some serious stock. | 0:27:07 | 0:27:11 | |
This is a little different for Phil, | 0:27:11 | 0:27:13 | |
who is known for turning up at old farms. | 0:27:13 | 0:27:16 | |
-Now then... Now then... -Good to see you. -How are you doing? | 0:27:16 | 0:27:19 | |
-How's tricks? Busy? -OK. Yeah, yeah. | 0:27:19 | 0:27:22 | |
Family-run Sutcliffe's Galleries specialise in fine | 0:27:22 | 0:27:26 | |
paintings from the 18th century to the present day. | 0:27:26 | 0:27:29 | |
Hurt. 34. That would hurt as well, £34,000. | 0:27:31 | 0:27:35 | |
John Wilson Carmichael, £25,000. | 0:27:36 | 0:27:39 | |
I was thinking I might buy something off you, | 0:27:39 | 0:27:42 | |
but I think at £25,000, it might just stretch my budget a little bit. | 0:27:42 | 0:27:47 | |
-Really? -You wouldn't take a Fiat 500 in part exchange, would you? | 0:27:47 | 0:27:50 | |
Not even for you, no. | 0:27:50 | 0:27:52 | |
Philip's got just over £100 to spend. | 0:27:52 | 0:27:56 | |
That won't get him anything from the gallery, | 0:27:56 | 0:27:58 | |
but fortunately, Gary has a cellar. | 0:27:58 | 0:28:01 | |
-They say "buying blind"... Hell's bells! -What is he up to? | 0:28:01 | 0:28:05 | |
These are things that are not for us, really. | 0:28:05 | 0:28:10 | |
There you are, you see? | 0:28:10 | 0:28:12 | |
-That's modern. -That might go, mightn't it? | 0:28:12 | 0:28:15 | |
-Beautifully framed, that. -And this is painted, what... | 0:28:15 | 0:28:19 | |
-within the last 50 years? -Yes, that's painted in the last...five years. | 0:28:19 | 0:28:23 | |
I've got to pay commission at auction. | 0:28:23 | 0:28:26 | |
If they estimate that at 40 to 60 quid, which is probably what they'd | 0:28:26 | 0:28:30 | |
estimate it at, I'm going to give you 30 quid for it. | 0:28:30 | 0:28:34 | |
-Done? -Done. -Good gentleman. I'd better get you some money out. | 0:28:34 | 0:28:38 | |
That's £30 for the equestrian painting in an early 19th | 0:28:38 | 0:28:42 | |
century style. | 0:28:42 | 0:28:45 | |
-Lovely to see you, my friend. -Thank you. -See you soon. | 0:28:45 | 0:28:48 | |
-Take care. Bye-bye. -Bye! | 0:28:48 | 0:28:49 | |
Anita's hot on Phil's heels in Harrogate, heading just | 0:28:53 | 0:28:56 | |
south of the town to Crimple Hall Antiques to meet Phil Cannell. | 0:28:56 | 0:29:02 | |
-Hi, Anita. -Hello. -How are you? Nice to meet you. | 0:29:02 | 0:29:04 | |
-Such a... Looks fabulous! -A great place. -Looks fabulous. | 0:29:06 | 0:29:10 | |
This antiques and vintage showroom has over 50 stalls and cabinets. | 0:29:10 | 0:29:15 | |
Hoping that I have a nose for a bargain! | 0:29:15 | 0:29:18 | |
I see what you did there, Anita. | 0:29:18 | 0:29:20 | |
We have a pair of French Art Nouveau table lamps. | 0:29:26 | 0:29:32 | |
Two beautiful young nymphs. | 0:29:32 | 0:29:36 | |
They're priced at over £500. | 0:29:36 | 0:29:40 | |
But you're getting a lot | 0:29:40 | 0:29:43 | |
for your money for these two fabulous figures. | 0:29:43 | 0:29:47 | |
Maybe so, but with just under £120 to spend, it's best you move on. | 0:29:47 | 0:29:53 | |
What has drawn me to this little piece, it's a Japanese piece, | 0:29:54 | 0:29:58 | |
not a Chinese piece, is the quality of the painting. | 0:29:58 | 0:30:04 | |
Look at those wonderful peacocks. | 0:30:04 | 0:30:07 | |
I really, really like this little piece and I see... | 0:30:07 | 0:30:12 | |
..that the foot has been off. And it's been stuck on again. | 0:30:13 | 0:30:19 | |
Which is a great shame and it is a 19th century piece. | 0:30:19 | 0:30:25 | |
Tempted with the quality, but I'm put off by the damage. | 0:30:25 | 0:30:30 | |
-It will all depend on how much I can get it for. -Phil's your man! | 0:30:30 | 0:30:36 | |
-I've picked up this little piece and I've fallen in love with it. -Right. | 0:30:36 | 0:30:40 | |
I think that it's absolutely lovely. | 0:30:40 | 0:30:42 | |
I've gone over it with a fine tooth comb. And this foot has been off. | 0:30:42 | 0:30:49 | |
-Yeah. -She's got 75 on it. -Right, OK. | 0:30:49 | 0:30:52 | |
Erm... So maybe she hasn't noticed the foot and when you speak to her, | 0:30:52 | 0:30:56 | |
-you can maybe say to her that it's damaged. -Yeah, yeah. That's absolutely fine. | 0:30:56 | 0:31:00 | |
I'd be liking to buy that for £30. See what you can do. | 0:31:00 | 0:31:06 | |
-I'll have a word with her. -OK. | 0:31:06 | 0:31:08 | |
This Kutani pot is named after the small village in western Japan | 0:31:08 | 0:31:12 | |
where this style of decoration has been made on ceramics | 0:31:12 | 0:31:16 | |
since the mid-17th century. | 0:31:16 | 0:31:18 | |
-How did we get on, Phil? -She needs a little bit more. | 0:31:18 | 0:31:21 | |
-A wee bit more? -A wee bit more. | 0:31:21 | 0:31:23 | |
-Uh-huh. -35. | 0:31:23 | 0:31:25 | |
-Oh, I think I've got to go for it. -I think you have. -That's great. | 0:31:25 | 0:31:28 | |
-Good, deal done. -I'm delighted with that. Can I pay you? | 0:31:28 | 0:31:32 | |
So, that's £35 for the Kutani koro and cover. | 0:31:32 | 0:31:35 | |
Phil, meanwhile, has made his way west to Skipton. | 0:31:38 | 0:31:41 | |
The town's name means "Sheep Town," which is | 0:31:45 | 0:31:48 | |
celebrated with their annual Sheep Day. | 0:31:48 | 0:31:52 | |
-Hi, I'm Philip. -Hello, I'm June. -June, how are you, my love? | 0:31:52 | 0:31:55 | |
-All right? -OK, hopefully, if there's owt you want, I can sort it out. | 0:31:55 | 0:31:59 | |
I'm sure there'll be owt I want in here. | 0:31:59 | 0:32:01 | |
There are 30 dealers on over three floors, so best get hunting. | 0:32:01 | 0:32:05 | |
Millefiori. | 0:32:08 | 0:32:10 | |
1,000 flowers. | 0:32:10 | 0:32:12 | |
Just a sweet little thing. | 0:32:12 | 0:32:14 | |
All these are little separate glass canes in there. | 0:32:14 | 0:32:17 | |
-And you've got the maker's cane, Whitefriars, there we go. -Yes. | 0:32:17 | 0:32:20 | |
That's a nice quality thing. | 0:32:20 | 0:32:23 | |
-What's she got on it? -It wants to be 20-25 quid and it's £68, so... | 0:32:23 | 0:32:28 | |
You haven't a hope. | 0:32:30 | 0:32:32 | |
Well, that's clear, at least. | 0:32:32 | 0:32:35 | |
A good Georgian bureau used to be six, eight, nine, perhaps £1,000. | 0:32:38 | 0:32:42 | |
This one is as rustic as they come. | 0:32:44 | 0:32:48 | |
Always have a look where the lock is | 0:32:48 | 0:32:50 | |
because people are forever losing the keys. | 0:32:50 | 0:32:54 | |
So they then have to cut a piece out to get into it. | 0:32:54 | 0:32:56 | |
So you've got a pretty horrible patch just there. | 0:32:56 | 0:33:00 | |
This pine and oak bureau is priced at £100 | 0:33:00 | 0:33:03 | |
and is owned by dealer Steve Pickering. | 0:33:03 | 0:33:07 | |
Go, Steve! | 0:33:07 | 0:33:08 | |
I think it's got quite a look. | 0:33:08 | 0:33:10 | |
If it was an ordinary oak one, I wouldn't have got anywhere near it. But I think the bottom line for me | 0:33:10 | 0:33:15 | |
is that at auction is going to make 60 to 90 quid. | 0:33:15 | 0:33:17 | |
-Is 50 quid any good to you? -No. -OK. | 0:33:17 | 0:33:20 | |
-Can you do 55 on it? -No. | 0:33:20 | 0:33:22 | |
-What can you do? -70 quid. | 0:33:22 | 0:33:24 | |
-I can't give you 70 quid for it. -You can't? -No, I can't. | 0:33:24 | 0:33:27 | |
-But I can give you 60 quid. Have a deal with me. -I'll take your money. | 0:33:27 | 0:33:31 | |
You're a gentleman. Thank you very much. | 0:33:31 | 0:33:33 | |
So that's £60 for the late Georgian pine and oak Yorkshire bureau. | 0:33:33 | 0:33:37 | |
Wow! And that's shopping done. | 0:33:37 | 0:33:40 | |
Let's take a gander at their goodies. | 0:33:40 | 0:33:42 | |
Along with the bureau, Phil bought a pair of bell metal tankards, | 0:33:42 | 0:33:46 | |
a miniature chest of drawers, a papier mache snuff box | 0:33:46 | 0:33:49 | |
and a horse painting for £185. | 0:33:49 | 0:33:53 | |
Anita splashed out £158 on a bronze cat, | 0:33:53 | 0:33:58 | |
a fountain pen, | 0:33:58 | 0:33:59 | |
an Art Nouveau inkwell, a large early 20th century hammer | 0:33:59 | 0:34:04 | |
and a Japanese koro and cover. Thoughts, please. | 0:34:04 | 0:34:08 | |
He deserves to double his money on that bureau, | 0:34:08 | 0:34:13 | |
but in today's market, he probably won't. | 0:34:13 | 0:34:16 | |
There are certain things in life that come along | 0:34:16 | 0:34:19 | |
and you just don't understand them. | 0:34:19 | 0:34:21 | |
A £60 bronze cat? I don't understand it! | 0:34:21 | 0:34:26 | |
I'm ahead at the moment, but I think that Phil Serrell is | 0:34:26 | 0:34:31 | |
snapping at my heels with his group of items, so who knows? | 0:34:31 | 0:34:35 | |
All I need is a bit of luck, and that's good luck, not bad luck! | 0:34:37 | 0:34:41 | |
Barnard Castle in County Durham was the departure point on this leg | 0:34:43 | 0:34:47 | |
and now, Phil and Anita are nearing the auction in Driffield, | 0:34:47 | 0:34:51 | |
in the East Riding of Yorkshire. | 0:34:51 | 0:34:53 | |
-I've got a feeling we're going the wrong direction. -Oh! | 0:34:54 | 0:34:57 | |
And I'm so upset they've split up(!) | 0:34:57 | 0:34:59 | |
Wrong direction. Did you like them? | 0:34:59 | 0:35:02 | |
Ha! Does anyone know what he's on about? | 0:35:02 | 0:35:05 | |
Well, I do. Just. | 0:35:05 | 0:35:07 | |
How are you going to do today? | 0:35:09 | 0:35:11 | |
-Well, I kind of think you might have the advantage on me today. -Ha-ha-ha! | 0:35:11 | 0:35:15 | |
You heard it here first, folks! | 0:35:15 | 0:35:17 | |
Well, we'll soon find out about that. | 0:35:17 | 0:35:19 | |
Each year, the town of Driffield boasts one of the largest | 0:35:21 | 0:35:24 | |
one-day agricultural shows in the country. | 0:35:24 | 0:35:27 | |
This looks a really good sale, doesn't it? | 0:35:27 | 0:35:30 | |
-Look at this. -Yeah! Are you excited? Oh, another adventure! | 0:35:30 | 0:35:35 | |
-Slightly nervous. -Who is going to win this time? -Get in there, you! | 0:35:35 | 0:35:39 | |
Dee, Atkinson & Harrison were established in 1885 | 0:35:39 | 0:35:43 | |
and regularly hold sales of antiques, art and furniture. | 0:35:43 | 0:35:47 | |
Auctioneer Graham Paddison has assessed our experts' finds. | 0:35:47 | 0:35:51 | |
The mallet? I don't quite know what to make of it. | 0:35:51 | 0:35:54 | |
Somebody will buy it as a novelty item. | 0:35:54 | 0:35:57 | |
The little circular snuff box, because it's nice quality | 0:35:57 | 0:36:00 | |
and it's collectible, is going to create the most interest. | 0:36:00 | 0:36:03 | |
But the bureau, I think, could struggle a bit. | 0:36:03 | 0:36:06 | |
Let the auction commence. BANGS GAVEL | 0:36:06 | 0:36:09 | |
Starting with Anita's inkwell and pen tray. | 0:36:09 | 0:36:12 | |
-What's it worth? £30 for it. -This is mine. | 0:36:12 | 0:36:14 | |
30 bid at the corner. 30 bid. £30 bid. At 30. | 0:36:14 | 0:36:17 | |
35. 40. | 0:36:17 | 0:36:19 | |
5. 50. | 0:36:19 | 0:36:21 | |
5. 55 then... | 0:36:21 | 0:36:23 | |
Bid seated here. All done and finished, 55. | 0:36:23 | 0:36:25 | |
BANGS GAVEL | 0:36:25 | 0:36:27 | |
What an incredible start! Anita's almost tripled her money. | 0:36:27 | 0:36:31 | |
-I'm happy. -I should think you should be. -Are you happy for me? -No! | 0:36:31 | 0:36:35 | |
He's hiding it well, though(!) | 0:36:35 | 0:36:36 | |
Next up, it's Phil's pair of bell metal tankards. | 0:36:36 | 0:36:40 | |
£30 for them. | 0:36:40 | 0:36:42 | |
30. £20 to start then and off we go. 20 bid in the middle here, at 20. | 0:36:42 | 0:36:46 | |
£20 bid, at 20. £20 bid, at 20. | 0:36:46 | 0:36:49 | |
At £20. | 0:36:49 | 0:36:51 | |
Seems very cheap to me. | 0:36:51 | 0:36:53 | |
But at £20... We're going to sell it. Down it goes. | 0:36:53 | 0:36:55 | |
-2! That's the way. 25. -Last minute. | 0:36:55 | 0:36:58 | |
-28, sir. -Yes, yes. | 0:36:58 | 0:37:01 | |
28. 30. 5. | 0:37:01 | 0:37:03 | |
At 35. Bid's third row here. | 0:37:03 | 0:37:06 | |
At 35 then. | 0:37:06 | 0:37:08 | |
Everybody finally down, I think. | 0:37:08 | 0:37:09 | |
-At £35. -BANGS GAVEL | 0:37:09 | 0:37:12 | |
A decent profit for Phil to start, too. | 0:37:12 | 0:37:15 | |
Gets your heart going. | 0:37:15 | 0:37:17 | |
Nearly stopped it! I don't know about getting it going! | 0:37:17 | 0:37:19 | |
SHE CHUCKLES | 0:37:19 | 0:37:21 | |
Back to Anita now, with her rather large hammer. | 0:37:21 | 0:37:25 | |
£30 for it. | 0:37:25 | 0:37:27 | |
30 for the wooden mallet here. 30 bid. This side at 30. | 0:37:27 | 0:37:30 | |
5. 40. 5. 50. | 0:37:30 | 0:37:33 | |
5. 60. 5. 70. | 0:37:33 | 0:37:36 | |
-5. 80. 5. 90. -I'm getting absolutely trounced here! | 0:37:36 | 0:37:41 | |
£90 then. | 0:37:41 | 0:37:42 | |
All done. Finished. Bid's at the front. £90. | 0:37:42 | 0:37:45 | |
BANGS GAVEL | 0:37:45 | 0:37:46 | |
That's over four times what she paid for it! | 0:37:46 | 0:37:48 | |
Amazing! | 0:37:48 | 0:37:50 | |
I think I might go and quietly hang myself somewhere. | 0:37:50 | 0:37:54 | |
It's Phil's chance now to score big with his tiny | 0:37:54 | 0:37:58 | |
-chest of drawers. -£50 for it. | 0:37:58 | 0:38:01 | |
-Come on. -50. | 0:38:01 | 0:38:02 | |
40 bid, this corner, bid at 40. At £40, bid at 40. At 40. | 0:38:02 | 0:38:06 | |
At 45 at the front. | 0:38:06 | 0:38:07 | |
50. 5. 60. | 0:38:07 | 0:38:10 | |
5. 70. £70. | 0:38:10 | 0:38:12 | |
In the corner. All done and finished. | 0:38:12 | 0:38:14 | |
-At £70. -BANGS GAVEL | 0:38:14 | 0:38:16 | |
Another solid profit for Philip. | 0:38:16 | 0:38:19 | |
-I think it's got the right price today in this saleroom. -Mmm. | 0:38:19 | 0:38:23 | |
And you made a profit. | 0:38:23 | 0:38:25 | |
So I don't want to hear any m-m-moaning. | 0:38:25 | 0:38:29 | |
Philip?! Moan?! Ha(!) | 0:38:29 | 0:38:32 | |
We're sticking with Phil now for his 19th century papier mache snuff box. | 0:38:32 | 0:38:35 | |
It's auctioneer Graham's top pick. | 0:38:35 | 0:38:38 | |
£40 for it. | 0:38:38 | 0:38:40 | |
-40 bid. -40 straight in. | 0:38:40 | 0:38:42 | |
At £40, the bid standing this side. | 0:38:42 | 0:38:45 | |
45. 50. 5. 60. | 0:38:45 | 0:38:48 | |
At £60. All done. Selling. Away it goes. £60. | 0:38:48 | 0:38:52 | |
BANGS GAVEL | 0:38:52 | 0:38:53 | |
Phil's quadrupled his money on that one. | 0:38:53 | 0:38:56 | |
-That was a wee smile playing on your lovely face. -Nah, it's trapped wind. | 0:38:56 | 0:39:01 | |
Keep that to yourself. | 0:39:01 | 0:39:04 | |
Next, it's Anita's Japanese Kutani koro and cover. | 0:39:04 | 0:39:07 | |
It's got a damaged foot, but will that put anyone off? | 0:39:07 | 0:39:10 | |
£30 for it. | 0:39:10 | 0:39:12 | |
30. Nice quality here. 20 then. 20 bid at the back. | 0:39:12 | 0:39:16 | |
At 20. £20. 25. 30. | 0:39:16 | 0:39:18 | |
Oh, dear. You stopped quickly. At 30 bid. | 0:39:18 | 0:39:22 | |
35, fresh bidder. 40. | 0:39:22 | 0:39:24 | |
5. 50? 45. | 0:39:24 | 0:39:26 | |
At £45. 50, fresh bidder. | 0:39:26 | 0:39:28 | |
At 50, lady's bid now. Both gentlemen out. | 0:39:28 | 0:39:31 | |
50. At £50 then. All done and finished. | 0:39:31 | 0:39:34 | |
-Goes away at £50. -BANGS GAVEL | 0:39:34 | 0:39:38 | |
Another good profit for Anita. | 0:39:38 | 0:39:40 | |
-I think it deserved it. -I'm just really pleased for you(!) -Ha-ha(!) | 0:39:40 | 0:39:46 | |
We can tell that(!) | 0:39:46 | 0:39:48 | |
Now it's Phil's priciest purchase, the pine and oak bureau. | 0:39:48 | 0:39:52 | |
This could make all the difference to today's victor. | 0:39:52 | 0:39:56 | |
100. £50 to start. Come on. A lot of age to it. | 0:39:56 | 0:39:59 | |
£50. | 0:39:59 | 0:40:00 | |
< 20. | 0:40:00 | 0:40:01 | |
Ouch. | 0:40:01 | 0:40:02 | |
A £20 bid. At 20. At 20. At £20. | 0:40:02 | 0:40:06 | |
-At £20. Take a fiver if you like. -Have a laugh now. | 0:40:06 | 0:40:09 | |
-That should be funny. -5, do I see anywhere? | 0:40:09 | 0:40:11 | |
At £20 then. All done and finished. Away. Can't do any better than £20. | 0:40:11 | 0:40:16 | |
BANGS GAVEL Not the result Phil was after. | 0:40:16 | 0:40:21 | |
Do you think that's worth £20? | 0:40:21 | 0:40:23 | |
It's firewood, it's worth £20. | 0:40:23 | 0:40:27 | |
That's a handcrafted period antique bureau. | 0:40:27 | 0:40:31 | |
Back with Anita now. It's her Modernist bronze cat. | 0:40:34 | 0:40:38 | |
And auctioneer John Atkinson's taken over the rostrum. | 0:40:38 | 0:40:42 | |
20. £20 bid. 5. 25. | 0:40:42 | 0:40:44 | |
At £25 bid. 30. | 0:40:44 | 0:40:46 | |
5. 40. | 0:40:46 | 0:40:49 | |
Selling away. Going then at £40. | 0:40:49 | 0:40:52 | |
BANGS GAVEL | 0:40:52 | 0:40:54 | |
That loss gives Phil chance to close the gap. | 0:40:54 | 0:40:57 | |
I would never be one to wish ill on anybody. | 0:40:57 | 0:41:01 | |
-But in this instance... -I've made you very happy. | 0:41:01 | 0:41:04 | |
Needs must when the devil drives. | 0:41:04 | 0:41:08 | |
Could Anita's final item, the Conway Stewart fountain pen, | 0:41:08 | 0:41:12 | |
help her stay in the lead? | 0:41:12 | 0:41:13 | |
£30. 30. 20. | 0:41:13 | 0:41:16 | |
10. 10, I'm bid, at 10. 15. | 0:41:16 | 0:41:18 | |
20. 5. 30. | 0:41:18 | 0:41:21 | |
-5. -I think that's top price for that. | 0:41:21 | 0:41:24 | |
£35. | 0:41:24 | 0:41:27 | |
-A good strong profit. -Would you just do me a favour? -Yeah. | 0:41:27 | 0:41:31 | |
-Would you just wipe that smile off your face? -SHE CHUCKLES | 0:41:31 | 0:41:35 | |
But Phil's final item, the equestrian painting, | 0:41:35 | 0:41:40 | |
could make all the difference. | 0:41:40 | 0:41:42 | |
£70. 70. 50 then. | 0:41:42 | 0:41:44 | |
-30. £30. Bid at 30, bid. -I'll settle for that. | 0:41:44 | 0:41:46 | |
-£30. -I'm happy. -50 on the net. | 0:41:46 | 0:41:49 | |
At £50, bid of £50. At £50 bid. | 0:41:49 | 0:41:52 | |
Selling away. | 0:41:52 | 0:41:54 | |
Oh, it's gone, has it? | 0:41:54 | 0:41:56 | |
The internet bidder has disappeared. | 0:41:56 | 0:41:58 | |
Oh, Phil! So has everybody else! | 0:41:58 | 0:42:00 | |
That's the story of my day! I've even lost my internet bidder! | 0:42:00 | 0:42:04 | |
Selling away. Going at £35. | 0:42:04 | 0:42:08 | |
So close, but it's still a small profit. | 0:42:08 | 0:42:11 | |
In the end, it's OK cos you made a little bit of profit. | 0:42:11 | 0:42:15 | |
-Can we go now? -Uh-huh. | 0:42:15 | 0:42:18 | |
Philip began with £196.40. | 0:42:18 | 0:42:21 | |
After paying auction costs, he lost £4.60, | 0:42:21 | 0:42:25 | |
so has £191.80 to spend next time. | 0:42:25 | 0:42:29 | |
GAVEL BANGS | 0:42:29 | 0:42:31 | |
Anita started with £242.43. | 0:42:31 | 0:42:34 | |
After costs, she made a profit of £64.63, | 0:42:34 | 0:42:39 | |
cementing her lead with £307.06. | 0:42:39 | 0:42:42 | |
So, go girl! | 0:42:42 | 0:42:44 | |
All that effort and I think I'm back where I started! | 0:42:44 | 0:42:48 | |
Don't worry. It was a bit of a roller-coaster today, wasn't it? | 0:42:48 | 0:42:51 | |
-Yeah, you just get in and roller-coaster me out of here. -Yeah. | 0:42:51 | 0:42:54 | |
-Very good fun anyway. -Yeah, terrific(!) | 0:42:54 | 0:42:56 | |
-Next time on Antiques Roadtrip... -Where are we going? | 0:43:00 | 0:43:03 | |
..things get a bit silly! | 0:43:03 | 0:43:05 | |
I think I look like one of those 1960s lamps! | 0:43:07 | 0:43:10 | |
Just like that! Like that? Just like that! | 0:43:10 | 0:43:12 | |
Not like that, like that! | 0:43:12 | 0:43:15 |