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-It's the nation's favourite antiques experts. -This is beautiful. | 0:00:02 | 0:00:05 | |
That's the way to do this. | 0:00:05 | 0:00:07 | |
With £200 each, a classic car, and a goal - | 0:00:07 | 0:00:09 | |
to scour for antiques. | 0:00:09 | 0:00:12 | |
-Joy. -Hello. | 0:00:12 | 0:00:13 | |
The aim - | 0:00:13 | 0:00:14 | |
to make the biggest profit at auction. But it's no mean feat. | 0:00:14 | 0:00:17 | |
There will be worthy winners and valiant losers. | 0:00:20 | 0:00:22 | |
So, will it be the high road to glory or the slow road to disaster? | 0:00:23 | 0:00:28 | |
The handbrake's on. | 0:00:28 | 0:00:29 | |
This is Antiques Road Trip. | 0:00:29 | 0:00:31 | |
Yeah. | 0:00:33 | 0:00:35 | |
Today, we begin a brand-new adventure with Road Trip royalty. | 0:00:41 | 0:00:44 | |
It's queen of auctions Anita Manning | 0:00:44 | 0:00:47 | |
and king of doing a deal Philip Serrell. | 0:00:47 | 0:00:49 | |
Philip, are you quite excited because it's a new adventure | 0:00:52 | 0:00:55 | |
-and you're sitting beside a beautiful woman? -I am indeedy. | 0:00:55 | 0:00:58 | |
I am indeedy. | 0:00:58 | 0:01:00 | |
Everywhere I go, people say to me, "What's that lovely Anita Manning like?" | 0:01:00 | 0:01:04 | |
-and do you know what I say to them? -What do you say, darling? | 0:01:04 | 0:01:06 | |
-She is awful. -Oh, no! -Absolutely awful. | 0:01:06 | 0:01:09 | |
-I don't believe you! -You work with her... | 0:01:09 | 0:01:12 | |
What a diva. What an absolute diva. | 0:01:12 | 0:01:14 | |
Don't listen to him, Anita. | 0:01:14 | 0:01:16 | |
One of Scotland's first female auctioneers, our Anita | 0:01:19 | 0:01:22 | |
is more of a smiling assassin when it comes to getting a discount. | 0:01:22 | 0:01:26 | |
I was kind of looking to pay about £20. | 0:01:26 | 0:01:30 | |
Her rival on this journey is esteemed auctioneer Philip. | 0:01:34 | 0:01:37 | |
Full of fun and games. | 0:01:37 | 0:01:39 | |
Shame. | 0:01:41 | 0:01:42 | |
Starting this trip with £200 each, our expert pair will be | 0:01:42 | 0:01:46 | |
pootling around in a left-hand-drive 1966 Fiat 500. | 0:01:46 | 0:01:51 | |
Do you think I should get out and push? Do you? | 0:01:51 | 0:01:55 | |
It might go faster. | 0:01:55 | 0:01:58 | |
I think... I'm not sure whether you drive this or wear it. | 0:01:58 | 0:02:01 | |
They are snug in there, aren't they? | 0:02:03 | 0:02:06 | |
This Road Trip kicks off in Windermere in the Lake District | 0:02:08 | 0:02:11 | |
and travels over 1,200 miles around the north of England, | 0:02:11 | 0:02:15 | |
crossing the border into Scotland, before heading south again | 0:02:15 | 0:02:18 | |
and ending their trip in Crooklands, Cumbria. | 0:02:18 | 0:02:21 | |
This leg will kick off in Windermere | 0:02:24 | 0:02:27 | |
and finish up at auction in Cleveleys, near Blackpool. | 0:02:27 | 0:02:30 | |
Anita Manning, what have you done to this weather? | 0:02:32 | 0:02:35 | |
What have you done? | 0:02:35 | 0:02:37 | |
-Philip, it's lovely. -What do you call this in Scotland, dreich? | 0:02:37 | 0:02:42 | |
But, Philip, there's sunshine in our heart | 0:02:42 | 0:02:45 | |
-because we're at the beginning of a new adventure. -Oh, absolutely. | 0:02:45 | 0:02:49 | |
We are. | 0:02:49 | 0:02:51 | |
We're in the heart of the Lake District, in wonderful Windermere. | 0:02:51 | 0:02:55 | |
Philip's arrived at Courtyard Cottage Antiques. | 0:02:57 | 0:03:00 | |
How are you? | 0:03:00 | 0:03:01 | |
-Hello. -We've met before, haven't we? -We have, yes. | 0:03:01 | 0:03:05 | |
-I've seen you're selling your shop. -We are. -Now, my budget's £200. | 0:03:05 | 0:03:08 | |
-I don't suppose...? No? -No, you're a little short. I'm sorry. | 0:03:08 | 0:03:11 | |
Story of my life, that. | 0:03:11 | 0:03:13 | |
-I'm going to have a look round and I'll catch you in a minute. -OK. | 0:03:13 | 0:03:16 | |
Nice try, Philip. Best find something a bit more in your budget, eh? | 0:03:16 | 0:03:20 | |
-Jean? -Yes? | 0:03:26 | 0:03:29 | |
What are these off here? | 0:03:29 | 0:03:30 | |
Are they off a buffalo or a bison or something? | 0:03:30 | 0:03:33 | |
Could be a Highlander. | 0:03:33 | 0:03:35 | |
Do you know what the difference is between a bison and a buffalo? | 0:03:35 | 0:03:37 | |
I'll try my best Birmingham accent. | 0:03:37 | 0:03:39 | |
-BIRMINGHAM ACCENT: -You can wash your hands in a bi-son. | 0:03:39 | 0:03:42 | |
SAD TRUMPET SOUND It's the way you tell them. Oh, Lordy. | 0:03:42 | 0:03:45 | |
-Pitiful, really, isn't it? -Yeah. | 0:03:45 | 0:03:48 | |
-I'm sorry. You all right? -Can you try harder? -No. | 0:03:48 | 0:03:51 | |
Terrible jokes aside, let's get a closer look at those horns. | 0:03:51 | 0:03:56 | |
-How much are these, Jean? -65. -65. | 0:03:56 | 0:03:58 | |
-They're just a cow's horn, aren't they? -Yes. | 0:03:58 | 0:04:01 | |
So it's just a by-product of what it is. | 0:04:01 | 0:04:03 | |
-There's no actual hunting gone on just for these. -No. | 0:04:03 | 0:04:06 | |
What I'm trying to say is, they're not a trophy, are they? | 0:04:06 | 0:04:08 | |
-They are not. -Right. | 0:04:08 | 0:04:10 | |
65... | 0:04:10 | 0:04:11 | |
-Look at this. Look at it. -JEAN LAUGHS | 0:04:14 | 0:04:17 | |
Philip's putting the dusty cow horns aside as a possibility. | 0:04:17 | 0:04:21 | |
And it looks like a small leather-topped children's stool | 0:04:30 | 0:04:34 | |
has also caught Philip's eye. | 0:04:34 | 0:04:36 | |
Ticket price is £45. | 0:04:36 | 0:04:38 | |
That at auction is going to make... 20-30 quid, isn't it? | 0:04:39 | 0:04:44 | |
Ooh, 'eck. | 0:04:44 | 0:04:46 | |
I like it when it's "ooh, 'eck". | 0:04:46 | 0:04:48 | |
So is that a Lake District expression? | 0:04:48 | 0:04:51 | |
£30. | 0:04:51 | 0:04:52 | |
I want to buy the horns. | 0:04:56 | 0:04:58 | |
The horns can be 45. | 0:04:58 | 0:05:00 | |
How much can you do the two for? | 0:05:00 | 0:05:02 | |
-I'll be really generous. -I like this. | 0:05:02 | 0:05:05 | |
-£60 for the two. -50 quid for the two. | 0:05:06 | 0:05:09 | |
I agree with you at £50. | 0:05:12 | 0:05:14 | |
-You sure? -Yes. -I want you to be happy. -I'm happy. | 0:05:14 | 0:05:17 | |
Go on. I'll shake you by the hand, my love. Thank you very much. | 0:05:17 | 0:05:21 | |
Philip's kicked off his Road Trip with two generous deals, | 0:05:21 | 0:05:24 | |
securing the cow horns for £25 and another 25 for the stool. | 0:05:24 | 0:05:29 | |
He's so bullish. Ha! | 0:05:30 | 0:05:33 | |
Anita has made her way to Kendal... | 0:05:34 | 0:05:37 | |
..known as the Auld Grey Town thanks to its grey limestone. | 0:05:40 | 0:05:44 | |
Kendal is well known for its mint cake, though, | 0:05:44 | 0:05:47 | |
an essential prerequisite of today's explorers and mountaineers. | 0:05:47 | 0:05:52 | |
Anita's first shop of this trip is the Antiques Emporium. | 0:05:52 | 0:05:56 | |
How lovely. | 0:05:56 | 0:05:58 | |
-Hello, there. Hello. -I'm Anita. -Hi, I'm Chris. | 0:05:58 | 0:06:01 | |
With a wide range of antiques, collectables and vintage pieces, | 0:06:01 | 0:06:06 | |
there's bound to be something to suit Anita's taste here. | 0:06:06 | 0:06:09 | |
A woman's work is never done. | 0:06:11 | 0:06:14 | |
Cabinets always fascinate me. I'm always drawn to the cabinets. | 0:06:22 | 0:06:26 | |
First to spark Anita's interest | 0:06:27 | 0:06:30 | |
are a yellow-metal amethyst-set bar brooch and an Art Deco clip. | 0:06:30 | 0:06:34 | |
This style is 1930s. | 0:06:37 | 0:06:40 | |
Maybe...between '20s and '40s. | 0:06:40 | 0:06:43 | |
And I think it might be a wee bit more modern than that. | 0:06:43 | 0:06:48 | |
I think that it's a replica, rather than a period one. | 0:06:48 | 0:06:53 | |
It's not absolutely right, but at the same time, it's a nice thing. | 0:06:53 | 0:06:59 | |
It's a nice piece. | 0:06:59 | 0:07:00 | |
And it's nice and fresh, | 0:07:00 | 0:07:02 | |
and I'm hoping that it would appeal to the ladies who | 0:07:02 | 0:07:06 | |
come along to auction and fancy giving themselves a wee treat. | 0:07:06 | 0:07:10 | |
I'm sure it will. | 0:07:10 | 0:07:12 | |
Chris has headed off to phone the dealer to see | 0:07:13 | 0:07:15 | |
if there's any movement on the ticket price of £42. | 0:07:15 | 0:07:18 | |
-The very best I can do is £32. -32? -Mm-hmm. | 0:07:20 | 0:07:24 | |
I'm awful tempted. | 0:07:24 | 0:07:25 | |
Because I like it and I think that it's nice. | 0:07:27 | 0:07:30 | |
It's only the sort of period that worries me a wee bit. | 0:07:30 | 0:07:35 | |
Do you think they would go to 30? | 0:07:35 | 0:07:37 | |
-Go on. You've twisted my arm. -I don't want to twist your arm. -Oh. | 0:07:40 | 0:07:45 | |
-You've sweet-talked me into it. We'll do 30 for you. -Thank you very much. | 0:07:45 | 0:07:48 | |
That's great, that's terrific. | 0:07:48 | 0:07:50 | |
Anita's not stopping there. | 0:07:50 | 0:07:52 | |
She's spotted something else in the cabinets. | 0:07:52 | 0:07:55 | |
I'm intrigued by this little plaque at the back. | 0:07:55 | 0:07:59 | |
Joan of Arc. | 0:07:59 | 0:08:02 | |
-Could I have a wee look at it, please? -Certainly. | 0:08:02 | 0:08:05 | |
This is a copper plaque that's been plated with white metal | 0:08:06 | 0:08:09 | |
and there's probably a bit of age to it, | 0:08:09 | 0:08:11 | |
but neither Chris nor the dealer know anything more. | 0:08:11 | 0:08:14 | |
Is Anita willing to risk purchasing this mysterious lot? | 0:08:14 | 0:08:18 | |
The ticket price is £22. | 0:08:18 | 0:08:20 | |
There's a little bit of leeway on it. | 0:08:22 | 0:08:25 | |
We can do £18 for it, and that's his bottom line. | 0:08:25 | 0:08:28 | |
-That's his bottom line? -Yes. -I'm tempted. | 0:08:28 | 0:08:31 | |
Like, my heart's saying yes, but my head's saying, | 0:08:31 | 0:08:34 | |
is somebody else going to be as interested in it as me? | 0:08:34 | 0:08:36 | |
-It just needs somebody interested on the day, doesn't it? -Yeah. | 0:08:36 | 0:08:40 | |
-Yeah, I'm going to go for it. -OK, lovely. -Thank you very much. | 0:08:41 | 0:08:44 | |
Thank you very much. | 0:08:44 | 0:08:45 | |
That's the commemorative Joan of Arc plaque and the brooch | 0:08:45 | 0:08:49 | |
and Art Deco pin bought for £48. | 0:08:49 | 0:08:53 | |
Philip is now joining Anita in Kendal. | 0:08:57 | 0:09:01 | |
He's come to Sleddall Hall Antiques Centre, | 0:09:01 | 0:09:04 | |
housed in a 17th-century manor house. | 0:09:04 | 0:09:06 | |
Philip's being looked after today by dealer Andrew. | 0:09:09 | 0:09:12 | |
-You've got interesting things everywhere here. -It's amazing. | 0:09:12 | 0:09:16 | |
I've got to ask you, | 0:09:16 | 0:09:17 | |
what's the longest you've ever had anything in stock for? | 0:09:17 | 0:09:21 | |
Well, we sold something the other day that we'd had for 40 years. | 0:09:21 | 0:09:24 | |
-40 years?! That's nearly as old as me. -That was incredible. | 0:09:24 | 0:09:28 | |
-Did you make profit on it? -We did make a profit on it. | 0:09:28 | 0:09:31 | |
-We got pretty close to the asking price, so... -Really? | 0:09:31 | 0:09:34 | |
Yes, it was very good. | 0:09:34 | 0:09:36 | |
-I tell you what, I love that, Andrew. -That's amazing. | 0:09:36 | 0:09:38 | |
You've got a handcrafted pub game there, skittles. | 0:09:38 | 0:09:42 | |
-Somebody's made this who goes to the pub, haven't they? -Absolutely. | 0:09:42 | 0:09:46 | |
All you've got is a bit of stained hardboard here. | 0:09:46 | 0:09:48 | |
-Or plywood, isn't it? -It is plywood. | 0:09:48 | 0:09:51 | |
It was probably made in the '50s, just post-war. | 0:09:51 | 0:09:54 | |
-I would say post-war. -Just post-war. | 0:09:54 | 0:09:56 | |
Well, have a go, then. | 0:09:56 | 0:09:58 | |
Oh, here we go. | 0:09:58 | 0:09:59 | |
-There we go. -Are you ready for this? -I'm ready for this. -How many? | 0:09:59 | 0:10:02 | |
I'd say you'll get five. | 0:10:02 | 0:10:04 | |
There you are, four. | 0:10:06 | 0:10:07 | |
So close. | 0:10:07 | 0:10:09 | |
So, what's the ticket price on that, Andrew? | 0:10:09 | 0:10:12 | |
We've got a ticket price of £80. | 0:10:12 | 0:10:14 | |
-And there's some movement in price on that? -We can always negotiate. | 0:10:14 | 0:10:18 | |
-OK. -Knock it down a bit. Sounds like the skittles are in the running. | 0:10:18 | 0:10:22 | |
Anything else? | 0:10:22 | 0:10:23 | |
Andrew, this is fantastic, isn't it? | 0:10:26 | 0:10:28 | |
That's a wonderful example of polished fossils, isn't it? | 0:10:28 | 0:10:32 | |
-What's interesting... I used to teach geography. -Yes. -Badly. | 0:10:32 | 0:10:35 | |
So I should know Jurassic | 0:10:35 | 0:10:38 | |
and all the other different periods of history, | 0:10:38 | 0:10:42 | |
but I don't. | 0:10:42 | 0:10:43 | |
But I would think this is several million years in age. | 0:10:43 | 0:10:46 | |
-Really ancient. -And as you say, it's been polished. | 0:10:46 | 0:10:50 | |
Would this have come from Africa or Morocco or somewhere? | 0:10:50 | 0:10:54 | |
I would imagine, or even China, | 0:10:54 | 0:10:56 | |
you never know where these things come from these days. | 0:10:56 | 0:10:58 | |
-How much is that? -We've got a ticket price on that of £75. | 0:10:58 | 0:11:02 | |
I quite like that. I do think that's quite a... | 0:11:02 | 0:11:05 | |
..fun thing, and I'm willing to bet that it would be the oldest thing | 0:11:07 | 0:11:10 | |
-in the auction. -I would imagine it would be. | 0:11:10 | 0:11:12 | |
It's probably one of the oldest things in the shop. | 0:11:12 | 0:11:15 | |
-It's not as old as you and me, is it? -Not quite! | 0:11:15 | 0:11:17 | |
The slab of Mesozoic-era fossils | 0:11:19 | 0:11:21 | |
and that pub skittles game | 0:11:21 | 0:11:24 | |
have a combined ticket price of £155. | 0:11:24 | 0:11:28 | |
-The fossils will make £40-£60. -Yes. | 0:11:30 | 0:11:32 | |
Realistically, I think I can give £30-£35 for them. | 0:11:32 | 0:11:38 | |
For me, the game is £20-£25 worth. | 0:11:38 | 0:11:42 | |
So you're wanting to pay... | 0:11:42 | 0:11:44 | |
60 quid for the two. Well, £55, £60 for the two. | 0:11:44 | 0:11:48 | |
Call it £65 and we'll have a deal for you at that. | 0:11:48 | 0:11:51 | |
-So what we're talking about is £35 for the fossils. -Correct. | 0:11:51 | 0:11:54 | |
-And £30 for the game. -Correct. -You're happy with that? -Yes. | 0:11:54 | 0:11:57 | |
I will shake you by the hand. | 0:11:57 | 0:11:58 | |
-Thank you very much, I'd better give you some money now! -Yes, please. | 0:11:58 | 0:12:02 | |
A very generous discount, and a great deal done. Marvellous! | 0:12:03 | 0:12:06 | |
Anita is still in Kendal and has travelled five minutes | 0:12:09 | 0:12:13 | |
down the road to the Museum of Lakeland Life and Industry | 0:12:13 | 0:12:16 | |
at Abbot Hall. | 0:12:16 | 0:12:17 | |
She's come to find out about the mysterious author behind one | 0:12:17 | 0:12:21 | |
of the most famous children's novels of all time, Swallows And Amazons. | 0:12:21 | 0:12:26 | |
Arthur Ransome had a lifelong love affair with the Lake District | 0:12:31 | 0:12:35 | |
but also spent many, many years in Bolshevik Russia, | 0:12:35 | 0:12:38 | |
and rumours still persist that he may have been a spy. | 0:12:38 | 0:12:42 | |
Here to tell Anita all about this fascinating man | 0:12:45 | 0:12:48 | |
is Geraint Lewis from the Arthur Ransome Trust. | 0:12:48 | 0:12:51 | |
We associate Arthur Ransome with the Lakes. | 0:12:52 | 0:12:56 | |
-How did this association start? Was he born here? -He wasn't, no. | 0:12:56 | 0:13:00 | |
He was born in Leeds. | 0:13:00 | 0:13:02 | |
When he was just born, his father carried Arthur Ransome up to the top | 0:13:02 | 0:13:07 | |
of the Old Man of Coniston as a sort of welcome to the area. | 0:13:07 | 0:13:10 | |
Arthur Ransome just developed that love from his earliest beginnings, | 0:13:10 | 0:13:14 | |
from childhood holidays at Coniston Water. | 0:13:14 | 0:13:17 | |
I suppose he carried this area in his heart with him. | 0:13:17 | 0:13:20 | |
He did in his heart, and quite literally as well, because | 0:13:20 | 0:13:23 | |
he carried a little rock throughout his life when he travelled. | 0:13:23 | 0:13:26 | |
I love that idea, of carrying a bit of this wonderful area with him | 0:13:26 | 0:13:31 | |
throughout his travels. | 0:13:31 | 0:13:32 | |
Ransome had a passion for writing from an early age, and in 1902, | 0:13:34 | 0:13:39 | |
aged 18, he moved to London, where he mixed with the artistic scene | 0:13:39 | 0:13:43 | |
and started publishing his work to great acclaim. | 0:13:43 | 0:13:46 | |
But an interest in folklore | 0:13:46 | 0:13:48 | |
led Ransome to St Petersburg in Russia. | 0:13:48 | 0:13:51 | |
Did he do any work over there, apart from his writing at that point? | 0:13:53 | 0:13:57 | |
Initially he was interested in the writing, but of course in 1914 | 0:13:57 | 0:14:01 | |
the war began and an opportunity came up by accident, really, | 0:14:01 | 0:14:05 | |
for him to become a war correspondent for the Daily News. | 0:14:05 | 0:14:08 | |
That is the perfect job for him, telling stories. | 0:14:08 | 0:14:12 | |
In 1917, the Russian Revolution happened, | 0:14:12 | 0:14:16 | |
so he was excellently placed to become a political journalist, | 0:14:16 | 0:14:19 | |
reporting on the rapidly evolving politics of Russia. | 0:14:19 | 0:14:23 | |
It must have been a very scary time to be in Russia at that point. | 0:14:23 | 0:14:27 | |
I think so. | 0:14:27 | 0:14:28 | |
He was one of a few Westerners, really, who were in Russia | 0:14:28 | 0:14:32 | |
through that kind of period. | 0:14:32 | 0:14:34 | |
That made him of interest to the Bolshevik and British governments, | 0:14:34 | 0:14:39 | |
because he was one of the very few people who could actually | 0:14:39 | 0:14:43 | |
give first-hand knowledge of what the other side was thinking, | 0:14:43 | 0:14:46 | |
and what their mind-set was. | 0:14:46 | 0:14:48 | |
Are you telling me that he was a spy? | 0:14:48 | 0:14:51 | |
It's difficult to say, | 0:14:51 | 0:14:53 | |
but we do know that he was recruited by MI6 in 1919 | 0:14:53 | 0:14:57 | |
when he was in Stockholm | 0:14:57 | 0:14:59 | |
and the evidence suggests that they helped to persuade, | 0:14:59 | 0:15:03 | |
or encourage, the Russian government to let him back into Russia. | 0:15:03 | 0:15:07 | |
For two reasons. | 0:15:07 | 0:15:09 | |
One, because he wanted to write a history of the Russian Revolution, | 0:15:09 | 0:15:12 | |
which the Bolshevik government was very keen on his doing, | 0:15:12 | 0:15:15 | |
but also so the British government could get a report from him of | 0:15:15 | 0:15:19 | |
what was going on in a country which at the time they knew nothing about. | 0:15:19 | 0:15:23 | |
Rumours persisted about Ransome's sympathy for the Bolsheviks, | 0:15:23 | 0:15:28 | |
as he mixed with many of the leading Communists, | 0:15:28 | 0:15:31 | |
including Lenin and Trotsky. | 0:15:31 | 0:15:33 | |
Within this elite circle, he got to know one person particularly well. | 0:15:33 | 0:15:38 | |
He married Evgenia Shelepina, who was Trotsky's secretary, in 1924. | 0:15:38 | 0:15:44 | |
He moved straight back to Britain after that | 0:15:44 | 0:15:46 | |
and they went to live near Windermere. | 0:15:46 | 0:15:50 | |
So he came back, he brought his Russian bride to live in the Lakes. | 0:15:50 | 0:15:56 | |
It was a far cry from the turbulent world of post-war Russia, | 0:15:57 | 0:16:01 | |
and it was in this calm and remote landscape that Ransome | 0:16:01 | 0:16:05 | |
conceived the idea for his children's novel Swallows And Amazons. | 0:16:05 | 0:16:10 | |
What inspired him to write this book? | 0:16:11 | 0:16:13 | |
It was two inspirations, really. | 0:16:13 | 0:16:15 | |
One was his own childhood in and around Coniston Water, | 0:16:15 | 0:16:19 | |
and memories of that. | 0:16:19 | 0:16:20 | |
Those were really reignited in 1928 | 0:16:20 | 0:16:23 | |
when he spent a lot of time with the daughter and grandchildren | 0:16:23 | 0:16:27 | |
of WG Collingwood, and between them acquired two dinghies, which they | 0:16:27 | 0:16:31 | |
spent a lot of time sailing in during the time they were there, | 0:16:31 | 0:16:35 | |
and that I think reignited his thoughts, and eventually | 0:16:35 | 0:16:39 | |
led to the creative inspiration for Swallows And Amazons. | 0:16:39 | 0:16:42 | |
Swallows And Amazons was to be the first in a series of 12 novels | 0:16:42 | 0:16:47 | |
that Ransome wrote about the outdoor adventures | 0:16:47 | 0:16:50 | |
enjoyed by two families of children. | 0:16:50 | 0:16:52 | |
Everyone has heard of Swallows And Amazons, | 0:16:52 | 0:16:55 | |
and Arthur Ransome must have been one of the most popular | 0:16:55 | 0:16:58 | |
children's authors of all time. | 0:16:58 | 0:17:01 | |
Yes, I think that's true. | 0:17:01 | 0:17:03 | |
And I think one of the most respected as well. | 0:17:03 | 0:17:05 | |
In 1936 they brought out an award, an annual award, | 0:17:05 | 0:17:08 | |
called the Carnegie Medal for Outstanding Children's Literature, | 0:17:08 | 0:17:12 | |
and he was awarded the first medal for the sixth book in the | 0:17:12 | 0:17:16 | |
Swallows And Amazons series, Pigeon Post, and we have the medal here. | 0:17:16 | 0:17:19 | |
That is quite something, isn't it? | 0:17:19 | 0:17:21 | |
Subsequent winners of this include authors such as CS Lewis | 0:17:21 | 0:17:25 | |
and Richard Adams and Philip Pullman, | 0:17:25 | 0:17:28 | |
so it's certainly an award to treasure. | 0:17:28 | 0:17:30 | |
After a life full of intrigue and adventure, Arthur Ransome | 0:17:31 | 0:17:35 | |
died in June 1967 and was buried in his beloved Lake District. | 0:17:35 | 0:17:40 | |
His children's novels remain in print today, | 0:17:41 | 0:17:44 | |
and have sold millions of copies worldwide. | 0:17:44 | 0:17:47 | |
It's been a busy old day for our experts, | 0:17:50 | 0:17:53 | |
who are back together again for some well-earned rest. | 0:17:53 | 0:17:56 | |
So, nighty-night. | 0:17:56 | 0:17:57 | |
It's the next morning, and, hello, what's going on here, then? | 0:18:02 | 0:18:06 | |
-Philip? -What? -What are we going to do? | 0:18:06 | 0:18:10 | |
I don't know. | 0:18:10 | 0:18:11 | |
Looks like the car has finally packed in. | 0:18:13 | 0:18:16 | |
Our experts will have to think of a new mode of transport. | 0:18:16 | 0:18:19 | |
There she goes. | 0:18:19 | 0:18:21 | |
There's a couple of gee-gees up there. | 0:18:21 | 0:18:23 | |
No, I don't like horses. | 0:18:23 | 0:18:25 | |
I think we should retitle the programme. | 0:18:25 | 0:18:27 | |
What about The Great Antiques Walk? | 0:18:27 | 0:18:31 | |
Let's go for it. | 0:18:31 | 0:18:32 | |
I think it's a bit optimistic to think you can walk the whole way, | 0:18:35 | 0:18:38 | |
you two. | 0:18:38 | 0:18:40 | |
Or should I say skip? | 0:18:40 | 0:18:41 | |
Yesterday, Philip secured himself four lots. | 0:18:44 | 0:18:47 | |
The cow horns, the children's stool, the bar skittles | 0:18:47 | 0:18:51 | |
and the slab of fossils, which means he still has £85 in his pocket. | 0:18:51 | 0:18:56 | |
While Anita only bought two lots. | 0:18:59 | 0:19:01 | |
The brooch with the Art Deco clip | 0:19:01 | 0:19:02 | |
and the commemorative Joan of Arc plaque, | 0:19:02 | 0:19:05 | |
leaving her £152 available to spend. | 0:19:05 | 0:19:09 | |
So, Anita has walked, and been driven, | 0:19:09 | 0:19:13 | |
to her first stop of the day, in Cullingworth, West Yorkshire. | 0:19:13 | 0:19:18 | |
Situated in the heart of Bronte country, | 0:19:18 | 0:19:20 | |
the pretty village of Cullingworth is home to Antiques at the Mill. | 0:19:20 | 0:19:25 | |
Look at that! | 0:19:25 | 0:19:26 | |
-Hi, I'm Anita. -How are you? How do you do? -It's lovely to be here. | 0:19:30 | 0:19:35 | |
What a fabulous place. Was this originally a textile mill? | 0:19:35 | 0:19:40 | |
That's right, an old textile mill that goes back to the 1800s. | 0:19:40 | 0:19:45 | |
It's now filled with the wares of over 30 independent dealers. | 0:19:45 | 0:19:49 | |
This is the type of object | 0:19:55 | 0:19:58 | |
that Phil Serrell would be immediately drawn to. | 0:19:58 | 0:20:01 | |
A big old broken rustic piece | 0:20:01 | 0:20:06 | |
of what some people might call junk, | 0:20:06 | 0:20:09 | |
but it's an interesting looking thing and it has age about it. | 0:20:09 | 0:20:15 | |
It's had a wee bit of repair. | 0:20:15 | 0:20:17 | |
So, it says on the ticket that there is a rustic rake and shovel. | 0:20:17 | 0:20:23 | |
So we've got a rake as well. | 0:20:23 | 0:20:25 | |
Steve, do we have the rake for this? | 0:20:25 | 0:20:29 | |
We do have the rake. It's right above my head. | 0:20:29 | 0:20:32 | |
That is fabulous. | 0:20:32 | 0:20:34 | |
-Can I see it down? -You can indeed. | 0:20:34 | 0:20:36 | |
-There we go. -OK. | 0:20:37 | 0:20:40 | |
So, no great quality, but probably late 19th, early 20th century stuff. | 0:20:40 | 0:20:47 | |
She sounds keen, so it's time to phone dealer Paul. | 0:20:47 | 0:20:52 | |
Ticket price is £50. | 0:20:52 | 0:20:54 | |
I was kind of looking to pay about £20 on them. | 0:20:56 | 0:20:59 | |
Well... You don't get if you don't ask. | 0:21:01 | 0:21:04 | |
£25? Could you take £25? | 0:21:04 | 0:21:07 | |
You are an absolute darling! An absolute darling at £25. | 0:21:11 | 0:21:16 | |
I'm really delighted. OK, bye-bye. Bye. | 0:21:16 | 0:21:20 | |
-£25. -You got a really good deal there. Well done. | 0:21:22 | 0:21:25 | |
I was chatting him up. | 0:21:25 | 0:21:27 | |
Smooth talking, Anita. | 0:21:31 | 0:21:34 | |
And she's not done yet. | 0:21:34 | 0:21:35 | |
This little sewing box here would be from the 1950s. | 0:21:39 | 0:21:45 | |
The top opens out. | 0:21:45 | 0:21:47 | |
We can see all the little compartments for threads | 0:21:50 | 0:21:53 | |
and needles and scissors and so on, | 0:21:53 | 0:21:56 | |
and it's decorated with this quite crazy Fablon material here. | 0:21:56 | 0:22:02 | |
Cheap, but stylish. | 0:22:02 | 0:22:06 | |
I quite like that. | 0:22:06 | 0:22:09 | |
And I think that it might be appealing. | 0:22:10 | 0:22:13 | |
Ticket price is £60, | 0:22:14 | 0:22:16 | |
but Anita has asked Steve to contact the dealer with a cheeky bid of £30. | 0:22:16 | 0:22:21 | |
-Any luck? -Right... | 0:22:24 | 0:22:26 | |
Because it's such a popular item, he knows he can shift that, | 0:22:28 | 0:22:32 | |
so £30 is a bit low. | 0:22:32 | 0:22:34 | |
He will shift it at £40. | 0:22:34 | 0:22:37 | |
How does that sound? | 0:22:37 | 0:22:38 | |
-Let's go for that, thank you very much. I'm delighted. -Fantastic. | 0:22:38 | 0:22:42 | |
Yeah, I bet! | 0:22:42 | 0:22:43 | |
That's the 1950s sewing box | 0:22:43 | 0:22:45 | |
and the rustic rake and shovel for a canny £65 total. | 0:22:45 | 0:22:50 | |
Philip is now taking our trip to Saltaire, | 0:22:51 | 0:22:54 | |
a few miles north of Bradford. | 0:22:54 | 0:22:56 | |
An area that played an important part in the Industrial Revolution | 0:22:58 | 0:23:02 | |
with its population increasing by 90,000 in just 50 years, | 0:23:02 | 0:23:07 | |
thanks to the textile boom. | 0:23:07 | 0:23:09 | |
But the rapid growth of the city brought with it | 0:23:10 | 0:23:13 | |
terrible social squalor. | 0:23:13 | 0:23:14 | |
There was one local businessman, Titus Salt, | 0:23:16 | 0:23:18 | |
who decided that his workers would not live | 0:23:18 | 0:23:22 | |
in those horrific conditions, | 0:23:22 | 0:23:23 | |
so he created a vision of industrial utopia. | 0:23:23 | 0:23:27 | |
Philip has arrived at Salt's Mill | 0:23:28 | 0:23:30 | |
to meet curator Jen Hallam to find out more. | 0:23:30 | 0:23:32 | |
Titus started off his career as a wool stapler. | 0:23:34 | 0:23:37 | |
-What's a wool stapler? -It's somebody who buys and sells wool. | 0:23:37 | 0:23:41 | |
-So he's a wool trader? -Indeed, yes. | 0:23:41 | 0:23:43 | |
It was on one of his visits to Liverpool | 0:23:43 | 0:23:45 | |
that he spotted a load of greasy bales in the corner of a warehouse, | 0:23:45 | 0:23:48 | |
and they were full of alpaca fleece that nobody wanted. | 0:23:48 | 0:23:52 | |
He found a way of processing it, | 0:23:52 | 0:23:54 | |
so this is the product of that invention. | 0:23:54 | 0:23:59 | |
What differentiates this from other weaves or yarns, | 0:23:59 | 0:24:02 | |
or wools, or whatever? | 0:24:02 | 0:24:03 | |
The alpaca that Titus was able to create | 0:24:03 | 0:24:06 | |
is incredibly fine and lustrous fabric - very, very popular. | 0:24:06 | 0:24:10 | |
So popular that in fact Queen Victoria, who had a small | 0:24:10 | 0:24:15 | |
flock of alpacas at Windsor, used to send the fleece up to Saltaire. | 0:24:15 | 0:24:20 | |
Titus Salt's successful business flourished. | 0:24:20 | 0:24:23 | |
He soon had five factories in Bradford, | 0:24:23 | 0:24:25 | |
but was aware of the terrible living conditions of his workers. | 0:24:25 | 0:24:29 | |
Living conditions in Bradford were absolutely appalling. | 0:24:29 | 0:24:33 | |
There are horrendous reports of, you know, a family of eight | 0:24:33 | 0:24:37 | |
living in a damp cellar, | 0:24:37 | 0:24:39 | |
with five children sleeping in one bed | 0:24:39 | 0:24:41 | |
and the father, mother and grandmother sleeping in another bed. | 0:24:41 | 0:24:45 | |
It really was appalling. | 0:24:45 | 0:24:47 | |
There was no sewerage, no water supply. | 0:24:47 | 0:24:49 | |
The canal and the Bradford Beck were basically open sewers. | 0:24:49 | 0:24:54 | |
Cholera, typhoid were both rife | 0:24:54 | 0:24:56 | |
and there were some very severe outbreaks | 0:24:56 | 0:25:00 | |
and an awful lot of people died. | 0:25:00 | 0:25:01 | |
-So they didn't live overly long, did they? -They didn't. | 0:25:01 | 0:25:04 | |
The average lifespan in Bradford at that time was just 18.5 years. | 0:25:04 | 0:25:08 | |
-18... Under 20 years?! -Under 20 years. | 0:25:10 | 0:25:12 | |
Under 20 years, and in fact over half of all the wool combers' | 0:25:12 | 0:25:17 | |
children didn't make it to the age of 15. | 0:25:17 | 0:25:20 | |
Oh, dear. | 0:25:20 | 0:25:22 | |
It was because of this horrendous public health disaster | 0:25:22 | 0:25:25 | |
that Salt decided to move away from the city | 0:25:25 | 0:25:27 | |
and build a brand-new modern super mill, | 0:25:27 | 0:25:30 | |
thought to be the largest in Europe when it opened. | 0:25:30 | 0:25:33 | |
Situated on the banks of the River Aire, Salt didn't just build a mill, | 0:25:33 | 0:25:38 | |
he planned to create a whole new township called Saltaire, | 0:25:38 | 0:25:43 | |
declaring that it would become a community | 0:25:43 | 0:25:45 | |
of well-fed and happy operatives. | 0:25:45 | 0:25:47 | |
This mill building opened in 1853 and over the next 20 years, | 0:25:47 | 0:25:52 | |
Salt actually built a village for his workers with 800 houses. | 0:25:52 | 0:25:57 | |
He built churches, a school, a hospital, almshouses. | 0:25:57 | 0:26:01 | |
There was a canteen, a factory canteen, | 0:26:01 | 0:26:04 | |
that could accommodate 700-800 people at one sitting. | 0:26:04 | 0:26:08 | |
Every house had its own water supply, gas supply. | 0:26:08 | 0:26:12 | |
It had a minimum of two bedrooms. | 0:26:12 | 0:26:14 | |
Each house had its own outside toilet which, | 0:26:14 | 0:26:17 | |
compared to the conditions in Bradford at the time, | 0:26:17 | 0:26:19 | |
must've been absolutely astounding. | 0:26:19 | 0:26:22 | |
In 1876, the last building at Saltaire was completed. | 0:26:23 | 0:26:26 | |
Later that year, Sir Titus Salt died at home. | 0:26:26 | 0:26:31 | |
Along with Robert Owen, who created New Lanark, | 0:26:31 | 0:26:34 | |
and the Cadbury family who built Bournville Village, | 0:26:34 | 0:26:37 | |
Salt was a prominent reformer in the movement to improve | 0:26:37 | 0:26:41 | |
the terrible living conditions of industrial workers. | 0:26:41 | 0:26:44 | |
Back in Cullingworth, with the car still being fixed, | 0:26:45 | 0:26:49 | |
Anita is using her initiative. | 0:26:49 | 0:26:52 | |
Oh, this is great. | 0:26:52 | 0:26:53 | |
I feel like the queen of the road! | 0:26:53 | 0:26:55 | |
I'll look after him and I'll be careful. | 0:26:55 | 0:26:58 | |
All right, see you later. | 0:26:58 | 0:27:00 | |
Bye! | 0:27:00 | 0:27:01 | |
Thank you, kind driver. | 0:27:01 | 0:27:03 | |
OK, darling, we're off. Forward, Macduff! | 0:27:06 | 0:27:08 | |
And you're a lot better looking than Phil Serrell. | 0:27:08 | 0:27:11 | |
Hey, cheeky! | 0:27:11 | 0:27:13 | |
A lorry and a car ride later and Anita has arrived in Hebden Bridge. | 0:27:16 | 0:27:21 | |
The town sits on the Rochdale Canal, | 0:27:23 | 0:27:25 | |
popular with those who prefer a more sedate way to cross the Pennines. | 0:27:25 | 0:27:30 | |
Anita is here to visit Caldene Antiques Centre. | 0:27:32 | 0:27:36 | |
That looks like Anita's sort of thing, a 1940s lady's watch, | 0:27:47 | 0:27:51 | |
possibly gold. | 0:27:51 | 0:27:52 | |
-Can I have a wee look outside? -Course you can. | 0:27:57 | 0:27:59 | |
-I want to try and find a hallmark. -See if there is a hallmark. | 0:27:59 | 0:28:03 | |
I'm going to have a look at this watch, | 0:28:05 | 0:28:07 | |
which is from the 1930s or 1940s. | 0:28:07 | 0:28:11 | |
It's marked up at £22. | 0:28:11 | 0:28:14 | |
Now, if that is gold, that's not a lot of money because, | 0:28:14 | 0:28:19 | |
although the watch might not be working, | 0:28:19 | 0:28:22 | |
there would be interest from people who buy gold. | 0:28:22 | 0:28:28 | |
But I like the colour. | 0:28:28 | 0:28:30 | |
I like the colour of the watch case and I think that might be gold. | 0:28:30 | 0:28:36 | |
If I just open it gently, remove the mechanism... | 0:28:37 | 0:28:41 | |
..and then I am looking in here for the hallmark. | 0:28:43 | 0:28:46 | |
And that tells us that it is... | 0:28:48 | 0:28:51 | |
..nine carat gold. | 0:28:53 | 0:28:55 | |
So that's a good buy at £22. | 0:28:55 | 0:28:58 | |
Great spot, even better if she could get it for less. | 0:28:58 | 0:29:02 | |
Time to check with Carol. | 0:29:02 | 0:29:04 | |
Watch out, Carol. | 0:29:04 | 0:29:06 | |
Is there any movement on that price? | 0:29:06 | 0:29:09 | |
I'll have a look for you. | 0:29:09 | 0:29:11 | |
Have a wee look. | 0:29:11 | 0:29:12 | |
-Are they both out of the same cabinet? -Mm-hm. | 0:29:14 | 0:29:16 | |
-We could do that one for £20. -You could do it for £20. | 0:29:18 | 0:29:21 | |
Could you do it for £18? | 0:29:21 | 0:29:23 | |
-Yes, take 18. -Yes, 18. -You can do it for 18. That's fine, that's fine. | 0:29:27 | 0:29:30 | |
-That's great. Well, I'm very pleased. -OK, my love. | 0:29:30 | 0:29:34 | |
So that's a nine carat gold cased lady's wristwatch for only £18. | 0:29:34 | 0:29:40 | |
Well done. | 0:29:40 | 0:29:41 | |
Philip is also heading towards Hebden Bridge. | 0:29:44 | 0:29:47 | |
It's a lovely part of the world, isn't it? | 0:29:47 | 0:29:50 | |
He's hitched a ride with Roy and his grandson George. | 0:29:50 | 0:29:53 | |
This is fantastic. Really, really kind of you. | 0:29:53 | 0:29:56 | |
Roy is a man of few words. | 0:29:56 | 0:29:58 | |
A tractor, though, | 0:29:58 | 0:30:00 | |
not surprising as Philip hails from generations of farmers. | 0:30:00 | 0:30:03 | |
And PE teachers. | 0:30:03 | 0:30:05 | |
Thank you very, very much. | 0:30:05 | 0:30:06 | |
And dropped off right at the door of his final shop. Lucky devil. | 0:30:10 | 0:30:14 | |
What a lovely man. | 0:30:17 | 0:30:18 | |
What a really, really nice man. | 0:30:19 | 0:30:21 | |
Right, down to business at Hebden Bridge Antiques. | 0:30:22 | 0:30:25 | |
-Peter, how are you? -Nice to meet you. | 0:30:26 | 0:30:28 | |
-That was some entrance, that was. -Well, you know, travelling in style. | 0:30:28 | 0:30:32 | |
You're welcome to have a look around. | 0:30:32 | 0:30:35 | |
That's interesting because at the back there, | 0:30:45 | 0:30:48 | |
there's that silver ship's light and it looks like it's 47 quid. | 0:30:48 | 0:30:53 | |
It's a cigar lighter. Hugely collectable. | 0:30:53 | 0:30:56 | |
So if that's all the money, that is just for nothing. | 0:30:58 | 0:31:01 | |
There's a problem. £475. | 0:31:03 | 0:31:05 | |
What's that expression? | 0:31:05 | 0:31:07 | |
"It's better to travel in expectation | 0:31:07 | 0:31:09 | |
"than to arrive in disappointment." | 0:31:09 | 0:31:11 | |
Anything else silver and cheaper take your fancy? | 0:31:11 | 0:31:15 | |
That's quite nice. | 0:31:21 | 0:31:22 | |
Very often, these have had an armorial or something here. | 0:31:22 | 0:31:26 | |
-Yes. Quite often they do, yes. -That has been polished out, hasn't it? | 0:31:26 | 0:31:29 | |
But it's got some nice gilding to the interior. | 0:31:29 | 0:31:33 | |
This is a helmet-shaped cream jug. | 0:31:33 | 0:31:36 | |
Chester hallmarks. | 0:31:36 | 0:31:37 | |
This is a Georgian design that's been copied 100 or 80 years later. | 0:31:38 | 0:31:43 | |
What do you think that'll make at auction? | 0:31:43 | 0:31:46 | |
-£30-£50. -Yes, that's exactly what I think. | 0:31:46 | 0:31:49 | |
Which means I've got to try and buy it off you for £20-£25. | 0:31:50 | 0:31:54 | |
-Well, yes. -What's the price ticket? £80! | 0:31:54 | 0:31:57 | |
Um... What can you do it for? | 0:31:59 | 0:32:02 | |
For me, it's got to come in under £30, otherwise I can't look at it. | 0:32:02 | 0:32:07 | |
Why don't we try £45? | 0:32:08 | 0:32:10 | |
-That's not under £30, is it? -No. | 0:32:10 | 0:32:13 | |
For me to buy it, it's got to come under £30, really, I think. | 0:32:13 | 0:32:17 | |
£35? | 0:32:17 | 0:32:18 | |
That's still got to make £40 for me to stand still with it. | 0:32:20 | 0:32:24 | |
I could go to £25 for it, if that's any good to you. | 0:32:24 | 0:32:27 | |
If it isn't it doesn't matter, but I could give that for it. | 0:32:27 | 0:32:31 | |
How about pushing it slightly and go £28? | 0:32:32 | 0:32:34 | |
Go on, then, you're a gentleman. Thank you very much indeed. | 0:32:35 | 0:32:38 | |
With that very generous deal, both our experts are all bought up. | 0:32:38 | 0:32:42 | |
Philip spent a total of £143 on five lots - | 0:32:47 | 0:32:51 | |
the cow horns, | 0:32:51 | 0:32:53 | |
the children's stool, | 0:32:53 | 0:32:55 | |
the bar skittles, | 0:32:55 | 0:32:56 | |
the slab of fossils | 0:32:56 | 0:32:58 | |
and the Georgian-style cream jug. | 0:32:58 | 0:33:00 | |
Anita spent a little less, shelling out £131 | 0:33:02 | 0:33:07 | |
on her five lots, | 0:33:07 | 0:33:09 | |
buying the brooch with the Art Deco clip, | 0:33:09 | 0:33:12 | |
the commemorative plaque, | 0:33:12 | 0:33:14 | |
the rustic rake and shovel, | 0:33:14 | 0:33:16 | |
the 1950s sewing box | 0:33:16 | 0:33:19 | |
and the vintage lady's wristwatch. | 0:33:19 | 0:33:21 | |
So, what do they make of each other's lots? | 0:33:22 | 0:33:25 | |
I love Phil's items, they are so Phil. | 0:33:25 | 0:33:29 | |
That lovely little stool, it's dinky, it's sweet, | 0:33:29 | 0:33:33 | |
it's in good condition. | 0:33:33 | 0:33:35 | |
Anita has bought some really good Anita lots. | 0:33:35 | 0:33:39 | |
But she has also bought a couple of Phil Serrell lots. | 0:33:39 | 0:33:42 | |
The rake and the fork... I mean, that's Serrell country, Manning. | 0:33:42 | 0:33:45 | |
What are you doing? | 0:33:45 | 0:33:47 | |
You know, she's bought them right enough, they should do money. | 0:33:47 | 0:33:50 | |
That sewing box, I just do not understand that. | 0:33:50 | 0:33:54 | |
I just don't like it. | 0:33:54 | 0:33:55 | |
The cow horns, or the bull horns, they don't press any of my buttons. | 0:33:55 | 0:34:00 | |
I don't care if I lose every penny today | 0:34:00 | 0:34:03 | |
because I have had a ride on a tractor. | 0:34:03 | 0:34:07 | |
I'd rather have a ride on a tractor than a concrete lorry. Hmph! | 0:34:07 | 0:34:10 | |
After starting in Windermere, our experts are now en route | 0:34:12 | 0:34:16 | |
to their very first auction of the trip in Cleveleys, near Blackpool. | 0:34:16 | 0:34:20 | |
Let's hope their now-fixed car makes it. | 0:34:20 | 0:34:25 | |
Do you know, the thing is, our road trip is like a rollercoaster. | 0:34:25 | 0:34:29 | |
ANITA LAUGHS | 0:34:29 | 0:34:30 | |
The "Auction Sale Big Dipper". | 0:34:30 | 0:34:33 | |
We've had the highs, we've got the lows to come now. | 0:34:33 | 0:34:36 | |
Well, don't worry, Phil, as you've made it safely to the auction house. | 0:34:38 | 0:34:42 | |
OK, my old fossil, are you ready for this? | 0:34:43 | 0:34:46 | |
I'm going to find a fossil, I think. In we go, then, happy days. | 0:34:46 | 0:34:50 | |
-Here we go. -Presiding over today's proceedings | 0:34:50 | 0:34:52 | |
is auctioneer Shaun Smythe. | 0:34:52 | 0:34:55 | |
So, what does he make of our experts' lots? | 0:34:55 | 0:34:58 | |
The two agricultural items, | 0:34:58 | 0:35:00 | |
possibly maybe for a themed pub or something of that interest. | 0:35:00 | 0:35:03 | |
The cow horns, we haven't had a great deal of interest in these, | 0:35:03 | 0:35:08 | |
to be absolutely honest with you. | 0:35:08 | 0:35:09 | |
The mid-century sewing box, they are quite collectable, these, at the moment, | 0:35:09 | 0:35:13 | |
these particular 1950s, 1960s items, so might do well. | 0:35:13 | 0:35:17 | |
Time will soon tell. Get comfortable, everyone. | 0:35:20 | 0:35:23 | |
-Whoa. Packed room, isn't it? -Yeah, it's busy. | 0:35:24 | 0:35:28 | |
-It's good. -Absolutely. | 0:35:28 | 0:35:31 | |
First up is Philip's child stool. Will it prove to be a crowd-pleaser? | 0:35:31 | 0:35:36 | |
-Do you need me to hold your hand? -£20 for this. 10. 10 I have. 12. | 0:35:36 | 0:35:40 | |
-14, 16, 18. -Yes! -20. | 0:35:40 | 0:35:43 | |
At £20 at the back. 22. | 0:35:43 | 0:35:46 | |
-ANITA GASPS -24. 26. | 0:35:46 | 0:35:49 | |
At £26 on the front row. 28 anywhere? At £26. | 0:35:49 | 0:35:53 | |
-26, are we all finished? At £26... -Why are you cheering for me? | 0:35:53 | 0:35:58 | |
-Because I love you. -Can't argue with that, really, can you? | 0:35:58 | 0:36:02 | |
There was a little love in the room for Philip's stool, too. | 0:36:02 | 0:36:06 | |
Will there be any left over for Anita's commemorative | 0:36:08 | 0:36:11 | |
Joan of Arc plaque? | 0:36:11 | 0:36:13 | |
Just a little question here. Is Joan of Arc big in Blackpool? | 0:36:13 | 0:36:17 | |
-We'll see in a minute. -So, for this one, £30. | 0:36:17 | 0:36:20 | |
20 I have. 22. At £22. | 0:36:20 | 0:36:22 | |
24 anywhere? 24. 26. 28. | 0:36:22 | 0:36:25 | |
At £28 on the staircase. 30. | 0:36:25 | 0:36:29 | |
32. 34. | 0:36:29 | 0:36:31 | |
-She IS big in Blackpool. -36, 38. | 0:36:31 | 0:36:34 | |
-She's very big in Blackpool. -40. | 0:36:34 | 0:36:36 | |
-It is getting bigger by the minute. -£38 on the second row. 40. | 0:36:36 | 0:36:41 | |
42. 44. | 0:36:41 | 0:36:45 | |
At £44, are we all done at 44? | 0:36:45 | 0:36:48 | |
-Yes! -It's put me firmly in my place, hasn't it? | 0:36:48 | 0:36:52 | |
Indeed. That's a storming start for Anita. | 0:36:52 | 0:36:54 | |
-I wonder if it will be lady's day today. -Oh, do shut up. | 0:36:56 | 0:37:00 | |
Now, now, no need to be bitter. | 0:37:01 | 0:37:03 | |
Let's see if your pub skittles game will prove popular. | 0:37:03 | 0:37:07 | |
£50 for this. 40. | 0:37:07 | 0:37:09 | |
Come on, 30 I have, 32. At £32. 34 anywhere? | 0:37:09 | 0:37:12 | |
34. 36. 38. 40. 42. | 0:37:12 | 0:37:16 | |
At £42 at the back. 44 anywhere? | 0:37:16 | 0:37:19 | |
At £42 for the skittles game, then. | 0:37:19 | 0:37:21 | |
£42. 44 anywhere? Are we all finished at £42? | 0:37:21 | 0:37:27 | |
-Are you happy? -Moderately. | 0:37:27 | 0:37:29 | |
Surely you can crack a bit of a smile over that result. | 0:37:29 | 0:37:33 | |
If you're in Liverpool, you're a Liverpudlian. | 0:37:33 | 0:37:35 | |
If you're in Blackpool, are you a Blackpudlian? | 0:37:35 | 0:37:38 | |
-I think I've lost her. -Sometimes I worry about you, Phil. | 0:37:39 | 0:37:43 | |
Right, next up it's Anita's Serrell-like lot, | 0:37:43 | 0:37:47 | |
the rustic rake and shovel. | 0:37:47 | 0:37:49 | |
-£40 for this. £30. -Yes! -20 I have. | 0:37:49 | 0:37:52 | |
22. 24, £24 at the back. £24. | 0:37:52 | 0:37:56 | |
-Yes! -26 anywhere? At £24 at the back of the room. | 0:37:56 | 0:37:59 | |
26. 28. 30. | 0:37:59 | 0:38:02 | |
-At £30 at the back. -£30. -30, then. Are we all done at £30? 32 anywhere? | 0:38:02 | 0:38:06 | |
-All done at 30. All finished. -Yes! | 0:38:06 | 0:38:09 | |
That's another profit for Anita. Great stuff. | 0:38:11 | 0:38:13 | |
-Philip is playing catch-up with his cow horns next. -At £10, then, now. | 0:38:16 | 0:38:21 | |
At 10. 12, at £12. 14. 16. | 0:38:21 | 0:38:24 | |
18. 20. £20 on the front row. 22 anywhere? | 0:38:24 | 0:38:29 | |
At £20 for the cow horns. Are we all done at 20? All finished? | 0:38:29 | 0:38:32 | |
ANITA LAUGHS | 0:38:36 | 0:38:37 | |
Ah, that will take the sting out of that loss. | 0:38:37 | 0:38:40 | |
Next up it's Anita's great find, the gold wristwatch. | 0:38:44 | 0:38:48 | |
£40, 30 I have. | 0:38:48 | 0:38:50 | |
32, 34, 36. At £36. 38 anywhere? | 0:38:50 | 0:38:53 | |
At £36, then, now. | 0:38:53 | 0:38:55 | |
36, are we all finished? | 0:38:55 | 0:38:57 | |
At £36, all done at 36? | 0:38:57 | 0:38:59 | |
Another marvellous profit for our Lady Manning. | 0:39:01 | 0:39:04 | |
And she's up again with that lot that Philip rubbished, | 0:39:06 | 0:39:10 | |
her 1950s sewing box. | 0:39:10 | 0:39:13 | |
For me, that's got that sort of November 5th look. | 0:39:13 | 0:39:16 | |
-Bonfire? -Yeah. | 0:39:16 | 0:39:18 | |
Very popular, these. What can I say for this one? £40, or 30 I have? | 0:39:18 | 0:39:21 | |
-32. 34. At £34. 36 at the back. -ANITA LAUGHS | 0:39:21 | 0:39:25 | |
-At £36. 38. -Come on! -40. | 0:39:25 | 0:39:28 | |
-42. 44. -I don't believe it, I just do not believe it. | 0:39:28 | 0:39:32 | |
-Firewood is making profit. -£55 on my right. | 0:39:32 | 0:39:34 | |
-60 anywhere? -Absolute... | 0:39:34 | 0:39:36 | |
-My flabber is completely gasted. -£65. | 0:39:36 | 0:39:40 | |
-60. At £60... -ANITA LAUGHS | 0:39:40 | 0:39:44 | |
At £60, are we all done at £60? All done. | 0:39:44 | 0:39:47 | |
Look at that, she's done it again! | 0:39:48 | 0:39:50 | |
Oh, Philip, this is not your day, is it? | 0:39:50 | 0:39:52 | |
Can you redeem yourself with your slab of fossils? | 0:39:54 | 0:39:58 | |
20. Well, 20 I have. 22. | 0:39:58 | 0:40:01 | |
At £22. 24 anywhere? At £22. 24, 26. | 0:40:01 | 0:40:05 | |
28. 30. 32. | 0:40:05 | 0:40:09 | |
At £32, the gentleman sat down on the second row. | 0:40:09 | 0:40:12 | |
-34 anywhere? -Come on! -At £32, then, now. | 0:40:12 | 0:40:15 | |
At 32. Are we all finished at 32? | 0:40:15 | 0:40:17 | |
For the last time. | 0:40:17 | 0:40:20 | |
I think you've bought the right things for this room | 0:40:20 | 0:40:22 | |
and I don't think I have. | 0:40:22 | 0:40:24 | |
Do you know, I think you've hit the nail on the head there, Phil. | 0:40:26 | 0:40:29 | |
It's Anita's last lot now. | 0:40:31 | 0:40:33 | |
Can she continue her run of profits with her brooch and Art Deco clip? | 0:40:33 | 0:40:37 | |
£30 for those. 20. 10 I have. 12, 14. At £14. | 0:40:39 | 0:40:42 | |
16 on the stairs. 18. | 0:40:42 | 0:40:44 | |
20, 22. 24, 26, 28. | 0:40:44 | 0:40:48 | |
30. 32. 34. 36. | 0:40:48 | 0:40:52 | |
38. At £38. 40 anywhere? 40. | 0:40:52 | 0:40:55 | |
At £40, then. £40 at the back of the room. | 0:40:56 | 0:40:59 | |
Have we all finished at 40? | 0:40:59 | 0:41:01 | |
40 is good enough for me. | 0:41:03 | 0:41:05 | |
THEY LAUGH | 0:41:05 | 0:41:07 | |
I'll say so. Anita ends on a high. | 0:41:07 | 0:41:11 | |
I think for you to win, your cream jug will have to get £3,000. | 0:41:11 | 0:41:15 | |
SHE LAUGHS | 0:41:16 | 0:41:18 | |
Hey, it's unlikely, but stranger things have happened. | 0:41:18 | 0:41:21 | |
50. 40 I have. | 0:41:21 | 0:41:24 | |
-And £40. 42. 44. -And you're away, you're away. | 0:41:24 | 0:41:27 | |
-44. 46. 46. At £46. -Come on, come on! | 0:41:27 | 0:41:32 | |
At £46. All finished at 46? 48. | 0:41:32 | 0:41:36 | |
50. So £50 at the back, then. | 0:41:36 | 0:41:38 | |
At 50, then. Are we all done at 50? All done. | 0:41:38 | 0:41:42 | |
Might just have clawed me back to what I started with. | 0:41:42 | 0:41:46 | |
A great result to end on, so well done. | 0:41:46 | 0:41:50 | |
-Go on, then. -Cup of tea? -Why not? Arsenic. | 0:41:50 | 0:41:54 | |
Before you have tea, let's work out the final figures. | 0:41:54 | 0:41:58 | |
Philip started this leg with £200. | 0:41:59 | 0:42:02 | |
Unfortunately, he made a small loss of £3.60 after auction costs, | 0:42:02 | 0:42:06 | |
leaving him with £196.40. Bad luck, old chap. | 0:42:06 | 0:42:11 | |
Anita also began with £200. | 0:42:13 | 0:42:16 | |
She made an impressive profit of £42.43 after auction costs, | 0:42:16 | 0:42:21 | |
which means today she is winner | 0:42:21 | 0:42:24 | |
and goes into the next leg with £242.43. | 0:42:24 | 0:42:28 | |
Phew! Well, well, well, well. | 0:42:31 | 0:42:34 | |
I've done some sums, and you, Joan of Arc... | 0:42:34 | 0:42:39 | |
-Genie of Arc. -Yeah. You are up about 40 quid, | 0:42:39 | 0:42:42 | |
and me and my fossils are down about a fiver. | 0:42:42 | 0:42:45 | |
-Go on, get in. -That's not too bad. | 0:42:45 | 0:42:48 | |
SHE LAUGHS | 0:42:48 | 0:42:50 | |
See you next time, road trippers. Not sure about the car, though. | 0:42:53 | 0:42:56 | |
Next time, our antiquers head to north-east England. | 0:42:56 | 0:43:00 | |
Do you think we are on the right road? | 0:43:00 | 0:43:02 | |
Phil is a man with a plan... | 0:43:02 | 0:43:04 | |
Don't let that Anita Manning anywhere near them. | 0:43:04 | 0:43:06 | |
..and Anita wants to hang on to her lead. | 0:43:06 | 0:43:09 | |
I wonder if I can give Phil Serrell a hammering with that? | 0:43:09 | 0:43:12 |