Browse content similar to Episode 23. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
It's the nation's favourite antiques experts... | 0:00:02 | 0:00:04 | |
This is beautiful. | 0:00:04 | 0:00:05 | |
That's the way to do this. | 0:00:05 | 0:00:06 | |
..with £200 each, a classic car | 0:00:06 | 0:00:09 | |
and a goal to scour for antiques. | 0:00:09 | 0:00:12 | |
-Joy. -Hello! | 0:00:12 | 0:00:14 | |
The aim - to make the biggest profit at auction, | 0:00:14 | 0:00:16 | |
but it's no mean feat. | 0:00:16 | 0:00:18 | |
There'll be worthy winners and valiant losers. | 0:00:19 | 0:00:22 | |
Sorry, sorry, sorry. | 0:00:22 | 0:00:24 | |
So, will it be the high road to glory | 0:00:24 | 0:00:26 | |
or the slow road to disaster? | 0:00:26 | 0:00:28 | |
The handbrake's on. | 0:00:28 | 0:00:29 | |
This is Antiques Road Trip. | 0:00:29 | 0:00:31 | |
Yeah! | 0:00:34 | 0:00:35 | |
Today sees auctioneers James Braxton | 0:00:38 | 0:00:40 | |
and Charlie Ross midway through their road trip. | 0:00:40 | 0:00:43 | |
-We've got the sun on our backs, we are going to do well today. -Yeah. | 0:00:43 | 0:00:47 | |
I mean, look at this. | 0:00:47 | 0:00:48 | |
-English countryside... -Sheep! -Oh, sheep. -Sheep! -Sheep. -Sheep! | 0:00:48 | 0:00:52 | |
He's rather excitable. | 0:00:52 | 0:00:54 | |
Charlie is as charming as ever. | 0:00:54 | 0:00:57 | |
-I'd quite like to go away with that. -Yes. -On holiday. -Yeah. | 0:00:57 | 0:01:00 | |
-They're lovely. -Would you come with me? -Of course. | 0:01:00 | 0:01:03 | |
And James is a patriotic soul. | 0:01:03 | 0:01:06 | |
Well, I am very pleased with my Queen's shield. | 0:01:06 | 0:01:09 | |
I think I can be a loyal citizen. | 0:01:09 | 0:01:11 | |
They're navigating their road trip in a 1961 Ford Zephyr, | 0:01:11 | 0:01:16 | |
a car made before seatbelts were legally required. | 0:01:16 | 0:01:19 | |
-I think I put it into reverse. -JAMES LAUGHS | 0:01:21 | 0:01:24 | |
Whoopsi-daisy! | 0:01:24 | 0:01:25 | |
Our Road Trip pals started off with £200 each. | 0:01:27 | 0:01:30 | |
After their second auction, Charlie is lagging somewhere behind James | 0:01:30 | 0:01:33 | |
with a kitty of £148.76 for the day ahead. | 0:01:33 | 0:01:38 | |
James is in pole position after the terrific result | 0:01:41 | 0:01:44 | |
with the two Doulton vases. | 0:01:44 | 0:01:45 | |
He has a stuffed wallet of £433.50 to spend today. | 0:01:45 | 0:01:51 | |
Their trip began in the Lincolnshire town of Boston | 0:01:55 | 0:01:58 | |
and meanders through Norfolk and Cambridgeshire, | 0:01:58 | 0:02:00 | |
up to Leicestershire, before heading south | 0:02:00 | 0:02:02 | |
and finishing in the Surrey town of Cobham. | 0:02:02 | 0:02:05 | |
Today's leg | 0:02:05 | 0:02:07 | |
sets off from Shenton, in Leicestershire, | 0:02:07 | 0:02:09 | |
and will head to auction in the village | 0:02:09 | 0:02:11 | |
of Bourne End, Buckinghamshire. | 0:02:11 | 0:02:13 | |
I thought I'd wear a black tie in memory of my road trip, | 0:02:17 | 0:02:20 | |
which seems to have come to a rather premature end. | 0:02:20 | 0:02:23 | |
Don't you worry, it'll be all right. | 0:02:23 | 0:02:26 | |
Cheer up, Charlie, you can still catch up. | 0:02:26 | 0:02:30 | |
Both chaps are sharing a shop | 0:02:30 | 0:02:31 | |
in the very pretty Whitemoors Antiques and Crafts Centre. | 0:02:31 | 0:02:36 | |
Here we are. | 0:02:36 | 0:02:37 | |
I think you need to loosen off that tie at some point. | 0:02:38 | 0:02:41 | |
The black tie, the tie of mourning? | 0:02:41 | 0:02:43 | |
-Tie of mourning, I think that can go. -Early defeat. | 0:02:43 | 0:02:45 | |
-I think that can go. -Fair enough, but... | 0:02:45 | 0:02:48 | |
-You have been here before, haven't you? -I have been here before. | 0:02:48 | 0:02:51 | |
-I bought a drum. -You bought a drum? -Yes. -Did well with it? | 0:02:51 | 0:02:54 | |
# Banging on the big base drum | 0:02:54 | 0:02:56 | |
# What a picture What a picture | 0:02:56 | 0:02:58 | |
# Um, dilly-um, dum, dum, dum, dum | 0:02:58 | 0:03:01 | |
# Stick it in your family album. # | 0:03:01 | 0:03:03 | |
Right. Good. | 0:03:03 | 0:03:05 | |
And it made a lot. Carry on. Shall I go this way? | 0:03:05 | 0:03:07 | |
I'll go this way. | 0:03:07 | 0:03:09 | |
Blimey, what did Charlie have for breakfast? | 0:03:09 | 0:03:12 | |
There are 40 different dealers here. | 0:03:14 | 0:03:17 | |
-Aha! You look like the boss to me. -I am the boss. -Are you? -Yeah. | 0:03:17 | 0:03:21 | |
-I'm Charlie. -Lovely to meet you, Charlie. Portia. -Portia! | 0:03:21 | 0:03:25 | |
-That's a very racy name. -Very racy. | 0:03:25 | 0:03:27 | |
Right. You've got work to do, Charlie. | 0:03:27 | 0:03:30 | |
Oh, vintage luggage. | 0:03:33 | 0:03:35 | |
Didn't they make luggage well? | 0:03:36 | 0:03:39 | |
Look at that. | 0:03:39 | 0:03:40 | |
An Edwardian piece of luggage. | 0:03:40 | 0:03:42 | |
It's got its original brass studs on the bottom. | 0:03:42 | 0:03:45 | |
There's quite a demand for vintage luggage these days. | 0:03:45 | 0:03:49 | |
Look at the stitching. | 0:03:49 | 0:03:51 | |
And it's got really rather a lovely patination. | 0:03:51 | 0:03:54 | |
And what I like is when they've got original labels on them. | 0:03:54 | 0:03:58 | |
It's £50. | 0:03:58 | 0:03:59 | |
I could see that making £40 or £50 at auction. | 0:04:01 | 0:04:05 | |
Portia! | 0:04:05 | 0:04:07 | |
The popularity of travel in the 1930s heralded | 0:04:08 | 0:04:11 | |
the use of the rather attractive gentleman's valise. | 0:04:11 | 0:04:14 | |
-Hello, my darling. -Hi, you all right? | 0:04:18 | 0:04:19 | |
Yeah, I've seen something I quite like. | 0:04:19 | 0:04:22 | |
-I love old luggage. -Beautiful, isn't it? | 0:04:22 | 0:04:24 | |
-Oh, no, it's awful. -SHE LAUGHS | 0:04:24 | 0:04:26 | |
-No, it's gorgeous! -No, it is lovely. What chance have we got? | 0:04:26 | 0:04:30 | |
Have we got a ch...? I mean, I'll tell you, I'll be perfectly honest. | 0:04:30 | 0:04:33 | |
I think if it goes to auction, it will be estimated at £30 to £50. | 0:04:33 | 0:04:37 | |
I think it might make 40 or 50 quid. It is a good thing. | 0:04:37 | 0:04:40 | |
-I'd quite like to go away with that. -Yes. -On holiday. | 0:04:40 | 0:04:43 | |
-Yeah, they're lovely. -Would you come with me? -Of course, Charles. | 0:04:43 | 0:04:46 | |
A bit forward, that. Just a minute. | 0:04:46 | 0:04:49 | |
-I think I'll have to ring the tenant and see. -Could you do that? | 0:04:49 | 0:04:52 | |
I will do that for you. | 0:04:52 | 0:04:54 | |
-Ring that tenant. -One second. | 0:04:54 | 0:04:55 | |
-Tell him I'm a really nice chap. -I will do. | 0:04:55 | 0:04:58 | |
Figures crossed, Charlie. | 0:04:58 | 0:04:59 | |
Portia's got some news. | 0:04:59 | 0:05:01 | |
-Charles, I've just spoken to the tenant. -What have you done? | 0:05:01 | 0:05:03 | |
-Have you done better than 45? -She'd be happy to take 27. | 0:05:03 | 0:05:07 | |
-27?! -Yes. | 0:05:07 | 0:05:10 | |
What an odd figure. | 0:05:10 | 0:05:11 | |
I think that's well worth the money. I'm not even going to try | 0:05:11 | 0:05:14 | |
and beat her down to 25. I'm going to say £27 is really generous. | 0:05:14 | 0:05:20 | |
The charismatic Charlie has bought his first item, | 0:05:21 | 0:05:24 | |
the gentleman's valise for £27. | 0:05:24 | 0:05:27 | |
What about James? | 0:05:28 | 0:05:29 | |
With over £400 to spend, | 0:05:29 | 0:05:31 | |
is he going to go all out or exercise some prudence? | 0:05:31 | 0:05:35 | |
Mind your head. | 0:05:35 | 0:05:37 | |
-Good morning, James. -Hello, hello. -Welcome to Whitemoors. | 0:05:37 | 0:05:40 | |
-Hello, nice to meet you. And your name is? -Robert. -Robert. | 0:05:40 | 0:05:44 | |
What wonders can you spot in here then, James? | 0:05:45 | 0:05:48 | |
-So this is your emporium, is it? -It is, James, yes. | 0:05:49 | 0:05:53 | |
So where did you gather all your goodies from? | 0:05:53 | 0:05:55 | |
-From auctions, from houses, from people bringing stuff in. -Yeah. | 0:05:55 | 0:06:00 | |
-All over the place. -This sort of leaps out at me here. | 0:06:00 | 0:06:03 | |
-That is a very '50s look. -Isn't that great? | 0:06:03 | 0:06:06 | |
The retro thing is in at the moment. | 0:06:06 | 0:06:08 | |
I like the figurine. She is a very shapely lady, isn't she? | 0:06:08 | 0:06:11 | |
And it has that nice sort of pull, | 0:06:11 | 0:06:14 | |
that eggshell finish to the glaze, doesn't it? Where...? | 0:06:14 | 0:06:17 | |
-So, who's made this? -It is West German. -Made in West Germany. | 0:06:17 | 0:06:20 | |
And the pattern is called Jamaica. | 0:06:20 | 0:06:22 | |
-That's right. -Just what we need, something exotic and warm, isn't it? | 0:06:22 | 0:06:27 | |
-On a cold day. -THEY LAUGH | 0:06:27 | 0:06:30 | |
I definitely need it. That would... She would be a lovely tonic. | 0:06:30 | 0:06:33 | |
She'd lose your cold in a hurry, wouldn't she? | 0:06:33 | 0:06:36 | |
Crumbs! | 0:06:36 | 0:06:38 | |
West German pottery is a brand-new field of collecting | 0:06:39 | 0:06:43 | |
and is proving to be very popular at auction. | 0:06:43 | 0:06:46 | |
And very practical, you know. A couple of single stems. | 0:06:46 | 0:06:50 | |
Get your gladiolas in there, your camellias, whatever. | 0:06:50 | 0:06:53 | |
-With or without, it still stands good. -It stands good, doesn't it? | 0:06:53 | 0:06:56 | |
I would definitely have that in my home. | 0:06:56 | 0:06:59 | |
Now, what could you do on that, Rob? | 0:06:59 | 0:07:01 | |
The absolute best to you, James... | 0:07:01 | 0:07:03 | |
-Don't... -..because I want you to win. | 0:07:03 | 0:07:05 | |
Don't...don't put yourself down. | 0:07:05 | 0:07:08 | |
-I won't. £12. -£12. | 0:07:08 | 0:07:10 | |
It is in good order. It is bright, it has been looked after. | 0:07:10 | 0:07:13 | |
It has been slightly treasured. I think that is very handsome. | 0:07:13 | 0:07:17 | |
What about eight on that, Rob? | 0:07:17 | 0:07:19 | |
-Oh... -You know how these auctioneers work. | 0:07:19 | 0:07:23 | |
Oh, here we go. | 0:07:23 | 0:07:24 | |
Yeah, you know, they all start in ten, five and everything. | 0:07:24 | 0:07:28 | |
And, you know, if you're going to have a chance of it, | 0:07:28 | 0:07:31 | |
a little profit, you need... | 0:07:31 | 0:07:33 | |
-Ten. -Ten? -To give me a little bit. | 0:07:33 | 0:07:36 | |
Ten. I am liking your start. Rob, put it there. | 0:07:36 | 0:07:39 | |
-Thank you very much indeed. -You're welcome. | 0:07:39 | 0:07:41 | |
A quick and efficient purchase from James. | 0:07:41 | 0:07:43 | |
£10 for the 1950s West German vase. | 0:07:43 | 0:07:47 | |
Charlie has journeyed east to the historic village of Kidworth. | 0:07:51 | 0:07:54 | |
Charlie is some way behind James in the profit stakes | 0:07:56 | 0:07:59 | |
so needs to uncover a hidden gem somewhere. | 0:07:59 | 0:08:02 | |
This large, family-owned antiques centre has over 60 dealers. | 0:08:03 | 0:08:08 | |
That's...early Victorian. It's... | 0:08:13 | 0:08:17 | |
Or even William IV rosewood over-mantle mirror. | 0:08:19 | 0:08:23 | |
Now, you can see that the mirror is not in great condition. | 0:08:23 | 0:08:26 | |
But frankly, when you look like me, | 0:08:26 | 0:08:28 | |
it's quite good having a mirror like that, to be perfectly honest. | 0:08:28 | 0:08:31 | |
He's hard on himself. | 0:08:31 | 0:08:32 | |
It's 150-plus years old. | 0:08:32 | 0:08:36 | |
160, 170 years old years old. | 0:08:36 | 0:08:39 | |
And I could get away with putting a new mirror in there. | 0:08:39 | 0:08:42 | |
And it's £25. | 0:08:42 | 0:08:45 | |
If that could be really cheap... | 0:08:45 | 0:08:47 | |
..I would buy it because it's a genuine antique. | 0:08:48 | 0:08:53 | |
Let's go and see what we can do. | 0:08:53 | 0:08:55 | |
Time to track down the lady in charge, the lovely Sally. | 0:08:55 | 0:08:59 | |
-Turn right. It used to be a mirror. -Used to be a mirror. | 0:08:59 | 0:09:03 | |
Well, it looks like it. Can you see? | 0:09:03 | 0:09:05 | |
I have to say that the owner... | 0:09:05 | 0:09:06 | |
Can you hold that end? | 0:09:06 | 0:09:08 | |
-I can. -Well done. | 0:09:08 | 0:09:10 | |
The owner does admit... | 0:09:10 | 0:09:12 | |
-Cos it says antique tarnished mirror. -Very tarnished. | 0:09:12 | 0:09:15 | |
-It certainly is. Look at us in there. -Absolutely. | 0:09:15 | 0:09:17 | |
You can't really see us. | 0:09:17 | 0:09:19 | |
-The fairest of them all. -CHARLIE LAUGHS | 0:09:19 | 0:09:21 | |
But it is a rosewood frame | 0:09:21 | 0:09:24 | |
and it's about 1840, 1850, | 0:09:24 | 0:09:26 | |
so it's old. | 0:09:26 | 0:09:28 | |
And I like old things. It's knackered here and there. | 0:09:28 | 0:09:32 | |
Um, it's £25. | 0:09:32 | 0:09:34 | |
-And I want to give a tenner for it. -SHE GASPS | 0:09:36 | 0:09:38 | |
-HE IMITATES HER GASP -I can feel your heart | 0:09:38 | 0:09:41 | |
-miss a beat there. -It's missing lots of beats. | 0:09:41 | 0:09:43 | |
-What do you think? Who is HH? It has got HH on it. -HH... | 0:09:43 | 0:09:46 | |
-It's not Horrible Henry, is it? -No, it's not Horrible Henry. | 0:09:46 | 0:09:49 | |
-Is it Happy Harry? -It's Happy Henrietta. | 0:09:49 | 0:09:52 | |
Happy Henrietta! | 0:09:52 | 0:09:54 | |
If you told her that Charlie wants to give her a tenner for her | 0:09:54 | 0:09:56 | |
-mirror, would she still be Happy Henrietta? -Maybe not. | 0:09:56 | 0:10:00 | |
-But we could try. -What we can do, we can make a phone call. | 0:10:00 | 0:10:03 | |
-Would you mind? -We can do that. -That's sweet of you. | 0:10:03 | 0:10:06 | |
Tell her Charlie's desperate, would you? | 0:10:06 | 0:10:08 | |
And a bit of a chancer. | 0:10:08 | 0:10:10 | |
-Are you smiling? -I am smiling a little bit. | 0:10:13 | 0:10:16 | |
I've spoken to the dealer, | 0:10:16 | 0:10:17 | |
she says that she is quite happy to come down to £15 for you. | 0:10:17 | 0:10:21 | |
-I can't ask for more than that, can I, really? -No, not really. | 0:10:21 | 0:10:24 | |
-I was being very cheeky at ten. Put it there. -OK. | 0:10:24 | 0:10:27 | |
-May I give you one of...those? -Thank you. | 0:10:27 | 0:10:30 | |
That's really kind of you. | 0:10:30 | 0:10:33 | |
Charlie's second purchase is the 19th-century mirror for £15. | 0:10:33 | 0:10:36 | |
James, meanwhile, has travelled 24 miles to the city of Leicester. | 0:10:41 | 0:10:45 | |
James is sitting pretty with a large stack of cash. | 0:10:47 | 0:10:50 | |
So far, he has spent a tenner. | 0:10:50 | 0:10:52 | |
Come on, James, get spending. | 0:10:52 | 0:10:55 | |
-Hello. James. -Hello, James. My name is Mark. | 0:10:56 | 0:10:59 | |
Hello, Mark. I'm after the elusive bargain. | 0:10:59 | 0:11:02 | |
The elusive bargain. Well, let's see if we can find you something. | 0:11:02 | 0:11:05 | |
-I am getting the lay of the land. -Yeah. | 0:11:05 | 0:11:07 | |
What's that you've found? | 0:11:11 | 0:11:12 | |
Quite a crude tribal stool, this. | 0:11:15 | 0:11:18 | |
Not the finest carve, | 0:11:18 | 0:11:20 | |
but it's carved from the solid, from the trunk. | 0:11:20 | 0:11:24 | |
And they're useful. | 0:11:25 | 0:11:26 | |
They make great occasional tables. | 0:11:28 | 0:11:30 | |
They're just the right height for sitting beside a sofa or something. | 0:11:30 | 0:11:34 | |
And they have a look, don't they? | 0:11:34 | 0:11:37 | |
Would it've been a solid trunk of wood here? | 0:11:37 | 0:11:40 | |
And somebody has freed it. | 0:11:40 | 0:11:41 | |
As Michelangelo used to say, | 0:11:41 | 0:11:43 | |
you release the figure from the object, be it marble, be it wood. | 0:11:43 | 0:11:48 | |
And you chip away and you release it from its natural bindings. | 0:11:48 | 0:11:53 | |
If you say so. | 0:11:53 | 0:11:55 | |
What about the price? | 0:11:55 | 0:11:57 | |
I noticed this when I walked in, Mark. | 0:11:58 | 0:12:01 | |
-Yes. -Not the finest one, but... | 0:12:01 | 0:12:03 | |
It's not the most detailed carving, but crudities can be sometimes... | 0:12:04 | 0:12:08 | |
-interesting. -Yeah, naive charm, isn't it? -Yeah. | 0:12:08 | 0:12:12 | |
So it's carved out of the solid. | 0:12:12 | 0:12:13 | |
I think it would've been one piece, definitely. | 0:12:13 | 0:12:15 | |
-You can't see any joins or anything. -And does this come from...? | 0:12:15 | 0:12:19 | |
Where do you think it comes from? | 0:12:19 | 0:12:21 | |
Probably...African origin, somewhere around there. | 0:12:21 | 0:12:26 | |
What sort of money do you have on that, Mark? | 0:12:26 | 0:12:28 | |
Um, I've got 55 on that one. | 0:12:28 | 0:12:31 | |
55... | 0:12:31 | 0:12:32 | |
-I'm going to carry on looking, Mark. -Yeah, certainly. -Keep looking. | 0:12:34 | 0:12:38 | |
Scratching away. | 0:12:38 | 0:12:40 | |
After a good scratch around, James is ready to make a deal. | 0:12:40 | 0:12:45 | |
-Mark, the stool there with the antelope... -Yeah. -Is it... | 0:12:45 | 0:12:50 | |
Would it be too cheeky to say 25 on that? | 0:12:50 | 0:12:53 | |
-Could you make it 30? -30? | 0:12:54 | 0:12:56 | |
-Mm-hm. -You've gone and got yourself a deal, Mark. -OK, lovely. | 0:12:56 | 0:13:00 | |
Thank you, I'll take that. | 0:13:00 | 0:13:01 | |
James is attracted to the exotic today. | 0:13:01 | 0:13:04 | |
The tribal stool for £30 is his second item. | 0:13:04 | 0:13:08 | |
Tribal art has always... | 0:13:08 | 0:13:10 | |
The Continent, especially the French, | 0:13:10 | 0:13:12 | |
have always loved tribal art. | 0:13:12 | 0:13:14 | |
This is a rather fun thing. Anyway, I'm pleased with it. | 0:13:14 | 0:13:18 | |
And I'm off with it. Thank you, bye-bye. | 0:13:18 | 0:13:21 | |
He doesn't hang about much. | 0:13:21 | 0:13:22 | |
Charlie has travelled south to the town of Northampton. | 0:13:26 | 0:13:29 | |
It's the home of British shoemaking | 0:13:29 | 0:13:32 | |
and even the local football team have the nickname The Cobblers. | 0:13:32 | 0:13:36 | |
And it's here, at Northampton Town Football Club, | 0:13:38 | 0:13:41 | |
that Charlie is heading to find out more about a pioneer | 0:13:41 | 0:13:44 | |
not just in sport but also in British history. | 0:13:44 | 0:13:47 | |
Charlie is meeting with author Phil Vasili. | 0:13:49 | 0:13:52 | |
-Charlie, hiya. -Hello, Phil. | 0:13:52 | 0:13:54 | |
-How are you? -Very well indeed, thank you. | 0:13:54 | 0:13:56 | |
Welcome to Northampton Football Club. | 0:13:56 | 0:13:59 | |
Walter Tull was one of the first black professional footballers | 0:13:59 | 0:14:03 | |
who played right here, at Northampton Town Football Club. | 0:14:03 | 0:14:07 | |
He was also the first black officer to lead troops into battle | 0:14:07 | 0:14:10 | |
in the First World War. | 0:14:10 | 0:14:12 | |
Phil is the biographer of Walter's sensational story. | 0:14:12 | 0:14:16 | |
This is very appropriate, | 0:14:18 | 0:14:19 | |
we are in the engine room of the Northampton Town FC. | 0:14:19 | 0:14:23 | |
We can see the pitch, we can see the stands. | 0:14:23 | 0:14:26 | |
And where better to start? | 0:14:26 | 0:14:28 | |
We've got this wonderful archive here. | 0:14:28 | 0:14:30 | |
Yeah, it's a great place to start | 0:14:30 | 0:14:32 | |
because Walter was very happy here, by all accounts. | 0:14:32 | 0:14:35 | |
Walter was born in Folkestone, at the end of the 19th century. | 0:14:37 | 0:14:41 | |
His father was a carpenter from Barbados and worked | 0:14:41 | 0:14:44 | |
as a ship's joiner until he settled in England in 1876 | 0:14:44 | 0:14:47 | |
and married a local girl. | 0:14:47 | 0:14:49 | |
Tragically, by the age of nine, | 0:14:50 | 0:14:52 | |
Walter had lost both his parents to ill health and was sent, | 0:14:52 | 0:14:56 | |
along with his brother, to an orphanage and Bethnal Green. | 0:14:56 | 0:14:59 | |
-When he went to the orphanage, they had a football team. -Right. | 0:15:01 | 0:15:04 | |
And they played in a... They played competitive games. | 0:15:04 | 0:15:09 | |
And somebody spotted him | 0:15:09 | 0:15:10 | |
-round about this time as being particularly talented. -Yeah. | 0:15:10 | 0:15:13 | |
Well, you could see in the photo, Charlie, that he's in the middle | 0:15:13 | 0:15:16 | |
-and he's got the ball at his feet. -He has. | 0:15:16 | 0:15:18 | |
Which usually signifies that he has got respect | 0:15:18 | 0:15:21 | |
and he's one of the better players. | 0:15:21 | 0:15:23 | |
In 1908, Walter was signed by amateur club Clapton FC. | 0:15:25 | 0:15:30 | |
Within the year, he turned professional | 0:15:30 | 0:15:32 | |
when he was signed by Tottenham Hotspur. | 0:15:32 | 0:15:34 | |
It was here that Walter experienced a horrible display | 0:15:34 | 0:15:38 | |
of spectator racism. | 0:15:38 | 0:15:40 | |
Spurs, for him, wasn't a great source of happiness, was it? | 0:15:41 | 0:15:44 | |
-It was wonderful that Spurs signed him. -Yes. | 0:15:44 | 0:15:47 | |
And, you know, to be signed as a black player | 0:15:47 | 0:15:50 | |
is unusual at the time. | 0:15:50 | 0:15:51 | |
And Spurs have to be commended for that. | 0:15:51 | 0:15:55 | |
However, Walter got a lot of abuse when he was playing. | 0:15:55 | 0:16:00 | |
And in one particular match, | 0:16:00 | 0:16:02 | |
in September of 1909 at Bristol, | 0:16:02 | 0:16:06 | |
it was so bad that one of the newspapers headlined | 0:16:06 | 0:16:10 | |
the abuse that Walter got. | 0:16:10 | 0:16:12 | |
And in the report, | 0:16:15 | 0:16:16 | |
the journalist said that Walter was a model for all white men who | 0:16:16 | 0:16:20 | |
playful football because of the way he withstood the abuse. | 0:16:20 | 0:16:23 | |
I think that was the strength of Walter, that he | 0:16:23 | 0:16:25 | |
-did his talking as a footballer, with his feet. -Yeah. | 0:16:25 | 0:16:28 | |
A year later, Northampton Town | 0:16:32 | 0:16:35 | |
was thrilled to snap up the talented Walter. | 0:16:35 | 0:16:38 | |
But soon, the dark clouds of war loomed, in 1914. | 0:16:38 | 0:16:42 | |
Walter was one of the first to enlist in the British Army. | 0:16:42 | 0:16:45 | |
It wasn't until November 1915 | 0:16:47 | 0:16:50 | |
that Walter went to France, | 0:16:50 | 0:16:52 | |
his battalion went to France. | 0:16:52 | 0:16:54 | |
-Hm. -And they saw action almost immediately | 0:16:54 | 0:16:57 | |
in around the Festubert-Givenchy region. | 0:16:57 | 0:17:01 | |
Walter's cool-headed leadership ensured that he rose through | 0:17:01 | 0:17:05 | |
the ranks quickly. | 0:17:05 | 0:17:06 | |
So he saw action - | 0:17:10 | 0:17:12 | |
and I think I'm right in saying - was he recommended for an MC? | 0:17:12 | 0:17:16 | |
As far as we know, Walter was the first black officer to lead | 0:17:16 | 0:17:20 | |
white troops into battle in the Army. | 0:17:20 | 0:17:23 | |
And he was commended for his bravery | 0:17:23 | 0:17:25 | |
and commended for bringing back his party without injury. | 0:17:25 | 0:17:29 | |
That's when he was recommended for the Military Cross, | 0:17:29 | 0:17:31 | |
which he never actually received. | 0:17:31 | 0:17:33 | |
He embodied a legal contradiction. | 0:17:33 | 0:17:36 | |
As a black soldier, he shouldn't have been an officer | 0:17:36 | 0:17:39 | |
according to the manual of military law. | 0:17:39 | 0:17:41 | |
So if they gave him his Military Cross, it was almost like | 0:17:41 | 0:17:45 | |
they were admitting that they'd created | 0:17:45 | 0:17:49 | |
-this illegal precedent. -Yeah. | 0:17:49 | 0:17:52 | |
-They were giving a rubber stamp to breaking the law, really. -Yeah. | 0:17:52 | 0:17:55 | |
Sadly, tragedy struck. | 0:17:56 | 0:17:58 | |
On 25 March 1918, Second Lieutenant Tull | 0:17:58 | 0:18:02 | |
was killed in action at the German spring offensive on the Somme. | 0:18:02 | 0:18:06 | |
He was 29 years old. | 0:18:06 | 0:18:08 | |
He was certainly a very remarkable black Britton | 0:18:09 | 0:18:13 | |
who achieved a great deal in his short life. | 0:18:13 | 0:18:15 | |
I mean, we are here at a club that's... | 0:18:15 | 0:18:18 | |
-The road that leads into the stadium is called Walter Tull Way. -Yeah. | 0:18:18 | 0:18:21 | |
We've got the memorial stone detailing his achievements. | 0:18:21 | 0:18:25 | |
I think it has been absolutely fascinating - | 0:18:25 | 0:18:29 | |
an extraordinary tale of a remarkable man. | 0:18:29 | 0:18:32 | |
Thank you, Charlie. | 0:18:32 | 0:18:33 | |
The odds were stacked against Walter, but he succeeded | 0:18:33 | 0:18:37 | |
as a star on the football field and a hero on the battlefield. | 0:18:37 | 0:18:41 | |
It's the end of a long day, so time for a bit of a rest. Nighty-night. | 0:18:42 | 0:18:47 | |
Cor, it's absolutely tipping it down this morning. | 0:18:53 | 0:18:56 | |
This weather, very good for the leather upper, I would say. | 0:18:58 | 0:19:03 | |
You need a leather upper. | 0:19:03 | 0:19:05 | |
A good brogue is always the best option. | 0:19:05 | 0:19:08 | |
Anyway, here is a rundown of their shopping so far. | 0:19:08 | 0:19:11 | |
Charlie has snapped up two items - the leather valise | 0:19:13 | 0:19:17 | |
and the 19th-century mirror, giving him a meagre £106.76 for today. | 0:19:17 | 0:19:22 | |
I love you! | 0:19:22 | 0:19:24 | |
-Good morning, James. -Hello. | 0:19:24 | 0:19:25 | |
James also bought two items - the 1960s West German vase | 0:19:25 | 0:19:29 | |
and the tribal stool. | 0:19:29 | 0:19:31 | |
He's swimming in money with £393.50 for the day ahead. | 0:19:31 | 0:19:36 | |
James is in Northampton to have a go at spending some of his money. | 0:19:40 | 0:19:45 | |
Although he's rich in profits, he's only spent £40 so far. | 0:19:45 | 0:19:48 | |
Oh, nice hat! | 0:19:48 | 0:19:51 | |
-Hello. James. -Hello, I'm Sonia. -Hello, Sonia. Very nice to meet you. | 0:19:51 | 0:19:56 | |
You're a very nice little haven amongst a... Foul out there today. | 0:19:56 | 0:20:01 | |
-Well, I hope we've got something for you. -I'm sure you will. | 0:20:01 | 0:20:04 | |
Maybe Sonia will persuade James | 0:20:07 | 0:20:09 | |
to part with some cash. | 0:20:09 | 0:20:11 | |
There's some nice things amongst here. I love this! | 0:20:12 | 0:20:15 | |
This is very theatrical, isn't it? | 0:20:17 | 0:20:19 | |
Great for a sort of baronial hall, isn't it? | 0:20:20 | 0:20:23 | |
It is. | 0:20:23 | 0:20:25 | |
Baron Braxton has a certain ring to it. | 0:20:25 | 0:20:28 | |
Really good. | 0:20:28 | 0:20:29 | |
Love that. | 0:20:29 | 0:20:31 | |
Right, like that. | 0:20:31 | 0:20:33 | |
So, the shield... | 0:20:33 | 0:20:35 | |
It's on the list. | 0:20:35 | 0:20:36 | |
The shield is priced up at £40 | 0:20:37 | 0:20:39 | |
and could have been made for the Queen's Silver Jubilee. | 0:20:39 | 0:20:42 | |
I like this. A modest woodcut. | 0:20:45 | 0:20:49 | |
But what I like about this is it's very much in its contemporary frame. | 0:20:49 | 0:20:54 | |
It has a good look. Does it have a date on it? | 0:20:54 | 0:20:57 | |
It's evocative of a period, isn't it? 1920s. | 0:20:57 | 0:21:01 | |
The Untidy Corner. | 0:21:01 | 0:21:02 | |
It's got a personal inscription on it. And it is a woodblock print. | 0:21:02 | 0:21:06 | |
Very much used early illustrations for newspapers | 0:21:06 | 0:21:11 | |
and book illustrations. Artists really loved it. | 0:21:11 | 0:21:15 | |
I like that. It's got style. | 0:21:15 | 0:21:18 | |
Another one on the list. | 0:21:19 | 0:21:21 | |
The woodblock print has a ticket price of £10. | 0:21:21 | 0:21:25 | |
Now, to find Sonia to talk money. | 0:21:25 | 0:21:27 | |
These are my two items, Sonia. | 0:21:27 | 0:21:30 | |
I love this shield. Isn't that fun? | 0:21:30 | 0:21:34 | |
So that's the shield. | 0:21:34 | 0:21:35 | |
-Do you know much about that? -Not really. | 0:21:35 | 0:21:37 | |
It was something to do with Andy's family. | 0:21:37 | 0:21:40 | |
He bought it because he liked it and it was his family's initials. | 0:21:40 | 0:21:44 | |
Andy is the owner of the shield. | 0:21:44 | 0:21:47 | |
-I see, I see. -I think it was his father. -I see. | 0:21:47 | 0:21:50 | |
It also happens to be the Queen's. | 0:21:50 | 0:21:52 | |
True. | 0:21:52 | 0:21:53 | |
-THEY LAUGH -True. | 0:21:53 | 0:21:55 | |
-So I like that one. -OK. -And I like the woodblock print. -Ah. | 0:21:55 | 0:21:59 | |
You don't have to do me a special price on the woodblock print. | 0:21:59 | 0:22:02 | |
-I'm very happy to pay your ticket price. -OK. | 0:22:02 | 0:22:06 | |
-But could I get a price on the shield? -What have we got on that? | 0:22:06 | 0:22:09 | |
I think... What have we got? We've got £40. | 0:22:09 | 0:22:13 | |
-What price did you have in mind? -Oh! -See if we can meet in the middle. | 0:22:15 | 0:22:19 | |
Oh, if you're going to meet in the middle, 20 quid. | 0:22:19 | 0:22:21 | |
SHE LAUGHS | 0:22:21 | 0:22:23 | |
-SHE SIGHS -25? | 0:22:23 | 0:22:25 | |
25, you've got yourself a deal, Sonia. | 0:22:25 | 0:22:28 | |
-Thank you very much indeed. -Lovely. | 0:22:28 | 0:22:30 | |
I am very pleased with my Queen's shield. | 0:22:30 | 0:22:32 | |
I think I can be a loyal citizen. | 0:22:32 | 0:22:34 | |
-You'll have to find a sword now to go with it. -I will! | 0:22:34 | 0:22:38 | |
Not spending big, is he? | 0:22:38 | 0:22:40 | |
The decorative shield for £25 and the woodblock print for ten. | 0:22:40 | 0:22:44 | |
Charlie is also in Northampton. | 0:22:50 | 0:22:52 | |
This looks interesting, Charlie. | 0:22:55 | 0:22:57 | |
Our man is having a look around The Old Bakehouse Antiques. | 0:22:59 | 0:23:03 | |
-Hello there. -Hello. | 0:23:09 | 0:23:10 | |
-Steve, is it? -Yeah. -Charlie. | 0:23:10 | 0:23:11 | |
-Pleased to meet you. -Nice to see you. -And you. | 0:23:11 | 0:23:14 | |
-What a wonderful establishment you've got. -Thank you very much. | 0:23:14 | 0:23:16 | |
-Did you ever see Doctor Who out the front? -Oh, he is in there. | 0:23:16 | 0:23:19 | |
-He is in the record room. -CHARLIE LAUGHS | 0:23:19 | 0:23:21 | |
That's a wonderful thing! Where did you get that from? | 0:23:21 | 0:23:23 | |
-He's popping in all the time. -CHARLIE LAUGHS | 0:23:23 | 0:23:26 | |
There are over 60 dealers here. | 0:23:29 | 0:23:31 | |
Blimey, he's like a dog let off the lead. | 0:23:31 | 0:23:34 | |
Look at that old projector. | 0:23:37 | 0:23:39 | |
With its original box. | 0:23:39 | 0:23:42 | |
"Specto film projector. | 0:23:42 | 0:23:45 | |
"Wood box and accessories. Bulb not working." | 0:23:45 | 0:23:48 | |
Well, you can get a bulb these days for something like that. | 0:23:48 | 0:23:53 | |
In the mid-1930s, | 0:23:53 | 0:23:54 | |
the British company Specto were renowned for their cine projectors. | 0:23:54 | 0:23:58 | |
During the Second World War, | 0:23:58 | 0:24:00 | |
the British government used the projectors to review intelligence | 0:24:00 | 0:24:03 | |
captured by British aircraft flying over occupied Europe. | 0:24:03 | 0:24:07 | |
£110. | 0:24:08 | 0:24:10 | |
HE SIGHS | 0:24:10 | 0:24:13 | |
I'm not going to spend £110 on that. | 0:24:13 | 0:24:15 | |
But I would buy it at a price. | 0:24:15 | 0:24:17 | |
Good to hear, Charlie. | 0:24:19 | 0:24:20 | |
Oh, what is that you've found? | 0:24:23 | 0:24:26 | |
Joy! | 0:24:26 | 0:24:27 | |
Look at that. | 0:24:27 | 0:24:29 | |
A vintage bamboo child's push chair. | 0:24:29 | 0:24:33 | |
That is fantastic! | 0:24:34 | 0:24:36 | |
Original wheels. | 0:24:36 | 0:24:38 | |
It's got two little wheels at the front here, just to stabilise it. | 0:24:38 | 0:24:43 | |
The bamboo's in good condition. It is a really unusual object. | 0:24:43 | 0:24:48 | |
And I'm always looking for something quirky and unusual. | 0:24:48 | 0:24:51 | |
It's got age, it's got quality in a certain sort of way, | 0:24:51 | 0:24:55 | |
it's got originality. | 0:24:55 | 0:24:57 | |
It is £68. | 0:24:57 | 0:24:59 | |
I don't think that's untoward. | 0:25:03 | 0:25:04 | |
That is as charming and historically interesting as that projector. | 0:25:04 | 0:25:10 | |
Projector, seat, what have I got? £106.76. | 0:25:10 | 0:25:15 | |
-HE CHUCKLES -I hope Steve is a nice bloke. | 0:25:15 | 0:25:18 | |
Let's leave Charlie to ruminate over the lightness of his purse. | 0:25:20 | 0:25:24 | |
We'll catch up with him later. | 0:25:24 | 0:25:26 | |
James is | 0:25:28 | 0:25:29 | |
15 miles away in the village of Harrington. | 0:25:29 | 0:25:32 | |
He's visiting Harrington Aviation Museum. | 0:25:35 | 0:25:39 | |
During the Second World War, the Office of Strategic Services, | 0:25:39 | 0:25:43 | |
the precursor to the CIA, sent battalions of the US Army | 0:25:43 | 0:25:47 | |
to build this airfield and set up clandestine warfare operations. | 0:25:47 | 0:25:52 | |
James is meeting with the museum's chairman, Clive Bassett. | 0:25:54 | 0:25:57 | |
-Hello. Must be Clive. -Hi and welcome, James. | 0:25:58 | 0:26:02 | |
Welcome to RAF Harrington. | 0:26:02 | 0:26:04 | |
Top-secret missions would fly deep into the heart of occupied | 0:26:04 | 0:26:08 | |
Europe, dropping supplies to the pockets of partisan fighters | 0:26:08 | 0:26:11 | |
who would become known as the Resistance. | 0:26:11 | 0:26:14 | |
The codename for the covert missions was Operation Carpetbagger. | 0:26:14 | 0:26:19 | |
This codename, what did Carpetbaggers do? | 0:26:19 | 0:26:21 | |
The Carpetbaggers, really, | 0:26:21 | 0:26:23 | |
were the American Air Arm of the Office of Strategic Services, | 0:26:23 | 0:26:26 | |
the American side of things, and their missions were to take | 0:26:26 | 0:26:29 | |
supplies and agents over to occupied Europe. | 0:26:29 | 0:26:32 | |
And the Americans initially were using British aircraft. | 0:26:32 | 0:26:34 | |
And there came a point in time where they felt they were getting | 0:26:34 | 0:26:38 | |
slightly compromised in some of their own missions. | 0:26:38 | 0:26:40 | |
They wanted to run them themselves. | 0:26:40 | 0:26:41 | |
So they then decided to set up their own airfield, which is | 0:26:41 | 0:26:44 | |
-why we are here at Harrington. -Ah! | 0:26:44 | 0:26:46 | |
In the months of July 1944, four squadrons at Harrington | 0:26:49 | 0:26:53 | |
supplied resistance forces with the 69 agents | 0:26:53 | 0:26:57 | |
and over 5,000 containers filled | 0:26:57 | 0:26:59 | |
with items such as weaponry and food. | 0:26:59 | 0:27:03 | |
The dangerous ones, the really dangerous missions, | 0:27:03 | 0:27:05 | |
even more so, were the blind drops where an agent would | 0:27:05 | 0:27:08 | |
just parachute into occupied Europe, it could be anywhere, | 0:27:08 | 0:27:10 | |
without any local knowledge. They may have a contact to make. | 0:27:10 | 0:27:14 | |
But that was very dangerous. | 0:27:14 | 0:27:16 | |
The daredevil agents would fly on moonlit nights | 0:27:20 | 0:27:24 | |
and would land with some rather unusual supplies. | 0:27:24 | 0:27:27 | |
The idea was an agent would parachute down | 0:27:27 | 0:27:29 | |
in a special container made for it. | 0:27:29 | 0:27:32 | |
And when he got on the ground, he'd just open the container, | 0:27:32 | 0:27:35 | |
fire it up. A little bike - 98cc engine, centrifugal clutch - | 0:27:35 | 0:27:40 | |
push it along, hop on and off you go. | 0:27:40 | 0:27:42 | |
The problem is, I think people suddenly realised | 0:27:42 | 0:27:44 | |
that you couldn't really have a motorbike running around | 0:27:44 | 0:27:46 | |
the early hours of the morning | 0:27:46 | 0:27:48 | |
-in the moonlight period with some strange person on it. -Yeah, right. | 0:27:48 | 0:27:51 | |
Especially a strange bike, yeah. | 0:27:51 | 0:27:53 | |
Very much so. So they sort of abandoned the idea. | 0:27:53 | 0:27:56 | |
But the bikes continued to be made. | 0:27:56 | 0:27:58 | |
And they made over 3,500 during World War II, | 0:27:58 | 0:28:01 | |
different formats of them. | 0:28:01 | 0:28:03 | |
This is the actual size of the bike used. | 0:28:03 | 0:28:07 | |
-It is a fabulous piece of design, isn't it? -It is, really clever. | 0:28:07 | 0:28:10 | |
Obviously, the saddle raises up, the handlebars raise up. | 0:28:10 | 0:28:13 | |
You can get on this within a minute or so of landing on the ground. | 0:28:13 | 0:28:17 | |
The most ambitious covert project that took place here was | 0:28:20 | 0:28:23 | |
Operation Jedburgh. | 0:28:23 | 0:28:25 | |
A creation of the British and Americans, | 0:28:25 | 0:28:27 | |
the clandestine units were designed to operate behind enemy lines. | 0:28:27 | 0:28:32 | |
It ran from 1944 until the end of the war. | 0:28:32 | 0:28:35 | |
Recruited and trained in total secrecy, | 0:28:37 | 0:28:39 | |
the units would be made up | 0:28:39 | 0:28:41 | |
of three men from Britain, France and America. | 0:28:41 | 0:28:44 | |
Their job was to coordinate resistance groups | 0:28:44 | 0:28:46 | |
and help supply, arm and train them. | 0:28:46 | 0:28:49 | |
Brit Harry Verlander was one of the agents. | 0:28:49 | 0:28:53 | |
Harry Verlander was a Jedburgh wireless operator. | 0:28:53 | 0:28:56 | |
And these are all his various artefacts | 0:28:56 | 0:28:59 | |
and bits of memorabilia from his wartime service. | 0:28:59 | 0:29:02 | |
It's quite a unique exhibit, I think, of one person | 0:29:02 | 0:29:06 | |
and his different things from his service initially with | 0:29:06 | 0:29:09 | |
the Home Guard, the King's Own Royal Rifles... | 0:29:09 | 0:29:13 | |
-Trophies of war. -Very much so, yes. | 0:29:13 | 0:29:16 | |
Harry dodged many dangers, | 0:29:18 | 0:29:20 | |
but one story demonstrated his particular style of ingenuity. | 0:29:20 | 0:29:24 | |
The story related to you, it was the time | 0:29:25 | 0:29:28 | |
when he was going to be taken by some Germans. | 0:29:28 | 0:29:30 | |
He knew this trick, apparently - if you pee or urinate at the bottom | 0:29:30 | 0:29:33 | |
of a tree, it will stop dogs from finding you or chasing you. | 0:29:33 | 0:29:37 | |
So he peed at the bottom of the tree, climbed up it | 0:29:37 | 0:29:39 | |
and the Germans missed him. | 0:29:39 | 0:29:41 | |
-Really? -So he was... Yeah. Clearly, it worked cos he wasn't captured. | 0:29:41 | 0:29:45 | |
-Perfect. -A very brave man. As they all were. | 0:29:45 | 0:29:48 | |
It's been absolutely fascinating, Clive. And I am amazed... | 0:29:48 | 0:29:53 | |
Just shows you what training do. I'm amazed how successful they were. | 0:29:53 | 0:29:57 | |
Nearly 7,000 men were involved in the covert operations | 0:29:57 | 0:30:02 | |
that took place here. | 0:30:02 | 0:30:04 | |
Without question, the work done by everyone | 0:30:04 | 0:30:06 | |
involved in resistance groups helped ensure victory for the Allies. | 0:30:06 | 0:30:11 | |
I go away a wiser and humbler man. | 0:30:12 | 0:30:15 | |
-It was a pleasure to meet you, James. -Thank you. -Thank you. | 0:30:15 | 0:30:17 | |
Talking of brave and courageous men, | 0:30:25 | 0:30:27 | |
let's see how Charlie is getting on in The Old Bakehouse Antiques. | 0:30:27 | 0:30:31 | |
Aha! | 0:30:32 | 0:30:34 | |
Churchill, bulldog spirit. | 0:30:34 | 0:30:36 | |
That's up as Beswick model there, Toby jug of Churchill. | 0:30:37 | 0:30:43 | |
And it's got one of his great speeches on the scroll here. | 0:30:43 | 0:30:47 | |
"We shall fight on the beaches, the landing grounds, | 0:30:47 | 0:30:50 | |
"in the fields, in the streets and on the hills. | 0:30:50 | 0:30:53 | |
"We shall never surrender." | 0:30:53 | 0:30:56 | |
1940. | 0:30:56 | 0:30:57 | |
They've paraphrased what he said there a little bit | 0:30:57 | 0:31:00 | |
in order to get it onto their scroll. | 0:31:00 | 0:31:02 | |
Beswick Pottery began in the 19th century and produced | 0:31:04 | 0:31:07 | |
a lot of commemorative and advertising wares like this one. | 0:31:07 | 0:31:10 | |
The price tag on the jug is £60. | 0:31:10 | 0:31:13 | |
Still quite collectible. | 0:31:14 | 0:31:16 | |
It'll probably come off the boil a bit. I don't think it's... | 0:31:16 | 0:31:19 | |
unrealistically priced. Not a bad likeness. | 0:31:19 | 0:31:23 | |
You could not mistake that for Churchill. | 0:31:23 | 0:31:27 | |
There he is, the great man. | 0:31:27 | 0:31:30 | |
£60. | 0:31:30 | 0:31:32 | |
I think that is... | 0:31:32 | 0:31:33 | |
..more or less worth the money. I've seen a projector. | 0:31:35 | 0:31:40 | |
I've seen that, I think, fabulous child's bamboo push chair. | 0:31:40 | 0:31:46 | |
The sum total of these objects is comfortably over £200. | 0:31:46 | 0:31:51 | |
I've got £106.76 in total. | 0:31:51 | 0:31:57 | |
There is no need to fib to Steve. | 0:31:57 | 0:32:00 | |
You just never know in life. | 0:32:00 | 0:32:01 | |
Nothing ventured, nothing gained. | 0:32:01 | 0:32:03 | |
Time to strike a deal. Where is Steve? | 0:32:06 | 0:32:08 | |
Well, I think you've got a fantastic mix here. | 0:32:09 | 0:32:12 | |
I've got three things I've completely fallen in love with. | 0:32:12 | 0:32:15 | |
-There is a projector upstairs with its original box. -Yeah. | 0:32:15 | 0:32:18 | |
There is a real talking point, which is that bamboo push chair. | 0:32:18 | 0:32:22 | |
The other thing, completely differently, | 0:32:22 | 0:32:24 | |
is Mr Bulldog Spirit here, Winston Churchill, | 0:32:24 | 0:32:27 | |
simply because I need a bit of that bulldog spirit | 0:32:27 | 0:32:30 | |
to beat old Bingo. | 0:32:30 | 0:32:32 | |
And some extra cash. | 0:32:32 | 0:32:34 | |
I'm not going to beat around the bush, I mean, | 0:32:34 | 0:32:36 | |
I like those three things. | 0:32:36 | 0:32:37 | |
I don't suppose I'd be able to buy those three things, | 0:32:37 | 0:32:40 | |
but I'll tell you what I've got. I've got £106.76. | 0:32:40 | 0:32:44 | |
I can't add to it because that's all I've got. | 0:32:44 | 0:32:48 | |
-I mean, you're adding up to 230-odd quid. I mean, that's... -Yeah. | 0:32:48 | 0:32:51 | |
-It depends on what these things have cost. -Yeah. | 0:32:51 | 0:32:54 | |
If I can't buy the three things... | 0:32:54 | 0:32:57 | |
-No, I think we can... -Do you think you could? | 0:32:57 | 0:32:59 | |
The projector's sat around for a while, so I'd like to get it gone. | 0:32:59 | 0:33:01 | |
-Has it? -You know, cos you're only taking dust. | 0:33:01 | 0:33:03 | |
You take the dust with you, don't you? | 0:33:03 | 0:33:05 | |
I'll take the dust, I'll clean it, I'll do your washing up... | 0:33:05 | 0:33:08 | |
That's good. Oh, yeah, if you're doing the washing up as well... | 0:33:08 | 0:33:11 | |
Would you take all I've got for those three? Are you sure? | 0:33:11 | 0:33:14 | |
I don't want you... | 0:33:14 | 0:33:15 | |
When I walk out of that door, I don't want you to think, | 0:33:15 | 0:33:18 | |
"Mr Ross, honestly!" | 0:33:18 | 0:33:19 | |
No, I'll just phone the police. "I've just been robbed." | 0:33:19 | 0:33:22 | |
-You are the best dealer I've ever met in my life! -Thanks. | 0:33:22 | 0:33:25 | |
-Shake me by the hand. You sure? -Oh, yeah... | 0:33:25 | 0:33:28 | |
Yeah, let me have it, please. | 0:33:28 | 0:33:30 | |
Please. And the change. | 0:33:30 | 0:33:32 | |
Well done, Charlie. | 0:33:32 | 0:33:33 | |
He has blown the last of his cash on three items - | 0:33:33 | 0:33:37 | |
the cine projector for £40, | 0:33:37 | 0:33:39 | |
the push chair for 30 | 0:33:39 | 0:33:40 | |
and Churchill jug for £36.76. | 0:33:40 | 0:33:45 | |
That plucky display of buying | 0:33:47 | 0:33:50 | |
and big discounts wraps up our shopping trip. | 0:33:50 | 0:33:53 | |
Charlie has bought a total of five items - | 0:33:53 | 0:33:55 | |
the 1930s leather valise, | 0:33:55 | 0:33:58 | |
the antique mirror, | 0:33:58 | 0:34:00 | |
the cine projector, | 0:34:00 | 0:34:02 | |
the Edwardian push chair and the Beswick Churchill jug. | 0:34:02 | 0:34:06 | |
His purse is empty. £148.76 gone! | 0:34:06 | 0:34:11 | |
James has four items - the 1960s West German vase, | 0:34:13 | 0:34:18 | |
the African tribal stool, | 0:34:18 | 0:34:20 | |
the decorative shield | 0:34:20 | 0:34:23 | |
and the 1920s woodblock print. | 0:34:23 | 0:34:26 | |
He is reluctant to let go of his profits | 0:34:26 | 0:34:29 | |
and has been very thrifty, spending a total of just £75. | 0:34:29 | 0:34:33 | |
But what do they think of one another's buys? | 0:34:34 | 0:34:37 | |
You give him over £400 and he spends 75 on, frankly... | 0:34:40 | 0:34:45 | |
-WHISPERS: -a load of nonsense! | 0:34:45 | 0:34:47 | |
-IMPERSONATES CHURCHILL: -'I shall fight him on the beaches.' | 0:34:47 | 0:34:50 | |
A ghastly vase for £10. | 0:34:50 | 0:34:53 | |
The over mantle mirror. | 0:34:53 | 0:34:54 | |
OK, the plate has gone. | 0:34:54 | 0:34:56 | |
There is very little silvering. | 0:34:56 | 0:34:59 | |
So you've got a sort of calcified piece of glass there. | 0:34:59 | 0:35:02 | |
I think all of those things might make a profit simply | 0:35:02 | 0:35:05 | |
because he's been so stingy! | 0:35:05 | 0:35:07 | |
Would I swap my lots for his? No. | 0:35:07 | 0:35:11 | |
OK. | 0:35:11 | 0:35:12 | |
Charlie and James are travelling south to Bourne End, | 0:35:16 | 0:35:18 | |
in Buckinghamshire. | 0:35:18 | 0:35:20 | |
-MIMICS CHURCHILL: -'We shall fight in the Zephyr, | 0:35:22 | 0:35:24 | |
-'we'll fight in the salerooms.' -Yeah. | 0:35:24 | 0:35:26 | |
'We shall fight in the shops! | 0:35:26 | 0:35:30 | |
-'We shall never surrender.' -Yes. | 0:35:30 | 0:35:32 | |
-'This shall be our finest hour.' -CHARLIE LAUGHS | 0:35:32 | 0:35:36 | |
Was that Churchill? Ha! | 0:35:36 | 0:35:39 | |
Bourne End Auctions is where we're headed. | 0:35:39 | 0:35:42 | |
We're here. Bourne End Auction Rooms. | 0:35:42 | 0:35:44 | |
This, remember this, Bingo. | 0:35:44 | 0:35:46 | |
-Because this is when it turned round. -Really? | 0:35:46 | 0:35:49 | |
This is where your frugal behaviour comes back to bite you. | 0:35:49 | 0:35:53 | |
Ah-ha-ha! | 0:35:53 | 0:35:54 | |
Taking to the rostrum today is auctioneer Simon Brown. | 0:35:56 | 0:36:00 | |
What does he think of the gaggle of goodies from James and Charlie? | 0:36:00 | 0:36:04 | |
The 1920s block print, I think you might struggle with that. | 0:36:05 | 0:36:09 | |
The 1950s projector, I think, will be the winner today. | 0:36:09 | 0:36:13 | |
I can see that making 80 to 120. | 0:36:13 | 0:36:16 | |
Sounds promising. | 0:36:16 | 0:36:18 | |
All quiet then, the auction is about to begin. | 0:36:18 | 0:36:21 | |
First to go is Charlie with his leather valise. | 0:36:23 | 0:36:26 | |
Start me at £30, please, for this lot. | 0:36:26 | 0:36:29 | |
-20 then to start. 20, anybody interested? -Ten. | 0:36:29 | 0:36:32 | |
-20? -Ten. -20? Nobody interested? | 0:36:32 | 0:36:35 | |
Ten to start. Ten I'm bid. Got you at ten. | 0:36:35 | 0:36:37 | |
-You got a bidder. -I recognise that lady. | 0:36:37 | 0:36:39 | |
Never mind the lady, Charlie. | 0:36:39 | 0:36:41 | |
-Are we all done at ten on my left? -JAMES LAUGHS | 0:36:41 | 0:36:45 | |
That buyer has got a great deal there. | 0:36:45 | 0:36:49 | |
-Estimate - 40 to 60. -Excellent! | 0:36:49 | 0:36:52 | |
James's West German vase is next. | 0:36:52 | 0:36:55 | |
£10. Ten I'm bid. Yours at ten. | 0:36:55 | 0:36:58 | |
-Bingo, you are already in at ten. -12. -14. | 0:36:58 | 0:37:00 | |
16. 18. 20. 20. 22. | 0:37:00 | 0:37:04 | |
25. | 0:37:04 | 0:37:05 | |
25. 22 on my right. | 0:37:05 | 0:37:07 | |
Selling at 22. Are we all done at 22? | 0:37:07 | 0:37:09 | |
Got you at 22 on my right now. | 0:37:09 | 0:37:12 | |
22. | 0:37:12 | 0:37:13 | |
There we are. | 0:37:13 | 0:37:15 | |
All smiles for James as he starts off with a profit. | 0:37:15 | 0:37:18 | |
It is Charlie's rosewood mirror next. | 0:37:21 | 0:37:24 | |
Start me at £30, please, for this lot. 30. Anybody interested at 30? | 0:37:24 | 0:37:29 | |
Nobody interested at 30? 20 then start. | 0:37:29 | 0:37:32 | |
20, anybody interested? Nobody interested? No? | 0:37:32 | 0:37:35 | |
I am moving on. | 0:37:35 | 0:37:37 | |
-Lot 36 is... -JAMES LAUGHS | 0:37:37 | 0:37:39 | |
What do you mean "moving on"? | 0:37:39 | 0:37:41 | |
He's moving on. | 0:37:41 | 0:37:43 | |
Uh-oh. This no sale means it will be added into your next leg's auction. | 0:37:43 | 0:37:48 | |
-Moving on. -Do you think he might not sell any of my items? | 0:37:48 | 0:37:53 | |
Surely not. | 0:37:53 | 0:37:54 | |
It's James's tribal stool next. | 0:37:56 | 0:37:59 | |
Who will start me at 20, please, for this lot? 20 I'm bid. | 0:37:59 | 0:38:02 | |
22. 25. 27. 30. 32. | 0:38:02 | 0:38:06 | |
35. 37. 40. 42. 45. 47. | 0:38:06 | 0:38:10 | |
50. 55. 60. 65. 60 in the corner. | 0:38:10 | 0:38:14 | |
Selling at 60. Yours at 60. Are we all done at 60? | 0:38:14 | 0:38:17 | |
On my right. Selling at 60 now. | 0:38:17 | 0:38:20 | |
Marvellous! | 0:38:20 | 0:38:22 | |
Absolutely. Thank the good people of Bourne. | 0:38:22 | 0:38:25 | |
Well done, James, another great outfit. | 0:38:25 | 0:38:27 | |
James is in the lead. | 0:38:29 | 0:38:30 | |
Can Charlie ramp up his profits with the cine projector? | 0:38:30 | 0:38:34 | |
Who will start me at £30, please, for this? | 0:38:34 | 0:38:36 | |
-30 I'm bid. Yours at 30. -What? -Are we all done at 30? | 0:38:36 | 0:38:39 | |
Maiden bid. Selling at 30 on my left. Yours at 30. | 0:38:39 | 0:38:43 | |
With William, are we all done at £30 now? | 0:38:43 | 0:38:46 | |
Marvellous, that's only a small loss there. | 0:38:46 | 0:38:49 | |
At least you got a bid on that. | 0:38:49 | 0:38:51 | |
Yeah, but not a profit. | 0:38:51 | 0:38:53 | |
Maybe blowing the whole budget was a bit hasty. | 0:38:53 | 0:38:56 | |
Don't dwell on the figures, Charlie. | 0:38:56 | 0:38:59 | |
I've got to because I've got to go shopping again, Bingo. | 0:38:59 | 0:39:02 | |
And at this rate, I won't even be able to buy a West German vase. | 0:39:02 | 0:39:05 | |
-Oh, you spent...? -I spent all my money! | 0:39:05 | 0:39:08 | |
-JAMES LAUGHS -So... | 0:39:08 | 0:39:10 | |
Oops, Charlie! | 0:39:10 | 0:39:11 | |
James's turn now with the big decorative shield. | 0:39:13 | 0:39:16 | |
Who will start me at £50, please, for this lot? 40 then to start. | 0:39:16 | 0:39:20 | |
40 anybody interested? 40 I'm bid. | 0:39:20 | 0:39:22 | |
With Martin at 40. Yours at 40. 42. 45. 45 with Martin. | 0:39:22 | 0:39:27 | |
Selling at 45. Are we all done at 45? Got you at 45 on my left now. | 0:39:27 | 0:39:32 | |
That'll do me. | 0:39:32 | 0:39:34 | |
JAMES LAUGHS | 0:39:34 | 0:39:36 | |
So far, James is enjoying profits on every item. | 0:39:38 | 0:39:40 | |
In round terms, | 0:39:40 | 0:39:42 | |
-it's the biggest ever thrashing... -Really, why? -..in Road Trip history. | 0:39:42 | 0:39:47 | |
Profit, loss. Profit, not even a bid. | 0:39:47 | 0:39:51 | |
Profit, loss. | 0:39:51 | 0:39:52 | |
Are we setting a trend here now? | 0:39:52 | 0:39:55 | |
For your sake, Charlie, let's hope not. | 0:39:55 | 0:39:57 | |
It's your Edwardian push chair next. | 0:39:59 | 0:40:02 | |
Who will start me at £50, please, for this lot? Interesting lot at 50. | 0:40:02 | 0:40:06 | |
Anybody interested? 40 then to start. 40, nobody interested? | 0:40:06 | 0:40:10 | |
40 I'm bid. Selling at 40. Yours at 40. 42. | 0:40:10 | 0:40:14 | |
45. 42 in front. | 0:40:14 | 0:40:15 | |
Selling at 42. Are we all done at 42? | 0:40:15 | 0:40:18 | |
On my left now, got you at 42. | 0:40:18 | 0:40:21 | |
Well done. | 0:40:21 | 0:40:22 | |
A profit, hurrah! But sadly, not enough to catch up with James. | 0:40:23 | 0:40:27 | |
-Well done. -Keep the hanky in reserve. | 0:40:28 | 0:40:31 | |
Well, that goes into the kitty. | 0:40:31 | 0:40:33 | |
It's James's last item of the day - a woodblock print. | 0:40:33 | 0:40:38 | |
Who will start me at £20, please, for this lot? | 0:40:38 | 0:40:41 | |
20, anybody interested? At 20. | 0:40:41 | 0:40:44 | |
Ten then to start. £10. Ten I'm bid. Selling at ten. | 0:40:44 | 0:40:47 | |
-Ten? -Are we all done? | 0:40:47 | 0:40:48 | |
Maiden bid, got you at ten. Selling at £10 just in front now. | 0:40:48 | 0:40:53 | |
First loss of the day, though, for you, James. | 0:40:53 | 0:40:56 | |
And you are still way ahead of Charlie. | 0:40:56 | 0:40:58 | |
-MIMICS CHURCHILL: -'We shall fight them on the beaches. | 0:40:58 | 0:41:02 | |
'We shall fight them on their soft furnishings.' | 0:41:02 | 0:41:05 | |
Enough of the Churchill impressions! | 0:41:06 | 0:41:09 | |
It's all or nothing with Charlie's last lot of the day - | 0:41:09 | 0:41:12 | |
the Churchill jug. | 0:41:12 | 0:41:14 | |
Wouldn't it be fun if he got to my character jug and said, | 0:41:14 | 0:41:17 | |
"I have four commission bids." | 0:41:17 | 0:41:20 | |
-Yeah. -"And I'm going to start at 320." | 0:41:20 | 0:41:24 | |
It would be fun. | 0:41:24 | 0:41:25 | |
Unbelievable, but fun. | 0:41:25 | 0:41:28 | |
It would be. | 0:41:28 | 0:41:29 | |
-MIMICS CHURCHILL: -'My last chance... | 0:41:29 | 0:41:31 | |
'for profit.' | 0:41:31 | 0:41:32 | |
100, I'm bid. 110. 120. | 0:41:32 | 0:41:35 | |
130. 140. 150. | 0:41:35 | 0:41:37 | |
160. 170. 180. 190. | 0:41:37 | 0:41:40 | |
180 standing. Selling at 180. Are we all done at 180? | 0:41:40 | 0:41:44 | |
Yours at 180. | 0:41:44 | 0:41:45 | |
Winston's has come good. | 0:41:48 | 0:41:50 | |
-'We did fight them on the beaches.' -We did. | 0:41:50 | 0:41:53 | |
Unbelievable! Saved by Winston at the 11th hour, Charlie. | 0:41:54 | 0:41:58 | |
Excellent stuff. | 0:41:58 | 0:42:00 | |
-That is a surprise. -COCKILY: -Well, I don't think so... | 0:42:00 | 0:42:04 | |
JAMES LAUGHS | 0:42:04 | 0:42:07 | |
Has Charlie done enough to get back into the game? | 0:42:08 | 0:42:11 | |
James started the third leg with £433.50. | 0:42:12 | 0:42:16 | |
His frugality made him a profit | 0:42:16 | 0:42:18 | |
of £37.34 after auction house costs. | 0:42:18 | 0:42:24 | |
James has a total of £470.84 for the next leg. | 0:42:24 | 0:42:29 | |
Charlie began this leg with £148.76. | 0:42:32 | 0:42:37 | |
Astounding success with the Churchill jug means that | 0:42:37 | 0:42:40 | |
Charlie wins this leg with a profit of £66.08 after costs. | 0:42:40 | 0:42:46 | |
He now has £214.84 to take forwards. | 0:42:46 | 0:42:50 | |
Until next time, chaps! | 0:42:54 | 0:42:55 | |
Next time on Antiques Road Trip, | 0:43:01 | 0:43:03 | |
Charlie reminisces... | 0:43:03 | 0:43:04 | |
It's back-to-school! | 0:43:04 | 0:43:07 | |
..while James offers household tips. | 0:43:07 | 0:43:09 | |
Always good to introduce into a home | 0:43:09 | 0:43:11 | |
-a dusting nightmare, isn't it? -DEALER LAUGHS | 0:43:11 | 0:43:14 |