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It's the nation's favourite antiques experts. | 0:00:02 | 0:00:04 | |
This is beautiful. | 0:00:04 | 0:00:05 | |
That's the way to do this. | 0:00:05 | 0:00:06 | |
With £200 each, a classic car and a goal - to scour for antiques. | 0:00:06 | 0:00:12 | |
Joy. | 0:00:12 | 0:00:13 | |
-Hello. -The aim, to make the biggest profit at auction | 0:00:13 | 0:00:16 | |
but it's no mean feat. | 0:00:16 | 0:00:18 | |
HE LAUGHS | 0:00:18 | 0:00:19 | |
There'll be worthy winners and valiant losers. | 0:00:19 | 0:00:22 | |
Sorry! Sorry! Sorry! | 0:00:22 | 0:00:24 | |
So, will it be the high road to glory | 0:00:24 | 0:00:25 | |
or the slow road to disaster? | 0:00:25 | 0:00:28 | |
The handbrake's on! | 0:00:28 | 0:00:29 | |
This is Antiques Roadtrip. | 0:00:29 | 0:00:31 | |
Yeah! | 0:00:33 | 0:00:35 | |
ROCK AND ROLL MUSIC | 0:00:35 | 0:00:38 | |
It's the final leg of this week's adventure | 0:00:40 | 0:00:43 | |
with our top auctioneers, James Braxton and Charlie Ross. | 0:00:43 | 0:00:46 | |
Do you know, I'm going to miss this. I'm going to miss the car... | 0:00:49 | 0:00:52 | |
I'm going miss the car. | 0:00:52 | 0:00:53 | |
-I'm going to miss you. -I'm going to miss you, Charlie. | 0:00:53 | 0:00:56 | |
It's been as much fun as my first road trip with you. | 0:00:56 | 0:01:00 | |
But all good things must come to an end. | 0:01:01 | 0:01:04 | |
Roadtrip veteran and auctioneer Charlie... | 0:01:04 | 0:01:07 | |
-Arghh! -LAUGHTER | 0:01:07 | 0:01:10 | |
..is ever the entertainer. | 0:01:10 | 0:01:12 | |
-What do you reckon? -Uncanny. | 0:01:12 | 0:01:14 | |
Oh, arm up a bit more. | 0:01:14 | 0:01:16 | |
While his partner in crime, fellow auctioneer James, | 0:01:17 | 0:01:20 | |
takes a more relaxed approach to things. | 0:01:20 | 0:01:23 | |
-Bring the arms up... -HE INHALES DEEPLY | 0:01:23 | 0:01:27 | |
..and bringing your toes down on the floor slowly, slowly, slowly. | 0:01:27 | 0:01:31 | |
-CHARLIE GROANS -Do you feel that? | 0:01:31 | 0:01:33 | |
On this journey, our boys have been touring around | 0:01:34 | 0:01:38 | |
in a 1961 Ford Zephyr, | 0:01:38 | 0:01:40 | |
manufactured before seat belts were legally required. | 0:01:40 | 0:01:44 | |
I did early-morning yoga today. | 0:01:44 | 0:01:46 | |
Ah, that could take you back a bit | 0:01:46 | 0:01:49 | |
because I've noticed that since you gave up yoga, | 0:01:49 | 0:01:51 | |
-you've been much better at... -LAUGHTER DROWNS SPEECH | 0:01:51 | 0:01:54 | |
No. No, the brain is reoxygenated. | 0:01:54 | 0:01:57 | |
-Oh, is it? -I am on form. | 0:01:57 | 0:02:00 | |
We shall see. Huh! | 0:02:00 | 0:02:02 | |
After starting this trip with £200 in his pocket, | 0:02:02 | 0:02:05 | |
Charlie now has £258.74 to play with today. | 0:02:05 | 0:02:10 | |
While James has more than doubled his original 200 stake | 0:02:12 | 0:02:16 | |
and starts this final leg with £464.38. | 0:02:16 | 0:02:21 | |
Awesome! | 0:02:21 | 0:02:22 | |
That's a modern word. | 0:02:22 | 0:02:24 | |
I would urge you not to throw in all your money. | 0:02:24 | 0:02:28 | |
Yeah, but can't you see this is the only way I have of beating you? | 0:02:28 | 0:02:32 | |
Well, winning is the name of the game, actually. | 0:02:32 | 0:02:35 | |
Their trip began in the Lincolnshire town of Boston | 0:02:37 | 0:02:40 | |
and meandered through Norfolk, Cambridgeshire, | 0:02:40 | 0:02:42 | |
up to Leicestershire, before heading south | 0:02:42 | 0:02:45 | |
towards the final destination | 0:02:45 | 0:02:46 | |
in the Surrey town of Cobham. | 0:02:46 | 0:02:49 | |
Our boys start their last leg in Brasted, Kent, | 0:02:49 | 0:02:53 | |
before finishing at their very last auction in Cobham. | 0:02:53 | 0:02:56 | |
James is kicking off proceedings today in Brasted. | 0:02:56 | 0:03:00 | |
Situated between the towns of Sevenoaks and Westerham, | 0:03:00 | 0:03:03 | |
this pretty little village was once home | 0:03:03 | 0:03:06 | |
to Napoleon Bonaparte's nephew, Napoleon III. Huh! | 0:03:06 | 0:03:10 | |
So, let battle commence. | 0:03:10 | 0:03:13 | |
An antique shop. | 0:03:19 | 0:03:22 | |
What a revelation. | 0:03:22 | 0:03:24 | |
What exactly were you expecting, James? | 0:03:24 | 0:03:26 | |
One of the longest-running antique dealerships in Kent, | 0:03:29 | 0:03:32 | |
Courtyard Antiques, is jam-packed with potential buys. | 0:03:32 | 0:03:37 | |
This is lovely to have all this choice. | 0:03:37 | 0:03:39 | |
Choice, choice, choice. | 0:03:39 | 0:03:41 | |
Ah, here's a nice bit. It's a really fun faux caddy. | 0:03:42 | 0:03:46 | |
Now, this is when biscuit makers were making serious money. | 0:03:46 | 0:03:51 | |
They used to produce novelty biscuit tins. | 0:03:51 | 0:03:54 | |
Things that people... | 0:03:54 | 0:03:55 | |
You know, resourceful, this was a time of thrift, | 0:03:55 | 0:03:58 | |
you'd buy your biscuits, biscuits would be nicely packed in there | 0:03:58 | 0:04:02 | |
and then you could use it as your tea caddy. | 0:04:02 | 0:04:05 | |
Beautifully done, all painted and it's all tin. | 0:04:05 | 0:04:08 | |
And there we are, | 0:04:08 | 0:04:09 | |
William Crawford & Sons - biscuit manufacturers. | 0:04:09 | 0:04:12 | |
Edinburgh, Liverpool and London. | 0:04:12 | 0:04:15 | |
By royal appointment. | 0:04:15 | 0:04:16 | |
What have we got on it? | 0:04:16 | 0:04:18 | |
-£38. -One to consider. | 0:04:18 | 0:04:21 | |
-JAMES SIGHS -What have we got here? | 0:04:21 | 0:04:23 | |
So, we've got lots of small things. | 0:04:23 | 0:04:26 | |
What's this? What's this? What does it say on the label? | 0:04:26 | 0:04:29 | |
18th-century cannonball retrieved from the River Thames by a mudlark. | 0:04:29 | 0:04:35 | |
Now, mudlarks are those funny people at low tide | 0:04:35 | 0:04:39 | |
who rush round the embankment finding things | 0:04:39 | 0:04:41 | |
and that is a cannonball. | 0:04:41 | 0:04:43 | |
History at £12. | 0:04:43 | 0:04:45 | |
Right, can a deal be done with Hugh? | 0:04:45 | 0:04:48 | |
What generously can you do on that? Is there a discount on that? | 0:04:48 | 0:04:52 | |
Yeah, I think we can go to ten for that. | 0:04:52 | 0:04:54 | |
-Ten. Put it there, Hugh. -OK. | 0:04:54 | 0:04:56 | |
-Come on. That's the first one, first one done. -OK, good. | 0:04:56 | 0:04:58 | |
Come on, come with me. | 0:04:58 | 0:05:01 | |
£10 secures James the first item bought on this leg. | 0:05:01 | 0:05:06 | |
What about that faux tea caddy, James? Still interested? | 0:05:08 | 0:05:12 | |
I think the very, very, very best would have to be £30. | 0:05:12 | 0:05:17 | |
£30? Come on, put it there. | 0:05:17 | 0:05:18 | |
-30. -Thank you. | 0:05:18 | 0:05:20 | |
There we are, I've got a cannonball and I've got a tea caddy | 0:05:20 | 0:05:23 | |
and I'll give a prize for any sort of connection between the two, OK? | 0:05:23 | 0:05:28 | |
Answers on a postcard, please. Address them to James, not me. | 0:05:28 | 0:05:32 | |
Now, what's he found? | 0:05:32 | 0:05:34 | |
An interesting light pendant, me thinks. | 0:05:34 | 0:05:37 | |
I like that. | 0:05:40 | 0:05:41 | |
A nice bit of frosted glass, Art Deco. | 0:05:41 | 0:05:44 | |
It's got quite a lot going for it - | 0:05:44 | 0:05:46 | |
stylised flowers, nice weight to it and a nice metal thing. | 0:05:46 | 0:05:51 | |
Complete with string. | 0:05:51 | 0:05:53 | |
Complete with string, even with string. | 0:05:53 | 0:05:55 | |
-We'll throw the string in. -What does it say? | 0:05:55 | 0:05:57 | |
"£10, no trade, cost only." | 0:05:57 | 0:06:00 | |
Done. | 0:06:00 | 0:06:02 | |
-Crikey! -There you are. | 0:06:02 | 0:06:03 | |
Fast business, eh? £10 for the light pendant. | 0:06:04 | 0:06:07 | |
Some bold buying in James' very first shop, secures him three lots. | 0:06:07 | 0:06:12 | |
Charlie, meanwhile, has made his way to Westerham. | 0:06:16 | 0:06:19 | |
He's having a relaxed start to his day | 0:06:19 | 0:06:22 | |
with a visit to Quebec House, | 0:06:22 | 0:06:24 | |
the childhood home of one of Britain's unsung military heroes. | 0:06:24 | 0:06:29 | |
-Hello, I'm Trevor. -Good morning. -Welcome to Quebec House. | 0:06:29 | 0:06:32 | |
By the middle of the 18th century, | 0:06:32 | 0:06:34 | |
European nations were building their empires | 0:06:34 | 0:06:36 | |
and the British Empire was expanding fast. | 0:06:36 | 0:06:39 | |
One daring commander, Major General James Wolfe, | 0:06:40 | 0:06:44 | |
led a pivotal attack that resulted in British rule in Canada | 0:06:44 | 0:06:48 | |
and contributed to the British Empire | 0:06:48 | 0:06:50 | |
becoming the biggest the world had ever seen. | 0:06:50 | 0:06:54 | |
Here to tell Charlie more is guide, Trevor Gaston. | 0:06:54 | 0:06:58 | |
-This was his childhood home. -Right. | 0:06:58 | 0:06:59 | |
And he joined the Army as an officer cadet at the age of 13. | 0:06:59 | 0:07:03 | |
At the age of 14, second lieutenant in charge of men... | 0:07:03 | 0:07:06 | |
-No! My goodness. -..and going to war. | 0:07:06 | 0:07:09 | |
Yeah. Fighting at 14. | 0:07:09 | 0:07:12 | |
Crumbs, that's remarkable. | 0:07:12 | 0:07:14 | |
I think if you were big enough to hold a sword, you could fight. | 0:07:14 | 0:07:18 | |
-And where did he first fight? In Europe? -In Europe, Dettingen. | 0:07:18 | 0:07:21 | |
And he obviously did well. | 0:07:21 | 0:07:23 | |
He did very well. | 0:07:23 | 0:07:25 | |
He was mentioned in dispatches. | 0:07:25 | 0:07:27 | |
His horse was shot from beneath him... | 0:07:27 | 0:07:29 | |
-Yeah. -..and he carried on fighting. | 0:07:29 | 0:07:31 | |
By 1759, Britain and France were at war | 0:07:31 | 0:07:34 | |
over control in North America and Canada. | 0:07:34 | 0:07:37 | |
Having gained a reputation as a strong and decisive leader, | 0:07:40 | 0:07:43 | |
Wolfe was chosen, at the age of 32, | 0:07:43 | 0:07:46 | |
to lead the campaign to capture Quebec, a crucial French stronghold. | 0:07:46 | 0:07:51 | |
It took 100 ships to get them there. | 0:07:53 | 0:07:56 | |
God. How long did it take to get there? | 0:07:56 | 0:07:57 | |
They started in March and arrived in May. | 0:07:57 | 0:08:01 | |
-Really? -And this to Wolfe would have been an absolute nightmare | 0:08:01 | 0:08:03 | |
-cos he was violently seasick. -Oh, dear. | 0:08:03 | 0:08:06 | |
-He wasn't a good traveller. -No. | 0:08:06 | 0:08:08 | |
In fact, his mother made a pronouncement when he was 14 | 0:08:08 | 0:08:10 | |
that "water and my son do not mix." | 0:08:10 | 0:08:13 | |
CHARLIE LAUGHS | 0:08:13 | 0:08:15 | |
Wolfe experienced months of frustration and ill health. | 0:08:15 | 0:08:19 | |
Many thought the operation would fail. | 0:08:19 | 0:08:21 | |
Then, at dawn on 13 September, | 0:08:21 | 0:08:23 | |
helped by Native American guides, Wolfe led his men into battle. | 0:08:23 | 0:08:29 | |
The British had already identified the Heights of Abraham | 0:08:30 | 0:08:32 | |
-as being a strategic point. -Yeah. | 0:08:32 | 0:08:34 | |
And Wolfe landed the 4,000 men in four hours. | 0:08:34 | 0:08:38 | |
Started at 2.00 in the morning | 0:08:38 | 0:08:40 | |
and by 6.00 he was ready. | 0:08:40 | 0:08:42 | |
-Took the French by surprise. -Yeah. | 0:08:42 | 0:08:44 | |
The French had to march through Quebec to attack Wolfe. | 0:08:44 | 0:08:47 | |
-And then the battle? -Then the battle. | 0:08:47 | 0:08:48 | |
-And how long did the battle last? -20 minutes. | 0:08:48 | 0:08:50 | |
-20 minutes? -20 minutes. | 0:08:50 | 0:08:52 | |
-Crikey! That's very one-sided. -It was. | 0:08:52 | 0:08:55 | |
The French really weren't prepared. | 0:08:55 | 0:08:57 | |
Sadly, Wolfe was fatally wounded early in the battle | 0:08:57 | 0:09:01 | |
but lived long enough to hear of his victory. | 0:09:01 | 0:09:04 | |
Do we know exactly how he died? | 0:09:06 | 0:09:08 | |
He took two musket balls to the chest. | 0:09:08 | 0:09:10 | |
-Two? -Two. | 0:09:10 | 0:09:12 | |
He was wounded before that, he took a musket graze to the wrist | 0:09:12 | 0:09:16 | |
and one to the thigh and two of those... | 0:09:16 | 0:09:18 | |
-That would do for you. -You wouldn't last very long. | 0:09:20 | 0:09:22 | |
-They're heavy. -Indeed. | 0:09:22 | 0:09:24 | |
# "Well done, me lads," General Wolfe did say... # | 0:09:24 | 0:09:31 | |
So, this man, having won this battle - | 0:09:31 | 0:09:34 | |
his body was brought home - became an instant legend. | 0:09:34 | 0:09:36 | |
A national hero. | 0:09:36 | 0:09:38 | |
And the whole country must have been amazed and thrilled | 0:09:38 | 0:09:42 | |
-with what he'd done. -Yeah. He turned the tide of the war. | 0:09:42 | 0:09:45 | |
The French surrendered Quebec on 18th September and a year later, | 0:09:45 | 0:09:50 | |
in 1760, the rest of Canada followed. | 0:09:50 | 0:09:54 | |
It wasn't until 1982 | 0:09:54 | 0:09:55 | |
that Canada gained formal independence from Britain. | 0:09:55 | 0:09:59 | |
And I suppose although Wolfe perhaps isn't as famous as Nelson or... | 0:10:01 | 0:10:06 | |
-the Duke of Marlborough perhaps... -Or Churchill. -..or Churchill, | 0:10:07 | 0:10:10 | |
he'd be really up there, wouldn't he? | 0:10:10 | 0:10:13 | |
If you had the top half-dozen commanders, | 0:10:13 | 0:10:15 | |
-he'd be there, wouldn't he? -I think so, yes. -Yeah. | 0:10:15 | 0:10:18 | |
-I mean, capturing Canada, it's no mean feat. -No, no. | 0:10:18 | 0:10:22 | |
I mean, that really is a huge, huge legacy, isn't it? | 0:10:22 | 0:10:25 | |
James Wolfe will forever be recognised | 0:10:25 | 0:10:28 | |
as an important military figure | 0:10:28 | 0:10:30 | |
who helped his country create the biggest empire in the world. | 0:10:30 | 0:10:34 | |
James has joined Charlie in Westerham, | 0:10:38 | 0:10:40 | |
where they're making their way to the next shop of the day. | 0:10:40 | 0:10:45 | |
-I've got a bit of a back, I'm afraid. -Why? | 0:10:45 | 0:10:47 | |
-Sitting in that... -Oh, steady! Steady. | 0:10:47 | 0:10:50 | |
-Sitting in that... -Steady. | 0:10:50 | 0:10:53 | |
This is the problem with shopping, | 0:10:53 | 0:10:55 | |
doing a tour with a sort of more elderly gentleman... | 0:10:55 | 0:10:57 | |
-With a pensioner. -You've got to...with a pensioner. | 0:10:57 | 0:11:00 | |
I need a bit of yoga, I think, for my back. | 0:11:00 | 0:11:01 | |
I've got something for a back. Shoulder apart... | 0:11:01 | 0:11:04 | |
-I've got it. -..and then we bring the arms up... | 0:11:04 | 0:11:06 | |
HE INHALES DEEPLY | 0:11:06 | 0:11:08 | |
..and then roll them back, OK? | 0:11:08 | 0:11:10 | |
As you breathe out, roll them back, feel those shoulder blades... | 0:11:10 | 0:11:13 | |
-Oh, yeah. -..bringing your toes down, heels down on the floor slowly, | 0:11:13 | 0:11:16 | |
-slowly, slowly. -HE GROANS | 0:11:16 | 0:11:18 | |
-Do you feel that? -I do. | 0:11:18 | 0:11:20 | |
It's just reacquainting yourself with the mechanics of breathing. | 0:11:20 | 0:11:24 | |
-I've gone slightly dizzy. -I know, it often happens. | 0:11:24 | 0:11:27 | |
-You know, that's a very novice thing, to get dizzy. -Is it? | 0:11:27 | 0:11:29 | |
And then, you know, you're in the hands of the master now. | 0:11:29 | 0:11:33 | |
Place those soles correctly, please. | 0:11:33 | 0:11:35 | |
I never thought I'd see that on this show. | 0:11:35 | 0:11:38 | |
Time to shop, fellas. | 0:11:38 | 0:11:39 | |
Now, Charlie, I've been in this shop before and I'll introduce you. | 0:11:44 | 0:11:48 | |
This is the owner. Mick, Charlie - Charlie, Mick. | 0:11:48 | 0:11:52 | |
-Nice to meet you, Charlie. -Lovely to meet you. | 0:11:52 | 0:11:54 | |
Nice to see you again, Mick. | 0:11:54 | 0:11:56 | |
-Hey, Charlie. -Yes? -The blessed bamboo. | 0:11:56 | 0:11:59 | |
-Bamboo. -Should we be on it? | 0:11:59 | 0:12:01 | |
We didn't have a great success with bamboo last time. | 0:12:01 | 0:12:03 | |
No, I don't think so. | 0:12:03 | 0:12:04 | |
With four rooms filled full of antiques | 0:12:04 | 0:12:06 | |
of all shapes and sizes, there's plenty for our boys to fight over. | 0:12:06 | 0:12:10 | |
There's nothing like a really good rummage. | 0:12:14 | 0:12:17 | |
I tell you what, if you don't look, you're not going to find it. | 0:12:17 | 0:12:22 | |
Ah, could this be the game changer? | 0:12:22 | 0:12:25 | |
TIM CLEARS THROAT I doubt it. | 0:12:25 | 0:12:28 | |
Now, what has Charlie spotted? | 0:12:28 | 0:12:31 | |
HE GROANS | 0:12:31 | 0:12:33 | |
The sort of radio that James used to listen to the news on | 0:12:36 | 0:12:38 | |
in the war, you know, with Alvar Lidell. | 0:12:38 | 0:12:41 | |
Is it a period radio or is it a copy? | 0:12:41 | 0:12:44 | |
I think it's a period radio but it's got a new flex on it. | 0:12:45 | 0:12:48 | |
Ah, a label. | 0:12:49 | 0:12:52 | |
£140. | 0:12:52 | 0:12:53 | |
(I'd like that for about 50.) | 0:12:54 | 0:12:57 | |
I can't get up. | 0:12:57 | 0:12:58 | |
So, Charlie's considering the radio, but does it work? | 0:13:00 | 0:13:03 | |
-Look, it's glowing! -It's glowing. -It's glowing. | 0:13:03 | 0:13:05 | |
It's glowing, that's a good sign. | 0:13:05 | 0:13:07 | |
Where's its aerial, Mick? | 0:13:07 | 0:13:09 | |
-It doesn't need an aerial. -Doesn't it? -No. | 0:13:09 | 0:13:11 | |
-RADIO CRACKLES -Oh! | 0:13:12 | 0:13:14 | |
-Do we get the BBC Home Service... -Sshhh! | 0:13:15 | 0:13:18 | |
Am I hearing something? | 0:13:18 | 0:13:19 | |
Yes. | 0:13:20 | 0:13:22 | |
There's life. | 0:13:22 | 0:13:23 | |
-Well, I think, Charlie... -Yeah. | 0:13:23 | 0:13:25 | |
-..while you're getting a signal... -Yeah, you carry on. | 0:13:25 | 0:13:28 | |
..I'm going to carry on. Do you mind? | 0:13:28 | 0:13:30 | |
Oh! | 0:13:30 | 0:13:31 | |
-We're not getting any stations whatsoever but it does work. -Yeah. | 0:13:31 | 0:13:35 | |
-Well, it makes a noise. -Yeah. | 0:13:35 | 0:13:37 | |
Depends on what you want to listen to, really. | 0:13:37 | 0:13:39 | |
Can you just plop it up on here? | 0:13:39 | 0:13:41 | |
Just have a think about the aerial. | 0:13:41 | 0:13:44 | |
James, I eat humble pie - it needs an aerial. | 0:13:44 | 0:13:48 | |
HE CHUCKLES | 0:13:48 | 0:13:51 | |
I like it, I like the look of it. | 0:13:51 | 0:13:52 | |
I'm just worried about the functionality of it, really. | 0:13:52 | 0:13:55 | |
Having a radio, it's all very well looking at it, Mick, isn't it? | 0:13:55 | 0:13:58 | |
But you really need to listen to it. | 0:13:58 | 0:14:00 | |
While Charlie puts the radio back on the shelf, | 0:14:01 | 0:14:04 | |
it looks like James just isn't giving up on his old bamboo. | 0:14:04 | 0:14:09 | |
The thing with these bamboo tables | 0:14:09 | 0:14:12 | |
is that very light construction. | 0:14:12 | 0:14:14 | |
And the thing is with light construction, | 0:14:14 | 0:14:17 | |
is that you want it all to be sound. | 0:14:17 | 0:14:20 | |
We've got some use, so we've got...the legs have been bent out. | 0:14:20 | 0:14:23 | |
This is all pinned or nailed. | 0:14:25 | 0:14:29 | |
This is totally right | 0:14:29 | 0:14:31 | |
and all it needs is a piece of cut glass in there | 0:14:31 | 0:14:34 | |
and it's just perfectly functional. | 0:14:34 | 0:14:37 | |
I like it. | 0:14:37 | 0:14:39 | |
The ticket says £45, | 0:14:39 | 0:14:41 | |
so Hugh's phoned the owner with James' optimistic offer of £25. | 0:14:41 | 0:14:47 | |
-Well, the lady wants 35 for it, so a bottom price. -35? | 0:14:47 | 0:14:52 | |
Put it there, Mick. | 0:14:52 | 0:14:54 | |
-Thank you very much indeed. -Thank you. -Another bit of bamboo. | 0:14:54 | 0:14:57 | |
This is my turning point with bamboo. | 0:14:57 | 0:15:00 | |
Fingers crossed, eh? | 0:15:00 | 0:15:02 | |
And it looks like Charlie's found something he fancies, too. | 0:15:02 | 0:15:06 | |
A quadruple decanter for four different liqueurs. | 0:15:06 | 0:15:11 | |
-Mick... -Yes, Charlie. | 0:15:13 | 0:15:15 | |
..look at this, a four-sectioned bottle decanter. | 0:15:15 | 0:15:19 | |
-Is it yours? -No, I'm afraid not. | 0:15:19 | 0:15:21 | |
It's got 18 on the ticket, I would love to give you a tenner for it. | 0:15:21 | 0:15:25 | |
-I'm sure you would. -Yeah. | 0:15:25 | 0:15:28 | |
What do you think they would take? | 0:15:28 | 0:15:29 | |
I can always try her... | 0:15:29 | 0:15:31 | |
-May you try? -..and see what she says, yeah. | 0:15:31 | 0:15:33 | |
-Give her a quick call... -No problem. -..and we'll see what we can do. | 0:15:33 | 0:15:37 | |
(I think I will buy this anyway, | 0:15:37 | 0:15:40 | |
(even if it's a bit more than a tenner. | 0:15:40 | 0:15:43 | |
(But don't tell Mick.) | 0:15:43 | 0:15:45 | |
Right, Mick's got Sue on the blower. | 0:15:45 | 0:15:48 | |
Can he seal the deal for Charlie? | 0:15:48 | 0:15:50 | |
Come on, Sue! | 0:15:50 | 0:15:52 | |
The person who's trying to buy it wants it for a tenner. | 0:15:52 | 0:15:55 | |
Come on, Sue! | 0:15:55 | 0:15:58 | |
Erm...OK. | 0:15:58 | 0:16:00 | |
-Hello, Sue! -Right, so 15 is the best. | 0:16:00 | 0:16:03 | |
-Is it? -Yes, I'm afraid. | 0:16:03 | 0:16:05 | |
Thanks, Sue, very much indeed. And tell her...I'll have it! | 0:16:05 | 0:16:10 | |
All right, he's going to have it. Did you hear that? | 0:16:10 | 0:16:13 | |
It's made Sue's day, £15. | 0:16:16 | 0:16:19 | |
OK, Sue. Thanks, bye. | 0:16:19 | 0:16:21 | |
Well done, sir. | 0:16:22 | 0:16:24 | |
Charlie's bought his first lot of the final leg of the road trip. | 0:16:24 | 0:16:28 | |
And with that, our boys call it a day. | 0:16:28 | 0:16:30 | |
So, nighty-night. | 0:16:30 | 0:16:32 | |
Hey, good morning, gentlemen. | 0:16:35 | 0:16:38 | |
I'm in the last chance saloon today. | 0:16:40 | 0:16:44 | |
And how much spending money? Lots? | 0:16:44 | 0:16:46 | |
I've got about 200... 250-odd quid. | 0:16:46 | 0:16:50 | |
-That's all right. -Considerably better than it has been. | 0:16:50 | 0:16:53 | |
Yeah. Well, at least it's more than you started with. | 0:16:53 | 0:16:55 | |
That's true. Having only bought the vintage glass decanter yesterday, | 0:16:55 | 0:16:59 | |
Charlie has some serious shopping to do today with his £243.74. | 0:16:59 | 0:17:05 | |
Meanwhile, James has already secured himself four lots. | 0:17:09 | 0:17:12 | |
The cannonball, | 0:17:14 | 0:17:16 | |
the novelty biscuit box, | 0:17:16 | 0:17:18 | |
the Art Deco light pendant | 0:17:18 | 0:17:20 | |
and the bamboo tiered-table. | 0:17:20 | 0:17:23 | |
He's still got £379.38 available to spend. | 0:17:24 | 0:17:29 | |
It's the last day for Charlie to catch up. | 0:17:31 | 0:17:34 | |
He's starting in Reigate, Surrey. | 0:17:34 | 0:17:36 | |
Set at the foot of the North Downs, | 0:17:36 | 0:17:38 | |
historic Reigate has existed as a market town since 1150 | 0:17:38 | 0:17:42 | |
and is home to the quaintly-named Magpie House & The Yard. | 0:17:42 | 0:17:47 | |
-Hello! -Hello, hi. -Good morning. | 0:17:47 | 0:17:49 | |
-Morning. -How are you? -I'm fine thank you. | 0:17:49 | 0:17:51 | |
-It's Lynne, is it? -It's Lynne and you're Charlie, aren't you? | 0:17:51 | 0:17:54 | |
-I am Charlie, yeah. Well spotted. -Good to meet you. -This is fab. | 0:17:54 | 0:17:57 | |
You know, walking through, my eye line... | 0:17:59 | 0:18:01 | |
-took immediately to this man. -Oh, yes. He's beautiful, isn't he? | 0:18:01 | 0:18:05 | |
-Isn't he fab? -He's our Mercury. | 0:18:05 | 0:18:07 | |
-Mercury? -He's absolutely gorgeous. -The messenger god. | 0:18:07 | 0:18:10 | |
-The messenger of wealth, isn't it? -Wealth? Bringer of prosperity. | 0:18:10 | 0:18:14 | |
That's the one, yeah. | 0:18:14 | 0:18:16 | |
And I think he's also god of thieves. | 0:18:16 | 0:18:19 | |
-Right. I think I did hear that. -So, cheerio! | 0:18:19 | 0:18:21 | |
He's pretty heavy, I don't know if you can manage him. | 0:18:21 | 0:18:24 | |
-SHE LAUGHS -Blimey, he's heavy! | 0:18:24 | 0:18:26 | |
You wouldn't be able to just walk out the shop with him. | 0:18:26 | 0:18:28 | |
-And it's a genuine bronze. -Yes, definitely. | 0:18:28 | 0:18:30 | |
It's not old but it's quite well-modelled. | 0:18:30 | 0:18:34 | |
-Yeah. -Is that very cheap? | 0:18:34 | 0:18:36 | |
It doesn't seem to have a price, it's free at the moment. | 0:18:36 | 0:18:38 | |
Well, not really. | 0:18:38 | 0:18:40 | |
-But I can find out for you. -Could you? -Erm... | 0:18:40 | 0:18:42 | |
-Go and find out now. -OK. -That's the first thing that... | 0:18:42 | 0:18:45 | |
That's really caught your eye, hasn't it. | 0:18:45 | 0:18:47 | |
I'm betting old Mercury here is going to be pretty pricey. | 0:18:47 | 0:18:51 | |
And from an impressive piece of metal to another, | 0:18:53 | 0:18:56 | |
well, less so. | 0:18:56 | 0:18:57 | |
Look at this. An old...an old iron stove. | 0:18:58 | 0:19:03 | |
Very Serrell. | 0:19:03 | 0:19:04 | |
You're right, Roadtrip favourite Philip Serrell | 0:19:04 | 0:19:06 | |
relishes his random rusty rustic buys. | 0:19:06 | 0:19:10 | |
It's not quite Mercury, is it? | 0:19:10 | 0:19:12 | |
It's not quite the messenger god but... | 0:19:12 | 0:19:16 | |
..the more you look in this shop, the more there is. It's fab. | 0:19:18 | 0:19:21 | |
Charlie's still got Mercury on his mind. | 0:19:26 | 0:19:28 | |
The dealer is looking for £375, | 0:19:28 | 0:19:31 | |
so Charlie's got some serious negotiating to do. | 0:19:31 | 0:19:34 | |
It's a straightforward thing, | 0:19:37 | 0:19:38 | |
I have got £240 and I think I've got £3.43 or something. | 0:19:38 | 0:19:43 | |
God, you'll get a latte with that, can't you? | 0:19:43 | 0:19:46 | |
-LAUGHING: -I don't want a latte. -You want Mercury. | 0:19:46 | 0:19:48 | |
-I've got to buy other things, but I want Mercury. -You want Mercury. | 0:19:48 | 0:19:51 | |
Spending almost every penny you have left on one item | 0:19:51 | 0:19:54 | |
is a big gamble. I hope you know what you're doing, Charlie. | 0:19:54 | 0:19:58 | |
It's a pathetic offer and I don't make any bones about it. | 0:19:58 | 0:20:01 | |
-If I had £350, I'd give you £350 for him but I haven't got it. -Yeah. | 0:20:01 | 0:20:05 | |
Shall I just double-check? | 0:20:05 | 0:20:07 | |
-Well, you'd better triple-check, yeah. -Let me just double-check. | 0:20:07 | 0:20:10 | |
I think, you know, just to be... | 0:20:10 | 0:20:11 | |
I would. | 0:20:11 | 0:20:13 | |
Charlie's after a hefty discount, so what's the verdict, Lynne? | 0:20:14 | 0:20:18 | |
It's your lucky day, talking about those rippling muscles. | 0:20:18 | 0:20:20 | |
-Are you sure? -Yeah, he's going to do it for you. -May I hug you? | 0:20:20 | 0:20:23 | |
-That is so generous. -Well, we've had a great day, so, yeah. | 0:20:23 | 0:20:27 | |
And do you know, I can give you an impersonation. | 0:20:27 | 0:20:30 | |
Now, look. Can you spot the difference here? | 0:20:31 | 0:20:34 | |
-Uncanny! -SHE LAUGHS | 0:20:37 | 0:20:40 | |
-What do you reckon? -Uncanny. | 0:20:40 | 0:20:41 | |
Yeah, that's one way of putting it. | 0:20:43 | 0:20:45 | |
Charlie's spent almost all of his money on the statue of Mercury. | 0:20:45 | 0:20:49 | |
It's a very risky punt and let's hope it pays off. | 0:20:49 | 0:20:53 | |
James is still in Kent and has made his way to the village of Hever. | 0:20:58 | 0:21:02 | |
He's come to Hever Castle, | 0:21:02 | 0:21:03 | |
a 13th-century castle saved from ruin | 0:21:03 | 0:21:06 | |
then extensively restored to its former glory | 0:21:06 | 0:21:10 | |
by a fabulously wealthy New York Senator, | 0:21:10 | 0:21:13 | |
William Waldorf Astor. | 0:21:13 | 0:21:15 | |
Here to show James more is guide Ian Smith. | 0:21:17 | 0:21:21 | |
-James, welcome to Hever Castle. -Isn't it glorious? | 0:21:21 | 0:21:25 | |
It's a lovely setting, | 0:21:25 | 0:21:27 | |
moat and this wonderful defensive stronghold. | 0:21:27 | 0:21:30 | |
Astor was captivated by the castle's royal connections, | 0:21:30 | 0:21:34 | |
particularly Anne Boleyn, who grew up here. | 0:21:34 | 0:21:37 | |
She was the ill-fated second wife of Henry VIII | 0:21:37 | 0:21:41 | |
and mother of the future Queen Elizabeth I. | 0:21:41 | 0:21:44 | |
And here we are inside. | 0:21:44 | 0:21:46 | |
What you see is not medieval | 0:21:46 | 0:21:48 | |
but a beautiful Tudor house from the late 1400s. | 0:21:48 | 0:21:53 | |
We believe built by Anne Boleyn's great-grandfather. | 0:21:53 | 0:21:57 | |
And subsequently, after many other owners, | 0:21:57 | 0:22:00 | |
by William Waldorf Astor in 1903. | 0:22:00 | 0:22:04 | |
-This was going to be his country retreat... -Yeah. | 0:22:04 | 0:22:07 | |
..and he was going to lavish his millions | 0:22:07 | 0:22:09 | |
in bringing this building back to life. | 0:22:09 | 0:22:12 | |
William Waldorf Astor's great-grandfather | 0:22:14 | 0:22:18 | |
was a fur and real estate tycoon | 0:22:18 | 0:22:20 | |
and was America's first multimillionaire. | 0:22:20 | 0:22:24 | |
William inherited a personal fortune, | 0:22:24 | 0:22:26 | |
which made him the richest man in America. | 0:22:26 | 0:22:29 | |
After a failing political career, William moved to England in 1891 | 0:22:29 | 0:22:34 | |
with a reputed 100 million to his name. | 0:22:34 | 0:22:37 | |
He set about trying to be accepted | 0:22:37 | 0:22:39 | |
into the upper echelons of English society. | 0:22:39 | 0:22:43 | |
He invested in newspapers and property | 0:22:43 | 0:22:45 | |
and purchased the historic Hever Castle. | 0:22:45 | 0:22:48 | |
Ian, what sort of state was the castle in | 0:22:50 | 0:22:53 | |
when William Waldorf Astor bought it? | 0:22:53 | 0:22:56 | |
In the 19th century, | 0:22:56 | 0:22:58 | |
it had become an absentee home | 0:22:58 | 0:23:01 | |
and tenant farmers lived here. | 0:23:01 | 0:23:04 | |
And it's suggested that the ground floor rooms | 0:23:04 | 0:23:07 | |
were inhabited by animals. | 0:23:07 | 0:23:09 | |
Upstairs, there was an artists' commune, | 0:23:09 | 0:23:12 | |
-so you can imagine... -JAMES LAUGHS | 0:23:12 | 0:23:14 | |
..the mess that was here. | 0:23:14 | 0:23:17 | |
So, what did William Astor do to this marvellous place? | 0:23:17 | 0:23:21 | |
This is an extraordinary room and it looks almost old Tudor. | 0:23:21 | 0:23:25 | |
Astor was an historical romanticist. | 0:23:25 | 0:23:29 | |
He wrote historical novels | 0:23:29 | 0:23:31 | |
and like many others he had fallen in love with the Anne Boleyn story. | 0:23:31 | 0:23:36 | |
But if Anne Boleyn walked into this room now, | 0:23:36 | 0:23:38 | |
she would be astonished. | 0:23:38 | 0:23:40 | |
"I just have to ask you, what has happened to my kitchen?" | 0:23:40 | 0:23:43 | |
-Because it's been given this tremendous makeover. -Yeah. | 0:23:43 | 0:23:47 | |
William Waldorf has turned it into an inner hall. | 0:23:47 | 0:23:50 | |
Not using oak, as any normal person might use | 0:23:50 | 0:23:53 | |
but walnut, to give these wonderful effects. | 0:23:53 | 0:23:57 | |
-Right. -So, he created these wonderful interiors | 0:23:57 | 0:24:00 | |
inside the moated walls for himself. | 0:24:00 | 0:24:03 | |
-Outside those moated walls, he built a Tudor village. -Really? | 0:24:03 | 0:24:08 | |
But not a Tudor village where, you know, | 0:24:08 | 0:24:10 | |
-peasants wander from house to house. -Right. | 0:24:10 | 0:24:13 | |
All the rooms interlink. | 0:24:13 | 0:24:15 | |
William Waldorf was a newcomer to England | 0:24:15 | 0:24:18 | |
but he'd actually housed himself in a medieval stronghold. | 0:24:18 | 0:24:22 | |
In other words, given himself 700 years of history | 0:24:22 | 0:24:25 | |
that his family here didn't really have. | 0:24:25 | 0:24:28 | |
Between 1903 and 1908, William restored the ruined castle, | 0:24:28 | 0:24:33 | |
creating magnificent gardens and a lake. | 0:24:33 | 0:24:36 | |
The remarkable mock-Tudor village he built | 0:24:36 | 0:24:39 | |
was the perfect place for his society friends to stay, | 0:24:39 | 0:24:43 | |
while attending his lavish parties. | 0:24:43 | 0:24:46 | |
And here we are in Anne Boleyn's bedroom. | 0:24:46 | 0:24:49 | |
Tradition says that this is where she spent her time as a girl | 0:24:49 | 0:24:53 | |
and she would keep coming back to Hever | 0:24:53 | 0:24:56 | |
all the way up to the time of her marriage to Henry VIII. | 0:24:56 | 0:24:59 | |
The panelling behind the bed conceals William Waldorf's wardrobe. | 0:24:59 | 0:25:03 | |
-This was his dressing room. -Right. | 0:25:03 | 0:25:06 | |
And he chose Anne Boleyn's bedroom for that purpose. | 0:25:06 | 0:25:09 | |
-But he would have this wonderful window to look out. -Rather fun. | 0:25:09 | 0:25:13 | |
He was in the castle, he looks out onto his village there. | 0:25:13 | 0:25:16 | |
As well as being completely enchanted by Hever Castle, | 0:25:16 | 0:25:19 | |
Astor became increasingly fascinated by the tragic story of Anne Boleyn. | 0:25:19 | 0:25:24 | |
William Waldorf searched the world for artefacts | 0:25:25 | 0:25:28 | |
that he could link to Anne. | 0:25:28 | 0:25:30 | |
He acquired many that have proved to have doubtful provenance, | 0:25:30 | 0:25:34 | |
but this is as close as you're going to get today to Anne's DNA. | 0:25:34 | 0:25:39 | |
It's a beautifully-illustrated book of hours, prayers, | 0:25:39 | 0:25:43 | |
that were said during the day. | 0:25:43 | 0:25:45 | |
Her fingerprints will be all over that book because she signed it. | 0:25:45 | 0:25:50 | |
-Really? -The inscription there says, | 0:25:50 | 0:25:53 | |
"Le temps viendra." The time will come. | 0:25:53 | 0:25:56 | |
"Je Anne Boleyn." | 0:25:56 | 0:25:58 | |
And there's a little celestial sphere there as well. | 0:25:58 | 0:26:03 | |
And she signed it on the page of the Last Judgement. | 0:26:03 | 0:26:07 | |
One would love to know just what she meant by, "The time will come." | 0:26:07 | 0:26:10 | |
Did it mean her marriage to Henry? | 0:26:10 | 0:26:12 | |
The birth of an heir? | 0:26:12 | 0:26:14 | |
Or it certainly couldn't mean the fact that | 0:26:14 | 0:26:16 | |
she was going to be beheaded after 1,000 days as Henry's Queen. | 0:26:16 | 0:26:23 | |
Over the years, | 0:26:23 | 0:26:24 | |
William donated a substantial amount of his fortune to charity. | 0:26:24 | 0:26:28 | |
He eventually achieved his ambition of acceptance into the aristocracy | 0:26:28 | 0:26:32 | |
when he was given the title Viscount Astor of Hever Castle. | 0:26:32 | 0:26:36 | |
It remained in the Astor family ownership until 1983 | 0:26:36 | 0:26:41 | |
and is now a popular tourist destination. | 0:26:41 | 0:26:44 | |
Charlie meanwhile has journeyed to Dorking, | 0:26:47 | 0:26:49 | |
where Charles Dickens wrote much of his Pickwick Papers. | 0:26:49 | 0:26:53 | |
This historic market town holds Charlie's final shop, | 0:26:53 | 0:26:57 | |
Pilgrims Antiques Centre. | 0:26:57 | 0:27:00 | |
After taking a massive punt on Mercury, | 0:27:00 | 0:27:04 | |
here's hoping Steve will have a hidden bargain | 0:27:04 | 0:27:07 | |
for Charlie's remaining few pounds. | 0:27:07 | 0:27:10 | |
-Do you have a sort of bargain basement area? -Yes, we do indeed. | 0:27:10 | 0:27:14 | |
Where's the area where I might be... | 0:27:14 | 0:27:16 | |
Can I introduce you to the final death zone here. | 0:27:16 | 0:27:20 | |
CHARLIE LAUGHS | 0:27:20 | 0:27:22 | |
This is as cheap as it comes in this shop, really. | 0:27:22 | 0:27:25 | |
When they get to red labels, that's... | 0:27:25 | 0:27:27 | |
That's it, no negotiation. | 0:27:27 | 0:27:29 | |
-Exactly right. -Other than a few pence possibly. | 0:27:29 | 0:27:32 | |
Very possibly, yeah. | 0:27:32 | 0:27:34 | |
Yeah. Well, I do hope so, | 0:27:34 | 0:27:36 | |
as it's unlikely Charlie will find something | 0:27:36 | 0:27:38 | |
with an exact ticket price of £3.74. | 0:27:38 | 0:27:43 | |
Oh, £8. | 0:27:43 | 0:27:46 | |
(It's not easy shopping with £3.74.) | 0:27:47 | 0:27:50 | |
Oh! I've seen something rather splendid. | 0:27:51 | 0:27:54 | |
WHISPERING: £5. | 0:27:56 | 0:27:58 | |
£5. | 0:27:58 | 0:27:59 | |
That's a 15% discount or thereabouts, | 0:28:00 | 0:28:03 | |
if I were to get it for £3.74. | 0:28:03 | 0:28:07 | |
-Right. -There's rather a charming glass there, | 0:28:07 | 0:28:09 | |
cordial glass. Sadly I don't think it's 18th-century. | 0:28:09 | 0:28:12 | |
No, I think you're probably right. | 0:28:12 | 0:28:14 | |
But it's got some nice diamond cutting into the side. | 0:28:16 | 0:28:22 | |
It's got a little bit of fruiting vine engraved round the top. | 0:28:22 | 0:28:26 | |
I'm really making it sound particularly good, aren't I? | 0:28:26 | 0:28:28 | |
-Well, I think it is rather good. -Edinburgh Crystal. | 0:28:28 | 0:28:32 | |
What would the Scots put in there? | 0:28:32 | 0:28:33 | |
I mean, it looks to me like a sherry, a port glass, I suppose. | 0:28:33 | 0:28:36 | |
Oh, I should think some... | 0:28:36 | 0:28:38 | |
Port, are you a drinker of port? | 0:28:38 | 0:28:39 | |
..Scottish wine in a Scotsman's measure. | 0:28:39 | 0:28:42 | |
A small measure, sir? | 0:28:42 | 0:28:43 | |
Poor old Greg. | 0:28:45 | 0:28:46 | |
That would probably be in my price range, wouldn't it? | 0:28:47 | 0:28:50 | |
It's not that much of a discount. | 0:28:50 | 0:28:51 | |
It's priced at five. | 0:28:51 | 0:28:53 | |
I should think we could scrape that down to 3.75 | 0:28:53 | 0:28:55 | |
-or whatever the last... -3.74. -3.74. | 0:28:55 | 0:28:59 | |
Looks like that's a done deal. | 0:28:59 | 0:29:02 | |
Och aye the noo. | 0:29:02 | 0:29:04 | |
Och aye... Oh, you're Scottish, too! | 0:29:04 | 0:29:05 | |
Would you like all my money? | 0:29:05 | 0:29:07 | |
-Yes, I will actually, I think I would. -Aye. | 0:29:07 | 0:29:10 | |
On the final leg, our Charlie has spent every last penny he has | 0:29:10 | 0:29:13 | |
on a pretty piece of Scottish glass. | 0:29:13 | 0:29:16 | |
James has now made his way to Dorking too | 0:29:18 | 0:29:21 | |
and he's going to try his luck in the Christique Antique Centre. | 0:29:21 | 0:29:25 | |
He's meeting old friend there, Christie. | 0:29:25 | 0:29:29 | |
Christie, get it? | 0:29:29 | 0:29:31 | |
-Oh, a familiar face. How are you? -How lovely to see you. | 0:29:31 | 0:29:33 | |
Yeah, really nice to see you. | 0:29:33 | 0:29:35 | |
With just under £380 in his pocket, there's plenty on offer. | 0:29:36 | 0:29:40 | |
What will catch your eye in all of this lot then, James? | 0:29:42 | 0:29:46 | |
Rather interestingly, I've just seen a bit, | 0:29:46 | 0:29:50 | |
which I hope is Tunbridge ware. | 0:29:50 | 0:29:52 | |
Quite an interesting, very fine tesserae mosaic of a butterfly. | 0:29:52 | 0:29:57 | |
And it's either £5 or 500, let's have a look. | 0:30:00 | 0:30:02 | |
No, it's five. Bound to be, down there. | 0:30:02 | 0:30:04 | |
-Is it? -Yeah. I just took it in the other day. | 0:30:04 | 0:30:06 | |
Let's have a look at this. | 0:30:06 | 0:30:09 | |
It reminds me... | 0:30:09 | 0:30:11 | |
I think this was a modern maker. | 0:30:11 | 0:30:13 | |
It's signed, "Robert Vorley, 1980." | 0:30:13 | 0:30:17 | |
In the Tunbridge ware tradition. | 0:30:17 | 0:30:18 | |
Tunbridge ware was made as, sort of, high quality souvenirs | 0:30:18 | 0:30:22 | |
for the spa town of Tunbridge Wells. | 0:30:22 | 0:30:25 | |
I think it would be churlish of me to argue about that, wouldn't it? | 0:30:25 | 0:30:29 | |
£5. Shall we say three, to give you a fighting chance. | 0:30:29 | 0:30:32 | |
Three. | 0:30:32 | 0:30:34 | |
It doesn't normally work that way, Christine. | 0:30:34 | 0:30:36 | |
Cor, you're a lucky man, James. | 0:30:36 | 0:30:38 | |
Go on, put it there. | 0:30:38 | 0:30:40 | |
Thank you very much indeed, thank you. | 0:30:40 | 0:30:42 | |
So, it's rather fun. | 0:30:42 | 0:30:43 | |
That was my only specialism in my working life | 0:30:43 | 0:30:47 | |
was Tunbridge ware. | 0:30:47 | 0:30:48 | |
And I've found a modern piece of Tunbridge ware. | 0:30:48 | 0:30:51 | |
James has played it safe this leg | 0:30:53 | 0:30:55 | |
but his last purchase is something he loves. | 0:30:55 | 0:30:58 | |
James spent a total of £88 on five lots. | 0:31:01 | 0:31:03 | |
His cannonball, | 0:31:05 | 0:31:07 | |
the novelty biscuit box, | 0:31:07 | 0:31:09 | |
the Art Deco light pendant, | 0:31:09 | 0:31:11 | |
the bamboo tiered-table | 0:31:11 | 0:31:14 | |
and the modern Tunbridge ware box. | 0:31:14 | 0:31:16 | |
Charlie spent every penny he had on three lots. | 0:31:19 | 0:31:22 | |
The vintage decanter, | 0:31:22 | 0:31:23 | |
the Edinburgh Crystal glass | 0:31:23 | 0:31:25 | |
and his pricey purchase, the bronze of Mercury. | 0:31:25 | 0:31:29 | |
So, what do they make of each other's lots? | 0:31:30 | 0:31:33 | |
Has Charlie put all his eggs in one basket? | 0:31:33 | 0:31:36 | |
Well, the fewer items you buy, you know, you're narrowing, | 0:31:36 | 0:31:39 | |
you're shortening your risk, aren't you? | 0:31:39 | 0:31:42 | |
I've lengthened my risk with five. | 0:31:42 | 0:31:44 | |
He bought that little bit of Tunbridge ware for £3. | 0:31:44 | 0:31:46 | |
Actually, I think that's a very good buy. | 0:31:46 | 0:31:49 | |
I think his cannonball is pretty ghastly, | 0:31:49 | 0:31:52 | |
his bamboo table, frankly, is even worse. | 0:31:52 | 0:31:55 | |
What is it with him and bamboo? | 0:31:55 | 0:31:57 | |
Bim-bam, bim-bamboo. He'll lose money on that. | 0:31:57 | 0:32:00 | |
Charlie has bought a whopper, though, £240. | 0:32:00 | 0:32:04 | |
It's a lovely item. | 0:32:04 | 0:32:05 | |
I think he'll do well on it. | 0:32:05 | 0:32:07 | |
I'm slightly worried about that. | 0:32:07 | 0:32:09 | |
It might make £100. | 0:32:09 | 0:32:11 | |
It might, God willing, make £500. | 0:32:11 | 0:32:15 | |
In which case, victory will be mine. | 0:32:15 | 0:32:18 | |
After starting this leg in Brasted, | 0:32:19 | 0:32:22 | |
our experts are now motoring towards their final auction | 0:32:22 | 0:32:25 | |
in Cobham, Surrey. | 0:32:25 | 0:32:26 | |
I can't believe it, this is the last few hundred yards of our trip... | 0:32:30 | 0:32:34 | |
-Yeah. -..to the final auction. | 0:32:34 | 0:32:35 | |
-What are we going to find in the auction room? -Our destiny. | 0:32:35 | 0:32:38 | |
Our destiny? Oh. | 0:32:38 | 0:32:40 | |
Well, we'll soon find out as our chirpy chaps have arrived | 0:32:40 | 0:32:43 | |
in the village of Cobham to battle it out | 0:32:43 | 0:32:46 | |
at Fryer & Brown Auctioneers. | 0:32:46 | 0:32:48 | |
I don't think whatever the auctioneer does | 0:32:51 | 0:32:53 | |
will provide me with enough luck to beat you. | 0:32:53 | 0:32:55 | |
I hope the wind of Mercury stays trapped. | 0:32:55 | 0:32:59 | |
CHARLIE LAUGHS | 0:32:59 | 0:33:01 | |
The lady with the gavel today is Jane Brown. | 0:33:03 | 0:33:06 | |
What does she make of our experts' lots? | 0:33:06 | 0:33:09 | |
One of the interesting things is the tea caddy, the biscuit tin. | 0:33:09 | 0:33:13 | |
We've seen a lot of interest in advertising ware lately | 0:33:13 | 0:33:18 | |
and that one's quite unusual. | 0:33:18 | 0:33:20 | |
The large bronze, it's a very good thing as a garden statuary piece. | 0:33:20 | 0:33:26 | |
I don't think it has a great deal of age | 0:33:26 | 0:33:29 | |
but it is a very attractive subject. | 0:33:29 | 0:33:32 | |
Well, let's hope the buyers think so too, for Charlie's sake. | 0:33:32 | 0:33:36 | |
Today, there are bidders online and in the room, | 0:33:36 | 0:33:39 | |
so for one last time on this trip, | 0:33:39 | 0:33:41 | |
take your seats and deep breathes, boys. | 0:33:41 | 0:33:45 | |
CHARLIE INHALES DEEPLY | 0:33:45 | 0:33:48 | |
First up is Charlie's vintage decanter. | 0:33:51 | 0:33:53 | |
£10, please. | 0:33:55 | 0:33:57 | |
-She's rather nervous. -Oh... £10. | 0:33:57 | 0:33:59 | |
10, I have. Thank you, sir. | 0:33:59 | 0:34:01 | |
12. | 0:34:01 | 0:34:03 | |
£12 with the lady. | 0:34:03 | 0:34:04 | |
-Disappointment. -£12. | 0:34:04 | 0:34:06 | |
Any interest on the internet? It is £12 with... | 0:34:07 | 0:34:11 | |
-Oh! -15. -Excitement. | 0:34:11 | 0:34:14 | |
Sniping at the last minute. £15 against you. | 0:34:14 | 0:34:17 | |
20. £20 with the lady. | 0:34:17 | 0:34:20 | |
Are you all done in the room? £20 then. | 0:34:20 | 0:34:23 | |
A profit to kick things off, great stuff. | 0:34:25 | 0:34:28 | |
-Do you know, after commission... -That was a result. | 0:34:28 | 0:34:30 | |
-It was a serious result. £20? -In the money. | 0:34:30 | 0:34:33 | |
Will James' Art Deco light pendant spark some interest? | 0:34:34 | 0:34:38 | |
Here comes your big hope, lampshade. Lampshade. | 0:34:38 | 0:34:41 | |
I have a bid at £15. | 0:34:41 | 0:34:44 | |
-Hallelujah! -£15, it is yours. | 0:34:44 | 0:34:47 | |
And we're going...15. | 0:34:47 | 0:34:50 | |
A pleasing little profit there for James. | 0:34:51 | 0:34:55 | |
That was superb, well done. | 0:34:55 | 0:34:57 | |
James' cannonball is up next. | 0:34:58 | 0:35:00 | |
-£20. -£20. | 0:35:00 | 0:35:02 | |
-£20. -All around her. -Fell off a cruise. | 0:35:02 | 0:35:05 | |
-MAN SHOUTS -Oh! -£20, I have. | 0:35:05 | 0:35:07 | |
On the internet, £20. | 0:35:07 | 0:35:10 | |
Any advance on 20? | 0:35:10 | 0:35:12 | |
Maiden bid it is. | 0:35:12 | 0:35:14 | |
£20, on the internet. | 0:35:14 | 0:35:16 | |
-20. -Well done. Doubled your money, old bean. | 0:35:16 | 0:35:19 | |
Another huge success. | 0:35:19 | 0:35:21 | |
That solo bidder means James pulls in another profit. | 0:35:21 | 0:35:25 | |
How many bidders will there be after Charlie's Edinburgh Crystal glass? | 0:35:25 | 0:35:30 | |
Just the one. | 0:35:30 | 0:35:31 | |
£5, please. | 0:35:31 | 0:35:34 | |
And a host of hands. | 0:35:34 | 0:35:36 | |
£5 with the lady in the pink. | 0:35:37 | 0:35:39 | |
Six, sir. Six. | 0:35:39 | 0:35:41 | |
Seven. | 0:35:41 | 0:35:43 | |
-Eight. -Huh! | 0:35:43 | 0:35:44 | |
-Nine. -This is a world record. | 0:35:44 | 0:35:46 | |
Ten. | 0:35:46 | 0:35:48 | |
-11. -They want it. | 0:35:48 | 0:35:50 | |
11 with the lady in the pink. | 0:35:50 | 0:35:53 | |
Oh, I'll buy you a pint... Oh! | 0:35:53 | 0:35:55 | |
12. | 0:35:55 | 0:35:56 | |
13. | 0:35:56 | 0:35:58 | |
£13. | 0:35:58 | 0:36:00 | |
We have £13 with... 14. | 0:36:00 | 0:36:03 | |
The gentleman's come back in. | 0:36:03 | 0:36:05 | |
-£15. -This, by percentage, | 0:36:05 | 0:36:08 | |
is the most extraordinary profit I've had on this trip. | 0:36:08 | 0:36:12 | |
£15. | 0:36:12 | 0:36:14 | |
15. Thank you, madam. | 0:36:14 | 0:36:16 | |
Well worth the round of applause there. | 0:36:18 | 0:36:21 | |
What a nice little earner. | 0:36:21 | 0:36:23 | |
Do you know, that's the finest bit of auctioneering | 0:36:23 | 0:36:26 | |
I've ever heard in my life. | 0:36:26 | 0:36:28 | |
On that basis, my bronze could make £1,500. | 0:36:28 | 0:36:31 | |
-It could, it could. -Yeah. | 0:36:31 | 0:36:33 | |
We'll have to wait and see as next, it's James' canny little buy | 0:36:35 | 0:36:39 | |
that Charlie fancied, the Tunbridge ware box. | 0:36:39 | 0:36:43 | |
20. Yes, sir. | 0:36:43 | 0:36:44 | |
20. | 0:36:44 | 0:36:45 | |
-£20. -With an outlay of £3, this is good. -Any advance on 20? | 0:36:45 | 0:36:49 | |
£20. | 0:36:49 | 0:36:51 | |
£20? No. | 0:36:53 | 0:36:54 | |
£20 then, squashed. | 0:36:54 | 0:36:56 | |
Another maiden-bid sale there | 0:36:56 | 0:36:59 | |
and what a wonderful result. | 0:36:59 | 0:37:02 | |
If you carry on for the rest of your life | 0:37:02 | 0:37:04 | |
buying things for three quid and selling them for 20... | 0:37:04 | 0:37:06 | |
-Yeah. -..you'd be a happy man. | 0:37:06 | 0:37:09 | |
He would indeed. | 0:37:09 | 0:37:10 | |
The auctioneer had high hopes for this next lot - | 0:37:10 | 0:37:13 | |
it's James' novelty biscuit tin. | 0:37:13 | 0:37:15 | |
-£15. -MAN: -Yes. | 0:37:15 | 0:37:18 | |
-15, I have. -Oh, the internet's bubbling along now. | 0:37:18 | 0:37:20 | |
-15 is against you all in the room. -In the room. | 0:37:20 | 0:37:23 | |
18 with the young lady at the back. | 0:37:23 | 0:37:24 | |
18. 18 against you, internet. | 0:37:26 | 0:37:28 | |
Oh, it's all over the place. | 0:37:28 | 0:37:30 | |
I have 20 with the lady in front. | 0:37:30 | 0:37:33 | |
-Keep going. -22. | 0:37:33 | 0:37:35 | |
25. | 0:37:36 | 0:37:37 | |
28. | 0:37:41 | 0:37:43 | |
£28 with the young lady at the back. | 0:37:43 | 0:37:46 | |
£28, internet. | 0:37:46 | 0:37:50 | |
Last chance. | 0:37:50 | 0:37:51 | |
-Hovering on the net. -Hovering. | 0:37:51 | 0:37:53 | |
-Hovering, madam. -Hovering, they are. | 0:37:53 | 0:37:56 | |
28, though, is going to take it. | 0:37:56 | 0:37:58 | |
All done. | 0:37:58 | 0:37:59 | |
28. | 0:37:59 | 0:38:01 | |
-Nearly got out of it. -A small loss, a small loss. | 0:38:01 | 0:38:03 | |
Yes, but a small loss is better than a large loss. | 0:38:03 | 0:38:08 | |
Wise words, wise words. | 0:38:08 | 0:38:09 | |
The biscuit tin failed to deliver | 0:38:09 | 0:38:12 | |
but the loss doesn't put much of a dent in James' impressive lead. | 0:38:12 | 0:38:17 | |
Up next is bamboo table. | 0:38:18 | 0:38:20 | |
Putting the sheets on it for the auction. | 0:38:20 | 0:38:22 | |
Sshhh! | 0:38:22 | 0:38:24 | |
£10, I have. | 0:38:24 | 0:38:26 | |
Any advance on £10? | 0:38:26 | 0:38:28 | |
There'll be masses. | 0:38:28 | 0:38:29 | |
-Oh, madam. -12. | 0:38:29 | 0:38:31 | |
14. | 0:38:31 | 0:38:32 | |
Striking a chord here. | 0:38:32 | 0:38:34 | |
£14. | 0:38:34 | 0:38:35 | |
Do you want me to hold it up? £16. | 0:38:36 | 0:38:40 | |
18. | 0:38:40 | 0:38:42 | |
20. | 0:38:42 | 0:38:44 | |
22. | 0:38:44 | 0:38:45 | |
At this price, it's worth building a conservatory. | 0:38:45 | 0:38:48 | |
LAUGHTER | 0:38:48 | 0:38:51 | |
22, then. | 0:38:51 | 0:38:52 | |
-25. -25. Well done, madam. | 0:38:53 | 0:38:57 | |
28. | 0:38:57 | 0:38:58 | |
-30, madam. Go on! -I can't believe this. | 0:38:58 | 0:39:00 | |
Internet? | 0:39:00 | 0:39:01 | |
Are you all done at 28? | 0:39:01 | 0:39:03 | |
-30, at the last moment. -James. | 0:39:03 | 0:39:06 | |
35, madam. Come on. | 0:39:06 | 0:39:07 | |
-Go on. -32. | 0:39:07 | 0:39:09 | |
Go on, it's only money. | 0:39:10 | 0:39:12 | |
-35. -35! | 0:39:12 | 0:39:14 | |
37. Thank you. | 0:39:14 | 0:39:16 | |
It's got three tiers. | 0:39:16 | 0:39:18 | |
If it doesn't make any more money | 0:39:18 | 0:39:20 | |
you'll have a lot more than three tiers! | 0:39:20 | 0:39:22 | |
Last chance. | 0:39:22 | 0:39:24 | |
-37. -Where did that come from? | 0:39:24 | 0:39:26 | |
-That was superb. -That was hard work, wasn't it? | 0:39:26 | 0:39:29 | |
Worth it in the end, though. | 0:39:29 | 0:39:31 | |
Five days of toil, driving around... | 0:39:32 | 0:39:35 | |
-Yeah. -..banter, buying, selling has all come down to one bronze. | 0:39:35 | 0:39:42 | |
-Held on a puff of wind. -Oh. | 0:39:43 | 0:39:46 | |
Here we go then, it's the biggie. | 0:39:46 | 0:39:49 | |
Charlie's hopes for a big profit, | 0:39:49 | 0:39:51 | |
enough to catapult him into the lead, | 0:39:51 | 0:39:53 | |
all ride on the wings of his bronze of Mercury. | 0:39:53 | 0:39:57 | |
Deep breathing, James, deep breathing. | 0:39:58 | 0:40:00 | |
£200 for this nice bronze, at 200. | 0:40:00 | 0:40:05 | |
Shall we try 150? | 0:40:05 | 0:40:07 | |
It's all gone very quiet. | 0:40:07 | 0:40:09 | |
-150. -Oh, no. | 0:40:09 | 0:40:10 | |
-I'd try 30, if I was you. -James! | 0:40:10 | 0:40:12 | |
Sorry, sorry, sorry. | 0:40:13 | 0:40:15 | |
-How dare... -100. | 0:40:15 | 0:40:18 | |
100 for the bronze. | 0:40:18 | 0:40:19 | |
-I'm going to fold up my glasses. -He is 104cm high. | 0:40:19 | 0:40:22 | |
-It is. -50. | 0:40:22 | 0:40:24 | |
-Oh, no, James. -50. | 0:40:24 | 0:40:26 | |
£50. | 0:40:26 | 0:40:27 | |
-50, I have. -Oh, good Lord! -Oh, good Lord. | 0:40:28 | 0:40:31 | |
-Only another 400 to go. -LAUGHTER | 0:40:31 | 0:40:33 | |
£50. | 0:40:35 | 0:40:37 | |
Someone help this gentleman out. | 0:40:37 | 0:40:39 | |
-Any advance on 50? -I'm beyond help, madam. | 0:40:39 | 0:40:42 | |
£50. | 0:40:43 | 0:40:44 | |
-I think £50 is where... -Our Father... | 0:40:46 | 0:40:49 | |
-..is where we are stopping. -Who art in Heaven... | 0:40:49 | 0:40:52 | |
-£50. -Ah! -169. | 0:40:52 | 0:40:54 | |
Arrow in my heart, madam. | 0:40:54 | 0:40:57 | |
-No, that's Cupid. -Well done, James. | 0:40:57 | 0:40:58 | |
It was a bold move and we commend you for taking the risk, Charlie. | 0:41:01 | 0:41:05 | |
Someone is walking away with a bargain bit of bronze. | 0:41:05 | 0:41:09 | |
Hello? | 0:41:09 | 0:41:11 | |
Oh, dear. And he hasn't even heard the final figures. | 0:41:12 | 0:41:16 | |
Charlie started this final leg with £258.74. | 0:41:21 | 0:41:26 | |
Sadly, he made a loss today of £189.04 after auction costs. | 0:41:26 | 0:41:32 | |
That's dreadful. | 0:41:32 | 0:41:34 | |
So, he finishes with £69.70. | 0:41:34 | 0:41:37 | |
I'm pretty sure that's the worst result we've ever had. | 0:41:37 | 0:41:41 | |
Oh, dear! Oh, dear!. | 0:41:41 | 0:41:43 | |
James began with £464.38 after auction costs. | 0:41:48 | 0:41:53 | |
He made a profit of £10.40, | 0:41:53 | 0:41:55 | |
which means not only has he won today's battle, | 0:41:55 | 0:41:59 | |
he's crowned King of the Roadtrip - | 0:41:59 | 0:42:01 | |
finishing with a massive £474.78. | 0:42:01 | 0:42:05 | |
And all profits go to Children in Need. | 0:42:05 | 0:42:08 | |
Will it be champagne, sir? | 0:42:12 | 0:42:14 | |
-I think for me. -I won't be buying it. | 0:42:14 | 0:42:16 | |
I think it's a mild for you. | 0:42:16 | 0:42:19 | |
The pint of mild. | 0:42:21 | 0:42:22 | |
And so it's the end of our gentlemen's journey. | 0:42:26 | 0:42:29 | |
It's been a tough old trip for Charlie. | 0:42:31 | 0:42:34 | |
Oh, it's gone over my trousers. | 0:42:34 | 0:42:36 | |
He tried his best to climb the ladder of success... | 0:42:36 | 0:42:39 | |
Oh! | 0:42:39 | 0:42:40 | |
..and although he put his back into it... | 0:42:40 | 0:42:43 | |
Ah! | 0:42:43 | 0:42:44 | |
..he failed to deliver. | 0:42:44 | 0:42:46 | |
Oh! | 0:42:46 | 0:42:47 | |
While frugal James took a much more Zen approach. | 0:42:47 | 0:42:50 | |
I bring yoga. | 0:42:50 | 0:42:52 | |
And he proved himself to be the supreme athlete of antiques. | 0:42:52 | 0:42:57 | |
But our boys remain the best of pals. | 0:43:01 | 0:43:04 | |
-I will take you out for lunch... -Oh, excellent. | 0:43:04 | 0:43:06 | |
..at a restaurant of your choosing. | 0:43:06 | 0:43:08 | |
Oh! | 0:43:08 | 0:43:10 | |
Farewell, fellas, it's been a pleasure. | 0:43:10 | 0:43:13 |