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-It's the nation's favourite antique experts. -This is beautiful. | 0:00:02 | 0:00:05 | |
That's the way to do this. | 0:00:05 | 0:00:07 | |
With £200 each, a classic car and a goal to scour for antiques... | 0:00:07 | 0:00:12 | |
-Joy. -Hello! | 0:00:12 | 0:00:14 | |
..the aim - to make the biggest profit at auction | 0:00:14 | 0:00:17 | |
but it's no mean feat. | 0:00:17 | 0:00:18 | |
THEY LAUGH | 0:00:18 | 0:00:19 | |
There'll be worthy winners and valiant losers. | 0:00:19 | 0:00:23 | |
So will it be the high road to glory or the slow road to disaster? | 0:00:23 | 0:00:28 | |
The hand brake's on. | 0:00:28 | 0:00:29 | |
This is Antiques Road Trip. | 0:00:29 | 0:00:31 | |
Yeah! | 0:00:33 | 0:00:35 | |
Welcome to a bracing Caledonian morn with Catherine Southon and Paul Laidlaw. | 0:00:36 | 0:00:42 | |
I trust you've had your porridge this morning. | 0:00:42 | 0:00:44 | |
You'll be set up for the day. | 0:00:44 | 0:00:46 | |
After starting out back in Northern Ireland, | 0:00:46 | 0:00:48 | |
they're now deep in the Scottish Borders. Look at that. | 0:00:48 | 0:00:52 | |
People say, "Oh, the Highlands!" But it's lovely round there, isn't it? | 0:00:52 | 0:00:56 | |
-Yes. -It's beautiful. | 0:00:56 | 0:00:57 | |
Especially in that yellow Morris Minor, | 0:00:57 | 0:00:59 | |
which dates from an era before seatbelts were mandatory. | 0:00:59 | 0:01:03 | |
Makes you want to get out your easel and your paint brush. | 0:01:03 | 0:01:06 | |
-Well, we're glad you like it. -I do, I do. And it's so green. | 0:01:06 | 0:01:10 | |
On this trip, auctioneer Paul has mostly steered clear of his | 0:01:11 | 0:01:16 | |
trademark militaria, profitably exploring his feminine side instead. | 0:01:16 | 0:01:21 | |
Oh, yes. | 0:01:21 | 0:01:22 | |
Twee little tea set which did you proud. You bought them beaded bags. | 0:01:22 | 0:01:27 | |
For goodness sake! Come on, they were dirt cheap, weren't they? | 0:01:27 | 0:01:30 | |
They were, they were. Which, in truth, was the appeal! | 0:01:30 | 0:01:33 | |
Not that rival auctioneer Catherine can really claim to have | 0:01:33 | 0:01:37 | |
-scaled the moral high ground. -It's just amazing. | 0:01:37 | 0:01:41 | |
With a similarly shrewd purchase to her name. | 0:01:41 | 0:01:44 | |
Yeah, we're in the rag trade now! | 0:01:44 | 0:01:46 | |
Antiques rag trade! | 0:01:46 | 0:01:48 | |
CATHERINE LAUGHS | 0:01:48 | 0:01:49 | |
Ha-ha! Catherine has so far shrunk her £200 stake to £169.96. | 0:01:49 | 0:01:55 | |
While Paul, who began with the same sum, has £372.76 to spend today. | 0:01:55 | 0:02:03 | |
He's got oodles. | 0:02:03 | 0:02:06 | |
-I'm rich like Croesus! -Oh, you've got so much money, you don't know what to do with it. | 0:02:06 | 0:02:11 | |
I had Warren Buffett on the phone this morning, asking me | 0:02:11 | 0:02:14 | |
-if he could borrow some money from me. -Oh, yes. | 0:02:14 | 0:02:16 | |
Our journey started out in Portrush, County Antrim. | 0:02:16 | 0:02:19 | |
After exploring Northern Ireland, they crossed the sea towards | 0:02:19 | 0:02:22 | |
Scotland and will finish several hundred miles later in Aberdeen. | 0:02:22 | 0:02:25 | |
But today, we begin in Melrose in the Borders and then head | 0:02:28 | 0:02:31 | |
north towards an auction in Edinburgh. | 0:02:31 | 0:02:33 | |
At the foot of the ancient Eildon Hills, Melrose, | 0:02:36 | 0:02:40 | |
with its magnificent ruined abbey, is quite a spot. | 0:02:40 | 0:02:43 | |
Paul's got the place to himself as well, | 0:02:44 | 0:02:47 | |
having dropped Catherine off a little earlier. | 0:02:47 | 0:02:50 | |
Hello, there. Is it Susan? | 0:02:50 | 0:02:52 | |
-Yes. -Lovely to see you. | 0:02:52 | 0:02:54 | |
To see you, nice! Lovely shop, too. | 0:02:54 | 0:02:57 | |
Ever so cream. | 0:02:57 | 0:02:59 | |
Fabulous stuff. Very nice indeed. | 0:03:00 | 0:03:03 | |
But where are the bargains? | 0:03:03 | 0:03:06 | |
My task, of course, is not just to find a fabulous object, | 0:03:06 | 0:03:10 | |
anyone with an eye can do that. | 0:03:10 | 0:03:12 | |
It's to find the object with the profit left in it. | 0:03:12 | 0:03:15 | |
And here, we're in a very, very smart - | 0:03:15 | 0:03:17 | |
and I'm going to see sophisticated - environment. | 0:03:17 | 0:03:20 | |
My hope levels are down at one little bar. | 0:03:20 | 0:03:23 | |
Keep digging! Dog's life, eh? | 0:03:23 | 0:03:26 | |
Let me show you something. | 0:03:26 | 0:03:27 | |
A late 20th century rod and lamp or wine table. | 0:03:27 | 0:03:33 | |
What on earth is Laidlow up to? | 0:03:33 | 0:03:37 | |
Forget the table. Look at the top. | 0:03:37 | 0:03:41 | |
If the stand dates to the 1970s, | 0:03:41 | 0:03:44 | |
the tiles in the top may date to the 1670s. | 0:03:44 | 0:03:49 | |
Actually, I think they're a bit earlier than that. Come closer. | 0:03:49 | 0:03:52 | |
You expect, for a piece that should be 350-year-old, some flaking, | 0:03:52 | 0:03:57 | |
losses to the glaze. We get all of that. | 0:03:57 | 0:04:00 | |
We get the wear and tear that we want, | 0:04:00 | 0:04:02 | |
so the hallmarks of age and we look at the subject matter | 0:04:02 | 0:04:05 | |
and Laidlaw's eyes light up, | 0:04:05 | 0:04:07 | |
because here we have a splendid pair of 17th-century musketeers. | 0:04:07 | 0:04:15 | |
And here we have the chap and his characteristic wide, | 0:04:15 | 0:04:17 | |
floppy-brimmed hat with bandoliers draped round his body. | 0:04:17 | 0:04:23 | |
These bandoliers carried typically 12 little wooden containers | 0:04:23 | 0:04:29 | |
with a measure of powder. | 0:04:29 | 0:04:31 | |
And these little vessels that we can see draped here, | 0:04:31 | 0:04:35 | |
were termed The 12 Apostles. | 0:04:35 | 0:04:37 | |
This is an accurate depiction by an artist who saw these guys | 0:04:37 | 0:04:42 | |
marching down the high street, parading on a Sunday afternoon. | 0:04:42 | 0:04:46 | |
Time travel, I love it! | 0:04:46 | 0:04:48 | |
I like the juxtaposition of the 17th century with the 20th century. | 0:04:48 | 0:04:54 | |
Yeah, that said, I'd really rather hack them out! | 0:04:54 | 0:04:59 | |
Best buy it first, Paul. The ticket price is £65. | 0:04:59 | 0:05:03 | |
Susan, I love your wee wine table. | 0:05:03 | 0:05:06 | |
Yes, it's lovely, but the tiles especially. | 0:05:06 | 0:05:09 | |
Aren't they just? Is there much margin in that? | 0:05:09 | 0:05:12 | |
-Is there slack in that price? -There is, a little. | 0:05:12 | 0:05:15 | |
-Are you going to hit me with it? -50? -Dare I push you any further? | 0:05:15 | 0:05:19 | |
You can push me a little but not very much. | 0:05:19 | 0:05:21 | |
-I need a three at the beginning of that price. -No, I can't, sorry. | 0:05:21 | 0:05:25 | |
-Give me the bottom line. -45 would be the bottom line. | 0:05:25 | 0:05:28 | |
-Thank you, that's all I need to know. -We are getting close. | 0:05:28 | 0:05:31 | |
If you would sell that to me for £40, that fiver will seal the deal. | 0:05:31 | 0:05:36 | |
-OK. -Thank you very much. -You're welcome. | 0:05:38 | 0:05:42 | |
Gosh, all very convivial | 0:05:42 | 0:05:43 | |
and a lot quicker than it seemed it might be, too. | 0:05:43 | 0:05:46 | |
Just in time for elevenses, eh? | 0:05:46 | 0:05:48 | |
It's my lucky day, is it not? | 0:05:48 | 0:05:50 | |
From an antique shop, straight into a good Scots butchers advertising | 0:05:50 | 0:05:53 | |
Scotland's finest Scotch pies. | 0:05:53 | 0:05:55 | |
-HE LAUGHS -When in Rome and all that! | 0:05:55 | 0:05:58 | |
Quite! So, while Paul samples certain local delicacies, | 0:05:58 | 0:06:01 | |
let's see where Catherine has got to. | 0:06:01 | 0:06:03 | |
Deep in the woods, at the Dawyck Botanic Garden.... | 0:06:08 | 0:06:12 | |
..she has come to find out about an Edwardian adventurer | 0:06:14 | 0:06:17 | |
who hunted exotic plants. | 0:06:17 | 0:06:20 | |
-Hi, there, it's nice to meet you. -And you, too. | 0:06:20 | 0:06:23 | |
-A beautiful garden. -It is, isn't it? | 0:06:23 | 0:06:24 | |
You are very lucky to work somewhere like here. | 0:06:24 | 0:06:27 | |
Dawyck is now part of Edinburgh's Royal Botanic Garden | 0:06:27 | 0:06:29 | |
but as archivist Leonie reveals, in the 19th century, | 0:06:29 | 0:06:33 | |
it belonged to the wealthy Balfour family. | 0:06:33 | 0:06:35 | |
It is a garden with a long history of being associated | 0:06:36 | 0:06:39 | |
with plant collectors. | 0:06:39 | 0:06:40 | |
Well, I'm familiar with antique collecting | 0:06:40 | 0:06:42 | |
but where does plant collecting come from? | 0:06:42 | 0:06:44 | |
It is a similar thing - you would go out to different parts | 0:06:44 | 0:06:47 | |
of the world and collect whatever plants, flowers, trees as well... | 0:06:47 | 0:06:52 | |
You would take a plant cutting or you could collect the seeds from | 0:06:52 | 0:06:56 | |
the plant, send them back home and people were able to grow the plants | 0:06:56 | 0:06:59 | |
that you have seen growing in the world in various parts of the world. | 0:06:59 | 0:07:02 | |
The profitable pursuit of plant collecting for the gardens | 0:07:02 | 0:07:05 | |
of the rich has been around for hundreds of years. | 0:07:05 | 0:07:09 | |
But it was once highly dangerous. | 0:07:09 | 0:07:11 | |
So George Forrest, | 0:07:11 | 0:07:12 | |
a 30-year-old herbarium clerk may not have been the obvious choice, | 0:07:12 | 0:07:17 | |
but in 1904, the rookie collector set off for China | 0:07:17 | 0:07:20 | |
in search of exotic plants. What fun! | 0:07:20 | 0:07:23 | |
There is an area in south-west China in the province of Yunnan, | 0:07:23 | 0:07:26 | |
cos there had been plant collectors | 0:07:26 | 0:07:28 | |
on the east coast of China before | 0:07:28 | 0:07:30 | |
but this part of China in the south-west was relatively unexplored. | 0:07:30 | 0:07:33 | |
It is where the end of the Himalayas hooked down into it, | 0:07:33 | 0:07:35 | |
so you have got these huge, high mountain ranges | 0:07:35 | 0:07:37 | |
and then these low, tropical river valleys, | 0:07:37 | 0:07:39 | |
so you were able to get whatever environment or climate | 0:07:39 | 0:07:42 | |
you were looking for fairly close at hand. | 0:07:42 | 0:07:45 | |
Obviously, all you had to do was get there. | 0:07:45 | 0:07:47 | |
A look around the gardens reveals that Forrest was to become | 0:07:47 | 0:07:51 | |
one of the most successful plant collectors of all time. | 0:07:51 | 0:07:54 | |
But history could have turned out very differently. | 0:07:54 | 0:07:57 | |
So, how successful was the first expedition? | 0:07:59 | 0:08:02 | |
It started off fairly quietly, actually. | 0:08:02 | 0:08:04 | |
Forrest arrived too late in the season to collect any plants. | 0:08:04 | 0:08:08 | |
-Oh, no. -But it was OK. He spent the time usefully here. | 0:08:08 | 0:08:12 | |
He scoped his way around Yunnan, | 0:08:12 | 0:08:13 | |
working out where the best place to collect plants would be. | 0:08:13 | 0:08:16 | |
So 1905 finds him up the Mekong River in Yunnan, staying at a mission, | 0:08:16 | 0:08:21 | |
but this is where it all starts to go wrong for Forrest. | 0:08:21 | 0:08:24 | |
It's been illustrated quite nicely with this map that Forrest drew himself. | 0:08:24 | 0:08:27 | |
To the north are missions that were under siege by some irate locals | 0:08:27 | 0:08:32 | |
at the time, I think, quite fed up with western influence | 0:08:32 | 0:08:35 | |
so Forrest is basically in a position, knowing that any moment, | 0:08:35 | 0:08:38 | |
these men could come down and do the same | 0:08:38 | 0:08:41 | |
and that is exactly what happens. | 0:08:41 | 0:08:43 | |
-He finds himself... -It must have been terrifying. -Absolutely terrifying. | 0:08:43 | 0:08:46 | |
Yes, they found themselves having to flee in the dead of night | 0:08:46 | 0:08:49 | |
-and this map shows the little... -Oh, is that his escape route? | 0:08:49 | 0:08:53 | |
It is his escape route, indeed. | 0:08:53 | 0:08:54 | |
Unfortunately, they are not able to evade these men for long. | 0:08:54 | 0:08:57 | |
The attack eventually does happen and it is every man for himself. | 0:08:57 | 0:09:01 | |
What followed was a massacre, from which only a very fortunate few, | 0:09:01 | 0:09:05 | |
including Forrest, survived. | 0:09:05 | 0:09:08 | |
-Oh, is this him? -This is him, yes. -He looks completely different. | 0:09:08 | 0:09:10 | |
Completely different, yes, he has been starved, hunted. | 0:09:10 | 0:09:13 | |
He looks a lot thinner. | 0:09:13 | 0:09:15 | |
But after that, Forrest actually does then go | 0:09:15 | 0:09:18 | |
and have a very successful plant collecting summer in 1906 | 0:09:18 | 0:09:22 | |
and returns back to Edinburgh in 1907 with a massive haul of plants. | 0:09:22 | 0:09:27 | |
And then, as his fame grows, | 0:09:27 | 0:09:29 | |
he goes on to do another six expeditions out to China. | 0:09:29 | 0:09:32 | |
Altogether, Forrest brought back as many as 31,000 specimens, | 0:09:32 | 0:09:36 | |
including many new discoveries, but having ensured a place | 0:09:36 | 0:09:39 | |
in scientific history, his seventh trip in 1932 was to be his last. | 0:09:39 | 0:09:45 | |
He is just about to return home and he has a heart attack | 0:09:45 | 0:09:48 | |
in the hills outside Tengchong and he dies there and is actually... | 0:09:48 | 0:09:52 | |
Oh, he dies there! | 0:09:52 | 0:09:53 | |
..buried out there in the hills that he loved, yes, | 0:09:53 | 0:09:55 | |
so he never made it back to Edinburgh. | 0:09:55 | 0:09:57 | |
But thanks to his extraordinary photographs | 0:09:57 | 0:10:00 | |
and immaculate record keeping, Forrest's plant collecting legacy lives on. | 0:10:00 | 0:10:05 | |
So this is all listed in a number of field books, all | 0:10:05 | 0:10:08 | |
-the different specimens that he was picking up? -Yes. | 0:10:08 | 0:10:11 | |
-There's about 25 volumes of them that we have. -Goodness. | 0:10:11 | 0:10:14 | |
And they're still used today. That's the nice thing about these archives. | 0:10:14 | 0:10:17 | |
Although he was writing these | 0:10:17 | 0:10:18 | |
almost 100 years ago we can still take a record such as this | 0:10:18 | 0:10:21 | |
one here, the Rhododendron species that he collected in June 1918, | 0:10:21 | 0:10:24 | |
and we can now just walk just up the road here | 0:10:24 | 0:10:27 | |
and have a look at this plant actually growing here now. | 0:10:27 | 0:10:30 | |
That's incredibly special, isn't it? | 0:10:30 | 0:10:32 | |
-And here it is. -So what is this particular plant? | 0:10:32 | 0:10:35 | |
This is Rhododendron roxieanum. | 0:10:35 | 0:10:37 | |
I quite like the fact that it's named after | 0:10:37 | 0:10:39 | |
the wife of a friend of George Forrest's as well. | 0:10:39 | 0:10:42 | |
Of course, Forrest could never have foreseen that several | 0:10:42 | 0:10:44 | |
of the plants he brought home would become threatened back in Yunnan. | 0:10:44 | 0:10:49 | |
But in the herbaria he helped to create, biodiversity is in good hands. | 0:10:49 | 0:10:54 | |
If plants are in danger, or they're suffering in their native habitat, | 0:10:54 | 0:10:58 | |
we now have a lot of plant material we can now send back to China | 0:10:58 | 0:11:01 | |
and plant it in the botanic garden there. | 0:11:01 | 0:11:03 | |
And we can also make people more aware about their biodiversity. | 0:11:03 | 0:11:06 | |
I shall certainly look at a Rhododendron in a totally | 0:11:06 | 0:11:09 | |
different way now. | 0:11:09 | 0:11:10 | |
Thank you ever so much. | 0:11:10 | 0:11:12 | |
Meanwhile, Paul has got some collecting of his own to | 0:11:14 | 0:11:18 | |
attend to, taking our route a little | 0:11:18 | 0:11:20 | |
closer to the border to Hawick, | 0:11:20 | 0:11:21 | |
the riverside town that is famous for its knitwear factories, | 0:11:21 | 0:11:25 | |
manufacturing luxurious cashmere and merino products. | 0:11:25 | 0:11:29 | |
Not that Paul will have time for jumpers... | 0:11:29 | 0:11:32 | |
Don't judge me. | 0:11:32 | 0:11:33 | |
..once he's polished off that pie, that is. | 0:11:33 | 0:11:38 | |
HE CHUCKLES | 0:11:38 | 0:11:40 | |
-Hello there. Is it Morris? -It is. Hello, Paul. -Good to see you. | 0:11:41 | 0:11:44 | |
-Good to see you. -You too. -What a structure. | 0:11:44 | 0:11:48 | |
-Is it a mill we're in? -It were a cashmere mill, yeah, | 0:11:48 | 0:11:50 | |
up to about ten years ago. | 0:11:50 | 0:11:52 | |
Recently transformed into this huge antiques emporium. | 0:11:52 | 0:11:56 | |
Containing an awful lot of fine furniture. | 0:11:56 | 0:11:59 | |
Give it a rub, eh? | 0:11:59 | 0:12:01 | |
18th century gate leg table. Nice little size. It's £245. | 0:12:01 | 0:12:07 | |
It's £245. | 0:12:07 | 0:12:09 | |
I think even our hard-hearted expert is tempted. | 0:12:09 | 0:12:14 | |
I like that. | 0:12:14 | 0:12:15 | |
I like that. | 0:12:16 | 0:12:18 | |
Face it, Paul, those aren't for you. | 0:12:18 | 0:12:20 | |
This is the densest room in the building for smalls. | 0:12:22 | 0:12:26 | |
I keep looking at this stick stand here. There's good workmanship there. | 0:12:26 | 0:12:29 | |
Don't write this off as the work of some 1960s blacksmith. | 0:12:29 | 0:12:34 | |
I think there's real quality in terms of design and execution here. | 0:12:34 | 0:12:40 | |
What makes it for me are these scrolls. | 0:12:40 | 0:12:43 | |
Slightly naturalistic, asymmetric. | 0:12:43 | 0:12:46 | |
And see the way that scroll wraps itself around the upright member. | 0:12:46 | 0:12:50 | |
That's good work. | 0:12:50 | 0:12:51 | |
But it's very black and that's not everyone's cup of tea. | 0:12:51 | 0:12:56 | |
It's also got some problems. It's a wee bit drunk. | 0:12:56 | 0:13:00 | |
Indeed this little pan didn't sit right in the first place | 0:13:00 | 0:13:04 | |
because this replacement bowl is too long. | 0:13:04 | 0:13:07 | |
Ticket price £75. I'll tell you what. | 0:13:07 | 0:13:10 | |
You're not going to find anyone that could make anything of that | 0:13:10 | 0:13:12 | |
quality for £75. | 0:13:12 | 0:13:14 | |
I think his mojo is working again. Must be the pie. | 0:13:14 | 0:13:19 | |
Time to get a price from Morris. | 0:13:19 | 0:13:21 | |
-60. 60-ish. 60 quid. -I'm a long way off. | 0:13:21 | 0:13:25 | |
-I'm a 40 quid job on that. -Can I let you know? -Yeah, do. Yeah, yeah. | 0:13:25 | 0:13:29 | |
-Absolutely. But I'm seriously interested. -Right. | 0:13:29 | 0:13:32 | |
Sounds like Morris may be biddable. Anything else? | 0:13:32 | 0:13:36 | |
Look at that nice little burr walnut veneered collector's cabinet | 0:13:36 | 0:13:40 | |
with that little string inlay there. | 0:13:40 | 0:13:42 | |
Wrong! It's all tin plate. | 0:13:42 | 0:13:46 | |
Tin plate at that time, as it still is today, was used commonly to | 0:13:46 | 0:13:50 | |
package sweets. | 0:13:50 | 0:13:53 | |
And this one is issued for our world famous Victory V gums | 0:13:53 | 0:14:00 | |
and lozenges. "The world's winter sweetmeats." Get in! | 0:14:00 | 0:14:05 | |
Invented in 1864, the first recipe contained chlorodyne, | 0:14:05 | 0:14:11 | |
a mixture of laudanum, cannabis and chloroform. | 0:14:11 | 0:14:13 | |
Advertising packaging, vintage material, sells. | 0:14:15 | 0:14:19 | |
It's a hot market. | 0:14:19 | 0:14:21 | |
Now I don't think this is the most exciting tin plate | 0:14:21 | 0:14:24 | |
box in the world but it's not the most dreary either. | 0:14:24 | 0:14:27 | |
It taps into an iconic brand. | 0:14:27 | 0:14:30 | |
No price label though. | 0:14:30 | 0:14:33 | |
Something to ask about, I'd imagine. | 0:14:33 | 0:14:35 | |
Only issue I could find was the top drawer is snagged. | 0:14:36 | 0:14:39 | |
I don't think that is a difficult fix. | 0:14:39 | 0:14:41 | |
But you know what it might be? | 0:14:41 | 0:14:44 | |
It might be a lever for me to get this at the right price. | 0:14:44 | 0:14:47 | |
Morris is still considering Paul's proposal of £40 for the stick stand. | 0:14:47 | 0:14:52 | |
Gird your loins. | 0:14:52 | 0:14:53 | |
-There's a tin plate chest of drawers, it's a Victory V's thing. -Yeah. | 0:14:53 | 0:14:58 | |
-It's a bit buckled. I can't get top drawer open. 10 or 20 quid. -Right. | 0:14:58 | 0:15:02 | |
-The stick stand which I offered 40 quid on and the box... -Uh-huh. | 0:15:02 | 0:15:06 | |
-£50 the two. We've got a deal. -Pleasure, Morris. Sweet as a nut. | 0:15:06 | 0:15:11 | |
-You're welcome. -I'll give you some money. -That sounds good. | 0:15:11 | 0:15:14 | |
THEY LAUGH | 0:15:14 | 0:15:15 | |
No sign of Paul's little fortune going to his head just yet, is there? | 0:15:15 | 0:15:19 | |
Ah, now, here's Catherine, hands in her pockets. | 0:15:19 | 0:15:22 | |
That cheeky Laidlaw is already here. | 0:15:22 | 0:15:25 | |
Yep, and he's looking suitably smug. | 0:15:25 | 0:15:27 | |
-Well, well, well. What are you doing sitting here? -Don't interrupt me. | 0:15:27 | 0:15:31 | |
-Have you shopped up? -Uh... I've bought a few things. -I don't believe you. | 0:15:31 | 0:15:36 | |
-I don't believe you. -What have you been doing? Where have you been? | 0:15:36 | 0:15:39 | |
-I've been on an adventure. -You'll love it by the way. | 0:15:39 | 0:15:41 | |
Huge. Nothing left of course. | 0:15:41 | 0:15:44 | |
Take no notice. | 0:15:44 | 0:15:46 | |
But Catherine seems to be adopting a different approach, | 0:15:46 | 0:15:50 | |
ignoring the furniture and letting Morris be her guide. | 0:15:50 | 0:15:54 | |
-Maybe this case. -This one? -Let's have a look. | 0:15:54 | 0:15:58 | |
Nice quality. Japanese. | 0:15:58 | 0:16:00 | |
-Cigarette. -That is nice quality, isn't it? | 0:16:00 | 0:16:04 | |
-With Mount Fuji in the background. -That's right. | 0:16:04 | 0:16:06 | |
So fresh it hasn't got a ticket on it yet. | 0:16:06 | 0:16:09 | |
So this is probably going to be produced in the early part of the | 0:16:09 | 0:16:12 | |
-20th century, I would say. -I would think so, yeah. | 0:16:12 | 0:16:14 | |
So you would have put your cigarettes all in here. | 0:16:14 | 0:16:16 | |
-Sometimes people use these today as cardholders or something like that. -Yeah. | 0:16:16 | 0:16:20 | |
-So this is all lacquered here. -Mm-hm. | 0:16:20 | 0:16:22 | |
-What's the best on that then, Morris? -55. | 0:16:22 | 0:16:27 | |
If you'd said to me yesterday, yes, I probably would have paid 55 | 0:16:27 | 0:16:30 | |
but I'm struggling on the cash front at the moment so... | 0:16:30 | 0:16:35 | |
Is a possibility... Is there any chance that we can deal a bit | 0:16:35 | 0:16:39 | |
-lower or should I look for something else. -How much lower? | 0:16:39 | 0:16:42 | |
-Would it be really cheeky to say 35? -I'll take your £35 for that. | 0:16:42 | 0:16:45 | |
-Right, OK. -So we've got a deal on one thing. | 0:16:45 | 0:16:48 | |
Not a lot of shaking on just yet though. Anything else? | 0:16:48 | 0:16:52 | |
That's got a good look to it. I like that. | 0:16:53 | 0:16:56 | |
-How old is this one do you think? -1950s, I would think. | 0:16:56 | 0:16:58 | |
I've got another one upstairs, another pond yacht. | 0:16:58 | 0:17:02 | |
-I think it's upstairs anyway. -Is it a good one? -I don't know. | 0:17:02 | 0:17:05 | |
It's all right. | 0:17:05 | 0:17:07 | |
Meanwhile there's a pair of decanters to take a peek at. | 0:17:07 | 0:17:10 | |
-I've only got £30 on the pair. -They look pretty good, don't they? | 0:17:10 | 0:17:15 | |
-But they don't excite me like the case did. -OK. -Unless they're dirt cheap. | 0:17:15 | 0:17:20 | |
15 quid. That's £7.50 each. | 0:17:20 | 0:17:23 | |
That is cheap. Still no deal though. | 0:17:23 | 0:17:26 | |
-Now for his other yacht. -Quite a nice thing actually. | 0:17:26 | 0:17:30 | |
-That is a proper pond yacht. -Yeah. | 0:17:30 | 0:17:32 | |
-200... -£80. -£80. | 0:17:33 | 0:17:36 | |
Quite a reduction. | 0:17:36 | 0:17:38 | |
What can that really go for at auction? What can I see that making? | 0:17:38 | 0:17:42 | |
-200, 300. -No, it won't make as much as that. | 0:17:42 | 0:17:45 | |
I think it's a bit tatty. | 0:17:45 | 0:17:47 | |
I like it but it's a bit tatty so I think I'd have to... | 0:17:47 | 0:17:50 | |
-Knock me down a lot. -Yeah, I would. | 0:17:51 | 0:17:53 | |
Honestly I'd probably see that at £40. | 0:17:53 | 0:17:56 | |
HE GULPS | 0:17:56 | 0:17:58 | |
50 quid. | 0:17:59 | 0:18:01 | |
Let me... Do you know what? I'm not shaking on anything | 0:18:01 | 0:18:04 | |
at the moment because I'm... I've got a lot to think about. | 0:18:04 | 0:18:07 | |
I'm beginning to lose track of the contents of Catherine's growing pile. | 0:18:07 | 0:18:11 | |
There's more too. | 0:18:11 | 0:18:12 | |
How about this little tobacco jar? Victorian, cast iron. | 0:18:12 | 0:18:16 | |
Love the shape. Octagonal shape. Nice. It's cast iron. Nothing to it, is there? | 0:18:16 | 0:18:21 | |
Original tobacco press. | 0:18:21 | 0:18:22 | |
Everything is there. Little brass finial. | 0:18:22 | 0:18:26 | |
-Fiver. -That's a possibility. | 0:18:28 | 0:18:31 | |
OK, are we about to witness a handshake? | 0:18:31 | 0:18:34 | |
-Hello. -There you be. Are you ready for this? -Go on. | 0:18:34 | 0:18:37 | |
I'm deciding not to go for the decanters although I like them. | 0:18:37 | 0:18:40 | |
Then there was three items. | 0:18:40 | 0:18:42 | |
-There was the lacquered card case. -Card case, yeah. | 0:18:42 | 0:18:44 | |
-There was the little Victorian tobacco press. -Mm-hm. | 0:18:44 | 0:18:49 | |
There was the pond yacht. | 0:18:49 | 0:18:51 | |
So those three together with the prices that we discussed was 80. | 0:18:51 | 0:18:54 | |
Can I come down to 65, 70? | 0:18:54 | 0:18:57 | |
-Yeah, go on, then. -Which one? -70. Not 65. 70. | 0:18:57 | 0:19:03 | |
-Thank you very much indeed. -OK. You're welcome. -I'm really grateful. | 0:19:03 | 0:19:07 | |
Phew! They've both had quite a start. | 0:19:07 | 0:19:11 | |
Three items. Happy days. | 0:19:11 | 0:19:13 | |
But what will tomorrow bring? | 0:19:13 | 0:19:16 | |
-Do you know what would be my dream? -Go on. | 0:19:16 | 0:19:19 | |
-Is that you would go out and spend £200 on something... -And it makes 20! | 0:19:19 | 0:19:23 | |
And it makes... Oh! Oh! | 0:19:23 | 0:19:25 | |
Are you enjoying that? Are you enjoying that? | 0:19:25 | 0:19:28 | |
Ha-ha! Nighty night. | 0:19:28 | 0:19:30 | |
Next day there is an "offal" lot to talk about. | 0:19:33 | 0:19:36 | |
Right next door to the first antique shop I was in, | 0:19:36 | 0:19:38 | |
face lit up when I saw the finest Scotch pie emporium in Scotland. | 0:19:38 | 0:19:44 | |
I bought haggis, white pudding... Have you had mealy pudding? | 0:19:44 | 0:19:49 | |
-White pudding? -No. Don't like the sound of that. | 0:19:49 | 0:19:51 | |
HE LAUGHS | 0:19:51 | 0:19:53 | |
-Sounds horrible. Do you eat it? -It's gorgeous. | 0:19:53 | 0:19:55 | |
And when he wasn't scoffing he found time to buy some tin drawers, | 0:19:55 | 0:19:59 | |
a stick stand and a tile top table... | 0:19:59 | 0:20:04 | |
I'd really rather hack them out. | 0:20:04 | 0:20:06 | |
..which set him back £90, leaving just over 280 in his wallet. | 0:20:06 | 0:20:12 | |
While Catherine's haul included a tobacco jar, a cigarette case | 0:20:12 | 0:20:16 | |
and a pond yacht. As you do. | 0:20:16 | 0:20:18 | |
-Is it a good one? -I don't know. | 0:20:18 | 0:20:21 | |
It's all right. | 0:20:21 | 0:20:22 | |
Hey. All for £70. Meaning she has less than 100 at her disposal. | 0:20:22 | 0:20:28 | |
-Any windfalls? -There's nothing I'm going to make a lot of money on. | 0:20:28 | 0:20:33 | |
That's all right then. I don't care any more. Aren't the views nice? | 0:20:33 | 0:20:37 | |
Later they'll be heading for an auction in Edinburgh | 0:20:37 | 0:20:40 | |
but our next stop is in Innerleithen, Tweeddale. | 0:20:40 | 0:20:44 | |
Yes, he was here. | 0:20:47 | 0:20:50 | |
Plus this spa town was immortalised in Saint Ronan's Well, | 0:20:50 | 0:20:53 | |
the only contemporary novel by Sir Walter Scott. | 0:20:53 | 0:20:57 | |
Have a good one, you. | 0:20:57 | 0:20:59 | |
-Thank you. Wish me luck. -See you later. -Ciao. | 0:20:59 | 0:21:03 | |
-Hello, there. -Hi. Hi. Lovely to see you. -Hi. You are? | 0:21:05 | 0:21:10 | |
-Margaret. -Hi, Margaret. Nice to meet you. | 0:21:10 | 0:21:12 | |
It's a small space but it's absolutely rammed full, isn't it? | 0:21:12 | 0:21:16 | |
You took the words right out of my mouth, Catherine. Look at that lot. | 0:21:16 | 0:21:19 | |
-Is that silver, the golfing one or...? -Yes, it is. | 0:21:19 | 0:21:23 | |
-I've got 35 on that one. -Are you a golfer, Margaret? | 0:21:23 | 0:21:26 | |
No, I'm not a golfer. | 0:21:26 | 0:21:28 | |
THEY LAUGH | 0:21:28 | 0:21:29 | |
Quite a few are in Edinburgh though. | 0:21:29 | 0:21:31 | |
Stamp 925 sterling so probably not English silver I wouldn't say. | 0:21:31 | 0:21:36 | |
I think it's really interesting. You've got a man there in his | 0:21:36 | 0:21:39 | |
plus fours taking a swing. And what could you do on that, Margaret? | 0:21:39 | 0:21:43 | |
I could do 28. | 0:21:43 | 0:21:45 | |
Well, I'll have a look to see if there's anything else | 0:21:45 | 0:21:47 | |
because at 28 it might be a bit much. | 0:21:47 | 0:21:50 | |
One little item under consideration already. | 0:21:50 | 0:21:54 | |
Oh! They are being watched. | 0:21:54 | 0:21:56 | |
-That's my speciality, is the dolls and the teddy bears. -Is it? -Yeah. -How is the market? | 0:21:56 | 0:22:01 | |
-It's not as good as it used to be, is it? -No. | 0:22:01 | 0:22:03 | |
But there's still doll collectors who come to me | 0:22:03 | 0:22:06 | |
-and want to find a doll. -They look good up there, don't they? | 0:22:06 | 0:22:10 | |
-They're watching over you, Margaret. -They come out at night and have fun. | 0:22:10 | 0:22:14 | |
This is turning into Toy Story. I bet those two join in. | 0:22:14 | 0:22:18 | |
Puppets. You sell a lot of puppets, do you? | 0:22:18 | 0:22:20 | |
Not really but that's Sooty and Sweep there, which is a 1950s Sooty | 0:22:20 | 0:22:24 | |
-and Sweep. -I loved Sooty and Sweep. | 0:22:24 | 0:22:27 | |
These are the earlier ones, the '50s ones, when they came out earlier. | 0:22:27 | 0:22:30 | |
You'll notice actually that Sooty doesn't have black ears | 0:22:30 | 0:22:33 | |
-in that one. He has brown ears. -Do I buy the brooch? | 0:22:33 | 0:22:37 | |
I do buy the brooch. Oh! | 0:22:37 | 0:22:39 | |
Consulting Sooty, eh? I didn't see that coming. | 0:22:39 | 0:22:42 | |
Does Sweep concur? | 0:22:42 | 0:22:44 | |
They're in agreement. They're fantastic. I'm tempted to buy these. | 0:22:44 | 0:22:49 | |
-So who were these made by? Chad Valley...? -Chad Valley. | 0:22:49 | 0:22:51 | |
It's got the label there somewhere on the side. | 0:22:51 | 0:22:53 | |
-This one's not in bad condition. -No. | 0:22:53 | 0:22:55 | |
-Sometimes you get the noses repaired and they've been re-sown. -Yes. | 0:22:55 | 0:22:59 | |
-But I don't think... -No, that's not had anything done, I don't think. | 0:22:59 | 0:23:01 | |
No surgery then. But his mate's looking a bit worse for wear. | 0:23:01 | 0:23:06 | |
Sooty, I think you're kind of past it a bit. | 0:23:06 | 0:23:08 | |
-I thinks Sooty's maybe been the one that was the most cuddleable. -Yeah... | 0:23:08 | 0:23:14 | |
The ticket price for the furry pair is £48. | 0:23:14 | 0:23:18 | |
That to me doesn't even look like Sooty. Are we definitely Sooty? | 0:23:18 | 0:23:22 | |
Erm... Well, they came together. | 0:23:22 | 0:23:24 | |
He's not Basil Brush, Catherine(!) | 0:23:24 | 0:23:26 | |
-Where did you get them from actually? -From a toy museum. | 0:23:26 | 0:23:29 | |
-Did you? -So that's why I felt reasonably confident that they were right. | 0:23:29 | 0:23:33 | |
-The fact that we've got a bit of provenance behind that, a bit of history... -Yeah. | 0:23:33 | 0:23:38 | |
Sounds like Sooty's passed the test but where are we on the deal, children? | 0:23:38 | 0:23:42 | |
What could you really do on these? Could you do 50 for the two? | 0:23:42 | 0:23:46 | |
Because that, I think this is mid-20th century. | 0:23:46 | 0:23:50 | |
-But I think 25 is top whack. -OK. | 0:23:50 | 0:23:52 | |
And then I think 25 on that is just a punt | 0:23:52 | 0:23:56 | |
-and a bit of fun. -OK, then. We'll go for 50. -Is that all right? -OK. | 0:23:56 | 0:24:01 | |
-Done. -I'm going to shake your hand. -Hope they do well for you. | 0:24:01 | 0:24:04 | |
I really hope they do. Yeah. | 0:24:04 | 0:24:06 | |
I mean that face, it says, "Come on, buy me," doesn't it? | 0:24:06 | 0:24:09 | |
Oh-ho-ho! I think we might have struck gold, don't you? Oh, yes. | 0:24:09 | 0:24:14 | |
Bye-bye. | 0:24:14 | 0:24:16 | |
Elsewhere in the Borders, Paul's making his way to another place | 0:24:19 | 0:24:23 | |
with strong literary associations, | 0:24:23 | 0:24:26 | |
towards the county town of Tweeddale in Peebles, where he's come | 0:24:26 | 0:24:30 | |
to find out more about the incredible real life adventures of the | 0:24:30 | 0:24:34 | |
Scottish writer of The Thirty-Nine Steps, one of our most influential spy novels. | 0:24:34 | 0:24:40 | |
-Hello, Deborah. -Yes, Paul. How very nice to meet you. | 0:24:40 | 0:24:44 | |
Thank you very much for coming. | 0:24:44 | 0:24:46 | |
The museum dedicated to Deborah's grandfather John Buchan is | 0:24:46 | 0:24:49 | |
located here in the Borders | 0:24:49 | 0:24:51 | |
because this was where he spent time as a young man and set | 0:24:51 | 0:24:56 | |
some of the most exciting passages of his man on the run thriller. | 0:24:56 | 0:25:00 | |
You think of Richard Hannay running across these moors, | 0:25:00 | 0:25:03 | |
-and you know how bare those hills can be... -Indeed. | 0:25:03 | 0:25:06 | |
-..and that you would see a fugitive running. -Yes. | 0:25:06 | 0:25:09 | |
Particularly if you had a monoplane. | 0:25:09 | 0:25:11 | |
I read it as a teenager and it is one of the best reads of my life. | 0:25:11 | 0:25:16 | |
Buchan, the son of a Scottish minister, | 0:25:16 | 0:25:18 | |
had already been a published author for several years when he wrote | 0:25:18 | 0:25:21 | |
The Thirty-Nine Steps while recovering from an illness on the eve of World War I. | 0:25:21 | 0:25:27 | |
He was sent to bed in August 1914 with a terrible stomach complaint. | 0:25:27 | 0:25:33 | |
He ran out of thrillers to read and he said to my grandmother, | 0:25:33 | 0:25:36 | |
"I want to write a book where the writer cares what happens to | 0:25:36 | 0:25:40 | |
-"both the victim and the perpetrator." -Mm-hm. | 0:25:40 | 0:25:43 | |
And him and his daughter Alice were convalescing in Kent, in Broadstairs, | 0:25:43 | 0:25:49 | |
and she was running up and down the steps that led down to the beach. | 0:25:49 | 0:25:53 | |
-And she ran up and she said, "Daddy, there are 39 steps." -Oh! | 0:25:53 | 0:25:56 | |
And that's supposed to be from where he got the title. | 0:25:56 | 0:26:00 | |
-Well, the source of the story is quite good. -Yes. | 0:26:00 | 0:26:03 | |
Buchan's tale of one man's fight against German spies was an immediate | 0:26:04 | 0:26:09 | |
hit, with huge numbers delivered to the troops. | 0:26:09 | 0:26:12 | |
He went on to write a further four novels featuring hero | 0:26:12 | 0:26:15 | |
Richard Hannay, but the author himself, | 0:26:15 | 0:26:17 | |
although too ill for active service, was to play quite a part in the war. | 0:26:17 | 0:26:21 | |
-He becomes a Times correspondent during the war. -A war correspondent? | 0:26:22 | 0:26:27 | |
A war correspondent. | 0:26:27 | 0:26:28 | |
But all the time he is writing a contemporaneous | 0:26:28 | 0:26:32 | |
history of the war published fortnightly in The Times. | 0:26:32 | 0:26:36 | |
-Then he joins Earl Haig's staff. -I see. In intelligence or...? -Yes. | 0:26:36 | 0:26:40 | |
-In uniform? -In uniform. -So he ends up on active service regardless? -Yes. | 0:26:40 | 0:26:46 | |
By the end of hostilities, during which both his brother and his | 0:26:46 | 0:26:51 | |
best friend died, Buchan occupied a senior propaganda post in Whitehall. | 0:26:51 | 0:26:56 | |
He then turned to politics and became a Member of Parliament. | 0:26:56 | 0:27:00 | |
He's a good MP but he's not a successful politician | 0:27:01 | 0:27:05 | |
-because he can always see the other person's point of view. -Right. | 0:27:05 | 0:27:09 | |
I mean, for example, he was great friends with Jimmy Maxton of the | 0:27:09 | 0:27:12 | |
Red Clydesiders. | 0:27:12 | 0:27:13 | |
And he found it very difficult to adhere to a party line. | 0:27:13 | 0:27:18 | |
Throughout, Buchan continued to write, eventually | 0:27:18 | 0:27:21 | |
publishing around 100 works of both fact and fiction. | 0:27:21 | 0:27:25 | |
And it was during his late 50s that a writing job led to his last | 0:27:25 | 0:27:29 | |
great public role. | 0:27:29 | 0:27:31 | |
He's commissioned to write the Jubilee book for King George V. | 0:27:31 | 0:27:34 | |
And probably as a result of spending a lot of time with | 0:27:34 | 0:27:39 | |
the king, the king decided to send him as governor general to Canada in 1935. | 0:27:39 | 0:27:43 | |
My word. That is some career. | 0:27:43 | 0:27:47 | |
-You say not a successful politician but that's some achievement. -Yes. | 0:27:47 | 0:27:53 | |
But if his never out of print shocker remains Buchan's greatest | 0:27:53 | 0:27:58 | |
legacy, it's thanks in part to the 1935 movie version by a | 0:27:58 | 0:28:02 | |
young Alfred Hitchcock. | 0:28:02 | 0:28:04 | |
Although as anyone who's experienced them both | 0:28:04 | 0:28:07 | |
can tell you, it's a somewhat free adaptation. | 0:28:07 | 0:28:10 | |
The film premiered in London just before JB left to be | 0:28:10 | 0:28:14 | |
governor general of Canada, and in the interval Alfred Hitchcock | 0:28:14 | 0:28:18 | |
came to him and said, "Tell me, my Lord, how are you enjoying the film?" | 0:28:18 | 0:28:21 | |
And he said, "Well it's very good, Mr Hitchcock, but can you tell me | 0:28:21 | 0:28:24 | |
"how it ends?" | 0:28:24 | 0:28:26 | |
HE LAUGHS | 0:28:26 | 0:28:27 | |
That's the anecdote of this encounter for me. | 0:28:27 | 0:28:31 | |
Now, with our two chums back together and back on the road... | 0:28:35 | 0:28:39 | |
This is just beautiful. There's more sheep than anything here. | 0:28:39 | 0:28:43 | |
It makes you feel good to be alive, doesn't it? | 0:28:43 | 0:28:46 | |
..it's time to head off to South Lanarkshire | 0:28:46 | 0:28:49 | |
and the village of Wiston. | 0:28:49 | 0:28:51 | |
-Sheepie, sheepies. -There's so many mutton pies there. | 0:28:51 | 0:28:54 | |
Paul, they're not all to eat! | 0:28:54 | 0:28:56 | |
One last shop to share. Nicely. | 0:28:56 | 0:28:59 | |
Right then. Elbows at dawn? | 0:28:59 | 0:29:02 | |
Let the shop name be your guide. | 0:29:02 | 0:29:04 | |
-Oh-ho-ho! Hello. -Hello. I'm Mark. | 0:29:04 | 0:29:07 | |
-I'm Catherine. -Nice to meet you. -Nice to meet you. -How are you doing, Mark? | 0:29:07 | 0:29:10 | |
-Are you all right. -Hi. I'm fine, Paul. | 0:29:10 | 0:29:12 | |
Delightful place but it might be a bit of a squeeze. | 0:29:12 | 0:29:15 | |
-Would you mind if I head that way? -With your new friend? | 0:29:15 | 0:29:18 | |
-With my new friend. -Good idea. -You just kind of go that way, | 0:29:18 | 0:29:22 | |
wherever you want, and I'll go with Mark. | 0:29:22 | 0:29:24 | |
-At what point did I become the gooseberry? -Yeah, exactly. | 0:29:24 | 0:29:28 | |
So while Paul makes himself scarce... | 0:29:28 | 0:29:30 | |
You've got some fantastic pieces round here. | 0:29:30 | 0:29:33 | |
There's plenty of things hidden away. In under things. | 0:29:33 | 0:29:36 | |
There are, aren't there? That's what I like. | 0:29:36 | 0:29:38 | |
-Nice... This octant has seen better days, hasn't it? -Yes. | 0:29:38 | 0:29:41 | |
Missing the scale and the vernier. | 0:29:41 | 0:29:43 | |
Still looks good though doesn't it? Looks nice. | 0:29:43 | 0:29:45 | |
-Yeah, a nice decorative thing for the wall now. -Absolutely. | 0:29:45 | 0:29:48 | |
-It makes it cheaper as well. -Good point. | 0:29:48 | 0:29:51 | |
But after her happy shopping thus far I don't think she's too | 0:29:51 | 0:29:54 | |
bothered about buying more. | 0:29:54 | 0:29:56 | |
Paul however is definitely in the market. | 0:29:56 | 0:29:59 | |
So I've just picked up a wee plastic box full of bits and bobs. | 0:29:59 | 0:30:06 | |
That is a little Scottish brooch set with polished hard stones. | 0:30:06 | 0:30:12 | |
One couldn't call that a lot. | 0:30:12 | 0:30:15 | |
That's a little fob, Royal Highland Agricultural | 0:30:15 | 0:30:18 | |
Society of Scotland Long Service. | 0:30:18 | 0:30:21 | |
HE YAWNS | 0:30:21 | 0:30:24 | |
Women's Voluntary Service, a little badge worn by people to say, | 0:30:24 | 0:30:28 | |
"Look, I'm doing my bit for the war effort." | 0:30:28 | 0:30:31 | |
For me the most interesting little object is here. | 0:30:31 | 0:30:33 | |
Nice little silver lapel badge. | 0:30:33 | 0:30:37 | |
If you don't know your armorials you've got no idea. | 0:30:37 | 0:30:39 | |
However I do recognise the device of the three cannon and the three shot. | 0:30:39 | 0:30:46 | |
That's the badge of the Ordnance, | 0:30:46 | 0:30:48 | |
the government department that deals with munitions and supplies. | 0:30:48 | 0:30:52 | |
None of that particularly stands out. | 0:30:52 | 0:30:54 | |
However, show me a fistful of it and I will show you an auction lot. | 0:30:54 | 0:30:58 | |
A bit distracted, Catherine? | 0:31:00 | 0:31:02 | |
Ah, Paul, just the person. | 0:31:02 | 0:31:05 | |
You're good at crosswords. | 0:31:05 | 0:31:07 | |
HE LAUGHS | 0:31:07 | 0:31:08 | |
No, come back, come back. | 0:31:08 | 0:31:09 | |
You know what your problem is, Catherine? It's work ethic. | 0:31:09 | 0:31:12 | |
If you wouldn't mind getting me a coffee because I'm almost done with this crossword. | 0:31:12 | 0:31:16 | |
I think she's done with shopping too. | 0:31:16 | 0:31:19 | |
Ah. That's familiar. | 0:31:19 | 0:31:20 | |
You've seen a mariner's sextant before. | 0:31:20 | 0:31:24 | |
This is a variation on the theme called an octant. | 0:31:24 | 0:31:26 | |
That was used to measure the angle of elevation above the horizon | 0:31:26 | 0:31:32 | |
of a given celestial object. And thus one can determine longitude. | 0:31:32 | 0:31:39 | |
It was developed around 1730 with both an Englishman and | 0:31:39 | 0:31:43 | |
an American having independent and equal claims to have got there first. | 0:31:43 | 0:31:48 | |
That's early 19th century. | 0:31:48 | 0:31:50 | |
I adore scientific instruments. However, this one is incomplete. | 0:31:50 | 0:31:56 | |
It is lacking, for one, a register here | 0:31:56 | 0:32:00 | |
that would have been inset into that channel, | 0:32:00 | 0:32:03 | |
it's an engraved scale from which one can take readings. | 0:32:03 | 0:32:07 | |
So as far as I'm concerned it's too far gone. | 0:32:07 | 0:32:10 | |
However... Maybe in that condition it's buyable. We'll ask the question. | 0:32:10 | 0:32:17 | |
-Mark? Octant? -Very much so, yes. -Wrecked. Very much so, yes. -Seen better days, yes. | 0:32:17 | 0:32:23 | |
PAUL LAUGHS | 0:32:23 | 0:32:24 | |
-It's dead and gone to heaven. -Not in my opinion. | 0:32:24 | 0:32:28 | |
HE LAUGHS | 0:32:28 | 0:32:29 | |
In your opinion what's it worth then? | 0:32:29 | 0:32:32 | |
-Well, I have £100 on it at the moment. -Too much. | 0:32:32 | 0:32:34 | |
Are you open to offers, cheeky offers, insulting offers? | 0:32:34 | 0:32:38 | |
-Borderline insulting offers? -Make it 50. | 0:32:38 | 0:32:41 | |
-50 quid, eh? A thought for you. -Mm-hm. -Spotted that earlier. | 0:32:41 | 0:32:45 | |
Box full of random fobs, commemorative medallions, | 0:32:45 | 0:32:49 | |
-military insignia and brooches. -I would do the whole lot for 25. | 0:32:49 | 0:32:55 | |
So the total currently stands at £75. | 0:32:55 | 0:33:00 | |
I'm breaking one of my cardinal rules here which is to never | 0:33:00 | 0:33:02 | |
buy anything you have to apologise for. | 0:33:02 | 0:33:06 | |
A very good rule of thumb. But do we spy a deal on the horizon? | 0:33:06 | 0:33:11 | |
Now you can't sell that damaged piece to me for 40 quid | 0:33:12 | 0:33:17 | |
and I can't pay 50 but if I float you an offer of 65 quid | 0:33:17 | 0:33:25 | |
-on the two I will convince myself I got it for 40. -I'll go 70. | 0:33:25 | 0:33:32 | |
-I'm really... -For a fiver? -Yeah, I'm really struck now. 70 quid. | 0:33:32 | 0:33:36 | |
-That's it. I know when the bottom line's been reached. -OK. -Good. | 0:33:36 | 0:33:39 | |
-We did it. -We got there. -Phew! | 0:33:39 | 0:33:41 | |
With those final buys wrapped up, let's take a peek at what | 0:33:43 | 0:33:45 | |
they'll be bringing to auction. | 0:33:45 | 0:33:47 | |
Paul parted with £160 for a table, some tin drawers, | 0:33:49 | 0:33:53 | |
various badges, a stick stand and that octant. | 0:33:53 | 0:33:58 | |
While Catherine spent £120 on a cigarette case, a golf | 0:34:00 | 0:34:05 | |
brooch, a pond yacht, a tobacco jar and two vintage glove puppets. | 0:34:05 | 0:34:10 | |
Who did good? | 0:34:10 | 0:34:12 | |
She's going to make money and there are some killers in there perhaps. | 0:34:12 | 0:34:16 | |
That stand. I'm surprised he paid so much for that. | 0:34:16 | 0:34:19 | |
He may have a little wobble with that. | 0:34:19 | 0:34:21 | |
Glove puppets, not my thing. | 0:34:21 | 0:34:23 | |
£25 paid, however, and if the specialists out there go, | 0:34:23 | 0:34:27 | |
"That's the rare early one that you never see," it could be a good margin in it. | 0:34:27 | 0:34:32 | |
After setting off from Melrose, our experts are now heading | 0:34:32 | 0:34:35 | |
towards an auction on the outskirts of the capital. | 0:34:35 | 0:34:38 | |
It doesn't feel like we're anywhere near Edinburgh. | 0:34:38 | 0:34:40 | |
Turn this corner, you'll be able to see Edinburgh | 0:34:40 | 0:34:43 | |
because there are the Pentland Hills and just to the north-east of those you've got Edinburgh. | 0:34:43 | 0:34:47 | |
I've got my own little navigational... | 0:34:47 | 0:34:51 | |
-Oh! -My little map here, haven't I? -Am I like your little Sherpa? That's right. | 0:34:51 | 0:34:55 | |
I can translate, I can show you the right fish and chip bars. | 0:34:55 | 0:34:58 | |
If you're looking for a bottle of Buckie in a brown paper bag... | 0:34:58 | 0:35:01 | |
HE LAUGHS | 0:35:01 | 0:35:02 | |
You know how to treat a girl, don't you(?) | 0:35:02 | 0:35:05 | |
Welcome to Rosewell, the home of the long established | 0:35:05 | 0:35:08 | |
Thomson Roddick Scottish Auctions. | 0:35:08 | 0:35:10 | |
Here we go. | 0:35:10 | 0:35:11 | |
Are you ready for a slaughtering? | 0:35:11 | 0:35:13 | |
HE LAUGHS | 0:35:13 | 0:35:14 | |
Listen to you. Get in there. | 0:35:14 | 0:35:16 | |
I wonder what auctioneer Sybelle Thomson thinks will get | 0:35:16 | 0:35:20 | |
everyone hot under the collar. | 0:35:20 | 0:35:21 | |
Sybelle? | 0:35:21 | 0:35:23 | |
Toys are very popular here and there's already been a few | 0:35:23 | 0:35:25 | |
commissions left on Sooty and Sweep and I think they'll make £30, £40. | 0:35:25 | 0:35:29 | |
The ebony and brass inlaid octant, unfortunately it is missing | 0:35:29 | 0:35:33 | |
a small section, but I still think it will fetch in the region of £60 to £80. | 0:35:33 | 0:35:38 | |
OK, eyes down, everyone. | 0:35:38 | 0:35:40 | |
Hotting up in here. | 0:35:40 | 0:35:41 | |
HE LAUGHS | 0:35:41 | 0:35:43 | |
# Feeling good. # | 0:35:43 | 0:35:44 | |
You ain't seen nothing yet. | 0:35:44 | 0:35:45 | |
# Feeling good. # | 0:35:45 | 0:35:47 | |
First at the hammer is Paul's slightly tatty table featuring | 0:35:47 | 0:35:51 | |
two exquisite tiles. | 0:35:51 | 0:35:52 | |
People will see beyond the table. | 0:35:52 | 0:35:54 | |
They will see just the tiles, I think. | 0:35:54 | 0:35:57 | |
As long as nobody's a mug on them. | 0:35:57 | 0:35:59 | |
-Two bids on this, can start at £25. -What a start. -25. 25. | 0:36:00 | 0:36:05 | |
Who's going on at 25? 28, 30, two, five, eight, 40. | 0:36:05 | 0:36:11 | |
-Two, 42. -Close. | 0:36:11 | 0:36:13 | |
You're all out in the room at 42. Anyone else going on at £42? | 0:36:13 | 0:36:18 | |
HAMMER THUDS | 0:36:18 | 0:36:19 | |
-Oh! -Close but no cigar. | 0:36:19 | 0:36:22 | |
Not a bad start. | 0:36:22 | 0:36:24 | |
We'll move on. | 0:36:24 | 0:36:26 | |
HE MUTTERS | 0:36:26 | 0:36:28 | |
Catherine's turn. Her Japanese cigarette case. | 0:36:28 | 0:36:31 | |
INDISTINCT | 0:36:31 | 0:36:33 | |
-Good. -Yes. -Good. Keep talking. | 0:36:33 | 0:36:35 | |
And I can start straight in at ten bid. | 0:36:35 | 0:36:37 | |
-Ten bid for a nice cigarette case. -Come on. -Ten. | 0:36:37 | 0:36:40 | |
INDISTINCT | 0:36:40 | 0:36:41 | |
12, 15, 18, 20, two, 25, eight, 30, | 0:36:41 | 0:36:47 | |
-two, five, eight, 40. -It's going to do it. -Yes. -£40... | 0:36:47 | 0:36:51 | |
Come on, a bit more. A bit more. | 0:36:51 | 0:36:54 | |
Anyone else going on at £40? | 0:36:54 | 0:36:57 | |
HAMMER THUDS | 0:36:57 | 0:36:59 | |
That's better than my table. | 0:36:59 | 0:37:00 | |
Yep, it's warming up. | 0:37:00 | 0:37:02 | |
So now we have your box of rust. Your rusty box. | 0:37:03 | 0:37:09 | |
Or an early 20th-century chest of drawers modelled in tin | 0:37:09 | 0:37:13 | |
advertising Victory Vs. | 0:37:13 | 0:37:14 | |
I remember the sweets when I was younger. | 0:37:14 | 0:37:17 | |
-They were really, really... -Astringent. -Very strong. | 0:37:17 | 0:37:20 | |
-Clean your tubes. -I'm going to start this at ten bid. | 0:37:20 | 0:37:23 | |
Ten bid, ten bid, ten bid. | 0:37:23 | 0:37:25 | |
-12, 15, 18... -Well done. -Bid's with the lady at 18. | 0:37:25 | 0:37:29 | |
-Anyone else going on? -Made a profit there. | 0:37:29 | 0:37:32 | |
-The lady seated at 18. 20... -It's got life in it yet. -22. | 0:37:32 | 0:37:37 | |
On my right at 22. At 22. | 0:37:37 | 0:37:40 | |
HAMMER THUDS | 0:37:40 | 0:37:41 | |
-Happy days. -I take it all back about a rusty box. | 0:37:41 | 0:37:44 | |
Definitely V for victory. Now for Catherine's tobacco jar. | 0:37:44 | 0:37:50 | |
-A fiver. A fiver. -A bit of jealousy there? -A bit?! | 0:37:50 | 0:37:55 | |
£20 for this. 20, £10. | 0:37:55 | 0:37:58 | |
£10. £5. | 0:37:58 | 0:38:01 | |
Five bid, everywhere, | 0:38:01 | 0:38:02 | |
-eight, ten... -Everywhere. I don't like the sound of that. | 0:38:02 | 0:38:05 | |
-..15, 18, 20, 22, 25... -Yes. | 0:38:05 | 0:38:11 | |
-28. The lady standing at the back at 28. -Keep going. | 0:38:11 | 0:38:14 | |
Anyone else going on at £28? | 0:38:14 | 0:38:17 | |
HAMMER THUDS | 0:38:17 | 0:38:19 | |
-28. -Loved that. | 0:38:19 | 0:38:21 | |
Are you sure, Paul? | 0:38:21 | 0:38:23 | |
I may have to lie down somewhere. | 0:38:23 | 0:38:25 | |
Mr Laidlaw, are you jealous of that purchase? Go on, admit it. Go on. | 0:38:25 | 0:38:30 | |
He picked this stick stand up pretty cheaply too. | 0:38:30 | 0:38:32 | |
£30 for this. 30, 20... | 0:38:32 | 0:38:34 | |
-She's got nothing. -£10. Ten bid. 12, 15, 18, 20... | 0:38:34 | 0:38:40 | |
They didn't miss it. They walked round. | 0:38:40 | 0:38:42 | |
..Eight, 30, two, five, eight, 38. Bid's on the right at 38. | 0:38:42 | 0:38:50 | |
40, 42, 45... | 0:38:50 | 0:38:52 | |
-People appreciated it like you did. -..at 45. | 0:38:52 | 0:38:54 | |
It's just going to wash its face. | 0:38:54 | 0:38:55 | |
HAMMER THUDS | 0:38:55 | 0:38:58 | |
It's flat, this. For me, it's flat. | 0:38:58 | 0:39:00 | |
An unusual experience for our Paul. | 0:39:00 | 0:39:04 | |
I am really enjoying this. | 0:39:04 | 0:39:06 | |
-Bring it on. What's next for you? -You're cold! | 0:39:06 | 0:39:10 | |
They're supposed to be quite keen on golf round here. | 0:39:10 | 0:39:14 | |
I have two bids on this and we start at 15 bid. | 0:39:14 | 0:39:17 | |
-15 on commission, 18, 20, two, five, eight, 28... -28. | 0:39:17 | 0:39:22 | |
..anyone else for 30? | 0:39:22 | 0:39:24 | |
30, 30, standing right at the back at 30. | 0:39:24 | 0:39:28 | |
Who am I missing for golfing interest? At £30. | 0:39:28 | 0:39:31 | |
HAMMER THUDS | 0:39:31 | 0:39:32 | |
We're not seeing the auction we would have liked today, are we, | 0:39:32 | 0:39:36 | |
with our purchases? | 0:39:36 | 0:39:37 | |
I think any golfer would be pleased with that. | 0:39:37 | 0:39:40 | |
This could be divisive, the octant Catherine rejected. | 0:39:40 | 0:39:43 | |
If this one just makes it over the line | 0:39:43 | 0:39:46 | |
and no more, as my other lots have, I'm doomed. | 0:39:46 | 0:39:50 | |
Anyone else going on? 38. | 0:39:50 | 0:39:54 | |
There are two bids on this and we must start straight in | 0:39:54 | 0:39:56 | |
at 55 bid, 55. | 0:39:56 | 0:39:59 | |
-55, 60, five... -Come on. -..70, five... -No. | 0:39:59 | 0:40:03 | |
..80, £80. You're all out in the room. | 0:40:03 | 0:40:06 | |
-Make no mistake, selling on commission. -On commission. -£80. | 0:40:06 | 0:40:10 | |
Any advance on £80? | 0:40:10 | 0:40:11 | |
HAMMER THUDS | 0:40:11 | 0:40:13 | |
I'll take it. | 0:40:13 | 0:40:14 | |
The best profit of the day. | 0:40:14 | 0:40:16 | |
Now, "Izzy wizzy, let's get busy." | 0:40:17 | 0:40:20 | |
Did you not have a Sooty and Sweep? | 0:40:20 | 0:40:22 | |
-Are you a bit old for that? -How very dare you, madam? | 0:40:22 | 0:40:27 | |
-And I can start this straight in at 20 bid, 20 bid... -What? | 0:40:27 | 0:40:33 | |
-..22, 25, 28, 30... -She's off. | 0:40:33 | 0:40:37 | |
..two, five, eight, 40, £40, on my right at 40... | 0:40:37 | 0:40:41 | |
Keep going. | 0:40:41 | 0:40:42 | |
Anyone else going on at £40? | 0:40:42 | 0:40:45 | |
HAMMER THUDS | 0:40:45 | 0:40:47 | |
-Yes. -HE GROANS | 0:40:47 | 0:40:49 | |
Take that, Teletubbies! | 0:40:49 | 0:40:51 | |
Phew! | 0:40:51 | 0:40:52 | |
THEY LAUGH | 0:40:52 | 0:40:54 | |
Paul reverts to type with his next lot. | 0:40:54 | 0:40:57 | |
Very interesting collection of military and other badges. | 0:40:57 | 0:40:59 | |
"Very interesting collection." | 0:40:59 | 0:41:01 | |
I can start straight in at 10 bid, ten bid for military badges, | 0:41:01 | 0:41:04 | |
-at 10, 12, 15, 18, 20, two... -Oh, no. -..five, eight, 30, £30... | 0:41:04 | 0:41:12 | |
-Not enough. You've done it. -..30. anyone else going on at 30? | 0:41:12 | 0:41:16 | |
-Hammer down. -Interesting lot. At £30. | 0:41:16 | 0:41:19 | |
HAMMER THUDS | 0:41:19 | 0:41:20 | |
-I'm so sorry. -You've beat me and you've got a lot to go. | 0:41:20 | 0:41:24 | |
Never nice to see a grown man cry. | 0:41:24 | 0:41:26 | |
I like auctions here. | 0:41:26 | 0:41:27 | |
I think maybe we should come back here. | 0:41:27 | 0:41:30 | |
Yes, she's cruising towards victory today. | 0:41:30 | 0:41:33 | |
£50 for it. 50, 30? | 0:41:33 | 0:41:35 | |
She's stabbing me in the heart. | 0:41:35 | 0:41:37 | |
£20 for a pond yacht. 20 bid, 22, 25, 28, 30, 30, 30, 32... | 0:41:37 | 0:41:45 | |
-No. -..35, 38, 40, £40. On my left at £40. -Come on. | 0:41:45 | 0:41:50 | |
-Anyone else going on? On my left... -No-one else, I would hope. | 0:41:50 | 0:41:54 | |
..at £40. | 0:41:54 | 0:41:55 | |
HAMMER THUDS | 0:41:55 | 0:41:57 | |
Southon... Loving your work. | 0:41:57 | 0:42:01 | |
No losses and some tidy profits leaves Catherine set fair. | 0:42:01 | 0:42:05 | |
Oh-ho-ho-ho! Let's go and party. | 0:42:05 | 0:42:10 | |
I don't feel in a party mood, funnily enough. I don't know what it is. | 0:42:10 | 0:42:13 | |
Come on, don't be a party pooper. | 0:42:13 | 0:42:16 | |
SHE HUMS | 0:42:16 | 0:42:18 | |
We could do the conga. | 0:42:18 | 0:42:20 | |
SHE HUMS | 0:42:20 | 0:42:22 | |
Paul produced a profit of £19.58 after paying auction costs | 0:42:22 | 0:42:26 | |
so has £392.34 in his kitty... | 0:42:26 | 0:42:30 | |
..while Catherine started out with £169.96 and after costs she made a | 0:42:31 | 0:42:37 | |
profit of £25.96 so wins the day and | 0:42:37 | 0:42:41 | |
has £195.92 to spend next time. | 0:42:41 | 0:42:45 | |
# At auction. # | 0:42:45 | 0:42:47 | |
-Oh! -There's only one way I'm going now and that is up. -What?! | 0:42:47 | 0:42:52 | |
Fighting talk. | 0:42:52 | 0:42:54 | |
You've beaten me by a fiver and you've taken off like a rocket! | 0:42:54 | 0:42:57 | |
-Listen. Hare and tortoise, remember that. -Oh! | 0:42:57 | 0:43:00 | |
Next on Antiques Road Trip, Catherine bets on black... | 0:43:02 | 0:43:05 | |
Yeah! | 0:43:08 | 0:43:10 | |
..and Paul sees red. | 0:43:10 | 0:43:13 | |
Philistines! Ignorance! | 0:43:13 | 0:43:16 |