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It's the nation's favourite antiques experts. | 0:00:02 | 0:00:04 | |
That's cracking. | 0:00:04 | 0:00:05 | |
With £200 each... | 0:00:05 | 0:00:07 | |
Wonderful. | 0:00:07 | 0:00:08 | |
..a classic car and a goal - to scour Britain for antiques. | 0:00:08 | 0:00:11 | |
-That's exactly what I'm talking about. -I'm all of a shiver! | 0:00:11 | 0:00:13 | |
The aim? To make the biggest profit at auction, but it's no mean feat. | 0:00:13 | 0:00:17 | |
-No brainer. -Going, going, gone. | 0:00:17 | 0:00:20 | |
There'll be worthy winners and valiant losers. | 0:00:20 | 0:00:23 | |
So, will it be the high road to glory... | 0:00:23 | 0:00:25 | |
-Push! -..or the slow road to disaster? | 0:00:25 | 0:00:28 | |
How awfully, awfully nice. | 0:00:28 | 0:00:29 | |
This is Antiques Road Trip! | 0:00:29 | 0:00:31 | |
Yeah! | 0:00:34 | 0:00:35 | |
Today, we witness the blossoming of a brand-new road trip | 0:00:36 | 0:00:39 | |
relationship for two antiquos. | 0:00:39 | 0:00:42 | |
Anita Manning and Raj Bisram. | 0:00:42 | 0:00:45 | |
Raj, the sun is shining, the sky is blue. | 0:00:45 | 0:00:49 | |
-Are you ready for a new adventure? -I certainly am. | 0:00:50 | 0:00:53 | |
Good-oh. | 0:00:53 | 0:00:55 | |
Anita is the road trip queen bee, with a passion for Scottish art | 0:00:55 | 0:00:59 | |
and, of course, jewellery. | 0:00:59 | 0:01:00 | |
Who could resist rummaging through that lot there? | 0:01:00 | 0:01:05 | |
Raj is a relative Road Trip newbie, | 0:01:05 | 0:01:07 | |
but as a former army fitness instructor and champion skier, | 0:01:07 | 0:01:11 | |
he takes the competition very seriously. | 0:01:11 | 0:01:14 | |
We're moving in for the kill now. | 0:01:14 | 0:01:17 | |
Blimey. They'll be cruising the country | 0:01:17 | 0:01:19 | |
in this rather snazzy 1978 Triumph Spitfire. | 0:01:19 | 0:01:23 | |
Anita and Raj begin their journey with £200 each. | 0:01:23 | 0:01:27 | |
Departing from Wisbech in Cambridgeshire, | 0:01:27 | 0:01:30 | |
they'll explore Norfolk, Suffolk and Essex, | 0:01:30 | 0:01:32 | |
then head south, to Kent, Surrey and Sussex, | 0:01:32 | 0:01:35 | |
before finishing at their final auction, in Bolton, Lancashire. | 0:01:35 | 0:01:38 | |
Phew. But the very first calling point | 0:01:38 | 0:01:42 | |
is at Wisbech in Cambridgeshire, | 0:01:42 | 0:01:44 | |
with their opening auction taking them to Beeston in Norfolk. | 0:01:44 | 0:01:48 | |
Well, well, well, here we are. | 0:01:48 | 0:01:51 | |
You've got a pocket full of money. | 0:01:51 | 0:01:53 | |
-Wish me luck, Anita. -Good luck, darling. | 0:01:53 | 0:01:56 | |
-OK. Oh, lovely! -See you later. | 0:01:56 | 0:01:59 | |
Granny's Cupboard Antiques | 0:01:59 | 0:02:00 | |
has been running for 30 years and is owned by Richard. | 0:02:00 | 0:02:04 | |
-Hello, there. -Hello. -Hi, Richard, isn't it? | 0:02:05 | 0:02:08 | |
-Hi, I'm Raj. -Nice to meet you. | 0:02:08 | 0:02:10 | |
It's so lovely to come into a shop full of antiques, proper antiques! | 0:02:10 | 0:02:14 | |
Richard specialises in small antiques, | 0:02:15 | 0:02:18 | |
sourcing them from walk-in customers, | 0:02:18 | 0:02:20 | |
house clearances and from his travels. | 0:02:20 | 0:02:22 | |
Have you got any bits of jewellery, Richard? | 0:02:22 | 0:02:24 | |
There's a few bits I've actually just been pricing up. | 0:02:24 | 0:02:26 | |
That's a nice silver bit of Art Nouveau, enamelled. | 0:02:26 | 0:02:29 | |
-Quite like that. -Yeah. -That's a nice piece of jewellery, isn't it? | 0:02:29 | 0:02:32 | |
This is a really lovely piece of Art Nouveau jewellery. | 0:02:32 | 0:02:36 | |
It's a really nice little brooch, | 0:02:36 | 0:02:37 | |
it's got mother of pearl in it and I really like the design. | 0:02:37 | 0:02:41 | |
There's £28 on the ticket. | 0:02:41 | 0:02:43 | |
What could you do that for, Richard, please? | 0:02:43 | 0:02:45 | |
-24. -24. | 0:02:45 | 0:02:48 | |
Could I get you down to a nice round 20? | 0:02:48 | 0:02:52 | |
-No. -Ha! | 0:02:52 | 0:02:53 | |
No? Fair enough. Can we split the difference at 22? | 0:02:53 | 0:02:56 | |
-We can. -We have a deal. | 0:02:56 | 0:02:58 | |
22. I've got my first item on this trip. | 0:02:58 | 0:03:02 | |
Cheeky! Playing the jewellery queen at her own game, eh? | 0:03:02 | 0:03:06 | |
What will Anita think? | 0:03:06 | 0:03:07 | |
1930s ladies purse. | 0:03:08 | 0:03:11 | |
It's in excellent condition. | 0:03:11 | 0:03:13 | |
These actually have become quite collectable these days. | 0:03:13 | 0:03:16 | |
If I can get that at the right price, | 0:03:16 | 0:03:18 | |
that's definitely a little buy. | 0:03:18 | 0:03:20 | |
Anita would be very pleased with me. | 0:03:20 | 0:03:22 | |
With no price on the label, it's back to Richard. | 0:03:22 | 0:03:25 | |
-It's quite nice condition. -It's very good condition, isn't it? | 0:03:25 | 0:03:28 | |
-Yeah. -Very, very cheap. | 0:03:28 | 0:03:31 | |
-You can't argue with that price. -No, I can't, no. | 0:03:31 | 0:03:33 | |
-I'm not even going to ask for any discount. -No! | 0:03:33 | 0:03:36 | |
-What could it be? -It could be a tenner. | 0:03:38 | 0:03:40 | |
-You can't go wrong with that. -It's a sale. | 0:03:40 | 0:03:43 | |
Raj has found himself an Art Nouveau brooch and an early 20th century | 0:03:43 | 0:03:47 | |
ladies' purse for £32. | 0:03:47 | 0:03:49 | |
Back to Anita now, and she's tootled to Tottenhill near King's Lynn, | 0:03:49 | 0:03:53 | |
for her first shop of the trip. | 0:03:53 | 0:03:55 | |
The Antiques Emporium has a rather fine collection of goods, | 0:03:58 | 0:04:01 | |
but, as usual, the cabinets are calling Anita. | 0:04:01 | 0:04:04 | |
These pieces of agate, or pebbles, | 0:04:05 | 0:04:09 | |
are found in the streams and beaches of Scotland. | 0:04:09 | 0:04:14 | |
They were collected and taken down to the New Town in Edinburgh | 0:04:14 | 0:04:19 | |
and polished and made into these lovely brooches and bracelets. | 0:04:19 | 0:04:24 | |
And this, it's a little pillbox. | 0:04:24 | 0:04:28 | |
Isn't that bonnie? Look at this striped agate here. | 0:04:28 | 0:04:32 | |
The colours are wonderful. | 0:04:32 | 0:04:34 | |
I was hoping that it might be gold, but it's not gold. | 0:04:34 | 0:04:38 | |
This probably dates from the late 19th, early 20th century. | 0:04:39 | 0:04:44 | |
But it's still functional in our modern days today. | 0:04:44 | 0:04:49 | |
One to consider? | 0:04:51 | 0:04:52 | |
And what we have here is a little miniature chamber candlestick. | 0:04:55 | 0:05:01 | |
It's pretty. | 0:05:01 | 0:05:02 | |
The handle, the base, the tub here, | 0:05:02 | 0:05:06 | |
all have a very nice detail. | 0:05:06 | 0:05:09 | |
Any more? | 0:05:09 | 0:05:10 | |
Now, this chain here is really what we will call, perhaps, | 0:05:13 | 0:05:17 | |
a fancy link chain. | 0:05:17 | 0:05:19 | |
But it's the type of thing that... | 0:05:19 | 0:05:23 | |
a Victorian gentleman would wear. | 0:05:23 | 0:05:26 | |
This would go through his buttonhole here | 0:05:26 | 0:05:29 | |
and this very nice fob, with the citrine glass stone, | 0:05:29 | 0:05:34 | |
would sit outside. | 0:05:34 | 0:05:37 | |
I really like this one because it's quite unusual. | 0:05:37 | 0:05:40 | |
And I would like to have a go at it. | 0:05:40 | 0:05:42 | |
This chain is known as an Albert, named after Prince Albert, | 0:05:42 | 0:05:46 | |
who wore this style of watch chain in the early 19th century. | 0:05:46 | 0:05:50 | |
So Anita has a few options. Jane's in charge. | 0:05:50 | 0:05:53 | |
Let's have a chat, shall we? | 0:05:53 | 0:05:55 | |
Jane, I've found three things which I liked. | 0:05:55 | 0:05:58 | |
-OK. -But there's one thing that has intrigued me. | 0:05:58 | 0:06:02 | |
-Right. -And it's this thing here. | 0:06:02 | 0:06:06 | |
-Right. -I believe that it is something | 0:06:08 | 0:06:11 | |
that they used to use for spooning out and stirring pig swill. | 0:06:11 | 0:06:16 | |
Pig swill? Right. Not porridge? | 0:06:16 | 0:06:20 | |
Or porridge! | 0:06:20 | 0:06:21 | |
-I'm going to call it a porridge stirrer. -OK. | 0:06:22 | 0:06:25 | |
-How much is that? -I think we could do £20 on that. | 0:06:25 | 0:06:29 | |
Could you do those... | 0:06:34 | 0:06:36 | |
The three, the porridge stirrer and the two wee... | 0:06:36 | 0:06:41 | |
yellow metal things for 40 quid? | 0:06:41 | 0:06:44 | |
Both the pillbox and the Albert chain are marked up at £30 each. | 0:06:44 | 0:06:49 | |
Oh, you're pushing me there, Anita! | 0:06:49 | 0:06:51 | |
Well, just say "no" and throw me out of the door. | 0:06:51 | 0:06:54 | |
Could we say...50? | 0:06:57 | 0:07:00 | |
£50 for the three things? | 0:07:00 | 0:07:02 | |
-Yeah. -Put it there. | 0:07:02 | 0:07:04 | |
Thank you. | 0:07:04 | 0:07:06 | |
And Anita's bagged herself a Victorian Albert, | 0:07:06 | 0:07:10 | |
or watch chain, for £20, | 0:07:10 | 0:07:11 | |
an agate pillbox for 25 | 0:07:11 | 0:07:13 | |
and a four-foot rustic wooden spoon for £5. | 0:07:13 | 0:07:17 | |
-I'll place them in there really carefully. -Hi-ho, hi-ho... | 0:07:17 | 0:07:20 | |
..it's off to auction I go. | 0:07:22 | 0:07:24 | |
Good luck, Anita! | 0:07:24 | 0:07:26 | |
Raj, meanwhile, has made his way south of Wisbech, to Littleport, | 0:07:27 | 0:07:31 | |
just outside Ely, which lies on the River Great Ouse. | 0:07:31 | 0:07:36 | |
Raj is here to check out a relatively-new antiques haven, | 0:07:37 | 0:07:40 | |
run by Andrew. Hi, Andrew. | 0:07:40 | 0:07:43 | |
-Hello, Andrew. -Hello, Raj. | 0:07:43 | 0:07:45 | |
The Salvage And Trading Post | 0:07:47 | 0:07:48 | |
has a plethora of antique collectable and vintage treats | 0:07:48 | 0:07:52 | |
for Raj to check out. | 0:07:52 | 0:07:54 | |
Andrew. I wonder, could I have a look at some of the things | 0:07:54 | 0:07:58 | |
in your cabinet, please? | 0:07:58 | 0:08:00 | |
Is there anything in particular, Raj? | 0:08:00 | 0:08:01 | |
I'd like to see the butter knife. | 0:08:01 | 0:08:05 | |
Cheese scoop, as you call it. | 0:08:05 | 0:08:06 | |
That's an unusual thing. | 0:08:06 | 0:08:08 | |
It is. Unfortunately, the box is damaged on that, | 0:08:08 | 0:08:11 | |
but, as you rightly say, the scoop is an unusual one. | 0:08:11 | 0:08:14 | |
This is like a butter knife, but with a little horn handle. | 0:08:14 | 0:08:18 | |
Yes. Yes, I think the collar is actually silver hallmarked, | 0:08:18 | 0:08:21 | |
-and it's "Sheffield, 1906." -Hmm. | 0:08:21 | 0:08:24 | |
Are the rest of them hallmarked, as well? | 0:08:26 | 0:08:28 | |
-No, I believe the others are plate. -Yeah. | 0:08:28 | 0:08:31 | |
What could you do this for? | 0:08:31 | 0:08:33 | |
Well, the ticket price is 38. | 0:08:33 | 0:08:35 | |
I'm prepared to say £30? | 0:08:37 | 0:08:39 | |
It's a bit too tight for me. | 0:08:39 | 0:08:40 | |
-I'll take 25. -OK. | 0:08:42 | 0:08:44 | |
Well, let me put it there for the moment, OK, if I can? | 0:08:44 | 0:08:47 | |
And just think about that. | 0:08:47 | 0:08:48 | |
Andrew thinks he's got something else to Raj's taste. | 0:08:48 | 0:08:51 | |
This is the 101st edition of the Streeter & Co. | 0:08:51 | 0:08:55 | |
As I understand it, it's actually a gold leaf illustration, | 0:08:55 | 0:09:00 | |
which is... | 0:09:00 | 0:09:02 | |
-quite a rare... -It's a lovely little book. | 0:09:02 | 0:09:05 | |
This was originally a shop in London, in Bond Street. | 0:09:05 | 0:09:08 | |
And they sold really good quality jewellery | 0:09:08 | 0:09:12 | |
and small artefacts and this is basically their catalogue. | 0:09:12 | 0:09:16 | |
The illustrations are gorgeous. Absolutely love it. | 0:09:16 | 0:09:20 | |
How much have you got on this? | 0:09:20 | 0:09:22 | |
165. | 0:09:22 | 0:09:23 | |
Hmm. | 0:09:23 | 0:09:25 | |
Yeah, if I were to buy these two items... | 0:09:25 | 0:09:28 | |
If I were to say £60 for the two. | 0:09:29 | 0:09:31 | |
£60 for two? | 0:09:31 | 0:09:33 | |
I'm not going to argue with you at all, Andrew. | 0:09:33 | 0:09:35 | |
-I'm going to shake your hand. -Thank you, Raj. -60? Fantastic. | 0:09:35 | 0:09:38 | |
Very well done. | 0:09:38 | 0:09:39 | |
So, that's two cracking gems for Raj. A 1940s butter knife, | 0:09:39 | 0:09:43 | |
cheese slice and pickle fork set | 0:09:43 | 0:09:45 | |
and a rather unusual jewellers' gems' book, | 0:09:45 | 0:09:48 | |
both for £30 each. | 0:09:48 | 0:09:51 | |
It's home to bed, you two. Nighty-night. | 0:09:51 | 0:09:53 | |
It's a new day and our experts are back, tearing around | 0:09:57 | 0:10:00 | |
in the Triumph Spitfire. | 0:10:00 | 0:10:02 | |
Do you like the wind in your hair, Raj? | 0:10:02 | 0:10:04 | |
I... | 0:10:04 | 0:10:06 | |
I love the wind in my hair. | 0:10:06 | 0:10:08 | |
Hey, a bit below the belt, Anita! | 0:10:08 | 0:10:11 | |
With the auction in Beeston in sight, | 0:10:11 | 0:10:13 | |
this perky pair must first head to their next destination, | 0:10:13 | 0:10:17 | |
Fakenham in Norfolk. | 0:10:17 | 0:10:19 | |
Anita's here to call at Fakenham Antiques And Collectables, | 0:10:19 | 0:10:22 | |
run by Sandy. Look out. | 0:10:22 | 0:10:24 | |
-Good morning, Anita. -Hi. -How are you? | 0:10:24 | 0:10:27 | |
Anita is armed and ready and dangerous with £150 to spend. | 0:10:27 | 0:10:31 | |
Straight to the glass cabinets this time. | 0:10:31 | 0:10:35 | |
There's a surprise. | 0:10:35 | 0:10:36 | |
And this time, it's colour that's pulling my eye. | 0:10:36 | 0:10:40 | |
These are 1930s napkin rings. | 0:10:41 | 0:10:45 | |
They're made of Bakelite. | 0:10:45 | 0:10:48 | |
They do have that vintage look | 0:10:48 | 0:10:51 | |
that young people are looking for today. | 0:10:51 | 0:10:54 | |
Now, this is a set of six here and I quite like them. | 0:10:54 | 0:10:59 | |
Lovely! Ticket price is £28. Stand by, Sandy. | 0:10:59 | 0:11:03 | |
I like these, I think they're quite stylish. | 0:11:04 | 0:11:06 | |
-They're pretty, aren't they? -Yes. | 0:11:06 | 0:11:09 | |
-I think that this is perhaps been part of a bigger set... -Set, yeah. | 0:11:09 | 0:11:13 | |
..because I would have liked more variety in the colours, | 0:11:13 | 0:11:17 | |
because we've got three green ones there. | 0:11:17 | 0:11:20 | |
I could do them for 18. | 0:11:20 | 0:11:22 | |
-Could we do them for 18? -Yeah. -Let's go for it. | 0:11:22 | 0:11:25 | |
So, that's £18 for the 1930s Bakelite napkin rings. | 0:11:25 | 0:11:29 | |
Straight in her pocket. | 0:11:29 | 0:11:30 | |
-It's been lovely being here. -Lovely having you, Anita. | 0:11:30 | 0:11:33 | |
-Bye-bye. -Bye-bye now. | 0:11:33 | 0:11:36 | |
Meanwhile, Raj is travelling ten miles north, | 0:11:36 | 0:11:38 | |
towards the attractive town of Wells-next-the-Sea, | 0:11:38 | 0:11:42 | |
so called due to its historic proximity to fresh springs. | 0:11:42 | 0:11:46 | |
Get it? | 0:11:46 | 0:11:47 | |
Landscape's very, very flat. | 0:11:47 | 0:11:49 | |
It's a little bit like Kent, where I'm from, | 0:11:51 | 0:11:53 | |
but this is obviously much flatter. | 0:11:53 | 0:11:55 | |
Raj is heading to a magnificent stately home, to learn about | 0:11:56 | 0:11:59 | |
an agricultural pioneer | 0:11:59 | 0:12:01 | |
whose ground-breaking techniques helped form the future | 0:12:01 | 0:12:04 | |
of Britain's farming industry. | 0:12:04 | 0:12:06 | |
Raj is here to meet Holkham Hall's manager, Sharon Cheshire. | 0:12:06 | 0:12:11 | |
-Hello, Raj. -Hi, Sharon. | 0:12:11 | 0:12:13 | |
What a fantastic place! | 0:12:13 | 0:12:15 | |
It's quite impressive, isn't it? | 0:12:15 | 0:12:17 | |
Soon after Holkham was built, | 0:12:17 | 0:12:18 | |
the population soared and demand for food was growing, | 0:12:18 | 0:12:21 | |
calling for what some say was an agricultural revolution. | 0:12:21 | 0:12:25 | |
This neo-classical mansion | 0:12:25 | 0:12:26 | |
was at the heart of this innovative agricultural transformation. | 0:12:26 | 0:12:32 | |
Wow. What an amazing portrait of the man. | 0:12:32 | 0:12:34 | |
Done by Gainsborough, as well. | 0:12:35 | 0:12:37 | |
Yeah. Thomas William Cook, Cook of Norfolk. | 0:12:37 | 0:12:40 | |
The man who took over Holkham Hall. | 0:12:40 | 0:12:43 | |
He inherited it at the end of the 17th century. | 0:12:43 | 0:12:46 | |
It was about 30,000 acres at that time | 0:12:46 | 0:12:49 | |
and it was already a well-running and well-developed estate, | 0:12:49 | 0:12:54 | |
but because the things were being planted year after year, | 0:12:54 | 0:12:59 | |
the crops were starting to deteriorate. | 0:12:59 | 0:13:00 | |
So he knew that, to take the estate forward, | 0:13:00 | 0:13:03 | |
he would have to look at new methods of developing the land. | 0:13:03 | 0:13:07 | |
A century earlier, British statesman Charles Townshend | 0:13:07 | 0:13:10 | |
developed a crop rotation system, whereby wheat, turnips, | 0:13:10 | 0:13:14 | |
barley and clover were cultivated in succession, | 0:13:14 | 0:13:18 | |
preventing soil exhaustion | 0:13:18 | 0:13:20 | |
and earning him the moniker, "Turnip Townsend". | 0:13:20 | 0:13:23 | |
Cook built on that idea and other revolutionary techniques, | 0:13:24 | 0:13:29 | |
such as cross-breeding animals, to improve quality and seed drilling, | 0:13:29 | 0:13:34 | |
introducing them to Holkham. | 0:13:34 | 0:13:37 | |
There was lots of tenant farmers on the estate | 0:13:37 | 0:13:40 | |
and each ran their own areas, | 0:13:40 | 0:13:42 | |
but he encouraged them to sign documents to say they would stick | 0:13:42 | 0:13:45 | |
with his plan, so that they would all work together. | 0:13:45 | 0:13:48 | |
And obviously, having a house like this, where you can have | 0:13:48 | 0:13:51 | |
amazing parties, bringing all those people in, does help. | 0:13:51 | 0:13:54 | |
Despite also working as an MP for Norfolk, | 0:13:54 | 0:13:57 | |
charismatic Cook invested time, | 0:13:57 | 0:14:00 | |
energy and money in expanding Holkham's farming and reputation. | 0:14:00 | 0:14:04 | |
This is a very elaborate trophy. | 0:14:05 | 0:14:08 | |
Beautiful engraving on it. | 0:14:08 | 0:14:10 | |
-Holkham Sheep Show. -Yeah. -Yeah. It would have been one of the trophies | 0:14:10 | 0:14:14 | |
given for the breeding of cattle. | 0:14:14 | 0:14:16 | |
Each year, Cook hosted three-day shearing events, | 0:14:16 | 0:14:19 | |
a forerunner of county shows. | 0:14:19 | 0:14:21 | |
Well, this is another first for me. | 0:14:24 | 0:14:26 | |
These events attracted people from across the nation to share their | 0:14:27 | 0:14:30 | |
expertise, learn from others | 0:14:30 | 0:14:32 | |
and win prizes for the best animals on the show. | 0:14:32 | 0:14:35 | |
There was even a trophy for the fastest shearer. | 0:14:35 | 0:14:38 | |
Can I let you finish it off? | 0:14:40 | 0:14:42 | |
Probably for the best. Has it still got any legs? | 0:14:42 | 0:14:44 | |
I hope I wasn't too baa-d! | 0:14:44 | 0:14:49 | |
Oh, dear. | 0:14:49 | 0:14:50 | |
The care and passion Cook showed for agricultural development meant that, | 0:14:50 | 0:14:54 | |
after his death in 1842, his tenants funded a memorial in his honour. | 0:14:54 | 0:14:59 | |
Sharon, tell me about this amazing monument. | 0:14:59 | 0:15:02 | |
The monument is 120 feet high with various symbols and plaques going | 0:15:03 | 0:15:09 | |
around it, that basically tell a story of what he was involved in | 0:15:09 | 0:15:12 | |
throughout his life. Part of it represents his political career, | 0:15:12 | 0:15:15 | |
but it's mostly about what he achieved in agriculture. | 0:15:15 | 0:15:19 | |
From selective breeding in animals, | 0:15:19 | 0:15:22 | |
to improving crop rotation techniques, | 0:15:22 | 0:15:25 | |
over 170 years after Thomas William Cook's death, | 0:15:25 | 0:15:29 | |
his principles are still being used and the impact of his | 0:15:29 | 0:15:33 | |
ground-breaking achievements live on. | 0:15:33 | 0:15:35 | |
Back with Anita again, who's ventured inland to Holt, | 0:15:38 | 0:15:41 | |
Anita is here to visit an old haunt, owned by Mandy. | 0:15:41 | 0:15:45 | |
-Ah, Mandy! -Hello! -It's lovely to be back again... | 0:15:45 | 0:15:48 | |
-Nice to see you again. -..to your antiques centre. | 0:15:48 | 0:15:52 | |
Mandy's been at Shire Hall Lane Antiques Centre | 0:15:52 | 0:15:55 | |
for five years now, and as Anita's trod on these boards before, | 0:15:55 | 0:15:59 | |
she knows her way around. | 0:15:59 | 0:16:01 | |
Raj, how's your blood pressure? | 0:16:01 | 0:16:04 | |
Cheeky! | 0:16:04 | 0:16:05 | |
I love figure groups. I love sculpture. | 0:16:06 | 0:16:09 | |
And I'm sort of drawn to this figure group here. | 0:16:09 | 0:16:13 | |
It's of, I would imagine, two sisters here | 0:16:13 | 0:16:18 | |
from maybe the '20s or the '30s, | 0:16:18 | 0:16:20 | |
and they've got that characteristic short bobbed hair. | 0:16:20 | 0:16:24 | |
It's made of plaster. | 0:16:24 | 0:16:26 | |
So it's not a fine thing, but it has this lovely, | 0:16:27 | 0:16:31 | |
lovely terracotta colour here, | 0:16:31 | 0:16:34 | |
which I find very appealing. | 0:16:34 | 0:16:37 | |
If we look at it, we've got a wee bit of damage there, | 0:16:39 | 0:16:43 | |
a little foot has been off. | 0:16:43 | 0:16:45 | |
And there's a bit of damage on the toe there. | 0:16:45 | 0:16:49 | |
It's only £28. | 0:16:49 | 0:16:51 | |
Oh, Mandy! | 0:16:51 | 0:16:53 | |
Yes? | 0:16:53 | 0:16:55 | |
Mandy, I've been drawn to this little figure group here. | 0:16:55 | 0:16:59 | |
OK. | 0:16:59 | 0:17:00 | |
It reminds me of me and my sister, | 0:17:00 | 0:17:04 | |
and we had both these bob haircuts when we were young. | 0:17:04 | 0:17:08 | |
Are you able to do anything about the price? | 0:17:08 | 0:17:11 | |
-How does 22 sound? -22? -Yes. | 0:17:11 | 0:17:13 | |
Mm-hm. Could it be bought for 20? | 0:17:13 | 0:17:15 | |
-Go on, you've twisted my arm. -OK, that's great. -Is that all right? | 0:17:15 | 0:17:19 | |
-Thank you very, very much. -No problem. | 0:17:19 | 0:17:21 | |
So that's an even 20 for a terracotta figure group | 0:17:21 | 0:17:24 | |
of two sisters, without a toe. | 0:17:24 | 0:17:26 | |
-Thank you again. -Thanks, bye-bye. | 0:17:26 | 0:17:29 | |
Now, it's back to Raj again, | 0:17:29 | 0:17:30 | |
who's joined Anita in Holt | 0:17:30 | 0:17:32 | |
to check out Mews Antiques Emporium, run by Andrew. | 0:17:32 | 0:17:36 | |
-Hello, there. -Hello, Raj. -Andrew, isn't it? | 0:17:36 | 0:17:38 | |
-Yes. -Nice to meet you. -And you. | 0:17:38 | 0:17:41 | |
There's lots of rooms here, I think. | 0:17:41 | 0:17:43 | |
Yes, you're very welcome. There's eight rooms upstairs. | 0:17:43 | 0:17:46 | |
Spread over two floors, | 0:17:46 | 0:17:47 | |
this antiques collectables and vintage store has | 0:17:47 | 0:17:49 | |
lots of nooks and crannies for Raj to explore. Going down? | 0:17:49 | 0:17:54 | |
Well, I've got about £100 left. | 0:17:54 | 0:17:56 | |
And I really want to make a good profit. | 0:17:56 | 0:17:59 | |
I'm happy to spend it all, but I've got to find the right thing. | 0:17:59 | 0:18:03 | |
Go on, then, do it! | 0:18:03 | 0:18:05 | |
-Andrew. -Yes? I wonder, is it possible I could have a look | 0:18:09 | 0:18:11 | |
-at that silver picture frame there? -Yes, of course. | 0:18:11 | 0:18:14 | |
-A nice frame. -It is a lovely, lovely frame, but | 0:18:14 | 0:18:18 | |
-the silver... -It's such a shame... -..is missing, because that is a beautiful frame. | 0:18:18 | 0:18:21 | |
In perfect condition, a frame like this could make upwards of £100. | 0:18:21 | 0:18:26 | |
This damaged frame, though, has a ticket price of £49. | 0:18:26 | 0:18:29 | |
But Raj wants Andrew to see if the dealer can do any better. | 0:18:29 | 0:18:33 | |
Nice tulips. | 0:18:33 | 0:18:34 | |
Your silver frame, which has got a small amount of damage on | 0:18:34 | 0:18:37 | |
the right bottom there, | 0:18:37 | 0:18:40 | |
the cost is £49. | 0:18:40 | 0:18:42 | |
What's the best we can do on that one? | 0:18:42 | 0:18:44 | |
OK. Yeah, I understand. Thank you very much. | 0:18:44 | 0:18:46 | |
Time to break the news to Raj. | 0:18:46 | 0:18:48 | |
-What did he manage to say? -Well, 35. | 0:18:48 | 0:18:51 | |
Is that the very best? | 0:18:51 | 0:18:52 | |
Well, the very, very best would be 30. | 0:18:53 | 0:18:56 | |
30? I'm going to shake your hand. | 0:18:56 | 0:18:58 | |
30, we have a deal. | 0:18:58 | 0:18:59 | |
So that's £30 for the 1920s silver photo frame. | 0:18:59 | 0:19:03 | |
-Thank you very much again, Andrew. -Thank you. -A pleasure. | 0:19:03 | 0:19:07 | |
Where's the tulips gone? Oh, there they are. Good. And shopping's complete! | 0:19:07 | 0:19:10 | |
So let's have a little peek at the purchases. | 0:19:10 | 0:19:13 | |
Including his frame, Raj shelled out £122 on an Art Nouveau brooch, | 0:19:13 | 0:19:17 | |
a ladies' cloth purse, a butter knife, cheese slice and pickle fork set, | 0:19:17 | 0:19:21 | |
as you do, and a rare gems book. | 0:19:21 | 0:19:24 | |
Anita spent £88 on an Albert guard chain, | 0:19:25 | 0:19:29 | |
an agate pillbox, | 0:19:29 | 0:19:31 | |
a giant wooden spoon, | 0:19:31 | 0:19:33 | |
a set of Bakelite napkin rings and a terracotta figure of two sisters, | 0:19:33 | 0:19:37 | |
one missing a toe. | 0:19:37 | 0:19:38 | |
I'm wondering if Raj has been influenced by me | 0:19:39 | 0:19:44 | |
in the things that he's bought, | 0:19:44 | 0:19:46 | |
because there is definitely a feminine influence there. | 0:19:46 | 0:19:51 | |
I think the wooden spoon's going to do really well. | 0:19:51 | 0:19:54 | |
I think this would cause quite a stir. | 0:19:54 | 0:19:56 | |
Oh, lordy. | 0:19:56 | 0:19:58 | |
And whizzing away from Wisbech, | 0:19:58 | 0:20:00 | |
our experts are now cruising their way through the Norfolk countryside, | 0:20:00 | 0:20:04 | |
headed for their first auction in Beeston. | 0:20:04 | 0:20:07 | |
-Well... -Here we are. | 0:20:07 | 0:20:09 | |
Here we are, Anita. | 0:20:09 | 0:20:11 | |
The first auction. | 0:20:11 | 0:20:14 | |
Exciting, darling, exciting! | 0:20:14 | 0:20:17 | |
The family-run Townsend Auction Galleries | 0:20:18 | 0:20:21 | |
have been open for 20 years. | 0:20:21 | 0:20:23 | |
Their antiques, fine art and jewellery sale today | 0:20:23 | 0:20:26 | |
will be led by veteran auctioneer David Palmer. | 0:20:26 | 0:20:29 | |
My favourite item is the wooden spoon, it's brilliant. | 0:20:29 | 0:20:32 | |
It has a presence. | 0:20:32 | 0:20:34 | |
This is a spoon that appeals to this county. | 0:20:34 | 0:20:37 | |
The 1920s French purse, | 0:20:37 | 0:20:40 | |
this was created before the French became fashionable and chic. | 0:20:40 | 0:20:44 | |
It looks to me as though someone has chopped a bit out of an old sofa and used that. | 0:20:44 | 0:20:48 | |
Time to see whether the auction-goers of Norfolk agree. | 0:20:48 | 0:20:51 | |
There's internet bidding here, too. So it could get exciting. | 0:20:51 | 0:20:55 | |
Here we are, darling. | 0:20:55 | 0:20:57 | |
The moment of the moments of truth! | 0:20:57 | 0:21:01 | |
First auction. | 0:21:01 | 0:21:03 | |
First up is Anita's Albert guard chain. | 0:21:03 | 0:21:07 | |
A rather nice piece, this. | 0:21:07 | 0:21:08 | |
Appreciated much in Scotland, I believe these items are. | 0:21:09 | 0:21:12 | |
Ten, 12, 15, 18, 20. | 0:21:12 | 0:21:16 | |
22, 25, 28, 30 over here. 30. | 0:21:16 | 0:21:19 | |
At £30 now. 35, 38, 40. | 0:21:19 | 0:21:22 | |
40 in the room. | 0:21:22 | 0:21:24 | |
The room at 40. In the room at 40 now... | 0:21:24 | 0:21:27 | |
Are you back in? I'll take your two, sir. He'll give you a kiss! | 0:21:27 | 0:21:32 | |
-42. -£2 for a kiss! | 0:21:32 | 0:21:35 | |
That is that at 42. | 0:21:35 | 0:21:37 | |
An incredible profit, straight off the blocks. | 0:21:40 | 0:21:44 | |
-Doubled my money. -You doubled your money and more. | 0:21:44 | 0:21:47 | |
No pressure on Raj, then, for his Art Nouveau brooch up next. | 0:21:48 | 0:21:51 | |
Oh, wonderful lot! | 0:21:54 | 0:21:56 | |
Wonderful, wonderful lot, this is! | 0:21:56 | 0:21:59 | |
Tenner for it? Ten for it. Ten, 12, 15. | 0:21:59 | 0:22:02 | |
At 15... 18, 20 22, | 0:22:02 | 0:22:05 | |
at 22. 25, 28, 30, 30, 32 over here. | 0:22:05 | 0:22:11 | |
32, 35. | 0:22:11 | 0:22:12 | |
Keep it going! 40. 45, 50, 55. | 0:22:12 | 0:22:17 | |
60, stick with it, go 60. | 0:22:17 | 0:22:19 | |
60. And five again, 65. | 0:22:19 | 0:22:22 | |
At 65, here in front at 65. | 0:22:22 | 0:22:24 | |
70, 75. | 0:22:24 | 0:22:27 | |
It's in the room at 75, are you back in at 80? | 0:22:27 | 0:22:29 | |
-80, over there at 80. -Could be, could be, could be. | 0:22:29 | 0:22:33 | |
I sell the far end at 80. | 0:22:33 | 0:22:35 | |
All done at 80. | 0:22:35 | 0:22:37 | |
-Hooray! -Thank you! | 0:22:37 | 0:22:39 | |
Crikey Moses, Raj has almost quadrupled his money | 0:22:40 | 0:22:43 | |
on his first item! | 0:22:43 | 0:22:44 | |
£80, that is brilliant. | 0:22:45 | 0:22:50 | |
Can Raj's butter knife set do just as well? | 0:22:51 | 0:22:55 | |
A tenner for it? Straight in at 10. Tenner bid, at ten, take two. | 0:22:55 | 0:22:58 | |
12, 15, 18, 20, 22, | 0:22:58 | 0:23:01 | |
22, 25, | 0:23:01 | 0:23:03 | |
28, over there at 28 now. | 0:23:03 | 0:23:05 | |
30, back at 30. | 0:23:05 | 0:23:06 | |
32, 32. | 0:23:06 | 0:23:08 | |
All done at £32. | 0:23:08 | 0:23:12 | |
It's not a profit after auction costs, sadly. | 0:23:14 | 0:23:17 | |
-Still a profit. -You have to be grateful it's a profit. | 0:23:17 | 0:23:20 | |
Next up is Anita's agate pillbox. | 0:23:20 | 0:23:23 | |
Ten, 12, 15, 18, over there at 18. | 0:23:23 | 0:23:26 | |
20, 22, 25, 28, 30. | 0:23:26 | 0:23:28 | |
They're going, they're going! | 0:23:29 | 0:23:31 | |
35 here. | 0:23:31 | 0:23:34 | |
38. 40, 45? 40. | 0:23:34 | 0:23:37 | |
It's 45, new money at 45. | 0:23:37 | 0:23:40 | |
50, and again 55? | 0:23:40 | 0:23:43 | |
-55. -Wow! -60. 65? | 0:23:43 | 0:23:46 | |
At 60, I sell against you at 60. | 0:23:46 | 0:23:48 | |
-65! -Yes! | 0:23:48 | 0:23:51 | |
I sell then at £65. | 0:23:53 | 0:23:56 | |
-Wow, that is a... -I'm happy with that! | 0:23:58 | 0:24:03 | |
I mean, who wouldn't be? Anita's more than doubled her money again. | 0:24:03 | 0:24:07 | |
Fantastic, fantastic! | 0:24:07 | 0:24:09 | |
Now we're back for Raj and his silver frame. | 0:24:09 | 0:24:13 | |
30, and £30 now, take a two. | 0:24:13 | 0:24:16 | |
32, 35, 38. | 0:24:16 | 0:24:17 | |
38, and 40. | 0:24:17 | 0:24:20 | |
40. 45, at 45, stick with it, madam. | 0:24:20 | 0:24:25 | |
At 45, 50! | 0:24:25 | 0:24:27 | |
Stick with it, 55? At 55, make him pay, madam! | 0:24:28 | 0:24:32 | |
At 55, are you in at 60? | 0:24:33 | 0:24:35 | |
-Don't give in now! -60! | 0:24:35 | 0:24:37 | |
65? At 65 now? | 0:24:37 | 0:24:40 | |
At £65, all gone at 65. | 0:24:40 | 0:24:43 | |
Raj has more than doubled his money, too. | 0:24:46 | 0:24:48 | |
What an auction, eh? | 0:24:48 | 0:24:50 | |
And that was the one that we were worried about. | 0:24:50 | 0:24:53 | |
Next up, it's Anita's terracotta figure group. | 0:24:53 | 0:24:57 | |
Tenner for it? Tenner bid, ten, 12. 15, I've got. 18 off you. | 0:24:57 | 0:25:01 | |
18, over there at 18 now. | 0:25:01 | 0:25:03 | |
And I sell it at 18, 20. | 0:25:03 | 0:25:04 | |
At 20. 22 now, at the back at 22. | 0:25:04 | 0:25:08 | |
Back of the room at 22. | 0:25:08 | 0:25:12 | |
All done at £22. | 0:25:12 | 0:25:16 | |
After auction costs, that's a small loss for Anita. | 0:25:16 | 0:25:19 | |
I'm disappointed. | 0:25:20 | 0:25:22 | |
I shouldn't be, but I am disappointed. | 0:25:22 | 0:25:24 | |
-I am, that was worth more! -Well. | 0:25:24 | 0:25:28 | |
Let's see if Raj's ladies' purse can do any better. | 0:25:28 | 0:25:31 | |
Auctioneer David didn't hold out much hope. | 0:25:31 | 0:25:33 | |
Ten. I've got ten in the room. | 0:25:33 | 0:25:35 | |
Further bid off the net. At ten, take two, 12. | 0:25:35 | 0:25:38 | |
15? Are you all together? | 0:25:38 | 0:25:40 | |
15 with her, then, 18 off you. | 0:25:40 | 0:25:41 | |
15 the lady. 18, 20. | 0:25:41 | 0:25:44 | |
22 down here. | 0:25:45 | 0:25:47 | |
25, 30, lady at 30. | 0:25:47 | 0:25:50 | |
On the sofa at 30, selling at 30. | 0:25:50 | 0:25:52 | |
Crikey! Raj is on fire today with his fourth consecutive profit. | 0:25:54 | 0:25:59 | |
You've trebled your blooming money! | 0:25:59 | 0:26:01 | |
Let's see if Anita can do the same | 0:26:03 | 0:26:04 | |
with her rather jazzy Bakelite napkin rings. | 0:26:04 | 0:26:07 | |
20, 22, 25. | 0:26:07 | 0:26:09 | |
25? 28, 30, | 0:26:09 | 0:26:12 | |
30. 32, 35. 35. | 0:26:12 | 0:26:17 | |
38, 40, 45. | 0:26:17 | 0:26:19 | |
At 45, one more will get it. | 0:26:19 | 0:26:21 | |
-Just one more and you'll get it. -Come on! | 0:26:21 | 0:26:24 | |
50, there at 50. | 0:26:24 | 0:26:26 | |
At 50, you sure? | 0:26:26 | 0:26:27 | |
Standing at the back at 50, no-one else? | 0:26:27 | 0:26:29 | |
Done and finished at 50. | 0:26:29 | 0:26:30 | |
-Yes! -That's it, 50. Brilliant, well done. | 0:26:32 | 0:26:34 | |
Crikey, it could be a close call, this one. | 0:26:34 | 0:26:39 | |
I've still got my star lot to come! | 0:26:39 | 0:26:41 | |
It's all down to the two last items, | 0:26:41 | 0:26:44 | |
the first of which is Anita's giant spoon. | 0:26:44 | 0:26:46 | |
I can't wait for this! | 0:26:46 | 0:26:49 | |
Start me at a tenner. Ten, I'm bid. | 0:26:49 | 0:26:50 | |
At ten, take two, ten, 12. | 0:26:50 | 0:26:52 | |
At 12 now, 15, 18, 20, 22, 20 over there. | 0:26:52 | 0:26:56 | |
22? 25. | 0:26:56 | 0:26:59 | |
28, 30, 32? | 0:26:59 | 0:27:01 | |
35, 35 here. 38? 38. | 0:27:01 | 0:27:04 | |
40, 45, | 0:27:04 | 0:27:06 | |
at 40, the bids are at 40. | 0:27:06 | 0:27:08 | |
-It's worth more than that! -This is cheap! At 40. | 0:27:08 | 0:27:10 | |
Come on, it's worth more than that, look at the size of it! | 0:27:10 | 0:27:13 | |
45. 42, 45, | 0:27:13 | 0:27:17 | |
over at 45. Make it 48? | 0:27:17 | 0:27:19 | |
Go 48, she'll go 50, you know she will. | 0:27:19 | 0:27:21 | |
46, now 50. | 0:27:22 | 0:27:24 | |
With the lady at 50. | 0:27:24 | 0:27:26 | |
I'm selling at 50, I'll take the two again. | 0:27:26 | 0:27:29 | |
At 50, done at 50. | 0:27:29 | 0:27:31 | |
That's good, well done. | 0:27:36 | 0:27:37 | |
Last but not least is Raj's beautiful gems book. | 0:27:39 | 0:27:43 | |
Now, can he make it five profits in a row? | 0:27:43 | 0:27:47 | |
20, 25, 30, 35, 40... | 0:27:47 | 0:27:51 | |
There's more bidders at the back. | 0:27:51 | 0:27:53 | |
60, 65, 70, 75, 80... | 0:27:53 | 0:27:58 | |
75, I sell... | 0:27:58 | 0:28:00 | |
80, 85. | 0:28:00 | 0:28:02 | |
At 85... 90 over here. | 0:28:02 | 0:28:05 | |
95? | 0:28:05 | 0:28:06 | |
At 90. It's in the room at 90. | 0:28:06 | 0:28:08 | |
Net, where are you now? | 0:28:08 | 0:28:10 | |
95. 100, room at 100. | 0:28:10 | 0:28:13 | |
In the room at 100. | 0:28:13 | 0:28:15 | |
Look at that smile! | 0:28:15 | 0:28:17 | |
110, 120 room. | 0:28:17 | 0:28:20 | |
The internet's in as well. | 0:28:20 | 0:28:22 | |
140. Net? | 0:28:22 | 0:28:25 | |
Come on, net, 150. | 0:28:25 | 0:28:27 | |
Sir, don't let the net get it! | 0:28:27 | 0:28:29 | |
Goes then at 150, all done at £150 on the net. | 0:28:29 | 0:28:33 | |
-Wow! -A good buy, well done! | 0:28:35 | 0:28:38 | |
My goodness, an unbelievable £120 profit. | 0:28:38 | 0:28:41 | |
Amazing job, Raj. You are a gem. | 0:28:41 | 0:28:44 | |
-Happy, happy, happy? -Yeah. | 0:28:44 | 0:28:47 | |
-I like to see you happy! -Happy, I'm a happy Raj, I'm a happy Raj. | 0:28:47 | 0:28:51 | |
Anita began with £200, and after auction costs she's made £99.78, | 0:28:51 | 0:28:57 | |
leaving her with a lovely £299.78 to spend next time. | 0:28:57 | 0:29:04 | |
Raj started with the same amount and after taking auction costs into | 0:29:04 | 0:29:07 | |
account, he made £170.74. | 0:29:07 | 0:29:11 | |
A staggering £370.74. | 0:29:11 | 0:29:16 | |
Plenty of cash for our top auctioneering twosome | 0:29:17 | 0:29:20 | |
to spend as we head into another day and another leg. | 0:29:20 | 0:29:24 | |
Well, Raj, we've got plenty of dosh in our pockets. | 0:29:24 | 0:29:28 | |
We did so well yesterday. | 0:29:28 | 0:29:32 | |
Is it the big spend today? | 0:29:32 | 0:29:34 | |
Well, I think so. | 0:29:34 | 0:29:36 | |
Today's leg begins in Sheringham in Norfolk, with their second auction | 0:29:36 | 0:29:40 | |
taking them south to Stansted Mountfitchet in Essex. | 0:29:40 | 0:29:44 | |
So, Raj, you're full of beans today, | 0:29:44 | 0:29:46 | |
but there's a special reason for that. | 0:29:46 | 0:29:49 | |
-I believe it's your birthday, darling? -It is indeed, it is indeed. | 0:29:49 | 0:29:54 | |
# Happy birthday to you Happy birthday to you | 0:29:54 | 0:29:59 | |
# Happy birthday, Mr Bisram... | 0:29:59 | 0:30:04 | |
-# Happy birthday to you! -Happy birthday to you. # | 0:30:04 | 0:30:06 | |
-Whoa! -Oh, lovely. | 0:30:06 | 0:30:09 | |
Who needs Marilyn Monroe, eh? | 0:30:09 | 0:30:11 | |
Here we go. | 0:30:11 | 0:30:12 | |
Oh, this is lovely. | 0:30:14 | 0:30:15 | |
-Raj, they've put out the bunting for us. -What more could you want? | 0:30:15 | 0:30:20 | |
Anita's first shop today is | 0:30:20 | 0:30:22 | |
Sheringham Collectables, run by Barry. Hello! | 0:30:22 | 0:30:25 | |
-Hello. -Hello. -Hi, I'm Anita. | 0:30:25 | 0:30:27 | |
-Hello, Anita. -This is just looking absolutely wonderful. | 0:30:27 | 0:30:32 | |
I think I'm going to have to take my bonnet off and my gloves off. | 0:30:32 | 0:30:37 | |
She definitely means business, this woman. | 0:30:37 | 0:30:40 | |
From glassware to china, jewellery and militaria, | 0:30:40 | 0:30:42 | |
the shop sells all things collectable. | 0:30:42 | 0:30:44 | |
This is quite an interesting wee item. | 0:30:46 | 0:30:49 | |
It's a top-hat brush. | 0:30:49 | 0:30:52 | |
It is hallmarked silver and it is embossed with the family | 0:30:53 | 0:30:58 | |
at the table eating, drinking. | 0:30:58 | 0:31:01 | |
So, it's a nice domestic scene. | 0:31:01 | 0:31:05 | |
I think I might have a go at that. | 0:31:05 | 0:31:07 | |
But first, Anita's got her eye on those cabinets again. | 0:31:07 | 0:31:11 | |
Could I have a look at the enamelled dressing table set | 0:31:11 | 0:31:15 | |
and also the Masonic locket? | 0:31:15 | 0:31:19 | |
Well, there's the Masonic locket. | 0:31:19 | 0:31:21 | |
Thank you. | 0:31:21 | 0:31:23 | |
I rather like the look of this. | 0:31:23 | 0:31:26 | |
At the front, we have the dividers, | 0:31:26 | 0:31:29 | |
which are a Masonic symbol, and this rather attractive cornucopia. | 0:31:29 | 0:31:35 | |
It belonged to Brother William Jones in 1944. | 0:31:35 | 0:31:40 | |
It's fully hallmarked at the bottom | 0:31:40 | 0:31:44 | |
and, though it might have a limited appeal, I like it. | 0:31:44 | 0:31:48 | |
One to consider. Now, what about that dressing table set? | 0:31:48 | 0:31:51 | |
So, the important thing about, er...enamelled ware | 0:31:54 | 0:31:58 | |
-is that it shouldn't have any damage, really, isn't it? -Yes. | 0:31:58 | 0:32:02 | |
-A bit of damage on the mirror. -That's a shame, | 0:32:02 | 0:32:06 | |
because the mirror's probably one of the most important pieces. | 0:32:06 | 0:32:10 | |
-Yes. -And we've got some damage there. | 0:32:10 | 0:32:12 | |
-Damage there. -But it's a rather pretty pattern, with | 0:32:12 | 0:32:17 | |
-the garlands of flowers... -Yeah. -..and the brush has got a kind of | 0:32:17 | 0:32:22 | |
wee scuff on it as well. So I've got... | 0:32:22 | 0:32:24 | |
..three pieces with damage. | 0:32:26 | 0:32:28 | |
Anita's rather keen on this dressing table set, marked up at £45, | 0:32:28 | 0:32:33 | |
the Masonic pendant at 30 | 0:32:33 | 0:32:35 | |
and the top-hat brush at 38, totalling £113. | 0:32:35 | 0:32:40 | |
So, can she get a deal for the three? | 0:32:40 | 0:32:42 | |
Could we be anywhere near £50 on these? | 0:32:42 | 0:32:46 | |
Um, how about 55? | 0:32:46 | 0:32:48 | |
-55. I think that's smashing. -Yeah? -I'm happy with that. | 0:32:48 | 0:32:53 | |
So that's £55 for the three. | 0:32:53 | 0:32:55 | |
A marvellous £58 off for Anita. | 0:32:55 | 0:32:59 | |
Meanwhile, Raj is in the former weaving town | 0:32:59 | 0:33:03 | |
of North Walsham to visit... | 0:33:03 | 0:33:05 | |
Wait a minute, where's he going? The garden centre? | 0:33:05 | 0:33:08 | |
I've just stopped at a garden centre. | 0:33:08 | 0:33:10 | |
It's not really the place you look for antiques, but you never know. | 0:33:10 | 0:33:13 | |
Blimey, what's he up to now? | 0:33:13 | 0:33:16 | |
A sack of peat? A phone box? | 0:33:16 | 0:33:19 | |
That's exactly what I'm talking about. | 0:33:19 | 0:33:21 | |
Something that's a bit unusual | 0:33:21 | 0:33:23 | |
that you wouldn't find in a place like this - an old telephone box. | 0:33:23 | 0:33:28 | |
Ring-ring! How's that, eh? | 0:33:28 | 0:33:30 | |
Ben's the man to call today. Hello, Ben. | 0:33:30 | 0:33:32 | |
-Hi. -Hello! -Are you the owner? -Yes, I am. -This is fantastic. | 0:33:32 | 0:33:35 | |
-This is just the thing I'm looking for. -OK. | 0:33:35 | 0:33:37 | |
Give me an idea what kind of money you would be expecting for it? | 0:33:37 | 0:33:40 | |
Um...1,000-1,500? | 0:33:40 | 0:33:43 | |
-I've got about 300... Just over £330. -Right, OK. | 0:33:43 | 0:33:47 | |
Is there any way we're going to be able to do a deal? | 0:33:47 | 0:33:50 | |
I don't think I could do it for that. | 0:33:50 | 0:33:52 | |
But Ben thinks he might have something else | 0:33:52 | 0:33:54 | |
that might tickle Raj's fancy. | 0:33:54 | 0:33:56 | |
Right, I managed to dig out an old apple picker. | 0:33:56 | 0:34:00 | |
Um, we tend to get items like this to put out on display. | 0:34:00 | 0:34:04 | |
You know, it's a nice piece of... | 0:34:04 | 0:34:06 | |
old agricultural collector's item, really. How much can you do it for? | 0:34:06 | 0:34:11 | |
-£10? -£5 and we've got a deal. -Yeah, OK, we can do that. -Yeah? | 0:34:11 | 0:34:15 | |
-Yeah, sounds good. -We have a deal. -A lovely job. -Thank you, Ben. | 0:34:15 | 0:34:18 | |
And that is Raj's first buy of the trip. | 0:34:18 | 0:34:21 | |
An apple picker bag for a fiver. | 0:34:21 | 0:34:23 | |
Back with Anita now, who's made her way to Stalham, | 0:34:23 | 0:34:26 | |
the northern gateway to 125 miles of navigable waterways | 0:34:26 | 0:34:31 | |
known as the Norfolk broads. | 0:34:31 | 0:34:33 | |
But Anita's here to navigate her way around more familiar territory | 0:34:33 | 0:34:37 | |
and local antique delights | 0:34:37 | 0:34:39 | |
at Stalham Antique Gallery, run by Mike. | 0:34:39 | 0:34:42 | |
-Hello! -Oh, hello. | 0:34:42 | 0:34:44 | |
-Welcome to Stalham. -Oh, it's lovely, lovely, lovely to be here. | 0:34:44 | 0:34:48 | |
How lovely! With over 35 years in the trade, | 0:34:48 | 0:34:51 | |
Mike has a passion for pieces from the 17th to the 19th century. | 0:34:51 | 0:34:56 | |
Well, this just looks like the teddy bears' picnic! | 0:34:56 | 0:35:02 | |
Isn't this absolutely delightful? | 0:35:02 | 0:35:05 | |
This little chair, I like particularly. | 0:35:05 | 0:35:08 | |
It's a little child deckchair, or steamer chair. | 0:35:08 | 0:35:13 | |
It's probably from the late 19th, early 20th century. | 0:35:13 | 0:35:17 | |
A wee bit of damage there, which is a wee bit worrying. | 0:35:17 | 0:35:21 | |
But I also like this lovely pokerwork table | 0:35:21 | 0:35:25 | |
that all the teddy bears are sitting around. | 0:35:25 | 0:35:29 | |
Now, this is early 20th century, | 0:35:29 | 0:35:32 | |
and here we have an image of a pretty girl. | 0:35:32 | 0:35:36 | |
The little table has bobbin turned legs, | 0:35:37 | 0:35:41 | |
and further pokerwork decoration on the understage. | 0:35:41 | 0:35:46 | |
People like miniature things. | 0:35:48 | 0:35:51 | |
With no price on it, Anita calls Mike over. | 0:35:51 | 0:35:55 | |
Is this something that I could buy for not a lot of money? | 0:35:55 | 0:36:02 | |
I think it's worth about £100, but, to you, maybe a bit less. | 0:36:02 | 0:36:09 | |
I'd like you to beat your competitor. | 0:36:09 | 0:36:11 | |
-Oh, thank you, darling! -So I think, today, we'll say £40. | 0:36:11 | 0:36:15 | |
-Will we say 40? -SHE GASPS | 0:36:15 | 0:36:17 | |
That is a wonderful deal. | 0:36:17 | 0:36:19 | |
-Have we got a deal? -We've got a deal. | 0:36:19 | 0:36:21 | |
Scorching. That's £40 for the late-19th-century pokerwork table. | 0:36:21 | 0:36:26 | |
Meanwhile, Raj has made his way half a mile further down the road to | 0:36:26 | 0:36:29 | |
a more traditional Road Trip stop in North Walsham, | 0:36:29 | 0:36:32 | |
at Timeline Antiques Centre, run by Michael. | 0:36:32 | 0:36:35 | |
Hello. Michael? | 0:36:35 | 0:36:37 | |
-Hello, Raj. -Hi, nice to meet you. | 0:36:37 | 0:36:38 | |
The centre is home to several different dealers, | 0:36:38 | 0:36:41 | |
stocking both small and large antiques. | 0:36:41 | 0:36:44 | |
I'm wondering if I could maybe put Anita in these? | 0:36:46 | 0:36:48 | |
I don't think she'd appreciate it, really. | 0:36:51 | 0:36:53 | |
No, me neither. Best move on. | 0:36:53 | 0:36:57 | |
I've seen a really nice pair of scallop-rounded dishes, Crown Derby, | 0:36:57 | 0:37:02 | |
which I quite like as well, in one of these cabinets here. | 0:37:02 | 0:37:06 | |
Raj calls on Michael's assistance to take a closer look. | 0:37:07 | 0:37:11 | |
These are nice, and are they in perfect condition? | 0:37:11 | 0:37:14 | |
This one feels like it is. | 0:37:14 | 0:37:16 | |
For their age, they're in really good condition, yeah. | 0:37:17 | 0:37:21 | |
-Talking about 1806... -Yeah! -..that sort of date. | 0:37:21 | 0:37:24 | |
Yeah, they're nice, I quite like them. | 0:37:24 | 0:37:26 | |
The ticket price is £78. | 0:37:26 | 0:37:29 | |
What can you do these for, Michael? | 0:37:29 | 0:37:31 | |
-Because I bought them well... -Mm-hm? -..um, I could let those go for £30. | 0:37:31 | 0:37:36 | |
I would normally say, "Can you do a little bit better?" | 0:37:36 | 0:37:38 | |
because it's just in my nature, OK? | 0:37:38 | 0:37:41 | |
But, on this occasion, at £30... | 0:37:41 | 0:37:44 | |
..I'm going to shake your hand. | 0:37:46 | 0:37:47 | |
-That's wonderful, thank you. -Thank you very much indeed, Michael. | 0:37:47 | 0:37:50 | |
That's a fair, fair price, so...lovely! | 0:37:50 | 0:37:53 | |
But Raj isn't done just yet. Oh, no. | 0:37:53 | 0:37:55 | |
Have you got anything that's apple-related? | 0:37:55 | 0:37:58 | |
Weird question. | 0:37:58 | 0:37:59 | |
-Er... -Because I'll tell you why. I've bought a lot already. | 0:38:01 | 0:38:04 | |
It's just a simple apple picker, and I wanted to know if I could buy | 0:38:04 | 0:38:07 | |
anything that was apple-connected to put with it to bulk the lot up. | 0:38:07 | 0:38:11 | |
I've got a preserve pot in the shape of an apple. | 0:38:11 | 0:38:13 | |
Oh, you could be onto something. | 0:38:13 | 0:38:16 | |
Yep, a silver-plated EPNS apple sauce pot. | 0:38:16 | 0:38:19 | |
Yeah, it's not a lot of money. I mean, what could you do that for? | 0:38:19 | 0:38:22 | |
A fiver? | 0:38:22 | 0:38:24 | |
A fiver? Yes, I'll have that as well. | 0:38:24 | 0:38:27 | |
-Well done. -Thank you very much indeed. | 0:38:27 | 0:38:29 | |
So that's £35 for a pair of early 19th-century scalloped Derby dishes | 0:38:29 | 0:38:34 | |
and an apple preserve pot. | 0:38:34 | 0:38:36 | |
On that fruity note, it's time to get some shut-eye, Antiquers. | 0:38:36 | 0:38:40 | |
Nighty night. | 0:38:40 | 0:38:42 | |
Wakey-wakey, rise and shine! | 0:38:44 | 0:38:46 | |
It's another beautiful day for treasure hunting. | 0:38:46 | 0:38:49 | |
# On the road again, Raj! We're on the road again | 0:38:50 | 0:38:54 | |
# We're on the road We're on the road | 0:38:54 | 0:38:56 | |
# We're on the road again! # | 0:38:56 | 0:38:59 | |
And in high spirits. | 0:38:59 | 0:39:01 | |
This morning, the jolly duo are | 0:39:02 | 0:39:04 | |
taking the Triumph Spitfire to Norwich, | 0:39:04 | 0:39:06 | |
Norfolk's county town. | 0:39:06 | 0:39:08 | |
Based just outside Norwich city centre is East Anglia's largest | 0:39:08 | 0:39:12 | |
dealer-based antiques and collectables centre - | 0:39:12 | 0:39:14 | |
Looses Emporium. | 0:39:14 | 0:39:16 | |
Patrick is at the helm today. | 0:39:16 | 0:39:18 | |
-Hello, Patrick, is it? -Yes, it is. | 0:39:18 | 0:39:20 | |
-Hi, Raj, nice to meet you. -Nice to meet you. | 0:39:20 | 0:39:22 | |
-What a place! -It is. | 0:39:23 | 0:39:25 | |
It looks enormous! | 0:39:25 | 0:39:27 | |
It is. With plenty to peruse, | 0:39:27 | 0:39:29 | |
and Raj has just over £330 in his back pocket. | 0:39:29 | 0:39:34 | |
These fairground, these... Old 1940s, I guess? | 0:39:35 | 0:39:38 | |
Yeah, probably a little bit earlier, some of them. | 0:39:38 | 0:39:40 | |
-I know they're collectable. -They are collectable at the moment, yeah. | 0:39:40 | 0:39:44 | |
They don't often come on the market. | 0:39:44 | 0:39:45 | |
-RAJ SIGHS -I'd do you one for £200. | 0:39:45 | 0:39:49 | |
That's what they cost me, each. | 0:39:49 | 0:39:51 | |
I mean, I have to say, | 0:39:52 | 0:39:54 | |
I am tempted by them, they are slightly different. | 0:39:54 | 0:39:56 | |
I mean, actually, I just noticed that... | 0:39:56 | 0:39:59 | |
-That motorbike one. -Yeah, that's the one I'd want. | 0:39:59 | 0:40:02 | |
You see, then, if I bought something like that, | 0:40:02 | 0:40:04 | |
then I'd be looking for two different markets, | 0:40:04 | 0:40:07 | |
not only the fairground market, the decorative market... | 0:40:07 | 0:40:09 | |
-Mmm, motorbike people. -..but also the motorbike people, as well. | 0:40:09 | 0:40:12 | |
It's a little bit risky for me, but will you take £150 cash for them? | 0:40:12 | 0:40:17 | |
I can do 180. | 0:40:19 | 0:40:20 | |
What about split the difference - 160? | 0:40:22 | 0:40:24 | |
-I can't risk too much. -Go on, then. -160? -Go on, then. | 0:40:26 | 0:40:29 | |
-We've got a deal. -Got a deal. | 0:40:29 | 0:40:31 | |
Very kind, Patrick. Anita was right. | 0:40:31 | 0:40:33 | |
It seems Raj is spending big today and he's not finished yet. | 0:40:33 | 0:40:36 | |
It's dealer Roy's turn now. | 0:40:36 | 0:40:39 | |
Is it possible I could have a look at this, I guess, paper knife, | 0:40:39 | 0:40:43 | |
-I think you'd call it? -Are you over 18? -I'm over 18! | 0:40:43 | 0:40:45 | |
Only just, though, only just. | 0:40:45 | 0:40:48 | |
In your dreams! | 0:40:48 | 0:40:49 | |
Yeah, what I noticed, and it is as well, | 0:40:49 | 0:40:52 | |
-is the engraving here of the tennis player. -Mm-hm. | 0:40:52 | 0:40:56 | |
-Unusual. -It IS unusual. | 0:40:56 | 0:40:57 | |
-I would guess, from the blade, probably '60s or '70s. -OK. | 0:40:57 | 0:41:02 | |
-Not a particularly old piece, but unusual. -No. | 0:41:02 | 0:41:04 | |
-It is unusual. I mean, it's a great maker. -Mm-hm. -Wilkinson. | 0:41:04 | 0:41:08 | |
-That is definitely quite a nice quality item. -Yeah. | 0:41:08 | 0:41:11 | |
What could you do this for? | 0:41:11 | 0:41:13 | |
Erm...the very best would be 40. And that's half-price. | 0:41:16 | 0:41:21 | |
Could I possibly offer you 35 for it? | 0:41:22 | 0:41:26 | |
It would be cash. | 0:41:26 | 0:41:27 | |
-Yes. -Yes? | 0:41:31 | 0:41:32 | |
-At £35... -Leaving me a little bit of meat on the bone, as they say. | 0:41:32 | 0:41:36 | |
I'm going to shake your hand. | 0:41:36 | 0:41:37 | |
-Thank you very much indeed. -No problem. -Thank you very much. | 0:41:37 | 0:41:40 | |
So that's £35 for the engraved paper knife | 0:41:40 | 0:41:43 | |
and 160 for the early 20th-century fairground motorcycle ride. | 0:41:43 | 0:41:47 | |
-Thank you very much indeed. -Thank you. | 0:41:48 | 0:41:50 | |
-Thank you for showing me around. -That's all right. I hope you do ever so well with it. | 0:41:50 | 0:41:54 | |
Still in Norwich, Anita's here to find out | 0:41:54 | 0:41:56 | |
about a little-known local lad | 0:41:56 | 0:41:58 | |
who was once an entertainer and film star, famous the world over. | 0:41:58 | 0:42:03 | |
To tell Anita more about this forgotten pioneer | 0:42:03 | 0:42:06 | |
of stage and screen is local historian and author Philip Yaxley. | 0:42:06 | 0:42:10 | |
-Hi, Philip. -Lovely to see you, Anita. | 0:42:10 | 0:42:13 | |
It's lovely to be here in this wonderful square, | 0:42:13 | 0:42:17 | |
with Norwich Cathedral here and the marvellous Norwich School. | 0:42:17 | 0:42:21 | |
William Vernon Blyth was born in 1887. | 0:42:22 | 0:42:25 | |
After attending Norwich School, | 0:42:25 | 0:42:28 | |
he sought fame and fortune as a magician and comedian in London. | 0:42:28 | 0:42:32 | |
His sister, Coralie, was already big in the West End theatre scene, | 0:42:32 | 0:42:36 | |
but in 1906, she went to America and took 19-year-old Vernon along. | 0:42:36 | 0:42:42 | |
He got a small part in one of her plays, leading to other roles, | 0:42:42 | 0:42:46 | |
which not only impressed his peers, | 0:42:46 | 0:42:47 | |
but also wannabe actress, Irene Foote, | 0:42:47 | 0:42:50 | |
who went on to become his wife. | 0:42:50 | 0:42:51 | |
Was he successful at that time before he met Irene? | 0:42:53 | 0:42:56 | |
He was becoming more and more well-known on the Broadway stage. | 0:42:56 | 0:43:00 | |
They got married in May 1911, | 0:43:00 | 0:43:02 | |
and they became more and more successful. | 0:43:02 | 0:43:05 | |
Vernon Castle, as he was now known, and wife, Irene, | 0:43:05 | 0:43:08 | |
went on to act in Paris. | 0:43:08 | 0:43:10 | |
Whilst there, they made the move | 0:43:10 | 0:43:12 | |
from acting to dancing, after getting a slot | 0:43:12 | 0:43:14 | |
at elegant Parisian dining and dancing revue Cafe de Paris. | 0:43:14 | 0:43:19 | |
At the time, intimate animal-named dances, like the turkey trot, | 0:43:19 | 0:43:24 | |
were all the rage, but the Castles tamed these dances, | 0:43:24 | 0:43:28 | |
refining and popularising them. | 0:43:28 | 0:43:30 | |
When they returned to America, their careers continued to skyrocket. | 0:43:30 | 0:43:34 | |
1914 was a very, very big year - the pinnacle of their success. | 0:43:34 | 0:43:39 | |
They issued the bestselling book, Modern Dancing. | 0:43:39 | 0:43:43 | |
And they did a whirlwind tour of American cities, 35 - | 0:43:43 | 0:43:48 | |
some people call it 32 - cities in 28 days! | 0:43:48 | 0:43:51 | |
And, everywhere they went, there were big banners, | 0:43:51 | 0:43:54 | |
"The Castles are coming, hooray, hooray!" and big crowds! | 0:43:54 | 0:43:57 | |
Equate it to the Beatles in 1964. | 0:43:57 | 0:44:00 | |
They were young, they were talented, they were beautiful, | 0:44:00 | 0:44:04 | |
and everyone wanted to copy what they were doing. | 0:44:04 | 0:44:07 | |
Yes, with all their endorsements and fashion, | 0:44:07 | 0:44:10 | |
they weren't just the Ginger Rogers and Fred Astaire of that time, | 0:44:10 | 0:44:13 | |
but heavens they were, but they were also the Posh and Becks. | 0:44:13 | 0:44:17 | |
Vernon wrote a film, called The Whirl of Life. | 0:44:17 | 0:44:20 | |
A huge hit, both at home and abroad, | 0:44:20 | 0:44:23 | |
even Fred Astaire admitted Vernon was his dancing inspiration. | 0:44:23 | 0:44:27 | |
To tell and show Anita more is | 0:44:27 | 0:44:29 | |
professional ballroom dancer Sasha Zagovsky. | 0:44:29 | 0:44:33 | |
Tell me what the popular dances of that time were. | 0:44:33 | 0:44:37 | |
Well, really, as a reaction to the stiff formality | 0:44:37 | 0:44:40 | |
of the Victorian age, the animal dances had become very popular, | 0:44:40 | 0:44:43 | |
and we had everything from the bunny hug | 0:44:43 | 0:44:46 | |
to the chicken scratch to the kangaroo hop. | 0:44:46 | 0:44:49 | |
The one that survives to today, of course, is the foxtrot. | 0:44:49 | 0:44:52 | |
The Castles refined all of these dances | 0:44:52 | 0:44:54 | |
and made them much more acceptable. | 0:44:54 | 0:44:56 | |
Give it a go, then, Anita. If I can do it, anyone can. | 0:44:56 | 0:45:00 | |
Eight steps. | 0:45:00 | 0:45:01 | |
And then, from there, achieve a rotation. | 0:45:03 | 0:45:06 | |
Not one I ever did on Strictly. | 0:45:06 | 0:45:08 | |
-We breeze along happily, as Vernon Castle says in his book. -Great fun! | 0:45:08 | 0:45:12 | |
You back away from each other. You run around me, Anita. | 0:45:12 | 0:45:17 | |
We wind up, I turn to meet you, we do a lovely little dance pose. | 0:45:17 | 0:45:21 | |
-Aw! -SHE LAUGHS | 0:45:21 | 0:45:23 | |
Seven! | 0:45:23 | 0:45:24 | |
So what influence did they have from that time up to today? | 0:45:26 | 0:45:31 | |
Really it's the idea of style, polish, poise, | 0:45:31 | 0:45:36 | |
elegance and technique. | 0:45:36 | 0:45:38 | |
All of those things! Really, without the Castles, | 0:45:38 | 0:45:42 | |
we wouldn't have ballroom dancing today, and probably no Strictly. | 0:45:42 | 0:45:46 | |
And that would be a shame. | 0:45:46 | 0:45:48 | |
Vernon died in 1918, serving his country in World War I. | 0:45:48 | 0:45:52 | |
Irene retired from public life a few years later, but lived until 1969. | 0:45:52 | 0:45:57 | |
Just over 20 years after Vernon's death, | 0:45:57 | 0:45:59 | |
their story was memorialised when Fred Astaire and Ginger Rogers | 0:45:59 | 0:46:03 | |
starred in The Story of Vernon and Irene Castle. | 0:46:03 | 0:46:07 | |
This local Norwich boy may no longer be well-known, | 0:46:07 | 0:46:11 | |
but without him pioneering a clean-cut but fun dancing style, | 0:46:11 | 0:46:15 | |
ballroom dancing wouldn't be what it is today. | 0:46:15 | 0:46:18 | |
In the meanwhile, Raj has whizzed southwest of Norwich to Wymondham. | 0:46:23 | 0:46:27 | |
He's here to check out a local gem, Market Cross Antiques, run by David. | 0:46:27 | 0:46:32 | |
-Hello there. -Hello, how are you? -David, is it? -It certainly is. | 0:46:32 | 0:46:35 | |
-I'm Raj. -How'd you do? | 0:46:35 | 0:46:36 | |
There's three showrooms' worth of stock to choose from. | 0:46:36 | 0:46:39 | |
What have you got there? | 0:46:43 | 0:46:45 | |
This is a piece of West German pottery. | 0:46:45 | 0:46:48 | |
At the time, it wasn't very, very popular, | 0:46:48 | 0:46:50 | |
but it seems to have become more and more popular now. | 0:46:50 | 0:46:53 | |
It's got a ticket price of £35 for it. | 0:46:53 | 0:46:56 | |
There's a few bob in it. | 0:46:56 | 0:46:58 | |
One to think about. Maybe try another room. | 0:46:58 | 0:47:01 | |
These are a little bit different, a pair of saddles. | 0:47:03 | 0:47:06 | |
One for me, one for Anita. We could go riding off into the sunshine. | 0:47:06 | 0:47:09 | |
Time to find David. | 0:47:10 | 0:47:12 | |
-I've seen the pair of saddles. -Oh, yeah? | 0:47:12 | 0:47:14 | |
You've got £20 on each. What's the best? | 0:47:14 | 0:47:17 | |
I'd do the pair for 20. | 0:47:19 | 0:47:21 | |
-The pair for 20? -That's gotta be cheap. | 0:47:21 | 0:47:23 | |
Could I squeeze you to 15 for the two? | 0:47:23 | 0:47:26 | |
-Yeah, go on. -Are you sure? -Yeah. -I want you to be happy as well. | 0:47:26 | 0:47:29 | |
-Yeah. -Yeah? Are you sure? -Yeah. | 0:47:29 | 0:47:31 | |
Yee-ha! That's £15 for the two old leather saddles. | 0:47:31 | 0:47:36 | |
-Thank you very much indeed. -I hope you have some luck with them. | 0:47:36 | 0:47:39 | |
Back with Anita now, who's making her way to Panxworth, | 0:47:39 | 0:47:42 | |
with just over £200 to spend | 0:47:42 | 0:47:45 | |
at her final stop of the day. | 0:47:45 | 0:47:46 | |
Frankly Frank's the man in charge, so here we go. | 0:47:46 | 0:47:48 | |
Hello, I'm Anita. | 0:47:48 | 0:47:50 | |
-Hi, Frank, nice to meet you. -Oh, it's lovely to meet you too. | 0:47:50 | 0:47:53 | |
This is an astonishing place. | 0:47:53 | 0:47:56 | |
The centre combines architectural salvage with antiquities and curiosities. | 0:47:56 | 0:48:00 | |
Plenty to pique Anita's interest and, yes, | 0:48:00 | 0:48:04 | |
she's already found something. | 0:48:04 | 0:48:06 | |
There are so many things in here which are huge and heavy. | 0:48:06 | 0:48:13 | |
But this is a nice, wee chest. | 0:48:13 | 0:48:16 | |
It needs a bit of TLC | 0:48:16 | 0:48:18 | |
but it's a good, honest, wee 19th-century piece here. | 0:48:18 | 0:48:24 | |
It's made of pine and it has these | 0:48:24 | 0:48:27 | |
iron strapping affairs here. | 0:48:27 | 0:48:32 | |
And look! Two wee carrying handles. | 0:48:32 | 0:48:36 | |
Isn't that sweet? | 0:48:36 | 0:48:38 | |
With no ticket price, it's time to call Frank. | 0:48:38 | 0:48:40 | |
Frank! | 0:48:40 | 0:48:41 | |
I've spotted this wee miniature chest here. | 0:48:43 | 0:48:45 | |
Oh, yeah, a lovely little pine box. | 0:48:45 | 0:48:47 | |
Uh-huh. There is no price on it just now. | 0:48:47 | 0:48:50 | |
What I'd like to pay for it is £20. | 0:48:50 | 0:48:53 | |
Is that coming anywhere near | 0:48:53 | 0:48:56 | |
what you're...? | 0:48:56 | 0:48:58 | |
We have it listed online for 65. | 0:48:58 | 0:49:01 | |
-Erm... -65. Oh, but it's still online at 65. | 0:49:01 | 0:49:04 | |
-It hasn't sold. -You're quite right. | 0:49:04 | 0:49:06 | |
I can meet you at £30. | 0:49:06 | 0:49:08 | |
Could you come down even a wee bit more? | 0:49:08 | 0:49:11 | |
Just a wee bit more to 25? | 0:49:11 | 0:49:14 | |
How about we split the difference? | 0:49:14 | 0:49:16 | |
-27.50. -27.50. | 0:49:16 | 0:49:19 | |
-Put it there. -It's a hard bargain. | 0:49:19 | 0:49:21 | |
Thank you, thank you. | 0:49:21 | 0:49:23 | |
Deal done. £27.50 for the miniature pine chest. | 0:49:23 | 0:49:27 | |
-Thank you very much. -You're welcome. Good luck at the auction. | 0:49:27 | 0:49:29 | |
And, with that, shopping is complete. | 0:49:29 | 0:49:32 | |
Let's take a peek at our experts' treasures. | 0:49:32 | 0:49:34 | |
Along with the pine box, Anita bought a Masonic pendant, | 0:49:34 | 0:49:38 | |
a top-hat brush, an enamelled dressing-table set, | 0:49:38 | 0:49:42 | |
and a Victorian pokerwork table for £122.50. | 0:49:42 | 0:49:47 | |
Raj spent £250 on an apple picker bag and preserve pot, | 0:49:47 | 0:49:52 | |
a pair of 19th-century Derby china dishes, | 0:49:52 | 0:49:55 | |
an early 20th-century fairground ride, an engraved paperknife, | 0:49:55 | 0:49:59 | |
and two old leather saddles. | 0:49:59 | 0:50:01 | |
So, what do they think? | 0:50:01 | 0:50:02 | |
I think Raj has bought really well this time. | 0:50:02 | 0:50:06 | |
I love those Derby dishes. | 0:50:06 | 0:50:09 | |
A pair. They're the right period. He's got to double his money. | 0:50:09 | 0:50:13 | |
The silver and enamelled dressing-table set is definitely good quality | 0:50:13 | 0:50:18 | |
but I've spotted a little bit of damage. So we'll see how that goes. | 0:50:18 | 0:50:21 | |
Well, let's find out. | 0:50:21 | 0:50:22 | |
After starting in Sheringham, Norfolk, | 0:50:22 | 0:50:24 | |
Anita and Raj are now nearing their second auction in Stansted Mountfitchet, Essex. | 0:50:24 | 0:50:30 | |
Try and say that quickly! | 0:50:30 | 0:50:31 | |
Looks spectacular, doesn't it? | 0:50:31 | 0:50:32 | |
-Lots of cars as well. -Yes, it does. Oh, it's going to be busy, Raj. | 0:50:32 | 0:50:35 | |
Oh, it is going to be busy for sure. | 0:50:35 | 0:50:37 | |
OK, here we go. Well, good luck today. | 0:50:37 | 0:50:39 | |
Let's go and make some money. | 0:50:39 | 0:50:41 | |
Today's gal with a gavel is Prudence Hopkins. | 0:50:41 | 0:50:44 | |
The pokerwork table is a very nice lot. | 0:50:44 | 0:50:47 | |
It's interesting and hopefully, it will do well on the day. | 0:50:47 | 0:50:50 | |
The fairground motorcycle is my favourite lot. | 0:50:50 | 0:50:54 | |
I think it's an interior piece, so I think that's our winner. | 0:50:54 | 0:50:59 | |
Take your seats. It's time to see what both the local clientele and | 0:50:59 | 0:51:02 | |
internet bidders think. | 0:51:02 | 0:51:04 | |
First up is Anita's Masonic pendant. | 0:51:04 | 0:51:07 | |
I'm straight in at £20. | 0:51:09 | 0:51:11 | |
£20 is bid. | 0:51:11 | 0:51:13 | |
-Already, fantastic. -Do I see 25 anywhere? | 0:51:13 | 0:51:15 | |
£20 is bid. | 0:51:15 | 0:51:16 | |
25 is yours, sir. | 0:51:16 | 0:51:18 | |
£25 now in the room. | 0:51:18 | 0:51:19 | |
-Another one. -We'll sell it, then, at £25. Make no mistake. | 0:51:19 | 0:51:23 | |
It's a solid profit, straight off the bat, for Anita. | 0:51:23 | 0:51:26 | |
A little profit on it. | 0:51:26 | 0:51:28 | |
We knew it wasn't going to fly but at least it's paid for its lunch. | 0:51:28 | 0:51:34 | |
Sticking with Anita, it's her silver top-hat brush. | 0:51:34 | 0:51:37 | |
Pretty thing, this one. | 0:51:37 | 0:51:39 | |
£20 for this one. | 0:51:39 | 0:51:41 | |
20. | 0:51:41 | 0:51:42 | |
-Oh, no, they don't like it. -Ten, then. Take it away today. | 0:51:42 | 0:51:45 | |
£10 for this one. | 0:51:45 | 0:51:46 | |
£10 is bid. Thank you. 15 now on the internet. | 0:51:46 | 0:51:50 | |
20. 25 to bid, internet. | 0:51:50 | 0:51:52 | |
-Yeah. -I have £20. | 0:51:52 | 0:51:54 | |
£20 in the room, then. | 0:51:54 | 0:51:56 | |
25 now on the internet. | 0:51:56 | 0:51:58 | |
30? | 0:51:58 | 0:51:59 | |
£25, then. | 0:51:59 | 0:52:01 | |
On the internet, they'll take it at 25. | 0:52:01 | 0:52:03 | |
It's another profit for Anita. | 0:52:05 | 0:52:08 | |
I thought it might go a little further. | 0:52:08 | 0:52:10 | |
Listen, you've sold two things and you made a profit on each one. | 0:52:10 | 0:52:14 | |
If I get to that position, I'll be happy as well, OK? | 0:52:14 | 0:52:17 | |
Well, let's see, eh, as Raj's Derby dishes are next. | 0:52:18 | 0:52:22 | |
£20 for these. | 0:52:23 | 0:52:25 | |
20...£20 is bid. | 0:52:25 | 0:52:28 | |
Thank you. Do I see five anywhere? | 0:52:28 | 0:52:30 | |
£20 is now bid. | 0:52:30 | 0:52:32 | |
The room goes silent. | 0:52:32 | 0:52:33 | |
We will sell them, maiden bid at 20. | 0:52:33 | 0:52:36 | |
Oh, dear. That's got to hurt. | 0:52:37 | 0:52:39 | |
Does my face looked disappointed? | 0:52:40 | 0:52:42 | |
-Yup. -£20? | 0:52:42 | 0:52:44 | |
I know. | 0:52:44 | 0:52:45 | |
£20? Did I hear right? | 0:52:45 | 0:52:47 | |
Afraid so, fella! | 0:52:47 | 0:52:48 | |
But maybe his apple picker bag and preserve holder will do better. | 0:52:48 | 0:52:52 | |
20 for this. | 0:52:52 | 0:52:53 | |
-Come on! -Ten, then, take it away today. | 0:52:53 | 0:52:56 | |
£10. | 0:52:56 | 0:52:58 | |
£10 today. | 0:52:58 | 0:53:00 | |
Five, then. | 0:53:00 | 0:53:01 | |
-£5. Any interest? £5. Thanks, sir. -Do they grow apples in Essex? | 0:53:01 | 0:53:04 | |
Do I see ten anywhere? | 0:53:04 | 0:53:06 | |
We'll sell it, then, at £5, maiden bid. | 0:53:06 | 0:53:09 | |
Second loss for Raj. Ouch! | 0:53:11 | 0:53:14 | |
Oh, darling... | 0:53:14 | 0:53:15 | |
I must be still asleep. | 0:53:15 | 0:53:17 | |
OK? I'm going to wake up in a minute, aren't I? | 0:53:17 | 0:53:20 | |
Let's go back to Anita and see if she's still on her lucky streak | 0:53:20 | 0:53:24 | |
with her pokerwork table. | 0:53:24 | 0:53:26 | |
£40 for this one. | 0:53:26 | 0:53:28 | |
£40 is bid. | 0:53:28 | 0:53:30 | |
Thank you. Do I see five? 45. | 0:53:30 | 0:53:31 | |
-Straight in at 40. -Straight in at 40. -Straight in at 40. | 0:53:31 | 0:53:34 | |
50... | 0:53:34 | 0:53:35 | |
55. 60. | 0:53:35 | 0:53:38 | |
£60 now with the lady. 65, new bidder. | 0:53:38 | 0:53:40 | |
Well done again. | 0:53:40 | 0:53:42 | |
-70. -70? -75. | 0:53:42 | 0:53:44 | |
80. | 0:53:44 | 0:53:45 | |
85. | 0:53:46 | 0:53:48 | |
90. | 0:53:48 | 0:53:49 | |
-Yes! -£90, then, with the lady... | 0:53:49 | 0:53:51 | |
Well done. Well done. | 0:53:51 | 0:53:52 | |
I'm coming shopping with you. | 0:53:52 | 0:53:54 | |
Take it away today at £90. | 0:53:54 | 0:53:56 | |
Great stuff. Anita's more than doubled her money. | 0:53:56 | 0:54:00 | |
You certainly are brilliant. | 0:54:00 | 0:54:02 | |
Maybe Raj's luck will turn with his engraved paperknife. | 0:54:02 | 0:54:05 | |
And I can start the bidding straight in at £25. | 0:54:06 | 0:54:11 | |
£25 is bid. | 0:54:11 | 0:54:12 | |
-Paid 35 for it. -Do I see 30 anywhere? 30. | 0:54:12 | 0:54:15 | |
35 with me. | 0:54:15 | 0:54:17 | |
-Come on. -40, sir. -Yes. | 0:54:17 | 0:54:18 | |
40 is yours. | 0:54:18 | 0:54:20 | |
£40, then, in the room. | 0:54:20 | 0:54:21 | |
It's quiet, everyone else. | 0:54:21 | 0:54:23 | |
We'll sell it at 40. | 0:54:23 | 0:54:25 | |
There's still time to claw back some profits, Raj. | 0:54:26 | 0:54:28 | |
Back with Anita, now, for her miniature pine chest. | 0:54:30 | 0:54:33 | |
Start me off. £30. | 0:54:35 | 0:54:37 | |
£30 on the internet. | 0:54:37 | 0:54:39 | |
-£30 straight in. -Done it! -Do I see five anywhere? £30 straight in. | 0:54:39 | 0:54:42 | |
We'll sell it to the internet, make no mistake, at £30... | 0:54:42 | 0:54:46 | |
That should have done better. Bad luck, Anita. | 0:54:48 | 0:54:51 | |
Now, can Raj ride off with some profits with his two saddles? | 0:54:52 | 0:54:55 | |
Start me off. £20 for the two saddles. | 0:54:55 | 0:55:00 | |
20. Ten, then, take them away today. | 0:55:00 | 0:55:03 | |
-Struggling a bit, darling. -£10 is bid. | 0:55:03 | 0:55:04 | |
-Thank you. Do I see 15 anywhere? -Got ten. -£10 is now bid. | 0:55:04 | 0:55:07 | |
No, they're not going to sell for a fiver each. | 0:55:07 | 0:55:09 | |
15 to take them away. Selling, then, maiden bid at £10. | 0:55:09 | 0:55:13 | |
Blimey! That's the third loss for Raj. | 0:55:13 | 0:55:17 | |
Look at them, they are very happy. Look, they're going, | 0:55:17 | 0:55:19 | |
"Can't believe we've got those two saddles for £10." | 0:55:19 | 0:55:21 | |
Yeah, well, that's the auction. | 0:55:21 | 0:55:23 | |
-Well... -A day out at the auctions. | 0:55:23 | 0:55:25 | |
Next, it's Anita's final item. | 0:55:26 | 0:55:28 | |
The enamelled dressing-table set. | 0:55:28 | 0:55:30 | |
Start me off - £20 for this. | 0:55:30 | 0:55:33 | |
-20 straight in. -20 is bid. | 0:55:33 | 0:55:35 | |
-Yes. -Thank you, sir. -Yes. -25 now on the internet. | 0:55:35 | 0:55:37 | |
30, sir. 30. | 0:55:37 | 0:55:40 | |
35. 40. | 0:55:40 | 0:55:42 | |
-Good. -45. 50. -Yeah. | 0:55:42 | 0:55:45 | |
-55, 60... -Oh. | 0:55:45 | 0:55:47 | |
65. 70. | 0:55:47 | 0:55:50 | |
£70. 75, now, on the internet. | 0:55:50 | 0:55:52 | |
80 to bid, sir? | 0:55:52 | 0:55:53 | |
-£80 for the gentleman in the room. -Yes. -Wow! -Yes. | 0:55:53 | 0:55:56 | |
85 on the internet. | 0:55:56 | 0:55:57 | |
-90. -Yes. -It's still going. | 0:55:57 | 0:56:00 | |
-95. -Yes. | 0:56:00 | 0:56:01 | |
100. | 0:56:01 | 0:56:03 | |
110. | 0:56:03 | 0:56:05 | |
-Yes. -Ooh. Wow. -120 to bid. | 0:56:05 | 0:56:06 | |
120. 130 to bid, internet. | 0:56:06 | 0:56:10 | |
130. | 0:56:10 | 0:56:11 | |
-I don't believe it. I don't... Oh, yes. -140. | 0:56:11 | 0:56:14 | |
In the room, if you're all done and out, at £140... | 0:56:14 | 0:56:18 | |
Incredible. That's seven times what Anita paid for it. | 0:56:19 | 0:56:23 | |
-What a result. -Vroom, vroom... | 0:56:23 | 0:56:25 | |
You've caught up already. | 0:56:25 | 0:56:26 | |
Oh, my goodness. | 0:56:26 | 0:56:28 | |
Well done indeed. | 0:56:28 | 0:56:30 | |
It all comes down now to Raj's last item - | 0:56:30 | 0:56:32 | |
his biggest spend and riskiest buy. | 0:56:32 | 0:56:34 | |
-Here we go. -I have a run of bids on this. | 0:56:35 | 0:56:38 | |
I have to be in at £140. | 0:56:38 | 0:56:41 | |
-Yes! -All right, it's not a profit. -£140 is now bid. -Not a profit yet. | 0:56:41 | 0:56:44 | |
Do I see 150 anywhere? | 0:56:44 | 0:56:47 | |
-100 and... 150, 160... -Yes. | 0:56:47 | 0:56:49 | |
170 to bid, internet. | 0:56:49 | 0:56:51 | |
170. 180. | 0:56:51 | 0:56:53 | |
190 to bid. 190 now on the internet. | 0:56:53 | 0:56:56 | |
-200 in the room. -Yes. -£200 in the room. | 0:56:56 | 0:57:00 | |
220. 240. | 0:57:00 | 0:57:03 | |
260 to bid. | 0:57:03 | 0:57:04 | |
260. 280. | 0:57:04 | 0:57:07 | |
300. | 0:57:07 | 0:57:09 | |
£300, then, on the internet. | 0:57:09 | 0:57:11 | |
-If you are quiet in the room... -Well... -..we'll sell it at £300. | 0:57:11 | 0:57:14 | |
Yeah, that's OK. | 0:57:14 | 0:57:16 | |
Amazing. Certainly a clever buy from Raj, almost doubling his money. | 0:57:17 | 0:57:20 | |
-Are you happy, darling? -Yes, I'm happy with that. | 0:57:20 | 0:57:22 | |
-Oh... -Yes, I'm happy with that. -Oh, that's wonderful. | 0:57:22 | 0:57:25 | |
Yes, that's good. I'm happy with that. | 0:57:25 | 0:57:27 | |
Definitely happy. | 0:57:27 | 0:57:28 | |
And so he should be, but is it enough? | 0:57:28 | 0:57:31 | |
Raj set off this leg with £370.74. | 0:57:31 | 0:57:35 | |
Post-auction costs, he's up £57.50, | 0:57:35 | 0:57:40 | |
giving him £428.24. | 0:57:40 | 0:57:44 | |
Anita began with £299.78, | 0:57:44 | 0:57:48 | |
and after auction costs, she made £131.70, | 0:57:48 | 0:57:52 | |
making her today's winner with £431.48. | 0:57:52 | 0:57:57 | |
Good going, girl. | 0:57:57 | 0:57:58 | |
Well, well done, Anita. | 0:57:58 | 0:58:00 | |
Well, that was so, so... | 0:58:00 | 0:58:01 | |
-Exciting wasn't it? -..exciting. | 0:58:01 | 0:58:03 | |
Well done, you're in front now. | 0:58:03 | 0:58:05 | |
Oh, not just snapping at your heels. | 0:58:05 | 0:58:07 | |
A wee, wee bit in front. | 0:58:07 | 0:58:09 | |
-You certainly are. -Well, Raj, | 0:58:09 | 0:58:11 | |
what's going to happen next? | 0:58:11 | 0:58:13 | |
Let's go off to the next one! | 0:58:13 | 0:58:16 | |
Can't wait. See you soon, chaps. | 0:58:17 | 0:58:20 | |
Next time, our auctioneers continue their south-east adventure. | 0:58:20 | 0:58:23 | |
Are we going round in circles, here? | 0:58:23 | 0:58:26 | |
Raj goes gaga for all things antique. | 0:58:26 | 0:58:29 | |
My eyes are starting to sparkle. | 0:58:29 | 0:58:30 | |
And Anita Manning goes all out for a deal. | 0:58:30 | 0:58:33 | |
I love you too. | 0:58:33 | 0:58:34 |