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It's the nation's favourite antiques experts. | 0:00:02 | 0:00:04 | |
-That's cracking. -With £200 each... | 0:00:04 | 0:00:06 | |
-Wonderful. -..a classic car, | 0:00:06 | 0:00:08 | |
and a goal - to scour Britain for antiques. | 0:00:08 | 0:00:11 | |
-That's exactly what I'm talking about. -I'm all over a shiver. | 0:00:11 | 0:00:14 | |
The aim - to make the biggest profit at auction, but it's no mean feat. | 0:00:14 | 0:00:17 | |
-No-brainer. -Going, going, gone. | 0:00:17 | 0:00:20 | |
There'll be worthy winners and valiant losers. | 0:00:20 | 0:00:23 | |
-So, will it be the high road to glory... -Push! | 0:00:23 | 0:00:25 | |
..or the slow road to disaster? | 0:00:25 | 0:00:28 | |
How awfully, awfully nice. | 0:00:28 | 0:00:29 | |
This is Antiques Road Trip. | 0:00:29 | 0:00:31 | |
Yeah. | 0:00:34 | 0:00:35 | |
We're two auctions down and back on the road | 0:00:37 | 0:00:39 | |
with our two antiques aficionados | 0:00:39 | 0:00:42 | |
Anita Manning and Raj Bisram. | 0:00:42 | 0:00:45 | |
So you didn't sleep, darling? | 0:00:45 | 0:00:47 | |
To be honest, when you're £3.59 down, | 0:00:47 | 0:00:50 | |
it's hard to sleep. | 0:00:50 | 0:00:52 | |
So far, Raj has resisted the temptation to play dirty. | 0:00:55 | 0:00:59 | |
I wonder if I could maybe put Anita in these. | 0:00:59 | 0:01:01 | |
Ha! And Anita has negotiated hard so far. | 0:01:01 | 0:01:04 | |
Could you come down even a wee bit more? | 0:01:04 | 0:01:07 | |
Our auctioneering duo started their road trip with £200 each, | 0:01:07 | 0:01:11 | |
and it's been nail-biting stuff ever since. | 0:01:11 | 0:01:14 | |
Raj now has £428.24 to spend | 0:01:14 | 0:01:18 | |
but Anita managed to swipe the lead with a tidy £431.48, | 0:01:18 | 0:01:24 | |
so there is less than £4 in it. | 0:01:24 | 0:01:27 | |
It's so close now, I'm not sure what to do, | 0:01:27 | 0:01:30 | |
whether to go all out for it | 0:01:30 | 0:01:32 | |
-or play... -Play it cool. -Play it cool. | 0:01:32 | 0:01:34 | |
-You, my friend, have to make your own mind up about that. -I know. | 0:01:34 | 0:01:38 | |
I'm a risk taker. | 0:01:38 | 0:01:39 | |
-I know you are. -THEY LAUGH | 0:01:39 | 0:01:41 | |
-That's what I'm counting on, Raj. -RAJ LAUGHS | 0:01:41 | 0:01:45 | |
Us, too. | 0:01:45 | 0:01:46 | |
After kicking off from Wisbech in Cambridgeshire, | 0:01:46 | 0:01:49 | |
they took in the sights of Norfolk, | 0:01:49 | 0:01:51 | |
and are continuing through Essex and Suffolk. | 0:01:51 | 0:01:53 | |
They'll then motor south to Kent, Surrey, and East Sussex, | 0:01:53 | 0:01:57 | |
before heading north to Bolton in Lancashire for their final auction. | 0:01:57 | 0:02:01 | |
Golly gosh. | 0:02:01 | 0:02:02 | |
They're whisking around in their trusty Triumph Spitfire | 0:02:02 | 0:02:05 | |
and this leg takes them from Halstead in Essex | 0:02:05 | 0:02:08 | |
to an auction in Rayleigh, also in Essex. | 0:02:08 | 0:02:11 | |
Certainly looks like a big place. | 0:02:11 | 0:02:14 | |
Oh, there's going to be a lot of choice here. | 0:02:14 | 0:02:16 | |
-ANITA LAUGHS -Well, wish me luck. | 0:02:16 | 0:02:18 | |
-Have fun, Raj. -I will. | 0:02:18 | 0:02:20 | |
And remember - be dangerous. | 0:02:20 | 0:02:23 | |
I will be. | 0:02:23 | 0:02:24 | |
Have a good day. | 0:02:24 | 0:02:25 | |
Burning oil. Huh. | 0:02:28 | 0:02:31 | |
Halstead Antiques is situated in a former corn mill, hence the size, | 0:02:31 | 0:02:35 | |
and holds about 25,000 items over two floors. | 0:02:35 | 0:02:39 | |
Just a few things to choose from in here, then... | 0:02:39 | 0:02:42 | |
This is a nice, decorative paddle. | 0:02:44 | 0:02:46 | |
A lot of people put these on their wall. | 0:02:46 | 0:02:48 | |
I'm always drawn to anything boating as well. | 0:02:48 | 0:02:52 | |
I quite like this, this is quite nice. | 0:02:52 | 0:02:54 | |
Got another one here, 18. | 0:02:54 | 0:02:55 | |
Well, then, what are you thinking? | 0:03:01 | 0:03:03 | |
They'd make quite a nice lot. | 0:03:03 | 0:03:06 | |
With ticket prices of £29 and £18, | 0:03:06 | 0:03:09 | |
Raj wants to see if he can get a deal for the two from owner, James. | 0:03:09 | 0:03:14 | |
-£25? 20, 25? -Yes. | 0:03:14 | 0:03:17 | |
20? Can we shake hands? | 0:03:17 | 0:03:19 | |
-25. -20? -25 sounded a lot better to me. | 0:03:19 | 0:03:21 | |
I'll tell you what, what about splitting it down the middle? | 0:03:21 | 0:03:24 | |
-£22.50? -Yeah. -Yeah? | 0:03:24 | 0:03:26 | |
You'll take that? Brilliant. We have a deal! | 0:03:26 | 0:03:29 | |
-Thank you very much, Raj. -Thank you, James. | 0:03:29 | 0:03:33 | |
I know there's a saying that goes something like, | 0:03:33 | 0:03:35 | |
"Up..." What is it? | 0:03:35 | 0:03:38 | |
"Up the creek without a paddle"? | 0:03:38 | 0:03:39 | |
Up the creek without a paddle. | 0:03:39 | 0:03:41 | |
Well, I've got two paddles, I should be OK. | 0:03:41 | 0:03:44 | |
Here's hoping. | 0:03:44 | 0:03:45 | |
So that's £22.50 for the early 20th-century paddles. | 0:03:45 | 0:03:48 | |
Meanwhile, Anita has made her way west | 0:03:51 | 0:03:54 | |
to the village of Gosfield, home to Gosfield Antiques Village. | 0:03:54 | 0:03:58 | |
Ten years ago, | 0:03:58 | 0:04:00 | |
this former working farm was transformed into a shopping mecca. | 0:04:00 | 0:04:03 | |
Looks like Anita's idea of heaven. | 0:04:03 | 0:04:06 | |
This room has 169 cabinets, to be precise. | 0:04:06 | 0:04:09 | |
So hang on... | 0:04:09 | 0:04:10 | |
Look at that - she's on to something already. | 0:04:10 | 0:04:13 | |
Better get in owner Glen. Glen! | 0:04:13 | 0:04:15 | |
Found something? | 0:04:15 | 0:04:17 | |
I quite like this little ornament here, | 0:04:17 | 0:04:19 | |
the little antelope. | 0:04:19 | 0:04:21 | |
It's not a precious metal, it's not silver. | 0:04:24 | 0:04:26 | |
I think that's quite sweet, | 0:04:26 | 0:04:28 | |
and I love the malachite base. | 0:04:28 | 0:04:31 | |
I love those lovely, natural stones. | 0:04:31 | 0:04:34 | |
It looks as if it's just the malachite, | 0:04:34 | 0:04:37 | |
they've given it a knock and taken a chunk off of it, | 0:04:37 | 0:04:41 | |
so it is a wee, sort of, artisan piece. | 0:04:41 | 0:04:44 | |
It's got a ticket price of £38. | 0:04:44 | 0:04:46 | |
But something else has also caught Anita's eye. | 0:04:49 | 0:04:53 | |
This little silver snuff box there, it's £22. | 0:04:53 | 0:04:57 | |
It doesn't seem a lot of money. | 0:04:57 | 0:04:58 | |
It looks very pretty with the enamelling showing an exotic bird. | 0:04:58 | 0:05:05 | |
I'm looking for a hallmark here. | 0:05:06 | 0:05:08 | |
I can see a rather roughly stippled | 0:05:08 | 0:05:14 | |
"925." | 0:05:14 | 0:05:17 | |
It's as if it's been done by an amateur with a screwdriver. | 0:05:17 | 0:05:22 | |
There is some discolouration there, | 0:05:22 | 0:05:25 | |
so they've tested it. | 0:05:25 | 0:05:27 | |
I think it probably is silver. | 0:05:27 | 0:05:30 | |
The snuff box and the ornament, which I think is a ring holder, | 0:05:30 | 0:05:33 | |
would total £50, so Anita's hoping to strike a deal. | 0:05:33 | 0:05:36 | |
If I bought both of them, | 0:05:36 | 0:05:39 | |
I would be thinking in the region of... | 0:05:39 | 0:05:43 | |
..£25, £30. | 0:05:45 | 0:05:47 | |
-I think we could manage £30. -You could manage 30, go for 30? | 0:05:48 | 0:05:52 | |
Let's do it, then. | 0:05:52 | 0:05:54 | |
Thank you very much, Glen. | 0:05:54 | 0:05:55 | |
That's £30 for the stylised ring holder and silver snuff box. | 0:05:55 | 0:06:01 | |
Good-oh. | 0:06:01 | 0:06:02 | |
Back with Raj in Halstead now. | 0:06:04 | 0:06:06 | |
He's found himself another option. | 0:06:06 | 0:06:07 | |
I really like this William Russell Flint. | 0:06:07 | 0:06:10 | |
He was a Scottish artist, an illustrator as well. | 0:06:10 | 0:06:13 | |
He had a great life. | 0:06:13 | 0:06:14 | |
He just painted beautiful women, and mostly naked. | 0:06:14 | 0:06:18 | |
I mean, this is quite unusual, because they've got clothes on. | 0:06:18 | 0:06:21 | |
Obviously, his originals are really what you want, | 0:06:21 | 0:06:23 | |
but this is a nice signed print. | 0:06:23 | 0:06:25 | |
I would be interested around the £50 mark region. | 0:06:25 | 0:06:29 | |
Like much of Russell Flint's work, | 0:06:29 | 0:06:31 | |
his watercolour brush technique is superb, | 0:06:31 | 0:06:33 | |
which is why his originals are coveted by collectors. | 0:06:33 | 0:06:36 | |
The ticket price is £115 and Raj wants it for 50, | 0:06:36 | 0:06:41 | |
so he's putting in a call to the off-site dealer. | 0:06:41 | 0:06:43 | |
Stand by. | 0:06:43 | 0:06:44 | |
Hello, Andrea, hello there. | 0:06:44 | 0:06:47 | |
Thank you so much indeed. | 0:06:48 | 0:06:50 | |
That's really kind. | 0:06:50 | 0:06:52 | |
Lovely, thank you very much indeed, Andrea. | 0:06:52 | 0:06:55 | |
Great! Fantastic. | 0:06:55 | 0:06:57 | |
She's agreed to that. | 0:06:57 | 0:06:58 | |
That's £50 for the 1950s William Russell Flint print. | 0:06:58 | 0:07:02 | |
Raj has one more item he'd like to have a go at. | 0:07:02 | 0:07:06 | |
This is a little bit different - it's turned into a bench, | 0:07:06 | 0:07:09 | |
this "Danger Electricity" sign. | 0:07:09 | 0:07:11 | |
I would want to pay £30 for it. | 0:07:11 | 0:07:14 | |
It would make a great garden seat. | 0:07:14 | 0:07:16 | |
It's priced at £85, so what's the best James can do? | 0:07:16 | 0:07:20 | |
50? | 0:07:20 | 0:07:21 | |
I'm prepared to split the difference and I'll pay 40 for it... | 0:07:21 | 0:07:25 | |
HE EXHALES | 0:07:27 | 0:07:28 | |
..which is slightly more than I wanted. | 0:07:28 | 0:07:30 | |
He might be pushing it. | 0:07:32 | 0:07:33 | |
-Yes. -Yes? -Yes. | 0:07:35 | 0:07:37 | |
We have a deal. Thank you very much, James. | 0:07:37 | 0:07:39 | |
Good man. Let's hope it sparks some interest at auction. | 0:07:39 | 0:07:43 | |
So that's £40 for the "Danger Electricity" bench, | 0:07:43 | 0:07:47 | |
£50 for the William Russell Flint print | 0:07:47 | 0:07:50 | |
and £22.50 for the pair of paddles, totalling £112.50. | 0:07:50 | 0:07:56 | |
While Raj has been spending, Anita's headed south to Braintree. | 0:07:59 | 0:08:05 | |
The town is responsible | 0:08:05 | 0:08:06 | |
for producing some of the finest textiles in British history, | 0:08:06 | 0:08:09 | |
favoured by the Royal family for over a century. | 0:08:09 | 0:08:13 | |
To tell Anita more is textile historian and author Mary Schoeser. | 0:08:13 | 0:08:17 | |
Mary, it's lovely to be here. | 0:08:17 | 0:08:20 | |
It's lovely to have you here, Anita. | 0:08:20 | 0:08:21 | |
I love textiles | 0:08:21 | 0:08:23 | |
and I can see all of these wonderful cloths round about me. | 0:08:23 | 0:08:29 | |
By the end of the 19th century, | 0:08:29 | 0:08:30 | |
Essex had become a hub for silk production. | 0:08:30 | 0:08:33 | |
Benjamin Warner, an entrepreneur with a background in textiles, | 0:08:33 | 0:08:36 | |
took over this Braintree mill in 1895. | 0:08:36 | 0:08:39 | |
At the time, it was one of Britain's largest mills for hand-woven silk. | 0:08:39 | 0:08:44 | |
The contents of these drawers reveal | 0:08:44 | 0:08:46 | |
over 100 years of ever-changing fashion and style, | 0:08:46 | 0:08:49 | |
showing the fabric of British history. | 0:08:49 | 0:08:52 | |
That's a lovely line. | 0:08:52 | 0:08:54 | |
These early silks are so exquisite | 0:08:54 | 0:08:59 | |
and they must have been so expensive to make. | 0:08:59 | 0:09:02 | |
Who were the people who were wearing these things? | 0:09:02 | 0:09:06 | |
Well, they were the wealthiest of all people | 0:09:06 | 0:09:09 | |
because silk is the most expensive fibre. | 0:09:09 | 0:09:12 | |
And so, of course, many of the clients were aristocrats | 0:09:12 | 0:09:15 | |
and members of the royalty. | 0:09:15 | 0:09:17 | |
Warners have dressed and furnished royal households for generations. | 0:09:18 | 0:09:23 | |
Samples of these priceless cloths make up just part of this collection | 0:09:23 | 0:09:27 | |
of 100,000 items. | 0:09:27 | 0:09:30 | |
Mary, isn't that the most magnificent piece of fabric? | 0:09:30 | 0:09:35 | |
That gold is glowing, it's so wonderful. | 0:09:35 | 0:09:40 | |
Well, it is very special indeed. | 0:09:40 | 0:09:42 | |
We know that the pattern was used at Queen Victoria's coronation | 0:09:42 | 0:09:46 | |
and this is cloth of gold, | 0:09:46 | 0:09:50 | |
woven for the coronation of Edward VII | 0:09:50 | 0:09:55 | |
and it is gold thread woven into the cloth. | 0:09:55 | 0:09:58 | |
That is amazing. | 0:09:58 | 0:10:00 | |
In 1911, Warners were called on again to weave their magic | 0:10:01 | 0:10:05 | |
for the coronation of King Edward's son and daughter-in-law, | 0:10:05 | 0:10:08 | |
who were to become King George V and Queen Mary. | 0:10:08 | 0:10:12 | |
This is one of two hand-woven, hand-brocaded cloths made in 1911 | 0:10:12 | 0:10:18 | |
for Queen Mary's coronation trousseau. | 0:10:18 | 0:10:21 | |
There was a close relationship between Princess May, | 0:10:21 | 0:10:24 | |
as she was called, prior to being crowned. | 0:10:24 | 0:10:28 | |
Her wedding cloth, most famously, was woven by Warners. | 0:10:28 | 0:10:32 | |
I think of Princess May as the first People's Princess. | 0:10:32 | 0:10:36 | |
She was the first, as far as I know, | 0:10:36 | 0:10:39 | |
to actually come inside a factory and stand next to a worker | 0:10:39 | 0:10:44 | |
with his coat off, you know, | 0:10:44 | 0:10:47 | |
and witness real work. | 0:10:47 | 0:10:50 | |
That must have been a huge thing at that time, | 0:10:50 | 0:10:54 | |
-because royalty just didn't pop down to their local factory! -No, no. | 0:10:54 | 0:11:00 | |
Princess Mary was a big supporter of British industry, | 0:11:00 | 0:11:03 | |
promoting the high-quality designs of English hand-woven silk, | 0:11:03 | 0:11:06 | |
a tradition that has continued through the Royal family to today. | 0:11:06 | 0:11:10 | |
This one is very special. | 0:11:13 | 0:11:16 | |
It's a hand-woven velvet. | 0:11:16 | 0:11:18 | |
Oh, so beautiful. | 0:11:18 | 0:11:22 | |
I can almost taste that. | 0:11:22 | 0:11:24 | |
What would this have been used for? | 0:11:24 | 0:11:26 | |
Well, this was used for the chairs of estate at the coronation | 0:11:26 | 0:11:29 | |
of George V and Queen Mary. | 0:11:29 | 0:11:31 | |
It is based on a 17th-century Genovese velvet design, | 0:11:31 | 0:11:36 | |
but this was one of the cloths that... | 0:11:36 | 0:11:38 | |
Warners, really, by this time, | 0:11:38 | 0:11:40 | |
were the only hand weavers who could produce it. | 0:11:40 | 0:11:43 | |
Very, very special. Very special. | 0:11:43 | 0:11:45 | |
-That is not just a piece of fabric, that is a work of art. -It is. | 0:11:45 | 0:11:49 | |
It is. It's a piece of history. | 0:11:49 | 0:11:52 | |
The archive holds 25,000 swatches, | 0:11:52 | 0:11:55 | |
recording which weavers made them and when. | 0:11:55 | 0:11:58 | |
Even though the mill shut in 1971, | 0:11:58 | 0:12:01 | |
some of Warners' classic designs are back in production today. | 0:12:01 | 0:12:05 | |
And this is taken from the original from the 1930s. | 0:12:05 | 0:12:10 | |
Oh, that's fab. | 0:12:10 | 0:12:11 | |
And I thought you would love that. | 0:12:11 | 0:12:13 | |
-I think I'll try it on. -I think you should. | 0:12:13 | 0:12:15 | |
-Shall I? -I think you should. | 0:12:15 | 0:12:17 | |
-Oh, there we go. -What do you think? | 0:12:19 | 0:12:21 | |
It really is perfect. | 0:12:21 | 0:12:23 | |
Warners' success not only lives on through this magnificent archive, | 0:12:23 | 0:12:27 | |
but their designs are still being used by high-end companies | 0:12:27 | 0:12:30 | |
across the world, showing that this great British business | 0:12:30 | 0:12:33 | |
will not be forgotten. | 0:12:33 | 0:12:34 | |
Raj, meanwhile, has got weaving his way north across the border | 0:12:40 | 0:12:44 | |
into Suffolk, to the magnificent medieval market town of Clare, | 0:12:44 | 0:12:48 | |
and to Market Hill Antiques, headed up by Robin. | 0:12:48 | 0:12:51 | |
-Hello, there. -Good afternoon. -Robin, isn't it? | 0:12:51 | 0:12:54 | |
-That's correct. -I'm Raj. -OK, Raj. | 0:12:54 | 0:12:56 | |
You've got some lovely little things I can see already. | 0:12:56 | 0:12:58 | |
My eyes are starting to sparkle. | 0:12:58 | 0:13:00 | |
-Have a good look. -I will do. | 0:13:00 | 0:13:01 | |
Raj still has over £300 in his wallet. | 0:13:01 | 0:13:05 | |
So get it dusted off. | 0:13:05 | 0:13:07 | |
The buttons - they're interesting. | 0:13:08 | 0:13:10 | |
I've got 175 on them. | 0:13:10 | 0:13:12 | |
That is probably a bit much for auction. | 0:13:12 | 0:13:14 | |
They've got ridged design on, which dates them to circa 1900. | 0:13:14 | 0:13:17 | |
They are silver. They've been tested. | 0:13:17 | 0:13:19 | |
But they're in the original retailers' box, | 0:13:19 | 0:13:22 | |
which is West & Sons of Dublin. | 0:13:22 | 0:13:23 | |
Not only are these a nice set of Art Nouveau silver buttons, | 0:13:23 | 0:13:27 | |
they're Irish, and they're in their original box. | 0:13:27 | 0:13:29 | |
There's got to be a profit in these. | 0:13:29 | 0:13:32 | |
I would pay you £50 for those. | 0:13:32 | 0:13:34 | |
You would pay that for them? | 0:13:34 | 0:13:35 | |
-They're yours then, Sir. -Brilliant. | 0:13:35 | 0:13:37 | |
-We have a deal. -Thank you. | 0:13:37 | 0:13:40 | |
A generous discount at £50 for the set of Art Nouveau buttons. | 0:13:40 | 0:13:43 | |
On that note, it's time to button up and call it a night. | 0:13:43 | 0:13:47 | |
So, nighty-night. | 0:13:47 | 0:13:49 | |
Good morning, antiquers! | 0:13:52 | 0:13:54 | |
And what a beautiful day it is. | 0:13:54 | 0:13:56 | |
Today's shopping spree kicks off in the town of Otford, | 0:13:56 | 0:13:59 | |
where the chance to shop side by side awaits | 0:13:59 | 0:14:01 | |
and that usually means trouble. | 0:14:01 | 0:14:03 | |
Well, we've both got money, | 0:14:03 | 0:14:05 | |
-let's go shopping. -RAJ CHUCKLES | 0:14:05 | 0:14:08 | |
And helping Anita and Raj today are Barry and Alan. | 0:14:08 | 0:14:12 | |
Here we are. | 0:14:12 | 0:14:13 | |
Hello, hello. | 0:14:13 | 0:14:14 | |
-Hi. -Morning. | 0:14:14 | 0:14:16 | |
-How are you? -How are you, all right? | 0:14:16 | 0:14:19 | |
I'm Raj, nice meet you. | 0:14:19 | 0:14:21 | |
There's stock from over 30 different dealers packed in here, | 0:14:21 | 0:14:24 | |
so Raj heads upstairs, | 0:14:24 | 0:14:26 | |
while Anita, who has just over £400 to splash about, | 0:14:26 | 0:14:30 | |
tours the ground floor. | 0:14:30 | 0:14:32 | |
After a quick whizz around, though, | 0:14:32 | 0:14:34 | |
she's spotted a potential gem in the window. | 0:14:34 | 0:14:37 | |
People say that brown furniture is not popular just now. | 0:14:37 | 0:14:41 | |
But small pieces of furniture are still popular. | 0:14:41 | 0:14:45 | |
And this is a lovely, wee, functional thing | 0:14:45 | 0:14:49 | |
that you can keep your favourite books in. | 0:14:49 | 0:14:52 | |
Victorian, mahogany, | 0:14:52 | 0:14:56 | |
and it has this rather nice carved detail here. | 0:14:56 | 0:15:00 | |
I like that, and I'm going to have a go at it. | 0:15:00 | 0:15:04 | |
So, Barry's putting it to one side while the search continues. | 0:15:04 | 0:15:08 | |
Anything else, old girl? | 0:15:08 | 0:15:09 | |
Less of the old, no? | 0:15:09 | 0:15:11 | |
There's some lovely 20th-century items in here. | 0:15:11 | 0:15:15 | |
Some lovely Whitefriars here, some Daum glass, | 0:15:15 | 0:15:19 | |
and a piece of Troika. | 0:15:19 | 0:15:21 | |
Troika pottery was only made for a short period and this wheel vase, | 0:15:21 | 0:15:26 | |
so-called as it's round, | 0:15:26 | 0:15:28 | |
looks to have been made by Louise Jinks, | 0:15:28 | 0:15:31 | |
who worked at Troika between 1976 and 1981. | 0:15:31 | 0:15:35 | |
I like it very, very much. I love the modernist design. | 0:15:36 | 0:15:41 | |
I love the fact that it was made by an artist. | 0:15:41 | 0:15:44 | |
It's priced at £145, and another option | 0:15:44 | 0:15:48 | |
to go with her miniature mahogany bookcase, perhaps. | 0:15:48 | 0:15:51 | |
Let's see what Barry can do. | 0:15:51 | 0:15:53 | |
I think that's a nice wee thing. | 0:15:53 | 0:15:55 | |
-It's priced at £38, Barry. -OK. -But there's a wee damage here. | 0:15:55 | 0:15:59 | |
A little bit of the moulding missing. | 0:15:59 | 0:16:01 | |
-Right. -I was wondering if there was a possibility | 0:16:01 | 0:16:04 | |
of getting it nearer £20? | 0:16:04 | 0:16:06 | |
-Oh, my goodness! -Is that too big a discount? | 0:16:06 | 0:16:09 | |
I would've thought it probably is. | 0:16:09 | 0:16:12 | |
So, Barry's going to let Anita talk to the dealer herself. | 0:16:12 | 0:16:15 | |
I've fancied that nice wee, um, kind of miniature bookcase. | 0:16:15 | 0:16:20 | |
I was wanting to pay round about £20 for it, | 0:16:20 | 0:16:24 | |
but, um, Barry was saying that was a wee bit too much. | 0:16:24 | 0:16:28 | |
25 would be absolutely wonderful. | 0:16:28 | 0:16:31 | |
Thank you, Jackie. | 0:16:31 | 0:16:33 | |
Right. Bye-bye. | 0:16:33 | 0:16:35 | |
-25, Barry. -Lovely! | 0:16:35 | 0:16:36 | |
If you don't ask, you don't get and Anita's not done yet. | 0:16:36 | 0:16:39 | |
Barry's on the phone to dealer Andrew, | 0:16:39 | 0:16:42 | |
to find out about the Troika vase. | 0:16:42 | 0:16:44 | |
Hello, Andrew. | 0:16:44 | 0:16:46 | |
I fancied the little wheel vase. | 0:16:46 | 0:16:48 | |
Now, you've got 145 on it. | 0:16:48 | 0:16:52 | |
SHE LAUGHS | 0:16:52 | 0:16:55 | |
I love you, too. | 0:16:55 | 0:16:57 | |
What's the very best that you can do, Andrew? | 0:16:57 | 0:17:00 | |
Aw, thank you so much. That's absolutely fabulous. | 0:17:02 | 0:17:06 | |
OK, bye-bye. | 0:17:06 | 0:17:07 | |
So, 90 for that. He's come down for us. | 0:17:07 | 0:17:10 | |
That's terrific. | 0:17:10 | 0:17:12 | |
So, that's £115 all in, including the mahogany bookcase. | 0:17:12 | 0:17:16 | |
Gosh! | 0:17:16 | 0:17:17 | |
-See you next time. Bye-bye! -Thank you, bye-bye. | 0:17:17 | 0:17:20 | |
While Anita heads off, Raj still has over £265 weighing him down. | 0:17:22 | 0:17:28 | |
Hello... | 0:17:28 | 0:17:29 | |
I really like the look of this... | 0:17:29 | 0:17:32 | |
That's a lovely piece of glass. | 0:17:32 | 0:17:34 | |
Yeah, it's lovely. | 0:17:34 | 0:17:36 | |
It's absolutely lovely. | 0:17:36 | 0:17:37 | |
These kind of items sell really, really well | 0:17:37 | 0:17:40 | |
and there are a lot of collectors for them. | 0:17:40 | 0:17:42 | |
This is in really good condition. | 0:17:42 | 0:17:44 | |
Rene Lalique originally worked in jewellery but is now synonymous | 0:17:44 | 0:17:47 | |
worldwide with exquisite glass design, | 0:17:47 | 0:17:50 | |
which he began to do in the late-19th century. | 0:17:50 | 0:17:52 | |
This shell bowl dates from the 1930s. | 0:17:52 | 0:17:55 | |
Any idea what you think we could possibly get it for? | 0:17:55 | 0:17:59 | |
Er... | 0:17:59 | 0:18:01 | |
I've got 275. | 0:18:03 | 0:18:04 | |
It's on 10%. | 0:18:04 | 0:18:06 | |
I'd happily pay 150 for it. | 0:18:06 | 0:18:08 | |
I don't think he would take that. | 0:18:08 | 0:18:10 | |
But Alan's going to get the dealer on the phone for Raj | 0:18:10 | 0:18:13 | |
to see what he can do. | 0:18:13 | 0:18:14 | |
Hello, Andrew? | 0:18:14 | 0:18:16 | |
Uh-huh. I mean, for me, it's going to be about 150, 160. | 0:18:17 | 0:18:22 | |
Yes, I'm going to take a chance. Yes, I like it. | 0:18:23 | 0:18:26 | |
I like it, yeah. I will definitely take it for 165, yes. | 0:18:26 | 0:18:30 | |
Sounds like a deal. That's £165 for the Lalique shell bowl. | 0:18:30 | 0:18:35 | |
Well done. | 0:18:35 | 0:18:36 | |
And brave, too. | 0:18:36 | 0:18:37 | |
In the meantime, Anita's crossed the border into Surrey, | 0:18:38 | 0:18:41 | |
to the village of Godstone. | 0:18:41 | 0:18:43 | |
Anita's here to try her luck at Godstone Emporium, run by Jacqui. | 0:18:43 | 0:18:48 | |
-Ooh! -Hi, girls! -Hi! | 0:18:48 | 0:18:50 | |
-I'm Anita. -Lovely to meet you. | 0:18:50 | 0:18:52 | |
Oh, it's great to be here, it's great to be here. | 0:18:52 | 0:18:55 | |
-This looks lovely. -There's lots of treasures here to be found. | 0:18:55 | 0:18:59 | |
That's what we like to hear. So, what will Anita hunt out first? | 0:18:59 | 0:19:03 | |
-Scotch Corner! -BAGPIPES ON SOUNDTRACK | 0:19:08 | 0:19:11 | |
I wonder if they knew I was coming. | 0:19:11 | 0:19:13 | |
There is a selection here. | 0:19:15 | 0:19:17 | |
And I think, today, I would like to buy some agate jewellery. | 0:19:17 | 0:19:22 | |
We have the wonderful autumn colours here. | 0:19:22 | 0:19:24 | |
But I like this one, as well. | 0:19:24 | 0:19:28 | |
This is mounted in silver. | 0:19:28 | 0:19:33 | |
Let's have a look at the hallmark. | 0:19:33 | 0:19:35 | |
That's a Glasgow hallmark. I've got to buy that. | 0:19:38 | 0:19:41 | |
This central stone is called a Cairngorm. | 0:19:42 | 0:19:46 | |
And it has the colour and hues | 0:19:46 | 0:19:49 | |
of the peaty streams, or burns, of Scotland. | 0:19:49 | 0:19:54 | |
Around the outside, we have these citrines. | 0:19:54 | 0:20:01 | |
And the silver mount is engraved with leaves and flowers. | 0:20:01 | 0:20:07 | |
And it's quite a beautiful thing. | 0:20:07 | 0:20:10 | |
So, if I pick out another two of them... | 0:20:10 | 0:20:14 | |
..I might be able to get a deal with the dealer. | 0:20:17 | 0:20:20 | |
So, it's back to Jacqui, to see what she can do. | 0:20:20 | 0:20:23 | |
Jacqui... | 0:20:23 | 0:20:24 | |
-Hello. -I've found three little brooches. | 0:20:24 | 0:20:27 | |
Well, let's have a look at the prices. | 0:20:27 | 0:20:30 | |
58. 38. | 0:20:30 | 0:20:32 | |
And 55. | 0:20:32 | 0:20:34 | |
151. | 0:20:34 | 0:20:36 | |
The brooches belong to dealer Maria, who happens to be here today. | 0:20:36 | 0:20:41 | |
Could you come anywhere near £100 for the three of them? | 0:20:41 | 0:20:46 | |
-Not that low, no. -Not that low? What's the best you can do, Maria? | 0:20:46 | 0:20:51 | |
-120. -Is that the very, very, very best you can do on it? -Yeah. | 0:20:51 | 0:20:58 | |
OK, let's go for that. | 0:20:58 | 0:21:01 | |
-Thank you very much. -Thanks very much. | 0:21:01 | 0:21:03 | |
She may be over 400 miles from home, | 0:21:03 | 0:21:05 | |
but Anita's bought three Scottish brooches for £120. | 0:21:05 | 0:21:10 | |
-OK, that's lovely. Thank you very much. -Thank you. -Bye. | 0:21:10 | 0:21:14 | |
And with that, shopping's done. | 0:21:14 | 0:21:16 | |
Let's have a gander at their purchases. | 0:21:16 | 0:21:20 | |
Along with the three brooches, Anita found an enamel snuffbox, | 0:21:20 | 0:21:24 | |
a stylised antelope ring stand, | 0:21:24 | 0:21:26 | |
a miniature mahogany bookcase, and a Troika wheel vase, | 0:21:26 | 0:21:31 | |
all for £265. | 0:21:31 | 0:21:34 | |
Raj splashed £327.50 on two wooden paddles, | 0:21:34 | 0:21:39 | |
a William Russell Flint print, a "Danger Electricity" bench, | 0:21:39 | 0:21:43 | |
a set of Art Nouveau buttons, and a Lalique shell bowl. | 0:21:43 | 0:21:46 | |
Thoughts, anyone? | 0:21:46 | 0:21:49 | |
The Troika wheel vase. This is a really lovely item. | 0:21:49 | 0:21:52 | |
There are a lot of collectors of Troika. | 0:21:52 | 0:21:54 | |
It's going up in value all the time. | 0:21:54 | 0:21:56 | |
I love that Coquilles Lalique bowl. That was an item of quality. | 0:21:56 | 0:22:03 | |
Should make a profit. | 0:22:03 | 0:22:06 | |
After hitting the road from Halstead, Essex, | 0:22:06 | 0:22:08 | |
and two successful shopping days, | 0:22:08 | 0:22:09 | |
Anita and Raj are now on the approach to their third auction | 0:22:09 | 0:22:13 | |
back in Essex again - in Rayleigh. | 0:22:13 | 0:22:16 | |
Our experts' last stop of this leg | 0:22:16 | 0:22:18 | |
is at family-run Stacey's Auctioneers. | 0:22:18 | 0:22:22 | |
Here we are, Raj. | 0:22:22 | 0:22:24 | |
Well, here we go. I'm looking forward to this one. | 0:22:24 | 0:22:27 | |
You never know. | 0:22:27 | 0:22:29 | |
Paul Stacey is in charge of the rostrum today. | 0:22:29 | 0:22:32 | |
Star items for me - | 0:22:32 | 0:22:34 | |
the Lalique bowl, I think, will do very well, | 0:22:34 | 0:22:36 | |
because it's an early piece of Lalique. | 0:22:36 | 0:22:37 | |
Made during the '40s, so I think that'll do well. | 0:22:37 | 0:22:40 | |
The silver brooches, they're hallmarked, Scottish. | 0:22:40 | 0:22:42 | |
I think they're going to do quite well, they're in good condition. | 0:22:42 | 0:22:45 | |
Hang on to your hats, it's time to see what the Essex auction-goers | 0:22:45 | 0:22:49 | |
and phone and internet bidders think. | 0:22:49 | 0:22:51 | |
-RAJ LAUGHS -Well, here we are. -Yeah! | 0:22:53 | 0:22:56 | |
First up is Anita's enamel snuffbox. | 0:22:57 | 0:23:00 | |
Shall we say about £10 to start? Got to be worth that, surely? | 0:23:00 | 0:23:04 | |
10 is bid. 12 now, 14. Advance on 14, if you want it. | 0:23:04 | 0:23:07 | |
-And 16 I've got. -In profit, in profit. | 0:23:07 | 0:23:11 | |
At £16 now. Any advances? 18. Thank you. 20. | 0:23:11 | 0:23:14 | |
22. 25 on the internet now. | 0:23:14 | 0:23:16 | |
-SHE GASPS, DROWNS HIM OUT -Yes! -You're out in the room. | 0:23:16 | 0:23:19 | |
An internet bid at £25, then, | 0:23:19 | 0:23:23 | |
-£25. -Yes! -Brilliant. | 0:23:23 | 0:23:24 | |
Brilliant. She starts as she'd like to go on, doubling her money. | 0:23:24 | 0:23:27 | |
-That's a very, very good start. Well done. -Thank you, darling. | 0:23:27 | 0:23:30 | |
THEY LAUGH | 0:23:30 | 0:23:32 | |
Over to Raj now, with his two paddles. | 0:23:33 | 0:23:36 | |
Shall we say £10 to start? | 0:23:36 | 0:23:38 | |
-10 I've got, thank you, sir. 12 now is bid. -Oh, no! | 0:23:38 | 0:23:41 | |
-Against you. 14. 16. -These will probably go for about 100 quid! | 0:23:41 | 0:23:44 | |
£18, 20 now with you. 22. 25. 28 now we have. | 0:23:44 | 0:23:49 | |
Gentleman standing at 28 and we have now internet action. | 0:23:49 | 0:23:52 | |
-Oh, no! -30. | 0:23:52 | 0:23:54 | |
There we go. 32 now. Back in the room. | 0:23:54 | 0:23:56 | |
35, £40 now, all on the internet. There we are. | 0:23:56 | 0:24:00 | |
Are we all done? I'm about to sell at £40, then. | 0:24:00 | 0:24:03 | |
GAVEL BANGS | 0:24:03 | 0:24:04 | |
And a decent profit to start for Raj. | 0:24:04 | 0:24:07 | |
I should start to get worried now. | 0:24:07 | 0:24:11 | |
We're back with Anita now, for the antelope ring stand thingamajig. | 0:24:11 | 0:24:14 | |
£20 to start, surely. £20 we've got, straight in. Thank you, sir. | 0:24:14 | 0:24:18 | |
20 is bid. 22. 25. 28. | 0:24:18 | 0:24:21 | |
-30. -Yes! -32, 35. 38. | 0:24:21 | 0:24:25 | |
At 38 now, 42 is bid online. | 0:24:25 | 0:24:27 | |
-You're out in the room. -I'm in trouble. -At 42, then. | 0:24:27 | 0:24:30 | |
An online bid at £42, then. | 0:24:30 | 0:24:33 | |
-GAVEL BANGS -Yes! -Brilliant. Well done. | 0:24:33 | 0:24:35 | |
Anita's made another healthy profit. | 0:24:35 | 0:24:38 | |
-Are you panicking? -I am! -Are you worried? Are you worried? | 0:24:38 | 0:24:40 | |
-Nah. Not me, not me, no. -SHE LAUGHS | 0:24:40 | 0:24:43 | |
Well, we'll see if he should be | 0:24:43 | 0:24:45 | |
as it's Raj's turn now with the Art Nouveau buttons. | 0:24:45 | 0:24:48 | |
Shall we say about £30 to start, surely? | 0:24:48 | 0:24:50 | |
-30 I've got. 32. 35. 38. 40. -Come on! -Come on, come on! | 0:24:50 | 0:24:55 | |
45. 48. 50, 5. 60, 5. | 0:24:55 | 0:25:01 | |
-70, -5. Oh, profit! -80. -Profit! | 0:25:01 | 0:25:05 | |
-85. 90... -Yes! -In a fresh place at the far back of the room now. -Yeah. | 0:25:05 | 0:25:10 | |
Are you still with me? 95. Thank you. | 0:25:10 | 0:25:12 | |
-Yes! -Come on! -100, round it up. | 0:25:12 | 0:25:13 | |
-110, if you like? -Yes! -No more. -Yes! | 0:25:13 | 0:25:16 | |
£110 is now bid. | 0:25:16 | 0:25:18 | |
For the last time, the hammer's up, I'm selling at £110, then. | 0:25:18 | 0:25:22 | |
-GAVEL BANGS -Yes. -Yes! -Aw, gimme a kiss! | 0:25:22 | 0:25:26 | |
Well played, sir. Raj has more than doubled his money. | 0:25:26 | 0:25:30 | |
My heart was beating, boom-boom, boom-boom! I should be worried! | 0:25:30 | 0:25:36 | |
He is catching up, but it's Anita's Troika vase next. | 0:25:36 | 0:25:39 | |
Commission bid at 55, advance on that if you want it. | 0:25:39 | 0:25:42 | |
-Oh, no! -At 55. £60. 65. 70 in the room now with you, sir. | 0:25:42 | 0:25:48 | |
Commissions are out. Are we all done? | 0:25:48 | 0:25:50 | |
-For the last time, the hammer's up. -Oh, no! -I'm selling at £70. | 0:25:50 | 0:25:54 | |
GAVEL BANGS That's a blow for Anita. What a job. | 0:25:54 | 0:25:57 | |
-Aw! -A little loss. -Just a wee loss. | 0:25:57 | 0:26:00 | |
We're back with Raj now for the William Russell Flint print. | 0:26:00 | 0:26:04 | |
£60 anywhere? | 0:26:04 | 0:26:06 | |
-£60 I've got, on the telephone. -Oh, no! -65 online against you. | 0:26:06 | 0:26:11 | |
-ANITA LAUGHS -£70. | 0:26:11 | 0:26:13 | |
75. 80. 85. | 0:26:13 | 0:26:18 | |
-90 now. On the telephone at £90. Any advance now? -Bit more. Bit more. | 0:26:18 | 0:26:23 | |
-I'm about to sell at £90, then. -GAVEL BANGS | 0:26:23 | 0:26:26 | |
Another great profit for Raj. | 0:26:26 | 0:26:29 | |
Next, it's Anita's priciest purchase, | 0:26:29 | 0:26:32 | |
the three Scottish brooches. | 0:26:32 | 0:26:34 | |
40 anywhere, nice brooches at 40, surely? | 0:26:34 | 0:26:37 | |
-40 I've got, thank you. -Oh, yes! | 0:26:37 | 0:26:39 | |
40 is bid on the telephone. 42 online, against you. | 0:26:39 | 0:26:43 | |
45. 48. | 0:26:43 | 0:26:46 | |
50 on the telephone now. | 0:26:46 | 0:26:48 | |
-55, back online. -Yes, come on! | 0:26:48 | 0:26:51 | |
60 on the telephone, thank you. | 0:26:51 | 0:26:53 | |
65. | 0:26:53 | 0:26:55 | |
70. | 0:26:55 | 0:26:56 | |
Back on the telephone. | 0:26:56 | 0:26:58 | |
75 online. | 0:26:58 | 0:27:00 | |
£80 now, still on the telephone, 85. | 0:27:00 | 0:27:03 | |
90 now, still on the telephone. | 0:27:03 | 0:27:06 | |
95. | 0:27:06 | 0:27:07 | |
-No. -Aww. -At 95 is bid. | 0:27:07 | 0:27:11 | |
At £95, then. | 0:27:11 | 0:27:13 | |
Ouch! That's a second loss for Anita. | 0:27:13 | 0:27:16 | |
Sell them in Scotland, girl. | 0:27:16 | 0:27:17 | |
That could have been a lot worse, darling. | 0:27:17 | 0:27:20 | |
Yeah! | 0:27:20 | 0:27:22 | |
Don't hold back. | 0:27:22 | 0:27:24 | |
Raj's "Danger Electricity" bench is up next. | 0:27:24 | 0:27:26 | |
£30 anywhere? | 0:27:26 | 0:27:28 | |
£20? | 0:27:28 | 0:27:30 | |
Ah, there we are, some internet activity! | 0:27:30 | 0:27:32 | |
-£20 is offered. -Thank God for that! -At £22. | 0:27:32 | 0:27:36 | |
25 now. | 0:27:36 | 0:27:39 | |
It's all online. 28. Here we go. | 0:27:39 | 0:27:40 | |
At 30, 32. | 0:27:40 | 0:27:42 | |
Last opportunity. Last opportunity at 32, then. | 0:27:42 | 0:27:45 | |
Unfortunately, no-one was on Raj's wavelength with that one. | 0:27:46 | 0:27:50 | |
My heart BLEEDS for you. | 0:27:50 | 0:27:54 | |
Said with feeling, as well! | 0:27:54 | 0:27:55 | |
It's now Anita's final lot, the miniature mahogany bookcase. | 0:27:57 | 0:28:00 | |
Commission bids. | 0:28:00 | 0:28:02 | |
-Commission bids! -Cleared at £50. | 0:28:02 | 0:28:04 | |
-Straight in, there you go! -Come on! | 0:28:04 | 0:28:07 | |
55 is the bid. | 0:28:07 | 0:28:08 | |
Any advances now? | 0:28:08 | 0:28:10 | |
£60. 65. | 0:28:10 | 0:28:13 | |
-70. -Yes, yes! | 0:28:13 | 0:28:15 | |
At 70, on the telephone, this bid. | 0:28:15 | 0:28:17 | |
A telephone bid at £70, then. | 0:28:17 | 0:28:20 | |
-Yes! -£70. -There you go. | 0:28:20 | 0:28:22 | |
Almost tripled her money. Go, girl! | 0:28:22 | 0:28:25 | |
Is that 300% profit? | 0:28:25 | 0:28:27 | |
Not quite, but not far off. It all comes down to Raj's final lot. | 0:28:30 | 0:28:34 | |
It's his gamble buy, will it pay off? | 0:28:34 | 0:28:37 | |
Quite a bit of interest in this, ladies and gentlemen. | 0:28:37 | 0:28:39 | |
-Good luck, darling. -I must start the bidding here with me at £100, then. | 0:28:39 | 0:28:43 | |
Let's advance on 100. | 0:28:43 | 0:28:45 | |
-That's not right. -At £100, 120. | 0:28:45 | 0:28:48 | |
All on the internet at the moment. | 0:28:48 | 0:28:49 | |
160 now. | 0:28:49 | 0:28:51 | |
170 is a commission bid. | 0:28:51 | 0:28:53 | |
Against you, 180. | 0:28:53 | 0:28:55 | |
-190 now, still with me. -Come on, more! | 0:28:55 | 0:28:57 | |
200. 220 is bid. | 0:28:57 | 0:28:59 | |
230 now. | 0:28:59 | 0:29:01 | |
240, 250. | 0:29:01 | 0:29:02 | |
260 now is bid. | 0:29:02 | 0:29:04 | |
260! | 0:29:04 | 0:29:06 | |
At £260 is the bid, then. | 0:29:06 | 0:29:09 | |
Last opportunity now. | 0:29:09 | 0:29:10 | |
I'm about to sell at £260, then. | 0:29:10 | 0:29:14 | |
-That was wonderful! -260! -Congratulations. | 0:29:15 | 0:29:18 | |
An amazing profit for Raj. | 0:29:18 | 0:29:21 | |
-WHAT an auction! -I need a cup of tea. -Come on, let's go. | 0:29:21 | 0:29:25 | |
Let's do the maths. Anita began this leg with £431.48. | 0:29:26 | 0:29:31 | |
After auction costs, she is down £17.36, | 0:29:31 | 0:29:35 | |
leaving her with £414.12. | 0:29:35 | 0:29:38 | |
Raj set off with £428.24 | 0:29:39 | 0:29:43 | |
and, post costs, | 0:29:43 | 0:29:46 | |
he is up by a decent £108.74, | 0:29:46 | 0:29:49 | |
making him the midweek winner with £536.98. | 0:29:49 | 0:29:55 | |
So, congratulations, old bean. | 0:29:55 | 0:29:57 | |
So, with full pockets, we're back on the road with our auctioneers. | 0:29:59 | 0:30:03 | |
This leg's ball starts rolling from Deal in Kent | 0:30:03 | 0:30:07 | |
and lands them at auction in Battle, in East Sussex. | 0:30:07 | 0:30:09 | |
The auction is very near the coast, | 0:30:09 | 0:30:11 | |
so anything connected to the sea... | 0:30:11 | 0:30:14 | |
..would be a good idea. | 0:30:15 | 0:30:17 | |
And Battle, of course, is the site of the Battle of Hastings. | 0:30:17 | 0:30:20 | |
-Is it really? -So, anything that's historical... | 0:30:20 | 0:30:24 | |
So, forget about the wee brooches? | 0:30:24 | 0:30:27 | |
Forget the wee brooches, forget the Troika vases... | 0:30:27 | 0:30:30 | |
-SHE LAUGHS -Let's get a suit of armour... | 0:30:30 | 0:30:33 | |
-Yes! -..and go to battle. | 0:30:33 | 0:30:34 | |
Yes! | 0:30:34 | 0:30:35 | |
But before battle commences, Raj's first stop | 0:30:36 | 0:30:39 | |
is the picture-perfect seaside town of Deal in Kent, | 0:30:39 | 0:30:42 | |
home to a spectacular seafront and some great shopping. | 0:30:42 | 0:30:45 | |
Well, Raj, isn't that bonny? | 0:30:45 | 0:30:48 | |
Oh, that... That is beautiful. | 0:30:48 | 0:30:50 | |
Beautiful, I love the sea. | 0:30:50 | 0:30:52 | |
And remember, spend a couple of bob. | 0:30:52 | 0:30:55 | |
I will. | 0:30:55 | 0:30:56 | |
-Bye! -Bye. | 0:30:56 | 0:30:58 | |
Holding the fort at family-run Full House Emporium today | 0:31:00 | 0:31:04 | |
is owner Mick Davies. | 0:31:04 | 0:31:06 | |
-Hello, there. -Hello, there. -I'm Raj. -I'm Mick. | 0:31:06 | 0:31:09 | |
-Nice to meet you, Mick. -Nice to meet you, too. | 0:31:09 | 0:31:11 | |
A lovely, sunny day. Lots of bargains for me? | 0:31:11 | 0:31:13 | |
-We hope so. -I hope so, too. | 0:31:13 | 0:31:16 | |
With an eclectic mix of antiques, vintage and curios, | 0:31:16 | 0:31:19 | |
Raj shouldn't have too much trouble. | 0:31:19 | 0:31:21 | |
But Mick has something he thinks may be of interest to Raj. | 0:31:24 | 0:31:27 | |
Shotgun cleaning kit. | 0:31:27 | 0:31:29 | |
I mean, we know it's not in its original box, | 0:31:29 | 0:31:31 | |
but it's quite nice with all these cleaning rods, isn't it? | 0:31:31 | 0:31:34 | |
Various sizes, as well. | 0:31:34 | 0:31:36 | |
I presume some are for 14, some are for 12 bores... | 0:31:36 | 0:31:38 | |
We've got various paraphernalia... | 0:31:38 | 0:31:41 | |
Pull throughs, brushes, | 0:31:41 | 0:31:44 | |
powder. | 0:31:44 | 0:31:45 | |
You've got ten rods there. | 0:31:45 | 0:31:48 | |
And how much could the...? | 0:31:48 | 0:31:49 | |
-Well, I got it, I think, for 45. -Yeah. | 0:31:50 | 0:31:53 | |
I could do that, really, for 20. | 0:31:53 | 0:31:55 | |
15 and we have a deal. | 0:31:55 | 0:31:57 | |
-Yeah. Fine. -Brilliant. Thank you very much indeed. | 0:31:59 | 0:32:01 | |
My first purchase. | 0:32:01 | 0:32:03 | |
And Raj has spotted a potential second. | 0:32:03 | 0:32:06 | |
The Anglepoise lamp. They're quite collectable now. | 0:32:06 | 0:32:08 | |
People convert them. Obviously, this one's working, | 0:32:08 | 0:32:11 | |
but it's got the original... The old light fitting, as well. | 0:32:11 | 0:32:13 | |
I quite like those. | 0:32:13 | 0:32:15 | |
There's no ticket price, so what's it going to be? | 0:32:15 | 0:32:18 | |
50. | 0:32:18 | 0:32:19 | |
30. | 0:32:20 | 0:32:22 | |
40. | 0:32:22 | 0:32:25 | |
-35. -38. | 0:32:25 | 0:32:27 | |
-37. -Ruthless! | 0:32:27 | 0:32:29 | |
We have a deal. £37. | 0:32:29 | 0:32:31 | |
-There we go. -LAUGHING: -Thank you! | 0:32:31 | 0:32:33 | |
Cor, he's driven a hard bargain | 0:32:33 | 0:32:35 | |
but there's no stopping Raj this morning. | 0:32:35 | 0:32:37 | |
Nice silver-plated punchbowl. | 0:32:37 | 0:32:39 | |
Relatively new one. | 0:32:39 | 0:32:41 | |
-It's got the look, though. -It certainly has got the look. | 0:32:41 | 0:32:45 | |
I mean, that's actually got some weight to it, that one. | 0:32:45 | 0:32:47 | |
The ladle has. | 0:32:47 | 0:32:49 | |
It sports a ticket price of £65. | 0:32:49 | 0:32:52 | |
I should think this is a 20th-century one. | 0:32:52 | 0:32:55 | |
It's in good condition, what would be the very, very best on it? | 0:32:55 | 0:32:59 | |
-25. It's been there for a while. -We've got a deal. | 0:32:59 | 0:33:01 | |
-OK. -Thank you very much indeed. | 0:33:01 | 0:33:03 | |
Along with the punchbowl, | 0:33:03 | 0:33:05 | |
he's shelling out £15 for the shotgun cleaning kit | 0:33:05 | 0:33:08 | |
and 37 for the Anglepoise lamp. | 0:33:08 | 0:33:10 | |
£77 all in. | 0:33:10 | 0:33:12 | |
Careful, now. | 0:33:14 | 0:33:15 | |
Meanwhile, Anita has made her way north to Sandwich. | 0:33:19 | 0:33:22 | |
Still in Kent. | 0:33:22 | 0:33:24 | |
She's here for her first shop of the day, which is run by Mandy. | 0:33:24 | 0:33:28 | |
Hi, Mandy! | 0:33:28 | 0:33:29 | |
-Hello! -Hello! -Hi! I'm Anita. | 0:33:29 | 0:33:32 | |
-I'm Mandy. -It's lovely to meet you. | 0:33:32 | 0:33:33 | |
Anita's armed with local boy Raj's shopping tips for auction. | 0:33:33 | 0:33:38 | |
Raj said that items which have to do with the sea | 0:33:38 | 0:33:43 | |
might be good in our next auction | 0:33:43 | 0:33:46 | |
and we have here a pair of port and starboard lamps - | 0:33:46 | 0:33:50 | |
they are older ones. | 0:33:50 | 0:33:52 | |
The ones which will get the best money will be copper ones. | 0:33:52 | 0:33:56 | |
But they are probably 18th century, early 19th century. | 0:33:56 | 0:34:03 | |
There is quite a bit of damage on them. | 0:34:03 | 0:34:05 | |
And the price is...over £100. | 0:34:05 | 0:34:09 | |
Better see what Mandy can do. | 0:34:09 | 0:34:11 | |
Could you come anywhere near £80? | 0:34:11 | 0:34:13 | |
Yes, I'll think about that, Anita. | 0:34:13 | 0:34:15 | |
While Mandy thinks, Anita has something else in mind. | 0:34:15 | 0:34:19 | |
There was another thing that I looked at | 0:34:19 | 0:34:22 | |
and it was this... Oriental piece here. | 0:34:22 | 0:34:26 | |
-They have been making these deities since the beginning of time. -Yes. | 0:34:26 | 0:34:31 | |
And the older ones are really good. | 0:34:31 | 0:34:33 | |
It's the beginning of the 20th century, | 0:34:33 | 0:34:36 | |
not the beginning of the... 7th century. | 0:34:36 | 0:34:39 | |
-ANITA LAUGHS -Yes. | 0:34:39 | 0:34:41 | |
It's priced at £85. | 0:34:41 | 0:34:43 | |
Could that be bought for around 40? | 0:34:43 | 0:34:45 | |
I'm thinking more 55. | 0:34:45 | 0:34:48 | |
-55? -Yes. | 0:34:48 | 0:34:50 | |
-Could you come to 45? -50. | 0:34:50 | 0:34:54 | |
-50? -Yeah. That's the lowest I can go on that. | 0:34:54 | 0:34:57 | |
-50. -I'll have a wee think about that. | 0:34:57 | 0:34:59 | |
-OK, then. -I'm tempted. | 0:34:59 | 0:35:00 | |
-Yeah. -I'm tempted. -MANDY LAUGHS | 0:35:00 | 0:35:02 | |
It's a gamble, as Anita's not an Asian specialist, | 0:35:02 | 0:35:06 | |
but the market for Eastern antiques is buoyant | 0:35:06 | 0:35:09 | |
and depending on the size and age, deities can attract large sums. | 0:35:09 | 0:35:13 | |
It all depends on whether it catches the right eyes at the auction. | 0:35:13 | 0:35:17 | |
Now, that's more like Anita - jewellery. | 0:35:17 | 0:35:20 | |
I rather like garnets. | 0:35:20 | 0:35:22 | |
People call them the poor man's rubies, | 0:35:22 | 0:35:24 | |
but I think they're nice. | 0:35:24 | 0:35:26 | |
I mean, they are a gemstone. Any idea how old these are, Mandy? | 0:35:26 | 0:35:29 | |
-'80s, maybe. -'80s, uh-huh. | 0:35:29 | 0:35:31 | |
-'70s, '80s. -Yeah. | 0:35:31 | 0:35:33 | |
-Because the clasp is quite nice, it's not just a hook. -No. | 0:35:33 | 0:35:37 | |
Yeah, it's a very nice clasp. | 0:35:37 | 0:35:38 | |
That's a five-strand garnet necklace and priced at £18. | 0:35:38 | 0:35:43 | |
-Could they be bought for ten? -The lowest I'd go is 12. | 0:35:43 | 0:35:47 | |
If I... If I paid 12 for these, | 0:35:47 | 0:35:50 | |
could you come in another wee bit on the Buddha? | 0:35:50 | 0:35:53 | |
No, not on the Buddha, no. | 0:35:53 | 0:35:55 | |
62? | 0:35:55 | 0:35:56 | |
Yes. 62. | 0:35:56 | 0:35:58 | |
Can you make it a round 60? | 0:35:58 | 0:36:00 | |
-ANITA LAUGHS -OK, then. | 0:36:00 | 0:36:03 | |
-Is that all right? -£60, yes. | 0:36:03 | 0:36:04 | |
-I don't want you to be unhappy about it. -No, that's fine. | 0:36:04 | 0:36:07 | |
OK, Mandy. That's absolutely terrific. | 0:36:07 | 0:36:09 | |
-You're welcome. -Thank you very, very much. | 0:36:09 | 0:36:11 | |
Good luck at auction. | 0:36:11 | 0:36:12 | |
That's £60 for the bronze deity and the five-strand garnet necklace. | 0:36:12 | 0:36:17 | |
Anita's decided against the ship's lights, | 0:36:17 | 0:36:20 | |
but she's happy with her lots. | 0:36:20 | 0:36:22 | |
Raj, meanwhile, | 0:36:23 | 0:36:24 | |
has headed into the Kent Downs Area of Outstanding Natural Beauty | 0:36:24 | 0:36:29 | |
and to the village of Barham. | 0:36:29 | 0:36:32 | |
Next stop, Stablegate Antiques. | 0:36:32 | 0:36:35 | |
-Hi, there. -Hi, there. | 0:36:35 | 0:36:36 | |
-I'm Raj. -I'm Christian. | 0:36:36 | 0:36:37 | |
-Nice to meet you, Christian. -Nice to meet you. | 0:36:37 | 0:36:39 | |
Based in a 17th-century farmhouse, | 0:36:39 | 0:36:42 | |
these showrooms specialise in Georgian and Victorian furniture | 0:36:42 | 0:36:45 | |
and quality antiques. | 0:36:45 | 0:36:47 | |
Christian, can you point me in the direction | 0:36:47 | 0:36:49 | |
of something that you think isn't too expensive, | 0:36:49 | 0:36:52 | |
that there's going to be a profit in it? | 0:36:52 | 0:36:54 | |
Erm, swords are always good. | 0:36:54 | 0:36:57 | |
Swords are... | 0:36:57 | 0:36:59 | |
-This isn't really a sword, this is a fencing sabre. -Yes. | 0:36:59 | 0:37:03 | |
Well, it comes with the hat. | 0:37:04 | 0:37:05 | |
-It's a nice old one, isn't it? -It is. | 0:37:05 | 0:37:07 | |
-1930s, is it? -Yep. | 0:37:07 | 0:37:10 | |
Made by Wilkinson. | 0:37:10 | 0:37:12 | |
-So it's a good maker. -Mm-hm. | 0:37:12 | 0:37:14 | |
-It is a bit different. -It is. | 0:37:14 | 0:37:16 | |
The ticket price is £175, | 0:37:16 | 0:37:19 | |
but what's the best Christian can offer? | 0:37:19 | 0:37:21 | |
Uh, about...80. | 0:37:21 | 0:37:24 | |
I think that's too strong for me. | 0:37:26 | 0:37:28 | |
I'd be happy to pay £50. | 0:37:28 | 0:37:29 | |
55 and we can shake hands. | 0:37:29 | 0:37:32 | |
For a fiver, I'm definitely going to shake your hands. | 0:37:32 | 0:37:35 | |
-Good man. -£55... | 0:37:35 | 0:37:36 | |
-Good man. -Thank you very much indeed. -Thank you. | 0:37:36 | 0:37:38 | |
A very generous discount, | 0:37:38 | 0:37:40 | |
at £55 for the fencing mask and foil, | 0:37:40 | 0:37:42 | |
and it's time to call it a day. | 0:37:42 | 0:37:45 | |
So, nighty-night. | 0:37:45 | 0:37:48 | |
It's another day and our pair are continuing through rural Kent | 0:37:54 | 0:37:57 | |
and heading for their next stop in the market town of Faversham, | 0:37:57 | 0:38:01 | |
where Anita is hitting the shops with just over £355 left. | 0:38:01 | 0:38:05 | |
-Lovely wee town, Raj. -It is, isn't it? | 0:38:05 | 0:38:08 | |
And this is my big shopping day! | 0:38:08 | 0:38:11 | |
-Thank you. -Spend all your money! -I'll do my very best, Raj. | 0:38:11 | 0:38:14 | |
-Good. -Bye. -I'll see you later. | 0:38:14 | 0:38:16 | |
On hand at Squires Antiques is owner Ann. | 0:38:18 | 0:38:21 | |
-Hello, I'm Anita. -Hello, Anita. | 0:38:21 | 0:38:24 | |
-So nice to meet you. -It's lovely to meet you, too. | 0:38:24 | 0:38:27 | |
It's straight upstairs for Anita to see what takes her fancy. | 0:38:28 | 0:38:31 | |
And at the drop of a hat, she's found something. | 0:38:35 | 0:38:38 | |
I find terrestrial globes irresistible. | 0:38:39 | 0:38:43 | |
They are a little snapshot of how the world was | 0:38:44 | 0:38:49 | |
at the time that they were made. | 0:38:49 | 0:38:51 | |
This is a political globe made in 1978. | 0:38:51 | 0:38:57 | |
Now, in 1978, the Berlin Wall was still there. | 0:38:57 | 0:39:04 | |
And if we turn round to Africa, | 0:39:04 | 0:39:06 | |
we can see down here Southern Rhodesia has not become Zimbabwe. | 0:39:06 | 0:39:12 | |
It's in good condition. | 0:39:12 | 0:39:14 | |
There are no tears... | 0:39:14 | 0:39:17 | |
It's priced... | 0:39:17 | 0:39:18 | |
..at £55. | 0:39:19 | 0:39:21 | |
One to keep in mind, but there's plenty more to choose from. | 0:39:21 | 0:39:25 | |
This is a little Victorian crib. | 0:39:28 | 0:39:31 | |
It's made of some sort of cast iron here | 0:39:31 | 0:39:35 | |
and the baby lies in a string basket. | 0:39:35 | 0:39:39 | |
We have some very nice little detail and we have porcelain wheels. | 0:39:39 | 0:39:45 | |
So, this is a little period piece. | 0:39:45 | 0:39:48 | |
It's the perfect thing for displaying dogs, or teddies | 0:39:48 | 0:39:53 | |
if you are a collector, | 0:39:53 | 0:39:55 | |
and there are plenty of those about the salerooms. | 0:39:55 | 0:39:59 | |
The cradle has a ticket price of £85. | 0:40:01 | 0:40:04 | |
Ann, it's this crib... | 0:40:04 | 0:40:07 | |
I quite like that. | 0:40:07 | 0:40:09 | |
Could that be bought for... | 0:40:09 | 0:40:11 | |
in the region...40, £45? | 0:40:11 | 0:40:16 | |
-Would 45... -45. -..be any good? | 0:40:16 | 0:40:19 | |
£45. That's lovely. Thank you so much, Ann. | 0:40:19 | 0:40:22 | |
-You're welcome. -And while she's feeling on top of the world, | 0:40:22 | 0:40:25 | |
how about that globe? | 0:40:25 | 0:40:26 | |
Ann, I quite fancy the terrestrial globe here. | 0:40:26 | 0:40:30 | |
Now, it's not an old one. | 0:40:30 | 0:40:33 | |
The most valuable maps and globes are those very, very early ones. | 0:40:33 | 0:40:38 | |
I would like to be buying it probably around about... | 0:40:38 | 0:40:43 | |
20... | 0:40:43 | 0:40:45 | |
£25 - is that at all possible? | 0:40:45 | 0:40:48 | |
Well, I will do 25. | 0:40:48 | 0:40:51 | |
-25. -If you would like it. -Oh, that's great. | 0:40:51 | 0:40:54 | |
Thank you. Thank you so much for that. | 0:40:54 | 0:40:57 | |
That's £70 for both the 1978 political globe | 0:40:57 | 0:41:01 | |
and the Victorian cradle. | 0:41:01 | 0:41:03 | |
Now, there's just a slight issue of getting it to auction. | 0:41:03 | 0:41:06 | |
RATTLING | 0:41:06 | 0:41:08 | |
Back with Raj now, who's making the most of the nice weather. | 0:41:10 | 0:41:14 | |
A wonderful sunny day, the shades are on, Anita won't see me coming. | 0:41:14 | 0:41:19 | |
Yeah, however will she recognise you? | 0:41:19 | 0:41:21 | |
Raj is heading north-west to the historical dockyard, Chatham. | 0:41:21 | 0:41:24 | |
It's now home to a 19th-century naval ship that not only protected | 0:41:25 | 0:41:28 | |
the oceans and interests of the British Empire, | 0:41:28 | 0:41:31 | |
but also played a vital role in turning thousands of young men | 0:41:31 | 0:41:35 | |
into British naval officers. | 0:41:35 | 0:41:38 | |
To find out more, Raj is meeting Preservation and Education Director | 0:41:38 | 0:41:41 | |
of Chatham Historic Dockyard Trust Richard Holdsworth. | 0:41:41 | 0:41:44 | |
Hi, there. | 0:41:44 | 0:41:46 | |
-Hi. Nice to meet you. -I'm Raj. | 0:41:46 | 0:41:48 | |
I'm Richard. Welcome to the Historical Dockyard at Chatham. | 0:41:48 | 0:41:50 | |
What a beautiful day and what an amazing ship. | 0:41:50 | 0:41:53 | |
Built in 1878 and powered by both steam and sail, | 0:41:54 | 0:41:58 | |
HMS Gannet was a small but mighty ship. | 0:41:58 | 0:42:02 | |
She's seen many incarnations but has now been restored to her original | 0:42:02 | 0:42:07 | |
19th-century glory. | 0:42:07 | 0:42:09 | |
She had a crew of about 145. | 0:42:09 | 0:42:11 | |
145 people? | 0:42:11 | 0:42:13 | |
They had to be able to man the masts and set the sails, and warships | 0:42:13 | 0:42:17 | |
are always crew-heavy because of the need to man the guns. | 0:42:17 | 0:42:20 | |
And although she is a small ship, she packed a mighty punch. | 0:42:20 | 0:42:23 | |
By the time she was decommissioned from war service in 1895, | 0:42:25 | 0:42:29 | |
HMS Gannet had spent 17 years patrolling the Pacific, | 0:42:29 | 0:42:33 | |
Mediterranean and Red seas. | 0:42:33 | 0:42:35 | |
In 1913, the ship was brought back into service, | 0:42:36 | 0:42:39 | |
this time as a dormitory for a naval training school, | 0:42:39 | 0:42:43 | |
and renamed TS Mercury. | 0:42:43 | 0:42:46 | |
In the early 20th century, | 0:42:46 | 0:42:48 | |
the Royal and Merchant navies were crying out for thousands of boys | 0:42:48 | 0:42:51 | |
to complete basic sea training, | 0:42:51 | 0:42:53 | |
encouraging them to enlist - which most of them did - | 0:42:53 | 0:42:57 | |
despite the conditions they endured. | 0:42:57 | 0:42:59 | |
This is the 1920s, '30s. | 0:42:59 | 0:43:02 | |
Being forced to get up early in the early hours of the morning, | 0:43:02 | 0:43:04 | |
abandoned ship, swim to the shore, and things, | 0:43:04 | 0:43:07 | |
were all part of life on board Mercury. | 0:43:07 | 0:43:10 | |
5,000 boys were stationed here | 0:43:10 | 0:43:13 | |
over its 54-year service as a dormitory. | 0:43:13 | 0:43:17 | |
Training was paid for by the boys' parents, who wanted their sons | 0:43:17 | 0:43:21 | |
to have a Navy career. | 0:43:21 | 0:43:23 | |
There were up to 160 boys | 0:43:23 | 0:43:25 | |
aged between 12 and 15 on board at any one time. | 0:43:25 | 0:43:30 | |
Retired Merchant Navy captain David Parsons spent three years aboard | 0:43:30 | 0:43:35 | |
in the 1960s. | 0:43:35 | 0:43:36 | |
So, having cleaned the ship in the morning, we went ashore, | 0:43:36 | 0:43:40 | |
had a shower and everything, | 0:43:40 | 0:43:41 | |
breakfast, then we had normal daily lessons - | 0:43:41 | 0:43:44 | |
as in any school - but the lessons were punctuated with navigation | 0:43:44 | 0:43:48 | |
and seamanship. The afternoons were usually dedicated to sports, | 0:43:48 | 0:43:52 | |
homework ashore in the evenings, | 0:43:52 | 0:43:55 | |
and then back on board to spend yet another night on the hull. | 0:43:55 | 0:43:59 | |
That, of course, is corrugated iron. | 0:43:59 | 0:44:01 | |
That was all there was between us and the outside elements | 0:44:01 | 0:44:04 | |
and the heating never really worked. | 0:44:04 | 0:44:08 | |
So it was bitterly cold. | 0:44:08 | 0:44:10 | |
It was character-building. | 0:44:10 | 0:44:12 | |
The majority of the boys would sleep on the top deck and the rest below, | 0:44:12 | 0:44:16 | |
with only 18 inches of room each. | 0:44:16 | 0:44:18 | |
Wow! | 0:44:18 | 0:44:19 | |
-Luxury. -We had hammocks in lines like this. | 0:44:19 | 0:44:24 | |
Looks like it was... pretty tough going. | 0:44:24 | 0:44:26 | |
They were, actually, incredibly comfortable. | 0:44:26 | 0:44:29 | |
And you could get a really good night's sleep in one of these. | 0:44:29 | 0:44:32 | |
And Raj is about to find out how comfortable it really was. | 0:44:32 | 0:44:36 | |
I'm going to have to take my jacket off for this. Oh, boy. OK. | 0:44:36 | 0:44:39 | |
So, here we go. | 0:44:39 | 0:44:41 | |
I'm going to go for it. So, you reckon, hang on to a hook and... | 0:44:41 | 0:44:46 | |
And then throw yourself on? | 0:44:46 | 0:44:47 | |
That's it. You got it. You got it. | 0:44:47 | 0:44:50 | |
Wa-hey! | 0:44:50 | 0:44:52 | |
-Well done. -How about that? | 0:44:52 | 0:44:53 | |
-I'm impressed. -Oh! If only Anita could see me now. | 0:44:53 | 0:44:58 | |
TS Mercury closed as a training ship in 1968. | 0:44:58 | 0:45:01 | |
She may have travelled the world, | 0:45:01 | 0:45:03 | |
taking part in many important naval assignments, | 0:45:03 | 0:45:06 | |
but her longest and most crucial role was as the training base | 0:45:06 | 0:45:11 | |
for thousands of young men who went on to serve Great Britain | 0:45:11 | 0:45:15 | |
in the Royal and Merchant navies. | 0:45:15 | 0:45:17 | |
Meanwhile, Anita has made her way to the Isle of Sheppey, | 0:45:19 | 0:45:22 | |
a nine-mile-long island off the north Kent coast. | 0:45:22 | 0:45:26 | |
The town of Sheerness lies on its northern side and Anita's next shop, | 0:45:26 | 0:45:30 | |
Grandad's Attic. The man in charge is a very young-looking grandad! | 0:45:30 | 0:45:34 | |
Hello. I'm Anita. | 0:45:34 | 0:45:36 | |
-I'm Barry. -Great to meet you. -And you. | 0:45:36 | 0:45:38 | |
Barry's shop stocks vintage collectables, antiques, | 0:45:38 | 0:45:42 | |
and all things weird and wonderful. | 0:45:42 | 0:45:43 | |
Many of our antiques and collectables shops are now | 0:45:43 | 0:45:48 | |
stocking items from the 1950s. | 0:45:48 | 0:45:51 | |
But what about kids in the 1950s | 0:45:51 | 0:45:54 | |
and the early '60s? | 0:45:54 | 0:45:56 | |
There were no video games, there was no social media, what did they do? | 0:45:56 | 0:46:02 | |
They played with this sort of toy. | 0:46:02 | 0:46:04 | |
Barry, tell me about this. | 0:46:04 | 0:46:06 | |
It's a magnetic football game, Anita, | 0:46:06 | 0:46:08 | |
from the 1950s, 1960s. | 0:46:08 | 0:46:11 | |
You'd have two magnets with corresponding colours to the teams. | 0:46:11 | 0:46:15 | |
-These go underneath the table onto the players. -Wow! | 0:46:15 | 0:46:19 | |
And you move your corresponding players. | 0:46:19 | 0:46:22 | |
Wow! Can we have a game? | 0:46:22 | 0:46:24 | |
Yeah. Let's have a quick game. | 0:46:24 | 0:46:25 | |
But first, Anita has to get match ready. | 0:46:25 | 0:46:28 | |
So, it's Manchester United against Chelsea. | 0:46:28 | 0:46:30 | |
Let's go! | 0:46:30 | 0:46:32 | |
THEY LAUGH | 0:46:32 | 0:46:34 | |
I think that's a corner. | 0:46:34 | 0:46:36 | |
I think that's your corner. Yeah, good. | 0:46:36 | 0:46:38 | |
ANITA LAUGHS | 0:46:38 | 0:46:41 | |
They're stuck together! | 0:46:42 | 0:46:44 | |
Is that a penalty for Manchester United? | 0:46:44 | 0:46:47 | |
-I think it is. -Oh! | 0:46:47 | 0:46:48 | |
Oh! | 0:46:50 | 0:46:52 | |
Barry, I've got to buy this. | 0:46:52 | 0:46:55 | |
I've got to buy it. How many pence can it be bought for? | 0:46:55 | 0:47:00 | |
Pence? Well, it's got... | 0:47:00 | 0:47:04 | |
£15 on the ticket. | 0:47:04 | 0:47:07 | |
Ten? | 0:47:07 | 0:47:09 | |
Could you make it... | 0:47:09 | 0:47:10 | |
-..£8? -Seeing as you beat me, Anita, yeah, OK. | 0:47:12 | 0:47:16 | |
A goal for Anita at £8 for the 1960s magnetic football game. | 0:47:16 | 0:47:22 | |
Come on, boys, you're my winning team. | 0:47:22 | 0:47:25 | |
Back with Raj now, who's made his way to the village of Teynham - | 0:47:32 | 0:47:37 | |
home to Wildwinds Antiques, | 0:47:37 | 0:47:39 | |
headed up today by Gwyneth and Richard. | 0:47:39 | 0:47:41 | |
-Hello, there. -Hello. | 0:47:41 | 0:47:43 | |
-And you are? -Richard. | 0:47:43 | 0:47:45 | |
-And this lovely lady? -Is Gwyneth. | 0:47:45 | 0:47:46 | |
-Hi! -Hello. Nice to meet you. | 0:47:46 | 0:47:48 | |
-Pleased to meet you. -I'm looking for something that's a little bit | 0:47:48 | 0:47:50 | |
different, a little bit special. | 0:47:50 | 0:47:52 | |
Can you point me in the right direction? | 0:47:52 | 0:47:54 | |
-You better start in this direction. -Thank you. | 0:47:54 | 0:47:56 | |
Raj has got over £400 in his pocket and a 3,000 square foot showroom | 0:47:56 | 0:48:01 | |
in which to spend it. Wow. | 0:48:01 | 0:48:05 | |
Well, this is really heavy, Raj. | 0:48:05 | 0:48:08 | |
And it is original. | 0:48:08 | 0:48:09 | |
It's something that's different, and that's what I like about it. | 0:48:09 | 0:48:12 | |
-Here you go. -Now, it's got 142 on it. | 0:48:12 | 0:48:16 | |
Right. I presume it's a railway sign. | 0:48:16 | 0:48:19 | |
Yeah. It's the distance from Derby. | 0:48:19 | 0:48:21 | |
But how do you know it's from Derby? | 0:48:21 | 0:48:23 | |
Because the owner, who was a serious railway enthusiast, | 0:48:23 | 0:48:29 | |
gave me that information. | 0:48:29 | 0:48:30 | |
It could be 142 miles from anywhere. | 0:48:30 | 0:48:32 | |
Couldn't it? Really? | 0:48:32 | 0:48:35 | |
There's a £260 ticket price. | 0:48:35 | 0:48:38 | |
This is a gamble, and I like gambles. | 0:48:38 | 0:48:40 | |
I'm going to get my tissue out now. | 0:48:40 | 0:48:42 | |
You get your tissue out. OK. | 0:48:42 | 0:48:44 | |
I will give you £80 for it. | 0:48:44 | 0:48:46 | |
Because it's you, Raj. | 0:48:46 | 0:48:48 | |
-A deal? -A deal. -Fantastic. | 0:48:49 | 0:48:51 | |
I hope you make a good profit on it. | 0:48:51 | 0:48:53 | |
That's a whopping £180 off the railway mileage sign. | 0:48:53 | 0:48:57 | |
Now, he's just got to get it out of the shop. | 0:48:57 | 0:49:00 | |
Could be trolleyed, this. Huh! | 0:49:00 | 0:49:02 | |
And that's shopping finished. Now, time to check out their wares. | 0:49:04 | 0:49:08 | |
Along with the railway sign, | 0:49:08 | 0:49:10 | |
Raj paid out £212 on a shotgun cleaning kit... | 0:49:10 | 0:49:15 | |
an Anglepoise lamp... | 0:49:15 | 0:49:17 | |
a silver-plated punchbowl and ladle... | 0:49:17 | 0:49:19 | |
and a 1930s fencing mask and foil. | 0:49:19 | 0:49:22 | |
Anita spent £138 on a garnet necklace... | 0:49:23 | 0:49:27 | |
a Victorian cradle... | 0:49:27 | 0:49:29 | |
a 1978 political globe... | 0:49:29 | 0:49:31 | |
a 1960s magnetic football game... | 0:49:31 | 0:49:35 | |
and an Eastern bronze deity. | 0:49:35 | 0:49:37 | |
Gosh. Opinions, please! | 0:49:37 | 0:49:40 | |
The Anglepoise lamp at 37 was a good buy. | 0:49:40 | 0:49:44 | |
The cool cats will absolutely love that lot. | 0:49:44 | 0:49:48 | |
The Victorian cot. | 0:49:48 | 0:49:50 | |
These once were very saleable but they seem to have gone off the boil. | 0:49:50 | 0:49:53 | |
Interesting thoughts. Anita and Raj began this trip | 0:49:53 | 0:49:57 | |
from Deal in Kent and, after two days searching for gems, | 0:49:57 | 0:50:00 | |
they've now crossed the border into East Sussex | 0:50:00 | 0:50:03 | |
for their fourth auction in Battle. | 0:50:03 | 0:50:06 | |
Which one of your items today do you think will do the best? | 0:50:06 | 0:50:10 | |
I'd like to think that the Indian deity would make the most money. | 0:50:10 | 0:50:15 | |
But it may not. | 0:50:15 | 0:50:17 | |
It could make £15. | 0:50:17 | 0:50:19 | |
It could make £200. | 0:50:19 | 0:50:21 | |
Well, we'll not have to wait long, | 0:50:21 | 0:50:23 | |
as their final calling point of this leg is at Burstow & Hewett | 0:50:23 | 0:50:27 | |
auctioneers, who've been in business since 1790. | 0:50:27 | 0:50:31 | |
Are you ready for Battle? | 0:50:31 | 0:50:33 | |
-Very good. -And is Battle ready for us? | 0:50:33 | 0:50:36 | |
Let's go! | 0:50:36 | 0:50:38 | |
Mark Ellin is the auctioneer today. | 0:50:38 | 0:50:40 | |
Thoughts, please, sir... | 0:50:40 | 0:50:42 | |
The fencing epee and mask - it's interesting, | 0:50:42 | 0:50:45 | |
but I don't think it has much value. | 0:50:45 | 0:50:47 | |
The bronze deity - this was illustrated on the website | 0:50:47 | 0:50:50 | |
and seemed to have had a lot of enquiries from all over for this | 0:50:50 | 0:50:53 | |
and I think it'll be a moment of excitement. It'll stand out today. | 0:50:53 | 0:50:57 | |
It sounds as if there are commission bids on the book. | 0:50:57 | 0:50:59 | |
With no internet bidding here, | 0:50:59 | 0:51:01 | |
it's between these and the auction-goers of East Sussex. | 0:51:01 | 0:51:04 | |
First up is Raj's fencing foil and mask. | 0:51:07 | 0:51:10 | |
20? Anyone like it for 20? In the doorway. | 0:51:10 | 0:51:13 | |
£20, I'm bid. At 20. | 0:51:13 | 0:51:14 | |
25 at the front. | 0:51:14 | 0:51:16 | |
30 in the doorway. | 0:51:16 | 0:51:17 | |
-35. -Come on. -40? | 0:51:17 | 0:51:19 | |
45, again? | 0:51:19 | 0:51:20 | |
50. At 50. | 0:51:20 | 0:51:22 | |
Yours in the doorway still. | 0:51:22 | 0:51:23 | |
It's going, then. All done at £50, then? | 0:51:23 | 0:51:25 | |
Selling at 50. | 0:51:25 | 0:51:27 | |
Ooh! | 0:51:27 | 0:51:28 | |
Still time to make it up, Raj. | 0:51:28 | 0:51:30 | |
All its qualities were MASKED. | 0:51:30 | 0:51:32 | |
I know. Absolutely. | 0:51:32 | 0:51:33 | |
Oh, where does she get those lines? | 0:51:33 | 0:51:35 | |
And now, Anita's turn with the cradle. | 0:51:35 | 0:51:37 | |
30 bid. Here in the centre. | 0:51:37 | 0:51:39 | |
£30, I'm bid. At 30. | 0:51:39 | 0:51:40 | |
Any advance on 30? | 0:51:40 | 0:51:41 | |
Bidding's in the centre of the room. No more bids, then, it's going. | 0:51:41 | 0:51:44 | |
On the first bid, here at £30. All done? | 0:51:44 | 0:51:46 | |
Gosh. What bad luck, Anita. | 0:51:48 | 0:51:50 | |
-That's worth more than 30 quid. -Yeah. | 0:51:50 | 0:51:51 | |
But you can get a bargain at auction. | 0:51:51 | 0:51:55 | |
Let's hope Raj's shotgun cleaning kit isn't a bargain, too! | 0:51:55 | 0:51:59 | |
25? 25. | 0:51:59 | 0:52:00 | |
-Thank you. -25! Straight in there. | 0:52:00 | 0:52:02 | |
It's a profit. I've got to be pleased. | 0:52:02 | 0:52:04 | |
30 in the doorway. 35 at the top of the room? | 0:52:04 | 0:52:06 | |
No. Thank you. Yours at 35. | 0:52:06 | 0:52:08 | |
The bidding's over here. It's going. All done at £35, then... | 0:52:08 | 0:52:11 | |
-Well done. -Small profit. | 0:52:11 | 0:52:13 | |
He's doubled his money. | 0:52:13 | 0:52:16 | |
A profit is a profit is a profit. | 0:52:16 | 0:52:18 | |
Absolutely. | 0:52:18 | 0:52:19 | |
Can Anita do the same with her garnet necklace? | 0:52:19 | 0:52:23 | |
30 bid, here in the front. £30 only. 35 in the doorway. | 0:52:23 | 0:52:27 | |
35, 40. Down here. | 0:52:27 | 0:52:28 | |
45 here? 50. 55. | 0:52:28 | 0:52:32 | |
£60 here. 65 again. 65 here now. | 0:52:32 | 0:52:35 | |
-65! -At £70. | 0:52:35 | 0:52:37 | |
75. | 0:52:37 | 0:52:39 | |
No. Thank you. Yours at 75. | 0:52:39 | 0:52:40 | |
In the centre of the room. It's going here now, for the last time. | 0:52:40 | 0:52:43 | |
Selling at £75, then. | 0:52:43 | 0:52:44 | |
Incredible! A magnificent profit for Anita. | 0:52:45 | 0:52:49 | |
-I'm happy with that. -£65! | 0:52:49 | 0:52:52 | |
-In fact, I'm delirious. -I would be, too. | 0:52:52 | 0:52:55 | |
Next, Raj's railway mileage sign. | 0:52:55 | 0:52:58 | |
It's his biggest spend and riskiest item. | 0:52:58 | 0:53:01 | |
£50? | 0:53:01 | 0:53:02 | |
Thank you. 55 in the doorway. | 0:53:02 | 0:53:05 | |
55 bid. 60 again. | 0:53:05 | 0:53:06 | |
At 60. Again in the doorway? | 0:53:06 | 0:53:08 | |
65. 70 again. | 0:53:08 | 0:53:10 | |
We've got a couple of railway enthusiasts. | 0:53:10 | 0:53:12 | |
75. At 80. | 0:53:12 | 0:53:14 | |
At 85. 90. At 95. | 0:53:14 | 0:53:17 | |
£100 bid. | 0:53:17 | 0:53:18 | |
Thank you. He's out. 100 in the centre. | 0:53:18 | 0:53:20 | |
All done at £100, then? | 0:53:20 | 0:53:22 | |
It's a profit and every penny counts. | 0:53:24 | 0:53:26 | |
-You took a chance and it paid off. -Well, it made a small profit. | 0:53:26 | 0:53:30 | |
I suppose I've got to be grateful for small profits. OK. | 0:53:30 | 0:53:33 | |
Indeed. Next up is Anita's 1960s magnetic football game. | 0:53:33 | 0:53:37 | |
Ten in the front. | 0:53:37 | 0:53:39 | |
-£10... -You're in profit. -No? | 0:53:39 | 0:53:41 | |
Two bidders at £10. Here at ten, then. | 0:53:41 | 0:53:43 | |
Any more bids? It's going here in the front row at £10. | 0:53:43 | 0:53:45 | |
Ten. Thank you very much. | 0:53:45 | 0:53:47 | |
It's great fun. | 0:53:47 | 0:53:49 | |
It is great fun. | 0:53:49 | 0:53:51 | |
And Anita's made another - albeit small - profit. | 0:53:51 | 0:53:54 | |
I think I'll make a few pence profit, | 0:53:54 | 0:53:57 | |
even though I am paying commission. | 0:53:57 | 0:54:00 | |
It gave me all that fun, so it was a great buy. | 0:54:00 | 0:54:03 | |
Back to Raj now with the silver-plated punchbowl and ladle. | 0:54:03 | 0:54:06 | |
-£30, I'm bid. -Straight in, well done. -35? | 0:54:06 | 0:54:10 | |
At £35, then. | 0:54:10 | 0:54:11 | |
It's going at £35. 40 in the front now. | 0:54:11 | 0:54:13 | |
At 40. Selling at £40 on the front, then... | 0:54:13 | 0:54:15 | |
A good solid profit for Raj. | 0:54:16 | 0:54:19 | |
-Well done, darling. -Small profits. | 0:54:19 | 0:54:21 | |
Next, can Anita's globe rock anyone's world? | 0:54:21 | 0:54:25 | |
30 to start. £30 bid for this. 35 in the doorway. | 0:54:25 | 0:54:28 | |
-I'm in profit, darling. -40. 45. 50? | 0:54:28 | 0:54:30 | |
55? 60? | 0:54:30 | 0:54:32 | |
65 here now. 70. At 70. | 0:54:32 | 0:54:35 | |
Commission bid, then. It's going. For the last time at £70, then. | 0:54:35 | 0:54:38 | |
-70. -Yes! | 0:54:38 | 0:54:39 | |
Great profit for Anita - more than doubling her money. | 0:54:39 | 0:54:42 | |
You must be pleased with that. That is a great result. | 0:54:42 | 0:54:45 | |
It deserved that. | 0:54:45 | 0:54:47 | |
Now, to Raj's final item - the original Anglepoise lamp. | 0:54:47 | 0:54:51 | |
I'm starting this. I've 60 bid to start. | 0:54:51 | 0:54:54 | |
-Yes! -65 in the door. | 0:54:54 | 0:54:55 | |
-Yes! -70. 75? 80? | 0:54:55 | 0:54:57 | |
85? 90? | 0:54:57 | 0:54:59 | |
-100, with me. -100! -110 with you. | 0:54:59 | 0:55:01 | |
120 behind you. | 0:55:01 | 0:55:03 | |
130. 140. 150. | 0:55:03 | 0:55:05 | |
At 150. No. Yours at 150. Selling now for £150, then... | 0:55:05 | 0:55:11 | |
-BOTH: Yes! -Brilliant. | 0:55:11 | 0:55:13 | |
Wow! Look at that! | 0:55:13 | 0:55:15 | |
Raj has quadrupled his money. | 0:55:15 | 0:55:17 | |
Well done, Raj. | 0:55:17 | 0:55:18 | |
That was not bad at all. I'm pleased with that. I'm pleased with that. | 0:55:18 | 0:55:21 | |
Thank goodness for that! | 0:55:21 | 0:55:23 | |
Now, Anita's final lot - the Eastern bronze deity. | 0:55:24 | 0:55:28 | |
Auctioneer Mark said there'd been some excitement over it. | 0:55:28 | 0:55:31 | |
-I'm on the edge of my seat. -Here we go. | 0:55:31 | 0:55:33 | |
-Hold my hand. -Here it is, showing here. | 0:55:33 | 0:55:36 | |
Now, lots of interest in this. | 0:55:36 | 0:55:38 | |
And I have a number of absentee bids on this. | 0:55:38 | 0:55:41 | |
And I'm starting this at £1,000. | 0:55:41 | 0:55:44 | |
Oh, my gosh! | 0:55:44 | 0:55:46 | |
1,000, I have. | 0:55:46 | 0:55:48 | |
1,000 bid. 1,100 in front. | 0:55:48 | 0:55:50 | |
1,200 there. 1,300 bid. | 0:55:50 | 0:55:53 | |
-1,400 here. -Wow! | 0:55:53 | 0:55:55 | |
The old instinct kicked in. | 0:55:55 | 0:55:57 | |
-Fantastic! -1,800. | 0:55:57 | 0:56:00 | |
1,900. 2,000. | 0:56:00 | 0:56:03 | |
2,100. 2,200. | 0:56:03 | 0:56:07 | |
This is flying! | 0:56:07 | 0:56:08 | |
2,700. | 0:56:08 | 0:56:09 | |
2,800. | 0:56:09 | 0:56:10 | |
And that's a Road Trip record-breaker! | 0:56:10 | 0:56:13 | |
-Ooh, la-la! -3,100. | 0:56:13 | 0:56:16 | |
3,200. | 0:56:16 | 0:56:17 | |
Thank you. Here at 3,200. | 0:56:17 | 0:56:20 | |
At 3,200. 3,300 in the doorway. | 0:56:20 | 0:56:22 | |
Where is it going to stop? | 0:56:22 | 0:56:24 | |
3,400. 3,400 here. | 0:56:24 | 0:56:27 | |
-I think you're right out of the game now. -I'm out... | 0:56:27 | 0:56:30 | |
I'm on a different planet. | 0:56:30 | 0:56:32 | |
3,500 again in the doorway. | 0:56:32 | 0:56:34 | |
-3,600 bid. -It just shows you, if you get a real feeling about something. | 0:56:34 | 0:56:39 | |
3,800. | 0:56:39 | 0:56:40 | |
It's going, then. For the last time at 3,800. | 0:56:40 | 0:56:44 | |
Wow. | 0:56:44 | 0:56:45 | |
Yes! | 0:56:45 | 0:56:48 | |
-Ha-ha, ha-ha! -And I think that deserves a round of applause. | 0:56:48 | 0:56:52 | |
-Brilliant. -You can say that again! | 0:56:52 | 0:56:55 | |
That is an incredible result. | 0:56:55 | 0:56:57 | |
The biggest Road Trip profit ever! | 0:56:57 | 0:56:59 | |
-Fantastic. -3,800 squidgeroonies! | 0:56:59 | 0:57:04 | |
The day belongs to you. | 0:57:06 | 0:57:10 | |
And what an extraordinary day it's been. | 0:57:10 | 0:57:12 | |
Things like that CAN happen. | 0:57:12 | 0:57:15 | |
So get out into your antiques shops and keep searching. | 0:57:15 | 0:57:19 | |
Well said, Anita. | 0:57:19 | 0:57:21 | |
Raj set off with £536.98, | 0:57:21 | 0:57:24 | |
and after a mixed auction, post costs, he's made £95.50, | 0:57:24 | 0:57:30 | |
leaving him with £632.48 - | 0:57:30 | 0:57:33 | |
which normally is brilliant. | 0:57:33 | 0:57:36 | |
But Anita began this leg with £414.12. | 0:57:36 | 0:57:40 | |
After an unbelievable day and auction fees, | 0:57:40 | 0:57:43 | |
she's made an incredible £3,129.70 profit - ha! - | 0:57:43 | 0:57:50 | |
giving her £3,543.82 to spend next time. | 0:57:50 | 0:57:55 | |
I'm gobsmacked. | 0:57:55 | 0:57:56 | |
I think I'm a wee bit ahead of you now. | 0:57:56 | 0:57:58 | |
I think you might just be a little bit ahead of me. | 0:57:58 | 0:58:01 | |
A wee bit. | 0:58:01 | 0:58:02 | |
Let me please open the door for you. | 0:58:02 | 0:58:04 | |
-Ah, thank you. You're wonderful. -Champagne tonight, I believe. | 0:58:04 | 0:58:07 | |
Champagne! | 0:58:07 | 0:58:08 | |
-Onwards and upwards. -How much further up can you go?! | 0:58:11 | 0:58:14 | |
Cheerio! | 0:58:14 | 0:58:16 | |
Next time on Antiques Road Trip... | 0:58:16 | 0:58:18 | |
How will Anita spend all that lolly? | 0:58:18 | 0:58:20 | |
This is a James Bond car. | 0:58:20 | 0:58:23 | |
I wonder if I could afford it. | 0:58:23 | 0:58:25 | |
And how does Raj plan to catch up? | 0:58:25 | 0:58:28 | |
Ha! | 0:58:28 | 0:58:29 | |
Can you believe it? | 0:58:29 | 0:58:31 |