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It's the nation's favourite antiques experts. | 0:00:02 | 0:00:04 | |
-That's cracking. -With £200 each... | 0:00:04 | 0:00:06 | |
Wonderful! | 0:00:06 | 0:00:07 | |
..a classic car and a goal, to scour Britain for antiques. | 0:00:07 | 0:00:11 | |
-That's exactly what I'm talking about. -I'm all over a shiver! | 0:00:11 | 0:00:14 | |
The aim - to make the biggest profit at auction. But it's no mean feat. | 0:00:14 | 0:00:17 | |
-No-brainer! -Going, going, gone. | 0:00:17 | 0:00:20 | |
There'll be worthy winners and valiant losers. | 0:00:20 | 0:00:23 | |
-So, will it be the high road to glory... -Push! | 0:00:23 | 0:00:26 | |
..or the slow road to disaster? | 0:00:26 | 0:00:28 | |
How awfully, awfully nice. | 0:00:28 | 0:00:29 | |
This is Antiques Road Trip. | 0:00:29 | 0:00:31 | |
Yeah! | 0:00:34 | 0:00:35 | |
Welcome to the final leg of our trip in a Triumph Spitfire | 0:00:37 | 0:00:40 | |
with Anita Manning and Raj Bisram. | 0:00:40 | 0:00:42 | |
This car reminds me of you, Anita. | 0:00:42 | 0:00:45 | |
A nice, small, sporty little number. | 0:00:45 | 0:00:48 | |
Oh, that's me! | 0:00:48 | 0:00:50 | |
Our convertible companions, auctioneers both, | 0:00:52 | 0:00:54 | |
are currently in the Kent countryside. | 0:00:54 | 0:00:56 | |
Home turf for one of the pair. | 0:00:56 | 0:00:58 | |
And all Kentish men are handsome, just like yourself. | 0:00:58 | 0:01:03 | |
Let it go! | 0:01:03 | 0:01:04 | |
When not flirting or behind the wheel, | 0:01:04 | 0:01:07 | |
they've been piling up some tidy profits - with Raj, | 0:01:07 | 0:01:09 | |
on only his second outing, doing awfully well. | 0:01:09 | 0:01:12 | |
-Deal? -A deal. -Fantastic. | 0:01:12 | 0:01:14 | |
You're £650, just about. | 0:01:14 | 0:01:17 | |
That could be a winning score over and over again. | 0:01:17 | 0:01:21 | |
If somebody hadn't made £3,800 on an Eastern deity. | 0:01:21 | 0:01:25 | |
No, we mustn't forget that, must we, Anita? | 0:01:25 | 0:01:28 | |
Yes, I was just getting around to | 0:01:29 | 0:01:31 | |
Anita's historic achievement at the last auction, | 0:01:31 | 0:01:34 | |
when this little fellow, | 0:01:34 | 0:01:36 | |
bought for £50, | 0:01:36 | 0:01:38 | |
sold for a record-breaking... | 0:01:38 | 0:01:40 | |
3,800. | 0:01:40 | 0:01:41 | |
Yes! | 0:01:42 | 0:01:44 | |
Whoa! | 0:01:44 | 0:01:45 | |
The Road Trip's never seen anything quite like it. | 0:01:45 | 0:01:49 | |
Raj has so far grown his £200 stake | 0:01:49 | 0:01:52 | |
to a highly laudable £632.48. | 0:01:52 | 0:01:57 | |
While Anita, who began with the same sum, now has a mighty £3,543.82 | 0:01:57 | 0:02:05 | |
secreted somewhere in the Spitfire. | 0:02:05 | 0:02:07 | |
I bet it's under her seat. | 0:02:07 | 0:02:09 | |
After kicking off in Cambridgeshire, at Wisbech, | 0:02:12 | 0:02:15 | |
they'll chart a course through most of south-east England, | 0:02:15 | 0:02:18 | |
before turning north to Bolton, Lancashire. | 0:02:18 | 0:02:20 | |
And today, we begin in Kent, at Headcorn, | 0:02:20 | 0:02:23 | |
and finish up almost 300 miles away at the final auction in Bolton. | 0:02:23 | 0:02:28 | |
So, does the Raj revival start on this very spot? | 0:02:29 | 0:02:33 | |
There's no need to wish me luck. I'm going to need a miracle today. | 0:02:33 | 0:02:37 | |
-He's got a point. -Cheerio, Anita. Have a lovely day. | 0:02:37 | 0:02:40 | |
-Hello! -Hello, good morning. | 0:02:42 | 0:02:44 | |
-I'm Raj. -I'm Shirley St James, welcome. | 0:02:44 | 0:02:46 | |
-Hello, Shirley. Can I call you Shirley? -You can, by all means. | 0:02:46 | 0:02:49 | |
-Lovely to meet you. -So, he'll be calling her Shirley, then. | 0:02:49 | 0:02:52 | |
And she'll be calling the dealer if he finds something he likes. | 0:02:52 | 0:02:56 | |
Hmm. | 0:02:56 | 0:02:57 | |
-Nothing in here, is there? -Not just yet, Shirley. | 0:02:59 | 0:03:02 | |
I've spotted something that I like the look of. | 0:03:02 | 0:03:05 | |
It's a silver spectacle case | 0:03:05 | 0:03:08 | |
and I just think it's a little bit unusual. | 0:03:08 | 0:03:10 | |
-Shirley? -What have you found? | 0:03:10 | 0:03:12 | |
I like this spectacle case, the Victorian one. | 0:03:12 | 0:03:15 | |
-Can I have a look at that? -Sure. | 0:03:15 | 0:03:17 | |
Not only is it a spectacle case, | 0:03:22 | 0:03:24 | |
but it's actually made to fit on a lady's belt as well. | 0:03:24 | 0:03:28 | |
-Because that would have been... -That's right. | 0:03:28 | 0:03:30 | |
It would have gone on the belt as well. | 0:03:30 | 0:03:32 | |
Oh, suits you, sir! | 0:03:32 | 0:03:33 | |
-Would you know what the best could be on that? -We've got 59. | 0:03:33 | 0:03:37 | |
-I can make a phone call. -All right, if you'd have a word? -I will. | 0:03:37 | 0:03:41 | |
-Around the 25, £30 mark, OK? -OK. | 0:03:41 | 0:03:44 | |
Bit of a gap, then. | 0:03:44 | 0:03:45 | |
What can Shirl the Pearl come up with? | 0:03:45 | 0:03:47 | |
30 is the very best, I'm afraid. It's the death. | 0:03:47 | 0:03:51 | |
Could be the death of me! OK, but, yes, I think it's worth every penny. | 0:03:51 | 0:03:55 | |
-So, shall we shake on that? -OK. | 0:03:55 | 0:03:57 | |
-Thank you. -It's a deal. | 0:03:57 | 0:03:59 | |
It SHIRLEY is! Oh, gosh. | 0:03:59 | 0:04:01 | |
Meanwhile, Anita has ambled her way to Lenham, | 0:04:01 | 0:04:03 | |
where the Corner House awaits - and it's not a pub. | 0:04:03 | 0:04:07 | |
-Hello! -Hi. My name is Anita. | 0:04:07 | 0:04:10 | |
-I'm Lynne. -Lynne... | 0:04:10 | 0:04:12 | |
what an extraordinary building! | 0:04:12 | 0:04:16 | |
Yes, it's a beautiful building. | 0:04:16 | 0:04:17 | |
15th century, Grade II* listed. | 0:04:17 | 0:04:20 | |
-Wow. -Careful, Lynne. She might make you an offer. | 0:04:20 | 0:04:22 | |
She's got enough cash to buy the freehold. | 0:04:22 | 0:04:26 | |
Wow, we've got a bit of everything here. | 0:04:28 | 0:04:30 | |
What we have here is a piece of post-war 20th-century design. | 0:04:37 | 0:04:43 | |
This table is made of plywood and plywood was a material | 0:04:43 | 0:04:48 | |
which was used in the minimalist 20th-century design, | 0:04:48 | 0:04:52 | |
most successfully by Charles and Ray Eames. | 0:04:52 | 0:04:57 | |
Not brothers, as you might assume, | 0:04:57 | 0:04:59 | |
but an American husband-and-wife team. | 0:04:59 | 0:05:02 | |
Classic! Could it be one of theirs? | 0:05:02 | 0:05:04 | |
There's no maker's name - what a shame. | 0:05:04 | 0:05:07 | |
It's not by Eames but it's in the style of Eames. | 0:05:07 | 0:05:11 | |
It's priced at £125 and I think that that's not too bad. | 0:05:11 | 0:05:18 | |
Lynne? | 0:05:18 | 0:05:20 | |
I've kind of been swept off my feet by 20th-century design | 0:05:20 | 0:05:25 | |
-in your 15th-century antique shop. -Right. | 0:05:25 | 0:05:28 | |
It's priced up at 125. | 0:05:28 | 0:05:31 | |
I think probably best price on that would be £90. | 0:05:31 | 0:05:35 | |
90? I'm going to go for it. | 0:05:35 | 0:05:38 | |
Thank you very much on that. | 0:05:38 | 0:05:40 | |
Great start, and she's not hanging about. | 0:05:40 | 0:05:43 | |
Look at her move, eh? | 0:05:43 | 0:05:45 | |
Magic. | 0:05:45 | 0:05:46 | |
-Can I have a wee look at this? Is it bronze? -Yes. | 0:05:46 | 0:05:50 | |
She's a bit saucy. | 0:05:51 | 0:05:53 | |
Just a little! | 0:05:53 | 0:05:54 | |
She's lying on this sumptuous tiger skin. | 0:05:54 | 0:05:58 | |
I think that she is from the 1920s. | 0:05:58 | 0:06:02 | |
She's a bonny lass. | 0:06:02 | 0:06:03 | |
Cheeky! | 0:06:03 | 0:06:05 | |
It's priced at £250. Is there movement on that? | 0:06:05 | 0:06:09 | |
-Yes, very best price would be 200. -Mm-hm. | 0:06:10 | 0:06:14 | |
I do like it but I think, actually, | 0:06:14 | 0:06:17 | |
there has been some repainting of the eyes. | 0:06:17 | 0:06:21 | |
190. | 0:06:21 | 0:06:23 | |
That's great, absolutely fabulous. I love that. | 0:06:23 | 0:06:25 | |
This is brisk. | 0:06:25 | 0:06:27 | |
I noticed these crazy little decanters here. | 0:06:27 | 0:06:30 | |
-They look like a bit of fun. -Yes, indeed. | 0:06:32 | 0:06:35 | |
I think they would go terrifically well with my table. | 0:06:35 | 0:06:38 | |
They're priced at 24. | 0:06:38 | 0:06:41 | |
-Is there something we could do on that? -£20? | 0:06:41 | 0:06:43 | |
It's a deal. | 0:06:43 | 0:06:44 | |
So, three rapid deals for a nice round £300. | 0:06:44 | 0:06:48 | |
Hang on to your bonnets! | 0:06:48 | 0:06:50 | |
Anita's definitely loosening those purse strings. | 0:06:50 | 0:06:53 | |
She's strong too. As for Raj... | 0:06:53 | 0:06:56 | |
I'm not really a jewellery buyer | 0:06:56 | 0:06:58 | |
but there's a really nice-looking string of pearls down there, | 0:06:58 | 0:07:02 | |
and pearls were so out of vogue | 0:07:02 | 0:07:03 | |
but I honestly believe that they're coming back. | 0:07:03 | 0:07:06 | |
Sounds like fun. | 0:07:06 | 0:07:08 | |
Freshwater, eh? Priced at £75. | 0:07:08 | 0:07:11 | |
They're lovely. | 0:07:11 | 0:07:13 | |
Look at those. | 0:07:13 | 0:07:15 | |
Us girls are all wearing them now, you know? | 0:07:15 | 0:07:17 | |
I quite like these, I think they're little bit different. | 0:07:17 | 0:07:19 | |
They've got a nice gold clasp as well. | 0:07:19 | 0:07:22 | |
Oh, it's in the original box! | 0:07:22 | 0:07:24 | |
Yeah, can we see what they do? I'll give you those. | 0:07:24 | 0:07:27 | |
It's a bit of a risky one, but hey-ho. | 0:07:27 | 0:07:30 | |
Quite. Imminent defeat can have that effect. | 0:07:30 | 0:07:34 | |
Now, where have we got to? | 0:07:34 | 0:07:36 | |
-No? Could I have a word with her? -Raj dives in. | 0:07:36 | 0:07:39 | |
What about splitting it with me and we do 40? | 0:07:39 | 0:07:43 | |
You sure? OK, thanks a lot. Thank you. | 0:07:43 | 0:07:46 | |
We've agreed on 40. | 0:07:46 | 0:07:48 | |
So, that's £70 in total for the pearls and the spectacle case. | 0:07:48 | 0:07:52 | |
But while Raj goes looking for more... | 0:07:54 | 0:07:56 | |
..Anita's taking a break, | 0:07:58 | 0:08:00 | |
journeying across the North Downs to Canterbury where she's come | 0:08:00 | 0:08:04 | |
to find out about the city's history of pilgrimage from guide Hugh Elsom. | 0:08:04 | 0:08:09 | |
-Hello! I'm Anita. -How do you do? | 0:08:10 | 0:08:13 | |
Welcome to the Canterbury Heritage Museum. | 0:08:13 | 0:08:16 | |
Founded in the year 597, | 0:08:16 | 0:08:19 | |
Canterbury Cathedral was already a hugely significant Christian site | 0:08:19 | 0:08:24 | |
when, in the Middle Ages, the murder of Archbishop Thomas Becket | 0:08:24 | 0:08:28 | |
by the King's men made Canterbury known throughout the world. | 0:08:28 | 0:08:32 | |
Here, we've got a 60-foot frieze | 0:08:32 | 0:08:35 | |
which shows the story of Thomas Becket. | 0:08:35 | 0:08:38 | |
If we go through here, we can actually see some of the relics | 0:08:38 | 0:08:42 | |
that the pilgrims would have actually used | 0:08:42 | 0:08:44 | |
when they came to Canterbury. | 0:08:44 | 0:08:46 | |
Soon after his death, Becket was canonised | 0:08:46 | 0:08:49 | |
and within a very few years, the faithful had begun | 0:08:49 | 0:08:51 | |
making their way to the shrine of a saint and martyr. | 0:08:51 | 0:08:54 | |
So, here we've got a lovely collection of the badges | 0:08:55 | 0:08:59 | |
that pilgrims would have purchased | 0:08:59 | 0:09:02 | |
when they visited places of importance, | 0:09:02 | 0:09:05 | |
and these ones are all related to Canterbury | 0:09:05 | 0:09:09 | |
and many of them would have depicted | 0:09:09 | 0:09:11 | |
something to do with Thomas and his murder. | 0:09:11 | 0:09:13 | |
His cult would attract millions to Canterbury | 0:09:14 | 0:09:17 | |
and help to create the city we see today. | 0:09:17 | 0:09:19 | |
But who was Thomas Becket and why was he murdered? | 0:09:19 | 0:09:23 | |
He was the son of a fairly wealthy merchant in London. | 0:09:23 | 0:09:26 | |
But he was recognised at an early age by the then Archbishop, | 0:09:26 | 0:09:31 | |
Theobald, as being very bright and very intelligent. | 0:09:31 | 0:09:35 | |
And the Archbishop introduced him to the new, young King Henry II. | 0:09:35 | 0:09:40 | |
They became friends and political allies. | 0:09:40 | 0:09:44 | |
And Thomas became the King's Chancellor. | 0:09:44 | 0:09:47 | |
That appointment on January the 1st 1155 | 0:09:47 | 0:09:51 | |
seemed like a shrewd political move. | 0:09:51 | 0:09:54 | |
The King was engaged in a power struggle with the Church | 0:09:54 | 0:09:57 | |
and as his Chancellor, Becket would ensure that Henry got his way. | 0:09:57 | 0:10:01 | |
-So, the church was a law unto itself at that time? -Yes! | 0:10:02 | 0:10:06 | |
If a person was charged with a crime and they claimed | 0:10:06 | 0:10:10 | |
what they call benefit of clergy, | 0:10:10 | 0:10:12 | |
they could be tried by the church court | 0:10:12 | 0:10:15 | |
and their sentence was much, much more lenient than the King's, | 0:10:15 | 0:10:20 | |
and that really was the basis of the problem. | 0:10:20 | 0:10:22 | |
When the old Archbishop died, | 0:10:22 | 0:10:24 | |
the King decided to go even further and replace him with Becket, | 0:10:24 | 0:10:28 | |
despite him not even being a priest at that time. | 0:10:28 | 0:10:31 | |
But as soon as Thomas becomes Archbishop, | 0:10:31 | 0:10:34 | |
he had a change of heart and basically, he said, | 0:10:34 | 0:10:37 | |
"No, you're not having the power." | 0:10:37 | 0:10:39 | |
That meant that the two people began to argue and eventually, | 0:10:39 | 0:10:43 | |
the whole thing gets totally out of control. | 0:10:43 | 0:10:45 | |
Becket was even forced into exile for several years. | 0:10:45 | 0:10:49 | |
But although a truce was agreed in 1170, the rift remained. | 0:10:49 | 0:10:53 | |
Later that year, four knights who'd witnessed the King raging | 0:10:53 | 0:10:57 | |
about his Archbishop decided to take matters into their own hands. | 0:10:57 | 0:11:02 | |
The monks realised Thomas was in danger, | 0:11:02 | 0:11:04 | |
so they tried to get him into the cathedral. | 0:11:04 | 0:11:07 | |
The knights followed him in, they all lost their tempers | 0:11:07 | 0:11:10 | |
and they eventually clubbed him to the ground and eventually killed him | 0:11:10 | 0:11:13 | |
by chopping the top of his head off. | 0:11:13 | 0:11:15 | |
This was a horrific murder. | 0:11:15 | 0:11:18 | |
Tell me, how did the country react to this? | 0:11:18 | 0:11:21 | |
The ordinary people, well, | 0:11:21 | 0:11:23 | |
they didn't really know what was going on anyway. | 0:11:23 | 0:11:25 | |
But within the hierarchy and the papal courts, yes, | 0:11:25 | 0:11:29 | |
it was considered quite dreadful. | 0:11:29 | 0:11:31 | |
But that might well have been that, had it not been | 0:11:31 | 0:11:33 | |
for the unusual events which followed Thomas's death. | 0:11:33 | 0:11:37 | |
The first miracle was recorded within three days, | 0:11:37 | 0:11:39 | |
which was a woman of Canterbury who was blind got hold of | 0:11:39 | 0:11:43 | |
a piece of Thomas's cloak covered in his blood, | 0:11:43 | 0:11:46 | |
wiped her eyes, she could see. | 0:11:46 | 0:11:47 | |
They declared it a miracle. | 0:11:47 | 0:11:49 | |
And then, lots of miracles were all attributed to Thomas very quickly, | 0:11:49 | 0:11:55 | |
so within months of the murder, | 0:11:55 | 0:11:58 | |
numbers of people are coming to Canterbury. | 0:11:58 | 0:12:00 | |
And it reaches such a situation that Thomas, within three years, | 0:12:00 | 0:12:05 | |
was canonised, or made a saint. | 0:12:05 | 0:12:08 | |
What were the consequences for Canterbury? | 0:12:08 | 0:12:11 | |
Canterbury had always been a city of pilgrimage but over the centuries, | 0:12:11 | 0:12:15 | |
millions, literally millions, of people are coming to Canterbury. | 0:12:15 | 0:12:19 | |
Thanks to Becket's murder, the city became wealthy. | 0:12:19 | 0:12:22 | |
And the Church remained very powerful, | 0:12:22 | 0:12:24 | |
with the King forced to atone for his part in events. | 0:12:24 | 0:12:27 | |
But over 350 years later, | 0:12:30 | 0:12:32 | |
Henry VIII struck back when, during the Reformation, he ordered | 0:12:32 | 0:12:36 | |
that the shrine be destroyed and the bones within it burned. | 0:12:36 | 0:12:39 | |
These are capitals from this tomb found in a river | 0:12:39 | 0:12:44 | |
and this is probably all that we have left of this enormous tomb. | 0:12:44 | 0:12:49 | |
And these are a wonderful rose-coloured marble? | 0:12:49 | 0:12:52 | |
It's a special rose-coloured marble, which apparently was imported. | 0:12:52 | 0:12:56 | |
It indicates his martyrdom. | 0:12:56 | 0:12:58 | |
Hugh, this has been a fascinating story. | 0:12:58 | 0:13:02 | |
Thank you so much for sharing it with me. | 0:13:02 | 0:13:05 | |
-My pleasure. -It's been lovely. | 0:13:05 | 0:13:07 | |
Meanwhile, back in the country - ooh-arr! - whither Raj? | 0:13:10 | 0:13:15 | |
Off to the village of Bethersden, of course, | 0:13:15 | 0:13:17 | |
where they have a barn that needs looking into. | 0:13:17 | 0:13:20 | |
-Hello, ladies. -Hello. | 0:13:20 | 0:13:22 | |
-How are you? -Hello, I'm Debbie. -Hi, I'm Raj. -Hello, Raj, I'm Jenny. | 0:13:22 | 0:13:25 | |
-Hello, Jenny, nice to meet you. -And you too. | 0:13:25 | 0:13:28 | |
Right, Raj, you've got work to do. So go, boy, go, go. | 0:13:28 | 0:13:31 | |
Can you believe it? | 0:13:32 | 0:13:34 | |
This is a late 19th, early 20th-century wooden figurine | 0:13:34 | 0:13:38 | |
of a smiling Buddha. | 0:13:38 | 0:13:40 | |
Also with carved coins around the side here. | 0:13:40 | 0:13:43 | |
It's got a little bit of age to it. | 0:13:43 | 0:13:45 | |
There seem to be some worm bites underneath here. | 0:13:45 | 0:13:48 | |
It's only £18 on the ticket. | 0:13:48 | 0:13:50 | |
-Jenny? -Yes, Raj. | 0:13:50 | 0:13:52 | |
I quite like the look of this Buddha. | 0:13:52 | 0:13:54 | |
I can phone the dealer for you. | 0:13:54 | 0:13:56 | |
What I'd like to know is what the very best on it is. Put it this way. | 0:13:56 | 0:14:00 | |
If we can do it in coins, I'd be grateful, OK? | 0:14:00 | 0:14:03 | |
-I'm not sure about that but I'll have a go for you. -OK, thank you. | 0:14:03 | 0:14:07 | |
It's unlikely that success will strike twice, Raj, | 0:14:07 | 0:14:11 | |
whatever you get him for. | 0:14:11 | 0:14:13 | |
He's £18. And he'd like it for pennies. | 0:14:13 | 0:14:17 | |
THEY LAUGH | 0:14:17 | 0:14:19 | |
Tenner. | 0:14:21 | 0:14:22 | |
It's a deal. | 0:14:24 | 0:14:26 | |
Everybody's happy. | 0:14:26 | 0:14:27 | |
I've got to spend some money. | 0:14:27 | 0:14:29 | |
That's the idea. | 0:14:29 | 0:14:30 | |
This is one of my favourite type of pieces - | 0:14:30 | 0:14:33 | |
it's an old spice tin and it's got on here cinnamon, ginger, mace... | 0:14:33 | 0:14:38 | |
And that's a really pretty 18th-century spice tin | 0:14:38 | 0:14:42 | |
but at £78, I think it's probably the right price. | 0:14:42 | 0:14:45 | |
Not for taking to auction, though, eh? | 0:14:45 | 0:14:47 | |
If that was put into auction, it's going to be estimated £30 to £50. | 0:14:47 | 0:14:51 | |
Right, well, that's quite a whack off the actual price. | 0:14:51 | 0:14:54 | |
It is, but, you know... | 0:14:54 | 0:14:56 | |
Let me phone Lynne and see what she'll do for you. | 0:14:56 | 0:15:00 | |
So, while Jenny makes the call, | 0:15:00 | 0:15:02 | |
Raj looks like he's about to follow in Anita's footsteps again. | 0:15:02 | 0:15:06 | |
She's already made a profit on a globe. | 0:15:06 | 0:15:09 | |
Raj, I've got Lynne on the phone. | 0:15:09 | 0:15:11 | |
-Er, Earth to Raj? -Oh, yes. | 0:15:11 | 0:15:13 | |
-£60. -No. -No? | 0:15:13 | 0:15:16 | |
-Nowhere near. -I've got Raj for you! | 0:15:16 | 0:15:19 | |
Lynne. | 0:15:21 | 0:15:23 | |
It's a risky one for me. | 0:15:23 | 0:15:25 | |
How about we split the difference and call it 35? | 0:15:25 | 0:15:29 | |
Thank you so much! Thank you so much. | 0:15:29 | 0:15:33 | |
So, so much. | 0:15:33 | 0:15:34 | |
For a grand total of £45, | 0:15:34 | 0:15:36 | |
Raj has acquired this smiling chap and a spice box. | 0:15:36 | 0:15:39 | |
Well, it's been a busy old day, and time for a well-earned rest. | 0:15:41 | 0:15:44 | |
So, nighty-night, chaps. | 0:15:44 | 0:15:45 | |
We're out in the countryside for one last day of shopping. | 0:15:50 | 0:15:54 | |
Look at that, a rabbit! Or is it a hare? | 0:15:54 | 0:15:56 | |
Raj, we do get rabbits in Scotland. | 0:15:56 | 0:15:59 | |
Certainly do rabbiting on. | 0:15:59 | 0:16:01 | |
Later, they'll be making their way up north | 0:16:01 | 0:16:04 | |
for an auction at Bolton, | 0:16:04 | 0:16:05 | |
but our next stop is the village of Elham. | 0:16:05 | 0:16:07 | |
This is an Aston Martin. | 0:16:11 | 0:16:13 | |
This is a James Bond car! | 0:16:13 | 0:16:15 | |
I wonder if I could afford it. | 0:16:15 | 0:16:17 | |
I could just see myself as Miss Moneypenny, | 0:16:17 | 0:16:21 | |
or Pussy Galore! | 0:16:21 | 0:16:23 | |
More like Goldfinger on this trip, Anita. | 0:16:24 | 0:16:27 | |
Hi, I'm Anita. | 0:16:29 | 0:16:31 | |
Hello, I'm Julian. Welcome to Elham Antiques. | 0:16:31 | 0:16:33 | |
It's lovely to be here. Fabulous stuff! | 0:16:33 | 0:16:37 | |
There's plenty to tempt our record-breaker | 0:16:37 | 0:16:39 | |
in this establishment. | 0:16:39 | 0:16:40 | |
Look at that. | 0:16:41 | 0:16:42 | |
This is quite an interesting and unusual umbrella stand. | 0:16:45 | 0:16:49 | |
And if I look at the back, I'm looking for | 0:16:49 | 0:16:52 | |
a lozenge which will tell me that it is made by Coalbrookdale. | 0:16:52 | 0:16:57 | |
Yep, and there it is. | 0:16:59 | 0:17:01 | |
And I'm very happy about that because Coalbrookdale | 0:17:01 | 0:17:04 | |
was a quality, quality item. | 0:17:04 | 0:17:07 | |
Probably dating from about 1840 to 1870. | 0:17:07 | 0:17:12 | |
The piece is called Boy With Serpent. | 0:17:12 | 0:17:17 | |
Now, there is a loss here, | 0:17:17 | 0:17:20 | |
but this piece has so much charm. | 0:17:20 | 0:17:24 | |
Ticket price is £175. | 0:17:24 | 0:17:27 | |
Stand by, Julian. | 0:17:27 | 0:17:29 | |
I'm hoping that because some huge bird has come down and pecked... | 0:17:29 | 0:17:35 | |
-The head off. -..the head off the snake, | 0:17:35 | 0:17:37 | |
that you might be able to give me a little discount. | 0:17:37 | 0:17:39 | |
-I'm sure we can. -What's the very best you can do? | 0:17:39 | 0:17:42 | |
It's got 175 on it. | 0:17:42 | 0:17:44 | |
It could be 125. | 0:17:44 | 0:17:47 | |
-125. -You've got to make money on that. | 0:17:47 | 0:17:49 | |
Put it there. That's great. Oh, he's terrific! | 0:17:49 | 0:17:52 | |
Three figures for the second time on this leg, eh? Anything else? | 0:17:52 | 0:17:56 | |
What a sweet little thing! | 0:17:59 | 0:18:02 | |
It's a little miniature Regency tilt-top table | 0:18:02 | 0:18:07 | |
which has been inlaid to form a chessboard. | 0:18:07 | 0:18:11 | |
There has been some damage and there's some restoration underneath | 0:18:11 | 0:18:15 | |
but it's not bothering me one jot. | 0:18:15 | 0:18:19 | |
This is the type of thing | 0:18:19 | 0:18:21 | |
that a chess player will fall in love with. | 0:18:21 | 0:18:24 | |
Reassuringly expensive, Anita. And let's see what Julian can do. | 0:18:25 | 0:18:29 | |
I quite like this. | 0:18:30 | 0:18:31 | |
It could be - give you a chance - £180. | 0:18:31 | 0:18:35 | |
-180? -Yeah. -Mm-hm. | 0:18:35 | 0:18:38 | |
-I'm so tempted. -I'm sure there's a profit in that. | 0:18:38 | 0:18:42 | |
-You think so? -Yeah. | 0:18:42 | 0:18:43 | |
-Aye, let's go for it! I like it! -OK. Well done. | 0:18:43 | 0:18:46 | |
That's terrific. | 0:18:46 | 0:18:47 | |
I wonder if I could checkmate Raj | 0:18:47 | 0:18:51 | |
with this little chess set. | 0:18:51 | 0:18:54 | |
Beware the black queen, eh? | 0:18:54 | 0:18:55 | |
Elsewhere, Raj has one last chance to catch Anita. | 0:18:57 | 0:19:01 | |
He's heading for Folkestone with over £500 in his wallet. | 0:19:01 | 0:19:05 | |
-Hi there. -Hi, Raj, nice to see you. -And your name is? -Paul. | 0:19:05 | 0:19:09 | |
-Paul, nice to meet you. -Welcome to Rennies Seaside Modern. -Thank you. | 0:19:09 | 0:19:13 | |
This isn't your average antique shop either, | 0:19:13 | 0:19:15 | |
because they specialise in 20th-century British design. | 0:19:15 | 0:19:18 | |
What's the most expensive antique that you've got in here? | 0:19:22 | 0:19:25 | |
Er, this wardrobe by Gordon Russell from 1923. | 0:19:25 | 0:19:30 | |
It's design number seven. | 0:19:30 | 0:19:31 | |
-Oh, is it? -Yeah. -There we go. -And how much are you selling that for? | 0:19:31 | 0:19:35 | |
Well, we'd like £12,500 for it. | 0:19:35 | 0:19:37 | |
Wow! | 0:19:38 | 0:19:40 | |
Unlucky, Paul. Wrong expert for you today. | 0:19:40 | 0:19:43 | |
Raj has a more modest outlay in mind. | 0:19:43 | 0:19:45 | |
It's got a bit of sparkle to it. | 0:19:45 | 0:19:47 | |
-It needs a bit of a clean-up. -It does need a bit of a clean. | 0:19:48 | 0:19:51 | |
Paul, I really like this garnet brooch. | 0:19:51 | 0:19:54 | |
-I know you've got £45 on it - can I make you an offer? -Go on. -£20. | 0:19:54 | 0:19:59 | |
-I'm sorry, I can't do that. -But if I go to 25, what do you say to that? | 0:19:59 | 0:20:05 | |
-Go on, then. -OK, lovely, let's shake hands on it. -All right. | 0:20:05 | 0:20:08 | |
-Thank you very much, Paul. -Thank you. -Thank you very much. | 0:20:08 | 0:20:10 | |
That's all, folks...stone... | 0:20:10 | 0:20:13 | |
with Anita on the way to the hamlet of Smeeth and her very last shop. | 0:20:13 | 0:20:19 | |
Not your average retail outlet, though, by any means. | 0:20:19 | 0:20:22 | |
-Richard? -ANITA LAUGHS | 0:20:25 | 0:20:28 | |
-Sorry about that. -Richard, I'm Anita. -Hi, Anita. | 0:20:28 | 0:20:31 | |
This is a true restorer's workshop. | 0:20:31 | 0:20:35 | |
The smells are so exciting. | 0:20:35 | 0:20:38 | |
-The varnish, the shellac. -Smells good. | 0:20:38 | 0:20:41 | |
-I want to buy some antiques. -Let's go and sell you something. | 0:20:41 | 0:20:44 | |
Ah, there's nothing quite like a dingy storeroom | 0:20:46 | 0:20:49 | |
to gladden the heart. | 0:20:49 | 0:20:50 | |
Have a little look around, see what you can find. | 0:20:50 | 0:20:52 | |
Good luck in there, Anita. | 0:20:52 | 0:20:54 | |
I've found a croquet set that is probably one of Richard's projects. | 0:20:58 | 0:21:04 | |
The contents are all there - | 0:21:04 | 0:21:06 | |
we have the croquet sticks, we have the hoops, | 0:21:06 | 0:21:10 | |
we have all the original balls. | 0:21:10 | 0:21:12 | |
Now, I'm sure that if Richard worked on this, | 0:21:12 | 0:21:17 | |
he could make it a thing of absolute and total beauty, | 0:21:17 | 0:21:21 | |
but he hasn't started yet, and he's got hundreds of other things to do. | 0:21:21 | 0:21:26 | |
So maybe he would be interested in | 0:21:26 | 0:21:29 | |
selling this one to me for a good price. | 0:21:29 | 0:21:32 | |
Still after the very best deal, I see, despite her squillions. | 0:21:32 | 0:21:37 | |
-Richard! -Yes, Anita. | 0:21:37 | 0:21:38 | |
-I've found a croquet set. -What have you found? | 0:21:38 | 0:21:42 | |
-Yes, you have. -And I think it's a big restoration project for you. | 0:21:42 | 0:21:46 | |
You know it is, you can see, but it's so wonderful and original. | 0:21:46 | 0:21:49 | |
What's your price on that? | 0:21:49 | 0:21:51 | |
I would like £150 for this. | 0:21:51 | 0:21:53 | |
I'd love it if the box was in better nick | 0:21:53 | 0:21:56 | |
and I'd love it if I had a maker's name. | 0:21:56 | 0:21:59 | |
What's the very, very best you can do? | 0:21:59 | 0:22:03 | |
-£125. -£125! 125... | 0:22:03 | 0:22:08 | |
Yeah, it's a good price, Anita. | 0:22:08 | 0:22:10 | |
-Let's go for it, that's great. -I think there's a profit in there. | 0:22:10 | 0:22:13 | |
She's into three figures yet again. | 0:22:13 | 0:22:15 | |
So, with those final buys wrapped up, | 0:22:18 | 0:22:20 | |
let's take a peek at what they'll be bringing to auction. | 0:22:20 | 0:22:23 | |
Anita spent £730 on a croquet set, | 0:22:24 | 0:22:27 | |
a cold-painted bronze figurine, chess table, | 0:22:27 | 0:22:30 | |
an umbrella stand, and a joint lot of cocktail set and coffee table. | 0:22:30 | 0:22:35 | |
Raj parted with £140 for a pearl necklace, a Buddha, | 0:22:35 | 0:22:40 | |
a spice tin, a garnet brooch | 0:22:40 | 0:22:42 | |
and a spectacle case, | 0:22:42 | 0:22:43 | |
with which he may make a spectacle of himself. Ha! | 0:22:43 | 0:22:46 | |
So, who did good - or best? | 0:22:46 | 0:22:49 | |
The Coalbrookdale stick stand - I love it! | 0:22:49 | 0:22:52 | |
I think she's made a fantastic buy at that price. | 0:22:52 | 0:22:55 | |
He's taking a leaf out of my book with the Buddha. | 0:22:55 | 0:22:59 | |
He paid £10 for it! | 0:22:59 | 0:23:03 | |
And that's probably all it's worth! | 0:23:03 | 0:23:06 | |
Oh, yeah? After setting off from Headcorn in Kent, | 0:23:06 | 0:23:10 | |
our experts are now making for their final auction | 0:23:10 | 0:23:12 | |
in the Lancashire town of Bolton. | 0:23:12 | 0:23:14 | |
The scene for the final showdown is Bolton Auction Rooms. | 0:23:14 | 0:23:19 | |
-Last one, Raj. -Last one, yeah. | 0:23:19 | 0:23:21 | |
I wonder what auctioneer Harry Howcroft thinks | 0:23:22 | 0:23:25 | |
will wow the Boltonians. | 0:23:25 | 0:23:27 | |
The nicest thing is the spice tin. | 0:23:27 | 0:23:30 | |
Maybe not the most expensive thing in the sale, but it's a nice patina. | 0:23:30 | 0:23:34 | |
We love this and we'll get that away. | 0:23:34 | 0:23:36 | |
The cast-iron figurine of infant Hercules. | 0:23:36 | 0:23:39 | |
Nice looking thing. It has got issues. | 0:23:39 | 0:23:42 | |
OK, here we go, then. | 0:23:42 | 0:23:44 | |
Our first lot is Anita's croquet set. | 0:23:47 | 0:23:50 | |
-£34, we've made 34... -£34! -£34 bid. | 0:23:50 | 0:23:54 | |
-With me, on commission... -I've 36. -36, I've got... | 0:23:54 | 0:23:57 | |
-Oh, the internet. -Here we go. | 0:23:57 | 0:23:58 | |
40, 42, 44, | 0:23:58 | 0:24:01 | |
46, 48, 50, 52 takes me out. | 0:24:01 | 0:24:03 | |
Are we all going to finish at 52? 52, back of the room at 52... | 0:24:03 | 0:24:08 | |
-HAMMER BANGS -Aw! -Thank you. | 0:24:08 | 0:24:10 | |
A great bargain for some lucky malleteer! | 0:24:10 | 0:24:14 | |
Let's hope that whoever's bought it | 0:24:14 | 0:24:16 | |
-will get it restored and play with it. -I'm sure. -Yeah. -I'm sure. | 0:24:16 | 0:24:20 | |
Raj took a bit of a gamble on these pearls. | 0:24:20 | 0:24:23 | |
-£42. -£42! | 0:24:23 | 0:24:27 | |
-I've 44. -44, I've got 46 with me. | 0:24:27 | 0:24:29 | |
I just need it to get up to the thousands. | 0:24:29 | 0:24:31 | |
-I've got 50 with me, 55 anywhere? -55! -55, 60 anywhere else? | 0:24:31 | 0:24:36 | |
-All done, then. -Very cheap. -55... | 0:24:36 | 0:24:39 | |
Yeah, yeah. | 0:24:39 | 0:24:40 | |
It's a profit, it's a profit. | 0:24:40 | 0:24:42 | |
No doubt about that - he's just got a wee bit closer. | 0:24:42 | 0:24:45 | |
Well done, darling, well done. | 0:24:45 | 0:24:48 | |
Time for Anita's slightly saucy cold-painted bronze. | 0:24:48 | 0:24:51 | |
-44. -Oh, got a long way to go. -46, I've got 48... | 0:24:51 | 0:24:56 | |
-55! -Takes me out... | 0:24:56 | 0:24:58 | |
Internet's taking over, internet's going. Good. | 0:24:58 | 0:25:01 | |
75, 80, 80, 85... | 0:25:01 | 0:25:04 | |
It's going now, it's going now, it's going, it's going. | 0:25:04 | 0:25:06 | |
-It's got a long way to go. -On reception at £85? All done at £85... | 0:25:06 | 0:25:12 | |
-HAMMER BANGS -Aww, jeezo! | 0:25:12 | 0:25:15 | |
I've just lost 100 quid on that one. | 0:25:15 | 0:25:17 | |
Yep, cos it's modern. Spoken like a woman who can afford it, though! | 0:25:17 | 0:25:21 | |
-And she had such a nice wee bum! -Yes! | 0:25:21 | 0:25:24 | |
Bum job, more like it! Now, Raj and his garnets. | 0:25:24 | 0:25:28 | |
I've got a commission bid of 22. | 0:25:28 | 0:25:30 | |
-Is there 24 anywhere else? -24! | 0:25:30 | 0:25:32 | |
Yes, keep going, keep going. It's cheap. | 0:25:32 | 0:25:35 | |
-I've got 26 for me on commission. £26 on commission. -Still cheap. | 0:25:35 | 0:25:39 | |
28 anywhere? All done at 26... | 0:25:39 | 0:25:42 | |
-HAMMER BANGS -Ah... | 0:25:42 | 0:25:45 | |
A moral victory at least. | 0:25:45 | 0:25:46 | |
You were going in the right direction. | 0:25:46 | 0:25:49 | |
Now, calling all grand masters - Anita's chess set is next. | 0:25:49 | 0:25:53 | |
£22 with me on commission. 24, anyone? | 0:25:53 | 0:25:56 | |
22 - you'd expect a little bit more than that. It'll go, it'll go. | 0:25:56 | 0:26:00 | |
-Takes me out... -30, 32... | 0:26:00 | 0:26:02 | |
Yeah, internet buyers. They're bidding it up, here we go. | 0:26:02 | 0:26:06 | |
38... | 0:26:06 | 0:26:07 | |
We've 38 on the internet at the moment. | 0:26:07 | 0:26:09 | |
40 now in the room, it's in the room at 40... | 0:26:09 | 0:26:11 | |
Don't worry, don't panic. Look, it's going in the room, it's in the room. | 0:26:11 | 0:26:15 | |
£50 bid, 55, 60...? | 0:26:15 | 0:26:18 | |
-No? £55 bid... -I think I'm going to burst out greetin'! | 0:26:18 | 0:26:22 | |
In the room at 55... | 0:26:22 | 0:26:24 | |
-HAMMER BANGS -Oh! | 0:26:24 | 0:26:27 | |
First croquet, now chess - | 0:26:27 | 0:26:30 | |
sport just isn't paying for our Anita today. | 0:26:30 | 0:26:34 | |
-You're now giving me a chance. -All right. | 0:26:34 | 0:26:36 | |
I might be able to win this leg, OK? | 0:26:36 | 0:26:39 | |
Come on, make it SPEC-tacular! | 0:26:39 | 0:26:42 | |
44 with me, is there 46 anywhere? | 0:26:42 | 0:26:44 | |
We're into profit already. | 0:26:44 | 0:26:46 | |
46, 48, £50, 55, 60, | 0:26:46 | 0:26:51 | |
55 with me. | 0:26:51 | 0:26:52 | |
With me, then, at 55... | 0:26:52 | 0:26:55 | |
-HAMMER BANGS -Well done. | 0:26:55 | 0:26:56 | |
I'd say he's odds on to win this auction at least. | 0:26:56 | 0:27:00 | |
Well spotted! | 0:27:00 | 0:27:02 | |
THEY LAUGH | 0:27:02 | 0:27:04 | |
Can Anita finally make a profit with this joint lot? | 0:27:04 | 0:27:07 | |
24, 26, 28, £30... | 0:27:07 | 0:27:09 | |
This'll go up, this'll go up, here we go. | 0:27:09 | 0:27:11 | |
36, 38, 40, 42, 44, 46, 48... | 0:27:11 | 0:27:15 | |
Gent's bid at £50. | 0:27:15 | 0:27:17 | |
55, 60, 65, 70, 75? | 0:27:17 | 0:27:21 | |
No? £70 bid. Are we all done and finished? £70. | 0:27:21 | 0:27:24 | |
In the room, then, at 70... | 0:27:24 | 0:27:27 | |
-HAMMER BANGS -Ah-ha-ha-ha! | 0:27:27 | 0:27:30 | |
Oh, well, she's got an awfully big nest egg to fall back on. | 0:27:30 | 0:27:33 | |
I think I'm still a wee bit ahead of you. | 0:27:33 | 0:27:35 | |
I think you might be a little wee bit ahead, OK? | 0:27:35 | 0:27:38 | |
Raj's bargain spice tin is next to go. | 0:27:38 | 0:27:41 | |
£42... | 0:27:41 | 0:27:43 | |
-Oh, excellent! -At 42 with me on commission, at £42. | 0:27:43 | 0:27:47 | |
-That's spicing up your profits! -46 with me on commission. | 0:27:47 | 0:27:51 | |
With me, then, at 46... | 0:27:51 | 0:27:53 | |
Another profit! Well done, Raj. | 0:27:55 | 0:27:57 | |
Oh, I think you're making up on me. | 0:27:57 | 0:28:00 | |
Oh, yeah, you must be worried by now, I'm sure(!) | 0:28:00 | 0:28:03 | |
Now, come on, Bolton! Let's get Anita a profit! | 0:28:03 | 0:28:06 | |
£70 bid in the room. | 0:28:06 | 0:28:08 | |
-Yeah, you'll still do it... -80? | 0:28:08 | 0:28:10 | |
85, 90? | 0:28:10 | 0:28:11 | |
95, top it up. Top it up. | 0:28:11 | 0:28:14 | |
£100 bid. Is there 110 anywhere? 110. 120. | 0:28:14 | 0:28:18 | |
-130 in the room... -130! Profit, profit! | 0:28:18 | 0:28:21 | |
At £150. Are we all done and settled at £150? | 0:28:21 | 0:28:26 | |
-HAMMER BANGS -Yes! I'm happy with that. | 0:28:26 | 0:28:28 | |
Who knows what it might have made completely intact? | 0:28:28 | 0:28:31 | |
Here it is, then, Raj's game-changer. | 0:28:33 | 0:28:36 | |
Around £2,500 should do it. | 0:28:36 | 0:28:38 | |
-There's a little bit of interest, I can go in at £12. -£12?! | 0:28:38 | 0:28:43 | |
You're in profit! | 0:28:43 | 0:28:45 | |
14 now, 16, 18, 18 takes me out, at £18... | 0:28:45 | 0:28:49 | |
-£18, that's OK. -..20 now... | 0:28:49 | 0:28:51 | |
20? Oh, my goodness. | 0:28:51 | 0:28:53 | |
I've got a 20 bid, gent's bid at £20, 22 now... | 0:28:53 | 0:28:56 | |
-22! -£24 bid. | 0:28:56 | 0:28:58 | |
All done, then? Gent's bid at 24... | 0:28:58 | 0:29:01 | |
-HAMMER BANGS -Well done! -It doubled its money. | 0:29:01 | 0:29:04 | |
You see, it brought a smile to folks' faces, and they wanted it. | 0:29:04 | 0:29:08 | |
They couldn't help themselves. | 0:29:08 | 0:29:10 | |
But despite Raj's best efforts, | 0:29:10 | 0:29:12 | |
the day and this Road Trip are all about Anita. | 0:29:12 | 0:29:15 | |
Anita has actually got the record-breaking profit on | 0:29:15 | 0:29:19 | |
Antiques Road Trip. | 0:29:19 | 0:29:20 | |
So we'd just like to congratulate her on that one. | 0:29:20 | 0:29:23 | |
CHEERING AND APPLAUSE | 0:29:23 | 0:29:25 | |
Bravo! Well done, Anita. | 0:29:31 | 0:29:33 | |
Raj started out with £632.48. | 0:29:35 | 0:29:40 | |
And, after paying auction costs, he made a profit of £28.92, | 0:29:40 | 0:29:45 | |
leaving him with a total of £661.40. | 0:29:45 | 0:29:48 | |
Anita began with £3,543.82. | 0:29:50 | 0:29:54 | |
And she made a loss, after costs, of £392.16. | 0:29:54 | 0:29:59 | |
But she still got a bunch of flowers, and she's still our winner. | 0:29:59 | 0:30:02 | |
All profits go to Children In Need. | 0:30:02 | 0:30:05 | |
This trip has made history. You have made history. | 0:30:05 | 0:30:09 | |
-You are the Queen of the Road Trip. -I'm lost for words! | 0:30:09 | 0:30:12 | |
And that doesn't happen very often! | 0:30:12 | 0:30:15 | |
Too true. We wave a sad farewell to one Road Trip, | 0:30:15 | 0:30:17 | |
but to keep our spirits up, along comes a brand-new adventure with | 0:30:17 | 0:30:21 | |
Derbyshire dandy Charles Hanson and the ever-jolly James Braxton. | 0:30:21 | 0:30:25 | |
Hey, nice hat. Is that one of mine? | 0:30:25 | 0:30:27 | |
Do you prefer Jim or James? | 0:30:27 | 0:30:29 | |
James. | 0:30:29 | 0:30:30 | |
-Jimbo? -James. | 0:30:30 | 0:30:32 | |
James. Right. | 0:30:32 | 0:30:33 | |
Are you a Jamie? | 0:30:34 | 0:30:36 | |
No, I'm not a Jamie. | 0:30:36 | 0:30:37 | |
-OK, sorry! -I'm James! -OK. | 0:30:37 | 0:30:39 | |
Antiques expert Charles has a keen eye for spotting top lots, | 0:30:39 | 0:30:42 | |
and unfortunately, a hand for breaking a few, too. | 0:30:42 | 0:30:46 | |
Look out. | 0:30:46 | 0:30:47 | |
Look at these beautiful lug handles. Oops! | 0:30:47 | 0:30:49 | |
That's just become detached! | 0:30:49 | 0:30:51 | |
Oh, lordy! His rival on this journey is esteemed auctioneer James, | 0:30:51 | 0:30:55 | |
who's a lover, not a fighter, when it comes to the Road Trip battle. | 0:30:55 | 0:30:59 | |
I like to leave as friends, Mike! | 0:30:59 | 0:31:02 | |
I don't want to leave as an enemy. | 0:31:02 | 0:31:04 | |
I should hope not. | 0:31:04 | 0:31:05 | |
Starting this trip with £200 each, the boys will be taking to the road | 0:31:05 | 0:31:10 | |
in this 1964 DKW 1000 coupe, | 0:31:10 | 0:31:14 | |
which was manufactured in West Germany at a time | 0:31:14 | 0:31:16 | |
before seatbelts were mandatory - got it? | 0:31:16 | 0:31:19 | |
Don't you truly feel, | 0:31:19 | 0:31:21 | |
having hunted hard on the Road Trip for many years, | 0:31:21 | 0:31:23 | |
to come to Scotland, it really is a Holy Grail | 0:31:23 | 0:31:27 | |
-for the Antiques Road Trip? -It is. | 0:31:27 | 0:31:29 | |
-The Scottish leg is what we all lust and hunger for, isn't it? -Yeah. | 0:31:29 | 0:31:33 | |
Yes, it is indeed. | 0:31:33 | 0:31:34 | |
Beginning in the Highlands, | 0:31:36 | 0:31:38 | |
Charles and James will journey all over bonnie Scotland, | 0:31:38 | 0:31:40 | |
taking in the north-east and central belt, before finally finishing | 0:31:40 | 0:31:44 | |
across the border in Berwick-upon-Tweed. | 0:31:44 | 0:31:47 | |
This leg will kick off in Dingwall, | 0:31:47 | 0:31:49 | |
before ending up in Aberdeen for auction. | 0:31:49 | 0:31:52 | |
Charles will be kicking off the buying today, so watch out. | 0:31:54 | 0:31:58 | |
Fantastic, James, isn't it? | 0:31:58 | 0:31:59 | |
-This is where it all begins. -Is it? | 0:31:59 | 0:32:01 | |
-Right, good luck. -I'm off, James. -Good luck. | 0:32:01 | 0:32:03 | |
All the best. Have a good day. | 0:32:03 | 0:32:05 | |
-See you later. -Bye! | 0:32:05 | 0:32:06 | |
And off to the Objet d'Art. | 0:32:08 | 0:32:10 | |
It's a big shop with five rooms to explore | 0:32:10 | 0:32:12 | |
and the man in charge is William. | 0:32:12 | 0:32:14 | |
Looks like he could be Charles's dad. | 0:32:14 | 0:32:16 | |
-Good morning. -Charles, good morning. How are you? | 0:32:16 | 0:32:18 | |
Absolutely splendid. Yourself? | 0:32:18 | 0:32:20 | |
-What a wonderful drive! -Brilliant. | 0:32:20 | 0:32:22 | |
My eyes are going everywhere, because I can see you've got | 0:32:22 | 0:32:24 | |
a really good, varied mix. | 0:32:24 | 0:32:26 | |
I can also see this big... | 0:32:26 | 0:32:27 | |
What beast is that? | 0:32:27 | 0:32:29 | |
That's a Highland coo. | 0:32:29 | 0:32:31 | |
-Coo? Which is a cow. -It is. | 0:32:31 | 0:32:33 | |
But you call it a coo? | 0:32:33 | 0:32:34 | |
-It's a Highland coo. -OK, got it. I'm learning all the time in Scotland! | 0:32:34 | 0:32:37 | |
You are, indeed. Absolutely. | 0:32:37 | 0:32:38 | |
Every day's a school day, Carlos, | 0:32:38 | 0:32:40 | |
but it looks like something more familiar has caught your eye. | 0:32:40 | 0:32:43 | |
In this cabinet, here, | 0:32:43 | 0:32:45 | |
are a lovely, lovely pair of vases. | 0:32:45 | 0:32:48 | |
What, you say? | 0:32:50 | 0:32:51 | |
Yeah, I know. | 0:32:51 | 0:32:52 | |
You're from Derby! | 0:32:52 | 0:32:53 | |
Look at those flowers! Hand-painted in that rich, Regency spirit | 0:32:53 | 0:32:58 | |
of circa 1810. Look at these beautiful lug handles... | 0:32:58 | 0:33:01 | |
Oops! Hell... | 0:33:01 | 0:33:02 | |
Charles! | 0:33:02 | 0:33:04 | |
It was stuck, | 0:33:06 | 0:33:07 | |
and the handle, like on the side of a cliff, | 0:33:07 | 0:33:11 | |
has just become detached, so... | 0:33:11 | 0:33:14 | |
-William? -Yes? | 0:33:14 | 0:33:15 | |
Just a quickie. | 0:33:15 | 0:33:16 | |
I was just handling the vase... | 0:33:16 | 0:33:17 | |
Don't worry. | 0:33:17 | 0:33:19 | |
..and the handle has just became just detached. | 0:33:19 | 0:33:21 | |
It'd been restored, hadn't it? | 0:33:21 | 0:33:22 | |
-Fine, yeah. That's fine. -No problem whatsoever. | 0:33:22 | 0:33:24 | |
I mean, it just needs a bit of glue... Sorry about that, sir. | 0:33:24 | 0:33:26 | |
Don't you worry about that in the slightest. | 0:33:26 | 0:33:28 | |
-But, that, a lovely pair of vases. -We'll get it restored, no worries. | 0:33:28 | 0:33:31 | |
Oh, what a start! First object in... | 0:33:31 | 0:33:33 | |
Anyway. | 0:33:33 | 0:33:34 | |
I think you got off lightly there, butterfingers. | 0:33:34 | 0:33:37 | |
Anything less fragile catch your eye, Charles? | 0:33:37 | 0:33:40 | |
That little dish at the far end. | 0:33:40 | 0:33:42 | |
-Yeah, that's Austrian. -Is it? -Yes. | 0:33:42 | 0:33:44 | |
Is it old? | 0:33:44 | 0:33:46 | |
I would think probably early 1900s, 1800s. | 0:33:46 | 0:33:50 | |
Late 1800s. | 0:33:50 | 0:33:52 | |
It's what we call a little waiter, isn't it? | 0:33:52 | 0:33:54 | |
It's a little, almost a small salver which people would have used... | 0:33:54 | 0:34:00 | |
For their creme de menthe. | 0:34:00 | 0:34:01 | |
Exactly... | 0:34:01 | 0:34:03 | |
-Or in Scotland, you'd use it for... -Your dram. | 0:34:03 | 0:34:05 | |
-Your dram. -Your dram. -A drink. | 0:34:05 | 0:34:07 | |
-What I quite like about this are the marks here. -Yes. | 0:34:07 | 0:34:09 | |
They are quite indistinct | 0:34:09 | 0:34:12 | |
and they look quite early marks. | 0:34:12 | 0:34:15 | |
The ticket says £125. | 0:34:15 | 0:34:18 | |
Charles, time to make a cheeky offer? | 0:34:18 | 0:34:20 | |
-£60? -Indeed. | 0:34:20 | 0:34:21 | |
-Happy with that? -Indeed. | 0:34:21 | 0:34:22 | |
-I'll take it. -Much obliged, thank you. | 0:34:22 | 0:34:24 | |
Thanks very much. My road trip now is truly off and running. | 0:34:24 | 0:34:26 | |
-Highland fling? -Indeed. -How do you do the Highland fling? -I don't know! | 0:34:26 | 0:34:29 | |
-Is it all that? -Something like that, yes! | 0:34:29 | 0:34:31 | |
Charles got a great deal there, | 0:34:31 | 0:34:33 | |
purchasing the plate for less than half price. | 0:34:33 | 0:34:36 | |
Well done, Charles. | 0:34:36 | 0:34:38 | |
Voila. | 0:34:38 | 0:34:39 | |
James, meanwhile, has motored 25 miles down the road to Daviot, | 0:34:41 | 0:34:45 | |
just south of Inverness, | 0:34:45 | 0:34:47 | |
in the hope of finding his first purchase of this road trip. | 0:34:47 | 0:34:51 | |
He's come to Antiques & Architectural Salvage, | 0:34:53 | 0:34:56 | |
hoping to uncover some hidden gems. | 0:34:56 | 0:34:59 | |
-Hello! -Hi. -James. | 0:34:59 | 0:35:01 | |
-I'm Mike. -Hello, Mike. -Pleased to meet you. | 0:35:01 | 0:35:03 | |
-Well, it looks all very good from outside, I must say! -Yeah. | 0:35:03 | 0:35:07 | |
Yeah, one of everything and two of everything else. | 0:35:07 | 0:35:09 | |
Mike's not kidding. | 0:35:09 | 0:35:11 | |
What on earth is that? | 0:35:11 | 0:35:13 | |
It's a lid from a whisky still. | 0:35:13 | 0:35:15 | |
It would have a big cross clamp and a screw, | 0:35:15 | 0:35:18 | |
to screw the top down tight. | 0:35:18 | 0:35:20 | |
So, the screw engages, sort of, there? | 0:35:20 | 0:35:22 | |
-Yeah, yeah. -Holds it there. | 0:35:22 | 0:35:24 | |
What's it made of? | 0:35:24 | 0:35:26 | |
-It's cast brass. -Cast brass, goodness. | 0:35:26 | 0:35:28 | |
-That is hernia stuff, isn't it? -Yeah, yeah. | 0:35:29 | 0:35:31 | |
I love that. | 0:35:31 | 0:35:32 | |
Yeah, that could be £60. | 0:35:32 | 0:35:34 | |
Could it? | 0:35:34 | 0:35:35 | |
Could be. | 0:35:35 | 0:35:36 | |
With a ticket price of £120, that would be an impressive 50% discount. | 0:35:37 | 0:35:41 | |
That's quite fun, isn't it? | 0:35:46 | 0:35:48 | |
Have you got the corresponding thing? | 0:35:48 | 0:35:50 | |
No, I'm afraid I haven't. No. | 0:35:50 | 0:35:51 | |
Very often with antiques, | 0:35:51 | 0:35:52 | |
you don't necessarily need them, do you? | 0:35:52 | 0:35:55 | |
Oh, no! No, no. | 0:35:55 | 0:35:58 | |
You might not need them, but they cost! | 0:35:58 | 0:35:59 | |
The reclaimed stanchion and the rope has a ticket price of £40. | 0:36:01 | 0:36:05 | |
That's another item to think about. | 0:36:06 | 0:36:07 | |
But anything else, James? | 0:36:07 | 0:36:09 | |
I always like matchbox covers. | 0:36:10 | 0:36:11 | |
-It's a great weight, that one, isn't it? -Aye. | 0:36:13 | 0:36:15 | |
-That's beautifully made. -Yeah. | 0:36:16 | 0:36:18 | |
Oh, I see! | 0:36:19 | 0:36:20 | |
-So, you take it out and then strike. -I think so, yeah. | 0:36:20 | 0:36:23 | |
Yeah, I think so. | 0:36:24 | 0:36:25 | |
It's £12. | 0:36:27 | 0:36:28 | |
Interesting. | 0:36:28 | 0:36:30 | |
Browsing over, James has a few things on his wish list. | 0:36:30 | 0:36:33 | |
Time to talk money. | 0:36:33 | 0:36:35 | |
I like that. I'll take that one, Mike. | 0:36:35 | 0:36:37 | |
-Good. -What did you say on the still cover? | 0:36:37 | 0:36:40 | |
I said 60 on the cover, and... | 0:36:40 | 0:36:42 | |
-What did I say on the matchbox? -12 on the matchbox cover. | 0:36:42 | 0:36:46 | |
£80, the wrap-up. | 0:36:46 | 0:36:47 | |
-Really? -Cheers. | 0:36:47 | 0:36:48 | |
You've got yourself a deal. Thank you, Mike, thank you. | 0:36:48 | 0:36:52 | |
£60 for the whisky lid | 0:36:52 | 0:36:54 | |
and £10 each for the stanchion and rope, and the matchbox cover. | 0:36:54 | 0:36:58 | |
What a mixture. | 0:36:58 | 0:36:59 | |
Three down, two to go. | 0:36:59 | 0:37:00 | |
Charles, meanwhile, has made his way to Inverness | 0:37:04 | 0:37:07 | |
with £140 still in his pocket. | 0:37:07 | 0:37:10 | |
What can he find there at The Merchant? | 0:37:10 | 0:37:13 | |
-Hello! -Good day to you. | 0:37:13 | 0:37:15 | |
-How are you? -I'm very well, thank you. | 0:37:15 | 0:37:16 | |
-Your name is? -Moira. | 0:37:16 | 0:37:18 | |
-Great to be here. Love your shop. Wowee! -Thank you. | 0:37:18 | 0:37:21 | |
With a mix of antiques and vintage items, there's plenty on offer here. | 0:37:21 | 0:37:26 | |
That's quite nice. | 0:37:26 | 0:37:27 | |
What is it, do you know? | 0:37:27 | 0:37:29 | |
A glass vase! | 0:37:29 | 0:37:31 | |
Moira, I like your style! I like your style. | 0:37:31 | 0:37:33 | |
It's a bit rubbed. | 0:37:33 | 0:37:35 | |
Can you see? It's a really attractive hexagonal... | 0:37:35 | 0:37:38 | |
green glass vase. | 0:37:38 | 0:37:40 | |
The best price on that would be? | 0:37:40 | 0:37:42 | |
That one... | 0:37:42 | 0:37:43 | |
Probably £8. | 0:37:45 | 0:37:47 | |
-£8. -Yes, on that one. | 0:37:47 | 0:37:50 | |
-I'll mental-note it and come back to it. -OK. | 0:37:50 | 0:37:52 | |
OK, but for £8, it's a really nice object. | 0:37:52 | 0:37:56 | |
Noted. What's next? | 0:37:56 | 0:37:58 | |
Gorgeous vase. | 0:37:58 | 0:38:00 | |
Well, what we call a potpourri. | 0:38:00 | 0:38:02 | |
-That's pretty. -Yes! | 0:38:02 | 0:38:04 | |
What I love about this is it's fantastic what we call | 0:38:04 | 0:38:07 | |
-Japanese Satsuma ware. -Mm. | 0:38:07 | 0:38:08 | |
And Japanese Satsuma was made quite quickly | 0:38:08 | 0:38:11 | |
after the treaty of Edo, 1858. | 0:38:11 | 0:38:14 | |
Just out of interest, Moira, it's priced at £65. | 0:38:14 | 0:38:17 | |
What's your very, very best? | 0:38:17 | 0:38:19 | |
We've literally just got it in. | 0:38:19 | 0:38:20 | |
-Mm, look at me... -So... | 0:38:20 | 0:38:22 | |
-£60. -OK. | 0:38:22 | 0:38:23 | |
-That is it. -That's fine. | 0:38:23 | 0:38:25 | |
-I couldn't do anything less than that. -No, that's fine. | 0:38:25 | 0:38:27 | |
That's five pounds off. OK. | 0:38:27 | 0:38:29 | |
-Thank you. -No problem. | 0:38:29 | 0:38:30 | |
I'll give it some thought. Thanks, Moira. | 0:38:30 | 0:38:32 | |
Something else to think about. | 0:38:32 | 0:38:35 | |
Any more for any more? | 0:38:35 | 0:38:37 | |
Just going to open this cabinet, | 0:38:37 | 0:38:38 | |
cos there's lots of interesting curios in here. | 0:38:38 | 0:38:41 | |
I quite like your little mouse. | 0:38:41 | 0:38:43 | |
Yes. Unfortunately, he's missing his eyes and his ears. | 0:38:43 | 0:38:47 | |
But he has the original tail. | 0:38:47 | 0:38:49 | |
Well, that's something. | 0:38:49 | 0:38:50 | |
-We always think back to the novel Edwardian times... -Mm-hm. | 0:38:50 | 0:38:54 | |
..and our Edwardian ancestors were so novel | 0:38:54 | 0:38:58 | |
in what they used as a matchbox, and that's what this is. | 0:38:58 | 0:39:02 | |
-Yes. -It's basically a small vesta case or matchbox. | 0:39:02 | 0:39:06 | |
He probably would date to around 1900. | 0:39:06 | 0:39:09 | |
What's the best price on this poor old mouse? | 0:39:09 | 0:39:12 | |
What do I have on my little mousy? | 0:39:12 | 0:39:14 | |
25. | 0:39:14 | 0:39:16 | |
I could do 18 on that one. | 0:39:16 | 0:39:17 | |
-Really? -Yes. | 0:39:17 | 0:39:18 | |
He's cute. | 0:39:18 | 0:39:20 | |
With three potential lots playing on his mind, | 0:39:20 | 0:39:23 | |
it's decision time. | 0:39:23 | 0:39:25 | |
If I was to buy | 0:39:25 | 0:39:26 | |
the mouse, 18, vase at eight... | 0:39:26 | 0:39:30 | |
-Yes. -26. | 0:39:30 | 0:39:31 | |
Plus, the very nice Japanese potpourri at 60... | 0:39:31 | 0:39:37 | |
-Mm-hm. -That's £86, isn't it? | 0:39:37 | 0:39:40 | |
-Yeah. -Is that right? -Yes. | 0:39:40 | 0:39:42 | |
-Fine. I'll take them. -OK. | 0:39:42 | 0:39:44 | |
-Thank you. Yes, I will. Thanks, Moira. -No problem. | 0:39:44 | 0:39:46 | |
A very successful bit of buying there, with three lots bought. | 0:39:46 | 0:39:49 | |
Marvellous. | 0:39:49 | 0:39:50 | |
Oh, another kiss. | 0:39:50 | 0:39:52 | |
It's been a busy old day for our experts. | 0:39:54 | 0:39:57 | |
Time for some well-earned rest. | 0:39:57 | 0:39:59 | |
So, nighty-night. | 0:39:59 | 0:40:01 | |
It's a new day and the boys are back on the road. | 0:40:04 | 0:40:07 | |
First stop is in the village of Auldearn, | 0:40:07 | 0:40:10 | |
where James has the chance to spend some of his remaining £120 | 0:40:10 | 0:40:14 | |
at the cleverly-titled Auldearn Antiques. | 0:40:14 | 0:40:18 | |
It's a rather nice, very nice light. So, it's got a little rod here. | 0:40:20 | 0:40:24 | |
It's a rise and fall light. Rather nice. | 0:40:24 | 0:40:27 | |
Now, what's that? | 0:40:31 | 0:40:33 | |
Ah, a kilim rug. | 0:40:33 | 0:40:35 | |
It's quite grubby. | 0:40:35 | 0:40:37 | |
It's certainly been used. | 0:40:37 | 0:40:38 | |
But, in spite of being used... | 0:40:39 | 0:40:42 | |
..it's not bad. Not bad condition. | 0:40:44 | 0:40:46 | |
It's lovely and stiff. It's very tight weave. | 0:40:46 | 0:40:49 | |
Rather nice. | 0:40:49 | 0:40:50 | |
It could benefit from a good clean, but it's a nice kilim. | 0:40:50 | 0:40:55 | |
A kilim rug is flat woven, | 0:40:55 | 0:40:58 | |
a style typical from Turkey, Iran and Pakistan. | 0:40:58 | 0:41:01 | |
It can be £40 to you. | 0:41:01 | 0:41:03 | |
£40? Roger, I'll take it. Thank you. | 0:41:03 | 0:41:05 | |
That's the quickest deal that been done this week, thank you, James! | 0:41:05 | 0:41:10 | |
No messing about there, James. | 0:41:10 | 0:41:11 | |
Fourth lot bought - well done. | 0:41:11 | 0:41:14 | |
What a marvellous thing. There you are. | 0:41:14 | 0:41:16 | |
-One, two...40. -Thank you very much, indeed. | 0:41:16 | 0:41:18 | |
Thank you very much, indeed, Roger. | 0:41:18 | 0:41:19 | |
While James has been busy buying, Charles has made his way to Moy. | 0:41:21 | 0:41:25 | |
He'll have a sedate start to his day with a gentle cruise | 0:41:25 | 0:41:28 | |
on the Caledonian Canal. | 0:41:28 | 0:41:29 | |
Unbelievable. | 0:41:31 | 0:41:32 | |
There she awaits. | 0:41:32 | 0:41:34 | |
From the Antiques Road Trip to the boating trip. | 0:41:34 | 0:41:37 | |
I can't wait. | 0:41:37 | 0:41:38 | |
Cutting through the mountainous heart of the Scottish Highlands, | 0:41:40 | 0:41:44 | |
this ground-breaking, 200-year-old mighty waterway was one of Britain's | 0:41:44 | 0:41:48 | |
biggest and boldest building projects. | 0:41:48 | 0:41:51 | |
Built in the 19th century, | 0:41:51 | 0:41:53 | |
the canal's design and construction was state of the art. | 0:41:53 | 0:41:57 | |
Linking the North Sea to the Atlantic Ocean, | 0:41:57 | 0:41:59 | |
it's 60 miles long, with 29 locks. | 0:41:59 | 0:42:02 | |
Charles is meeting skipper Andy and Heritage Officer Chris O'Connell | 0:42:03 | 0:42:07 | |
to find out more. | 0:42:07 | 0:42:08 | |
Chris, it is truly awe-inspiring. | 0:42:08 | 0:42:11 | |
It is, isn't it? | 0:42:11 | 0:42:12 | |
But what I can't quite believe is the water we're on | 0:42:12 | 0:42:16 | |
was actually man-made. Why? | 0:42:16 | 0:42:18 | |
Well, it was a government-sponsored project | 0:42:18 | 0:42:21 | |
for employment for the Highlands. | 0:42:21 | 0:42:24 | |
At the time - after the Jacobite revolution - mass migration, | 0:42:24 | 0:42:27 | |
the Clearances, the Highland Clearances, | 0:42:27 | 0:42:30 | |
30,000 people leaving the country, | 0:42:30 | 0:42:32 | |
it was a way of keeping people in the country. | 0:42:32 | 0:42:34 | |
It was a government-sponsored employment scheme. | 0:42:34 | 0:42:37 | |
The father of modern civil engineering, Thomas Telford, | 0:42:39 | 0:42:42 | |
was brought on board to create the ambitious Caledonian Canal. | 0:42:42 | 0:42:46 | |
His vision was to combine clever construction | 0:42:46 | 0:42:48 | |
with Scotland's spectacular scenery. | 0:42:48 | 0:42:51 | |
In 1803, he surveyed the route of the canal, | 0:42:51 | 0:42:55 | |
an Act of Parliament was passed, | 0:42:55 | 0:42:58 | |
and construction began shortly afterwards. | 0:42:58 | 0:43:01 | |
Expected to take seven years to build, | 0:43:01 | 0:43:04 | |
the canal actually didn't open until 1822 - | 0:43:04 | 0:43:07 | |
five years late and way over budget. | 0:43:07 | 0:43:09 | |
Sounds pretty typical. | 0:43:10 | 0:43:12 | |
This is the ledger, the money spent. | 0:43:13 | 0:43:16 | |
We see here, Thomas Telford, | 0:43:16 | 0:43:18 | |
for general superintendence and management, | 0:43:18 | 0:43:22 | |
1803 to 1825, he was paid £5,272. | 0:43:22 | 0:43:26 | |
And that was literally the period of those almost 19 years | 0:43:26 | 0:43:31 | |
building the canal. | 0:43:31 | 0:43:33 | |
That, in today's money, is roughly £350,000. | 0:43:33 | 0:43:37 | |
Look at this - "whisky allowed to men working in the water", | 0:43:37 | 0:43:41 | |
£127 worth. | 0:43:41 | 0:43:43 | |
-Amazing. -I don't know how much whisky you get for £127. | 0:43:43 | 0:43:45 | |
-Any whisky left over? -I don't think so! | 0:43:45 | 0:43:48 | |
It's getting a bit cold up here! | 0:43:48 | 0:43:49 | |
No time for a snifter, Charles, it's your turn to take the helm. | 0:43:49 | 0:43:53 | |
Watch out(!) | 0:43:53 | 0:43:54 | |
Oh, dear - hold tight, gents. | 0:43:56 | 0:43:57 | |
This is the Antiques Boat Trip! | 0:43:57 | 0:43:59 | |
I should say, there is a speed limit. | 0:43:59 | 0:44:02 | |
Sorry? All right, sorry about that! | 0:44:02 | 0:44:04 | |
Not the smoothest of starts, hey? | 0:44:04 | 0:44:06 | |
It's just amazing. I can see so much in front of me... | 0:44:06 | 0:44:10 | |
When there's no traffic, | 0:44:11 | 0:44:13 | |
driving can be...like buying antiques - piece of cake! | 0:44:13 | 0:44:19 | |
The most impressive single engineering feat on the canal | 0:44:19 | 0:44:22 | |
is Neptune's Staircase, a spectacular flight of eight locks. | 0:44:22 | 0:44:27 | |
It takes roughly 90 minutes to travel up the 64 feet to the top. | 0:44:27 | 0:44:32 | |
There's a lock gate in front. | 0:44:32 | 0:44:34 | |
-Yes. -How do we get through, do I just nudge it? | 0:44:34 | 0:44:37 | |
The lock keeper's waited, so we will head over towards the right. | 0:44:37 | 0:44:41 | |
OK. So I'll go slightly right, yes. | 0:44:41 | 0:44:43 | |
Hello, sir. Here's our lock keeper. | 0:44:43 | 0:44:47 | |
-Hello, sir. -How are you doing? | 0:44:47 | 0:44:49 | |
I almost feel like saluting those Highlanders, | 0:44:49 | 0:44:52 | |
-what they've achieved. -Yes. -And, of course, Mr Telford. | 0:44:52 | 0:44:55 | |
Sorry, I'll concentrate. | 0:44:55 | 0:44:57 | |
-There's a little duck. Excuse me! -HORN BLARES | 0:44:59 | 0:45:02 | |
Although at the time of opening the canal was considered | 0:45:02 | 0:45:05 | |
a commercial failure, | 0:45:05 | 0:45:07 | |
it has proven to be a stunning feat of engineering | 0:45:07 | 0:45:10 | |
which has survived hundreds of years and has been enjoyed by millions. | 0:45:10 | 0:45:14 | |
James, thank you ever so much. | 0:45:14 | 0:45:16 | |
I think in all my time on Antiques Road Trip, | 0:45:16 | 0:45:20 | |
this has been one of my favourite, most memorable experiences. | 0:45:20 | 0:45:23 | |
Being on Caledonian... | 0:45:23 | 0:45:25 | |
-Our pleasure. -It's been wonderful. | 0:45:25 | 0:45:28 | |
James, meanwhile, has made his way to the village of Dulnain Bridge | 0:45:30 | 0:45:34 | |
for his final shop. | 0:45:34 | 0:45:35 | |
He's come to the Speyside Heather Centre | 0:45:35 | 0:45:38 | |
and is hoping dealer Betty can help him unearth | 0:45:38 | 0:45:41 | |
a bargain to take to auction. | 0:45:41 | 0:45:43 | |
Hello! My goodness, you're much taller than I expected! | 0:45:43 | 0:45:47 | |
-You're saying all the right things! -Handsomer, as well! | 0:45:47 | 0:45:49 | |
I say. | 0:45:49 | 0:45:51 | |
You haven't got anything lurking behind the plaid curtain? | 0:45:58 | 0:46:01 | |
I can let you have a peek. | 0:46:01 | 0:46:02 | |
Oh! Into the inner sanctum! Follow me. | 0:46:02 | 0:46:06 | |
Ooh, look, this is where the treasures are! | 0:46:08 | 0:46:11 | |
So you've got a pair of those? I saw one of those outside. | 0:46:11 | 0:46:13 | |
That looks sort of like an Ercol chair | 0:46:13 | 0:46:16 | |
with the arm thing. | 0:46:16 | 0:46:18 | |
I'm going to look at the one outside and see... | 0:46:18 | 0:46:20 | |
Betty, are you all right with that? | 0:46:20 | 0:46:22 | |
-You wouldn't mind bringing that through, would you? -OK. | 0:46:22 | 0:46:24 | |
So, James, do they match? | 0:46:24 | 0:46:28 | |
-It is a pair, isn't it? -Mm-hm. -Who are they made by? | 0:46:28 | 0:46:32 | |
It's Ercol, is it? | 0:46:32 | 0:46:33 | |
Ercol is the manufacturer. | 0:46:33 | 0:46:35 | |
Regarded for good quality. | 0:46:35 | 0:46:38 | |
It's got quite a nice, stylish back. | 0:46:38 | 0:46:40 | |
We've got a sort of stick back chair, | 0:46:40 | 0:46:43 | |
but it's got these, sort of, out-rigging arms. | 0:46:43 | 0:46:46 | |
Betty, what do you think you could do for the pair? | 0:46:46 | 0:46:49 | |
Think low! | 0:46:49 | 0:46:51 | |
Of course, they're not mine. Will I make the phone call? | 0:46:51 | 0:46:54 | |
Make a phone call. | 0:46:54 | 0:46:56 | |
Ticket price is £55 each. | 0:46:56 | 0:46:58 | |
They're not the brightest of order. | 0:46:58 | 0:47:01 | |
They've had a life, but so have I. | 0:47:01 | 0:47:04 | |
Look lively, Betty's back, and with good news, we hope. | 0:47:04 | 0:47:08 | |
You are one lucky man. | 0:47:08 | 0:47:10 | |
65 for the two. | 0:47:10 | 0:47:11 | |
Do you think she might go any lower, or not? 50? | 0:47:12 | 0:47:15 | |
She might stretch and give you the two for 55. | 0:47:17 | 0:47:20 | |
55, you've gone and got yourself a deal. | 0:47:20 | 0:47:23 | |
-OK. -Thank you very much indeed, Betty. They are lovely. | 0:47:23 | 0:47:26 | |
Nicely done, James. That's you all bought up. | 0:47:26 | 0:47:30 | |
-Bye! -Bye. | 0:47:30 | 0:47:31 | |
Charles isn't spent up quite yet | 0:47:36 | 0:47:38 | |
so he's made his way to his final stop in Kingussie, | 0:47:38 | 0:47:42 | |
sitting by the River Spey. | 0:47:42 | 0:47:44 | |
Here we are. | 0:47:44 | 0:47:46 | |
He's arrived at the White Cockade | 0:47:46 | 0:47:48 | |
with £54 burning a hole in his pocket. | 0:47:48 | 0:47:51 | |
Specialising in French and Scottish furniture, | 0:47:53 | 0:47:56 | |
kitchenalia and collectables, there is plenty on offer. | 0:47:56 | 0:48:01 | |
I thought this was quite old for a second, I thought, wowee, | 0:48:01 | 0:48:04 | |
it could be mid-17th-century... | 0:48:04 | 0:48:06 | |
I turn it upside down and it says "Made in Colombia". | 0:48:06 | 0:48:09 | |
So we never stop learning in this game! | 0:48:09 | 0:48:11 | |
It's not "just like that" today. It's not just like that. | 0:48:15 | 0:48:18 | |
It should be! Normally it is. | 0:48:18 | 0:48:20 | |
Just as Charles was starting to despair, | 0:48:20 | 0:48:23 | |
some ladles with a ticket price of £85 have caught his attention. | 0:48:23 | 0:48:28 | |
Time to call in dealer Laurence. | 0:48:28 | 0:48:30 | |
Are these old, do you think, Laurence, or reproduction? | 0:48:32 | 0:48:34 | |
They are old. I believe they are 18th century. | 0:48:34 | 0:48:37 | |
A set of... Is it four? | 0:48:37 | 0:48:40 | |
Yes, the big one as well. | 0:48:40 | 0:48:42 | |
I do think these are probably quite old. | 0:48:42 | 0:48:45 | |
You can see how they've been hand-finished. | 0:48:45 | 0:48:47 | |
I do like the patination on them. | 0:48:47 | 0:48:53 | |
What would be the best on them for the four, please? | 0:48:53 | 0:48:56 | |
I'll do 50, but that's my very, very, very best. | 0:48:57 | 0:49:01 | |
I'm going to go for the ladles. | 0:49:01 | 0:49:03 | |
-I'll take them, for £50. -OK. -Thank you so much. | 0:49:03 | 0:49:06 | |
It's taken me a while, but I've got there. | 0:49:06 | 0:49:08 | |
Am I happy? Give me a high-five! | 0:49:08 | 0:49:11 | |
Thanks a lot - done! | 0:49:11 | 0:49:12 | |
And that final high-five means our boys are all bought up. | 0:49:12 | 0:49:17 | |
Buying the ladles for £50 | 0:49:23 | 0:49:24 | |
means Charles has almost blown his whole budget, | 0:49:24 | 0:49:28 | |
purchasing the silver waiter, the green Bohemian vase, | 0:49:28 | 0:49:32 | |
the Satsuma potpourri vase and the bronze mouse vesta case, | 0:49:32 | 0:49:36 | |
spending a total of £196. | 0:49:36 | 0:49:39 | |
James spent a little less, shelling out £175 on five lots. | 0:49:40 | 0:49:45 | |
He bought the copper whisky still lid, | 0:49:45 | 0:49:48 | |
the reclaimed stanchion and rope, | 0:49:48 | 0:49:50 | |
the silver matchbox cover, | 0:49:50 | 0:49:52 | |
the kilim rug and the pair of mid-century Ercol chairs. | 0:49:52 | 0:49:56 | |
So, what do they make of each other's lots? | 0:49:56 | 0:49:59 | |
Not a lot, I suspect. | 0:49:59 | 0:50:00 | |
Me being a metal man, I love the spoons. | 0:50:00 | 0:50:03 | |
Bit of red copper and I'm all over it. | 0:50:03 | 0:50:06 | |
The kilim rug was a real find. | 0:50:06 | 0:50:08 | |
It's a great object which currently has great scope to do very well, | 0:50:08 | 0:50:13 | |
so he's bought very strongly. | 0:50:13 | 0:50:14 | |
After starting in Dingwall in the Highlands, | 0:50:16 | 0:50:19 | |
our experts are now en route to auction in Aberdeen. | 0:50:19 | 0:50:23 | |
Today's auction is taking place at John Milne Auctioneers - | 0:50:23 | 0:50:26 | |
the firm has been trading in the region for 150 years. | 0:50:26 | 0:50:30 | |
-Ah! -It's very grand here, isn't it? -It is lovely, isn't it? | 0:50:30 | 0:50:33 | |
-In we go. Into the auction. Good luck, James. -Good luck. | 0:50:33 | 0:50:37 | |
Presiding over today's proceedings is auctioneer Colin Edward, | 0:50:37 | 0:50:41 | |
but what does he make of our experts' lots? | 0:50:41 | 0:50:44 | |
The copper hatch lid, we have had a little bit of interest, | 0:50:46 | 0:50:49 | |
some of phone calls have come in to ask about it. | 0:50:49 | 0:50:51 | |
So...fingers crossed. | 0:50:51 | 0:50:53 | |
The mouse vesta holder, | 0:50:53 | 0:50:55 | |
although it's not perfect and it is only in bronze or brass, | 0:50:55 | 0:50:57 | |
it is my favourite piece and I think it should | 0:50:57 | 0:51:00 | |
get them a nice little profit, I think. | 0:51:00 | 0:51:02 | |
Aye... Lovely room, isn't it? And the sunshine. | 0:51:02 | 0:51:06 | |
Our experts are seated and ready to go. | 0:51:07 | 0:51:08 | |
First up, it's Charles's Bohemian green vase. | 0:51:08 | 0:51:12 | |
£10. 10. Surely, 10. | 0:51:12 | 0:51:15 | |
Oh, I can't believe it. Profit, profit! | 0:51:15 | 0:51:17 | |
-12. -15. £15, on my left... | 0:51:17 | 0:51:20 | |
-Slow start. It's OK. That's great. -Is it? | 0:51:20 | 0:51:23 | |
A green and gilt vase, at 15. | 0:51:23 | 0:51:26 | |
Selling at £15, all done at 15. | 0:51:26 | 0:51:30 | |
A lovely little profit to kick things off. | 0:51:30 | 0:51:32 | |
A little small step for auction mankind. | 0:51:32 | 0:51:35 | |
-That's OK. -Is it? -Auction mankind is walking. | 0:51:35 | 0:51:37 | |
Will it be more of a giant leap for James's matchbox cover? | 0:51:37 | 0:51:42 | |
-£10. -£10. -10. 12. | 0:51:42 | 0:51:44 | |
-It's a good thing. -15. | 0:51:44 | 0:51:47 | |
18. 20. | 0:51:47 | 0:51:49 | |
22... 25. | 0:51:49 | 0:51:50 | |
28. At 30. | 0:51:50 | 0:51:53 | |
£30. | 0:51:53 | 0:51:54 | |
At 30, all done now at £30, the matchbox cover... | 0:51:54 | 0:51:59 | |
So, that's a profit apiece. Great stuff. | 0:51:59 | 0:52:03 | |
It was nice, you got the right price. | 0:52:03 | 0:52:05 | |
A long way to go. But you're ahead. | 0:52:05 | 0:52:07 | |
Next up are Charles' set of copper ladles, bought for £50. | 0:52:07 | 0:52:11 | |
Here we go. | 0:52:11 | 0:52:12 | |
-£30. -Oh, dear. -Hello, hello. | 0:52:12 | 0:52:15 | |
35. 40. 45. | 0:52:15 | 0:52:17 | |
50. 55. 60. | 0:52:17 | 0:52:20 | |
-65... -We are in business. -70. | 0:52:20 | 0:52:22 | |
-75... -Very speccy. | 0:52:22 | 0:52:25 | |
-They're speccy, they're speccy. -80. 85. -Hello! | 0:52:25 | 0:52:29 | |
At 90... | 0:52:29 | 0:52:31 | |
-Go on, Madam! Go on...! -At £90, at 90 on my right, at 90. | 0:52:31 | 0:52:35 | |
If we're done, at 90... | 0:52:35 | 0:52:36 | |
-95. -One more! -100. | 0:52:36 | 0:52:39 | |
Madam! | 0:52:39 | 0:52:40 | |
105. | 0:52:40 | 0:52:42 | |
All done now at £105. | 0:52:42 | 0:52:46 | |
Now, that's what I call a result. | 0:52:46 | 0:52:50 | |
Thank you! Thank you, madam! | 0:52:50 | 0:52:53 | |
Thank you! | 0:52:53 | 0:52:54 | |
Enough of the kisses. | 0:52:54 | 0:52:56 | |
Now it's the turn of James' reclaimed stanchion and rope. | 0:52:56 | 0:53:00 | |
-10, I'm bid. 12. -Profit. | 0:53:00 | 0:53:02 | |
-15, 18. -Well done, James. -20. | 0:53:02 | 0:53:05 | |
-22. -Go on! | 0:53:05 | 0:53:07 | |
£22, on my left at 22. | 0:53:07 | 0:53:09 | |
-The VIP rope... -That's clearly a very important person buying it. | 0:53:09 | 0:53:13 | |
At 22... | 0:53:13 | 0:53:15 | |
Another good return there for James. | 0:53:15 | 0:53:18 | |
The wind is blowing the right way. | 0:53:18 | 0:53:20 | |
-Isn't it? -What, easterly? Westerly? Northerly? | 0:53:20 | 0:53:24 | |
We're going up. We're both going up in the world. | 0:53:24 | 0:53:26 | |
Indeed. Next up is the auctioneer's favourite, | 0:53:26 | 0:53:30 | |
Charles's bronze mouse vesta case. | 0:53:30 | 0:53:33 | |
20. Someone at £20? | 0:53:33 | 0:53:36 | |
20, I'm bid. | 0:53:36 | 0:53:37 | |
-22. 25. -Go on! | 0:53:37 | 0:53:40 | |
28. 30. | 0:53:40 | 0:53:42 | |
32. 35. | 0:53:42 | 0:53:43 | |
38. At 40. | 0:53:43 | 0:53:47 | |
Come on, keep going! | 0:53:47 | 0:53:48 | |
42. 45. | 0:53:48 | 0:53:51 | |
48. 50. | 0:53:51 | 0:53:52 | |
52. 55. | 0:53:52 | 0:53:56 | |
-On the phone at 55. -There's a phone bid! | 0:53:56 | 0:53:59 | |
-At 58. -Hello, the UK! | 0:53:59 | 0:54:00 | |
60? | 0:54:00 | 0:54:01 | |
No, 58. 60? 60. | 0:54:01 | 0:54:04 | |
-65. -Go on! | 0:54:04 | 0:54:06 | |
-£65, the bid is on my right at 65, all done? -65! | 0:54:06 | 0:54:10 | |
At £65... | 0:54:10 | 0:54:11 | |
Aberdeen is proving very profitable for our boys - | 0:54:11 | 0:54:14 | |
fantastic result there for Charles. | 0:54:14 | 0:54:17 | |
-What a good man! -What a good man. | 0:54:17 | 0:54:20 | |
He's no mouse! | 0:54:20 | 0:54:21 | |
James' kilim rug proved as popular. | 0:54:21 | 0:54:25 | |
£60. 60, I'm bid 60. | 0:54:25 | 0:54:27 | |
At £60. | 0:54:27 | 0:54:28 | |
One bid of 60... | 0:54:28 | 0:54:30 | |
All finished, one bid, £60? | 0:54:30 | 0:54:33 | |
All done... At 60. | 0:54:33 | 0:54:36 | |
Bad luck, James, but a profit is a profit. | 0:54:36 | 0:54:39 | |
They go or they don't. | 0:54:39 | 0:54:40 | |
In this instance, they didn't, that's a shame. | 0:54:40 | 0:54:43 | |
Charles, you're up again. It's your Satsuma potpourri vase. | 0:54:43 | 0:54:47 | |
-40 I'm bid. -Come on! -At £40. | 0:54:47 | 0:54:49 | |
42. 45. | 0:54:49 | 0:54:52 | |
-That's a really good object. -48. | 0:54:52 | 0:54:54 | |
At 50. | 0:54:54 | 0:54:56 | |
52. | 0:54:56 | 0:54:58 | |
55. | 0:54:58 | 0:55:00 | |
£55, at 55. | 0:55:00 | 0:55:03 | |
All done at 55, nice little potpourri pot... | 0:55:03 | 0:55:07 | |
Ah, what a shame. First loss of the day. | 0:55:07 | 0:55:10 | |
It had the most legs to run | 0:55:10 | 0:55:13 | |
and I think if this market was worldwide, | 0:55:13 | 0:55:16 | |
it could have made more. | 0:55:16 | 0:55:18 | |
Will James' pair of Ercol chairs fare a bit better, I wonder? | 0:55:18 | 0:55:21 | |
-20. -Here we go. -20 I'm bid... -Come on, move! | 0:55:21 | 0:55:25 | |
..for the Windsor-style chairs. | 0:55:25 | 0:55:27 | |
22, 25. | 0:55:27 | 0:55:28 | |
28, at 30...? | 0:55:28 | 0:55:30 | |
32, 35. | 0:55:30 | 0:55:33 | |
38. At 40. | 0:55:33 | 0:55:36 | |
-42, 45... -Is the buyer Norwegian? | 0:55:36 | 0:55:38 | |
£45, the lady has bid in the room at 45. | 0:55:38 | 0:55:42 | |
If we're done at 45, I'll sell at £45... | 0:55:42 | 0:55:47 | |
Hard luck. That is a small loss for James, too. | 0:55:47 | 0:55:52 | |
Thank the Lord I only lost £10. | 0:55:52 | 0:55:54 | |
Now, can Charles pull a profit with his final lot? | 0:55:55 | 0:55:59 | |
It's the silver waiter. | 0:55:59 | 0:56:01 | |
-20 I'm bid, 22, 25. -It's away. | 0:56:01 | 0:56:05 | |
28. £30, far back, 32. | 0:56:05 | 0:56:08 | |
35. 38. 40. | 0:56:08 | 0:56:11 | |
42. 45, 48. | 0:56:11 | 0:56:14 | |
At 50. | 0:56:14 | 0:56:15 | |
55, 60. | 0:56:15 | 0:56:17 | |
65, 70... | 0:56:17 | 0:56:19 | |
75... | 0:56:19 | 0:56:21 | |
At 80. | 0:56:21 | 0:56:22 | |
-That's OK. -£80. -Go on! | 0:56:22 | 0:56:25 | |
All done now, at 80, | 0:56:25 | 0:56:26 | |
all finished at £80, bidder's far back, at 80. | 0:56:26 | 0:56:30 | |
Another profit. He has to be pleased with that, well done, Charles. | 0:56:30 | 0:56:34 | |
I'm happy, that was my Achilles heel, | 0:56:34 | 0:56:37 | |
-I'm still running. -It's over. -I'm still running, baby. | 0:56:37 | 0:56:39 | |
Time for James's final lot - the copper whisky still lid. | 0:56:39 | 0:56:45 | |
£40 in front. | 0:56:45 | 0:56:46 | |
45. | 0:56:46 | 0:56:47 | |
-£45. -What did it cost you, again? | 0:56:47 | 0:56:50 | |
-Look at me. -50. | 0:56:50 | 0:56:51 | |
55. 60. 65. | 0:56:51 | 0:56:55 | |
70. 75. | 0:56:55 | 0:56:58 | |
80. 85. | 0:56:58 | 0:57:01 | |
90. 95. | 0:57:01 | 0:57:03 | |
-100. -Cometh the hour. -I know. -105. | 0:57:03 | 0:57:05 | |
-110. -Wow! | 0:57:05 | 0:57:07 | |
115, 120. | 0:57:07 | 0:57:10 | |
125, 130. | 0:57:10 | 0:57:12 | |
£130, the bid is on my left at 130. | 0:57:12 | 0:57:15 | |
Selling now at £130. | 0:57:15 | 0:57:19 | |
James ends on a high with that marvellous profit. | 0:57:19 | 0:57:23 | |
-Back in the game. -You are back in the game. Back in the game. | 0:57:23 | 0:57:27 | |
-Hanson-Braxton. -Let's go. Let's go. | 0:57:27 | 0:57:31 | |
It's a close call. Who's going to come out on top? | 0:57:31 | 0:57:34 | |
Let's do the maths. | 0:57:34 | 0:57:36 | |
James started this leg with £200. | 0:57:36 | 0:57:39 | |
He made a tidy profit of £60.34 after auction costs, | 0:57:39 | 0:57:43 | |
leaving him with a wonderful £260.34. | 0:57:43 | 0:57:47 | |
Charles also began with 200 | 0:57:49 | 0:57:51 | |
and he too made a profit of £66.40 after auction costs, | 0:57:51 | 0:57:56 | |
which means he's today's winner | 0:57:56 | 0:57:59 | |
and leads going into the next leg with a healthy £266.40. | 0:57:59 | 0:58:04 | |
What fun! | 0:58:04 | 0:58:06 | |
Do you think the winner should sit in luxury as the passenger? | 0:58:06 | 0:58:10 | |
Yes! | 0:58:10 | 0:58:11 | |
HE LAUGHS | 0:58:11 | 0:58:12 | |
-Thank you, Aberdeen. -Thank you, Aberdeen. | 0:58:14 | 0:58:17 | |
Bring on...Dunfermline. Bye-bye! | 0:58:17 | 0:58:20 | |
Cheerio, chaps. | 0:58:20 | 0:58:22 | |
Next time, the boys are back on the road in bonnie Scotland. | 0:58:22 | 0:58:26 | |
Charles is smooth-talking... | 0:58:26 | 0:58:28 | |
-Bob, you have character. -Oh, thank you! | 0:58:28 | 0:58:30 | |
..while James has his haggling hat on. | 0:58:30 | 0:58:33 | |
As all the best hagglers do, you do need the fez. | 0:58:33 | 0:58:37 |