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It's the nation's favourite antiques experts. | 0:00:02 | 0:00:04 | |
-That's cracking! -With £200 each... | 0:00:04 | 0:00:06 | |
Wonderful! | 0:00:06 | 0:00:07 | |
..a classic car and a goal - to scour Britain for antiques. | 0:00:07 | 0:00:11 | |
That's exactly what I'm talking about. | 0:00:11 | 0:00:13 | |
I'm all over a-shiver. | 0:00:13 | 0:00:14 | |
The aim? To make the biggest profit at auction, but it's no mean feat. | 0:00:14 | 0:00:18 | |
-No-brainer! -Going, going, gone! | 0:00:18 | 0:00:19 | |
There will be worthy winners and valiant losers. | 0:00:19 | 0:00:23 | |
So, will it be the high road to glory? | 0:00:23 | 0:00:25 | |
-Push! -Or the slow road to disaster? | 0:00:25 | 0:00:28 | |
How awfully, awfully nice! | 0:00:28 | 0:00:29 | |
This is Antiques Road Trip. | 0:00:29 | 0:00:31 | |
Yeah! | 0:00:34 | 0:00:35 | |
Hurrah! | 0:00:38 | 0:00:40 | |
It's the next instalment of our Road Trip adventure | 0:00:40 | 0:00:43 | |
with Charles Hanson and James Braxton. | 0:00:43 | 0:00:45 | |
Where are we? Fife? | 0:00:45 | 0:00:47 | |
We are north of the Fife of Forfar, is that right? | 0:00:47 | 0:00:52 | |
Forfar 4, East Fife 5. | 0:00:52 | 0:00:55 | |
Yeah! No, we are north of the Firth of Forfar. | 0:00:55 | 0:00:59 | |
I think you will find it's the Firth of FORTH, old bean! | 0:00:59 | 0:01:01 | |
While geography clearly isn't Charles' strong point, | 0:01:01 | 0:01:05 | |
thankfully, sniffing out hidden antique treasures is. | 0:01:05 | 0:01:08 | |
Give me a high five. Thanks a lot. | 0:01:08 | 0:01:12 | |
His rival on this road trip is his old mate, James. | 0:01:12 | 0:01:16 | |
Risks equal rewards, or sometimes abject failure. | 0:01:16 | 0:01:21 | |
Well, taking a risk proved profitable for James on the last leg. | 0:01:21 | 0:01:25 | |
After starting with £200, | 0:01:25 | 0:01:26 | |
some good results at auction saw him finish with £260.34. | 0:01:26 | 0:01:32 | |
Brilliant! | 0:01:32 | 0:01:33 | |
Charles also kicked off with £200 and he, too, pulled in a profit, | 0:01:33 | 0:01:38 | |
pushing him into the lead with £266.40. | 0:01:38 | 0:01:42 | |
Hardly a sheet of Bronco between them. | 0:01:42 | 0:01:45 | |
Hah! On this trip, our boys are travelling | 0:01:45 | 0:01:47 | |
in a forerunner of the modern Audi, a 1964 DKW 1000 Coupe. | 0:01:47 | 0:01:52 | |
It was manufactured before seat belts were mandatory. | 0:01:52 | 0:01:57 | |
After beginning their epic trip in the Highlands, | 0:01:57 | 0:02:00 | |
Charles and James are journeying all over Bonnie Scotland, | 0:02:00 | 0:02:03 | |
taking in the North East and Central Belt | 0:02:03 | 0:02:06 | |
before finishing over the border in Berwick-upon-Tweed. | 0:02:06 | 0:02:09 | |
This leg will kick off in Inverkeithing | 0:02:11 | 0:02:14 | |
before ending up in Dundee for auction. | 0:02:14 | 0:02:16 | |
I can't see any antiques sign, James. | 0:02:16 | 0:02:19 | |
-New beds and... -antique furniture. | 0:02:19 | 0:02:22 | |
There we are! That's a green light to you, Charles. | 0:02:22 | 0:02:25 | |
Yes, a green light. Go, go, go. | 0:02:25 | 0:02:27 | |
Have a good day! | 0:02:27 | 0:02:28 | |
It's a new day. Bye! | 0:02:29 | 0:02:31 | |
Charles has arrived at the Inverkeithing Bargain Centre. | 0:02:31 | 0:02:35 | |
-Good morning. -Good morning. | 0:02:35 | 0:02:37 | |
-How are you? -I'm fine. | 0:02:37 | 0:02:38 | |
-And you? -I'm Charles Hanson, good to see you. | 0:02:38 | 0:02:40 | |
What an amazingly big antiques centre. | 0:02:40 | 0:02:42 | |
It certainly is, yes. Plenty for you to look at. | 0:02:42 | 0:02:45 | |
And there's some antiques and collectables. | 0:02:46 | 0:02:49 | |
Will Gail have a hidden gem for Charles to uncover? | 0:02:49 | 0:02:51 | |
You live and dream that that piece of Faberge will wink at you. | 0:02:53 | 0:02:58 | |
Or that lost Rembrandt will smile at you. | 0:02:58 | 0:03:00 | |
Dreaming big, eh? | 0:03:00 | 0:03:02 | |
I like it. But what tickles your fancy, then? | 0:03:02 | 0:03:05 | |
I like the old cannon ball down here on the bottom shelf. | 0:03:05 | 0:03:08 | |
When you see these early cannonballs, | 0:03:08 | 0:03:11 | |
you hope on the back of the card, | 0:03:11 | 0:03:13 | |
there might be some indication as to where it was found. | 0:03:13 | 0:03:17 | |
Has this cannonball got some romantic, Scottish history? | 0:03:17 | 0:03:22 | |
Time for a closer look. | 0:03:22 | 0:03:24 | |
I love social history, Gail, | 0:03:24 | 0:03:26 | |
and just on the bottom shelf here is a cannonball. What's its history? | 0:03:26 | 0:03:30 | |
Well, the trader actually bought it from a gentleman at a fair. | 0:03:30 | 0:03:34 | |
He was told that it was found in Stirling. | 0:03:34 | 0:03:38 | |
Whether it could be connected to Bannockburn, we're not too sure. | 0:03:38 | 0:03:41 | |
It might not be that old but it's a lovely find, nonetheless. | 0:03:41 | 0:03:46 | |
It's priced, Gail, at a fairly heavy £25. | 0:03:46 | 0:03:53 | |
-Uh-huh. -And I would like to offer, | 0:03:53 | 0:03:56 | |
if it met your approval, £15. | 0:03:56 | 0:03:58 | |
Yes, Charles, I would give it to you for £15. | 0:03:58 | 0:04:00 | |
-Would you really? -Yes, certainly. | 0:04:00 | 0:04:02 | |
I'll take it, Gail. Thanks ever so. | 0:04:02 | 0:04:05 | |
I'll leave it on the settee for the time being. | 0:04:05 | 0:04:07 | |
I'll carry on wandering and I'm delighted. | 0:04:07 | 0:04:10 | |
No messing about here, then. | 0:04:10 | 0:04:12 | |
£15 buys Charles the Scottish cannonball. | 0:04:12 | 0:04:16 | |
Right, anything else catch your beady eye, old boy? | 0:04:16 | 0:04:19 | |
It's quite a pretty little... | 0:04:19 | 0:04:21 | |
little what you might call octagonal fluted dish. | 0:04:21 | 0:04:25 | |
And here's a galleon, beautifully enamelled. | 0:04:25 | 0:04:28 | |
What's nice is you have the original label from the manufacturer | 0:04:28 | 0:04:32 | |
and that's Crown Devon and Crown Devon were renowned in the 1930s | 0:04:32 | 0:04:37 | |
for creating these iridescent oily lustre glazes. | 0:04:37 | 0:04:42 | |
Yeah. Ticket price is £14. | 0:04:42 | 0:04:45 | |
Will Gail be open for another deal? | 0:04:45 | 0:04:48 | |
Give me your biggest and best price. Be as kind as you would like to be. | 0:04:48 | 0:04:53 | |
So, what if we do it for £12.50? | 0:04:53 | 0:04:56 | |
Would you do it for £10? | 0:04:57 | 0:05:00 | |
Oh, well, seeing as it's you! | 0:05:02 | 0:05:04 | |
You smoothie, Charles! | 0:05:04 | 0:05:07 | |
That's two lots bought in his first shop. | 0:05:07 | 0:05:09 | |
Great stuff! | 0:05:09 | 0:05:11 | |
James, meanwhile, has motored ten minutes up the coast to Aberdour. | 0:05:11 | 0:05:16 | |
This picturesque seaside town is home to James' first shop, | 0:05:16 | 0:05:20 | |
Blake's Vintage and Collectables. | 0:05:20 | 0:05:22 | |
It looks nice. | 0:05:22 | 0:05:24 | |
-Hello! -I'm Debbie. -Hello, Debbie, James. -Welcome to my shop. | 0:05:24 | 0:05:26 | |
There are plenty of vintage and antique goodies on offer. | 0:05:26 | 0:05:29 | |
So what takes your fancy, James? | 0:05:29 | 0:05:31 | |
So, I'm after smallish things, probably. | 0:05:31 | 0:05:34 | |
-OK. -Silvery things. So have you got any silver? | 0:05:34 | 0:05:37 | |
I think I've got silver ashtrays here. | 0:05:37 | 0:05:40 | |
Ooh, looks like you're in luck, James. | 0:05:40 | 0:05:43 | |
-I think that's... -As in a silver case. | 0:05:43 | 0:05:45 | |
-That's got a good weight to it, hasn't it? -Yeah. | 0:05:45 | 0:05:48 | |
It's probably about 1920s, I would have thought. | 0:05:48 | 0:05:51 | |
Do you know, I haven't sold a cigarette case for years. | 0:05:51 | 0:05:56 | |
Because, of course, they went out... | 0:05:56 | 0:05:58 | |
and nobody's really found a workable application for them. | 0:05:58 | 0:06:03 | |
But it's quite a nice one. Let's have a think about that. | 0:06:03 | 0:06:06 | |
-OK. -It's only the first thing I've seen, Debbie, isn't it? -Yes. | 0:06:06 | 0:06:08 | |
Debbie's silver cigarette case is priced at £38. | 0:06:08 | 0:06:12 | |
One to think about. | 0:06:12 | 0:06:13 | |
Anything else? | 0:06:13 | 0:06:14 | |
These are lovely. | 0:06:14 | 0:06:17 | |
I think I might need this. | 0:06:17 | 0:06:19 | |
I spotted something and as all the best hagglers do, | 0:06:19 | 0:06:24 | |
you do need the fez to get you in the mood. OK? | 0:06:24 | 0:06:27 | |
So I'll wear this - I'll wear this for the big haggle. | 0:06:27 | 0:06:31 | |
Brace yourself, Debbie! | 0:06:31 | 0:06:33 | |
Now this is in preparation for a major haggle. | 0:06:33 | 0:06:36 | |
I like, Debbie, the cigarette case. | 0:06:36 | 0:06:38 | |
-Right. -What can we do on this? | 0:06:38 | 0:06:41 | |
Go on, make my day. How about 15, Debbie? | 0:06:41 | 0:06:44 | |
So what have we got it for again? | 0:06:44 | 0:06:46 | |
-We've got it for... -No clues, no clues. | 0:06:46 | 0:06:48 | |
38. | 0:06:48 | 0:06:49 | |
-No clues. -15. | 0:06:49 | 0:06:50 | |
We'll do 15, we'll do 12. | 0:06:50 | 0:06:53 | |
-12? -Come on, give me a kiss. | 0:06:53 | 0:06:54 | |
-What happened there? -Thank you! | 0:06:54 | 0:06:56 | |
That's very kind. Thank you. | 0:06:56 | 0:06:58 | |
Just like that. | 0:06:58 | 0:06:59 | |
Well, that fez worked wonders and | 0:06:59 | 0:07:01 | |
James is off to a flying start with a huge £26 discount. | 0:07:01 | 0:07:05 | |
Well done, that man. | 0:07:05 | 0:07:07 | |
In the meanwhile, Charles has made his way to Falkland. | 0:07:10 | 0:07:13 | |
Charles has arrived at the violin shop, with over £240 in his pocket. | 0:07:15 | 0:07:20 | |
Not, I hope, for a violin, though. | 0:07:20 | 0:07:22 | |
-How are you? -Bob Beveridge is the name. | 0:07:22 | 0:07:24 | |
I'm Charles Hanson. | 0:07:24 | 0:07:26 | |
Well, welcome to the ancient and historic Royal Burgh of Falkland. | 0:07:26 | 0:07:30 | |
It's so beautiful. | 0:07:30 | 0:07:31 | |
There's such character here. | 0:07:31 | 0:07:33 | |
And Bob, you have character. | 0:07:33 | 0:07:35 | |
-Oh, thank you. -Full of flamboyance. | 0:07:35 | 0:07:38 | |
-Full of flair. -Aye, he's trying to get stuff cheap, eh?! | 0:07:38 | 0:07:40 | |
He's on to you, Charles! | 0:07:42 | 0:07:43 | |
Right. Bob's shop is jam-packed with great antiques. | 0:07:43 | 0:07:47 | |
Let the hunt begin. | 0:07:47 | 0:07:48 | |
There's got to be something, Bob, that jumps out at me. | 0:07:48 | 0:07:53 | |
We are going to Dundee. | 0:07:53 | 0:07:55 | |
It's got all these lovely old etchings of Dundee in it. | 0:07:55 | 0:07:58 | |
And I've never handled such a large book. | 0:07:58 | 0:08:02 | |
Aha. It's a lovely, limited edition | 0:08:03 | 0:08:05 | |
on Dundee with a hefty ticket price of £300. | 0:08:05 | 0:08:09 | |
Look at this. Limited edition, | 0:08:10 | 0:08:11 | |
this is number 118 | 0:08:11 | 0:08:14 | |
of 357 copies. | 0:08:14 | 0:08:16 | |
We've got a date here of 1895. | 0:08:16 | 0:08:19 | |
Dundee, Its Quaint And Historic Buildings by AC Lamb. | 0:08:19 | 0:08:25 | |
Just out of interest, | 0:08:25 | 0:08:26 | |
what would be your best price on this book on Dundee? | 0:08:26 | 0:08:31 | |
Well, I'm going to tell you what I'd give you it for. | 0:08:31 | 0:08:33 | |
I'd give you it for my purchasing price and I bought it for £200. | 0:08:33 | 0:08:38 | |
-Oh, don't say that. -And I would let it go at that. | 0:08:38 | 0:08:41 | |
It could do very well. | 0:08:41 | 0:08:43 | |
But it's almost all my money tied up in one investment. | 0:08:43 | 0:08:47 | |
Oh, you've got deep breeches, you people from England. | 0:08:47 | 0:08:50 | |
No, I wish I did. | 0:08:50 | 0:08:51 | |
I think Charles may have met his match, you know | 0:08:51 | 0:08:53 | |
but he isn't giving up yet. Oh, no. | 0:08:53 | 0:08:55 | |
-Best price? -I bought it with other books. | 0:08:55 | 0:08:58 | |
I've since sold the other books at a profit. | 0:08:58 | 0:09:01 | |
So £150 and that would be the absolute minimum on it. | 0:09:01 | 0:09:07 | |
That's half price. Charles? | 0:09:07 | 0:09:10 | |
I'm tempted to shake your hand and say...I shall learn from this. | 0:09:10 | 0:09:14 | |
Is that a deal, then? It is indeed. | 0:09:14 | 0:09:16 | |
And with that very generous discount, Charles ends the day's shopping, | 0:09:17 | 0:09:20 | |
by bagging himself the book. Bravo. | 0:09:20 | 0:09:25 | |
So ends a busy day for the boys. | 0:09:25 | 0:09:28 | |
Nighty-night. | 0:09:28 | 0:09:30 | |
It's a new day and our experts are up and at 'em early. | 0:09:33 | 0:09:37 | |
This morning, our esteemed auctioneers | 0:09:37 | 0:09:39 | |
have made their way to Abernyte in Perthshire. | 0:09:39 | 0:09:43 | |
They've decided to start the day with a spot of shopping together | 0:09:43 | 0:09:46 | |
at the Scottish Antiques And Arts Centre. | 0:09:46 | 0:09:49 | |
With a huge selection of antiques and collectables, | 0:09:50 | 0:09:52 | |
there's plenty on offer for both our experts. | 0:09:52 | 0:09:56 | |
This is quite nice. This has a real French, rustic feel. | 0:09:56 | 0:10:00 | |
There's nice stuff all over the place. | 0:10:00 | 0:10:03 | |
Even in a shop this size, they're still stumbling over one another. | 0:10:03 | 0:10:08 | |
Why have you been drawn to this stand, Charles? | 0:10:08 | 0:10:11 | |
-I heard your voice! -LAUGHTER | 0:10:11 | 0:10:14 | |
I just like to follow your lead sometimes! | 0:10:14 | 0:10:18 | |
Enough of that - back to the task in hand, please. | 0:10:18 | 0:10:21 | |
I quite like this object in here, actually. | 0:10:21 | 0:10:23 | |
-What's that, what's that? -There's a very nice... | 0:10:23 | 0:10:26 | |
-Which object is that? -I like the little antique toleware candlestick. | 0:10:26 | 0:10:29 | |
-Oh, that's got age, hasn't it? -On original base, yeah. | 0:10:29 | 0:10:31 | |
-That's got history. -Can you do me a favour? | 0:10:31 | 0:10:34 | |
-Speak to the lady and get me a key for this cabinet, please, James? -No. | 0:10:34 | 0:10:37 | |
That's aiding and abetting. | 0:10:37 | 0:10:38 | |
I don't want to improve your chance of success here. | 0:10:38 | 0:10:41 | |
Without the help of James, | 0:10:41 | 0:10:42 | |
Charles manages to get his hands on the toleware candlestick | 0:10:42 | 0:10:44 | |
for a closer inspection. | 0:10:44 | 0:10:47 | |
I think it has had some minor restoration. | 0:10:47 | 0:10:49 | |
You can see some scratching around the almost nozzle of the base. | 0:10:49 | 0:10:53 | |
It just has a wonderful feel of age | 0:10:53 | 0:10:56 | |
and I do believe the base does belong to this section. | 0:10:56 | 0:11:01 | |
It's late 18th, early 19th century | 0:11:01 | 0:11:04 | |
and it just has a favourable look for, I hope, | 0:11:04 | 0:11:08 | |
that rustic Dundee home. | 0:11:08 | 0:11:11 | |
Ticket price is £48 and Charles has just over £91 left in his pocket. | 0:11:11 | 0:11:16 | |
Now, where's James? Up to no good. | 0:11:16 | 0:11:19 | |
I spotted this out of the corner of my eye. | 0:11:19 | 0:11:22 | |
It's rather fun, isn't it? It is exactly what it says on the cover. | 0:11:22 | 0:11:26 | |
It's table billiards. | 0:11:26 | 0:11:27 | |
So this is the transformation of your... | 0:11:27 | 0:11:30 | |
..dining room table, or your kitchen table, | 0:11:31 | 0:11:33 | |
into billiard table. | 0:11:33 | 0:11:36 | |
So what you do is this will be the edge of the table. | 0:11:36 | 0:11:40 | |
You'd attach your pockets like that. | 0:11:40 | 0:11:44 | |
It looks as though it has absolutely everything here, bar the cues. | 0:11:44 | 0:11:50 | |
Ticket price is £49 and "Moneybags" Braxton has almost | 0:11:50 | 0:11:54 | |
£250 to play with. | 0:11:54 | 0:11:56 | |
Time to find dealer Margaret. | 0:11:56 | 0:12:00 | |
What could that be, Margaret? Make my day. | 0:12:00 | 0:12:02 | |
-The best price on that would be 44. -44? | 0:12:02 | 0:12:06 | |
Margaret, thank you, I'll take it. | 0:12:06 | 0:12:08 | |
-That's very kind. Well done. -No, delighted. | 0:12:08 | 0:12:10 | |
-Done. -And just like that, the deal's done. | 0:12:10 | 0:12:13 | |
Top notch. | 0:12:13 | 0:12:15 | |
Charles, meanwhile, is with dealer Martin | 0:12:15 | 0:12:17 | |
checking out more candlesticks, brass ones this time. | 0:12:17 | 0:12:20 | |
What I like about these sticks is you can see how, over the years, | 0:12:20 | 0:12:25 | |
through fairly honest, loving polishing... | 0:12:25 | 0:12:30 | |
..we've got holes in the actual cast stick. | 0:12:31 | 0:12:35 | |
These are probably almost 300 years old. | 0:12:35 | 0:12:38 | |
So with a ticket price of £45 | 0:12:38 | 0:12:40 | |
on the brass candlesticks and another 45 | 0:12:40 | 0:12:42 | |
for the toleware one, is there a deal to be done? | 0:12:42 | 0:12:46 | |
If they were on their own, you know, I'd be saying... | 0:12:46 | 0:12:49 | |
45, I'd be saying probably best price on that would be 42. | 0:12:50 | 0:12:55 | |
-Yeah. -Probably the same there, that's 45. | 0:12:55 | 0:12:57 | |
That's 90. | 0:12:57 | 0:12:58 | |
The best price that we would | 0:13:00 | 0:13:01 | |
probably be able to do on that would be... | 0:13:01 | 0:13:03 | |
..80 for the two. | 0:13:04 | 0:13:06 | |
I love them, Martin, and I'm burning inside to buy them, | 0:13:06 | 0:13:09 | |
-so I'm very happy to pay you £80 for them. -OK, right. | 0:13:09 | 0:13:13 | |
Those two lots mean Charles has almost blown his entire budget | 0:13:13 | 0:13:17 | |
and is all shopped up. | 0:13:17 | 0:13:19 | |
So, he's having the afternoon off and taking the scenic route to the | 0:13:22 | 0:13:26 | |
ancient town of St Andrews on the east coast of Fife. | 0:13:26 | 0:13:31 | |
He's come to the University of St Andrews' Bell Pettigrew Museum | 0:13:31 | 0:13:35 | |
of Natural History - try and say that quickly - | 0:13:35 | 0:13:38 | |
to find out all about its namesake, | 0:13:38 | 0:13:40 | |
Professor James Bell Pettigrew. | 0:13:40 | 0:13:42 | |
He was a renowned surgeon, | 0:13:42 | 0:13:43 | |
anatomist and naturalist | 0:13:43 | 0:13:45 | |
who developed a passion for human-powered flight. | 0:13:45 | 0:13:48 | |
Charles is meeting Pettigrew researcher, Bianca Packer. | 0:13:49 | 0:13:53 | |
Great names. | 0:13:53 | 0:13:54 | |
Bianca, who was this man, James Bell Pettigrew? | 0:13:55 | 0:14:00 | |
He was a medicine man. | 0:14:00 | 0:14:01 | |
But while he was studying at Edinburgh and Glasgow University, | 0:14:01 | 0:14:04 | |
he showed a keen interest in natural history and I think he kind of kept | 0:14:04 | 0:14:08 | |
that interest throughout his life. | 0:14:08 | 0:14:10 | |
So while he was studying the heart in particular, | 0:14:10 | 0:14:13 | |
he was also studying animals and he was watching them move. | 0:14:13 | 0:14:16 | |
In particular, flight, I think | 0:14:16 | 0:14:17 | |
because he was interested in being one of the first men to achieve | 0:14:17 | 0:14:21 | |
controlled flight. It hadn't been achieved by the time we were getting | 0:14:21 | 0:14:24 | |
to the end of the 19th century, | 0:14:24 | 0:14:26 | |
and the race was becoming quite intense. | 0:14:26 | 0:14:29 | |
An expert in animal locomotion, | 0:14:29 | 0:14:31 | |
Pettigrew believed the natural world would reveal the secret to | 0:14:31 | 0:14:35 | |
achieving successful human flight. | 0:14:35 | 0:14:37 | |
He came up with a figure-of-eight theory | 0:14:37 | 0:14:39 | |
that he's largely credited with discovering. | 0:14:39 | 0:14:41 | |
There are a couple of people around the same time who were also | 0:14:41 | 0:14:44 | |
looking at this theory and he was supposedly the first to publish | 0:14:44 | 0:14:48 | |
on it, so he's able to claim ownership over that. | 0:14:48 | 0:14:50 | |
How is the figure of eight, how is that... | 0:14:50 | 0:14:52 | |
-to do with flying? -Well, I can show you a little illustration here. | 0:14:52 | 0:14:55 | |
-Yes. -If you have a look here, you can see that birds... | 0:14:55 | 0:14:59 | |
Well, birds do this, don't they? | 0:14:59 | 0:15:01 | |
Not quite. They actually do two shapes. | 0:15:01 | 0:15:04 | |
They do a forward loop and a backward loop. | 0:15:04 | 0:15:07 | |
And together, they make a figure of eight. | 0:15:07 | 0:15:09 | |
So I think the best way to describe it is coming down... | 0:15:09 | 0:15:12 | |
-Yes? -..and around... -Yes. -..and back again. | 0:15:12 | 0:15:15 | |
-So down... -So down, and that's my eight. | 0:15:15 | 0:15:18 | |
-Round? -Down and round and back again. | 0:15:18 | 0:15:20 | |
-Wow. -And the reason why that's very important is because | 0:15:20 | 0:15:24 | |
when their wing goes up, it creates a bit of a current | 0:15:24 | 0:15:27 | |
while it goes up, and the underside of the wing | 0:15:27 | 0:15:29 | |
forms a sort of kite, and when the wing | 0:15:29 | 0:15:31 | |
has the downward stroke, it creates a current again | 0:15:31 | 0:15:34 | |
and the other side of the wing becomes the kite. | 0:15:34 | 0:15:35 | |
So Pettigrew described this as birds flying on a whirlwind | 0:15:35 | 0:15:38 | |
of their own making. Which was quite a nice idea. | 0:15:38 | 0:15:41 | |
So it's a very efficient way of flying. | 0:15:41 | 0:15:44 | |
-Was this his book? -That's correct. -Wow! | 0:15:44 | 0:15:47 | |
Published in 1873, this book was supposedly | 0:15:47 | 0:15:51 | |
the book that the Wright brothers read when they | 0:15:51 | 0:15:54 | |
were doing their early research in animal locomotion. | 0:15:54 | 0:15:57 | |
It's believed this book helped inspire Wilbur and Orville Wright, | 0:15:57 | 0:16:01 | |
the famous American brothers who are considered the fathers | 0:16:01 | 0:16:04 | |
of modern aviation. | 0:16:04 | 0:16:06 | |
We do hear in some of the resources that they corresponded, | 0:16:06 | 0:16:09 | |
but it's not quite sure exactly on what, | 0:16:09 | 0:16:11 | |
and I think perhaps during that race for the skies | 0:16:11 | 0:16:13 | |
there was a lot of communication between rivals, | 0:16:13 | 0:16:16 | |
and ultimately, I think he did have an impact | 0:16:16 | 0:16:18 | |
on their early research, and it's really interesting | 0:16:18 | 0:16:20 | |
because almost everybody was looking at birds at that time. | 0:16:20 | 0:16:23 | |
-This was 1873? -Correct. | 0:16:23 | 0:16:25 | |
How long later did he then come up with maybe a contraption | 0:16:25 | 0:16:30 | |
to fly in or to fly with? | 0:16:30 | 0:16:32 | |
Well, we speculate between 1900 and 1903, | 0:16:32 | 0:16:35 | |
which is just before the Wrights had their successful flight, | 0:16:35 | 0:16:37 | |
that he gave it a shot himself. | 0:16:37 | 0:16:39 | |
He built something that we would call an ornithopter today, | 0:16:39 | 0:16:42 | |
and if we look here, we can see | 0:16:42 | 0:16:44 | |
it's quite an expanse, and the reason why is he was | 0:16:44 | 0:16:48 | |
quite determined that by having such a long wing expanse | 0:16:48 | 0:16:51 | |
it wouldn't need to flap as quickly, | 0:16:51 | 0:16:53 | |
and the reason for this is he had, witnessed how hawks and eagles fly | 0:16:53 | 0:16:57 | |
and they didn't have to flap their wings very often to achieve flight. | 0:16:57 | 0:17:00 | |
So he felt that the larger wing expanse here | 0:17:00 | 0:17:03 | |
would maybe be suitable. | 0:17:03 | 0:17:05 | |
Although there are no official records, | 0:17:05 | 0:17:08 | |
legend has it that Pettigrew flew the machine | 0:17:08 | 0:17:11 | |
down a slope in St Andrews for a distance of 60 feet before crashing, | 0:17:11 | 0:17:14 | |
with the then 70-year-old professor | 0:17:14 | 0:17:17 | |
breaking his hip in the accident. | 0:17:17 | 0:17:20 | |
He felt that having a rigid, fixed plane wingspan | 0:17:20 | 0:17:24 | |
was not the answer for flight, and unfortunately, we know today | 0:17:24 | 0:17:29 | |
with the planes that we have that that IS the most successful way | 0:17:29 | 0:17:32 | |
to achieve human flight. | 0:17:32 | 0:17:33 | |
So, I don't think that he was successful, | 0:17:33 | 0:17:35 | |
but I think his idea was really interesting, | 0:17:35 | 0:17:37 | |
because he was looking for something efficient designed by nature. | 0:17:37 | 0:17:40 | |
Shortly after Pettigrew's unsuccessful and painful flight, | 0:17:40 | 0:17:44 | |
the Wright brothers went on to achieve the first | 0:17:44 | 0:17:48 | |
powered, sustained and controlled flight of an aeroplane in 1903. | 0:17:48 | 0:17:52 | |
James Bell Pettigrew died in 1908, | 0:17:52 | 0:17:55 | |
but his research on animal locomotion | 0:17:55 | 0:17:57 | |
and his passion for flight is not forgotten. | 0:17:57 | 0:18:00 | |
I think he showed us how keen attention to detail | 0:18:01 | 0:18:04 | |
and looking at these animals very closely | 0:18:04 | 0:18:06 | |
could reveal secrets that even today if we look at | 0:18:06 | 0:18:09 | |
aeronautics and how things are developing, | 0:18:09 | 0:18:11 | |
and our race for the skies continues onwards and upwards into space, | 0:18:11 | 0:18:14 | |
that there's still many secrets to behold | 0:18:14 | 0:18:17 | |
in the natural world around us. | 0:18:17 | 0:18:18 | |
Bianca, it's been wonderful to see how this great man, Bell Pettigrew, | 0:18:18 | 0:18:22 | |
achieved what he did. | 0:18:22 | 0:18:23 | |
I've really enjoyed it and thank you for an education. | 0:18:23 | 0:18:27 | |
James still has some serious shopping to do, | 0:18:27 | 0:18:30 | |
so he's made his way to Rait in Perthshire. | 0:18:30 | 0:18:34 | |
He's come to Rait Antiques Centre. | 0:18:34 | 0:18:36 | |
There is an eclectic mix of antiques and vintage items, | 0:18:36 | 0:18:39 | |
and James still has over £200 available to spend. | 0:18:39 | 0:18:42 | |
Dundee - our next stop. | 0:18:45 | 0:18:47 | |
Hang on, hee-hee, it's another copy of Charles' so-called rare book. | 0:18:47 | 0:18:52 | |
Oh, dear! | 0:18:52 | 0:18:53 | |
What does it say here? | 0:18:53 | 0:18:55 | |
Right, James, with dealer David at your side, what can you find? | 0:18:58 | 0:19:01 | |
That's got a good top, hasn't it? | 0:19:03 | 0:19:05 | |
-Hmm, is it a marble top? -Yeah. -Chinese. | 0:19:05 | 0:19:08 | |
Got a simplified look about it, hasn't it? | 0:19:11 | 0:19:13 | |
We've got some Chinese character marks on it. | 0:19:13 | 0:19:16 | |
The only problem is it's got a slight crack through it. | 0:19:16 | 0:19:19 | |
The dealer who owns this rosewood table is asking £150. Wow! | 0:19:19 | 0:19:23 | |
That is going out on a limb, isn't it? | 0:19:23 | 0:19:27 | |
150 for that. | 0:19:27 | 0:19:29 | |
If I could get it nearer the hundred, but, you know, | 0:19:29 | 0:19:32 | |
it's worth a call, isn't it? | 0:19:32 | 0:19:35 | |
Yeah, sure is, it's Chinese. | 0:19:35 | 0:19:38 | |
What's he said then? | 0:19:39 | 0:19:41 | |
Tony would accept 100 on it because | 0:19:41 | 0:19:43 | |
-he needs to clear his stock. -Oh, well done. | 0:19:43 | 0:19:45 | |
-I think I'll buy it. -Excellent. -Thank you very much indeed. | 0:19:45 | 0:19:48 | |
-Good. -Thank you. | 0:19:48 | 0:19:49 | |
Cor, with £50 knocked off, | 0:19:49 | 0:19:51 | |
James has picked up the marble topped Jia Juan Li table. | 0:19:51 | 0:19:54 | |
Right, what's next? | 0:19:54 | 0:19:56 | |
This is quite fun, isn't it? | 0:19:56 | 0:19:57 | |
I remember no home was without a cradle, wasn't it? | 0:19:57 | 0:20:01 | |
Everybody had a cradle on their landing. | 0:20:01 | 0:20:03 | |
What's the best that could be? | 0:20:03 | 0:20:05 | |
The price is on it at the moment. | 0:20:05 | 0:20:07 | |
It's on at 95. | 0:20:07 | 0:20:09 | |
Is that the sort of thing that could be sort of 40 or 50? | 0:20:10 | 0:20:14 | |
50 would be possible. | 0:20:14 | 0:20:15 | |
-50 would be... -It's certainly possible, yeah. | 0:20:15 | 0:20:18 | |
We've also got this and I don't know if that would make a lot with it? | 0:20:18 | 0:20:21 | |
It's a child's woven cradle, | 0:20:21 | 0:20:23 | |
and the two perhaps would make a lot together. | 0:20:23 | 0:20:26 | |
This one's only on at £18, but... | 0:20:26 | 0:20:28 | |
Are you offering to throw that in then, David? | 0:20:28 | 0:20:31 | |
An extra tenner would be fine. | 0:20:31 | 0:20:33 | |
CHUCKLING: Nice try, Braxton. | 0:20:36 | 0:20:38 | |
Would you do that one for £4? | 0:20:38 | 0:20:40 | |
-So making 54? -Yes, we would. -You would? | 0:20:40 | 0:20:43 | |
-Yes, that would... -OK, go on, I'll buy that. | 0:20:43 | 0:20:46 | |
-Thank you very much. -For the two. -That's super. | 0:20:46 | 0:20:48 | |
Another kind discount and another lot bought. | 0:20:48 | 0:20:52 | |
But it doesn't look like James is done just yet. | 0:20:52 | 0:20:55 | |
What are these woods here? | 0:20:55 | 0:20:56 | |
They are beautiful. | 0:20:56 | 0:20:58 | |
They're lignum vitae... bowling balls. | 0:20:58 | 0:21:01 | |
"Geo. Mackay of Edinburgh." | 0:21:01 | 0:21:04 | |
They're beautiful objects, aren't they? | 0:21:04 | 0:21:07 | |
The dealer has a ticket price of £69 on these bowls. | 0:21:07 | 0:21:11 | |
I haven't got £69. I HAVE got 50. | 0:21:11 | 0:21:14 | |
Do you think they might do 50? | 0:21:14 | 0:21:16 | |
I think it's very close to the mark. | 0:21:16 | 0:21:18 | |
Would you like me to contact them and ask? | 0:21:18 | 0:21:20 | |
-My only tolerance is 34p above 50. -£50.34 is your... | 0:21:20 | 0:21:23 | |
JAMES LAUGHS | 0:21:23 | 0:21:26 | |
Another quick call and David's back. | 0:21:26 | 0:21:28 | |
-What news, David? -You're in luck. £50.50 will do it. | 0:21:28 | 0:21:32 | |
I haven't got 50p, I've got 34. | 0:21:32 | 0:21:35 | |
-That will do fine. -Good. | 0:21:35 | 0:21:37 | |
Phew! | 0:21:37 | 0:21:39 | |
I'd hate 16p to be the breaking point! | 0:21:39 | 0:21:44 | |
With every last penny spent, James walks away with the table, | 0:21:44 | 0:21:48 | |
the two rocking cradles, the set of woods, | 0:21:48 | 0:21:51 | |
which he adds to his earlier purchases - | 0:21:51 | 0:21:54 | |
the silver cigarette case and the Victorian table billiards set, | 0:21:54 | 0:21:58 | |
giving him a total of five lots to take to auction. | 0:21:58 | 0:22:01 | |
Charles has also bought five lots. | 0:22:03 | 0:22:05 | |
The Scottish cannonball, | 0:22:05 | 0:22:07 | |
the Crown Devon Maritime dish, | 0:22:07 | 0:22:09 | |
the late 19th-century rare book on Dundee - | 0:22:09 | 0:22:12 | |
well, they say "rare" - | 0:22:12 | 0:22:14 | |
the pair of brass candlesticks and the toleware candlestick. | 0:22:14 | 0:22:17 | |
He's spent a total of £255. | 0:22:17 | 0:22:20 | |
So, what do they think of each other's lots? | 0:22:20 | 0:22:24 | |
Not a lot, I suspect. | 0:22:24 | 0:22:26 | |
I love his Chinese table. | 0:22:26 | 0:22:28 | |
That really has potential Eastern promise to create worldwide news | 0:22:28 | 0:22:32 | |
and could be the headliner at the auction. | 0:22:32 | 0:22:35 | |
Early candlesticks used to make big money, but they're... No more. | 0:22:35 | 0:22:39 | |
I don't know, would I swap or not? I think I'll stick with mine. | 0:22:39 | 0:22:42 | |
There's no time to change. | 0:22:44 | 0:22:45 | |
James has been reunited with Charles and they're now en route | 0:22:45 | 0:22:49 | |
to auction in the city of Dundee. | 0:22:49 | 0:22:51 | |
The place with the rare books. | 0:22:51 | 0:22:54 | |
-James, hold tight. We are going over the River Tay Bridge... -Tay. | 0:22:54 | 0:22:59 | |
Look at this. | 0:22:59 | 0:23:02 | |
Today's auction will take place at Curr & Dewar Auctioneers | 0:23:02 | 0:23:06 | |
in the heart of the city, | 0:23:06 | 0:23:08 | |
where they know about rare books. | 0:23:08 | 0:23:09 | |
-What a beautiful day. -What could go wrong? | 0:23:09 | 0:23:12 | |
-Exactly. Exactly. -What could possibly go wrong? | 0:23:12 | 0:23:16 | |
Sometimes do you feel, James, a city's on your side? | 0:23:16 | 0:23:19 | |
Do you feel Dundee will be right for us? | 0:23:19 | 0:23:22 | |
Hmm, Charles is hopeful. Could be to do with rare books. | 0:23:22 | 0:23:25 | |
But what will the man with the gavel today, auctioneer Stephen Dewar, | 0:23:25 | 0:23:28 | |
think of our experts' lots? | 0:23:28 | 0:23:30 | |
Well, one of the lots today is a Lamb's Dundee, | 0:23:30 | 0:23:33 | |
as they call them locally, a big leatherbound book | 0:23:33 | 0:23:36 | |
of Dundee properties and Dundee as the old city. | 0:23:36 | 0:23:40 | |
They usually sell quite well. | 0:23:40 | 0:23:42 | |
The rocking cradle's quite nice. It's nicely painted. | 0:23:42 | 0:23:44 | |
Value-wise, I would be looking at around 50 to £80 on the cradle. | 0:23:44 | 0:23:49 | |
The room's filling up and the boys are seated and raring to go. | 0:23:49 | 0:23:53 | |
First up are James' two rocking cradles. | 0:23:54 | 0:23:57 | |
-30 is bid. -Oh, hello! | 0:23:57 | 0:23:59 | |
I have £30, front left, £30. | 0:23:59 | 0:24:01 | |
A bid anywhere? 35. 40. 45. 50. | 0:24:01 | 0:24:06 | |
-Wow. -£50 front right, at 50 and selling, all done? | 0:24:06 | 0:24:10 | |
Ah, that's a shame, but it's only a little loss. | 0:24:12 | 0:24:15 | |
Doesn't matter. It's... | 0:24:15 | 0:24:17 | |
It's a start. | 0:24:17 | 0:24:19 | |
That it is, Charles. | 0:24:19 | 0:24:21 | |
Up next, your brass candlesticks. | 0:24:21 | 0:24:24 | |
£60 now. Opening bidder, at £60... | 0:24:24 | 0:24:27 | |
-Are you sure? -Come on! -On commission at £60. -On commission! | 0:24:27 | 0:24:30 | |
-Are you sure now? -There's legs in them, there's legs. | 0:24:30 | 0:24:33 | |
-There's legs, there's legs! -Last chance, first bidder, first price. | 0:24:33 | 0:24:36 | |
-Thank you. -Cor, cheap enough. | 0:24:36 | 0:24:38 | |
A maiden bid there sees Charles kick off with a profit. | 0:24:38 | 0:24:42 | |
One small Dundee step. | 0:24:42 | 0:24:44 | |
Right, James, you're playing catch up with your lignum vitae woods. | 0:24:44 | 0:24:48 | |
Commission starts me at £20. | 0:24:48 | 0:24:51 | |
-Oh, God. -Need to move. -I have £20, a set of four woods at £20. | 0:24:51 | 0:24:54 | |
Any advance now at £20? | 0:24:54 | 0:24:55 | |
All done then? | 0:24:55 | 0:24:57 | |
Another maiden bid, but this time producing a loss. | 0:24:58 | 0:25:02 | |
You bought with passion, and those balls were cheap, | 0:25:02 | 0:25:05 | |
-and that's life and that's... -That's life, isn't it? | 0:25:05 | 0:25:09 | |
Charles' next lot is up now. | 0:25:09 | 0:25:11 | |
Will his toleware candlestick attract much attention? | 0:25:11 | 0:25:14 | |
15 bid. £15 it is now. | 0:25:14 | 0:25:16 | |
Oh, £15, I thought 50! Come on! That's too cheap. | 0:25:16 | 0:25:21 | |
At 15, any advance at 15? 25. £25. | 0:25:21 | 0:25:24 | |
-Any advance at £25? -Surely one more. -All done then? | 0:25:24 | 0:25:27 | |
Agh, they're certainly proving a tough crowd here today. Bad luck. | 0:25:29 | 0:25:34 | |
-That's what I call a result. -Hello? Is anyone here? | 0:25:34 | 0:25:37 | |
Don't get too smug, James. | 0:25:37 | 0:25:40 | |
Your pricey purchase it up next. | 0:25:40 | 0:25:41 | |
The Jia Juan Li marble-topped table. | 0:25:41 | 0:25:44 | |
At 75. 80. Five. 90. Five. | 0:25:44 | 0:25:48 | |
100. Five. 110. | 0:25:48 | 0:25:50 | |
-Good man. -110 with the porter. | 0:25:50 | 0:25:52 | |
-Any advance at 110? Are you all done? -It's a loss. | 0:25:52 | 0:25:55 | |
-At £110... -Come on, come on. | 0:25:55 | 0:25:57 | |
Oh, James. After auction house costs, | 0:25:58 | 0:26:01 | |
that will be another small loss. | 0:26:01 | 0:26:03 | |
-£10 loss. -Doesn't matter, though. It was worth a gamble. | 0:26:03 | 0:26:05 | |
Time now to find out if the Scottish cannonball | 0:26:05 | 0:26:09 | |
-will make Charles a profit. -I'll open it up at £30 on commission. | 0:26:09 | 0:26:13 | |
-Come on. -At £30, two commission buyers. | 0:26:13 | 0:26:15 | |
-35. 40. -Surely one more. | 0:26:15 | 0:26:16 | |
Five. 50. Five. | 0:26:16 | 0:26:18 | |
-Come on! -Commission buyer's at 55. | 0:26:18 | 0:26:20 | |
-Any more? -60 anywhere? | 0:26:20 | 0:26:21 | |
-Any more? -At £55, any advance at 55? | 0:26:21 | 0:26:24 | |
Well done. | 0:26:24 | 0:26:26 | |
Fantastic profit there for Charles, well done. | 0:26:26 | 0:26:29 | |
Thank you, Scotland. | 0:26:29 | 0:26:31 | |
I'll come again. | 0:26:31 | 0:26:32 | |
How will the crowd take to James' table billiard set? | 0:26:33 | 0:26:37 | |
At £25 there, for a lot, at £25. | 0:26:37 | 0:26:39 | |
-Good lad. -30. Five. -40. -40. | 0:26:39 | 0:26:42 | |
-Five. -40 on my right. At £40, 45. | 0:26:42 | 0:26:45 | |
-50. £50 on my right. -That's good. | 0:26:45 | 0:26:47 | |
-Well done. Profit. -£50, all done then at 50. -Good man. | 0:26:47 | 0:26:51 | |
I'm selling... Thank you. | 0:26:51 | 0:26:53 | |
-That's more like it. -I got away with it. | 0:26:53 | 0:26:56 | |
That's good. You know, chin down, bit of that. | 0:26:56 | 0:26:59 | |
-Slightly washing the face. -Bit of that. | 0:26:59 | 0:27:00 | |
Next up, it's Charles's Crown Devon dish. Ooh-arr!. | 0:27:00 | 0:27:04 | |
-10? -Oh, I say. | 0:27:04 | 0:27:06 | |
-Ten is the wave. -Come on. -15, ma'am? | 0:27:06 | 0:27:08 | |
20. Five. 30. Five. | 0:27:08 | 0:27:11 | |
-£35. -Come on. -At 35 now, any advance at £35? | 0:27:11 | 0:27:15 | |
-Are you bidding? -I'm stuck in my chair. | 0:27:15 | 0:27:17 | |
At 35.... | 0:27:17 | 0:27:19 | |
Nicely done. Good news for Charles. | 0:27:19 | 0:27:22 | |
-Happy? -I'm not happy. You may be happy. | 0:27:22 | 0:27:25 | |
Will James' final lot, his silver cigarette case, | 0:27:26 | 0:27:29 | |
put a smile on his face? | 0:27:29 | 0:27:30 | |
At £20. Five. 30. Five. | 0:27:31 | 0:27:34 | |
40. Five. £50 at the bed, at £50. | 0:27:34 | 0:27:38 | |
Any advance at £50? | 0:27:38 | 0:27:40 | |
-That's amazing, James. -Better, isn't it? -£50... | 0:27:40 | 0:27:44 | |
Now, you HAVE to be pleased with that. | 0:27:44 | 0:27:48 | |
That gives you a nice big step forward. | 0:27:48 | 0:27:51 | |
Right, time to get serious, Charles. It's the biggie. | 0:27:51 | 0:27:54 | |
Your 19th century limited edition book on Dundee. | 0:27:54 | 0:27:57 | |
At £80 it is for Lamb's Dundee. | 0:27:57 | 0:27:59 | |
-Let's go. -£80. -Let's go. | 0:27:59 | 0:28:01 | |
-Come on, let's go! -110, 120... | 0:28:01 | 0:28:03 | |
-Let's go! -..130, 140... -Come on! | 0:28:03 | 0:28:05 | |
-..150, 160... -Come on! | 0:28:05 | 0:28:07 | |
-Fantastic! -..170. I'm out now. | 0:28:07 | 0:28:09 | |
170 is there. | 0:28:09 | 0:28:10 | |
-Anybody else in? -Surely. | 0:28:10 | 0:28:12 | |
£170... | 0:28:12 | 0:28:14 | |
It was a risky punt, and it's paid off. Marvellous. | 0:28:14 | 0:28:17 | |
Shall we hit the road? | 0:28:17 | 0:28:19 | |
Good to go, jacket on? | 0:28:19 | 0:28:20 | |
I think we should go, yeah. | 0:28:20 | 0:28:22 | |
Auction done, it's time to talk figures. | 0:28:22 | 0:28:25 | |
James started this leg with £260.34. | 0:28:25 | 0:28:28 | |
Unfortunately, he made a little loss of £30.74 after auction costs. | 0:28:28 | 0:28:34 | |
But this still leaves him with a healthy £229.60. | 0:28:34 | 0:28:40 | |
Oh, yes. | 0:28:40 | 0:28:42 | |
Charles began with £266.40 and he managed to make a profit, | 0:28:42 | 0:28:47 | |
gaining £27.90 after auction costs, giving him £294.30, | 0:28:47 | 0:28:54 | |
which means he wins again and goes into the next leg in the lead. | 0:28:54 | 0:29:00 | |
So our dapper pair head into a new day | 0:29:00 | 0:29:03 | |
with their newly acquired totals | 0:29:03 | 0:29:05 | |
and are ready to take on the next leg of their trip. | 0:29:05 | 0:29:08 | |
-I'm going to buy really old things. -Good. Please. | 0:29:08 | 0:29:12 | |
That is what will get my juice... | 0:29:12 | 0:29:14 | |
That is what will get my sap rising. And don't forget... | 0:29:14 | 0:29:17 | |
I'm not after your sap. | 0:29:17 | 0:29:19 | |
Quite right. | 0:29:19 | 0:29:20 | |
This leg will get going in Glasgow and end in Hamilton for auction. | 0:29:20 | 0:29:26 | |
Good egg that he is, | 0:29:26 | 0:29:27 | |
James is dropping off Charles at the first shop. | 0:29:27 | 0:29:31 | |
Isn't that lovely? See that the old boy doesn't get wet, eh? | 0:29:31 | 0:29:33 | |
Have a good day. See you later. | 0:29:33 | 0:29:36 | |
This emporium is bursting with potential buys. | 0:29:36 | 0:29:39 | |
Dealer John is on hand to help. Hi, John. | 0:29:39 | 0:29:41 | |
-Now, what have you got there? -Isn't that nice? | 0:29:47 | 0:29:49 | |
A little barometer. | 0:29:49 | 0:29:51 | |
Set to fair, at the moment, is our road trip. | 0:29:51 | 0:29:55 | |
It could get stormy. | 0:29:55 | 0:29:56 | |
The reason I like this | 0:29:56 | 0:29:58 | |
is it's almost got this militaria association. | 0:29:58 | 0:30:02 | |
It reads here, "To Sgt Maj Hardy on his marriage | 0:30:02 | 0:30:07 | |
"from his squadron leader Captain the Honourable RH Lindsay, | 0:30:07 | 0:30:12 | |
"Royal Scots Greys." | 0:30:12 | 0:30:14 | |
It's in oak and a good barometer. It's circa 1910. | 0:30:14 | 0:30:17 | |
Could it be a great price? There's no price on it. | 0:30:17 | 0:30:21 | |
The barometer isn't John's to sell, | 0:30:21 | 0:30:23 | |
but luckily the dealer's wife is in the shop today, Julie. | 0:30:23 | 0:30:25 | |
What is your man willing to accept, then, girl? | 0:30:25 | 0:30:28 | |
He says you can have it for 40. | 0:30:28 | 0:30:30 | |
-You've got to fall in love with an object. -That's true. | 0:30:30 | 0:30:33 | |
I think this object has a real history, | 0:30:33 | 0:30:36 | |
so I think with that price, I shall buy it. | 0:30:36 | 0:30:39 | |
First lot bought - anything else grab you, Charles? | 0:30:41 | 0:30:44 | |
There's this lovely little dish. | 0:30:44 | 0:30:46 | |
Elkington-style charger with an agricultural scene. | 0:30:46 | 0:30:50 | |
It's been described as being on copper. | 0:30:50 | 0:30:52 | |
It's silver-plated, but just very nice quality. | 0:30:52 | 0:30:57 | |
With a ticket price of £70, | 0:30:57 | 0:30:59 | |
is there a deal to be done with John? | 0:30:59 | 0:31:02 | |
What is the best on that if I bought that? | 0:31:02 | 0:31:05 | |
60. | 0:31:05 | 0:31:06 | |
I'll take it for £60 and take a gamble with it, | 0:31:06 | 0:31:09 | |
Thanks a lot, sir. | 0:31:09 | 0:31:10 | |
Good. A second lot secured for £60. But how about a third? | 0:31:10 | 0:31:13 | |
Hang on, this piece of porcelain | 0:31:13 | 0:31:15 | |
looks like it has seen better days, Charles. | 0:31:15 | 0:31:17 | |
This is a lovely little dish. | 0:31:17 | 0:31:19 | |
This is hand-enamelled with a very attractive lady. | 0:31:19 | 0:31:22 | |
What I like about this is the gilding on this rim. | 0:31:22 | 0:31:26 | |
But we talk about condition, condition is so important, | 0:31:26 | 0:31:29 | |
and you will see on the back, it has been plastered. | 0:31:29 | 0:31:32 | |
You've got some quite serious damage, | 0:31:32 | 0:31:35 | |
and the old wire from where it's been held up. | 0:31:35 | 0:31:39 | |
It will date to around 1880, made at Dresden in Germany, | 0:31:39 | 0:31:43 | |
like Staffordshire is to England, a huge epicentre, | 0:31:43 | 0:31:47 | |
but it is completely smashed, isn't it, John? | 0:31:47 | 0:31:50 | |
What's the best price on that? | 0:31:50 | 0:31:51 | |
-For you? -Yes. -£1. | 0:31:51 | 0:31:54 | |
£1? | 0:31:55 | 0:31:56 | |
-Yes. -For 100 pence, I will take her. | 0:31:56 | 0:31:59 | |
-Going, going, gone. -No problem. -Thanks a lot, John. | 0:31:59 | 0:32:02 | |
That's another programme, isn't it? | 0:32:02 | 0:32:03 | |
Anyway, three lots bought. Well done. | 0:32:03 | 0:32:06 | |
James, meanwhile, has motored 23 miles south-west | 0:32:08 | 0:32:12 | |
to Kilbirnie in Ayrshire, home of The Stirrup Cup, | 0:32:12 | 0:32:16 | |
a lovely little antique shop that James has visited before. | 0:32:16 | 0:32:20 | |
Look out. | 0:32:20 | 0:32:21 | |
-Hello. -Hello, James. -Greta, how are you? | 0:32:21 | 0:32:24 | |
I'm very well. Nice to have you back. | 0:32:24 | 0:32:26 | |
Yeah, lovely to be back, isn't it? | 0:32:26 | 0:32:27 | |
With a selection of antiques and curios, | 0:32:31 | 0:32:33 | |
you're bound to find something old in here. | 0:32:33 | 0:32:36 | |
Look at the condition of that bell. | 0:32:37 | 0:32:39 | |
It's got a bit of history, though. | 0:32:39 | 0:32:41 | |
-That's had a direct hit. -The Blitz in Glasgow. | 0:32:41 | 0:32:44 | |
-So where did this come from? -Clydebank. | 0:32:44 | 0:32:47 | |
That is where we had a lot of our problems. | 0:32:47 | 0:32:50 | |
-Isn't that great? -Isn't it great? | 0:32:50 | 0:32:52 | |
The poor air raid warden wouldn't wear that, would he? | 0:32:52 | 0:32:54 | |
-That would have been on his door. -That would have been on his door. | 0:32:54 | 0:32:57 | |
Yes. It is all bumped and bashed, isn't it? | 0:32:57 | 0:32:59 | |
It's quite funny that it's an ARP warden... So Air Raid... | 0:32:59 | 0:33:04 | |
-Air Raid Personnel. -Air Raid Personnel. | 0:33:04 | 0:33:06 | |
..would have had a direct hit. | 0:33:06 | 0:33:09 | |
How much are those two, Greta? | 0:33:09 | 0:33:11 | |
Well, I could do the two for 40 for you. | 0:33:11 | 0:33:13 | |
-40. It's got history, hasn't it? -Yes. -That certainly has. | 0:33:13 | 0:33:19 | |
I quite like that. I think I'm going to put that aside, Greta. | 0:33:19 | 0:33:22 | |
Touching history, that's what we need to do. | 0:33:22 | 0:33:25 | |
Looks like James has spotted another bit of history | 0:33:25 | 0:33:27 | |
in the form of an oak table. Oh, yes. | 0:33:27 | 0:33:30 | |
The table is Arts and Crafts, | 0:33:30 | 0:33:32 | |
so you're looking at, what, 1890, 1900? | 0:33:32 | 0:33:37 | |
It has been restored... | 0:33:37 | 0:33:39 | |
Yeah, it looks very clean, doesn't it? | 0:33:39 | 0:33:41 | |
-It is in perfect condition. -Nice piece, that. | 0:33:41 | 0:33:44 | |
It's good, isn't it? | 0:33:44 | 0:33:45 | |
With a ticket price of £225, the table is set aside for now | 0:33:45 | 0:33:50 | |
because something shiny has caught James's eye. | 0:33:50 | 0:33:54 | |
They are very stylish, aren't they? They're early, | 0:33:54 | 0:33:56 | |
when the Orkney silver first took off, | 0:33:56 | 0:33:58 | |
which would be probably about the '70s. | 0:33:58 | 0:34:01 | |
Ola Gorie, she was one of the main designers for Ortak. | 0:34:01 | 0:34:07 | |
But will Greta be willing to go lower | 0:34:07 | 0:34:09 | |
than the £50 ticket price? | 0:34:09 | 0:34:12 | |
I could do them for 25 for you, James. | 0:34:12 | 0:34:15 | |
What was the best you could do on that table? | 0:34:15 | 0:34:18 | |
I could do the table for 80. | 0:34:18 | 0:34:20 | |
-80. -Yes. | 0:34:20 | 0:34:22 | |
That is a very generous discount. Right, James, decision time. | 0:34:22 | 0:34:26 | |
I'm going to definitely take the earrings at 25. | 0:34:26 | 0:34:30 | |
Could you take a bit off that one, 70, | 0:34:30 | 0:34:32 | |
and then I will pay you the 40 on that | 0:34:32 | 0:34:35 | |
so it's 135? | 0:34:35 | 0:34:37 | |
-Right, OK. -Would that be all right? | 0:34:37 | 0:34:39 | |
-Yes, let's agree on that. -Thank you, that's very kind. | 0:34:39 | 0:34:41 | |
Very kind. | 0:34:41 | 0:34:43 | |
That's three lots bought for £135 in your very first shop! | 0:34:43 | 0:34:48 | |
Charles has been back on the road and made his way to Prestwick, | 0:34:50 | 0:34:55 | |
home to Nae Sae New. That's a shop. | 0:34:55 | 0:34:57 | |
Dealer Gary has plenty of antiques and collectables on offer, | 0:34:57 | 0:35:00 | |
and it doesn't take Charles long to spot something he likes. | 0:35:00 | 0:35:03 | |
I like the spoons. They're nice, aren't they? | 0:35:03 | 0:35:06 | |
How much are those silver spoons, Gary? | 0:35:06 | 0:35:08 | |
Those ones are 35. | 0:35:08 | 0:35:10 | |
-And the best price, Gary, on those could be...to an old mate? -28. | 0:35:10 | 0:35:15 | |
They're quite sweet. | 0:35:15 | 0:35:16 | |
Right, the spoons are a possibility, and the search continues. | 0:35:16 | 0:35:21 | |
-We always like being able to root. -Get stuck in. | 0:35:21 | 0:35:25 | |
CHARLES LAUGHS | 0:35:25 | 0:35:26 | |
That's quite nice, isn't it, Gary? | 0:35:26 | 0:35:28 | |
-A little seal. -Probably Regency in period. | 0:35:28 | 0:35:32 | |
If you were a man of some distinction, | 0:35:32 | 0:35:34 | |
you would certainly be using this at your desk | 0:35:34 | 0:35:38 | |
to rubber-stamp your letters with your wax seal. | 0:35:38 | 0:35:41 | |
I bet, Gary, it is quite good value. | 0:35:41 | 0:35:43 | |
-Very. -Tell me. -Fiver. -Yeah, I thought so. | 0:35:43 | 0:35:46 | |
Not bad at all, isn't it? I might put that on the side there, Gary. | 0:35:46 | 0:35:49 | |
What I also like is that. It's a rule, isn't it? | 0:35:49 | 0:35:53 | |
-Yes. -How early is that? -Late 19th, early 20th. | 0:35:53 | 0:35:57 | |
What could that be, best price? | 0:35:57 | 0:35:58 | |
-Eight. -That's your very best on that? | 0:35:58 | 0:36:01 | |
-See what else you come up with. -OK. | 0:36:01 | 0:36:04 | |
I will put it over there as well, Gary. | 0:36:04 | 0:36:06 | |
What's Gary got in there, then? | 0:36:06 | 0:36:08 | |
His stash. | 0:36:08 | 0:36:10 | |
Oh, I say! That is quite a sweet pendant, | 0:36:10 | 0:36:14 | |
isn't it, with a footballer? | 0:36:14 | 0:36:15 | |
Yes, it's got a compass on the other side. | 0:36:15 | 0:36:17 | |
Oh, how nice, Gary. How much is that? | 0:36:17 | 0:36:20 | |
I could do that for eight. | 0:36:20 | 0:36:21 | |
I'm going to take him out and put him on your counter | 0:36:21 | 0:36:24 | |
with my little ruler and stamp. | 0:36:24 | 0:36:27 | |
What we've got is a nice drum mustard | 0:36:27 | 0:36:30 | |
that's hallmarked Birmingham, made by Walker & Hall. | 0:36:30 | 0:36:33 | |
You've then got matching salt, with spoons. | 0:36:33 | 0:36:37 | |
They are all silver, which is nice. | 0:36:37 | 0:36:39 | |
How much, Gary, would all that be, there, out of interest? | 0:36:39 | 0:36:42 | |
30. | 0:36:45 | 0:36:47 | |
With a combined ticket price of £58 on the selection of silver | 0:36:47 | 0:36:52 | |
and £21 for the compass, rule and seal, | 0:36:52 | 0:36:54 | |
what's the best Gary will do? | 0:36:54 | 0:36:58 | |
-I would do 50. -OK. -I would do... | 0:36:58 | 0:37:01 | |
..15 for those three pieces. | 0:37:04 | 0:37:06 | |
I'm going to, for auction, put those three together. | 0:37:06 | 0:37:09 | |
-Right. -And pay £15. | 0:37:09 | 0:37:11 | |
-OK. -Done. OK. | 0:37:11 | 0:37:13 | |
I have now confirmed one lot. | 0:37:13 | 0:37:15 | |
I'm going to buy these spoons for £20. | 0:37:15 | 0:37:18 | |
Job done. Thank you very much. | 0:37:18 | 0:37:20 | |
Then, finally, I'm going to buy my group of metalware, | 0:37:20 | 0:37:26 | |
which is all silver, for £30. | 0:37:26 | 0:37:28 | |
Gary, thank you. | 0:37:28 | 0:37:30 | |
£65 has Charles another two lots for auction. Jolly good stuff. | 0:37:30 | 0:37:35 | |
Thanks for the memories. See you. | 0:37:35 | 0:37:38 | |
James, meanwhile, is still in Ayrshire, | 0:37:42 | 0:37:45 | |
and has made his way down to Ardeer, | 0:37:45 | 0:37:47 | |
which is in the bottom of our garden. Ha! | 0:37:47 | 0:37:50 | |
It was here in the late 19th century | 0:37:50 | 0:37:52 | |
that Swedish scientist and inventor Alfred Nobel | 0:37:52 | 0:37:55 | |
built what was, at the time, | 0:37:55 | 0:37:57 | |
the biggest explosives factory in the world. | 0:37:57 | 0:38:01 | |
After centuries of gunpowder ruling the explosives market, | 0:38:01 | 0:38:04 | |
everything changed when nitroglycerin was invented, | 0:38:04 | 0:38:08 | |
which Nobel then used to manufacture dynamite. | 0:38:08 | 0:38:11 | |
James is meeting local author Dr Eric Graham to find out more. | 0:38:11 | 0:38:15 | |
Boom boom. | 0:38:15 | 0:38:16 | |
Eric, tell me about the man himself, Alfred Nobel. | 0:38:16 | 0:38:20 | |
Well, he was a Swedish chemist, engineer. | 0:38:20 | 0:38:23 | |
He takes this new product called nitroglycerin, | 0:38:23 | 0:38:28 | |
which was very unstable, and he makes it safe by mixing it | 0:38:28 | 0:38:33 | |
with a kind of moss, bog material, quite inert, | 0:38:33 | 0:38:38 | |
which he'll patent, and he'll call it dynamite. | 0:38:38 | 0:38:41 | |
This was no mean feat. | 0:38:41 | 0:38:43 | |
The volatile nature of nitroglycerin had caused many deaths, | 0:38:43 | 0:38:48 | |
including Nobel's youngest brother, Emil, | 0:38:48 | 0:38:51 | |
who was killed while experimenting with the dangerous liquid in 1864. | 0:38:51 | 0:38:56 | |
Crikey. Over the next three years, | 0:38:56 | 0:38:58 | |
Nobel focused on the safety issues with nitroglycerin. | 0:38:58 | 0:39:02 | |
In 1867, dynamite was born. | 0:39:02 | 0:39:04 | |
Although manufacturing was still dangerous, | 0:39:04 | 0:39:06 | |
the finished product was much safer to handle. | 0:39:06 | 0:39:09 | |
He was a very astute businessman. | 0:39:09 | 0:39:10 | |
He was very good at organising the capital. | 0:39:10 | 0:39:13 | |
He knew governments would be very interested, | 0:39:13 | 0:39:16 | |
because it's such a powerful explosive device. | 0:39:16 | 0:39:19 | |
With the British Empire expanding, demand for dynamite quickly grew | 0:39:19 | 0:39:23 | |
as it was ideal for blasting tunnels, cutting canals | 0:39:23 | 0:39:26 | |
and building railways and roads. | 0:39:26 | 0:39:29 | |
Of course, you will have 13,000 people working at this site alone. | 0:39:29 | 0:39:33 | |
-13,000 here? -Just here in Ardeer. -Really? | 0:39:33 | 0:39:37 | |
Nobel chose to build his factory on the Ardeer Peninsula | 0:39:37 | 0:39:40 | |
due to its remote location and huge sand dunes, | 0:39:40 | 0:39:44 | |
which provided natural safety features | 0:39:44 | 0:39:46 | |
for the dangerous manufacture of dynamite. | 0:39:46 | 0:39:49 | |
All these earthworks you see all round about you, | 0:39:49 | 0:39:52 | |
excavated out of sand dunes, | 0:39:52 | 0:39:55 | |
provides the unit production with protection. | 0:39:55 | 0:39:58 | |
So if they were to go up, the hut would explode, | 0:39:58 | 0:40:02 | |
but the force would go up the way, not sideways. | 0:40:02 | 0:40:05 | |
I see, so not hitting anything else, just straight up into the air. | 0:40:05 | 0:40:09 | |
So you minimise damage and casualties | 0:40:09 | 0:40:12 | |
and you don't lose the factory. | 0:40:12 | 0:40:13 | |
This is what we're going to prove with the experiment, isn't it? | 0:40:13 | 0:40:16 | |
-This force going up. -An experiment, yes, that would be excellent. | 0:40:16 | 0:40:21 | |
-Get blowing something up. -Yes! | 0:40:21 | 0:40:23 | |
This sounds right up James's street! | 0:40:25 | 0:40:29 | |
So we've got the brown box. | 0:40:29 | 0:40:30 | |
And in the blue box, we have the same amount of charge, | 0:40:30 | 0:40:34 | |
but this box will be uncovered, whereas this one will be... | 0:40:34 | 0:40:38 | |
It's sand-bagged. | 0:40:38 | 0:40:39 | |
The experiment will show how the contained one here, | 0:40:39 | 0:40:42 | |
give an example of how these blast walls, | 0:40:42 | 0:40:44 | |
these will be the sand bags to hold the blast and direct it upwards, | 0:40:44 | 0:40:48 | |
away from the other munitions workers and huts. | 0:40:48 | 0:40:52 | |
-You can't wait to press the button, can you? -I can't. | 0:40:52 | 0:40:55 | |
Get plunging! | 0:40:55 | 0:40:56 | |
We don't have plungers any more. Far more sophisticated. | 0:40:56 | 0:40:59 | |
Boxes prepped and ready to go. James gets to do the honours. | 0:41:01 | 0:41:05 | |
This is where the button is. | 0:41:05 | 0:41:07 | |
KLAXON SOUNDS | 0:41:10 | 0:41:12 | |
All away? | 0:41:12 | 0:41:14 | |
Press one. | 0:41:15 | 0:41:17 | |
Here we go. | 0:41:19 | 0:41:20 | |
So, with both boxes blown, it's time to survey the damage. | 0:41:28 | 0:41:32 | |
The non-sand-bagged blue box first. | 0:41:32 | 0:41:36 | |
It's scattered, isn't it? All over. | 0:41:36 | 0:41:38 | |
Well, there's not a lot left of the blue box, that's a fact. | 0:41:38 | 0:41:40 | |
-No, no. -It's everywhere. As far as you can see. -All over. | 0:41:40 | 0:41:43 | |
I can see it over there as well. | 0:41:43 | 0:41:46 | |
How's our brown box fared? | 0:41:46 | 0:41:48 | |
I think it should have been much more contained. | 0:41:48 | 0:41:50 | |
-The damage is localised. -It is localised, isn't it? | 0:41:50 | 0:41:54 | |
For almost 25 years, | 0:41:54 | 0:41:56 | |
Nobel's explosives were manufactured at Ardeer. | 0:41:56 | 0:42:00 | |
Sadly, 21 people lost their lives here, | 0:42:00 | 0:42:02 | |
but compared to the number of employees, | 0:42:02 | 0:42:05 | |
it was actually a lower death rate | 0:42:05 | 0:42:07 | |
than any cotton mill or shipyard at that time. | 0:42:07 | 0:42:10 | |
Eric has a very close connection with Ardeer | 0:42:10 | 0:42:13 | |
as one of his relatives once worked here. | 0:42:13 | 0:42:15 | |
So this is my wonderful Aunt Maisie. Just engaged to be married. | 0:42:15 | 0:42:20 | |
-She's 22 years old. -22 years old. | 0:42:20 | 0:42:23 | |
She would be one of four girls in the cartridging huts. | 0:42:23 | 0:42:29 | |
Unfortunately, 66 years ago to this day, | 0:42:29 | 0:42:32 | |
my Aunt Maisie and the other three girls were blown up, | 0:42:32 | 0:42:37 | |
so they all died. | 0:42:37 | 0:42:38 | |
We've never found out what caused the accident, | 0:42:38 | 0:42:41 | |
but the principle that we've been discussing | 0:42:41 | 0:42:44 | |
meant that only that hut went. | 0:42:44 | 0:42:46 | |
-Yeah. Yeah. -So there was no more casualties. | 0:42:46 | 0:42:48 | |
-It didn't spread. -It didn't spread. -Amazing. | 0:42:48 | 0:42:51 | |
Although dynamite revolutionised the mining and construction industries, | 0:42:51 | 0:42:55 | |
it wasn't long before the military began using it in warfare. | 0:42:55 | 0:42:59 | |
In 1888, a French newspaper mistakenly published | 0:42:59 | 0:43:03 | |
Alfred Nobel's obituary, | 0:43:03 | 0:43:05 | |
describing him as a man who made millions | 0:43:05 | 0:43:07 | |
through the death of others. | 0:43:07 | 0:43:08 | |
Reportedly stunned, Nobel was determined to improve his legacy. | 0:43:11 | 0:43:15 | |
A year before he died in 1896, | 0:43:15 | 0:43:17 | |
he signed his last will and testament, | 0:43:17 | 0:43:20 | |
in which he set aside the majority of his vast estate | 0:43:20 | 0:43:23 | |
to establish the Nobel prizes, | 0:43:23 | 0:43:26 | |
including one awarded for the pursuit of peace. | 0:43:26 | 0:43:29 | |
Thank you, Eric. It's been... | 0:43:29 | 0:43:30 | |
Well, you've made this former very busy landscape come alive again. | 0:43:30 | 0:43:35 | |
-I loved doing the blasting. -Did you? | 0:43:35 | 0:43:38 | |
Let's get into the warm. | 0:43:38 | 0:43:40 | |
-North Ayrshire, it's quite cold, isn't it? -Yes! | 0:43:40 | 0:43:44 | |
And so ends another explosive day for our experts. | 0:43:44 | 0:43:47 | |
Time for some shuteye. Night-night, you two. | 0:43:47 | 0:43:50 | |
No explosions and it's a new day in Bonnie Scotland, | 0:43:53 | 0:43:56 | |
and our boys are back on the road. | 0:43:56 | 0:43:59 | |
This morning, our likely lads have made their way to the village of | 0:43:59 | 0:44:02 | |
Overtown in North Lanarkshire, | 0:44:02 | 0:44:04 | |
where Charles is dropping James off at his first shop of the day. | 0:44:04 | 0:44:08 | |
Garrion Bridges Garden And Antique Centre. | 0:44:08 | 0:44:10 | |
I've been there. | 0:44:10 | 0:44:12 | |
Bloom like a daffodil! | 0:44:12 | 0:44:13 | |
-Good luck, but not too much, bye. -Yeah. Flower. | 0:44:13 | 0:44:17 | |
James has almost £95 to spend, | 0:44:18 | 0:44:21 | |
and manager Greg is lending a helping hand this morning. | 0:44:21 | 0:44:25 | |
Nice bit of plain porcelain there. Who's it made by? | 0:44:26 | 0:44:29 | |
We've got Royal Doulton there. | 0:44:29 | 0:44:31 | |
We've got a date, 1936. | 0:44:31 | 0:44:33 | |
Normally with commemorative china, | 0:44:33 | 0:44:37 | |
you don't get the sort of royal cipher there, | 0:44:37 | 0:44:41 | |
so the initials - you normally get something to do with an event. | 0:44:41 | 0:44:45 | |
Say like a coronation. | 0:44:45 | 0:44:47 | |
-That's history. I like that. -History, yeah. -It's damaged. | 0:44:47 | 0:44:50 | |
What have we got? We've got 15 on that. Can I make a cheeky offer? | 0:44:50 | 0:44:54 | |
-You can, on you go. -A fiver. | 0:44:54 | 0:44:56 | |
A quick call to the dealer, and Greg's back. | 0:44:56 | 0:44:59 | |
-Right, bad news, I'm afraid. -Bad news, Greg? | 0:45:00 | 0:45:04 | |
What is the bad news? | 0:45:04 | 0:45:05 | |
-£12. -£12? Oh, he's a tough man, isn't he? | 0:45:05 | 0:45:09 | |
-Very tough. -Tough man. | 0:45:09 | 0:45:11 | |
£12? | 0:45:11 | 0:45:13 | |
I think it's still worth having a go at. | 0:45:13 | 0:45:15 | |
-Why not? In for a penny. -Thank you. -Thank you, Greg. | 0:45:15 | 0:45:18 | |
The little Doulton jug secured for £12 - well done, James. | 0:45:20 | 0:45:23 | |
With more shopping still to do, | 0:45:23 | 0:45:25 | |
James has made his way to Newhouse in North Lanarkshire. | 0:45:25 | 0:45:29 | |
He's arrived at Greenside Antique And Decorative Arts Centre | 0:45:29 | 0:45:33 | |
with just over £80 still in his pocket... | 0:45:33 | 0:45:36 | |
and looking very pleased with himself. | 0:45:36 | 0:45:38 | |
I'm looking for an elusive combination - profit and history. | 0:45:39 | 0:45:45 | |
What on earth is that? | 0:45:46 | 0:45:48 | |
Look at that light! | 0:45:48 | 0:45:49 | |
That's cutting-edge design, isn't it? | 0:45:53 | 0:45:56 | |
Looks like a plastic lamp from around the 1970s, I'd say. | 0:45:56 | 0:46:00 | |
Can we just suspend the seeking of history, here?! | 0:46:00 | 0:46:04 | |
Cos this is slightly tempting. | 0:46:05 | 0:46:07 | |
Yeah, you bet. There's no ticket price | 0:46:07 | 0:46:08 | |
so time for a wee chat with dealer Alan. | 0:46:08 | 0:46:11 | |
If it lights, I might buy it. | 0:46:11 | 0:46:12 | |
Look at that! | 0:46:12 | 0:46:14 | |
-Super splendid. -Haven't even cleaned it! | 0:46:14 | 0:46:16 | |
-Alan, a fiver, chief. -How about £10, eh? | 0:46:16 | 0:46:19 | |
Fiver... £10? | 0:46:19 | 0:46:21 | |
-How about splitting the difference, chief? -£8? | 0:46:21 | 0:46:25 | |
-£8, I'll give you the favour. Well done. -Great, great. | 0:46:25 | 0:46:29 | |
Retro lamp bought - | 0:46:29 | 0:46:30 | |
and just in time, cos here comes Hanson. | 0:46:30 | 0:46:33 | |
Apparently, he's in here now, James is, | 0:46:33 | 0:46:35 | |
and I'm determined just to maybe join the party. | 0:46:35 | 0:46:37 | |
Quick, hide! He's here! | 0:46:37 | 0:46:40 | |
Is he down here? | 0:46:41 | 0:46:44 | |
Now... Look at him go. | 0:46:44 | 0:46:46 | |
Ha, Charles, he's behind you! | 0:46:48 | 0:46:51 | |
This is ridiculous. | 0:46:51 | 0:46:54 | |
He's got the observational skills of a newt. | 0:46:54 | 0:46:57 | |
Charles, you great berk. | 0:46:57 | 0:46:59 | |
LAUGHTER | 0:46:59 | 0:47:01 | |
-How's it going?! -Very good. | 0:47:01 | 0:47:02 | |
-How's it going? -How are you? -Yeah, very well. | 0:47:02 | 0:47:04 | |
-All spent up? -Well, no. | 0:47:04 | 0:47:07 | |
I'm never spent up, James, | 0:47:07 | 0:47:08 | |
because there's always a chance to keep hunting. | 0:47:08 | 0:47:11 | |
Always a goodie, isn't there? | 0:47:11 | 0:47:13 | |
With James all shopped out, Charles has the place to himself | 0:47:13 | 0:47:16 | |
with just over £128 left. | 0:47:16 | 0:47:19 | |
If I'm going to find something, it's got to be quite big, I feel. | 0:47:19 | 0:47:23 | |
So, he's after big, and he's found... | 0:47:23 | 0:47:26 | |
well, small. | 0:47:26 | 0:47:28 | |
In this cabinet here is a label, which reads, | 0:47:28 | 0:47:31 | |
"A set of three Roman nails, 2,000 years old." | 0:47:31 | 0:47:35 | |
For three old nails - and they're just wonderful to see. | 0:47:35 | 0:47:39 | |
The ticket says £45. Alan! You're needed. | 0:47:39 | 0:47:43 | |
Priced at £45, what could these Inchtuthil Perthshire nails be? | 0:47:43 | 0:47:48 | |
-For you, Charles, 20. -Not bad at all. Let me give them some thought. | 0:47:48 | 0:47:52 | |
I quite like, also, Alan, | 0:47:52 | 0:47:55 | |
-the very nice Benson pocket watch here. -Yeah. | 0:47:55 | 0:48:00 | |
Nice quality. | 0:48:00 | 0:48:02 | |
Slightly engine turned, that's worn, | 0:48:02 | 0:48:04 | |
but these beautiful blue enamel dials, | 0:48:04 | 0:48:07 | |
and that's just a beautiful watch, | 0:48:07 | 0:48:09 | |
and Benson really was one of the leading pocket watchmakers. | 0:48:09 | 0:48:13 | |
The Benson family were highly regarded watchmakers | 0:48:13 | 0:48:15 | |
in the middle of the 19th century. | 0:48:15 | 0:48:17 | |
It's priced at only £35. The best on that would be...? | 0:48:17 | 0:48:21 | |
Well, in the condition it is - | 0:48:21 | 0:48:23 | |
-I don't think it's working properly, that one. -Oh, right. -£15, as it is. | 0:48:23 | 0:48:26 | |
-I mean, the silver is worth that, I'm sure. -Yeah, it is. -It's cheap. | 0:48:26 | 0:48:30 | |
-If I bought the Benson pocket watch and the nails... -Uh-huh. | 0:48:30 | 0:48:35 | |
-..what's the best price you could do - the very best? -30. | 0:48:35 | 0:48:40 | |
Those nails at £15, I'm going to say yes to. So, I'll buy the nails. | 0:48:40 | 0:48:44 | |
-Uh-huh. -Is there any margin on that watch, at all? | 0:48:44 | 0:48:47 | |
-12? Give you a chance. -Go on, then. Sold. -There we are. -Job done. | 0:48:47 | 0:48:51 | |
-Thank you. -Thank you very much, Alan. | 0:48:51 | 0:48:53 | |
That's two more items bought for £27. | 0:48:53 | 0:48:57 | |
-Thanks a lot, Alan. Take care. See you. -Thank you, bye. | 0:48:57 | 0:48:59 | |
All the best. Bye-bye. | 0:48:59 | 0:49:00 | |
Charles does have a bulging shopping bag. | 0:49:00 | 0:49:02 | |
Along with the rare Roman nails, | 0:49:02 | 0:49:04 | |
he has his selection of assorted silver, | 0:49:04 | 0:49:07 | |
which he's adding the Benson fob watch to. | 0:49:07 | 0:49:10 | |
There is the early 20th-century barometer, | 0:49:10 | 0:49:12 | |
the 19th-century embossed charger, the Dresden porcelain plate, | 0:49:12 | 0:49:15 | |
and his combined lot of the football compass, parallel rule, | 0:49:15 | 0:49:18 | |
and treen seal, giving him a six-lot haul. | 0:49:18 | 0:49:22 | |
Gosh. | 0:49:22 | 0:49:24 | |
Meanwhile, James has bought five lots - | 0:49:24 | 0:49:26 | |
the Arts and Crafts oak table, | 0:49:26 | 0:49:28 | |
the World War II ARP handbell and doorplate, | 0:49:28 | 0:49:31 | |
the Ola Gorie silver earrings | 0:49:31 | 0:49:33 | |
and the Royal Dalton jug - and, of course, his retro lamp. | 0:49:33 | 0:49:37 | |
So, what will they make of each other's lots? | 0:49:37 | 0:49:40 | |
Typical Charles - unexpectedly, he always reaches back into history. | 0:49:40 | 0:49:45 | |
His Roman nails are a class act. | 0:49:45 | 0:49:48 | |
I do like his bell - the great Air Warden bell. | 0:49:48 | 0:49:52 | |
It's in a condition which makes one think, "What's its story?" | 0:49:52 | 0:49:56 | |
After beginning in Glasgow, | 0:49:56 | 0:49:58 | |
our experts are now hurtling on towards the auction in Hamilton. | 0:49:58 | 0:50:03 | |
The boys have arrived at LS Smellie & Sons, Auctioneers. | 0:50:03 | 0:50:07 | |
-Man and machine... -James, don't you feel... | 0:50:07 | 0:50:09 | |
..in perfect harmony. | 0:50:09 | 0:50:10 | |
-..this place has a pedigree... -Do you think so? | 0:50:10 | 0:50:13 | |
..to give us a real life? | 0:50:13 | 0:50:14 | |
-Are you feeling lucky? -Very. | 0:50:14 | 0:50:16 | |
The gentleman holding the gavel today is James Henderson - | 0:50:16 | 0:50:19 | |
so what does he reckon to our lads' lots? | 0:50:19 | 0:50:23 | |
I think the Arts and Crafts table will do OK, it's quite nice, | 0:50:23 | 0:50:26 | |
and, well, I know the silver will probably do the better of the lots, | 0:50:26 | 0:50:30 | |
but it depends who's here. | 0:50:30 | 0:50:33 | |
The boys have battled their way through the crowd | 0:50:33 | 0:50:36 | |
to take their places, and are raring to go. | 0:50:36 | 0:50:39 | |
It's like you're almost like a jockey, you know? | 0:50:39 | 0:50:43 | |
Well, they're under starters orders, and they're off! | 0:50:43 | 0:50:46 | |
First up, ding-ding, is James's ARP handbell and doorplate. | 0:50:46 | 0:50:49 | |
Give it a ring, go on! | 0:50:49 | 0:50:51 | |
10, I'm bid. | 0:50:51 | 0:50:52 | |
10. 12, now. | 0:50:52 | 0:50:54 | |
At 12, at 14. 16...and 18. | 0:50:54 | 0:50:57 | |
And 20, and 22. | 0:50:57 | 0:50:59 | |
At 25, and 28. | 0:50:59 | 0:51:01 | |
At 28, 30. | 0:51:01 | 0:51:03 | |
At 30, I'm bid. | 0:51:03 | 0:51:04 | |
At 30, and fresh bid at 2 - £32. | 0:51:04 | 0:51:07 | |
-Well done. -At 32, at 32, at 32... | 0:51:07 | 0:51:09 | |
Come on, it's worth this. | 0:51:09 | 0:51:11 | |
At 32 - all done at £32. | 0:51:11 | 0:51:15 | |
A disappointing start could be a dead ringer. | 0:51:15 | 0:51:17 | |
But still, time to make it all up. | 0:51:17 | 0:51:18 | |
-This is your first item... -Yeah. -Don't worry about it. | 0:51:18 | 0:51:21 | |
So sweet. Let's see if Charles can fare better with his barometer. | 0:51:21 | 0:51:25 | |
50. 55. 60... | 0:51:25 | 0:51:28 | |
-65. -Hold tight. | 0:51:28 | 0:51:30 | |
-It's a lovely object. -80 now. | 0:51:30 | 0:51:32 | |
-£80! It's moving. -At 80 I'm bid. | 0:51:32 | 0:51:35 | |
And 85. 90. | 0:51:35 | 0:51:37 | |
For Queen and country! Come on! | 0:51:37 | 0:51:39 | |
-100. -Come on! -100 for the barometer. At 100. -Come on! | 0:51:39 | 0:51:42 | |
-At 100, I'm bid. -Come on! -At 100, 100, 100, 100. | 0:51:42 | 0:51:44 | |
-That's enough, James. -All done at £100. | 0:51:44 | 0:51:46 | |
-Don't be greedy. -Sold! Fantastic. | 0:51:46 | 0:51:49 | |
Fantastic indeed. | 0:51:49 | 0:51:50 | |
The pressure is rising - and a whopping great profit for Charles. | 0:51:50 | 0:51:53 | |
-I'm delighted. -I bet you're delighted! | 0:51:53 | 0:51:56 | |
James, can redeem yourself with your retro lamp? | 0:51:56 | 0:51:59 | |
20 I'm bid, sir. At 20. | 0:51:59 | 0:52:01 | |
-2, and 5, and 8. -We're flying. | 0:52:01 | 0:52:04 | |
And 30 and 5. And 40 and 5. | 0:52:04 | 0:52:07 | |
-At £50. -Well done. | 0:52:07 | 0:52:09 | |
-At 50, bid 50, bid 50... -A person of taste. | 0:52:09 | 0:52:11 | |
Bid 50. All done at £50. | 0:52:11 | 0:52:15 | |
The retro lamp bags James his first profit of the day. | 0:52:15 | 0:52:19 | |
-Get in, hey? -Get in there, mate. | 0:52:19 | 0:52:22 | |
Hey, Charles. Leave his pate alone. | 0:52:22 | 0:52:24 | |
Now, what about the table? | 0:52:24 | 0:52:25 | |
Do you feel another profit coming on? | 0:52:25 | 0:52:27 | |
At 20, bid 2. | 0:52:27 | 0:52:28 | |
At 22, bid 4, at 4, bid 28. | 0:52:28 | 0:52:30 | |
Bid 30, bid 5. | 0:52:30 | 0:52:32 | |
-40, and 5. -Moving. -And 50. | 0:52:32 | 0:52:36 | |
-At 55, at 60 with the lady. -Go on. | 0:52:36 | 0:52:39 | |
5 now on the telephone. | 0:52:39 | 0:52:40 | |
-70, at 70 bid. -Good man. -Go on. | 0:52:40 | 0:52:42 | |
5, at 75. | 0:52:42 | 0:52:44 | |
80 now. At 85 on the telephone. | 0:52:44 | 0:52:46 | |
-95. -95, 95 I'm bid. | 0:52:46 | 0:52:49 | |
-At 100 on the telephone. -Keep going. -At 105. | 0:52:49 | 0:52:52 | |
-At 105, at 110. -Go on. -At 115. At 120 now. | 0:52:52 | 0:52:56 | |
-God. -At 130 with the lady. | 0:52:56 | 0:52:57 | |
-140, 150. At 150, I'm bid at 150. -Go on. -Amazing. | 0:52:57 | 0:53:02 | |
-Get in! -150, 150, 150, 150... -That's amazing. -All done at 150! | 0:53:02 | 0:53:08 | |
-What a marvellous profit. Looks like you're on a roll, James. -Well done. | 0:53:08 | 0:53:12 | |
Right, it's Andrew Smellie's turn to take the gavel | 0:53:14 | 0:53:18 | |
and Charles's rare Roman nails are coming up next. | 0:53:18 | 0:53:20 | |
£10, 12. | 0:53:20 | 0:53:22 | |
-14, 16... -They're worth a lot more. | 0:53:22 | 0:53:24 | |
-18. -Go on, sir. Real history. -20. -Hammer it home! | 0:53:24 | 0:53:28 | |
20, I'm bid. £20. All finished? | 0:53:28 | 0:53:31 | |
£20. | 0:53:31 | 0:53:33 | |
Not the result Charles was hoping for, but a profit none the less. | 0:53:33 | 0:53:36 | |
-I'd love, you know, I'd love a Roman nail. -Wouldn't we all? | 0:53:36 | 0:53:39 | |
James' silver Ola Gorie earrings are next to go under the gavel. | 0:53:41 | 0:53:45 | |
-10 I'm bid. 12, 14... -What are they worth? | 0:53:45 | 0:53:48 | |
-I don't know. -16, 18. -It's out of my comfort zone, this sort of thing. | 0:53:48 | 0:53:52 | |
They sit so well and they have style. | 0:53:52 | 0:53:55 | |
22 I'm at, 24. | 0:53:55 | 0:53:58 | |
He's back in. That man's got style. | 0:53:58 | 0:54:00 | |
30, 2, 34 on the rail. | 0:54:00 | 0:54:04 | |
36? All finished for the earrings? | 0:54:04 | 0:54:06 | |
£36. | 0:54:06 | 0:54:09 | |
James bags himself another pretty profit. Well done. | 0:54:09 | 0:54:12 | |
When I knew you ten years ago, you had a little stud. | 0:54:12 | 0:54:15 | |
I thought you did. | 0:54:15 | 0:54:16 | |
-I had one in the nose, remember. -That was it. | 0:54:16 | 0:54:21 | |
Now that would be a sight to see. | 0:54:21 | 0:54:23 | |
Charles' turn now - his combined lot of the football compass, | 0:54:23 | 0:54:26 | |
parallel rule and treen seal. | 0:54:26 | 0:54:29 | |
£20, left, I have. 2. | 0:54:29 | 0:54:31 | |
24, 26, 28. | 0:54:31 | 0:54:34 | |
30, 2, 34. | 0:54:34 | 0:54:39 | |
36, 38, 38 left. | 0:54:39 | 0:54:43 | |
38 I'm bid. All finished. | 0:54:43 | 0:54:44 | |
-I'd leave it. -£38. | 0:54:44 | 0:54:47 | |
Well done, Charles. Great profit there. | 0:54:47 | 0:54:50 | |
-Give us a kiss. -No. -Give us a kiss. -No! | 0:54:50 | 0:54:53 | |
Oh, do behave, you two. | 0:54:53 | 0:54:54 | |
Up next, it's Charles' Dresden porcelain plate | 0:54:54 | 0:54:57 | |
that he bought for £1. | 0:54:57 | 0:54:58 | |
10 for the plate. | 0:54:58 | 0:55:00 | |
I like the Sellotape. | 0:55:00 | 0:55:01 | |
-Oh! -£5, 6. | 0:55:01 | 0:55:03 | |
-6, 8 I'm bid. -Stunning. | 0:55:03 | 0:55:07 | |
-10. -It's stunning. Come on. | 0:55:07 | 0:55:10 | |
14 bid on the right. Sponsored by Super Glue. | 0:55:10 | 0:55:13 | |
-14, 16. -Over there. | 0:55:13 | 0:55:14 | |
-18, 20. -Over there. | 0:55:14 | 0:55:17 | |
-20 I'm bid. -Go on, sir. -22. | 0:55:17 | 0:55:19 | |
-Beautiful plate. -24 on the left. -Make a memory. | 0:55:19 | 0:55:22 | |
£24. | 0:55:22 | 0:55:25 | |
Oh, look at that. An incredible profit from a £1 purchase. | 0:55:25 | 0:55:28 | |
That's 100, up 2,300 pence. | 0:55:28 | 0:55:32 | |
Time for James' final lot. His Royal Doulton jug. | 0:55:32 | 0:55:35 | |
10 on the left. 12. | 0:55:35 | 0:55:37 | |
-14, 14... -Profit. -16. | 0:55:37 | 0:55:40 | |
18, 20. New bidder. | 0:55:40 | 0:55:42 | |
22, 24. | 0:55:42 | 0:55:44 | |
26. £26 I'm bid. All finished? £26. | 0:55:44 | 0:55:49 | |
So James finishes with another profit. | 0:55:50 | 0:55:53 | |
It's doubled up. Well done. | 0:55:53 | 0:55:56 | |
What will the room make of Charles' 19th-century embossed charger? | 0:55:56 | 0:55:59 | |
Interest here. Starting at £48. | 0:55:59 | 0:56:02 | |
-I'm happy with that. -£48? -I'm happy. I'm out of jail, really. | 0:56:02 | 0:56:05 | |
-50. 52, 54, 56. -Go on. | 0:56:05 | 0:56:10 | |
-58, 60. -I'm out of jail. Can't believe it! Come on, one more! | 0:56:10 | 0:56:14 | |
Come on! It's a good thing. | 0:56:14 | 0:56:15 | |
55. I'm bid 60. 5. | 0:56:15 | 0:56:18 | |
70. New bidder. | 0:56:18 | 0:56:20 | |
Sorry, sorry... I've got an ache, sorry. | 0:56:20 | 0:56:23 | |
80, 80 bid 5. | 0:56:23 | 0:56:25 | |
-85, 85. -Keep going! Sorry. | 0:56:25 | 0:56:27 | |
£85. | 0:56:27 | 0:56:29 | |
-That's amazing. -That is good. | 0:56:29 | 0:56:31 | |
Charles is pleased and rightly so. Well done. | 0:56:31 | 0:56:34 | |
-Another small profit. -Another small profit. | 0:56:34 | 0:56:37 | |
Oh, goodness' sake. | 0:56:37 | 0:56:39 | |
Here comes the final lot of the day. | 0:56:39 | 0:56:41 | |
And it's Charles' selection of silver. | 0:56:41 | 0:56:44 | |
-50 I'm bid. -The whole lot comes with it. | 0:56:44 | 0:56:46 | |
5, 60, 5. | 0:56:46 | 0:56:48 | |
-70, 5. 80, 5... -Hey, it hasn't stopped yet. | 0:56:48 | 0:56:52 | |
-90. 5, 95. -And the watch over there. | 0:56:52 | 0:56:56 | |
-It's a good lot. -100 and 5. | 0:56:56 | 0:56:59 | |
110, 115, 120. | 0:56:59 | 0:57:02 | |
5, 130. | 0:57:02 | 0:57:05 | |
-5, 140. -It's a good lot. | 0:57:05 | 0:57:07 | |
5, 150. | 0:57:07 | 0:57:10 | |
Still going. 5. 155 on my left. | 0:57:10 | 0:57:13 | |
-155, all finished... -Put it down. -155. -Come on. | 0:57:13 | 0:57:18 | |
Wow, look at that! Brilliant profit for Charles. Well done. | 0:57:18 | 0:57:22 | |
As our experts make a dash for the exit... | 0:57:22 | 0:57:24 | |
-Oh! -Oh, Charles is down. Dearie me. | 0:57:24 | 0:57:27 | |
..let's find out who's come out on top. | 0:57:27 | 0:57:30 | |
James started this leg with £229.60 | 0:57:30 | 0:57:33 | |
and made an impressive profit of £86.08 after auction costs, | 0:57:33 | 0:57:39 | |
leaving him with £315.68 for next time. | 0:57:39 | 0:57:43 | |
Charles began with £294.30 | 0:57:44 | 0:57:47 | |
and he too pulled in a profit | 0:57:47 | 0:57:49 | |
gaining a whopping £153.04 less costs, | 0:57:49 | 0:57:55 | |
so he's still in the lead and goes into the next leg | 0:57:55 | 0:57:58 | |
with a huge £447.34. | 0:57:58 | 0:58:01 | |
It's all in the passion for antiques. | 0:58:02 | 0:58:06 | |
It's all in the passion from driving to just buying. | 0:58:06 | 0:58:09 | |
Anyway, the only thing I can take a small amount of comfort from | 0:58:09 | 0:58:13 | |
-is Roman nails. -Yes, but they still made £5. | 0:58:13 | 0:58:17 | |
Roman nails, that's all I'm going to say to you. | 0:58:17 | 0:58:20 | |
Bon voyage, road trippers. | 0:58:20 | 0:58:23 | |
Next time on the Antiques Road Trip... | 0:58:26 | 0:58:28 | |
-there are thrills... -Don't look at me like that. I'm not a bad man. | 0:58:28 | 0:58:31 | |
..spills, | 0:58:31 | 0:58:33 | |
and one big bang. | 0:58:33 | 0:58:36 | |
GONG REVERBERATES | 0:58:36 | 0:58:37 |