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It's the nation's favourite antiques experts... | 0:00:02 | 0:00:04 | |
-That's cracking! -..with £200 each... | 0:00:04 | 0:00:06 | |
Wonderful! | 0:00:06 | 0:00:07 | |
..a classic car and a goal to scour Britain for antiques. | 0:00:07 | 0:00:11 | |
That's exactly what I'm talking about. | 0:00:11 | 0:00:13 | |
I am all over a shiver. | 0:00:13 | 0:00:14 | |
The aim - to make the biggest profit at auction. But it's no mean feat. | 0:00:14 | 0:00:18 | |
-No-brainer. -Going, going, gone. | 0:00:18 | 0:00:19 | |
There'll be worthy winners and valiant losers. | 0:00:19 | 0:00:23 | |
-So, will it be the high road to glory... -Push! | 0:00:23 | 0:00:26 | |
..or the slow road to disaster? | 0:00:26 | 0:00:28 | |
How awfully, awfully nice. | 0:00:28 | 0:00:29 | |
This is Antiques Road Trip. | 0:00:29 | 0:00:31 | |
Yeah! | 0:00:34 | 0:00:35 | |
# Don't stop me | 0:00:35 | 0:00:37 | |
# Having a good time Having a good time... # | 0:00:37 | 0:00:40 | |
Welcome back to our exciting adventure, | 0:00:40 | 0:00:42 | |
with auctioneers extraordinaire James Braxton and Charles Hanson. | 0:00:42 | 0:00:47 | |
Do they ever stop laughing, these two? | 0:00:47 | 0:00:49 | |
James is a very competitive Road Trip veteran. | 0:00:49 | 0:00:52 | |
You wouldn't think so to look at him. | 0:00:52 | 0:00:53 | |
To the winner goes the spoils. | 0:00:53 | 0:00:56 | |
And Charles is an antiques hotshot, willing to do anything to win. | 0:00:56 | 0:01:01 | |
COW MOOS | 0:01:01 | 0:01:02 | |
Don't look at me like that. I'm not a bad man, OK? | 0:01:02 | 0:01:05 | |
Don't you believe that! | 0:01:05 | 0:01:07 | |
After starting this trip with £200 in his pocket, | 0:01:07 | 0:01:10 | |
some canny buys means James now has £315.68 to spend. | 0:01:10 | 0:01:17 | |
Charles has also bought cleverly, | 0:01:17 | 0:01:20 | |
more than doubling his original £200 stake. | 0:01:20 | 0:01:23 | |
He's sitting pretty out in front with £447.34. | 0:01:23 | 0:01:28 | |
While Charles might be brilliant at buying antiques, | 0:01:28 | 0:01:31 | |
when it comes to driving one, well... | 0:01:31 | 0:01:34 | |
that's another matter, so stand by. | 0:01:34 | 0:01:36 | |
What gear are you in? | 0:01:36 | 0:01:37 | |
-Are you in first or second? -Third. Sorry. | 0:01:37 | 0:01:40 | |
-Sorry! -JAMES CHUCKLES | 0:01:42 | 0:01:44 | |
On this trip, our boys are struggling to zip around | 0:01:45 | 0:01:48 | |
in this ill-sounding 1964 DKW 1000 Coupe. | 0:01:48 | 0:01:53 | |
Made before seat belts were mandatory | 0:01:53 | 0:01:55 | |
means our experts aren't wearing any. Got it? | 0:01:55 | 0:01:58 | |
After beginning their roving road trip in the Highlands, | 0:02:00 | 0:02:02 | |
Charles and James have been journeying all over bonny Scotland, | 0:02:02 | 0:02:05 | |
taking in the north-east and the Central Belt. | 0:02:05 | 0:02:08 | |
They'll eventually finish up over the border in Berwick-upon-Tweed. | 0:02:08 | 0:02:12 | |
This leg will kick off in Perth, Scotland, | 0:02:12 | 0:02:14 | |
and end in England at auction in Crooklands, Cumbria. | 0:02:14 | 0:02:17 | |
A former capital of Scotland, | 0:02:20 | 0:02:22 | |
Perth was made a city again by the Queen, as part of | 0:02:22 | 0:02:25 | |
her diamond jubilee celebrations in 2012. | 0:02:25 | 0:02:29 | |
It's home to James's first shop, Fair City Antiques. | 0:02:29 | 0:02:32 | |
-Hello. -All right, James. | 0:02:33 | 0:02:35 | |
Hello, good to see you. | 0:02:35 | 0:02:36 | |
-And your name is? -My name's Max. | 0:02:36 | 0:02:38 | |
Max, good to meet you. | 0:02:38 | 0:02:39 | |
Determined to beat Charles on this leg, | 0:02:40 | 0:02:42 | |
James is on the hunt for hidden gems. | 0:02:42 | 0:02:45 | |
Have these got any age, or are they brand-new? | 0:02:47 | 0:02:51 | |
I'm not sure. Probably... | 0:02:51 | 0:02:52 | |
So, this has got some lacquer on it, hasn't it? | 0:02:52 | 0:02:56 | |
Most of the Chinese stuff was always lacquered. | 0:02:56 | 0:02:59 | |
-Yeah, yeah. This is more your red cinnabar lacquer. -Mm-hm. | 0:02:59 | 0:03:04 | |
It's just got a little bit of tracery | 0:03:04 | 0:03:06 | |
rushing around here, hasn't it? | 0:03:06 | 0:03:07 | |
I quite like stools, but these ones are slightly lower. | 0:03:07 | 0:03:12 | |
That's a sort of seat level. | 0:03:12 | 0:03:13 | |
Often, you rather hope a stool is slightly higher. | 0:03:13 | 0:03:18 | |
That's quite a low one. | 0:03:18 | 0:03:20 | |
They're just sort of decorative things, really. | 0:03:20 | 0:03:23 | |
I haven't even asked how much you've got on these. | 0:03:23 | 0:03:25 | |
140 for the pair. | 0:03:25 | 0:03:27 | |
140 for the pair. | 0:03:27 | 0:03:29 | |
I like them. | 0:03:33 | 0:03:35 | |
It would absolutely make my day at 75 for those. | 0:03:35 | 0:03:39 | |
-MAX SIGHS -Er... | 0:03:42 | 0:03:44 | |
Speak to me, Max. | 0:03:44 | 0:03:46 | |
-You're worried. -Do you know what? | 0:03:46 | 0:03:48 | |
-What? Really? -Put it there. | 0:03:48 | 0:03:50 | |
-75. -That's very kind. Thank you. | 0:03:50 | 0:03:53 | |
-I've had them a while. -That's for the two? -That's for the pair. | 0:03:53 | 0:03:56 | |
For the pair - lovely. Very pleased with those. | 0:03:56 | 0:03:59 | |
So that's James's first lot bought. | 0:03:59 | 0:04:02 | |
And it's not long before another pair catches his eye. | 0:04:02 | 0:04:06 | |
Two tables this time. | 0:04:06 | 0:04:07 | |
It is definitely a Sikh-like headdress here... | 0:04:09 | 0:04:15 | |
So, Indian. This is for export. | 0:04:15 | 0:04:17 | |
-So, you can... -For packing. -You would have packed... -Flat-pack. | 0:04:17 | 0:04:20 | |
Flat-pack. So you could have taken that home with you. | 0:04:20 | 0:04:23 | |
Yes. Not bad, is it? | 0:04:23 | 0:04:25 | |
It's very nice hardwood. | 0:04:25 | 0:04:27 | |
Who can resist an elephant? | 0:04:27 | 0:04:29 | |
I can never resist an elephant. | 0:04:29 | 0:04:31 | |
They're beautiful, beautiful animals. | 0:04:31 | 0:04:33 | |
And it's just quite nice. | 0:04:33 | 0:04:35 | |
Quite a nice scene there. | 0:04:35 | 0:04:37 | |
What could these be? | 0:04:37 | 0:04:39 | |
45 for t'pair. | 0:04:41 | 0:04:42 | |
-45 for a pair? -Yeah. | 0:04:42 | 0:04:44 | |
-Yeah, I'll take them, 45. -All right? -Thank you. Really kind. | 0:04:44 | 0:04:48 | |
-Sometimes I buy singularly, sometimes I buy in pairs. -Mm-hm. | 0:04:48 | 0:04:53 | |
Today is a pairs day. | 0:04:53 | 0:04:55 | |
And what a pair of pairs they are. | 0:04:55 | 0:04:58 | |
Great start! | 0:04:58 | 0:05:00 | |
-Thanks for coming. -Thanks a lot. | 0:05:00 | 0:05:02 | |
Charles, meanwhile, has made his way to Crieff. | 0:05:08 | 0:05:12 | |
He's come to learn about an elite band of hardy Scots | 0:05:14 | 0:05:17 | |
known as the Highland drovers. | 0:05:17 | 0:05:19 | |
From the mid-17th century, | 0:05:22 | 0:05:24 | |
tough and courageous herdsmen drove cattle | 0:05:24 | 0:05:27 | |
from the highlands and islands across Scotland's roughest terrain | 0:05:27 | 0:05:31 | |
to trade at market. | 0:05:31 | 0:05:33 | |
Charles is meeting chairman of the Crieff and Strathearn Drovers' Tryst Festival, | 0:05:33 | 0:05:38 | |
John Cummings, to find out more. | 0:05:38 | 0:05:40 | |
-Welcome to Crieff. Come this way. -Wonderful! | 0:05:40 | 0:05:43 | |
I've been a driver, John, and it's been quite difficult | 0:05:47 | 0:05:51 | |
navigating over these hills and around lochs | 0:05:51 | 0:05:54 | |
in an old classic car, but, of course, for the drovers | 0:05:54 | 0:05:56 | |
-it was a different story. -Very much so, yes. | 0:05:56 | 0:05:59 | |
There were no roads, basically, when they were at their height. | 0:05:59 | 0:06:01 | |
There were no maps, there were no GPS systems. | 0:06:01 | 0:06:04 | |
The droving would take on average 12 miles a day, | 0:06:04 | 0:06:07 | |
they could cover with cattle. | 0:06:07 | 0:06:09 | |
So you're talking about possibly two weeks en route. | 0:06:09 | 0:06:13 | |
-Really? -Yeah, it was a long, long haul. | 0:06:13 | 0:06:15 | |
What did the Highland cattle have? | 0:06:15 | 0:06:18 | |
Why travel all that distance? | 0:06:18 | 0:06:20 | |
Were these special beasts? | 0:06:20 | 0:06:21 | |
Scottish beef was traditionally very, very much valued. | 0:06:21 | 0:06:26 | |
And certainly during the 17th century | 0:06:26 | 0:06:29 | |
and part of the 18th century, there was a tremendous demand - | 0:06:29 | 0:06:33 | |
80% of beef came from Scotland. | 0:06:33 | 0:06:36 | |
-Really? -And what did it serve? | 0:06:36 | 0:06:38 | |
It served the Navy. It served the Armed Forces. | 0:06:38 | 0:06:41 | |
Salted beef. | 0:06:41 | 0:06:42 | |
The Drovers' Tryst in Crieff | 0:06:42 | 0:06:45 | |
was one of the busiest cattle markets in the country. | 0:06:45 | 0:06:48 | |
Held in the second week in October, trade was so substantial | 0:06:48 | 0:06:52 | |
that Crieff was the financial centre of Scotland during this period. | 0:06:52 | 0:06:56 | |
Why Perthshire? | 0:06:56 | 0:06:57 | |
What did that region have in Scotland which others didn't? | 0:06:57 | 0:07:00 | |
If you look at the map of Scotland, | 0:07:00 | 0:07:02 | |
a lot of the droving routes converge on Crieff. | 0:07:02 | 0:07:05 | |
The traders that were coming up from either the Borders early on | 0:07:05 | 0:07:08 | |
or after the Union, increasingly from England, | 0:07:08 | 0:07:11 | |
they were quite happy to come as far as Crieff, but not beyond Crieff. | 0:07:11 | 0:07:15 | |
That was wild, untamed country. | 0:07:15 | 0:07:17 | |
-At its height, 30,000 cattle came through Crieff. -Really? | 0:07:17 | 0:07:22 | |
For the Highlander, it was his form of wealth. | 0:07:22 | 0:07:25 | |
But they had to guard the cattle | 0:07:25 | 0:07:27 | |
because you had, very often, cattle thieving. | 0:07:27 | 0:07:31 | |
That went on, and that was part and parcel of the whole story | 0:07:31 | 0:07:34 | |
about droving, because a lot of drovers were previously cattle thieves. | 0:07:34 | 0:07:37 | |
Rob Roy MacGregor - the famous Rob Roy - he was a cattle thief, | 0:07:37 | 0:07:40 | |
but he was part of the MacGregor clan and an outlaw. | 0:07:40 | 0:07:43 | |
The drovers were a key part of Scottish life | 0:07:43 | 0:07:47 | |
for more than 200 years but due to the Highland Clearances, | 0:07:47 | 0:07:51 | |
faster steamships and the birth of railways, | 0:07:51 | 0:07:54 | |
the droving trade in Scotland dried up. | 0:07:54 | 0:07:57 | |
The hardy Highlanders were forced to find work elsewhere. | 0:07:57 | 0:08:00 | |
Where did these drovers end up? | 0:08:01 | 0:08:03 | |
Australia. America. Canada. | 0:08:03 | 0:08:07 | |
And the skills they took with them, of course, | 0:08:07 | 0:08:09 | |
were the skills of the droving. | 0:08:09 | 0:08:11 | |
So the drovers, in many ways, become the cowboys. | 0:08:11 | 0:08:15 | |
We know all about the cowboys. | 0:08:15 | 0:08:17 | |
They've been romanticised by John Ford and John Wayne and so on. | 0:08:17 | 0:08:20 | |
But they went across there, they became the big, big landowners | 0:08:20 | 0:08:25 | |
and the ranchers of Texas. | 0:08:25 | 0:08:27 | |
So really, the cowboys almost began, in a way, in Scotland? | 0:08:27 | 0:08:30 | |
Well, you could say that. | 0:08:30 | 0:08:32 | |
Many, many Scottish traditions and, as we know, | 0:08:32 | 0:08:35 | |
many names over in Canada and so on. | 0:08:35 | 0:08:37 | |
Charles reckons he could be a daring drover. | 0:08:37 | 0:08:41 | |
So John's brought him to meet local farmer Euan Stewart, | 0:08:41 | 0:08:44 | |
who's kindly offered to let him loose on his Highland coos. | 0:08:44 | 0:08:48 | |
Looks angry. | 0:08:48 | 0:08:50 | |
And there they are. Aren't they beautiful creatures? | 0:08:50 | 0:08:52 | |
What's the secret? What is the way to drove? | 0:08:52 | 0:08:56 | |
-Just go and say, "Come on, girls. On your way." -Do I whistle a bit? | 0:08:56 | 0:09:00 | |
-HE WHISTLES -You can, yes. OK. | 0:09:00 | 0:09:02 | |
Well, I'll try that. | 0:09:02 | 0:09:03 | |
That's what we do down south. | 0:09:03 | 0:09:05 | |
Come on. This way. | 0:09:05 | 0:09:07 | |
You have mighty fine horns. Thank you. | 0:09:07 | 0:09:10 | |
No need to be personal, Charles. | 0:09:10 | 0:09:13 | |
Come on. We're going south towards Derbyshire. | 0:09:13 | 0:09:15 | |
That's it. | 0:09:15 | 0:09:17 | |
-What do you want? -Don't ask! | 0:09:20 | 0:09:21 | |
You've had... You've had your water. | 0:09:21 | 0:09:24 | |
BULL MOOS | 0:09:24 | 0:09:26 | |
Don't look at me like that. I'm not a bad man, OK? I know. | 0:09:26 | 0:09:29 | |
Come on, let's go. | 0:09:29 | 0:09:31 | |
Let's find the way. | 0:09:31 | 0:09:33 | |
As Charles follows the herd... | 0:09:33 | 0:09:35 | |
TIM CHUCKLES | 0:09:35 | 0:09:36 | |
..James has made the journey east to Glencarse | 0:09:36 | 0:09:39 | |
for his second shop of the day - Michael Young Antiques. | 0:09:39 | 0:09:42 | |
Looks welcoming... | 0:09:42 | 0:09:44 | |
BELL RINGS | 0:09:45 | 0:09:47 | |
-Hello. James. -Hello, James. | 0:09:47 | 0:09:48 | |
-Hello. -Good to meet you. -Good to meet you. What a lovely place. | 0:09:48 | 0:09:52 | |
With a mixed bag of antiques on offer, | 0:09:52 | 0:09:54 | |
James is hoping Michael can help him sniff out a potential purchase. | 0:09:54 | 0:09:58 | |
Why can't he look for himself? | 0:09:58 | 0:10:00 | |
Find some goodies. | 0:10:00 | 0:10:01 | |
Have you got so much money to spend? Is that it? | 0:10:03 | 0:10:05 | |
No, I haven't got a huge amount of money to spend, unfortunately. | 0:10:05 | 0:10:09 | |
Well, you've still got nearly £200, James. | 0:10:09 | 0:10:12 | |
Big old mirror there. | 0:10:13 | 0:10:15 | |
Old brass-framed mirror. | 0:10:15 | 0:10:16 | |
-Yeah. -Base metals. | 0:10:16 | 0:10:18 | |
I love a bit of base metal. | 0:10:18 | 0:10:20 | |
What could that be, Michael? | 0:10:20 | 0:10:22 | |
150? | 0:10:22 | 0:10:24 | |
And the glass - is that deterioration...? | 0:10:24 | 0:10:28 | |
Pull it off the wall and have a look. | 0:10:28 | 0:10:30 | |
-Is there deterioration behind it? Probably. -Yeah, it's behind. | 0:10:30 | 0:10:34 | |
Steady! | 0:10:36 | 0:10:37 | |
JAMES GROANS | 0:10:37 | 0:10:38 | |
It's got a sort of zinc back, hasn't it? | 0:10:40 | 0:10:43 | |
-So you've got a sort of... -Polish up beautifully. | 0:10:43 | 0:10:45 | |
..stylised rose there, haven't you? | 0:10:45 | 0:10:47 | |
It's a big old thing. | 0:10:47 | 0:10:49 | |
-Very much in the Arts and Crafts manner, isn't it? -Mm. | 0:10:49 | 0:10:52 | |
Superb, I think, actually. | 0:10:52 | 0:10:54 | |
The stylised flowers. Shame about the mirror, but there we are. | 0:10:54 | 0:10:57 | |
What about 100, Michael? | 0:10:57 | 0:10:59 | |
-Thank you, sir. -Very much indeed. | 0:10:59 | 0:11:01 | |
That's very kind of you, Michael. | 0:11:01 | 0:11:03 | |
Very kind indeed! A most generous discount. | 0:11:03 | 0:11:06 | |
That sees James secure another lot for auction. Jolly good. | 0:11:06 | 0:11:11 | |
Another busy day complete then, it's time for some shuteye. | 0:11:11 | 0:11:14 | |
Nighty-night. | 0:11:14 | 0:11:15 | |
It's a brand-new day, and our boys are back together | 0:11:19 | 0:11:21 | |
and have made their way to Edinburgh. | 0:11:21 | 0:11:24 | |
The sun is shining on the Scottish capital - | 0:11:24 | 0:11:26 | |
surely a good omen. | 0:11:26 | 0:11:27 | |
Push, James! Push for all your might, here in Edinburgh! | 0:11:27 | 0:11:31 | |
-Uh-oh, maybe not then! -Let's go! | 0:11:31 | 0:11:32 | |
Let's go, James. Keep going. | 0:11:32 | 0:11:35 | |
Keep going. Hold it there, James. Hold it there. | 0:11:35 | 0:11:39 | |
Handbrake on, driver. | 0:11:39 | 0:11:40 | |
-Well done. -There we go. The day is alive. -Come on, let's walk. | 0:11:40 | 0:11:44 | |
Thanks a lot. All the best to you. | 0:11:44 | 0:11:46 | |
Oh, yes, of course - there's shopping to do. | 0:11:46 | 0:11:48 | |
With the car out of action, they're walking the rest of the way. | 0:11:48 | 0:11:52 | |
Look at this view! | 0:11:52 | 0:11:54 | |
MUSIC: I'm Gonna Be (500 Miles) by The Proclaimers | 0:11:54 | 0:11:57 | |
-BOTH: -# And I would walk 500 more | 0:11:57 | 0:12:00 | |
# Just to be the man who walks a thousand miles | 0:12:00 | 0:12:05 | |
# To fall down at your door... # | 0:12:05 | 0:12:08 | |
Charles and James will be doing a spot of joint shopping this morning. | 0:12:08 | 0:12:12 | |
Oh, Lord! Do be careful, Charles. | 0:12:12 | 0:12:16 | |
They've finally arrived in one piece at Courtyard Antiques. | 0:12:16 | 0:12:20 | |
-After you. -After... | 0:12:20 | 0:12:23 | |
Oh, James! Get it together, chaps. | 0:12:23 | 0:12:26 | |
With a wide selection of antiques spread over two floors, | 0:12:27 | 0:12:30 | |
it's time for some serious shopping, particularly Charles. | 0:12:30 | 0:12:33 | |
This is an amazing shop, isn't it? | 0:12:33 | 0:12:35 | |
Well...there's no shortage of content here, is there? | 0:12:35 | 0:12:39 | |
-Shall I go this way and you go that way? -OK. You have choice. Good luck, good luck. | 0:12:39 | 0:12:42 | |
Still to start spending, and with nearly £450 tucked away, | 0:12:42 | 0:12:47 | |
Charles has decided to seek out dealer Lewis. | 0:12:47 | 0:12:50 | |
-Hello, there. -Hi, Charles. -You must be the proprietor here. | 0:12:50 | 0:12:53 | |
-Yes. -Would you have anything that is quite market fresh, | 0:12:53 | 0:12:57 | |
that maybe is something full of Eastern promise? | 0:12:57 | 0:12:59 | |
-We have some early carvings... -Oh, really? | 0:12:59 | 0:13:02 | |
-..up at that end. -Let's go for a wander. | 0:13:02 | 0:13:04 | |
James, meanwhile, has over £95 and has decided to go it alone. | 0:13:04 | 0:13:10 | |
Always look up, always look down. | 0:13:10 | 0:13:12 | |
There might be some lovely rugs, | 0:13:12 | 0:13:14 | |
there might be something interesting hanging up. | 0:13:14 | 0:13:16 | |
It's mainly chairs at the moment. | 0:13:16 | 0:13:19 | |
Downstairs, Charles is getting a closer look | 0:13:21 | 0:13:23 | |
at the group of 17th and 18th-century carvings. | 0:13:23 | 0:13:26 | |
-Have they just come in, or...? -Yeah. | 0:13:26 | 0:13:28 | |
God, they're beautiful. How much are they? | 0:13:28 | 0:13:30 | |
Erm, I was hoping to get 140 each for them. | 0:13:30 | 0:13:34 | |
Aren't they gorgeous? | 0:13:34 | 0:13:35 | |
-Have they been here a while? -They've been here four days. | 0:13:35 | 0:13:38 | |
Aren't they nice? | 0:13:38 | 0:13:40 | |
I suppose they're what we call caryatids, aren't they? | 0:13:40 | 0:13:43 | |
And a caryatid is almost like a plaster, | 0:13:43 | 0:13:47 | |
where it's almost a moulding applied to a piece of furniture. | 0:13:47 | 0:13:53 | |
HE SINGS TO HIMSELF | 0:13:53 | 0:13:55 | |
What could be the best price on them? | 0:13:55 | 0:13:58 | |
590? | 0:13:59 | 0:14:01 | |
Keep it high, Lewis, keep it high! | 0:14:02 | 0:14:04 | |
Keep it high. He's got plenty of money. | 0:14:04 | 0:14:07 | |
He's ahead. He's ahead at the moment. | 0:14:07 | 0:14:09 | |
-They're very nice, those, aren't they? -Yeah, they are. | 0:14:09 | 0:14:11 | |
-You've got £590. -I wish I did, I wish I did. | 0:14:11 | 0:14:14 | |
-Keep spending, keep spending. -Thanks a lot! -I'm just going to come by, do you mind? | 0:14:15 | 0:14:19 | |
You know, when you're at that moment, caught in time... | 0:14:19 | 0:14:21 | |
-I know. -..you get your old mate just come and upset the apple cart. | 0:14:21 | 0:14:25 | |
Before Friday sings, | 0:14:25 | 0:14:27 | |
I would like to go for the big one that could dip high or dip low. | 0:14:27 | 0:14:32 | |
Yeah, I know. It's worth it, isn't it? | 0:14:32 | 0:14:34 | |
After that walk we've had, I've got to clear my head a bit, | 0:14:34 | 0:14:36 | |
because I'm still, in my own mind, walking still. | 0:14:36 | 0:14:39 | |
Talking of walkies, James has found a Studio Pottery corgi moneybox | 0:14:39 | 0:14:44 | |
right under Charles's nose. | 0:14:44 | 0:14:46 | |
-That's a nice thing. Can I have a look at that? -No, you can't! | 0:14:46 | 0:14:48 | |
No, you can't! Do you know what? | 0:14:48 | 0:14:51 | |
-Good design... -Yes. -Good design always has humour. | 0:14:51 | 0:14:54 | |
-I do like that. -It's like Martinware Brothers. | 0:14:54 | 0:14:57 | |
-I think, Lewis, what I'm going to do... -I like the crown. | 0:14:57 | 0:14:59 | |
I think I'm going to make a note of these and just say, "Let's put them to one side." | 0:14:59 | 0:15:03 | |
-I'm going to put that to one side as well. -No, no, no, you're not. | 0:15:03 | 0:15:07 | |
-Let's have a chat. That'll be first come, first served. -Lewis... | 0:15:07 | 0:15:11 | |
I'm looking at this, | 0:15:11 | 0:15:12 | |
I'm looking at this, and I'm getting a feel of about £20. | 0:15:12 | 0:15:15 | |
About half of what I was thinking. | 0:15:15 | 0:15:17 | |
Really? 25 and it's yours. | 0:15:17 | 0:15:19 | |
I'll buy them at 25. | 0:15:19 | 0:15:20 | |
Go on. First one done! | 0:15:20 | 0:15:23 | |
-Wahey! -I can't believe it! | 0:15:23 | 0:15:25 | |
I almost feel like giving you a Glasgow head-butt, | 0:15:25 | 0:15:28 | |
via this delightful... | 0:15:28 | 0:15:30 | |
-To the winner goes the spoils! -That's a very good object, James. | 0:15:30 | 0:15:34 | |
-That's a lovely object. -And to Queen and country. | 0:15:34 | 0:15:36 | |
Get out of here! Go on! | 0:15:36 | 0:15:37 | |
-Thank you, Lewis. -Go walk those 500 miles that way! | 0:15:37 | 0:15:41 | |
Go on, get out of here! | 0:15:41 | 0:15:43 | |
An interruption by James sees him walk off with his fourth lot for auction. | 0:15:43 | 0:15:48 | |
Charles, meanwhile, is still thinking about the caryatids - as you do. | 0:15:48 | 0:15:52 | |
I'd be prepared to spend £400 on them. | 0:15:53 | 0:15:56 | |
Cash. | 0:15:56 | 0:15:58 | |
Charlie is slightly wearing him down. | 0:15:58 | 0:16:00 | |
The poor man's going to have to lie down in a darkened room soon, isn't he? | 0:16:00 | 0:16:04 | |
I would be prepared to go kind of halfway with you, 450. | 0:16:04 | 0:16:08 | |
That's quite interesting. | 0:16:08 | 0:16:10 | |
Oh, it's open! It's a sort of weird curio. | 0:16:12 | 0:16:15 | |
It's very heavy. It's made of lead... | 0:16:16 | 0:16:18 | |
..and it's got a donkey on it, a mule, a donkey. | 0:16:21 | 0:16:24 | |
It's rather sweet, isn't it? | 0:16:24 | 0:16:26 | |
It's got no price on it. A couple of quid... | 0:16:26 | 0:16:28 | |
So, he's off to interrupt - yet again. | 0:16:28 | 0:16:31 | |
I found this in a little cabinet, rather... Curio. | 0:16:32 | 0:16:35 | |
-That's pretty. -Pretty, isn't it? | 0:16:35 | 0:16:37 | |
-That's nice. -It's not TOO nice. | 0:16:37 | 0:16:40 | |
It's really nice. | 0:16:40 | 0:16:42 | |
-Wonderful! -Hold on, hold on... | 0:16:42 | 0:16:44 | |
It's very good, isn't it? | 0:16:46 | 0:16:47 | |
-How much is that? -A couple of pounds? | 0:16:47 | 0:16:50 | |
Never mind the quality - feel the weight. | 0:16:50 | 0:16:52 | |
It hasn't got a price tag, | 0:16:52 | 0:16:54 | |
so, you know, I thought I'd give you a lift from nought. | 0:16:54 | 0:16:57 | |
15. | 0:16:57 | 0:16:58 | |
I think we're moving in the right direction, Lewis. | 0:16:58 | 0:17:02 | |
It's nice to see. Lewis - a tenner. | 0:17:02 | 0:17:04 | |
Go on, put it there. | 0:17:04 | 0:17:06 | |
Well done. My work is done here. | 0:17:06 | 0:17:08 | |
-Do you know... -My work is done here. -He's more a decision kind of guy. | 0:17:08 | 0:17:11 | |
My work is done here. Thank you, good people. | 0:17:11 | 0:17:14 | |
-Good people of Edinburgh, I leave you. -I shall wish you good day. -Good day, good day. | 0:17:14 | 0:17:17 | |
Do you know, sometimes you worry that a man's on fire. | 0:17:17 | 0:17:20 | |
This man's come from nowhere and he is on fire. | 0:17:20 | 0:17:23 | |
He's certainly hot! | 0:17:23 | 0:17:24 | |
With a total of five lots bought, that's James spent. | 0:17:24 | 0:17:27 | |
Charles, we're still waiting for you to get started. | 0:17:27 | 0:17:31 | |
Now, how about those caryatids? | 0:17:31 | 0:17:33 | |
Would you meet me at £400 and give me a chance? | 0:17:34 | 0:17:37 | |
420. | 0:17:37 | 0:17:38 | |
Oh, don't say that! Would you meet me at 410? | 0:17:38 | 0:17:41 | |
£410? | 0:17:41 | 0:17:44 | |
Thank you very much. | 0:17:44 | 0:17:45 | |
Charles has almost blown his whole budget on the six caryatids, | 0:17:45 | 0:17:49 | |
which he will split into three lots for auction. Dear, oh, dear. | 0:17:49 | 0:17:53 | |
-Lewis, thank you again. -Bye-bye. -Bye-bye. | 0:17:53 | 0:17:56 | |
Charles still has lots of shopping to catch up on, | 0:17:58 | 0:18:01 | |
so he's made his way to North Berwick | 0:18:01 | 0:18:04 | |
for the final shop of the day. | 0:18:04 | 0:18:05 | |
-Hello, there! -Oh, hello. | 0:18:05 | 0:18:08 | |
How are you? Your name, sir, is? | 0:18:08 | 0:18:10 | |
-Charles. -You're Charles as well? -Yes, exactly the same. | 0:18:10 | 0:18:13 | |
-Occasionally Charlie. -Are you a Charlie? | 0:18:13 | 0:18:15 | |
I'm normally a Charles. | 0:18:15 | 0:18:17 | |
OUR Charles spent the bulk of his budget in the last shop, | 0:18:18 | 0:18:21 | |
so has just over £37 available to spend. | 0:18:21 | 0:18:25 | |
Almost takes me back to my droving days. | 0:18:25 | 0:18:28 | |
It's quite a cute little, erm... | 0:18:34 | 0:18:37 | |
cup, little tea bowl. Maybe a bowl. | 0:18:37 | 0:18:39 | |
And often we see images of 18th-century ladies | 0:18:39 | 0:18:43 | |
taking their tea like this. | 0:18:43 | 0:18:46 | |
But it's a beautiful little blue-and-white example. | 0:18:46 | 0:18:49 | |
-Charles? -Yes? | 0:18:49 | 0:18:50 | |
They say small is beautiful. | 0:18:50 | 0:18:53 | |
The little bowl here's quite sweet. | 0:18:53 | 0:18:55 | |
Nice, isn't it? Just cute. | 0:18:55 | 0:18:56 | |
-Yes, yes. -What could it be? | 0:18:56 | 0:18:58 | |
-A couple of pounds? -Yeah. -Fine. | 0:18:58 | 0:19:00 | |
-Quite cute, isn't it, for a couple of pounds? -Mm. | 0:19:00 | 0:19:02 | |
Yeah, I like your style. | 0:19:02 | 0:19:04 | |
Thanks, Charles. That's one purchase. | 0:19:04 | 0:19:06 | |
-I'll keep wandering. Thanks a lot. OK. -OK. | 0:19:06 | 0:19:08 | |
That's the tea bowl bought for £2, | 0:19:08 | 0:19:11 | |
and it looks like there may be one more buy on the cards. | 0:19:11 | 0:19:16 | |
That's a nice little dish. | 0:19:16 | 0:19:17 | |
It's quite a nice pewter... | 0:19:17 | 0:19:20 | |
I suppose what you might call a dinner plate, | 0:19:20 | 0:19:22 | |
in this lovely almost pie-crust reeded-moulded cast frame. | 0:19:22 | 0:19:27 | |
What you look for on any pewter or early metalware | 0:19:27 | 0:19:31 | |
is where it's languished on tables, | 0:19:31 | 0:19:33 | |
and you can see on the base of this dish, | 0:19:33 | 0:19:37 | |
there are some nice knife marks. | 0:19:37 | 0:19:39 | |
It's not overly early, but it's quite tactile. | 0:19:39 | 0:19:42 | |
He likes it, but how much will it set him back? | 0:19:42 | 0:19:46 | |
Er, Charlie? | 0:19:46 | 0:19:48 | |
-Is it expensive, or...? -It's 15. | 0:19:48 | 0:19:50 | |
-15? -Yeah. | 0:19:50 | 0:19:51 | |
It's quite nice, isn't it? | 0:19:53 | 0:19:54 | |
Yeah, because... | 0:19:54 | 0:19:56 | |
Something that doesn't sell an awful lot is pewter. | 0:19:56 | 0:20:00 | |
-It's kind of out of... -Would you take £10 for it? | 0:20:00 | 0:20:03 | |
Mmm, yes. | 0:20:03 | 0:20:05 | |
Thanks ever so much. Pick up my blue-and-white... | 0:20:05 | 0:20:08 | |
..tea bowl down here and the waiter that I am, | 0:20:09 | 0:20:13 | |
walk this, or drove it, down to Cumbria. | 0:20:13 | 0:20:16 | |
I'll pay for it first. | 0:20:16 | 0:20:17 | |
Charles pays for the tea bowl and pewter plate... | 0:20:20 | 0:20:23 | |
..which he'll add to his three pairs of wooden caryatids, | 0:20:24 | 0:20:28 | |
giving him five lots to take to auction. | 0:20:28 | 0:20:31 | |
James also has five lots - his pair of Chinese stools, | 0:20:32 | 0:20:36 | |
a pair of Indian hardwood tables, | 0:20:36 | 0:20:38 | |
the Arts and Crafts mirror, | 0:20:38 | 0:20:40 | |
a Studio Pottery corgi moneybox | 0:20:40 | 0:20:42 | |
and the lead donkey. | 0:20:42 | 0:20:45 | |
The big question is, what do they think of each other's lots? | 0:20:46 | 0:20:50 | |
Charles was very excited about the caryatids. | 0:20:50 | 0:20:53 | |
I had a look at them and some I liked and some I didn't really like. | 0:20:53 | 0:20:58 | |
He paid £10 | 0:20:58 | 0:20:59 | |
for that little beautifully tactile donkey, so, hopefully... | 0:20:59 | 0:21:03 | |
..he'll be the ass at the end of this auction. | 0:21:05 | 0:21:08 | |
I say, Carlos! | 0:21:08 | 0:21:10 | |
The boys are back on the road in a car that works - | 0:21:10 | 0:21:12 | |
well, at the moment. | 0:21:12 | 0:21:13 | |
It's another DKW 1000 Coupe. | 0:21:13 | 0:21:16 | |
After beginning in Perth, | 0:21:16 | 0:21:18 | |
our experts have now made their way over the border en route to auction | 0:21:18 | 0:21:21 | |
in Crooklands, Cumbria. | 0:21:21 | 0:21:23 | |
This is a very different car. It actually feels like a decent car. | 0:21:25 | 0:21:28 | |
-But it's not the same car. -No, it's red. | 0:21:28 | 0:21:30 | |
This car's red. Our last car was blue, wasn't it? | 0:21:30 | 0:21:33 | |
So it's had no spray job - it's just a completely different car? | 0:21:33 | 0:21:36 | |
It feels like a different car. | 0:21:36 | 0:21:38 | |
I think the other one died. | 0:21:38 | 0:21:39 | |
Fingers crossed on this one, anyway. | 0:21:39 | 0:21:42 | |
The boys have arrived at Eighteen Eighteen Auctioneers. | 0:21:42 | 0:21:46 | |
James, on a day like today... | 0:21:46 | 0:21:48 | |
..may your luck be an antique horse. | 0:21:49 | 0:21:50 | |
On a day like today, let's get inside. | 0:21:50 | 0:21:53 | |
The gentleman holding the gavel today is David Brooks. | 0:21:55 | 0:21:57 | |
What does he make of our experts' lots? | 0:21:57 | 0:21:59 | |
The lead token donkey is quite sweet. | 0:22:01 | 0:22:04 | |
Is it going to sell well? I really don't know. | 0:22:04 | 0:22:06 | |
Jury's out on that one. | 0:22:06 | 0:22:07 | |
The tea bowl - supposedly 16th-century. | 0:22:07 | 0:22:10 | |
It's got damage to it, so I don't think it will do terribly well, | 0:22:10 | 0:22:13 | |
despite its age. But, again, we do get real surprises, sometimes, | 0:22:13 | 0:22:17 | |
with the Chinese market. | 0:22:17 | 0:22:18 | |
Oh, yes, it's a busy room and there's online and phone bidding here, too, | 0:22:18 | 0:22:22 | |
so take your seat, chaps. | 0:22:22 | 0:22:24 | |
Hold tight! Oh... OK! | 0:22:24 | 0:22:26 | |
Oh, blimey! | 0:22:26 | 0:22:27 | |
First up, James's pair of Chinese stools. | 0:22:29 | 0:22:33 | |
I have to start the bidding with me at £60. | 0:22:33 | 0:22:37 | |
You watch. The net's going up, up. | 0:22:37 | 0:22:39 | |
65 on the internet. | 0:22:39 | 0:22:40 | |
70 with me. | 0:22:40 | 0:22:42 | |
-Profit. -80 with me. £80 here. | 0:22:42 | 0:22:45 | |
-We have 85... -I'd like to start bidding now. | 0:22:45 | 0:22:48 | |
Just in time, sir, 90 in the room. | 0:22:48 | 0:22:51 | |
It's against you on the net. In the room at £90, have we finished? | 0:22:51 | 0:22:54 | |
-Chin up. -With the scarf in the room at £90... | 0:22:54 | 0:22:59 | |
-Profit. -Cheap lot. -£15. | 0:22:59 | 0:23:01 | |
James hoped for more, but a profit nevertheless. | 0:23:01 | 0:23:05 | |
How do you feel? | 0:23:05 | 0:23:07 | |
-Look at me. -Gutted. | 0:23:07 | 0:23:10 | |
Right, the first pair of Charles's caryatids are next to go. | 0:23:10 | 0:23:14 | |
-Where am I going to start? £50? -Come on, internet. | 0:23:14 | 0:23:17 | |
Apparently, we have a telephone bid. 50 now on the internet. | 0:23:17 | 0:23:20 | |
-Come on, let's go! -55 on the phone. | 0:23:20 | 0:23:23 | |
60 now. 65 on the phone. | 0:23:23 | 0:23:26 | |
I've got a net bid and a phone bid. | 0:23:26 | 0:23:28 | |
I'm more confident now. | 0:23:28 | 0:23:30 | |
75 on the phone. | 0:23:30 | 0:23:31 | |
80 on the internet. | 0:23:31 | 0:23:33 | |
85, phone. | 0:23:33 | 0:23:34 | |
90, net. | 0:23:34 | 0:23:36 | |
95 on the phone. | 0:23:36 | 0:23:37 | |
-We'll get there slowly. -Hold tight, everybody, hold tight! | 0:23:37 | 0:23:40 | |
We've got a long way to go. It's those two over there. | 0:23:40 | 0:23:42 | |
110 on the phone. | 0:23:42 | 0:23:44 | |
-120 on the internet. -Go on, phone line! | 0:23:44 | 0:23:47 | |
130 on the phone. | 0:23:47 | 0:23:48 | |
-We've got a long way to go. -140 on the net. | 0:23:48 | 0:23:51 | |
150 on the phone. | 0:23:51 | 0:23:52 | |
-Have we finished? -Come on! | 0:23:52 | 0:23:55 | |
No, 160. 160 on the internet. | 0:23:55 | 0:23:57 | |
And we will sell if no further interest at £160... | 0:23:57 | 0:24:01 | |
I make that a profit apiece. Well done, boys. | 0:24:02 | 0:24:06 | |
It just shows - the room is out... | 0:24:06 | 0:24:08 | |
-The room is out. -We're very... -I don't think the room was ever in. | 0:24:08 | 0:24:11 | |
No... | 0:24:11 | 0:24:12 | |
Well, let's see how the room feels | 0:24:14 | 0:24:16 | |
about your pair of Indian tables, shall we, James? | 0:24:16 | 0:24:19 | |
20. £20, madam? Thank you. | 0:24:19 | 0:24:22 | |
£20 bid in the room. | 0:24:22 | 0:24:23 | |
You watch this now - it's going to move. | 0:24:23 | 0:24:25 | |
-25. -25. | 0:24:25 | 0:24:27 | |
28, fresh bid. 30. | 0:24:27 | 0:24:29 | |
-32. No? Sure? 32 in the room. -Come on. | 0:24:30 | 0:24:34 | |
It's against you on the net. | 0:24:34 | 0:24:35 | |
They're here to be sold at the 32... | 0:24:35 | 0:24:37 | |
Oh, dear, that's a shame. Bad luck, James. | 0:24:39 | 0:24:43 | |
You know what, James? It's a funny old game. | 0:24:43 | 0:24:44 | |
It IS a funny old game, isn't it? | 0:24:44 | 0:24:46 | |
It IS a funny old game. | 0:24:46 | 0:24:47 | |
Charles, time for your second pair of caryatids. | 0:24:47 | 0:24:50 | |
£70 on the internet. | 0:24:52 | 0:24:53 | |
Bidding on the phone? 75? 75 on the phone. | 0:24:53 | 0:24:56 | |
-80 on the net. -Phone's in, is it? | 0:24:56 | 0:24:59 | |
85, phone. 90, net. | 0:24:59 | 0:25:02 | |
-These are good. -95, phone. -I thought the first ones were lovely. | 0:25:02 | 0:25:06 | |
Caryatids are carrying on. Come on, phone bid. | 0:25:06 | 0:25:09 | |
-110 on the phone. -Come on, internet. | 0:25:09 | 0:25:10 | |
120 on the internet. 130 on the phone. | 0:25:10 | 0:25:13 | |
140 now. | 0:25:13 | 0:25:14 | |
-Go on, phone bid! -140 on the internet, 150 on the phone. | 0:25:14 | 0:25:18 | |
-160 on the internet. -Come on, phone bid. | 0:25:18 | 0:25:20 | |
160 on the internet. | 0:25:20 | 0:25:21 | |
-Phone bid, look at me. -That should be enough. -Look at me! | 0:25:21 | 0:25:23 | |
160 on the internet - have we finished? | 0:25:23 | 0:25:26 | |
-Out on the phone. -Go on, phone bid! -Anything from the room, no? | 0:25:26 | 0:25:29 | |
160 on the internet here and going... | 0:25:29 | 0:25:32 | |
Another profit there for Charles - marvellous! | 0:25:32 | 0:25:35 | |
-What a gamble! -What a gamble! | 0:25:35 | 0:25:37 | |
I'd love to know, how far would that net bid go? | 0:25:37 | 0:25:41 | |
We'll never know, Charles. | 0:25:41 | 0:25:43 | |
Next up, it's James and his Arts and Crafts mirror. | 0:25:43 | 0:25:47 | |
I'm going to have to start the bidding with me at £55. | 0:25:47 | 0:25:50 | |
-Ah, well done, chief. -I paid £100 for it. | 0:25:50 | 0:25:53 | |
55. It's against you on the net. | 0:25:53 | 0:25:55 | |
60. 65 with me. 70. Now we're jumping up. | 0:25:55 | 0:25:57 | |
-The net really wants this. -Commissions are out | 0:25:57 | 0:26:00 | |
-and the internet has jumped up to £90. -Oh, my goodness! | 0:26:00 | 0:26:02 | |
-Wow! -£90. -Well done, chief. -Interest on the phone? | 0:26:02 | 0:26:05 | |
95. I've come back to you. 100 now on the internet. | 0:26:05 | 0:26:08 | |
-At 100 on the internet. -This net really wants it. | 0:26:08 | 0:26:11 | |
-That net will go up and up. -We have £130 on the phone now, | 0:26:11 | 0:26:15 | |
and selling... | 0:26:15 | 0:26:16 | |
That profit puts you back in the game, James. | 0:26:18 | 0:26:21 | |
-It's a £30 profit. -Yeah, happy? -I am happy. | 0:26:21 | 0:26:24 | |
Will it be third time's a charm for Charles, | 0:26:24 | 0:26:27 | |
as his final pair of caryatids go on offer? | 0:26:27 | 0:26:31 | |
Let's ask £50, got to be. | 0:26:31 | 0:26:33 | |
£50 on the phone, thank you. | 0:26:33 | 0:26:34 | |
-Net's in, net's in. -That's before the internet. | 0:26:34 | 0:26:37 | |
-100. -We've jumped to £100. | 0:26:37 | 0:26:39 | |
-I like your style! -£100 on the phone. | 0:26:39 | 0:26:41 | |
Straight in. He's jumped. | 0:26:41 | 0:26:43 | |
110, there you go. | 0:26:43 | 0:26:45 | |
-120 on the phone. -Come on, net. | 0:26:45 | 0:26:48 | |
-These could move. -130 on the net. | 0:26:48 | 0:26:50 | |
140 on the phone. How are we doing? 150? | 0:26:50 | 0:26:53 | |
-Yes, we are. -Come on, internet and phone bid! | 0:26:53 | 0:26:55 | |
160 on the phone, is it? | 0:26:55 | 0:26:57 | |
Yes, 160 on the phone. | 0:26:57 | 0:26:59 | |
-170 on the internet. -Go on, phone bid! | 0:26:59 | 0:27:00 | |
-No! -On the internet now, going... | 0:27:02 | 0:27:05 | |
This pair fared a little better than the other two | 0:27:08 | 0:27:11 | |
and Charles bags another good profit. | 0:27:11 | 0:27:14 | |
Overall, James, I'm delighted with that, | 0:27:14 | 0:27:16 | |
because it was a gamble worth taking, just to enjoy that voyage. | 0:27:16 | 0:27:19 | |
James is up again. This time, it's his lead donkey. | 0:27:19 | 0:27:24 | |
£20, please. Start me somewhere. | 0:27:24 | 0:27:26 | |
-Thank you, madam. -Here we go. | 0:27:26 | 0:27:27 | |
£20 I have bid. | 0:27:27 | 0:27:29 | |
22 right by you. | 0:27:29 | 0:27:31 | |
25. 28. | 0:27:31 | 0:27:33 | |
30. 32. | 0:27:33 | 0:27:34 | |
35. 38. | 0:27:34 | 0:27:37 | |
40. 42, fresh bid. | 0:27:37 | 0:27:39 | |
This is kicking on. | 0:27:39 | 0:27:40 | |
48. 50. | 0:27:40 | 0:27:42 | |
Have we finished here at £50 now, and selling? | 0:27:42 | 0:27:46 | |
Wow! | 0:27:46 | 0:27:47 | |
Wow indeed! | 0:27:47 | 0:27:49 | |
A fantastic profit there for James. | 0:27:49 | 0:27:52 | |
That donkey made five times its purchase price. | 0:27:52 | 0:27:55 | |
-Fantastic! -It did, it did. -Fantastic! | 0:27:55 | 0:27:57 | |
He's good at maths, but will Charles manage to do as well | 0:27:57 | 0:28:00 | |
with his pewter plate, I wonder? | 0:28:00 | 0:28:02 | |
£20 start me, please, cheap and cheerful. | 0:28:02 | 0:28:04 | |
It's a nice plate. | 0:28:04 | 0:28:06 | |
-Thank you, madam, £20 we have bid. -Hello there. Thanks a lot. | 0:28:06 | 0:28:10 | |
Come on! Nice plate! | 0:28:10 | 0:28:12 | |
22 on the internet. | 0:28:12 | 0:28:14 | |
25. 28. | 0:28:14 | 0:28:16 | |
No? 28 on the internet. | 0:28:16 | 0:28:19 | |
One over there, one over there. | 0:28:19 | 0:28:20 | |
£30 in the room. | 0:28:20 | 0:28:22 | |
32. 35. | 0:28:22 | 0:28:24 | |
-I must say... -It's 18th-century. | 0:28:24 | 0:28:26 | |
38. 40. | 0:28:26 | 0:28:28 | |
-He knows something. It's a very early plate. -Finished? | 0:28:28 | 0:28:31 | |
No, 42. 45. | 0:28:31 | 0:28:33 | |
In the room... | 0:28:33 | 0:28:35 | |
Oh! | 0:28:36 | 0:28:37 | |
Oh! Another great profit. Well done, Charles. | 0:28:37 | 0:28:40 | |
That could, after today's journey, just get me into the positive. | 0:28:41 | 0:28:44 | |
James's last lot now - his Studio Pottery corgi moneybox. | 0:28:44 | 0:28:49 | |
£20 on the internet. | 0:28:49 | 0:28:51 | |
-Wow! -22 bid. | 0:28:51 | 0:28:53 | |
I'll come back to the room. 22 bid. | 0:28:53 | 0:28:55 | |
Are we bidding in the room? I have 25 on the internet. | 0:28:55 | 0:28:57 | |
28 in the room, thank you. | 0:28:57 | 0:28:59 | |
Concentrate on the room. | 0:28:59 | 0:29:00 | |
At £28 in the room, and we will sell if no further... | 0:29:00 | 0:29:04 | |
-£30. -Well done, chief, you're in. | 0:29:04 | 0:29:05 | |
No? Sure? | 0:29:05 | 0:29:07 | |
£30 in the room here with this lady. | 0:29:07 | 0:29:09 | |
-They've been ignored. -32, she's come back. | 0:29:09 | 0:29:11 | |
-Well done, mate. -35. | 0:29:11 | 0:29:13 | |
-Net's back in again. -35 with the lady here. At £35... | 0:29:13 | 0:29:18 | |
James finishes with a final profit. | 0:29:18 | 0:29:21 | |
Well done, that man! And his dog. | 0:29:21 | 0:29:24 | |
From one corgi to another... | 0:29:24 | 0:29:25 | |
THEY SNORT | 0:29:25 | 0:29:27 | |
Oh, you two! | 0:29:27 | 0:29:29 | |
Right, time for one last lot. | 0:29:29 | 0:29:32 | |
It's Charles's porcelain tea bowl. | 0:29:32 | 0:29:34 | |
-22 on the net. -Come on! -25 in the room. -It's a good thing. | 0:29:34 | 0:29:37 | |
28. 30. 32 on the internet. | 0:29:37 | 0:29:40 | |
-32, 35, a bidder in the room now. -Come on! Do you like it? | 0:29:40 | 0:29:44 | |
Thank you very much. Come on, internet! | 0:29:44 | 0:29:47 | |
-40. -That's enough. | 0:29:47 | 0:29:49 | |
42. 45 in the room. | 0:29:49 | 0:29:51 | |
£2! It cost me £2! | 0:29:51 | 0:29:53 | |
-48. -48! | 0:29:53 | 0:29:55 | |
48. | 0:29:55 | 0:29:57 | |
Have I got to listen to any more of this? | 0:29:57 | 0:29:59 | |
-Have I really got to...? -Call me Emperor Ming! | 0:29:59 | 0:30:01 | |
Make no mistake, if no further interest, at the 50 in the room... | 0:30:01 | 0:30:05 | |
-Put it there. -Oh, do I have to? -Yeah. -Really? | 0:30:06 | 0:30:09 | |
-Give us a kiss. -No. | 0:30:09 | 0:30:11 | |
Don't blame you! Anyway, amazing ending there for Charles. | 0:30:11 | 0:30:14 | |
-Come on. -Well done. | 0:30:14 | 0:30:16 | |
Right, let's see who's coming out on top. | 0:30:16 | 0:30:18 | |
James started this leg with £315.68. | 0:30:20 | 0:30:24 | |
Pulling in a profit of £21.34 after auction costs, | 0:30:24 | 0:30:28 | |
means he now has £337.02. | 0:30:28 | 0:30:34 | |
Charles began with £447.34. | 0:30:34 | 0:30:39 | |
Plenty of profits means he gained £57.70 after auction costs. | 0:30:39 | 0:30:45 | |
He goes into the final leg way out in the lead | 0:30:45 | 0:30:48 | |
with £505.04. Well done, boy. | 0:30:48 | 0:30:52 | |
MUSIC: The Final Countdown by Europe | 0:30:52 | 0:30:54 | |
So, with plenty of cash tucked away, hold on to your hats, | 0:30:56 | 0:31:00 | |
as our chaps drive headlong into the final leg of their trip. | 0:31:00 | 0:31:04 | |
James, it's been an amazing trip, but the end is nigh, | 0:31:06 | 0:31:10 | |
the curtain is about to be drawn for the last time on you and I, | 0:31:10 | 0:31:13 | |
and I think we've got to go with a bang. The crowd want an encore. | 0:31:13 | 0:31:18 | |
It's like a boxing match. | 0:31:18 | 0:31:19 | |
After a while, all the crowd want to see is a bit of blood, don't they? | 0:31:19 | 0:31:23 | |
Somebody on the canvas. | 0:31:23 | 0:31:25 | |
This leg will kick off in Dunbar before ending in Berwick-upon-Tweed. | 0:31:27 | 0:31:32 | |
-Bye, Charles. Good luck. -Take care. Be lucky! | 0:31:32 | 0:31:35 | |
-Be lucky. -In love! | 0:31:35 | 0:31:37 | |
-Charles will be kicking things off in the Buttercup Studio. -Oh, yes. | 0:31:38 | 0:31:42 | |
-Oh, hello. -Good morning. How are you? -Lovely. -Your name is? -Linda. | 0:31:42 | 0:31:46 | |
Linda has a wide variety of antiques on offer, | 0:31:46 | 0:31:49 | |
and Charles gets stuck in straight away. | 0:31:49 | 0:31:52 | |
So, on this nice rack here, Linda, I do quite like this little dog. | 0:31:52 | 0:31:57 | |
# How much is that doggie on the rack? # | 0:31:57 | 0:32:00 | |
He's got no wagging tail. | 0:32:00 | 0:32:02 | |
But where did he come from, a local find? | 0:32:02 | 0:32:05 | |
He's been on my mantelpiece for quite a number of years. | 0:32:05 | 0:32:08 | |
-How old is he, do you think? -No idea. | 0:32:08 | 0:32:11 | |
I think he's missing his paw there, isn't he? | 0:32:11 | 0:32:14 | |
He's got a bit of damage to him. | 0:32:14 | 0:32:15 | |
He is Staffordshire porcelain, rather than being a pottery... | 0:32:15 | 0:32:18 | |
an earthenware or stoneware, | 0:32:18 | 0:32:20 | |
he is porcelain, so he's highly fired and made of that china clay. | 0:32:20 | 0:32:24 | |
I'm presuming there's no price ticket? | 0:32:24 | 0:32:28 | |
He's just a little doggie in the window, here to go. | 0:32:28 | 0:32:33 | |
-Yes. -Yeah. -Um... | 0:32:33 | 0:32:35 | |
It was £10, but you can have it for five. | 0:32:35 | 0:32:38 | |
He's quite cute, isn't he? | 0:32:41 | 0:32:43 | |
He is cute. Go on, Linda, I'll take him for £5. | 0:32:43 | 0:32:45 | |
-Thanks a lot. -Thank you. | 0:32:45 | 0:32:46 | |
Our Charles buys the King Charles to kick-start this leg's shopping. | 0:32:46 | 0:32:51 | |
Anything else? | 0:32:51 | 0:32:52 | |
That's quite nice. | 0:32:52 | 0:32:55 | |
I'm not sure how old it is, Linda. | 0:32:55 | 0:32:57 | |
No idea, but it's wood, the bit there. | 0:32:57 | 0:33:00 | |
-And you can see quite well out of it... -Oh, Charles! | 0:33:00 | 0:33:03 | |
It's OK, it comes apart anyway. | 0:33:03 | 0:33:06 | |
Yeah, it does, it's on a thread. | 0:33:06 | 0:33:08 | |
-Could that be quite reasonable? -Very best, 25. | 0:33:08 | 0:33:11 | |
It's got a few indentations, you'll see it's been dropped, | 0:33:13 | 0:33:16 | |
on the cover here, you'll see it's got a slight fracture | 0:33:16 | 0:33:19 | |
in the glass there. | 0:33:19 | 0:33:20 | |
And also, on that thread, | 0:33:20 | 0:33:22 | |
you've got a few knocks of where it's been dropped. | 0:33:22 | 0:33:25 | |
But I would say it's got some age to it. | 0:33:25 | 0:33:27 | |
It's quite a nice, quality object. | 0:33:27 | 0:33:29 | |
You're saying 25. I would think the auctioneer might put | 0:33:29 | 0:33:32 | |
a guide price of that figure on as a high estimate. | 0:33:32 | 0:33:36 | |
-Would you take for it £20? -Yes, I'll take 20. | 0:33:36 | 0:33:39 | |
-Are you sure? 20? -20, yes. -Are you sure? | 0:33:39 | 0:33:41 | |
-Yes, positive. -Sold. Thank you very much. I'll take it, Linda. | 0:33:41 | 0:33:44 | |
Thank you. Thank you very much. And I can now see you. There we are. | 0:33:44 | 0:33:47 | |
I've got you. | 0:33:47 | 0:33:49 | |
And you've got yourself two lots in your first shop. | 0:33:49 | 0:33:51 | |
Good stuff. | 0:33:51 | 0:33:53 | |
See you, bye, bye. | 0:33:53 | 0:33:54 | |
James, meanwhile, has made his way to Haddington. | 0:33:58 | 0:34:02 | |
He's come to Lennoxlove House | 0:34:02 | 0:34:04 | |
to hear about one of the most intriguing incidents | 0:34:04 | 0:34:07 | |
of World War II. | 0:34:07 | 0:34:09 | |
He's meeting Lord James Selkirk of Douglas to find out more. | 0:34:10 | 0:34:15 | |
-Good morning. -Glad to meet you. | 0:34:15 | 0:34:18 | |
-Looking forward very much to having a chat. -Thank you. | 0:34:18 | 0:34:21 | |
In 1941, the War was going badly for Britain. | 0:34:21 | 0:34:25 | |
Eight months of Luftwaffe bombing had seen over a million | 0:34:26 | 0:34:30 | |
London homes destroyed and 40,000 people killed. | 0:34:30 | 0:34:34 | |
On 10th May, a lone Messerschmitt flew deep into enemy territory, | 0:34:34 | 0:34:39 | |
evading all of Britain's air defences. | 0:34:39 | 0:34:42 | |
Remarkably, the pilot was Rudolf Hess, | 0:34:42 | 0:34:44 | |
chairman of the Nazi Party and Hitler's dedicated deputy. | 0:34:44 | 0:34:49 | |
He was heading for a location less than 20 miles south of Glasgow. | 0:34:49 | 0:34:53 | |
This is the map and the red arrow points to Dungavel House. | 0:34:53 | 0:34:59 | |
-Oh, I see. -But, of course, he couldn't find it in the dark and | 0:34:59 | 0:35:02 | |
he parachutes over Eaglesham to the north, only a few miles away. | 0:35:02 | 0:35:07 | |
Hess was quickly captured and taken into military custody. | 0:35:07 | 0:35:12 | |
He repeatedly insisted he'd only speak to one man, | 0:35:12 | 0:35:15 | |
Lord Selkirk's father, the Duke of Hamilton, | 0:35:15 | 0:35:18 | |
a pioneering aviator and the first man to fly over Mount Everest. | 0:35:18 | 0:35:22 | |
And Hess gives a false name, | 0:35:22 | 0:35:25 | |
says that he is Hauptmann Alfred Horn, | 0:35:25 | 0:35:28 | |
-who was in fact his brother, brother-in-law, called Alfred Horn. -Yeah. | 0:35:28 | 0:35:33 | |
And my father made arrangements to go through and see him | 0:35:33 | 0:35:38 | |
with the interrogating officer the next morning. | 0:35:38 | 0:35:41 | |
When they met, Hess confessed who he really was to the Duke | 0:35:41 | 0:35:44 | |
and made him an offer. | 0:35:44 | 0:35:46 | |
Britain could keep its empire | 0:35:46 | 0:35:47 | |
if Germany had a free hand in Europe and the East. | 0:35:47 | 0:35:52 | |
The Duke didn't waste any time in heading south | 0:35:52 | 0:35:54 | |
to inform Winston Churchill of what he'd heard from Hess. | 0:35:54 | 0:35:58 | |
When he got to Ditchley Park, | 0:35:59 | 0:36:01 | |
Churchill was in good spirits because 33 German bombers | 0:36:01 | 0:36:05 | |
had been shot down, and he asked him for his news, | 0:36:05 | 0:36:08 | |
and my father told him - when everyone had left the room, | 0:36:08 | 0:36:12 | |
apart from the Secretary of State for Air - that this man, | 0:36:12 | 0:36:15 | |
who had given a false name to everybody else, | 0:36:15 | 0:36:18 | |
claimed to him that he was Hitler's deputy. | 0:36:18 | 0:36:21 | |
And Churchill refused to believe that that was at all likely | 0:36:21 | 0:36:26 | |
or even possible. | 0:36:26 | 0:36:28 | |
And then he said to my father, "Well, Hess or no Hess, | 0:36:28 | 0:36:32 | |
"I'm going to see the Marx Brothers," | 0:36:32 | 0:36:34 | |
and they went out to see the film next door. | 0:36:34 | 0:36:36 | |
JAMES LAUGHS | 0:36:36 | 0:36:38 | |
Hess was imprisoned in Britain, | 0:36:38 | 0:36:40 | |
including a short spell in the Tower of London, | 0:36:40 | 0:36:43 | |
until October 1945 when he was sent to stand trial at Nuremberg. | 0:36:43 | 0:36:48 | |
Sentenced to life imprisonment as a war criminal, Hess remained | 0:36:48 | 0:36:52 | |
incarcerated in Berlin's Spandau prison until his death in 1987. | 0:36:52 | 0:36:58 | |
To this day, many rumours still revolve around Hess's | 0:36:58 | 0:37:02 | |
fateful flight to Scotland. | 0:37:02 | 0:37:04 | |
Had Hitler actually approved it? | 0:37:04 | 0:37:06 | |
Was Hess a would-be assassin? | 0:37:06 | 0:37:09 | |
Or was it simply the doomed mission of an unstable man? | 0:37:09 | 0:37:13 | |
We will never know. | 0:37:13 | 0:37:14 | |
Reunited, our boys, though, | 0:37:17 | 0:37:19 | |
have motored the DKW to Old Craighall near Musselburgh. | 0:37:19 | 0:37:24 | |
They've arrived at a shop called Early Technology. | 0:37:26 | 0:37:29 | |
-Quite surreal, isn't it? -It is quite surreal. | 0:37:31 | 0:37:33 | |
The owner of this rather unique antiques haven is Michael. | 0:37:33 | 0:37:38 | |
Oh, wow. It's quite something here. James, look at the Penny Farthing. | 0:37:38 | 0:37:43 | |
-I know, amazing. -Isn't that wonderful? -Yeah. -Is it for sale? | 0:37:43 | 0:37:45 | |
-Everything's for sale. -Music to an antique hunter's ears. | 0:37:45 | 0:37:50 | |
How much for the Teasmade? | 0:37:50 | 0:37:52 | |
The Teasmade you can have for £25. | 0:37:52 | 0:37:56 | |
-Thank you, Mike. -No, no... -It's your bargain. | 0:37:56 | 0:37:59 | |
-I'm going on that. Thank you, Mike. -That's your bargain. | 0:37:59 | 0:38:02 | |
-JAMES LAUGHS -Come on, Charles. -Just like that. | 0:38:02 | 0:38:05 | |
-You've just got to keep your eyes open. -Just like that. | 0:38:05 | 0:38:07 | |
-You get too easily distracted. -£25! | 0:38:07 | 0:38:10 | |
It's not early technology. | 0:38:10 | 0:38:12 | |
-It's late technology, as far as I'm concerned. -Mike! | 0:38:12 | 0:38:15 | |
-Have you bought it? -Yeah, £25. Teasmade. -Absolutely. | 0:38:15 | 0:38:18 | |
Look at that. I've never seen such a fine Teasmade. | 0:38:18 | 0:38:21 | |
-That is a work of art. -£25. | 0:38:21 | 0:38:23 | |
You've got a light there, so that wakes you up in the morning. | 0:38:23 | 0:38:26 | |
You've got your clock. And then... What a... What a... What a... | 0:38:26 | 0:38:30 | |
-You like a cup of tea. -So, you've just sold it to him? -Yes. | 0:38:30 | 0:38:33 | |
-Absolutely. -We shook on it. -Thrilled to sell it. | 0:38:33 | 0:38:36 | |
James showing his wild side there, | 0:38:37 | 0:38:40 | |
doing one of the quickest deals we've ever seen. | 0:38:40 | 0:38:42 | |
Well done, that man. | 0:38:42 | 0:38:44 | |
Meanwhile, Charles is feeling a little overwhelmed | 0:38:44 | 0:38:47 | |
by the choice on offer. | 0:38:47 | 0:38:48 | |
There's so much lurking. | 0:38:48 | 0:38:50 | |
There's typewriters, there's a basket of fruit down there. | 0:38:50 | 0:38:54 | |
Down there, is that a concertina in that box? | 0:38:55 | 0:38:58 | |
Is it a concertina? Oh, it is a concertina. | 0:38:58 | 0:39:01 | |
-Do you play it? -No. | 0:39:03 | 0:39:05 | |
It's all complete, except for the knobs that go through. | 0:39:05 | 0:39:08 | |
-But the knobs are not that difficult to get. -Oh, what a shame. | 0:39:08 | 0:39:11 | |
-I've done everything else, but it's cheap for the price. -How much? | 0:39:11 | 0:39:14 | |
-They're worth money. -How much? | 0:39:14 | 0:39:15 | |
-65. -I love the fact it's a Campbells of Glasgow concertina. -Yeah. | 0:39:15 | 0:39:22 | |
CONCERTINA TOOTS | 0:39:22 | 0:39:24 | |
It obviously has had some TLC over the years. | 0:39:25 | 0:39:30 | |
The case sells it, Mike, and it's a Glaswegian concertina, | 0:39:30 | 0:39:33 | |
which also gives me a bit of love. | 0:39:33 | 0:39:35 | |
-Would you do it for £40? -No, I'll do it for 50. -Right. | 0:39:35 | 0:39:39 | |
-We'll do it. Mike, let's do it. -OK. | 0:39:40 | 0:39:42 | |
Thanks a lot, Mike. Thanks a lot. £50. | 0:39:42 | 0:39:44 | |
A really interesting concertina, full of Scottish charm, | 0:39:44 | 0:39:47 | |
and, hopefully, it might play at the saleroom if I get lucky. | 0:39:47 | 0:39:52 | |
£50 buys Charles the Victorian concertina. | 0:39:52 | 0:39:56 | |
-Thank you so much. -Thank you, Michael. -Good luck. -Have a great day. | 0:39:56 | 0:39:59 | |
All the best. | 0:39:59 | 0:40:00 | |
Bye. | 0:40:00 | 0:40:02 | |
And that purchase brings today's buying to a close. | 0:40:03 | 0:40:06 | |
So, nighty-night. | 0:40:06 | 0:40:08 | |
It's a brand-new day! | 0:40:16 | 0:40:18 | |
For their final fling around bonnie Scotland, | 0:40:18 | 0:40:21 | |
Charles is wearing a kilt, of course. | 0:40:21 | 0:40:24 | |
I've also got my hat, James, as well. | 0:40:24 | 0:40:26 | |
-Sorry. Look. -Let's see the hat. | 0:40:26 | 0:40:28 | |
It should be worn slightly off centre, | 0:40:28 | 0:40:30 | |
and all of your tartan should be all the way straight | 0:40:30 | 0:40:33 | |
as your stockings and... | 0:40:33 | 0:40:36 | |
There we go, look. | 0:40:36 | 0:40:37 | |
Oh! Ohh! | 0:40:37 | 0:40:39 | |
You look very fine. | 0:40:39 | 0:40:41 | |
I second that. | 0:40:41 | 0:40:42 | |
We'll catch up with Charles and his kilt later, | 0:40:42 | 0:40:45 | |
but first, James is kicking things off in Jedburgh. | 0:40:45 | 0:40:49 | |
He has £312 to spend, but has decided to do some research | 0:40:50 | 0:40:54 | |
and make a call to the auction house to find out what sells well. | 0:40:54 | 0:40:57 | |
He said, internet's strong up there, so buy small, | 0:40:57 | 0:41:01 | |
something that can be posted, packaged and posted, quite easily. | 0:41:01 | 0:41:06 | |
Small's the name of the game, | 0:41:09 | 0:41:10 | |
so let's hope dealer Kate has lots of tiny treasures on offer. | 0:41:10 | 0:41:14 | |
I'm looking for small, interesting bits. | 0:41:14 | 0:41:17 | |
What is this little fellow here? | 0:41:17 | 0:41:20 | |
-Do you want me to get it out for you? -That would be lovely. | 0:41:20 | 0:41:23 | |
He's in sort of period costume. | 0:41:25 | 0:41:26 | |
He's walking with a walking stick. | 0:41:26 | 0:41:29 | |
You'd really want him to be with a sword, wouldn't you? | 0:41:29 | 0:41:32 | |
He looks a bit old man-y, but he looks very young. | 0:41:32 | 0:41:35 | |
He's in a sort of Shakespearean outfit. | 0:41:35 | 0:41:38 | |
These sort of doubloons. | 0:41:38 | 0:41:40 | |
It's like a character, almost like a theatrical character. | 0:41:40 | 0:41:44 | |
I'm just going to put that over there. Let's just leave that. | 0:41:44 | 0:41:47 | |
I'm going to keep hunting. | 0:41:47 | 0:41:49 | |
With a ticket price of 45, the figure's set aside, | 0:41:49 | 0:41:53 | |
and something else shiny has caught James's eye. | 0:41:53 | 0:41:56 | |
I'm drawn to that immediately, | 0:41:57 | 0:41:59 | |
because you pick it up, and the quality of it... | 0:41:59 | 0:42:03 | |
It's very heavy. | 0:42:03 | 0:42:05 | |
What I was drawn to about this, this is very nice engraving. | 0:42:05 | 0:42:09 | |
It's got a sort of pencil line round the letters, by a maker, | 0:42:09 | 0:42:13 | |
and it's got Chester marks. | 0:42:13 | 0:42:15 | |
Chester's nice. But it's a bit bashed. | 0:42:15 | 0:42:18 | |
It sports a £35 ticket, | 0:42:18 | 0:42:21 | |
and maker's mark for Sampson Mordan. Very collectable silverware. | 0:42:21 | 0:42:25 | |
Anything else? | 0:42:25 | 0:42:27 | |
-Oh, that's a punch ladle, isn't it? -Yeah. -With the whale. | 0:42:27 | 0:42:29 | |
-Can I look at that? -I can't remember how old that one is. | 0:42:29 | 0:42:32 | |
-It's got quite a nice coin in it, hasn't it? -Yeah. | 0:42:32 | 0:42:35 | |
-We've got a special window. -There you go. | 0:42:35 | 0:42:37 | |
-It's got a gilded... -Mm-hm. -..arms there, so it's silver. | 0:42:37 | 0:42:42 | |
It's done quite a lot of work, hasn't it? | 0:42:44 | 0:42:47 | |
That's quite nice, isn't it? And this is whalebone. | 0:42:47 | 0:42:50 | |
The trade in certain types of whale species is banned, | 0:42:50 | 0:42:53 | |
but as this ladle predates the 1947 CITES agreement, | 0:42:53 | 0:42:57 | |
it's legal to sell. | 0:42:57 | 0:42:59 | |
It's got age, so it's 1700s. | 0:42:59 | 0:43:02 | |
A punch label normally associated with George III, Regency period. | 0:43:02 | 0:43:07 | |
Men gathering round the punchbowl. It's rather nice, that. I like that. | 0:43:07 | 0:43:11 | |
With a £35 price tag, the ladle's added to the silver haul. | 0:43:11 | 0:43:16 | |
And it seems James hasn't satisfied his silver thirst just yet. | 0:43:16 | 0:43:21 | |
And then we've got this incredible bag here. | 0:43:22 | 0:43:25 | |
It feels... | 0:43:25 | 0:43:27 | |
It feels slightly dirty. Light silver. Let's have a look at it. | 0:43:27 | 0:43:31 | |
And then we've got two blue stones here on the top. | 0:43:31 | 0:43:35 | |
Couple of chips in them. | 0:43:35 | 0:43:37 | |
We've got a mark here. Alpaca. | 0:43:37 | 0:43:40 | |
Now, when you think of alpacas, | 0:43:40 | 0:43:41 | |
you think of South America, don't you? | 0:43:41 | 0:43:43 | |
And South America, of course, | 0:43:43 | 0:43:45 | |
was very famous for, you know, Mexico silver. | 0:43:45 | 0:43:49 | |
-It feels like... -HE SNIFFS | 0:43:49 | 0:43:52 | |
Feels like silver. It's dirty. It's quite nice, this. | 0:43:52 | 0:43:55 | |
You know, is it silver, is it not? You know, it's worth a punt. | 0:43:55 | 0:43:59 | |
Whew! | 0:44:01 | 0:44:02 | |
Four items. All silver, all interesting. | 0:44:02 | 0:44:06 | |
That's got age, that's got style, | 0:44:06 | 0:44:08 | |
that's a story, and that is a period of time, isn't it? | 0:44:08 | 0:44:12 | |
The roaring 1920s. Great fun. | 0:44:12 | 0:44:15 | |
With a combined ticket price of £160, | 0:44:15 | 0:44:19 | |
is there a deal to be done with Kate? | 0:44:19 | 0:44:22 | |
I'd like to do the whole lot at 100 quid. | 0:44:22 | 0:44:24 | |
-120? -I'll tell you what, Kate, I'd do 110. | 0:44:24 | 0:44:28 | |
-And then we both save our faces. -Yeah. | 0:44:28 | 0:44:30 | |
-Thank you very much indeed. -Thank you. | 0:44:30 | 0:44:32 | |
That's really kind. | 0:44:32 | 0:44:34 | |
A great deal done and James walks away with an armful of silver. | 0:44:34 | 0:44:39 | |
Charles, meanwhile, has made his way over the border into England, | 0:44:39 | 0:44:43 | |
where he's come to Ford in Northumberland. | 0:44:43 | 0:44:45 | |
It's home to the Old Dairy, | 0:44:49 | 0:44:50 | |
and Charles's final chance to shop before auction, | 0:44:50 | 0:44:53 | |
with the £430 he's still got in his old sporran. | 0:44:53 | 0:44:58 | |
-Hello there. -Hello, Charles. -How are you? -Very well. | 0:44:58 | 0:45:01 | |
-Your name is? -Keith. Keith Allan. -Good to see you. | 0:45:01 | 0:45:03 | |
Oh, and a humdinger. | 0:45:05 | 0:45:07 | |
To go out with the biggest bang on the road trip ever. | 0:45:07 | 0:45:10 | |
-I've got a bit of money in my sporran. -Yeah. | 0:45:10 | 0:45:12 | |
I've no idea why he's got a kilt on in England... | 0:45:12 | 0:45:14 | |
He wears it well, though, doesn't he? Underpants, anyone? | 0:45:14 | 0:45:16 | |
-I'll try and do my shoelace up. -Yeah. | 0:45:16 | 0:45:19 | |
And it's a difficult one, because being a true Scot, | 0:45:19 | 0:45:22 | |
you do it the right way. | 0:45:22 | 0:45:23 | |
Steady! TIM CHUCKLES | 0:45:23 | 0:45:25 | |
Sorry, madam. Sorry. | 0:45:27 | 0:45:28 | |
-I like your jacket, by the way. -Oh, do you? -Is it for sale? | 0:45:34 | 0:45:37 | |
After a good old root round, | 0:45:39 | 0:45:41 | |
it looks like Charles has found something. | 0:45:41 | 0:45:44 | |
-I quite like, Keith, the enamel sign over here. -Yes. | 0:45:44 | 0:45:50 | |
It's quite early, isn't it? | 0:45:50 | 0:45:52 | |
-What would it be? Early '50s? -I suppose it's '50s. | 0:45:52 | 0:45:55 | |
-There's also a cocoa sign on the wall over there. -Yeah. | 0:45:55 | 0:45:58 | |
I'm not much of a handyman, | 0:45:58 | 0:46:00 | |
and I can see they're both fairly well hammered into the brickwork. | 0:46:00 | 0:46:04 | |
-Could they be for sale? -They could be. | 0:46:04 | 0:46:06 | |
And that one's, what, 1950s? | 0:46:06 | 0:46:08 | |
I think that could be '40s, even '30s, yeah. Yeah. | 0:46:08 | 0:46:12 | |
-And it's in not bad nick, considering. -Yes. | 0:46:12 | 0:46:15 | |
-Remember, these things were usually outside, you know, on a wall. -Yes. | 0:46:15 | 0:46:18 | |
-And kids used to fire airguns at them. -Little pellets. | 0:46:18 | 0:46:21 | |
If I said to you | 0:46:21 | 0:46:22 | |
what would a fairly bashed and beaten Nestle milk sign cost me | 0:46:22 | 0:46:27 | |
and the Van Houten's Cocoa sign over there...? | 0:46:27 | 0:46:30 | |
If I bought the two together, Keith, | 0:46:30 | 0:46:33 | |
what would be your best price on the two? | 0:46:33 | 0:46:35 | |
-Well... -To a humble man. -Let's start... -From England. | 0:46:35 | 0:46:38 | |
..and tell you that that would be about £60. | 0:46:38 | 0:46:42 | |
That, I'd be looking twice as much. £120. | 0:46:42 | 0:46:46 | |
-But... -Keith! -But, but, but, if you take the two... | 0:46:46 | 0:46:48 | |
-Keith, look at me! -I'm going to say... -To a humble man. | 0:46:48 | 0:46:50 | |
I'm going to say £80 for the pair. | 0:46:50 | 0:46:53 | |
That's not bad, is it? | 0:46:53 | 0:46:54 | |
I'll say! | 0:46:54 | 0:46:56 | |
That's a discount of £100. | 0:46:56 | 0:46:59 | |
Based on the fact I want to go with a bang, | 0:46:59 | 0:47:02 | |
literally, like that sign has, | 0:47:02 | 0:47:04 | |
you know, being pelted with a few hits over the years, | 0:47:04 | 0:47:07 | |
I'd better take a direct hit. | 0:47:07 | 0:47:09 | |
-I'll take them, Keith. -OK. -£80. -Fine. | 0:47:09 | 0:47:11 | |
I think they're wonderful. | 0:47:11 | 0:47:12 | |
-I'm a great chocolate lover as well. -Yes. -And I enjoy cocoa. | 0:47:12 | 0:47:15 | |
So, that canny bit of buying means Charles is all shopped up. | 0:47:15 | 0:47:19 | |
There we are, Keith. | 0:47:19 | 0:47:20 | |
James, meanwhile, has also | 0:47:25 | 0:47:27 | |
made it over the border | 0:47:27 | 0:47:28 | |
to Berwick-upon-Tweed, | 0:47:28 | 0:47:30 | |
for his final spot of shopping on this trip. | 0:47:30 | 0:47:32 | |
Hello. | 0:47:36 | 0:47:37 | |
-Hello! -Hello. James. -Pleased to meet you. -Good to meet you. -Heather. | 0:47:37 | 0:47:41 | |
Heather. Good to meet you, Heather. | 0:47:41 | 0:47:44 | |
Dealing in all things antique, vintage and retro, | 0:47:44 | 0:47:47 | |
there's lots here for James to peruse. | 0:47:47 | 0:47:50 | |
WHISTLE BLOWS WEAKLY | 0:47:53 | 0:47:56 | |
We don't know what this is. | 0:47:56 | 0:47:58 | |
Or how old. | 0:48:01 | 0:48:02 | |
Yeah, nice uniform, that, isn't it? | 0:48:02 | 0:48:04 | |
We've just come by it. | 0:48:04 | 0:48:06 | |
-Well, it looks good. It's got some nice buttons. -Mm. Mm. | 0:48:06 | 0:48:11 | |
All works. I can't... | 0:48:11 | 0:48:12 | |
Let's just see what the buttons... | 0:48:12 | 0:48:14 | |
Whether there's any clues in the buttons, shall we? | 0:48:14 | 0:48:17 | |
Yeah. | 0:48:21 | 0:48:22 | |
Very interesting, isn't it? | 0:48:24 | 0:48:25 | |
It is. | 0:48:25 | 0:48:26 | |
Looks like a pre-World War I Scottish military jacket, | 0:48:26 | 0:48:30 | |
also known as a full dress doublet. | 0:48:30 | 0:48:33 | |
How much does that owe you? | 0:48:33 | 0:48:34 | |
-Does it owe you big money? -No, not at all. | 0:48:34 | 0:48:37 | |
How about I gave you 35 for it? | 0:48:37 | 0:48:39 | |
-Make it 40. -Make it 40, you've got yourself a deal. -Deal. | 0:48:40 | 0:48:44 | |
Well, if it makes thousands, just remember us, won't you? | 0:48:44 | 0:48:47 | |
-Of course I will. -Here at Berwick. -Course I will. | 0:48:47 | 0:48:49 | |
THEY CHUCKLE | 0:48:49 | 0:48:51 | |
That final spend brings shopping to an end on this road trip. | 0:48:52 | 0:48:57 | |
James will add the dress doublet to his other five lots. | 0:48:57 | 0:49:01 | |
The 1950s tea-maker... | 0:49:01 | 0:49:03 | |
The silver man with the stick... | 0:49:03 | 0:49:06 | |
The 1920s silver flapper's bag... | 0:49:06 | 0:49:08 | |
The engraved silver vesta case... | 0:49:08 | 0:49:11 | |
And the George III silver punch ladle. | 0:49:11 | 0:49:14 | |
Charles, meanwhile, has a total of five items to take to auction. | 0:49:14 | 0:49:19 | |
The porcelain spaniel ornament... | 0:49:19 | 0:49:21 | |
The early 19th-century brass telescope... | 0:49:21 | 0:49:24 | |
The Victorian rosewood concertina... | 0:49:24 | 0:49:27 | |
And his two enamel signs, | 0:49:27 | 0:49:29 | |
one from the 1950s and the other from the 1930s. | 0:49:29 | 0:49:33 | |
So, what do they reckon to each other's lots? | 0:49:33 | 0:49:37 | |
Charles's concertina, it came in a rather nice box, | 0:49:37 | 0:49:40 | |
but the concertina was a bit disappointing. | 0:49:40 | 0:49:42 | |
Not great condition. He paid £50 for it. | 0:49:42 | 0:49:46 | |
I would have run away from it. | 0:49:46 | 0:49:48 | |
I think the sleeper that might march on, | 0:49:48 | 0:49:51 | |
that might just be a battle I don't come out of fairly, | 0:49:51 | 0:49:56 | |
is that uniform, | 0:49:56 | 0:49:57 | |
and that uniform could just take James over the hill | 0:49:57 | 0:50:01 | |
and he'll march me down. | 0:50:01 | 0:50:03 | |
Well, battle will soon be under way. | 0:50:04 | 0:50:07 | |
After beginning in Dunbar, | 0:50:07 | 0:50:08 | |
our experts are back together, | 0:50:08 | 0:50:10 | |
making their way to auction | 0:50:10 | 0:50:11 | |
in Berwick-upon-Tweed. | 0:50:11 | 0:50:13 | |
-It's been great, James, I've really enjoyed it. -I've enjoyed it. | 0:50:16 | 0:50:18 | |
-And I've got a little memento for you, Charles. -Oh. | 0:50:18 | 0:50:21 | |
-A little... A little bit of tartan for you. -Oh, James! | 0:50:21 | 0:50:24 | |
Now, you just stay there. | 0:50:24 | 0:50:26 | |
It's something near to your heart, | 0:50:26 | 0:50:27 | |
-because you're well-known for your waistcoats. -I am. | 0:50:27 | 0:50:30 | |
-Look at that. -I love that, James. | 0:50:30 | 0:50:32 | |
-And that, you know... -Look at that. -That is royal tartan. | 0:50:32 | 0:50:34 | |
I almost feel King of the Road Trip. | 0:50:34 | 0:50:37 | |
-My only concern is, it's just a bit small. -No, no. | 0:50:37 | 0:50:40 | |
-I think it's going to fit you, I hope. -Yeah. | 0:50:40 | 0:50:42 | |
Well, we'll soon see, | 0:50:42 | 0:50:44 | |
as the boys have arrived at Berwick auction centre. | 0:50:44 | 0:50:47 | |
Here we are, chief. | 0:50:47 | 0:50:50 | |
Here we are. | 0:50:50 | 0:50:51 | |
The gentleman with the gavel in hand today is Stephen Lonsdale. | 0:50:54 | 0:50:59 | |
So, what does he think about our experts' lots? | 0:51:00 | 0:51:03 | |
The punch ladle's a nice piece. Silver can be very surprising. | 0:51:04 | 0:51:07 | |
I said about £40 to £60. Could be more. | 0:51:07 | 0:51:10 | |
The spaniel, there's a lot of damage to it, | 0:51:10 | 0:51:12 | |
but I believe it's quite rare. | 0:51:12 | 0:51:14 | |
I've not seen many of them... | 0:51:14 | 0:51:16 | |
£40 to £60. But, again, with these things, | 0:51:16 | 0:51:20 | |
with collectors on the internet, | 0:51:20 | 0:51:21 | |
you know, if it's wanted it could go for anything. | 0:51:21 | 0:51:24 | |
Time will soon tell, as the room's filling up, | 0:51:24 | 0:51:26 | |
and our experts are about to face their final auction. | 0:51:26 | 0:51:29 | |
Morning. | 0:51:29 | 0:51:31 | |
-Settle in. -Today's the day. Our last sale, James. -Last sale. | 0:51:31 | 0:51:34 | |
-What a journey we've had. -Ahhh! -And it ends here. | 0:51:34 | 0:51:37 | |
Kicking things off is James's 1950s tea-maker. | 0:51:39 | 0:51:43 | |
£10 we have, thank you. £10. | 0:51:43 | 0:51:45 | |
£12 anywhere? | 0:51:45 | 0:51:47 | |
12. 14? | 0:51:47 | 0:51:48 | |
-16. -Oh, well done. | 0:51:48 | 0:51:50 | |
-18. -Well done, chief. | 0:51:50 | 0:51:51 | |
20. 22. | 0:51:51 | 0:51:53 | |
-I wasn't expecting this. -£20 we have at the front. | 0:51:53 | 0:51:56 | |
-Well done, chief, profit. -Are we all done at £20? | 0:51:56 | 0:51:58 | |
-Well done, chief. -We're not quite there. | 0:51:58 | 0:52:00 | |
-GAVEL BANGS -Well done! | 0:52:00 | 0:52:02 | |
-Well done. -Well done, very kind. | 0:52:02 | 0:52:04 | |
Not the best of starts for James. | 0:52:04 | 0:52:06 | |
But it's only the beginning. | 0:52:06 | 0:52:08 | |
-It's a good sign. -Yes. Good sign for you. | 0:52:08 | 0:52:11 | |
Well, we'll soon find out, | 0:52:11 | 0:52:12 | |
as it's Charles's Victorian squeeze-box coming up next. | 0:52:12 | 0:52:16 | |
We have £30 in the back of the room. | 0:52:16 | 0:52:18 | |
-Come on. -35 anywhere? -It's a really nice object. -Too much. | 0:52:18 | 0:52:21 | |
-40? -Far too much. -40 at the back. -Come on. | 0:52:21 | 0:52:23 | |
45. 50? | 0:52:23 | 0:52:25 | |
-50 at the back of the room. -Come on. One more. | 0:52:25 | 0:52:27 | |
£50 in the back of the room. Are we all done, internet? | 0:52:27 | 0:52:29 | |
Are you finished? £50. | 0:52:29 | 0:52:31 | |
-Everybody done? -GAVEL BANGS | 0:52:31 | 0:52:33 | |
That is a squeeze. Not quite the result that Charles was hoping for. | 0:52:33 | 0:52:37 | |
That's OK. I've broken even. | 0:52:37 | 0:52:39 | |
Time now for the first of James's silver lots, | 0:52:40 | 0:52:42 | |
his George III punch ladle. | 0:52:42 | 0:52:45 | |
30. | 0:52:45 | 0:52:46 | |
£30 we have. 35 anywhere? | 0:52:46 | 0:52:48 | |
-Profit. -35. 40? | 0:52:48 | 0:52:50 | |
£40 we have. 45? | 0:52:50 | 0:52:52 | |
-50? -Oh! -55? | 0:52:52 | 0:52:55 | |
-£50 we have. 55 anywhere? -Oh! | 0:52:55 | 0:52:57 | |
-We'll sell at 50. All done at 50? -GAVEL BANGS | 0:52:57 | 0:52:59 | |
That's great. That's a £20 profit. | 0:52:59 | 0:53:02 | |
It is indeed. Great stuff. | 0:53:02 | 0:53:04 | |
That's a sign... | 0:53:04 | 0:53:05 | |
of things to come. | 0:53:05 | 0:53:06 | |
Lashings of profits. | 0:53:06 | 0:53:08 | |
We can but hope. | 0:53:08 | 0:53:10 | |
It's the turn of Charles's brass telescope now. | 0:53:10 | 0:53:13 | |
35. | 0:53:13 | 0:53:15 | |
-Hello! -30? -Help! -£30 we have. | 0:53:15 | 0:53:19 | |
£30 at the back was first. 35 anywhere? | 0:53:19 | 0:53:22 | |
35. 40? | 0:53:22 | 0:53:24 | |
45. | 0:53:24 | 0:53:25 | |
50. | 0:53:25 | 0:53:26 | |
55. 60? | 0:53:26 | 0:53:28 | |
-Yes, here. Here. -£60 we have. | 0:53:28 | 0:53:31 | |
All done at 60? | 0:53:31 | 0:53:33 | |
Thank you. | 0:53:33 | 0:53:34 | |
LAUGHTER | 0:53:34 | 0:53:36 | |
Thank you! | 0:53:36 | 0:53:37 | |
Give us a... Oh, sorry! Sorry. "Get out of here," she says. | 0:53:37 | 0:53:40 | |
Oh, Charles! Fantastic profit there, with kisses thrown in for free. | 0:53:40 | 0:53:45 | |
-Put it there. -I bet you can't even see out of the thing. | 0:53:45 | 0:53:49 | |
No point in being bitter, James. | 0:53:49 | 0:53:51 | |
Next up, it's your Sampson Mordan vesta case. | 0:53:51 | 0:53:54 | |
15 we have. 16. | 0:53:54 | 0:53:55 | |
-18. -Come on, James. -20. | 0:53:55 | 0:53:57 | |
22. 24. | 0:53:57 | 0:54:00 | |
-Come on. -Keep moving. -26. -I shouldn't say, "Come on." -28. | 0:54:00 | 0:54:03 | |
30. 32. 34. | 0:54:03 | 0:54:05 | |
£32, we're done. | 0:54:05 | 0:54:07 | |
We'll sell at £32... | 0:54:07 | 0:54:09 | |
And you've got yourself a profit. Well done. | 0:54:09 | 0:54:12 | |
Is the internet working? | 0:54:12 | 0:54:14 | |
Right, time for Charles's 1950s enamel sign. | 0:54:16 | 0:54:20 | |
£40. Any bids at 40? | 0:54:20 | 0:54:21 | |
£40 we have. 45 anywhere? | 0:54:21 | 0:54:24 | |
-45. 50. -Come on. | 0:54:24 | 0:54:25 | |
55. 60? | 0:54:25 | 0:54:27 | |
60 at the side of the room. | 0:54:27 | 0:54:29 | |
-Are we all done at 60? -No more. -I like chocolate. | 0:54:29 | 0:54:31 | |
-No. -GAVEL BANGS | 0:54:31 | 0:54:33 | |
Charles's first sign has earned him a profit. | 0:54:33 | 0:54:35 | |
-Give me a high five. -Oh, no. -High five. -No. No. | 0:54:36 | 0:54:39 | |
-No. -Give me a Glasgow kiss. -No. | 0:54:39 | 0:54:42 | |
Suitably buttoned up, James is up again. | 0:54:42 | 0:54:45 | |
It's his dress doublet. | 0:54:45 | 0:54:47 | |
25. | 0:54:47 | 0:54:48 | |
-25 we have at the back of the room. -Oh, well done. | 0:54:48 | 0:54:50 | |
30. 35. | 0:54:50 | 0:54:52 | |
40. 45. | 0:54:52 | 0:54:54 | |
50. | 0:54:54 | 0:54:56 | |
55? | 0:54:56 | 0:54:57 | |
55 at the back. 60. | 0:54:57 | 0:54:59 | |
65. | 0:54:59 | 0:55:01 | |
-£60 we have at the side. -Sell it. -Come on, the internet. | 0:55:01 | 0:55:04 | |
-£60. -GAVEL BANGS | 0:55:04 | 0:55:06 | |
Another nice little profit for James. | 0:55:06 | 0:55:09 | |
-It's made you £20. -£20. -That's good. | 0:55:09 | 0:55:11 | |
Another of James's silver lots now. | 0:55:13 | 0:55:15 | |
Can this little man make him a profit? | 0:55:15 | 0:55:18 | |
20? £20 we have. 25. | 0:55:18 | 0:55:20 | |
-30. -There are hands there. -Profit. | 0:55:20 | 0:55:22 | |
25. 30. | 0:55:22 | 0:55:23 | |
35. 40? | 0:55:23 | 0:55:25 | |
45. | 0:55:25 | 0:55:27 | |
-50? -Go on. -Slow down. -Go on. -Slow down. -£45. | 0:55:27 | 0:55:30 | |
£45. Are we all done at £45? | 0:55:30 | 0:55:34 | |
A pretty profit there for James. | 0:55:34 | 0:55:36 | |
Well done, chief. | 0:55:36 | 0:55:37 | |
That's good. | 0:55:37 | 0:55:39 | |
James is up again, and it's his final lot. | 0:55:39 | 0:55:42 | |
The 1920s ladies' evening bag. | 0:55:42 | 0:55:45 | |
25 we have on the stairs. | 0:55:45 | 0:55:46 | |
30. 35. | 0:55:46 | 0:55:48 | |
-Keep going. -40? | 0:55:48 | 0:55:50 | |
-40. 45? -Go on. | 0:55:50 | 0:55:52 | |
40 on the internet. Looking for 45. | 0:55:52 | 0:55:55 | |
50. £50 we have on the internet. | 0:55:55 | 0:55:57 | |
-We'll sell at £50. -GAVEL BANGS | 0:55:57 | 0:55:59 | |
James ends on a high, with a profit. | 0:55:59 | 0:56:02 | |
-Why aren't you wearing your waistcoat? -It's a bit small on me. | 0:56:02 | 0:56:05 | |
-Go on, I'll put it on, then. -Go on, put it on. -Our last... | 0:56:05 | 0:56:08 | |
I'll put my Scottish... My royal tartan on. | 0:56:08 | 0:56:12 | |
Let's hope it brings you luck. | 0:56:12 | 0:56:14 | |
Your second enamel sign is next to go. | 0:56:14 | 0:56:17 | |
-50. -Come on. | 0:56:17 | 0:56:19 | |
-£50 we have. 55 anywhere? -Come on, let's move it. | 0:56:19 | 0:56:22 | |
55. 60? | 0:56:22 | 0:56:23 | |
-You going 60? £60. -I wouldn't do it. -Come on, it's a lovely sign. | 0:56:25 | 0:56:28 | |
70. 75. | 0:56:28 | 0:56:30 | |
-How much did it cost you? -Hold tight, hold tight. | 0:56:30 | 0:56:33 | |
80 there. Are we all done at £80? | 0:56:33 | 0:56:35 | |
-We'll sell at 80. -GAVEL BANGS | 0:56:35 | 0:56:37 | |
Charles is quids in again. | 0:56:37 | 0:56:39 | |
-It cost me 50... -Well done. | 0:56:39 | 0:56:41 | |
-Made me 80... -Well done. | 0:56:41 | 0:56:42 | |
And I can keep this on, James, because I'm proud. | 0:56:42 | 0:56:45 | |
-You're a winner. You're a winner. -Get out of here. | 0:56:45 | 0:56:47 | |
Time for the final lot of the day, and of this road trip. | 0:56:47 | 0:56:51 | |
It's Charles's porcelain pooch. | 0:56:51 | 0:56:54 | |
12 we have. 14. | 0:56:54 | 0:56:55 | |
-Such an early object. -16. 18. | 0:56:55 | 0:56:58 | |
-20. 22. -It's so early. | 0:56:58 | 0:56:59 | |
24. | 0:56:59 | 0:57:01 | |
26. 28. | 0:57:01 | 0:57:03 | |
30. | 0:57:03 | 0:57:04 | |
32. 34. | 0:57:04 | 0:57:07 | |
36. | 0:57:07 | 0:57:08 | |
Any more bids? 34. | 0:57:08 | 0:57:10 | |
-Ruff, ruff! -34. -Are we all done at £34? | 0:57:10 | 0:57:12 | |
-Yeah, I think we're done. -Thank you. -Put it down! | 0:57:12 | 0:57:14 | |
GAVEL BANGS | 0:57:14 | 0:57:16 | |
So, Charles finishes with a fantastic profit, too. | 0:57:16 | 0:57:20 | |
Hurrah! | 0:57:20 | 0:57:22 | |
Right, let's see who's come out on top. | 0:57:22 | 0:57:25 | |
James started this leg with £337.02. | 0:57:25 | 0:57:30 | |
Putting in a profit of £35.74 after auction costs | 0:57:30 | 0:57:35 | |
means he finishes this trip with a marvellous £372.76. | 0:57:35 | 0:57:42 | |
Charles began with a huge £505.04. | 0:57:44 | 0:57:48 | |
He, too, made a profit, of £77.88 after auction costs, | 0:57:48 | 0:57:53 | |
which means he's crowned King of the Road Trip | 0:57:53 | 0:57:57 | |
as he romps home with a fantastic £582.92. | 0:57:57 | 0:58:02 | |
All profits go to Children In Need. | 0:58:02 | 0:58:05 | |
-Well done. -I think it's well done for a great week. | 0:58:05 | 0:58:08 | |
Isn't it? It's well done to a wonderful week. | 0:58:08 | 0:58:11 | |
-Our chariot has borne us. -Exactly. -Goodbye, Berwick-upon-Tweed. | 0:58:11 | 0:58:15 | |
And don't forget, James, | 0:58:15 | 0:58:16 | |
the sunshine will always shine on the chosen two. | 0:58:16 | 0:58:19 | |
-I know. -And that's you and I. -That's us. | 0:58:19 | 0:58:21 | |
Thanks for the memories, mate. | 0:58:21 | 0:58:23 | |
I shall drive us now into the sunset, bon voyage, a la Scotland. | 0:58:23 | 0:58:27 | |
-Handbrake. Handbrake. -Sorry. | 0:58:27 | 0:58:29 | |
Get it in first. | 0:58:29 | 0:58:31 | |
-That's it. -Oh, Charles! | 0:58:31 | 0:58:33 |