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It's the nation's favourite antiques experts... | 0:00:02 | 0:00:04 | |
GONG ECHOES | 0:00:04 | 0:00:05 | |
That's cracking! | 0:00:05 | 0:00:06 | |
-..with £200 each... -Wonderful. | 0:00:06 | 0:00:07 | |
..a classic car, and a goal - to scour Britain for antiques. | 0:00:07 | 0:00:11 | |
That's exactly what I'm talking about! | 0:00:11 | 0:00:13 | |
I'm all over a-shiver. | 0:00:13 | 0:00:14 | |
The aim? To make the biggest profit at auction. | 0:00:14 | 0:00:16 | |
But it's no mean feat. | 0:00:16 | 0:00:18 | |
-No-brainer. -Going, going, gone. | 0:00:18 | 0:00:20 | |
There'll be worthy winners and valiant losers. | 0:00:20 | 0:00:23 | |
So, will it be the high road to glory? | 0:00:23 | 0:00:25 | |
Push! | 0:00:25 | 0:00:26 | |
Or the slow road to disaster? HE GRUNTS | 0:00:26 | 0:00:28 | |
How awfully, awfully nice. | 0:00:28 | 0:00:30 | |
This is Antiques Road Trip. | 0:00:30 | 0:00:31 | |
Yeah! | 0:00:34 | 0:00:35 | |
Well, ho-ho! It's a brand-new Road Trip | 0:00:37 | 0:00:40 | |
for two fine antiques experts, | 0:00:40 | 0:00:41 | |
Catherine Southon and Philip Serrell. | 0:00:41 | 0:00:44 | |
You're looking very glamorous today. | 0:00:44 | 0:00:46 | |
-Am I? -Yeah. -Why are you being so nice to me? | 0:00:46 | 0:00:48 | |
-Because I love you and I haven't seen you for so long. -Aww! | 0:00:48 | 0:00:52 | |
Isn't he sweet? | 0:00:52 | 0:00:54 | |
When she's not road tripping, Catherine's a veteran auctioneer. | 0:00:54 | 0:00:57 | |
Mountains of cash. | 0:00:57 | 0:00:58 | |
Auctioneer Philip is also no stranger to the Antiques Road Trip. | 0:01:00 | 0:01:03 | |
I do like lumps of stone. | 0:01:03 | 0:01:05 | |
Lovely. Each of our experts has £200 in their pocket. | 0:01:05 | 0:01:08 | |
They're gliding around the country | 0:01:08 | 0:01:10 | |
in this very French left-hand drive 1970s Citroen DS 20. | 0:01:10 | 0:01:15 | |
-I have a beret. -Yeah. -I could put a nice little beret on you. | 0:01:15 | 0:01:17 | |
-We should be going, "Hee-haw, hee-haw, hee-haw!" -Ah-ha! | 0:01:17 | 0:01:20 | |
THEY CHUCKLE IN FRENCH ACCENTS | 0:01:20 | 0:01:21 | |
This pair's road trip kicks off in Coleshill in Warwickshire, | 0:01:22 | 0:01:26 | |
meanders around the Midlands, | 0:01:26 | 0:01:27 | |
before heading due south | 0:01:27 | 0:01:29 | |
to the tip of Cornwall. | 0:01:29 | 0:01:30 | |
Then, nips briefly into South Wales and finishes up | 0:01:30 | 0:01:33 | |
for an auction in Wells, Somerset. | 0:01:33 | 0:01:35 | |
Today, our experts are in Coleshill | 0:01:35 | 0:01:37 | |
and they'll end up at auction | 0:01:37 | 0:01:39 | |
in Salisbury, Wiltshire - lovely. | 0:01:39 | 0:01:42 | |
Catherine's first stop is here - | 0:01:42 | 0:01:44 | |
But, hang on. What this? | 0:01:44 | 0:01:45 | |
Wool! | 0:01:45 | 0:01:47 | |
Am I in the right place? | 0:01:47 | 0:01:49 | |
You certainly are. Most definitely. | 0:01:49 | 0:01:50 | |
-Catherine - you are...? -Pleased to meet you. | 0:01:50 | 0:01:52 | |
I'm Kim, welcome to Remember When? | 0:01:52 | 0:01:54 | |
-This is...different from the norm. -It is. Antiques is my profession. | 0:01:54 | 0:01:59 | |
The wool is my hobby. And we decided to combine the two. | 0:01:59 | 0:02:03 | |
Well, I'm going to give this a go, then, the antiques. | 0:02:03 | 0:02:05 | |
But if I don't find anything, I'm going to come back | 0:02:05 | 0:02:07 | |
and I'm going to buy lots of chunky wool. | 0:02:07 | 0:02:09 | |
-Yes, that's fine. -And knit myself a blanket to wear in the car. | 0:02:09 | 0:02:12 | |
Oh, look at the wool. This is fabulous! | 0:02:12 | 0:02:14 | |
Come on, Catherine. You're here for antiques. | 0:02:14 | 0:02:17 | |
I'm going to restrain. | 0:02:17 | 0:02:18 | |
-I'm going to look at the antiques. -OK. | 0:02:18 | 0:02:19 | |
Good job. Meanwhile, Philip has made his way | 0:02:19 | 0:02:22 | |
to the Moseley area of Birmingham for his first shop of the day, | 0:02:22 | 0:02:26 | |
which is run by a nice chap called Maurice. | 0:02:26 | 0:02:28 | |
Maurice, how are you? | 0:02:28 | 0:02:30 | |
I'm fine, thank you. How are you? | 0:02:30 | 0:02:31 | |
-Yeah, really lovely to be here. -Yeah. | 0:02:31 | 0:02:33 | |
-I'm looking for something very, very specific. -OK. | 0:02:33 | 0:02:36 | |
What I'm looking for is a really large...profit. | 0:02:36 | 0:02:40 | |
Better get on with it, then. | 0:02:40 | 0:02:41 | |
# You ain't nothing but a hound dog! # | 0:02:41 | 0:02:43 | |
-MIMICS ELVIS PRESLEY: -Ladies and gentlemen, thank you very much. | 0:02:43 | 0:02:46 | |
Hey, a little less conversation, Philip! | 0:02:46 | 0:02:48 | |
Get back to the job in hand. | 0:02:48 | 0:02:49 | |
Now that is just ridiculous, isn't it? Utterly ridiculous. | 0:02:49 | 0:02:52 | |
What's up, Philip? | 0:02:52 | 0:02:54 | |
This piece of 1950s industrial metalware... | 0:02:54 | 0:02:59 | |
Bang-on, yeah. | 0:02:59 | 0:03:00 | |
..is now worth more than a Victorian mahogany chest of drawers. | 0:03:00 | 0:03:03 | |
-Absolutely. -The world's gone mad. | 0:03:03 | 0:03:05 | |
That's a cool thing, but I'm not sure it would be sensible | 0:03:05 | 0:03:08 | |
to buy that here and take it to a country auction. | 0:03:08 | 0:03:09 | |
HE BANGS METAL | 0:03:09 | 0:03:11 | |
-That wants to go to London, doesn't it? -You're the expert, Phil. | 0:03:11 | 0:03:13 | |
-What did you just call me? -An expert. | 0:03:13 | 0:03:15 | |
Don't you start using that sort of language, Maurice. | 0:03:15 | 0:03:17 | |
-What I want to ask you, Maurice... -Yep? | 0:03:17 | 0:03:19 | |
-..these stoneware barrels... -Yep. | 0:03:19 | 0:03:20 | |
-How much are they? -Well, that one's 35 and the top one's 25. | 0:03:20 | 0:03:24 | |
-That's 35, is it? -Yeah. | 0:03:24 | 0:03:27 | |
OK, so there's a possibility there, isn't there? | 0:03:27 | 0:03:30 | |
We'll keep it as a possibility. | 0:03:30 | 0:03:31 | |
What we need to do is convert possibilities into probabilities. | 0:03:31 | 0:03:34 | |
Absolutely. | 0:03:34 | 0:03:35 | |
Back in Coleshill, Catherine's finally found the antiques. | 0:03:35 | 0:03:39 | |
-I do like your little ladies' RAF compact. -Yes. | 0:03:39 | 0:03:43 | |
And then I also spotted, down there, another compact. | 0:03:43 | 0:03:46 | |
Right, OK, the large one. | 0:03:46 | 0:03:47 | |
Compacts are collectable. | 0:03:47 | 0:03:49 | |
It's nice to have that RAF emblem on it, which is super. | 0:03:49 | 0:03:52 | |
Ticket price, 18 smackers. | 0:03:52 | 0:03:55 | |
-Oh, it's made by Stratton. -Mm. | 0:03:55 | 0:03:57 | |
-It's a common name. -Yes, it is. -As you know. | 0:03:57 | 0:03:59 | |
It's ones that you find all day long. | 0:03:59 | 0:04:02 | |
OK, that is a possibility, along with that one. | 0:04:02 | 0:04:05 | |
-May I have a look at that one? -You certainly can. | 0:04:05 | 0:04:07 | |
Kim's priced the second compact at £36. | 0:04:07 | 0:04:10 | |
"Vogue". You've put "vogue". Why? Is it actually stamped...? | 0:04:10 | 0:04:13 | |
It is marked. | 0:04:13 | 0:04:14 | |
What have you put this out as, '40s? | 0:04:14 | 0:04:17 | |
I think it's 1948. I've actually done some research on it. | 0:04:17 | 0:04:21 | |
Cos it is in remarkably good condition for being... | 0:04:21 | 0:04:24 | |
It's in a very good condition. | 0:04:24 | 0:04:26 | |
..'40s, isn't it? May I put these two aside? | 0:04:26 | 0:04:28 | |
-You certainly can. -I don't know if you would perhaps do a little... | 0:04:28 | 0:04:31 | |
-..something on those? -Oh... -We won't talk money yet. | 0:04:33 | 0:04:35 | |
I'm sure we can do something, Catherine. I'm sure we can. | 0:04:35 | 0:04:38 | |
Kim, you and I are going to get on very well. | 0:04:38 | 0:04:41 | |
I'm also looking at these. | 0:04:41 | 0:04:42 | |
The amber beads, yep. | 0:04:42 | 0:04:43 | |
-The thing is, you've got to be so careful with amber... -Yes. | 0:04:45 | 0:04:47 | |
..as to whether it really is amber. | 0:04:47 | 0:04:49 | |
-There's so many different ways that you can tell. -Of course. | 0:04:49 | 0:04:51 | |
I often find the only way to really tell | 0:04:51 | 0:04:54 | |
is to get a pin and just touch it. | 0:04:54 | 0:04:58 | |
And if bits start coming off, then it is amber. | 0:04:58 | 0:05:00 | |
Careful, all breakages must be paid for. | 0:05:00 | 0:05:03 | |
-Ooh, you've got a pin? -I have a pin. | 0:05:03 | 0:05:05 | |
-Let me see. You don't mind me doing this? -No. Of course not. | 0:05:05 | 0:05:07 | |
-You have to check, cos otherwise I could be doing... -I know. | 0:05:07 | 0:05:11 | |
So, if we just prick that into there | 0:05:11 | 0:05:13 | |
and you can see, instantly, it fragments. | 0:05:13 | 0:05:16 | |
I think we can safely say that they are amber. | 0:05:16 | 0:05:19 | |
They do look a little bit...slightly worse for wear. | 0:05:19 | 0:05:22 | |
65, you've got quite a lot on that, though, haven't you? | 0:05:22 | 0:05:26 | |
-OK. Can I put those to one side as well? -Yes, you can. | 0:05:26 | 0:05:29 | |
-I'm going to give you the whole shop to hold in a minute. -It's all right. | 0:05:29 | 0:05:32 | |
This is good, for me. I've only been in the shop a few minutes. | 0:05:32 | 0:05:35 | |
I've picked out three things. | 0:05:35 | 0:05:36 | |
You're so decisive, Catherine! | 0:05:36 | 0:05:37 | |
Over in Moseley, though, | 0:05:37 | 0:05:38 | |
Philip's still taken by the stoneware barrels. | 0:05:38 | 0:05:40 | |
NORTHERN ACCENT: Ooh, he does love a barrel! | 0:05:40 | 0:05:42 | |
What I want to look for...is I just want to see | 0:05:42 | 0:05:45 | |
if there's any cracks in it. | 0:05:45 | 0:05:47 | |
This is salt-glazed stoneware. | 0:05:47 | 0:05:49 | |
And I quite like this. | 0:05:51 | 0:05:53 | |
This is going to date to about...1880, 1900. | 0:05:53 | 0:05:57 | |
Just a little bit before my time. | 0:05:58 | 0:05:59 | |
Just a tad. | 0:05:59 | 0:06:01 | |
This would have been a spirit barrel in a pub or something like that. | 0:06:01 | 0:06:04 | |
He sounds keen. Stand by, Maurice. | 0:06:04 | 0:06:06 | |
-I like that one barrel upstairs, the big one. -OK. | 0:06:06 | 0:06:09 | |
That was the 35 quidder. | 0:06:09 | 0:06:12 | |
I'll be truthful with you, it's been here a while. | 0:06:12 | 0:06:14 | |
25 was... £20, that's it, finished. End of deal. | 0:06:14 | 0:06:18 | |
I always said you were one of the finest blokes, Maurice. | 0:06:19 | 0:06:22 | |
Haven't I always said that? I've always said that. | 0:06:22 | 0:06:24 | |
Oh, yes. Flattery gets you everywhere. | 0:06:24 | 0:06:26 | |
£20 seals Phil's first deal. | 0:06:26 | 0:06:27 | |
-Go on, I'll have the big one. -You've actually made me cry. | 0:06:27 | 0:06:30 | |
Oh, God, Maurice! Don't start! | 0:06:30 | 0:06:32 | |
-Well, let's see if we can find something else first. -OK. | 0:06:32 | 0:06:34 | |
I'd better pay... Shall I pay you for that first? | 0:06:34 | 0:06:36 | |
-If you want to. -Hold on, mate. | 0:06:36 | 0:06:38 | |
You might forget, you see? | 0:06:38 | 0:06:39 | |
Maurice has got the measure of you. | 0:06:39 | 0:06:41 | |
Thank you. | 0:06:41 | 0:06:43 | |
One deal done, but Maurice knows Philip likes a bit of rust | 0:06:43 | 0:06:46 | |
and there's a potential sale to be had in his workshop. | 0:06:46 | 0:06:48 | |
Maurice, is that one of those, like what we saw upstairs? | 0:06:48 | 0:06:51 | |
It is, but it's in the unfinished state. | 0:06:51 | 0:06:53 | |
PHIL BANGS METAL | 0:06:53 | 0:06:54 | |
It turns into a lovely piece of furniture | 0:06:54 | 0:06:56 | |
-in the end, doesn't it, really? -Yeah. | 0:06:56 | 0:06:58 | |
For me, as it stands, it's 20 quid. | 0:06:58 | 0:07:00 | |
METAL CLANGS | 0:07:00 | 0:07:02 | |
-Ooh, 20 quid, you're making me cry. -Yeah. | 0:07:02 | 0:07:05 | |
That will be the finish for me as well. | 0:07:05 | 0:07:07 | |
I tell you what, you can take it away for 20 quid. | 0:07:07 | 0:07:10 | |
-You're a star. Thank you very much indeed, Maurice. -And you. | 0:07:10 | 0:07:12 | |
There you are. Let me give you some money. | 0:07:12 | 0:07:14 | |
-You can give me more, if you like. -No, no, no. | 0:07:14 | 0:07:16 | |
I think that's just lovely. | 0:07:16 | 0:07:18 | |
The thing is... | 0:07:18 | 0:07:20 | |
..is Salisbury ready...for a rusting tin cabinet? | 0:07:22 | 0:07:25 | |
Oh-ho-ho! We'll soon find out! | 0:07:25 | 0:07:27 | |
-You take care, thanks very much. -Please call again. -Bye-bye. | 0:07:27 | 0:07:30 | |
See you again, bye. | 0:07:30 | 0:07:31 | |
Down the road in Coleshill, | 0:07:34 | 0:07:35 | |
Catherine is still looking through Kim's cabinets. | 0:07:35 | 0:07:38 | |
I didn't know whether you might be interested | 0:07:38 | 0:07:40 | |
in the miniature dominoes set in the little mahogany box? | 0:07:40 | 0:07:44 | |
Do you know what? I did see that. | 0:07:44 | 0:07:45 | |
Is it bone or is it ivory? | 0:07:45 | 0:07:47 | |
I believe it's bone. | 0:07:47 | 0:07:49 | |
-Right, OK. -I don't think it's ivory. | 0:07:49 | 0:07:51 | |
-May I have a little quick look? -You can. | 0:07:51 | 0:07:53 | |
Ticket price, £32. | 0:07:53 | 0:07:55 | |
-These are complete, aren't they? -Yes, they are. -OK. | 0:07:55 | 0:07:58 | |
-They're impossible to get out. -KIM LAUGHS | 0:07:58 | 0:08:00 | |
You need the little tiny fingers to go with it. | 0:08:00 | 0:08:02 | |
If they're bone, you normally get these lots of little flecks, | 0:08:02 | 0:08:05 | |
-so you can see... -Mm-hm. | 0:08:05 | 0:08:07 | |
But I'm not sure that they are bone, you know. | 0:08:07 | 0:08:09 | |
I think they might be ivory. | 0:08:09 | 0:08:11 | |
Today, the trade in ivory is illegal. | 0:08:11 | 0:08:14 | |
However, items can be bought and sold as long as they predate 1947. | 0:08:14 | 0:08:18 | |
These dominoes were made sometime in the early 1900s. | 0:08:18 | 0:08:21 | |
Catherine's got quite a collection now, what to do? | 0:08:21 | 0:08:25 | |
Can we have a little...chatette about these pieces? | 0:08:25 | 0:08:29 | |
We've got £18 for that one | 0:08:29 | 0:08:32 | |
and 36 for that. | 0:08:32 | 0:08:34 | |
So, what could you do on those, Kim? What do you think? | 0:08:34 | 0:08:36 | |
45? | 0:08:36 | 0:08:38 | |
In an ideal world, I'd like to tuck it a little bit under 40. | 0:08:38 | 0:08:41 | |
Right, OK. 38. | 0:08:41 | 0:08:43 | |
-OK, 38. -If that helps you. | 0:08:43 | 0:08:45 | |
And the dominoes set? | 0:08:45 | 0:08:47 | |
Erm, that's a nice piece. | 0:08:47 | 0:08:49 | |
25. | 0:08:49 | 0:08:51 | |
25 on those, OK. | 0:08:51 | 0:08:54 | |
And what about the amber? | 0:08:54 | 0:08:56 | |
See, I think I'd like to go quite low on those. | 0:08:56 | 0:08:58 | |
-What do you think is reasonable? -40. | 0:08:58 | 0:09:02 | |
I don't have a problem with those. | 0:09:02 | 0:09:04 | |
That's the only thing I would prefer... | 0:09:04 | 0:09:06 | |
If you can't do it, don't worry. | 0:09:07 | 0:09:09 | |
What about 35? | 0:09:09 | 0:09:11 | |
-Yeah, I think we'll give a go on those, shall we? -OK, yeah. | 0:09:11 | 0:09:13 | |
And I have no idea what that's added up to. | 0:09:13 | 0:09:16 | |
It is... | 0:09:16 | 0:09:18 | |
£98. | 0:09:18 | 0:09:19 | |
God, you're good at this. | 0:09:19 | 0:09:20 | |
-Thank you very much. Thank you. -You're very welcome. | 0:09:20 | 0:09:23 | |
Kind Kim has agreed to a £53 discount, | 0:09:23 | 0:09:26 | |
giving Catherine her first three lots for auction. | 0:09:26 | 0:09:29 | |
Philip is on his way to the centre of Birmingham | 0:09:31 | 0:09:33 | |
to find out how a local had a big hand | 0:09:33 | 0:09:35 | |
in the development of lawn tennis. | 0:09:35 | 0:09:38 | |
-You must be Bob. -Good morning, Phil. -Good to see you. | 0:09:40 | 0:09:42 | |
-Good to see you. Would you like to come in? -I'd love to. Yes, please. | 0:09:42 | 0:09:45 | |
At the library of Birmingham, | 0:09:45 | 0:09:46 | |
local historian Bob Holland has been piecing together | 0:09:46 | 0:09:49 | |
the story of Harry Gem, who lived and worked in the city | 0:09:49 | 0:09:52 | |
during the 19th century. | 0:09:52 | 0:09:55 | |
He was born in 1819 | 0:09:55 | 0:09:57 | |
and Harry was a great sportsman. | 0:09:57 | 0:09:58 | |
He was a swimmer, he was a runner, | 0:09:58 | 0:10:00 | |
he played cricket, he was a rider, | 0:10:00 | 0:10:03 | |
he played racquets down in the centre of Birmingham. | 0:10:03 | 0:10:05 | |
-He was a sportsman? -Very much so. | 0:10:05 | 0:10:07 | |
When he was the secretary of the racquets club, | 0:10:07 | 0:10:10 | |
down in Bath Street in Birmingham, | 0:10:10 | 0:10:12 | |
he'd met a Spanish guy called Augurio Perera | 0:10:12 | 0:10:14 | |
who lived in Edgbaston, | 0:10:14 | 0:10:16 | |
who was also a great racquets player. | 0:10:16 | 0:10:18 | |
This meeting would prove instrumental | 0:10:18 | 0:10:20 | |
in the development of a new game. | 0:10:20 | 0:10:22 | |
The two of them got their heads together and they were looking | 0:10:22 | 0:10:25 | |
at the idea of inventing a game which they could play outside. | 0:10:25 | 0:10:29 | |
The advent of India rubber allowed balls to bounce on grass | 0:10:29 | 0:10:32 | |
for the first time. | 0:10:32 | 0:10:33 | |
And the Victorian obsession with croquet meant | 0:10:33 | 0:10:35 | |
there was no shortage of lawns to use as courts. | 0:10:35 | 0:10:38 | |
The two friends started to develop their new game. | 0:10:38 | 0:10:41 | |
This particular book here, in the Birmingham Library, | 0:10:41 | 0:10:44 | |
is what's known as the Gem Scrapbook. | 0:10:44 | 0:10:47 | |
Basically, it's interesting items through Gem's life. | 0:10:47 | 0:10:50 | |
And this particular page is open at his rules of lawn tennis. | 0:10:50 | 0:10:55 | |
When did they first appear in public? | 0:10:55 | 0:10:57 | |
This particular set of rules appeared in November 1874 | 0:10:57 | 0:11:01 | |
in Field Magazine. | 0:11:01 | 0:11:03 | |
-Is that Gem's court? -That's Gem's court, yes. | 0:11:03 | 0:11:05 | |
The net looks a lot bigger. | 0:11:05 | 0:11:06 | |
It is, actually. It's four feet high | 0:11:06 | 0:11:09 | |
from side to side. | 0:11:09 | 0:11:11 | |
The modern net is only three feet. | 0:11:11 | 0:11:13 | |
Whereabouts was this court first set up? | 0:11:13 | 0:11:16 | |
This was in the garden of Perera's house, | 0:11:16 | 0:11:18 | |
-in Ampton Road, Edgbaston. -Where is that? | 0:11:18 | 0:11:20 | |
It's just yonder there, about a mile-and-a-half. | 0:11:20 | 0:11:23 | |
-A mile-and-a-half that way? -Absolutely. | 0:11:23 | 0:11:24 | |
-Literally as the crow flies. -Yeah. -Yeah. | 0:11:24 | 0:11:26 | |
So, is that court still there, or...? | 0:11:26 | 0:11:28 | |
It has a garden at the back of it, | 0:11:28 | 0:11:30 | |
but the area of grass where they'd have laid out their court | 0:11:30 | 0:11:32 | |
is still there. | 0:11:32 | 0:11:34 | |
I don't suppose we could...? | 0:11:34 | 0:11:36 | |
We can, most certainly. | 0:11:36 | 0:11:38 | |
I know the owners, so we can go over and have a game. | 0:11:38 | 0:11:40 | |
PHIL MUMBLES | 0:11:40 | 0:11:41 | |
Bob, this is clearly a really special piece of grass. | 0:11:44 | 0:11:46 | |
It is, indeed. This is really the spiritual home of lawn tennis, | 0:11:46 | 0:11:49 | |
where two gentlemen took up two racquets and devised a game, | 0:11:49 | 0:11:54 | |
which is very similar to the modern game of lawn tennis. | 0:11:54 | 0:11:56 | |
When the All England Croquet Club started playing tennis, | 0:11:56 | 0:11:59 | |
they adopted rectangular courts, similar to Gem's. | 0:11:59 | 0:12:02 | |
The Croquet Club then became the All England Lawn Tennis Club | 0:12:02 | 0:12:06 | |
and the rest, as they say, is history. | 0:12:06 | 0:12:09 | |
Chris Elks shares Bob's passion for early racket sport. | 0:12:09 | 0:12:13 | |
Chris, this is your collection? | 0:12:13 | 0:12:15 | |
Yes, it is. Part of it. | 0:12:15 | 0:12:17 | |
-You've almost got a history of the racket here. -That's right. | 0:12:17 | 0:12:20 | |
Out of all these rackets, the thing I love | 0:12:20 | 0:12:23 | |
is that racket on the end, | 0:12:23 | 0:12:24 | |
because that's just a work of art, isn't it? | 0:12:24 | 0:12:26 | |
All of the other rackets were played with by men, essentially. | 0:12:26 | 0:12:30 | |
Of course, ladies bring a special aspect to tennis, don't they? | 0:12:30 | 0:12:34 | |
-Yeah, absolutely. -No self-respecting male would pick up that racket | 0:12:34 | 0:12:38 | |
to choose to play with. | 0:12:38 | 0:12:39 | |
I love this. Is this some sort of cleaner or washer, or something? | 0:12:39 | 0:12:42 | |
This is a ball cleaner. | 0:12:42 | 0:12:43 | |
Balls were more difficult to make than rackets. | 0:12:43 | 0:12:46 | |
-As you can see, this is an old tennis ball. -Yeah. | 0:12:46 | 0:12:48 | |
You would keep them clean by placing it like this | 0:12:48 | 0:12:51 | |
and then giving a quick turn and scrub. | 0:12:51 | 0:12:55 | |
Now it's time for a knock-about. | 0:12:55 | 0:12:57 | |
But, when it comes to sport, ex-PE teacher Philip | 0:12:57 | 0:12:59 | |
has got a really competitive streak. | 0:12:59 | 0:13:02 | |
I think I've got an advantage here, cos what Bob doesn't realise is | 0:13:02 | 0:13:06 | |
that I've stuffed him up with some old racket and I've got a new one. | 0:13:06 | 0:13:10 | |
So, hopefully, I'm going to win it. | 0:13:10 | 0:13:11 | |
Oh, hi, Bob. All right? | 0:13:11 | 0:13:13 | |
Yes, fine. I've got some balls. | 0:13:13 | 0:13:15 | |
Oh, excellent stuff. | 0:13:15 | 0:13:17 | |
Right, off we go then. Ha-ha-ha! | 0:13:17 | 0:13:19 | |
This isn't working out too well, really, is it? | 0:13:27 | 0:13:29 | |
LAUGHTER | 0:13:29 | 0:13:30 | |
-Less of this spin stuff. -LAUGHTER | 0:13:31 | 0:13:33 | |
It looks like Philip is channelling | 0:13:33 | 0:13:35 | |
the spirit of Harry Gem for this game. | 0:13:35 | 0:13:37 | |
-BOTH: -Oh! -Get in there! | 0:13:37 | 0:13:40 | |
-There we go, Bob. Excellent stuff. -BOB PANTS | 0:13:40 | 0:13:42 | |
But I've got to go and buy antiques. | 0:13:42 | 0:13:43 | |
-Thank you very, much indeed. -Not at all. -Thank you. | 0:13:43 | 0:13:45 | |
It's been absolutely fantastic and, I have to say, as courts go, | 0:13:45 | 0:13:49 | |
that's a real GEM. | 0:13:49 | 0:13:50 | |
-Thank you very much. -BOB LAUGHS | 0:13:50 | 0:13:53 | |
Meanwhile, Catherine has travelled | 0:13:53 | 0:13:54 | |
to the Warwickshire village of Middleton. | 0:13:54 | 0:13:56 | |
Catherine's second shop today | 0:13:56 | 0:13:58 | |
is in Meadowview Antiques and she has £102 left to spend. | 0:13:58 | 0:14:02 | |
-Ooh, hello. -Hi, Catherine. | 0:14:04 | 0:14:07 | |
-Who might you be? -I'm Mike. -Hello, Mike. | 0:14:07 | 0:14:10 | |
You've got a lot of stuff in here. | 0:14:10 | 0:14:12 | |
He surely does. Anything strike a chord? | 0:14:12 | 0:14:14 | |
Look at that. I love it! | 0:14:14 | 0:14:17 | |
I just remember my mum having exactly the same vacuum cleaner. | 0:14:17 | 0:14:22 | |
That is just the best. | 0:14:22 | 0:14:25 | |
It would make no money at auction, but that's just...fantastic. | 0:14:25 | 0:14:29 | |
Look at that. | 0:14:29 | 0:14:31 | |
Blimey. It must be some sort of advertising thing. | 0:14:31 | 0:14:35 | |
I do like to come in somewhere like this, | 0:14:35 | 0:14:37 | |
where you haven't got run-of-the-mill. | 0:14:37 | 0:14:39 | |
-Mike? -Yes. | 0:14:39 | 0:14:40 | |
Can I ask you about this tennis racket? | 0:14:40 | 0:14:43 | |
I love this. | 0:14:43 | 0:14:44 | |
Harrods themselves used to have so many tickets for Wimbledon, | 0:14:44 | 0:14:48 | |
which they used to give to their best customers. | 0:14:48 | 0:14:52 | |
Best clients, right. | 0:14:52 | 0:14:53 | |
They used to make up a bag | 0:14:53 | 0:14:54 | |
and give them one of those tennis rackets as well. | 0:14:54 | 0:14:57 | |
So we're talking, what...? | 0:14:57 | 0:14:58 | |
We're talking the '60s, '70s? | 0:14:58 | 0:15:00 | |
Mike, what can this be? | 0:15:00 | 0:15:02 | |
We've got 58 on it, but... | 0:15:02 | 0:15:04 | |
I'll do it for 30. | 0:15:04 | 0:15:06 | |
Can you do 25 on it? | 0:15:06 | 0:15:08 | |
Go on, I'll let you have it for 25. | 0:15:08 | 0:15:10 | |
-Can you? -Yeah. -I really like that. | 0:15:10 | 0:15:12 | |
And do you know what will be even better? | 0:15:12 | 0:15:16 | |
Seeing the look on Phil's face when I turn up with this. | 0:15:16 | 0:15:19 | |
He is going to be so jealous. | 0:15:19 | 0:15:23 | |
I think Phillip's probably had enough of tennis for one day. | 0:15:23 | 0:15:26 | |
Right, I want to spend more. What do I want to buy? | 0:15:26 | 0:15:28 | |
Well, this golden mother-of-pearl magnifier | 0:15:28 | 0:15:31 | |
with a bull's-eye lens looks nice.. | 0:15:31 | 0:15:33 | |
It's very strong glass. You can read the hallmarks on it. | 0:15:33 | 0:15:36 | |
I'll give you a ring, so you can see for yourself. | 0:15:36 | 0:15:38 | |
Sometimes they are not particularly good, are they? | 0:15:38 | 0:15:40 | |
No, they're not very powerful. | 0:15:40 | 0:15:41 | |
So, you should get pretty good magnification. | 0:15:41 | 0:15:44 | |
Yep, you can read that perfectly. | 0:15:44 | 0:15:46 | |
You've got 65 on this. What...? | 0:15:46 | 0:15:48 | |
-I can do you for 40. -Would you? | 0:15:48 | 0:15:51 | |
I'm just thinking whether I should...step back a bit. | 0:15:51 | 0:15:54 | |
That should make a lot more than £40 in auction. | 0:15:54 | 0:15:58 | |
-Go on, then. -You're going to go for that? | 0:15:58 | 0:16:00 | |
-I am, I'm going to shake your hand. -OK. | 0:16:00 | 0:16:02 | |
Catherine's been busy. That's £65 for two more items. | 0:16:02 | 0:16:07 | |
-Well, thank you very much. -Yes, thank you. | 0:16:07 | 0:16:09 | |
And that's shopping for the day complete. | 0:16:09 | 0:16:12 | |
And what a day it's been! | 0:16:12 | 0:16:15 | |
Time for a little old rest, though. Nighty-night. | 0:16:15 | 0:16:18 | |
Morning, all. Another day on our road trip. | 0:16:22 | 0:16:25 | |
Today, the experts are starting off in the village of Wootton Wawen, | 0:16:25 | 0:16:28 | |
located in Warwickshire. | 0:16:28 | 0:16:31 | |
Phil hops out at his first shopping stop with £160 to spend. | 0:16:31 | 0:16:36 | |
-Good luck. -Reverse. -All right! -Reverse. | 0:16:36 | 0:16:39 | |
-Hello. -Hello? -Hi. How are you? Phil. | 0:16:40 | 0:16:43 | |
-Hi, there. -Good to see you. | 0:16:43 | 0:16:45 | |
And you. This is Phil, my business partner. | 0:16:45 | 0:16:47 | |
Phil, how are you doing? Good to see you. | 0:16:47 | 0:16:49 | |
-What can we do for you today? -Well, you can find me something | 0:16:49 | 0:16:51 | |
that's got a profit in it, that's what you can do. | 0:16:51 | 0:16:54 | |
This is interesting. I'll tell you what it's for. | 0:16:54 | 0:16:56 | |
You put that on a piece of flesh, or skin, and you press that, | 0:16:56 | 0:16:59 | |
which is now perished, and when it expands, | 0:16:59 | 0:17:03 | |
it sucks the skin up if you've got some sort of | 0:17:03 | 0:17:06 | |
nasty carbuncle or something. | 0:17:06 | 0:17:09 | |
I think that's designed to get it off. | 0:17:09 | 0:17:11 | |
Not a pretty sight. | 0:17:11 | 0:17:12 | |
Let's just leave that out - that might be a possibility. | 0:17:12 | 0:17:15 | |
Let's go and have a look outside. | 0:17:15 | 0:17:18 | |
See, that's ideal. That's a nice thing. | 0:17:18 | 0:17:20 | |
-A butter churn, isn't it? -Yeah, a butter churn. | 0:17:20 | 0:17:22 | |
A lot of these were made in Chippenham, in Wiltshire. | 0:17:22 | 0:17:24 | |
-Were they really? -Yes, very often you'd lose the stand. | 0:17:24 | 0:17:27 | |
220. | 0:17:27 | 0:17:29 | |
-I do like this. -It's really quite ornate, isn't it? | 0:17:29 | 0:17:32 | |
Put your back into it, Philip. | 0:17:32 | 0:17:34 | |
Yeah, it's a good-looking thing, but for me to make a profit, | 0:17:34 | 0:17:37 | |
I'm going to have to bid you really, really low on that. | 0:17:37 | 0:17:39 | |
-We're not shy. -Well, I'm looking at 60 quid. | 0:17:39 | 0:17:43 | |
How shy are you now? | 0:17:43 | 0:17:44 | |
-We're quite embarrassed. -I'm not! | 0:17:44 | 0:17:47 | |
Careful, Philip, he's a big lad. | 0:17:47 | 0:17:49 | |
Maybe we should take a look at the cabinets for a while. | 0:17:49 | 0:17:52 | |
I used to love that book as a kid. | 0:17:52 | 0:17:53 | |
I used to read it for hours and hours and hours. | 0:17:53 | 0:17:55 | |
"Mr Crabtree Goes Fishing." I like that. | 0:17:55 | 0:17:59 | |
Look at this. His son was Peter. | 0:18:00 | 0:18:02 | |
Peter used to go fishing with Mr Crabtree. | 0:18:02 | 0:18:04 | |
I love that. I absolutely love that. | 0:18:04 | 0:18:06 | |
I need to have a ruminate here, | 0:18:06 | 0:18:08 | |
because I really like your butter churn. | 0:18:08 | 0:18:10 | |
It's what you can do it for. | 0:18:10 | 0:18:12 | |
And just for old memories for me, I like Mr Crabtree. | 0:18:12 | 0:18:15 | |
Yes. 80 would do the two for you. | 0:18:15 | 0:18:17 | |
So you're saying Mr Crabtree and that at 80 squid? | 0:18:17 | 0:18:21 | |
Yeah, go on, £80 the two. You have been very, very kind to me | 0:18:21 | 0:18:24 | |
and this is really sad, but I'm more excited about this. | 0:18:24 | 0:18:28 | |
Philip pays £75 for the butter churn and £5 for the book. | 0:18:28 | 0:18:32 | |
-Great discounts. -Two, four, six, eight. | 0:18:32 | 0:18:35 | |
You've been really kind. Thank you very, very much. | 0:18:35 | 0:18:37 | |
-No problem. -Lovely to see you. | 0:18:37 | 0:18:39 | |
Elsewhere, Catherine's heading south | 0:18:40 | 0:18:43 | |
to Stratford-upon-Avon. | 0:18:43 | 0:18:44 | |
She already has a fistful of items | 0:18:44 | 0:18:46 | |
but only £37 left to play with. | 0:18:46 | 0:18:49 | |
So, let's just get things straight. I don't really need to buy anything. | 0:18:49 | 0:18:54 | |
Don't speak too soon. | 0:18:54 | 0:18:56 | |
Oh, now, this is cool. | 0:18:56 | 0:18:58 | |
Deal of the month. | 0:18:58 | 0:18:59 | |
This is fantastic! £95. How much have I got left? | 0:18:59 | 0:19:03 | |
I just said, £37. | 0:19:03 | 0:19:05 | |
Maybe I'll just buy...just one. | 0:19:05 | 0:19:07 | |
-One drum. -SHE PLAYS DRUMS | 0:19:07 | 0:19:11 | |
That is fantastic. | 0:19:11 | 0:19:12 | |
All right, I'm going to walk away, cos I can't buy it. | 0:19:12 | 0:19:14 | |
-READS: -Philip Serrell was here. With all best wishes. | 0:19:14 | 0:19:18 | |
Did he seriously write on this wall? | 0:19:18 | 0:19:21 | |
That's terrible! What a vandal! | 0:19:21 | 0:19:23 | |
Graffiti from a previous road trip, the scamp! | 0:19:23 | 0:19:26 | |
It seems like Catherine's all shopped out. You never know, though. | 0:19:26 | 0:19:28 | |
I think I'm probably going to quit and call it a day. | 0:19:28 | 0:19:32 | |
And I suppose, if you can't beat him... | 0:19:32 | 0:19:34 | |
So, with Catherine all shopped out for the leg, | 0:19:37 | 0:19:41 | |
Philip has made his way to Fladbury, | 0:19:41 | 0:19:43 | |
where his final shop is run by an old business chum. | 0:19:43 | 0:19:47 | |
-Mr Humphries, how are you? -Mr Serrell, I'm very well. | 0:19:47 | 0:19:50 | |
All I would say to you is, I know you come to my sales regularly, | 0:19:50 | 0:19:53 | |
I do not want to buy anything that I've sold you, | 0:19:53 | 0:19:55 | |
cos that would be really embarrassing. | 0:19:55 | 0:19:57 | |
You've got a lot of stock, haven't you? | 0:19:57 | 0:19:59 | |
I tell you what, Phil, I like to keep it well stocked, | 0:19:59 | 0:20:02 | |
but I turn it over well, as well. | 0:20:02 | 0:20:04 | |
-Is that dear? -It depends what you call dear. | 0:20:04 | 0:20:07 | |
-Well, I can tell you how much money I've got. -Go on, then. | 0:20:07 | 0:20:11 | |
-I've got 80 quid left. -That's dear, then. | 0:20:11 | 0:20:13 | |
-Is it? That out of my range? -Yeah. -OK. | 0:20:13 | 0:20:16 | |
Oh, I like those, as well. | 0:20:16 | 0:20:18 | |
They're weathering nicely, aren't they? | 0:20:18 | 0:20:20 | |
-I know how they feel. -You and me both, Philip. | 0:20:20 | 0:20:22 | |
Ticketed at £275, they're still out of Philip's budget. | 0:20:22 | 0:20:26 | |
Is Ian feeling kind? | 0:20:26 | 0:20:28 | |
-You might be able to buy those, actually. -Really? | 0:20:28 | 0:20:30 | |
-Are they hollow? -No, they're solid. | 0:20:30 | 0:20:33 | |
-And they're concrete, aren't they? -Yes. -Oh, Lord above! | 0:20:33 | 0:20:36 | |
Can we get one outside? | 0:20:36 | 0:20:38 | |
Do you mind? Look at that, there's a quick rupture. | 0:20:38 | 0:20:42 | |
It's a poor job that won't stand a good foreman. | 0:20:43 | 0:20:46 | |
(I'm the foreman.) | 0:20:46 | 0:20:47 | |
Try telling Catherine that. | 0:20:47 | 0:20:49 | |
-He's nice, isn't he? -You've got to buy it now. | 0:20:49 | 0:20:51 | |
Down, boy. They come as a pair. | 0:20:51 | 0:20:54 | |
They're just weathering down nicely. | 0:20:54 | 0:20:57 | |
They're going to go one way now, aren't they? | 0:20:57 | 0:20:59 | |
Yeah, they're going to go south, that's where they're going to go. | 0:20:59 | 0:21:02 | |
They're going to go down to Salisbury. You're a star. | 0:21:02 | 0:21:04 | |
-Fantastic. Good man. -I'd better pay you, my friend. | 0:21:04 | 0:21:07 | |
That last buy has Philip all spent up. | 0:21:07 | 0:21:09 | |
Sit down, Rover! | 0:21:09 | 0:21:11 | |
I'm just trying to train them. Just trying to train them. Sit! | 0:21:11 | 0:21:15 | |
Good dog, good dog. | 0:21:15 | 0:21:16 | |
And the dogs are added to Philip's other buys - | 0:21:16 | 0:21:20 | |
the stoneware barrel, a steel cabinet, | 0:21:20 | 0:21:22 | |
a butter churner and a book on fishing. | 0:21:22 | 0:21:24 | |
He spent £200 on the nail. | 0:21:24 | 0:21:27 | |
Catherine spent £163 on some amber beads, | 0:21:27 | 0:21:31 | |
a miniature tennis racket, | 0:21:31 | 0:21:33 | |
a gold magnifier, | 0:21:33 | 0:21:35 | |
a miniature set of dominoes and a pair of compacts. | 0:21:35 | 0:21:38 | |
So, what do they make of each other's buys? | 0:21:38 | 0:21:40 | |
I think Catherine's done a really, really good job. | 0:21:40 | 0:21:43 | |
I just love that little tennis racket she's bought. | 0:21:43 | 0:21:45 | |
The rusty shelves, £20. | 0:21:45 | 0:21:48 | |
I would walk straight past them a million times. | 0:21:48 | 0:21:51 | |
£200, all in. | 0:21:51 | 0:21:54 | |
Oh, dear. | 0:21:54 | 0:21:55 | |
After setting off from Coleshill, | 0:21:55 | 0:21:57 | |
our experts are now headed for | 0:21:57 | 0:21:59 | |
auction in the city of Salisbury. | 0:21:59 | 0:22:01 | |
Do you know what I think my cheapest buy was? | 0:22:01 | 0:22:04 | |
-Oh, that shelf... -I bought a rusting tin thing. | 0:22:04 | 0:22:07 | |
Why did you buy that? | 0:22:07 | 0:22:08 | |
I think that's bang-on trend. You are looking at me now. | 0:22:08 | 0:22:11 | |
-Bang-on trend?! -I am bang-on trend. | 0:22:11 | 0:22:14 | |
I am up there with the kids. You've got no vision, Catherine. | 0:22:14 | 0:22:17 | |
No vision at all. It worries me about you sometimes. | 0:22:17 | 0:22:20 | |
Welcome to the Netherhampton Salerooms. | 0:22:20 | 0:22:23 | |
It's looking busy. | 0:22:23 | 0:22:24 | |
What does auctioneer Ian Souter make of our lot? | 0:22:24 | 0:22:26 | |
My favourite is definitely the butter churn. | 0:22:26 | 0:22:28 | |
Love it, always loved them. | 0:22:28 | 0:22:30 | |
If I had a house big enough to put one in, I'd have one. | 0:22:30 | 0:22:32 | |
Don't know what I'd do with it. | 0:22:32 | 0:22:34 | |
The mini dominoes - very cute, very good size. | 0:22:34 | 0:22:37 | |
I think one or two people spotted them earlier, | 0:22:37 | 0:22:39 | |
so hopefully they'll do well. | 0:22:39 | 0:22:41 | |
We've got a full house, so quiet, please. | 0:22:41 | 0:22:43 | |
First up, it's Philip's fishing book. | 0:22:43 | 0:22:46 | |
-Why did you buy that? -It's part of my childhood. | 0:22:46 | 0:22:48 | |
Is it? Oh, so it's really old. | 0:22:48 | 0:22:50 | |
Right, who's got 50 or 60? | 0:22:51 | 0:22:53 | |
30 or 40 or 20? Who wants it? | 0:22:53 | 0:22:55 | |
Fiver, thank you. £5. | 0:22:55 | 0:22:56 | |
£6. £8. £10. £12. | 0:22:56 | 0:22:58 | |
-They all want it! -15. 18. | 0:22:58 | 0:23:00 | |
They all remember it from their childhood. | 0:23:00 | 0:23:02 | |
Happy days, isn't it? Happy days. | 0:23:02 | 0:23:04 | |
-They went fishing with me. -At £20. | 0:23:04 | 0:23:07 | |
-They all took the bait, didn't they? -They did. | 0:23:07 | 0:23:09 | |
A bittersweet result, as Philip says goodbye to Mr Crabtree for a profit. | 0:23:09 | 0:23:13 | |
Next up, Catherine's amber beads. | 0:23:13 | 0:23:16 | |
OK, so we've got 30, 40. | 0:23:16 | 0:23:17 | |
Who got 20? £10? | 0:23:17 | 0:23:19 | |
Some lovely beads. A tenner. £10? | 0:23:19 | 0:23:21 | |
Someone say something. Fiver. Five I have. £5. | 0:23:21 | 0:23:24 | |
£6. £8. | 0:23:24 | 0:23:25 | |
£10. £12. | 0:23:25 | 0:23:26 | |
-£15. -A long way to go. | 0:23:26 | 0:23:28 | |
15 on my left, 15 I have. | 0:23:28 | 0:23:30 | |
No. These need to be about 60. | 0:23:30 | 0:23:31 | |
18, £20. 22. 25. | 0:23:31 | 0:23:36 | |
25. Over here at 25. | 0:23:36 | 0:23:38 | |
-No, more. -Don't go shy. 25. | 0:23:38 | 0:23:40 | |
-Amber. Real amber. -£25. | 0:23:40 | 0:23:43 | |
Bad luck, first loss of the day. | 0:23:43 | 0:23:45 | |
But there's plenty of time to make it up. | 0:23:45 | 0:23:48 | |
Next up, Philip's stoneware barrel. | 0:23:48 | 0:23:50 | |
-Here to be sold, 30 or 40. -He's picking it up. | 0:23:50 | 0:23:53 | |
-What a man. -Nobody want it? | 0:23:53 | 0:23:56 | |
Five bid. £5. £6. | 0:23:56 | 0:23:57 | |
£8. £10. £12. | 0:23:57 | 0:23:59 | |
15, 18, £20. | 0:23:59 | 0:24:02 | |
-Don't mind been nice to you. -£20, £20. | 0:24:02 | 0:24:06 | |
Anybody else? 20. Being sold this, then, at £20. | 0:24:06 | 0:24:10 | |
Phil's going to be drowning his sorrows. | 0:24:10 | 0:24:12 | |
That's a loss after auction fees are deducted. | 0:24:12 | 0:24:14 | |
It's Catherine's miniature dominoes set next. | 0:24:14 | 0:24:17 | |
50 or 60? 40 or 30? | 0:24:17 | 0:24:20 | |
Who wants them? 20. I've got 20. | 0:24:20 | 0:24:22 | |
Thank you, you like them. £20. £20 I have. £20, £20, £20. | 0:24:22 | 0:24:26 | |
22, 22, 22... | 0:24:26 | 0:24:30 | |
-Anybody else? -Come on! -At £22. | 0:24:30 | 0:24:34 | |
Another loss. Bad luck, Catherine. | 0:24:34 | 0:24:36 | |
And your compacts are up next. | 0:24:36 | 0:24:38 | |
Ten I have, 12, 15, 18, 20, 22, 25... | 0:24:38 | 0:24:43 | |
-Come on. -With me, 28. | 0:24:43 | 0:24:45 | |
£30. £30 in the hat. | 0:24:45 | 0:24:47 | |
-Don't stop at 30. Come on. -32. | 0:24:47 | 0:24:49 | |
What a shame. At 32. | 0:24:49 | 0:24:51 | |
32 I have. 35. That's the spirit. 35. | 0:24:51 | 0:24:54 | |
38. 38. | 0:24:54 | 0:24:57 | |
Last chance to stop. 38. 38. Being sold this time, then, at £38. | 0:24:57 | 0:25:02 | |
Ooh! | 0:25:02 | 0:25:03 | |
So near yet so far! | 0:25:03 | 0:25:07 | |
A run of bad luck, Catherine. They were nice, too. | 0:25:07 | 0:25:10 | |
Philip's little cabinet is next. | 0:25:10 | 0:25:12 | |
Various interest. Going to start the bidding at £10. | 0:25:12 | 0:25:14 | |
£10 I have. £10, £10, £10 with me. | 0:25:14 | 0:25:16 | |
£10. £12. 15. 18. £20 with me. | 0:25:16 | 0:25:20 | |
He's got a commission on that. | 0:25:20 | 0:25:22 | |
22. 25. 25 with me. | 0:25:22 | 0:25:23 | |
At 25. 28. 30. | 0:25:23 | 0:25:25 | |
-What?! -32. 35. 38. £40. -Bang-on trend, you see. | 0:25:25 | 0:25:29 | |
-How did you do that? -At £42. | 0:25:29 | 0:25:33 | |
Look at that, get in. Dip your bread. | 0:25:33 | 0:25:36 | |
Blimey, he's just doubled his money. | 0:25:36 | 0:25:39 | |
Next, can Catherine's miniature magnifier be as successful? | 0:25:39 | 0:25:42 | |
-£50, somebody. 50 or 40. -Come on. | 0:25:42 | 0:25:44 | |
Who's got 30? | 0:25:44 | 0:25:46 | |
Who's got 20? Tenner if we have to. | 0:25:46 | 0:25:48 | |
-Can I put my hand up? -No. -Can I bid? | 0:25:48 | 0:25:51 | |
-Come on, it's nine-carat gold. -Can I bid? | 0:25:51 | 0:25:53 | |
22. 25. 28. £30. | 0:25:53 | 0:25:57 | |
-£30 I have. -It's cheap! -I know it's cheap. | 0:25:57 | 0:25:59 | |
-Come on. -32, 35, 38. | 0:25:59 | 0:26:02 | |
£40. At £40. | 0:26:02 | 0:26:04 | |
42. 45. | 0:26:04 | 0:26:06 | |
-Yes! -48. £50. | 0:26:06 | 0:26:09 | |
55. 60. 60 in the back, £60. | 0:26:09 | 0:26:11 | |
Keep going, it's nine-carat. | 0:26:11 | 0:26:14 | |
Anyone else? Being sold this time at £60. | 0:26:14 | 0:26:17 | |
-Yours, sir. Thank you. -Yes! | 0:26:17 | 0:26:19 | |
-I love you! -Hey, steady! | 0:26:19 | 0:26:22 | |
Well done, Catherine. A nice profit. | 0:26:22 | 0:26:24 | |
Philip's butter churn is next to go under the gavel. | 0:26:24 | 0:26:27 | |
OK, I've got various interest. I'm going to go straight in at £50. | 0:26:27 | 0:26:30 | |
-He's got interest. -60. | 0:26:30 | 0:26:33 | |
65. 70. 75. 80. | 0:26:33 | 0:26:36 | |
Oh, Phil. You've walked it. | 0:26:36 | 0:26:38 | |
85. 90. 95. 100. | 0:26:38 | 0:26:42 | |
-Philip! -100 with me. 100. | 0:26:42 | 0:26:44 | |
105. 110. | 0:26:44 | 0:26:46 | |
Bid last if you want it, sir. 110. 115. | 0:26:46 | 0:26:49 | |
120. | 0:26:49 | 0:26:50 | |
-That's amazing. -I'm quite pleased with that, I must admit. | 0:26:50 | 0:26:53 | |
125. 130. 135. | 0:26:53 | 0:26:56 | |
He's still bidding, that man by the door. | 0:26:56 | 0:27:00 | |
At 135, last chance. | 0:27:00 | 0:27:02 | |
He had a big commission bid on that. | 0:27:02 | 0:27:04 | |
At £135. | 0:27:04 | 0:27:06 | |
£135. | 0:27:06 | 0:27:08 | |
That's all right, isn't it? | 0:27:08 | 0:27:10 | |
Philip's on a roll. | 0:27:10 | 0:27:12 | |
Can Catherine serve up a profit with her last lot? | 0:27:12 | 0:27:15 | |
£50, somebody. 50 or 40. | 0:27:15 | 0:27:17 | |
-30, 20. -Come on. | 0:27:17 | 0:27:19 | |
-25. -Who wants it? We've got ten. Thank you, ten I have. | 0:27:19 | 0:27:21 | |
£10, £10, £10. £12. | 0:27:21 | 0:27:23 | |
15. 18. 18 final time. £18. £18 I have. 18. | 0:27:23 | 0:27:27 | |
-18. Who else wants it? 18? -No! -Don't let it miss you at 18. | 0:27:27 | 0:27:30 | |
Last chance. Being sold at £20, thank you. | 0:27:30 | 0:27:33 | |
At £20. £20. | 0:27:33 | 0:27:35 | |
On my right, 20. Being sold this time, then, at £20. | 0:27:35 | 0:27:38 | |
£20?! | 0:27:38 | 0:27:39 | |
-Not a lot of money. -How did that happen? | 0:27:39 | 0:27:42 | |
Is that game, set and match to Philip, then? | 0:27:42 | 0:27:45 | |
Or will his dogs let him down? | 0:27:45 | 0:27:47 | |
Right, who's got £100? 70 or 80? | 0:27:47 | 0:27:49 | |
50 or 40. £30. 35, 40. 45, 50. | 0:27:49 | 0:27:54 | |
55, 60. 65. 65 on my left. | 0:27:54 | 0:27:58 | |
-70. 75. -You'll be fine. -80. | 0:27:58 | 0:28:01 | |
85. 90. 95. 100. | 0:28:01 | 0:28:06 | |
100 at the back. At £100. I have 100. | 0:28:06 | 0:28:08 | |
-That's amazing. -Last chance, 100. | 0:28:08 | 0:28:10 | |
Anybody else want to join in? | 0:28:10 | 0:28:12 | |
Being sold this time, then, at £100. | 0:28:12 | 0:28:15 | |
Well, that last lot made a profit, but where does that leave us? | 0:28:15 | 0:28:19 | |
Right, so we need to do some sums, don't we? | 0:28:19 | 0:28:21 | |
You've got loads of cash. That's all I know. | 0:28:21 | 0:28:24 | |
Come on, then. | 0:28:24 | 0:28:26 | |
Catherine started with £200. | 0:28:27 | 0:28:29 | |
After paying auction costs, | 0:28:29 | 0:28:30 | |
she made a loss of £27.70, | 0:28:30 | 0:28:34 | |
leaving her £172.30 to carry forward. | 0:28:34 | 0:28:38 | |
Phil started with £200. | 0:28:38 | 0:28:40 | |
After paying all fees, he made a profit of £59.94, | 0:28:40 | 0:28:45 | |
giving him £259.94. | 0:28:45 | 0:28:49 | |
Plenty to spend as we go head-long | 0:28:49 | 0:28:51 | |
into another day and the next stage of our trip. | 0:28:51 | 0:28:54 | |
This leg sees our experts start in Winchester and end up | 0:28:54 | 0:28:58 | |
at auction in the Dorset town of Christchurch. | 0:28:58 | 0:29:01 | |
Our experts are kicking off the day | 0:29:01 | 0:29:02 | |
with a spot of joint shopping. Uh-oh! | 0:29:02 | 0:29:06 | |
Come on! Right, what are you buying? I'll get it first. | 0:29:06 | 0:29:09 | |
Give the poor man a chance, Catherine! | 0:29:09 | 0:29:11 | |
-Hello! -Hello. -Are you Molly? | 0:29:11 | 0:29:13 | |
-Welcome to The Den. I am Molly. -Lovely to see you, Molly. | 0:29:13 | 0:29:16 | |
-What's your real name? -Matt. -Matt. | 0:29:16 | 0:29:18 | |
Matt or Molly are either top dog or top bitch round here, | 0:29:18 | 0:29:22 | |
depending on how you look at it. | 0:29:22 | 0:29:23 | |
Right, I think I'm going to get lost. | 0:29:23 | 0:29:25 | |
I'm going to try, I'll see you later. | 0:29:25 | 0:29:26 | |
While she's gone, what I really want to find is just a profit. | 0:29:26 | 0:29:29 | |
-Are you the man to show me? -We can find profit. We are good at that. | 0:29:29 | 0:29:33 | |
-Come on, then. -You naughty boy, Philip! | 0:29:33 | 0:29:35 | |
That's nice, I like that. | 0:29:35 | 0:29:37 | |
-This is a good stool. -Those are nice as well. | 0:29:37 | 0:29:39 | |
Are those separate, then, or are they all together? | 0:29:39 | 0:29:42 | |
No, it's for the set, 18 of them. | 0:29:42 | 0:29:44 | |
Look at that, Matt! 85 quid? | 0:29:44 | 0:29:47 | |
-I thought that was £8.50! -Instant discount with that. | 0:29:47 | 0:29:51 | |
They look like 40 quid to me, Matt. | 0:29:51 | 0:29:53 | |
What do you reckon? | 0:29:53 | 0:29:54 | |
I do know him quite well, | 0:29:54 | 0:29:56 | |
so I'm sure we'll have room for manoeuvring. | 0:29:56 | 0:30:00 | |
What's this Phil's spied? | 0:30:00 | 0:30:02 | |
This is a Royal Navy's Officers of the Watch telescope | 0:30:02 | 0:30:05 | |
by Cooke of London. | 0:30:05 | 0:30:06 | |
And I would think this is 1940s or '50s. | 0:30:06 | 0:30:10 | |
There's no ships. | 0:30:10 | 0:30:11 | |
The telescope is also priced at £85. | 0:30:11 | 0:30:14 | |
I'm thinking, 40, 45 quid for the flags and 40 quid for that. | 0:30:14 | 0:30:18 | |
-I think you're a bit far away there, Phil. -Hark at this! | 0:30:18 | 0:30:21 | |
£70 would be the best on that. And 60 for the flags. Bargain! | 0:30:21 | 0:30:25 | |
-That's a no, then, Philip. -50 quid and I'll have the flags. | 0:30:25 | 0:30:28 | |
-I'll have to phone him up. -Go phone him up. -Shall I go and phone him up? | 0:30:28 | 0:30:32 | |
Go and phone him up, Matt! | 0:30:32 | 0:30:33 | |
Let's see what Catherine's up to. | 0:30:33 | 0:30:36 | |
I do like this. | 0:30:36 | 0:30:38 | |
So we've got a crane without, obviously, its original string. | 0:30:38 | 0:30:42 | |
We've got the name Triang on the top, which is great. | 0:30:42 | 0:30:46 | |
Cos that's a good English manufacturer | 0:30:46 | 0:30:48 | |
of tin plate and metal toys. | 0:30:48 | 0:30:51 | |
The problem is, there's something missing here. | 0:30:51 | 0:30:53 | |
I'm not quite sure what. | 0:30:53 | 0:30:55 | |
But it just doesn't feel complete. | 0:30:55 | 0:30:58 | |
It feels like there's a few bits missing. | 0:30:58 | 0:31:00 | |
But I just like it, it looks good, it looks the part. How much is that? | 0:31:00 | 0:31:05 | |
-£22. -If I could get that for about £10, there is something there. | 0:31:05 | 0:31:11 | |
Ah, Matt's back. | 0:31:11 | 0:31:13 | |
The bad news is, he's not answering the phone. | 0:31:13 | 0:31:15 | |
-Who's that bad news for, you or me? -Both of us. | 0:31:15 | 0:31:18 | |
Make a decision on those. 50 quid. | 0:31:18 | 0:31:21 | |
-55. -Oh, Matt! | 0:31:21 | 0:31:24 | |
-50 quid, I thought we were getting on so well. -Go on, then, 50 quid. | 0:31:24 | 0:31:26 | |
You're a gentleman, thank you very much. | 0:31:26 | 0:31:29 | |
That's first blood to Philip. | 0:31:29 | 0:31:30 | |
He bags a collection of flags at a £35 discount and makes for the door. | 0:31:30 | 0:31:36 | |
Your turn, Catherine. | 0:31:36 | 0:31:37 | |
Now, this is the business. | 0:31:37 | 0:31:40 | |
That is just what I'm looking for. | 0:31:40 | 0:31:45 | |
We are talking mid-20th-century, French vintage croquet set. | 0:31:45 | 0:31:50 | |
And these are just lovely! The start and finish posts. | 0:31:50 | 0:31:54 | |
Right, ticket price is £55. Time to call on Molly. I mean, Matt. | 0:31:54 | 0:31:59 | |
This is what I like. | 0:31:59 | 0:32:01 | |
-The croquet set. -OK. | 0:32:01 | 0:32:04 | |
The thing is, it's got a few things wrong with it. | 0:32:04 | 0:32:06 | |
-I'm going to be mean because I'm in a bit of a position. -Right. | 0:32:06 | 0:32:09 | |
I'm going to offer you £20. | 0:32:09 | 0:32:13 | |
Because it has its faults. | 0:32:13 | 0:32:15 | |
I don't think he's going to accept that. | 0:32:15 | 0:32:17 | |
-But I can phone him up. -Right. | 0:32:17 | 0:32:20 | |
-Give me five minutes and I shall pop back. -Can you work some magic? | 0:32:20 | 0:32:23 | |
-I shall do my male charm. -Oh, good. I shall wait here. -OK. -All right. | 0:32:23 | 0:32:26 | |
-Thank you, Matt. -No problem. | 0:32:26 | 0:32:28 | |
That sounded positive-ish. | 0:32:28 | 0:32:31 | |
He wasn't horrified when I said £20. | 0:32:31 | 0:32:34 | |
It was a cheeky offer, wasn't it? | 0:32:34 | 0:32:36 | |
"She's" back. That was quick! | 0:32:36 | 0:32:38 | |
OK. My male charm didn't work this time. | 0:32:38 | 0:32:41 | |
-Oh... What do you mean "this time"? -£40. Normally does. | 0:32:41 | 0:32:45 | |
£40 is too much. Can it be 35? | 0:32:45 | 0:32:48 | |
-I'll tell you what, we'll do 38. How about 38? -OK. Right. | 0:32:48 | 0:32:53 | |
The other thing that I saw was back this way, | 0:32:53 | 0:32:58 | |
there was a red crane, a Triang crane. | 0:32:58 | 0:33:00 | |
-You've probably seen it, because it's quite prominent. -Yeah. | 0:33:00 | 0:33:03 | |
And I think that's got about 20-something on it. | 0:33:03 | 0:33:05 | |
-And what would you bid on that? -Eight. | 0:33:05 | 0:33:07 | |
Cor, you're a hard woman, Catherine Southon. | 0:33:07 | 0:33:09 | |
-Eight is probably too cheeky. -Is it? -Yes. | 0:33:09 | 0:33:12 | |
What if you said sort of 12 and I'll give her a call? | 0:33:12 | 0:33:14 | |
-You are wishing you'd never met me. -No! | 0:33:14 | 0:33:17 | |
Right, let's go and make some phone calls, yeah? | 0:33:17 | 0:33:20 | |
-Shall I come with you? -Time for some refreshments, then. | 0:33:20 | 0:33:23 | |
I thought you might need something a bit stiffer than that. | 0:33:23 | 0:33:25 | |
Matt and Molly are back with news on the Triang crane. | 0:33:25 | 0:33:28 | |
-So, the Triang, the crane. -15. -15 is your best? -Yeah. | 0:33:28 | 0:33:33 | |
-You want me to have that, don't you? -I do. -I'm going to just go for it. | 0:33:33 | 0:33:38 | |
-Well done. -What have I done? What have I done? | 0:33:38 | 0:33:41 | |
So, Catherine's bought the croquet set and the Triang crane for £53. | 0:33:41 | 0:33:45 | |
-Come on, then. -Right. -Let's go and pick up my goodies. | 0:33:45 | 0:33:48 | |
Catherine's work for the day isn't over yet. | 0:33:52 | 0:33:54 | |
Oh, no, her next stop is the market town of Alton, | 0:33:54 | 0:33:57 | |
home to the aptly named Tiny Shop. | 0:33:57 | 0:34:01 | |
-Hi, there. -Hello. -Great shop. You are? -Robert. -Hi, Robert. | 0:34:01 | 0:34:05 | |
I'm Catherine. Wow! | 0:34:05 | 0:34:06 | |
It's not going to take me long, probably, to get round here. | 0:34:06 | 0:34:09 | |
That's right, Catherine. The clue's in the name, love. | 0:34:09 | 0:34:11 | |
Robert has been selling antiques here since 2008. | 0:34:11 | 0:34:15 | |
That's cute. | 0:34:15 | 0:34:17 | |
-Biscuits. Is it for biscuits? -Yeah. From Scotland. | 0:34:17 | 0:34:22 | |
In the form of a suitcase, with all the little travel stickers on. | 0:34:22 | 0:34:26 | |
And another one? | 0:34:26 | 0:34:27 | |
See, this one's got the name more - Huntley and Palmers. | 0:34:29 | 0:34:33 | |
In the 19th century, biscuit makers started packaging their goods | 0:34:33 | 0:34:36 | |
in elaborately designed tins, making them very collectable today. | 0:34:36 | 0:34:41 | |
That is worse for wear, isn't it? | 0:34:41 | 0:34:42 | |
I actually like that one best. | 0:34:42 | 0:34:44 | |
-You wouldn't get many biscuits in there, though, would you? -No. | 0:34:44 | 0:34:46 | |
So long as there's enough for me, eh? | 0:34:46 | 0:34:48 | |
What's on that? | 0:34:48 | 0:34:49 | |
I think the ticket's got 35 on that. | 0:34:49 | 0:34:52 | |
Ouch! Right. | 0:34:52 | 0:34:54 | |
What is your best price on that? | 0:34:54 | 0:34:56 | |
I think probably 20. | 0:34:56 | 0:34:57 | |
Can I offer you £18 for it? | 0:34:57 | 0:35:00 | |
-Yeah, I think so. -Is that all right? -Yeah. | 0:35:00 | 0:35:03 | |
-I'm going to shake your hand at £18. -OK. | 0:35:03 | 0:35:05 | |
Because I think it's very dinky. | 0:35:05 | 0:35:07 | |
I suppose I'd better pay you for it now, hadn't I? | 0:35:07 | 0:35:10 | |
I can't believe I'm walking out of the Tiny Shop with a tiny suitcase. | 0:35:10 | 0:35:15 | |
And a whopping £17 discount. | 0:35:15 | 0:35:17 | |
-Thank you. Bye-bye. -Bye-bye. | 0:35:17 | 0:35:19 | |
Catherine's had a busy day, and her third item | 0:35:20 | 0:35:23 | |
brings proceedings to a close. | 0:35:23 | 0:35:25 | |
So, nighty-night. | 0:35:25 | 0:35:26 | |
Morning, chaps. | 0:35:30 | 0:35:32 | |
Today, Catherine's in the driving seat, | 0:35:32 | 0:35:33 | |
and the weather gods are not smiling. | 0:35:33 | 0:35:36 | |
How can the weather be so glorious yesterday and so dreadful today? | 0:35:36 | 0:35:41 | |
I mean, this is seriously bad. | 0:35:41 | 0:35:43 | |
Today, Philip and Catherine are starting off in the Dorset | 0:35:43 | 0:35:46 | |
market town of Blandford Forum, don't you know? | 0:35:46 | 0:35:49 | |
Catherine's kindly dropping Philip at his first shop, the Corner Shop. | 0:35:49 | 0:35:54 | |
Come back penniless. | 0:35:54 | 0:35:56 | |
Now, now, Catherine, play nicely. | 0:35:56 | 0:35:58 | |
-Come back potless. Bye. -Bye! | 0:35:58 | 0:36:01 | |
Well, you've got just under £210 to get through, Philip. | 0:36:01 | 0:36:04 | |
-Hi. -Good morning. How are you? -You are? | 0:36:04 | 0:36:07 | |
-Tony. -Tony, lovely to see you. Wow, goodness. | 0:36:07 | 0:36:10 | |
-How long have you been here? -18 years. | 0:36:10 | 0:36:12 | |
18 years - getting the hang of it, then? | 0:36:12 | 0:36:14 | |
-Lots of things in here, haven't you? -Bits and pieces. | 0:36:14 | 0:36:17 | |
Tony's got a lot of stock, and I can see he likes his pictures. | 0:36:17 | 0:36:21 | |
These are interesting things, Tony. Were these bought right? | 0:36:21 | 0:36:25 | |
-Yeah, I bought them at a car-boot sale. -Really? For pence? | 0:36:25 | 0:36:29 | |
-A few quid each. -Can I give you a few more quid each for them? | 0:36:29 | 0:36:32 | |
-I'm sure you could. -These are basically school photographs. | 0:36:32 | 0:36:35 | |
This one is the Eton Rowing 8 from 1905. | 0:36:35 | 0:36:39 | |
And you look at these, and you know there's a lot of these young | 0:36:39 | 0:36:43 | |
men who, eight years later, were fighting in the First World War. | 0:36:43 | 0:36:47 | |
-That's right. -Oh, now we're into my spot - cricket. | 0:36:47 | 0:36:49 | |
This is the Harrow XI and the Eton XI from 1900. | 0:36:49 | 0:36:52 | |
But I just think they're interesting. | 0:36:52 | 0:36:54 | |
Let's get down to the money side of it. What could you do those for? | 0:36:54 | 0:36:57 | |
-If I bought all of them... -Eight of them. | 0:36:57 | 0:37:00 | |
How about if we said something like 70 quid for the eight? | 0:37:00 | 0:37:02 | |
No, that wouldn't sound at all good. | 0:37:02 | 0:37:04 | |
I'd like to give you three quid each for them. | 0:37:04 | 0:37:06 | |
That's what I'd like to do. | 0:37:06 | 0:37:07 | |
How about if we said, say, 40 quid for the lot? | 0:37:07 | 0:37:10 | |
-Can I meet you halfway and give you 30 quid for them? -How about 35? | 0:37:10 | 0:37:14 | |
If you're happy with that. | 0:37:14 | 0:37:16 | |
Go on, I'll shake your hand, cos I like them. | 0:37:16 | 0:37:18 | |
Tony, I think that's me probably done. So, I'll pay for these. | 0:37:18 | 0:37:22 | |
There we are. You're a gentleman, sir. Lovely job. | 0:37:22 | 0:37:24 | |
Thank you very, very much indeed. | 0:37:24 | 0:37:25 | |
-Nice to have met you. -Take care now. -And you. | 0:37:25 | 0:37:28 | |
Well, Philip seems happy with his collection of pictures. | 0:37:28 | 0:37:31 | |
Meanwhile, Catherine's on her way to the nearby army garrison, | 0:37:33 | 0:37:36 | |
home to the Royal Signals Museum. | 0:37:36 | 0:37:39 | |
Her mission is to find out about a group of exceptional women | 0:37:39 | 0:37:43 | |
from World War Two's Special Operations Executive. | 0:37:43 | 0:37:47 | |
Adam Forty is the collections manager. He doesn't look it, though. | 0:37:47 | 0:37:51 | |
So, Adam, who were the SOE? | 0:37:51 | 0:37:52 | |
They were formed in the 1940s by Churchill, and they were | 0:37:52 | 0:37:56 | |
really agents who were sent to liaise with resistance in different | 0:37:56 | 0:38:00 | |
countries and create any kind of subversive sabotage and information | 0:38:00 | 0:38:06 | |
gathering that they possibly could, and report that back to London. | 0:38:06 | 0:38:11 | |
The SOE itself was really begun with the realisation that people | 0:38:11 | 0:38:15 | |
would be working in foreign countries, | 0:38:15 | 0:38:17 | |
so they would seek out from all sorts of different military units, | 0:38:17 | 0:38:21 | |
including the WAAF and others, people who were | 0:38:21 | 0:38:25 | |
fluent in Norwegian, Spanish, French, any foreign language. | 0:38:25 | 0:38:30 | |
The female side generally were recruited from all sorts of | 0:38:30 | 0:38:34 | |
different organisations and were given training in espionage | 0:38:34 | 0:38:38 | |
skills, parachuting, explosives. | 0:38:38 | 0:38:41 | |
In all, there was something like 3,200 female operators. | 0:38:41 | 0:38:45 | |
Not all of those were agents who got sent abroad, | 0:38:45 | 0:38:48 | |
but they might be doing activities here. | 0:38:48 | 0:38:50 | |
These women must have been pretty tough characters. | 0:38:50 | 0:38:52 | |
I mean, to do this sort of thing. | 0:38:52 | 0:38:54 | |
Not just tough, but astonishingly brave. | 0:38:54 | 0:38:56 | |
There was just a characteristic, perhaps of all people, | 0:38:56 | 0:39:00 | |
but particularly the female agents who went to France, | 0:39:00 | 0:39:03 | |
who were just determined to go and fulfil their task, | 0:39:03 | 0:39:07 | |
and if they were caught, not to give any information away. | 0:39:07 | 0:39:11 | |
Communications were vital for SOE field operatives passing | 0:39:11 | 0:39:15 | |
information back and forth between resistance groups and London. | 0:39:15 | 0:39:18 | |
The standard piece of kit was the suitcase radio. | 0:39:18 | 0:39:21 | |
The first one you can see here, which is the Type 3 Mk I. | 0:39:21 | 0:39:25 | |
This would have been carried...? | 0:39:25 | 0:39:27 | |
By the female operators going to France. | 0:39:27 | 0:39:30 | |
Have a go and see how heavy this actually is. | 0:39:30 | 0:39:32 | |
No. | 0:39:34 | 0:39:35 | |
That's impossible! | 0:39:36 | 0:39:37 | |
Oh, my goodness me. | 0:39:39 | 0:39:40 | |
32lb in weight. | 0:39:41 | 0:39:43 | |
So you can imagine trying to get off incognito, keeping it quiet, | 0:39:43 | 0:39:47 | |
looking like... | 0:39:47 | 0:39:48 | |
-Blending in. -Blending in and all with a 32lb case walking out. | 0:39:48 | 0:39:52 | |
Clearly, a terrifying prospect of carrying that around France. | 0:39:52 | 0:39:55 | |
Yes, back in London, radio operators like Jean Argyle carried out | 0:39:55 | 0:40:00 | |
a vital role supporting agents in the field. | 0:40:00 | 0:40:02 | |
She was just 18 when she was recruited into the SOE. | 0:40:02 | 0:40:05 | |
My main responsibility was to decipher messages received | 0:40:05 | 0:40:10 | |
during the night and also to encipher those | 0:40:10 | 0:40:12 | |
which we were sending out. | 0:40:12 | 0:40:14 | |
I found the most exciting thing was when you were given one of | 0:40:14 | 0:40:18 | |
these messages which hadn't worked out and nobody could work it out | 0:40:18 | 0:40:22 | |
and you were untangling it like a lot of wool, | 0:40:22 | 0:40:27 | |
almost like a game but you knew that it was more than a game. | 0:40:27 | 0:40:31 | |
Lives depended on getting it right. | 0:40:31 | 0:40:32 | |
If there was a crisis going on, | 0:40:32 | 0:40:35 | |
people were perhaps in danger of being caught by the Gestapo | 0:40:35 | 0:40:38 | |
and having to move and let us know where they were going. | 0:40:38 | 0:40:42 | |
The threat from the Germans was ever present | 0:40:42 | 0:40:44 | |
to SOE operatives in France. | 0:40:44 | 0:40:47 | |
They reckon that if you were transmitting any more than | 0:40:47 | 0:40:49 | |
about six to nine minutes, | 0:40:49 | 0:40:51 | |
the opportunity would give the Germans enough chance to actually | 0:40:51 | 0:40:55 | |
find you and potentially be knocking at your door shortly afterwards. | 0:40:55 | 0:40:59 | |
To drastically cut down transmitting time, | 0:40:59 | 0:41:01 | |
the SOE invented the squirt bar. | 0:41:01 | 0:41:04 | |
-So how do I do this, then? -If we do something very simple like SOS. | 0:41:04 | 0:41:07 | |
Can you remember your Morse code at all? | 0:41:07 | 0:41:09 | |
Dot, dot, dot, dash, dash, dash. | 0:41:09 | 0:41:10 | |
So if we get three dots out. | 0:41:10 | 0:41:12 | |
You won't want to do this in a rush, would you? | 0:41:12 | 0:41:14 | |
I'm not sure I've done that right. | 0:41:14 | 0:41:15 | |
No, that's right - three dots. Then a space. | 0:41:15 | 0:41:17 | |
-This is a space because it's between two letters? -Yes. | 0:41:17 | 0:41:20 | |
And now you start your dash, dash, dash. | 0:41:20 | 0:41:23 | |
The Type A Mk III has got a little probe and the idea is | 0:41:23 | 0:41:26 | |
that you very quickly start transmitting, | 0:41:26 | 0:41:29 | |
you would put your probe down that device | 0:41:29 | 0:41:32 | |
and that would send your transmission in a very quick time. | 0:41:32 | 0:41:36 | |
Even with this quick transmitting radio, | 0:41:36 | 0:41:38 | |
operatives were still at risk of capture. | 0:41:38 | 0:41:40 | |
The Germans, of course, were quite aware of this system going on. | 0:41:40 | 0:41:46 | |
There were agents all over the occupied countries. | 0:41:46 | 0:41:49 | |
A lot of people were captured as a result of this and they would | 0:41:49 | 0:41:52 | |
sometimes make them go on sending messages and they would try | 0:41:52 | 0:41:55 | |
to put some message inside it to convey that all was not well | 0:41:55 | 0:42:01 | |
and that they had been captured. | 0:42:01 | 0:42:03 | |
This was always rather frightening. | 0:42:03 | 0:42:05 | |
Several SOE women never made it back from Europe, | 0:42:05 | 0:42:08 | |
including George Cross winner, Violette Szabo. | 0:42:08 | 0:42:11 | |
Violette Szabo was a radio operator. | 0:42:11 | 0:42:14 | |
She went in slightly after D-Day and they got stopped at | 0:42:14 | 0:42:17 | |
a roadblock, they ran off, she jumped over a fence, | 0:42:17 | 0:42:20 | |
damaged her ankle and had a Sten gun and eight clips of ammunition, | 0:42:20 | 0:42:25 | |
so told her colleague that she was with to scarper and she then | 0:42:25 | 0:42:29 | |
ended up with a gunfight with the Gestapo | 0:42:29 | 0:42:32 | |
until all her bullets ran out and she was captured | 0:42:32 | 0:42:35 | |
and sadly tortured and murdered. | 0:42:35 | 0:42:37 | |
The women of the Special Operations Executive played a major role during | 0:42:39 | 0:42:42 | |
World War II, both behind enemy lines | 0:42:42 | 0:42:44 | |
and behind-the-scenes back in London. | 0:42:44 | 0:42:47 | |
We had all these very heroic people who were risking their lives and | 0:42:48 | 0:42:53 | |
it did depend, amongst others, on me, | 0:42:53 | 0:42:56 | |
to make sure that they came back. | 0:42:56 | 0:42:58 | |
It's still raining in Blandford and Philip, who's got just | 0:43:01 | 0:43:04 | |
over £174 left to spend has arrived at Milton Antiques. | 0:43:04 | 0:43:09 | |
-Hello! -Hi. -Hi, a voice from upstairs. Shall I can come on up? | 0:43:09 | 0:43:13 | |
-Yes, please do. -Goodness me. -They're quite steep, aren't they? | 0:43:13 | 0:43:16 | |
For a man of advanced years, they are. | 0:43:16 | 0:43:19 | |
It's OK, Philip, we've got plenty of time. | 0:43:19 | 0:43:21 | |
-Is it all right if I hang my brolly? -Please do. | 0:43:21 | 0:43:24 | |
-Is it all right to have a look around? -Have a look. -Thank you. | 0:43:24 | 0:43:27 | |
This has got some really good proper antiques in here. | 0:43:29 | 0:43:31 | |
This is a great place. | 0:43:31 | 0:43:33 | |
People today, they like decorative items and these ottomans with | 0:43:33 | 0:43:37 | |
this upholstered rising lid, concave sides, | 0:43:37 | 0:43:39 | |
that's 19th-century and this might be for me, actually. | 0:43:39 | 0:43:42 | |
Look at this - this has got a lift up lid that you put your linen in. | 0:43:42 | 0:43:47 | |
What is the most attractive for me is the potential price | 0:43:47 | 0:43:50 | |
because this has got £95 crossed out. | 0:43:50 | 0:43:54 | |
£60, crossed out. Now £40. | 0:43:54 | 0:43:57 | |
Just hoping it might be a little less in ten minutes' time. | 0:43:57 | 0:44:00 | |
Only time will tell, Philip. | 0:44:00 | 0:44:02 | |
What have you got your eye on now? | 0:44:02 | 0:44:04 | |
This is quite a nice little bijouterie table. | 0:44:04 | 0:44:06 | |
This is a table that you put your little silver collectables in | 0:44:06 | 0:44:10 | |
and other items that people used to search eagerly for | 0:44:10 | 0:44:16 | |
about 20 years ago. | 0:44:16 | 0:44:17 | |
It's £135. | 0:44:17 | 0:44:19 | |
That's sweet, isn't it? | 0:44:19 | 0:44:20 | |
Philip is obviously taken by the bijouterie table and the ottoman. | 0:44:20 | 0:44:24 | |
-Jules? -Yeah? -Your ottoman stool on the bijouterie table. -Right. | 0:44:24 | 0:44:29 | |
What's the best you could do on each of those, please? | 0:44:29 | 0:44:31 | |
-On the bijouterie... -You've got 135... -On the ticket. | 0:44:31 | 0:44:35 | |
-We could go to 110 on that one. -OK. And on the ottoman? | 0:44:35 | 0:44:39 | |
It's already been reduced. I think it's a fair price. | 0:44:39 | 0:44:43 | |
-So it's £150, the two? -Yup. | 0:44:43 | 0:44:46 | |
Would £140, the two, buy them? | 0:44:46 | 0:44:48 | |
-148? -Oh, hark at this! -SHE LAUGHS | 0:44:48 | 0:44:52 | |
-£140, the two. Would that be a deal? -45. | 0:44:52 | 0:44:55 | |
-145. -You're a star. Thank you, my love. | 0:44:55 | 0:44:57 | |
Thank very much indeed. | 0:44:57 | 0:44:59 | |
Nicely done. | 0:44:59 | 0:45:00 | |
Now, as Philip heads for the sunset, | 0:45:02 | 0:45:04 | |
Catherine's made her way to Shaftesbury | 0:45:04 | 0:45:07 | |
for her final shopping stop of the leg. | 0:45:07 | 0:45:09 | |
She has just over £100 to spend | 0:45:09 | 0:45:11 | |
and dealer Debbie is on hand to help. | 0:45:11 | 0:45:14 | |
Oh, I love the rocker. That's cute, isn't it? This one rocker. | 0:45:14 | 0:45:19 | |
I've bought a toy already, I bought a tin plate crane. | 0:45:19 | 0:45:22 | |
-That's what I bought earlier. -Oh, that'll be good. | 0:45:22 | 0:45:24 | |
So it'll be quite nice to buy another toy. | 0:45:24 | 0:45:27 | |
-A bit of a theme. -What's on the rocker? | 0:45:27 | 0:45:29 | |
48. | 0:45:29 | 0:45:31 | |
I don't know, though. | 0:45:31 | 0:45:33 | |
-Would a child be quite scared of that swan? -Scares me. | 0:45:33 | 0:45:35 | |
Anyway, what else is there, there? | 0:45:35 | 0:45:38 | |
Debbie, this is quite nice. | 0:45:38 | 0:45:40 | |
Bone letter opener. The thing is it's nibbled. | 0:45:40 | 0:45:44 | |
But I tell you what I like, I love the enamelled Union Jack there. | 0:45:44 | 0:45:49 | |
The problem is it has lost a bit of enamel and, I'm guessing, | 0:45:49 | 0:45:53 | |
hence the price. | 0:45:53 | 0:45:54 | |
-Which is? -18. | 0:45:54 | 0:45:56 | |
And that's going to be the price, as well. I can't do anything on that. | 0:45:56 | 0:46:00 | |
-Nothing at all? -I don't discount under £20. | 0:46:00 | 0:46:02 | |
Just when I thought I'd found something. | 0:46:04 | 0:46:06 | |
Honestly, Debbie, to be in with the chance, | 0:46:06 | 0:46:08 | |
I really need to get some sort of reduction. | 0:46:08 | 0:46:12 | |
-I'll see what I can do. -I would be very, very grateful. | 0:46:12 | 0:46:15 | |
-I appreciate that. -I'll go and give her a ring. -This is a lovely thing. | 0:46:15 | 0:46:18 | |
Letter openers, we do see quite often. | 0:46:18 | 0:46:21 | |
Can you imagine what this was like when it was absolutely perfect? | 0:46:21 | 0:46:24 | |
Because the colours are bright, they're so good, but having | 0:46:24 | 0:46:27 | |
a little chip to the enamel is bad news because you can't repair that. | 0:46:27 | 0:46:33 | |
I can't get her on the phone, I'm afraid. | 0:46:33 | 0:46:36 | |
I will take a risk and say 15, but that's as good as I'm going | 0:46:36 | 0:46:40 | |
to be able to do, I'm afraid. | 0:46:40 | 0:46:42 | |
-OK, that's fine. I'll take that for 15. -OK, brilliant. | 0:46:42 | 0:46:45 | |
-Thank you very much. -I'll put it on the desk for you. | 0:46:45 | 0:46:48 | |
Well, who'd have thought it? | 0:46:48 | 0:46:50 | |
Now, Catherine is still taken with that swan and Debbie is speaking to its owner. | 0:46:50 | 0:46:54 | |
Hello, Simon, it's Debbie. | 0:46:54 | 0:46:55 | |
What's your best price on the swan rocking chair? | 0:46:55 | 0:46:59 | |
It's got £48 on it at the moment. | 0:46:59 | 0:47:02 | |
30? | 0:47:02 | 0:47:03 | |
Can he do a little bit more? | 0:47:04 | 0:47:06 | |
-He won't go any more? -Is that your limit, Simon? 30? | 0:47:06 | 0:47:11 | |
-SIMON: -Who is this? | 0:47:11 | 0:47:13 | |
-This could be interesting. -Who is it? | 0:47:13 | 0:47:15 | |
What do you mean, "Who is it?" It's Catherine. For you, 25. | 0:47:15 | 0:47:19 | |
Aaaw! | 0:47:19 | 0:47:21 | |
-Can I say thank you? -Yeah, course you can. | 0:47:21 | 0:47:23 | |
Simon, that's really kind of you. Fantastic. | 0:47:23 | 0:47:27 | |
That's brilliant. Thank you so much. | 0:47:27 | 0:47:29 | |
So, Catherine has bagged the letter opener for £15 | 0:47:29 | 0:47:32 | |
and the swan rocker for 25. | 0:47:32 | 0:47:34 | |
I owe you £40. | 0:47:34 | 0:47:38 | |
While Catherine is swanning off with her latest buys... | 0:47:38 | 0:47:41 | |
..Philip has come to the pretty village of Lytchett Minster | 0:47:42 | 0:47:46 | |
which is nestled on the Dorset coastline. | 0:47:46 | 0:47:49 | |
He's come to The Old Button Shop to try and bag one last bargain, | 0:47:49 | 0:47:53 | |
but he's running low on funds. | 0:47:53 | 0:47:55 | |
-Thelma, it's you. -Hello. -I've been here before, haven't I? | 0:47:56 | 0:47:59 | |
-Yes, you have. -About two years ago, wasn't it? On a road trip. | 0:47:59 | 0:48:02 | |
-Couple of years ago. -Now, the thing is, I've bought four items. | 0:48:02 | 0:48:05 | |
I've got a set amount of money to spend. | 0:48:05 | 0:48:07 | |
I won't tell you what that is just yet. | 0:48:07 | 0:48:09 | |
You're going to knock me down and jump on me. | 0:48:09 | 0:48:11 | |
Don't worry, Thelma, he's much better behaved these days. | 0:48:11 | 0:48:14 | |
Shall we have a look? | 0:48:14 | 0:48:16 | |
Thelma has got plenty of stock in here. | 0:48:17 | 0:48:19 | |
I quite like these glasses. Let me put them on the table by you. | 0:48:19 | 0:48:22 | |
They're really nice, those are. | 0:48:22 | 0:48:25 | |
They are 19th century, I think, aren't they? | 0:48:25 | 0:48:27 | |
So you've got those at £18 a pair and £17 pair. | 0:48:27 | 0:48:30 | |
That's £35 for the four. What could you do those for? | 0:48:30 | 0:48:35 | |
20 quid. | 0:48:35 | 0:48:36 | |
-Those are a possibility, aren't they? -Are they a possibility? | 0:48:36 | 0:48:39 | |
They are a possibility but I haven't finished yet. | 0:48:39 | 0:48:41 | |
Got your eye on another glass, then, Phil? | 0:48:41 | 0:48:44 | |
Now those, Thelma, are they £4 each? | 0:48:44 | 0:48:47 | |
-Yeah. -What can you do those four for? -£10. | 0:48:47 | 0:48:51 | |
-Ten? You can do better than that. You're not trying. -Eight. | 0:48:51 | 0:48:55 | |
You're still not trying. Hold on a minute. I haven't finished yet. | 0:48:55 | 0:48:59 | |
More glasses? | 0:48:59 | 0:49:01 | |
Little custard glass. I reckon I can do that for a fiver. | 0:49:02 | 0:49:06 | |
Let me tell you something. | 0:49:06 | 0:49:08 | |
We know that these are green glass, | 0:49:08 | 0:49:09 | |
probably little cordial glasses or whatever. | 0:49:09 | 0:49:11 | |
Now these, you've called them sherry glasses but I don't think they are. | 0:49:11 | 0:49:15 | |
These are illusion glasses. | 0:49:15 | 0:49:18 | |
They're called illusion glasses cos the bottom is so much thicker. | 0:49:18 | 0:49:21 | |
Basically, these don't hold as much so, whoever you were drinking with, | 0:49:21 | 0:49:25 | |
you could drink half as much as them and they all thought | 0:49:25 | 0:49:28 | |
you were drinking the same amount as them. | 0:49:28 | 0:49:30 | |
So I think these are really lovely. Right, Thelma. | 0:49:30 | 0:49:33 | |
One for the road. | 0:49:33 | 0:49:34 | |
You can have that for a fiver as well. | 0:49:34 | 0:49:37 | |
The combined ticket price on the glassware is £81. | 0:49:37 | 0:49:40 | |
-20, 30, 5. -No, all of this is irrelevant, Thelma. -Why? | 0:49:40 | 0:49:46 | |
Because however much you want, I'm going to tell you how much I've got. | 0:49:46 | 0:49:50 | |
It's a good job you're sitting down. | 0:49:50 | 0:49:52 | |
I've got £29.94. | 0:49:52 | 0:49:56 | |
-Go on a bit, please. -For these? -Yes. -I'll have those. | 0:49:56 | 0:50:00 | |
Thelma, what a lady. You're a star. Thank you very much. | 0:50:00 | 0:50:05 | |
That last buy means Philip has spent every last penny. | 0:50:05 | 0:50:09 | |
He adds his 19th-century glassware to some vintage naval signal flags, | 0:50:09 | 0:50:13 | |
an Edwardian bijouterie table, | 0:50:13 | 0:50:16 | |
a Victorian ottoman and a set of historic sporting prints. | 0:50:16 | 0:50:20 | |
Catherine has spent £111. | 0:50:20 | 0:50:23 | |
Her haul includes a tin plate crane, a 1930s biscuit tin, a croquet set, | 0:50:23 | 0:50:28 | |
a bone letter opener and a child's swan rocker. | 0:50:28 | 0:50:32 | |
So, what do our experts make of each other's buys? | 0:50:32 | 0:50:34 | |
Well, Mr Serrell has done it again. | 0:50:34 | 0:50:37 | |
He has bought those fantastic signals for £50. How did he do that? | 0:50:37 | 0:50:41 | |
-I do not know. -So you bought a plywood child's rocking swan? | 0:50:41 | 0:50:47 | |
But what I do like, that bone letter opener or page turner, | 0:50:47 | 0:50:50 | |
I think that's a lovely, lovely thing. | 0:50:50 | 0:50:52 | |
But the best thing of all by far is that bijouterie table and I | 0:50:52 | 0:50:57 | |
am jealous with a capital J. | 0:50:57 | 0:50:59 | |
That was super. | 0:50:59 | 0:51:01 | |
After setting off from Salisbury, | 0:51:01 | 0:51:03 | |
our experts are now heading for auction in the town of Christchurch. | 0:51:03 | 0:51:07 | |
Today's auction takes place at family run Bulstrodes Saleroom. | 0:51:07 | 0:51:10 | |
What does auctioneer Kate Howe think of our expert's lots? | 0:51:10 | 0:51:14 | |
The vintage signalling flags is a lot I particularly love. | 0:51:14 | 0:51:17 | |
You've got a good number, they are very, | 0:51:17 | 0:51:19 | |
very strong in the decorator's market at the moment and I think | 0:51:19 | 0:51:22 | |
they're going to do very well. | 0:51:22 | 0:51:23 | |
We've got a lot of interest in those already. | 0:51:23 | 0:51:26 | |
Anyway, experts, take your seats. | 0:51:26 | 0:51:28 | |
It's busy in here today and the auction house also accepts | 0:51:28 | 0:51:32 | |
internet bids. | 0:51:32 | 0:51:33 | |
First up, though, Philip's 19th-century glassware. All of it. | 0:51:33 | 0:51:36 | |
£20 for them. Start me at 20, surely. | 0:51:36 | 0:51:39 | |
£10 then. They've got to go. | 0:51:39 | 0:51:41 | |
-Thank you, ten. -Might have helped if she'd mentioned the word "illusion." | 0:51:41 | 0:51:45 | |
Yes. 12 on the internet. 14 in the room. Any more from the internet? | 0:51:45 | 0:51:50 | |
Put the hammer down. Smash the lot. 18 in the room. | 0:51:50 | 0:51:53 | |
20? Thank you. £20. £22. Internet against. Yes, 24. | 0:51:53 | 0:51:59 | |
26 in the room. 28. 30. Now we go five. | 0:51:59 | 0:52:05 | |
35. Shakes her head. | 0:52:05 | 0:52:07 | |
Internet buyer will hold it, the room is out at £35. | 0:52:07 | 0:52:13 | |
-I don't know how that happened. -Well done. -Thanks, hon. | 0:52:13 | 0:52:16 | |
Don't break the champagne out just yet, Philip. | 0:52:16 | 0:52:20 | |
Next up is Catherine's bone letter opener. | 0:52:20 | 0:52:23 | |
£20, little bit of enamel there. Decoration. 20. Two. 24. | 0:52:23 | 0:52:28 | |
-You're off to the races. -Bit more, bit more. -26 on the internet. | 0:52:28 | 0:52:33 | |
Any more? We'll sell to the internet at £26. | 0:52:33 | 0:52:37 | |
-A little. -It's a profit. -A little bit. | 0:52:37 | 0:52:40 | |
-A little profit is better than a big loss. -Small acorns and all that. | 0:52:40 | 0:52:43 | |
Now, can Catherine keep her winning streak going with her next lot, | 0:52:43 | 0:52:48 | |
her vintage tin plate crane? | 0:52:48 | 0:52:50 | |
-£10 to start me, then. Come on, £10. -Oh, come on. -£10. Ten is bid. | 0:52:50 | 0:52:54 | |
-Thank you. 12, 14 is bid. right at the back. -Sit still, woman. | 0:52:54 | 0:53:00 | |
-16. All is fair in love and war. -Oh, yes. Keep going. -At 16. Anyone else? | 0:53:00 | 0:53:05 | |
-At 16. We'll sell to the room. -Oh, dear. -Never mind, Catherine. | 0:53:05 | 0:53:11 | |
There's still time to make a profit, girl. | 0:53:11 | 0:53:13 | |
You'd never catch me buying rusty stuff. I'm not into that type thing. | 0:53:13 | 0:53:18 | |
Really, Philip? Next up is your Eaton and Harrow sporting prints. | 0:53:18 | 0:53:22 | |
-£20, let's start then. Two, 24. -He's bidding over there. | 0:53:22 | 0:53:27 | |
26, 28, 30, five, | 0:53:27 | 0:53:30 | |
40, five at the back, | 0:53:30 | 0:53:33 | |
50, five, 60, five, | 0:53:33 | 0:53:37 | |
-70, five, 80. -Phil? | 0:53:37 | 0:53:41 | |
-It sort of helps. -Internet is out. We sell to the room at 80. | 0:53:41 | 0:53:47 | |
-Thank you. -Wow, you hit that one in six, Philip. | 0:53:47 | 0:53:50 | |
Now it's time for Catherine's 1930s biscuit tin. | 0:53:50 | 0:53:54 | |
Start at £30. | 0:53:54 | 0:53:55 | |
£30, low estimate. 35 and 40, five, | 0:53:55 | 0:54:00 | |
-50... -Yes! -Well done. -..five, 60, five, 70. | 0:54:00 | 0:54:05 | |
-At 70 and five is bid. -Keep going. -80. Five. At £85 for this lot. | 0:54:05 | 0:54:11 | |
-So excited for you. -We sell at £85. | 0:54:11 | 0:54:15 | |
That is a top buy, wasn't it? | 0:54:15 | 0:54:17 | |
Crikey, Catherine. That's a whopping profit. | 0:54:17 | 0:54:20 | |
Auctioneer Robin has taken over the hot seat from his | 0:54:20 | 0:54:23 | |
daughter just in time for Philip's Victorian ottoman. | 0:54:23 | 0:54:26 | |
£20 straight in, anyone. £20 bid. | 0:54:26 | 0:54:31 | |
22, the lady. 24, 26, 28, £30. | 0:54:31 | 0:54:36 | |
-Someone has your vision, Philip. -New bidder. 45, I'm bid. | 0:54:36 | 0:54:43 | |
-At 45, selling it now. -I'll settle for that. -Yes, yes. | 0:54:43 | 0:54:48 | |
A profit's a profit, Phil. Now, Catherine's swan rocker is next. | 0:54:48 | 0:54:53 | |
£20 to start me off. Ten then. £10. 12 in the front. | 0:54:53 | 0:54:58 | |
14, 16, 18, 20, £20 front row. | 0:54:58 | 0:55:04 | |
-22. 22 at the back of the room now. -Always knew I liked it. | 0:55:04 | 0:55:09 | |
-All done then at 22. -Too bad, Catherine. | 0:55:09 | 0:55:13 | |
No swansong with that lot. | 0:55:13 | 0:55:15 | |
Now we've got Philip's naval flags. | 0:55:15 | 0:55:17 | |
£50, anyone. Start me off then. | 0:55:17 | 0:55:21 | |
Ten for these, £10. 12, 14, 16, 18, | 0:55:21 | 0:55:25 | |
20, two, four, six, eight, 28. 30 here. | 0:55:25 | 0:55:31 | |
-Five, 40, five, 50, new bidder. -There they go. | 0:55:31 | 0:55:36 | |
-55. -She's got a bid over there, as well. | 0:55:36 | 0:55:39 | |
65. 70? | 0:55:39 | 0:55:41 | |
75. 75. £80 for the flags. | 0:55:41 | 0:55:46 | |
£80. | 0:55:46 | 0:55:48 | |
Blimey, someone's got a bargain. | 0:55:48 | 0:55:50 | |
How will Catherine's croquet set do? | 0:55:50 | 0:55:52 | |
£50. | 0:55:52 | 0:55:54 | |
-He wants that down the end, my new friend. -55. | 0:55:54 | 0:55:57 | |
£60. 65. 70. 75. And again? Come on. | 0:55:57 | 0:56:03 | |
-Yes, come on, come on. -£80. -Yes, well done. | 0:56:03 | 0:56:06 | |
-Five, 85. -See? -Absolutely... -Shh! | 0:56:06 | 0:56:10 | |
-90 at the back. -90 at the back, shush. | 0:56:10 | 0:56:15 | |
-Any more, then? Last time. -Bidding! -Back in again. | 0:56:15 | 0:56:18 | |
-I think he's done this before. -95, any more now? | 0:56:18 | 0:56:21 | |
-100 at the back. -100 at the back! | 0:56:21 | 0:56:24 | |
Are you going to have another go for a fiver? 105 it is. At £105. | 0:56:24 | 0:56:30 | |
Do you know? I think she's pleased. Ha! So she should be. | 0:56:32 | 0:56:36 | |
Next up is Philip's last lot, the Edwardian bijouterie table. | 0:56:37 | 0:56:41 | |
£60 on this, straight in. 65, | 0:56:41 | 0:56:44 | |
70, five, 80, five, 90. It's jumped on the net. £90. | 0:56:44 | 0:56:50 | |
-100, it has gone too now. 120. 130. -No problems with this. | 0:56:50 | 0:56:54 | |
140, internet bidder. | 0:56:54 | 0:56:56 | |
-150, waving the arm. 160, 170, 180. -I told you, 200. | 0:56:56 | 0:57:02 | |
-190, internet. -190. 200? -200, yes, please. | 0:57:02 | 0:57:06 | |
-200 it is. £200. 210 on the internet. -220. -220. 230 on the net. | 0:57:06 | 0:57:12 | |
230 I'm bid. | 0:57:12 | 0:57:14 | |
-Internet holds it now at £230. -That's a good find, Phil. | 0:57:14 | 0:57:17 | |
-All done? -That's all right, isn't it? -Yeah. -230. | 0:57:17 | 0:57:20 | |
That's brilliant. | 0:57:20 | 0:57:22 | |
Blimey, that is a stonking profit for Philip. | 0:57:22 | 0:57:25 | |
It has been real swings and roundabouts. | 0:57:25 | 0:57:27 | |
-Or even ducks and bijouterie tables. -Come on. | 0:57:27 | 0:57:31 | |
That's the second auction completed, so let's do the sums. | 0:57:31 | 0:57:35 | |
Catherine started off with £172.30. | 0:57:35 | 0:57:37 | |
After paying auction costs, | 0:57:37 | 0:57:39 | |
she made a profit of £97.28, | 0:57:39 | 0:57:42 | |
leaving her a total of £269.58 to spend next time. | 0:57:42 | 0:57:48 | |
Philip started off with £259.94. | 0:57:48 | 0:57:51 | |
After paying auction costs, he made a profit of £125.46. | 0:57:51 | 0:57:57 | |
Wow! Leaving him with the princely sum of £385.40 to spend next time. | 0:57:57 | 0:58:03 | |
-Well, good enough day, I think, for you to drive. -Yes! | 0:58:03 | 0:58:07 | |
-Are you ready for this? -Drive on, drive on. | 0:58:07 | 0:58:10 | |
-Ready? -As I'll ever be. | 0:58:10 | 0:58:12 | |
Why are you closing your eyes? Yee-ha, we are on the way! | 0:58:12 | 0:58:17 | |
Cheerio, then. Next time on the Antiques Road Trip... | 0:58:17 | 0:58:20 | |
-Change gear, change gear. -Go. -Catherine is on a roll. | 0:58:20 | 0:58:24 | |
-Could it be a bargain? -Could be. -Could be a bargain. | 0:58:24 | 0:58:28 | |
-And Philip is all at sea. -I'm not sure who's done who here. | 0:58:28 | 0:58:31 |