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It's the nation's favourite antiques experts... | 0:00:02 | 0:00:04 | |
-That's cracking. -..with £200 each... -Wonderful. | 0:00:04 | 0:00:07 | |
..a classic car and a goal - to scour Britain for antiques. | 0:00:07 | 0:00:11 | |
-That's exactly what I'm talking about. -I'm all over a-shiver! | 0:00:11 | 0:00:14 | |
The aim - to make the biggest profit at auction, | 0:00:14 | 0:00:16 | |
but it's no mean feat. | 0:00:16 | 0:00:18 | |
-No-brainer. -Going, going, gone. | 0:00:18 | 0:00:20 | |
There'll be worthy winners and valiant losers. | 0:00:20 | 0:00:23 | |
-So, will it be the high road to glory... -Push! | 0:00:23 | 0:00:26 | |
-..or the slow road to disaster? -How awfully, awfully nice. | 0:00:26 | 0:00:29 | |
This is Antiques Road Trip. | 0:00:29 | 0:00:31 | |
Yeah! | 0:00:33 | 0:00:35 | |
SHEEP BLEATS | 0:00:37 | 0:00:39 | |
Welcome to the fifth and final leg of the trip. | 0:00:39 | 0:00:42 | |
My, how time flies. | 0:00:42 | 0:00:44 | |
Our experts, Philip Serrell and Catherine Southon, | 0:00:44 | 0:00:47 | |
find themselves driving through a sunny South Wales | 0:00:47 | 0:00:50 | |
in a 1970 Citroen DS 20. | 0:00:50 | 0:00:53 | |
Phil's built up a cracking lead, | 0:00:53 | 0:00:56 | |
but Catherine might just have worked out the secret to his success. | 0:00:56 | 0:00:59 | |
-Is your scarf a lucky thing? -Absolutely right. | 0:00:59 | 0:01:02 | |
You don't think I'd wear this for pleasure, do you? | 0:01:02 | 0:01:04 | |
-Is it a lucky charm? -Yeah! -Oh, is it? -Yeah. | 0:01:04 | 0:01:07 | |
-Oh, I'm going to take it off... -No, no, no! -You made me jump! | 0:01:07 | 0:01:11 | |
Both experts started with £200. | 0:01:12 | 0:01:14 | |
After four auctions, Catherine now has £250.38 to play with. | 0:01:14 | 0:01:20 | |
Philip, though, | 0:01:20 | 0:01:22 | |
has a very healthy £394.42 to spend on this trip's last leg. | 0:01:22 | 0:01:27 | |
Jolly up, Phil. | 0:01:27 | 0:01:28 | |
-We're right at the end now. -Yeah. | 0:01:28 | 0:01:30 | |
We are at the end of our road trip, which is actually quite sad. | 0:01:30 | 0:01:33 | |
I'm really sad. | 0:01:33 | 0:01:34 | |
I'm really sad. Chin up, though, it's not over yet. | 0:01:34 | 0:01:37 | |
This pair's road trip kicked off in Coleshill in Warwickshire, | 0:01:37 | 0:01:40 | |
meandered around the Midlands, | 0:01:40 | 0:01:42 | |
before heading due south to the coast, | 0:01:42 | 0:01:44 | |
turning west down to the tip of Cornwall, | 0:01:44 | 0:01:46 | |
nipping briefly into South Wales, | 0:01:46 | 0:01:47 | |
and will finish up at an auction in Wells. | 0:01:47 | 0:01:49 | |
Today, our experts start off in the seaside town of Barry, | 0:01:50 | 0:01:54 | |
and end up at auction in that elegant cathedral city in Somerset. | 0:01:54 | 0:01:57 | |
The family-run Hawkins Antiques is our experts' first shop. | 0:01:57 | 0:02:02 | |
Where have you brought me to? | 0:02:02 | 0:02:04 | |
Well...I know this man, cos he comes to my sales and buys. | 0:02:04 | 0:02:09 | |
-Ohh! -And his dad used to come to my sale and buy. | 0:02:09 | 0:02:11 | |
Better watch you don't end up with some of it back again, then, Philip. | 0:02:11 | 0:02:15 | |
-Hello. -Hello. -Anthony, how are you? -Hello! | 0:02:15 | 0:02:17 | |
-Hello, you're...? -I'm Terence. -Terry. | 0:02:17 | 0:02:20 | |
-Terence. -Anthony. -Anthony. OK. | 0:02:20 | 0:02:23 | |
-Lead the way, Terence. Is it Terence or Terry? -You can call me Terry. | 0:02:23 | 0:02:28 | |
-There you go. See, I'm in already. -Can I call you Anthony? -You can. | 0:02:28 | 0:02:31 | |
I'll take you through here, Philip. | 0:02:31 | 0:02:33 | |
What should I be looking at, Anthony? | 0:02:35 | 0:02:37 | |
You can look at anything, Philip. | 0:02:37 | 0:02:39 | |
There's all shapes, all sizes and prices. | 0:02:39 | 0:02:41 | |
And how much is that little Omega? | 0:02:41 | 0:02:44 | |
That could be £120. | 0:02:44 | 0:02:45 | |
-That's a nice one. -Can I have a look at that? | 0:02:45 | 0:02:48 | |
Yeah, certainly. Yeah, you can have a look at that. | 0:02:48 | 0:02:50 | |
It's just a nice little watch. | 0:02:50 | 0:02:51 | |
What's nice about this is, it's got the Omega mark just there, you can see that there, | 0:02:51 | 0:02:54 | |
and you can see that there - it's clearly the Greek letter omega. | 0:02:54 | 0:02:58 | |
-Can I think about that, Anthony? -Certainly, yeah. -Can I be sneaky? | 0:02:58 | 0:03:01 | |
Can I put it in my pocket, just in case Catherine comes along? | 0:03:01 | 0:03:04 | |
-Now, now, Philip. -Certainly, providing you don't forget about it. | 0:03:04 | 0:03:08 | |
As if I would. As if I would. | 0:03:08 | 0:03:09 | |
Anyway, how IS Catherine getting on? | 0:03:10 | 0:03:12 | |
My goodness. You've got stuff everywhere. | 0:03:12 | 0:03:15 | |
-OK. -I'm so glad I wore high heels today. | 0:03:15 | 0:03:18 | |
Ah, Terry's got some stock that's a little familiar. | 0:03:18 | 0:03:21 | |
Phil bought an Edwardian bijouterie table. | 0:03:21 | 0:03:24 | |
-This was a couple of days ago. -Yeah? | 0:03:24 | 0:03:26 | |
He paid about £100 for it. | 0:03:26 | 0:03:28 | |
That's right, Catherine, | 0:03:28 | 0:03:29 | |
and it made a healthy profit. | 0:03:29 | 0:03:31 | |
-Well done. -Thanks. | 0:03:31 | 0:03:32 | |
It's got pierced fretwork top there. | 0:03:32 | 0:03:35 | |
It's mahogany, circa sort of 1880-1900. | 0:03:35 | 0:03:40 | |
But there's no ticket price, Terry. | 0:03:40 | 0:03:42 | |
I did say I'd do you a good deal. | 0:03:42 | 0:03:44 | |
-£50. -Gosh, that's cheap! | 0:03:44 | 0:03:46 | |
-Would you? -And I'm 100% sure that you'll do well on that. | 0:03:46 | 0:03:50 | |
-We can't lose, can we? -Deal. | 0:03:50 | 0:03:51 | |
-We can't lose? -No, we cannot lose. -We cannot lose! We cannot lose. | 0:03:51 | 0:03:55 | |
We're in this together, Terry. Right, I'm having that. | 0:03:55 | 0:03:58 | |
Let's leave Catherine browsing with Terry | 0:03:58 | 0:04:00 | |
and see what's occurring with Philip. | 0:04:00 | 0:04:02 | |
That little brass plaque. | 0:04:02 | 0:04:04 | |
-Is that by anybody? -That's bronze, that is. | 0:04:04 | 0:04:06 | |
-Who's that by, then? -I don't know who it's by, in all honesty. | 0:04:06 | 0:04:10 | |
We'll have a look. It could be £60. | 0:04:10 | 0:04:13 | |
I quite like that. | 0:04:13 | 0:04:15 | |
It's a well-made thing, isn't it? And if you can see just here, look, | 0:04:17 | 0:04:21 | |
there's the signature of the person that's made it. | 0:04:21 | 0:04:23 | |
And it's got that clip there that's just meant to hang on | 0:04:23 | 0:04:26 | |
-someone's wall, isn't it? -Yep. | 0:04:26 | 0:04:27 | |
-It looks to me like it's '20s, almost, isn't it? -Yeah. | 0:04:27 | 0:04:30 | |
-I'm going to have to think about that. -Fair enough. | 0:04:31 | 0:04:33 | |
Meanwhile, Anthony is showing Philip a coffer bach. | 0:04:33 | 0:04:36 | |
A traditional Welsh chest to you and me. | 0:04:36 | 0:04:40 | |
You know, it's a nice piece, untouched, original, oak. | 0:04:40 | 0:04:44 | |
What date's that, then, Anthony? | 0:04:44 | 0:04:46 | |
I'd say that's 1820, 1840, Philip. | 0:04:46 | 0:04:48 | |
Oh! | 0:04:49 | 0:04:51 | |
People talk about the shadow and if you look at this here, | 0:04:52 | 0:04:56 | |
you can see that that from there down | 0:04:56 | 0:05:00 | |
is a lot darker than from there up. | 0:05:00 | 0:05:03 | |
And that's because this little sliver here | 0:05:03 | 0:05:05 | |
has always been hidden by this and it just shows that it is as honest | 0:05:05 | 0:05:08 | |
-as the day is long, isn't it? -Yeah. -And how much is that, Anthony? | 0:05:08 | 0:05:11 | |
That could be 120, Philip. It's a good price. | 0:05:11 | 0:05:14 | |
Now, you told me not to walk out | 0:05:14 | 0:05:16 | |
with that watch in me pocket, didn't you? | 0:05:16 | 0:05:18 | |
Well remembered, Mr Serrell. | 0:05:18 | 0:05:20 | |
Those, to me, look like they're 150 quid the two. | 0:05:20 | 0:05:24 | |
I couldn't do them for 150, Philip. | 0:05:24 | 0:05:26 | |
-What could you do them for, then? -200. | 0:05:26 | 0:05:28 | |
100 quid each. | 0:05:28 | 0:05:30 | |
See, my maths is good. I'd worked that out. | 0:05:30 | 0:05:32 | |
I'm going to ask you now, what is your very, very, very best price? | 0:05:32 | 0:05:35 | |
180 quid the two, Philip, | 0:05:35 | 0:05:37 | |
and you're having two for the price of one there. | 0:05:37 | 0:05:40 | |
Go on, I'll have those two. You're a gentleman, thank you. | 0:05:40 | 0:05:42 | |
Now, while I'm at it, | 0:05:42 | 0:05:44 | |
what do you think about that little bronze plaque? | 0:05:44 | 0:05:46 | |
It's a good piece. | 0:05:46 | 0:05:48 | |
And what's the finish on that? | 0:05:48 | 0:05:49 | |
30. | 0:05:49 | 0:05:51 | |
I haven't got any change, though. | 0:05:51 | 0:05:53 | |
20, would that buy it? | 0:05:53 | 0:05:54 | |
You're a gentleman, Anthony, thank you. | 0:05:56 | 0:05:59 | |
He's a lovely lad, isn't he? | 0:06:00 | 0:06:01 | |
Right, that's £200 spent, isn't it? | 0:06:01 | 0:06:04 | |
Yes. £100 on the watch, | 0:06:04 | 0:06:06 | |
£80 on the coffer bach | 0:06:06 | 0:06:08 | |
and 20 for the bronze plaque. | 0:06:08 | 0:06:10 | |
Now, where's Catherine got to? | 0:06:11 | 0:06:13 | |
Oh, I like that casket. | 0:06:13 | 0:06:15 | |
-Yeah, that's lovely, isn't it? -For letters. -Yeah. -What's on this? | 0:06:15 | 0:06:19 | |
I quite like that. It needs a bit of work. | 0:06:19 | 0:06:21 | |
It's actually £200 but look at that, though. | 0:06:21 | 0:06:24 | |
-Yeah, it's lovely. -I think it's gilt bronze. | 0:06:24 | 0:06:26 | |
It looks like it's bronze. | 0:06:26 | 0:06:28 | |
-Beautiful, isn't it? -I love these little masks on the feet. | 0:06:28 | 0:06:30 | |
It's lovely. Could you get slightly under 100? Like, 95? | 0:06:30 | 0:06:35 | |
Erm... | 0:06:35 | 0:06:36 | |
Why don't we shake on 100? | 0:06:37 | 0:06:39 | |
That would be the most I've spent on the whole road trip. | 0:06:39 | 0:06:43 | |
I will do 95. | 0:06:43 | 0:06:44 | |
-Will you? -Yeah, cos I want you to do well. | 0:06:44 | 0:06:47 | |
Oh, thank you, cos I really love that. | 0:06:47 | 0:06:50 | |
I love that more than the table | 0:06:50 | 0:06:52 | |
and I know you really believe in the table. I just love this. | 0:06:52 | 0:06:56 | |
I think you've got two items now that you're going to do well in. | 0:06:56 | 0:06:59 | |
So, Catherine is going for the gilt-bronze casket | 0:06:59 | 0:07:02 | |
and the bijouterie table for £145. | 0:07:02 | 0:07:05 | |
-Thank you very much. -Lovely. | 0:07:05 | 0:07:08 | |
Thank you. I love this. Thank you very much. | 0:07:08 | 0:07:10 | |
Well, Catherine's done some really good business there. | 0:07:10 | 0:07:13 | |
But Philip's not done just yet. | 0:07:13 | 0:07:15 | |
He's made his way down to the town of Newport, | 0:07:15 | 0:07:18 | |
where he's visiting the Strawberry Water Junk Company. | 0:07:18 | 0:07:21 | |
Should suit him down to the ground, that. | 0:07:21 | 0:07:24 | |
-Hi. Philip. How are you? -Hello. John. | 0:07:24 | 0:07:26 | |
Nice to meet you. I love that lampshade. | 0:07:26 | 0:07:28 | |
-It's great, isn't it? -It's special, isn't it? | 0:07:28 | 0:07:30 | |
-How much is that? I really love that. -600 quid. | 0:07:30 | 0:07:33 | |
I don't like those at all really. | 0:07:33 | 0:07:35 | |
I thought that might change your mind, Phil. | 0:07:35 | 0:07:38 | |
-You've got an office chair here, John. -It's nice, isn't it? | 0:07:40 | 0:07:44 | |
Yeah, I quite like that one. | 0:07:44 | 0:07:45 | |
You've got a price ticket here, haven't you? | 0:07:45 | 0:07:48 | |
Oh, gosh, I'm poles away from you on that. | 0:07:48 | 0:07:51 | |
You've got 145 there. | 0:07:51 | 0:07:53 | |
Lovely chair. | 0:07:53 | 0:07:54 | |
Lovely price, though. | 0:07:54 | 0:07:56 | |
We're open to offers. | 0:07:56 | 0:07:57 | |
I do like a compromise. | 0:07:57 | 0:07:59 | |
I don't want to insult you, | 0:07:59 | 0:08:00 | |
but it's the one thing in your shop that I'd like to buy, I think. | 0:08:00 | 0:08:03 | |
So we've got a...a mahogany. | 0:08:03 | 0:08:05 | |
Probably Art Nouveau in a way. | 0:08:07 | 0:08:09 | |
-1885-1895. -Going towards that, I think. | 0:08:09 | 0:08:13 | |
Swivel office armchair, isn't it? | 0:08:13 | 0:08:15 | |
I'm a long, long, long way off your price. | 0:08:15 | 0:08:18 | |
What's a long way? | 0:08:19 | 0:08:20 | |
In my eyes, I've got to buy that for 40 quid. | 0:08:20 | 0:08:23 | |
I thought you'd say that. | 0:08:24 | 0:08:26 | |
I think it's a lovely chair. Is 40 any good to you? | 0:08:26 | 0:08:29 | |
Honestly, it's my best shot. I've had a bad time. | 0:08:29 | 0:08:32 | |
I've had a really bad time. | 0:08:32 | 0:08:34 | |
TIM SOBS The old sympathy card! | 0:08:34 | 0:08:36 | |
That's enough, Phil! | 0:08:36 | 0:08:37 | |
You've got us all at it. | 0:08:37 | 0:08:39 | |
You've tried to sell me a canoe | 0:08:39 | 0:08:41 | |
that has got more holes in it than a sieve. | 0:08:41 | 0:08:44 | |
40 quid. | 0:08:45 | 0:08:46 | |
-This is Bafta stuff now! -Oh, go on. -You're a gentleman. | 0:08:48 | 0:08:50 | |
Thank you ever so much. You're a star. | 0:08:50 | 0:08:52 | |
Let me pay you, thank you. You've been very kind to me. Thank you. | 0:08:52 | 0:08:55 | |
A comfy chair for £40. | 0:08:55 | 0:08:57 | |
Just as well Phil's got to wait for Catherine. | 0:08:57 | 0:09:00 | |
Nice ice. | 0:09:00 | 0:09:01 | |
Nighty-night, then. | 0:09:03 | 0:09:04 | |
Morning, everyone. Who's jogging? | 0:09:06 | 0:09:08 | |
Oh, no, here we go. | 0:09:08 | 0:09:09 | |
Philip's in the driving seat and our experts are heading out of Wales. | 0:09:09 | 0:09:12 | |
Certainly no hanging about this morning. First stop is in Bristol. | 0:09:12 | 0:09:16 | |
-See you later. -Bye! | 0:09:16 | 0:09:18 | |
Philip is dropping Catherine off at the newly opened | 0:09:18 | 0:09:21 | |
Rachel's and Michael's Antiques. | 0:09:21 | 0:09:23 | |
-Hello. -Hello. | 0:09:23 | 0:09:26 | |
I recognise you two! | 0:09:26 | 0:09:28 | |
You used to have a shop next door, didn't you? | 0:09:28 | 0:09:31 | |
I had a shop called Rachel's and Dad had a shop | 0:09:31 | 0:09:33 | |
called Michael's Antiques next to each other and now | 0:09:33 | 0:09:36 | |
we've got Rachel's and Michael's Antiques under one roof. | 0:09:36 | 0:09:38 | |
Under one roof. | 0:09:38 | 0:09:39 | |
Talk about keeping it in the family, eh? | 0:09:39 | 0:09:41 | |
So we meet again. And you haven't aged a thing. | 0:09:41 | 0:09:44 | |
That Michael's a smoothie. | 0:09:44 | 0:09:46 | |
The problem is, of course, I haven't got a lot of money to spend. | 0:09:46 | 0:09:48 | |
Did I have quite a bit of money last time? | 0:09:48 | 0:09:51 | |
Well, you did, but we couldn't get it off of you. | 0:09:51 | 0:09:53 | |
CATHERINE LAUGHS | 0:09:53 | 0:09:55 | |
Nothing new there, then. She has £105 this time round. | 0:09:55 | 0:09:58 | |
Have a look in there, cos these are things I haven't appraised | 0:09:58 | 0:10:01 | |
or done anything with. | 0:10:01 | 0:10:02 | |
A couple of little watches. | 0:10:02 | 0:10:03 | |
That's quite a cute little thing. | 0:10:03 | 0:10:05 | |
And they're both 14-carat, I think. | 0:10:05 | 0:10:07 | |
Well, that's cute, isn't it? | 0:10:07 | 0:10:09 | |
That's like a little half... half-hunter. But a fob. | 0:10:09 | 0:10:12 | |
A half-hunter pocket watch allows you to read the time | 0:10:12 | 0:10:15 | |
when the cover is closed. | 0:10:15 | 0:10:17 | |
And we know that one's gold. | 0:10:17 | 0:10:18 | |
But this one, you see, came in with it and that one is definitely gold. | 0:10:18 | 0:10:21 | |
That's quite sweet, isn't it? Being a little kangaroo. | 0:10:21 | 0:10:24 | |
Yeah, unusual. Never seen one. | 0:10:24 | 0:10:26 | |
I'm going to put that there as a possibility. | 0:10:26 | 0:10:28 | |
What about the half-hunter, then? | 0:10:28 | 0:10:30 | |
We haven't done nothing to retouch it, so... | 0:10:30 | 0:10:33 | |
But it's not working? | 0:10:33 | 0:10:34 | |
No, we've got to sell it as it is, love. | 0:10:35 | 0:10:38 | |
So we could do the both for 45. | 0:10:38 | 0:10:40 | |
That's a possibility, definitely. | 0:10:40 | 0:10:42 | |
That's two things to consider. Anything else? | 0:10:42 | 0:10:45 | |
A little milk churn type thing. What would you do with that? | 0:10:45 | 0:10:50 | |
-Rachel? -Yes? -What's this for? -I think it's a milk churn. | 0:10:50 | 0:10:54 | |
Is it, Dad? | 0:10:54 | 0:10:55 | |
Yeah, it's definitely a milk churn because it seals. | 0:10:55 | 0:10:57 | |
Might be for cream or, you know, something a bit... | 0:10:57 | 0:10:59 | |
You've got 35 on it, which is a lot more than I was thinking. | 0:10:59 | 0:11:02 | |
What's the worst price for you | 0:11:02 | 0:11:04 | |
-that you can do on that? -THEY LAUGH | 0:11:04 | 0:11:07 | |
The worst price for you and the best for me. | 0:11:07 | 0:11:09 | |
Erm... £20. | 0:11:09 | 0:11:11 | |
I do like that and I do like the fob watch. | 0:11:11 | 0:11:13 | |
Because in my mind I think this is quite a... | 0:11:13 | 0:11:16 | |
..a nice little piece. | 0:11:17 | 0:11:18 | |
I don't think that I've seen anything like that before. | 0:11:18 | 0:11:22 | |
I think if this was 25 and that was 15, that would be 40. | 0:11:22 | 0:11:26 | |
Can you do that? | 0:11:26 | 0:11:28 | |
£45 and that's it. I think you'll do... | 0:11:28 | 0:11:30 | |
-That will scrap higher than that probably. -45? -Yeah. | 0:11:30 | 0:11:33 | |
-Yeah? -I think you've had a real good deal. All right, then. | 0:11:33 | 0:11:36 | |
-You should shake my daughter's hand. -Thank you so much. | 0:11:36 | 0:11:38 | |
-And you know what? It's been lovely seeing you both again. -And you. | 0:11:38 | 0:11:41 | |
I'd like to say I'll be back, but you probably don't want me. | 0:11:41 | 0:11:43 | |
-You'll shut down the shop! -Well, we'll move again. | 0:11:43 | 0:11:46 | |
That's £30 for the half-hunter and £15 for the butter churn. | 0:11:48 | 0:11:52 | |
See you again, bye-bye! | 0:11:52 | 0:11:53 | |
Across Bristol, Philip is visiting | 0:11:58 | 0:12:00 | |
one of the city's most famous institutions, the Old Vic Theatre. | 0:12:00 | 0:12:04 | |
This year marks its 250th anniversary, | 0:12:04 | 0:12:07 | |
making it the longest continually running theatre in the UK. | 0:12:07 | 0:12:12 | |
Philip's meeting chief executive Emma Stenning. | 0:12:12 | 0:12:15 | |
The theatre then was founded in 1766, the reign of King George III. | 0:12:15 | 0:12:19 | |
Absolutely. It absolutely was, and in fact, | 0:12:19 | 0:12:21 | |
we've got records back from 1764, 1765 of merchants meeting | 0:12:21 | 0:12:25 | |
in the pubs and the inns on Jacobs Wells Road | 0:12:25 | 0:12:28 | |
and declaring that they needed | 0:12:28 | 0:12:30 | |
to club together to build a fine theatre for the city of Bristol. | 0:12:30 | 0:12:33 | |
And that's what they did. | 0:12:33 | 0:12:35 | |
And eventually, 50 of them all chucked in and gave £50 each - | 0:12:35 | 0:12:39 | |
47 men and three women, I always like to say... | 0:12:39 | 0:12:42 | |
Quite right too. | 0:12:42 | 0:12:44 | |
They all put in £50, with which they bought the plot of land where | 0:12:44 | 0:12:47 | |
the theatre is and they funded | 0:12:47 | 0:12:49 | |
the building of the theatre itself back then. | 0:12:49 | 0:12:51 | |
In return, these new patrons received a silver token | 0:12:51 | 0:12:55 | |
that allowed the holder free entry to any show any time. | 0:12:55 | 0:12:59 | |
-If I appeared at the desk now with one of these... -Yeah. | 0:12:59 | 0:13:02 | |
-..would they still let me in? -Absolutely. | 0:13:02 | 0:13:04 | |
Yeah, and we'd want to know all about how you came across it, | 0:13:04 | 0:13:07 | |
because one of our great passions now | 0:13:07 | 0:13:09 | |
is about tracing the heritage of the tickets. | 0:13:09 | 0:13:11 | |
In its early years, how did it progress? | 0:13:11 | 0:13:13 | |
It was really, really successful. | 0:13:13 | 0:13:15 | |
People were flocking here, but of course, | 0:13:15 | 0:13:17 | |
-back in those days, it wasn't legal. -Why? | 0:13:17 | 0:13:19 | |
It wasn't legal to put on the performance of plays because | 0:13:19 | 0:13:22 | |
actually people were worried about | 0:13:22 | 0:13:24 | |
how insightful and political things might get. | 0:13:24 | 0:13:26 | |
So what the theatre here did, it was very, very clever, | 0:13:26 | 0:13:29 | |
it sort of hid the fact that there were plays being performed. | 0:13:29 | 0:13:32 | |
And if you look at the flyers and the posters from the time, | 0:13:32 | 0:13:34 | |
they often promote concerts of music, | 0:13:34 | 0:13:37 | |
so you might have something that says in big letters, "Tonight, | 0:13:37 | 0:13:40 | |
"you will see a performance of Handel's Messiah" or whatever, | 0:13:40 | 0:13:43 | |
and then in the smallest of prints down at the bottom, | 0:13:43 | 0:13:46 | |
it will say, "And in the interval, a performance, | 0:13:46 | 0:13:49 | |
"The Tragedy Of Othello." | 0:13:49 | 0:13:50 | |
And it wasn't until 20 years later that the Royal patent was granted | 0:13:50 | 0:13:53 | |
and suddenly it could put on the plays. | 0:13:53 | 0:13:56 | |
This is just lovely, isn't it? | 0:14:00 | 0:14:02 | |
I love all these pillars and these wooden boxes. | 0:14:02 | 0:14:05 | |
These days, actually, you can see the echoes of where the boxes were, | 0:14:05 | 0:14:09 | |
but if you imagine, the entire theatre | 0:14:09 | 0:14:11 | |
would have been boxed up, so when you came to the theatre, | 0:14:11 | 0:14:14 | |
you didn't really buy a seat, you bought a box. | 0:14:14 | 0:14:16 | |
Actually, you went to an office to buy your box, and that's why today | 0:14:16 | 0:14:19 | |
we still call the place you buy your tickets the box office. | 0:14:19 | 0:14:22 | |
If we were down in the pit, it would have been wooden benches. | 0:14:22 | 0:14:25 | |
Most of our historians actually say that if you were in the pit, | 0:14:25 | 0:14:27 | |
you would have spent most of the show standing up, because of course | 0:14:27 | 0:14:30 | |
-it would have been a terrifically crowded space. -Goodness me. | 0:14:30 | 0:14:34 | |
-These days, we can seat 450 people. -And then? | 0:14:34 | 0:14:36 | |
-Then, 1,500. -1,500 people? | 0:14:36 | 0:14:39 | |
Yeah. It would have been absolutely ram-packed. | 0:14:39 | 0:14:43 | |
The Bristol Old Vic was typical of theatrical venues of the time | 0:14:43 | 0:14:47 | |
and the shows were attended by all levels of society. | 0:14:47 | 0:14:49 | |
The prostitutes were sitting over there, because they really | 0:14:49 | 0:14:52 | |
weren't here to see the show. | 0:14:52 | 0:14:53 | |
They were here to be seen, so at the interval, | 0:14:53 | 0:14:56 | |
you can imagine all sorts of deals being done and people nipping off | 0:14:56 | 0:14:59 | |
into the boxes for... a different time at the interval. | 0:14:59 | 0:15:02 | |
Huh! It's a wonder that this theatre is still standing today. | 0:15:02 | 0:15:05 | |
The average lifespan for a theatre built in 1766 was 17 years. | 0:15:05 | 0:15:09 | |
They all burnt down. There was candlelight, | 0:15:09 | 0:15:12 | |
there were sets made from straw bales and things. | 0:15:12 | 0:15:15 | |
It was a very, very volatile place to be, actually. | 0:15:15 | 0:15:17 | |
So the fact that this one is here 250 years later is a real miracle. | 0:15:17 | 0:15:21 | |
I've always felt that somewhere there's a stage built for me. | 0:15:21 | 0:15:24 | |
-Is that the one? -Quite possibly. Let's go and take a look. | 0:15:24 | 0:15:27 | |
Once more unto the breach, dear Philip. | 0:15:27 | 0:15:30 | |
-This is awesome, isn't it? -Isn't it? | 0:15:30 | 0:15:32 | |
-This, then, in 1766 is where I would have been performing. -It is. | 0:15:32 | 0:15:36 | |
But what are these contraptions here? | 0:15:36 | 0:15:38 | |
-Well, these are some old props really. -Really? | 0:15:38 | 0:15:40 | |
If I do the spin on this one, | 0:15:40 | 0:15:41 | |
you'll see exactly what it's here for, so... | 0:15:41 | 0:15:44 | |
WHOOSHING | 0:15:44 | 0:15:46 | |
If you give a little spin on that, | 0:15:46 | 0:15:48 | |
then we'll really get the storm going. | 0:15:48 | 0:15:50 | |
RATTLING | 0:15:50 | 0:15:52 | |
I never, ever, ever thought I would stand on a stage and say, | 0:15:54 | 0:15:57 | |
"I've got the wind." | 0:15:57 | 0:15:58 | |
He's here all week, folks. | 0:15:58 | 0:16:00 | |
So in the last 250 years, | 0:16:00 | 0:16:01 | |
there must have been some really famous people stood on here. | 0:16:01 | 0:16:04 | |
Yes, some of our most famous alumni. | 0:16:04 | 0:16:05 | |
Daniel Day-Lewis, the greatest Oscar-winning actor of our day. | 0:16:05 | 0:16:09 | |
He trained here and performed here. And of course, way back then, | 0:16:09 | 0:16:12 | |
it would have been Garrick and Siddons and Cibber and... | 0:16:12 | 0:16:15 | |
The finest actors have always come through Bristol Old Vic. | 0:16:15 | 0:16:18 | |
Meanwhile, Catherine is on the other side of Bristol | 0:16:22 | 0:16:25 | |
visiting her last shop. | 0:16:25 | 0:16:27 | |
Odds & Todds have been trading here for over 20 years. | 0:16:27 | 0:16:31 | |
-Good afternoon. -Good afternoon. | 0:16:31 | 0:16:33 | |
-How are you? -Hi, there. Catherine. | 0:16:33 | 0:16:36 | |
-And you are? -I'm Jay. Nice to meet you. -Hi, Jay. | 0:16:36 | 0:16:38 | |
Right, OK, so we've got... | 0:16:38 | 0:16:39 | |
Oh, we haven't got much in here, have we(!) | 0:16:39 | 0:16:42 | |
-Just a little bit to look at, isn't there? -Oh, my goodness me! | 0:16:42 | 0:16:45 | |
Where's the best place to start looking? | 0:16:45 | 0:16:47 | |
You've got the cabinets in here. | 0:16:47 | 0:16:49 | |
A few old gems in there, nice little group of tea caddies in there. | 0:16:49 | 0:16:52 | |
A few gems in there? Right, OK. | 0:16:52 | 0:16:54 | |
Nice leather bag. | 0:16:54 | 0:16:55 | |
I was just looking at that. | 0:16:55 | 0:16:57 | |
Very, very... | 0:16:57 | 0:16:59 | |
-It's really nice, isn't it? -Good quality, yeah. | 0:16:59 | 0:17:02 | |
The weight of it. That's got a little bit of a maker's name | 0:17:02 | 0:17:05 | |
on there of some description. | 0:17:05 | 0:17:07 | |
No, I think that's some sort of military mark | 0:17:07 | 0:17:09 | |
or something, isn't it? | 0:17:09 | 0:17:11 | |
The stitching and the way that's been made as well... | 0:17:11 | 0:17:13 | |
Yeah, and the rivets in there. Brass rivets. | 0:17:13 | 0:17:16 | |
Tear at the back. You kept that one quiet! | 0:17:16 | 0:17:19 | |
-It's nice, though. -Ticket price is £45. | 0:17:20 | 0:17:24 | |
I wouldn't go anywhere near that, though. | 0:17:24 | 0:17:26 | |
I'm really sorry. Can I make you an offer? | 0:17:26 | 0:17:28 | |
You can make me an offer and see how we go. | 0:17:28 | 0:17:31 | |
I'll offer you that...for the bag. | 0:17:31 | 0:17:34 | |
He's not biting, Catherine. | 0:17:34 | 0:17:36 | |
-Have we got a deal? -£22.50. | 0:17:36 | 0:17:38 | |
Oh, come on! I can't break into any more. | 0:17:38 | 0:17:41 | |
-Go on, then. -Go on, then. -We'll have a deal. | 0:17:41 | 0:17:43 | |
-Good man. -No problem. -Thank you very much. -Thank you. | 0:17:43 | 0:17:45 | |
There you go. | 0:17:45 | 0:17:46 | |
Catherine's shopping might be done | 0:17:48 | 0:17:50 | |
but Philip is just arriving in the splendid Georgian city of Bath. | 0:17:50 | 0:17:55 | |
Now, so far on this road trip, | 0:17:55 | 0:17:56 | |
Philip has managed to spend every penny on every leg. | 0:17:56 | 0:17:59 | |
Can he make this a clean sweep? | 0:17:59 | 0:18:02 | |
It might be difficult, because Michael Saffell Antiques | 0:18:02 | 0:18:05 | |
only specialises in one thing. | 0:18:05 | 0:18:07 | |
-Hello, there. -Hello. -Now... | 0:18:08 | 0:18:10 | |
Bit of a strange request, this, but... | 0:18:12 | 0:18:14 | |
don't suppose you've got any biscuit tins, have you? | 0:18:14 | 0:18:16 | |
I think you might be in luck, Mr Serrell. This is a tin shop. | 0:18:16 | 0:18:20 | |
I might be able to lay my hands on one or two, yes. | 0:18:20 | 0:18:23 | |
Ms Southon will be jealous. | 0:18:23 | 0:18:25 | |
Catherine, who I'm competing against, | 0:18:25 | 0:18:27 | |
-she bought a biscuit tin and did really rather well on it. -Right. | 0:18:27 | 0:18:30 | |
I love that. | 0:18:30 | 0:18:32 | |
-That's like a Japanese vase, isn't it? -That's a lovely thing. | 0:18:32 | 0:18:36 | |
It's a Huntley and Palmer tin from 1928, and as you can see, | 0:18:36 | 0:18:40 | |
there's even a hole in the top. | 0:18:40 | 0:18:42 | |
-And that's priced at £58? -Yeah. | 0:18:42 | 0:18:44 | |
-I dare say I might be able to knock a little off. -A little? | 0:18:44 | 0:18:47 | |
-Yeah, I could do a deal, anyway. -OK, well, I want to buy more. | 0:18:47 | 0:18:51 | |
That all sounds good. | 0:18:51 | 0:18:52 | |
-I like those over there, those baggy ones. -Oh, right. | 0:18:52 | 0:18:55 | |
Some lovely tins really. | 0:18:55 | 0:18:57 | |
Some rare and not so rare, but these two here, made in 1904, again... | 0:18:57 | 0:19:01 | |
-They're like Gladstone bags, aren't they? -Yeah. | 0:19:01 | 0:19:04 | |
Which is the rarer one of those two? | 0:19:04 | 0:19:06 | |
Condition-wise, this is better, | 0:19:06 | 0:19:08 | |
but I'm selling the two as a package, really. | 0:19:08 | 0:19:10 | |
-Oh, how much for the two, then? -Erm... | 0:19:10 | 0:19:13 | |
-60 quid for the two. -See? | 0:19:13 | 0:19:15 | |
You know, I am warming to you, Michael, a lot. | 0:19:15 | 0:19:18 | |
Those are 60 for the two. | 0:19:18 | 0:19:19 | |
How much is that one? | 0:19:19 | 0:19:21 | |
That's 50. Was it? | 0:19:21 | 0:19:23 | |
-Yeah, 50, that one. -And this is... | 0:19:23 | 0:19:25 | |
I like this one here. | 0:19:25 | 0:19:27 | |
That one I could do for 60. | 0:19:29 | 0:19:31 | |
That's a Victory V tin. | 0:19:31 | 0:19:33 | |
It's not biscuits, though, is it? | 0:19:33 | 0:19:35 | |
Not biscuits, but... | 0:19:35 | 0:19:36 | |
It's got a brand name on. | 0:19:36 | 0:19:38 | |
There's a little railway type trunk here. | 0:19:38 | 0:19:41 | |
This one, more expensive, this is a Macfarlane and Lang biscuit tin. | 0:19:41 | 0:19:46 | |
That one I could do for 75. | 0:19:46 | 0:19:48 | |
We're sort of almost getting there. Well, I'm almost getting there. | 0:19:48 | 0:19:51 | |
-You might not be. -Not quite. | 0:19:51 | 0:19:53 | |
What would those make at auction? | 0:19:53 | 0:19:55 | |
Would they make £40, £50 each? | 0:19:55 | 0:19:57 | |
Well, they should at least. | 0:19:57 | 0:20:00 | |
OK. Now, do you want the bad news now? | 0:20:01 | 0:20:03 | |
-Yeah, give it to me, yes. -Are you ready for this? -Yeah. | 0:20:03 | 0:20:06 | |
-I've only got a certain amount of money. -Yes. | 0:20:06 | 0:20:08 | |
It does go to three figures. | 0:20:08 | 0:20:10 | |
But only just? | 0:20:10 | 0:20:12 | |
No! Yeah. I can't lie. | 0:20:12 | 0:20:14 | |
-I have got 150... -Right. | 0:20:14 | 0:20:17 | |
I haven't finished yet. | 0:20:17 | 0:20:19 | |
Four. And I've got 42 pence. | 0:20:19 | 0:20:21 | |
I do not have any more money and I would love to buy those off you, | 0:20:21 | 0:20:24 | |
if you could see your way to helping me. | 0:20:24 | 0:20:26 | |
I'd feel very bad about taking your 42 pence... | 0:20:26 | 0:20:29 | |
-No, no, no, I insist! No, I insist. -Erm... | 0:20:29 | 0:20:33 | |
-OK. -Oh, you're a gentleman. Thank you. | 0:20:33 | 0:20:36 | |
That's very kind, Michael. | 0:20:36 | 0:20:38 | |
Philip's picked up the five tins with a great discount. | 0:20:38 | 0:20:41 | |
Thank you! See you soon. | 0:20:41 | 0:20:44 | |
Bravo, that man. He's done it again - | 0:20:44 | 0:20:46 | |
every last penny spent. | 0:20:46 | 0:20:48 | |
That's got to be some kind of record. | 0:20:48 | 0:20:51 | |
He adds the collection of confectionery tins | 0:20:51 | 0:20:54 | |
to the Art Deco plaque, | 0:20:54 | 0:20:55 | |
the coffer bach, | 0:20:55 | 0:20:56 | |
the gold watch | 0:20:56 | 0:20:58 | |
and the Art Nouveau chair. | 0:20:58 | 0:21:00 | |
Catherine's spent £210 on the Edwardian bijouterie table, | 0:21:00 | 0:21:04 | |
the gilt-bronze casket, | 0:21:04 | 0:21:06 | |
the lady's half-hunter pocket watch, | 0:21:06 | 0:21:08 | |
the milk churn and the military bag. | 0:21:08 | 0:21:11 | |
So, what do our experts make of each other's buys? | 0:21:11 | 0:21:14 | |
Your pocket watch, 14-carat gold, and I know there's a bit of damage | 0:21:14 | 0:21:18 | |
to it, but at £30...it will go in the melting pot for more than that. | 0:21:18 | 0:21:22 | |
I think I have given you a bit of a run for your money this time. | 0:21:22 | 0:21:25 | |
So, Mr Serrell, have I left the best till last? | 0:21:25 | 0:21:30 | |
After starting off in Barry, | 0:21:31 | 0:21:33 | |
our experts are heading for their final auction in Wells. | 0:21:33 | 0:21:36 | |
Today's sale is at McCubbing and Redfern, | 0:21:36 | 0:21:40 | |
Somerset's oldest auction house. | 0:21:40 | 0:21:42 | |
What does auctioneer Allen Mechen make of our pair's lots? | 0:21:42 | 0:21:46 | |
My favourite lot is the tins. | 0:21:47 | 0:21:50 | |
So hopefully we have the collectors here today. | 0:21:50 | 0:21:53 | |
The least favourite is certainly the churn, | 0:21:53 | 0:21:56 | |
because we get so many of them coming through the auction house. | 0:21:56 | 0:21:59 | |
That may be... | 0:21:59 | 0:22:01 | |
-a no-sell. -Crikey! | 0:22:01 | 0:22:03 | |
Let's hope things don't turn sour for Catherine. | 0:22:03 | 0:22:05 | |
The auction house also accepts internet bids. | 0:22:05 | 0:22:08 | |
Are you ready? | 0:22:08 | 0:22:10 | |
Experts, take your seats. | 0:22:10 | 0:22:11 | |
First up is Catherine's Edwardian bijouterie table. | 0:22:13 | 0:22:17 | |
I'm starting the bidding on this at £40. | 0:22:17 | 0:22:20 | |
45, 50, 55, I'm out at the moment. | 0:22:20 | 0:22:23 | |
60 anywhere? | 0:22:23 | 0:22:24 | |
60, new bidder. | 0:22:24 | 0:22:26 | |
65, 70, 75, 80, 85. | 0:22:26 | 0:22:29 | |
-85. -No, keep going! | 0:22:29 | 0:22:31 | |
Looking for 90. | 0:22:31 | 0:22:33 | |
85, all done? | 0:22:33 | 0:22:34 | |
I believe we are. | 0:22:34 | 0:22:36 | |
Sold at 85. | 0:22:36 | 0:22:38 | |
That's a great start for Catherine. | 0:22:38 | 0:22:40 | |
Can Philip follow suit with his Art Nouveau office chair? | 0:22:40 | 0:22:44 | |
We've got plenty of bids here. | 0:22:44 | 0:22:46 | |
£40, 45 I will take. | 0:22:46 | 0:22:48 | |
£40, 45 I will take... | 0:22:48 | 0:22:51 | |
Oh, the last one we sold for an awful lot more than that. | 0:22:51 | 0:22:54 | |
Are we all done at 40? | 0:22:54 | 0:22:56 | |
That's disappointing. | 0:22:56 | 0:22:58 | |
Looks like we are. | 0:22:58 | 0:22:59 | |
Sold at 40. | 0:22:59 | 0:23:01 | |
Well, that just about wiped its face. | 0:23:01 | 0:23:03 | |
Next up is Catherine's leather military bag. | 0:23:03 | 0:23:06 | |
I've got three bids on this one. | 0:23:06 | 0:23:08 | |
-£45. -Yes! | 0:23:08 | 0:23:10 | |
Looking for 50. | 0:23:10 | 0:23:11 | |
45 and going straight in, looking for 50. | 0:23:11 | 0:23:15 | |
Keep going. | 0:23:15 | 0:23:16 | |
45, looking for 50. | 0:23:16 | 0:23:18 | |
-Are we all done? -Ooh! | 0:23:20 | 0:23:21 | |
50, I've got 55 here. | 0:23:21 | 0:23:23 | |
Madam, 60? No. | 0:23:23 | 0:23:25 | |
It's still with me at 55. | 0:23:25 | 0:23:27 | |
Any advance to 60? | 0:23:27 | 0:23:29 | |
At £55, all done? | 0:23:29 | 0:23:32 | |
Blimey, Catherine's marching on. | 0:23:33 | 0:23:35 | |
That's another good profit. | 0:23:35 | 0:23:37 | |
It was small, but it was perfect. | 0:23:37 | 0:23:39 | |
Can Philip get a result with his Art Deco bronze plaque? | 0:23:41 | 0:23:44 | |
£25 I'm starting out, looking for 30. | 0:23:44 | 0:23:47 | |
That's a profit anyway. | 0:23:47 | 0:23:48 | |
Looking for 30. | 0:23:48 | 0:23:50 | |
At 25. | 0:23:50 | 0:23:51 | |
No further bids in the room? | 0:23:51 | 0:23:53 | |
25. | 0:23:53 | 0:23:54 | |
At £25. | 0:23:54 | 0:23:57 | |
Sold at 25. | 0:23:57 | 0:23:58 | |
Well, a lucky bidder's going home happy. | 0:23:58 | 0:24:01 | |
Coming up next is Catherine's vintage churn. | 0:24:01 | 0:24:03 | |
Let's hope it can surpass expectations. | 0:24:03 | 0:24:07 | |
What are we looking at this one? | 0:24:07 | 0:24:08 | |
£30. | 0:24:08 | 0:24:10 | |
Start me at 20? | 0:24:10 | 0:24:12 | |
Oh... | 0:24:12 | 0:24:13 | |
They all wanted it in Bristol. | 0:24:13 | 0:24:15 | |
Start me at ten? | 0:24:15 | 0:24:17 | |
Ten is bid. It's in the doorway. | 0:24:17 | 0:24:19 | |
-Come on! -15 anywhere? | 0:24:19 | 0:24:20 | |
Sold to the man in the straitjacket. | 0:24:20 | 0:24:22 | |
At £10... | 0:24:22 | 0:24:24 | |
Are we all done at ten? I believe we are. | 0:24:24 | 0:24:26 | |
Sold at ten. | 0:24:26 | 0:24:27 | |
Well, I suppose the writing was on the wall with that loss. | 0:24:27 | 0:24:30 | |
What's next? | 0:24:30 | 0:24:32 | |
It's coming up now, look. | 0:24:32 | 0:24:34 | |
I'm really going to scream in a minute. | 0:24:34 | 0:24:36 | |
He's excited because his coffer bach is coming up next. | 0:24:36 | 0:24:39 | |
I've got cross bids here at £100. | 0:24:39 | 0:24:42 | |
So I'm going to go in at 110. | 0:24:42 | 0:24:44 | |
That's a relief. | 0:24:44 | 0:24:46 | |
110. 120, 130 and I'm out. | 0:24:46 | 0:24:49 | |
130, it's in the room. | 0:24:49 | 0:24:50 | |
140 here. | 0:24:50 | 0:24:52 | |
150, sir? | 0:24:52 | 0:24:53 | |
160, 170, 170... | 0:24:53 | 0:24:56 | |
Oh, God, I'm going to really scream in a minute. | 0:24:56 | 0:24:58 | |
180 with you, madam. | 0:24:58 | 0:25:00 | |
All done? | 0:25:00 | 0:25:01 | |
Sold at 180. | 0:25:01 | 0:25:03 | |
Do you know, it could have done a little bit better, | 0:25:03 | 0:25:05 | |
-really, couldn't it? -Oh! Just be grateful and shut up! | 0:25:05 | 0:25:08 | |
That's a stonking profit for Philip. | 0:25:08 | 0:25:10 | |
-He's annoying, isn't he, madam? -He is a bit. | 0:25:10 | 0:25:12 | |
Hey, whose side are you on? | 0:25:12 | 0:25:14 | |
Not yours by the sound of it, Philip. | 0:25:14 | 0:25:16 | |
Really? That's harsh! | 0:25:16 | 0:25:18 | |
Anyway, back to the auction with Catherine's gilt-bronze casket. | 0:25:18 | 0:25:21 | |
I forgot about that casket. | 0:25:21 | 0:25:23 | |
I spent loads on that. | 0:25:23 | 0:25:24 | |
-That was a massive risk. -SHE GASPS | 0:25:24 | 0:25:27 | |
-Forgot about that one. -PHIL SNORTS | 0:25:27 | 0:25:29 | |
Loads of bids on this one. | 0:25:29 | 0:25:31 | |
£130, 140 I will take. | 0:25:31 | 0:25:34 | |
Yes, get in there! | 0:25:34 | 0:25:35 | |
130. 140, 150, 160? | 0:25:35 | 0:25:39 | |
No, 150 with me. | 0:25:39 | 0:25:40 | |
-Keep going. -150. | 0:25:40 | 0:25:41 | |
160 anywhere else? | 0:25:41 | 0:25:43 | |
160, it's in the room. | 0:25:43 | 0:25:45 | |
170 I will take. | 0:25:45 | 0:25:47 | |
At £160, fair and final warning. | 0:25:47 | 0:25:50 | |
Sold at 160. | 0:25:50 | 0:25:52 | |
Oh! | 0:25:52 | 0:25:53 | |
My word! Another great profit for Catherine. | 0:25:53 | 0:25:55 | |
SHE SINGS | 0:25:55 | 0:25:58 | |
Ah, someone's a happy camper. | 0:25:58 | 0:25:59 | |
But can Philip extend his lead with his collection of biscuit | 0:25:59 | 0:26:02 | |
and confectionery tins? | 0:26:02 | 0:26:04 | |
-A lot of bids. -A lot of bids. | 0:26:04 | 0:26:05 | |
Two extremes between the two. | 0:26:05 | 0:26:07 | |
But I'm going straight in at £100, and 110 I will take. | 0:26:07 | 0:26:11 | |
At £100. | 0:26:11 | 0:26:13 | |
-At 100? -Ouch. | 0:26:14 | 0:26:16 | |
Appears the collectors are not in today. | 0:26:16 | 0:26:18 | |
-I think we're all done at 100. -Ouch, ouch. | 0:26:18 | 0:26:20 | |
I'll give it a second or two longer. | 0:26:20 | 0:26:22 | |
At 100. | 0:26:22 | 0:26:24 | |
Sold at 100. | 0:26:24 | 0:26:25 | |
Lordy, someone's got a bargain. | 0:26:25 | 0:26:27 | |
They were genuine good, good things. | 0:26:27 | 0:26:31 | |
I'm tapping now, aren't I? I'm tapping now. | 0:26:31 | 0:26:34 | |
This means the result of this road trip | 0:26:34 | 0:26:36 | |
is down to the battle of the watches. | 0:26:36 | 0:26:38 | |
First up is Philip's gold wristwatch. | 0:26:38 | 0:26:40 | |
I'll start at £90. | 0:26:40 | 0:26:43 | |
-100 I'll take. -Thought he was going to say £900 then. | 0:26:43 | 0:26:46 | |
100, 110, 120, I'm out. | 0:26:46 | 0:26:49 | |
-120 in the room. -That's cheap. That's cheap. | 0:26:49 | 0:26:51 | |
130 I'm looking for. | 0:26:51 | 0:26:53 | |
120 in the room. | 0:26:53 | 0:26:55 | |
130. 140, sir? | 0:26:55 | 0:26:56 | |
150, 160? | 0:26:56 | 0:26:59 | |
Hopefully, the internet will come in. | 0:26:59 | 0:27:01 | |
170. | 0:27:01 | 0:27:02 | |
180? No, 170. | 0:27:02 | 0:27:04 | |
It's with the saleroom. | 0:27:04 | 0:27:05 | |
At 170, it's with the saleroom... | 0:27:05 | 0:27:08 | |
Sold at 170. | 0:27:08 | 0:27:10 | |
That is a very decent profit. | 0:27:10 | 0:27:13 | |
Still a cheap watch, but at the moment, you are ahead. | 0:27:13 | 0:27:16 | |
But you can still steal the show with your half-hunter pocket watch. | 0:27:16 | 0:27:20 | |
I've got four bids here. | 0:27:20 | 0:27:21 | |
£80 I'm going in at. | 0:27:21 | 0:27:23 | |
-85 I'm looking for. -Get in there! | 0:27:23 | 0:27:25 | |
85, 90, 95 and I'm out. | 0:27:25 | 0:27:28 | |
-100 I would like. -Yes! | 0:27:28 | 0:27:31 | |
100, 110, 120, 130? | 0:27:31 | 0:27:34 | |
No. 120 I've got. | 0:27:34 | 0:27:35 | |
How did that happen? | 0:27:35 | 0:27:37 | |
Has he got the right lot? | 0:27:37 | 0:27:39 | |
£120 with you, sir, at the moment. | 0:27:39 | 0:27:40 | |
At 120. | 0:27:40 | 0:27:41 | |
-No further bids. -Really? | 0:27:41 | 0:27:43 | |
At 120, it's in the room. | 0:27:43 | 0:27:46 | |
Yes! | 0:27:46 | 0:27:47 | |
Whoo! Sorry. | 0:27:48 | 0:27:50 | |
I'm very excited about that. | 0:27:50 | 0:27:52 | |
We can tell that. Catherine's made some amazing profits, | 0:27:52 | 0:27:55 | |
but has it been enough to catch Philip? | 0:27:55 | 0:27:57 | |
Catherine began with £250.38, and after auction costs | 0:27:57 | 0:28:02 | |
she's ended up with a profit and a total of £392.98. | 0:28:02 | 0:28:07 | |
Philip started off with £394.42, and after saleroom fees | 0:28:07 | 0:28:12 | |
he just about managed to hold Catherine off with a grand total | 0:28:12 | 0:28:16 | |
of £422.30, making him this road trip's overall winner. | 0:28:16 | 0:28:22 | |
All profits go to Children In Need. | 0:28:22 | 0:28:25 | |
Well, I won, so I should... | 0:28:25 | 0:28:27 | |
I thought... | 0:28:27 | 0:28:29 | |
-I'm driving. -You won. | 0:28:29 | 0:28:31 | |
-How does that work? -You drive! | 0:28:31 | 0:28:33 | |
It's been a great trip. | 0:28:34 | 0:28:36 | |
But before we all get upset about one trip ending... | 0:28:36 | 0:28:40 | |
Hip, hip, hooray! We're off on a new adventure | 0:28:44 | 0:28:47 | |
with veteran antique-er Paul Laidlaw, and look! | 0:28:47 | 0:28:50 | |
There's a new girl in town, auctioneer Claire Rawle. | 0:28:50 | 0:28:53 | |
Do you have specialisms that could be my downfall in this game? | 0:28:56 | 0:29:00 | |
Well, I do hope so. | 0:29:00 | 0:29:01 | |
-I do hope so. -HE LAUGHS | 0:29:01 | 0:29:03 | |
Hey, you'd better watch her, Paul. | 0:29:03 | 0:29:04 | |
Claire's been in the antiques business for over 30 years. | 0:29:04 | 0:29:07 | |
She started as a child. | 0:29:07 | 0:29:08 | |
So what is your taste? | 0:29:08 | 0:29:10 | |
I suppose, very eclectic. Very eclectic. | 0:29:11 | 0:29:14 | |
I love collectors' items, so that covers quite a vast field, really. | 0:29:14 | 0:29:17 | |
-Anything from sort of ephemera to militaria and... -What? What? | 0:29:17 | 0:29:22 | |
-Yeah, I love militaria. -Get off my manor! -Yeah, yeah. | 0:29:22 | 0:29:26 | |
Ha, this should be an interesting road trip. | 0:29:27 | 0:29:29 | |
Each of our rascals have £200 in their pocket. | 0:29:29 | 0:29:32 | |
They're scooting about town in a fruity 1968 TVR Tuscan. | 0:29:32 | 0:29:37 | |
Paul and Claire will set off from Wooler in Northumberland. | 0:29:38 | 0:29:42 | |
They'll take in the sights of the north-east, traversing through | 0:29:42 | 0:29:45 | |
Yorkshire to finally land in the | 0:29:45 | 0:29:47 | |
town of Stamford in Lincolnshire. | 0:29:47 | 0:29:50 | |
Our adventure begins today in the Northumberland town of Wooler. | 0:29:50 | 0:29:54 | |
And we will auction later, | 0:29:54 | 0:29:56 | |
in Darlington in County Durham. | 0:29:56 | 0:29:58 | |
-Well, then. It begins. -Absolutely. This is it. | 0:29:59 | 0:30:03 | |
-The moment we've been waiting for. -Good luck! Enjoy! | 0:30:03 | 0:30:06 | |
-Looks... Well, it's pretty enough. -It's all right, isn't it? -Very nice. | 0:30:06 | 0:30:11 | |
We'll catch up with Paul later. | 0:30:11 | 0:30:13 | |
But this is Claire's first chance to demonstrate her buying prowess. | 0:30:13 | 0:30:17 | |
-Hi. -Hello, Mark. -Yes, nice to meet you. -Hello, I'm Claire. | 0:30:19 | 0:30:22 | |
-Hiya, Claire. Nice to meet you. -Yeah, yes. | 0:30:22 | 0:30:24 | |
Mark's got a fair bit of stock crammed into this tiny shop. | 0:30:26 | 0:30:29 | |
What can Claire find? | 0:30:29 | 0:30:31 | |
Oops. What's lurking in there? | 0:30:35 | 0:30:37 | |
Men's hairbrushes. Don't think so. | 0:30:41 | 0:30:44 | |
Everyone's looking for the unusual, something different. Oh! OK. | 0:30:44 | 0:30:48 | |
Hey, look at these! | 0:30:48 | 0:30:50 | |
Wow! Imagine having to... | 0:30:51 | 0:30:53 | |
Cor, you'd have to be quite tall for that as well. | 0:30:53 | 0:30:56 | |
SHE LAUGHS | 0:30:56 | 0:30:58 | |
I quite like those, pair of old wooden crutches. | 0:30:58 | 0:31:02 | |
Well, they're certainly different, | 0:31:02 | 0:31:04 | |
and appear to have been handcrafted in the 19th century. | 0:31:04 | 0:31:08 | |
But is there a deal to be done? | 0:31:08 | 0:31:10 | |
-Mark... -Hi. | 0:31:11 | 0:31:13 | |
There's a couple of... | 0:31:13 | 0:31:14 | |
-There's a pair of old wooden crutches out the back, there... -Yes. | 0:31:14 | 0:31:17 | |
-..which I quite like. -Yes. | 0:31:17 | 0:31:19 | |
I mean, I've got a price in my mind that's | 0:31:19 | 0:31:21 | |
a lot less then you've got, because you've got them marked up at 75. | 0:31:21 | 0:31:24 | |
So I'm wondering, you know, it's a bit cheeky of me to come down a lot. | 0:31:24 | 0:31:27 | |
What sort of price did you have in mind? | 0:31:27 | 0:31:29 | |
I'm a long, long way away from you and I don't want to offend you | 0:31:29 | 0:31:31 | |
-by saying the price, but I'm... -Not easily offended. | 0:31:31 | 0:31:34 | |
OK, well, I was hoping for about £20, £30, you see. Yeah. | 0:31:34 | 0:31:37 | |
-You're getting close to offending. -Yeah, yeah, I thought I would. | 0:31:37 | 0:31:40 | |
If we go to 35, I'll give you them for that. Unusual. | 0:31:40 | 0:31:43 | |
When was the last time you've seen a pair? | 0:31:43 | 0:31:45 | |
SHE LAUGHS | 0:31:45 | 0:31:46 | |
Doesn't always make them make money, though, does it? Really? | 0:31:46 | 0:31:48 | |
You wouldn't think of 32? | 0:31:48 | 0:31:50 | |
-Erm... Yeah, I'll do them for 32 for you. -32. OK, 32 it is, then. -OK. | 0:31:50 | 0:31:54 | |
-Better give you some money, I guess. -Yes, yes. It's always nice. | 0:31:54 | 0:31:56 | |
Yeah, yeah. Ooh, my hands are cold. I can't part with them. Here we go. | 0:31:56 | 0:32:00 | |
I've got no change. Is that OK? | 0:32:00 | 0:32:02 | |
THEY LAUGH | 0:32:02 | 0:32:04 | |
Where have I heard that before? | 0:32:04 | 0:32:06 | |
He's not kidding, you know. | 0:32:06 | 0:32:08 | |
-Oh, no! -I'm short of change meself. | 0:32:08 | 0:32:11 | |
I've got £7.20. Would you be happy | 0:32:13 | 0:32:15 | |
for that as change? And I owe you 80p. | 0:32:15 | 0:32:18 | |
-Oh, OK, OK. What's that? Luck money up here, is it? -Yes. | 0:32:18 | 0:32:22 | |
-That's one for luck. -OK. -Thank you very much. | 0:32:22 | 0:32:25 | |
-Thanks, Mark. Pleasure to meet you. -Thank you very much. | 0:32:25 | 0:32:27 | |
Bagful of... Right. | 0:32:27 | 0:32:29 | |
One down. | 0:32:29 | 0:32:30 | |
Lack of change means the final price for today's first buy | 0:32:32 | 0:32:36 | |
on the road trip is £32.80. | 0:32:36 | 0:32:39 | |
Meanwhile, Paul has travelled south to the village of Powburn, | 0:32:43 | 0:32:47 | |
which nestles at the foot of the Cheviot Hills. | 0:32:47 | 0:32:49 | |
What can he rustle up in here? | 0:32:49 | 0:32:51 | |
And he's got something! | 0:33:04 | 0:33:05 | |
I've found something I love! | 0:33:07 | 0:33:10 | |
But I'm not sure. | 0:33:12 | 0:33:13 | |
Check out two of the most unusual... | 0:33:15 | 0:33:20 | |
..condiments, shall we call them? | 0:33:21 | 0:33:24 | |
A salt and pepper. | 0:33:24 | 0:33:25 | |
..that I've ever seen. | 0:33:25 | 0:33:26 | |
The bodies, they are shells. | 0:33:27 | 0:33:30 | |
But it frustrates me. | 0:33:31 | 0:33:32 | |
If these were silver, undeniably silver, | 0:33:33 | 0:33:37 | |
the price tag of £22 would, in my opinion, be a gift, | 0:33:37 | 0:33:43 | |
because I think they are great fun. | 0:33:43 | 0:33:45 | |
Yeah. | 0:33:45 | 0:33:46 | |
He's tracked down owner Beryl | 0:33:46 | 0:33:48 | |
to find out about his next item of choice. | 0:33:48 | 0:33:50 | |
-What a piece of glass! -Hm. | 0:33:51 | 0:33:54 | |
And no doubt that would have sat, resplendent, | 0:33:54 | 0:33:58 | |
behind the bar of some fantastic Victorian inn or hotel. | 0:33:58 | 0:34:04 | |
Beautiful thing. | 0:34:04 | 0:34:06 | |
You can dispense me with my whisky out of that any time you like. | 0:34:06 | 0:34:09 | |
Whisky was extremely popular in the 19th century. And remains so. | 0:34:12 | 0:34:15 | |
The spirit would be poured into large, | 0:34:15 | 0:34:17 | |
elaborate cut-glass dispensers that complemented the fine | 0:34:17 | 0:34:20 | |
interiors of a Victorian public house. | 0:34:20 | 0:34:23 | |
During its life, it's taken a few knocks there. | 0:34:24 | 0:34:28 | |
You know, that is a splendid, splendid thing. | 0:34:28 | 0:34:32 | |
The ticket price is £120. | 0:34:32 | 0:34:35 | |
Well, I could do... Well, £40, how about that? | 0:34:35 | 0:34:39 | |
How's about 30 quid? | 0:34:39 | 0:34:40 | |
-And I'll buy something else. -SHE LAUGHS | 0:34:40 | 0:34:44 | |
-You'll buy something else. -Well, let me get something else. -Go on, then. | 0:34:44 | 0:34:46 | |
Can I do that? I'm going to put something in front, there, | 0:34:46 | 0:34:49 | |
-and see if we can do a deal. -OK. | 0:34:49 | 0:34:50 | |
Hang on in there, Beryl. | 0:34:50 | 0:34:52 | |
-I knew you'd go for those. -Really? Tell me why. | 0:34:52 | 0:34:56 | |
-Just because they're different. -They are, aren't they? -They're fantastic. | 0:34:56 | 0:34:59 | |
So there you go, two purchases. | 0:34:59 | 0:35:02 | |
What about 50? | 0:35:02 | 0:35:04 | |
What about 45 quid? | 0:35:04 | 0:35:06 | |
-Go on, then. Being as it's you. -Wonderful. -Yes. | 0:35:06 | 0:35:10 | |
Get your money out, Paul. | 0:35:10 | 0:35:11 | |
-There you go. -Thank you very much. | 0:35:11 | 0:35:13 | |
-I bid you adieu. -Paul's achieved a very generous deal, there. | 0:35:16 | 0:35:20 | |
£15 for the salt and pepper pots | 0:35:20 | 0:35:23 | |
and £30 for the whopper of a whisky dispenser. | 0:35:23 | 0:35:26 | |
Back to Claire. She is hot on Paul's heels. | 0:35:30 | 0:35:33 | |
The village of Powburn is her next shopping destination too. | 0:35:33 | 0:35:37 | |
Hedgeley Antiques, watch out. | 0:35:39 | 0:35:41 | |
Claire's looking to spend some cash. | 0:35:41 | 0:35:43 | |
With over ten dealers here, there should be lots to choose from. | 0:35:47 | 0:35:51 | |
She's quick to spot something. | 0:35:51 | 0:35:53 | |
Golf clubs. | 0:35:53 | 0:35:55 | |
These are types that you do see quite a few of. | 0:35:55 | 0:35:58 | |
But having the hickory shafts makes them much more interesting. | 0:35:58 | 0:36:02 | |
I mean, but, you know, these are... | 0:36:02 | 0:36:04 | |
Well, they date from sort of time of the First World War, really. | 0:36:04 | 0:36:08 | |
So they're asking between £12 and £14 for each of those. | 0:36:08 | 0:36:13 | |
What I'd really like to do is get all four for £12. | 0:36:13 | 0:36:16 | |
Pull all those out. | 0:36:16 | 0:36:17 | |
Right, see if I can do a deal. Brian! | 0:36:18 | 0:36:22 | |
-Are you there? -Watch yourself, Brian. -Golf clubs. -Oh, right. | 0:36:22 | 0:36:26 | |
-So, I know they're marked up at £12, £14 each... -Right. | 0:36:26 | 0:36:31 | |
I was hoping I could do a deal on these. | 0:36:31 | 0:36:34 | |
I'm going to be really cheeky and say £12 for the four. | 0:36:34 | 0:36:36 | |
£12 for the four?! | 0:36:36 | 0:36:38 | |
THEY LAUGH | 0:36:38 | 0:36:40 | |
You call that cheeky? | 0:36:40 | 0:36:42 | |
£12 for the four. | 0:36:42 | 0:36:44 | |
You know, they've got a little bit of wear here and there. | 0:36:44 | 0:36:47 | |
Yeah. 14. | 0:36:47 | 0:36:49 | |
14. | 0:36:49 | 0:36:50 | |
-Excellent. -OK, 14. -Thank you very much. Thank you. | 0:36:50 | 0:36:54 | |
Wow, very generous of you, Brian. £14 for the lot. | 0:36:54 | 0:36:57 | |
And Claire's not finished yet. | 0:36:57 | 0:36:59 | |
There are some interesting things in here. | 0:37:01 | 0:37:03 | |
There's a little...little brooch at the back there. | 0:37:03 | 0:37:06 | |
A little dog sitting on, like, a sailing boat. Quite unusual. | 0:37:06 | 0:37:11 | |
Now, let's get Brian back over to look at the little doggy brooch. | 0:37:11 | 0:37:14 | |
-Which one is it? -It's that one at the back there. | 0:37:14 | 0:37:17 | |
-Is it all right if I just grab it? -Just help yourself. | 0:37:17 | 0:37:19 | |
Right, OK. I just think that's just unusual. | 0:37:19 | 0:37:21 | |
That's quite sweet. | 0:37:21 | 0:37:23 | |
It's not made of any precious metal, so it all comes down to price now. | 0:37:23 | 0:37:26 | |
-So... -What's on it? | 0:37:26 | 0:37:27 | |
-It's got £14 on it. -Right. | 0:37:27 | 0:37:31 | |
Um, but I'd really quite like to buy it for about six. | 0:37:31 | 0:37:35 | |
Right. OK, six. | 0:37:35 | 0:37:37 | |
-Six, excellent. -OK? -Thank you very much. | 0:37:37 | 0:37:39 | |
Thank you. | 0:37:39 | 0:37:41 | |
-And she's going for another brooch. -It's five pounds. | 0:37:41 | 0:37:45 | |
It's only sort of white metal, just sort of pressed out. | 0:37:47 | 0:37:50 | |
I don't know whether... if I could get it for a pound. | 0:37:50 | 0:37:53 | |
HE LAUGHS | 0:37:53 | 0:37:54 | |
It would go nicely with my little dog. | 0:37:54 | 0:37:56 | |
It would look very nice for a pound, wouldn't it? | 0:37:56 | 0:37:59 | |
-If you say so, yes. -Well, it would for a pound. -Yes, I'm sure it would. | 0:37:59 | 0:38:03 | |
I don't want to pay five pounds for it, yeah. Yeah. Yeah? | 0:38:03 | 0:38:06 | |
-OK. -Yeah, excellent. | 0:38:06 | 0:38:09 | |
Blimey, the bird brooch for a pound? | 0:38:09 | 0:38:11 | |
Just when we think it's all over... | 0:38:11 | 0:38:13 | |
Oh, this is rather nice, isn't it? This trench periscope. | 0:38:15 | 0:38:18 | |
Trench periscope. 1917, um, marked, so it's a nice thing. | 0:38:18 | 0:38:24 | |
Because, of course, it would have been... | 0:38:24 | 0:38:26 | |
-Well, it was used as a trench periscope... -That's right. | 0:38:26 | 0:38:28 | |
So rather than stick your head up above the parapet, stick that up. | 0:38:28 | 0:38:31 | |
It's not so bad if that gets shot, | 0:38:31 | 0:38:33 | |
it's not so good if your head gets shot. | 0:38:33 | 0:38:35 | |
The ticket price is £140. | 0:38:35 | 0:38:38 | |
Yikes! | 0:38:38 | 0:38:39 | |
I tell you what. 50 quid. | 0:38:39 | 0:38:42 | |
-Need to go a bit below that, though. -What?! Below 50?! -Yeah. | 0:38:42 | 0:38:46 | |
-30. -30?! I'll split it with you. 40. | 0:38:46 | 0:38:50 | |
-That's the death. -35. Be better, death. | 0:38:52 | 0:38:55 | |
-Go on. -HE SIGHS | 0:38:57 | 0:39:01 | |
Probably just to see the look on Paul's face, 35. | 0:39:01 | 0:39:05 | |
-SHE LAUGHS -OK, you're on. | 0:39:05 | 0:39:08 | |
Blimey, what a gaggle of goodies. | 0:39:08 | 0:39:11 | |
The dog and bird brooches for £7, | 0:39:11 | 0:39:14 | |
£14 for the golf clubs, and the officer's trench periscope for £35. | 0:39:14 | 0:39:19 | |
Meanwhile, Paul's travelled south to the town of Morpeth. | 0:39:22 | 0:39:25 | |
He's having a breather from shopping to find out about | 0:39:28 | 0:39:31 | |
a sporting Mecca that happened right here | 0:39:31 | 0:39:33 | |
in this small town in Northumberland. | 0:39:33 | 0:39:36 | |
# Can you jump? | 0:39:36 | 0:39:37 | |
# Or can you wrestle? | 0:39:37 | 0:39:38 | |
# Can you tug-of-war? | 0:39:38 | 0:39:40 | |
# Or maybe want a wager or a bet? | 0:39:40 | 0:39:44 | |
# Well, this is what the working man's been waiting for | 0:39:44 | 0:39:48 | |
# And the Morpeth Olympics are as good as it can get. # | 0:39:48 | 0:39:53 | |
We're all familiar with the international Olympic games. | 0:39:53 | 0:39:57 | |
But over 140 years ago, | 0:39:57 | 0:39:59 | |
before there was even a sniff of the famous global extravaganza, | 0:39:59 | 0:40:03 | |
people would come in their thousands to watch everything from | 0:40:03 | 0:40:07 | |
wrestling to pole vaulting at the Morpeth Olympics. | 0:40:07 | 0:40:11 | |
Paul is meeting with local historian Kim Bibby-Wilson to hear more. | 0:40:11 | 0:40:15 | |
It wasn't like the modern Olympics, an amateur meeting, it was | 0:40:15 | 0:40:19 | |
for professional working-class sportsmen, and the spectators | 0:40:19 | 0:40:24 | |
as well were the working-class people who came | 0:40:24 | 0:40:27 | |
for a good day out, and they had something like 15,000 people | 0:40:27 | 0:40:29 | |
at the heyday on the site, | 0:40:29 | 0:40:32 | |
watching the games that were going on. | 0:40:32 | 0:40:34 | |
And the prize money was quite substantial, because the local | 0:40:34 | 0:40:36 | |
businesses sponsored it, in order to bring people into the town. | 0:40:36 | 0:40:40 | |
Quickly, the annual Morpeth Olympics became one of the top events | 0:40:42 | 0:40:46 | |
in the UK sporting calendar. | 0:40:46 | 0:40:48 | |
Kim has some rare footage from the 1950s. | 0:40:48 | 0:40:51 | |
Oh, very grand. Look at that. Look at the colour. | 0:40:52 | 0:40:55 | |
Oh, that's a big site... | 0:40:55 | 0:40:57 | |
-It is a really big site. -..and a big crowd. -It is, yeah. | 0:40:57 | 0:41:00 | |
If you get to the top of the hill, you can see down, | 0:41:00 | 0:41:02 | |
just how big an arena it was and such an amphitheatre | 0:41:02 | 0:41:05 | |
for the spectators to be able to see what was going on. | 0:41:05 | 0:41:08 | |
-And we're somewhere here. -Yes. -Very good. | 0:41:08 | 0:41:10 | |
And they're pole vaulting as well. Oh, I see. | 0:41:11 | 0:41:14 | |
And for all the world, it looks like your pole-vaulters have got | 0:41:14 | 0:41:17 | |
-a hard landing ahead of them there. -Oh, yes, yes, yes. | 0:41:17 | 0:41:20 | |
This wasn't a well-appointed sports field. | 0:41:20 | 0:41:24 | |
And the wrestlers, head to toe in their... | 0:41:24 | 0:41:27 | |
Yes, it's the sort of Cumberland and Westmorland style of wrestling, | 0:41:27 | 0:41:30 | |
a bit like the Ancient Greek wrestling, | 0:41:30 | 0:41:32 | |
although we tended to use legs and the lower part of the body as well, | 0:41:32 | 0:41:35 | |
so it's a bit more vicious. | 0:41:35 | 0:41:37 | |
You can see that they've got the long trousers and the tops, | 0:41:37 | 0:41:40 | |
and they've got the Superman pants on the outside. | 0:41:40 | 0:41:43 | |
HE LAUGHS | 0:41:43 | 0:41:44 | |
Quite right too. It's fantastic stuff. | 0:41:44 | 0:41:47 | |
And this brings to life the site. | 0:41:47 | 0:41:49 | |
I can now picture the crowds on the rise there, | 0:41:49 | 0:41:52 | |
and I can hear the cheering. | 0:41:52 | 0:41:54 | |
The Morpeth Olympics offered lucrative cash prizes for winners. | 0:41:54 | 0:41:59 | |
Sports funding at this time was scarce, | 0:41:59 | 0:42:01 | |
so athletes flocked in their droves. | 0:42:01 | 0:42:04 | |
Morpeth Town Hall holds some artefacts from the games. | 0:42:04 | 0:42:08 | |
So we've got these fantastic posters | 0:42:08 | 0:42:10 | |
dating all the way back to 1914. | 0:42:10 | 0:42:13 | |
They tell you a little bit about how | 0:42:13 | 0:42:14 | |
the prize money went up over the years. | 0:42:14 | 0:42:17 | |
So I think, on this one, | 0:42:17 | 0:42:19 | |
it's a £20 prize for the 110 yards foot handicap, and | 0:42:19 | 0:42:23 | |
by 1930, it's gone up to £100, so that the prize money's gone up. | 0:42:23 | 0:42:29 | |
And they were claiming back in 1914, "Great increase in the prize money," | 0:42:29 | 0:42:33 | |
so this was the lure for people to take part. | 0:42:33 | 0:42:35 | |
It's a draw, isn't it, clearly? All about the money. | 0:42:35 | 0:42:40 | |
After the heyday of thousands attending the event, | 0:42:40 | 0:42:43 | |
by 1958, figures had dwindled to a mere 800. | 0:42:43 | 0:42:48 | |
How does it peter out? | 0:42:48 | 0:42:50 | |
It's a combination of circumstances, really. | 0:42:50 | 0:42:53 | |
The prize money couldn't match what | 0:42:53 | 0:42:55 | |
professionals were getting elsewhere. | 0:42:55 | 0:42:58 | |
The social spectator sport became less popular as leisure habits | 0:42:59 | 0:43:05 | |
changed and people had other means of entertaining themselves. | 0:43:05 | 0:43:09 | |
So what is the legacy of the Morpeth Olympics? | 0:43:12 | 0:43:14 | |
The ordinary man could rise to great heights through his efforts | 0:43:14 | 0:43:18 | |
and be applauded for his efforts. | 0:43:18 | 0:43:21 | |
And if there was some money in it, you know, so much the better. | 0:43:21 | 0:43:24 | |
But it was part of that legacy which means that we still have | 0:43:24 | 0:43:27 | |
people valuing the trophies that their ancestors won. | 0:43:27 | 0:43:31 | |
# Well, this is what the working man's been waiting for | 0:43:31 | 0:43:35 | |
# And the Morpeth Olympics is as good as it can get. # | 0:43:35 | 0:43:40 | |
After all that talk of exercise, it's time for a nice lie down. | 0:43:43 | 0:43:47 | |
Nighty-night! | 0:43:47 | 0:43:49 | |
# Good morning, world, it's a brand-new day... # | 0:43:52 | 0:43:55 | |
Good morning, you two. | 0:43:56 | 0:43:57 | |
Claire's in command of the TVR Tuscan as our pair get set | 0:43:57 | 0:44:01 | |
for another day of high jinks. | 0:44:01 | 0:44:04 | |
First stop this morning is the leafy suburb of Jesmond. | 0:44:04 | 0:44:08 | |
It's Paul's turn to kick things off. | 0:44:08 | 0:44:10 | |
With £155 to spend, he's in for a spot of Gallic loveliness, | 0:44:10 | 0:44:16 | |
at Antiquites Francaises. | 0:44:16 | 0:44:18 | |
-Hello there. Is it Babette? -Yes, it is! | 0:44:18 | 0:44:20 | |
Pleased to meet you, Paul, I've seen you on the television so many times. | 0:44:20 | 0:44:23 | |
It's nice to meet you in person. | 0:44:23 | 0:44:24 | |
-With the Scots and the French, it's the Auld Alliance! -Yes! | 0:44:24 | 0:44:28 | |
-Let's hope it remains amicable! -Oh, yes, absolutely. | 0:44:28 | 0:44:33 | |
Can he find some of his beloved militaria in here? | 0:44:35 | 0:44:39 | |
No, he's stepping out of his comfort zone with this little beauty. | 0:44:40 | 0:44:44 | |
The wee tin-plate doll's pram. | 0:44:44 | 0:44:48 | |
-Yes. -That's a sweetie as well! -It is really sweet. | 0:44:48 | 0:44:52 | |
-That's got to be 1930s, hasn't it? -It has. I would say, yes, 1930s, | 0:44:52 | 0:44:57 | |
-or just after the war, I would say. -But charming little thing. | 0:44:57 | 0:45:01 | |
That is priced at... | 0:45:01 | 0:45:05 | |
..65. | 0:45:06 | 0:45:09 | |
-I could come down to 50. -50, OK. | 0:45:09 | 0:45:12 | |
So, not so much slack in that one. | 0:45:12 | 0:45:14 | |
Maybe 48. 48 could be OK. | 0:45:14 | 0:45:17 | |
Pitching at 35, is that too far? | 0:45:17 | 0:45:20 | |
It's a little... | 0:45:20 | 0:45:22 | |
-Right, no, it's fine, absolutely, 35... -Are you sure? -Absolutely fine. | 0:45:22 | 0:45:26 | |
-OK? -Babette, thank you very much. -Thank you very much. | 0:45:26 | 0:45:29 | |
The very kind Babette has generously sold the little pram for £35. Aww! | 0:45:29 | 0:45:36 | |
Elsewhere, Claire has made her way to the historic town of Hexham. | 0:45:36 | 0:45:40 | |
She has over £100 left to splash, and her last emporium of the day | 0:45:40 | 0:45:45 | |
is Malcolm Eglin antiques, owned by Malcolm. Obviously. | 0:45:45 | 0:45:49 | |
Oh, I say! | 0:45:51 | 0:45:53 | |
Gosh, wasn't expecting this. Isn't it lovely? | 0:45:53 | 0:45:55 | |
It's like an Aladdin's cave! | 0:45:55 | 0:45:57 | |
OK, I'm just going to go trundling in the back here. | 0:45:57 | 0:46:00 | |
I've spotted something I quite like. | 0:46:02 | 0:46:05 | |
Go on, get stuck in, girl! | 0:46:05 | 0:46:08 | |
Okey dokey. Leather suitcase. | 0:46:08 | 0:46:10 | |
Now, these were made in the days when you had servants | 0:46:10 | 0:46:14 | |
or porters on the station, | 0:46:14 | 0:46:16 | |
because by the time that's got clothes in it, it weighs a tonne! | 0:46:16 | 0:46:19 | |
And it's got the remains of a label on it, I always like to see that. | 0:46:19 | 0:46:23 | |
You can imagine it's been travelling all over the world. | 0:46:23 | 0:46:25 | |
I actually quite like that. Can't actually see a price on it. | 0:46:25 | 0:46:29 | |
Might have to go and ask Malcolm about this one. | 0:46:29 | 0:46:32 | |
Yoo-hoo, Malcolm! | 0:46:32 | 0:46:34 | |
-I spotted, round the corner here, a leather suitcase. -Yeah, sure. | 0:46:34 | 0:46:38 | |
But I can't find a price on it. | 0:46:38 | 0:46:39 | |
Could you go to £20 for it? | 0:46:39 | 0:46:41 | |
We'd love you to win and spoil Paul's day, | 0:46:41 | 0:46:44 | |
so, if that's any good to you at all? | 0:46:44 | 0:46:47 | |
Actually, that's a very, very fair price, | 0:46:47 | 0:46:50 | |
because that was about what I was thinking for it. | 0:46:50 | 0:46:53 | |
-So, £20. -Absolutely, no problem. -OK, fine. Better shake on that. | 0:46:53 | 0:46:56 | |
I expect you'd like some money, wouldn't you? | 0:46:56 | 0:46:59 | |
Well, that would be good, yes! | 0:46:59 | 0:47:01 | |
£20 for an early-20th-century leather suitcase? Not bad, Claire. | 0:47:01 | 0:47:05 | |
Also in Hexham, Mr Laidlaw has one last shop to go | 0:47:08 | 0:47:13 | |
and he's on familiar ground at Ashbourne House Antiques. Hello! | 0:47:13 | 0:47:17 | |
-Beryl! -Hello again! -How are you? -Fine, thank you. | 0:47:17 | 0:47:20 | |
-It's good to see you! -Right. -Brilliant! | 0:47:20 | 0:47:24 | |
What's changed, what's fresh? | 0:47:24 | 0:47:26 | |
Um, not a lot! | 0:47:26 | 0:47:28 | |
Better get to it, then, Paul. | 0:47:29 | 0:47:31 | |
Ah, something's caught his eye. | 0:47:37 | 0:47:39 | |
May I have a look at the little North African | 0:47:39 | 0:47:41 | |
or Middle Eastern cruet set? | 0:47:41 | 0:47:43 | |
Oh, yes, that's interesting. | 0:47:43 | 0:47:46 | |
-That's great, thanks very much. -I think that's got a date on. | 0:47:46 | 0:47:49 | |
On the base, there's a clue to its origin, it all becomes clear now. | 0:47:52 | 0:47:57 | |
Engraved "Iran, 1946". So, just the end of the Second World War. | 0:47:57 | 0:48:03 | |
I like that very much. | 0:48:03 | 0:48:06 | |
And the price tag says... | 0:48:06 | 0:48:08 | |
£59. | 0:48:08 | 0:48:10 | |
-Anything on that? -OK, 40 on the cruet. | 0:48:10 | 0:48:15 | |
-OK. -Now, that can't be bad. | 0:48:15 | 0:48:17 | |
If I was taking it home, I'd think it was a gift! | 0:48:17 | 0:48:19 | |
There you go, then! | 0:48:19 | 0:48:21 | |
So, that's a deal of £40 for the cruet set. | 0:48:21 | 0:48:24 | |
But is there anything else that might tempt Paul? | 0:48:24 | 0:48:27 | |
Now, that, we thought, was for signalling. | 0:48:29 | 0:48:35 | |
-OK. -I don't know whether you've seen one of those. | 0:48:35 | 0:48:37 | |
It's either an electric miner's lamp, | 0:48:39 | 0:48:41 | |
which is a possibility... | 0:48:41 | 0:48:43 | |
It might just be my preferred option of | 0:48:43 | 0:48:47 | |
a diver's lantern. The whole point in this is, it's waterproof. | 0:48:47 | 0:48:51 | |
It's an interesting lantern, that. | 0:48:51 | 0:48:53 | |
With a ticket price of £95. | 0:48:53 | 0:48:56 | |
What can that be, then? | 0:48:56 | 0:48:58 | |
-Is that something you can... -Oh, I could make that half. | 0:48:58 | 0:49:00 | |
20 quid? | 0:49:00 | 0:49:02 | |
So it's got to be worth 30. | 0:49:02 | 0:49:03 | |
I should be on your side, shouldn't I? | 0:49:04 | 0:49:06 | |
We both seem to be haggling wi' me! | 0:49:06 | 0:49:09 | |
Well, you've got a fair bit off that, come on, now. | 0:49:09 | 0:49:12 | |
-Cheers. -Ha-ha! | 0:49:16 | 0:49:18 | |
-It's always good fun, is it no'? -It is! | 0:49:18 | 0:49:19 | |
Ha-ha! That's how you do it. | 0:49:19 | 0:49:21 | |
So, with shopping complete, let's take a peek at the purchases. | 0:49:22 | 0:49:25 | |
Paul adds his waterproof lantern and his Iranian cruet set | 0:49:27 | 0:49:30 | |
to the salt and pepper pots... | 0:49:30 | 0:49:33 | |
the whisky dispenser... | 0:49:33 | 0:49:34 | |
..and the doll's pram. | 0:49:35 | 0:49:36 | |
That's five lots for a total of £150. | 0:49:36 | 0:49:40 | |
Newbie Claire has five lots, including the 19th-century crutches, | 0:49:41 | 0:49:46 | |
the unusual animal brooches, | 0:49:46 | 0:49:48 | |
the golf clubs | 0:49:48 | 0:49:49 | |
and the World War I trench periscope. | 0:49:49 | 0:49:52 | |
Claire has spent a total of £108.80. | 0:49:52 | 0:49:55 | |
What do they think of one another's buys? | 0:49:55 | 0:49:58 | |
OK. An interesting offering, diverse, but, um, | 0:49:58 | 0:50:04 | |
all the time that I'm talking, there is only one word in my mind, | 0:50:04 | 0:50:09 | |
and it's periscope! | 0:50:09 | 0:50:10 | |
I love the spirit urn, that glass item. | 0:50:10 | 0:50:14 | |
It's a shame about the damage, but do you know, | 0:50:14 | 0:50:16 | |
that's a really showy piece, I think that's his best bit. | 0:50:16 | 0:50:19 | |
I am in a world of pain! | 0:50:19 | 0:50:23 | |
I think Paul might be a bit jealous of my periscope. | 0:50:23 | 0:50:26 | |
Just a tad. | 0:50:26 | 0:50:28 | |
Our road-trip rascals are heading to their first auction, | 0:50:28 | 0:50:31 | |
in Darlington in County Durham. | 0:50:31 | 0:50:33 | |
The auction is being held at Thomas Watson Auctioneers. | 0:50:33 | 0:50:38 | |
Our auctioneer today is Peter Robinson. | 0:50:38 | 0:50:40 | |
Thoughts, please, about our pair's lots. | 0:50:40 | 0:50:43 | |
Large 19th-century glass whisky dispenser - | 0:50:45 | 0:50:49 | |
I mean, pieces like this do make a big presence | 0:50:49 | 0:50:52 | |
if you stick it on your sideboard in your dining room. | 0:50:52 | 0:50:55 | |
The World War I periscope, which is a really nice item, | 0:50:55 | 0:51:00 | |
it's my favourite, and it certainly does work, because I've tried it. | 0:51:00 | 0:51:04 | |
This is exciting! The auction is about to begin. | 0:51:04 | 0:51:07 | |
-I wish you luck, Claire. -Really? -In moderation... Yeah, really! | 0:51:08 | 0:51:12 | |
Ha! How generous of you, Paul. | 0:51:12 | 0:51:14 | |
First up, Claire's brooches. | 0:51:14 | 0:51:16 | |
15, 20. 25 I'm bid. | 0:51:16 | 0:51:19 | |
At £25 for the two brooches. | 0:51:19 | 0:51:21 | |
At £25. 30 I'm bid. 30, sir. | 0:51:21 | 0:51:24 | |
At £30, on my right, 35, 40, 45. I'm bid in the room at £45. | 0:51:24 | 0:51:31 | |
On my right. Out on the internet at £45 for the two pieces, | 0:51:31 | 0:51:35 | |
selling at £45. | 0:51:35 | 0:51:36 | |
GAVEL BANGS | 0:51:36 | 0:51:38 | |
Hey, remarkable result there, Claire. | 0:51:38 | 0:51:40 | |
She is sailing high from the get-go. | 0:51:40 | 0:51:43 | |
OK, no pressure! | 0:51:43 | 0:51:46 | |
Let's see how your little doll's pram fares. | 0:51:46 | 0:51:50 | |
25 on the net, at 25, the doll's pram, at £25. 30 bid. | 0:51:50 | 0:51:55 | |
At £30, in the balcony, at £30. | 0:51:55 | 0:51:58 | |
35, 40, 40 in the balcony, still, at £40. | 0:51:58 | 0:52:02 | |
The bid's at 40. 45, thank you. 50, sir. Sure? | 0:52:02 | 0:52:05 | |
Being sold now at £45 for the lot. All done? | 0:52:05 | 0:52:10 | |
-£45. -Well, it didn't move backwards, | 0:52:10 | 0:52:13 | |
but it doesn't counter your brooch assault! | 0:52:13 | 0:52:16 | |
A decent profit, but not enough to take on the might of our new girl. | 0:52:16 | 0:52:20 | |
Now, how will she fare with her golf clubs? | 0:52:22 | 0:52:24 | |
£20 to start me, for the vintage golf clubs, 20 to start. 15? | 0:52:24 | 0:52:27 | |
-15, 20, 25, internet bidding. -That's all right. -It'll do. | 0:52:27 | 0:52:31 | |
Four in the lot. Four golf clubs. At £25. 30 in the balcony. At £30. | 0:52:31 | 0:52:37 | |
35, another bid, anywhere? Being sold, then, at £30. | 0:52:37 | 0:52:41 | |
-That's all right. -Oh, that's better than all right! | 0:52:41 | 0:52:43 | |
-That's doubled your money. -I'm pleased with it. | 0:52:43 | 0:52:45 | |
Nice one, Claire, another great profit to add to the kitty. | 0:52:45 | 0:52:49 | |
Paul loved his salt and pepper pots. | 0:52:50 | 0:52:52 | |
Can they help him climb into the lead? | 0:52:52 | 0:52:54 | |
£20. 25, 30 I'm bid. At £30, 35? | 0:52:54 | 0:52:58 | |
I'll take that, it's all right. | 0:52:58 | 0:53:00 | |
Thank you, madam, 35 bid. | 0:53:00 | 0:53:02 | |
At £35 in the saleroom. 40 now? | 0:53:02 | 0:53:05 | |
At £35, the lady's bid at £35. | 0:53:05 | 0:53:08 | |
Being sold, then, at £35. | 0:53:08 | 0:53:12 | |
Back in the game, maybe, that's all right. | 0:53:12 | 0:53:15 | |
Paul is creeping up behind you, Claire! | 0:53:15 | 0:53:17 | |
It's Claire's turn now, with the vintage suitcase. | 0:53:18 | 0:53:21 | |
£20. 25, 25? | 0:53:21 | 0:53:25 | |
-At £25. -We're there. -Small profit. | 0:53:25 | 0:53:27 | |
35, 40, 40 in the balcony. | 0:53:27 | 0:53:30 | |
At £40 for the vintage suitcase. | 0:53:30 | 0:53:32 | |
At £40, the bid's in the balcony at £40. Is it 45 anywhere? | 0:53:32 | 0:53:36 | |
-Being sold... 45, thank you. -Oh, excellent! I love the internet. | 0:53:36 | 0:53:41 | |
£45, being sold, now, at £45, to the internet bidder. | 0:53:41 | 0:53:46 | |
Hey, Claire knows what she's doing. Another lovely profit. | 0:53:47 | 0:53:50 | |
Claire is still out in the lead, | 0:53:50 | 0:53:53 | |
but Paul's sizeable spirit dispenser is next. | 0:53:53 | 0:53:56 | |
£30 for the large piece of Victorian glass. | 0:53:56 | 0:53:57 | |
It's all right, you've got some here. | 0:53:57 | 0:54:00 | |
-Internet. -40, 45, at £45 in the room here. 50, 55, sir? | 0:54:00 | 0:54:04 | |
-At £50, £50... -No, it's not enough. | 0:54:04 | 0:54:08 | |
60, 60 bid. | 0:54:08 | 0:54:09 | |
OK, I'm crying on the inside! | 0:54:09 | 0:54:11 | |
£60, 65, 70, Colin? At £65, on the internet bid, at £65. | 0:54:11 | 0:54:16 | |
70, another internet bidder. | 0:54:16 | 0:54:19 | |
Oh, it's slowly creeping! | 0:54:19 | 0:54:21 | |
£70, for the whisky dispenser, being sold, internet bidder. | 0:54:21 | 0:54:25 | |
75, quickly, please... | 0:54:25 | 0:54:26 | |
Oh, my word! | 0:54:26 | 0:54:28 | |
£75, can we have 80? | 0:54:28 | 0:54:30 | |
£75, being sold, then, this time, at £75, internet bidder. | 0:54:30 | 0:54:34 | |
-Well, that's fair enough. -That's all right. Are you pleased with that? | 0:54:35 | 0:54:39 | |
We are probably even Stevens now. | 0:54:39 | 0:54:42 | |
Not quite, Paul. You're just behind. | 0:54:42 | 0:54:44 | |
But a substantial profit, nevertheless. | 0:54:44 | 0:54:47 | |
What about Claire's interesting choice of a pair of crutches? | 0:54:47 | 0:54:51 | |
£20, can we have, to start for the pair? | 0:54:51 | 0:54:53 | |
15? £15. £15, 20, 25, internet bidder. | 0:54:53 | 0:54:58 | |
-£25 for the pair of crutches. -Go on a bit more, please, please! | 0:54:58 | 0:55:02 | |
£25, going to be sold at £25, are we all finished at £25? | 0:55:02 | 0:55:06 | |
Being sold at £25. | 0:55:06 | 0:55:10 | |
-Oh, OK. -Limped home. You can afford that, Claire Rawle! | 0:55:10 | 0:55:13 | |
Actually, she can't. | 0:55:13 | 0:55:15 | |
This means Paul takes the lead by a smidge. | 0:55:15 | 0:55:18 | |
It's Paul's lantern next. Lovely thing. | 0:55:20 | 0:55:22 | |
I suspect people that know what it is and care are rarer | 0:55:24 | 0:55:28 | |
than the lamp itself! | 0:55:28 | 0:55:30 | |
This could be my problem. | 0:55:30 | 0:55:31 | |
£50, 185, at 50. At £50, at £50. | 0:55:31 | 0:55:36 | |
I'll take that, it's not a loss. | 0:55:36 | 0:55:38 | |
£50, all finished at £50 this time? | 0:55:38 | 0:55:41 | |
All done at £50. | 0:55:41 | 0:55:44 | |
-Short and sweet. -I'll take that. -Bit of profit. -Came out of nowhere! | 0:55:44 | 0:55:47 | |
Striding into the lead here, Paul. | 0:55:47 | 0:55:50 | |
And it's Paul's again, with the silver Iranian cruet set. | 0:55:50 | 0:55:55 | |
£20 to start, at £20 for the silver cruet. | 0:55:55 | 0:55:59 | |
At 25, 30 bid, 35 I have. | 0:55:59 | 0:56:01 | |
Oh, it's going all right. | 0:56:01 | 0:56:02 | |
40 bid, 45 I have, at £45. 50, 55. | 0:56:02 | 0:56:08 | |
-60, 65. -Just about. -No! -That'll do me. | 0:56:08 | 0:56:11 | |
70 anywhere? £70 bid now. | 0:56:11 | 0:56:14 | |
I'm liking it more by the minute! | 0:56:14 | 0:56:16 | |
£75, at £75 for the silver cruet. All done? | 0:56:16 | 0:56:21 | |
Hey, sitting comfortably in the lead, Paul. | 0:56:21 | 0:56:25 | |
Do you know what, it's all going to come down... | 0:56:25 | 0:56:27 | |
It's all about the periscope. | 0:56:27 | 0:56:29 | |
Indeed it is, Paul. It's the one he's been dreading. | 0:56:29 | 0:56:34 | |
Commission bids here, we've got 35 to start us off, low start. | 0:56:34 | 0:56:38 | |
35, 40, 45, 50, 55, 60 bid. | 0:56:38 | 0:56:43 | |
60 bid. 60 bid, in the room is the bid, at 60... 65, 70. | 0:56:43 | 0:56:48 | |
-£90 I have here. -Oh, that's better. -What just happened? | 0:56:48 | 0:56:51 | |
I blacked out for a second! | 0:56:51 | 0:56:53 | |
At £90, against the internet at £90, 95, 100. | 0:56:53 | 0:56:57 | |
That's what I said! | 0:56:57 | 0:56:58 | |
At £100 now, the internet bidder. 110, thank you. | 0:56:58 | 0:57:01 | |
Make it stop, Mummy, please make the man stop! | 0:57:01 | 0:57:03 | |
In the room at 110, internet bidder at £110 for the periscope. | 0:57:03 | 0:57:06 | |
Selling it at £110. | 0:57:06 | 0:57:09 | |
-All finished? -GAVEL BANGS | 0:57:09 | 0:57:11 | |
-Excellent. -What we said! -OK, 110, that's good. | 0:57:11 | 0:57:15 | |
I'm feeling your pain, Paul. | 0:57:17 | 0:57:19 | |
That's a whopper of a profit, Claire, well done. | 0:57:19 | 0:57:23 | |
You owe me tea and sympathy, I think! | 0:57:23 | 0:57:26 | |
Not too much sympathy. | 0:57:26 | 0:57:28 | |
-Right... -Come on, then. -Lead the way. | 0:57:28 | 0:57:31 | |
Who will reign supreme for the first leg? | 0:57:31 | 0:57:33 | |
Let's work out the numbers. | 0:57:33 | 0:57:35 | |
Paul started leg one with £200, | 0:57:35 | 0:57:38 | |
and after auction costs made a profit of £79.60. | 0:57:38 | 0:57:41 | |
Paul's grand total to carry forward is £279.60. | 0:57:41 | 0:57:46 | |
Claire also began with £200 | 0:57:48 | 0:57:50 | |
and blasted veteran Laidlaw from the top spot | 0:57:50 | 0:57:53 | |
with an excellent profit of £100.30. | 0:57:53 | 0:57:57 | |
Our road-trip new girl takes the lead for leg one | 0:57:57 | 0:58:00 | |
and has a sizeable £300.30 for the next leg. | 0:58:00 | 0:58:04 | |
I've got to give it to you, Claire, it's yours. | 0:58:06 | 0:58:08 | |
Not a lot in it, though. | 0:58:08 | 0:58:10 | |
-No. -No more periscopes, right? | 0:58:10 | 0:58:12 | |
Cheerio, chaps. | 0:58:12 | 0:58:14 | |
Next time on Antiques Road Trip, Paul's hungry for a bargain... | 0:58:19 | 0:58:23 | |
Chomping at the bit, Alan! | 0:58:23 | 0:58:24 | |
..and Claire talks to the animals. | 0:58:24 | 0:58:27 | |
What do you think, mate? "Meow!" | 0:58:27 | 0:58:30 |