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It's the nation's favourite antiques experts.... | 0:00:02 | 0:00:04 | |
-That's cracking. -..with £200 each... -Wonderful. | 0:00:04 | 0:00:07 | |
..a classic car and a goal, to scour Britain for antiques. | 0:00:07 | 0:00:11 | |
That's exactly what I'm talking about. | 0:00:11 | 0:00:12 | |
I'm all over a-shiver. | 0:00:12 | 0:00:14 | |
The aim? To make the biggest profit at auction, but it's no mean feat. | 0:00:14 | 0:00:17 | |
-No-brainer. -Going, going, gone! | 0:00:17 | 0:00:19 | |
There will be worthy winners and valiant losers. | 0:00:19 | 0:00:23 | |
So, will it be the high road to glory... | 0:00:23 | 0:00:25 | |
-Push! -..or the slow road to disaster? | 0:00:25 | 0:00:28 | |
How awfully, awfully nice. | 0:00:28 | 0:00:29 | |
This is Antiques Road Trip. | 0:00:29 | 0:00:31 | |
Yeah! | 0:00:33 | 0:00:35 | |
Today we blast off on the second instalment of our road trip | 0:00:37 | 0:00:41 | |
adventure with auctioneers Claire Rawle and Paul Laidlaw. | 0:00:41 | 0:00:44 | |
I can't wait. | 0:00:44 | 0:00:45 | |
New girl Claire clinched the lead on her first outing, with a World War I | 0:00:46 | 0:00:51 | |
periscope. She is playing Paul at his own game. | 0:00:51 | 0:00:54 | |
£110 for the periscope. | 0:00:54 | 0:00:56 | |
The old hand didn't like that, I tell you. | 0:00:59 | 0:01:02 | |
He remains as supportive as ever, though. | 0:01:02 | 0:01:04 | |
I've got pressure on me now to keep it up. | 0:01:06 | 0:01:08 | |
-Added pressure. -Good, good! | 0:01:08 | 0:01:11 | |
Now, now, Paul. | 0:01:13 | 0:01:15 | |
From his original £200, Paul's got | 0:01:15 | 0:01:17 | |
£279.60 to stick in his back pocket. | 0:01:17 | 0:01:21 | |
Claire also began with £200. | 0:01:22 | 0:01:25 | |
She is ahead by a whisker with a total of £300.30. | 0:01:25 | 0:01:29 | |
They are roaring around town in this sporty 1968 TVR Tuscan. | 0:01:30 | 0:01:35 | |
Paul and Claire set off from Wooler in Northumberland. | 0:01:36 | 0:01:39 | |
They will take in the sights of the North East, | 0:01:39 | 0:01:42 | |
traversing through Yorkshire, | 0:01:42 | 0:01:43 | |
to finally land in the town of Stamford in Lincolnshire. | 0:01:43 | 0:01:48 | |
Today our adventure begins in Roker, | 0:01:48 | 0:01:50 | |
in an area within the city of Sunderland, | 0:01:50 | 0:01:52 | |
and we shall auction in East Boldon | 0:01:52 | 0:01:55 | |
in Tyne and Wear. | 0:01:55 | 0:01:57 | |
Very kindly, Claire is dropping Paul at his first shop in Roker. | 0:01:57 | 0:02:02 | |
We'll catch up with Claire later. | 0:02:02 | 0:02:04 | |
Now, who knows what will happen in here? | 0:02:04 | 0:02:06 | |
Hello, pleased to meet you. I'm David. | 0:02:07 | 0:02:10 | |
Good to see you. | 0:02:10 | 0:02:11 | |
You've got a certain thing going on here. | 0:02:11 | 0:02:14 | |
-Giraffe. -I noticed. Holy Moses, a real one? | 0:02:14 | 0:02:17 | |
-Yes. -What on earth? | 0:02:17 | 0:02:19 | |
What's this little beauty? | 0:02:23 | 0:02:25 | |
Is there any age to that? | 0:02:26 | 0:02:29 | |
A miniature chest of drawers. | 0:02:29 | 0:02:31 | |
Who doesn't want one? | 0:02:31 | 0:02:32 | |
Look at this. It's old cigar boxes. | 0:02:32 | 0:02:35 | |
Fantastic! | 0:02:35 | 0:02:36 | |
Priced at £50, will owner David be open to discount? | 0:02:36 | 0:02:41 | |
How good a deal can you do me on the chest of drawers? | 0:02:41 | 0:02:44 | |
Don't look at that. | 0:02:44 | 0:02:46 | |
I'll do you 25 quid. | 0:02:47 | 0:02:49 | |
I think it's yesterday's news, that's my problem. | 0:02:49 | 0:02:51 | |
So much that we see is yesterday's news. | 0:02:51 | 0:02:53 | |
Blimey! It's tough on old Laidlaw today. | 0:02:53 | 0:02:56 | |
Right, Paul, anything else? | 0:02:58 | 0:02:59 | |
They are candle snuffers. | 0:03:00 | 0:03:02 | |
You knew that. You know what candle snuffers are for, don't you? | 0:03:02 | 0:03:05 | |
Candle snuffers are for trimming the wick of one's candle. | 0:03:05 | 0:03:10 | |
These gadgets are actually wick trimmers and | 0:03:10 | 0:03:14 | |
a candle douser or snuffer to put the flame out. | 0:03:14 | 0:03:16 | |
We're looking at 1770. | 0:03:16 | 0:03:19 | |
1770, come on! | 0:03:19 | 0:03:22 | |
This is powdered wigs territory and frock coats and genteel living. | 0:03:22 | 0:03:26 | |
All right, love. | 0:03:26 | 0:03:27 | |
What's he up to now? | 0:03:27 | 0:03:29 | |
Looks like he's got his metal mojo working. | 0:03:30 | 0:03:33 | |
He has spotted a pair of brass candlesticks | 0:03:33 | 0:03:36 | |
and a pretty copper pot. | 0:03:36 | 0:03:38 | |
If I grabbed the candle snuffers and a pair of candlesticks, | 0:03:38 | 0:03:41 | |
that makes sense. | 0:03:41 | 0:03:43 | |
If I tried to buy... | 0:03:43 | 0:03:45 | |
Ignore the price tags, please. | 0:03:45 | 0:03:47 | |
If I tried to buy... | 0:03:48 | 0:03:50 | |
That's a pretty little lot, is it not? | 0:03:50 | 0:03:52 | |
Ah, the combined price for the snuffer, | 0:03:52 | 0:03:54 | |
the candlesticks and the copper pot is £55. | 0:03:54 | 0:03:57 | |
Can it be cheap, cheap, cheap, cheap, | 0:03:57 | 0:04:00 | |
and then we'll talk about your chest of drawers? | 0:04:00 | 0:04:03 | |
I think he wants it cheap, David. | 0:04:04 | 0:04:06 | |
I'll do you 30 quid the lot. | 0:04:07 | 0:04:10 | |
Where were we, we were 25 quid for the wee cigar box lined chest? | 0:04:10 | 0:04:14 | |
Yes. | 0:04:14 | 0:04:16 | |
25 quid for that and 30 quid for that. | 0:04:16 | 0:04:19 | |
I'll do you 50 quid the lot - there you are. | 0:04:19 | 0:04:22 | |
And you've got a deal. | 0:04:22 | 0:04:24 | |
OK, sir, thank you very much indeed. | 0:04:24 | 0:04:26 | |
Good deal. | 0:04:26 | 0:04:27 | |
No hesitation for Maestro Laidlaw. | 0:04:27 | 0:04:30 | |
Generous David has sold the miniature chest of drawers for £25 | 0:04:30 | 0:04:34 | |
and the mixed metalware, also for £25. | 0:04:34 | 0:04:37 | |
Wow! | 0:04:37 | 0:04:39 | |
Meanwhile, Claire has travelled a short distance away | 0:04:39 | 0:04:42 | |
to the South Tyneside village of Cleadon. | 0:04:42 | 0:04:45 | |
-Hello! -Hello. -Judith. Hello. | 0:04:46 | 0:04:49 | |
Rachel. Nice to meet you. I'm Claire. | 0:04:49 | 0:04:51 | |
Now, Judith is the proprietor here. | 0:04:53 | 0:04:55 | |
Stand by, because Claire is looking to get some bargains. | 0:04:55 | 0:04:59 | |
Now then, what's this? | 0:04:59 | 0:05:00 | |
Hopefully photographic slides. Let's have a look. | 0:05:03 | 0:05:06 | |
OK. | 0:05:06 | 0:05:07 | |
Oh, OK. | 0:05:07 | 0:05:10 | |
Old glass negative slides. | 0:05:10 | 0:05:12 | |
Produced in stereoscope, the two. | 0:05:14 | 0:05:17 | |
They are in their original box. | 0:05:19 | 0:05:21 | |
Probably for using with a Magic Lantern in the early days. | 0:05:24 | 0:05:27 | |
Before people went to the cinema, | 0:05:27 | 0:05:29 | |
you would go to the Magic Lantern shows. | 0:05:29 | 0:05:32 | |
Magic Lantern shows were very popular with the Victorians. | 0:05:33 | 0:05:37 | |
A precursor to the modern-day movie, | 0:05:37 | 0:05:40 | |
they featured projected images accompanied | 0:05:40 | 0:05:42 | |
by live music and narration. | 0:05:42 | 0:05:43 | |
They will date from the late 19th century. | 0:05:45 | 0:05:47 | |
Might be slightly earlier than that, sort of 1860s. | 0:05:47 | 0:05:50 | |
Time for some narration with Judith. | 0:05:50 | 0:05:52 | |
You've got 95 on those. | 0:05:52 | 0:05:55 | |
I could do 45 because I got those quite cheap. | 0:05:55 | 0:05:57 | |
All right, that's what I like to hear! | 0:05:57 | 0:06:00 | |
Kind discount. | 0:06:00 | 0:06:01 | |
Oh, thank you very much. | 0:06:01 | 0:06:03 | |
Thank you. It's a pleasure, thank you. | 0:06:03 | 0:06:05 | |
Judith has been kind. | 0:06:05 | 0:06:07 | |
The collection of glass slides for | 0:06:07 | 0:06:09 | |
£45 is Claire's first purchase of the day. | 0:06:09 | 0:06:12 | |
Back to Paul. He's journeyed south to the coastal town of Hartlepool | 0:06:14 | 0:06:18 | |
in County Durham. | 0:06:18 | 0:06:19 | |
How are you doing? | 0:06:21 | 0:06:23 | |
-All right? -Yes, pleased to meet you. | 0:06:23 | 0:06:25 | |
-Good to see you. I'm chomping at the bit, Alan. -OK. | 0:06:25 | 0:06:27 | |
And he's off for a good rummage. | 0:06:27 | 0:06:29 | |
Paul's laser eye focus has found something. | 0:06:33 | 0:06:35 | |
-That's not just a walking stick, is it? -No. | 0:06:39 | 0:06:42 | |
It's a sword stick. | 0:06:43 | 0:06:44 | |
So, what we have here is a Victorian gentleman's means of | 0:06:44 | 0:06:51 | |
defence when he is wandering the back streets looking for a carriage, | 0:06:51 | 0:06:56 | |
having just walked out of the opera, and the bad guys jump out of | 0:06:56 | 0:07:00 | |
the dark and say, "Hand over your wallet!" | 0:07:00 | 0:07:04 | |
And he says, | 0:07:04 | 0:07:05 | |
"Be gone, braggart, and don't be back or I'll call the Peelers!" | 0:07:05 | 0:07:09 | |
-That's exactly what you need. -He should be on the stage! | 0:07:09 | 0:07:12 | |
A good find, Paul. | 0:07:12 | 0:07:14 | |
Reasonably collectable, as well, and not a bad one. | 0:07:14 | 0:07:16 | |
I've seen worse. What can it be, Alan? | 0:07:16 | 0:07:19 | |
I was hoping to get 50 quid for it. | 0:07:19 | 0:07:21 | |
Oh, I'll make you a cheeky wee offer. | 0:07:22 | 0:07:25 | |
Stress the cheeky. 30 quid. | 0:07:26 | 0:07:28 | |
Can we go to 40 and then I'll make just a little bit on it, which makes | 0:07:31 | 0:07:35 | |
-me happy. -Oh, do you know what? | 0:07:35 | 0:07:36 | |
Yes, and here's hoping I make a little bit. | 0:07:37 | 0:07:41 | |
-You'll definitely make a little bit. -Then we're both happy. | 0:07:41 | 0:07:43 | |
You'll definitely make a profit, I'm sure. | 0:07:43 | 0:07:46 | |
Nicely done, Paul. | 0:07:46 | 0:07:47 | |
Anything else lurking in the attic? | 0:07:47 | 0:07:49 | |
I've just pulled that out of the back, actually, to clean it up. | 0:07:49 | 0:07:52 | |
-Is that what the matter is, just dust? -Just dust. | 0:07:52 | 0:07:56 | |
But what the heck is it? | 0:07:56 | 0:07:58 | |
That, for my money, is about the sexiest | 0:07:58 | 0:08:01 | |
standard-lamp-cum-occasional-table I've seen in years. | 0:08:01 | 0:08:09 | |
That is going to date to 1930, 1935, and what is the aesthetic? | 0:08:09 | 0:08:13 | |
It's Art Deco, isn't it? | 0:08:13 | 0:08:15 | |
For once, it's fair to say it's Art Deco. | 0:08:15 | 0:08:18 | |
It's a much abused term. | 0:08:18 | 0:08:20 | |
That is going to polish up an absolute treat. | 0:08:20 | 0:08:22 | |
Do you like? | 0:08:22 | 0:08:24 | |
Depends on what price you can get from Alan. | 0:08:25 | 0:08:28 | |
Can I get 50 quid for it? | 0:08:28 | 0:08:30 | |
-40? -What? | 0:08:30 | 0:08:31 | |
-30? -You'll be in freefall. -All right, 30, 30. | 0:08:31 | 0:08:34 | |
Well, I don't want to go more than 20 quid. | 0:08:35 | 0:08:38 | |
-Yes, that's good. -Sweet? | 0:08:38 | 0:08:39 | |
-Yes, let's do it. -Happy with that. | 0:08:39 | 0:08:42 | |
Brilliant. | 0:08:42 | 0:08:43 | |
An Art Deco standard-lamp-cum-table for £20 and the gentleman's | 0:08:43 | 0:08:48 | |
sword stick for £40, excellent work. | 0:08:48 | 0:08:50 | |
Time to call it a day and break for a nice bit of shuteye. | 0:08:54 | 0:08:58 | |
Nighty-night! | 0:08:58 | 0:08:59 | |
# Good morning, good morning | 0:09:01 | 0:09:03 | |
# We've talked the whole night through... # | 0:09:03 | 0:09:06 | |
Wakey-wakey! We're heading north this morning. | 0:09:06 | 0:09:09 | |
Ever the gent, Paul's dropping Claire off | 0:09:09 | 0:09:12 | |
in Whitley Bay. | 0:09:12 | 0:09:13 | |
-Here we are. -Looking good. | 0:09:13 | 0:09:15 | |
This fine emporium is run by Philip | 0:09:19 | 0:09:22 | |
and Claire has over £250 burning a hole in her pocket. | 0:09:22 | 0:09:26 | |
I have to say, I do rather like cats. | 0:09:27 | 0:09:30 | |
-He is quite eye-catching. -Quite fun, isn't it? | 0:09:30 | 0:09:32 | |
-Yes. -Oops. | 0:09:32 | 0:09:34 | |
It's heavier than I thought it was going to be. | 0:09:34 | 0:09:36 | |
Italy, so presumably a souvenir type piece? | 0:09:38 | 0:09:41 | |
I don't know. It's got no name to say where it came from, | 0:09:41 | 0:09:44 | |
just that it originated in Italy. | 0:09:44 | 0:09:45 | |
Yeah. | 0:09:45 | 0:09:47 | |
What's your best price? Cos you've got £25 on him. So... | 0:09:47 | 0:09:51 | |
I'm sure we can do something to help on that one. | 0:09:51 | 0:09:54 | |
-Music to my ears. -Yeah. | 0:09:54 | 0:09:55 | |
Why don't we do it for 15 for you? | 0:09:57 | 0:09:58 | |
He's just begging me to buy him, isn't he? | 0:09:58 | 0:10:01 | |
-Oh, I'll go for it. -You're going to have him, are you? | 0:10:03 | 0:10:05 | |
-Lovely. Thank you very much. -Thank you. Thank you. | 0:10:05 | 0:10:07 | |
One purchase down and she's on a roll. | 0:10:07 | 0:10:10 | |
Oh, a leather suitcase. | 0:10:10 | 0:10:12 | |
One of my favourites. | 0:10:13 | 0:10:15 | |
Is that for sale, or is that just a doorstop? | 0:10:15 | 0:10:17 | |
Nice old one. I'm sure we could sell it to you if you like. | 0:10:17 | 0:10:20 | |
Now, Claire bought a suitcase in the first leg and made a nice profit. | 0:10:20 | 0:10:24 | |
Could this one do the same? | 0:10:24 | 0:10:26 | |
What price would that be? | 0:10:26 | 0:10:28 | |
Well, we've got 45 on it at the moment, Claire. | 0:10:28 | 0:10:30 | |
-Yeah. -So possibly we can do | 0:10:30 | 0:10:31 | |
something to help you on that one, yeah. | 0:10:31 | 0:10:33 | |
Yeah, because I know what they make at auction... | 0:10:33 | 0:10:36 | |
Yes, at auctions they are not going to bring as much as that. | 0:10:36 | 0:10:39 | |
No, no. I would hope at auction it might make, sort of, 20, 25. | 0:10:39 | 0:10:44 | |
Can you come down somewhere closer | 0:10:44 | 0:10:46 | |
to that where I can make a bit of a... | 0:10:46 | 0:10:48 | |
Well, I wouldn't really like to come down as low as 20, | 0:10:48 | 0:10:53 | |
but we'll do it for 25 for you if there's enough room in there. | 0:10:53 | 0:10:56 | |
We'll split the difference and 22? | 0:10:56 | 0:10:58 | |
Yes, all right. We'll do that. | 0:10:59 | 0:11:01 | |
-Excellent. My cat and my suitcase. -Great. -Thank you. | 0:11:01 | 0:11:05 | |
Thank you very much, Philip. That's excellent. | 0:11:05 | 0:11:07 | |
There we have it. £15 for the pottery cat | 0:11:07 | 0:11:10 | |
and 22 for the vintage suitcase. | 0:11:10 | 0:11:13 | |
Meanwhile, Paul's off on a mission to the town of Blyth. | 0:11:15 | 0:11:18 | |
At the time of the First and Second World Wars, | 0:11:21 | 0:11:23 | |
the north-east of England was significant, | 0:11:23 | 0:11:25 | |
due to its naval shipbuilding and weapons industry. | 0:11:25 | 0:11:29 | |
This, combined with the long, exposed coastline, | 0:11:29 | 0:11:32 | |
made Northumberland a prime target for a German invasion. | 0:11:32 | 0:11:36 | |
In 1916, the MoD gave orders to build | 0:11:37 | 0:11:40 | |
Blyth Battery to ensure the coast was defended. | 0:11:40 | 0:11:44 | |
Paul's meeting with Colin Derwood to get the lowdown. | 0:11:44 | 0:11:47 | |
Colin, how are you doing? | 0:11:47 | 0:11:48 | |
-It's a pleasure to meet you, Paul. -I like the look of your beach hut. | 0:11:48 | 0:11:51 | |
Come on, we'll go and have a look at it. | 0:11:51 | 0:11:53 | |
Blyth Battery has the most intact | 0:11:55 | 0:11:57 | |
coastal defence buildings in the world, | 0:11:57 | 0:12:00 | |
with the First World War observation post | 0:12:00 | 0:12:03 | |
being the only surviving example of its type. | 0:12:03 | 0:12:05 | |
The armoured turret was a look-out post for | 0:12:05 | 0:12:08 | |
gathering intelligence. | 0:12:08 | 0:12:10 | |
Oh, man. What! | 0:12:12 | 0:12:13 | |
So the whole cupola revolves? | 0:12:15 | 0:12:18 | |
Yes, the whole lot rotated and from | 0:12:18 | 0:12:21 | |
the sides there was smaller gear wheels, | 0:12:21 | 0:12:24 | |
shafts, and you can see some of the original plugs... | 0:12:24 | 0:12:28 | |
-I see, yeah. -..where there was a cranking mechanism. | 0:12:28 | 0:12:30 | |
-Hand? -One either side for to rotate the whole top. | 0:12:30 | 0:12:34 | |
Fantastic. | 0:12:34 | 0:12:37 | |
The operator would have either stood in a basket suspended from it... | 0:12:37 | 0:12:42 | |
-What? -..or on a base. | 0:12:42 | 0:12:44 | |
-Right. -Remembering it doesn't turn very fast. | 0:12:44 | 0:12:46 | |
It only has to follow a ship. | 0:12:46 | 0:12:49 | |
And from that door there, and that door there, | 0:12:50 | 0:12:54 | |
was a nine foot Barr & Stroud split-image rangefinder. | 0:12:54 | 0:12:59 | |
-Yes. -A big brother to this one. -Yeah. | 0:12:59 | 0:13:02 | |
This enabled the artillery spotter | 0:13:02 | 0:13:04 | |
to observe anything unusual at sea up to several miles away. | 0:13:04 | 0:13:09 | |
The information could be passed | 0:13:09 | 0:13:11 | |
downstairs and they would have phoned it | 0:13:11 | 0:13:14 | |
across to the gun platform, | 0:13:14 | 0:13:16 | |
where the guns could have been loaded and ready | 0:13:16 | 0:13:18 | |
-to take enemy action. -Oh, my word. | 0:13:18 | 0:13:21 | |
What a thought. | 0:13:21 | 0:13:23 | |
I'd love to have been here in 1918. | 0:13:24 | 0:13:28 | |
A howling gale blowing like today, guys cranking the cupola, | 0:13:28 | 0:13:33 | |
and the Kaiserliche Marine cruising up there. | 0:13:33 | 0:13:37 | |
-What! -Yes, it would have been tremendous. | 0:13:37 | 0:13:40 | |
Enemy action, action stations! | 0:13:40 | 0:13:42 | |
It is absolute... | 0:13:42 | 0:13:44 | |
What a gem of a place. | 0:13:44 | 0:13:47 | |
I think it's safe to say Paul is in his element. | 0:13:47 | 0:13:49 | |
When World War II loomed, | 0:13:51 | 0:13:52 | |
another battery post was built to strengthen defences. | 0:13:52 | 0:13:56 | |
Again, this sweeping horizon, | 0:13:56 | 0:14:01 | |
-whereupon the enemy could be lurking. -It's beautiful. | 0:14:01 | 0:14:03 | |
I've got to say, for the guy in 1918 it could be quite terrifying, | 0:14:05 | 0:14:08 | |
the hum of a Zeppelin engine overhead. But I don't know in 1940, | 0:14:08 | 0:14:13 | |
the prospect of the horizon being black with landing craft... | 0:14:13 | 0:14:16 | |
-Enemy ships. -That's... That's seriously hairy. | 0:14:16 | 0:14:19 | |
It's different, different. | 0:14:19 | 0:14:21 | |
With the advent of World War II, the Blyth Battery was still a deterrent | 0:14:21 | 0:14:25 | |
to a Northumberland invasion. | 0:14:25 | 0:14:28 | |
Colin, what number of men served here during the war? | 0:14:28 | 0:14:32 | |
There was five officers and 110 regulars | 0:14:32 | 0:14:35 | |
from the garrison artillery. | 0:14:35 | 0:14:37 | |
They were supplemented by men of the Home Guard, | 0:14:37 | 0:14:40 | |
who used to come down from 1940. | 0:14:40 | 0:14:42 | |
But by 1944, the threat of an invasion had subsided | 0:14:42 | 0:14:46 | |
and when all the regulars went away for the big push in Normandy, it was | 0:14:46 | 0:14:49 | |
-the Home Guard who ran this all by themselves. -Dad's Army. | 0:14:49 | 0:14:54 | |
At the end of the Second World War, the guns were removed | 0:14:55 | 0:14:58 | |
and the battery became popular beach chalets in the '50s | 0:14:58 | 0:15:01 | |
and thereafter was used by lifeguards. | 0:15:01 | 0:15:03 | |
This continued use has ensured its survival. | 0:15:03 | 0:15:07 | |
Baywatch, eat your heart out! | 0:15:07 | 0:15:09 | |
So we've gone from the Great War and Zeppelins, | 0:15:09 | 0:15:13 | |
the Second World War invasion threats, | 0:15:13 | 0:15:16 | |
and now we are enjoying this as... | 0:15:16 | 0:15:19 | |
Its legacy is educational, isn't it? | 0:15:19 | 0:15:21 | |
It's as educational centre, exactly, yes. | 0:15:21 | 0:15:23 | |
It's went from wartime to education. | 0:15:23 | 0:15:26 | |
Over 100 years. | 0:15:26 | 0:15:27 | |
Isn't that fantastic? | 0:15:27 | 0:15:29 | |
Well, I've got to say, I have had the best couple of hours | 0:15:29 | 0:15:33 | |
-I've had in many a moon. Thank you very much. -Pleased you've enjoyed it. Thank you. | 0:15:33 | 0:15:36 | |
Blyth Battery is the lasting testimony of a small | 0:15:36 | 0:15:40 | |
British town playing a vital role during the war effort | 0:15:40 | 0:15:44 | |
and, thankfully, still survives to this day. | 0:15:44 | 0:15:47 | |
Claire's also travelled to Blyth. | 0:15:50 | 0:15:52 | |
She's got over £218 to play with. | 0:15:52 | 0:15:55 | |
Johnny Boy's Antiques & Modern Furnishings | 0:15:57 | 0:15:59 | |
is her last shop of the day. So watch out, Johnny. | 0:15:59 | 0:16:03 | |
Ah, John, hello. Hiding behind your desk. | 0:16:03 | 0:16:05 | |
-How are you? I'm Claire. -I'm fine. | 0:16:05 | 0:16:06 | |
Rustic walking sticks. | 0:16:13 | 0:16:15 | |
I always like looking in cabinets. What have we got here? | 0:16:18 | 0:16:22 | |
A Sikes hydrometer. Is it all right if I have a look at that? | 0:16:22 | 0:16:24 | |
-Yes. Feel free. -Right. | 0:16:24 | 0:16:27 | |
Quite nice little instruments, these. | 0:16:29 | 0:16:31 | |
I like the boxes, as well, with the original plaque in the top of it. | 0:16:31 | 0:16:35 | |
There we go. There it is. | 0:16:35 | 0:16:38 | |
Sikes hydrometers were used by | 0:16:38 | 0:16:40 | |
distillers to measure proof of alcohol, | 0:16:40 | 0:16:43 | |
and hence the duty payable. | 0:16:43 | 0:16:44 | |
It isn't dated but I would think, looking at the quality of it, | 0:16:44 | 0:16:48 | |
we are looking at a very late 19th, early 20th century. | 0:16:48 | 0:16:50 | |
No price on it at all... | 0:16:52 | 0:16:54 | |
I've got to see 40. | 0:16:54 | 0:16:56 | |
It's a nice item. They're quite collectable, | 0:16:56 | 0:16:58 | |
but they've got a reasonably limited market. So 25 no good? | 0:16:58 | 0:17:03 | |
-30? -28? | 0:17:03 | 0:17:05 | |
-Go on. -28? | 0:17:05 | 0:17:08 | |
OK. Yeah. 28's good on that one. | 0:17:08 | 0:17:10 | |
-No problem. -The other thing I noticed, John, | 0:17:10 | 0:17:12 | |
when I came in, some walking sticks over here. | 0:17:12 | 0:17:14 | |
Which I think would make a nice little group, actually. | 0:17:16 | 0:17:19 | |
I quite liked the look of these. | 0:17:19 | 0:17:20 | |
I think that was the other I quite liked. | 0:17:20 | 0:17:23 | |
I was thinking maybe £5 to £8 for the group? | 0:17:25 | 0:17:29 | |
As a nice little group? £5? | 0:17:29 | 0:17:31 | |
Cheeky! She'll stop at nothing, that one. | 0:17:31 | 0:17:35 | |
They've got a price of a tenner each! | 0:17:35 | 0:17:37 | |
-Make it ten. -Eight. | 0:17:38 | 0:17:39 | |
Go on. | 0:17:40 | 0:17:42 | |
Thank you very much, indeed. That's good. | 0:17:42 | 0:17:45 | |
You're lucky, Claire, that Johnny is so generous. | 0:17:45 | 0:17:48 | |
Thank you indeed, Johnny. | 0:17:48 | 0:17:50 | |
The hydrometer for £28 and the walking sticks for £8. | 0:17:50 | 0:17:54 | |
Wow! | 0:17:54 | 0:17:55 | |
Now Paul's heading up the coast to Amble | 0:17:57 | 0:18:01 | |
with just under £170 tucked away. | 0:18:01 | 0:18:04 | |
Artique is his final shopping destination. | 0:18:04 | 0:18:08 | |
It's a huge emporium with around 30 dealers. He'll love that! | 0:18:08 | 0:18:12 | |
-Is it Mark? -It is Mark. Hello. -How are you doing? -Nice to meet you. | 0:18:12 | 0:18:15 | |
What is going on here then? | 0:18:19 | 0:18:20 | |
HE EXHALES | 0:18:20 | 0:18:22 | |
Be still, my beating heart. | 0:18:22 | 0:18:24 | |
I turned around, looked down, period photographs. | 0:18:25 | 0:18:29 | |
Aerial photographs. Who takes aerial photographs? | 0:18:29 | 0:18:32 | |
The military and spies, do they not? | 0:18:32 | 0:18:35 | |
OK, I'm interested. | 0:18:35 | 0:18:36 | |
You've got me. | 0:18:36 | 0:18:37 | |
I can tell you for nothing they are mid-20th century, are they not, | 0:18:39 | 0:18:42 | |
so we're probably, possibly looking at the Second World War. | 0:18:42 | 0:18:46 | |
A group photo of U-boats at Danzig, similar at Kiel. | 0:18:46 | 0:18:50 | |
Absolutely fantastic stuff, this. | 0:18:51 | 0:18:53 | |
A Dutch gunboat and M-class minesweeper. | 0:18:53 | 0:18:57 | |
Wait a minute - here's a box. | 0:18:57 | 0:18:59 | |
Description, stereoscope and German naval views. | 0:19:00 | 0:19:05 | |
Don't get me started about stereoscopy. | 0:19:06 | 0:19:10 | |
Incredible subject. Traces its... | 0:19:10 | 0:19:12 | |
This is the viewing of photographs | 0:19:12 | 0:19:16 | |
through a viewer, giving a 3-D effect. £45. | 0:19:16 | 0:19:21 | |
Come on. That's not a lot of money by any measure. | 0:19:23 | 0:19:26 | |
What might it be worth? Well, the truth of the matter is, | 0:19:27 | 0:19:30 | |
I suspect the photographs and the stereo viewer may not be related, | 0:19:30 | 0:19:36 | |
they may have been brought together. | 0:19:36 | 0:19:39 | |
If I'm right, the more valuable element, arguably, | 0:19:39 | 0:19:41 | |
is the aerial photographs. | 0:19:41 | 0:19:43 | |
The World War II reconnaissance photographs are a real find. | 0:19:43 | 0:19:47 | |
Could this be his flyer at auction? | 0:19:47 | 0:19:50 | |
Dealer Mark is on hand to talk money. | 0:19:50 | 0:19:52 | |
Caught my eye. Stereoscopic photographs of German battleships. | 0:19:54 | 0:19:58 | |
Fantastic, Second World War. | 0:19:58 | 0:20:00 | |
I'm really into stereoscopy. | 0:20:00 | 0:20:02 | |
I see the stereo viewer, I see it in what looks like Admiralty grey, | 0:20:02 | 0:20:05 | |
and I think, "I've got a wartime package here." | 0:20:05 | 0:20:09 | |
I am wrong, as you probably know if you're familiar with this lot. | 0:20:09 | 0:20:12 | |
-Because the viewer itself is post-war. -Right. | 0:20:12 | 0:20:16 | |
It's late '60s, '70s. | 0:20:16 | 0:20:18 | |
And it is for large-scale stereo views, not these. | 0:20:18 | 0:20:22 | |
Not the smaller ones, OK. | 0:20:22 | 0:20:24 | |
So I know that we could do... For the whole package, we can come down. | 0:20:24 | 0:20:28 | |
It's £45 on it. | 0:20:28 | 0:20:29 | |
-Yeah. -We could do that for 30. | 0:20:29 | 0:20:33 | |
There's no point clowning about. | 0:20:33 | 0:20:35 | |
-30. -Yeah. -Done deal. | 0:20:35 | 0:20:37 | |
And that exciting lot brings this leg's shopping to a close. | 0:20:38 | 0:20:42 | |
Paul adds the reconnaissance photographs and stereoscopic viewer | 0:20:42 | 0:20:47 | |
to his combo lot of metalware, | 0:20:47 | 0:20:48 | |
the miniature chest of drawers, the gentleman's sword stick and | 0:20:48 | 0:20:53 | |
the Art Deco lamp and shade. | 0:20:53 | 0:20:55 | |
Paul has spent a total of £140. | 0:20:55 | 0:20:58 | |
Claire was a little more cautious, but also bought five lots. | 0:20:58 | 0:21:02 | |
The collection of glass slides, | 0:21:02 | 0:21:04 | |
the pottery cat, the vintage suitcase, the Sikes hydrometer | 0:21:04 | 0:21:09 | |
and a group of walking sticks. | 0:21:09 | 0:21:11 | |
For all that, she spent a total of £118. | 0:21:13 | 0:21:17 | |
Come on, you two. Thoughts on one another's buys? | 0:21:17 | 0:21:21 | |
I was a bit confused by... Well, I thought they were library steps. | 0:21:21 | 0:21:24 | |
But I gather it's a lamp. | 0:21:24 | 0:21:26 | |
I don't quite understand that. | 0:21:26 | 0:21:27 | |
OK. I think maybe I claw back the deficit | 0:21:27 | 0:21:32 | |
and go into the lead with this one. | 0:21:32 | 0:21:33 | |
You heard it. | 0:21:33 | 0:21:36 | |
Laidlaw just jinxed himself at auction. | 0:21:36 | 0:21:38 | |
Let's hope not. | 0:21:38 | 0:21:40 | |
It's auction time, and our road tripping pair | 0:21:40 | 0:21:42 | |
are heading for their second auction at East Boldon in Tyne and Wear. | 0:21:42 | 0:21:47 | |
-Right, well, here we are. -Still in glorious sunshine. | 0:21:48 | 0:21:51 | |
-Beautiful, isn't it? -Clash of the stereo views begins. | 0:21:51 | 0:21:55 | |
Yes, may the best man or woman win, eh? | 0:21:55 | 0:21:58 | |
This family run auction room has been on the go for over 30 years. | 0:22:00 | 0:22:04 | |
Our auctioneer today is Giles Hodges. | 0:22:04 | 0:22:06 | |
Come on, spill it, Giles, about our duo's offerings. | 0:22:06 | 0:22:10 | |
The Art Deco standard lamp, | 0:22:11 | 0:22:14 | |
great 1930s, classic of the period, might fly, | 0:22:14 | 0:22:16 | |
especially because we're online as well. | 0:22:16 | 0:22:19 | |
Well, what do we say about the ceramic cat? | 0:22:21 | 0:22:23 | |
Icon of the 1950s. | 0:22:23 | 0:22:25 | |
Not to everybody's taste. | 0:22:25 | 0:22:28 | |
Quiet, please. The auction is about to begin. | 0:22:28 | 0:22:32 | |
Quite comfortable, isn't it? | 0:22:33 | 0:22:34 | |
-Let's slide off this. -Oh, you can't take these two anywhere. | 0:22:34 | 0:22:38 | |
First up are Claire's batch of walking sticks. | 0:22:40 | 0:22:43 | |
Somebody bid me a tenner for all the walking sticks. | 0:22:43 | 0:22:46 | |
-Please. -Tenner I'm bid. | 0:22:46 | 0:22:47 | |
10 in the room. At £10. | 0:22:47 | 0:22:49 | |
15, anyone else now? | 0:22:49 | 0:22:51 | |
15. The bid's upstairs at 15. 20? 25. 25. | 0:22:51 | 0:22:57 | |
At £25, we're upstairs. | 0:22:57 | 0:22:58 | |
30? At £30, downstairs right. | 0:22:58 | 0:23:02 | |
At £30, ladies and gentlemen, in the room at 30 quid. | 0:23:02 | 0:23:05 | |
Look at that. Not bad, Claire. A good profit to start proceedings. | 0:23:07 | 0:23:11 | |
I'm trying not to look too smug at the moment, | 0:23:11 | 0:23:12 | |
because I think it could be all downhill from here, but still... | 0:23:12 | 0:23:16 | |
That's not the spirit, Claire. | 0:23:16 | 0:23:19 | |
Paul's next with his Art Deco lamp-cum-table. | 0:23:19 | 0:23:22 | |
I'm bid 10 to start, at 10. | 0:23:22 | 0:23:24 | |
£10? 10. 15 by the door. | 0:23:24 | 0:23:27 | |
15. 20? 5. 30. 5. 35 by the door. | 0:23:27 | 0:23:33 | |
Anybody else? At 35, 40. | 0:23:33 | 0:23:36 | |
-£40. -No! | 0:23:36 | 0:23:37 | |
What you mean, no? It's lovely, I'm telling you. | 0:23:37 | 0:23:39 | |
In the room at £40 for the last time. | 0:23:39 | 0:23:42 | |
-£40! -Very good. | 0:23:42 | 0:23:45 | |
Paul Laidlaw! | 0:23:46 | 0:23:48 | |
£40, beautiful. | 0:23:49 | 0:23:52 | |
Yeah, precisely. | 0:23:52 | 0:23:53 | |
And this means you're just behind Claire in the profit stakes. | 0:23:53 | 0:23:56 | |
Next, it's Claire's pottery cat. | 0:23:58 | 0:24:01 | |
Do you wish it was still back in the sanctuary? | 0:24:01 | 0:24:03 | |
-A tenner and away. -Cheeky! | 0:24:04 | 0:24:07 | |
Bid me a fiver, then. £5 upstairs. | 0:24:07 | 0:24:10 | |
5, 10, 15. | 0:24:10 | 0:24:13 | |
£15, all done, ladies and gentlemen? | 0:24:13 | 0:24:16 | |
At 15. | 0:24:16 | 0:24:18 | |
OK, so I've lost a little bit on that. | 0:24:18 | 0:24:20 | |
I think you did well there, to be honest. | 0:24:20 | 0:24:23 | |
On we go. | 0:24:25 | 0:24:27 | |
Can Paul's metalware lot help him edge into the lead? | 0:24:28 | 0:24:32 | |
£10 starts me. | 0:24:32 | 0:24:33 | |
15. Straight in the room at £15. | 0:24:33 | 0:24:36 | |
20, anybody now? | 0:24:36 | 0:24:38 | |
£15 on the right. | 0:24:38 | 0:24:40 | |
At £20. 25. | 0:24:40 | 0:24:44 | |
At £25 in the room. We're waiting online, yes or no, £25. | 0:24:44 | 0:24:50 | |
Another break even means Claire still clings on to her lead. | 0:24:50 | 0:24:55 | |
It's Claire's Sikes hydrometer next. | 0:24:55 | 0:24:57 | |
30. At £30. 30. £30? | 0:24:57 | 0:25:00 | |
Anybody else for a fiver? | 0:25:01 | 0:25:02 | |
35? Got the hand. | 0:25:02 | 0:25:04 | |
At £35. 40, anybody else? | 0:25:04 | 0:25:07 | |
40, downstairs left. | 0:25:07 | 0:25:09 | |
£40. 45. 50. 55. | 0:25:09 | 0:25:14 | |
£55, upstairs right. Your bid, sir. | 0:25:14 | 0:25:15 | |
That's more like it. | 0:25:18 | 0:25:19 | |
Claire's launched further into the lead. | 0:25:19 | 0:25:21 | |
-Smile. Keep smiling. -I can't. I'm struggling. | 0:25:21 | 0:25:24 | |
I'm getting aching cheeks, you know. | 0:25:24 | 0:25:27 | |
Maybe the miniature chest can cheer you up. | 0:25:30 | 0:25:33 | |
Somebody start me, £20 for it. | 0:25:33 | 0:25:36 | |
£20, we're in straightaway at 20. | 0:25:36 | 0:25:38 | |
£20. 25. 30. 35. | 0:25:38 | 0:25:44 | |
35, shakes his head. At £35. | 0:25:44 | 0:25:46 | |
40, anybody? | 0:25:46 | 0:25:47 | |
At £35, last chance. | 0:25:47 | 0:25:50 | |
All done at £35. | 0:25:50 | 0:25:54 | |
Nice little earner, Paul, | 0:25:54 | 0:25:56 | |
but it's not enough to move in front of Claire. | 0:25:56 | 0:25:59 | |
Claire loves her vintage luggage, it's the suitcase next. | 0:26:00 | 0:26:03 | |
I'm bid straight in on commission, £10 to start me. | 0:26:05 | 0:26:08 | |
15. £15. 20. | 0:26:08 | 0:26:11 | |
25. 30. £30 online, 35. | 0:26:11 | 0:26:17 | |
It's against you now, 40. 45. | 0:26:17 | 0:26:20 | |
At £45. It's gone quiet to my left. At £45, in the room at 45. | 0:26:20 | 0:26:26 | |
Luggage is a good bet for profits, eh? | 0:26:28 | 0:26:30 | |
Claire's still in the lead. | 0:26:30 | 0:26:31 | |
I'll be keeping my eye out for more of that. | 0:26:31 | 0:26:34 | |
It's Paul's stereoscopic viewer and aerial photographs next. | 0:26:36 | 0:26:40 | |
He loves this lot. | 0:26:40 | 0:26:42 | |
50 bid, straight in at 50. | 0:26:42 | 0:26:44 | |
-At £50. -Straight in at 50? -60. 65, 70. 75. 80, 5. | 0:26:44 | 0:26:51 | |
£85. | 0:26:51 | 0:26:54 | |
Someone wants them in the room. | 0:26:54 | 0:26:57 | |
95. 100. 110. We're upstairs at 110. | 0:26:57 | 0:27:02 | |
You're out online. 120. 130, 140. | 0:27:02 | 0:27:06 | |
150? | 0:27:06 | 0:27:08 | |
We're still upstairs. You're out downstairs at 150. | 0:27:08 | 0:27:11 | |
Are we all done at 150? | 0:27:11 | 0:27:14 | |
-Well done. -In the room as well. | 0:27:14 | 0:27:18 | |
And that wasn't through gritted teeth, Claire. | 0:27:18 | 0:27:20 | |
An astounding result, well done. | 0:27:20 | 0:27:22 | |
Can Claire's glass slides help her catch up on Paul? | 0:27:24 | 0:27:27 | |
£40. Straight in on commission. | 0:27:27 | 0:27:29 | |
£40? Anybody for another five? | 0:27:29 | 0:27:32 | |
At £40, for the last time, ladies and gentlemen. | 0:27:32 | 0:27:35 | |
At £40? | 0:27:35 | 0:27:37 | |
Somebody got a bargain. | 0:27:38 | 0:27:40 | |
Bad luck, Claire. | 0:27:40 | 0:27:42 | |
And to finish the proceedings, it's Paul's gentlemen's sword stick. | 0:27:42 | 0:27:46 | |
Fingers crossed. | 0:27:46 | 0:27:49 | |
Not too hard. | 0:27:49 | 0:27:50 | |
I've got two commission bids. 80 starts me. | 0:27:52 | 0:27:55 | |
At £80. | 0:27:55 | 0:27:57 | |
That's where I hoped it would end. | 0:27:57 | 0:27:58 | |
85, 90. 95. 100. 110. £110 upstairs. Anybody online? | 0:27:58 | 0:28:06 | |
At £110, are we all done, ladies and gents? | 0:28:06 | 0:28:09 | |
At £110? | 0:28:09 | 0:28:12 | |
-Fair enough. -Here endeth the journey. | 0:28:13 | 0:28:15 | |
Another monster profit for Paul. | 0:28:17 | 0:28:19 | |
-I think we need coffee and a bun, don't you? -I think we do. | 0:28:20 | 0:28:23 | |
Lead on. | 0:28:23 | 0:28:24 | |
What an auction, and I think we can work out the winner, eh? | 0:28:24 | 0:28:29 | |
Here are the calculations, anyway. | 0:28:29 | 0:28:31 | |
Claire began leg two with £300.30, | 0:28:32 | 0:28:36 | |
and after auction costs made a profit of £33.70. | 0:28:36 | 0:28:40 | |
Claire's grand total to carry forward is £334 exactly. | 0:28:41 | 0:28:46 | |
Paul started the second leg with £279.60 | 0:28:47 | 0:28:51 | |
and left Claire far behind with a huge profit of £155.20. | 0:28:51 | 0:28:59 | |
The Laidlaw is back. | 0:28:59 | 0:29:00 | |
He is today's victor | 0:29:00 | 0:29:01 | |
and has a mighty £434.80 for the next leg. | 0:29:01 | 0:29:06 | |
Good man. | 0:29:06 | 0:29:08 | |
So, with their newly acquired cash, | 0:29:10 | 0:29:12 | |
it's time to hit the road for the next leg of the trip. | 0:29:12 | 0:29:16 | |
You take me to the best places, Claire! | 0:29:16 | 0:29:19 | |
Yes, yes, I was going to say, | 0:29:19 | 0:29:21 | |
is it you or me that's drawing this beautiful weather? | 0:29:21 | 0:29:24 | |
We begin in sunny Scarborough, in North Yorkshire, and will | 0:29:24 | 0:29:27 | |
auction in the town of Beverley, in the East Riding of Yorkshire. | 0:29:27 | 0:29:30 | |
Good chum that she is, | 0:29:30 | 0:29:31 | |
Claire is dropping Paul at his first shop of the day. | 0:29:31 | 0:29:34 | |
-That'll do me. -That's it, here we are. | 0:29:35 | 0:29:37 | |
It's got my name written all over it. | 0:29:37 | 0:29:39 | |
Oh - didn't know your name was Antique & Collectors Centre! | 0:29:39 | 0:29:43 | |
We'll return to Claire a little later. | 0:29:43 | 0:29:46 | |
Paul is in the lead by £100, | 0:29:48 | 0:29:50 | |
but he's not resting on his laurels, oh, no, sir! | 0:29:50 | 0:29:53 | |
And he's found something. | 0:30:02 | 0:30:04 | |
And, uh-oh, he's got that look on his face. | 0:30:04 | 0:30:07 | |
Whatever it is, it's got a ticket price of £15. | 0:30:07 | 0:30:11 | |
Brace yourself, Matt. The going could be rough. | 0:30:11 | 0:30:15 | |
I've never had this quandary before, in this position. | 0:30:15 | 0:30:18 | |
-When I'm road tripping, I am looking for objects for auction. -Right. | 0:30:18 | 0:30:23 | |
-I want that for me. -OK. -And I can't have it, because I am on a mission. | 0:30:23 | 0:30:29 | |
This is an artillery shell. | 0:30:29 | 0:30:31 | |
And these studs here are not decorative. | 0:30:31 | 0:30:34 | |
The studs engaged with the rifling grooves, and that introduced | 0:30:34 | 0:30:38 | |
the spin that gives ballistic properties to the projectile. | 0:30:38 | 0:30:42 | |
-Keeps it straighter. -I think Lord Armstrong's behind it. | 0:30:42 | 0:30:46 | |
Lord Armstrong was a Victorian armaments magnate, | 0:30:46 | 0:30:49 | |
who dedicated his life to the improvement of artillery. | 0:30:49 | 0:30:52 | |
This little beauty is a great example of his ingenuity. | 0:30:52 | 0:30:57 | |
Now, why on earth did somebody do that, make a watch fob? | 0:30:57 | 0:31:00 | |
Because that's what we've got there. | 0:31:00 | 0:31:02 | |
I'm interested in ordnance, I love watch fobs, | 0:31:02 | 0:31:05 | |
this is why this was making big eyes at me. | 0:31:05 | 0:31:08 | |
But more than that, rose-gold mount, and the mount is dated 1870. | 0:31:08 | 0:31:15 | |
-What would you take for that? -£10. | 0:31:15 | 0:31:17 | |
-Spot on. -Cheers. | 0:31:20 | 0:31:21 | |
-I am not joking, I love that. -Good, good. | 0:31:21 | 0:31:25 | |
£10 for the bullet watch fob. | 0:31:25 | 0:31:29 | |
What's he found now? | 0:31:29 | 0:31:31 | |
That's a carnival glass, | 0:31:31 | 0:31:33 | |
which is glass with a flashing of metallic lustre. | 0:31:33 | 0:31:37 | |
Very iridescent. | 0:31:37 | 0:31:38 | |
If that makes £30 on a £4 purchase, you think I'm a superstar. | 0:31:38 | 0:31:43 | |
£4?! That is cheap! | 0:31:43 | 0:31:45 | |
I think that's just sold. | 0:31:45 | 0:31:48 | |
And I'm not haggling. I'm just going to stick that there, | 0:31:48 | 0:31:50 | |
we'll add that to the tab, will we? | 0:31:50 | 0:31:52 | |
That's another to add to his growing collection, then. | 0:31:52 | 0:31:55 | |
Meanwhile, Claire has travelled down the coast to the seaside | 0:31:57 | 0:32:01 | |
resort of Filey. | 0:32:01 | 0:32:02 | |
Now, Claire's got to pick up the pace and square up to the might | 0:32:05 | 0:32:09 | |
that is Paul Laidlaw. | 0:32:09 | 0:32:11 | |
He's nice. | 0:32:11 | 0:32:12 | |
With over 30 dealers selling their wares in here, | 0:32:13 | 0:32:16 | |
there should be lots of choice for Claire's £334. | 0:32:16 | 0:32:20 | |
There's some interesting bits of militaria here, nice little bits. | 0:32:20 | 0:32:23 | |
What a shame Paul isn't here. | 0:32:23 | 0:32:27 | |
Hang on... | 0:32:27 | 0:32:28 | |
Looks like she's thinking of stepping into | 0:32:28 | 0:32:30 | |
a certain someone's specialist area. | 0:32:30 | 0:32:32 | |
-Look out, Paul. -OK, so what do we have here? OK. | 0:32:32 | 0:32:37 | |
Always looks vaguely military or official, doesn't it, | 0:32:39 | 0:32:42 | |
something painted that colour, in metal? | 0:32:42 | 0:32:44 | |
It's actually a gas mask, it says on the label, | 0:32:44 | 0:32:46 | |
so let's get the lid off and see what we have. | 0:32:46 | 0:32:48 | |
OK, and gas mask inside. | 0:32:48 | 0:32:50 | |
I won't take it out, because I'll never get it back in there again. | 0:32:50 | 0:32:53 | |
Civilian type, because everybody had to carry their gas masks, | 0:32:53 | 0:32:57 | |
-OK... I quite like that. -Where's owner Neil, to talk cash? | 0:32:57 | 0:33:03 | |
-Neil. -Hi, Claire. | 0:33:03 | 0:33:04 | |
-We've already got a... -We have reduced it already, yes. | 0:33:04 | 0:33:08 | |
Would you come down to £10 for it? | 0:33:08 | 0:33:11 | |
I would, yes, yeah. | 0:33:11 | 0:33:12 | |
-Oh, OK. Thank you very much indeed. -No problem. -Thank you. Great. | 0:33:12 | 0:33:17 | |
-Gas mask - £10. -Half-price discount for Claire's first buy, eh? | 0:33:17 | 0:33:22 | |
While she has another nose, how's Paul getting on? | 0:33:23 | 0:33:26 | |
He's still in Scarborough. | 0:33:27 | 0:33:28 | |
And has discovered owner Matt has another antique shop just | 0:33:29 | 0:33:32 | |
a few doors along. | 0:33:32 | 0:33:34 | |
So we think we've got there a mid-19th century novelty snuff, | 0:33:38 | 0:33:45 | |
in a glazed earthenware. | 0:33:45 | 0:33:47 | |
Modelled, of course, as a gentleman's shoe. Unmarked. | 0:33:47 | 0:33:52 | |
I think it's probably a reasonable assumption that our mount | 0:33:52 | 0:33:55 | |
here is silver and not electroplate. | 0:33:55 | 0:33:58 | |
That's a hell of a price tag - 125 quid? | 0:33:58 | 0:34:03 | |
It's a hell of an item. | 0:34:03 | 0:34:05 | |
Cut to the chase then. 50 quid. | 0:34:05 | 0:34:08 | |
-Proper money. -£60. And you can... | 0:34:08 | 0:34:12 | |
-£55. -Go on, then! -Oh! Brilliant. | 0:34:12 | 0:34:16 | |
Brilliant. I'll say it now, I love this as much as you. | 0:34:16 | 0:34:20 | |
Golly, a third buy, the little novelty snuffbox for £55. | 0:34:20 | 0:34:25 | |
That's not expensive. | 0:34:25 | 0:34:27 | |
Claire is still in her first shop, | 0:34:27 | 0:34:29 | |
and her beady eye has spotted something quite PLANE! | 0:34:29 | 0:34:32 | |
Ooh, that's nice. | 0:34:35 | 0:34:36 | |
It's a plane. | 0:34:36 | 0:34:38 | |
It's a type of moulding plane, quite a specialised one. | 0:34:38 | 0:34:42 | |
These are actually quite collectable because they're just | 0:34:42 | 0:34:45 | |
such attractive items. | 0:34:45 | 0:34:47 | |
Beautifully made, gorgeous patina to the wood here. | 0:34:47 | 0:34:51 | |
I'll just keep looking around. | 0:34:51 | 0:34:52 | |
Hey presto, hang on a minute. In amongst all the garden ornaments. | 0:34:52 | 0:34:56 | |
Got another one. Let's have a look. | 0:34:56 | 0:34:59 | |
That's nice as well. Not quite the colour of the other one but | 0:35:01 | 0:35:05 | |
very similar, just not so clean. | 0:35:05 | 0:35:06 | |
It's still got brass on it. | 0:35:06 | 0:35:07 | |
Let's see if there's any more. | 0:35:09 | 0:35:11 | |
Oh, OK, more woodworking tools. | 0:35:11 | 0:35:14 | |
That actually would make quite a nice group. | 0:35:14 | 0:35:16 | |
So quite nice with the earlier wood planes with the brass on and these. | 0:35:16 | 0:35:20 | |
The combined ticket price here is a total of £60. | 0:35:20 | 0:35:24 | |
And she's about to ply owner Neil with her chance. Look out, Neil. | 0:35:24 | 0:35:29 | |
-I've found some woodworking items. -Yes. | 0:35:29 | 0:35:31 | |
There are two items there and there's some more behind me. | 0:35:31 | 0:35:34 | |
Now, I've totalled up what they'd all come to. | 0:35:34 | 0:35:37 | |
So I'm hoping you're going to be very generous to me. | 0:35:37 | 0:35:40 | |
What are you thinking? I'm difficult to offend. | 0:35:40 | 0:35:44 | |
CLAIRE GIGGLES | 0:35:44 | 0:35:45 | |
TIM GIGGLES | 0:35:45 | 0:35:46 | |
-That's good. Because she chances her mitt. -I was hoping for sort of £20. | 0:35:46 | 0:35:51 | |
20... | 0:35:51 | 0:35:53 | |
30, I think, would be a fair. | 0:35:53 | 0:35:54 | |
You wouldn't split the difference and try 25? | 0:35:54 | 0:35:57 | |
-Yes, I would. -That's very good of you. | 0:36:00 | 0:36:03 | |
Let me relieve you of that one and shake you very warmly by the hand, | 0:36:03 | 0:36:06 | |
and thank you so much. | 0:36:06 | 0:36:07 | |
That was swift. £25 for the collection of wooden tools. | 0:36:09 | 0:36:12 | |
Guess what. Paul STILL hasn't finished shopping with owner Matt. | 0:36:12 | 0:36:16 | |
I've always liked things that are on floors, | 0:36:18 | 0:36:21 | |
behind other things, thick in dust. | 0:36:21 | 0:36:23 | |
Victorian writing box down there. | 0:36:23 | 0:36:26 | |
They're not flying out the door any more, are they? | 0:36:26 | 0:36:28 | |
-Not like they used to. -60 quid on that one. Could that be cheap? | 0:36:28 | 0:36:32 | |
-Yeah, I don't see why not. -Tempt me. 20 quid. | 0:36:35 | 0:36:38 | |
Half price, £30. | 0:36:39 | 0:36:42 | |
And it's only the quality of that inlay that's half-tempting me. | 0:36:42 | 0:36:45 | |
Could that be bought in the middle, for £25? | 0:36:45 | 0:36:50 | |
I don't see why not. | 0:36:50 | 0:36:51 | |
Blimey, that was a bit of a shop-athlon. | 0:36:51 | 0:36:55 | |
He spent a grand total of £94 on the bullet watch fob, | 0:36:55 | 0:37:00 | |
the Victorian cuff, | 0:37:00 | 0:37:02 | |
the little snuffbox | 0:37:02 | 0:37:04 | |
and the writing slope. | 0:37:04 | 0:37:06 | |
Wow. | 0:37:06 | 0:37:07 | |
Meanwhile, Claire's journeyed back north to the glorious | 0:37:12 | 0:37:16 | |
seaside town of Scarborough. | 0:37:16 | 0:37:18 | |
In the 1930s, this town on the Yorkshire coast became | 0:37:20 | 0:37:23 | |
a resort for the rich and famous. Why? The tunny. | 0:37:23 | 0:37:25 | |
Atlantic bluefin tuna began to show up in nearby waters, | 0:37:25 | 0:37:29 | |
attracting big-game fishermen hoping to catch one of the most | 0:37:29 | 0:37:34 | |
powerful fish in the world. | 0:37:34 | 0:37:36 | |
Over 80 years ago, game fishing was widely accepted, | 0:37:36 | 0:37:40 | |
and modern-day practice views it alongside conservation. | 0:37:40 | 0:37:44 | |
Back then, the hunting of the tunny fish was very much a sporting | 0:37:44 | 0:37:48 | |
thrill and, as such, the elite flocked to the town in their droves. | 0:37:48 | 0:37:52 | |
That's a big one. | 0:37:52 | 0:37:54 | |
Claire is meeting with local historian Jennifer Dunn, | 0:37:56 | 0:37:59 | |
to find out more. | 0:37:59 | 0:38:00 | |
In the late 1920s, early 1930s, the herring fishermen started | 0:38:00 | 0:38:04 | |
noticing tuna off the coast of Scarborough, and the tuna were | 0:38:04 | 0:38:08 | |
eating the herring, so they were following the fleet. | 0:38:08 | 0:38:12 | |
Weighing up to 900 pounds and measuring as much as nine feet long, | 0:38:12 | 0:38:17 | |
the tunny was one heck of a mighty fish. | 0:38:17 | 0:38:20 | |
A chap called Lorenzo Mitchell-Henry | 0:38:20 | 0:38:23 | |
caught his first tunny fish off the coast of Nova Scotia in 1914. | 0:38:23 | 0:38:27 | |
He was an English aristocrat, a bit of an eccentric and he started | 0:38:27 | 0:38:31 | |
the sport after catching that first tunny, and so he brought the sport | 0:38:31 | 0:38:36 | |
to Scarborough. And in the first season they started catching fish | 0:38:36 | 0:38:40 | |
in about 1930, and then that brought more and more people across to the town. | 0:38:40 | 0:38:46 | |
All the great and the good, so it was people that had the money and the means. | 0:38:46 | 0:38:49 | |
So we had military men, film stars like Errol Flynn and | 0:38:49 | 0:38:53 | |
John Wayne, and then aristocrats from all over the British Isles. | 0:38:53 | 0:38:58 | |
The real tragedy here is that the tunny was caught purely for sport | 0:38:58 | 0:39:03 | |
and sometimes methods used were barbaric. | 0:39:03 | 0:39:06 | |
As a result, the Tunny Club was founded in 1933. | 0:39:06 | 0:39:10 | |
So presumably because it was a special sort of game hunting, | 0:39:10 | 0:39:13 | |
there were rules, were there, to it? | 0:39:13 | 0:39:15 | |
Yes, so the British Tunny Club was founded as | 0:39:15 | 0:39:18 | |
a means of regulating the sport, | 0:39:18 | 0:39:20 | |
but the most simple ones were that it had to be two men in either | 0:39:20 | 0:39:24 | |
a rowing boat or a motor boat and it had to be caught by rod and reel. | 0:39:24 | 0:39:28 | |
Claire has another appointment, | 0:39:28 | 0:39:30 | |
this time with local fishermen Fred Normandale. | 0:39:30 | 0:39:33 | |
And they're meeting at the original Tunny Club, now a fish and chip shop. | 0:39:33 | 0:39:37 | |
That's rich! | 0:39:37 | 0:39:38 | |
So this new sport must have drawn people from all over the place? | 0:39:39 | 0:39:44 | |
There was big-game hunting on your doorstep - well, when I say on | 0:39:44 | 0:39:47 | |
your doorstep, people came from all over the world to do it. | 0:39:47 | 0:39:49 | |
But it was on our doorstep. It was unique. | 0:39:49 | 0:39:53 | |
Everyone wanted the thrill of the hunt and it was some hunt. | 0:39:53 | 0:39:57 | |
Quite spectacular. | 0:39:57 | 0:39:59 | |
You didn't have to travel to the middle of Africa with | 0:39:59 | 0:40:01 | |
a big gun and camp. | 0:40:01 | 0:40:02 | |
Gosh. Imagine being hooked into one of those. | 0:40:02 | 0:40:05 | |
So tell me, what are your memories of it all? | 0:40:06 | 0:40:09 | |
I was right on the last latter part. | 0:40:10 | 0:40:13 | |
I was six in 1954, | 0:40:13 | 0:40:15 | |
and this is me with my dad in his little rowing boat. | 0:40:15 | 0:40:19 | |
I can remember going into the tunny hut, and it cost tuppence, | 0:40:19 | 0:40:22 | |
old money, to see the tunny. | 0:40:22 | 0:40:25 | |
Because they didn't know what to do with them once they've caught them, | 0:40:25 | 0:40:28 | |
the sport was catching the fish. | 0:40:28 | 0:40:30 | |
They tried frying them, fish and chip shops, but most people | 0:40:30 | 0:40:33 | |
would rather have had haddock or cod. | 0:40:33 | 0:40:36 | |
Shoals of herring started to decline, | 0:40:36 | 0:40:38 | |
and as the tunny fish's main source of food, | 0:40:38 | 0:40:41 | |
they too started to disappear. | 0:40:41 | 0:40:42 | |
From about 1954 when they caught the last, | 0:40:44 | 0:40:47 | |
through to about 1965, I would think, '66... | 0:40:47 | 0:40:50 | |
I'm not sure when the last one was but they never caught a fish for many years. | 0:40:50 | 0:40:55 | |
They kept going and trying but they never found one. | 0:40:55 | 0:40:58 | |
The appearance of this powerful fish transformed this Yorkshire port | 0:41:00 | 0:41:04 | |
into the UK's game fishing capital in the 1930s, and illustrates | 0:41:04 | 0:41:09 | |
a snapshot into time when game fishing was highly applauded. | 0:41:09 | 0:41:14 | |
Paul, meanwhile, is continuing his shopping marathon - | 0:41:16 | 0:41:19 | |
he's journeyed to the town of Pickering, | 0:41:19 | 0:41:22 | |
situated on the edge of the North York moors. | 0:41:22 | 0:41:25 | |
With four lots under his belt, | 0:41:25 | 0:41:27 | |
he's off to find more goodies in JSC Collectables, owned by Caroline. | 0:41:27 | 0:41:32 | |
Hello, Caroline. | 0:41:33 | 0:41:35 | |
And - he's zoning in on something. | 0:41:37 | 0:41:40 | |
Do you a good deal on them. | 0:41:42 | 0:41:44 | |
What's a good deal... | 0:41:45 | 0:41:47 | |
on a strange-looking Victorian garniture, | 0:41:47 | 0:41:52 | |
that you're trying to stitch into me? | 0:41:52 | 0:41:55 | |
45? | 0:41:55 | 0:41:57 | |
Fundamentally there is a lot of ingenuity in this. | 0:41:57 | 0:42:01 | |
And on the bottom, we've got Charles Barlow, Smithfield Works | 0:42:01 | 0:42:05 | |
at Hanley, Staffs, not everyone's cup of tea. | 0:42:05 | 0:42:08 | |
For my money, I think they're lovely, to be honest with you. | 0:42:08 | 0:42:12 | |
Give me the absolute bottom line, not a penny more, | 0:42:12 | 0:42:15 | |
not a penny less but you can have them for that, | 0:42:15 | 0:42:18 | |
is it 20 quid or something just to get rid of them? | 0:42:18 | 0:42:21 | |
-I'll do 20 quid for the vases. -Done. Thank you very much. It was easy. | 0:42:22 | 0:42:27 | |
-You've got your shelf back. -And you've got a pair of vases for £20. | 0:42:27 | 0:42:31 | |
Gosh, good work. | 0:42:31 | 0:42:33 | |
Well, there we are, then. What a packed day. | 0:42:35 | 0:42:37 | |
And time for a rest for our two weary travellers. Night-night. | 0:42:37 | 0:42:40 | |
We're back on the road, and Paul's psyching out the competition. | 0:42:47 | 0:42:52 | |
So, have you waded in deep? | 0:42:52 | 0:42:54 | |
Have you hacked into your considerable budget with your two purchases? | 0:42:54 | 0:42:57 | |
Oh, well, no. I'll just keep that to myself. | 0:42:57 | 0:43:01 | |
Quite right, Claire. | 0:43:01 | 0:43:02 | |
Righty-ho, next pin in the map is in the village of Skirlaugh, | 0:43:02 | 0:43:06 | |
in the East Riding of Yorkshire. | 0:43:06 | 0:43:08 | |
Vintage Home Store is a huge emporium, | 0:43:08 | 0:43:11 | |
and Claire is holding onto a sizeable £299. | 0:43:11 | 0:43:15 | |
Claire's found the lady in charge, Steph, | 0:43:17 | 0:43:19 | |
to have a look at something that has caught her eye. | 0:43:19 | 0:43:22 | |
Sweet little case. Nicely marked on the lid. | 0:43:22 | 0:43:25 | |
And then we put the little pince-nez, | 0:43:25 | 0:43:28 | |
which just basically sit on your nose, pinch your nose. | 0:43:28 | 0:43:31 | |
Glasses cases are quite collectable. | 0:43:33 | 0:43:35 | |
Got a little dent in the back of it. | 0:43:35 | 0:43:37 | |
I think that's actually quite sweet. Nicely chased. | 0:43:37 | 0:43:40 | |
Ticket price is £69. | 0:43:40 | 0:43:42 | |
One to think about. Oh, hello - what's this? | 0:43:42 | 0:43:45 | |
BR Western Region. | 0:43:45 | 0:43:47 | |
Hence the W in brackets after the name stamped in on the neck there. | 0:43:47 | 0:43:51 | |
This is the rear light of a train. Good heavy thing. | 0:43:52 | 0:43:57 | |
Standard black paint. | 0:43:57 | 0:43:59 | |
Lid open, so there's like a little funnel inside, | 0:44:01 | 0:44:04 | |
for the fumes to come out. | 0:44:04 | 0:44:06 | |
It should have a burner inside it. Let's have a look. | 0:44:06 | 0:44:09 | |
This hasn't been opened for a while. And there it is. | 0:44:11 | 0:44:14 | |
Which slides in and out there. | 0:44:16 | 0:44:18 | |
£55 on it, though, which is top-heavy really, for auction. | 0:44:18 | 0:44:22 | |
I wanted to get it a bit less than that. | 0:44:22 | 0:44:25 | |
I thought you might! Time to get in Steph. | 0:44:25 | 0:44:29 | |
I don't know if you know the fellow or what he might take for it. | 0:44:29 | 0:44:32 | |
-I can certainly give him a ring and see what we can do on that. -OK. | 0:44:32 | 0:44:35 | |
-See what his very, very, very best price is. -OK. Will do. | 0:44:35 | 0:44:38 | |
-Make him feel kindly towards me. -You're in Yorkshire, though. | 0:44:38 | 0:44:42 | |
-You do realise, don't you? -Oh, but my father was a Yorkshireman. | 0:44:42 | 0:44:45 | |
-Does that make any difference? -Oh, that's all right then. | 0:44:45 | 0:44:48 | |
She'll stop at nothing, that one. | 0:44:48 | 0:44:50 | |
-We can do 25 on that. -That's not bad. | 0:44:50 | 0:44:54 | |
-OK? -Oh, that's good of him. I'll shake your hand. -Thank you. | 0:44:54 | 0:44:57 | |
And there's more good news. | 0:44:57 | 0:44:59 | |
-The dealer with the pince-nez is actually in, Peter. -Oh, is he? | 0:44:59 | 0:45:02 | |
-Go and talk to him. -Oh, do you think it might be worth having a chat? | 0:45:02 | 0:45:04 | |
-You never know. Just flutter your eyelashes. -Think that might work(?) | 0:45:04 | 0:45:07 | |
THEY CHUCKLE | 0:45:07 | 0:45:09 | |
One can but try. | 0:45:09 | 0:45:11 | |
Ah, Peter. Hello. | 0:45:11 | 0:45:12 | |
Right, let's see Claire in action. | 0:45:12 | 0:45:15 | |
I quite like them. | 0:45:15 | 0:45:17 | |
-You've got them marked up at 69. -Yes. | 0:45:17 | 0:45:19 | |
But I am hoping for, you know, quite a bit of discount, | 0:45:19 | 0:45:22 | |
because I think they're pretty... | 0:45:22 | 0:45:24 | |
-How about £20 off, 45. -Would you come down to 42? | 0:45:24 | 0:45:26 | |
-Yeah, that'll be fine. -Excellent, Peter. You're a good man. | 0:45:26 | 0:45:28 | |
Thank you very much. Pleasure doing business. Thanks, thank you. | 0:45:28 | 0:45:31 | |
There we go. | 0:45:31 | 0:45:33 | |
The British Rail lamp for £25, | 0:45:33 | 0:45:34 | |
and the silver spectacle case and pince-nez for £42. | 0:45:34 | 0:45:40 | |
Paul is all shopped out, after his exploits yesterday | 0:45:40 | 0:45:44 | |
but Claire still has some serious shopping to do and is heading | 0:45:44 | 0:45:48 | |
to Bridlington for one last stop. | 0:45:48 | 0:45:51 | |
This looks lovely in here. Claire's got just over £230 to spend. | 0:45:51 | 0:45:55 | |
There's a little miniature gardening set, just in the front there. | 0:45:59 | 0:46:03 | |
It's got a little spade. A little rake. | 0:46:03 | 0:46:06 | |
And a dibber for making holes, for planting things. | 0:46:06 | 0:46:09 | |
The nice thing is that it looks like ivory - it's not, it's bone. | 0:46:09 | 0:46:12 | |
Ivory will be a very clear, dense white. | 0:46:12 | 0:46:16 | |
Bone has blood vessels going through it, | 0:46:16 | 0:46:18 | |
so you get these little brown flecks in. | 0:46:18 | 0:46:20 | |
Jane's the lady in charge. | 0:46:20 | 0:46:22 | |
Now for a closer look. | 0:46:22 | 0:46:25 | |
I like these. I just love the way the rake's made. | 0:46:25 | 0:46:28 | |
I mean, isn't that a lovely curved head on it? | 0:46:28 | 0:46:30 | |
Now, then, the all-important thing. We have £78 on it. | 0:46:30 | 0:46:34 | |
Is this something that I can speak to you about | 0:46:34 | 0:46:36 | |
or is it for someone else? | 0:46:36 | 0:46:38 | |
Jane manages to get the dealer on the phone. | 0:46:38 | 0:46:41 | |
But is there a deal to be done? | 0:46:41 | 0:46:43 | |
Chris has said he could do 62 on it. | 0:46:43 | 0:46:47 | |
62. I'm going to have them. | 0:46:47 | 0:46:50 | |
The collection of miniature gardening tools at £62 | 0:46:51 | 0:46:54 | |
concludes this leg's shopping bonanza. | 0:46:54 | 0:46:57 | |
Claire's spent £164 on five lots. | 0:47:00 | 0:47:03 | |
As well as the miniature gardening tools, | 0:47:03 | 0:47:06 | |
she has the World War II gas mask, | 0:47:06 | 0:47:09 | |
the collection of woodworking tools, | 0:47:09 | 0:47:11 | |
the British Rail lamp and the silver spectacle case and pince-nez. | 0:47:11 | 0:47:16 | |
Paul also has five lots. | 0:47:16 | 0:47:18 | |
The bullet watch fob... | 0:47:18 | 0:47:19 | |
The Victorian beaded cuff, writing slope, | 0:47:21 | 0:47:24 | |
the novelty snuffbox, and the Charles Barlow vases. | 0:47:24 | 0:47:28 | |
Paul has spent a total of £114. | 0:47:28 | 0:47:32 | |
Right, my old antiques lovers, | 0:47:32 | 0:47:34 | |
thoughts on one another's collections? | 0:47:34 | 0:47:37 | |
It hurts me to have to say this, | 0:47:37 | 0:47:38 | |
but I think he's made some good buys there. | 0:47:38 | 0:47:41 | |
Would I swap for my offering? Well, what do you think? | 0:47:41 | 0:47:45 | |
It's a no, folks. | 0:47:45 | 0:47:47 | |
He's confident. Let's get ready to sell. | 0:47:48 | 0:47:50 | |
Our road trippers are heading for their third auction at Beverley | 0:47:50 | 0:47:54 | |
in the East Riding of Yorkshire. | 0:47:54 | 0:47:55 | |
Situated today at Beverley Racecourse, Hawleys Auctioneers | 0:47:56 | 0:48:00 | |
is run by husband-and-wife team John and Caroline Hawley. | 0:48:00 | 0:48:04 | |
Caroline is in command of the room today, | 0:48:05 | 0:48:07 | |
so what does she think of our duo's lots? | 0:48:07 | 0:48:09 | |
The little, tiny shell, inlaid with rose gold and silver, | 0:48:09 | 0:48:16 | |
and I thought, "Oh, yeah, that's a Paul Laidlaw lot, straightaway." | 0:48:16 | 0:48:20 | |
The railway lamp, I have to say, it's not really my cup of tea, | 0:48:20 | 0:48:27 | |
but there's an awful lot of interest in railwayana. | 0:48:27 | 0:48:30 | |
Well, we'll soon see. Take your seats! | 0:48:30 | 0:48:33 | |
The auction is about to begin. | 0:48:33 | 0:48:35 | |
Right, up first is Paul's Victorian beaded cuff. | 0:48:35 | 0:48:39 | |
£10 to start. £5. | 0:48:39 | 0:48:43 | |
Don't look at me like that. | 0:48:43 | 0:48:45 | |
Thank you, sir. It'll suit you nicely! £5. | 0:48:45 | 0:48:48 | |
Six anywhere? Are we done at six on the net? Seven, sir? | 0:48:48 | 0:48:54 | |
-Seven, are you back in? -Don't go up in pounds, don't go up in pounds. | 0:48:54 | 0:48:57 | |
-Never good when you go up in pounds. -Ten on the net. 12 anywhere? | 0:48:57 | 0:49:02 | |
12 on the internet. 14 anywhere? | 0:49:02 | 0:49:05 | |
14 on the net. 16. | 0:49:05 | 0:49:09 | |
Do feel free to join us. 18. 18 on the internet. | 0:49:09 | 0:49:12 | |
-18 now! -Are we done at £18? | 0:49:12 | 0:49:16 | |
20. You just snuck in, madam. 20 in the room. | 0:49:17 | 0:49:21 | |
22 anywhere? 20 in the room... | 0:49:21 | 0:49:24 | |
All done at £20... | 0:49:24 | 0:49:28 | |
A good return on your £4 there, Paul. | 0:49:28 | 0:49:31 | |
-500%. -Oh, be quiet. | 0:49:31 | 0:49:34 | |
If I stick to that... | 0:49:34 | 0:49:36 | |
Well, I'll be walking out of here in a minute! | 0:49:36 | 0:49:39 | |
Keep the faith, Claire. It's your World War II gas mask next. | 0:49:41 | 0:49:45 | |
Start me cheap. £10 for the gas mask. That's straight in. Ten. | 0:49:45 | 0:49:49 | |
12 anywhere? 12. 14, 16, 18, 20, 22. | 0:49:49 | 0:49:55 | |
No? 20 at the back of the room. | 0:49:55 | 0:49:57 | |
22 anywhere? 22. Who said 22? | 0:49:57 | 0:50:01 | |
24, 26, 28, 30. 32, 34? No? | 0:50:01 | 0:50:07 | |
32 at the back of the room. 34 anywhere? | 0:50:07 | 0:50:11 | |
All done at £32... | 0:50:11 | 0:50:15 | |
A pleasant surprise, Claire. | 0:50:15 | 0:50:17 | |
Nice profit to launch you into lead position. | 0:50:17 | 0:50:19 | |
You are in the lead, Claire Rawle. I couldn't be happier for you. | 0:50:19 | 0:50:23 | |
Aw, this has started well, hasn't it? | 0:50:23 | 0:50:26 | |
It has, Paul. The Charles Barlow vases are next. | 0:50:26 | 0:50:30 | |
I've got bids on the sheets. | 0:50:30 | 0:50:32 | |
I have to start you at £60. 65 anywhere? | 0:50:32 | 0:50:36 | |
Oh, it's all on commission. It's all on commission! It's all on paper. | 0:50:36 | 0:50:40 | |
£60, surely? All done at 60... | 0:50:40 | 0:50:44 | |
65, just in time. 70 anywhere? | 0:50:45 | 0:50:49 | |
65 with John, 70 anywhere? | 0:50:49 | 0:50:52 | |
All done at 65... | 0:50:52 | 0:50:54 | |
-That was all right. -I think that's fair enough. | 0:50:54 | 0:50:57 | |
Very nice, and you've taken the lead. | 0:50:57 | 0:51:00 | |
The woodworking tools bought by Claire are next. | 0:51:00 | 0:51:04 | |
A nice little lot, everything you need to set yourself up | 0:51:05 | 0:51:08 | |
with a joiner's workshop. | 0:51:08 | 0:51:09 | |
What's this worth? | 0:51:09 | 0:51:11 | |
£40? 20 to go. Come along. Who's going to give me... | 0:51:11 | 0:51:16 | |
Thank you, sir. £20. 22 anywhere? £20, surely. | 0:51:16 | 0:51:21 | |
22, 24, 26. 28, 30. 30. | 0:51:21 | 0:51:25 | |
32, 34, 36, 38. 38? Go on. 40. No? | 0:51:25 | 0:51:32 | |
38, with you, sir. 38 in the room. 40 anywhere? | 0:51:32 | 0:51:37 | |
Are we done at...? | 0:51:37 | 0:51:38 | |
40's back again. 42! Just one more. 42. | 0:51:38 | 0:51:43 | |
You're shaking your head the wrong way. No? £40, I have you... | 0:51:43 | 0:51:48 | |
All done at 40... | 0:51:48 | 0:51:51 | |
Not too bad, that could... | 0:51:51 | 0:51:53 | |
-HE GROANS -You thought it... | 0:51:54 | 0:51:57 | |
Look at you couple of giggling Gerties! | 0:51:57 | 0:52:00 | |
Nice profit, though, there, Claire. | 0:52:00 | 0:52:03 | |
There's nothing in it. | 0:52:03 | 0:52:04 | |
-No, it's a bit neck and neck. -I can just about touch you. | 0:52:04 | 0:52:07 | |
You're right, Paul. | 0:52:10 | 0:52:11 | |
It's anyone's game at the moment, and your writing slope is next. | 0:52:11 | 0:52:15 | |
-I've got to start you at £35, 40 anywhere? -What a gift! | 0:52:15 | 0:52:20 | |
40. 45, 50, 55. | 0:52:20 | 0:52:23 | |
-60, 65. -Smile, smile. | 0:52:23 | 0:52:25 | |
60 with you, Roy. | 0:52:25 | 0:52:27 | |
-65 anywhere? -It's cheap. -It is. | 0:52:27 | 0:52:29 | |
-It's a cheap box. -It is. -Are we done at £60? | 0:52:29 | 0:52:31 | |
It's a cheap lot. I have you. £60... | 0:52:31 | 0:52:36 | |
65. 70, Roy. | 0:52:36 | 0:52:40 | |
70, I have in the room. | 0:52:40 | 0:52:42 | |
-75 anywhere? -Tell them how nice it is! Tell them how nice it is! | 0:52:42 | 0:52:47 | |
It's scratched, it's scratched! There's a huge scratch on it. | 0:52:47 | 0:52:50 | |
All done at 70... | 0:52:51 | 0:52:54 | |
Another chunk of a profit. | 0:52:54 | 0:52:56 | |
The quality inlay helped things along there. | 0:52:56 | 0:52:59 | |
By my reckoning, I'm up £790, but that's just roughly. | 0:52:59 | 0:53:04 | |
Hey, wildly wrong there, sunshine! | 0:53:04 | 0:53:07 | |
Yeah, your maths never was your strong point, was it?! | 0:53:07 | 0:53:09 | |
Claire's British Rail lamp is next. | 0:53:11 | 0:53:13 | |
Going to have to start you at £42. | 0:53:14 | 0:53:15 | |
-Bang on the money. -Oh, OK. -Bang on the money. | 0:53:15 | 0:53:17 | |
44. Thank you, 46? | 0:53:17 | 0:53:19 | |
46, 48. 50, 55, 60. 65, 70. | 0:53:19 | 0:53:25 | |
70, are you in? 70, 75. | 0:53:25 | 0:53:28 | |
£70 with you, madam. | 0:53:28 | 0:53:30 | |
All done at 70... | 0:53:30 | 0:53:34 | |
That's a corker of a profit. Well done, Claire. | 0:53:34 | 0:53:37 | |
It's Paul's favourite lot of the road trip next. | 0:53:40 | 0:53:43 | |
The bullet watch fob. | 0:53:43 | 0:53:45 | |
-£40. 45 anywhere? -Ooh, excellent. -It's worth... | 0:53:45 | 0:53:48 | |
All over. 45, 50. 55, 60. 65, 70. | 0:53:48 | 0:53:53 | |
70? 75. £70 with you, sir. | 0:53:53 | 0:53:56 | |
In the room, people know! | 0:53:56 | 0:53:58 | |
-£70 I have. -People get it! | 0:53:58 | 0:54:01 | |
-75 anywhere? -Oh, well... | 0:54:01 | 0:54:03 | |
All done at £70... | 0:54:03 | 0:54:07 | |
-Well done! -Justice done! | 0:54:07 | 0:54:09 | |
Well done. | 0:54:09 | 0:54:10 | |
Well, the room appreciated the watch fob. | 0:54:10 | 0:54:13 | |
That's another large profit for Paul. | 0:54:13 | 0:54:16 | |
-I didn't think they'd know. -Yeah. | 0:54:16 | 0:54:18 | |
-Wow. -Well, yeah, there are... | 0:54:18 | 0:54:20 | |
This is a sophisticated crowd out here! | 0:54:20 | 0:54:22 | |
Certainly is. Come on, Claire. | 0:54:22 | 0:54:24 | |
Can your spectacle case help you catch up on Paul's lead? | 0:54:24 | 0:54:27 | |
Let's get into focus. | 0:54:27 | 0:54:28 | |
Give me £20 to start. Thank you, all over. 20, 22, 24. | 0:54:28 | 0:54:34 | |
26, 28, 30. 32, 34, 36. 38, 40, 42. | 0:54:34 | 0:54:39 | |
£40 with you, sir. 42. 44. | 0:54:39 | 0:54:45 | |
-46, 48, 50. 55. -You're in it now. | 0:54:45 | 0:54:48 | |
60, 65. 70. 75. Just one more? | 0:54:48 | 0:54:54 | |
You're nodding your head the wrong way. Go on! | 0:54:54 | 0:54:56 | |
You know you want them. 75! | 0:54:56 | 0:54:57 | |
80. 85. | 0:54:57 | 0:55:01 | |
85? No? £80 I have from you. | 0:55:01 | 0:55:06 | |
All done at 80... Thank you. | 0:55:06 | 0:55:08 | |
Excellent profit, Claire. You're inching closer to Paul. | 0:55:09 | 0:55:12 | |
-There's nothing in this with two items to go each. -Two to go. | 0:55:12 | 0:55:15 | |
-And our biggest spends. -There are... | 0:55:15 | 0:55:18 | |
Correct. | 0:55:18 | 0:55:19 | |
It's the novelty snuffbox from Paul now. | 0:55:19 | 0:55:22 | |
Straight in at £100. | 0:55:22 | 0:55:25 | |
-110 anywhere? -Mmm! | 0:55:25 | 0:55:26 | |
-MAN: Yes. -Thank you, John. | 0:55:26 | 0:55:28 | |
110 in the room. 120 on the internet. | 0:55:28 | 0:55:31 | |
120 on the internet, 130 anywhere? | 0:55:31 | 0:55:34 | |
-MAN: 122. -122! He's bloomin' awkward again! | 0:55:34 | 0:55:38 | |
-Good on you! -122, thank you so much, John. I'll see you later, 122... | 0:55:38 | 0:55:43 | |
What are you doing, sir? Are you waving, or...? 125. Thank you, sir. | 0:55:43 | 0:55:48 | |
125. 130, John. 125, I have in the room. 130 on the internet. | 0:55:48 | 0:55:53 | |
-No! -135, I'll oblige. No? | 0:55:53 | 0:55:56 | |
All done at £130... | 0:55:56 | 0:56:00 | |
-Fair enough. -Yeah, they spotted it. -Yeah, yeah... -They spotted it. | 0:56:00 | 0:56:03 | |
Hey, Paul certainly knows what he's doing. | 0:56:03 | 0:56:05 | |
An astounding result. | 0:56:05 | 0:56:07 | |
Just looking in my rear-view mirror... | 0:56:07 | 0:56:09 | |
No, I can't see you! | 0:56:09 | 0:56:10 | |
You wait, you wait! | 0:56:12 | 0:56:14 | |
Don't get too cocky there, Paul. Come on, Claire. | 0:56:15 | 0:56:18 | |
The miniature gardening tools are the last lot of the day. | 0:56:18 | 0:56:22 | |
-I'm going to have to start you at £25. -That's a bit disappointing. | 0:56:22 | 0:56:27 | |
Straight in, 30. Thank you, sir. | 0:56:27 | 0:56:30 | |
35, 40, 45. 50. No? | 0:56:30 | 0:56:34 | |
-45 with the lady at the back. -I think they might... -I know! Come on! | 0:56:34 | 0:56:37 | |
50, 55. 60, 65. 70. 65 at the back. | 0:56:37 | 0:56:43 | |
Are we done at £65? | 0:56:43 | 0:56:45 | |
-Hang on... Oh. Bid, bid. -It's a gorgeous little lot. | 0:56:45 | 0:56:48 | |
Hello. 70. 75, 80. | 0:56:48 | 0:56:53 | |
85. 90. 95. 100. | 0:56:53 | 0:56:59 | |
-110. 120. 130. 140. -I don't know, it looks like smart trade. | 0:56:59 | 0:57:05 | |
-You're shaking your head the wrong way, sir. -You've made good money. | 0:57:05 | 0:57:08 | |
Yes, 140, he's in. | 0:57:08 | 0:57:10 | |
-140. -Oh, nice. -150. No? | 0:57:10 | 0:57:12 | |
All done at £140... | 0:57:12 | 0:57:16 | |
Hey, a rocketing profit, Claire. Phenomenal work. | 0:57:16 | 0:57:19 | |
-Off to the weighing room? -I'm with you, come on! | 0:57:20 | 0:57:23 | |
A close-run race there. Who on earth will clinch victory today? | 0:57:23 | 0:57:27 | |
Claire began leg three with £334, and after auction costs, | 0:57:30 | 0:57:35 | |
made an excellent profit of £132.84, | 0:57:35 | 0:57:39 | |
giving Claire a delicious £466.84 to begin the penultimate leg. | 0:57:39 | 0:57:46 | |
For the third leg, | 0:57:48 | 0:57:49 | |
Paul began with £434.80 | 0:57:49 | 0:57:53 | |
and made a corker of a profit of £177.10. | 0:57:53 | 0:57:57 | |
The Laidlaw continues with his victorious streak. | 0:57:57 | 0:58:01 | |
He has £611.90 for the fourth leg. | 0:58:01 | 0:58:06 | |
Nice one, Cyril. | 0:58:06 | 0:58:07 | |
-What an auction! -It was good, wasn't it? | 0:58:07 | 0:58:10 | |
-What?! -Yeah! -A clean sweep. | 0:58:10 | 0:58:12 | |
See you soon, road trippers. | 0:58:15 | 0:58:16 | |
Next time on the Antiques Road Trip... | 0:58:18 | 0:58:20 | |
..Paul and Claire get the giggles. | 0:58:21 | 0:58:23 | |
What's new? | 0:58:23 | 0:58:24 | |
HE LAUGHS IN A SINISTER MANNER | 0:58:24 | 0:58:26 | |
-LAUGHING: -Yeah! | 0:58:26 | 0:58:27 | |
Crikey, Moses! | 0:58:30 | 0:58:32 |