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It's the nation's favourite antiques experts. | 0:00:02 | 0:00:04 | |
That's cracking. | 0:00:04 | 0:00:05 | |
With £200 each... | 0:00:05 | 0:00:07 | |
Wonderful. | 0:00:07 | 0:00:08 | |
..a classic car and a goal - to scour Britain for antiques. | 0:00:08 | 0:00:11 | |
-That's exactly what I'm talking about. -I'm all of a shiver! | 0:00:11 | 0:00:13 | |
The aim? To make the biggest profit at auction, but it's no mean feat. | 0:00:13 | 0:00:17 | |
-No brainer. -Going, going, gone. | 0:00:17 | 0:00:20 | |
There'll be worthy winners and valiant losers. | 0:00:20 | 0:00:23 | |
So, will it be the high road to glory... | 0:00:23 | 0:00:25 | |
-Push! -..or the slow road to disaster? | 0:00:25 | 0:00:28 | |
How awfully, awfully nice. | 0:00:28 | 0:00:29 | |
This is Antiques Road Trip! | 0:00:29 | 0:00:31 | |
Yeah! | 0:00:34 | 0:00:35 | |
Today, we witness the blossoming of a brand-new road trip | 0:00:36 | 0:00:39 | |
relationship for two antiquos. | 0:00:39 | 0:00:42 | |
Anita Manning and Raj Bisram. | 0:00:42 | 0:00:45 | |
Raj, the sun is shining, the sky is blue. | 0:00:45 | 0:00:49 | |
-Are you ready for a new adventure? -I certainly am. | 0:00:50 | 0:00:53 | |
Good-oh. | 0:00:53 | 0:00:55 | |
Anita is the road trip queen bee, with a passion for Scottish art | 0:00:55 | 0:00:59 | |
and, of course, jewellery. | 0:00:59 | 0:01:00 | |
Who could resist rummaging through lot there? | 0:01:00 | 0:01:05 | |
Raj is a relative Road Trip newbie, | 0:01:05 | 0:01:07 | |
but as a former army fitness instructer and champion skier, | 0:01:07 | 0:01:11 | |
he takes the competition very seriously. | 0:01:11 | 0:01:14 | |
We're moving in for the kill now. | 0:01:14 | 0:01:17 | |
Blimey. They'll be cruising the country | 0:01:17 | 0:01:19 | |
in this rather snazzy 1978 Triumph Spitfire. | 0:01:19 | 0:01:23 | |
Tell me what you think about the car? | 0:01:23 | 0:01:25 | |
A friend of mine had cars like this, | 0:01:25 | 0:01:27 | |
but what I don't remember is how small they are inside. | 0:01:27 | 0:01:31 | |
Maybe you're bigger now, Raj? | 0:01:31 | 0:01:33 | |
Yeah, well, you weren't going to mention that. OK? | 0:01:33 | 0:01:37 | |
Ha! Anita and Raj begin their journey with £200 each. | 0:01:37 | 0:01:41 | |
Departing from Wisbech in Cambridgeshire, | 0:01:41 | 0:01:44 | |
they'll explore Norfolk, Suffolk and Essex, | 0:01:44 | 0:01:46 | |
then head south, to Kent, Surrey and Sussex, | 0:01:46 | 0:01:49 | |
before finishing at their final auction, in Bolton, Lancashire. | 0:01:49 | 0:01:52 | |
Phew. But the very first calling point | 0:01:52 | 0:01:56 | |
is at Wisbech in Cambridgeshire, | 0:01:56 | 0:01:58 | |
with their opening auction taking them to Beeston in Norfolk. | 0:01:58 | 0:02:02 | |
-Have you been to Norfolk before? -I've been to Norfolk before | 0:02:02 | 0:02:05 | |
and I love, I absolutely love, East Anglia. | 0:02:05 | 0:02:09 | |
I love the flatness of it, because, for me, it's so unusual. | 0:02:09 | 0:02:14 | |
One thing I do know is that they have this saying in Norfolk, | 0:02:14 | 0:02:19 | |
when you want to have a chat, they say, "let's have a mardle". | 0:02:19 | 0:02:22 | |
-A mardle? -A mardle. | 0:02:22 | 0:02:24 | |
So, let's have a mardle! | 0:02:24 | 0:02:26 | |
Save your margling for Norfolk, | 0:02:28 | 0:02:30 | |
as the first stop today is in the capital of the Fens, | 0:02:30 | 0:02:34 | |
Wisbech in Cambridgeshire. | 0:02:34 | 0:02:35 | |
A charming market town graced with gorgeous Georgian architecture. | 0:02:35 | 0:02:40 | |
Well, well, well, here we are. | 0:02:40 | 0:02:43 | |
You've got a pocket full of money. | 0:02:43 | 0:02:45 | |
-Wish me luck, Anita. -Good luck, darling. | 0:02:45 | 0:02:47 | |
-OK. Oh, lovely! -See you later. | 0:02:47 | 0:02:50 | |
Granny's Cupboard Antiques | 0:02:50 | 0:02:52 | |
has been running for 30 years and is owned by Richard. | 0:02:52 | 0:02:55 | |
-Hello, there. -Hello. -Hi, Richard, isn't it? | 0:02:57 | 0:03:00 | |
-Hi, I'm Raj. -Nice to meet you. | 0:03:00 | 0:03:02 | |
It's so lovely to come into a shop full of antiques, proper antiques! | 0:03:02 | 0:03:06 | |
Richard specialises in small antiques, | 0:03:07 | 0:03:09 | |
sourcing them from walk-in customers, | 0:03:09 | 0:03:11 | |
house clearances and from his travels. | 0:03:11 | 0:03:13 | |
That's an unusual pattern, Richard, for Doulton? | 0:03:16 | 0:03:19 | |
I haven't seen...I don't think I've seen this pattern before. | 0:03:19 | 0:03:22 | |
No, it's not one I've come across, either. | 0:03:22 | 0:03:24 | |
-Is it just the one or is there a pair? -I think it's a single. -Yeah. | 0:03:24 | 0:03:27 | |
Well, I mean, I would think it would definitely have been made as a pair, | 0:03:27 | 0:03:30 | |
but it's still very, very unusual. | 0:03:30 | 0:03:33 | |
Royal Doulton have produced countless collections | 0:03:33 | 0:03:36 | |
over its 200-year reign, | 0:03:36 | 0:03:38 | |
but one of a pair will not be as profitable as the two. | 0:03:38 | 0:03:42 | |
Not a problem, though, because there's plenty on offer in here. | 0:03:42 | 0:03:44 | |
Have you got any bits of jewellery, Richard? | 0:03:44 | 0:03:46 | |
There's a few bits I've actually just been pricing up. | 0:03:46 | 0:03:49 | |
That's a nice silver bit of Art Nouveau, enamelled. | 0:03:49 | 0:03:52 | |
-Quite like that. -Yeah. -That's a nice piece of jewellery, isn't it? | 0:03:52 | 0:03:55 | |
This is a really lovely piece of Art Nouveau jewellery. | 0:03:55 | 0:03:58 | |
It's a really nice little brooch, | 0:03:58 | 0:04:00 | |
it's got mother of pearl in it and I really like the design. | 0:04:00 | 0:04:04 | |
There's £28 on the ticket. | 0:04:04 | 0:04:06 | |
What could you do that for, Richard, please? | 0:04:06 | 0:04:08 | |
-24. -24. | 0:04:08 | 0:04:10 | |
Could I get you down to a nice round 20? | 0:04:10 | 0:04:14 | |
-No. -Ha! | 0:04:14 | 0:04:16 | |
No? Fair enough. Can we split the difference at 22? | 0:04:16 | 0:04:18 | |
-We can. -We have a deal. | 0:04:18 | 0:04:20 | |
22. I've got my first item on this trip. | 0:04:20 | 0:04:24 | |
Speaking of jewellery, the doyenne of all things shiny and silver | 0:04:24 | 0:04:28 | |
is whizzing around Cambridgeshire in the Spitfire, while we speak. | 0:04:28 | 0:04:31 | |
Raj is a lovely guy | 0:04:32 | 0:04:34 | |
and I wonder what his tactics are going to be? | 0:04:34 | 0:04:37 | |
Is he going to spend big | 0:04:37 | 0:04:39 | |
or is he going to be careful at the beginning? | 0:04:39 | 0:04:42 | |
Well, I suppose it all depends | 0:04:42 | 0:04:45 | |
on what's there in front of you in the shop. | 0:04:45 | 0:04:49 | |
But it seems Raj's tactic is doing as Anita does. | 0:04:51 | 0:04:56 | |
1930s ladies purse. | 0:04:56 | 0:04:58 | |
It's in excellent condition. | 0:04:58 | 0:05:00 | |
These actually have become quite collectable these days. | 0:05:00 | 0:05:04 | |
If I can get that at the right price, | 0:05:04 | 0:05:06 | |
that's definitely a little buy. | 0:05:06 | 0:05:07 | |
Anita would be very pleased with me. | 0:05:07 | 0:05:10 | |
With no price on the label, it's back to Richard. | 0:05:10 | 0:05:13 | |
-It's quite nice condition. -It's very good condition, isn't it? | 0:05:13 | 0:05:16 | |
-Yeah. -Very, very cheap. | 0:05:16 | 0:05:19 | |
-You can't argue that price. -No, I can't, no. | 0:05:19 | 0:05:21 | |
-I'm not even going to ask for any discount. -No! | 0:05:21 | 0:05:24 | |
-What could it be? -It could be a tenner. | 0:05:25 | 0:05:28 | |
-You can't go wrong with that. -It's a sale. | 0:05:28 | 0:05:31 | |
Raj has found himself an Art Nouveau brooch and an early 20th century | 0:05:31 | 0:05:35 | |
ladies' purse for £32. | 0:05:35 | 0:05:38 | |
Thank you very much for being patient with me | 0:05:38 | 0:05:40 | |
-and let's hope I do well on these items. -Let's hope so. | 0:05:40 | 0:05:43 | |
If not, I'll be back. | 0:05:43 | 0:05:44 | |
Still in Wisbech, | 0:05:47 | 0:05:48 | |
Anita's here to find out about one of Britain's forgotten heroes, | 0:05:48 | 0:05:51 | |
whose pioneering work transformed human rights | 0:05:51 | 0:05:54 | |
across the world for good. | 0:05:54 | 0:05:56 | |
Wisbech and Fenland Museum chairman | 0:05:56 | 0:05:59 | |
Richard Barnwell is here to tell Anita more. | 0:05:59 | 0:06:03 | |
-Hello, Richard. -Anita, welcome. | 0:06:03 | 0:06:05 | |
It's wonderful to be in Wisbech, | 0:06:05 | 0:06:08 | |
in front of this magnificent memorial to Thomas Clarkson, | 0:06:08 | 0:06:12 | |
the great slave abolitionist. | 0:06:12 | 0:06:15 | |
In the 18th century, Britain was embroiled in the transatlantic trade | 0:06:15 | 0:06:19 | |
triangle, exchanging goods for slaves from Africa, | 0:06:19 | 0:06:22 | |
who were then shipped to America | 0:06:22 | 0:06:24 | |
and traded for produce to be brought back home. | 0:06:24 | 0:06:27 | |
Britain's economy prospered, | 0:06:27 | 0:06:29 | |
as millions died and others endured barbaric conditions. | 0:06:29 | 0:06:34 | |
Very few were fully aware of the true cost of the slave trade, | 0:06:34 | 0:06:38 | |
so local lad Thomas Clarkson | 0:06:38 | 0:06:40 | |
vowed to spread the message and put an end to this inhumanity. | 0:06:40 | 0:06:44 | |
Thomas went to St John's College, Cambridge, in the 1780s. | 0:06:44 | 0:06:48 | |
And the topic was, for a prize essay, | 0:06:48 | 0:06:50 | |
"Is It Lawful To Make A Slave Of Others Against Their Will?2 | 0:06:50 | 0:06:55 | |
And Thomas won this prize essay | 0:06:55 | 0:06:58 | |
and he decided there and then to make it his life's work | 0:06:58 | 0:07:03 | |
to abolish slavery. | 0:07:03 | 0:07:04 | |
So, tell me, what was the scale of the slave trade at that time? | 0:07:04 | 0:07:09 | |
Various contemporary estimates say that in the 18th century there was | 0:07:09 | 0:07:12 | |
something like three million Africans | 0:07:12 | 0:07:15 | |
were transported from Africa to the West Indies, | 0:07:15 | 0:07:18 | |
so it was an enormous problem. | 0:07:18 | 0:07:21 | |
Overall, it is estimated that up to 30 million Africans were forced into | 0:07:21 | 0:07:25 | |
slavery across the American continent | 0:07:25 | 0:07:27 | |
between the 15th and 19th centuries. | 0:07:27 | 0:07:31 | |
Spurred on by what he discovered in 1787, | 0:07:31 | 0:07:34 | |
Clarkson began touring the country, | 0:07:34 | 0:07:36 | |
gathering more evidence to take to his newly-established committee | 0:07:36 | 0:07:41 | |
to abolish the slave trade. | 0:07:41 | 0:07:43 | |
All the work and all the information that was collated was collected | 0:07:43 | 0:07:48 | |
by Thomas, riding round the countryside. | 0:07:48 | 0:07:50 | |
It's said he rode over 35,000 miles on horseback. | 0:07:50 | 0:07:54 | |
Who was he talking to, Richard, | 0:07:54 | 0:07:56 | |
to get all this information together? | 0:07:56 | 0:07:58 | |
He was visiting the great slaving ports at the time, | 0:07:58 | 0:08:02 | |
which would be Bristol, Liverpool and London. | 0:08:02 | 0:08:05 | |
And he was talking to the seamen | 0:08:05 | 0:08:07 | |
about their experiences on the ships. | 0:08:07 | 0:08:10 | |
Clarkson amassed over 20,000 sailors' testimonies | 0:08:10 | 0:08:14 | |
to back up his cause. | 0:08:14 | 0:08:15 | |
He carried a chest everywhere he went, collecting interesting, | 0:08:15 | 0:08:18 | |
useful and, most crucially, valuable goods | 0:08:18 | 0:08:21 | |
from Africa, to show that Britain could trade in products, | 0:08:21 | 0:08:25 | |
rather than people. | 0:08:25 | 0:08:26 | |
This chest, that helped change history, | 0:08:26 | 0:08:29 | |
is now on proud display in the museum. | 0:08:29 | 0:08:32 | |
So, Anita, here we have the raw cotton here, | 0:08:32 | 0:08:35 | |
the loom and, then, the thread, | 0:08:35 | 0:08:37 | |
which the Africans were able to make fine textiles. | 0:08:37 | 0:08:41 | |
We have, obviously, ivory here, | 0:08:41 | 0:08:43 | |
and probably, most important, were the spices, | 0:08:43 | 0:08:46 | |
which were, of course, unknown in England, at that time. | 0:08:46 | 0:08:49 | |
Yeah. What this did was humanise | 0:08:49 | 0:08:52 | |
the slaves who were being used. | 0:08:52 | 0:08:55 | |
Absolutely. | 0:08:55 | 0:08:56 | |
Clarkson's crusade became the first mass public protest campaign | 0:08:56 | 0:09:01 | |
in history. 20 years after he began, | 0:09:01 | 0:09:03 | |
with the help of influential MP, William Wilberforce, | 0:09:03 | 0:09:07 | |
the slave trade was abolished in the British Empire. | 0:09:07 | 0:09:10 | |
It was the first of many acts around the world, | 0:09:10 | 0:09:13 | |
and a huge victory for the movement. | 0:09:13 | 0:09:16 | |
So what was Thomas Clarkson's legacy? | 0:09:16 | 0:09:19 | |
Well, I think perhaps his most important legacy | 0:09:19 | 0:09:22 | |
is that the abolition movement, | 0:09:22 | 0:09:24 | |
at the end of the 18th century amd into the 19th century, | 0:09:24 | 0:09:27 | |
gave rise, in later generations, | 0:09:27 | 0:09:30 | |
to the formation of the human rights movement, | 0:09:30 | 0:09:33 | |
and, of course, that is so important in our world still today, | 0:09:33 | 0:09:37 | |
to recognise that we have a responsibility | 0:09:37 | 0:09:41 | |
towards other nations and newer generations, | 0:09:41 | 0:09:45 | |
as much as recognising what was done in the past. | 0:09:45 | 0:09:48 | |
Richard, this has been a most amazing story. | 0:09:48 | 0:09:53 | |
-So thank you so much... -Thank you for coming. | 0:09:53 | 0:09:55 | |
-..for sharing it with me. -A great pleasure. | 0:09:55 | 0:09:57 | |
Thomas Clarkson died in 1846, | 0:09:59 | 0:10:01 | |
but this Wisbech man should forever | 0:10:01 | 0:10:03 | |
be celebrated for his tremendous triumph for human rights, | 0:10:03 | 0:10:07 | |
in one of the most significant achievements in world history. | 0:10:07 | 0:10:10 | |
Raj, meanwhile, has made his way south of Wisbech, to Littleport, | 0:10:13 | 0:10:17 | |
just outside Ely, which lies on the River Great Ouse. | 0:10:17 | 0:10:21 | |
Raj is here to check out a relatively-new antiques haven, | 0:10:22 | 0:10:25 | |
run by Andrew. Hi, Andrew. | 0:10:25 | 0:10:28 | |
-Hello, Andrew. -Hello, Raj. | 0:10:28 | 0:10:30 | |
The Salvage And Trading Post | 0:10:32 | 0:10:34 | |
has a plethora of antique collectable and vintage treats | 0:10:34 | 0:10:37 | |
for Raj to check out. | 0:10:37 | 0:10:39 | |
Well, this is a very, very unusual piece. | 0:10:42 | 0:10:45 | |
It's an artificial horizon gadget. | 0:10:45 | 0:10:49 | |
There are lots of militaria collectors all over the world. | 0:10:49 | 0:10:52 | |
It's one of the biggest growing markets that there is. | 0:10:52 | 0:10:55 | |
But what makes it valuable, is it's off a Spitfire. | 0:10:55 | 0:10:58 | |
Things like that would fetch really good money. | 0:10:58 | 0:11:02 | |
But it's proving it's off a Spitfire. | 0:11:02 | 0:11:03 | |
And, to be honest, I have no idea. | 0:11:03 | 0:11:06 | |
It says: "Do not jar, handle like eggs." | 0:11:06 | 0:11:09 | |
Lovely bit of kit. | 0:11:10 | 0:11:12 | |
Collectors can be picky about provenance and, without proof, | 0:11:12 | 0:11:15 | |
he's probably right to give it a miss. | 0:11:15 | 0:11:17 | |
Here we have a 19th-Century copper warming pan. | 0:11:21 | 0:11:24 | |
But these are something that have gone down in value | 0:11:24 | 0:11:27 | |
over the last ten years, dramatically. | 0:11:27 | 0:11:29 | |
These all used to fetch between £50 and £100. | 0:11:29 | 0:11:34 | |
This one is only £14. | 0:11:34 | 0:11:37 | |
It's unbelievable. | 0:11:37 | 0:11:40 | |
Gosh! We're moving in for the kill now. | 0:11:40 | 0:11:43 | |
Look out! | 0:11:43 | 0:11:44 | |
Andrew. I wonder, could I have a look at some of the things | 0:11:45 | 0:11:49 | |
in your cabinet, please? | 0:11:49 | 0:11:51 | |
Is there anything in particular, Raj? | 0:11:51 | 0:11:53 | |
I'd like to see the butter knife. | 0:11:53 | 0:11:55 | |
Cheese scoop, as you call it. | 0:11:56 | 0:11:58 | |
That's an unusual thing. | 0:11:58 | 0:12:00 | |
It is. Unfortunately, the box is damaged on that, | 0:12:00 | 0:12:03 | |
but, as you rightly say, the scoop is an unusual one. | 0:12:03 | 0:12:05 | |
This is like a butter knife, but with a little horn handle. | 0:12:05 | 0:12:09 | |
Yes. Yes, I think the collar is actually silver hallmarked, | 0:12:09 | 0:12:13 | |
-and it's "Sheffield, 1906." -Hmm. | 0:12:13 | 0:12:15 | |
Are the rest of them hallmarked, as well? | 0:12:16 | 0:12:18 | |
-No, I believe the others are plate. -Yeah. | 0:12:18 | 0:12:22 | |
What could you do this for? | 0:12:22 | 0:12:24 | |
Well, the ticket price is 38. | 0:12:24 | 0:12:26 | |
I'm prepared to say £30? | 0:12:27 | 0:12:29 | |
It's a bit too tight for me. | 0:12:29 | 0:12:31 | |
-I'll take 25. -OK. | 0:12:33 | 0:12:35 | |
Well, let me put it there for the moment, OK, if I can? | 0:12:35 | 0:12:37 | |
And just think about that. | 0:12:37 | 0:12:39 | |
Andrew thinks he's got something else to Raj's taste. | 0:12:39 | 0:12:42 | |
This is the 101st edition of the Streeter & Co. | 0:12:42 | 0:12:46 | |
As I understand it, it's actually a gold leaf illustration, | 0:12:46 | 0:12:50 | |
which is... | 0:12:50 | 0:12:53 | |
-..quite a rare... -It's a lovely little book. | 0:12:53 | 0:12:56 | |
This was originally a shop in London, in Bond Street. | 0:12:56 | 0:12:59 | |
And they sold really good quality jewellery | 0:12:59 | 0:13:03 | |
and small artefacts and this is basically their catalogue. | 0:13:03 | 0:13:07 | |
The illustrations are gorgeous. You'd absolutely love it. | 0:13:07 | 0:13:10 | |
How much have you got on this? | 0:13:10 | 0:13:12 | |
165. | 0:13:12 | 0:13:14 | |
Hmm. | 0:13:14 | 0:13:16 | |
Yeah, if I were to buy these two items... | 0:13:16 | 0:13:18 | |
If I were to say £60 for the two. | 0:13:19 | 0:13:22 | |
£60 for two? | 0:13:22 | 0:13:24 | |
I'm not going to argue with you at all, Andrew. | 0:13:24 | 0:13:26 | |
-I'm going to shake your hand. -Thank you, Raj. -60? Fantastic. | 0:13:26 | 0:13:29 | |
Very well done. | 0:13:29 | 0:13:30 | |
So, that's two cracking gems for Raj. A 1940s butter knife, | 0:13:30 | 0:13:33 | |
cheese slice and pickle fork set | 0:13:33 | 0:13:35 | |
and a rather unusual jewellers' gems' book, | 0:13:35 | 0:13:39 | |
both for £30 each. | 0:13:39 | 0:13:41 | |
20, 30, 40, 50, 60. | 0:13:41 | 0:13:43 | |
Thank you, Raj. I wish you all the luck. | 0:13:43 | 0:13:45 | |
Thank you very much, indeed. | 0:13:45 | 0:13:48 | |
Back to Anita now, and she's tootled to Tottenhill, near King's Lynn, | 0:13:48 | 0:13:52 | |
for her first shop of the trip, run by Jane. | 0:13:52 | 0:13:55 | |
-Hi. -Hello. -I'm Anita. | 0:13:57 | 0:14:00 | |
Hello, Anita, so pleased that you're here. | 0:14:00 | 0:14:02 | |
And it's lovely, lovely, lovely to be here. | 0:14:02 | 0:14:04 | |
-I look around and everything looks beautiful. -Thank you. | 0:14:04 | 0:14:08 | |
The Antiques Emporium has a rather fine collection of goods, | 0:14:08 | 0:14:11 | |
but, as usual, the cabinets are calling Anita. | 0:14:11 | 0:14:14 | |
These pieces of agate, or pebbles, | 0:14:15 | 0:14:19 | |
are found in the streams and beaches of Scotland. | 0:14:19 | 0:14:25 | |
They were collected and taken down to the New Town in Edinburgh | 0:14:25 | 0:14:29 | |
and polished and made into these lovely brooches and bracelets. | 0:14:29 | 0:14:35 | |
And this, it's a little pillbox. | 0:14:35 | 0:14:38 | |
Isn't that bonnie? Look at this striped agate here. | 0:14:38 | 0:14:42 | |
The colours are wonderful. | 0:14:42 | 0:14:44 | |
I was hoping that it might be gold, but it's not gold. | 0:14:44 | 0:14:48 | |
This probably dates from the late 19th, early 20th century. | 0:14:49 | 0:14:54 | |
But it's still functional in our modern days today. | 0:14:54 | 0:14:59 | |
One to consider? | 0:15:01 | 0:15:02 | |
And what we have here is a little miniature chamber candlestick. | 0:15:05 | 0:15:11 | |
It's pretty. | 0:15:11 | 0:15:12 | |
The handle, the base, the tub here, | 0:15:12 | 0:15:17 | |
all have a very nice detail. | 0:15:17 | 0:15:20 | |
Any more? | 0:15:20 | 0:15:21 | |
Now, this chain here is really what we will call, perhaps, | 0:15:23 | 0:15:28 | |
a fancy link chain. | 0:15:28 | 0:15:30 | |
But it's the type of thing that... | 0:15:30 | 0:15:33 | |
a Victorian gentleman would wear. | 0:15:33 | 0:15:36 | |
This would go through his buttonhole here | 0:15:36 | 0:15:39 | |
and this very nice fob here, with the citrine glass stone, | 0:15:39 | 0:15:45 | |
would sit outside. | 0:15:45 | 0:15:47 | |
I really like this one because it's quite unusual. | 0:15:47 | 0:15:50 | |
And I would like to have a go at it. | 0:15:50 | 0:15:53 | |
This chain is known as an Albert, named after Prince Albert, | 0:15:53 | 0:15:57 | |
who wore this style of watch chain in the early 19th century. | 0:15:57 | 0:16:01 | |
Anita has a few options, so it's time to find Jane. | 0:16:01 | 0:16:05 | |
Jane, I've found three things which I liked. | 0:16:05 | 0:16:09 | |
-OK. -But there's one thing that has intrigued me. | 0:16:09 | 0:16:12 | |
-Right. -And it's this thing here. | 0:16:12 | 0:16:15 | |
-Right. -I believe that it is something | 0:16:18 | 0:16:21 | |
that they used to use for spooning out and stirring pig swill. | 0:16:21 | 0:16:26 | |
Pig swill? Right. Not porridge? | 0:16:26 | 0:16:30 | |
Or porridge! | 0:16:30 | 0:16:31 | |
-I'm going to call it a porridge stirrer. -OK. | 0:16:32 | 0:16:35 | |
-How much is that? -I think we could do £20 on that. | 0:16:35 | 0:16:39 | |
Could you do those... | 0:16:44 | 0:16:46 | |
The three, the porridge stirrer and the two wee... | 0:16:46 | 0:16:51 | |
yellow metal things for 40 quid? | 0:16:51 | 0:16:54 | |
Both the pillbox and the Albert chain are marked up at £30 each. | 0:16:54 | 0:16:59 | |
Oh, you're pushing me there, Anita! | 0:16:59 | 0:17:01 | |
Well, just say "no" and throw me out of the door. | 0:17:01 | 0:17:04 | |
Could we say...50? | 0:17:07 | 0:17:11 | |
£50 for the three things? | 0:17:11 | 0:17:13 | |
-Yeah. -Put it there. | 0:17:13 | 0:17:14 | |
Thank you. | 0:17:14 | 0:17:16 | |
And Anita's bagged herself a Victorian Albert, | 0:17:16 | 0:17:20 | |
or watch chain, for £20, | 0:17:20 | 0:17:21 | |
an agate pillbox for 25 | 0:17:21 | 0:17:23 | |
and a four-foot rustic wooden spoon for £5. | 0:17:23 | 0:17:27 | |
-I'll place them in there really carefully. -Hi-ho, hi-ho... | 0:17:27 | 0:17:30 | |
..it's off to auction I go. | 0:17:32 | 0:17:34 | |
Good luck, Anita! | 0:17:34 | 0:17:35 | |
Such a stirrer. But, for now, it's home to bed, you two. | 0:17:36 | 0:17:40 | |
Nighty-night. | 0:17:40 | 0:17:41 | |
It's a new day and our experts are back, tearing around | 0:17:44 | 0:17:48 | |
in the Triumph Spitfire. | 0:17:48 | 0:17:49 | |
There's a bit of a rattling noise here. | 0:17:52 | 0:17:55 | |
-There is, to be honest. -Is that your old bones? | 0:17:55 | 0:17:57 | |
It's either my old bones or it's this car. | 0:17:57 | 0:18:00 | |
I'm a bit worried about it. | 0:18:00 | 0:18:02 | |
Either way, I'd be worried. | 0:18:02 | 0:18:04 | |
Yesterday, Raj managed to bag himself an Art Nouveau brooch, | 0:18:05 | 0:18:08 | |
a ladies' purse, a butter knife, | 0:18:08 | 0:18:10 | |
cheese slice and pickle fork set and a rare jeweller's book for £92, | 0:18:10 | 0:18:15 | |
leaving him £108 to play with. | 0:18:15 | 0:18:18 | |
I love these two things. | 0:18:19 | 0:18:21 | |
Anita's spent a quarter of the budget on an Albert, | 0:18:22 | 0:18:25 | |
or watch chain... | 0:18:25 | 0:18:26 | |
..an agate pillbox and a four-foot wooden spoon, | 0:18:28 | 0:18:32 | |
arming her with £150 to spend today. | 0:18:32 | 0:18:35 | |
Ah, you've got to take a chance every now and again, haven't you? | 0:18:35 | 0:18:38 | |
So, how are they getting on? | 0:18:38 | 0:18:40 | |
I'm thoroughly enjoying myself, so far. You're fantastic company, | 0:18:40 | 0:18:43 | |
-I have to say. -Oh... -You really are. | 0:18:43 | 0:18:46 | |
So far, it's been fantastic. | 0:18:46 | 0:18:48 | |
Oh, bless. | 0:18:48 | 0:18:49 | |
With the auction in Beeston in sight, | 0:18:49 | 0:18:51 | |
this perky pair must first head to the next destination, | 0:18:51 | 0:18:55 | |
Fakenham in Norfolk. | 0:18:55 | 0:18:56 | |
Do you like the wind in your hair, Raj? | 0:18:56 | 0:18:58 | |
I... | 0:18:58 | 0:19:00 | |
I love the wind in my hair. | 0:19:00 | 0:19:03 | |
Hey, a bit below the belt, Anita! | 0:19:03 | 0:19:06 | |
The historic market town of Fakenham | 0:19:06 | 0:19:07 | |
lies on the River Wensum | 0:19:07 | 0:19:10 | |
and grew in the 19th century, due to its expanding printing industry. | 0:19:10 | 0:19:14 | |
Anita's here to call at Fakenham Antiques And Collectables, | 0:19:14 | 0:19:18 | |
run by Sandy. Look out. | 0:19:18 | 0:19:19 | |
-Good morning, Anita. -Hi. -How are you? | 0:19:19 | 0:19:22 | |
The business has been running for 45 years. | 0:19:22 | 0:19:25 | |
Straight to the glass cabinets this time. | 0:19:31 | 0:19:33 | |
There's a surprise. | 0:19:33 | 0:19:34 | |
And this time, it's colour that's pulling my eye. | 0:19:34 | 0:19:38 | |
These are 1930s napkin rings. | 0:19:40 | 0:19:44 | |
They're made of Bakelite. | 0:19:44 | 0:19:46 | |
They do have that vintage look | 0:19:46 | 0:19:49 | |
that young people are looking for today. | 0:19:49 | 0:19:53 | |
Now, this is a set of six here and I quite like them. | 0:19:53 | 0:19:58 | |
They're priced at £28. | 0:19:58 | 0:20:01 | |
It's a wee bit dear to sell at auction, | 0:20:01 | 0:20:03 | |
but I may be able to do a deal with Sandy on that. | 0:20:03 | 0:20:08 | |
But Anita's not ready to commit just yet - oh, no. | 0:20:08 | 0:20:11 | |
Colourful and beautiful ceramics are irresistible. | 0:20:15 | 0:20:19 | |
This vase is made by Moorcroft. | 0:20:19 | 0:20:23 | |
This one was made in 2007. | 0:20:23 | 0:20:26 | |
This is the decorator's design, | 0:20:27 | 0:20:30 | |
Emma Bossons, so, although it's not an old one, | 0:20:30 | 0:20:35 | |
it is an antique of the future. | 0:20:35 | 0:20:38 | |
This is called tube lining. | 0:20:38 | 0:20:39 | |
It's like the icing on a cake. | 0:20:39 | 0:20:42 | |
Now, this is priced at... | 0:20:42 | 0:20:44 | |
..£320. | 0:20:46 | 0:20:48 | |
That's a wee bit too steep for my budget, at the moment, | 0:20:48 | 0:20:52 | |
but that's a lot cheaper | 0:20:52 | 0:20:54 | |
than you would buy it, if you were buying it new | 0:20:54 | 0:20:58 | |
and it possibly could be an investment for the future. | 0:20:58 | 0:21:02 | |
Vases like this can retail at upwards of £400, | 0:21:04 | 0:21:08 | |
but Anita's still got her eye on those napkin rings. | 0:21:08 | 0:21:11 | |
I like these, I think they're quite stylish. | 0:21:14 | 0:21:16 | |
-They're pretty, aren't they? -Yes. | 0:21:16 | 0:21:19 | |
-I think that this is perhaps been part of a bigger set... -Set, yeah. | 0:21:19 | 0:21:23 | |
..because I would have liked more variety in the colours, | 0:21:23 | 0:21:27 | |
because we've got three green ones there. | 0:21:27 | 0:21:30 | |
I could do them for 18. | 0:21:30 | 0:21:32 | |
-Could we do them for 18? -Yeah. -Let's go for it. | 0:21:32 | 0:21:35 | |
So, that's £18 for the 1930s Bakelite napkin rings. | 0:21:35 | 0:21:39 | |
Straight in her pocket. | 0:21:39 | 0:21:40 | |
-It's been lovely being here. -Lovely having you, Anita. | 0:21:40 | 0:21:43 | |
-Bye-bye. -Bye-bye now. | 0:21:43 | 0:21:46 | |
Meanwhile, Raj is travelling ten miles north, | 0:21:46 | 0:21:48 | |
towards the attractive town of Wells-next-the-Sea, | 0:21:48 | 0:21:52 | |
so-called due to its historic proximity to fresh springs. | 0:21:52 | 0:21:56 | |
Get it? | 0:21:56 | 0:21:57 | |
Landscape's very, very flat. | 0:21:57 | 0:21:59 | |
It's a little bit like Kent, where I'm from, | 0:22:00 | 0:22:03 | |
but this is obviously much flatter. | 0:22:03 | 0:22:05 | |
Raj is heading to a magnificent stately home, to learn about | 0:22:06 | 0:22:09 | |
an agricultural pioneer | 0:22:09 | 0:22:11 | |
whose ground-breaking techniques helped form the future | 0:22:11 | 0:22:14 | |
of Britain's farming industry. | 0:22:14 | 0:22:16 | |
Raj is here to meet Holkham Hall's manager, Sharon Cheshire. | 0:22:16 | 0:22:21 | |
-Hello, Raj. -Hi, Sharon. | 0:22:21 | 0:22:23 | |
What a fantastic place! | 0:22:23 | 0:22:25 | |
It's quite impressive, isn't it? | 0:22:25 | 0:22:26 | |
Soon after Holkham was built, | 0:22:26 | 0:22:28 | |
the population soared and demand for food was growing, | 0:22:28 | 0:22:31 | |
calling for what some say was an agricultural revolution. | 0:22:31 | 0:22:34 | |
This neo-classical mansion | 0:22:34 | 0:22:36 | |
was at the heart of this innovative agricultural transformation. | 0:22:36 | 0:22:41 | |
Wow. What an amazing portrait of the man. | 0:22:41 | 0:22:44 | |
Done by Gainsborough, as well. | 0:22:45 | 0:22:47 | |
Yeah. Thomas William Cook, Cook of Norfolk. | 0:22:47 | 0:22:50 | |
The man who took over Holkham Hall. | 0:22:50 | 0:22:52 | |
He inherited it at the end of the 17th century. | 0:22:52 | 0:22:56 | |
It was about 30,000 acres at that time | 0:22:56 | 0:22:59 | |
and it was already a well-running and well-developed estate, | 0:22:59 | 0:23:04 | |
but because the things were being planted year after year, | 0:23:04 | 0:23:08 | |
the crops were starting to deteriorate. | 0:23:08 | 0:23:10 | |
So he knew that, to take the estate forward, | 0:23:10 | 0:23:13 | |
he would have to look at new methods of developing the land. | 0:23:13 | 0:23:16 | |
A century earlier, British statesman Charles Townshend | 0:23:16 | 0:23:20 | |
developed a crop rotation system, whereby weeds, turnips, | 0:23:20 | 0:23:24 | |
barley and clover were cultivated in succession, | 0:23:24 | 0:23:28 | |
preventing soil exhaustion | 0:23:28 | 0:23:30 | |
and earning him the moniker, "Turnip Townsend". | 0:23:30 | 0:23:33 | |
Cook built on that idea and other revolutionary techniques, | 0:23:34 | 0:23:39 | |
such as cross-breeding animals, to improve quality and seed drilling, | 0:23:39 | 0:23:43 | |
introducing them to Holkham. | 0:23:43 | 0:23:47 | |
There was lots of tenant farmers on the estate | 0:23:47 | 0:23:49 | |
and each ran their own areas, | 0:23:49 | 0:23:52 | |
but he encouraged them to sign documents to say they would stick | 0:23:52 | 0:23:55 | |
with his plan, so that they would all work together. | 0:23:55 | 0:23:58 | |
And obviously, having a house like this, where you can have | 0:23:58 | 0:24:01 | |
amazing parties, bringing all those people in, does help. | 0:24:01 | 0:24:04 | |
Despite also working as an MP for Norfolk, | 0:24:04 | 0:24:07 | |
charismatic Cook invested time, | 0:24:07 | 0:24:10 | |
energy and money in expanding Holkham's farming and reputation. | 0:24:10 | 0:24:13 | |
This is a very elaborate trophy. | 0:24:15 | 0:24:18 | |
Beautiful engraving on it. | 0:24:18 | 0:24:19 | |
-Holkham Sheep Show. -Yeah. -Yeah. It would have been one of the trophies | 0:24:19 | 0:24:24 | |
given for the breeding of cattle. | 0:24:24 | 0:24:26 | |
Each year, Cook hosted three-day shearing events, | 0:24:26 | 0:24:29 | |
a forerunner of county shows. | 0:24:29 | 0:24:31 | |
Well, this is another first for me. | 0:24:33 | 0:24:36 | |
These events attract people from across the nation to share their | 0:24:37 | 0:24:40 | |
expertise, learn from others | 0:24:40 | 0:24:42 | |
and win prizes for the best animals on the show. | 0:24:42 | 0:24:45 | |
There was even a trophy for the fastest shearer. | 0:24:45 | 0:24:48 | |
Can I let you finish it off? | 0:24:50 | 0:24:52 | |
Probably for the best. Has it still got any legs? | 0:24:52 | 0:24:54 | |
I hope I wasn't too baa-d! | 0:24:54 | 0:24:58 | |
Oh, dear. | 0:24:58 | 0:25:00 | |
The care and passion Cook showed for agricultural development meant that, | 0:25:00 | 0:25:04 | |
after his death in 1842, his tenants funded a memorial in his honour. | 0:25:04 | 0:25:09 | |
Sharon, tell me about this amazing monument. | 0:25:09 | 0:25:12 | |
The monument is 120 feet high with various symbols and plaques going | 0:25:13 | 0:25:18 | |
around it, that basically tell a story of what he was involved in | 0:25:18 | 0:25:22 | |
throughout his life. Part of its represents his political career, | 0:25:22 | 0:25:25 | |
but it's mostly about what he achieved in agriculture. | 0:25:25 | 0:25:29 | |
From selective breeding in animals, | 0:25:29 | 0:25:31 | |
to improving crop rotation techniques, | 0:25:31 | 0:25:34 | |
over 170 years after Thomas William Cook's death, | 0:25:34 | 0:25:39 | |
his principles are still being used and the impact of his | 0:25:39 | 0:25:42 | |
ground-breaking achievements live on. | 0:25:42 | 0:25:45 | |
Back with Anita again, who's ventured inland to Holt, | 0:25:48 | 0:25:51 | |
The area suffered a great fire in the early 18th century, | 0:25:51 | 0:25:54 | |
forcing a major rebuilding work | 0:25:54 | 0:25:56 | |
and turning it into the stunning Georgian town we see today. | 0:25:56 | 0:26:00 | |
Anita is here to visit an old haunt, owned by Mandy. | 0:26:00 | 0:26:04 | |
-Ah, Mandy! -Hello! -It's lovely to be back again... | 0:26:04 | 0:26:07 | |
-Nice to see you again. -..to your antiques centre. | 0:26:07 | 0:26:11 | |
Mandy's been at Shire Hall Lane Antiques Centre | 0:26:11 | 0:26:14 | |
for five years now, and as Anita's trod on these boards before, | 0:26:14 | 0:26:19 | |
she knows her way around. | 0:26:19 | 0:26:20 | |
Raj, how's your blood pressure? | 0:26:20 | 0:26:23 | |
Cheeky! | 0:26:23 | 0:26:24 | |
The centre has nine showrooms, home to 20 different dealers. | 0:26:24 | 0:26:28 | |
They specialise in period furniture, | 0:26:28 | 0:26:30 | |
but there are plenty of antiques and collectables to boot. | 0:26:30 | 0:26:33 | |
So Anita should be in heaven. | 0:26:33 | 0:26:35 | |
Wow! | 0:26:36 | 0:26:38 | |
It's a Concorde for kids! | 0:26:38 | 0:26:41 | |
Isn't this the most marvellous, unusual kids' car | 0:26:41 | 0:26:46 | |
that you could ever see? | 0:26:46 | 0:26:48 | |
£95 for that streamlined piece of machinery. | 0:26:48 | 0:26:55 | |
That's cracking. | 0:26:56 | 0:26:57 | |
Anita's already bought one big wooden lump on this lake, | 0:26:57 | 0:27:00 | |
so it's off to find something a little more Manning-esque. | 0:27:00 | 0:27:03 | |
I love figure groups. I love sculpture. | 0:27:04 | 0:27:07 | |
And I'm sort of drawn to this figure group here. | 0:27:07 | 0:27:11 | |
It's of, I would imagine, two sisters here | 0:27:11 | 0:27:15 | |
from maybe the '20s or the '30s, | 0:27:15 | 0:27:17 | |
and they've got that characteristic short bobbed hair. | 0:27:17 | 0:27:22 | |
It's made of plaster. | 0:27:22 | 0:27:23 | |
So it's not a fine thing, but it has this lovely, | 0:27:25 | 0:27:29 | |
lovely terracotta colour here, | 0:27:29 | 0:27:32 | |
which I find very appealing. | 0:27:32 | 0:27:34 | |
If we look at it, we've got a wee bit of damage there, | 0:27:36 | 0:27:40 | |
a little foot has been off. | 0:27:41 | 0:27:42 | |
And there's a bit of damage on the toe there. | 0:27:42 | 0:27:47 | |
It's only £28. | 0:27:47 | 0:27:49 | |
Oh, Mandy! | 0:27:49 | 0:27:51 | |
Yes? | 0:27:52 | 0:27:53 | |
Mandy, I've been drawn to this little figure group here. | 0:27:53 | 0:27:57 | |
OK. | 0:27:57 | 0:27:59 | |
It reminds me of me and my sister, | 0:27:59 | 0:28:03 | |
and we had both these bob haircuts when we were young. | 0:28:03 | 0:28:06 | |
Are you able to do anything about the price? | 0:28:06 | 0:28:10 | |
-How does 22 sound? -22? -Yes. | 0:28:10 | 0:28:12 | |
Mm-hm. Could it be bought at 20? | 0:28:12 | 0:28:15 | |
-Go on, you've twisted my arm. -OK, that's great. -Is that all right? | 0:28:16 | 0:28:18 | |
-Thank you very, very much. -No problem. | 0:28:18 | 0:28:21 | |
So that's an even 20 for a terracotta figure group | 0:28:21 | 0:28:23 | |
of two sisters, without a toe. | 0:28:23 | 0:28:26 | |
-Thank you again. -Thanks, bye-bye. | 0:28:26 | 0:28:29 | |
Now, it's back to Raj again, | 0:28:29 | 0:28:30 | |
who's joined Anita in Holt | 0:28:30 | 0:28:32 | |
to check out Mews Antiques Emporium, run by Andrew. | 0:28:32 | 0:28:35 | |
-Hello, there. -Hello, Raj. -Andrew, isn't it? | 0:28:35 | 0:28:38 | |
-Yes. -Nice to meet you. -And you. | 0:28:38 | 0:28:41 | |
There's lots of rooms here, I think. | 0:28:41 | 0:28:43 | |
Yes, you're very welcome. There's eight rooms upstairs. | 0:28:43 | 0:28:46 | |
Spread over two floors, | 0:28:46 | 0:28:47 | |
this antiques collectables and vintage store has | 0:28:47 | 0:28:49 | |
lots of nooks and crannies for Raj to explore. Going down? | 0:28:49 | 0:28:54 | |
Well, I've got about £100 left. | 0:28:54 | 0:28:56 | |
And I really want to make a good profit. | 0:28:56 | 0:28:59 | |
I'm happy to spend it all, but I've got to find the right thing. | 0:28:59 | 0:29:03 | |
Go on, then, do it! | 0:29:03 | 0:29:04 | |
Here's a lovely old tennis racket. | 0:29:13 | 0:29:17 | |
The ones that, really, you should be looking for are the fish tail ones. | 0:29:17 | 0:29:21 | |
The handle is just like a fish tail, | 0:29:21 | 0:29:23 | |
and those are really highly collectable. | 0:29:23 | 0:29:25 | |
And continuing his sporting theme... | 0:29:25 | 0:29:28 | |
Here we have a nice old golf club as well. | 0:29:29 | 0:29:33 | |
And this is one of the collectable ones, | 0:29:33 | 0:29:35 | |
because the Scottish early makers are the really collectable ones. | 0:29:35 | 0:29:39 | |
A nice old hickory-shafted iron. | 0:29:39 | 0:29:42 | |
But like Anita, Raj is drifting towards those cabinets again! | 0:29:42 | 0:29:46 | |
-Andrew. -Yes? I wonder, is it possible I could have a look | 0:29:47 | 0:29:50 | |
-at that silver picture frame there? -Yes, of course. | 0:29:50 | 0:29:53 | |
-A nice frame. -It is a lovely, lovely frame, but | 0:29:53 | 0:29:56 | |
-the silver... -It's such a shame... -..is missing, because that is a beautiful frame. | 0:29:56 | 0:29:59 | |
In perfect condition, a frame like this could make upwards of £100. | 0:29:59 | 0:30:04 | |
This damaged frame, though, has a ticket price of £49. | 0:30:04 | 0:30:08 | |
But Raj wants Andrew to see if the dealer can do any better. | 0:30:08 | 0:30:11 | |
Nice tulips. | 0:30:11 | 0:30:12 | |
Your silver frame, which has got a small amount of damage on | 0:30:12 | 0:30:15 | |
the right bottom there, | 0:30:15 | 0:30:17 | |
the cost is £49. | 0:30:18 | 0:30:20 | |
What's the best we can do on that one? | 0:30:20 | 0:30:22 | |
OK. Yeah, I understand. Thank you very much. | 0:30:22 | 0:30:25 | |
Time to break the news to Raj. | 0:30:25 | 0:30:26 | |
-What did he manage to say? -Well, 35. | 0:30:26 | 0:30:29 | |
Is that the very best? | 0:30:29 | 0:30:30 | |
Well, the very, very best would be 30. | 0:30:32 | 0:30:34 | |
30? I'm going to shake your hand. | 0:30:34 | 0:30:36 | |
30, we have a deal. | 0:30:36 | 0:30:38 | |
So that's £30 for the 1920s silver photo frame. | 0:30:38 | 0:30:42 | |
-Thank you very much again, Andrew. -Thank you. -A pleasure. | 0:30:42 | 0:30:45 | |
Where's the tulips gone? Oh, there they are. Good. And shopping's complete! | 0:30:45 | 0:30:48 | |
So let's have a little peek at the purchases. | 0:30:48 | 0:30:51 | |
Including his frame, Raj shelled out £122 on an Art Nouveau brooch, | 0:30:51 | 0:30:56 | |
a ladies' cloth purse, a butter knife, cheese slice and pickle fork set, | 0:30:56 | 0:30:59 | |
as you do, and a rare gems book. | 0:30:59 | 0:31:02 | |
Anita spent £88 on an Albert guard chain, | 0:31:05 | 0:31:09 | |
an agate pillbox, | 0:31:09 | 0:31:11 | |
a giant wooden spoon, | 0:31:11 | 0:31:13 | |
a set of Bakelite napkin rings and a terracotta figure of two sisters, | 0:31:13 | 0:31:17 | |
one missing a toe. | 0:31:17 | 0:31:18 | |
I'm wondering if Raj has been influenced by me | 0:31:20 | 0:31:24 | |
in the things that he's bought, | 0:31:24 | 0:31:27 | |
because there is definitely a feminine influence there. | 0:31:27 | 0:31:32 | |
We have that lovely wee brooch, | 0:31:32 | 0:31:35 | |
silver and enamel is always wonderful. | 0:31:35 | 0:31:39 | |
The metal pillbox. | 0:31:39 | 0:31:41 | |
Nice little thing, very collectable, right up Anita's street, | 0:31:41 | 0:31:45 | |
-could do well. -But my favourite item | 0:31:46 | 0:31:49 | |
is that wonderful gems book, | 0:31:49 | 0:31:53 | |
with those coloured and gilt illustrations. | 0:31:53 | 0:31:57 | |
That's a valuable little piece of history | 0:31:57 | 0:32:01 | |
for anyone who's interested in jewellery. | 0:32:01 | 0:32:05 | |
I think the wooden spoon's going to do really well. | 0:32:05 | 0:32:07 | |
I think this would cause quite a stir. | 0:32:07 | 0:32:10 | |
Oh, lordy. | 0:32:10 | 0:32:12 | |
And whizzing away from Wisbech, | 0:32:12 | 0:32:14 | |
our experts are now cruising their way through the Norfolk countryside, | 0:32:14 | 0:32:17 | |
headed for their first auction in Beeston. | 0:32:17 | 0:32:21 | |
Well, Anita, here we are, | 0:32:21 | 0:32:23 | |
first auction day, the sun is shining, | 0:32:23 | 0:32:26 | |
it's a little bit nippy, what do you think's going to happen today? | 0:32:26 | 0:32:29 | |
A little bit nippy? | 0:32:29 | 0:32:31 | |
It's freezing! | 0:32:31 | 0:32:33 | |
I'm sure you must be really warm | 0:32:33 | 0:32:36 | |
under that absolutely fabulous bonnet. | 0:32:36 | 0:32:39 | |
Well, as you can tell, the hair isn't doing it. | 0:32:39 | 0:32:42 | |
It's round one of Bisram versus Manning and it's all to play for. | 0:32:43 | 0:32:47 | |
I don't like losing, but... | 0:32:47 | 0:32:49 | |
if I lose to you, I'll be losing to the far better person. | 0:32:50 | 0:32:54 | |
Let's see if he's just as relaxed when they are three auctions in. | 0:32:54 | 0:32:59 | |
-Well... -Here we are. | 0:32:59 | 0:33:01 | |
Here we are, Anita. | 0:33:01 | 0:33:03 | |
The first auction. | 0:33:03 | 0:33:06 | |
Exciting, darling, exciting! | 0:33:06 | 0:33:09 | |
The family-run Townsend Auction Galleries | 0:33:10 | 0:33:13 | |
have been open for 20 years. | 0:33:13 | 0:33:15 | |
Their antiques, fine art and jewellery sale today | 0:33:15 | 0:33:18 | |
will be led by veteran auctioneer David Palmer. | 0:33:18 | 0:33:21 | |
My favourite item is the wooden spoon, it's brilliant. | 0:33:21 | 0:33:24 | |
It has a presence. | 0:33:24 | 0:33:26 | |
This is a spoon that appeals to this county. | 0:33:26 | 0:33:29 | |
The 1920s French purse, | 0:33:29 | 0:33:32 | |
this was created before the French became fashionable and chic. | 0:33:32 | 0:33:36 | |
It looks to me as though someone has chopped a bit out of an old sofa and | 0:33:36 | 0:33:39 | |
used that. The terracotta figure group is the bete noire, | 0:33:39 | 0:33:42 | |
I think, of this group. | 0:33:42 | 0:33:44 | |
It's just plain bizarre and hideous. | 0:33:44 | 0:33:48 | |
The Streeter & Co book, this is wonderful. | 0:33:48 | 0:33:51 | |
I think this is the star lot. It's not just words, | 0:33:51 | 0:33:54 | |
you have pictures, so it appeals to far more people. | 0:33:54 | 0:33:57 | |
Interesting thoughts, there. | 0:33:58 | 0:34:00 | |
Time to see whether the auction-goers of Norfolk agree. | 0:34:00 | 0:34:03 | |
There's internet bidding here, too. So it could get exciting. | 0:34:03 | 0:34:07 | |
Here we are, darling. | 0:34:07 | 0:34:09 | |
The moment of the moments of truth! | 0:34:09 | 0:34:12 | |
First auction. | 0:34:13 | 0:34:15 | |
First up is Anita's Albert guard chain. | 0:34:15 | 0:34:18 | |
A rather nice piece, this. | 0:34:18 | 0:34:20 | |
Appreciated much in Scotland, I believe these items are. | 0:34:21 | 0:34:24 | |
Ten, 12, 15, 18, 20. | 0:34:24 | 0:34:27 | |
22, 25, 28, 30 over here. 30. | 0:34:27 | 0:34:30 | |
At £30 now. 35, 38, 40. | 0:34:30 | 0:34:34 | |
40 in the room. | 0:34:34 | 0:34:36 | |
The room at 40. In the room at 40 now... | 0:34:36 | 0:34:38 | |
Are you back in? I'll take your two, sir. He'll gives you a kiss! | 0:34:38 | 0:34:44 | |
-42. -£2 for a kiss! | 0:34:44 | 0:34:46 | |
That is that at 42. | 0:34:46 | 0:34:48 | |
An incredible profit, straight off the blocks. | 0:34:52 | 0:34:55 | |
-Doubled my money. -You doubled your money and more. | 0:34:55 | 0:34:59 | |
No pressure on Raj, then, for his Art Nouveau brooch up next. | 0:35:00 | 0:35:03 | |
Oh, wonderful lot! | 0:35:06 | 0:35:08 | |
Wonderful, wonderful lot, this is! | 0:35:08 | 0:35:10 | |
Tenner for it? Ten for it. Ten, 12, 15. | 0:35:10 | 0:35:14 | |
At 15... 18, 20 22, | 0:35:14 | 0:35:17 | |
at 22. 25, 28, 30, 30, 32 over here. | 0:35:17 | 0:35:22 | |
32, 35. | 0:35:22 | 0:35:24 | |
Keep it going! 40. 45, 50, 55. | 0:35:24 | 0:35:29 | |
60, stick with it, go 60. | 0:35:29 | 0:35:31 | |
60. And five again, 65. | 0:35:31 | 0:35:34 | |
At 65, here in front at 65. | 0:35:34 | 0:35:36 | |
70, 75. | 0:35:36 | 0:35:37 | |
It's in the room at 75, are you back in at 80? | 0:35:38 | 0:35:41 | |
-80, over there at 80. -Could be, could be, could be. | 0:35:41 | 0:35:45 | |
I sell the far end at 80. | 0:35:45 | 0:35:46 | |
All done at 80. | 0:35:46 | 0:35:49 | |
-Hooray! -Thank you! | 0:35:49 | 0:35:50 | |
Crikey Moses, Raj has almost quadrupled his money | 0:35:51 | 0:35:54 | |
on his first item! | 0:35:54 | 0:35:56 | |
£80, that is brilliant. | 0:35:57 | 0:36:01 | |
Can Raj's butter knife set do just as well? | 0:36:03 | 0:36:06 | |
A tenner for it? Straight in at 10. Tenner bid, at ten, take two. | 0:36:06 | 0:36:10 | |
12, 15, 18, 20, 22, | 0:36:10 | 0:36:13 | |
22, 25, | 0:36:13 | 0:36:14 | |
28, over there at 28 now. | 0:36:14 | 0:36:16 | |
30, back at 30. | 0:36:16 | 0:36:18 | |
32, 32. | 0:36:18 | 0:36:20 | |
All done at £32. | 0:36:20 | 0:36:24 | |
It's not a profit after auction costs, sadly. | 0:36:26 | 0:36:29 | |
-Still a profit. -You have to be grateful it's a profit. | 0:36:31 | 0:36:34 | |
Next up is Anita's agate pillbox. | 0:36:34 | 0:36:37 | |
Ten, 12, 15, 18, over there at 18. | 0:36:37 | 0:36:40 | |
20, 22, 25, 28, 30. | 0:36:40 | 0:36:41 | |
They're going, they're going! | 0:36:43 | 0:36:45 | |
35 here. | 0:36:45 | 0:36:47 | |
38. 40, 45? 40. | 0:36:47 | 0:36:51 | |
It's 45, new money at 45. | 0:36:51 | 0:36:54 | |
50, and again 55? | 0:36:54 | 0:36:56 | |
-55. -Wow! -60. 65? | 0:36:56 | 0:36:59 | |
At 60, I sell against you at 60. | 0:36:59 | 0:37:02 | |
-65! -Yes! | 0:37:02 | 0:37:05 | |
I sell then at £65. | 0:37:07 | 0:37:09 | |
-Wow, that is a... -I'm happy with that! | 0:37:12 | 0:37:16 | |
I mean, who wouldn't be? Anita's more than doubled her money again. | 0:37:16 | 0:37:21 | |
Fantastic, fantastic! | 0:37:21 | 0:37:23 | |
Now we're back for Raj and his silver frame. | 0:37:23 | 0:37:26 | |
30, and £30 now, take a two. | 0:37:27 | 0:37:30 | |
32, 35, 38. | 0:37:30 | 0:37:31 | |
38, and 40. | 0:37:31 | 0:37:34 | |
40. 45, at 45, stick with it, madam. | 0:37:34 | 0:37:39 | |
At 45, 50! | 0:37:39 | 0:37:41 | |
Stick with it, 55? At 55, make him pay, madam! | 0:37:42 | 0:37:45 | |
At 55, are you in at 60? | 0:37:46 | 0:37:48 | |
-Don't give in now! -60! | 0:37:48 | 0:37:51 | |
65? At 65 now? | 0:37:51 | 0:37:54 | |
At £65, all gone at 65. | 0:37:54 | 0:37:57 | |
Raj has more than doubled his money, too. | 0:37:59 | 0:38:01 | |
What an auction, eh? | 0:38:01 | 0:38:03 | |
And that was the one that we were worried about. | 0:38:03 | 0:38:06 | |
Next it's Anita's terracotta figure group. | 0:38:06 | 0:38:09 | |
Auctioneer David wasn't keen. | 0:38:09 | 0:38:11 | |
Let's hope the buyers disagree. | 0:38:11 | 0:38:13 | |
-Fingers crossed. -Tenner for it? | 0:38:13 | 0:38:15 | |
Tenner bid, ten, 12. 15, I've got. 18 off you. | 0:38:15 | 0:38:18 | |
18, over there at 18 now. | 0:38:18 | 0:38:20 | |
And I sell it at 18, 20. | 0:38:20 | 0:38:21 | |
At 20. 22 now, at the back at 22. | 0:38:21 | 0:38:25 | |
Back of the room at 22. | 0:38:25 | 0:38:29 | |
All done at £22. | 0:38:29 | 0:38:33 | |
After auction costs, that's a small loss for Anita. | 0:38:33 | 0:38:36 | |
I'm disappointed. | 0:38:37 | 0:38:39 | |
I shouldn't be, but I am disappointed. | 0:38:39 | 0:38:41 | |
-I am, that was worth more! -Well. | 0:38:41 | 0:38:45 | |
Let's see if Raj's ladies' purse can do any better. | 0:38:45 | 0:38:48 | |
Auctioneer David didn't hold out much hope. | 0:38:48 | 0:38:50 | |
Ten. I've got ten in the room. | 0:38:53 | 0:38:54 | |
Further bid off the net. At ten, take two, 12. | 0:38:54 | 0:38:57 | |
15? Are you all together? | 0:38:57 | 0:38:59 | |
15 with her, then, 18 off you. | 0:38:59 | 0:39:01 | |
15 the lady. 18, 20. | 0:39:01 | 0:39:03 | |
22 down here. | 0:39:05 | 0:39:06 | |
25, 30, lady at 30. | 0:39:06 | 0:39:09 | |
On the sofa at 30, selling at 30. | 0:39:09 | 0:39:12 | |
Crikey! Raj is on fire today with his fourth consecutive profit. | 0:39:14 | 0:39:18 | |
You've trebled your blooming money! | 0:39:18 | 0:39:20 | |
Let's see if Anita can do the same | 0:39:22 | 0:39:24 | |
with her rather jazzy Bakelite napkin rings. | 0:39:24 | 0:39:26 | |
20, 22, 25. | 0:39:26 | 0:39:29 | |
25? 28, 30, | 0:39:29 | 0:39:32 | |
30. 32, 35. 35. | 0:39:32 | 0:39:36 | |
38, 40, 45. | 0:39:36 | 0:39:38 | |
At 45, one more will get it. | 0:39:38 | 0:39:41 | |
-Just one more and you'll get it. -Come on! | 0:39:41 | 0:39:43 | |
50, there at 50. | 0:39:43 | 0:39:45 | |
At 50, you sure? | 0:39:45 | 0:39:47 | |
Standing at the back at 50, no one else? | 0:39:47 | 0:39:48 | |
Done and finished at 50. | 0:39:48 | 0:39:50 | |
-Yes! -That's it, 50. Brilliant, well done. | 0:39:51 | 0:39:54 | |
Crikey, it could be a close call, this one. | 0:39:54 | 0:39:58 | |
I've still got my star lot to come! | 0:39:58 | 0:40:02 | |
It's all down to the two last items, | 0:40:02 | 0:40:04 | |
the first of which is Anita's giant spoon. | 0:40:04 | 0:40:07 | |
I can't wait for this! | 0:40:07 | 0:40:09 | |
Start me at a tenner. Ten, I'm bid. | 0:40:09 | 0:40:11 | |
At ten, take two, ten, 12. | 0:40:11 | 0:40:13 | |
At 12 now, 15, 18, 20, 22, 20 over there. | 0:40:13 | 0:40:17 | |
22? 25. | 0:40:17 | 0:40:19 | |
28, 30, 32? | 0:40:19 | 0:40:21 | |
35, 35 here. 38? 38. | 0:40:21 | 0:40:24 | |
40, 45, | 0:40:24 | 0:40:27 | |
at 40, the bids are at 40. | 0:40:27 | 0:40:28 | |
-It's worth more than that! -This is cheap! At 40. | 0:40:28 | 0:40:31 | |
Come on, it's worth more than that, look at the size of it! | 0:40:31 | 0:40:34 | |
45. 42, 45, | 0:40:34 | 0:40:37 | |
over at 45. Make it 48? | 0:40:37 | 0:40:39 | |
Go 48, she'll go 50, you know she will. | 0:40:39 | 0:40:42 | |
46, now 50. | 0:40:43 | 0:40:45 | |
With the lady at 50. | 0:40:45 | 0:40:46 | |
I'm selling at 50, I'll take the two again. | 0:40:46 | 0:40:50 | |
At 50, done at 50. | 0:40:50 | 0:40:52 | |
That's good, well done. | 0:40:56 | 0:40:58 | |
Last but not least is Raj's beautiful gems book. | 0:40:59 | 0:41:02 | |
It's auctioneer David's top pick. | 0:41:02 | 0:41:04 | |
So can Raj make it five profits in a row? | 0:41:04 | 0:41:07 | |
20, 25, 30, 35, 40... | 0:41:07 | 0:41:12 | |
There's more bidders at the back. | 0:41:12 | 0:41:14 | |
60, 65, 70, 75, 80... | 0:41:14 | 0:41:18 | |
75, I sell... | 0:41:18 | 0:41:20 | |
80, 85. | 0:41:20 | 0:41:23 | |
At 85... 90 over here. | 0:41:23 | 0:41:25 | |
95? | 0:41:25 | 0:41:26 | |
At 90. It's in the room at 90. | 0:41:26 | 0:41:28 | |
Net, where are you now? | 0:41:28 | 0:41:31 | |
95. 100, room at 100. | 0:41:31 | 0:41:33 | |
In the room at 100. | 0:41:33 | 0:41:36 | |
Look at that smile! | 0:41:36 | 0:41:37 | |
110, 120 room. | 0:41:37 | 0:41:40 | |
The internet's in as well. | 0:41:40 | 0:41:42 | |
140. Net? | 0:41:42 | 0:41:45 | |
Come on, net, 150. | 0:41:45 | 0:41:48 | |
Sir, don't let the net get it! | 0:41:48 | 0:41:50 | |
Goes then at 150, all done at £150 on the net. | 0:41:50 | 0:41:54 | |
-Wow! -A good buy, well done! | 0:41:55 | 0:41:59 | |
My goodness, an unbelievable £120 profit. | 0:41:59 | 0:42:02 | |
Amazing job, Raj. You are a gem. | 0:42:02 | 0:42:05 | |
-Happy, happy, happy? -Yeah. | 0:42:05 | 0:42:08 | |
-I like to see you happy! -Happy, I'm a happy Raj, I'm a happy Raj. | 0:42:08 | 0:42:11 | |
Anita began with £200, and after auction costs she's made £99.78, | 0:42:11 | 0:42:18 | |
leaving her with a lovely £299.78 to spend next time. | 0:42:18 | 0:42:25 | |
Raj started with the same amount and after taking auction costs into | 0:42:25 | 0:42:28 | |
account, he made £170.74. | 0:42:28 | 0:42:31 | |
Giving him the lead with a staggering £370.74. | 0:42:31 | 0:42:37 | |
After you, Anita. | 0:42:38 | 0:42:40 | |
Raj, wasn't that fabulous? | 0:42:40 | 0:42:44 | |
Unbelievable! What a fantastic day. | 0:42:44 | 0:42:46 | |
-I know. -A great auctioneer. | 0:42:46 | 0:42:48 | |
We made a profit on absolutely everything. | 0:42:48 | 0:42:50 | |
Wow, we've got plenty of money to go into the next leg. | 0:42:50 | 0:42:53 | |
We certainly have. Don't forget your seat belt. | 0:42:53 | 0:42:57 | |
-Forward, Macduff, forward. -Go! | 0:42:57 | 0:42:59 | |
Toodle-pip! Next time, the East Anglian road trip continues... | 0:42:59 | 0:43:03 | |
We're on the road again! | 0:43:03 | 0:43:05 | |
..Raj Bisram thinks tactically... | 0:43:05 | 0:43:07 | |
I wonder if I could maybe put Anita in these? | 0:43:07 | 0:43:09 | |
..and Anita Manning negotiates hard. | 0:43:09 | 0:43:12 | |
Could you come down even a wee bit more? | 0:43:12 | 0:43:14 |