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It's the nation's favourite antiques experts. | 0:00:02 | 0:00:04 | |
That's cracking! | 0:00:04 | 0:00:05 | |
With £200 each... | 0:00:05 | 0:00:06 | |
Wonderful. | 0:00:06 | 0:00:07 | |
..a classic car and a goal to scour Britain for antiques. | 0:00:07 | 0:00:11 | |
That's exactly what I'm talking about. | 0:00:11 | 0:00:13 | |
I'm all over a-shiver. | 0:00:13 | 0:00:14 | |
The aim? To make the biggest profit at auction, but it's no mean feat. | 0:00:14 | 0:00:17 | |
No-brainer. | 0:00:17 | 0:00:18 | |
Going, going, gone. | 0:00:18 | 0:00:20 | |
There'll be worthy winners and valiant losers. | 0:00:20 | 0:00:22 | |
So, will it be the high road to glory... | 0:00:23 | 0:00:25 | |
Push! | 0:00:25 | 0:00:26 | |
..or the slow road to disaster? | 0:00:26 | 0:00:28 | |
How awfully, awfully nice. | 0:00:28 | 0:00:30 | |
This is Antiques Road Trip! | 0:00:30 | 0:00:31 | |
Yeah! | 0:00:34 | 0:00:35 | |
Today, we begin a brand-new adventure with a couple | 0:00:37 | 0:00:39 | |
of auctioneer swells. | 0:00:39 | 0:00:41 | |
Derby dandy Charles Hanson and the ever-jolly James Braxton. | 0:00:41 | 0:00:45 | |
Nice hat. Is that one of mine? | 0:00:46 | 0:00:48 | |
Do you prefer Jim or James? | 0:00:48 | 0:00:50 | |
James. | 0:00:50 | 0:00:51 | |
-Jimbo? -James. | 0:00:51 | 0:00:52 | |
James. Right. | 0:00:52 | 0:00:53 | |
Are you a Jamie? | 0:00:55 | 0:00:57 | |
No, I'm not a Jamie. | 0:00:57 | 0:00:58 | |
-OK, sorry! -I'm James! -OK. | 0:00:58 | 0:01:00 | |
Antiques expert Charles has a keen eye for spotting top lots, | 0:01:00 | 0:01:03 | |
and unfortunately, a hand for breaking a few, too. | 0:01:03 | 0:01:07 | |
Look out. | 0:01:07 | 0:01:08 | |
Look at these beautiful lug handles. Oops! | 0:01:08 | 0:01:10 | |
That's just become detached! | 0:01:10 | 0:01:12 | |
Oh, lordy! His rival on this journey is esteemed auctioneer James, | 0:01:12 | 0:01:16 | |
who's a lover, not a fighter, when it comes to the Road Trip battle. | 0:01:16 | 0:01:19 | |
I like to leave as friends, Mike! | 0:01:19 | 0:01:22 | |
I don't want to leave as an enemy. | 0:01:22 | 0:01:24 | |
I should hope not. | 0:01:24 | 0:01:27 | |
Starting this trip with £200 each, | 0:01:27 | 0:01:28 | |
the boys will be taking to the road | 0:01:28 | 0:01:30 | |
in this 1964 DKW 1000 coupe, | 0:01:30 | 0:01:32 | |
which was manufactured in West Germany at a time | 0:01:34 | 0:01:37 | |
before seatbelts were mandatory - got it? | 0:01:37 | 0:01:39 | |
Don't you truly feel, | 0:01:39 | 0:01:41 | |
having hunted hard on the Road Trip for many years, | 0:01:41 | 0:01:43 | |
to come to Scotland, it really is a Holy Grail | 0:01:43 | 0:01:47 | |
for the Antiques Road Trip? | 0:01:47 | 0:01:49 | |
It is. It is the road trip. | 0:01:49 | 0:01:50 | |
-The Scottish leg is what we all lust and hunger for, isn't it? -Yeah. | 0:01:50 | 0:01:55 | |
Yes, it is indeed. | 0:01:55 | 0:01:56 | |
Beginning in the Highlands, | 0:01:58 | 0:01:59 | |
Charles and James will journey all over bonnie Scotland, | 0:01:59 | 0:02:03 | |
taking in the north-east and central belt, before finally finishing | 0:02:03 | 0:02:06 | |
across the border in Berwick-upon-Tweed. | 0:02:06 | 0:02:09 | |
This leg will kick off in Dingwall, | 0:02:09 | 0:02:11 | |
before ending up in Aberdeen for auction. | 0:02:11 | 0:02:14 | |
First stop on this epic road trip | 0:02:16 | 0:02:18 | |
is the bustling market town of Dingwall. | 0:02:18 | 0:02:21 | |
Sitting at the head of the Cromarty Firth in Ross-shire, | 0:02:21 | 0:02:24 | |
its name means "parliament field" in old Norse. | 0:02:24 | 0:02:27 | |
Charles will be kicking off the buying today, so watch out. | 0:02:28 | 0:02:31 | |
Fantastic, James, isn't it? | 0:02:32 | 0:02:34 | |
This is where it all begins. | 0:02:34 | 0:02:35 | |
-Is it? -This is where... | 0:02:35 | 0:02:37 | |
Good luck - but not too much luck, mate! | 0:02:37 | 0:02:39 | |
This is where it begins, but how do you open the doors? | 0:02:39 | 0:02:42 | |
-Oh, hang on. -There we go, James. -Is it? | 0:02:42 | 0:02:43 | |
I'm out! | 0:02:43 | 0:02:45 | |
-Right, good luck! -I'm off, James. | 0:02:45 | 0:02:46 | |
All the best. Have a good day. | 0:02:46 | 0:02:48 | |
-See you later. -Bye! | 0:02:48 | 0:02:49 | |
He's out - finally - | 0:02:50 | 0:02:51 | |
and off to the Objet d'Art. | 0:02:51 | 0:02:53 | |
It's a big shop with five rooms to explore | 0:02:53 | 0:02:56 | |
and the man in charge is William. | 0:02:56 | 0:02:57 | |
Looks like he could be Charles's dad. | 0:02:57 | 0:02:59 | |
-Good morning. -Charles, good morning. How are you? | 0:02:59 | 0:03:01 | |
Absolutely splendid. Yourself? | 0:03:01 | 0:03:03 | |
What a wonderful drive! | 0:03:03 | 0:03:05 | |
-I'm an Englishman and a Derbyshire man... -Good man. | 0:03:05 | 0:03:07 | |
..but the drive through this great region... | 0:03:07 | 0:03:09 | |
-It's beautiful, isn't it? -..is absolutely... -Stunning. | 0:03:09 | 0:03:11 | |
It almost gives you this injection of peace. | 0:03:11 | 0:03:13 | |
-Particularly with the white mountains. -It gives you a desire. | 0:03:13 | 0:03:16 | |
It does. | 0:03:16 | 0:03:17 | |
My eyes are going everywhere, because I can see you've got a | 0:03:17 | 0:03:19 | |
really good, varied mix. | 0:03:19 | 0:03:21 | |
I can also see this big... | 0:03:21 | 0:03:23 | |
What beast is that? | 0:03:23 | 0:03:24 | |
That's a Highland coo. | 0:03:24 | 0:03:26 | |
-Coo? -Called Hamish. | 0:03:26 | 0:03:27 | |
As in C-O-W? | 0:03:27 | 0:03:28 | |
C-O-O. | 0:03:28 | 0:03:30 | |
-Which is a cow. -It is. | 0:03:30 | 0:03:31 | |
But you call it a coo? | 0:03:31 | 0:03:32 | |
-It's a Highland coo. -OK, got it. I'm learning all the time in Scotland! | 0:03:32 | 0:03:35 | |
You are, indeed. Absolutely. | 0:03:35 | 0:03:37 | |
-I'll put my hat down, I'll go for a wander... -Indeed. | 0:03:37 | 0:03:39 | |
..and I'll give you a shout. | 0:03:39 | 0:03:41 | |
Stay warm. | 0:03:41 | 0:03:42 | |
-Thanks, William. -OK. -Thanks awfully. | 0:03:42 | 0:03:44 | |
By the fire, warm those hands, | 0:03:44 | 0:03:46 | |
ready for the Road Trip action. | 0:03:46 | 0:03:49 | |
And straight away, something close to Charles's heart | 0:03:50 | 0:03:53 | |
has turned his head. | 0:03:53 | 0:03:55 | |
In this cabinet, here, | 0:03:55 | 0:03:57 | |
are a lovely, lovely pair of vases. | 0:03:57 | 0:04:00 | |
What you say? | 0:04:01 | 0:04:03 | |
Yeah, I know. | 0:04:03 | 0:04:04 | |
You're from Derby! | 0:04:04 | 0:04:05 | |
These vases were made in Derby | 0:04:05 | 0:04:07 | |
and the mark on the bottom confirms it. | 0:04:07 | 0:04:10 | |
I knew from this gorgeous, rich palette, which... | 0:04:10 | 0:04:13 | |
Look at those flowers! Hand-painted in that rich, Regency spirit | 0:04:15 | 0:04:18 | |
of circa 1810. Look at these beautiful lug handles... | 0:04:18 | 0:04:21 | |
Oops! Hell... | 0:04:22 | 0:04:24 | |
Charles! | 0:04:24 | 0:04:25 | |
It was stuck, | 0:04:27 | 0:04:29 | |
and the handle, like on the side of a cliff, | 0:04:29 | 0:04:32 | |
has just become detached, so... | 0:04:32 | 0:04:34 | |
Don't break my heart, you're from Derby! | 0:04:36 | 0:04:39 | |
-William? -Yes? | 0:04:39 | 0:04:40 | |
Just a quickie. | 0:04:40 | 0:04:41 | |
Just to let you know, it wasn't me. | 0:04:42 | 0:04:45 | |
I was just handling the vase... | 0:04:45 | 0:04:47 | |
Don't worry. | 0:04:47 | 0:04:48 | |
..and the handle has just became just detached. | 0:04:48 | 0:04:50 | |
It'd been restored, hadn't it? | 0:04:50 | 0:04:51 | |
-Fine, yeah. That's fine. -No problem whatsoever. | 0:04:51 | 0:04:53 | |
I mean, it just needs a bit of glue... Sorry about that, sir. | 0:04:53 | 0:04:55 | |
Don't you worry about that in the slightest. | 0:04:55 | 0:04:57 | |
-But, that, a lovely pair of vases. -We'll get it restored, no worries. | 0:04:57 | 0:05:00 | |
Oh, what a start! First object in... | 0:05:00 | 0:05:02 | |
Anyway. | 0:05:02 | 0:05:03 | |
I think you got off lightly there, butterfingers. | 0:05:03 | 0:05:06 | |
Anything less fragile catch your eye, Charles? | 0:05:06 | 0:05:09 | |
That little dish at the far end. | 0:05:09 | 0:05:11 | |
Yeah, that's Austrian. Is it? | 0:05:11 | 0:05:13 | |
-May I have a look at it? -Yeah, you most certainly can. | 0:05:13 | 0:05:16 | |
Er, rather unusual... | 0:05:16 | 0:05:17 | |
Is it old? | 0:05:17 | 0:05:19 | |
I would think probably early 1900s, 1800s. | 0:05:19 | 0:05:22 | |
Late 1800s. | 0:05:24 | 0:05:25 | |
It's what we call a little waiter, isn't it? | 0:05:25 | 0:05:28 | |
It's a little, almost a small salver which people would have used... | 0:05:28 | 0:05:31 | |
For their creme de menthe. | 0:05:33 | 0:05:35 | |
Exactly... | 0:05:35 | 0:05:36 | |
-Or in Scotland, you'd use it for... -Your dram. | 0:05:36 | 0:05:38 | |
-Your dram. -Your dram. | 0:05:38 | 0:05:40 | |
A drink. | 0:05:40 | 0:05:41 | |
-What I quite like about this are the marks here. -Yes. | 0:05:41 | 0:05:43 | |
They are quite indistinct | 0:05:43 | 0:05:44 | |
and they look quite early marks. | 0:05:46 | 0:05:47 | |
The ticket says £125. | 0:05:49 | 0:05:52 | |
Charles, time to make a cheeky offer? | 0:05:52 | 0:05:54 | |
-£60? -Indeed. | 0:05:54 | 0:05:55 | |
Happy with that? Indeed. | 0:05:55 | 0:05:56 | |
-I'll take it. -Much obliged, thank you. | 0:05:56 | 0:05:58 | |
Thanks very much. My road trip now is truly off and running. | 0:05:58 | 0:06:00 | |
-Highland fling? -Indeed. -How do you do the Highland fling? -I don't know! | 0:06:00 | 0:06:03 | |
-Is it all that? -Something like that, yes! | 0:06:03 | 0:06:05 | |
Charles got a great deal there, | 0:06:05 | 0:06:07 | |
purchasing the plate for less than half price. | 0:06:07 | 0:06:10 | |
£60 - hopefully, it'll be the toast of Aberdeen. | 0:06:10 | 0:06:13 | |
I'm sure it will be and thank you very much, indeed. | 0:06:14 | 0:06:16 | |
Nice to meet you and see your wonderful shop. Thanks a lot. | 0:06:16 | 0:06:18 | |
Goodbye, see you! Bye-bye. | 0:06:18 | 0:06:20 | |
Well done, Charles. | 0:06:20 | 0:06:21 | |
Voila. | 0:06:23 | 0:06:24 | |
James, meanwhile, has motored 25 miles down the road to Daviot, | 0:06:27 | 0:06:31 | |
just south of Inverness, | 0:06:31 | 0:06:33 | |
in the hope of finding his first purchase of this road trip. | 0:06:33 | 0:06:36 | |
Ah. | 0:06:41 | 0:06:42 | |
What a lovely caravan! | 0:06:46 | 0:06:47 | |
He's come to Antiques & Architectural Salvage, | 0:06:49 | 0:06:53 | |
hoping to uncover some hidden gems. | 0:06:53 | 0:06:55 | |
This is the sort of place that you could get lost for days in. | 0:06:55 | 0:06:59 | |
Amazing! Now, who's this? | 0:06:59 | 0:07:01 | |
-Hello! -Hi. -James. | 0:07:01 | 0:07:03 | |
-I'm Mike. -Hello, Mike. -Pleased to meet you. | 0:07:03 | 0:07:06 | |
-Well, it looks all very good from outside, I must say! -Yeah. | 0:07:06 | 0:07:09 | |
Yeah, one of everything and two of everything else. | 0:07:09 | 0:07:12 | |
Mike's not kidding. | 0:07:13 | 0:07:14 | |
As well as a couple of barns, | 0:07:14 | 0:07:15 | |
his yard is packed with unusual and interesting stock. | 0:07:15 | 0:07:19 | |
What on earth is that? | 0:07:19 | 0:07:21 | |
It's a lid from a whisky still. | 0:07:21 | 0:07:23 | |
It would have a big cross clamp and a screw, | 0:07:23 | 0:07:26 | |
to screw the top down tight. | 0:07:26 | 0:07:28 | |
So, the screw engages, sort of, there? | 0:07:28 | 0:07:30 | |
-Yeah, yeah. -Holds it there. | 0:07:30 | 0:07:31 | |
What's it made of? | 0:07:31 | 0:07:33 | |
-It's cast brass. -Cast brass, goodness. | 0:07:33 | 0:07:35 | |
-That is hernia stuff, isn't it? -Yeah, yeah. | 0:07:36 | 0:07:39 | |
I love that. | 0:07:39 | 0:07:40 | |
Yeah, that could be £60. | 0:07:40 | 0:07:42 | |
Could it? | 0:07:42 | 0:07:43 | |
Could be. | 0:07:43 | 0:07:44 | |
With a ticket price of £120, that would be an impressive 50% discount. | 0:07:45 | 0:07:49 | |
It's just the sort of perfect shop, isn't it? | 0:07:51 | 0:07:54 | |
It's salvage and antiques. | 0:07:54 | 0:07:55 | |
All that he needs to do is throw in a bespoke tailor | 0:07:57 | 0:08:01 | |
and a decent restaurant and I think I could live here! | 0:08:01 | 0:08:03 | |
Not sure how Mike would feel about that. | 0:08:04 | 0:08:07 | |
That's quite fun, isn't it? | 0:08:09 | 0:08:11 | |
Have you got the corresponding thing? | 0:08:11 | 0:08:13 | |
No, I'm afraid I haven't. No. | 0:08:13 | 0:08:14 | |
Very often with antiques, | 0:08:14 | 0:08:15 | |
you don't necessarily need them, do you? | 0:08:15 | 0:08:18 | |
Oh, no! No, no. | 0:08:18 | 0:08:21 | |
You might not need them, but they cost! | 0:08:21 | 0:08:22 | |
The reclaimed stanchion and the rope has a ticket price of £40. | 0:08:24 | 0:08:28 | |
That's another item to think about. | 0:08:29 | 0:08:30 | |
But, anything else, James? | 0:08:30 | 0:08:32 | |
I always like matchbox covers. | 0:08:33 | 0:08:34 | |
-It's a great weight, that one, isn't it? -Aye. | 0:08:36 | 0:08:38 | |
-That's beautifully made. -Yeah. | 0:08:39 | 0:08:40 | |
Oh, I see! | 0:08:42 | 0:08:43 | |
-So, you take it out and then strike. -I think so, yeah. | 0:08:43 | 0:08:46 | |
Yeah, I think so. | 0:08:47 | 0:08:48 | |
It's £12. | 0:08:50 | 0:08:51 | |
Really interesting. | 0:08:52 | 0:08:54 | |
Browsing over, James has a few things on his wish list. | 0:08:54 | 0:08:57 | |
Time to talk money. | 0:08:58 | 0:09:00 | |
There's three objects I really like here. | 0:09:00 | 0:09:03 | |
Like that. | 0:09:03 | 0:09:04 | |
I like the whisky still cover. | 0:09:05 | 0:09:07 | |
I like brass and copper. | 0:09:07 | 0:09:09 | |
If it's made of brass and copper, | 0:09:10 | 0:09:11 | |
I think I must have some sort of terrible deficiency | 0:09:11 | 0:09:15 | |
in those metals, so I'm always drawn to them! | 0:09:15 | 0:09:18 | |
-I quite like your mechanical matchbox cover. -Yeah. | 0:09:18 | 0:09:21 | |
Yeah, I see a wrap-up coming now! | 0:09:22 | 0:09:24 | |
No, no, no. | 0:09:24 | 0:09:26 | |
Hardly. I like to be gentle with people. | 0:09:26 | 0:09:29 | |
I like to leave as friends, Mike. | 0:09:29 | 0:09:32 | |
I don't want to leave as an enemy! | 0:09:32 | 0:09:33 | |
I like that. I'll take that one, Mike. | 0:09:33 | 0:09:35 | |
-Good. -What did you say on the still cover? | 0:09:35 | 0:09:38 | |
I said 60 on the cover, and... | 0:09:38 | 0:09:40 | |
-What did I say on the matchbox? -12 on the matchbox cover. | 0:09:42 | 0:09:45 | |
£80, the wrap-up. | 0:09:46 | 0:09:48 | |
-Really? -Cheers. | 0:09:48 | 0:09:49 | |
You've got yourself a deal. Thank you, Mike, thank you. | 0:09:49 | 0:09:51 | |
No, it's been a real pleasure, what a lovely place. | 0:09:51 | 0:09:55 | |
Good. Lovely, yeah. | 0:09:55 | 0:09:56 | |
It's a real tonic for an antiques man! | 0:09:56 | 0:09:58 | |
Okey-dokey. | 0:10:00 | 0:10:01 | |
All I've got to do is find the gin, now. | 0:10:01 | 0:10:03 | |
That was £60 for the whisky lid | 0:10:03 | 0:10:05 | |
and £10 each for the stanchion and rope, and the matchbox cover. | 0:10:05 | 0:10:08 | |
What a mixture. | 0:10:09 | 0:10:11 | |
Three down, two to go. | 0:10:11 | 0:10:12 | |
Charles, meanwhile, has made his way to Inverness | 0:10:16 | 0:10:19 | |
with £140 still in his pocket. | 0:10:19 | 0:10:22 | |
What can he find there at the merchant? | 0:10:22 | 0:10:25 | |
-Hello! -Good day to you. | 0:10:26 | 0:10:28 | |
-You, too. -How are you? | 0:10:28 | 0:10:29 | |
I'm very well, thank you. | 0:10:29 | 0:10:30 | |
-Your name is? -Moira. | 0:10:30 | 0:10:32 | |
Hi, Moira. I love this part of the world. Ever so fresh... | 0:10:32 | 0:10:35 | |
-It's fabulous. -It's so clean up here, isn't it? -It is. | 0:10:35 | 0:10:38 | |
Great to be here. Love your shop. Wowee! | 0:10:38 | 0:10:39 | |
Thank you. | 0:10:39 | 0:10:41 | |
With a mix of antiques and vintage items, there's plenty on offer here. | 0:10:41 | 0:10:45 | |
That's quite nice. | 0:10:46 | 0:10:47 | |
What is it, do you know? | 0:10:47 | 0:10:49 | |
A glass vase! | 0:10:49 | 0:10:51 | |
Moira, I like your style! I like your style. | 0:10:51 | 0:10:53 | |
It's a bit rubbed. | 0:10:53 | 0:10:55 | |
Can you see? It's a really attractive hexagonal... | 0:10:55 | 0:10:58 | |
..green glass vase. | 0:10:59 | 0:11:01 | |
Not one of a pair, is it? | 0:11:01 | 0:11:02 | |
No, unfortunately not. | 0:11:02 | 0:11:03 | |
What a shame. Yeah... | 0:11:03 | 0:11:05 | |
The best price on that would be? | 0:11:05 | 0:11:08 | |
That one... | 0:11:08 | 0:11:09 | |
Probably £8. | 0:11:11 | 0:11:13 | |
-£8. -Yes, on that one. | 0:11:13 | 0:11:14 | |
It's nice. I think it's really decorative, | 0:11:15 | 0:11:17 | |
and if it was one of a pair, | 0:11:17 | 0:11:19 | |
-the pair would be worth £100. -Yeah. | 0:11:19 | 0:11:21 | |
But, on its own, £8 is such a good investment... | 0:11:21 | 0:11:25 | |
-I'll mental-note it and come back to it. -OK. | 0:11:28 | 0:11:30 | |
OK, but for £8, it's a really nice object. | 0:11:30 | 0:11:33 | |
Noted. What's next? | 0:11:34 | 0:11:36 | |
Gorgeous vase. | 0:11:36 | 0:11:38 | |
Well, what we call a potpourri. | 0:11:38 | 0:11:40 | |
That's pretty. | 0:11:40 | 0:11:41 | |
Isn't that nice, Moira? | 0:11:42 | 0:11:43 | |
It is lovely. | 0:11:43 | 0:11:45 | |
Good answer. | 0:11:45 | 0:11:47 | |
Yes! | 0:11:47 | 0:11:48 | |
What I love about this is it's fantastic what we call | 0:11:48 | 0:11:51 | |
-Japanese Satsuma ware. -Mm. | 0:11:51 | 0:11:53 | |
And Japanese Satsuma was made quite quickly | 0:11:53 | 0:11:55 | |
after the treaty of Edo, 1858. | 0:11:55 | 0:11:59 | |
Just out of interest, Moira, it's priced at £65. | 0:11:59 | 0:12:02 | |
Yes. | 0:12:02 | 0:12:03 | |
What's your very, very best? | 0:12:04 | 0:12:05 | |
-Not a lot of... -To an old English mate?! | 0:12:05 | 0:12:08 | |
Not a lot of leeway in that one, actually. | 0:12:08 | 0:12:10 | |
We've literally just got it in. | 0:12:10 | 0:12:12 | |
-Mm, look at me... -So... | 0:12:12 | 0:12:14 | |
-£60. -OK. | 0:12:14 | 0:12:15 | |
-That is it. -That's fine. | 0:12:15 | 0:12:16 | |
-I couldn't do anything less than that. -No, that's fine. | 0:12:16 | 0:12:18 | |
That's five pounds off. OK. | 0:12:18 | 0:12:20 | |
OK... | 0:12:20 | 0:12:21 | |
Thank you. | 0:12:21 | 0:12:23 | |
-No problem. -I'll give it some thought. Thanks, Moira. | 0:12:23 | 0:12:25 | |
Something else to think about. | 0:12:25 | 0:12:27 | |
Any more for any more? | 0:12:27 | 0:12:30 | |
Just going to open this cabinet, | 0:12:30 | 0:12:31 | |
cos there's lots of interesting curios in here. | 0:12:31 | 0:12:34 | |
I quite like your little mouse. | 0:12:34 | 0:12:35 | |
Yes. Unfortunately, he's missing his eyes and his ears. | 0:12:35 | 0:12:39 | |
But he has the original tail. | 0:12:40 | 0:12:42 | |
Well, that's something. | 0:12:42 | 0:12:43 | |
He's a really sweet mouse and we always think back to | 0:12:43 | 0:12:46 | |
-the novel Edwardian times... -Mm-hm. | 0:12:46 | 0:12:49 | |
..and our Edwardian ancestors were so | 0:12:49 | 0:12:53 | |
novel in what they used as a matchbox, and that's what this is. | 0:12:53 | 0:12:57 | |
-Yes. -It's basically a small vesta case or matchbox and I would have | 0:12:57 | 0:13:02 | |
thought, looking at the fact he's lost his eyes, | 0:13:02 | 0:13:06 | |
he's lost his ears, he probably would date to around 1900. | 0:13:06 | 0:13:10 | |
What's the best price on this poor, old mouse? | 0:13:10 | 0:13:13 | |
What do I have on my little mousy? | 0:13:13 | 0:13:15 | |
25. | 0:13:15 | 0:13:17 | |
I could do 18 on that one. | 0:13:17 | 0:13:18 | |
-Really? -Yes. | 0:13:18 | 0:13:20 | |
Yeah, he is just tired, but sometimes, | 0:13:20 | 0:13:22 | |
at the start of a Road Trip, | 0:13:22 | 0:13:24 | |
you've just got to take things in small doses - | 0:13:24 | 0:13:26 | |
and this mouse really is that. He is.. | 0:13:26 | 0:13:30 | |
He's cute. | 0:13:30 | 0:13:32 | |
With three potential lots playing on his mind, | 0:13:32 | 0:13:35 | |
it's decision time. | 0:13:35 | 0:13:37 | |
If I was to buy | 0:13:37 | 0:13:39 | |
the mouse, 18, vase at eight... | 0:13:39 | 0:13:41 | |
Yes. | 0:13:43 | 0:13:44 | |
26. | 0:13:44 | 0:13:45 | |
Plus, the very nice Japanese potpourri at 60... | 0:13:45 | 0:13:49 | |
-Mm-hm. -That's £86, isn't it? | 0:13:51 | 0:13:53 | |
Yeah. | 0:13:53 | 0:13:54 | |
-Is that right? -Yes. | 0:13:54 | 0:13:56 | |
-Fine. I'll take them. -OK. | 0:13:56 | 0:13:57 | |
-Thank you. Yes, I will. Thanks, Moira. -No problem. | 0:13:57 | 0:14:00 | |
A very successful bit of buying there, with three lots bought. | 0:14:00 | 0:14:03 | |
Marvellous. | 0:14:03 | 0:14:04 | |
Oh, another kiss. | 0:14:04 | 0:14:05 | |
James, meanwhile, has made his way to Culloden Moor, near Inverness. | 0:14:08 | 0:14:12 | |
It was here that Bonnie Prince Charlie and his Jacobite army | 0:14:12 | 0:14:16 | |
took on the British Army with devastating results. | 0:14:16 | 0:14:19 | |
During the 17th and 18th century, | 0:14:20 | 0:14:23 | |
Britain was suffering from political and religious upheaval. | 0:14:23 | 0:14:26 | |
In 1688, King James II was forced off the throne. | 0:14:26 | 0:14:30 | |
Nearly 60 years later, his grandson, Bonnie Prince Charlie, | 0:14:30 | 0:14:34 | |
made it his mission to reinstate a Stuart monarch | 0:14:34 | 0:14:37 | |
on the throne of Britain... | 0:14:37 | 0:14:39 | |
an ambition which resulted in a bloody battle at Culloden | 0:14:40 | 0:14:44 | |
on 16 April, 1746. | 0:14:44 | 0:14:46 | |
James has met Learning Manager at Culloden, Katie Boal, | 0:14:47 | 0:14:51 | |
to find out more. | 0:14:51 | 0:14:53 | |
So, is this is where it all happened, Katie? | 0:14:53 | 0:14:55 | |
Yeah. You're standing in the centre | 0:14:55 | 0:14:58 | |
of the Battle of Culloden and this is where the majority of the | 0:14:58 | 0:15:01 | |
hand-to-hand fighting took place. | 0:15:01 | 0:15:04 | |
What sort of numbers are we talking? | 0:15:04 | 0:15:05 | |
You know, is it 1,000 here and 2,000 there or what? | 0:15:05 | 0:15:08 | |
-We're talking about 5,500 to 6,000 in the Jacobite army. -Yeah. | 0:15:08 | 0:15:14 | |
-Erm, these are best guesses. -Yeah. | 0:15:14 | 0:15:16 | |
-And about 7,000-8,000 in the government army. -Right, OK. | 0:15:16 | 0:15:21 | |
So, they're not, they're not too... | 0:15:21 | 0:15:23 | |
-They're good. They're matched. -Yeah. | 0:15:23 | 0:15:24 | |
And were they matched in arms? | 0:15:24 | 0:15:26 | |
-Absolutely not, no. -Really? | 0:15:26 | 0:15:28 | |
The Jacobites had a mishmash of arms, but the government soldiers, | 0:15:28 | 0:15:32 | |
not only were they well armed, but they were well drilled. | 0:15:32 | 0:15:35 | |
The battle itself actually started at about 12:30 | 0:15:35 | 0:15:38 | |
-and we think that it was over in about an hour, so... -Really? | 0:15:38 | 0:15:41 | |
Yeah, only an hour. | 0:15:41 | 0:15:42 | |
So, first the Jacobites fired their cannon at the government soldiers | 0:15:42 | 0:15:47 | |
and the cannon actually flies over the heads of the government soldiers | 0:15:47 | 0:15:51 | |
and the government soldiers begin to return fire and they pound | 0:15:51 | 0:15:54 | |
into the Jacobite forces. | 0:15:54 | 0:15:56 | |
And what are they firing? | 0:15:56 | 0:15:57 | |
They're firing cannon at this point. | 0:15:57 | 0:15:59 | |
OK. | 0:15:59 | 0:16:00 | |
The Jacobites take the cannon for as long as they can, | 0:16:00 | 0:16:04 | |
until they began to cry out to their leaders to let them unleash | 0:16:04 | 0:16:06 | |
-their most fearsome weapon of all, the Highland Charge. -OK. | 0:16:06 | 0:16:10 | |
Finally, the order is given, | 0:16:10 | 0:16:11 | |
-the men run across the field... -Yeah. | 0:16:11 | 0:16:13 | |
-..and then the government army begins to fire grapeshot. -OK. | 0:16:13 | 0:16:18 | |
Now, grapeshot, it's like a tin can, | 0:16:18 | 0:16:20 | |
small and lots and lots of little pieces of lead, | 0:16:20 | 0:16:23 | |
and it just decimates the Army. | 0:16:23 | 0:16:26 | |
It was a really bloody crush, wasn't it? | 0:16:26 | 0:16:28 | |
Yes, absolutely. | 0:16:28 | 0:16:30 | |
About 1,500 Jacobites are dead | 0:16:30 | 0:16:31 | |
and about 50 government soldiers lose their lives. | 0:16:34 | 0:16:36 | |
-God, that's amazing odds, isn't it? -Yeah, yeah. | 0:16:36 | 0:16:38 | |
-1,500 plays 50. -Yeah. | 0:16:38 | 0:16:39 | |
And then what happened afterwards? Were they pursued? | 0:16:39 | 0:16:42 | |
Or did they all shake hands and say, "You've won."? | 0:16:42 | 0:16:45 | |
-No, no, no. Not at all. -OK. | 0:16:45 | 0:16:46 | |
The Jacobites were rebels, according to the government army, | 0:16:46 | 0:16:51 | |
and they were pursued and, actually, | 0:16:51 | 0:16:53 | |
what the Duke of Cumberland did is he actually ordered his men | 0:16:53 | 0:16:56 | |
to fix bayonets after the battle and to advance across the field | 0:16:56 | 0:17:00 | |
and to kill anyone they found there. | 0:17:00 | 0:17:02 | |
Many artefacts have been uncovered at Culloden battlefield | 0:17:03 | 0:17:06 | |
over the years, but there is one very special item | 0:17:06 | 0:17:09 | |
at the visitors' centre that stands out from all the rest. | 0:17:09 | 0:17:12 | |
So, this fantastic object | 0:17:14 | 0:17:15 | |
is the Brodie Sword. | 0:17:16 | 0:17:18 | |
The story is that it belonged to Charles Edward Stuart. | 0:17:18 | 0:17:23 | |
Goodness! | 0:17:23 | 0:17:24 | |
What happens to Bonnie Prince Charlie after the battle? | 0:17:24 | 0:17:28 | |
So, after the battle, Charles is taken from the field | 0:17:28 | 0:17:33 | |
by his men and he goes on the run. | 0:17:33 | 0:17:35 | |
And he's on the run in the Highlands of Scotland for a month. | 0:17:35 | 0:17:39 | |
Relentlessly pursued by government soldiers, | 0:17:39 | 0:17:42 | |
Charles is said to have evaded capture by disguising himself | 0:17:42 | 0:17:46 | |
as a shipwrecked merchant and later as a lady called Betty Burke. | 0:17:46 | 0:17:52 | |
Finally, helped by loyal supporters, | 0:17:52 | 0:17:54 | |
he escaped by ship back to France. | 0:17:54 | 0:17:57 | |
The battle of Culloden saw the end of the Jacobite uprising and, | 0:17:57 | 0:18:01 | |
despite his defeat, Bonnie Prince Charlie went on to be romanticised | 0:18:01 | 0:18:05 | |
through legends and ballads, | 0:18:05 | 0:18:07 | |
becoming a national hero of Scotland. | 0:18:07 | 0:18:09 | |
It's been a busy old day for our experts. | 0:18:11 | 0:18:14 | |
Time for some well-earned rest. | 0:18:14 | 0:18:16 | |
So, nighty-night. | 0:18:16 | 0:18:18 | |
It's a new day and the boys are back on the road. | 0:18:20 | 0:18:23 | |
Do you want to do the windscreen wipers? | 0:18:24 | 0:18:26 | |
-That one. -Yeah. -Lovely. | 0:18:26 | 0:18:28 | |
There's always good comedic value | 0:18:28 | 0:18:30 | |
-in strange windscreen wipers, isn't there? -Yes! | 0:18:30 | 0:18:34 | |
Why do they never, sort of, hit and get tangled? | 0:18:34 | 0:18:36 | |
-No. They don't quite hit it off together, do they? -No, they don't. | 0:18:36 | 0:18:39 | |
So far, Charles has secured himself an impressive four lots. | 0:18:40 | 0:18:43 | |
The silver waiter, the green Bohemian vase, | 0:18:43 | 0:18:47 | |
the Satsuma potpourri vase and the bronze mouse vesta case - | 0:18:47 | 0:18:51 | |
which means he still has £54 in his pocket. | 0:18:51 | 0:18:55 | |
James has bagged three lots. | 0:18:56 | 0:18:58 | |
A copper whisky still lid, | 0:18:58 | 0:19:00 | |
the reclaimed stanchion and rope | 0:19:00 | 0:19:02 | |
and the silver matchbox cover - | 0:19:02 | 0:19:04 | |
leaving him £120 available to spend today. | 0:19:04 | 0:19:08 | |
James will start his shopping day in the village of Auldearn, | 0:19:12 | 0:19:16 | |
which was the site of a bloody battle between Loyalists | 0:19:16 | 0:19:20 | |
and Covenanters back in 1645. | 0:19:20 | 0:19:23 | |
Thankfully, it's much more peaceful now and is home | 0:19:23 | 0:19:26 | |
to Auldearn Antiques. | 0:19:26 | 0:19:28 | |
James has been here before, | 0:19:28 | 0:19:29 | |
but he doesn't have fond memories. | 0:19:29 | 0:19:31 | |
This was the scene of the bloody defeat of Mr Braxton | 0:19:31 | 0:19:35 | |
at the hands of Charlie Ross at Buckie. | 0:19:35 | 0:19:38 | |
The weapon was a pottery elephant. | 0:19:38 | 0:19:40 | |
'Bid on the phone at £2,700, then...' | 0:19:40 | 0:19:43 | |
Oh, remember it well. | 0:19:44 | 0:19:46 | |
Bought for a mere £8, and sold for a fortune. | 0:19:46 | 0:19:49 | |
I'm leaving. I think my road trip is over! | 0:19:51 | 0:19:54 | |
Ha-ha! Let's hope Lady Luck is on your side this time, James. | 0:19:55 | 0:19:59 | |
Now, what's that? | 0:19:59 | 0:20:01 | |
Ah, a kilim rug. | 0:20:01 | 0:20:02 | |
It's quite grubby. | 0:20:03 | 0:20:05 | |
It's certainly been used. | 0:20:05 | 0:20:06 | |
But, in spite of being used, | 0:20:07 | 0:20:10 | |
it's not bad. Not bad condition. | 0:20:12 | 0:20:14 | |
So, it's just a bit grubby. | 0:20:14 | 0:20:15 | |
It's lovely and stiff. It's very tight weave. | 0:20:15 | 0:20:18 | |
Rather nice. | 0:20:18 | 0:20:19 | |
It could benefit from a good clean, but it's a nice kilim. | 0:20:19 | 0:20:24 | |
A kilim rug is flat woven, | 0:20:24 | 0:20:27 | |
a style typical from Turkey, Iran and Pakistan. | 0:20:27 | 0:20:30 | |
It can be £40 to you. | 0:20:30 | 0:20:32 | |
£40? Roger, I'll take it. Thank you. | 0:20:32 | 0:20:35 | |
That's the quickest deal that been done this week, thank you, James! | 0:20:35 | 0:20:40 | |
No, pleasure. Pleasure. | 0:20:40 | 0:20:41 | |
I think I'll have to get my carpet beater out | 0:20:41 | 0:20:43 | |
and beat some of that dust out. | 0:20:43 | 0:20:45 | |
-No, but it could be a lovely thing. -Yeah. | 0:20:45 | 0:20:47 | |
No messing about there, James. | 0:20:47 | 0:20:49 | |
Fourth lot bought - well done. | 0:20:49 | 0:20:53 | |
Do you think it's the dirt keeping it nice and stiff? | 0:20:53 | 0:20:56 | |
-Not entirely. -Top quality. -Top-quality item. | 0:20:56 | 0:20:58 | |
It wants to stand up, doesn't it? | 0:20:58 | 0:21:00 | |
Look at that! | 0:21:00 | 0:21:02 | |
What a marvellous thing. There you are. | 0:21:02 | 0:21:04 | |
-One, two...40. -Thank you very much, indeed. | 0:21:04 | 0:21:05 | |
Thank you very much, indeed, Roger. | 0:21:05 | 0:21:07 | |
While James has been busy buying, Charles has made his way to Moy. | 0:21:09 | 0:21:12 | |
He'll have a sedate start to his day with a gentle cruise | 0:21:13 | 0:21:16 | |
on the Caledonian Canal. | 0:21:16 | 0:21:18 | |
Unbelievable. | 0:21:19 | 0:21:20 | |
There she awaits, | 0:21:20 | 0:21:22 | |
from the Antiques Road Trip to the boating trip. | 0:21:22 | 0:21:25 | |
I can't wait. | 0:21:25 | 0:21:26 | |
Cutting through the mountainous heart of the Scottish Highlands, | 0:21:29 | 0:21:32 | |
this ground-breaking, 200-year-old mighty waterway was one of Britain's | 0:21:32 | 0:21:36 | |
biggest and boldest building projects. | 0:21:36 | 0:21:39 | |
Built in the 19th century, | 0:21:39 | 0:21:41 | |
the canal's design and construction was state of the art. | 0:21:41 | 0:21:45 | |
Linking the North Sea to the Atlantic Ocean, | 0:21:45 | 0:21:48 | |
it's 60 miles long, with 29 locks. | 0:21:48 | 0:21:50 | |
Charles is meeting skipper Andy and Heritage Officer Chris O'Connell | 0:21:52 | 0:21:55 | |
to find out more. | 0:21:55 | 0:21:57 | |
Chris, it is truly awe-inspiring. | 0:21:57 | 0:22:00 | |
It is, isn't it? | 0:22:00 | 0:22:01 | |
But, what I can't quite believe is the water we're on | 0:22:01 | 0:22:04 | |
was actually man-made. Why? | 0:22:04 | 0:22:06 | |
Well, it was a government-sponsored project | 0:22:06 | 0:22:09 | |
for employment for the Highlands. | 0:22:09 | 0:22:12 | |
At the time - after the Jacobite revolution - mass migration, | 0:22:12 | 0:22:16 | |
the Clearances, the Highland Clearances, | 0:22:16 | 0:22:18 | |
30,000 people leaving the country, | 0:22:18 | 0:22:20 | |
it was a way of keeping people in the country. | 0:22:20 | 0:22:23 | |
It was a government-sponsored employment scheme. | 0:22:23 | 0:22:26 | |
The father of modern civil engineering, Thomas Telford, | 0:22:27 | 0:22:30 | |
was brought on board to create the ambitious Caledonian Canal. | 0:22:30 | 0:22:34 | |
His vision was to combine clever construction | 0:22:34 | 0:22:37 | |
with Scotland's spectacular scenery. | 0:22:37 | 0:22:40 | |
In 1803, he surveyed the route of the canal, | 0:22:40 | 0:22:44 | |
an act of Parliament was passed, | 0:22:44 | 0:22:47 | |
and construction began shortly afterwards. | 0:22:47 | 0:22:49 | |
Expected to take seven years to build, | 0:22:49 | 0:22:52 | |
the canal actually didn't open until 1822 - | 0:22:52 | 0:22:56 | |
five years late and way over budget. | 0:22:56 | 0:22:58 | |
Sounds pretty typical. | 0:22:59 | 0:23:00 | |
This is the ledger, the money spent. | 0:23:02 | 0:23:05 | |
We see here, Thomas Telford, | 0:23:05 | 0:23:07 | |
for general superintendence and management, | 0:23:07 | 0:23:10 | |
1803 to 1825, he was paid £5,272. | 0:23:10 | 0:23:15 | |
And that was literally the period of those almost 19 years | 0:23:15 | 0:23:20 | |
building the canal. | 0:23:20 | 0:23:21 | |
That, in today's money, is roughly £350,000. | 0:23:21 | 0:23:25 | |
Look at this - "whisky allowed to men working in the water", | 0:23:25 | 0:23:29 | |
£127 worth. | 0:23:29 | 0:23:31 | |
-Amazing. -I don't know how much whisky you get for £127. | 0:23:31 | 0:23:34 | |
-Any whisky left over? -I don't think so! | 0:23:34 | 0:23:36 | |
It's getting a bit cold up here! | 0:23:36 | 0:23:37 | |
No time for a snifter, Charles, it's your turn to take the helm. | 0:23:37 | 0:23:41 | |
Watch out(!) | 0:23:41 | 0:23:42 | |
Oh, dear - hold tight, gents. | 0:23:44 | 0:23:45 | |
This is the Antiques Boat Trip! | 0:23:45 | 0:23:47 | |
I should say, there is a speed limit. | 0:23:47 | 0:23:50 | |
Sorry? All right, sorry about that! | 0:23:50 | 0:23:52 | |
Not the smoothest of starts, hey? | 0:23:52 | 0:23:54 | |
It's just amazing. I can see so much in front of me... | 0:23:54 | 0:23:58 | |
When there's no traffic, | 0:24:00 | 0:24:02 | |
driving can be...like buying antiques - piece of cake! | 0:24:02 | 0:24:07 | |
The most impressive single engineering feat on the canal | 0:24:07 | 0:24:10 | |
is Neptune's Staircase, a spectacular flight of eight locks. | 0:24:10 | 0:24:15 | |
It takes roughly 90 minutes to travel up the 64 feet to the top. | 0:24:15 | 0:24:20 | |
There's a lock gate in front. | 0:24:20 | 0:24:22 | |
-Yes. -How do we get through, do I just nudge it? | 0:24:22 | 0:24:25 | |
The lock keeper's waited, so we will head over towards the right. | 0:24:25 | 0:24:29 | |
OK. So I'll go slightly right, yes. | 0:24:29 | 0:24:32 | |
Hello, sir. Here's our lock keeper. | 0:24:32 | 0:24:35 | |
-Hello, sir. -How are you doing? | 0:24:35 | 0:24:37 | |
I almost feel like saluting those Highlanders, | 0:24:37 | 0:24:40 | |
-what they've achieved. -Yes. -And, of course, Mr Telford. | 0:24:40 | 0:24:43 | |
Sorry, I'll concentrate. | 0:24:43 | 0:24:45 | |
-There's a little duck. Excuse me! -HORN BLARES | 0:24:47 | 0:24:50 | |
Although at the time of opening the canal was considered | 0:24:50 | 0:24:53 | |
a commercial failure, | 0:24:53 | 0:24:55 | |
it has proven to be a stunning feat of engineering | 0:24:55 | 0:24:59 | |
which has survived hundreds of years and has been enjoyed by millions. | 0:24:59 | 0:25:03 | |
James, thank you ever so much. | 0:25:03 | 0:25:05 | |
I think in all my time on Antiques Road Trip, | 0:25:05 | 0:25:09 | |
this has been one of my favourite, most memorable experiences. | 0:25:09 | 0:25:11 | |
Being on Caledonian... | 0:25:11 | 0:25:13 | |
-Our pleasure. -It's been wonderful. | 0:25:13 | 0:25:16 | |
James, meanwhile, has made his way to the village of Dulnain Bridge | 0:25:18 | 0:25:22 | |
for his final shop. | 0:25:22 | 0:25:24 | |
He's come to the Speyside Heather Centre | 0:25:24 | 0:25:26 | |
and is hoping dealer Betty can help him unearth | 0:25:26 | 0:25:30 | |
a bargain to take to auction. | 0:25:30 | 0:25:32 | |
-Hello! -Hello. | 0:25:32 | 0:25:34 | |
My goodness, you're much taller than I expected! | 0:25:34 | 0:25:37 | |
-You're saying all the right things! -Handsome, as well! | 0:25:37 | 0:25:40 | |
-I say. -Well, I'll have a good look around. | 0:25:40 | 0:25:44 | |
-Please do. -Have a nose. | 0:25:44 | 0:25:46 | |
-OK. -What do you say in Scotland, is it a nose? | 0:25:46 | 0:25:49 | |
What do you have? Do you have a browse? | 0:25:49 | 0:25:51 | |
Yeah, a rook around, a rook aroun'... | 0:25:51 | 0:25:54 | |
A rook around? I'll have a rook around. | 0:25:54 | 0:25:58 | |
You just do that. | 0:25:58 | 0:25:59 | |
You haven't got anything lurking behind the plaid curtain? | 0:26:08 | 0:26:11 | |
I can let you have a peek. | 0:26:11 | 0:26:13 | |
Oh! Into the inner sanctum! Follow me. | 0:26:13 | 0:26:17 | |
Ooh, look, this is where the treasures are! | 0:26:19 | 0:26:21 | |
So you've got a pair of those? I saw one of those outside. | 0:26:21 | 0:26:24 | |
That looks sort of like an Ercol chair | 0:26:24 | 0:26:26 | |
with the arm thing. | 0:26:26 | 0:26:28 | |
I'm going to look at the one outside and see... | 0:26:28 | 0:26:31 | |
Betty, are you all right with that? | 0:26:31 | 0:26:32 | |
-You wouldn't mind bringing that through, would you? -OK. | 0:26:32 | 0:26:35 | |
So, James, do they match? | 0:26:35 | 0:26:38 | |
-It is a pair, isn't it? -Mm-hm. -Who are they made by? | 0:26:38 | 0:26:43 | |
There's a mark there. Can you see? | 0:26:44 | 0:26:46 | |
-Oh, yes - it's got a kitemark. -It is Ercol. | 0:26:47 | 0:26:50 | |
It's Ercol, is it? | 0:26:50 | 0:26:51 | |
Ercol is the manufacturer. | 0:26:51 | 0:26:53 | |
Regarded for good quality. | 0:26:53 | 0:26:56 | |
It's got quite a nice, stylish back. | 0:26:56 | 0:26:58 | |
We've got a sort of stick back chair, | 0:26:58 | 0:27:01 | |
but it's got these, sort of, out-rigging arms. | 0:27:01 | 0:27:06 | |
This is more... | 0:27:06 | 0:27:08 | |
This is more lunch and supper, less microwave Chicken Kiev. | 0:27:08 | 0:27:14 | |
You could sit in here for two hours rather than 20 minutes. | 0:27:14 | 0:27:18 | |
Betty, what do you think you could do for the pair? | 0:27:18 | 0:27:21 | |
Think low! | 0:27:22 | 0:27:24 | |
Of course, they're not mine, but I could... | 0:27:24 | 0:27:27 | |
-Will I make the phone call? -Make a phone call. | 0:27:27 | 0:27:30 | |
Ticket price is £55 each. | 0:27:30 | 0:27:33 | |
They're not the brightest of order. | 0:27:33 | 0:27:35 | |
They've had a life. | 0:27:37 | 0:27:38 | |
But so have I. | 0:27:40 | 0:27:42 | |
Look lively, Betty's back, and with good news, we hope. | 0:27:42 | 0:27:46 | |
You are one lucky man. I said you were charming... | 0:27:46 | 0:27:49 | |
Oh? | 0:27:49 | 0:27:50 | |
..and she said 20% at first. | 0:27:50 | 0:27:53 | |
I said, "I don't think he'll go for it." | 0:27:53 | 0:27:55 | |
And she said, "OK, 65 for the two." | 0:27:55 | 0:27:58 | |
You know, I'm slightly out of my comfort zone. | 0:27:58 | 0:28:01 | |
A pair of Ercol chairs - they could make £20 at auction for all I know. | 0:28:01 | 0:28:05 | |
Do you think she might go any lower, or not? 50? | 0:28:07 | 0:28:09 | |
She might stretch and give you the two for 55. | 0:28:11 | 0:28:14 | |
55, you've gone and got yourself a deal. | 0:28:14 | 0:28:17 | |
-OK. -Thank you very much indeed, Betty. They are lovely. | 0:28:17 | 0:28:21 | |
And in life, you know, are you a man or are you a mouse? | 0:28:21 | 0:28:25 | |
You've got to take risks. | 0:28:25 | 0:28:26 | |
Risks equal rewards - or sometimes abject failure. | 0:28:26 | 0:28:31 | |
Well, we'll soon see, as that's you all bought up. | 0:28:31 | 0:28:36 | |
-OK, decision made. -Thank you very much indeed. | 0:28:36 | 0:28:38 | |
That's really kind - here's your money. | 0:28:38 | 0:28:40 | |
That's what it's all about - one, two, three... 60. | 0:28:40 | 0:28:44 | |
Right, OK. Here you go. | 0:28:44 | 0:28:46 | |
There you are. Thank you. Thanks very much indeed. | 0:28:46 | 0:28:48 | |
-Really kind of you. -Good deed! | 0:28:48 | 0:28:50 | |
-Thanks a lot. Bye! -Bye. | 0:28:50 | 0:28:52 | |
Charles isn't spent up quite yet | 0:28:57 | 0:28:59 | |
so he's made his way to his final stop in Kingussie, | 0:28:59 | 0:29:03 | |
sitting by the River Spey. | 0:29:03 | 0:29:05 | |
The popular TV series Monarch of the Glen | 0:29:05 | 0:29:07 | |
was filmed entirely in the upper Spey Valley, | 0:29:07 | 0:29:10 | |
including many scenes here, in Kingussie. | 0:29:10 | 0:29:13 | |
Here we are. | 0:29:13 | 0:29:15 | |
He's arrived at the White Cockade, | 0:29:15 | 0:29:17 | |
with £55 burning a hole in his pocket. | 0:29:17 | 0:29:20 | |
Specialising in French and Scottish furniture, | 0:29:23 | 0:29:25 | |
kitchenalia and collectables, there is plenty on offer. | 0:29:25 | 0:29:30 | |
It's so exciting when you do come across really good silk hats. | 0:29:30 | 0:29:34 | |
And look at that silk hat... | 0:29:34 | 0:29:36 | |
It's too small. Shame. | 0:29:41 | 0:29:44 | |
If the hat fits, then wear it. | 0:29:44 | 0:29:47 | |
Back to browsing, eh? | 0:29:47 | 0:29:49 | |
I thought this was quite old for a second, I thought, wowee, | 0:29:50 | 0:29:53 | |
this could be folk art, it could be early Scottish, | 0:29:53 | 0:29:57 | |
it could be English, it could be mid-17th-century... | 0:29:57 | 0:30:00 | |
It felt so rustic, it feels so good. I turn it upside down and it says, | 0:30:00 | 0:30:04 | |
"Made in Colombia". | 0:30:04 | 0:30:05 | |
So we never stop learning in this game! | 0:30:05 | 0:30:07 | |
It's not "just like that" today. It's not just like that. | 0:30:11 | 0:30:14 | |
It should be! Normally it is. | 0:30:14 | 0:30:16 | |
Just as Charles was starting to despair, | 0:30:16 | 0:30:19 | |
some ladles with a ticket price of £85 have caught his attention. | 0:30:19 | 0:30:24 | |
Time to call in dealer Laurence. | 0:30:24 | 0:30:27 | |
Are these old, do you think, Laurence, or reproduction? | 0:30:28 | 0:30:30 | |
They are old. I believe they are 18th century. | 0:30:30 | 0:30:34 | |
A set of... Is it four? | 0:30:34 | 0:30:37 | |
Yes, the big one as well. | 0:30:37 | 0:30:38 | |
I do think these are probably quite old. | 0:30:38 | 0:30:41 | |
You can see how they've been hand-finished. | 0:30:41 | 0:30:43 | |
I do like the patination on them. | 0:30:43 | 0:30:49 | |
What would be the best on them for the four, please? | 0:30:49 | 0:30:53 | |
OK, for you... | 0:30:55 | 0:30:56 | |
I'll do 50, but that's my very, very, very best. | 0:30:59 | 0:31:03 | |
I'm going to go for the ladles | 0:31:03 | 0:31:05 | |
because I think they're real antiques, | 0:31:05 | 0:31:07 | |
it's late in the day... | 0:31:07 | 0:31:09 | |
I had a really nice soup for lunch today which was Scottish, | 0:31:10 | 0:31:13 | |
so I feel these really provincial-looking 18th-century copper ladles | 0:31:13 | 0:31:19 | |
might just serve up a sweet tomato buyer, you never know. | 0:31:19 | 0:31:25 | |
-I'll take them, for £50. -OK. -Thank you so much. | 0:31:25 | 0:31:28 | |
It's taken me a while, but I've got there. | 0:31:28 | 0:31:30 | |
Am I happy? Give me a high-five! | 0:31:30 | 0:31:32 | |
Thanks a lot - done! | 0:31:32 | 0:31:34 | |
And that final high-five means our boys are all bought up. | 0:31:34 | 0:31:39 | |
Buying the ladles for £50 | 0:31:44 | 0:31:46 | |
means Charles has almost blown his whole budget, | 0:31:46 | 0:31:49 | |
purchasing the silver waiter, the green Bohemian vase, | 0:31:49 | 0:31:54 | |
the Satsuma potpourri vase and the bronze mouse vesta case, | 0:31:54 | 0:31:57 | |
spending a total of £196. | 0:31:57 | 0:32:00 | |
James spent a little less, shelling out £175 on five lots. | 0:32:02 | 0:32:07 | |
He bought the copper whisky still lid, | 0:32:07 | 0:32:09 | |
the reclaimed stanchion and rope, | 0:32:09 | 0:32:12 | |
the silver matchbox cover, | 0:32:12 | 0:32:13 | |
the kilim rug and the pair of mid-century Ercol chairs. | 0:32:13 | 0:32:18 | |
So, what do they make of each other's lots? | 0:32:18 | 0:32:20 | |
Not a lot, I suspect. | 0:32:20 | 0:32:22 | |
Charles has bought a good regional auction house section. | 0:32:22 | 0:32:26 | |
We got the glass department covered with the Bohemian vase. | 0:32:26 | 0:32:29 | |
We got the rather nice copper spoons - | 0:32:29 | 0:32:31 | |
me being a metal man, I love the spoons. | 0:32:31 | 0:32:34 | |
Bit of red copper and I'm all over it. | 0:32:34 | 0:32:37 | |
I really rate the copper distillery cover, | 0:32:37 | 0:32:40 | |
for what it represents in whisky and its link to Scotland. | 0:32:40 | 0:32:44 | |
Well done, James. I like that. | 0:32:44 | 0:32:45 | |
The silver, I'm not so sure about that - | 0:32:45 | 0:32:48 | |
pressed metal with some dodgy feet. | 0:32:48 | 0:32:50 | |
The kilim rug was a real find. | 0:32:50 | 0:32:53 | |
It's a great object which currently has great scope to do very well, | 0:32:53 | 0:32:58 | |
so he's bought very strongly. | 0:32:58 | 0:32:59 | |
After starting in Dingwall in the Highlands, | 0:33:01 | 0:33:04 | |
our experts are now en route to auction in Aberdeen. | 0:33:04 | 0:33:08 | |
Is it Aberdeenians you call local people here? | 0:33:08 | 0:33:10 | |
Aberdonians. | 0:33:10 | 0:33:12 | |
-Oh, Aberdonians, sorry. -I don't know. | 0:33:12 | 0:33:14 | |
Are these Aberdeenians? | 0:33:14 | 0:33:15 | |
-I think Aberdonians. -Aberdonians. -For the Don. -For the Don. Exactly. | 0:33:15 | 0:33:19 | |
-Or for the Dee. -No, for the Dee. | 0:33:19 | 0:33:21 | |
It's Aberdeenians... I'm a Dee, you're a Don! | 0:33:21 | 0:33:24 | |
Today's auction is taking place at John Milne Auctioneers - | 0:33:24 | 0:33:27 | |
the firm has been trading in the region for 150 years. | 0:33:27 | 0:33:30 | |
-Ah! -It's very grand here, isn't it? -It is lovely, isn't it? | 0:33:30 | 0:33:34 | |
-In we go. Into the auction. Good luck, James. -Good luck. | 0:33:34 | 0:33:37 | |
Presiding over today's proceedings is auctioneer Colin Edward, | 0:33:37 | 0:33:42 | |
but what does he make of our experts' lots? | 0:33:42 | 0:33:44 | |
The copper hatch lid, we have had a little bit of interest, | 0:33:46 | 0:33:49 | |
a couple of phone calls have come in to ask about it. | 0:33:49 | 0:33:54 | |
So...fingers crossed. | 0:33:54 | 0:33:56 | |
The mouse vesta holder, | 0:33:56 | 0:33:58 | |
although it's not perfect and it is only in bronze or brass, | 0:33:58 | 0:34:02 | |
it is my favourite piece and I think it should... | 0:34:02 | 0:34:05 | |
It should get them a nice little profit, I think. | 0:34:05 | 0:34:07 | |
Aye... Lovely room, isn't it? And the sunshine. | 0:34:07 | 0:34:11 | |
Our experts are seated and ready to go. | 0:34:12 | 0:34:14 | |
First up, it's Charles's Bohemian green vase. | 0:34:14 | 0:34:17 | |
Hold tight, James. | 0:34:17 | 0:34:19 | |
Really? | 0:34:19 | 0:34:21 | |
£10. 10. Surely, 10. | 0:34:21 | 0:34:24 | |
Oh, I can't believe it. Profit, profit! | 0:34:24 | 0:34:26 | |
-12. -15. £15, on my left... | 0:34:26 | 0:34:29 | |
-Slow start. It's OK. That's great. -Is it? | 0:34:29 | 0:34:32 | |
A green and gilt vase, at 15. | 0:34:32 | 0:34:35 | |
Selling at £15, all done at 15. | 0:34:35 | 0:34:39 | |
A lovely little profit to kick things off. | 0:34:39 | 0:34:42 | |
A little small step for auction mankind. | 0:34:42 | 0:34:44 | |
-That's OK. -Is it? -Auction mankind is walking. | 0:34:44 | 0:34:47 | |
Will it be more of a giant leap for James's matchbox cover? | 0:34:47 | 0:34:51 | |
£40? | 0:34:52 | 0:34:53 | |
30. | 0:34:55 | 0:34:56 | |
It is striking. It's not lighting. | 0:34:56 | 0:34:58 | |
20? | 0:34:58 | 0:34:59 | |
-£10. -£10. 10. 12. | 0:34:59 | 0:35:02 | |
-It's a good thing. -15. | 0:35:02 | 0:35:04 | |
18. 20. | 0:35:04 | 0:35:06 | |
22... 25. | 0:35:06 | 0:35:08 | |
28. At 30. | 0:35:08 | 0:35:10 | |
£30. | 0:35:10 | 0:35:12 | |
At 30, all done now at £30, the matchbox cover... | 0:35:12 | 0:35:17 | |
So, that's a profit apiece. Great stuff. | 0:35:17 | 0:35:20 | |
Well done, mate. See, that's a nice little start, isn't it? | 0:35:20 | 0:35:23 | |
How do you feel, pretty good? | 0:35:23 | 0:35:24 | |
It was nice, you got the right price. | 0:35:24 | 0:35:26 | |
A long way to go. But you're ahead. | 0:35:26 | 0:35:29 | |
Next up are Charles' set of copper ladles, bought for £50. | 0:35:29 | 0:35:34 | |
£60 for the ladles. | 0:35:34 | 0:35:35 | |
-They're good things. -I think they look vulnerable. | 0:35:35 | 0:35:38 | |
-40? -They are. | 0:35:38 | 0:35:39 | |
-£30. -Oh, dear. -Hello, hello. | 0:35:39 | 0:35:42 | |
35. 40. 45. | 0:35:42 | 0:35:44 | |
50. 55. 60. | 0:35:44 | 0:35:47 | |
-65... -We are in business. -70. | 0:35:47 | 0:35:50 | |
-75... -Very speccy. | 0:35:50 | 0:35:52 | |
-They're speccy, they're speccy. -80. 85. -Hello! | 0:35:52 | 0:35:56 | |
£85, the lady's bid. | 0:35:56 | 0:35:58 | |
85. At 90... | 0:35:58 | 0:36:01 | |
-Go on, Madam! Go on...! -At £90, at 90 on my right, at 90. | 0:36:01 | 0:36:05 | |
If we're done, at 90... | 0:36:05 | 0:36:06 | |
-95. -One more! -100. | 0:36:06 | 0:36:09 | |
Madam! | 0:36:09 | 0:36:11 | |
105. | 0:36:11 | 0:36:12 | |
All done now at £105. | 0:36:12 | 0:36:16 | |
Now, that's what I call a result. | 0:36:16 | 0:36:20 | |
-Well done. -You put the A in antique | 0:36:20 | 0:36:22 | |
and you blew a wee Scottish lady a kiss. | 0:36:22 | 0:36:25 | |
Thank you! Thank you, madam! | 0:36:25 | 0:36:28 | |
Thank you! | 0:36:28 | 0:36:29 | |
Enough of the kisses. | 0:36:29 | 0:36:31 | |
Now, it's the turn of James' reclaimed stanchion and rope. | 0:36:31 | 0:36:35 | |
£10. Get in there! | 0:36:35 | 0:36:37 | |
-10, I'm bid. 12. -Profit. | 0:36:37 | 0:36:39 | |
-15, 18. -Well done, James. -20. | 0:36:39 | 0:36:43 | |
-22. -Go on! | 0:36:43 | 0:36:44 | |
£22, on my left at 22. | 0:36:44 | 0:36:47 | |
-The VIP rope... -That's clearly a very important person buying it. | 0:36:47 | 0:36:51 | |
At 22... | 0:36:51 | 0:36:52 | |
Another good return there for James. | 0:36:52 | 0:36:55 | |
It's all in that northerly direction. | 0:36:55 | 0:36:58 | |
The wind is blowing the right way. | 0:36:58 | 0:37:00 | |
-Isn't it? -What, easterly? Westerly? Northerly? | 0:37:00 | 0:37:04 | |
We're going up. We're both going up in the world. | 0:37:04 | 0:37:06 | |
Indeed. Next up is the auctioneer's favourite, | 0:37:06 | 0:37:10 | |
Charles's bronze mouse vesta case. | 0:37:10 | 0:37:13 | |
20. Someone at £20? | 0:37:13 | 0:37:16 | |
20, I'm bid. | 0:37:16 | 0:37:17 | |
-22. 25. -Go on! | 0:37:17 | 0:37:19 | |
28. 30. | 0:37:19 | 0:37:22 | |
32. 35. | 0:37:22 | 0:37:23 | |
38. At 40. | 0:37:23 | 0:37:27 | |
Come on, keep going! | 0:37:27 | 0:37:28 | |
42. 45. | 0:37:28 | 0:37:31 | |
48. £48 on my right, at 48. | 0:37:31 | 0:37:34 | |
Selling now at £48... | 0:37:34 | 0:37:36 | |
And 50. | 0:37:36 | 0:37:37 | |
52. 55. | 0:37:37 | 0:37:41 | |
-On the phone at 55. -There's a phone bid! | 0:37:41 | 0:37:43 | |
-At 58. -Hello, the UK! | 0:37:43 | 0:37:45 | |
60? | 0:37:45 | 0:37:46 | |
No, 58. 60? 60. | 0:37:46 | 0:37:49 | |
-65. -Go on! | 0:37:49 | 0:37:50 | |
-£65, the bid is on my right at 65, all done? -65! | 0:37:50 | 0:37:54 | |
At £65... | 0:37:54 | 0:37:56 | |
Aberdeen is proving very profitable for our boys - | 0:37:56 | 0:37:59 | |
fantastic result there for Charles. | 0:37:59 | 0:38:02 | |
-What a good man! -What a good man. | 0:38:02 | 0:38:05 | |
He's no mouse! | 0:38:05 | 0:38:06 | |
James' kilim rug proved as popular. | 0:38:06 | 0:38:10 | |
£60. 60, I'm bid 60. | 0:38:10 | 0:38:12 | |
At £60. | 0:38:12 | 0:38:14 | |
One bid of 60... | 0:38:14 | 0:38:16 | |
Don't scare everybody off, at £60... | 0:38:16 | 0:38:20 | |
Are we done? At 60? All finished, one bid, £60? | 0:38:20 | 0:38:23 | |
All done... At 60. | 0:38:23 | 0:38:26 | |
Bad luck, James, but a profit is a profit. | 0:38:26 | 0:38:29 | |
As you know, on the day, | 0:38:29 | 0:38:31 | |
without the net, with a call-hardened room, | 0:38:31 | 0:38:34 | |
they go or they don't. | 0:38:34 | 0:38:36 | |
In this instance, they didn't, that's a shame. | 0:38:36 | 0:38:38 | |
Charles, you're up again. It's your Satsuma potpourri vase. | 0:38:38 | 0:38:42 | |
£40. 40 I'm bid. | 0:38:42 | 0:38:44 | |
-Come on! -At £40. | 0:38:44 | 0:38:47 | |
-Come on. -At 40, one bid of 40, going to be sold. | 0:38:47 | 0:38:52 | |
At £40, just the one bid, all done. | 0:38:52 | 0:38:54 | |
42. 45. | 0:38:54 | 0:38:57 | |
-That's a really good object. -48. | 0:38:57 | 0:39:00 | |
At 50. | 0:39:00 | 0:39:02 | |
52. | 0:39:02 | 0:39:04 | |
55. | 0:39:04 | 0:39:06 | |
£55, at 55. | 0:39:06 | 0:39:09 | |
All done at 55, nice little potpourri pot... | 0:39:09 | 0:39:13 | |
Ah, what a shame. First loss of the day. | 0:39:13 | 0:39:17 | |
-That was my favourite object. -It is funny, I... | 0:39:17 | 0:39:21 | |
Me too, with the kilim rug. | 0:39:21 | 0:39:22 | |
It had the most legs to run | 0:39:22 | 0:39:25 | |
and I think if this market was worldwide, | 0:39:25 | 0:39:28 | |
it could have made more. | 0:39:28 | 0:39:30 | |
Will James' pair of Ercol chairs fare a bit better, I wonder? | 0:39:30 | 0:39:34 | |
30. 20. | 0:39:35 | 0:39:37 | |
-Here we go. -20 I'm bid... -Come on, move! | 0:39:37 | 0:39:41 | |
..for the Windsor-style chairs. | 0:39:41 | 0:39:42 | |
22, 25. | 0:39:42 | 0:39:44 | |
28, at 30...? | 0:39:44 | 0:39:46 | |
32, 35. | 0:39:46 | 0:39:49 | |
38. At 40. | 0:39:49 | 0:39:52 | |
-42, 45... -Is the buyer Norwegian? | 0:39:52 | 0:39:54 | |
£45, the lady has bid in the room at 45. | 0:39:54 | 0:39:58 | |
If we're done at 45, I'll sell at £45... | 0:39:58 | 0:40:03 | |
Hard luck. That is a small loss for James, too. | 0:40:03 | 0:40:07 | |
Thank the Lord I only lost £10. | 0:40:07 | 0:40:10 | |
Now, can Charles pull a profit with his final lot? | 0:40:10 | 0:40:14 | |
It's the silver waiter. | 0:40:14 | 0:40:17 | |
-20 I'm bid, 22, 25. -It's away. | 0:40:17 | 0:40:20 | |
28. At 30. | 0:40:20 | 0:40:22 | |
£30, far back, 32. | 0:40:22 | 0:40:24 | |
35. 38. 40. | 0:40:24 | 0:40:28 | |
42. 45, 48. | 0:40:28 | 0:40:30 | |
At 50. | 0:40:30 | 0:40:32 | |
55, 60. | 0:40:32 | 0:40:34 | |
65, 70... | 0:40:34 | 0:40:36 | |
75... | 0:40:37 | 0:40:39 | |
At 80. | 0:40:39 | 0:40:40 | |
-That's OK. -£80. -Go on! | 0:40:40 | 0:40:42 | |
All done now, at 80, | 0:40:42 | 0:40:44 | |
all finished at £80, bidder's far back, at 80. | 0:40:44 | 0:40:47 | |
Another profit. He had to be pleased with that, well done, Charles. | 0:40:47 | 0:40:52 | |
I'm happy, that was my Achilles heel, | 0:40:52 | 0:40:55 | |
-I'm still running. -It's over. -I'm still running, baby. | 0:40:55 | 0:40:57 | |
Time for James's final lot - the copper whisky still lid. | 0:40:57 | 0:41:03 | |
40. | 0:41:03 | 0:41:04 | |
-30. -Oh, God... | 0:41:04 | 0:41:07 | |
35. | 0:41:07 | 0:41:08 | |
40. £40 in front. | 0:41:08 | 0:41:11 | |
45. | 0:41:11 | 0:41:13 | |
45 on my right. | 0:41:13 | 0:41:15 | |
-£45. -What did it cost you, again? | 0:41:15 | 0:41:17 | |
-Look at me. -50. | 0:41:17 | 0:41:19 | |
55. 60. 65. | 0:41:19 | 0:41:22 | |
70. 75. | 0:41:22 | 0:41:25 | |
80. 85. | 0:41:25 | 0:41:28 | |
90. 95. | 0:41:28 | 0:41:31 | |
-100. -Cometh the hour. -I know. -105. | 0:41:31 | 0:41:33 | |
-110. -Wow! | 0:41:33 | 0:41:35 | |
115, 120. | 0:41:35 | 0:41:38 | |
125, 130. | 0:41:38 | 0:41:40 | |
£130, the bid is on my left at 130. | 0:41:40 | 0:41:43 | |
Selling now at £130. | 0:41:43 | 0:41:47 | |
James ends on a high with that marvellous profit. | 0:41:47 | 0:41:50 | |
-Back in the game. -You are back in the game. Back in the game. | 0:41:52 | 0:41:56 | |
-Hanson-Braxton. -Let's go. Let's go. | 0:41:56 | 0:42:00 | |
It's a close call. Who's going to come out on top? | 0:42:00 | 0:42:03 | |
Let's do the maths. | 0:42:03 | 0:42:05 | |
James started this leg with £200. | 0:42:05 | 0:42:07 | |
He made a tidy profit of £60.34 after auction costs, | 0:42:07 | 0:42:12 | |
leaving him with a wonderful £260.34. | 0:42:12 | 0:42:16 | |
Charles also began with 200 | 0:42:18 | 0:42:20 | |
and he too made a profit of £66.40 after auction costs, | 0:42:20 | 0:42:25 | |
which means he's today's winner | 0:42:25 | 0:42:28 | |
and leads going into the next leg with a healthy £266.40. | 0:42:28 | 0:42:33 | |
What fun! | 0:42:33 | 0:42:35 | |
-Well done. -Well done, Charlie. | 0:42:35 | 0:42:37 | |
It's a good start for both of us, James. | 0:42:37 | 0:42:38 | |
-I think I should drive, don't you? -Yes. | 0:42:38 | 0:42:41 | |
The journey is well and truly on the road. | 0:42:41 | 0:42:43 | |
Do you think the winner should sit in luxury as the passenger? | 0:42:43 | 0:42:47 | |
Yes! | 0:42:47 | 0:42:48 | |
HE LAUGHS | 0:42:48 | 0:42:49 | |
-Thank you, Aberdeen. -Thank you, Aberdeen. | 0:42:51 | 0:42:55 | |
Bring on...Dunfermline. | 0:42:55 | 0:42:57 | |
Cheerio, chaps. | 0:42:57 | 0:43:00 | |
Next time, the boys are back on the road in bonnie Scotland. | 0:43:00 | 0:43:04 | |
Charles is smooth-talking... | 0:43:04 | 0:43:05 | |
-Bob, you have character. -Oh, thank you! | 0:43:05 | 0:43:08 | |
..while James has his haggling hat on. | 0:43:08 | 0:43:11 | |
As all the best hagglers do, you do need the fez. | 0:43:11 | 0:43:15 |