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It's the nation's favourite antiques experts. | 0:00:02 | 0:00:04 | |
-That's cracking! -With £200 each... | 0:00:04 | 0:00:06 | |
Wonderful! | 0:00:06 | 0:00:07 | |
..a classic car and a goal - to scour Britain for antiques. | 0:00:07 | 0:00:11 | |
That's exactly what I'm talking about. | 0:00:11 | 0:00:13 | |
I'm all over a-shiver. | 0:00:13 | 0:00:14 | |
The aim? To make the biggest profit at auction, but it's no mean feat. | 0:00:14 | 0:00:18 | |
-No-brainer! -Going, going, gone! | 0:00:18 | 0:00:19 | |
There will be worthy winners and valiant losers. | 0:00:19 | 0:00:23 | |
So, will it be the high road to glory? | 0:00:23 | 0:00:25 | |
-Push! -Or the slow road to disaster? | 0:00:25 | 0:00:28 | |
How awfully, awfully nice! | 0:00:28 | 0:00:29 | |
This is Antiques Road Trip. | 0:00:29 | 0:00:31 | |
Yeah! | 0:00:34 | 0:00:35 | |
Whey-hey! | 0:00:38 | 0:00:40 | |
It's leg two of this week's adventure for top auctioneers | 0:00:40 | 0:00:43 | |
Charles Hanson and James Braxton. | 0:00:43 | 0:00:45 | |
Where are we? Fife? | 0:00:45 | 0:00:47 | |
We are north of the Fife of Forfar, is that right? | 0:00:47 | 0:00:52 | |
Forfar 4, East 55. | 0:00:52 | 0:00:55 | |
Yeah! No, we are north of the Firth of Forfar. | 0:00:55 | 0:00:59 | |
I think you will find it is the Firth of Forth, old bean! | 0:00:59 | 0:01:02 | |
While geography clearly isn't Charles' strong point, | 0:01:02 | 0:01:05 | |
thankfully, sniffing out hidden antique treasures is. | 0:01:05 | 0:01:10 | |
Give me a high five. Thanks a lot. | 0:01:10 | 0:01:13 | |
His rival on this road trip is his old mate, James. | 0:01:13 | 0:01:17 | |
Risks equal rewards, or sometimes abject failure. | 0:01:17 | 0:01:22 | |
Well, taking a risk proved profitable for James on the last leg. | 0:01:22 | 0:01:26 | |
After starting with £200, | 0:01:26 | 0:01:27 | |
some good results at auction saw him finish with £260.34. | 0:01:27 | 0:01:33 | |
Brilliant! | 0:01:33 | 0:01:34 | |
Charles also kicked off with £200 and he, too, pulled in a profit, | 0:01:35 | 0:01:40 | |
pushing him into the lead with £266.40. | 0:01:40 | 0:01:44 | |
Hardly a sheet of Bronco between them. | 0:01:44 | 0:01:48 | |
Hah! On this trip, our boys are travelling in a forerunner of the modern Audi, | 0:01:48 | 0:01:51 | |
a 1964 DKW 1000 Coupe. | 0:01:51 | 0:01:55 | |
It was manufactured before seat belts were mandatory. Got it? | 0:01:55 | 0:02:00 | |
I think the way to do a Scottish accent is always speak very low. | 0:02:00 | 0:02:05 | |
Low! | 0:02:05 | 0:02:07 | |
And very guttural. | 0:02:07 | 0:02:09 | |
It's a very manly, manly... | 0:02:09 | 0:02:12 | |
Aye, you're right, laddie! | 0:02:12 | 0:02:15 | |
After beginning their epic trip in the Highlands, | 0:02:15 | 0:02:18 | |
Charles and James are journeying all over Bonnie Scotland, | 0:02:18 | 0:02:21 | |
taking in the North East and Central Belt before finishing over the border in Berwick-upon-Tweed. | 0:02:21 | 0:02:27 | |
This leg will kick-off in Inverkeithing | 0:02:28 | 0:02:31 | |
before ending up in Dundee for auction. | 0:02:31 | 0:02:34 | |
Inverkeithing has ancient origins which some claim go back over 1,900 years, | 0:02:34 | 0:02:41 | |
so hopefully, there will be lots of really old antiques on offer | 0:02:41 | 0:02:45 | |
at Charles's first shop. | 0:02:45 | 0:02:46 | |
I can't see any antiques sign, James. | 0:02:48 | 0:02:50 | |
-New beds and... -antique furniture. | 0:02:50 | 0:02:54 | |
There we are! That's a green light to you, Charles. | 0:02:54 | 0:02:57 | |
Yes, a green light. Go, go, go. | 0:02:57 | 0:02:59 | |
Have a good day! | 0:02:59 | 0:03:00 | |
It's a new day. Bye! | 0:03:01 | 0:03:03 | |
Charles has arrived at the Inverkeithing Bargain Centre. | 0:03:03 | 0:03:07 | |
-Good morning. -Good morning. | 0:03:07 | 0:03:09 | |
-How are you? -I'm fine. | 0:03:09 | 0:03:10 | |
-And you? -I'm Charles Hanson, good to see you. | 0:03:10 | 0:03:12 | |
What an amazingly big antiques centre. | 0:03:12 | 0:03:14 | |
It certainly is, yes. Plenty for you to look at. | 0:03:14 | 0:03:17 | |
And there's some antiques and collectables. | 0:03:18 | 0:03:21 | |
Will Gail have a hidden gem for Charles to uncover? | 0:03:21 | 0:03:23 | |
You live and dream that that piece of Faberge will wink at you. | 0:03:25 | 0:03:30 | |
Or that lost Rembrandt will smile at you. | 0:03:30 | 0:03:33 | |
Dreaming big, eh? | 0:03:33 | 0:03:34 | |
I like it. But what tickles your fancy, then? | 0:03:34 | 0:03:39 | |
I like the old cannon ball down here on the bottom shelf. | 0:03:39 | 0:03:42 | |
And often, when you see these early cannonballs, | 0:03:42 | 0:03:46 | |
you hope on the back of the card, | 0:03:46 | 0:03:48 | |
there might be some indication as to where it was found. | 0:03:48 | 0:03:52 | |
Has this cannonball got some romantic, Scottish history? | 0:03:52 | 0:03:58 | |
Sometimes, it's that romance behind an object which creates a sentiment | 0:03:58 | 0:04:04 | |
and an emotion which can suddenly give it extra ammunition at auction. | 0:04:04 | 0:04:09 | |
Time for a closer look. | 0:04:09 | 0:04:11 | |
I love social history, Gail, | 0:04:13 | 0:04:15 | |
and just on the bottom shelf here is a cannonball. | 0:04:15 | 0:04:18 | |
I think if I was ever to go to a gym, rather than a dumbbell, | 0:04:18 | 0:04:20 | |
I would rather use an old antique cannonball and really feel the history | 0:04:20 | 0:04:25 | |
whilst doing some good for my weightlifting as well. | 0:04:25 | 0:04:28 | |
-Yeah. -Now, what's its history? | 0:04:28 | 0:04:30 | |
Well, the trader actually bought it from a gentleman at a fair in | 0:04:30 | 0:04:35 | |
-Ingleson. -Yes. | 0:04:35 | 0:04:37 | |
He said at the time, when he asked where it was from, | 0:04:37 | 0:04:40 | |
he was told that it was found in Stirling. | 0:04:40 | 0:04:43 | |
Whether it could be connected to Bannockburn, we're not too sure. | 0:04:43 | 0:04:47 | |
It might not be that old but it's a lovely find, nonetheless. | 0:04:47 | 0:04:51 | |
It's priced, Gail, at a fairly heavy £25. | 0:04:53 | 0:04:59 | |
Uh-huh. | 0:04:59 | 0:05:01 | |
So, what would you like to offer me? | 0:05:01 | 0:05:03 | |
Well, I like it, Gail. | 0:05:03 | 0:05:04 | |
I think it's full of Scottish history and I would like to offer, | 0:05:04 | 0:05:10 | |
if it met your approval, £15. | 0:05:10 | 0:05:13 | |
Yes, Charles, I would give it to you for £15. | 0:05:13 | 0:05:15 | |
-Would you really? -Yes, certainly. | 0:05:15 | 0:05:17 | |
Well, Gail, you know what? | 0:05:17 | 0:05:18 | |
Us Fifers aren't that bad! | 0:05:18 | 0:05:20 | |
I'll take it, Gail. Thanks ever so. | 0:05:20 | 0:05:21 | |
I'll leave it on the settee for the time being. | 0:05:21 | 0:05:24 | |
I'll carry on wandering and I'm delighted. | 0:05:24 | 0:05:27 | |
No messing about here, then. | 0:05:28 | 0:05:29 | |
£15 buys Charles the Scottish cannonball. | 0:05:29 | 0:05:33 | |
Right, anything else catch your beady eye, old boy? | 0:05:33 | 0:05:35 | |
It's quite a pretty little... | 0:05:37 | 0:05:39 | |
little what you might call octagonal fluted dish. | 0:05:39 | 0:05:43 | |
And here's a galleon, beautifully enamelled, | 0:05:43 | 0:05:46 | |
with these billowing sails | 0:05:46 | 0:05:49 | |
on this gorgeous oily lustre ground. | 0:05:49 | 0:05:53 | |
I love how the seagulls are picked out. | 0:05:53 | 0:05:56 | |
What's nice is you have the original label from the manufacturer | 0:05:56 | 0:06:00 | |
and that's Crown Devon and Crown Devon were renowned in the 1930s | 0:06:00 | 0:06:05 | |
for creating these iridescent oily lustre glazes. | 0:06:05 | 0:06:11 | |
Yeah. Ticket price is £14. | 0:06:11 | 0:06:13 | |
Will Gail be open for another deal? | 0:06:13 | 0:06:16 | |
Seeing as you're such a charmer... | 0:06:16 | 0:06:18 | |
Get out of here! I'm no Bonnie Prince. | 0:06:18 | 0:06:21 | |
How much would you like to offer on the plate? | 0:06:21 | 0:06:24 | |
Give me your biggest and best price | 0:06:24 | 0:06:27 | |
and at least then, you call that shot. | 0:06:27 | 0:06:30 | |
-Right. -And be as kind as you would like to be. | 0:06:30 | 0:06:34 | |
So, what if we do it for £12.50? | 0:06:34 | 0:06:37 | |
Would you do it for £10? | 0:06:39 | 0:06:41 | |
Oh, well, seeing as it's you! | 0:06:43 | 0:06:45 | |
You smoothie, Charles! | 0:06:45 | 0:06:48 | |
That's two lots bought in his first shop. | 0:06:48 | 0:06:50 | |
Great stuff! | 0:06:50 | 0:06:52 | |
-Take care. -Bye, Charlie. -Bye-bye. See you. -Bye-bye. | 0:06:52 | 0:06:56 | |
-Oops! -Show off! | 0:06:56 | 0:06:57 | |
I play cricket. Can you tell? | 0:06:57 | 0:06:59 | |
James, meanwhile, has motored ten minutes up the coast to Aberdour. | 0:07:02 | 0:07:06 | |
This picturesque seaside town is home to James' first shop, | 0:07:06 | 0:07:11 | |
Blake's Vintage and Collectables. | 0:07:11 | 0:07:13 | |
It looks nice. | 0:07:13 | 0:07:14 | |
Hello! | 0:07:14 | 0:07:16 | |
JAMES LAUGHS | 0:07:16 | 0:07:17 | |
Hello, James, welcome. | 0:07:17 | 0:07:18 | |
-I'm Debbie. -Hello, Debbie, James. | 0:07:18 | 0:07:20 | |
-Welcome to my shop. -Oh, thank you very much indeed. | 0:07:20 | 0:07:22 | |
I like your suitcase outside. | 0:07:22 | 0:07:24 | |
It's a very stylish open sign. | 0:07:24 | 0:07:26 | |
-Thank you. I have a thing about suitcases and telephones. -What, travel? | 0:07:26 | 0:07:30 | |
As well as suitcases and telephones, | 0:07:32 | 0:07:34 | |
there's plenty of vintage goodies and antiques on offer, too. | 0:07:34 | 0:07:36 | |
Now, OK, so, I'm after smallish things, probably. | 0:07:38 | 0:07:43 | |
-OK. -Silvery things. | 0:07:43 | 0:07:44 | |
So have you got any silver? | 0:07:44 | 0:07:46 | |
I think I've got silver ashtrays here. | 0:07:46 | 0:07:49 | |
Ooh, looks like you're in luck, James. | 0:07:49 | 0:07:51 | |
-I think that's... -As in a silver case. | 0:07:51 | 0:07:54 | |
-That's got a good weight to it, hasn't it? -Yeah. | 0:07:54 | 0:07:56 | |
God, the old eyes are deteriorating, Debbie, isn't it? | 0:07:59 | 0:08:03 | |
-Do you wear glasses? -I have about seven pairs of glasses, | 0:08:03 | 0:08:06 | |
because I can't be without my glasses. | 0:08:06 | 0:08:09 | |
HE LAUGHS | 0:08:09 | 0:08:10 | |
And then I've got about 15 pairs of sunglasses. | 0:08:10 | 0:08:12 | |
15? I didn't realise Scotland was so sunny! | 0:08:12 | 0:08:15 | |
It's funny, isn't it, cigarette cases, | 0:08:15 | 0:08:17 | |
they saved many lives in world wars, didn't they? | 0:08:17 | 0:08:20 | |
People used to have their cigarette cases there. | 0:08:20 | 0:08:22 | |
There's quite a few cases where bullets...they've saved themselves from a bullet. | 0:08:22 | 0:08:28 | |
It's probably about 1920s, I would have thought. | 0:08:29 | 0:08:33 | |
Do you know, I haven't sold a cigarette case for years. | 0:08:33 | 0:08:37 | |
Because, of course, they went out... | 0:08:37 | 0:08:40 | |
and nobody's really found a workable application for them. | 0:08:40 | 0:08:45 | |
But it's quite a nice one. Let's have a think about that. | 0:08:45 | 0:08:48 | |
-OK. -It's only the first thing I've seen, Debbie, isn't it? -Yes. | 0:08:48 | 0:08:50 | |
Debbie's silver cigarette case is priced at £38. | 0:08:50 | 0:08:54 | |
One to think about. | 0:08:54 | 0:08:55 | |
Anything else? | 0:08:55 | 0:08:56 | |
These are lovely. | 0:08:56 | 0:08:58 | |
Yeah. So, abalone. | 0:08:58 | 0:09:00 | |
So rather like mother of pearl. | 0:09:00 | 0:09:02 | |
Just slightly more oily, aren't they? | 0:09:02 | 0:09:04 | |
They've got a richer look to them. | 0:09:04 | 0:09:06 | |
So, opera glasses. | 0:09:06 | 0:09:08 | |
-Yeah. -You know, like all opera glasses, they don't actually work, do they? | 0:09:08 | 0:09:12 | |
Moving on, then. | 0:09:12 | 0:09:13 | |
I think I'm slightly too big for this shop. | 0:09:13 | 0:09:16 | |
HE LAUGHS | 0:09:16 | 0:09:17 | |
I think I might need this. | 0:09:23 | 0:09:25 | |
I spotted something and as all the best hagglers do, | 0:09:25 | 0:09:29 | |
you do need the fez to get you in the mood. OK? | 0:09:29 | 0:09:33 | |
So I'll wear this - I'll wear this for the big haggle. | 0:09:33 | 0:09:37 | |
Brace yourself, Debbie! | 0:09:37 | 0:09:39 | |
Oh, James! You do suit that. | 0:09:39 | 0:09:40 | |
-Do I? -You look very, very... | 0:09:40 | 0:09:42 | |
Now this is in preparation... | 0:09:42 | 0:09:43 | |
Casablanca! | 0:09:43 | 0:09:45 | |
Watch out, this is in preparation for a major haggle. | 0:09:45 | 0:09:47 | |
I like, Debbie, the cigarette case. | 0:09:47 | 0:09:50 | |
-Right. -What can we do on this? | 0:09:50 | 0:09:53 | |
This...a bit of damage, but, you know, essentially, | 0:09:53 | 0:09:56 | |
it's all there. But I've got to take it to auction. | 0:09:56 | 0:10:00 | |
Go on, make my day. How about 15, Debbie? | 0:10:00 | 0:10:03 | |
So what have we got it for again? | 0:10:03 | 0:10:04 | |
-We've got it for... -No clues, no clues. | 0:10:04 | 0:10:07 | |
38. | 0:10:07 | 0:10:08 | |
-No clues. -15. | 0:10:08 | 0:10:09 | |
We'll do 15, we'll do 12. | 0:10:09 | 0:10:11 | |
-12? -Come on, give me a kiss. | 0:10:11 | 0:10:13 | |
-What happened there? -Thank you! | 0:10:13 | 0:10:15 | |
That's very kind. Thank you. | 0:10:15 | 0:10:17 | |
Just like that. | 0:10:17 | 0:10:18 | |
Well, that fez worked wonders and | 0:10:18 | 0:10:20 | |
James is off to a flying start with a huge £26 discount. | 0:10:20 | 0:10:24 | |
Well done, that man. | 0:10:24 | 0:10:25 | |
In the meanwhile, Charles has made his way to Falkland. | 0:10:33 | 0:10:36 | |
This picturesque village | 0:10:39 | 0:10:40 | |
became Scotland's first conservation area in 1970. | 0:10:40 | 0:10:45 | |
A wonderful part of the world. | 0:10:45 | 0:10:46 | |
Charles has arrived at the violin shop, with over £240 in his pocket. | 0:10:46 | 0:10:51 | |
Not, I hope, for a violin, though. | 0:10:51 | 0:10:54 | |
-How are you? -Bob Beveridge is the name. | 0:10:54 | 0:10:56 | |
I'm Charles Hanson. | 0:10:56 | 0:10:57 | |
Well, welcome to the ancient and historic Royal Borough of Falkland. | 0:10:57 | 0:11:01 | |
It's so beautiful. | 0:11:01 | 0:11:03 | |
There's such character here. | 0:11:03 | 0:11:05 | |
And Bob, you have character. | 0:11:05 | 0:11:06 | |
-Oh, thank you. -Full of flamboyance. | 0:11:06 | 0:11:09 | |
-Full of flair. -Aye, he's trying to get stuff cheap, eh?! | 0:11:09 | 0:11:12 | |
He's onto you, Charles! | 0:11:13 | 0:11:15 | |
Right. Bob's shop is jam-packed with great antiques. | 0:11:15 | 0:11:18 | |
Let the hunt begin. | 0:11:18 | 0:11:20 | |
There's got to be something, Bob, that jumps out at me. | 0:11:20 | 0:11:24 | |
Just over there, that piece of stained glass. | 0:11:24 | 0:11:27 | |
That's not for sale, it's part of the building. | 0:11:27 | 0:11:29 | |
Oh, is it, I'm sorry! | 0:11:29 | 0:11:30 | |
Oh, dear. Thankfully, | 0:11:30 | 0:11:32 | |
it looks like Charles has spotted something that he CAN buy. | 0:11:32 | 0:11:36 | |
We are going to Dundee. | 0:11:36 | 0:11:38 | |
It's got all these lovely old etchings of Dundee in it. | 0:11:38 | 0:11:40 | |
And I've never handled such a large book. | 0:11:40 | 0:11:44 | |
Aha. It's a lovely, limited edition | 0:11:45 | 0:11:48 | |
on Dundee with a hefty ticket price of £300. | 0:11:48 | 0:11:51 | |
Look at this. Limited edition, | 0:11:52 | 0:11:54 | |
this is number 118 | 0:11:54 | 0:11:57 | |
of 357 copies. | 0:11:57 | 0:11:59 | |
We've got a date here of 1895. | 0:11:59 | 0:12:02 | |
Dundee, Its Quaint And Historic Buildings by AC Lamb. | 0:12:02 | 0:12:07 | |
-I'm going to Dundee. -Right. | 0:12:07 | 0:12:10 | |
If I put this in my car and it broke my suspension, | 0:12:10 | 0:12:14 | |
I might have to bring it back! | 0:12:14 | 0:12:16 | |
Just out of interest, | 0:12:16 | 0:12:17 | |
what would be your best price on this book on Dundee? | 0:12:17 | 0:12:22 | |
Well, I'm going to tell you what I'd give you it for. | 0:12:22 | 0:12:25 | |
I'd give you it for my purchasing price and I bought it for £200. | 0:12:25 | 0:12:30 | |
-Oh, don't say that. -And I would let it go at that. | 0:12:30 | 0:12:32 | |
It could do very well. | 0:12:32 | 0:12:34 | |
But it's almost all my money tied up in one investment. | 0:12:34 | 0:12:39 | |
Oh, you've got deep breeches, you people from England. | 0:12:39 | 0:12:41 | |
No, I wish I did. | 0:12:41 | 0:12:43 | |
-Aye, aye! -The Road Trip is only in first gear at the moment. | 0:12:43 | 0:12:46 | |
I'm far from day five or Friday and fifth, I've got a long way to go. | 0:12:46 | 0:12:51 | |
So the book's set aside to be mulled over. | 0:12:51 | 0:12:54 | |
Anything else grab you? | 0:12:54 | 0:12:56 | |
How much is that, Bob? | 0:12:56 | 0:12:58 | |
I could do that for about £80. | 0:12:58 | 0:13:00 | |
Yeah. Actually, Bob, it says £60 down there. | 0:13:00 | 0:13:03 | |
The price tag says 60, Bob says 80. | 0:13:03 | 0:13:06 | |
I like your style! | 0:13:06 | 0:13:07 | |
I can see we're going to have some trouble squeezing some money | 0:13:09 | 0:13:12 | |
out of your pockets! | 0:13:12 | 0:13:14 | |
No, I'm not spendthrifty, it's just as you say. | 0:13:14 | 0:13:18 | |
I believe the art of buying antiques is to buy with a love and buying | 0:13:18 | 0:13:23 | |
with love is when you feel the heart flutter | 0:13:23 | 0:13:26 | |
because it's something a bit special. | 0:13:26 | 0:13:28 | |
And it looks like there's one object in particular that's giving | 0:13:28 | 0:13:32 | |
Charles that fluttery feeling. | 0:13:32 | 0:13:34 | |
The book on Dundee. | 0:13:34 | 0:13:35 | |
-Best price? -I bought it with other books. | 0:13:37 | 0:13:40 | |
I've since sold the other books at a profit. | 0:13:40 | 0:13:43 | |
So while I would be selling it to you for much less than my original | 0:13:43 | 0:13:49 | |
asking price, I could still let it go for £150 | 0:13:49 | 0:13:53 | |
and that would be the absolute minimum on it. | 0:13:53 | 0:13:57 | |
That's half price. Charles? | 0:13:57 | 0:14:00 | |
For £150, | 0:14:00 | 0:14:02 | |
..I'm tempted to shake your hand and say...I shall learn from this. | 0:14:04 | 0:14:07 | |
Is that a deal, then? It is indeed. | 0:14:07 | 0:14:10 | |
And with that very generous discount from Bob, | 0:14:10 | 0:14:13 | |
Charles has bagged himself the book. | 0:14:13 | 0:14:15 | |
-Bravo. -See you, Bob! | 0:14:15 | 0:14:17 | |
-Bye! -All the best to you. All the best. | 0:14:17 | 0:14:21 | |
James, meanwhile, is still in Aberdour. | 0:14:23 | 0:14:26 | |
Back during World War I, | 0:14:27 | 0:14:29 | |
this small fishing town was home to a top secret Naval Research Station | 0:14:29 | 0:14:33 | |
set up to discover a way to defeat Germany U-boats set to attack the | 0:14:33 | 0:14:38 | |
British Navy. James has come to | 0:14:38 | 0:14:40 | |
Hawkcraig Cottage to meet local historian | 0:14:40 | 0:14:43 | |
and author Diana Maxwell to find out more. | 0:14:43 | 0:14:46 | |
Diana, why are we here, next door to the sea? | 0:14:48 | 0:14:51 | |
Well, we're here because | 0:14:51 | 0:14:54 | |
in the First World War, between 1915 and 1918, | 0:14:54 | 0:14:58 | |
this was a hub of activity. | 0:14:58 | 0:15:00 | |
The U-boat had become a very severe threat to Britain. | 0:15:01 | 0:15:06 | |
That's the German submarine, isn't it? | 0:15:06 | 0:15:08 | |
Yes, that's right. It was actually shooting down one in three of the | 0:15:08 | 0:15:12 | |
merchant fleet and the Germans were | 0:15:12 | 0:15:15 | |
boasting that they were actually going to defeat Britain that way. | 0:15:15 | 0:15:20 | |
So they had to find a way of detecting U-boats. | 0:15:20 | 0:15:25 | |
The U-boats were not only sinking British warships, | 0:15:26 | 0:15:29 | |
they were also attacking the Merchant Navy. | 0:15:29 | 0:15:31 | |
It was feared Britain would become starved of food and materials. | 0:15:31 | 0:15:35 | |
The Government had to do something and fast. | 0:15:35 | 0:15:39 | |
There was a very clever chap called Cyril Ryan. | 0:15:39 | 0:15:42 | |
He was in the Navy and then left to work with Marconi | 0:15:42 | 0:15:45 | |
and he was called up because he was working with wireless radio... | 0:15:45 | 0:15:50 | |
-Yeah. -..inventions and he had | 0:15:50 | 0:15:53 | |
invented a microphone that could detect sound underwater. | 0:15:53 | 0:15:59 | |
Situated on the Firth of Forth, | 0:16:00 | 0:16:02 | |
the Government chose Hawkcraig Point | 0:16:02 | 0:16:05 | |
in the sleepy village of Aberdour | 0:16:05 | 0:16:08 | |
as the ideal location for Captain Ryan and his crack team | 0:16:08 | 0:16:11 | |
of naval and public scientists to set up a base. | 0:16:11 | 0:16:15 | |
It was here that some of the best brains in Britain developed the | 0:16:15 | 0:16:18 | |
hydrophone, an underwater listening device that would change the course | 0:16:18 | 0:16:22 | |
-of the war. -It looked a little bit like a bedpan, | 0:16:22 | 0:16:25 | |
but it was in a waterproof container. | 0:16:25 | 0:16:28 | |
-OK. -And it had two... | 0:16:28 | 0:16:30 | |
erm, diaphragms, that's the way it worked. | 0:16:30 | 0:16:34 | |
When a sound wave hit the diaphragms, | 0:16:34 | 0:16:37 | |
they would vibrate and they would be | 0:16:37 | 0:16:39 | |
changed into an electrical signal | 0:16:39 | 0:16:42 | |
that would go to a chap that was | 0:16:42 | 0:16:44 | |
listening and he would be able to detect the noise. | 0:16:44 | 0:16:48 | |
With all vessels making different noises, | 0:16:49 | 0:16:52 | |
like the difference between a car and a motorbike, | 0:16:52 | 0:16:54 | |
they were able to determine whether | 0:16:54 | 0:16:56 | |
they were listening to friend or foe up to four miles away. | 0:16:56 | 0:17:00 | |
The sound wave travels across water very well? | 0:17:00 | 0:17:04 | |
Well, it travels across water very well, | 0:17:04 | 0:17:07 | |
but it travels even better UNDERWATER. | 0:17:07 | 0:17:10 | |
They worked out here it travelled | 0:17:10 | 0:17:12 | |
4½ times faster underwater than over water, | 0:17:12 | 0:17:17 | |
which they hadn't known about before. | 0:17:17 | 0:17:19 | |
All of the British Marine fleets | 0:17:19 | 0:17:21 | |
were fitted with these hydrophones. | 0:17:21 | 0:17:24 | |
Eventually, they were able to detect boats at 12 miles. | 0:17:24 | 0:17:28 | |
And did that happen quite rapidly? | 0:17:28 | 0:17:30 | |
-Very rapidly. -The technology, yeah. | 0:17:30 | 0:17:31 | |
Because they had all of the Chief scientists of the day | 0:17:31 | 0:17:35 | |
-here working on it. -Was the hydrophone successful? | 0:17:35 | 0:17:38 | |
Yes, it was very successful. | 0:17:38 | 0:17:40 | |
They proved to pick up at least 54 U-boats, | 0:17:40 | 0:17:44 | |
so that saved a lot of lives. | 0:17:44 | 0:17:46 | |
-Yeah. -It was responsible for sinking four U-boats. | 0:17:46 | 0:17:49 | |
-Really? -Yes. You know, | 0:17:49 | 0:17:51 | |
I grew up in Aberdour knowing people that were alive at that time. | 0:17:51 | 0:17:55 | |
Nobody mentioned what was going on. | 0:17:55 | 0:17:58 | |
-Really? -They just didn't mention anything about it. | 0:17:58 | 0:18:01 | |
Of course, they'd signed the Secrecy Act. | 0:18:01 | 0:18:04 | |
-I see. -They wouldn't talk about it. | 0:18:04 | 0:18:05 | |
Well, as we know, Diana, loose talk costs lives, don't we? | 0:18:05 | 0:18:10 | |
Major technological advances were achieved | 0:18:10 | 0:18:13 | |
at the top-secret base at Hawkcraig. | 0:18:13 | 0:18:15 | |
But it will forever be remembered for the crucial work done with | 0:18:15 | 0:18:19 | |
the hydrophone, which made such an impact | 0:18:19 | 0:18:22 | |
on Britain's fight against the German U-boats. | 0:18:22 | 0:18:25 | |
And so ends a busy day for our boys. | 0:18:26 | 0:18:30 | |
Night-night, chaps. | 0:18:30 | 0:18:31 | |
It's a new day and our experts are up and at 'em early. | 0:18:34 | 0:18:39 | |
I look at you and I feel like this morning, you're the baddie in that hat, and I'm the goodie. | 0:18:39 | 0:18:43 | |
Do you think so? | 0:18:43 | 0:18:45 | |
-You look the baddie. -I am the villain. | 0:18:45 | 0:18:47 | |
But you do, you look a baddie. | 0:18:47 | 0:18:48 | |
Are you intimidated by my villainous bearing? | 0:18:48 | 0:18:51 | |
I am! | 0:18:51 | 0:18:52 | |
So far, Charles has secured himself three lots. | 0:18:52 | 0:18:56 | |
The Scottish cannonball, | 0:18:56 | 0:18:58 | |
a crown Devon maritime dish | 0:18:58 | 0:19:00 | |
and the late 19th-century rare book about Dundee. | 0:19:00 | 0:19:04 | |
He still has £91.40 in his pocket. | 0:19:04 | 0:19:08 | |
James has only bought the silver cigarette case so far, | 0:19:11 | 0:19:14 | |
leaving him a huge £248.34 available to spend today. | 0:19:14 | 0:19:18 | |
This morning, our esteemed auctioneers | 0:19:22 | 0:19:24 | |
have made their way to Abernyte in Perthshire. | 0:19:24 | 0:19:28 | |
They've decided to start the day with a spot of shopping together | 0:19:28 | 0:19:31 | |
at the Scottish Antiques And Arts Centre. | 0:19:31 | 0:19:34 | |
Here we are, James. Look at the size of this antique shop. | 0:19:35 | 0:19:38 | |
Well done, look at this. I know. It's amazing, isn't it? | 0:19:38 | 0:19:41 | |
Right, first one in. | 0:19:41 | 0:19:42 | |
I almost feel like you're the king and I'm your chauffeur, James. | 0:19:42 | 0:19:47 | |
First one to the market. | 0:19:47 | 0:19:49 | |
With a huge selection of antiques and collectables, | 0:19:49 | 0:19:52 | |
there's plenty on offer for both our experts. | 0:19:52 | 0:19:56 | |
Breathe in the antique! | 0:19:56 | 0:19:57 | |
-Hello. -Look at it. | 0:19:57 | 0:19:59 | |
-Gordon Bennett! -I know. It just goes on, doesn't it? | 0:19:59 | 0:20:02 | |
-It's big! -I think I'll go that way, | 0:20:02 | 0:20:04 | |
you go that way and I might see you halfway around? | 0:20:04 | 0:20:07 | |
-OK. -Do you agree? -Do you think so? -Yeah, I think so. -OK. | 0:20:07 | 0:20:10 | |
-Dig deep. -For the cause. Good luck, good luck to you. | 0:20:10 | 0:20:12 | |
May the best man win. | 0:20:12 | 0:20:14 | |
And they're off. | 0:20:14 | 0:20:16 | |
I've never been, I think, in all my time | 0:20:17 | 0:20:20 | |
on the Antiques Road Trip in such a massive antiques centre. | 0:20:20 | 0:20:23 | |
It's almost tactics, how do you play, | 0:20:23 | 0:20:25 | |
how do you work a big antiques centre? | 0:20:25 | 0:20:27 | |
And the way you work it is to either run and panic, | 0:20:27 | 0:20:33 | |
or zone in and keep calm. | 0:20:33 | 0:20:35 | |
Come on then, chaps. | 0:20:38 | 0:20:39 | |
This is the sort of stand that you might find a bargain on. | 0:20:41 | 0:20:45 | |
This is quite nice. This has a real French, rustic feel. | 0:20:45 | 0:20:49 | |
There's nice stuff all over the place. | 0:20:49 | 0:20:52 | |
Even in a shop this size, they're still stumbling over one another. | 0:20:52 | 0:20:56 | |
Why have you been drawn to this stand, Charles? | 0:20:58 | 0:21:00 | |
I heard your voice! | 0:21:00 | 0:21:02 | |
LAUGHTER | 0:21:02 | 0:21:04 | |
I heard your voice and business. | 0:21:04 | 0:21:05 | |
Have you bought anything yet, James? | 0:21:05 | 0:21:07 | |
-No. Have you? -Don't you find it's quite odd how when you're in such a | 0:21:07 | 0:21:10 | |
massive centre, you just can't actually... | 0:21:10 | 0:21:13 | |
Focus. | 0:21:13 | 0:21:14 | |
And what you're doing, Charles, | 0:21:14 | 0:21:16 | |
is you're listening out for my dulcet tones, aren't you? | 0:21:16 | 0:21:19 | |
-Yes, I am. -You're slightly panicky - is he onto something? | 0:21:19 | 0:21:22 | |
It's the patter of your feet | 0:21:22 | 0:21:24 | |
and I just like to follow your lead sometimes! | 0:21:24 | 0:21:27 | |
Enough of that, back to the task in hand, please. | 0:21:29 | 0:21:32 | |
I quite like this object in here, actually. | 0:21:32 | 0:21:34 | |
-What's that, what's that? -There's a very nice... | 0:21:34 | 0:21:37 | |
-I'm not talking to you about it! -Which object is that? | 0:21:37 | 0:21:41 | |
I like the little antique toleware candlestick. | 0:21:41 | 0:21:43 | |
-Oh, that's got age, hasn't it? -On original base, yeah. | 0:21:43 | 0:21:45 | |
-That's got history. -Can you do me a favour? | 0:21:45 | 0:21:47 | |
-Speak to the lady and get me a key for this cabinet, please, James? -No. | 0:21:47 | 0:21:50 | |
-Please. -No. -Can you be my agent? | 0:21:50 | 0:21:53 | |
-Will you go and speak to the lady for a key? -Oh, no, | 0:21:53 | 0:21:55 | |
that's aiding and abetting. | 0:21:55 | 0:21:56 | |
I don't want to improve your chance of success here. | 0:21:56 | 0:21:59 | |
Without the help of James, | 0:21:59 | 0:22:01 | |
Charles manages to get his hands on the toleware candlestick | 0:22:01 | 0:22:04 | |
for a closer inspection. | 0:22:04 | 0:22:07 | |
I think it has had some minor restoration. | 0:22:07 | 0:22:09 | |
You can see some scratching around the almost nozzle of the base. | 0:22:09 | 0:22:13 | |
It just has a wonderful feel of age | 0:22:13 | 0:22:16 | |
and I do believe that when we look at antiques, we need to be cautious. | 0:22:16 | 0:22:21 | |
Has it been made up? | 0:22:21 | 0:22:22 | |
And I believe the base does belong to this section. | 0:22:22 | 0:22:26 | |
It's late 18th, early 19th century | 0:22:26 | 0:22:29 | |
and it just has a favourable look for, I hope, | 0:22:29 | 0:22:33 | |
that rustic Dundee home and at £45, | 0:22:33 | 0:22:37 | |
I don't think it's bad value. | 0:22:37 | 0:22:40 | |
-Talk about overselling your item! -Listen, I'm upright. | 0:22:40 | 0:22:42 | |
Talk about overselling an item, come on. | 0:22:42 | 0:22:44 | |
Just believe in passion. | 0:22:44 | 0:22:46 | |
Close your eyes and imagine you are back in time with this. | 0:22:46 | 0:22:49 | |
Are you going to buy it? Are you going to buy it?! | 0:22:49 | 0:22:52 | |
Lights out! | 0:22:52 | 0:22:53 | |
Lights out, all-out, mate. | 0:22:54 | 0:22:56 | |
Charles has one lot he likes. | 0:22:57 | 0:22:58 | |
What about you, James? | 0:22:58 | 0:23:00 | |
Right... | 0:23:00 | 0:23:02 | |
I spotted this out of the corner of my eye. | 0:23:02 | 0:23:05 | |
It's rather fun, isn't it? It is exactly what it says on the cover. | 0:23:05 | 0:23:09 | |
It's table billiards. | 0:23:09 | 0:23:10 | |
So this is the transformation of your... | 0:23:10 | 0:23:13 | |
..dining room table, or your kitchen table, | 0:23:14 | 0:23:16 | |
into billiard table. | 0:23:16 | 0:23:19 | |
So what you do is this will be the edge of the table. | 0:23:19 | 0:23:23 | |
You'd attach your pockets like that. | 0:23:23 | 0:23:27 | |
It looks as though it has absolutely everything here, bar the cues. | 0:23:27 | 0:23:33 | |
We've got lots of balls here. | 0:23:33 | 0:23:35 | |
Rather nice. | 0:23:37 | 0:23:38 | |
I like that. | 0:23:40 | 0:23:41 | |
-It's fun. -Ticket price is £49. | 0:23:44 | 0:23:48 | |
Time to find dealer Margaret. | 0:23:48 | 0:23:50 | |
What could that be, Margaret? | 0:23:52 | 0:23:53 | |
-Make my day. -The best price on that would be 44. | 0:23:53 | 0:23:57 | |
44? | 0:23:57 | 0:23:58 | |
Margaret, thank you, I'll take it. | 0:23:59 | 0:24:01 | |
-That's very kind. Well done. -No, delighted. | 0:24:01 | 0:24:03 | |
-Done. -And just like that, the deal's done. | 0:24:03 | 0:24:06 | |
Top notch. | 0:24:06 | 0:24:08 | |
Charles, meanwhile, is with dealer Martin | 0:24:08 | 0:24:10 | |
checking out more candlesticks, brass ones this time. | 0:24:10 | 0:24:14 | |
What I like about these sticks is you can see how, over the years, | 0:24:14 | 0:24:19 | |
through fairly honest, loving polishing... | 0:24:19 | 0:24:23 | |
..we've got holes in the actual cast stick, just on here. | 0:24:24 | 0:24:29 | |
Look at that split there. | 0:24:29 | 0:24:31 | |
And you can see my finger right through, can't you? | 0:24:31 | 0:24:35 | |
Yeah. | 0:24:35 | 0:24:36 | |
Of course, let's not forget, these are probably almost 300 years old. | 0:24:36 | 0:24:42 | |
So with the ticket price of £45 | 0:24:42 | 0:24:43 | |
on the brass candlesticks and another 45 | 0:24:43 | 0:24:46 | |
for the toleware one, is there a deal to be done? | 0:24:46 | 0:24:50 | |
If they were on their own, you know, I'd be saying... | 0:24:50 | 0:24:53 | |
45, I'd be saying probably best price on that would be 42. | 0:24:54 | 0:24:58 | |
-Yeah. -Probably the same there, that's 45. | 0:24:58 | 0:25:01 | |
That's 90. | 0:25:01 | 0:25:02 | |
The best price that we would | 0:25:03 | 0:25:05 | |
probably be able to do on that would be... | 0:25:05 | 0:25:07 | |
..80 for the two. | 0:25:08 | 0:25:09 | |
I love them, Martin, and I'm burning inside to buy them, | 0:25:09 | 0:25:13 | |
-so I'm very happy to pay you £80 for them. -OK, right. | 0:25:13 | 0:25:16 | |
Those two lots mean Charles has almost blown his entire budget | 0:25:16 | 0:25:21 | |
and is all shopped up. | 0:25:21 | 0:25:22 | |
So, he's having the afternoon off and taking the scenic route to the | 0:25:25 | 0:25:30 | |
ancient town of St Andrews on the east coast of Fife. | 0:25:30 | 0:25:34 | |
He's come to the University of St Andrew's | 0:25:34 | 0:25:38 | |
Bell Pettigrew Museum of Natural History - try and say that quickly - | 0:25:38 | 0:25:42 | |
to find out all about its namesake, | 0:25:42 | 0:25:44 | |
Professor James Bell Pettigrew. | 0:25:44 | 0:25:45 | |
He was a renowned surgeon, | 0:25:45 | 0:25:47 | |
anatomist and naturalist | 0:25:47 | 0:25:48 | |
who developed a passion for human-powered flight. | 0:25:48 | 0:25:51 | |
Charles is meeting Pettigrew researcher, Bianca Packer. | 0:25:52 | 0:25:56 | |
Great names. | 0:25:56 | 0:25:58 | |
Bianca, who was this man, James Bell Pettigrew? | 0:25:59 | 0:26:03 | |
He was a medicine man. | 0:26:03 | 0:26:05 | |
But while he was studying at Edinburgh and Glasgow University, | 0:26:05 | 0:26:08 | |
he showed a keen interest in natural history and I think he kind of kept | 0:26:08 | 0:26:12 | |
that interest throughout his life. | 0:26:12 | 0:26:13 | |
So while he was studying the heart in particular, | 0:26:13 | 0:26:16 | |
he was also studying animals and he was watching them move. | 0:26:16 | 0:26:19 | |
In particular, flight, I think | 0:26:19 | 0:26:21 | |
because he was interested in being one of the first men to achieve | 0:26:21 | 0:26:24 | |
controlled flight. It hadn't been achieved by the time we were getting | 0:26:24 | 0:26:28 | |
to the end of the 19th century, | 0:26:28 | 0:26:29 | |
and the race was becoming quite intense. | 0:26:29 | 0:26:32 | |
An expert in animal locomotion, | 0:26:32 | 0:26:35 | |
Pettigrew believed the natural world would reveal the secret to | 0:26:35 | 0:26:39 | |
achieving successful human flight. | 0:26:39 | 0:26:41 | |
He came up with a figure-of-eight theory that he's largely credited with discovering. | 0:26:41 | 0:26:45 | |
There are a couple of people around the same time who were also | 0:26:45 | 0:26:47 | |
looking at this theory and he was supposedly the first to publish | 0:26:47 | 0:26:52 | |
on it, so he's able to claim ownership over that. | 0:26:52 | 0:26:54 | |
How is the figure of eight, how is that... | 0:26:54 | 0:26:56 | |
-to do with flying? -Well, I can show you a little illustration here. | 0:26:56 | 0:26:59 | |
-Yes. -If you have a look here, you can see that birds... | 0:26:59 | 0:27:03 | |
Well, birds do this, don't they? | 0:27:03 | 0:27:05 | |
Not quite. They actually do two shapes. | 0:27:05 | 0:27:08 | |
They do a forward loop and a backward loop. | 0:27:08 | 0:27:10 | |
And together, they make a figure of eight. | 0:27:10 | 0:27:12 | |
So I think the best way to describe it is coming down... | 0:27:12 | 0:27:16 | |
-Yes? -..and around... -Yes. -..and back again. | 0:27:16 | 0:27:18 | |
-So down... -So down, and that's my eight. | 0:27:18 | 0:27:21 | |
-Round? -Down and round and back again. | 0:27:21 | 0:27:24 | |
-Wow. -And the reason why that's very important is because | 0:27:24 | 0:27:27 | |
when their wing goes up, it creates a bit of a current | 0:27:27 | 0:27:30 | |
while it goes up, and the other side of the wing | 0:27:30 | 0:27:32 | |
forms a sort of kite, and when the wing | 0:27:32 | 0:27:35 | |
has the downward stroke, it creates a current again | 0:27:35 | 0:27:37 | |
and the other side of the wing becomes the kite. | 0:27:37 | 0:27:39 | |
So Pettigrew described this as birds flying on a whirlwind | 0:27:39 | 0:27:42 | |
of their own making. Which was quite a nice idea. | 0:27:42 | 0:27:45 | |
So it's a very efficient way of flying. | 0:27:45 | 0:27:47 | |
-Was this his book? -That's correct. -Wow! | 0:27:47 | 0:27:51 | |
Published in 1873, this book was supposedly | 0:27:51 | 0:27:54 | |
the book that the Wright brothers read when they | 0:27:54 | 0:27:58 | |
were doing their early research in animal locomotion. | 0:27:58 | 0:28:01 | |
It's believed this book helped inspire Wilbur and Orville Wright, | 0:28:01 | 0:28:05 | |
the famous American brothers who are considered the fathers | 0:28:05 | 0:28:08 | |
of modern aviation. | 0:28:08 | 0:28:09 | |
We do hear in some of the resources that they corresponded, | 0:28:09 | 0:28:13 | |
but it's not quite sure exactly on what, | 0:28:13 | 0:28:15 | |
and I think perhaps during that race for the skies | 0:28:15 | 0:28:17 | |
there was a lot of communication between rivals, | 0:28:17 | 0:28:19 | |
and ultimately, I think he did have an impact | 0:28:19 | 0:28:22 | |
on their early research, and it's really interesting | 0:28:22 | 0:28:24 | |
because almost everybody was looking at birds at that time. | 0:28:24 | 0:28:27 | |
-This was 1873? -Correct. | 0:28:27 | 0:28:29 | |
How long later did he then come up with maybe a contraption | 0:28:29 | 0:28:33 | |
to fly in or to fly with? | 0:28:33 | 0:28:35 | |
Well, we speculate between 1900 and 1903, | 0:28:35 | 0:28:38 | |
which is just before the Wrights had their successful flight, | 0:28:38 | 0:28:41 | |
that he gave it a shot himself. | 0:28:41 | 0:28:43 | |
He built something that we would call an ornithopter today, | 0:28:43 | 0:28:46 | |
and if we look here, we can see | 0:28:46 | 0:28:47 | |
it's quite an expanse, and the reason why is he was | 0:28:47 | 0:28:51 | |
quite determined that by having such a long wing expanse | 0:28:51 | 0:28:54 | |
it wouldn't need to flap as quickly, | 0:28:54 | 0:28:57 | |
and the reason for this is he had, witnessed how hawks and eagles fly | 0:28:57 | 0:29:00 | |
and they didn't have to flap their wings very often to achieve flight. | 0:29:00 | 0:29:04 | |
So he felt that the larger wing expanse here | 0:29:04 | 0:29:07 | |
would maybe be suitable. | 0:29:07 | 0:29:09 | |
Although there are no official records, | 0:29:09 | 0:29:11 | |
legend has it that Pettigrew flew the machine | 0:29:11 | 0:29:14 | |
down a slope in St Andrews for a distance of 60 feet before crashing, | 0:29:14 | 0:29:18 | |
with the then 70-year-old professor | 0:29:18 | 0:29:21 | |
breaking his hip in the accident. | 0:29:21 | 0:29:24 | |
He felt that having a rigid, fixed plane wingspan | 0:29:24 | 0:29:27 | |
was not the answer for flight, and unfortunately, we know today | 0:29:27 | 0:29:32 | |
with the planes that we have that that IS the most successful way | 0:29:32 | 0:29:35 | |
to achieve human flight. | 0:29:35 | 0:29:37 | |
So, I don't think that he was successful, | 0:29:37 | 0:29:39 | |
but I think his idea was really interesting, | 0:29:39 | 0:29:41 | |
because he was looking for something efficient designed by nature. | 0:29:41 | 0:29:44 | |
Shortly after Pettigrew's unsuccessful and painful flight, | 0:29:44 | 0:29:48 | |
the Wright brothers went on to achieve the first | 0:29:48 | 0:29:51 | |
powered, sustained and controlled flight of an aeroplane in 1903. | 0:29:51 | 0:29:56 | |
James Bell Pettigrew died in 1908, | 0:29:56 | 0:29:58 | |
but his research on animal locomotion | 0:29:58 | 0:30:01 | |
and his passion for flight is not forgotten. | 0:30:01 | 0:30:04 | |
I think he showed us how keen attention to detail | 0:30:05 | 0:30:08 | |
and looking at these animals very closely | 0:30:08 | 0:30:10 | |
could reveal secrets that even today if we look at | 0:30:10 | 0:30:12 | |
aeronautics and how things are developing, | 0:30:12 | 0:30:14 | |
and our race for the skies continues onwards and upwards into space, | 0:30:14 | 0:30:18 | |
that there's still many secrets to behold | 0:30:18 | 0:30:20 | |
in the natural world around us. | 0:30:20 | 0:30:22 | |
Bianca, it's been wonderful to see how this great man, Bell Pettigrew, | 0:30:22 | 0:30:25 | |
achieved what he did. | 0:30:25 | 0:30:27 | |
I've really enjoyed it and thank you for an education. | 0:30:27 | 0:30:31 | |
James still has some serious shopping to do, | 0:30:31 | 0:30:34 | |
so he's made his way to Rait in Perthshire. | 0:30:34 | 0:30:37 | |
He's come to Rait Antiques Centre. | 0:30:37 | 0:30:39 | |
There is an eclectic mix of antiques and vintage items, | 0:30:39 | 0:30:43 | |
and James still has over £200 available to spend. | 0:30:43 | 0:30:46 | |
Dundee - our next stop. | 0:30:48 | 0:30:51 | |
Hang on, hee-hee, it's another copy of Charles' so-called rare book. | 0:30:51 | 0:30:55 | |
Oh, dear! | 0:30:55 | 0:30:57 | |
What does it say here? | 0:30:57 | 0:30:58 | |
Right, James, with dealer David at your side, what can you find? | 0:31:01 | 0:31:05 | |
That's got a good top, hasn't it? | 0:31:06 | 0:31:08 | |
-Hmm, is it a marble top? -Yeah. -Chinese. | 0:31:08 | 0:31:12 | |
Got a simplified look about it, hasn't it? | 0:31:14 | 0:31:17 | |
We've got some Chinese character marks on it. | 0:31:17 | 0:31:19 | |
The only problem is it's got a slight crack through it. | 0:31:19 | 0:31:23 | |
The dealer who owns this rosewood table is asking £150. Wow! | 0:31:23 | 0:31:27 | |
That is going out on a limb, isn't it? | 0:31:27 | 0:31:31 | |
150 for that. | 0:31:31 | 0:31:33 | |
David, it would be helpful if you, you know, | 0:31:33 | 0:31:36 | |
if I could get it nearer the hundred, but, you know, | 0:31:36 | 0:31:39 | |
it's worth a call, isn't it? | 0:31:39 | 0:31:41 | |
Yeah, sure is, it's Chinese. | 0:31:41 | 0:31:43 | |
What's he said then? | 0:31:46 | 0:31:47 | |
Tony would accept 100 on it because | 0:31:47 | 0:31:49 | |
-he needs to clear his stock. -Oh, well done. | 0:31:49 | 0:31:51 | |
-I think I'll buy it. -Excellent. -Thank you very much indeed. | 0:31:51 | 0:31:54 | |
-Good. -Thank you. | 0:31:54 | 0:31:55 | |
Cor, with £50 knocked off, | 0:31:55 | 0:31:57 | |
James has picked up the marble topped Jia Juan Li table. | 0:31:57 | 0:32:00 | |
Right, what's next? | 0:32:00 | 0:32:02 | |
This is quite fun, isn't it? | 0:32:02 | 0:32:04 | |
I remember no home was without a cradle, wasn't it? | 0:32:04 | 0:32:07 | |
Everybody had a cradle on their landing. | 0:32:07 | 0:32:10 | |
I believe this is a Scottish one and you can imagine sitting in a chair | 0:32:10 | 0:32:14 | |
using your foot to rock the cradle. | 0:32:14 | 0:32:16 | |
It's rather nice, isn't it? | 0:32:16 | 0:32:18 | |
What's the best that could be? | 0:32:18 | 0:32:20 | |
The price is on it at the moment. | 0:32:20 | 0:32:21 | |
It's on at 95. | 0:32:23 | 0:32:24 | |
Is that the sort of thing that could be sort of 40 or 50? | 0:32:25 | 0:32:28 | |
50 would be possible. | 0:32:28 | 0:32:30 | |
-50 would be... -It's certainly possible, yeah. | 0:32:30 | 0:32:33 | |
We've also got this and I don't know if that would make a lot with it? | 0:32:33 | 0:32:36 | |
It's a child's woven cradle, | 0:32:36 | 0:32:38 | |
and the two perhaps would make a lot together. | 0:32:38 | 0:32:41 | |
This one's only on at £18, but... | 0:32:41 | 0:32:43 | |
Are you offering to throw that in then, David? | 0:32:43 | 0:32:46 | |
An extra tenner would be fine. | 0:32:46 | 0:32:48 | |
CHUCKLING: Nice try, Braxton. | 0:32:50 | 0:32:53 | |
Would you do that one for £4? | 0:32:53 | 0:32:55 | |
-So making 54? -Yes, we would. -You would? | 0:32:56 | 0:32:59 | |
-Yes, that would... -OK, go on, I'll buy that. | 0:32:59 | 0:33:01 | |
-Thank you very much. -For the two. -That's super. | 0:33:01 | 0:33:03 | |
Another kind discount and another lot bought. | 0:33:03 | 0:33:07 | |
But it doesn't look like James is done just yet. | 0:33:07 | 0:33:10 | |
What are these woods here? | 0:33:10 | 0:33:11 | |
They look rather nice. Are they anything to do with you? | 0:33:11 | 0:33:13 | |
No, they're not, but they are beautiful. | 0:33:13 | 0:33:16 | |
They're lignum vitae. | 0:33:16 | 0:33:18 | |
Beautiful condition, actually. | 0:33:18 | 0:33:20 | |
-Bowling balls. -"G.O. McKay of Edinburgh." | 0:33:20 | 0:33:24 | |
They're beautiful objects, aren't they? | 0:33:24 | 0:33:27 | |
The dealer has a ticket price of £69 on these bowls. | 0:33:27 | 0:33:31 | |
I haven't got £69. I HAVE got 50. | 0:33:31 | 0:33:34 | |
Do you think they might do 50? | 0:33:34 | 0:33:36 | |
I think it's very close to the mark. | 0:33:38 | 0:33:40 | |
Would you like me to contact them and ask? | 0:33:40 | 0:33:42 | |
My only tolerance is 34p above 50. | 0:33:42 | 0:33:45 | |
£50.34 is your... | 0:33:45 | 0:33:46 | |
JAMES LAUGHS | 0:33:46 | 0:33:48 | |
I'll go and see if that... I think... | 0:33:48 | 0:33:49 | |
I'm willing to give them the 34p! | 0:33:49 | 0:33:52 | |
Another quick call and David's back. | 0:33:52 | 0:33:54 | |
-What news, David? -You're in luck. £50.50 will do it. | 0:33:55 | 0:33:59 | |
I haven't got 50p, I've got 34. | 0:33:59 | 0:34:02 | |
-That will do fine. -Good. | 0:34:02 | 0:34:04 | |
Phew! | 0:34:04 | 0:34:06 | |
I'd hate 16p to be the breaking point! | 0:34:06 | 0:34:11 | |
With every last penny spent, James walks away with the table, | 0:34:11 | 0:34:15 | |
the two rocking cradles, the set of woods, | 0:34:15 | 0:34:18 | |
which he adds to his earlier purchases - | 0:34:18 | 0:34:21 | |
the silver cigarette case and the Victorian table billiards set, | 0:34:21 | 0:34:25 | |
giving him a total of five lots to take to auction. | 0:34:25 | 0:34:28 | |
Charles has also bought five lots. | 0:34:30 | 0:34:32 | |
The Scottish cannonball, | 0:34:32 | 0:34:34 | |
the Crown Devon Maritime dish, | 0:34:34 | 0:34:36 | |
the late 19th-century rare book on Dundee - | 0:34:36 | 0:34:39 | |
well, they say "rare" - | 0:34:39 | 0:34:41 | |
the pair of brass candlesticks and the toleware candlestick. | 0:34:41 | 0:34:44 | |
He's spent a total of £255. | 0:34:44 | 0:34:47 | |
So, what do they think of each other's lots? | 0:34:47 | 0:34:51 | |
Not a lot, I suspect. | 0:34:51 | 0:34:53 | |
My great dapper man, and he is dapper, | 0:34:53 | 0:34:55 | |
he's bought a really interesting, dapper array of objects. | 0:34:55 | 0:34:58 | |
I love his Chinese table. | 0:34:58 | 0:34:59 | |
That really has potential Eastern promise to create worldwide news | 0:34:59 | 0:35:04 | |
and could be the headliner at the auction. | 0:35:04 | 0:35:06 | |
Charles has steamed in with the big tactical buy, | 0:35:06 | 0:35:10 | |
a very large Bible of Dundee. | 0:35:10 | 0:35:12 | |
Some great plates in there. | 0:35:12 | 0:35:14 | |
£150, it's good, fresh condition, who knows? | 0:35:14 | 0:35:18 | |
Love his cigarette case. | 0:35:18 | 0:35:19 | |
It was inexpensive, it was heavy, it was solid silver. | 0:35:19 | 0:35:22 | |
Fantastic gauge. | 0:35:22 | 0:35:24 | |
If it doesn't make £50, I'll be very, very surprised. | 0:35:24 | 0:35:27 | |
Early candlesticks used to make big money, but they're... No more. | 0:35:27 | 0:35:31 | |
I don't know, would I swap or not? I think I'll stick with mine. | 0:35:31 | 0:35:34 | |
There's no time to change. | 0:35:36 | 0:35:38 | |
James has been reunited with Charles and they're now en route | 0:35:38 | 0:35:41 | |
to auction in the city of Dundee. | 0:35:41 | 0:35:44 | |
The place with the rare books. | 0:35:44 | 0:35:45 | |
-James, hold tight. We are going over the River Tay Bridge... -Tay. | 0:35:47 | 0:35:53 | |
Look at this. | 0:35:53 | 0:35:55 | |
Today's auction will take place at Curr & Dewar Auctioneers | 0:35:55 | 0:35:58 | |
in the heart of the city, | 0:35:58 | 0:36:00 | |
where they know about rare books. | 0:36:00 | 0:36:02 | |
-What a beautiful day. -What could go wrong? | 0:36:02 | 0:36:05 | |
Exactly. Exactly. | 0:36:05 | 0:36:07 | |
What could possibly go wrong? | 0:36:07 | 0:36:08 | |
Sometimes do you feel, James, a city's on your side? | 0:36:08 | 0:36:12 | |
Do you feel Dundee will be right for us? | 0:36:12 | 0:36:14 | |
Hmm, Charles is hopeful. Could be to do with rare books. | 0:36:15 | 0:36:18 | |
But what will the man with the gavel today, auctioneer Stephen Dewar, | 0:36:18 | 0:36:21 | |
think of our experts' lots? | 0:36:21 | 0:36:23 | |
Well, one of the lots today is a Lamb's Dundee, | 0:36:23 | 0:36:26 | |
as they call them locally, a big leatherbound book | 0:36:26 | 0:36:30 | |
of Dundee properties and Dundee as the old city. | 0:36:30 | 0:36:33 | |
They usually sell quite well. | 0:36:33 | 0:36:35 | |
They're quite collectable in the local area. | 0:36:35 | 0:36:37 | |
The rocking cradle's quite nice. | 0:36:37 | 0:36:39 | |
It's nicely painted. | 0:36:39 | 0:36:42 | |
Value-wise, I would be looking at around 50 to £80 on the cradle. | 0:36:42 | 0:36:46 | |
The room's filling up and the boys are seated and raring to go. | 0:36:46 | 0:36:51 | |
You know, I think we could be smiling | 0:36:51 | 0:36:52 | |
-on our departure from Dundee. -Really? -If we get lucky. | 0:36:52 | 0:36:56 | |
Yeah, well, time will soon tell - as we're off. | 0:36:56 | 0:36:59 | |
First up are James' two rocking cradles. | 0:36:59 | 0:37:01 | |
-30? -30! | 0:37:03 | 0:37:04 | |
-30 is bid. -Oh, hello! | 0:37:04 | 0:37:06 | |
I have £30, front left, £30. | 0:37:06 | 0:37:08 | |
A bid anywhere? I have £30. | 0:37:08 | 0:37:09 | |
35. 40. 45. 50. | 0:37:09 | 0:37:14 | |
-Wow. -£50 is front. | 0:37:14 | 0:37:16 | |
£50 front right, at 50 and selling, all done? | 0:37:16 | 0:37:20 | |
Ah, that's a shame, but it's only a little loss. | 0:37:22 | 0:37:25 | |
Unlucky. Doesn't matter. | 0:37:26 | 0:37:28 | |
It's... | 0:37:28 | 0:37:29 | |
It's a start. | 0:37:29 | 0:37:31 | |
That it is, Charles. | 0:37:31 | 0:37:33 | |
Up next, your brass candlesticks. | 0:37:33 | 0:37:35 | |
£60 now. Opening bidder, at £60... | 0:37:35 | 0:37:38 | |
-Are you sure? -Come on! -On commission at £60. -On commission! | 0:37:38 | 0:37:41 | |
-Are you sure now? -There's legs in them, there's legs. | 0:37:41 | 0:37:44 | |
-There's legs, there's legs! -Last chance, first bidder, first price. | 0:37:44 | 0:37:48 | |
-Thank you. -Cor, cheap enough. | 0:37:48 | 0:37:50 | |
A maiden bid there sees Charles kick off with a profit. | 0:37:50 | 0:37:53 | |
One small Dundee step. | 0:37:53 | 0:37:55 | |
Right, James, you're playing catch up with your lignum vitae woods. | 0:37:55 | 0:38:00 | |
Commission starts me at £20. | 0:38:00 | 0:38:02 | |
-Oh, God. -Need to move. -I have £20, a set of four woods at £20. | 0:38:02 | 0:38:05 | |
Any advance now at £20? | 0:38:05 | 0:38:07 | |
All done then? | 0:38:07 | 0:38:08 | |
Another maiden bid, but this time producing a loss. | 0:38:10 | 0:38:14 | |
You bought with your heart, | 0:38:14 | 0:38:15 | |
you bought with passion, and those balls were cheap, | 0:38:15 | 0:38:18 | |
-and that's life and that's... -That's life, isn't it? | 0:38:18 | 0:38:21 | |
Charles' next lot is up now. | 0:38:22 | 0:38:23 | |
Will his toleware candlestick attract much attention? | 0:38:23 | 0:38:27 | |
15 bid. £15 it is now. | 0:38:28 | 0:38:30 | |
Oh, £15, I thought 50! | 0:38:30 | 0:38:33 | |
Come on! That's too cheap. | 0:38:33 | 0:38:34 | |
At 15, any advance at 15? | 0:38:34 | 0:38:36 | |
25. £25. | 0:38:36 | 0:38:38 | |
Any advance at £25? | 0:38:38 | 0:38:40 | |
-Surely one more. -All done then? | 0:38:40 | 0:38:42 | |
Agh, they're certainly proving a tough crowd here today. Bad luck. | 0:38:43 | 0:38:49 | |
I don't believe it. | 0:38:49 | 0:38:50 | |
That's... Now, that's what I call a result. | 0:38:50 | 0:38:53 | |
Hello? Is anyone here? | 0:38:53 | 0:38:55 | |
Don't get too smug, James. | 0:38:55 | 0:38:57 | |
Your pricey purchase it up next. | 0:38:57 | 0:38:59 | |
The Jia Juan Li marble-topped table. | 0:38:59 | 0:39:02 | |
At 75. 80. Five. 90. Five. | 0:39:02 | 0:39:05 | |
100. Five. 110. | 0:39:05 | 0:39:07 | |
-Good man. -110 with the porter. | 0:39:07 | 0:39:10 | |
-Any advance at 110? Are you all done? -It's a loss. | 0:39:10 | 0:39:13 | |
-At £110... -Come on, come on. | 0:39:13 | 0:39:14 | |
Oh, James. After auction house costs, | 0:39:16 | 0:39:18 | |
that will be another small loss. | 0:39:18 | 0:39:20 | |
-£10 loss. -Doesn't matter, though. | 0:39:22 | 0:39:23 | |
It was worth a gamble. | 0:39:23 | 0:39:25 | |
Time now to find out if the Scottish cannonball | 0:39:25 | 0:39:27 | |
will make Charles a profit. | 0:39:27 | 0:39:30 | |
I'll open it up at £30 on commission. | 0:39:30 | 0:39:32 | |
-Come on. -At £30, two commission buyers. | 0:39:32 | 0:39:34 | |
-35. 40. -Surely one more. | 0:39:34 | 0:39:36 | |
Five. 50. Five. | 0:39:36 | 0:39:37 | |
-Come on! -Commission buyer's at 55. | 0:39:37 | 0:39:39 | |
-Any more? -60 anywhere? | 0:39:39 | 0:39:40 | |
-Any more? -At £55, any advance at 55? | 0:39:40 | 0:39:43 | |
Well done. | 0:39:43 | 0:39:45 | |
Fantastic profit there for Charles, well done. | 0:39:45 | 0:39:48 | |
Thank you, Scotland. | 0:39:48 | 0:39:50 | |
I'll come again. | 0:39:50 | 0:39:51 | |
How will the crowd take to James' table billiard set? | 0:39:52 | 0:39:56 | |
£25 is bid. | 0:39:56 | 0:39:58 | |
At £25 there , for a lot, at £25. | 0:39:58 | 0:40:01 | |
-Good lad. -30. Five. -40. -40. | 0:40:01 | 0:40:03 | |
-Five. -40 on my right. | 0:40:03 | 0:40:05 | |
At £40, any advance at 40? | 0:40:05 | 0:40:07 | |
Are you bidding? At £40 on my right, very last chance. | 0:40:07 | 0:40:10 | |
Needs one more for profit. One more, come on. | 0:40:10 | 0:40:12 | |
-At £40, 45. -Well done, sir. | 0:40:12 | 0:40:14 | |
-50. £50 on my right. -That's good. | 0:40:14 | 0:40:16 | |
-Well done. Profit. -£50, all done then at 50. -Good man. | 0:40:16 | 0:40:20 | |
I'm selling... Thank you. | 0:40:20 | 0:40:22 | |
That's more like it. | 0:40:22 | 0:40:24 | |
-Well done. That's good. -I got away with it. | 0:40:24 | 0:40:26 | |
That's good. You know, chin down, bit of that. | 0:40:26 | 0:40:29 | |
-Slightly washing the face. -Bit of that. | 0:40:29 | 0:40:31 | |
Next up, it's Charles's Crown Devon dish. Ooh-arr!. | 0:40:31 | 0:40:35 | |
£20 for it. | 0:40:35 | 0:40:36 | |
-10? -Oh, I say. | 0:40:36 | 0:40:39 | |
-Ten is the wave. -Come on. -15, ma'am? | 0:40:39 | 0:40:41 | |
20. Five. 30. Five. | 0:40:41 | 0:40:43 | |
-£35. -Come on. -At 35 now, any advance at £35? | 0:40:43 | 0:40:48 | |
-Are you bidding? -I'm stuck in my chair. | 0:40:48 | 0:40:50 | |
At 35.... | 0:40:50 | 0:40:52 | |
Nicely done. Good news for Charles. | 0:40:52 | 0:40:55 | |
-Happy? -I'm not happy. You may be happy. | 0:40:55 | 0:40:58 | |
Will James' final lot, his silver cigarette case, | 0:41:00 | 0:41:02 | |
put a smile on his face? | 0:41:02 | 0:41:04 | |
At £20. Five. 30. Five. | 0:41:05 | 0:41:07 | |
-40. Five. -40...five. | 0:41:07 | 0:41:11 | |
There you go, told you - £45 for it. | 0:41:11 | 0:41:12 | |
-Almost. -There you go. | 0:41:12 | 0:41:15 | |
£50 at the bed, at £50. | 0:41:15 | 0:41:17 | |
Any advance at £50? | 0:41:17 | 0:41:19 | |
-That's amazing, James. -Better, isn't it? -£50... | 0:41:19 | 0:41:22 | |
Now, you HAVE to be pleased with that. | 0:41:23 | 0:41:26 | |
-That's a good margin. -That was my first purchase and my last sale. | 0:41:26 | 0:41:30 | |
And that gives you a nice big step forward. | 0:41:31 | 0:41:35 | |
Right, time to get serious, Charles. It's the biggie. | 0:41:35 | 0:41:38 | |
Your 19th century limited edition book on Dundee. | 0:41:38 | 0:41:41 | |
At £80 it is for Lamb's Dundee. | 0:41:41 | 0:41:43 | |
-Let's go. -£80. -Let's go. | 0:41:43 | 0:41:45 | |
-Come on, let's go! -110, 120... | 0:41:45 | 0:41:47 | |
-Let's go! -..130, 140... -Come on! | 0:41:47 | 0:41:49 | |
-..150, 160... -Come on! | 0:41:49 | 0:41:50 | |
-Fantastic! -..170. I'm out now. | 0:41:50 | 0:41:52 | |
170 is there. | 0:41:52 | 0:41:54 | |
-Anybody else in? -Surely. | 0:41:54 | 0:41:56 | |
£170... | 0:41:56 | 0:41:58 | |
It was a risky punt, and it's paid off. Marvellous. | 0:41:58 | 0:42:01 | |
Shall we hit the road? | 0:42:01 | 0:42:03 | |
Good to go, jacket on? | 0:42:03 | 0:42:04 | |
I think we should go, yeah. | 0:42:04 | 0:42:06 | |
Auction done, it's time to talk figures. | 0:42:06 | 0:42:09 | |
James started this leg with £260.34. | 0:42:09 | 0:42:12 | |
Unfortunately, he made a little loss of £30.74 after auction costs. | 0:42:12 | 0:42:18 | |
But this still leaves him with a healthy £229.60. | 0:42:18 | 0:42:24 | |
Oh, yes. | 0:42:24 | 0:42:26 | |
Charles began with £266.40 and he managed to make a profit, | 0:42:26 | 0:42:30 | |
gaining £27.90 after auction costs, giving him £294.30, | 0:42:30 | 0:42:38 | |
which means he wins again and goes into the next leg in the lead. | 0:42:38 | 0:42:43 | |
-How do you feel? -Battered, both battered and bruised. | 0:42:43 | 0:42:48 | |
I truly feel you were unlucky today. | 0:42:48 | 0:42:50 | |
Do you? And you were lucky of course. | 0:42:50 | 0:42:52 | |
-Exactly. -Smelling of roses again. | 0:42:52 | 0:42:55 | |
Name of the game, James. | 0:42:55 | 0:42:57 | |
-Hold tight, James. -OK. -Give our great friends a wave. | 0:42:57 | 0:43:00 | |
A royal wave from Dundee. | 0:43:00 | 0:43:02 | |
Tootle pip, road trippers. | 0:43:02 | 0:43:04 | |
Bye! | 0:43:04 | 0:43:05 | |
Next time, the Scottish road trip continues... | 0:43:05 | 0:43:07 | |
Bless you. ..as the boys hunt down top antiques and each other. | 0:43:09 | 0:43:14 | |
JAMES LAUGHS | 0:43:14 | 0:43:15 | |
Charles, you great berk. | 0:43:15 | 0:43:17 | |
THEY LAUGH | 0:43:17 | 0:43:19 |