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It's the nation's favourite antiques experts. | 0:00:02 | 0:00:04 | |
That's cracking. | 0:00:04 | 0:00:05 | |
-With £200 each... -Wonderful. | 0:00:05 | 0:00:07 | |
..a classic car and a goal - to scour Britain for antiques. | 0:00:07 | 0:00:11 | |
That's exactly what I'm talking about. | 0:00:11 | 0:00:13 | |
I'm all over a shiver. | 0:00:13 | 0:00:14 | |
The aim - to make the biggest profit at auction, but it's no mean feat. | 0:00:14 | 0:00:17 | |
-No-brainer. -Going, going, gone. | 0:00:17 | 0:00:19 | |
There'll be worthy winners and valiant losers. | 0:00:19 | 0:00:23 | |
So, will it be the high road to glory... | 0:00:23 | 0:00:25 | |
Push. | 0:00:25 | 0:00:26 | |
..or the slow road to disaster? | 0:00:26 | 0:00:28 | |
How awfully, awfully nice. | 0:00:28 | 0:00:29 | |
This is Antiques Road Trip. | 0:00:29 | 0:00:32 | |
Yeah! | 0:00:33 | 0:00:35 | |
It's the third instalment of this week's epic adventure | 0:00:35 | 0:00:39 | |
for our auctioneers extraordinaire, | 0:00:39 | 0:00:42 | |
Charles Hanson and James Braxton. | 0:00:42 | 0:00:44 | |
-What are you, now? 58? -I'm not 58! | 0:00:44 | 0:00:48 | |
I'm warming up for the big 49... | 0:00:48 | 0:00:51 | |
-Are you serious? -Hey? Hey? | 0:00:51 | 0:00:53 | |
Ow! My ribcage! | 0:00:53 | 0:00:55 | |
Charles is a hotshot antiques expert who likes to be in charge. | 0:00:56 | 0:01:01 | |
Yeah, I'm very comfortable here. This is more me. Sold. | 0:01:01 | 0:01:04 | |
Going, going, gone. | 0:01:04 | 0:01:06 | |
His nemesis on this road trip is antiques guru James, | 0:01:06 | 0:01:09 | |
who is bursting with antique knowledge... | 0:01:09 | 0:01:11 | |
Literally. | 0:01:11 | 0:01:13 | |
Whoopsie. Gesundheit. | 0:01:13 | 0:01:16 | |
From his starting stake of £200, | 0:01:16 | 0:01:18 | |
James has £229.60 in his wallet. | 0:01:18 | 0:01:22 | |
While Charles' profitable purchases | 0:01:22 | 0:01:24 | |
have turned his original £200 into £294.30, | 0:01:24 | 0:01:29 | |
so he's out in front and enjoying it. | 0:01:29 | 0:01:33 | |
-I think I am the antique whisperer. -Do you? | 0:01:33 | 0:01:35 | |
Although, one man thought I was a Ken Barlow on antiques. | 0:01:35 | 0:01:38 | |
-LAUGHING: -Ken Barlow. | 0:01:38 | 0:01:39 | |
I guess that makes you Deirdre, then, James. | 0:01:39 | 0:01:42 | |
On this trip, our boys are travelling in style in | 0:01:42 | 0:01:44 | |
this 1964 DKW 1000 coupe. | 0:01:44 | 0:01:48 | |
It was manufactured before seatbelts were mandatory, | 0:01:48 | 0:01:51 | |
so our experts aren't wearing any, got it? | 0:01:51 | 0:01:55 | |
-I'm going to buy really old things. -Good. Please. | 0:01:55 | 0:01:59 | |
That is what will get my juice... | 0:01:59 | 0:02:00 | |
That is what will get my sap rising. | 0:02:00 | 0:02:03 | |
We're not after your sap. | 0:02:03 | 0:02:04 | |
Quite right. | 0:02:04 | 0:02:06 | |
After beginning their epic trip in the Highlands, | 0:02:07 | 0:02:10 | |
Charles and James are journeying all over Bonnie Scotland, | 0:02:10 | 0:02:12 | |
taking in the north-east and the central belt | 0:02:12 | 0:02:15 | |
before finishing over the border in Berwick-upon-Tweed. | 0:02:15 | 0:02:19 | |
This leg will get going in Glasgow and end in Hamilton for auction. | 0:02:20 | 0:02:25 | |
Shopping kicks off with a visit to Scotland's largest city - | 0:02:27 | 0:02:30 | |
a wet and windy Glasgow. | 0:02:30 | 0:02:32 | |
What's new? | 0:02:32 | 0:02:33 | |
Good egg that he is, | 0:02:33 | 0:02:34 | |
James is dropping off Charles at the first shop. | 0:02:34 | 0:02:38 | |
Isn't that lovely? See that the old boy doesn't get wet, eh? | 0:02:38 | 0:02:40 | |
-This is it, James. -I'll tell you what? | 0:02:40 | 0:02:42 | |
This could be the Glasgow kiss of antiques. | 0:02:42 | 0:02:45 | |
James, if it is a Glasgow kiss, | 0:02:45 | 0:02:47 | |
it will be the head-butt of all antiques. | 0:02:47 | 0:02:50 | |
-Keep it new. -On your head, son. Have a good day. See you later. | 0:02:50 | 0:02:55 | |
This emporium is bursting with potential buys. | 0:02:55 | 0:02:58 | |
Dealer John is on hand to help. Hi, John. | 0:02:58 | 0:03:00 | |
This is now Antiques Road Trip time. Quiet, please. | 0:03:00 | 0:03:05 | |
I would appreciate no disturbance, OK? No disturbance. | 0:03:05 | 0:03:09 | |
Well, that's us told, then. | 0:03:09 | 0:03:10 | |
This is what I do on my day job. | 0:03:18 | 0:03:20 | |
Yeah, I am very comfortable here. This is more me. Sold. | 0:03:21 | 0:03:24 | |
Going, going, gone. | 0:03:24 | 0:03:26 | |
Today is about buying, not selling, chap. | 0:03:26 | 0:03:28 | |
Now, what have you got there? | 0:03:28 | 0:03:31 | |
Isn't that nice? | 0:03:31 | 0:03:32 | |
A little barometer. | 0:03:34 | 0:03:35 | |
Set to fair, at the moment, is our road trip. | 0:03:35 | 0:03:39 | |
It could get stormy. It could get stormy. | 0:03:39 | 0:03:42 | |
The reason I like this | 0:03:42 | 0:03:43 | |
is it's almost got this militaria association. | 0:03:43 | 0:03:48 | |
It reads here, "To Sgt Maj Hardy on his marriage | 0:03:48 | 0:03:52 | |
"from his squadron leader captain, the Honourable RH Lindsay, | 0:03:52 | 0:03:57 | |
"Royal Scots Greys." | 0:03:57 | 0:03:59 | |
It's in oak and a good barometer. It's circa 1910. | 0:03:59 | 0:04:03 | |
Could it be a great price? There's no price on it. | 0:04:03 | 0:04:06 | |
The barometer isn't John's to sell, | 0:04:06 | 0:04:08 | |
but luckily the dealer's wife is in the shop today, Julie. | 0:04:08 | 0:04:11 | |
What is your man willing to accept, then, girl? | 0:04:11 | 0:04:14 | |
-He says you can have it for 40. -Oh, don't say that. | 0:04:14 | 0:04:17 | |
-You've got to fall in love with an object. -That's true. | 0:04:17 | 0:04:20 | |
I think this object has a real history, | 0:04:20 | 0:04:23 | |
so I think with that price, I shall buy it. | 0:04:23 | 0:04:26 | |
First lot bought - anything else grab you, Charles? | 0:04:29 | 0:04:32 | |
There's this lovely little dish. | 0:04:32 | 0:04:33 | |
Elkington-style with an agricultural scene. | 0:04:33 | 0:04:37 | |
It's been described as being on copper. | 0:04:37 | 0:04:40 | |
It's silver-plated but just very nice quality. | 0:04:40 | 0:04:45 | |
With the ticket price of £70, | 0:04:46 | 0:04:48 | |
is there a deal to be done with John? | 0:04:48 | 0:04:50 | |
What is the best on that if I bought that? | 0:04:50 | 0:04:53 | |
60. | 0:04:53 | 0:04:54 | |
-Interesting. You wouldn't take 50 for it? -Can't do it. | 0:04:54 | 0:04:59 | |
I'll take it for £60 and take a gamble with it, | 0:04:59 | 0:05:01 | |
because it is just a nice object. | 0:05:01 | 0:05:03 | |
Sometimes when the heart says yes, your heart says yes. | 0:05:03 | 0:05:07 | |
From one man's heart to a Scottish heart, | 0:05:07 | 0:05:09 | |
I will take it. | 0:05:09 | 0:05:10 | |
Thanks a lot, sir. | 0:05:10 | 0:05:11 | |
Good. A second lot secured for £60. But how about a third? | 0:05:11 | 0:05:15 | |
Hang on, this piece of porcelain | 0:05:15 | 0:05:16 | |
looks like it has seen better days, Charles. | 0:05:16 | 0:05:18 | |
This is a lovely little dish. | 0:05:20 | 0:05:21 | |
This is hand-enamelled with a very attractive lady. | 0:05:21 | 0:05:25 | |
What I like about this is the gilding on this rim. | 0:05:25 | 0:05:29 | |
But we talk about condition, condition is so important, | 0:05:29 | 0:05:32 | |
and you will see on the back, it has been plastered. | 0:05:32 | 0:05:35 | |
The wounds have been healed. | 0:05:35 | 0:05:36 | |
You have got cracks, you've got some quite serious damage, | 0:05:36 | 0:05:41 | |
and the old wire from where it's been held up. | 0:05:41 | 0:05:44 | |
It will date to around 1880, made at Dresden in Germany, | 0:05:44 | 0:05:49 | |
like Staffordshire is to England, a huge epicentre, | 0:05:49 | 0:05:53 | |
but it is completely smashed, isn't it, John? | 0:05:53 | 0:05:56 | |
What's the best price on that? | 0:05:56 | 0:05:57 | |
-For you? -Yes. £1. | 0:05:57 | 0:05:59 | |
£1? | 0:06:00 | 0:06:02 | |
-Yes. -For 100 pence, I will take her. | 0:06:02 | 0:06:05 | |
-Going, going, gone. -No problem. -Thanks a lot, John. | 0:06:05 | 0:06:07 | |
That's another programme, isn't it? | 0:06:07 | 0:06:09 | |
Anyway, three lots bought. Well done. | 0:06:09 | 0:06:11 | |
James, meanwhile, has motored 23 miles south-west | 0:06:14 | 0:06:17 | |
to Kilbirnie in Ayrshire, home of The Stirrup Cup, | 0:06:17 | 0:06:22 | |
a lovely little antique shop that James has visited before. | 0:06:22 | 0:06:26 | |
Look out. | 0:06:26 | 0:06:27 | |
-Hello. -Hello, James. -Greta, how are you? | 0:06:27 | 0:06:31 | |
I'm very well. Nice to have you back. | 0:06:31 | 0:06:32 | |
Yeah, lovely to be back, isn't it? | 0:06:32 | 0:06:34 | |
What have you got, Greta? Have you got some goodies at the moment? | 0:06:34 | 0:06:37 | |
Something interesting? | 0:06:37 | 0:06:38 | |
On my way here, I dropped off Charles, and I said to Charles, | 0:06:38 | 0:06:41 | |
"What I want to buy is things of age." | 0:06:41 | 0:06:45 | |
With a selection of antiques and curios, | 0:06:48 | 0:06:50 | |
you're bound to find something old in here. | 0:06:50 | 0:06:53 | |
Look at the condition of that bell. It's got a bit of history, though. | 0:06:54 | 0:06:59 | |
-That's had a direct hit. -The Blitz in Glasgow. | 0:06:59 | 0:07:03 | |
-So where did this come from? -Clydebank. | 0:07:03 | 0:07:05 | |
That is where we had a lot of our problems. | 0:07:05 | 0:07:08 | |
-Isn't that great? -Isn't it great? | 0:07:08 | 0:07:10 | |
So this comes from Clydebank. | 0:07:10 | 0:07:12 | |
The poor air raid warden wouldn't wear that, would he? | 0:07:12 | 0:07:15 | |
-That would have been on his door. -That would have been on his door. | 0:07:15 | 0:07:18 | |
Yes. It is all bumped and bashed, isn't it? | 0:07:18 | 0:07:20 | |
It's quite funny that it's an ARP warden... So Air Raid... | 0:07:20 | 0:07:25 | |
-Air Raid Personnel. -Air Raid Personnel. | 0:07:25 | 0:07:28 | |
..would have had a direct hit. | 0:07:28 | 0:07:30 | |
How much are those two, Greta? | 0:07:30 | 0:07:32 | |
Well, I could do the two for 40 for you. | 0:07:32 | 0:07:34 | |
-40. It's got history, hasn't it? -Yes. -That certainly has. | 0:07:34 | 0:07:38 | |
I quite like that. I think I'm going to put that aside, Greta. | 0:07:38 | 0:07:43 | |
Touching history, that's what we need to do. | 0:07:43 | 0:07:46 | |
Looks like James has spotted another bit of history | 0:07:46 | 0:07:48 | |
in the form of an oak table. | 0:07:48 | 0:07:51 | |
Oh, yes. | 0:07:51 | 0:07:52 | |
The table is Arts and Crafts, | 0:07:52 | 0:07:54 | |
so you're looking at, what, 1890, 1900? | 0:07:54 | 0:07:59 | |
It has been restored... | 0:07:59 | 0:08:01 | |
Yeah, it looks very clean, doesn't it? | 0:08:01 | 0:08:03 | |
-It is in perfect condition. -Nice piece, that. | 0:08:03 | 0:08:06 | |
It's good, isn't it? | 0:08:06 | 0:08:07 | |
With a ticket price of £225, the table is set aside for now | 0:08:07 | 0:08:12 | |
because something shiny has caught James' eye. | 0:08:12 | 0:08:15 | |
They are very stylish, aren't they? | 0:08:17 | 0:08:19 | |
-They are a stylish, aren't they? -They're early. | 0:08:19 | 0:08:22 | |
When the Orkney silver first took off, | 0:08:22 | 0:08:24 | |
which would be probably about the '70s, | 0:08:24 | 0:08:27 | |
Ola Gorie, she was one of the main designers for Ortak, | 0:08:27 | 0:08:34 | |
but they are so stylish. | 0:08:34 | 0:08:36 | |
It's nice to get something packaged. | 0:08:36 | 0:08:38 | |
Is that the little pamphlet that went originally with it as well? | 0:08:38 | 0:08:43 | |
Oh, I see. | 0:08:43 | 0:08:45 | |
It's quite nice to have that, isn't it? | 0:08:45 | 0:08:47 | |
He seems keen, but will Greta be willing to go lower | 0:08:47 | 0:08:50 | |
than the £50 ticket price? | 0:08:50 | 0:08:53 | |
I could do them for 25 for you, James. | 0:08:53 | 0:08:57 | |
What was the best you could do on that table? | 0:08:57 | 0:09:01 | |
The table... Well, I could do the table... | 0:09:01 | 0:09:03 | |
I could do the table for 80. | 0:09:03 | 0:09:05 | |
-80. -Yes. | 0:09:05 | 0:09:08 | |
That is a very generous discount. Right, James, decision time. | 0:09:08 | 0:09:11 | |
I'm going to definitely take earrings at 25. | 0:09:13 | 0:09:17 | |
I'm trailing a bit with my terrible partner, | 0:09:17 | 0:09:21 | |
old History Hanson is sort of moving away. | 0:09:21 | 0:09:26 | |
I think he will be rather envious of that. | 0:09:26 | 0:09:28 | |
Could you take a bit of that one, 70, | 0:09:28 | 0:09:30 | |
and then I will pay you the 40 on that | 0:09:30 | 0:09:33 | |
and then the 125, so it's 135? | 0:09:33 | 0:09:36 | |
-Right, OK. -Would that be all right? | 0:09:36 | 0:09:39 | |
-Yes, let's agree on that. -Thank you, that's very kind. | 0:09:39 | 0:09:42 | |
Very kind. I'm really pleased with that. | 0:09:42 | 0:09:44 | |
I've got history, I've got style, | 0:09:44 | 0:09:47 | |
and I've got that Glasgow, that great craftsmanship, really. | 0:09:47 | 0:09:52 | |
Yeah, it is a nice piece. It is a lovely piece. | 0:09:52 | 0:09:54 | |
Great. Really pleased. Really pleased. | 0:09:54 | 0:09:57 | |
So you should be. That's three lots bought £135 in your very first shop! | 0:09:57 | 0:10:02 | |
Charles has been back on the road and made his way to Prestwick. | 0:10:06 | 0:10:10 | |
Once thought as the only place in the UK | 0:10:10 | 0:10:12 | |
that Elvis Presley ever set foot, | 0:10:12 | 0:10:15 | |
Prestwick is also home to Nae Sae New. | 0:10:15 | 0:10:18 | |
That's a shop. | 0:10:18 | 0:10:19 | |
Dealer Gary has plenty of antiques and collectables on offer, | 0:10:19 | 0:10:22 | |
and it doesn't take Charles long to spot something he likes. | 0:10:22 | 0:10:25 | |
I like the spoons. They're nice, aren't they? | 0:10:27 | 0:10:30 | |
How much are those silver spoons, Gary? | 0:10:30 | 0:10:32 | |
Those ones are 35. | 0:10:32 | 0:10:33 | |
-And the best price, Gary, on those could be...to an old mate? -28. | 0:10:33 | 0:10:38 | |
They're quite sweet. | 0:10:38 | 0:10:40 | |
Right, the spoons are a possibility, and the search continues. | 0:10:40 | 0:10:45 | |
-We always like being able to root. -Get stuck in. | 0:10:45 | 0:10:48 | |
CHARLES LAUGHS | 0:10:48 | 0:10:50 | |
That's quite nice, isn't it, Gary? | 0:10:50 | 0:10:51 | |
A little... | 0:10:51 | 0:10:53 | |
Probably Regency in period. | 0:10:53 | 0:10:55 | |
If you are a man of some distinction, | 0:10:55 | 0:10:58 | |
you would certainly be using this at your desk | 0:10:58 | 0:11:01 | |
to rubber-stamp your letters with your wax seal. | 0:11:01 | 0:11:04 | |
I bet, Gary, it is quite good value. | 0:11:04 | 0:11:06 | |
-Very. -Tell me. -Fiver. -Yeah, I thought so. | 0:11:06 | 0:11:09 | |
Not bad at all, isn't it? I might put that on the side there, Gary. | 0:11:09 | 0:11:13 | |
What I also like is that. It's a rule, isn't it? | 0:11:13 | 0:11:17 | |
-Yes. -How early is that? -Late 19th, early 20th. | 0:11:17 | 0:11:21 | |
What could that be, best price? | 0:11:21 | 0:11:23 | |
-Eight. -That's your very best on that? | 0:11:23 | 0:11:25 | |
-See what else you come up with. -OK. | 0:11:25 | 0:11:26 | |
I will put it over there as well, Gary. | 0:11:26 | 0:11:30 | |
What's Gary got in there, then? | 0:11:30 | 0:11:33 | |
His stash. | 0:11:33 | 0:11:35 | |
Oh, I say! That is quite a sweet pendant, | 0:11:35 | 0:11:37 | |
isn't it, with a footballer? | 0:11:37 | 0:11:39 | |
Yes, it's got a compass on the other side. | 0:11:39 | 0:11:41 | |
Oh, how nice, Gary. How much is that? | 0:11:41 | 0:11:43 | |
I could do that for eight. | 0:11:43 | 0:11:45 | |
I'm going to take him out and put him on your counter | 0:11:45 | 0:11:48 | |
with my little rule and stamp. | 0:11:48 | 0:11:51 | |
I'm actually seeing a lot of objects that I'm quite taken by. | 0:11:51 | 0:11:54 | |
One second, I'm going down. | 0:11:54 | 0:11:57 | |
What we've got is a nice drum mustard | 0:11:57 | 0:11:59 | |
that's hallmarked Birmingham, made by Walker & Hall. | 0:11:59 | 0:12:02 | |
You've then got matching salt, with spoons. | 0:12:02 | 0:12:06 | |
They are all silver, which is nice. | 0:12:06 | 0:12:08 | |
How much, Gary, would all that be, there, out of interest? | 0:12:08 | 0:12:11 | |
30. | 0:12:14 | 0:12:16 | |
With a combined ticket price of £58 on the selection of silver | 0:12:16 | 0:12:20 | |
and £21 for the compass, rule and seal, | 0:12:20 | 0:12:23 | |
what's the best Gary will do? | 0:12:23 | 0:12:27 | |
-I would do 50. -OK. -I would do... | 0:12:27 | 0:12:30 | |
..15 for those three pieces. | 0:12:33 | 0:12:34 | |
I'm going to, for auction, put those three together. | 0:12:34 | 0:12:38 | |
-Right. -And pay £15. | 0:12:38 | 0:12:40 | |
-OK. -Done. OK. | 0:12:40 | 0:12:41 | |
I have now confirmed one lot. | 0:12:41 | 0:12:44 | |
I'm going to buy these spoons for £20. | 0:12:44 | 0:12:46 | |
Job done. Thank you very much. | 0:12:46 | 0:12:49 | |
Then, finally, I'm going to buy my group of metalware, | 0:12:49 | 0:12:54 | |
which is all silver, for £30. | 0:12:54 | 0:12:57 | |
Gary, thank you. | 0:12:57 | 0:12:59 | |
£65 has Charles another two lots for auction. Jolly good stuff. | 0:12:59 | 0:13:04 | |
Thanks for the memories. See you. | 0:13:04 | 0:13:07 | |
James, meanwhile, is still in Ayrshire, | 0:13:11 | 0:13:13 | |
and has made his way down to Ardeer, | 0:13:13 | 0:13:16 | |
which is in the bottom of our garden. Ha! | 0:13:16 | 0:13:18 | |
It was here in the late 19th century | 0:13:18 | 0:13:20 | |
that Swedish scientist and inventor Alfred Nobel | 0:13:20 | 0:13:24 | |
built what was, at the time, | 0:13:24 | 0:13:26 | |
the biggest explosives factory in the world. | 0:13:26 | 0:13:30 | |
After centuries of gunpowder ruling the explosives market, | 0:13:30 | 0:13:33 | |
everything changed when nitroglycerin was invented, | 0:13:33 | 0:13:36 | |
which Nobel then used to manufacture dynamite. | 0:13:36 | 0:13:40 | |
James is meeting local author Dr Eric Graham to find out more. | 0:13:40 | 0:13:44 | |
Boom-boom. | 0:13:44 | 0:13:45 | |
Eric, tell me about the man himself, Alfred Nobel. | 0:13:45 | 0:13:49 | |
Well, he was a Swedish chemist, engineer. | 0:13:49 | 0:13:52 | |
He takes this new product called nitroglycerin, | 0:13:52 | 0:13:56 | |
which was very unstable, and he makes it safe by mixing it | 0:13:56 | 0:14:02 | |
with a kind of moss, bog material, quite inert, | 0:14:02 | 0:14:06 | |
which he'll patent, and he'll call it dynamite. | 0:14:06 | 0:14:10 | |
This was no mean feat. | 0:14:10 | 0:14:12 | |
The volatile nature of nitroglycerin had caused many deaths, | 0:14:12 | 0:14:16 | |
including Nobel's youngest brother, Emil, | 0:14:16 | 0:14:20 | |
who was killed while experimenting with the dangerous liquid in 1864. | 0:14:20 | 0:14:24 | |
Crikey. Over the next three years, | 0:14:24 | 0:14:26 | |
Nobel focused on the safety issues with nitroglycerin. | 0:14:26 | 0:14:30 | |
In 1867, dynamite was born. | 0:14:30 | 0:14:32 | |
Although manufacturing was still dangerous, | 0:14:32 | 0:14:34 | |
the finished product was much safer to handle. | 0:14:34 | 0:14:37 | |
He was a very astute businessman. | 0:14:37 | 0:14:39 | |
He was very good at organising the capital. | 0:14:39 | 0:14:42 | |
He knew governments would be very interested, | 0:14:42 | 0:14:44 | |
because it's such a powerful explosive device. | 0:14:44 | 0:14:48 | |
With the British Empire expanding, demand for dynamite quickly grew | 0:14:48 | 0:14:52 | |
as it was ideal for blasting tunnels, cutting canals | 0:14:52 | 0:14:55 | |
and building railways and roads. | 0:14:55 | 0:14:58 | |
Of course, you will have 13,000 people working at the site alone. | 0:14:58 | 0:15:02 | |
-13,000 here? -Just here in Ardeer. -Really? | 0:15:02 | 0:15:05 | |
Nobel chose to build his factory on the Ardeer Peninsula | 0:15:05 | 0:15:09 | |
due to its remote location and huge sand dunes, | 0:15:09 | 0:15:12 | |
which provided natural safety features | 0:15:12 | 0:15:15 | |
for the dangerous manufacture of dynamite. | 0:15:15 | 0:15:18 | |
All these earthworks you see all round about you, | 0:15:18 | 0:15:21 | |
excavated out of sand dunes, | 0:15:21 | 0:15:24 | |
provides the unit production protection. | 0:15:24 | 0:15:27 | |
So if they were to go up, the hut would explode, | 0:15:27 | 0:15:31 | |
but the force would go up the way, not sideways. | 0:15:31 | 0:15:34 | |
I see, so not hitting anything else, just straight up into the air. | 0:15:34 | 0:15:37 | |
So you minimise damage and casualties | 0:15:37 | 0:15:40 | |
and you don't lose the factory. | 0:15:40 | 0:15:42 | |
This is what we're going to prove with the experiment, isn't it? | 0:15:42 | 0:15:45 | |
-This force going up. -An experiment, yes, that would be excellent. | 0:15:45 | 0:15:50 | |
-Get blowing something up. -Yes! | 0:15:50 | 0:15:51 | |
This sounds right up James' street! | 0:15:54 | 0:15:57 | |
So we've got the brown box. | 0:15:57 | 0:15:59 | |
And in the blue box, we have the same amount of charge, | 0:15:59 | 0:16:03 | |
but this box will be uncovered, whereas this one will be... | 0:16:03 | 0:16:06 | |
It's sand-bagged. | 0:16:06 | 0:16:07 | |
The experiment will show how the contained one here, | 0:16:07 | 0:16:10 | |
give an example of how these blast walls, | 0:16:10 | 0:16:13 | |
these will be the sand bags to hold the blast and direct it upwards, | 0:16:13 | 0:16:17 | |
away from the other munitions workers and huts. | 0:16:17 | 0:16:20 | |
-You can't wait to press the button, can you? -I can't. | 0:16:20 | 0:16:23 | |
Get plunging! | 0:16:23 | 0:16:25 | |
We don't have plungers any more. Far more sophisticated. | 0:16:25 | 0:16:28 | |
Boxes prepped and ready to go. James gets to do the honours. | 0:16:29 | 0:16:34 | |
This is where the button is. | 0:16:34 | 0:16:35 | |
KLAXON SOUNDS | 0:16:38 | 0:16:41 | |
All away? | 0:16:41 | 0:16:42 | |
Press one. | 0:16:44 | 0:16:45 | |
Here we go. | 0:16:47 | 0:16:48 | |
So, with both boxes blown, it's time to survey the damage. | 0:16:57 | 0:17:01 | |
The non-sand-bagged blue box first. | 0:17:01 | 0:17:04 | |
It's scattered, isn't it? All over. | 0:17:04 | 0:17:06 | |
Well, there's not a lot left of the blue box, that's a fact. | 0:17:06 | 0:17:09 | |
-No, no. -It's everywhere. As far as you can see. -All over. | 0:17:09 | 0:17:12 | |
I can see it over there as well. | 0:17:12 | 0:17:14 | |
How's our brown box fared? | 0:17:14 | 0:17:16 | |
I think it should have been much more contained. | 0:17:16 | 0:17:19 | |
-The damage is localised. -It is localised, isn't it? | 0:17:19 | 0:17:23 | |
For almost 25 years, | 0:17:23 | 0:17:25 | |
Nobel's explosives were manufactured at Ardeer. | 0:17:25 | 0:17:28 | |
Sadly, 21 people lost their lives here, | 0:17:28 | 0:17:31 | |
but compared to the number of employees, | 0:17:31 | 0:17:34 | |
it was actually a lower death rate | 0:17:34 | 0:17:36 | |
than any cotton mill or shipyard at that time. | 0:17:36 | 0:17:39 | |
Eric has a very close connection with Ardeer | 0:17:39 | 0:17:42 | |
as one of his relatives once worked here. | 0:17:42 | 0:17:44 | |
So this is my wonderful Aunt Maisie. Just engaged to be married. | 0:17:44 | 0:17:49 | |
-She's 22 years old. -22 years old. | 0:17:49 | 0:17:52 | |
She would be one of four girls in the cartridging huts. | 0:17:52 | 0:17:58 | |
Unfortunately, 66 years ago to this day, | 0:17:58 | 0:18:01 | |
my Aunt Maisie and the other three girls were blown up, | 0:18:01 | 0:18:05 | |
so they all died. | 0:18:05 | 0:18:07 | |
We've never found out what caused the accident, | 0:18:07 | 0:18:10 | |
but the principle that we've been discussing | 0:18:10 | 0:18:12 | |
meant that only that hut went. | 0:18:12 | 0:18:14 | |
-Yeah. Yeah. -So there was no more casualties. | 0:18:14 | 0:18:17 | |
-It didn't spread. -It didn't spread. -Amazing. | 0:18:17 | 0:18:20 | |
Although dynamite revolutionised the mining and construction industries, | 0:18:20 | 0:18:24 | |
it wasn't long before the military began using it in warfare. | 0:18:24 | 0:18:27 | |
In 1888, a French newspaper mistakenly published | 0:18:27 | 0:18:31 | |
Alfred Nobel's obituary, | 0:18:31 | 0:18:33 | |
describing him as a man who made millions | 0:18:33 | 0:18:35 | |
through the death of others. | 0:18:35 | 0:18:37 | |
Reportedly stunned, Nobel was determined to improve his legacy. | 0:18:40 | 0:18:44 | |
The year before he died in 1896, | 0:18:44 | 0:18:46 | |
he signed his last will and testament, | 0:18:46 | 0:18:49 | |
in which he set aside the majority of his vast estate | 0:18:49 | 0:18:52 | |
to establish the Nobel prizes, | 0:18:52 | 0:18:54 | |
including one awarded for the pursuit of peace. | 0:18:54 | 0:18:58 | |
Thank you, Eric. It's been... | 0:18:58 | 0:18:59 | |
Well, you've made this former very busy landscape come alive again. | 0:18:59 | 0:19:04 | |
-I loved doing the blasting. -Did you? | 0:19:04 | 0:19:06 | |
Let's get into the warm. | 0:19:06 | 0:19:09 | |
-North Ayrshire, it's quite cold, isn't it? -Yes! | 0:19:09 | 0:19:12 | |
And so ends another explosive day for our experts. | 0:19:12 | 0:19:16 | |
Time for some shuteye. Night-night, you two. | 0:19:16 | 0:19:19 | |
No explosions and it's a new day in Bonnie Scotland, | 0:19:22 | 0:19:25 | |
and our boys are back on the road. | 0:19:25 | 0:19:27 | |
Did you have a good day yesterday? | 0:19:27 | 0:19:30 | |
-Yeah. -Did you buy anything? | 0:19:30 | 0:19:31 | |
-I went... I bought... -Sorry. | 0:19:31 | 0:19:34 | |
-Sorry. -Lovely... Lovely driving. | 0:19:36 | 0:19:38 | |
-I didn't know we were going through a -ford. Sorry about that. | 0:19:38 | 0:19:41 | |
This is Scotland, James. I'll tell you what? | 0:19:41 | 0:19:44 | |
We've had some rain the last 24 hours. | 0:19:44 | 0:19:46 | |
We've had some rain. | 0:19:46 | 0:19:47 | |
So far, James has bought three lots - | 0:19:47 | 0:19:50 | |
the Arts and Crafts oak table, | 0:19:50 | 0:19:52 | |
the World War II ARP hand ball and door plate, | 0:19:52 | 0:19:56 | |
and the Ola Gorie silver earrings, | 0:19:56 | 0:19:59 | |
leaving him £94.60 available to spend today. | 0:19:59 | 0:20:02 | |
Charles, meanwhile, has secured himself five lots. | 0:20:04 | 0:20:07 | |
The early 20th-century barometer, a 19th-century embossed charger, | 0:20:07 | 0:20:11 | |
the Dresden porcelain plate, | 0:20:11 | 0:20:14 | |
the selection of assorted silver | 0:20:14 | 0:20:16 | |
and the combined lot of the football compass, parallel rule | 0:20:16 | 0:20:19 | |
and treen seal which means | 0:20:19 | 0:20:21 | |
he still has £128.30 in his pocket. | 0:20:21 | 0:20:25 | |
Why is the car currently shaking? | 0:20:27 | 0:20:29 | |
I can't work... | 0:20:29 | 0:20:31 | |
What have you done? Go up to second. | 0:20:31 | 0:20:33 | |
You've gone to fourth again. | 0:20:33 | 0:20:35 | |
All you do, all you do is you drive from first to fourth. | 0:20:35 | 0:20:40 | |
There are two other gears, you know. | 0:20:40 | 0:20:42 | |
It's called clutch control. It's called clutch control. | 0:20:42 | 0:20:46 | |
You're in first again, aren't you? | 0:20:46 | 0:20:48 | |
James, maybe you should drive. | 0:20:48 | 0:20:50 | |
This morning, our likely lads have made their way to the village of | 0:20:52 | 0:20:55 | |
Overtown in North Lanarkshire, | 0:20:55 | 0:20:57 | |
where Charles is dropping James off at his first shop of the day. | 0:20:57 | 0:21:01 | |
Garrion Bridges Garden And Antique Centre. | 0:21:01 | 0:21:03 | |
I've been there. | 0:21:03 | 0:21:05 | |
If I don't find any antiques, it's herbs for me. | 0:21:05 | 0:21:08 | |
James, I hope you'll bloom. Bloom like a daffodil. | 0:21:08 | 0:21:12 | |
-Good luck, but not too much, bye. -Yeah. Flower. | 0:21:12 | 0:21:15 | |
All the best, James. | 0:21:16 | 0:21:17 | |
ENGINE ROARS Oh, Lord, get it in gear. | 0:21:17 | 0:21:20 | |
Ha... With over 100 dealers' delights on display, | 0:21:21 | 0:21:25 | |
manager Greg is lending a helping hand. | 0:21:25 | 0:21:27 | |
Nice bit of plain porcelain there. Who's it made by? | 0:21:32 | 0:21:35 | |
We've got Royal Doulton there. | 0:21:35 | 0:21:36 | |
We've got a date, 1936. | 0:21:36 | 0:21:39 | |
Normally with commemorative china, | 0:21:39 | 0:21:43 | |
you don't get the sort of royal cipher there, | 0:21:43 | 0:21:46 | |
so the initials - you normally get something to do with an event. | 0:21:46 | 0:21:50 | |
Say, like a coronation. It's lovely quality. | 0:21:50 | 0:21:53 | |
-That's history. I like that. -History, yeah. -It's damaged. | 0:21:53 | 0:21:57 | |
What have we got? We've got 15 on that. Can I make a cheeky offer? | 0:21:57 | 0:22:01 | |
-You can, on you go. -A fiver. | 0:22:01 | 0:22:02 | |
A quick call to the dealer and Greg's back. | 0:22:02 | 0:22:05 | |
-Right, bad news, I'm afraid. -Bad news, Greg? | 0:22:07 | 0:22:10 | |
What is the bad news? | 0:22:10 | 0:22:12 | |
-£12. -£12? Oh, he's a tough man, isn't he? | 0:22:12 | 0:22:16 | |
-Very tough. -Tough man. | 0:22:16 | 0:22:18 | |
£12? | 0:22:18 | 0:22:19 | |
I think it's still worth having a go at. | 0:22:19 | 0:22:21 | |
I think that's rather fun. | 0:22:21 | 0:22:23 | |
Yeah. I'll go for it. Why not? | 0:22:23 | 0:22:25 | |
-In for a penny. -Thank you. -Thank you, Greg. | 0:22:25 | 0:22:27 | |
The little Doulton jug secured for £12 - well done, James. | 0:22:27 | 0:22:31 | |
CAR HORN | 0:22:34 | 0:22:36 | |
Charles, meanwhile, is starting the day with a trip to Lanark. | 0:22:36 | 0:22:40 | |
He's come to New Lanark - founded in the late 18th century, | 0:22:41 | 0:22:45 | |
this pioneering cotton mill village | 0:22:45 | 0:22:47 | |
was made famous by a man named Robert Owen. | 0:22:47 | 0:22:50 | |
Charles is meeting learning and outreach manager Aynsley Gough | 0:22:50 | 0:22:54 | |
to find out more. | 0:22:54 | 0:22:57 | |
-Hello, Charles. Welcome to New Lanark. -How are you? | 0:22:57 | 0:22:59 | |
-What an amazing place. -It is. -Isn't it? -Come on in. -Can't wait. | 0:22:59 | 0:23:03 | |
In 1800, social pioneer Robert Owen | 0:23:05 | 0:23:08 | |
took over New Lanark from his father-in-law. | 0:23:08 | 0:23:11 | |
This cotton mill village would go on to become known worldwide | 0:23:11 | 0:23:15 | |
thanks to Owen's workplace, social and educational reforms. | 0:23:15 | 0:23:19 | |
His ground-breaking ideas would go on | 0:23:19 | 0:23:22 | |
to change the lives of the working classes the world over. | 0:23:22 | 0:23:25 | |
Robert Owen had grand plans for this place. | 0:23:25 | 0:23:28 | |
He wanted to create a model community. | 0:23:28 | 0:23:31 | |
By that, I mean he wanted to make | 0:23:31 | 0:23:35 | |
the lives of the working people better. | 0:23:35 | 0:23:37 | |
Of course they were required to work in his mill to make money. | 0:23:37 | 0:23:40 | |
But he wanted to make their lives better in terms of the environment | 0:23:40 | 0:23:43 | |
they lived in, the living standards that they encountered | 0:23:43 | 0:23:47 | |
and by giving them an education. | 0:23:47 | 0:23:49 | |
That was very forward-thinking at the time. | 0:23:49 | 0:23:51 | |
He had the foresight to see how one had good workers, | 0:23:51 | 0:23:56 | |
meant good business, meant good spirits, | 0:23:56 | 0:23:59 | |
and meant we all got on together. | 0:23:59 | 0:24:00 | |
Working conditions in mills at this time were brutal, | 0:24:00 | 0:24:04 | |
with long hours, poor wages and cruel discipline. | 0:24:04 | 0:24:07 | |
More than a century ahead of his time, | 0:24:07 | 0:24:09 | |
Owen believed the environment formed character | 0:24:09 | 0:24:13 | |
so, he made New Lanark a better place for his workers | 0:24:13 | 0:24:15 | |
to work and live. | 0:24:15 | 0:24:17 | |
Owen also stayed in the village and his house still stands today. | 0:24:17 | 0:24:21 | |
Quite grand. | 0:24:21 | 0:24:22 | |
He did much here to improve the lives of the workers. | 0:24:22 | 0:24:26 | |
He built a school here. | 0:24:26 | 0:24:28 | |
He banned all children under ten working in the mills. | 0:24:28 | 0:24:31 | |
As well as the school, | 0:24:31 | 0:24:32 | |
-he built the Institute For The Formation Of Character... -Yes. | 0:24:32 | 0:24:35 | |
..in which there were evening classes for the adults. | 0:24:35 | 0:24:38 | |
There was a library, | 0:24:38 | 0:24:39 | |
because he believed that all of the working classes | 0:24:39 | 0:24:42 | |
had a right to education. | 0:24:42 | 0:24:44 | |
Along with creating the world's first infant school, | 0:24:46 | 0:24:49 | |
Owen also built a village store | 0:24:49 | 0:24:51 | |
which is believed to be a forerunner of the Co-operative Movement. | 0:24:51 | 0:24:55 | |
Established in 1813, | 0:24:56 | 0:24:58 | |
Owen wanted to provide quality groceries and goods at fair prices. | 0:24:58 | 0:25:02 | |
All profits from the shop were used | 0:25:02 | 0:25:04 | |
to help fund the education system Owen had introduced. | 0:25:04 | 0:25:08 | |
-The idea behind the store was to make people's money go further. -Yes. | 0:25:08 | 0:25:12 | |
They didn't earn great wages here at New Lanark, | 0:25:12 | 0:25:14 | |
because they had benefits such as better housing - | 0:25:14 | 0:25:16 | |
but Robert Owen wanted to make sure that their money could go further, | 0:25:16 | 0:25:20 | |
and he instituted an idea of fair trading all those years ago. | 0:25:20 | 0:25:24 | |
He would buy in bulk - local fresh produce. | 0:25:24 | 0:25:27 | |
The company leased a farm locally, | 0:25:27 | 0:25:29 | |
so that people were getting access to apples, vegetables - | 0:25:29 | 0:25:33 | |
they could buy them fresh and at a very good price. | 0:25:33 | 0:25:37 | |
-We understand 25% less... -Really? -..than market value. | 0:25:37 | 0:25:41 | |
So, it meant that a family could have quite a good diet. | 0:25:41 | 0:25:45 | |
In addition to the store, and he encouraged people to save. | 0:25:45 | 0:25:49 | |
He created a savings bank here and, again, | 0:25:49 | 0:25:52 | |
just convincing people to put back a little bit | 0:25:52 | 0:25:55 | |
of their hard-earned cash was a huge cultural change. | 0:25:55 | 0:26:00 | |
Owen was one of the most influential thinkers of his time, | 0:26:00 | 0:26:03 | |
and he continued to campaign for social reform | 0:26:03 | 0:26:06 | |
until his death in 1858. | 0:26:06 | 0:26:08 | |
Robert Owen's vision for fairness and moral order | 0:26:08 | 0:26:12 | |
remains a source of inspiration to this day. | 0:26:12 | 0:26:14 | |
With more shopping still to do, | 0:26:18 | 0:26:20 | |
James has made his way to Newhouse in North Lanarkshire. | 0:26:20 | 0:26:23 | |
He's arrived at Greenside Antique And Decorative Arts Centre | 0:26:24 | 0:26:28 | |
with just over £80 still in his pocket... | 0:26:28 | 0:26:31 | |
and looking very pleased with himself. | 0:26:31 | 0:26:33 | |
I'm looking for an elusive combination - profit and history. | 0:26:35 | 0:26:40 | |
I've got one more item to buy. | 0:26:42 | 0:26:44 | |
HE SNEEZES | 0:26:45 | 0:26:46 | |
Bless you! | 0:26:46 | 0:26:47 | |
I want to buy it well. What on earth is that? | 0:26:47 | 0:26:50 | |
Look at that light! | 0:26:50 | 0:26:52 | |
That's cutting-edge design, isn't it? That's right up my street. | 0:26:56 | 0:27:01 | |
Looks like a plastic lamp from around the 1970s, I'd say. | 0:27:01 | 0:27:05 | |
Can we just suspend the history, the seeking of history, here?! | 0:27:05 | 0:27:09 | |
Cos this is slightly tempting. | 0:27:11 | 0:27:12 | |
Alan... | 0:27:14 | 0:27:15 | |
History well and truly out of the window - | 0:27:15 | 0:27:18 | |
dealer Alan, what's the damage? | 0:27:18 | 0:27:20 | |
Looks like the one thing I haven't priced! | 0:27:20 | 0:27:22 | |
Well done, you haven't priced it - cos it's free, isn't it, Alan? | 0:27:22 | 0:27:25 | |
-Well done. -Not quite. -Do you think it works? Could we just turn it on? | 0:27:25 | 0:27:29 | |
-Yeah, yeah. -Can I just see it lit? | 0:27:29 | 0:27:31 | |
This will be a test of it. If it lights, I might buy it. | 0:27:34 | 0:27:38 | |
Look at that! | 0:27:38 | 0:27:39 | |
-Super splendid. -Haven't even cleaned it! | 0:27:39 | 0:27:42 | |
Would you incorporate this in your home? | 0:27:43 | 0:27:45 | |
Until last week, it WAS in my home. It was lying in the kitchen! | 0:27:45 | 0:27:48 | |
-Alan, a fiver, chief. -James! -A fiver. -How about £10, eh? | 0:27:51 | 0:27:56 | |
Fiver... £10? | 0:27:56 | 0:27:58 | |
How about splitting the difference, chief? £8. | 0:27:59 | 0:28:02 | |
-£8, I'll give you the favour. Well done. -Great, great. | 0:28:02 | 0:28:05 | |
Retro lamp bought - | 0:28:05 | 0:28:07 | |
and just in time, cos here comes Hanson. | 0:28:07 | 0:28:09 | |
Apparently, he's in here now, James is, | 0:28:09 | 0:28:11 | |
and I'm determined just to, maybe, join the party. | 0:28:11 | 0:28:14 | |
-Do you mind, Alan, can we leave that on the desk, lit? -Course you can. | 0:28:14 | 0:28:18 | |
And when our history boy, Charles Hanson, | 0:28:18 | 0:28:21 | |
arrives, let's see if he makes any comment about it. | 0:28:21 | 0:28:25 | |
Course you can. | 0:28:25 | 0:28:26 | |
Quick, hide! He's here! | 0:28:26 | 0:28:29 | |
Like children, these two. | 0:28:29 | 0:28:31 | |
Now... Look at him go. | 0:28:31 | 0:28:33 | |
Oh, Charles... | 0:28:35 | 0:28:36 | |
Ha, Charles, he's behind you! | 0:28:38 | 0:28:40 | |
This is ridiculous. | 0:28:42 | 0:28:44 | |
He's got the observational skills of a newt. | 0:28:44 | 0:28:47 | |
Charles, you great berk. | 0:28:47 | 0:28:49 | |
LAUGHTER | 0:28:49 | 0:28:51 | |
-How's it going?! -Very good. | 0:28:51 | 0:28:52 | |
-How's it going? -How are you? -Yeah, very well. | 0:28:52 | 0:28:54 | |
-All spent up? -Well, no. | 0:28:54 | 0:28:57 | |
I'm never spent up, James, | 0:28:57 | 0:28:58 | |
because there's always a chance to keep hunting. | 0:28:58 | 0:29:01 | |
Always a goodie, isn't there? | 0:29:01 | 0:29:02 | |
-Hunting down those great... -Always a goodie. | 0:29:02 | 0:29:04 | |
Very often, it's in front of our noses, isn't it? | 0:29:04 | 0:29:08 | |
-Is that the clue? -I don't know how you're going to wrap that light. | 0:29:08 | 0:29:12 | |
-Have you bought that, have you really? -Yeah. -You haven't! | 0:29:12 | 0:29:14 | |
It's very retro. | 0:29:14 | 0:29:16 | |
Yeah, baby. | 0:29:16 | 0:29:17 | |
With James all spent, Charles, it's your turn for a look around. | 0:29:17 | 0:29:21 | |
If I'm going to find something, it's got to be quite big, I feel. | 0:29:21 | 0:29:25 | |
So, he's after big, and he's found... | 0:29:25 | 0:29:28 | |
Well, small. | 0:29:28 | 0:29:30 | |
In this cabinet here is a label, which reads, | 0:29:30 | 0:29:34 | |
"A set of three Roman nails | 0:29:34 | 0:29:37 | |
"excavated from Inchtuthil in Perthshire. 2,000 years old." | 0:29:37 | 0:29:43 | |
For three old nails - and they're just wonderful to see. | 0:29:43 | 0:29:47 | |
The ticket says £45. Alan! You're needed. | 0:29:47 | 0:29:51 | |
Priced at £45, what could these Inchtuthil Perthshire nails be? | 0:29:51 | 0:29:55 | |
-For you, Charles, 20. -Not bad at all. Let me give them some thought. | 0:29:55 | 0:30:00 | |
-I quite like, also, Alan, the very nice Benson pocket watch here. -Yeah. | 0:30:00 | 0:30:07 | |
Nice quality. | 0:30:07 | 0:30:09 | |
Slightly engine turned, that's worn, | 0:30:09 | 0:30:11 | |
these beautiful blue enamel dials, and that's just a beautiful watch, | 0:30:11 | 0:30:16 | |
and really was one of the leading pocket watchmakers. | 0:30:16 | 0:30:19 | |
The Benson family were highly regarded watchmakers | 0:30:19 | 0:30:22 | |
in the middle of the 19th century. | 0:30:22 | 0:30:25 | |
And that is priced only £35. The best on that would be...? | 0:30:25 | 0:30:29 | |
Well, in the condition it is - | 0:30:29 | 0:30:30 | |
-I don't think it's working properly, that one. -Oh, right. -£15, as it is. | 0:30:30 | 0:30:34 | |
-I mean, the silver is worth that, I'm sure. -Yeah, it is. -It's cheap. | 0:30:34 | 0:30:38 | |
It's nice - but it's decision time, Charles. | 0:30:38 | 0:30:41 | |
-If I bought the Benson pocket watch and the nails... -Uh-huh. | 0:30:41 | 0:30:46 | |
-What's the best price you could do - the very best? -30. | 0:30:46 | 0:30:50 | |
Those nails at £15, I'm going to say yes to. So, I'll buy the nails. | 0:30:50 | 0:30:55 | |
-Uh-huh. -Is there any margin on that watch, at all? | 0:30:55 | 0:30:59 | |
-12? Give you a chance. -Go on, then. Sold. -There we are. -Job done. | 0:30:59 | 0:31:02 | |
-Thank you. -Thank you very much, Alan. | 0:31:02 | 0:31:04 | |
That's two more items bought for £27. | 0:31:04 | 0:31:07 | |
-Thanks a lot, Alan. Take care. See you. -Thank you, bye. | 0:31:07 | 0:31:10 | |
-All the best. Bye-bye. -Thank you. | 0:31:10 | 0:31:12 | |
Charles does have a bulging shopping bag. | 0:31:12 | 0:31:14 | |
Along with the rare Roman nails, | 0:31:14 | 0:31:16 | |
he has his selection of assorted silver, | 0:31:16 | 0:31:18 | |
which he's adding the Benson fob watch to. | 0:31:18 | 0:31:21 | |
There is the early 20th-century barometer, | 0:31:21 | 0:31:24 | |
the 19th-century embossed charger, the Dresden porcelain plate, | 0:31:24 | 0:31:27 | |
and his combined lot of the football compass, parallel rule, | 0:31:27 | 0:31:30 | |
and treen seal, giving him a six-lot haul. | 0:31:30 | 0:31:34 | |
Gosh. | 0:31:34 | 0:31:35 | |
Meanwhile, James has bought five lots - | 0:31:36 | 0:31:39 | |
the Arts and Crafts note table, | 0:31:39 | 0:31:41 | |
the World War II ARP handbell and doorplate, | 0:31:41 | 0:31:44 | |
the Ola Gorie silver earrings | 0:31:44 | 0:31:46 | |
and the Royal Dalton jug - and, of course, his retro lamp. | 0:31:46 | 0:31:50 | |
So, what will they make of each other's lots? | 0:31:50 | 0:31:53 | |
Typical Charles - unexpectedly, he always reaches back into history. | 0:31:53 | 0:31:58 | |
His Roman nails are a class act. | 0:31:58 | 0:32:01 | |
I do like his bell - the great Air Warden bell. | 0:32:01 | 0:32:05 | |
It's in a condition which makes one think, "What's its story?" | 0:32:05 | 0:32:08 | |
He's got a bunch of silver that's going to do very well, | 0:32:08 | 0:32:12 | |
he's going to get strong profit there. | 0:32:12 | 0:32:14 | |
Forget the lamp. | 0:32:14 | 0:32:15 | |
I think, for £8, it's dreadful, James, but, of course, | 0:32:15 | 0:32:18 | |
it's retro and you never know, it might take off in Hamilton. | 0:32:18 | 0:32:22 | |
After beginning in Glasgow, | 0:32:22 | 0:32:23 | |
our experts are now hurtling on towards the auction in Hamilton. | 0:32:23 | 0:32:28 | |
-James, I just love this light. On a morning... -It is lovely, isn't it? | 0:32:28 | 0:32:33 | |
..doesn't it give you a breath of incentive? | 0:32:33 | 0:32:35 | |
You know, it gives you an energy, | 0:32:35 | 0:32:36 | |
it gives you an energy and bounce - | 0:32:36 | 0:32:38 | |
and you know when you think of a wink or a twitch or a... | 0:32:38 | 0:32:41 | |
-a part of the nose... -Yeah. -To me, James... | 0:32:41 | 0:32:44 | |
Where are you going with this, Charles? | 0:32:44 | 0:32:46 | |
-I just foresee a bidding frenzy approaching. -Do you? -Yes, I do. | 0:32:46 | 0:32:50 | |
The boys have arrived at LS Smellie & Sons, Auctioneers. | 0:32:50 | 0:32:54 | |
-Man and machine... -James, don't you feel... | 0:32:54 | 0:32:57 | |
..in perfect harmony. | 0:32:57 | 0:32:58 | |
-..this place has a pedigree... -Do you think so? | 0:32:58 | 0:33:00 | |
..to give us a real life? | 0:33:00 | 0:33:02 | |
-Are you feeling lucky? -Very. | 0:33:02 | 0:33:03 | |
The gentleman holding the gavel today is James Henderson - | 0:33:03 | 0:33:06 | |
so, what does he think of our lads' lots? | 0:33:06 | 0:33:10 | |
I think the Arts and Crafts table will do OK, it's quite nice - | 0:33:10 | 0:33:14 | |
and, well, I know the silver will probably do the better of the lots, | 0:33:14 | 0:33:17 | |
but it depends who's here. | 0:33:17 | 0:33:21 | |
The boys have battled their way through the crowd | 0:33:21 | 0:33:23 | |
to take their places, and are raring to go. | 0:33:23 | 0:33:27 | |
It's like you're almost like a jockey, you know? | 0:33:27 | 0:33:30 | |
Well, they're at starters orders, and they're off! | 0:33:30 | 0:33:33 | |
First up, ding-ding, is James' ARP handbell and doorplate. | 0:33:33 | 0:33:37 | |
Give it a ring, go on! | 0:33:37 | 0:33:38 | |
10, I'm bid. | 0:33:38 | 0:33:39 | |
10. 12, now. | 0:33:39 | 0:33:41 | |
At 12, at 14. 16...and 18. | 0:33:41 | 0:33:44 | |
And 20, and 22. | 0:33:44 | 0:33:46 | |
At 25, and 28. | 0:33:46 | 0:33:49 | |
At 28, 30. | 0:33:49 | 0:33:50 | |
At 30, bid 30. With the lady... | 0:33:50 | 0:33:52 | |
It's moving. | 0:33:52 | 0:33:54 | |
At 30, I'm bid. | 0:33:54 | 0:33:55 | |
At 30, and 32 - at £32. | 0:33:55 | 0:33:58 | |
-Well done. -At 32, at 32, at 32... | 0:33:58 | 0:34:00 | |
Come on, it's worth this. | 0:34:00 | 0:34:02 | |
At 32 - all done at £32. | 0:34:02 | 0:34:06 | |
A disappointing start could be a dead ringer. | 0:34:06 | 0:34:08 | |
But still, time to make it all up. | 0:34:08 | 0:34:09 | |
-It's warming up. This is your first item... -Yeah. -Don't worry about it. | 0:34:09 | 0:34:13 | |
So sweet. Let's see if Charles can fare better with his barometer. | 0:34:13 | 0:34:17 | |
Can we start the bidding here at £50? | 0:34:17 | 0:34:20 | |
Great! I'm moving. | 0:34:20 | 0:34:22 | |
50 I'm bid. At 50. 55. 60... | 0:34:22 | 0:34:25 | |
65. | 0:34:25 | 0:34:26 | |
65, and 70. At £70 for the barometer. | 0:34:26 | 0:34:29 | |
At 70. | 0:34:29 | 0:34:30 | |
-It's a lovely object. -80 now. | 0:34:30 | 0:34:32 | |
£80! It's moving. | 0:34:32 | 0:34:33 | |
At 80 I'm bid. | 0:34:33 | 0:34:35 | |
And 85. 90. | 0:34:35 | 0:34:36 | |
For Queen and country, make him happy. Come on! | 0:34:36 | 0:34:39 | |
-100. -Come on! -100 for the barometer. At 100. -Come on! | 0:34:39 | 0:34:43 | |
-At 100, I'm bid. -Come on! -At 100, 100, 100, 100. | 0:34:43 | 0:34:46 | |
-That's enough, James. -All done a £100. | 0:34:46 | 0:34:49 | |
-Don't be greedy. -Sold! Fantastic. | 0:34:49 | 0:34:51 | |
Fantastic indeed. | 0:34:51 | 0:34:53 | |
The pressure is rising - and a whopping great profit for Charles. | 0:34:53 | 0:34:55 | |
-I'm delighted. -I bet you're delighted! | 0:34:55 | 0:34:58 | |
James, can redeem yourself with your retro lamp? | 0:34:58 | 0:35:02 | |
20 I'm bid, sir. At 20. | 0:35:02 | 0:35:04 | |
-2, and 5, and -8. We're flying. | 0:35:04 | 0:35:06 | |
And 30 and 5. And 40 and 5. | 0:35:06 | 0:35:10 | |
At £45. | 0:35:10 | 0:35:11 | |
-Don't tell him. -At 45, at 50 now. -I don't believe it. | 0:35:11 | 0:35:16 | |
50 I'm bid. Fresh bidder at £50. | 0:35:16 | 0:35:18 | |
-At 50, bid 50, bid 50... -A person of taste. | 0:35:18 | 0:35:21 | |
Bid 50. All done at £50. | 0:35:21 | 0:35:24 | |
Charles wasn't taken by the retro lamp but the bidders | 0:35:26 | 0:35:28 | |
of Hamilton are. | 0:35:28 | 0:35:30 | |
-Cor blimey. -Get in. -Get in there, mate. | 0:35:30 | 0:35:34 | |
Hey, Charles. Leave his pate alone. | 0:35:34 | 0:35:36 | |
What about the table? | 0:35:36 | 0:35:38 | |
Do you feel another profit coming on? | 0:35:38 | 0:35:40 | |
20 I'm bid, sir. | 0:35:40 | 0:35:41 | |
At £20 the table. | 0:35:41 | 0:35:43 | |
At 20, bid 2. | 0:35:43 | 0:35:44 | |
At 22, bid 4, bid 2, bid 28. | 0:35:44 | 0:35:47 | |
Bid 30, bid 5. | 0:35:47 | 0:35:49 | |
-40, bid -5. Moving. | 0:35:49 | 0:35:51 | |
Bid 50. 5 now on the telephone. | 0:35:51 | 0:35:53 | |
-At 55, at 60 with the lady. -Go on. | 0:35:53 | 0:35:56 | |
At 60. 5 now on the telephone. | 0:35:56 | 0:35:58 | |
-70, at 70 bid. -Good man. -Go on. | 0:35:58 | 0:36:00 | |
75, at 75. | 0:36:00 | 0:36:02 | |
80 now. At 85 on the telephone. | 0:36:02 | 0:36:04 | |
95. | 0:36:04 | 0:36:06 | |
95, 95 I'm bid. | 0:36:06 | 0:36:08 | |
-At 100 on the telephone. -Keep going. -At 105. | 0:36:08 | 0:36:10 | |
-At 105, at 110. -Go on. | 0:36:10 | 0:36:12 | |
At 115. At 120 now. | 0:36:12 | 0:36:15 | |
-130. -God. -At 130 with the lady. | 0:36:15 | 0:36:17 | |
-140, 150. -At 150, I'm bid at 150. -Go on. -Amazing. | 0:36:17 | 0:36:22 | |
-150, 150, 150, 150... -That's amazing. -All done at 150! | 0:36:22 | 0:36:28 | |
-What a marvellous profit. Looks like you're on a roll, James. -Well done. | 0:36:29 | 0:36:33 | |
Right, it's Andrew Smellie's turn to take the gavel | 0:36:35 | 0:36:39 | |
and Charles's rare Roman nails are coming up next. | 0:36:39 | 0:36:42 | |
10 for a start, £10. | 0:36:42 | 0:36:43 | |
-Roman nails. -Tenner in it, £10, 12. | 0:36:43 | 0:36:45 | |
-12, 14, 16... -They're worth a lot more. | 0:36:45 | 0:36:48 | |
-16, 16. -They are so important. | 0:36:48 | 0:36:51 | |
In the history of Scotland they have bound you together. | 0:36:51 | 0:36:54 | |
-Over there. -16, 16, 18. | 0:36:54 | 0:36:57 | |
-18. -18, come on. | 0:36:57 | 0:37:00 | |
-Go on, sir. Real history. -20. | 0:37:00 | 0:37:02 | |
20, I'm bid. £20. All finished? | 0:37:02 | 0:37:06 | |
£20. | 0:37:06 | 0:37:08 | |
Not the result Charles was hoping for, but a profit none the less. | 0:37:08 | 0:37:12 | |
-It just shows what people can buy for £20. -It does, it does. | 0:37:14 | 0:37:17 | |
-I'd love, you know, I'd love a Roman nail. -Wouldn't we all? | 0:37:17 | 0:37:20 | |
James' silver Ola Gorie earrings are next to go under the gavel. | 0:37:22 | 0:37:26 | |
10 I'm bid. £10, I'm bid 10. | 0:37:26 | 0:37:28 | |
-12, 14... -What are they worth? | 0:37:28 | 0:37:29 | |
-I don't know. -16, 18. | 0:37:29 | 0:37:31 | |
It's out of my comfort zone, this. | 0:37:31 | 0:37:34 | |
They sit so well and they have style. | 0:37:34 | 0:37:37 | |
22 I'm at, 24. | 0:37:37 | 0:37:40 | |
He's back in. That man's got style. | 0:37:40 | 0:37:42 | |
30, 2, 34 on the rail. | 0:37:42 | 0:37:45 | |
36, 36, 36 I'm out. | 0:37:45 | 0:37:49 | |
All finished for the earrings. | 0:37:49 | 0:37:51 | |
£36. | 0:37:51 | 0:37:53 | |
James bags himself another pretty profit. Well done. | 0:37:53 | 0:37:56 | |
When I knew you ten years ago, you had a little stud. I thought you did. | 0:37:56 | 0:38:01 | |
-I had one in the nose, remember. -That was it. | 0:38:01 | 0:38:04 | |
Now that would be a sight to see. | 0:38:04 | 0:38:07 | |
Charles' turn now is the combined lot of the football compass, | 0:38:07 | 0:38:10 | |
parallel rule and treen seal. | 0:38:10 | 0:38:13 | |
20 I'm bid, 20, left, 2. | 0:38:15 | 0:38:16 | |
24, 26, 28. | 0:38:16 | 0:38:19 | |
30, 2, 34. | 0:38:19 | 0:38:24 | |
36, 38, 38 left. | 0:38:24 | 0:38:28 | |
38 I'm bid. All finished. | 0:38:28 | 0:38:29 | |
I'd leave it. | 0:38:29 | 0:38:31 | |
£38. | 0:38:31 | 0:38:32 | |
Well done, Charles. Great profit there. | 0:38:32 | 0:38:35 | |
-Put it there. -No. | 0:38:35 | 0:38:37 | |
-Give us a kiss. -No. | 0:38:37 | 0:38:39 | |
-Give us a kiss. -No! | 0:38:39 | 0:38:41 | |
Oh, do behave, you two. | 0:38:42 | 0:38:44 | |
Next, it's Charles' Dresden plate that he bought for £1. | 0:38:44 | 0:38:48 | |
10 for the plate. | 0:38:48 | 0:38:50 | |
I like the Sellotape. | 0:38:50 | 0:38:51 | |
-Oh! -£5, 6. | 0:38:51 | 0:38:53 | |
-6, 8 I'm bid. -Stunning. | 0:38:53 | 0:38:57 | |
10. It's stunning. Come on. | 0:38:57 | 0:38:59 | |
12, I'm bid, 14. | 0:38:59 | 0:39:01 | |
14 on the right. Spot of the Super Glue. | 0:39:01 | 0:39:05 | |
-14, 16. -Over there. | 0:39:05 | 0:39:06 | |
-18, 20. -Over there. | 0:39:06 | 0:39:08 | |
-20 I'm bid. -Go on, sir. -22. | 0:39:08 | 0:39:10 | |
22, you're in, 4. 24. | 0:39:10 | 0:39:12 | |
24, are you sure now? | 0:39:12 | 0:39:15 | |
-24 on the left. -Make a memory. | 0:39:15 | 0:39:18 | |
£24. | 0:39:18 | 0:39:20 | |
Oh, look at that. An incredible profit from a £1 purchase. | 0:39:20 | 0:39:24 | |
You know, in the scheme of things, that's 100, up 2,300 pence. | 0:39:24 | 0:39:29 | |
Time for James' final lot. His Royal Doulton jug. | 0:39:29 | 0:39:33 | |
10, 10 I'm bid. | 0:39:33 | 0:39:34 | |
10 on the left. 12. | 0:39:34 | 0:39:36 | |
-14, 14... -Profit. -16. | 0:39:36 | 0:39:37 | |
18, 20. New bidder. | 0:39:37 | 0:39:40 | |
20 I'm at. £20 I'm bid, 20 I'm bid, 20 I'm bid. | 0:39:40 | 0:39:43 | |
Wallis Simpson. | 0:39:43 | 0:39:45 | |
22. 22, 24. | 0:39:45 | 0:39:49 | |
26, I'm bid. 26 I'm bid, 26 I'm bid. | 0:39:49 | 0:39:53 | |
All finished? £26. | 0:39:53 | 0:39:55 | |
So James finishes with another profit. | 0:39:55 | 0:39:59 | |
Look at that. Shake hands. It's doubled up. Well done. | 0:40:01 | 0:40:04 | |
What will the room make of Charles' 19th-century embossed charger? | 0:40:06 | 0:40:09 | |
Interest here. Started at £48. | 0:40:09 | 0:40:12 | |
-I'm happy with that. -Brilliant. | 0:40:12 | 0:40:14 | |
48, 50. | 0:40:14 | 0:40:16 | |
52, 54, 56. | 0:40:16 | 0:40:19 | |
Go on. | 0:40:19 | 0:40:20 | |
-58, 60, 60 I'm bid. -Come on. | 0:40:20 | 0:40:22 | |
5, 65, on the rail. | 0:40:22 | 0:40:24 | |
65 I'm bid, 5 I'm bid, 65... | 0:40:24 | 0:40:28 | |
70. New bidder. | 0:40:28 | 0:40:30 | |
5, 75. | 0:40:30 | 0:40:32 | |
80, 80 bid 5. | 0:40:32 | 0:40:34 | |
85, 85, I'm bid. 85 on the rail. | 0:40:34 | 0:40:38 | |
-I do not... -Come on, keep going. Sorry. | 0:40:38 | 0:40:41 | |
£85. | 0:40:41 | 0:40:43 | |
-That's amazing. -That is good. | 0:40:43 | 0:40:45 | |
Charles is pleased and rightly so. Well done. | 0:40:45 | 0:40:49 | |
-Another small profit. -Another small profit. | 0:40:49 | 0:40:51 | |
Oh, goodness' sake. | 0:40:51 | 0:40:53 | |
Here comes the final lot of the day. | 0:40:53 | 0:40:55 | |
And it's Charles' selection of silver. | 0:40:55 | 0:40:58 | |
50 for a start. Nice set there. 50 I'm bid. | 0:40:58 | 0:41:01 | |
The whole lot comes with it. | 0:41:01 | 0:41:03 | |
55, 60, 5. | 0:41:03 | 0:41:04 | |
70, 5. | 0:41:04 | 0:41:06 | |
75 on my left. | 0:41:06 | 0:41:08 | |
75 I'm bid, I'm bid 5, I'm bid 80. | 0:41:08 | 0:41:10 | |
-80, -5... Hey, it hasn't stopped yet. | 0:41:10 | 0:41:13 | |
85, 90. | 0:41:13 | 0:41:14 | |
5, 95. | 0:41:14 | 0:41:16 | |
-95, left, have we? -Watch over there. | 0:41:16 | 0:41:18 | |
-He's got some good lots. -95 and 5. | 0:41:18 | 0:41:21 | |
100 and 5. | 0:41:21 | 0:41:22 | |
-110. -Oh, no. | 0:41:22 | 0:41:24 | |
110, 115. | 0:41:24 | 0:41:26 | |
115, 120. | 0:41:26 | 0:41:28 | |
5, 130. | 0:41:28 | 0:41:30 | |
-5, 140. -It's a good lot. | 0:41:30 | 0:41:33 | |
5, 150. | 0:41:33 | 0:41:35 | |
Still going. 5. | 0:41:35 | 0:41:37 | |
155 on my left. | 0:41:37 | 0:41:39 | |
155, I'll need 5. | 0:41:39 | 0:41:42 | |
-155, all going... -Put it down. | 0:41:42 | 0:41:44 | |
-155. -Come on. | 0:41:44 | 0:41:46 | |
Wow, look at that! Brilliant profit for Charles. | 0:41:46 | 0:41:49 | |
-Well done. -You rise and fall. | 0:41:49 | 0:41:51 | |
You rise and fall. | 0:41:51 | 0:41:52 | |
Like a barometer. | 0:41:52 | 0:41:54 | |
So as our experts make a dash for the exit... | 0:41:54 | 0:41:57 | |
Keep going. | 0:41:57 | 0:41:58 | |
-Oh! -Oh, Charles is down. | 0:41:58 | 0:42:00 | |
Dearie me. Let's find out who's come out on top. | 0:42:00 | 0:42:04 | |
James started this leg with £229.60 | 0:42:04 | 0:42:08 | |
and made an impressive profit of £86.08 after auction costs, | 0:42:08 | 0:42:13 | |
leaving him with £315.68 for next time. | 0:42:13 | 0:42:16 | |
Charles began with £294.30 | 0:42:20 | 0:42:23 | |
and he too pulled in a profit | 0:42:23 | 0:42:25 | |
gaining a whopping £153.04 less costs, | 0:42:25 | 0:42:31 | |
so he's still in the lead and goes into the next leg | 0:42:31 | 0:42:35 | |
with a huge £447.34. | 0:42:35 | 0:42:37 | |
James, it's all in the passion for antiques. | 0:42:37 | 0:42:41 | |
It's all in the passion from driving to just buying. | 0:42:41 | 0:42:45 | |
Anyway, the only thing I can take a small amount of comfort from | 0:42:45 | 0:42:49 | |
-is Roman nails. -Yes, but they still made £5. | 0:42:49 | 0:42:53 | |
Roman nails, that's all I'm going to say to you. | 0:42:53 | 0:42:56 | |
Bon voyage, road trippers. | 0:42:56 | 0:42:58 | |
Next time on the Antiques Road Trip... | 0:43:02 | 0:43:04 | |
-there are thrills... -Don't look at me like that. I'm not a bad man. | 0:43:04 | 0:43:08 | |
..spills, | 0:43:08 | 0:43:09 | |
and one big bang. | 0:43:09 | 0:43:12 | |
GONG REVERBERATES | 0:43:12 | 0:43:14 |