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It's the nation's favourite antiques experts... | 0:00:02 | 0:00:04 | |
-That's cracking! -..with £200 each... | 0:00:04 | 0:00:06 | |
Wonderful! | 0:00:06 | 0:00:07 | |
..a classic car and a goal to scour Britain for antiques. | 0:00:07 | 0:00:11 | |
That's exactly what I'm talking about. | 0:00:11 | 0:00:13 | |
I am all over a shiver. | 0:00:13 | 0:00:14 | |
The aim - to make the biggest profit at auction. But it's no mean feat. | 0:00:14 | 0:00:18 | |
-No-brainer. -Going, going, gone. | 0:00:18 | 0:00:19 | |
There'll be worthy winners and valiant losers. | 0:00:19 | 0:00:23 | |
-So, will it be the high road to glory... -Push! | 0:00:23 | 0:00:26 | |
..or the slow road to disaster? | 0:00:26 | 0:00:28 | |
How awfully, awfully nice. | 0:00:28 | 0:00:29 | |
This is Antiques Road Trip. | 0:00:29 | 0:00:31 | |
Yeah! | 0:00:34 | 0:00:35 | |
# Don't stop me | 0:00:35 | 0:00:37 | |
# Having a good time Having a good time... # | 0:00:37 | 0:00:40 | |
It's the penultimate leg of this week's exciting adventure | 0:00:40 | 0:00:43 | |
for two top auctioneers - James Braxton and Charles Hanson. | 0:00:43 | 0:00:47 | |
Do they ever stop laughing? | 0:00:47 | 0:00:48 | |
-This is our fourth leg, James. Time is nearing. -Fourth leg. | 0:00:50 | 0:00:53 | |
-Fourth leg. -The journey... | 0:00:53 | 0:00:55 | |
You're £100 clear. | 0:00:55 | 0:00:57 | |
About £130 clear, between friends. | 0:00:57 | 0:01:00 | |
And what a pair of friends they are. | 0:01:00 | 0:01:03 | |
James is a very competitive Road Trip veteran. | 0:01:03 | 0:01:06 | |
You wouldn't think so to look at him. | 0:01:06 | 0:01:08 | |
To the winner goes the spoils. | 0:01:08 | 0:01:10 | |
And Charles is an antiques hotshot, willing to do anything to win. | 0:01:11 | 0:01:15 | |
Don't look at me like that. I'm not a bad man, OK? | 0:01:17 | 0:01:19 | |
Don't you believe that! | 0:01:19 | 0:01:21 | |
After starting this trip with £200 in his pocket, | 0:01:21 | 0:01:24 | |
some canny buys means James now has £315.68 to spend. | 0:01:24 | 0:01:31 | |
Charles has also bought cleverly, | 0:01:32 | 0:01:34 | |
more than doubling his original £200 stake. | 0:01:34 | 0:01:37 | |
He's sitting pretty out in front with £447.34. | 0:01:37 | 0:01:42 | |
While Charles might be brilliant at buying antiques, | 0:01:42 | 0:01:45 | |
when it comes to driving one, well... | 0:01:45 | 0:01:47 | |
that's another matter, so stand by. | 0:01:47 | 0:01:50 | |
What gear are you in? | 0:01:50 | 0:01:51 | |
-Are you in first or second? -Third. Sorry. | 0:01:51 | 0:01:53 | |
-Sorry! -JAMES CHUCKLES | 0:01:56 | 0:01:58 | |
On this trip, our boys are struggling to zip around | 0:02:00 | 0:02:02 | |
in this ill-sounding 1964 DKW 1000 Coupe. | 0:02:02 | 0:02:07 | |
Made before seat belts were mandatory | 0:02:07 | 0:02:09 | |
means our experts aren't wearing any. Got it? | 0:02:09 | 0:02:13 | |
The car's breaking down! It's stopping. Yeah. | 0:02:15 | 0:02:18 | |
No, literally. Guys, this is your Captain Hanson speaking. | 0:02:20 | 0:02:24 | |
Antiques Road Trip, we have a problem. | 0:02:24 | 0:02:26 | |
You certainly do. Looks like that car's given up the ghost. | 0:02:26 | 0:02:30 | |
Oh, careful, James. | 0:02:30 | 0:02:33 | |
Hi-vis jacket on, it's Braxton to the rescue. | 0:02:33 | 0:02:35 | |
ENGINE TURNS OVER | 0:02:35 | 0:02:38 | |
What worries me - we're on a hill. | 0:02:38 | 0:02:39 | |
James has got his yellow jacket on. | 0:02:39 | 0:02:41 | |
-Now, hold on. While you're speaking to me, could you please wear the helmet? -Yeah, let me just... | 0:02:41 | 0:02:45 | |
ENGINE TURNS OVER | 0:02:45 | 0:02:48 | |
I'll tell you what - only you, Charles, | 0:02:51 | 0:02:53 | |
-could make a helmet... -Yes. -..look like a comedy prop. | 0:02:53 | 0:02:55 | |
-Get out of here! -I think if I just get it going, I could get it... | 0:02:55 | 0:02:59 | |
-It would come right. -Should I try and push you, James? | 0:03:00 | 0:03:03 | |
-No, not uphill. -I'm strong enough. -I tell you what I could do. | 0:03:03 | 0:03:07 | |
-I could reverse it, but bump start reverse. -OK, bump it. | 0:03:07 | 0:03:10 | |
Forward! Forward! | 0:03:14 | 0:03:17 | |
Run, Charles. Run, quick! | 0:03:18 | 0:03:21 | |
-Ow! -Sorry. Ow! | 0:03:21 | 0:03:24 | |
So, thanks to Braxton, the boys are back on track. | 0:03:25 | 0:03:30 | |
After beginning their roving road trip in the Highlands, | 0:03:30 | 0:03:32 | |
Charles and James have been journeying all over bonny Scotland, | 0:03:32 | 0:03:35 | |
taking in the north-east and the Central Belt. | 0:03:35 | 0:03:38 | |
They'll eventually finish up over the border in Berwick-upon-Tweed. | 0:03:38 | 0:03:42 | |
This leg will kick off in Perth, Scotland, | 0:03:42 | 0:03:44 | |
and end in England at auction in Crooklands, Cumbria. | 0:03:44 | 0:03:47 | |
A former capital of Scotland, | 0:03:50 | 0:03:52 | |
Perth was made a city again by the Queen, as part of | 0:03:52 | 0:03:55 | |
her diamond jubilee celebrations in 2012. | 0:03:55 | 0:03:58 | |
It's home to James's first shop, Fair City Antiques. | 0:03:58 | 0:04:02 | |
-Hello. -All right, James. | 0:04:04 | 0:04:06 | |
Hello, good to see you. | 0:04:06 | 0:04:07 | |
-And your name is? -My name's Max. | 0:04:07 | 0:04:09 | |
Max, good to meet you. | 0:04:09 | 0:04:10 | |
So, it's a big area. | 0:04:10 | 0:04:11 | |
It is. It's a very vast area. We have eight to ten vendors in here. | 0:04:11 | 0:04:14 | |
-Can you guide me around? It's a big place, isn't it? -Yeah, sure. | 0:04:14 | 0:04:17 | |
-If you want to start up this way... -Up this way. Good. | 0:04:17 | 0:04:19 | |
Determined to beat Charles on this leg, | 0:04:22 | 0:04:24 | |
James is on the hunt for hidden gems. | 0:04:24 | 0:04:27 | |
So, we've got a pair of, er, sort of fonts. | 0:04:27 | 0:04:30 | |
It looks as though it might have taken a dish, a liner there. | 0:04:30 | 0:04:33 | |
-Doesn't it? -Yeah, well, I would presume so, yeah. | 0:04:33 | 0:04:35 | |
-Yeah. -A ceramic dish or something like that. | 0:04:35 | 0:04:37 | |
Yeah. Could have been, maybe, for washing your hands. | 0:04:37 | 0:04:41 | |
Maybe, you know, people, if they went to church, | 0:04:41 | 0:04:44 | |
maybe you'd wash your hands and things like that, you know. | 0:04:44 | 0:04:47 | |
Very difficult to get the old foot in. | 0:04:48 | 0:04:50 | |
-You know, bathing, isn't it? You know. -Yeah. | 0:04:50 | 0:04:53 | |
You'd need to be a yogic master, Max, to do that, don't you? | 0:04:53 | 0:04:56 | |
Oh. The ticket says £490 for the pair. | 0:04:57 | 0:05:00 | |
They're too pricey for your purse, James. So, moving on... | 0:05:00 | 0:05:04 | |
What have you found now? | 0:05:05 | 0:05:07 | |
Have these got any age, or are they brand-new? | 0:05:07 | 0:05:10 | |
I'm not sure. Probably... | 0:05:10 | 0:05:12 | |
So, this has got some lacquer on it, hasn't it? | 0:05:12 | 0:05:15 | |
Most of the Chinese stuff was always lacquered. | 0:05:15 | 0:05:18 | |
-Yeah, yeah. This is more your red cinnabar lacquer. -Mm-hm. | 0:05:18 | 0:05:23 | |
It's just got a little bit of tracery | 0:05:23 | 0:05:25 | |
rushing around here, hasn't it? | 0:05:25 | 0:05:27 | |
I quite like stools, but these ones are slightly lower. | 0:05:27 | 0:05:31 | |
That's a sort of seat level. | 0:05:31 | 0:05:33 | |
Often, you rather hope a stool is slightly higher. | 0:05:33 | 0:05:37 | |
That's quite a low one. | 0:05:37 | 0:05:39 | |
They're just a sort of decorative things, really. | 0:05:39 | 0:05:42 | |
I haven't even asked how much you've got on these. | 0:05:42 | 0:05:45 | |
140 for the pair. | 0:05:45 | 0:05:46 | |
140 for the pair. | 0:05:46 | 0:05:48 | |
I like them. | 0:05:52 | 0:05:54 | |
It would absolutely make my day at 75 for those. | 0:05:54 | 0:05:59 | |
-MAX SIGHS -Er... | 0:06:01 | 0:06:04 | |
Speak to me, Max. | 0:06:04 | 0:06:06 | |
-You're worried. -Do you know what? | 0:06:06 | 0:06:08 | |
-What? Really? -Put it there. | 0:06:08 | 0:06:10 | |
-75. -That's very kind. Thank you. | 0:06:10 | 0:06:12 | |
-I've had them a while. -That's for the two? -That's for the pair. | 0:06:12 | 0:06:15 | |
For the pair - lovely. Very pleased with those. | 0:06:15 | 0:06:18 | |
So that's James's first lot bought. | 0:06:19 | 0:06:22 | |
And it's not long before another pair catches his eye. | 0:06:22 | 0:06:25 | |
Two tables this time. | 0:06:25 | 0:06:27 | |
It is definitely a Sikh-like headdress here. | 0:06:29 | 0:06:33 | |
So, Indian. This is for export. | 0:06:34 | 0:06:37 | |
-So, you can... -For packing. | 0:06:37 | 0:06:38 | |
-You would have packed... -Flat-pack. | 0:06:38 | 0:06:40 | |
Flat-pack. So you could have taken that home with you. | 0:06:40 | 0:06:43 | |
Yes. Not bad, is it? | 0:06:43 | 0:06:45 | |
It's very nice hardwood. | 0:06:45 | 0:06:47 | |
Who can resist an elephant? | 0:06:47 | 0:06:48 | |
I can never resist an elephant. | 0:06:48 | 0:06:50 | |
They're beautiful, beautiful animals. | 0:06:50 | 0:06:53 | |
And it's just quite nice. | 0:06:53 | 0:06:55 | |
Quite a nice scene there. | 0:06:55 | 0:06:57 | |
What could these be? | 0:06:57 | 0:06:58 | |
45 for t'pair. | 0:07:00 | 0:07:02 | |
-45 for pair? -Yeah. | 0:07:02 | 0:07:03 | |
-Yeah, I'll take them, 45. -All right? -Thank you. Really kind. | 0:07:04 | 0:07:08 | |
-Sometimes I buy singularly, sometimes I buy in pairs. -Mm-hm. | 0:07:08 | 0:07:13 | |
Today is a pairs day. | 0:07:13 | 0:07:15 | |
And what a pair of pairs they are. | 0:07:15 | 0:07:18 | |
Great start! | 0:07:18 | 0:07:20 | |
-Thanks for coming. -Thanks a lot. | 0:07:20 | 0:07:21 | |
Charles, meanwhile, has motored up the road | 0:07:27 | 0:07:29 | |
to his first shop of the day, Farang Antiques... | 0:07:29 | 0:07:32 | |
-Good morning. -Morning. -Hello, my name's Charles Hanson. | 0:07:34 | 0:07:37 | |
-John Stewart. Nice to meet you. -Hi, John. | 0:07:37 | 0:07:38 | |
Have you any interesting finds of recent date? | 0:07:38 | 0:07:42 | |
-We've got lots of interesting things. -Fantastic. | 0:07:42 | 0:07:44 | |
-If you want to come through, I'll be glad to show you. -Wonderful - can't wait! | 0:07:44 | 0:07:47 | |
..housing a large selection of fine arts and crafts | 0:07:47 | 0:07:51 | |
from Southeast Asia. | 0:07:51 | 0:07:53 | |
There are plenty of exotic pieces on offer. | 0:07:56 | 0:07:59 | |
I love that burnished gilt. | 0:07:59 | 0:08:01 | |
This is a wonderful piece. | 0:08:01 | 0:08:02 | |
-It is. -I mean, this is a fabulous Shan 19th-century Buddha | 0:08:02 | 0:08:06 | |
made from teak wood, been gilded. | 0:08:06 | 0:08:09 | |
Lots of wear and tear, as it would be of this age. | 0:08:09 | 0:08:11 | |
I suppose I wouldn't get much change, John, from £2,500. | 0:08:11 | 0:08:16 | |
You wouldn't get any change on £2,500 pounds at all. | 0:08:16 | 0:08:19 | |
This one would be £4,500. | 0:08:19 | 0:08:21 | |
-And between friends? -4,400. | 0:08:21 | 0:08:24 | |
4,400. I like your style. | 0:08:24 | 0:08:26 | |
Well out of your price range, Charles. | 0:08:26 | 0:08:28 | |
I like, John, the Edwardian cabinet. | 0:08:31 | 0:08:34 | |
-Is that for sale? -I'm afraid not. | 0:08:34 | 0:08:36 | |
I need it for my display here desperately. | 0:08:36 | 0:08:38 | |
It's the display that's actually caught my eye. | 0:08:38 | 0:08:40 | |
You've got these figures in almost, I suppose, miniature frames. | 0:08:40 | 0:08:44 | |
And they are full-length portraits. | 0:08:44 | 0:08:47 | |
These are what you'd call Chinese pith paintings. | 0:08:47 | 0:08:50 | |
Pith paintings. Meaning they're on rice paper? | 0:08:50 | 0:08:52 | |
-They're on rice paper. -Yes. | 0:08:52 | 0:08:53 | |
Be about 19th century. Wow! They're really well painted. | 0:08:53 | 0:08:56 | |
-Beautifully painted. -They're very well detailed. | 0:08:56 | 0:08:58 | |
It's a shame... This one, I can see, | 0:08:58 | 0:09:00 | |
has got the split in the pith, or the rice paper. | 0:09:00 | 0:09:03 | |
-Are they expensive? -No, they're not. | 0:09:04 | 0:09:07 | |
It's a set of three. They're £60 altogether. | 0:09:07 | 0:09:09 | |
Yeah, yeah. | 0:09:09 | 0:09:11 | |
They are well done. | 0:09:11 | 0:09:13 | |
He likes them, but enough to buy, I wonder? | 0:09:13 | 0:09:16 | |
I'm going to say thanks but no, thanks. | 0:09:18 | 0:09:20 | |
-OK. -John, thank you. I've had a really enjoyable visit. | 0:09:20 | 0:09:23 | |
I might regret not buying these. | 0:09:25 | 0:09:26 | |
And to you, John, I shall say... | 0:09:26 | 0:09:28 | |
-Sa-wut dee krup. -Sa-wut dee krup. | 0:09:29 | 0:09:31 | |
And that's "goodbye" in... | 0:09:31 | 0:09:33 | |
-In Thai. -Goodbye, John. | 0:09:33 | 0:09:34 | |
Sa-wut dee krup. See you, John. See you. | 0:09:34 | 0:09:36 | |
Charles leaves his first shop empty-handed, | 0:09:36 | 0:09:39 | |
and his wallet is still bulging. | 0:09:39 | 0:09:41 | |
James's buying is going much better | 0:09:43 | 0:09:46 | |
and he's now made his way six miles east to Glencarse. | 0:09:46 | 0:09:50 | |
He's come to Michael Young Antiques. | 0:09:52 | 0:09:54 | |
BELL RINGS | 0:09:55 | 0:09:57 | |
-Hello. James. -Hello, James. | 0:09:57 | 0:09:59 | |
-Hello. -Good to meet you. -Good to meet you. What a lovely place. | 0:09:59 | 0:10:02 | |
With a mixed bag of antiques on offer, | 0:10:02 | 0:10:05 | |
James is hoping Michael can help him sniff out a potential purchase. | 0:10:05 | 0:10:09 | |
Why can't he look for himself? | 0:10:09 | 0:10:10 | |
Do you keep all your junk in the cabinets or do you keep all your precious items in the cabinets? | 0:10:10 | 0:10:15 | |
I don't profess to have a lot of junk but, in actual fact, | 0:10:15 | 0:10:18 | |
you've hit upon the right cabinet. | 0:10:18 | 0:10:20 | |
-Very lucky horseshoe. -Very early, yeah. -Very early. | 0:10:21 | 0:10:23 | |
Find some goodies. | 0:10:28 | 0:10:29 | |
Have you got so much money to spend? Is that it? | 0:10:30 | 0:10:33 | |
No, I haven't got a huge amount of money to spend, unfortunately. | 0:10:33 | 0:10:36 | |
Well, you've still got nearly £200, James. | 0:10:37 | 0:10:40 | |
A little pot. | 0:10:42 | 0:10:44 | |
Oh, not as old as I thought. | 0:10:44 | 0:10:45 | |
-That's a shame. It's a lovely Iznik pattern, isn't it? -Yeah. | 0:10:45 | 0:10:49 | |
How much have you got on that? | 0:10:49 | 0:10:51 | |
-£20. -£20, yeah. | 0:10:51 | 0:10:53 | |
It's damaged on the corner. | 0:10:53 | 0:10:54 | |
Yeah, I saw that. I like to call it fritting. | 0:10:54 | 0:10:57 | |
Fair enough. | 0:10:57 | 0:10:59 | |
Call it what you like. | 0:10:59 | 0:11:00 | |
Fritting, indeed! | 0:11:00 | 0:11:02 | |
With the pot put back on the shelf, | 0:11:02 | 0:11:05 | |
James's attention turns to something a bit bulkier. | 0:11:05 | 0:11:07 | |
Big old mirror there. | 0:11:08 | 0:11:10 | |
Old brass-framed mirror. | 0:11:10 | 0:11:12 | |
-Yeah. -Base metals. | 0:11:12 | 0:11:13 | |
I love a bit of base metal. | 0:11:13 | 0:11:15 | |
What could that be, Michael? | 0:11:15 | 0:11:18 | |
150? | 0:11:18 | 0:11:19 | |
And the glass - is that deterioration...? | 0:11:20 | 0:11:24 | |
Pull it off the wall and have a look. | 0:11:24 | 0:11:26 | |
-Is there deterioration behind it? Probably. -Yeah, it's behind. | 0:11:26 | 0:11:29 | |
Steady! | 0:11:31 | 0:11:33 | |
It's got a sort of zinc back, hasn't it? | 0:11:36 | 0:11:38 | |
-So you've got a sort of... -Polish up beautifully. | 0:11:39 | 0:11:41 | |
..stylised rose there, haven't you? | 0:11:41 | 0:11:43 | |
It's a big old thing. | 0:11:45 | 0:11:46 | |
-Very much in the Arts and Crafts manner, isn't it? -Mm. | 0:11:46 | 0:11:49 | |
Superb, I think, actually. | 0:11:49 | 0:11:51 | |
The stylised flowers. Shame about the mirror, but there we are. | 0:11:51 | 0:11:54 | |
What about 100, Michael? | 0:11:54 | 0:11:56 | |
-Thank you, sir. -Very much indeed. | 0:11:56 | 0:11:58 | |
That's very kind of you, Michael. | 0:11:58 | 0:12:00 | |
Kind indeed. That generous discount sees James secure another lot | 0:12:00 | 0:12:04 | |
to take to auction. Jolly good! | 0:12:04 | 0:12:06 | |
Charles, meanwhile, has made his way to Crieff. | 0:12:13 | 0:12:15 | |
He's come to learn about an elite band of hardy Scots | 0:12:18 | 0:12:21 | |
known as the Highland drovers. | 0:12:21 | 0:12:23 | |
From the mid-17th century, | 0:12:27 | 0:12:28 | |
tough and courageous herdsmen drove cattle | 0:12:28 | 0:12:31 | |
from the Highlands and Islands across Scotland's roughest terrain, | 0:12:31 | 0:12:36 | |
to trade at market. | 0:12:36 | 0:12:37 | |
Charles is meeting chairman of the Crieff and Strathearn Drovers' Tryst Festival | 0:12:37 | 0:12:41 | |
John Cummings, to find out more. | 0:12:41 | 0:12:44 | |
-Welcome to Crieff. Come this way. -Wonderful! | 0:12:44 | 0:12:47 | |
I've been a driver, John, and it's been quite difficult | 0:12:52 | 0:12:55 | |
navigating over these hills and around lochs | 0:12:55 | 0:12:58 | |
in an old classic car but, of course, for the drovers | 0:12:58 | 0:13:01 | |
-it was a different story. -Very much so, yes. | 0:13:01 | 0:13:03 | |
There were no roads, basically, when they were at their height. | 0:13:03 | 0:13:05 | |
There were no maps, there were no GPS systems. | 0:13:05 | 0:13:08 | |
The droving would take on average 12 miles a day, | 0:13:08 | 0:13:11 | |
they could cover with cattle. | 0:13:11 | 0:13:13 | |
So you're talking about possibly two weeks en route. | 0:13:13 | 0:13:17 | |
-Really? -Yeah, it was a long, long haul. | 0:13:17 | 0:13:20 | |
What did the Highland cattle have? | 0:13:20 | 0:13:22 | |
Why travel all that distance? | 0:13:22 | 0:13:24 | |
Were these special beasts? | 0:13:24 | 0:13:26 | |
Scottish beef was traditionally very, very much valued. | 0:13:26 | 0:13:30 | |
And certainly during the 17th century | 0:13:30 | 0:13:33 | |
and part of the 18th century, there was a tremendous demand - | 0:13:33 | 0:13:37 | |
80% of beef came from Scotland. | 0:13:37 | 0:13:40 | |
-Really? -And what did it serve? | 0:13:40 | 0:13:42 | |
It served the Navy. | 0:13:42 | 0:13:43 | |
It served the Armed Forces. | 0:13:43 | 0:13:45 | |
Salted beef. | 0:13:45 | 0:13:46 | |
The Drovers' Tryst in Crieff | 0:13:46 | 0:13:49 | |
was one of the busiest cattle markets in the country. | 0:13:49 | 0:13:52 | |
Held in the second week in October, trade was so substantial | 0:13:52 | 0:13:55 | |
that Crieff was the financial centre of Scotland during this period. | 0:13:55 | 0:13:59 | |
Why Perthshire? | 0:13:59 | 0:14:01 | |
What did that region have in Scotland which others didn't? | 0:14:01 | 0:14:04 | |
If you look at the map of Scotland, | 0:14:04 | 0:14:05 | |
a lot of the droving routes converge on Crieff. | 0:14:05 | 0:14:08 | |
The traders that were coming up from either the Borders early on or, | 0:14:08 | 0:14:12 | |
after the Union, increasingly from England, | 0:14:12 | 0:14:15 | |
they were quite happy to come as far as Crieff, but not beyond Crieff. | 0:14:15 | 0:14:19 | |
That was wild, untamed country. | 0:14:19 | 0:14:21 | |
-At its height, 30,000 cattle came through Crieff. -Really? | 0:14:21 | 0:14:26 | |
For the Highlander, it was his form of wealth. | 0:14:26 | 0:14:29 | |
But they had to guard the cattle | 0:14:29 | 0:14:31 | |
because you had, very often, cattle thieving. | 0:14:31 | 0:14:35 | |
That went on and that was part and parcel of the whole story | 0:14:35 | 0:14:38 | |
about droving, because a lot of drovers were previously cattle thieves. | 0:14:38 | 0:14:41 | |
Rob Roy MacGregor - the famous Rob Roy - he was a cattle thief, | 0:14:41 | 0:14:44 | |
but he was part of the MacGregor clan and an outlaw. | 0:14:44 | 0:14:47 | |
The drovers were a key part of Scottish life | 0:14:47 | 0:14:50 | |
for more than 200 years but due to the Highland Clearances, | 0:14:50 | 0:14:55 | |
faster steamships and the birth of railways, | 0:14:55 | 0:14:58 | |
the droving trade in Scotland dried up. | 0:14:58 | 0:15:01 | |
The hardy Highlanders were forced to find work elsewhere. | 0:15:01 | 0:15:04 | |
Where did these drovers end up? | 0:15:05 | 0:15:07 | |
Australia. America. Canada. | 0:15:07 | 0:15:11 | |
And the skills they took with them, of course, | 0:15:11 | 0:15:13 | |
were the skills of the droving. | 0:15:13 | 0:15:16 | |
So the drovers, in many ways, become the cowboys. | 0:15:16 | 0:15:20 | |
We know all about the cowboys. | 0:15:20 | 0:15:21 | |
They've been romanticised by John Ford and John Wayne and so on. | 0:15:21 | 0:15:24 | |
But they went across there, they became the big, big landowners | 0:15:24 | 0:15:29 | |
and the ranchers of Texas. | 0:15:29 | 0:15:31 | |
So really, the cowboys almost began, in a way, in Scotland? | 0:15:31 | 0:15:35 | |
Well, you could say that. | 0:15:35 | 0:15:36 | |
Many, many Scottish traditions and, as we know, | 0:15:36 | 0:15:39 | |
many names over in Canada and so on. | 0:15:39 | 0:15:41 | |
Charles reckons he could be a daring drover. | 0:15:41 | 0:15:45 | |
So John's brought him to meet local farmer Euan Stewart, | 0:15:45 | 0:15:48 | |
who's kindly offered to let him loose on his Highland coos. | 0:15:48 | 0:15:52 | |
Looks angry. | 0:15:52 | 0:15:54 | |
And there they are. Aren't they beautiful creatures? | 0:15:54 | 0:15:57 | |
What's the secret? What is the way to drove? | 0:15:57 | 0:16:00 | |
Just go and say, "Come on, girls. | 0:16:00 | 0:16:02 | |
-"On your way." -Do I whistle a bit? | 0:16:02 | 0:16:04 | |
-HE WHISTLES -You can, yes. OK. | 0:16:04 | 0:16:06 | |
Well, I'll try that. | 0:16:06 | 0:16:07 | |
That's what we do down south. | 0:16:07 | 0:16:10 | |
Come on. This way. | 0:16:10 | 0:16:11 | |
You have mighty fine horns. Thank you. | 0:16:12 | 0:16:14 | |
No need to be personal, Charles. | 0:16:14 | 0:16:16 | |
Come on. We're going south towards Derbyshire. | 0:16:16 | 0:16:19 | |
That's it. | 0:16:20 | 0:16:21 | |
-What do you want? -Don't ask! | 0:16:24 | 0:16:25 | |
You've had... | 0:16:25 | 0:16:27 | |
You've had your water. | 0:16:27 | 0:16:28 | |
BULL MOOS | 0:16:28 | 0:16:30 | |
Don't look at me like that. I'm not a bad man, OK? I know. | 0:16:30 | 0:16:33 | |
Come on, let's go. | 0:16:33 | 0:16:35 | |
Let's find the way. | 0:16:35 | 0:16:37 | |
And as Charles heads off with the herd... | 0:16:37 | 0:16:40 | |
TIM CHUCKLES | 0:16:40 | 0:16:41 | |
..day one draws to an end, so nighty-night. | 0:16:41 | 0:16:44 | |
It's a brand-new day, and our boys are back together | 0:16:48 | 0:16:51 | |
and have made their way to Edinburgh. | 0:16:51 | 0:16:53 | |
The sun is shining on the Scottish capital - | 0:16:53 | 0:16:55 | |
surely a good omen. | 0:16:55 | 0:16:56 | |
If you go at the back and push and I'll steer, OK? | 0:16:56 | 0:16:59 | |
Is that all right? | 0:16:59 | 0:17:01 | |
Uh-oh. Maybe not, then. Looks like the car's had it again. | 0:17:01 | 0:17:04 | |
The run-up's OK. | 0:17:04 | 0:17:06 | |
It's not too steep. | 0:17:06 | 0:17:08 | |
-I'll have a go. -Yeah, OK. | 0:17:08 | 0:17:10 | |
Let me get those biceps just warmed up, James, first, OK? | 0:17:10 | 0:17:14 | |
-Hold on. OK, ready? -In your own time. | 0:17:14 | 0:17:17 | |
Come on, Charles. Put your back into it. | 0:17:17 | 0:17:19 | |
Ooh! Hope you don't do yourself a mischief. | 0:17:19 | 0:17:22 | |
James. James. | 0:17:22 | 0:17:24 | |
Yeah, sorry. I think I'll come and give you a hand. | 0:17:24 | 0:17:27 | |
Take it out of gear! | 0:17:27 | 0:17:29 | |
Oh, crikey. Really? | 0:17:29 | 0:17:31 | |
-Ready? -Why would he do it any better? | 0:17:31 | 0:17:34 | |
Come on, James. | 0:17:35 | 0:17:36 | |
Push! Push! | 0:17:36 | 0:17:38 | |
He's so much older than you! | 0:17:40 | 0:17:41 | |
-James... -I've run out. | 0:17:41 | 0:17:43 | |
-I've run out. -The road trip... | 0:17:43 | 0:17:45 | |
This isn't right! | 0:17:45 | 0:17:46 | |
..is all about the two of us, OK? | 0:17:46 | 0:17:48 | |
-Do you want me to drive instead? -Oh, no! | 0:17:48 | 0:17:51 | |
OK, let's try brute force from both boys | 0:17:52 | 0:17:54 | |
and a helping hand from a mechanic. | 0:17:54 | 0:17:56 | |
Push for all your might, here in Edinburgh! | 0:17:56 | 0:17:58 | |
Let's go. | 0:17:58 | 0:18:00 | |
Let's go, James. Keep going. | 0:18:00 | 0:18:03 | |
Keep going. Hold it there, James. Hold it there. | 0:18:03 | 0:18:07 | |
Handbrake on, driver. | 0:18:07 | 0:18:08 | |
-Well done. -There we go. The day is alive. -Come on, let's walk. | 0:18:08 | 0:18:12 | |
Thanks a lot. All the best to you. | 0:18:12 | 0:18:14 | |
Oh, yes, of course - there's shopping to do. | 0:18:14 | 0:18:15 | |
So far, James has bagged himself three lots - | 0:18:15 | 0:18:18 | |
the Chinese stools, the hardwood tables and the Arts and Crafts mirror - | 0:18:18 | 0:18:21 | |
which means he's still got £95.68 in his pocket. | 0:18:21 | 0:18:26 | |
Charles, meanwhile, hasn't bought a single thing. Ha! | 0:18:28 | 0:18:31 | |
So he's got some big buying to do today, with his £447.34. | 0:18:31 | 0:18:37 | |
Thankfully, our experts aren't too far from their first shop | 0:18:40 | 0:18:44 | |
so, with the car out of action, they're walking the rest of the way. | 0:18:44 | 0:18:48 | |
Look at this view! | 0:18:48 | 0:18:49 | |
MUSIC: I'm Gonna Be (500 Miles) by The Proclaimers | 0:18:49 | 0:18:53 | |
-BOTH: -# And I would walk 500 more | 0:18:53 | 0:18:56 | |
# Just to be the man who walks a thousand miles | 0:18:56 | 0:19:01 | |
# To fall down at your door | 0:19:01 | 0:19:04 | |
# La-la, la-la | 0:19:04 | 0:19:06 | |
# La-la, la-la... # | 0:19:06 | 0:19:08 | |
What a lovely tone you've got, Charles! | 0:19:08 | 0:19:10 | |
That's a matter of opinion. | 0:19:10 | 0:19:11 | |
Oh, look at that - snake hips! | 0:19:13 | 0:19:15 | |
-Are you shattered? -Yeah. -Are you shattered? | 0:19:20 | 0:19:21 | |
-I need to get fit. -You need to get fit. | 0:19:21 | 0:19:23 | |
-I'm almost losing my sap and energy for this first shop, James. -Really? | 0:19:23 | 0:19:28 | |
This is a cunning plan. | 0:19:28 | 0:19:31 | |
So cunning you could put a tail on it. | 0:19:31 | 0:19:34 | |
Charles and James will be doing a spot of joint shopping this morning. | 0:19:34 | 0:19:37 | |
Oh, Lord! Do be careful, Charles. | 0:19:39 | 0:19:42 | |
They've finally arrived in one piece at Courtyard Antiques. | 0:19:42 | 0:19:46 | |
After you. | 0:19:46 | 0:19:47 | |
Oh, James! Get it together, chaps. | 0:19:49 | 0:19:52 | |
With a wide selection of antiques spread over two floors, | 0:19:53 | 0:19:56 | |
it's time for some serious shopping, particularly Charles. | 0:19:56 | 0:19:59 | |
This is an amazing shop, isn't it? | 0:19:59 | 0:20:01 | |
Well...there's no shortage of content here, is there? | 0:20:01 | 0:20:04 | |
-Shall I go this way and you go that way? -OK. You have choice. Good luck, good luck. | 0:20:04 | 0:20:08 | |
Still to start spending, Charles has decided to seek out dealer Lewis | 0:20:09 | 0:20:13 | |
to get some insider knowledge. | 0:20:13 | 0:20:15 | |
-Hello, there. -Hi, Charles. -You must be the proprietor here. | 0:20:16 | 0:20:19 | |
-Yes. -Would you have anything that is quite market fresh, | 0:20:19 | 0:20:23 | |
that maybe is something full of Eastern promise? | 0:20:23 | 0:20:26 | |
-We have some early carvings... -Oh, really? | 0:20:26 | 0:20:28 | |
-..up at that end. -Let's go for a wander. | 0:20:28 | 0:20:31 | |
James, meanwhile, is going it alone upstairs. | 0:20:31 | 0:20:34 | |
Always look up, always look down. | 0:20:34 | 0:20:37 | |
There might be some lovely rugs, | 0:20:37 | 0:20:38 | |
there might be something interesting hanging up. | 0:20:38 | 0:20:41 | |
It's mainly chairs at the moment. | 0:20:41 | 0:20:43 | |
Downstairs, Charles is getting a closer look | 0:20:45 | 0:20:47 | |
at the group of 17th and 18th-century carvings. | 0:20:47 | 0:20:50 | |
-Have they just come in, or...? -Yeah. | 0:20:52 | 0:20:54 | |
God, they're beautiful. How much are they? | 0:20:54 | 0:20:56 | |
Erm, I was hoping to get 140 each for them. | 0:20:56 | 0:20:59 | |
Aren't they gorgeous? | 0:20:59 | 0:21:01 | |
-Have they been here a while? -They've been here four days. | 0:21:01 | 0:21:04 | |
Aren't they nice? | 0:21:04 | 0:21:06 | |
I suppose they're what we call caryatids, aren't they? | 0:21:06 | 0:21:09 | |
And a caryatid is almost like a plaster, | 0:21:09 | 0:21:12 | |
where it's almost a moulding applied to a piece of furniture. | 0:21:12 | 0:21:18 | |
I haven't really seen so much up here. | 0:21:18 | 0:21:21 | |
I think I might head down. | 0:21:21 | 0:21:22 | |
Let's muscle in on young Hanson downstairs, shall we? | 0:21:22 | 0:21:26 | |
HE HUMS | 0:21:26 | 0:21:29 | |
What could be the best price on them? | 0:21:29 | 0:21:31 | |
590? | 0:21:33 | 0:21:34 | |
Keep it high, Lewis, keep it high! | 0:21:36 | 0:21:38 | |
Keep it high. He's got plenty of money. | 0:21:38 | 0:21:41 | |
He's ahead. He's ahead at the moment. | 0:21:41 | 0:21:43 | |
-They're very nice, those, aren't they? -Yeah, they are. | 0:21:43 | 0:21:45 | |
-You've got £590. -I wish I did, I wish I did. | 0:21:45 | 0:21:47 | |
-Keep spending, keep spending. -Thanks a lot! -I'm just going to come by, do you mind? | 0:21:49 | 0:21:53 | |
You know, when you're at that moment, caught in time... | 0:21:53 | 0:21:55 | |
-I know. -..you get your old mate just come and upset the apple cart. | 0:21:55 | 0:21:59 | |
Before Friday sings, | 0:21:59 | 0:22:01 | |
I would like to go for the big one that could dip high or dip low. | 0:22:01 | 0:22:06 | |
Yeah, I know. It's worth it, isn't it? | 0:22:06 | 0:22:08 | |
After that walk we've had, I've got to clear my head a bit, | 0:22:08 | 0:22:10 | |
because I'm still, in my own mind, walking still. | 0:22:10 | 0:22:13 | |
Talking of walkies, James has found a Studio Pottery corgi moneybox | 0:22:13 | 0:22:18 | |
right under Charles's nose. | 0:22:18 | 0:22:19 | |
-That's a nice thing. Can I have a look at that? -No, you can't! | 0:22:19 | 0:22:22 | |
No, you can't! Do you know what? | 0:22:22 | 0:22:24 | |
-Good design... -Yes. -Good design always has humour. | 0:22:24 | 0:22:28 | |
-I do like that. -It's like Martinware Brothers. | 0:22:28 | 0:22:30 | |
-I think, Lewis, what I'm going to do... -I like the crown. | 0:22:30 | 0:22:33 | |
I think I'm going to make a note of these and just say, "Let's put them to one side." | 0:22:33 | 0:22:37 | |
-I'm going to put that to one side as well. -No, no, no, you're not. | 0:22:37 | 0:22:40 | |
-Let's have a chat. That'll be first come, first served. -Lewis... | 0:22:40 | 0:22:44 | |
I'm looking at this, | 0:22:44 | 0:22:46 | |
I'm looking at this, and I'm getting as feel of about £20. | 0:22:46 | 0:22:49 | |
About half of what I was thinking. | 0:22:49 | 0:22:50 | |
Really? 25 and it's yours. | 0:22:50 | 0:22:53 | |
I'll buy them at 25. | 0:22:53 | 0:22:54 | |
Go on. First one done! | 0:22:54 | 0:22:56 | |
-Wahey! -I can't believe it! | 0:22:56 | 0:22:59 | |
I almost feel like giving you a Glasgow head-butt, | 0:22:59 | 0:23:03 | |
via this delightful... | 0:23:03 | 0:23:04 | |
-To the winner goes the spoils! -That's a very good object, James. | 0:23:04 | 0:23:07 | |
-That's a lovely object. -And to Queen and country. | 0:23:07 | 0:23:10 | |
Get out of here! Go on! | 0:23:10 | 0:23:11 | |
-Thank you, Lewis. -Go walk those 500 miles that way! | 0:23:11 | 0:23:14 | |
Go on, get out of here! | 0:23:14 | 0:23:16 | |
An interruption by James sees him walk off with his fourth lot for auction. | 0:23:17 | 0:23:22 | |
Charles, meanwhile, is still thinking about the caryatids - as you do. | 0:23:22 | 0:23:26 | |
I'd be prepared to spend £400 on them. | 0:23:27 | 0:23:30 | |
Cash. | 0:23:30 | 0:23:31 | |
Charlie is slightly wearing him down. | 0:23:31 | 0:23:34 | |
The poor man's going to have to lie down in a darkened room soon, isn't he? | 0:23:34 | 0:23:38 | |
I would be prepared to go kind of halfway with you, 450. | 0:23:38 | 0:23:41 | |
That's quite interesting. | 0:23:43 | 0:23:44 | |
Oh, it's open! It's a sort of weird curio. | 0:23:46 | 0:23:49 | |
It's very heavy. It's made of lead... | 0:23:50 | 0:23:52 | |
..and it's got a donkey on it, a mule, a donkey. | 0:23:54 | 0:23:57 | |
It's rather sweet, isn't it? | 0:23:57 | 0:24:00 | |
It's got no price on it. A couple of quid... | 0:24:00 | 0:24:02 | |
So, he's off to interrupt - yet again. | 0:24:02 | 0:24:05 | |
I found this in a little cabinet, rather... Curio. | 0:24:06 | 0:24:09 | |
-That's pretty. -Pretty, isn't it? | 0:24:09 | 0:24:11 | |
-That's nice. -It's not TOO nice. | 0:24:11 | 0:24:14 | |
It's really nice. | 0:24:14 | 0:24:16 | |
-Wonderful! -Hold on, hold on... | 0:24:16 | 0:24:18 | |
It's very good, isn't it? | 0:24:20 | 0:24:21 | |
-How much is that? -A couple of pounds? | 0:24:21 | 0:24:23 | |
Never mind the quality - feel the weight. | 0:24:23 | 0:24:25 | |
It hasn't got a price tag, | 0:24:25 | 0:24:28 | |
so, you know, I thought I'd give you a lift from nought. | 0:24:28 | 0:24:31 | |
15. | 0:24:31 | 0:24:32 | |
I think we're moving in the right direction, Lewis. | 0:24:33 | 0:24:36 | |
It's nice to see. Lewis - a tenner. | 0:24:36 | 0:24:38 | |
Go on, put it there. | 0:24:38 | 0:24:40 | |
Well done. My work is done here. | 0:24:40 | 0:24:42 | |
-Do you know... -My work is done here. -He's more a decision kind of guy. | 0:24:42 | 0:24:45 | |
My work is done here. Thank you, good people. | 0:24:45 | 0:24:47 | |
-Good people of Edinburgh, I leave you. -I shall wish you good day. -Good day, good day. | 0:24:47 | 0:24:51 | |
Do you know, sometimes you worry that a man's on fire. | 0:24:51 | 0:24:53 | |
This man's come from nowhere and he is on fire. | 0:24:53 | 0:24:56 | |
He's certainly hot! | 0:24:56 | 0:24:58 | |
With a total of five lots bought, that's James spent. | 0:24:58 | 0:25:01 | |
Charles, we're still waiting for you to get started. | 0:25:01 | 0:25:04 | |
Now, how about those caryatids? | 0:25:04 | 0:25:08 | |
Would you meet me at £400 and give me a chance? | 0:25:08 | 0:25:11 | |
420. | 0:25:11 | 0:25:12 | |
Oh, don't say that! Would you meet me at 410? | 0:25:12 | 0:25:15 | |
Here he goes. | 0:25:20 | 0:25:21 | |
-Come on. -Do you know what, Lewis? | 0:25:21 | 0:25:23 | |
Life's a journey. | 0:25:25 | 0:25:27 | |
We hold tight and as I go back into England, | 0:25:27 | 0:25:31 | |
I'll think of England and hope the nation will rejoice... | 0:25:31 | 0:25:35 | |
at £410. | 0:25:35 | 0:25:37 | |
Thank you very much. | 0:25:38 | 0:25:39 | |
Took a while to get there, but you got there. | 0:25:39 | 0:25:43 | |
Charles has almost blown his whole budget on the six caryatids, | 0:25:43 | 0:25:46 | |
which he will split into three lots for auction. Dear, oh, dear. | 0:25:46 | 0:25:49 | |
-Lewis, thank you again. -Goodbye to you. -Bye-bye. | 0:25:49 | 0:25:53 | |
All shopped-out, James is taking it easy in Edinburgh this afternoon | 0:25:56 | 0:26:00 | |
and heading to the birthplace of one of the greatest scientists in history, | 0:26:00 | 0:26:04 | |
James Clerk Maxwell. | 0:26:04 | 0:26:07 | |
Unknown to many but held in high esteem by fellow scientists, | 0:26:07 | 0:26:12 | |
Maxwell inspired Einstein, | 0:26:12 | 0:26:13 | |
and his discoveries helped in the development | 0:26:13 | 0:26:16 | |
of electricity, radio, television and much more. | 0:26:16 | 0:26:20 | |
Born in this building in June 1831, Maxwell's theories on astronomy, | 0:26:20 | 0:26:26 | |
physiology, colour optics, thermodynamics, | 0:26:26 | 0:26:29 | |
electricity and magnetism were ground-breaking. | 0:26:29 | 0:26:32 | |
James has come to meet particle physicist Dr Aidan Robson to find out more. | 0:26:32 | 0:26:37 | |
I guess science is one of James's special subjects. | 0:26:37 | 0:26:42 | |
Such a bright spark! | 0:26:42 | 0:26:43 | |
One of the things that James Clerk Maxwell is best known for | 0:26:44 | 0:26:47 | |
is the theory of electromagnetism and so, | 0:26:47 | 0:26:50 | |
around the middle of the 19th century, | 0:26:50 | 0:26:52 | |
a lot of people were investigating these two phenomena, | 0:26:52 | 0:26:55 | |
electricity and magnetism, | 0:26:55 | 0:26:57 | |
and realising that they're different sides of the same thing. | 0:26:57 | 0:27:00 | |
-OK. -So, if we pass a current through a coil of wire... -Yep. | 0:27:00 | 0:27:05 | |
..then it becomes magnetic. | 0:27:05 | 0:27:07 | |
Or, alternatively, if we move a magnet inside a coil of wire, | 0:27:07 | 0:27:13 | |
then it generates an | 0:27:13 | 0:27:16 | |
-electric current. -Can I feel that? | 0:27:16 | 0:27:18 | |
And so these were the sort of experiments that Michael Faraday | 0:27:18 | 0:27:21 | |
was doing, for example, | 0:27:21 | 0:27:22 | |
and what James Clerk Maxwell was trying to do was develop a combined | 0:27:22 | 0:27:28 | |
mathematical theory that explained everything, and he did that. | 0:27:28 | 0:27:32 | |
It's what we know now as Maxwell's equations. | 0:27:32 | 0:27:35 | |
And the extraordinary thing that came out of that was a prediction | 0:27:35 | 0:27:39 | |
that energy was propagating what we know as an electromagnetic field | 0:27:39 | 0:27:44 | |
at the speed of light. | 0:27:44 | 0:27:46 | |
James Clerk Maxwell made the jump to realise that light itself | 0:27:46 | 0:27:50 | |
is electromagnetic radiation, and this was extraordinary. | 0:27:50 | 0:27:54 | |
This was one of the triumphs of 19th-century science. | 0:27:54 | 0:27:58 | |
Maxwell's pioneering research into electromagnetic radiation | 0:28:01 | 0:28:06 | |
led to inventions like the television, radio and mobile phones. | 0:28:06 | 0:28:11 | |
Even more than that, he founded the whole field | 0:28:11 | 0:28:15 | |
of mathematical physics | 0:28:15 | 0:28:18 | |
and this is really what led to Einstein's success | 0:28:18 | 0:28:21 | |
and led to Peter Higgs's work, as well. | 0:28:21 | 0:28:24 | |
So Maxwell was really the foundation of a lot of the breakthroughs | 0:28:24 | 0:28:28 | |
in physics since then. | 0:28:28 | 0:28:30 | |
Maxwell was a hero of Albert Einstein, who famously said, | 0:28:30 | 0:28:34 | |
"I stand on the shoulders of James Clerk Maxwell." | 0:28:34 | 0:28:39 | |
Despite this recognition from possibly the most famous scientist in history, | 0:28:39 | 0:28:43 | |
Maxwell has remained largely in the shadows since his death in 1879. | 0:28:43 | 0:28:49 | |
But to those in the know, | 0:28:49 | 0:28:51 | |
Maxwell's theories have shaped our modern world, | 0:28:51 | 0:28:53 | |
paving the way for much of the world's technological innovations. | 0:28:53 | 0:28:58 | |
Aidan, absolutely fascinating. | 0:28:58 | 0:29:00 | |
It's lovely to know where the source material of the radio, | 0:29:00 | 0:29:04 | |
the television, of mobile telephones... | 0:29:04 | 0:29:07 | |
I must say, I do wish I concentrated slightly more at physics. | 0:29:07 | 0:29:10 | |
Anyway, it's been absolutely fascinating. Thank you very much indeed. | 0:29:10 | 0:29:13 | |
Charles has made his way to North Berwick, where he's arrived | 0:29:18 | 0:29:22 | |
at the final shop of the day. | 0:29:22 | 0:29:24 | |
-Hello, there! -Oh, hello. | 0:29:25 | 0:29:27 | |
How are you? Your name, sir, is? | 0:29:27 | 0:29:29 | |
-Charles. -You're Charles as well? -Yes, exactly the same. | 0:29:29 | 0:29:32 | |
-Occasionally Charlie. -Are you a Charlie? | 0:29:32 | 0:29:35 | |
I'm normally a Charles. | 0:29:35 | 0:29:36 | |
OUR Charles spent the bulk of his budget in the last shop, | 0:29:37 | 0:29:41 | |
so has just over £37 available to spend. | 0:29:41 | 0:29:44 | |
Almost takes me back to my droving days. | 0:29:44 | 0:29:47 | |
Beautiful, beautiful shop, Charles. I'm trying to butter you up as well. | 0:29:53 | 0:29:56 | |
Flattery will only get you so far, Charles. | 0:29:58 | 0:30:00 | |
Now, what have you spotted in here? | 0:30:00 | 0:30:02 | |
It's quite a cute little, erm... | 0:30:05 | 0:30:08 | |
cup, little tea bowl. Maybe a bowl. | 0:30:08 | 0:30:10 | |
And often we see images of 18th-century ladies | 0:30:10 | 0:30:14 | |
taking their tea like this. | 0:30:14 | 0:30:16 | |
But it's a beautiful little blue-and-white example. | 0:30:17 | 0:30:20 | |
-Charles? -Yes? | 0:30:20 | 0:30:22 | |
They say small is beautiful. | 0:30:22 | 0:30:24 | |
The little bowl here's quite sweet. | 0:30:24 | 0:30:26 | |
Nice, isn't it? Just cute. | 0:30:26 | 0:30:27 | |
-Yes, yes. -What could it be? | 0:30:27 | 0:30:29 | |
-A couple of pounds? -Yeah. -Fine. | 0:30:29 | 0:30:31 | |
-Quite cute, isn't it, for a couple of pounds? -Mm. | 0:30:31 | 0:30:33 | |
Yeah, I like your style. | 0:30:33 | 0:30:35 | |
Thanks, Charles. That's one purchase. | 0:30:35 | 0:30:37 | |
I'll keep wandering. Thanks a lot. OK. | 0:30:37 | 0:30:40 | |
That's the tea bowl bought for £2, | 0:30:40 | 0:30:42 | |
and it looks like there may be one more buy on the cards. | 0:30:42 | 0:30:47 | |
That's a nice little dish. | 0:30:47 | 0:30:49 | |
It's quite a nice pewter... | 0:30:49 | 0:30:51 | |
I suppose what you might call a dinner plate, | 0:30:51 | 0:30:54 | |
in this lovely almost pie-crust reeded-moulded cast frame. | 0:30:54 | 0:30:58 | |
What you look for on any pewter or early metalware | 0:30:58 | 0:31:02 | |
is where it's languished on tables, | 0:31:02 | 0:31:04 | |
and you can see on the base of this dish, | 0:31:04 | 0:31:08 | |
there are some nice knife marks. | 0:31:08 | 0:31:10 | |
It's not overly early, but it's quite tactile. | 0:31:10 | 0:31:14 | |
He likes it, but how much will it set him back? | 0:31:14 | 0:31:17 | |
Er, Charlie? | 0:31:17 | 0:31:18 | |
-Is it expensive or...? -It's 15. | 0:31:19 | 0:31:21 | |
-15? -Yeah. | 0:31:21 | 0:31:23 | |
It's quite nice, isn't it? | 0:31:24 | 0:31:26 | |
Yeah, because... | 0:31:26 | 0:31:27 | |
something that doesn't sell an awful lot is pewter. | 0:31:27 | 0:31:31 | |
-It's kind of out of... -Would you take £10 for it? | 0:31:31 | 0:31:34 | |
Mmm, yes. | 0:31:34 | 0:31:36 | |
Thanks ever so much. Pick up my blue-and-white... | 0:31:36 | 0:31:39 | |
..tea bowl down here and the waiter that I am, | 0:31:40 | 0:31:44 | |
walk this, or drove it, down to Cumbria. | 0:31:44 | 0:31:47 | |
I'll pay for it first. | 0:31:47 | 0:31:49 | |
Charles pays for the tea bowl and pewter plate... | 0:31:51 | 0:31:54 | |
..which he'll add to his three pairs of wooden caryatids, | 0:31:55 | 0:31:59 | |
giving him five lots to take to auction. | 0:31:59 | 0:32:01 | |
James also has five lots - his pair of Chinese stools, | 0:32:03 | 0:32:07 | |
a pair of Indian hardwood tables, | 0:32:07 | 0:32:09 | |
the Arts and Crafts mirror, | 0:32:09 | 0:32:11 | |
a Studio Pottery corgi moneybox | 0:32:11 | 0:32:14 | |
and the lead donkey. | 0:32:14 | 0:32:16 | |
The big question is, what do they think of each other's lots? | 0:32:16 | 0:32:20 | |
He's bought a pewter plate. Nobody buys pewter. | 0:32:21 | 0:32:25 | |
Charles was very excited about the caryatids. | 0:32:25 | 0:32:28 | |
I had a look at them and some I liked and some I didn't really like. | 0:32:28 | 0:32:33 | |
He paid £10 | 0:32:33 | 0:32:35 | |
for that little beautifully tactile donkey so, hopefully... | 0:32:35 | 0:32:38 | |
..he'll be the ass at the end of this auction. | 0:32:40 | 0:32:43 | |
I say, Carlos! | 0:32:43 | 0:32:44 | |
The boys are back on the road in a car that works - | 0:32:44 | 0:32:47 | |
well, at the moment. | 0:32:47 | 0:32:48 | |
It's another DKW 1000 Coupe. | 0:32:48 | 0:32:51 | |
After beginning in Perth, | 0:32:51 | 0:32:53 | |
our experts have now made their way over the border en route to auction | 0:32:53 | 0:32:56 | |
in Crooklands, Cumbria. | 0:32:56 | 0:32:58 | |
I must say, behind the wheel, this is a very different car. | 0:33:00 | 0:33:03 | |
It actually feels like a decent car. | 0:33:03 | 0:33:05 | |
-But it's not the same car. -No, it's red. | 0:33:05 | 0:33:08 | |
This car's red. Our last car was blue, wasn't it? | 0:33:08 | 0:33:10 | |
So it's had no spray job - it's just a completely different car? | 0:33:10 | 0:33:13 | |
It feels like a different car. | 0:33:13 | 0:33:15 | |
I think the other one died. | 0:33:15 | 0:33:17 | |
Fingers crossed on this one, anyway. | 0:33:17 | 0:33:19 | |
The boys have arrived at Eighteen Eighteen Auctioneers. | 0:33:19 | 0:33:23 | |
This is my moment to shine in the prize Cumbrian weather. | 0:33:23 | 0:33:27 | |
James, on a day like today... | 0:33:27 | 0:33:29 | |
..may your luck be an antique horse. | 0:33:30 | 0:33:32 | |
On a day like today, let's get inside. | 0:33:32 | 0:33:34 | |
With a history stretching back nearly 200 years - | 0:33:36 | 0:33:39 | |
but not in this building - it's a well-established saleroom. | 0:33:39 | 0:33:42 | |
The gentleman holding the gavel today is David Brooks. | 0:33:42 | 0:33:44 | |
What does he make of our experts' lots? | 0:33:44 | 0:33:46 | |
The lead token donkey is quite sweet. | 0:33:48 | 0:33:51 | |
Is it going to sell well? I really don't know. | 0:33:51 | 0:33:53 | |
Jury's out on that one. | 0:33:53 | 0:33:54 | |
The tea bowl - supposedly 16th-century. | 0:33:54 | 0:33:57 | |
It's got damage to it, so I don't think it will do terribly well, | 0:33:57 | 0:34:01 | |
despite its age. But, again, we do get real surprises, sometimes, | 0:34:01 | 0:34:04 | |
with the Chinese market. | 0:34:04 | 0:34:05 | |
Oh, yes, it's a busy room and there's online and phone bidding here, too, | 0:34:05 | 0:34:09 | |
so take your seat, chaps. | 0:34:09 | 0:34:12 | |
Hold tight! Oh... OK! | 0:34:12 | 0:34:14 | |
Oh, blimey! | 0:34:14 | 0:34:15 | |
Sorry about that. Sorry about that. | 0:34:15 | 0:34:16 | |
First up, James's pair of Chinese stools. | 0:34:19 | 0:34:22 | |
I have to start the bidding with me at £60. | 0:34:22 | 0:34:26 | |
You watch. The net's going up, up. | 0:34:26 | 0:34:29 | |
65 on the internet. | 0:34:29 | 0:34:30 | |
70 with me. | 0:34:30 | 0:34:32 | |
-Profit. -80 with me. £80 here. | 0:34:32 | 0:34:35 | |
-We have 85... -I'd like to start bidding now. | 0:34:35 | 0:34:37 | |
Just in time, sir, 90 in the room. | 0:34:38 | 0:34:41 | |
It's against you on the net. In the room at £90, have we finished? | 0:34:41 | 0:34:44 | |
-Chin up. -With the scarf in the room at £90... | 0:34:44 | 0:34:48 | |
-Profit. -Cheap lot. -£15. | 0:34:49 | 0:34:51 | |
James hoped for more, but a profit nevertheless. | 0:34:51 | 0:34:55 | |
How do you feel? | 0:34:55 | 0:34:56 | |
-Look at me. -Gutted. | 0:34:57 | 0:34:58 | |
Now, now! Less of the negative, James. | 0:34:59 | 0:35:01 | |
Right, the first pair of Charles's caryatids are the next to go. | 0:35:03 | 0:35:07 | |
Where am I going to start? | 0:35:07 | 0:35:08 | |
-£50? -Come on, internet. | 0:35:08 | 0:35:10 | |
Apparently, we have a telephone bid. 50 now on the internet. | 0:35:10 | 0:35:13 | |
-Come on, let's go! -55 on the phone. | 0:35:13 | 0:35:16 | |
60 now. 65 on the phone. | 0:35:16 | 0:35:19 | |
I've got a net bid and a phone bid. | 0:35:19 | 0:35:21 | |
I'm more confident now. | 0:35:21 | 0:35:22 | |
75 on the phone. | 0:35:22 | 0:35:24 | |
80 on the internet. | 0:35:24 | 0:35:25 | |
85, phone. | 0:35:25 | 0:35:27 | |
90, net. | 0:35:27 | 0:35:29 | |
95 on the phone. | 0:35:29 | 0:35:30 | |
-We'll get there slowly. -Hold tight, everybody, hold tight! | 0:35:30 | 0:35:33 | |
We've got a long way to go. It's those two over there. | 0:35:33 | 0:35:35 | |
110 on the phone. | 0:35:35 | 0:35:37 | |
-120 on the internet. -Go on, phone line! | 0:35:37 | 0:35:40 | |
130 on the phone. | 0:35:40 | 0:35:41 | |
-We've got a long way to go. -140 on the net. | 0:35:41 | 0:35:44 | |
150 on the phone. | 0:35:44 | 0:35:45 | |
-Have we finished? -Come on! | 0:35:45 | 0:35:47 | |
No, 160. 160 on the internet. | 0:35:47 | 0:35:50 | |
And we will sell if no further interest at £160... | 0:35:50 | 0:35:53 | |
I make that a profit apiece. Well done, boys. | 0:35:55 | 0:35:59 | |
It just shows - the room is out... | 0:35:59 | 0:36:01 | |
-The room is out. -We're very... -I don't think the room was ever in. | 0:36:01 | 0:36:04 | |
No. | 0:36:04 | 0:36:05 | |
Well, let's see how the room feels | 0:36:07 | 0:36:09 | |
about your pair of Indian tables, shall we, James? | 0:36:09 | 0:36:12 | |
20. £20, madam? Thank you. | 0:36:12 | 0:36:15 | |
£20 bid in the room. | 0:36:15 | 0:36:16 | |
You watch this now - it's going to move. | 0:36:16 | 0:36:18 | |
-25. -25. | 0:36:18 | 0:36:20 | |
28, fresh bid. 30. | 0:36:20 | 0:36:22 | |
-32. 32 in the room. -Come on. | 0:36:23 | 0:36:26 | |
It's against you on the net. | 0:36:26 | 0:36:28 | |
They're here to be sold at the 32... | 0:36:28 | 0:36:30 | |
Oh, dear, that's a shame. Bad luck, James. | 0:36:32 | 0:36:35 | |
You know what, James? It's a funny old game. | 0:36:35 | 0:36:37 | |
It IS a funny old game, isn't it? | 0:36:37 | 0:36:39 | |
It IS a funny old game. | 0:36:39 | 0:36:40 | |
Charles, time for your second pair of caryatids. | 0:36:40 | 0:36:44 | |
£70 on the internet. | 0:36:44 | 0:36:46 | |
Bidding on the phone? 75? 75 on the phone. | 0:36:46 | 0:36:49 | |
-80 on the net. -Phone's in, is it? | 0:36:49 | 0:36:52 | |
85, phone. 90, net. | 0:36:52 | 0:36:55 | |
-These are good. -95, phone. -I thought the first ones were lovely. | 0:36:55 | 0:36:59 | |
Caryatids are carrying on. Come on, phone bid. | 0:36:59 | 0:37:01 | |
-110 on the phone. -Come on, internet. | 0:37:01 | 0:37:03 | |
120 on the internet. 130 on the phone. | 0:37:03 | 0:37:06 | |
140 now. | 0:37:06 | 0:37:07 | |
-Go on, phone bid! -140 on the internet, 150 on the phone. | 0:37:07 | 0:37:10 | |
-160 on the internet. -Come on, phone bid. | 0:37:10 | 0:37:12 | |
160 on the internet. | 0:37:12 | 0:37:14 | |
-Phone bid, look at me. -That should be enough. -Look at me! | 0:37:14 | 0:37:16 | |
160 on the internet - have we finished? | 0:37:16 | 0:37:18 | |
-Out on the phone. -Go on, phone bid! -Anything from the room, no? | 0:37:18 | 0:37:21 | |
160 on the internet here and going... | 0:37:21 | 0:37:23 | |
Another profit there for Charles - marvellous! | 0:37:25 | 0:37:28 | |
What a gamble! What a gamble! | 0:37:28 | 0:37:30 | |
I'd love to know, how far would that net bid go? | 0:37:30 | 0:37:34 | |
We'll never know, Charles. | 0:37:34 | 0:37:36 | |
Next up, it's James and his Arts and Crafts mirror. | 0:37:36 | 0:37:40 | |
I'm going to have to start the bidding with me at £55. | 0:37:40 | 0:37:43 | |
-Ah, well done, chief. -So you should. I paid £100 for it. | 0:37:43 | 0:37:46 | |
55. It's against you on the net. | 0:37:46 | 0:37:48 | |
60. 65 with me. 70. Now we're jumping up. | 0:37:48 | 0:37:50 | |
-The net really wants this. -Commissions are out | 0:37:50 | 0:37:53 | |
-and the internet has jumped up to £90. -Oh, my goodness! | 0:37:53 | 0:37:55 | |
-Wow! -£90. -Well done, chief. -Interest on the phone? | 0:37:55 | 0:37:58 | |
95. I've come back to you. 100 now on the internet. | 0:37:58 | 0:38:01 | |
-At 100 on the internet. -This net really wants it. | 0:38:01 | 0:38:04 | |
-That net will go up and up. -We have £130 on the phone now, | 0:38:04 | 0:38:07 | |
and selling... | 0:38:07 | 0:38:09 | |
That profit puts you back in the game, James. | 0:38:11 | 0:38:14 | |
-That's a whopping £30 profit. -It's a £30 profit. | 0:38:14 | 0:38:18 | |
-Yeah, happy? -I am happy. | 0:38:18 | 0:38:20 | |
Will it be third time's the charm for Charles, | 0:38:20 | 0:38:23 | |
as his final pair of caryatids go on offer? | 0:38:23 | 0:38:26 | |
Let's ask £50, got to be. | 0:38:26 | 0:38:28 | |
£50 on the phone, thank you. | 0:38:28 | 0:38:30 | |
-Net's in, net's in. -That's before the internet. | 0:38:30 | 0:38:33 | |
-100. -We've jumped to £100. | 0:38:33 | 0:38:35 | |
-I like your style! -£100 on the phone. | 0:38:35 | 0:38:38 | |
Straight in. He's jumped. | 0:38:38 | 0:38:39 | |
110, there you go. | 0:38:39 | 0:38:41 | |
-120 on the phone. -Come on, net. | 0:38:41 | 0:38:43 | |
-These could move. -130 on the net. | 0:38:43 | 0:38:46 | |
140 on the phone. How are we doing? 150? | 0:38:46 | 0:38:49 | |
-Yes, we are. -Come on, internet and phone bid! | 0:38:49 | 0:38:51 | |
160 on the phone, is it? | 0:38:51 | 0:38:52 | |
Yes, 160 on the phone. | 0:38:52 | 0:38:54 | |
-170 on the internet. -Go on, phone bid! | 0:38:54 | 0:38:56 | |
-No! -On the internet now, going... | 0:38:57 | 0:39:00 | |
This pair fared a little better than the other two | 0:39:04 | 0:39:07 | |
and Charles bags another good profit. | 0:39:07 | 0:39:09 | |
Overall, James, I'm delighted with that, | 0:39:09 | 0:39:11 | |
because it was a gamble worth taking, just to enjoy that voyage. | 0:39:11 | 0:39:15 | |
James is up again. This time, it's his lead donkey. | 0:39:15 | 0:39:20 | |
£20, please. Start me somewhere. | 0:39:20 | 0:39:21 | |
-Thank you, madam. -Here we go. | 0:39:21 | 0:39:23 | |
£20 I have bid. | 0:39:23 | 0:39:25 | |
22 right by you. | 0:39:25 | 0:39:26 | |
25. 28. | 0:39:26 | 0:39:28 | |
30. 32. | 0:39:28 | 0:39:30 | |
35. 38. | 0:39:30 | 0:39:32 | |
40. 42, fresh bid. | 0:39:32 | 0:39:34 | |
This is kicking on. | 0:39:34 | 0:39:36 | |
48. 50. | 0:39:36 | 0:39:37 | |
Have we finished here at £50 now, and selling? | 0:39:37 | 0:39:40 | |
Wow! | 0:39:42 | 0:39:43 | |
Wow indeed! | 0:39:43 | 0:39:45 | |
A fantastic profit there for James. | 0:39:45 | 0:39:48 | |
That donkey made five times its purchase price. | 0:39:48 | 0:39:51 | |
-Fantastic! -It did, it did. -Fantastic! | 0:39:51 | 0:39:53 | |
He's good at maths, but will Charles manage to do as well | 0:39:53 | 0:39:56 | |
with his pewter plate, I wonder? | 0:39:56 | 0:39:58 | |
£20 start me, please, cheap and cheerful. | 0:39:58 | 0:40:00 | |
It's a nice plate. | 0:40:00 | 0:40:03 | |
-Thank you, madam, £20 we have bid. -Hello there. Thanks a lot. | 0:40:03 | 0:40:05 | |
Come on! Nice plate! | 0:40:05 | 0:40:08 | |
22 on the internet. | 0:40:08 | 0:40:10 | |
25. 28. | 0:40:10 | 0:40:12 | |
No? 28 on the internet. | 0:40:12 | 0:40:14 | |
One over there, one over there. | 0:40:14 | 0:40:16 | |
£30 in the room. | 0:40:16 | 0:40:18 | |
32. 35. | 0:40:18 | 0:40:20 | |
-I must say... -It's 18th-century. | 0:40:20 | 0:40:22 | |
38. 40. | 0:40:22 | 0:40:24 | |
-He knows something. It's a very early plate. -Finished? | 0:40:24 | 0:40:26 | |
No, 42. 45. | 0:40:26 | 0:40:29 | |
In the room... | 0:40:29 | 0:40:30 | |
Oh! | 0:40:31 | 0:40:33 | |
Oh! Another great profit. Well done, Charles. | 0:40:33 | 0:40:35 | |
-That's a good return. -That's a good return. -That could, | 0:40:37 | 0:40:39 | |
after today's journey, just get me into the positive. | 0:40:39 | 0:40:43 | |
James's last lot now - his Studio Pottery corgi moneybox. | 0:40:43 | 0:40:48 | |
£20 on the internet. | 0:40:48 | 0:40:49 | |
-Wow! -22 bid. | 0:40:49 | 0:40:52 | |
I'll come back to the room. 22 bid. | 0:40:52 | 0:40:53 | |
Are we bidding in the room? I have 25 on the internet. | 0:40:53 | 0:40:56 | |
28 in the room, thank you. | 0:40:56 | 0:40:57 | |
Concentrate on the room. | 0:40:57 | 0:40:59 | |
At £28 in the room, and we will sell if no further... | 0:40:59 | 0:41:02 | |
-£30. -Well done, chief, you're in. | 0:41:02 | 0:41:04 | |
No? Sure? | 0:41:04 | 0:41:06 | |
£30 in the room here with this lady. | 0:41:06 | 0:41:07 | |
-They've been ignored. -32, she's come back. | 0:41:07 | 0:41:09 | |
-Well done, mate. -35. | 0:41:09 | 0:41:12 | |
-Net's back in again. -35 with the lady here. At £35... | 0:41:12 | 0:41:16 | |
James finishes with a final profit. | 0:41:18 | 0:41:20 | |
Well done, that man! And his dog. | 0:41:20 | 0:41:22 | |
From one corgi to another... | 0:41:22 | 0:41:24 | |
THEY SNORT | 0:41:24 | 0:41:26 | |
Oh, you two! | 0:41:26 | 0:41:28 | |
Right, time for one last lot. | 0:41:28 | 0:41:30 | |
It's Charles's porcelain tea bowl. | 0:41:30 | 0:41:32 | |
-22 on the net. -Come on! -25 in the room. -It's a good thing. | 0:41:32 | 0:41:35 | |
28. 30. 32 on the internet. | 0:41:35 | 0:41:39 | |
-32, 35, a bidder in the room now. -Come on! Do you like it? | 0:41:39 | 0:41:43 | |
Thank you very much. Come on, internet! | 0:41:43 | 0:41:45 | |
-40. -That's enough. | 0:41:45 | 0:41:47 | |
42. 45 in the room. | 0:41:47 | 0:41:50 | |
£2! It cost me £2! | 0:41:50 | 0:41:52 | |
-48. -48! | 0:41:52 | 0:41:53 | |
48. | 0:41:53 | 0:41:55 | |
Have I got to listen to any more of this? | 0:41:55 | 0:41:58 | |
-Have I really got to... -Call me Emperor Ming! | 0:41:58 | 0:42:00 | |
Make no mistake, if no further interest, at the 50 in the room... | 0:42:00 | 0:42:03 | |
-Put it there. -Oh, do I have to? -Yeah. -Really? | 0:42:05 | 0:42:08 | |
-Give us a kiss. -No. | 0:42:08 | 0:42:09 | |
Don't blame you! Anyway, amazing ending there for Charles. | 0:42:09 | 0:42:13 | |
-Come on. -Well done. | 0:42:13 | 0:42:14 | |
Right, let's see who's coming out on top. | 0:42:14 | 0:42:17 | |
James started this leg with £315.68. | 0:42:18 | 0:42:23 | |
Pulling in a profit of £21.34 after auction costs, | 0:42:23 | 0:42:27 | |
means he now has £337.02. | 0:42:27 | 0:42:32 | |
Charles began with £447.34. | 0:42:33 | 0:42:37 | |
Plenty of profits means he gained £57.70 after auction costs. | 0:42:37 | 0:42:44 | |
He goes into the final leg way out in the lead | 0:42:44 | 0:42:47 | |
with £505.04. Well done, boy. | 0:42:47 | 0:42:50 | |
Thank you very much, James! The Escape To Victory. | 0:42:50 | 0:42:53 | |
You got away with it. You did get away with it, Charles, again. | 0:42:53 | 0:42:56 | |
Fare thee well, Road Trippers. | 0:42:58 | 0:43:00 | |
Next time on the Antiques Road Trip, | 0:43:05 | 0:43:07 | |
it's the final leg of the boys' Scottish adventure. | 0:43:07 | 0:43:10 | |
Oh, sorry, madam. Sorry. | 0:43:10 | 0:43:13 | |
And there's everything to play for. | 0:43:13 | 0:43:16 | |
You've just got to keep your eyes open. | 0:43:16 | 0:43:17 | |
-Just like that! -You get too easily distracted, mate. | 0:43:17 | 0:43:20 |