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It's the nation's favourite antiques experts. HE STRIKES GONG | 0:00:02 | 0:00:04 | |
-That's cracking. -With £200 each... -Wonderful. | 0:00:04 | 0:00:07 | |
..a classic car and a goal to scour Britain for antiques. | 0:00:07 | 0:00:11 | |
-That's exactly what I'm talking about. -I'm all over a-shiver. | 0:00:11 | 0:00:14 | |
The aim? To make the biggest profit at auction, but it's no mean feat. | 0:00:14 | 0:00:17 | |
-No-brainer. -Going, going, gone. | 0:00:17 | 0:00:20 | |
There'll be worthy winners, and valiant losers. | 0:00:20 | 0:00:23 | |
-So, will it be the high road to glory? -Push. | 0:00:23 | 0:00:26 | |
-Or the slow road to disaster? -How awfully, awfully nice. | 0:00:26 | 0:00:29 | |
This is Antiques Road Trip. | 0:00:29 | 0:00:31 | |
Yeah! | 0:00:34 | 0:00:35 | |
MUSIC: The Final Countdown by Europe | 0:00:35 | 0:00:38 | |
Hold on to your hats, | 0:00:40 | 0:00:41 | |
it's the last leg of this rip-roaring road trip | 0:00:41 | 0:00:45 | |
for a couple of swirls, | 0:00:45 | 0:00:46 | |
Charles Hanson and James Braxton. | 0:00:46 | 0:00:48 | |
James, it's been an amazing trip, but the end is nigh, | 0:00:50 | 0:00:53 | |
the curtain is about to be drawn for the last time on you and I, | 0:00:53 | 0:00:57 | |
and I think we've got to go with a bang. The crowd want an encore. | 0:00:57 | 0:01:01 | |
It's like a boxing match. | 0:01:01 | 0:01:03 | |
After a while, all the crowd want to see is a bit of blood, don't they? | 0:01:03 | 0:01:07 | |
Somebody on the canvas. | 0:01:07 | 0:01:09 | |
BELL RINGS | 0:01:09 | 0:01:10 | |
MUSIC: Theme from Rocky | 0:01:10 | 0:01:12 | |
James is an auctioneer who's always on the ball. | 0:01:12 | 0:01:16 | |
HE PLAYS WHISTLE | 0:01:16 | 0:01:18 | |
And his sparring partner, Charles, | 0:01:18 | 0:01:20 | |
is a demon when it comes to doing a deal. | 0:01:20 | 0:01:22 | |
I've got a bit of money in my sporran. | 0:01:22 | 0:01:24 | |
Oh, yeah? He's not wrong. Charles is loaded and way out in the lead. | 0:01:24 | 0:01:29 | |
This dapper chap has turned his original £200 stake | 0:01:30 | 0:01:34 | |
into a whopping £505.04. | 0:01:34 | 0:01:37 | |
James also started this trip with 200, and some profitable | 0:01:40 | 0:01:43 | |
purchases means he's now driving around with £337.02 in his pocket. | 0:01:43 | 0:01:49 | |
Do you know how much there is difference between you and I? | 0:01:49 | 0:01:52 | |
-No, how much? -168. -Is that all? -Yeah. -That's not a lot, is it? | 0:01:52 | 0:01:56 | |
-Is that all?! -It's not a lot. -It's enough. | 0:01:56 | 0:01:59 | |
After having some catastrophic car trouble on the last leg | 0:01:59 | 0:02:03 | |
with their blue DKW 1000 coupe, | 0:02:03 | 0:02:06 | |
our boys and now roaring around in a ravishing red one. | 0:02:06 | 0:02:10 | |
Ha! Made before seat belts were mandatory, | 0:02:10 | 0:02:12 | |
it means our experts aren't wearing any. Got it? | 0:02:12 | 0:02:16 | |
-So, we're on the east coast. -We are, we are. | 0:02:16 | 0:02:18 | |
Literally, James, if you were to go that way, | 0:02:18 | 0:02:21 | |
I think you'd hit Bergen, | 0:02:21 | 0:02:23 | |
because Bergen is in what country? | 0:02:23 | 0:02:26 | |
-Germany. -No, Norway. Bergen's in Norway. | 0:02:26 | 0:02:29 | |
After beginning their epic adventure in the Highlands, | 0:02:31 | 0:02:34 | |
Charles and James have been journeying all over bonnie Scotland, | 0:02:34 | 0:02:37 | |
taking in the north-east and the central belt. | 0:02:37 | 0:02:40 | |
Today, they'll finish up over the border in Berwick-upon-Tweed. | 0:02:40 | 0:02:44 | |
This leg will kick off in Dunbar before ending in Berwick-upon-Tweed. | 0:02:46 | 0:02:50 | |
Watch the lorry, give me a honk. Give me a honk. | 0:02:52 | 0:02:54 | |
-LORRY HONKS ITS HORN -Yes! | 0:02:54 | 0:02:56 | |
-JAMES HONKS CAR HORN -No! Quick, James. | 0:02:56 | 0:02:59 | |
The nation's behind us, James, in Scotland. | 0:03:00 | 0:03:03 | |
-They know we're driving forwards... -They know. | 0:03:03 | 0:03:05 | |
..on this great journey. | 0:03:05 | 0:03:06 | |
Our excitable experts are primed and raring to go. | 0:03:07 | 0:03:11 | |
James will be dropping Charles off at his first shop of the day. | 0:03:11 | 0:03:16 | |
-Buttercup, baby, I'm here. -Well done, Charles, there you are. | 0:03:16 | 0:03:20 | |
-Let me go. -Have good luck. -Thanks, James. Take care. Be lucky. | 0:03:20 | 0:03:25 | |
-Be lucky. -In love. | 0:03:25 | 0:03:26 | |
-Charles will be kicking things off in the Buttercup Studio. -Oh, yes. | 0:03:28 | 0:03:32 | |
-Oh, hello. -Good morning. How are you? -Lovely. -Your name is? -Linda. | 0:03:32 | 0:03:37 | |
Linda has a wide variety of antiques on offer, | 0:03:38 | 0:03:40 | |
and Charles gets stuck in straight away. | 0:03:40 | 0:03:43 | |
-Can I open the cabinet? -Yes. -So I'm going to be very, very careful. | 0:03:43 | 0:03:47 | |
CABINET CLATTERS | 0:03:47 | 0:03:48 | |
There we go, the handle's just come off the cabinet. | 0:03:50 | 0:03:52 | |
-Has it? -It's OK. It's back on now, it's OK. | 0:03:52 | 0:03:55 | |
Just a bit loose. | 0:03:55 | 0:03:56 | |
SHE LAUGHS | 0:03:56 | 0:03:57 | |
Like me today - a bit loose. | 0:03:57 | 0:03:59 | |
You said it. | 0:03:59 | 0:04:01 | |
So, you'd literally... | 0:04:01 | 0:04:02 | |
-If it had a reed in, you'd play it here. -Yes, you would do. | 0:04:02 | 0:04:06 | |
-You would whistle... -Like that. | 0:04:06 | 0:04:07 | |
SHE LAUGHS | 0:04:07 | 0:04:09 | |
-Yes. -HE WOLF-WHISTLES | 0:04:09 | 0:04:10 | |
Sorry, Linda. | 0:04:10 | 0:04:11 | |
SHE LAUGHS | 0:04:11 | 0:04:13 | |
-The finger's out. -Finger's out. | 0:04:15 | 0:04:16 | |
When the finger comes out, it means I'm meaning business now. | 0:04:16 | 0:04:20 | |
That's pretty. | 0:04:24 | 0:04:26 | |
-CLATTERING -Oops, sorry, Linda. | 0:04:26 | 0:04:27 | |
-Don't worry. -I'm sorry about that. | 0:04:27 | 0:04:30 | |
Sorry, Linda. Sorry about this. Sorry, Linda. | 0:04:30 | 0:04:34 | |
I'm getting carried away. I'm getting carried away, Linda, sorry. | 0:04:34 | 0:04:38 | |
Steady, Charles! | 0:04:38 | 0:04:40 | |
So, on this nice rack here, Linda, I do quite like this little dog. | 0:04:40 | 0:04:45 | |
# How much is that doggie on the rack? # | 0:04:45 | 0:04:48 | |
He's got no wagging tail. | 0:04:48 | 0:04:50 | |
But where did he come from, a local find? | 0:04:50 | 0:04:53 | |
He's been on my mantelpiece for quite a number of years. | 0:04:53 | 0:04:57 | |
-How old is he, do you think? -No idea. He's just very attractive. | 0:04:57 | 0:05:01 | |
I think he's missing his paw there, isn't he? | 0:05:01 | 0:05:03 | |
He's got a bit of damage to him. | 0:05:03 | 0:05:05 | |
He is Staffordshire porcelain, rather than being ceramic... | 0:05:05 | 0:05:08 | |
Well, rather than being a pottery, an earthenware or stoneware, | 0:05:08 | 0:05:11 | |
he is porcelain, so he's highly fired and made of that china clay. | 0:05:11 | 0:05:16 | |
I'm presuming there's no price ticket. | 0:05:16 | 0:05:20 | |
He's just a little doggie in the window, here to go. | 0:05:20 | 0:05:24 | |
-Yes. -Yeah. -Um... | 0:05:24 | 0:05:27 | |
It was £10, but you can have it for five. | 0:05:27 | 0:05:30 | |
He's quite cute, isn't he? | 0:05:32 | 0:05:35 | |
He is cute. Go on, Linda, I'll take him for £5. | 0:05:35 | 0:05:37 | |
-Thanks a lot. -Thank you. | 0:05:37 | 0:05:38 | |
Our Charles buys the King Charles to kick-start this leg's shopping. | 0:05:38 | 0:05:43 | |
Anything else? | 0:05:43 | 0:05:45 | |
That's quite nice. | 0:05:45 | 0:05:47 | |
I'm not sure how old it is, Linda. | 0:05:47 | 0:05:49 | |
No idea, but it's wood, the bit there. | 0:05:49 | 0:05:51 | |
-And you can see quite well out of it... -Oh, Charles! | 0:05:51 | 0:05:55 | |
It's OK, it comes apart anyway. | 0:05:55 | 0:05:57 | |
Yeah, it does, it's on a thread. | 0:05:57 | 0:06:00 | |
-Could that be quite reasonable? -Very best, 25. | 0:06:00 | 0:06:03 | |
-It's a man toy. -SHE CHUCKLES | 0:06:05 | 0:06:07 | |
It's got a few indentations, you'll see it's been dropped, | 0:06:07 | 0:06:10 | |
on the cover here you'll see it's got a slight fracture | 0:06:10 | 0:06:14 | |
in the glass there. | 0:06:14 | 0:06:15 | |
And also, on that thread, | 0:06:15 | 0:06:17 | |
you've got a few knocks of where it's been dropped. | 0:06:17 | 0:06:19 | |
But I would say it's got some age to it. | 0:06:19 | 0:06:22 | |
It's quite a nice, quality object. | 0:06:22 | 0:06:24 | |
You're saying 25. I would think the auctioneer might put | 0:06:24 | 0:06:26 | |
a guide price of that figure on as a high estimate. | 0:06:26 | 0:06:31 | |
-Would you take for it £20? -Yes, I'll take 20. | 0:06:31 | 0:06:33 | |
-Are you sure? 20? -20, yes. -Are you sure? | 0:06:33 | 0:06:35 | |
-Yes, positive. -Sold. Thank you very much. I'll take it, Linda. | 0:06:35 | 0:06:38 | |
Thank you. Thank you very much. And I can now see you. There we are. | 0:06:38 | 0:06:41 | |
I've got you. | 0:06:41 | 0:06:43 | |
And you've got yourself two lots in your first shop. | 0:06:43 | 0:06:46 | |
Good stuff. | 0:06:46 | 0:06:47 | |
See you, bye, bye. | 0:06:47 | 0:06:50 | |
James, meanwhile, has made his way to Haddington. | 0:06:53 | 0:06:57 | |
He's come to Lennoxlove House | 0:06:57 | 0:06:59 | |
to hear about one of the most intriguing incidents | 0:06:59 | 0:07:02 | |
of World War II. | 0:07:02 | 0:07:03 | |
He's meeting Lord James Selkirk of Douglas to find out more. | 0:07:05 | 0:07:10 | |
-Good morning. -Glad to meet you. | 0:07:10 | 0:07:12 | |
-Looking forward very much to having a chat. -Thank you. | 0:07:12 | 0:07:16 | |
In 1941, the War was going badly for Britain. | 0:07:16 | 0:07:19 | |
Eight months of Luftwaffe bombing had seen over a million | 0:07:21 | 0:07:24 | |
London homes destroyed and 40,000 people killed. | 0:07:24 | 0:07:29 | |
On 10th May, a lone Messerschmitt flew deep into enemy territory, | 0:07:29 | 0:07:34 | |
evading all of Britain's air defences. | 0:07:34 | 0:07:37 | |
Remarkably, the pilot was Rudolf Hess, | 0:07:37 | 0:07:39 | |
chairman of the Nazi Party and Hitler's dedicated deputy. | 0:07:39 | 0:07:44 | |
He was heading for a location less than 20 miles south of Glasgow. | 0:07:44 | 0:07:48 | |
This is the map and the red arrow points to Dungavel House. | 0:07:48 | 0:07:53 | |
-Oh, I see. -But, of course, he couldn't find it in the dark and | 0:07:53 | 0:07:57 | |
he parachutes over Eaglesham to the north, only a few miles away. | 0:07:57 | 0:08:02 | |
Hess was quickly captured and taken into military custody. | 0:08:02 | 0:08:07 | |
He repeatedly insisted he'd only speak to one man, | 0:08:07 | 0:08:10 | |
Lord Selkirk's father, the Duke of Hamilton, | 0:08:10 | 0:08:13 | |
a pioneering aviator and the first man to fly over Mount Everest. | 0:08:13 | 0:08:18 | |
And Hess gives a false name, | 0:08:18 | 0:08:20 | |
says that he is Hauptmann Alfred Horn, | 0:08:20 | 0:08:23 | |
-who was in fact his brother, brother-in-law, called Alfred Horn. -Yeah. | 0:08:23 | 0:08:28 | |
And my father made arrangements to go through and see him | 0:08:28 | 0:08:33 | |
with the interrogating officer the next morning. | 0:08:33 | 0:08:36 | |
When they met, Hess confessed who he really was to the Duke | 0:08:36 | 0:08:39 | |
and made him an offer. | 0:08:39 | 0:08:41 | |
Britain could keep its empire | 0:08:41 | 0:08:42 | |
if Germany had a free hand in Europe and the East. | 0:08:42 | 0:08:46 | |
The Duke didn't waste any time in heading south | 0:08:46 | 0:08:50 | |
to inform Winston Churchill of what he'd heard from Hess. | 0:08:50 | 0:08:53 | |
When he got to Ditchley Park, | 0:08:54 | 0:08:56 | |
Churchill was in good spirits because 33 German bombers | 0:08:56 | 0:08:59 | |
had been shot down, and he asked him for his news, | 0:08:59 | 0:09:03 | |
and my father told him when everyone had left the room, | 0:09:03 | 0:09:07 | |
apart from the Secretary of State for Air, that this man | 0:09:07 | 0:09:10 | |
who had given a false name to everybody else | 0:09:10 | 0:09:13 | |
claimed to him that he was Hitler's deputy. | 0:09:13 | 0:09:16 | |
And Churchill refused to believe that that was at all likely | 0:09:16 | 0:09:21 | |
or even possible. | 0:09:21 | 0:09:22 | |
And then he said to my father, "Well, Hess or no Hess, | 0:09:22 | 0:09:26 | |
"I'm going to see the Marx Brothers," | 0:09:26 | 0:09:29 | |
and they went out to see the film next door. | 0:09:29 | 0:09:31 | |
JAMES LAUGHS | 0:09:31 | 0:09:33 | |
Hess was imprisoned in Britain, | 0:09:33 | 0:09:35 | |
including a short spell in the Tower of London, | 0:09:35 | 0:09:38 | |
until October 1945 when he was sent to stand trial at Nuremberg. | 0:09:38 | 0:09:42 | |
Sentenced to life imprisonment as a war criminal, Hess remained | 0:09:42 | 0:09:47 | |
incarcerated in Berlin's Spandau prison until his death in 1987. | 0:09:47 | 0:09:53 | |
To this day, many rumours still revolve around Hess's | 0:09:53 | 0:09:56 | |
fateful flight to Scotland. Had Hitler actually approved it? | 0:09:56 | 0:10:01 | |
Was Hess a would-be assassin? | 0:10:01 | 0:10:03 | |
Or was it simply the doomed mission of an unstable man? | 0:10:03 | 0:10:07 | |
We will never know. | 0:10:07 | 0:10:09 | |
Reunited, our boys, though, | 0:10:11 | 0:10:14 | |
have motored the DKW to Old Craighall near Musselburgh. | 0:10:14 | 0:10:18 | |
They've arrived at a shop called Early Technology. | 0:10:21 | 0:10:24 | |
-Quite surreal, isn't it? -It is quite surreal. | 0:10:26 | 0:10:28 | |
The owner of this rather unique antiques haven is Michael. | 0:10:28 | 0:10:32 | |
-Oh, look, here's the man. -Hello, sir. | 0:10:32 | 0:10:35 | |
-Sorry we're a bit late, we got a bit lost. Charles. -James. | 0:10:35 | 0:10:39 | |
-Good to meet you. -What an amazing home you have here. | 0:10:39 | 0:10:43 | |
He does indeed. | 0:10:43 | 0:10:45 | |
Packed full of fun and peculiar pieces, | 0:10:45 | 0:10:47 | |
our chaps are going to love this place. | 0:10:47 | 0:10:49 | |
Oh, wow. It's quite something here. James, look at the Penny Farthing. | 0:10:52 | 0:10:57 | |
-I know, amazing. -Isn't that wonderful? -Yeah. -Is it for sale? | 0:10:57 | 0:11:00 | |
-Everything's for sale. -Music to an antique hunter's ears. | 0:11:00 | 0:11:04 | |
-So, James, what's our plan? -I think we just go for things that... | 0:11:04 | 0:11:08 | |
I love the loo. | 0:11:08 | 0:11:10 | |
-I think, James... I think I might go this way. -Yeah. | 0:11:10 | 0:11:14 | |
-And I might stay here. -Yeah, I think so. | 0:11:14 | 0:11:17 | |
I might go and stand by this love tester, put in my penny. | 0:11:17 | 0:11:20 | |
-I'll light the love tester for you, you can try it out. -Oh, wonderful! | 0:11:20 | 0:11:23 | |
I'm going to try the love tester. | 0:11:23 | 0:11:25 | |
-Maybe it will give me a good sense of wellbeing here. -Standby. | 0:11:25 | 0:11:28 | |
-Dear, oh, dear. -Push the money in here. -Put your money in. | 0:11:28 | 0:11:31 | |
-Hold the grip. -Hold the knob. | 0:11:31 | 0:11:33 | |
LOVE TESTER RINGS | 0:11:33 | 0:11:34 | |
-Oh, Lord. -Oh, James, feel the love. | 0:11:34 | 0:11:37 | |
Hold on. | 0:11:37 | 0:11:38 | |
Oh! I think I'll be "wild". | 0:11:39 | 0:11:42 | |
"Clammy". | 0:11:44 | 0:11:45 | |
Ha-ha! "Clammy". | 0:11:45 | 0:11:47 | |
You know, I gripped... | 0:11:49 | 0:11:50 | |
-I gripped for the nation. -Did you? | 0:11:50 | 0:11:52 | |
I gripped for my love affair with antiques. | 0:11:52 | 0:11:55 | |
That's what I get. "Clammy". Your turn. | 0:11:55 | 0:11:58 | |
It's a fix! | 0:11:58 | 0:11:59 | |
Good luck, James, hold tight. | 0:11:59 | 0:12:01 | |
I'm just going to go... I'm going to treat it like a lady. | 0:12:01 | 0:12:04 | |
-Just gen... Nice and gently. -I think "hot stuff". | 0:12:04 | 0:12:07 | |
-Hot stuff! "Uncontrollable", I'm hoping for. -Oh, yeah? | 0:12:07 | 0:12:10 | |
-Wild! -Wild! He's wild! | 0:12:12 | 0:12:14 | |
Right, on that note, James, you get wild, I'll get clammy, | 0:12:16 | 0:12:20 | |
and I'll start handling some antiques. | 0:12:20 | 0:12:23 | |
Now, what are they going to get up to next? | 0:12:23 | 0:12:26 | |
I've been framed. | 0:12:27 | 0:12:30 | |
-Oh, I like that. The cock and hammer. -18th century. | 0:12:30 | 0:12:32 | |
-What's a cock and hammer? -It's a well-known game. | 0:12:32 | 0:12:35 | |
-It's still made today, oddly enough. -Aren't they wonderful? | 0:12:35 | 0:12:38 | |
They're absolutely period. | 0:12:38 | 0:12:39 | |
And I suppose, Mike, if you were to offer these to James or I, | 0:12:39 | 0:12:44 | |
-what would be the best price? -120 for those. | 0:12:44 | 0:12:46 | |
-They're not perfect. -No. | 0:12:46 | 0:12:48 | |
Look at me. Do you want it? | 0:12:48 | 0:12:49 | |
No, I like the Teasmade. How much for the Teasmade? | 0:12:49 | 0:12:52 | |
The Teasmade you can have for £25. | 0:12:52 | 0:12:56 | |
-Thank you, Mike. -No, no... -It's your bargain. | 0:12:56 | 0:12:59 | |
-I'm going on that. Thank you, Mike. -That's your bargain. | 0:12:59 | 0:13:03 | |
-Come on, Charles. -Just like that. | 0:13:03 | 0:13:05 | |
-You've just got to keep your eyes open. -Just like that. | 0:13:05 | 0:13:07 | |
-You get too easily distracted. -£25! | 0:13:07 | 0:13:10 | |
It's not early technology. | 0:13:10 | 0:13:12 | |
-It's late technology, as far as I'm concerned. -Mike! | 0:13:12 | 0:13:14 | |
-Have you bought it? -Yeah, £25. Teasmade. -Absolutely. | 0:13:14 | 0:13:17 | |
Look at that. I've never seen such a fine Teasmade. | 0:13:17 | 0:13:20 | |
-That is a work of art. -£25. | 0:13:20 | 0:13:23 | |
You've got a light there, so that wakes you up in the morning. | 0:13:23 | 0:13:26 | |
You've got your clock. And then... What a... What a... What a... | 0:13:26 | 0:13:30 | |
-You like a cup of tea. -So, you've just sold it to him? -Yes. | 0:13:30 | 0:13:33 | |
-Absolutely. We shook on it. -Thrilled to sell it. | 0:13:33 | 0:13:35 | |
Anyway, bye. | 0:13:35 | 0:13:37 | |
Anyway, that's me. I'm home early. Bye. | 0:13:37 | 0:13:39 | |
-Charles, you keep... -It's time for tea for you, isn't it? | 0:13:39 | 0:13:42 | |
-Time for tea. -Yeah. -Time for tea. | 0:13:42 | 0:13:44 | |
I'd invite you along, if you'd purchase something. | 0:13:44 | 0:13:47 | |
James showing his wild side there, | 0:13:48 | 0:13:51 | |
doing one of the quickest deals we've ever seen. | 0:13:51 | 0:13:54 | |
Well done, that man. | 0:13:54 | 0:13:56 | |
I am so pleased with this. | 0:13:57 | 0:13:59 | |
I spotted this beyond Charles. | 0:13:59 | 0:14:01 | |
A fabulous Teasmade. | 0:14:01 | 0:14:03 | |
Teasmades have come roaring back, | 0:14:03 | 0:14:05 | |
and I love this rocking motion, this tolerance. | 0:14:05 | 0:14:08 | |
So when this is really boiling, the light's flashing, | 0:14:08 | 0:14:12 | |
it's making a lot of noise, it can resist. | 0:14:12 | 0:14:14 | |
It's not going to fall off the table, is it? | 0:14:14 | 0:14:17 | |
It's going to keep burning away. | 0:14:17 | 0:14:18 | |
It's a lovely item. £25. I think I'm ahead. | 0:14:18 | 0:14:22 | |
James is jolly excited about the lot he's bought. | 0:14:23 | 0:14:26 | |
Meanwhile, Charles is feeling a little overwhelmed | 0:14:29 | 0:14:32 | |
by the choice on offer. | 0:14:32 | 0:14:33 | |
There's so much lurking. | 0:14:33 | 0:14:35 | |
There's typewriters, there's a basket of fruit down there. | 0:14:35 | 0:14:39 | |
Down there, is that a concertina in that box? | 0:14:41 | 0:14:44 | |
Is it a concertina? Oh, it is a concertina. | 0:14:44 | 0:14:47 | |
-Do you play it? -No. | 0:14:49 | 0:14:50 | |
It's all complete, except for the knobs that go through. | 0:14:50 | 0:14:53 | |
-But the knobs are not that difficult to get. -Oh, what a shame. | 0:14:53 | 0:14:56 | |
-I've done everything else, but it's cheap for the price. -How much? | 0:14:56 | 0:14:59 | |
-They're worth money. -How much? | 0:14:59 | 0:15:01 | |
-65. -I love the fact it's a Campbells of Glasgow concertina. -Yeah. | 0:15:01 | 0:15:07 | |
And... | 0:15:07 | 0:15:09 | |
Mike, can you give me a little jig? | 0:15:09 | 0:15:10 | |
CONCERTINA TOOTS | 0:15:10 | 0:15:12 | |
It obviously has had some TLC over their years. | 0:15:13 | 0:15:18 | |
The case sells it, Mike, and it's a Glaswegian concertina, | 0:15:18 | 0:15:21 | |
which also gives me a bit of love. | 0:15:21 | 0:15:23 | |
-Would you do it for £40? -No, I'll do it for 50. -Right. | 0:15:23 | 0:15:27 | |
-We'll do it. Mike, let's do it. -OK. | 0:15:28 | 0:15:30 | |
Thanks a lot, Mike. Thanks a lot. £50. | 0:15:30 | 0:15:32 | |
A really interesting concertina, full of Scottish charm, | 0:15:32 | 0:15:35 | |
and, hopefully, it might play at the saleroom if I get lucky. | 0:15:35 | 0:15:40 | |
£50 buys Charles the Victorian concertina. | 0:15:40 | 0:15:44 | |
-Thank you so much. -Thank you, Michael. -Good luck. -Great day. | 0:15:44 | 0:15:47 | |
All the best. | 0:15:47 | 0:15:48 | |
Bye. | 0:15:48 | 0:15:50 | |
And that purchase brings today's buying to a close. | 0:15:51 | 0:15:54 | |
So, nighty-night. | 0:15:54 | 0:15:56 | |
It's a brand-new day, | 0:16:04 | 0:16:06 | |
and the boys are back on the road in Scotland. | 0:16:06 | 0:16:09 | |
It is very beautiful, isn't it? Look at this. | 0:16:09 | 0:16:11 | |
-And I can't believe now time is nigh. -It is. Last day of buying. | 0:16:11 | 0:16:16 | |
Never have thought... | 0:16:16 | 0:16:17 | |
It's gone like a dream in terms of you and I, don't you think so? | 0:16:17 | 0:16:20 | |
It has. | 0:16:20 | 0:16:21 | |
So far, Charles has bought three lots. | 0:16:21 | 0:16:24 | |
The porcelain King Charles spaniel ornament. | 0:16:24 | 0:16:27 | |
The early 19th-century brass telescope. | 0:16:27 | 0:16:30 | |
And the Victorian rosewood concertina. | 0:16:30 | 0:16:32 | |
Leaving him £430.04 to spend. | 0:16:32 | 0:16:36 | |
I'll shake your hand and say thank you, sir. | 0:16:36 | 0:16:39 | |
Meanwhile, James has only bought one lot, | 0:16:39 | 0:16:41 | |
the 1950s tea-maker, | 0:16:41 | 0:16:43 | |
so he's still got £312.02 to play with today. | 0:16:43 | 0:16:47 | |
For their final fling around bonnie Scotland, | 0:16:49 | 0:16:52 | |
Charles is wearing a kilt, of course. | 0:16:52 | 0:16:54 | |
I've also got my hat, James, as well. | 0:16:54 | 0:16:56 | |
-Sorry. Look. -See the hat. | 0:16:56 | 0:16:59 | |
Look, James. | 0:16:59 | 0:17:01 | |
It should be worn slightly off centre, | 0:17:01 | 0:17:03 | |
and all of your tartan should be all the way | 0:17:03 | 0:17:06 | |
straight as your stockings and... | 0:17:06 | 0:17:09 | |
There we go, look. | 0:17:09 | 0:17:11 | |
Oh! Ohh! | 0:17:11 | 0:17:13 | |
You look very fine. | 0:17:13 | 0:17:14 | |
I second that. | 0:17:14 | 0:17:16 | |
This morning, the boys have made their way to Melrose. | 0:17:16 | 0:17:19 | |
James is dropping Charles off at Abbotsford. | 0:17:22 | 0:17:24 | |
This was the home of the famous Scottish novelist and poet | 0:17:24 | 0:17:28 | |
Sir Walter Scott, | 0:17:28 | 0:17:29 | |
without whom tartan, as we know it today, would not exist. | 0:17:29 | 0:17:34 | |
Isn't this beautiful, James? | 0:17:34 | 0:17:35 | |
I just cannot believe how wonderful it looks. | 0:17:35 | 0:17:37 | |
And I want to deliver my tartan Dr Doolittle of antiques. | 0:17:37 | 0:17:41 | |
Watch my skirt... Sorry, my kilt. | 0:17:41 | 0:17:43 | |
There we go, James. I feel a very proud man. | 0:17:43 | 0:17:46 | |
-Goodbye. -This facade. Take care, bye. | 0:17:46 | 0:17:49 | |
That boy's got moves. | 0:17:53 | 0:17:56 | |
Charles is here to meet collections manager Kirsty Archer-Thompson | 0:17:56 | 0:18:00 | |
to find out more | 0:18:00 | 0:18:02 | |
about the great Sir Walter Scott's connection with tartan. | 0:18:02 | 0:18:05 | |
-You must be Kirsty. -Hello, Charles. Lovely to meet you. | 0:18:05 | 0:18:08 | |
-Charles Hanson, good to see. -You look fantastic. -Think so? | 0:18:08 | 0:18:11 | |
-Yeah. -Kirsty, tell me, how far back can we trace tartan? | 0:18:11 | 0:18:14 | |
Tartan actually has a surprisingly long history. | 0:18:14 | 0:18:17 | |
We have references in Roman documents | 0:18:17 | 0:18:20 | |
to the Celtic peoples on the Continent and also here | 0:18:20 | 0:18:23 | |
wearing what we might recognise as tartan. | 0:18:23 | 0:18:26 | |
Certainly chequered patterns with natural dyes. | 0:18:26 | 0:18:29 | |
The vibrant and quite often gaudy tartans we know today | 0:18:29 | 0:18:33 | |
didn't come about until much later, | 0:18:33 | 0:18:36 | |
mainly thanks to one man's romantic vision of Scotland. | 0:18:36 | 0:18:39 | |
It's something that starts with his novels. | 0:18:39 | 0:18:42 | |
I mean, when he publishes Waverley in 1814 | 0:18:42 | 0:18:44 | |
and then goes on to novels like Rob Roy, | 0:18:44 | 0:18:46 | |
the great Scottish historical novels, | 0:18:46 | 0:18:48 | |
he is giving tartan a platform again, | 0:18:48 | 0:18:51 | |
he's giving the Highlander a platform | 0:18:51 | 0:18:53 | |
after the terrible defeat at Culloden and the ban of tartan. | 0:18:53 | 0:18:57 | |
-Ban of tartan? -Yes, absolutely. -What happened? | 0:18:57 | 0:18:59 | |
Tartan was banned. The Act came into force in 1747, | 0:18:59 | 0:19:03 | |
and that was a response to the Battle of Culloden. | 0:19:03 | 0:19:06 | |
Open the door for you, madam. There we are. | 0:19:06 | 0:19:08 | |
The wearing of tartan was outlawed for 35 years | 0:19:08 | 0:19:12 | |
until the Act was repealed in 1782. | 0:19:12 | 0:19:14 | |
Tartan made a slow comeback, | 0:19:16 | 0:19:18 | |
but it's real resurgence came when plans were made | 0:19:18 | 0:19:21 | |
for the first British monarch to visit Scotland in over 170 years. | 0:19:21 | 0:19:26 | |
Much pomp and pageantry was planned, | 0:19:28 | 0:19:30 | |
and tartan was to play a central role. | 0:19:30 | 0:19:33 | |
The state visit of King George IV in 1822 | 0:19:33 | 0:19:36 | |
was orchestrated by the most famous Scotsman of the day, | 0:19:36 | 0:19:39 | |
Sir Walter Scott. | 0:19:39 | 0:19:41 | |
Scotland in sort of 1820 is not a particularly happy place, | 0:19:41 | 0:19:45 | |
and, you know, unionists, conservatives like Scott, | 0:19:45 | 0:19:49 | |
were looking very closely at events and thinking, | 0:19:49 | 0:19:53 | |
"I hope there isn't an uprising like the French Revolution," | 0:19:53 | 0:19:56 | |
and to a point that looked like it might be on the cards. | 0:19:56 | 0:19:59 | |
So, what Scott decides to do | 0:19:59 | 0:20:01 | |
is try and imagine the King's visit as a unifying force | 0:20:01 | 0:20:05 | |
to unite the country behind something | 0:20:05 | 0:20:08 | |
and to heal wounds in contemporary society. | 0:20:08 | 0:20:12 | |
So, come 1822, there was a big party to welcome King George IV, | 0:20:12 | 0:20:17 | |
and is that how tartan then became almost this mass of colour? | 0:20:17 | 0:20:21 | |
Effectively. I mean, it's three weeks of celebrations. | 0:20:21 | 0:20:24 | |
It's quite a spectacle, | 0:20:24 | 0:20:25 | |
and a bit of a masterstroke by Scott to include tartan. | 0:20:25 | 0:20:28 | |
In the run-up to the King's visit, | 0:20:28 | 0:20:30 | |
Scott is deliberately telling people that they need to go out | 0:20:30 | 0:20:33 | |
and dress appropriately. | 0:20:33 | 0:20:35 | |
This is a sanitising of tartan. | 0:20:35 | 0:20:37 | |
-He's effectively putting it through the wash. -Yes. | 0:20:37 | 0:20:40 | |
You know, washing out the bloodstains, | 0:20:40 | 0:20:42 | |
the links with rebellion, and making them safe again. | 0:20:42 | 0:20:46 | |
-Tell me, did King George IV wear tartan? -He did. -He didn't?! | 0:20:46 | 0:20:49 | |
At the Highland Ball, | 0:20:49 | 0:20:51 | |
which was probably the most memorable event of the King's visit. | 0:20:51 | 0:20:56 | |
And his outfit cost, in modern terms, £100,000. | 0:20:56 | 0:20:59 | |
-It didn't?! -He did. | 0:20:59 | 0:21:00 | |
He was known for wearing his kilt slightly too short, | 0:21:00 | 0:21:03 | |
but he also had flesh-coloured tights | 0:21:03 | 0:21:06 | |
which do appear in lots of caricatures of the period. | 0:21:06 | 0:21:08 | |
People were not impressed. | 0:21:08 | 0:21:10 | |
-It was almost a masterstroke by Scott. -It absolutely was. | 0:21:10 | 0:21:13 | |
Everyone was talking about it, whether they liked it or loathed it. | 0:21:13 | 0:21:16 | |
So what we do know for sure | 0:21:16 | 0:21:18 | |
is that Sir Walter Scott helped to put tartan back on the map, | 0:21:18 | 0:21:21 | |
and it's been here to stay ever since. | 0:21:21 | 0:21:23 | |
James, meanwhile, has made his way | 0:21:28 | 0:21:30 | |
to Jedburgh in the Scottish Borders. | 0:21:30 | 0:21:32 | |
Having lost every leg so far, James has decided to do his research | 0:21:36 | 0:21:40 | |
and make a quick call to the auction house | 0:21:40 | 0:21:42 | |
to find out what sells well. | 0:21:42 | 0:21:44 | |
He said, internet-strong up there, so buy small, | 0:21:46 | 0:21:49 | |
something that can be posted, packaged and posted, quite easily. | 0:21:49 | 0:21:54 | |
Small's the name of the game, | 0:21:57 | 0:21:59 | |
so let's hope dealer Kate has lots of tiny treasures on offer. | 0:21:59 | 0:22:03 | |
I'm looking for small, interesting bits. | 0:22:03 | 0:22:06 | |
What is this little fellow here? | 0:22:06 | 0:22:09 | |
-Do you want me to get it out for you? -That would be lovely. | 0:22:09 | 0:22:12 | |
The auctioneer said look for small things. It's a small thing. | 0:22:14 | 0:22:17 | |
He's in sort of period costume. | 0:22:17 | 0:22:20 | |
He's walking with a walking stick. | 0:22:20 | 0:22:22 | |
Which is a bit of a shame, | 0:22:23 | 0:22:25 | |
because you'd really want him to be with a sword, wouldn't you? | 0:22:25 | 0:22:28 | |
He looks a bit old man-y, but he looks very young. | 0:22:28 | 0:22:32 | |
He's in a sort of Shakespearean outfit. | 0:22:32 | 0:22:34 | |
These sort of doubloons. | 0:22:34 | 0:22:36 | |
It's like a character, almost like a theatrical character. | 0:22:36 | 0:22:40 | |
I'm just going to put that over there. Let's just leave that. | 0:22:40 | 0:22:44 | |
I'm going to keep hunting. | 0:22:44 | 0:22:45 | |
With a ticket price of 45, the figure's set aside, | 0:22:45 | 0:22:50 | |
and something else shiny has caught James' eye. | 0:22:50 | 0:22:52 | |
I'm drawn to that immediately, | 0:22:54 | 0:22:56 | |
because you pick it up, and the quality of it... | 0:22:56 | 0:22:59 | |
It's very heavy. | 0:23:00 | 0:23:01 | |
What I was drawn to about this, this is very nice engraving. | 0:23:01 | 0:23:06 | |
It's got a sort of pencil line round the letters, by a maker, | 0:23:06 | 0:23:09 | |
and it's got Chester marks. | 0:23:09 | 0:23:11 | |
Chester's nice. But it's a bit bashed. | 0:23:11 | 0:23:14 | |
It sports a £35 ticket, | 0:23:14 | 0:23:17 | |
and maker's mark for Sampson Mordan. Very collectable silverware. | 0:23:17 | 0:23:22 | |
Anything else? | 0:23:22 | 0:23:23 | |
-Oh, that's a punch ladle, isn't it? -Yeah. -With the whale. | 0:23:23 | 0:23:25 | |
-Can I look at that? -I can't remember how old is that one is. | 0:23:25 | 0:23:28 | |
-It's got quite a nice coin in it, hasn't it? -Yeah. | 0:23:28 | 0:23:31 | |
-We've got a special window. -There you go. | 0:23:31 | 0:23:34 | |
-It's got a gilded... -Mm-hm. -..arms there, so it's silver. | 0:23:34 | 0:23:39 | |
It's done quite a lot of work, hasn't it? | 0:23:40 | 0:23:43 | |
That's quite nice, isn't it? And this is whalebone. | 0:23:43 | 0:23:47 | |
The trade in certain types of whale species is banned, | 0:23:47 | 0:23:50 | |
but as this ladle predates the 1947 CITES agreement, | 0:23:50 | 0:23:54 | |
it's legal to sell. | 0:23:54 | 0:23:56 | |
It's got age, so it's 1700s. | 0:23:56 | 0:23:58 | |
A punch label normally associated with George III, Regency period. | 0:23:58 | 0:24:05 | |
Men gathering round the punchbowl. It's rather nice, that. I like that. | 0:24:05 | 0:24:10 | |
With a £35 price tag, the ladle's added to the silver haul. | 0:24:10 | 0:24:14 | |
And it seems James hasn't satisfied his silver thirst just yet. | 0:24:14 | 0:24:20 | |
And then we've got this incredible bag here. | 0:24:20 | 0:24:23 | |
It feels... | 0:24:23 | 0:24:25 | |
It feels slightly dirty. Light silver. Let's have a look at it. | 0:24:25 | 0:24:29 | |
And then we've got two blue stones here on the top. | 0:24:29 | 0:24:33 | |
Couple of chips in them. | 0:24:33 | 0:24:35 | |
We've got a mark here. Alpaca. | 0:24:35 | 0:24:37 | |
Now, when you think of alpacas, | 0:24:37 | 0:24:39 | |
you think of South America, don't you? | 0:24:39 | 0:24:41 | |
And South America, of course, | 0:24:41 | 0:24:43 | |
was very famous for, you know, Mexico silver. | 0:24:43 | 0:24:47 | |
It feels like... | 0:24:47 | 0:24:48 | |
HE SNIFFS | 0:24:48 | 0:24:50 | |
Feels like silver. It's dirty. It's quite nice, this. | 0:24:50 | 0:24:53 | |
You know, is it silver, is it not? You know, it's worth a punt. | 0:24:53 | 0:24:57 | |
Whew! | 0:24:59 | 0:25:00 | |
Four items. All silver, all interesting. | 0:25:00 | 0:25:04 | |
That's got age, that's got style, | 0:25:04 | 0:25:07 | |
that's a story, and that is a period of time, isn't it? | 0:25:07 | 0:25:10 | |
The roaring 1920s. Great fun. | 0:25:10 | 0:25:13 | |
With a combined ticket price of £160, | 0:25:13 | 0:25:17 | |
is there a deal to be done with Kate? | 0:25:17 | 0:25:20 | |
I'd like to do the whole lot at 100 quid. | 0:25:20 | 0:25:22 | |
-120? -I'll tell you what, Kate. | 0:25:22 | 0:25:24 | |
I'll do 110. | 0:25:24 | 0:25:26 | |
-And then we both save our faces. -Yeah. | 0:25:26 | 0:25:28 | |
-Thank you very much indeed. -Thank you. | 0:25:28 | 0:25:30 | |
That's really kind. Thank you. | 0:25:30 | 0:25:33 | |
A brilliant bit of buying | 0:25:33 | 0:25:34 | |
sees James leave with a little silver fellow with a stick, | 0:25:34 | 0:25:39 | |
the 1920s silver flapper's bag, | 0:25:39 | 0:25:41 | |
the engraved silver vesta case, | 0:25:41 | 0:25:44 | |
and the George III silver punch ladle. | 0:25:44 | 0:25:47 | |
A load of silver, eh? | 0:25:47 | 0:25:48 | |
Charles, meanwhile, has made his way over the border into England, | 0:25:51 | 0:25:54 | |
where he's come to Ford in Northumberland. | 0:25:54 | 0:25:57 | |
It's home to the Old Dairy, | 0:26:00 | 0:26:02 | |
and Charles' final chance to shop before auction, | 0:26:02 | 0:26:04 | |
with the £430 he's still got in his old sporran. | 0:26:04 | 0:26:09 | |
-Hello there. -Hello, Charles. -How are you? -Very well. | 0:26:09 | 0:26:12 | |
-Your name is? -Keith. Keith Allan. -Good to see you. | 0:26:12 | 0:26:14 | |
I love the emporium. Is it like an old stable yard or a cow shed? | 0:26:14 | 0:26:18 | |
-Well, this is a modern cow shed, actually -Wow! | 0:26:18 | 0:26:22 | |
Without the cows. | 0:26:22 | 0:26:24 | |
Instead, it's packed with more than a dozen dealer's delights. | 0:26:24 | 0:26:28 | |
I'm going to bend down now, so please keep your head down, OK? | 0:26:29 | 0:26:32 | |
Right, there we are, Keith. Sorry about that. | 0:26:32 | 0:26:35 | |
This kilt does cause me a bit of... | 0:26:35 | 0:26:37 | |
-Well, you're not used to wearing it. -..a sensation now and again. | 0:26:37 | 0:26:40 | |
-Little tap dance, Keith. -You've got the perfect shoes. -I have, yeah. | 0:26:42 | 0:26:45 | |
Oh, and a humdinger. | 0:26:47 | 0:26:49 | |
To go out with the biggest bang on the road trip ever. | 0:26:49 | 0:26:52 | |
-I've got a bit of money in my sporran. -Yeah. | 0:26:52 | 0:26:54 | |
-I'll try and do my shoelace up. -Yeah. | 0:26:56 | 0:26:58 | |
And it's a difficult one, because being a true Scot, | 0:26:58 | 0:27:02 | |
you do it the right way. | 0:27:02 | 0:27:03 | |
Steady! | 0:27:03 | 0:27:05 | |
Sorry, madam. Sorry. | 0:27:07 | 0:27:09 | |
-I like your jacket, by the way. -Oh, do you? -Is it for sale? | 0:27:15 | 0:27:18 | |
After a good old root round, | 0:27:19 | 0:27:21 | |
it looks like Charles has found something. | 0:27:21 | 0:27:24 | |
-I quite like, Keith, the enamel sign over here. -Yes. | 0:27:26 | 0:27:31 | |
I'm actually a man who has a business in Derbyshire, | 0:27:31 | 0:27:35 | |
and we're very near the Nestle factory. | 0:27:35 | 0:27:37 | |
-Oh, really? -And I quite like this old tin sign here. | 0:27:37 | 0:27:44 | |
It's quite early, isn't it? | 0:27:44 | 0:27:46 | |
-What would it be? Early '50s? -I suppose it's '50s. | 0:27:46 | 0:27:50 | |
-There's also a cocoa sign on the wall over there. -Yeah. | 0:27:50 | 0:27:52 | |
I'm not much of a handyman, | 0:27:52 | 0:27:54 | |
and I can see they're both fairly well hammered into the brickwork. | 0:27:54 | 0:27:58 | |
-Could they be for sale? -They could be. | 0:27:58 | 0:28:01 | |
And that one's, what, 1950s? | 0:28:01 | 0:28:02 | |
I think that could be '40s, even '30s, yeah. Yeah. | 0:28:02 | 0:28:06 | |
-And it's in not bad nick, considering. -Yes. | 0:28:06 | 0:28:09 | |
-Remember, these things were usually outside, you know, on a wall. -Yes. | 0:28:09 | 0:28:12 | |
-And kids used to fire airguns at them. -Little pellets. | 0:28:12 | 0:28:15 | |
If I said to you | 0:28:15 | 0:28:16 | |
what would a fairly bashed and beaten Nestle milk sign cost me | 0:28:16 | 0:28:21 | |
and the Van Houten's Cocoa sign over there...? | 0:28:21 | 0:28:25 | |
If I bought the two together, Keith, | 0:28:25 | 0:28:27 | |
what would be your best price on the two? | 0:28:27 | 0:28:30 | |
-Well... -To a humble man. -Let's start... -From England. | 0:28:30 | 0:28:33 | |
..and tell you that that would be about £60. | 0:28:33 | 0:28:37 | |
That, I'd be looking twice as much. £120. | 0:28:37 | 0:28:40 | |
-But... -Keith! -But, but, but, if you take the two... | 0:28:40 | 0:28:43 | |
-Keith, look at me! -..and bearing in mind | 0:28:43 | 0:28:46 | |
I know you're looking for a good price... | 0:28:46 | 0:28:49 | |
Well, Keith, you must make a margin. | 0:28:49 | 0:28:50 | |
-You've got a big business here, and I respect that. -Yeah. | 0:28:50 | 0:28:53 | |
-But they owe you what they owe you. -Yeah. | 0:28:53 | 0:28:56 | |
-I'm going to say... -To a humble man. | 0:28:56 | 0:28:58 | |
I'm going to say £80 for the pair. | 0:28:58 | 0:29:00 | |
That's not bad, is it? | 0:29:00 | 0:29:02 | |
I'll say. | 0:29:02 | 0:29:04 | |
That's a discount of £100. | 0:29:04 | 0:29:06 | |
So, Charles, what are you thinking? | 0:29:08 | 0:29:10 | |
Could you possibly do a bit more? | 0:29:10 | 0:29:12 | |
I've had them a long time, I'll grant you, but that... | 0:29:12 | 0:29:15 | |
I know it's battered a little bit, that sign, | 0:29:15 | 0:29:18 | |
but the Van Houten's Cocoa is a good one. | 0:29:18 | 0:29:21 | |
-And I think you're into a bit of profit in that. -You think so? | 0:29:21 | 0:29:25 | |
-That one, I agree, is a bit off. -Yes. -It's seen better days. | 0:29:25 | 0:29:28 | |
But that is a great... It's a great sign. | 0:29:28 | 0:29:31 | |
I've got to have 80 for the pair. | 0:29:31 | 0:29:33 | |
Yeah. | 0:29:33 | 0:29:34 | |
And I respect that, Keith. | 0:29:34 | 0:29:36 | |
I think, based on the fact I want to go with a bang, | 0:29:36 | 0:29:40 | |
literally like that sign has, | 0:29:40 | 0:29:42 | |
you know, being pelted with a few hits over the years, | 0:29:42 | 0:29:45 | |
I'd better take a direct hit. | 0:29:45 | 0:29:46 | |
-I'll take them, Keith. -OK. -£80. -Fine. | 0:29:46 | 0:29:48 | |
I think they're wonderful. | 0:29:48 | 0:29:50 | |
-I'm a great chocolate lover as well. -Yes. -And I enjoy cocoa. | 0:29:50 | 0:29:53 | |
So, that canny bit of buying means Charles is all shopped up. | 0:29:53 | 0:29:56 | |
There we are, Keith. | 0:29:56 | 0:29:58 | |
James, meanwhile, has also made it over the border, | 0:30:03 | 0:30:06 | |
to Berwick-upon-Tweed, | 0:30:06 | 0:30:07 | |
for his final spot of shopping on this trip. | 0:30:07 | 0:30:10 | |
Hello. | 0:30:13 | 0:30:15 | |
-Hello. -Hello. James. -Pleased to meet you. -Good to meet you. -Heather. | 0:30:15 | 0:30:19 | |
Heather. Good to meet you, Heather. | 0:30:19 | 0:30:21 | |
Dealing in all things antique, vintage and retro, | 0:30:21 | 0:30:25 | |
there's lots here for James to peruse. | 0:30:25 | 0:30:28 | |
WHISTLE BLOWS WEAKLY | 0:30:31 | 0:30:33 | |
We don't know what this is. | 0:30:34 | 0:30:36 | |
Or how old. | 0:30:38 | 0:30:40 | |
Yeah, nice uniform, that, isn't it? | 0:30:40 | 0:30:42 | |
We've just come by it. | 0:30:42 | 0:30:44 | |
-Well, it looks good. It's got some nice buttons. -Mm. Mm. | 0:30:44 | 0:30:48 | |
All works. I can't... | 0:30:48 | 0:30:50 | |
Let's just see what the buttons... | 0:30:50 | 0:30:52 | |
whether there's any clues in the buttons, shall we? | 0:30:52 | 0:30:55 | |
Yeah. | 0:30:58 | 0:31:00 | |
Very interesting, isn't it? | 0:31:01 | 0:31:03 | |
It is. | 0:31:03 | 0:31:04 | |
Looks like a pre-World War I Scottish military jacket, | 0:31:04 | 0:31:08 | |
also known as a full dress doublet. | 0:31:08 | 0:31:11 | |
How much does that owe you, Heather? | 0:31:11 | 0:31:14 | |
-Does it only you big money? -No, not at all. | 0:31:14 | 0:31:16 | |
How about I gave you 35 for it? | 0:31:16 | 0:31:18 | |
-Make it 40. -Make it 40, you've got yourself a deal. -Deal. | 0:31:20 | 0:31:23 | |
Well, if it makes thousands, just remember us, won't you? | 0:31:23 | 0:31:27 | |
-Of course I will. -Here at Berwick. -Course I will. | 0:31:27 | 0:31:29 | |
THEY CHUCKLE | 0:31:29 | 0:31:31 | |
That final spend brings shopping to an end on this road trip. | 0:31:31 | 0:31:36 | |
James will add the dress doublet to his other five lots. | 0:31:36 | 0:31:41 | |
The 1950s tea-maker. | 0:31:41 | 0:31:43 | |
The silver man with the stick. | 0:31:43 | 0:31:45 | |
The 1920s silver flapper's bag. | 0:31:45 | 0:31:48 | |
The engraved silver vesta case. | 0:31:48 | 0:31:50 | |
And the George III silver punch ladle. | 0:31:50 | 0:31:52 | |
Charles, meanwhile, has a total of five items to take to auction. | 0:31:54 | 0:31:58 | |
The porcelain spaniel ornament. | 0:31:58 | 0:32:01 | |
The early 19th-century brass telescope. | 0:32:01 | 0:32:04 | |
The Victorian rosewood concertina. | 0:32:04 | 0:32:06 | |
And his two enamel signs, | 0:32:06 | 0:32:08 | |
one from the 1950s and the other from the 1930s. | 0:32:08 | 0:32:12 | |
So, what do they reckon to each other's lots? | 0:32:12 | 0:32:15 | |
Charles' concertina, it came in a rather nice box, | 0:32:16 | 0:32:19 | |
but the concertina was a bit disappointing. | 0:32:19 | 0:32:21 | |
Not great condition. He paid £50 for it. | 0:32:21 | 0:32:25 | |
I would have run away from it. | 0:32:25 | 0:32:27 | |
The vesta case, by a great name, Sampson Mordan. | 0:32:27 | 0:32:30 | |
How much? £25? That's cheap. Could make 50. | 0:32:30 | 0:32:33 | |
Charles has bought a brass three-draw telescope. All right... | 0:32:33 | 0:32:37 | |
You know, I don't think it's a champion buy, really. | 0:32:39 | 0:32:43 | |
It sounds pretty ordinary to me. | 0:32:43 | 0:32:45 | |
I think the sleeper that might march on, | 0:32:45 | 0:32:49 | |
that might just be a battle I don't come out of fairly, | 0:32:49 | 0:32:53 | |
is that uniform, | 0:32:53 | 0:32:55 | |
and that uniform could just take James over the hill | 0:32:55 | 0:32:59 | |
and he'll march me down. | 0:32:59 | 0:33:00 | |
Well, battle will soon be under way. | 0:33:02 | 0:33:04 | |
After beginning in Dunbar, our experts are back together, | 0:33:04 | 0:33:07 | |
making their way to auction in Berwick-upon-Tweed. | 0:33:07 | 0:33:10 | |
-It's been great, James, I really enjoyed it. -I've enjoyed it. | 0:33:13 | 0:33:15 | |
-And I've got a little memento for you, Charles. -Oh. | 0:33:15 | 0:33:18 | |
-A little... A little bit of tartan for you. -Oh, James! | 0:33:18 | 0:33:21 | |
Now, you just stay there. | 0:33:21 | 0:33:23 | |
It's something near to your heart, | 0:33:23 | 0:33:24 | |
-because you're well-known for your waistcoats. -I am. | 0:33:24 | 0:33:27 | |
-Look at that. -I love that, James. | 0:33:27 | 0:33:29 | |
-And that, you know... -Look at that. -That is royal tartan. | 0:33:29 | 0:33:32 | |
I almost feel King of the Road Trip. | 0:33:32 | 0:33:35 | |
-My only concern is, it's just a bit small. -No, no. | 0:33:35 | 0:33:37 | |
-I think it's going to fit you, I hope. -Yeah. | 0:33:37 | 0:33:40 | |
Well, we'll soon see, | 0:33:40 | 0:33:42 | |
as the boys have arrived at Berwick auction centre. | 0:33:42 | 0:33:45 | |
Here we are, chief. | 0:33:45 | 0:33:47 | |
-Here we are. -The last day, and the sun is shining. -Last day. | 0:33:47 | 0:33:50 | |
-Isn't it lovely? -Leap out. -Come on, Charles. Come on. | 0:33:50 | 0:33:53 | |
-Handbrake on. -Handbrake on, well done. | 0:33:53 | 0:33:56 | |
Do you think it will fit? | 0:33:56 | 0:33:58 | |
-Get out of here. -Have you put on...? Have you put on too many...? | 0:33:58 | 0:34:01 | |
-No, no, no. -Too many pies? -No, no, no, no. -Go on, try it on. | 0:34:01 | 0:34:04 | |
I just think over the years, you grow a bit, | 0:34:04 | 0:34:06 | |
and I've got to sort of just stand upright and hold my chin up a bit. | 0:34:06 | 0:34:10 | |
-Are you spreading? -No. | 0:34:10 | 0:34:11 | |
-Well, I might. -It's those clootie dumplings. | 0:34:11 | 0:34:14 | |
-It's too small. -Oh, dear. Well, it's the thought that counts. | 0:34:14 | 0:34:18 | |
Right, boys, better get in there. | 0:34:18 | 0:34:21 | |
The gentleman with the gavel in hand today is Stephen Lonsdale. | 0:34:21 | 0:34:24 | |
So, what does he think about our experts' lots? | 0:34:26 | 0:34:29 | |
The punch ladle's a nice piece. Silver can be very surprising. | 0:34:29 | 0:34:32 | |
I said about £40 to £60. Could be more. | 0:34:32 | 0:34:35 | |
The spaniel, there's a lot of damage to it, | 0:34:35 | 0:34:38 | |
but I believe it's quite rare. | 0:34:38 | 0:34:40 | |
I've not seen many of them. | 0:34:40 | 0:34:42 | |
£40 to £60. But, again, with these things, | 0:34:42 | 0:34:45 | |
with collectors on the internet, | 0:34:45 | 0:34:47 | |
you know, if it's wanted it could go for anything. | 0:34:47 | 0:34:49 | |
Time will soon tell, as the room's filling up, | 0:34:49 | 0:34:52 | |
and our experts are about to face their final auction. | 0:34:52 | 0:34:55 | |
-Settle in. -Today's the day. Our last sale, James. -Last sale. | 0:34:56 | 0:34:59 | |
-What a journey we've had. -Ahhh! -And it ends here. | 0:34:59 | 0:35:02 | |
Kicking things off is James's 1950s tea-maker. | 0:35:05 | 0:35:08 | |
£10 we have, thank you. £10. | 0:35:08 | 0:35:11 | |
£12 anywhere? | 0:35:11 | 0:35:12 | |
£10, all done at 10? | 0:35:12 | 0:35:15 | |
12. 14? | 0:35:15 | 0:35:16 | |
-16. -Oh, well done. | 0:35:16 | 0:35:18 | |
-18. -Well done, chief. | 0:35:18 | 0:35:19 | |
20. 22. | 0:35:19 | 0:35:22 | |
-I wasn't expecting this. -£20 we have at the front. | 0:35:22 | 0:35:24 | |
-Well done, chief, profit. -Are we all done at £20? | 0:35:24 | 0:35:26 | |
-Well done, chief. -We're not quite there. | 0:35:26 | 0:35:28 | |
-GAVEL BANGS -Well done! | 0:35:28 | 0:35:30 | |
-Well done. -Well done, very kind. | 0:35:30 | 0:35:32 | |
Not the best of starts for James. | 0:35:32 | 0:35:34 | |
But it's only the beginning. | 0:35:34 | 0:35:36 | |
-It's a good sign. -Yes. Good sign for you. | 0:35:36 | 0:35:38 | |
Well, we'll soon find out, | 0:35:38 | 0:35:40 | |
as it's Charles' Victorian squeeze-box coming up next. | 0:35:40 | 0:35:43 | |
We have £30 in the back of the room. | 0:35:43 | 0:35:46 | |
-Come on. -35 anywhere? -It's a really nice object. -Too much. | 0:35:46 | 0:35:49 | |
-40? -Far too much. -40 at the back. -Come on. | 0:35:49 | 0:35:51 | |
45. 50? | 0:35:51 | 0:35:53 | |
-50 at the back of the room. -Come on. One more. | 0:35:53 | 0:35:55 | |
£50 in the back of the room. Are we all done, internet? | 0:35:55 | 0:35:57 | |
Are you finished? £50. | 0:35:57 | 0:35:59 | |
-Everybody done? -GAVEL BANGS | 0:35:59 | 0:36:01 | |
That is a squeeze. Not quite the result that Charles was hoping for. | 0:36:01 | 0:36:04 | |
That's OK. I've broken even. | 0:36:04 | 0:36:07 | |
Time now for the first of James' silver lots, | 0:36:08 | 0:36:10 | |
his George III punch ladle. | 0:36:10 | 0:36:13 | |
30. | 0:36:13 | 0:36:14 | |
£30 we have. 35 anywhere? | 0:36:14 | 0:36:16 | |
-Profit. -35. 40? | 0:36:16 | 0:36:18 | |
£40 we have. 45? | 0:36:18 | 0:36:20 | |
-50? -Oh! -55? | 0:36:20 | 0:36:22 | |
-£50 we have. 55 anywhere? -Oh! | 0:36:23 | 0:36:25 | |
-We'll sell at 50. All done at 50? -GAVEL BANGS | 0:36:25 | 0:36:27 | |
That's great. That's a £20 profit. | 0:36:27 | 0:36:30 | |
It is indeed. Great stuff. | 0:36:30 | 0:36:32 | |
That's a sign...of things to come. Lashings of profit. | 0:36:32 | 0:36:36 | |
We can but hope. | 0:36:36 | 0:36:38 | |
It's the turn of Charles' brass telescope now. | 0:36:38 | 0:36:42 | |
35. | 0:36:42 | 0:36:44 | |
-Hello! -30? -Help! -£30 we have. | 0:36:44 | 0:36:48 | |
£30 at the back was first. 35 anywhere? | 0:36:48 | 0:36:50 | |
35. 40? | 0:36:50 | 0:36:52 | |
45. | 0:36:52 | 0:36:54 | |
50. | 0:36:54 | 0:36:55 | |
55. 60? | 0:36:55 | 0:36:56 | |
-Yes, here. Here. -£60 we have. | 0:36:56 | 0:36:59 | |
All done at 60? | 0:36:59 | 0:37:01 | |
Thank you. | 0:37:01 | 0:37:03 | |
Thank you! | 0:37:04 | 0:37:06 | |
Give us a... Oh, sorry! Sorry. "Get out of here," she says. | 0:37:06 | 0:37:09 | |
Oh, Charles! Fantastic profit there, with kisses thrown in for free. | 0:37:09 | 0:37:14 | |
-Put it there. -I bet you can't even see out of the thing. | 0:37:14 | 0:37:17 | |
No point in being bitter, James. | 0:37:19 | 0:37:21 | |
Next up, it's your Sampson Mordan vesta case. | 0:37:21 | 0:37:23 | |
15 we have. 16. | 0:37:23 | 0:37:25 | |
-18. -Come on, James. -20. | 0:37:25 | 0:37:27 | |
22. 24. | 0:37:27 | 0:37:29 | |
-Come on. -Keep moving. -26. -I shouldn't say, "Come on." -28. | 0:37:29 | 0:37:32 | |
30. 32. 34. | 0:37:32 | 0:37:34 | |
£32, we're done. | 0:37:34 | 0:37:36 | |
We'll sell at £32. | 0:37:36 | 0:37:38 | |
And you've got yourself a profit. Well done. | 0:37:38 | 0:37:42 | |
Is the internet working? | 0:37:42 | 0:37:43 | |
Right, time for Charles' 1950s enamel sign. | 0:37:46 | 0:37:49 | |
£40. Any bids at 40? | 0:37:49 | 0:37:50 | |
£40 we have. 45 anywhere? | 0:37:50 | 0:37:53 | |
-45. 50. -Come on. | 0:37:53 | 0:37:54 | |
55. 60? | 0:37:54 | 0:37:56 | |
60 at the side of the room. | 0:37:56 | 0:37:58 | |
-Are we all done at 60? -No more. -I like chocolate. | 0:37:58 | 0:38:00 | |
-No. -GAVEL BANGS | 0:38:00 | 0:38:02 | |
Charles' first sign has earned him a profit. | 0:38:02 | 0:38:04 | |
-Give me a high five. -Oh, no. -Give me high five. -No. No. | 0:38:05 | 0:38:09 | |
-No. -Give me a Glasgow kiss. -No. | 0:38:09 | 0:38:11 | |
Suitably buttoned up, James is up again. | 0:38:11 | 0:38:14 | |
It's his dress doublet. | 0:38:14 | 0:38:16 | |
25. | 0:38:16 | 0:38:17 | |
-25 we have at the back of the room. -Oh, well done. | 0:38:17 | 0:38:19 | |
30. 35. | 0:38:19 | 0:38:21 | |
40. 45. | 0:38:21 | 0:38:23 | |
50. | 0:38:23 | 0:38:25 | |
55? | 0:38:25 | 0:38:26 | |
55 at the back. 60. | 0:38:26 | 0:38:28 | |
65. | 0:38:28 | 0:38:30 | |
-£60 we have at the side. -Sell it. -Come on, the internet. | 0:38:30 | 0:38:33 | |
-£60. -GAVEL BANGS | 0:38:33 | 0:38:36 | |
Another nice little profit for James. | 0:38:36 | 0:38:38 | |
-It's made you £20. -£20. -That's good. | 0:38:38 | 0:38:41 | |
Another of James' silver lots now. | 0:38:42 | 0:38:44 | |
Can this little man make him a profit? | 0:38:44 | 0:38:47 | |
20? £20 we have. 25. | 0:38:47 | 0:38:49 | |
-30. -There are hands there. -Profit. | 0:38:49 | 0:38:51 | |
25. 30. | 0:38:51 | 0:38:52 | |
35. 40? | 0:38:52 | 0:38:55 | |
45. | 0:38:55 | 0:38:56 | |
-50? -Go on. -Slow down. -Go on. -Slow down. -£45. | 0:38:56 | 0:38:59 | |
£45. Are we all done at £45? | 0:38:59 | 0:39:03 | |
A pretty profit there for James. | 0:39:03 | 0:39:06 | |
Well done. Well done, chief. That's good. | 0:39:06 | 0:39:09 | |
James is up again, and it's his final lot. | 0:39:09 | 0:39:13 | |
The 1920s ladies evening bag. | 0:39:13 | 0:39:15 | |
25 we have on the stairs. | 0:39:15 | 0:39:17 | |
30. 35. | 0:39:17 | 0:39:19 | |
-Keep going. -40? | 0:39:19 | 0:39:21 | |
-40. 45? -Go on. | 0:39:21 | 0:39:23 | |
40 on the internet. Looking for 45. | 0:39:23 | 0:39:25 | |
50. £50 we have on the internet. | 0:39:25 | 0:39:27 | |
-We'll sell at £50. -GAVEL BANGS | 0:39:27 | 0:39:29 | |
James ends on a high, with a profit. | 0:39:29 | 0:39:32 | |
-Why aren't you wearing your waistcoat? -It's a bit small on me. | 0:39:32 | 0:39:35 | |
-Go on, I'll put it on, then. -Go on, put it on. -Our last... | 0:39:35 | 0:39:39 | |
I'll put my Scottish... my royal tartan on. | 0:39:39 | 0:39:42 | |
Let's hope it brings you luck. | 0:39:42 | 0:39:45 | |
Your second enamel sign is next to go. | 0:39:45 | 0:39:48 | |
-50. -Come on. | 0:39:48 | 0:39:49 | |
-£50 we have. 55 anywhere? -Come on, let's move it. | 0:39:49 | 0:39:52 | |
55. 60? | 0:39:52 | 0:39:54 | |
-You going 60? £60. -I wouldn't do it. -Come on, it's a lovely sign. | 0:39:55 | 0:39:59 | |
70. 75. | 0:39:59 | 0:40:01 | |
-How much did it cost you? -Hold tight, hold tight. | 0:40:01 | 0:40:03 | |
80 there. Are we all done at £80? | 0:40:03 | 0:40:06 | |
-We'll sell at 80. -GAVEL BANGS | 0:40:06 | 0:40:07 | |
Charles is quids in again. | 0:40:07 | 0:40:09 | |
-It cost me 50. -Well done. -Made me 80. | 0:40:11 | 0:40:13 | |
And I can keep this on, James, because I'm proud. | 0:40:13 | 0:40:16 | |
-You're a winner. You're a winner -Get out of here. | 0:40:16 | 0:40:18 | |
Time for the final lot of the day, and of this road trip. | 0:40:18 | 0:40:22 | |
It's Charles' porcelain pooch. | 0:40:22 | 0:40:25 | |
12 we have. 14. | 0:40:25 | 0:40:27 | |
-Such an early object. -16. 18. | 0:40:27 | 0:40:29 | |
-20. 22. -It's so early. | 0:40:29 | 0:40:31 | |
24. | 0:40:31 | 0:40:32 | |
26. 28. | 0:40:32 | 0:40:34 | |
30. | 0:40:34 | 0:40:36 | |
32. 34. | 0:40:36 | 0:40:38 | |
36. | 0:40:38 | 0:40:39 | |
Any more bids? 34. | 0:40:39 | 0:40:41 | |
-Ruff, ruff! -34. -Are we all done at £34? | 0:40:41 | 0:40:43 | |
-Yeah, I think we're done. -Thank you. -Put it down! | 0:40:43 | 0:40:46 | |
GAVEL BANGS | 0:40:46 | 0:40:47 | |
So, Charles finishes with a fantastic profit, too. | 0:40:47 | 0:40:51 | |
Hurrah! | 0:40:51 | 0:40:53 | |
Right, let's see who's come out on top. | 0:40:53 | 0:40:56 | |
James started this leg with £337.02. | 0:40:57 | 0:41:01 | |
Putting in a profit of £35.74 after auction costs | 0:41:01 | 0:41:07 | |
means he finishes this trip with a marvellous £372.76. | 0:41:07 | 0:41:13 | |
Charles began with a huge £505.04. | 0:41:15 | 0:41:19 | |
He, too, made a profit, of £77.88 after auction costs, | 0:41:19 | 0:41:25 | |
which means he's crowned King of the Road Trip | 0:41:25 | 0:41:28 | |
as he romps home with a fantastic £582.92. | 0:41:28 | 0:41:34 | |
All profits go to Children In Need. | 0:41:34 | 0:41:36 | |
-Well done. -I think it's well done for a great week. | 0:41:36 | 0:41:40 | |
Isn't it? It's well done to a wonderful week. | 0:41:40 | 0:41:43 | |
-Our chariot has borne us. -Exactly. -Goodbye, Berwick-upon-Tweed. | 0:41:43 | 0:41:46 | |
And don't forget, James, | 0:41:46 | 0:41:48 | |
the sunshine will always shine on the chosen two. | 0:41:48 | 0:41:50 | |
-I know. -And that you and I. -That's us. | 0:41:50 | 0:41:53 | |
Thanks for the memories, mate. | 0:41:53 | 0:41:54 | |
I shall drive us now into the sunset, bon voyage, a la Scotland. | 0:41:54 | 0:41:59 | |
-Handbrake. Handbrake. -Sorry. | 0:41:59 | 0:42:01 | |
Get it in first. | 0:42:01 | 0:42:03 | |
-That's it. -Oh, Charles! | 0:42:03 | 0:42:04 | |
Our likely lads have had a jolly old jaunt around Scotland. | 0:42:06 | 0:42:10 | |
Look at these handles. Oops. | 0:42:10 | 0:42:12 | |
It's just become detached. | 0:42:12 | 0:42:14 | |
Showing their expertise along the way. | 0:42:14 | 0:42:16 | |
I think I might wear this for the big haggle. | 0:42:16 | 0:42:19 | |
Thanks a lot. | 0:42:19 | 0:42:20 | |
HE SNEEZES | 0:42:20 | 0:42:21 | |
Things didn't always go smoothly. | 0:42:24 | 0:42:27 | |
-Push! -HE STRAINS | 0:42:27 | 0:42:30 | |
But one thing's for sure, | 0:42:30 | 0:42:31 | |
it's been a fine old bromance for our classy pair. | 0:42:31 | 0:42:35 | |
Thank you. | 0:42:35 | 0:42:36 | |
It's too small. | 0:42:36 | 0:42:38 | |
-Eh? -Ow! That was my ribcage! | 0:42:43 | 0:42:46 | |
-Give us a kiss. -No. -Give us a kiss. -No. | 0:42:46 | 0:42:49 | |
Well done! | 0:42:51 | 0:42:52 | |
Thank you, Scotland. I'll come again. | 0:42:55 | 0:42:58 | |
Fare thee well, road trippers. | 0:42:58 | 0:43:00 | |
Next week sees road trip veterans Catherine Southon and Philip Serrell | 0:43:04 | 0:43:09 | |
get reacquainted on a new adventure. | 0:43:09 | 0:43:11 | |
-I mean, you are looking at me now. -Bang on trend! | 0:43:11 | 0:43:14 | |
I am bang on trend. I'm up there with the kids. | 0:43:14 | 0:43:17 |