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It's the nation's favourite antiques experts... | 0:00:02 | 0:00:04 | |
GONG ECHOES | 0:00:04 | 0:00:05 | |
That's cracking! | 0:00:05 | 0:00:06 | |
-..with £200 each... -Wonderful. | 0:00:06 | 0:00:07 | |
..a classic car, and a goal - to scour Britain for antiques. | 0:00:07 | 0:00:11 | |
That's exactly what I'm talking about! | 0:00:11 | 0:00:13 | |
I'm all over a-shiver. | 0:00:13 | 0:00:14 | |
The aim? To make the biggest profit at auction. | 0:00:14 | 0:00:16 | |
But it's no mean feat. | 0:00:16 | 0:00:18 | |
-No-brainer. -Going, going, gone. | 0:00:18 | 0:00:20 | |
There'll be worthy winners and valiant losers. | 0:00:20 | 0:00:23 | |
So, will it be the high road to glory? | 0:00:23 | 0:00:25 | |
Push! | 0:00:25 | 0:00:26 | |
Or the slow road to disaster? HE GRUNTS | 0:00:26 | 0:00:28 | |
How awfully, awfully nice. | 0:00:28 | 0:00:30 | |
This is Antiques Road Trip. | 0:00:30 | 0:00:31 | |
Yeah! | 0:00:34 | 0:00:36 | |
Well, ho-ho! It's a brand-new Road Trip | 0:00:37 | 0:00:40 | |
for two fine antiques experts, | 0:00:40 | 0:00:41 | |
Catherine Southon and Philip Serrell. | 0:00:41 | 0:00:44 | |
You're looking very glamorous today. | 0:00:44 | 0:00:46 | |
-Am I? -Yeah. -Why are you being so nice to me? | 0:00:46 | 0:00:48 | |
-Because I love you and I haven't seen you for so long. -Aww! | 0:00:48 | 0:00:52 | |
Isn't he sweet? | 0:00:52 | 0:00:54 | |
When she's not road tripping, Catherine's a veteran auctioneer. | 0:00:54 | 0:00:57 | |
Mountains of cash. | 0:00:57 | 0:00:58 | |
Auctioneer Philip is also no stranger to the Antiques Road Trip. | 0:01:00 | 0:01:03 | |
I do like lumps of stone. | 0:01:03 | 0:01:05 | |
Lovely. Each of our experts have £200 in their pocket. | 0:01:05 | 0:01:09 | |
But, to make a profit at auction, they'll have to spend it tactically. | 0:01:09 | 0:01:13 | |
I wouldn't buy any sort of | 0:01:13 | 0:01:14 | |
too high-price risky items, I don't think. | 0:01:14 | 0:01:17 | |
-OK. -But, erm... -More safe? Play it safe. -Well... | 0:01:17 | 0:01:20 | |
-Is that what you're saying? -You can't... | 0:01:20 | 0:01:22 | |
-Are you giving me top tips? -Catherine, you can't play it safe. | 0:01:22 | 0:01:25 | |
They're gliding around the country | 0:01:25 | 0:01:26 | |
in this very French left-hand drive 1970s Citroen DS 20. | 0:01:26 | 0:01:31 | |
-I have a beret. -Yeah. -I could put a nice little beret on you. | 0:01:31 | 0:01:34 | |
-We should be going, "Hee-haw, hee-haw, hee-haw!" -Ah-ha! | 0:01:34 | 0:01:36 | |
THEY CHUCKLE IN FRENCH ACCENTS | 0:01:36 | 0:01:37 | |
-Oh, c'est bon! -CATHERINE MIMICS FRENCH | 0:01:37 | 0:01:39 | |
We have gone from Birmingham to France in two seconds. | 0:01:39 | 0:01:41 | |
-FRENCH ACCENT: -I am with the great Catherine. Ha, ha, ha. | 0:01:41 | 0:01:44 | |
IN FRENCH ACCENT: Haw-haw-haw! | 0:01:44 | 0:01:46 | |
Famed for its smooth ride... | 0:01:46 | 0:01:48 | |
It's an absolute doddle. | 0:01:48 | 0:01:49 | |
Ah, told you so. | 0:01:49 | 0:01:50 | |
-It is. -What's this bit? -That's the gear lever. | 0:01:50 | 0:01:53 | |
Well done. | 0:01:53 | 0:01:54 | |
This pair's road trip kicks off in Coleshill in Warwickshire, | 0:01:54 | 0:01:57 | |
meanders around the Midlands, | 0:01:57 | 0:01:59 | |
before heading due south | 0:01:59 | 0:02:00 | |
to the tip of Cornwall. | 0:02:00 | 0:02:02 | |
Then, nips briefly into South Wales and finishes up | 0:02:02 | 0:02:04 | |
for an auction in Wells, Somerset. | 0:02:04 | 0:02:07 | |
Today, our experts are in Coleshill | 0:02:07 | 0:02:09 | |
and they'll end up at auction | 0:02:09 | 0:02:10 | |
in Salisbury, Wiltshire - lovely. | 0:02:10 | 0:02:13 | |
If you were a car... | 0:02:13 | 0:02:15 | |
Yeah, I would not be a Citroen. | 0:02:15 | 0:02:16 | |
Would you be something sleek and classic, | 0:02:16 | 0:02:19 | |
or would you be an old banger? | 0:02:19 | 0:02:20 | |
I'd probably be an old banger, wouldn't I? | 0:02:20 | 0:02:22 | |
-I think you probably would, actually. -That's not very nice. | 0:02:22 | 0:02:25 | |
The Warwickshire market town of Coleshill | 0:02:25 | 0:02:28 | |
was first settled during the Iron Age. | 0:02:28 | 0:02:31 | |
It's home to the parish church of St Peter and St Paul, | 0:02:31 | 0:02:34 | |
one of the finest in the county. | 0:02:34 | 0:02:36 | |
Catherine's first stop is here - | 0:02:36 | 0:02:38 | |
Remember When? | 0:02:38 | 0:02:40 | |
But, hang on. What this? | 0:02:40 | 0:02:41 | |
Whoa! | 0:02:41 | 0:02:43 | |
Am I in the right place? | 0:02:43 | 0:02:45 | |
You certainly are. Most definitely. | 0:02:45 | 0:02:46 | |
-Catherine - you are...? -Pleased to meet you. | 0:02:46 | 0:02:48 | |
I'm Kim, welcome to Remember When? | 0:02:48 | 0:02:50 | |
-This is...different from the norm. -It is. Antiques is my profession. | 0:02:50 | 0:02:55 | |
The wool is my hobby. And we decided to combine the two. | 0:02:55 | 0:02:58 | |
Well, I'm going to give this a go, then, the antiques. | 0:02:58 | 0:03:01 | |
But if I don't find anything, I'm going to come back | 0:03:01 | 0:03:03 | |
and I'm going to buy lots of chunky wool. | 0:03:03 | 0:03:05 | |
-Yes, that's fine. -And knit myself a blanket to wear in the car. | 0:03:05 | 0:03:08 | |
Oh, look at the wool. This is fabulous! | 0:03:08 | 0:03:10 | |
Come on, Catherine. You're here for antiques. | 0:03:10 | 0:03:13 | |
I'm going to restrain. | 0:03:13 | 0:03:14 | |
-I'm going to look at the antiques. -OK. | 0:03:14 | 0:03:15 | |
Good job. Meanwhile, Philip has made his way | 0:03:15 | 0:03:18 | |
to the Moseley area of Birmingham, the childhood home | 0:03:18 | 0:03:21 | |
of Lord of the Rings author JRR Tolkien. | 0:03:21 | 0:03:24 | |
His first opportunity to shop is here, The Moseley Emporium, | 0:03:24 | 0:03:28 | |
run by a nice chap called Maurice. | 0:03:28 | 0:03:30 | |
Maurice, how are you? | 0:03:30 | 0:03:32 | |
I'm fine, thank you. How are you? | 0:03:32 | 0:03:33 | |
-Yeah, really lovely to be here. -Yeah. | 0:03:33 | 0:03:35 | |
-I'm looking for something very, very specific. -OK. | 0:03:35 | 0:03:37 | |
What I'm looking for is a really large...profit. | 0:03:37 | 0:03:42 | |
LAUGHTER | 0:03:42 | 0:03:43 | |
-Aren't we all? -That's what I'm looking for. | 0:03:43 | 0:03:45 | |
-I sort of, kind of, know what I want. -Yep. | 0:03:45 | 0:03:47 | |
I'll leave you to it then. | 0:03:47 | 0:03:49 | |
You have a wander and I'm here, if you need me. | 0:03:49 | 0:03:52 | |
I like your flags. | 0:03:52 | 0:03:54 | |
You've got some more here. All your flags for sale? | 0:03:54 | 0:03:56 | |
The flags are all part of the decor. | 0:03:56 | 0:03:58 | |
That'll be a no, then. | 0:03:58 | 0:03:59 | |
Yeah, irreplaceable, aren't they, really? | 0:03:59 | 0:04:01 | |
And they cover bad patches up. | 0:04:01 | 0:04:03 | |
# You ain't nothing but a hound dog! # | 0:04:03 | 0:04:04 | |
-MIMICS ELVIS PRESLEY: -Ladies and gentlemen, thank you very much. | 0:04:04 | 0:04:07 | |
Hey, a little less conversation, Philip! | 0:04:07 | 0:04:09 | |
Get back to the job in hand. | 0:04:09 | 0:04:11 | |
I tell you what, that F Plan diet's a winner, innit? | 0:04:11 | 0:04:14 | |
What's the food like then, mate? | 0:04:14 | 0:04:16 | |
-He doesn't say much, does he? -No. | 0:04:16 | 0:04:17 | |
How much is he, Maurice? I like him. | 0:04:17 | 0:04:19 | |
Again, what have you done? | 0:04:19 | 0:04:20 | |
Oh, no. | 0:04:20 | 0:04:22 | |
You've picked the piece that's a part of the shop. | 0:04:22 | 0:04:24 | |
Bad luck, Philip. But what's in here, then? | 0:04:24 | 0:04:26 | |
Now that is just ridiculous, isn't it? Utterly ridiculous. | 0:04:26 | 0:04:30 | |
What's up, Philip? | 0:04:30 | 0:04:31 | |
It come out of a garage, I would imagine. | 0:04:31 | 0:04:33 | |
-Out of a factory, yes. -Out of a factory. | 0:04:33 | 0:04:35 | |
And it had tools and all the rest of it in it. | 0:04:35 | 0:04:38 | |
And now this piece of 1950s industrial metalware... | 0:04:38 | 0:04:43 | |
Bang-on, yeah. | 0:04:43 | 0:04:44 | |
..is now worth more than a Victorian mahogany chest of drawers. | 0:04:44 | 0:04:47 | |
-Absolutely. -The world's gone mad. | 0:04:47 | 0:04:50 | |
That's a cool thing, but I'm not sure it would be sensible | 0:04:50 | 0:04:52 | |
to buy that here and take it to a country auction. | 0:04:52 | 0:04:54 | |
HE BANGS METAL | 0:04:54 | 0:04:55 | |
-That wants to go to London, doesn't it? -You're the expert, Phil. | 0:04:55 | 0:04:57 | |
-What did you just call me? -An expert. | 0:04:57 | 0:04:59 | |
Don't you start using that sort of language, Maurice. | 0:04:59 | 0:05:02 | |
-What I want to ask you, Maurice... -Yep? | 0:05:02 | 0:05:04 | |
-..these stoneware barrels... -Yep. | 0:05:04 | 0:05:05 | |
..I'm thinking that they're probably part of the shop? | 0:05:05 | 0:05:08 | |
-LAUGHING: -No, you're lucky. -No, really?! | 0:05:08 | 0:05:10 | |
You've actually picked something that I can sell you. | 0:05:10 | 0:05:12 | |
-How much are they? -Well, that one's 35 | 0:05:12 | 0:05:15 | |
and the top one's 25. | 0:05:15 | 0:05:16 | |
-That's 35, is it? -Yeah. | 0:05:16 | 0:05:19 | |
OK, so there's a possibility there, isn't there? | 0:05:19 | 0:05:22 | |
We'll keep it as a possibility. | 0:05:22 | 0:05:23 | |
What we need to do is convert possibilities into probabilities. | 0:05:23 | 0:05:26 | |
Absolutely. | 0:05:26 | 0:05:27 | |
Back in Coleshill, Catherine's finally found the antiques. | 0:05:27 | 0:05:30 | |
Toys, lots of toys. | 0:05:30 | 0:05:32 | |
Yes, that is my speciality, toys. | 0:05:32 | 0:05:35 | |
Especially dolls and teddies. | 0:05:35 | 0:05:36 | |
And do you knit them little cardigans and things? | 0:05:36 | 0:05:39 | |
I have been known to. | 0:05:39 | 0:05:40 | |
Oh! Little matching woolly hats! | 0:05:40 | 0:05:42 | |
Oh, that's nice. | 0:05:42 | 0:05:44 | |
BLEATING | 0:05:44 | 0:05:45 | |
That sounds like a sheep or a cow. | 0:05:45 | 0:05:47 | |
That does not sound like a teddy bear, | 0:05:47 | 0:05:50 | |
which is what it's supposed to sound like. | 0:05:50 | 0:05:52 | |
That's not a good sound. | 0:05:52 | 0:05:53 | |
"Meeeh!" | 0:05:53 | 0:05:55 | |
I'm going to have that in my head all day long now. | 0:05:56 | 0:05:58 | |
Mm, she's easily distracted at times. | 0:05:58 | 0:06:01 | |
-I do like your little ladies' RAF compact. -Yes. | 0:06:01 | 0:06:05 | |
And then I also spotted, down there, another compact. | 0:06:05 | 0:06:08 | |
Right, OK, the large one. | 0:06:08 | 0:06:10 | |
Compacts are collectable. | 0:06:10 | 0:06:12 | |
It's nice to have that RAF emblem on it, which is super. | 0:06:12 | 0:06:15 | |
Ticket price, 18 smackers. | 0:06:15 | 0:06:17 | |
-Oh, it's made by Stratton. -Mm. | 0:06:17 | 0:06:19 | |
-It's a common name. -Yes, it is. -As you know. | 0:06:19 | 0:06:22 | |
It's ones that you find all day long. | 0:06:22 | 0:06:25 | |
OK, that is a possibility, along with that one. | 0:06:25 | 0:06:27 | |
-May I have a look at that one? -You certainly can. | 0:06:27 | 0:06:30 | |
Kim's priced the second compact at £36. | 0:06:30 | 0:06:33 | |
"Vogue". You've put "vogue". Why? Is it actually stamped...? | 0:06:33 | 0:06:36 | |
It is marked. | 0:06:36 | 0:06:37 | |
What have you put this out as, '40s? | 0:06:37 | 0:06:40 | |
I think it's 1948. I've actually done some research on it. | 0:06:40 | 0:06:44 | |
Cos it is in remarkably good condition for being... | 0:06:44 | 0:06:47 | |
It's in a very good condition. | 0:06:47 | 0:06:49 | |
..'40s, isn't it? May I put these two aside. | 0:06:49 | 0:06:51 | |
-You certainly can. -I don't know if you would perhaps do a little... | 0:06:51 | 0:06:54 | |
-..something on those? -Oh... -We won't talk money yet. | 0:06:55 | 0:06:58 | |
I'm sure we can do something. I'm sure we can. | 0:06:58 | 0:07:01 | |
Kim, you and I are going to get on very well. | 0:07:01 | 0:07:03 | |
I'm also looking at these. | 0:07:03 | 0:07:05 | |
The amber beads, yep. | 0:07:05 | 0:07:06 | |
-The thing is, you've got to be so careful with amber... -Yes. | 0:07:08 | 0:07:10 | |
..as to whether it really is amber. | 0:07:10 | 0:07:12 | |
-There's so many different ways that you can tell. -Of course. | 0:07:12 | 0:07:14 | |
Some people say get a basin of water, | 0:07:14 | 0:07:17 | |
drop them in, they will sink. | 0:07:17 | 0:07:19 | |
And then if you put salt in, or something, they will float. | 0:07:19 | 0:07:22 | |
But I often find the only way to really tell | 0:07:22 | 0:07:25 | |
is to get a pin and just touch it. | 0:07:25 | 0:07:29 | |
And if bits start coming off, then it is amber. | 0:07:29 | 0:07:31 | |
Careful, all breakages must be paid for. | 0:07:31 | 0:07:34 | |
-Ooh, you've got a pin? -I have a pin. | 0:07:34 | 0:07:36 | |
-Let me see. You don't mind me doing this? -No. Of course not. | 0:07:36 | 0:07:38 | |
-You have to check, cos otherwise I could be doing... -I know. | 0:07:38 | 0:07:42 | |
So, if we just prick that into there | 0:07:42 | 0:07:44 | |
and you can see, instantly, it fragments. | 0:07:44 | 0:07:47 | |
I think we can safely say that they are amber. | 0:07:47 | 0:07:51 | |
But, as you know, they're not the most collectable colour. | 0:07:51 | 0:07:54 | |
It's more that butterscotch that is more desirable. | 0:07:54 | 0:07:56 | |
And I think, also, | 0:07:56 | 0:07:58 | |
they do look a little bit...slightly worse for wear. | 0:07:58 | 0:08:01 | |
65, you've got quite a lot on that, though, haven't you? | 0:08:01 | 0:08:05 | |
-OK. Can I put those to one side as well? -Yes, you can. | 0:08:05 | 0:08:08 | |
-I'm going to give you the whole shop to hold in a minute. -It's all right. | 0:08:08 | 0:08:11 | |
This is good, for me. I've only been in the shop a few minutes. | 0:08:11 | 0:08:14 | |
I've picked out three things. | 0:08:14 | 0:08:15 | |
You're so decisive, Catherine! | 0:08:15 | 0:08:17 | |
Over in Moseley, though, | 0:08:17 | 0:08:18 | |
Philip's still taken by the stoneware barrels. | 0:08:18 | 0:08:20 | |
NORTHERN ACCENT: Ooh, he does love a barrel! | 0:08:20 | 0:08:22 | |
See, what you really want is buy one...get one free. | 0:08:22 | 0:08:26 | |
That's the ideal deal here. | 0:08:26 | 0:08:27 | |
BOGOF. | 0:08:27 | 0:08:29 | |
Maurice is too canny for that. | 0:08:29 | 0:08:30 | |
So, what I want to look for...is I just want to see | 0:08:30 | 0:08:34 | |
if there's any cracks in it. | 0:08:34 | 0:08:35 | |
This is salt-glazed stoneware. | 0:08:35 | 0:08:37 | |
And I quite like this. | 0:08:39 | 0:08:41 | |
This is going to date to about...1880, 1900. | 0:08:41 | 0:08:45 | |
Just a little bit before my time. | 0:08:46 | 0:08:48 | |
Just a tad. | 0:08:48 | 0:08:50 | |
This would have been a spirit barrel in a pub or something like that. | 0:08:50 | 0:08:52 | |
You see this often with little upholstered tops put on here. | 0:08:52 | 0:08:57 | |
It converts them into a stool. | 0:08:57 | 0:08:59 | |
I think it would dress or decorate an old kitchen, that type of thing. | 0:08:59 | 0:09:03 | |
It's a bit old-school, but I quite like it. | 0:09:03 | 0:09:06 | |
-I like that one barrel upstairs, the big one. -OK. | 0:09:06 | 0:09:09 | |
That was the 35 quidder. | 0:09:09 | 0:09:11 | |
I'll be truthful with you, it's been here a while. | 0:09:11 | 0:09:14 | |
25 was... £20, that's it, finished. End of deal. | 0:09:14 | 0:09:18 | |
I always said you were one of the finest blokes, Maurice. | 0:09:19 | 0:09:22 | |
Haven't I always about? I've always said that. | 0:09:22 | 0:09:24 | |
Oh, yes. Flattery gets you everywhere. | 0:09:24 | 0:09:25 | |
£20 seals Phil's first deal. | 0:09:25 | 0:09:27 | |
-Go on, I'll have the big one. -You've actually made me cry. | 0:09:27 | 0:09:30 | |
Oh, God, Maurice! Don't start! | 0:09:30 | 0:09:31 | |
-Right, let's see if we can find something else. -OK. | 0:09:31 | 0:09:33 | |
I'd better pay... Shall I pay you for that first? | 0:09:33 | 0:09:35 | |
-If you want to. -Hold on, mate. | 0:09:35 | 0:09:37 | |
You might forget, you see? | 0:09:37 | 0:09:39 | |
Maurice has got the measure of you. | 0:09:39 | 0:09:40 | |
Thank you. | 0:09:40 | 0:09:42 | |
One deal done, but Maurice knows Philip likes a bit of rust | 0:09:42 | 0:09:45 | |
and there's a potential sale to be had in his workshop. | 0:09:45 | 0:09:48 | |
Maurice, is that one of those, like what we saw upstairs? | 0:09:48 | 0:09:51 | |
It is, but it's in the unfinished state. | 0:09:51 | 0:09:53 | |
PHIL BANGS METAL | 0:09:53 | 0:09:54 | |
It turns into a lovely piece of furniture | 0:09:54 | 0:09:56 | |
-in the end, though, doesn't it, really? -Yeah. | 0:09:56 | 0:09:59 | |
If you want to spend a day-and-a-half putting it right. | 0:09:59 | 0:10:01 | |
So, I'm guessing that most of your value in these is labour? | 0:10:01 | 0:10:04 | |
Absolutely. A lot of labour goes into it. | 0:10:04 | 0:10:06 | |
-A lot of labour. -And people don't realise that. | 0:10:06 | 0:10:09 | |
So, if there's no labour gone into it, | 0:10:09 | 0:10:10 | |
-that could be really cheap. -Ooh, you naughty boy! | 0:10:10 | 0:10:13 | |
LAUGHTER | 0:10:13 | 0:10:15 | |
For me, as it stands, it's 20 quid. | 0:10:15 | 0:10:18 | |
METAL CLANGS | 0:10:18 | 0:10:20 | |
-Ooh, 20 quid, you're making me cry. -Yeah. | 0:10:20 | 0:10:22 | |
That will be the finish for me as well. | 0:10:22 | 0:10:24 | |
I tell you what, you can take it away for 20 quid. | 0:10:24 | 0:10:27 | |
-You're a star. Thank you very much indeed, Maurice. -And you. | 0:10:27 | 0:10:30 | |
There you are. Let me give you some money. | 0:10:30 | 0:10:31 | |
-You can give me more, if you like. -No, no, no. | 0:10:31 | 0:10:34 | |
I think that's just lovely. | 0:10:34 | 0:10:35 | |
The thing is... | 0:10:35 | 0:10:37 | |
..is Salisbury ready...for a rusting tin cabinet? | 0:10:39 | 0:10:43 | |
Oh-ho-ho! We'll soon find out! | 0:10:43 | 0:10:45 | |
-You take care, thanks very much. -Please call again. -Bye-bye. | 0:10:45 | 0:10:47 | |
See you again, bye. | 0:10:47 | 0:10:48 | |
Down the road in Coleshill, | 0:10:51 | 0:10:53 | |
Catherine is still looking through Kim's cabinets. | 0:10:53 | 0:10:56 | |
I didn't know whether you might be interested | 0:10:56 | 0:10:58 | |
in the miniature dominoes set in the little mahogany box? | 0:10:58 | 0:11:01 | |
Do you know what? I did see that. | 0:11:01 | 0:11:02 | |
Is it bone or is it ivory? | 0:11:02 | 0:11:05 | |
I believe it's bone. | 0:11:05 | 0:11:07 | |
-Right, OK. -I don't think it's ivory. | 0:11:07 | 0:11:08 | |
-May I have a little quick look? -You can. | 0:11:08 | 0:11:11 | |
Ticket price, £32. | 0:11:11 | 0:11:12 | |
-These are complete, aren't they? -Yes, they are. -OK. | 0:11:12 | 0:11:16 | |
-They're impossible to get out. -KIM LAUGHS | 0:11:16 | 0:11:17 | |
You need the little tiny fingers to go with it. | 0:11:17 | 0:11:20 | |
If they're bone, you normally get these lots of little flecks, | 0:11:20 | 0:11:23 | |
-so you can see... -Mm-hm. | 0:11:23 | 0:11:24 | |
But I'm not sure that they are bone, you know. | 0:11:24 | 0:11:26 | |
I think they might be ivory. | 0:11:26 | 0:11:28 | |
Today, the trade in ivory is illegal. | 0:11:28 | 0:11:31 | |
However, items can be bought and sold as long as they predate 1947. | 0:11:31 | 0:11:35 | |
These dominoes were made sometime in the early 1900s. | 0:11:35 | 0:11:39 | |
I thought maybe the price was a little bit high for what they are. | 0:11:39 | 0:11:41 | |
-I know that sounds mean. -Mm-hm. | 0:11:41 | 0:11:43 | |
But I thought, "Mm, maybe not." | 0:11:43 | 0:11:44 | |
And I'm...I was just not sure. | 0:11:46 | 0:11:48 | |
But you're kind of convincing me. | 0:11:48 | 0:11:51 | |
You're good at this. | 0:11:51 | 0:11:52 | |
KIM LAUGHS | 0:11:52 | 0:11:53 | |
You're obviously a very good saleswoman. | 0:11:53 | 0:11:55 | |
I do try. I do try. | 0:11:55 | 0:11:56 | |
-Can we have a little...chatette about these pieces? -Yes. | 0:11:56 | 0:12:01 | |
I thought what I might do is perhaps buy those compacts | 0:12:01 | 0:12:05 | |
and put those together as one lot. | 0:12:05 | 0:12:07 | |
Now, you've... | 0:12:07 | 0:12:08 | |
Oh, dear, we've lost the tag. What a shame! | 0:12:08 | 0:12:11 | |
Kim's not going to fall for that old chestnut. | 0:12:11 | 0:12:13 | |
We've got £18 for that one | 0:12:13 | 0:12:16 | |
and 36 for that. | 0:12:16 | 0:12:17 | |
So, what could you do on those, Kim? What do you think? | 0:12:17 | 0:12:20 | |
45? | 0:12:20 | 0:12:22 | |
In an ideal world, I'd like to tuck it a little bit under 40. | 0:12:22 | 0:12:25 | |
Right, OK. 38. | 0:12:25 | 0:12:27 | |
-OK, 38. -If that helps you. | 0:12:27 | 0:12:29 | |
And the dominoes set? | 0:12:29 | 0:12:31 | |
Erm, that's a nice piece. | 0:12:31 | 0:12:33 | |
25. | 0:12:33 | 0:12:35 | |
25 on those, OK. | 0:12:35 | 0:12:37 | |
And what about the amber? | 0:12:37 | 0:12:39 | |
See, I think I'd like to go quite low on those. | 0:12:40 | 0:12:42 | |
-Only because of their condition. -How low is low? | 0:12:42 | 0:12:44 | |
How low is low? Erm... | 0:12:44 | 0:12:46 | |
Well, you tell me. What do you think? | 0:12:46 | 0:12:48 | |
-All right, OK. -What do you think is reasonable? | 0:12:48 | 0:12:51 | |
40. | 0:12:51 | 0:12:52 | |
I don't have a problem with those. | 0:12:52 | 0:12:54 | |
That's the only thing I would prefer... | 0:12:54 | 0:12:56 | |
If you can't do it, don't worry. | 0:12:57 | 0:12:59 | |
What about 35? | 0:12:59 | 0:13:01 | |
-Yeah, I think we'll give a go on those, shall we? -OK, yeah. | 0:13:01 | 0:13:04 | |
And I have no idea what that's added up to. | 0:13:04 | 0:13:07 | |
It is... | 0:13:07 | 0:13:08 | |
£98. | 0:13:08 | 0:13:09 | |
God, you're good at this. | 0:13:09 | 0:13:11 | |
-Thank you very much. Thank you. -You're very welcome. | 0:13:11 | 0:13:13 | |
Kind Kim has agreed to a £53 discount, | 0:13:13 | 0:13:16 | |
giving Catherine her first three lots for auction. | 0:13:16 | 0:13:19 | |
Can I go and have a look at your knitting now? | 0:13:19 | 0:13:21 | |
-You can. -Can I have a look at all the wool? | 0:13:21 | 0:13:23 | |
I've been dying to do that! | 0:13:23 | 0:13:25 | |
-Forget the antiques, let's go and look at the wool. -OK. | 0:13:25 | 0:13:28 | |
Let's leave the lady in the hat | 0:13:28 | 0:13:30 | |
and find out where the fella in the scarf has got to. | 0:13:30 | 0:13:32 | |
LAUGHTER | 0:13:32 | 0:13:33 | |
Philip is on his way to the centre of Birmingham | 0:13:36 | 0:13:39 | |
to find out how a local had a big hand | 0:13:39 | 0:13:41 | |
in the development of lawn tennis. | 0:13:41 | 0:13:44 | |
-You must be Bob. -Good morning, Phil. -Good to see you. | 0:13:45 | 0:13:47 | |
-Good to see you. Would you like to come in? -I'd love to. Yes, please. | 0:13:47 | 0:13:50 | |
At the library of Birmingham, | 0:13:50 | 0:13:52 | |
local historian Bob Holland has been piecing together | 0:13:52 | 0:13:55 | |
the story of Harry Gem, who lived and worked in the city | 0:13:55 | 0:13:58 | |
during the 19th century. | 0:13:58 | 0:14:00 | |
He was born in 1819 | 0:14:00 | 0:14:03 | |
and Harry was a great sportsman. | 0:14:03 | 0:14:04 | |
He was a swimmer, he was a runner, | 0:14:04 | 0:14:06 | |
he played cricket, he was a rider, | 0:14:06 | 0:14:08 | |
he played racquets down in the centre of Birmingham. | 0:14:08 | 0:14:11 | |
-He was a sportsman? -Very much so. | 0:14:11 | 0:14:13 | |
When he was the secretary of the racquets club, | 0:14:13 | 0:14:15 | |
down in Bath Street in Birmingham, | 0:14:15 | 0:14:18 | |
he'd met a Spanish guy called Augurio Perera | 0:14:18 | 0:14:20 | |
who lived in Edgbaston, | 0:14:20 | 0:14:22 | |
who was also a great racquets player. | 0:14:22 | 0:14:23 | |
This meeting would prove instrumental | 0:14:23 | 0:14:26 | |
in the development of a new game. | 0:14:26 | 0:14:28 | |
The two of them got their heads together and they were looking | 0:14:28 | 0:14:31 | |
at the idea of inventing a game which they could play outside. | 0:14:31 | 0:14:34 | |
The advent of India rubber allowed balls to bounce on grass | 0:14:34 | 0:14:38 | |
for the first time. | 0:14:38 | 0:14:39 | |
And the Victorian obsession with croquet meant | 0:14:39 | 0:14:41 | |
there was no shortage of lawns to use as courts. | 0:14:41 | 0:14:44 | |
The two friends started to develop their new game. | 0:14:44 | 0:14:46 | |
This particular book here, in the Birmingham Library, | 0:14:46 | 0:14:49 | |
is what's known as the Gem Scrapbook. | 0:14:49 | 0:14:52 | |
Basically, it's interesting items through Gem's life. | 0:14:52 | 0:14:56 | |
And this particular page is open at his rules of lawn tennis. | 0:14:56 | 0:15:00 | |
When did they first appear in public? | 0:15:00 | 0:15:03 | |
This particular set of rules appeared in November 1874 | 0:15:03 | 0:15:07 | |
in Field Magazine. | 0:15:07 | 0:15:08 | |
-Is that Gem's court? -That's Gem's court, yes. | 0:15:08 | 0:15:11 | |
The net looks a lot bigger. | 0:15:11 | 0:15:12 | |
It is, actually. It's four feet high | 0:15:12 | 0:15:15 | |
from side to side. | 0:15:15 | 0:15:17 | |
The modern net is only three feet. | 0:15:17 | 0:15:19 | |
Whereabouts was this court first set up? | 0:15:19 | 0:15:22 | |
This was in the garden of Perera's house, | 0:15:22 | 0:15:24 | |
-in Ampton Road, Edgbaston. -Where is that? | 0:15:24 | 0:15:26 | |
It's just yonder there, about a mile-and-a-half. | 0:15:26 | 0:15:28 | |
-A mile-and-a-half that way? -Absolutely. | 0:15:28 | 0:15:30 | |
-Literally as the crow flies. -Yeah. -Yeah. | 0:15:30 | 0:15:32 | |
So, is that court still there, or...? | 0:15:32 | 0:15:34 | |
It has a garden at the back of it, | 0:15:34 | 0:15:35 | |
but the area of grass where they'd have laid out their court | 0:15:35 | 0:15:38 | |
is still there. | 0:15:38 | 0:15:40 | |
I don't suppose we could...? | 0:15:40 | 0:15:42 | |
We can, most certainly. | 0:15:42 | 0:15:43 | |
I know the owners, so we can go over and have a game. | 0:15:43 | 0:15:45 | |
PHIL MUMBLES | 0:15:45 | 0:15:47 | |
Bob, this is clearly a really special piece of grass. | 0:15:49 | 0:15:52 | |
It is, indeed. This is the spiritual home of lawn tennis, | 0:15:52 | 0:15:55 | |
where two gentlemen took up two racquets and devised a game, | 0:15:55 | 0:15:59 | |
which is very similar to the modern game of lawn tennis. | 0:15:59 | 0:16:02 | |
When the All England Croquet Club started playing tennis, | 0:16:02 | 0:16:05 | |
they adopted rectangular courts, similar to Gem's. | 0:16:05 | 0:16:08 | |
The Croquet Club then became the All England Lawn Tennis Club | 0:16:08 | 0:16:12 | |
and the rest, as they say, is history. | 0:16:12 | 0:16:15 | |
Chris Elks shares Bob's passion for early racket sport. | 0:16:15 | 0:16:18 | |
Chris, this is your collection? | 0:16:18 | 0:16:20 | |
Yes, it is. Part of it. | 0:16:20 | 0:16:22 | |
-You've almost got a history of the racket here. -That's right. | 0:16:22 | 0:16:26 | |
Out of all these rackets, the thing I love | 0:16:26 | 0:16:28 | |
is that racket on the end, | 0:16:28 | 0:16:30 | |
because that's just a work of art, isn't it? | 0:16:30 | 0:16:32 | |
All of the other rackets were played with by men, essentially. | 0:16:32 | 0:16:36 | |
Of course, ladies bring a special aspect to tennis, don't they? | 0:16:36 | 0:16:40 | |
-Yeah, absolutely. -No self-respecting male would pick up that racket | 0:16:40 | 0:16:44 | |
to choose to play with. | 0:16:44 | 0:16:45 | |
I love this. Is this some sort of cleaner or washer, or something? | 0:16:45 | 0:16:47 | |
This is a ball cleaner. | 0:16:47 | 0:16:49 | |
Balls were more difficult to make than rackets. | 0:16:49 | 0:16:51 | |
-As you can see, this is an old tennis ball. -Yeah. | 0:16:51 | 0:16:53 | |
You would keep them clean by placing it like this | 0:16:53 | 0:16:57 | |
and then giving a quick turn and scrub. | 0:16:57 | 0:17:00 | |
Now it's time for a knock-about. | 0:17:00 | 0:17:02 | |
But, when it comes to sport, ex-PE teacher Philip | 0:17:02 | 0:17:05 | |
has got a really competitive streak. | 0:17:05 | 0:17:08 | |
I think I've got an advantage here, cos what Bob doesn't realise is | 0:17:08 | 0:17:11 | |
that I've stuffed him up with some old racket and I've got a new one. | 0:17:11 | 0:17:15 | |
So, hopefully, I'm going to win it. | 0:17:15 | 0:17:17 | |
Oh, hi, Bob. All right? | 0:17:17 | 0:17:19 | |
Yes, fine. I've got some balls. | 0:17:19 | 0:17:20 | |
Oh, excellent stuff. | 0:17:20 | 0:17:23 | |
Right, off we go then. Ha-ha-ha! | 0:17:23 | 0:17:24 | |
This isn't working out too well, really, is it? | 0:17:33 | 0:17:34 | |
LAUGHTER | 0:17:34 | 0:17:36 | |
-Less of this spin stuff. -LAUGHTER | 0:17:37 | 0:17:39 | |
It looks like Philip is channelling | 0:17:39 | 0:17:41 | |
the spirit of Harry Gem for this game. | 0:17:41 | 0:17:43 | |
-BOTH: -Oh! -Get in there! | 0:17:43 | 0:17:46 | |
-There we go, Bob. Excellent stuff. -BOB PANTS | 0:17:46 | 0:17:47 | |
But I've got to go and buy antiques. | 0:17:47 | 0:17:49 | |
-Thank you very, much indeed. -Not at all. -Thank you. | 0:17:49 | 0:17:51 | |
It's been absolutely fantastic and, I have to say, as courts go, | 0:17:51 | 0:17:54 | |
that's a real GEM. | 0:17:54 | 0:17:56 | |
-Thank you very much. -BOB LAUGHS | 0:17:56 | 0:17:58 | |
Meanwhile, Catherine has travelled | 0:17:58 | 0:18:00 | |
to the Warwickshire village of Middleton. | 0:18:00 | 0:18:02 | |
It's the home of the Middleton Lakes Nature Reserve, | 0:18:02 | 0:18:05 | |
which boasts over 100 different species of birds. | 0:18:05 | 0:18:09 | |
Catherine's second shop today | 0:18:09 | 0:18:11 | |
is in Meadowview Antiques and she has £102 left to spend. | 0:18:11 | 0:18:15 | |
-Ooh, hello. -Hi, Catherine. | 0:18:17 | 0:18:19 | |
-Who might you be? -I'm Mike. -Hello, Mike. | 0:18:19 | 0:18:22 | |
You've got a lot of stuff in here. | 0:18:22 | 0:18:24 | |
Have you got any space in here? | 0:18:24 | 0:18:26 | |
Only the ceiling. | 0:18:26 | 0:18:28 | |
This is absolutely rammed, isn't it? | 0:18:28 | 0:18:31 | |
What I like is that everything looks very different. | 0:18:31 | 0:18:34 | |
We don't buy the run-of-the-mill things. | 0:18:34 | 0:18:36 | |
You don't buy run-of-the-mill. | 0:18:36 | 0:18:37 | |
We are very choosy in what we have in the shop. | 0:18:37 | 0:18:40 | |
She's impressive, old Marilyn there. | 0:18:40 | 0:18:42 | |
Yep, that came from up north. | 0:18:42 | 0:18:44 | |
It's 1957, The Seven Year Itch. | 0:18:44 | 0:18:46 | |
-And what is it? -It's...it's fibreglass with... | 0:18:46 | 0:18:51 | |
a concrete bottom. | 0:18:51 | 0:18:53 | |
Ooh. | 0:18:53 | 0:18:54 | |
You used to have them in the foyers of the cinemas. | 0:18:54 | 0:18:57 | |
-£2,000. -Yes. | 0:18:57 | 0:18:59 | |
Well, if you could come down to 100, I'll have it. | 0:18:59 | 0:19:01 | |
Cheeky! MIKE LAUGHS | 0:19:01 | 0:19:03 | |
I'm worried that I may not have enough money left, | 0:19:03 | 0:19:05 | |
cos I've already bought a few of things. | 0:19:05 | 0:19:06 | |
I'm sure Mike has something hidden away that is within your budget. | 0:19:06 | 0:19:10 | |
-OK, I shall be back. -No problem. -Thanks, Mike. | 0:19:10 | 0:19:13 | |
Ooh! | 0:19:13 | 0:19:14 | |
(Up her knickers.) | 0:19:14 | 0:19:15 | |
Looking up her skirt. | 0:19:15 | 0:19:16 | |
Leave Marilyn alone. | 0:19:16 | 0:19:18 | |
Saucy. | 0:19:18 | 0:19:19 | |
Look at this! This is the most... | 0:19:19 | 0:19:22 | |
..gorgeous, gorgeous thing. | 0:19:24 | 0:19:27 | |
Look at that. I love it! | 0:19:27 | 0:19:28 | |
I just remember my mum having exactly the same vacuum cleaner. | 0:19:29 | 0:19:34 | |
That is just the best. | 0:19:34 | 0:19:36 | |
It would make no money at auction, but that's just...fantastic. | 0:19:37 | 0:19:41 | |
Look at that. | 0:19:41 | 0:19:43 | |
Blimey. It must be some sort of advertising thing. | 0:19:43 | 0:19:47 | |
I do like to come in somewhere like this, | 0:19:47 | 0:19:49 | |
where you haven't got run-of-the-mill. | 0:19:49 | 0:19:51 | |
Like a box of matches, an oversized box of matches | 0:19:51 | 0:19:53 | |
and a vacuum cleaner for a child. | 0:19:53 | 0:19:56 | |
-Mike? -Yes. | 0:19:56 | 0:19:58 | |
Can I ask you about this tennis racket? | 0:19:58 | 0:20:00 | |
I love this. | 0:20:00 | 0:20:02 | |
Harrods themselves used to have so many tickets for Wimbledon, | 0:20:02 | 0:20:05 | |
which they used to give to their best customers. | 0:20:05 | 0:20:09 | |
Best clients, right? | 0:20:09 | 0:20:10 | |
They used to make up a bag | 0:20:10 | 0:20:12 | |
and give them one of those tennis rackets as well. | 0:20:12 | 0:20:14 | |
So we're talking what...? | 0:20:14 | 0:20:16 | |
We're talking the '60s, '70s? | 0:20:16 | 0:20:18 | |
I would say '70s. '70s. Yeah. | 0:20:18 | 0:20:20 | |
Yeah, probably looks more '70s, doesn't it? | 0:20:20 | 0:20:22 | |
And it's in immaculate condition. | 0:20:22 | 0:20:23 | |
It's in lovely condition, isn't it? | 0:20:23 | 0:20:25 | |
Does this come with anything else? | 0:20:25 | 0:20:27 | |
-Does that come with a free Wimbledon ticket for me? -It... | 0:20:27 | 0:20:29 | |
-MIKE LAUGHS -Does it? -It could do. | 0:20:29 | 0:20:31 | |
And strawberries and cream! | 0:20:31 | 0:20:32 | |
Mike, what could this be? | 0:20:32 | 0:20:34 | |
We've got 58 on it, but... | 0:20:34 | 0:20:37 | |
I'll do it for 30. | 0:20:37 | 0:20:38 | |
Can you do 25 on it? | 0:20:38 | 0:20:40 | |
Go on, I'll let you have it for 25. | 0:20:40 | 0:20:42 | |
-Can you? -Yeah. -I really like that. | 0:20:42 | 0:20:45 | |
And do you know what will be even better? | 0:20:45 | 0:20:48 | |
Seeing the look on Phil's face when I turn up with this. | 0:20:48 | 0:20:52 | |
He is going to be so jealous. | 0:20:52 | 0:20:55 | |
I think Phillip's probably had enough of tennis for one day. | 0:20:55 | 0:20:58 | |
Right, I want to spend more. What do I want to buy? | 0:20:58 | 0:21:01 | |
Well, this golden mother-of-pearl magnifier | 0:21:01 | 0:21:03 | |
with a bulls-eye lens looks nice.. | 0:21:03 | 0:21:05 | |
It's very strong glass. You can read the hallmarks on it. | 0:21:05 | 0:21:08 | |
I'll give you a ring, so you can see for yourself. | 0:21:08 | 0:21:10 | |
Sometimes they are not particularly good, are they? | 0:21:10 | 0:21:12 | |
No, they're not very powerful. | 0:21:12 | 0:21:14 | |
So, you should get pretty good magnification. | 0:21:14 | 0:21:16 | |
Yep, you can read that perfectly. | 0:21:16 | 0:21:19 | |
You've got 65 on this. What...? | 0:21:19 | 0:21:21 | |
I can do you for 40. | 0:21:21 | 0:21:22 | |
Would you? Do you think I've got a chance with that at 40? | 0:21:22 | 0:21:26 | |
I would say you've definitely got a chance, | 0:21:26 | 0:21:28 | |
because you've got to ask yourself, where would you buy another one? | 0:21:28 | 0:21:31 | |
Where have you seen another one? | 0:21:31 | 0:21:33 | |
I mean, you see magnifiers all the time. | 0:21:33 | 0:21:35 | |
But not like that. | 0:21:35 | 0:21:36 | |
-But A, not as miniature, like that. -No. | 0:21:36 | 0:21:38 | |
And B, not with such a beautiful handle. And... | 0:21:38 | 0:21:41 | |
Why am I telling you all this, | 0:21:41 | 0:21:43 | |
because the price is going to go up again. | 0:21:43 | 0:21:44 | |
-LAUGHTER -This would be my fifth item. | 0:21:44 | 0:21:46 | |
I'm kind of really steaming along today | 0:21:46 | 0:21:49 | |
and buying lots of items. | 0:21:49 | 0:21:51 | |
I'm just thinking whether I should...step back a bit. | 0:21:51 | 0:21:54 | |
That should make a lot more than £40 in auction. | 0:21:54 | 0:21:58 | |
-Go on, then. -You're going to go for that? | 0:21:58 | 0:22:00 | |
-I am, I'm going to shake your hand. -OK. | 0:22:00 | 0:22:03 | |
-That's a very soft shake. -Yes. -Let's have a real manly shake. | 0:22:03 | 0:22:06 | |
So, how much is it that I owe you, my friend? | 0:22:06 | 0:22:08 | |
Only 65. | 0:22:08 | 0:22:10 | |
"Only 65", he says. | 0:22:10 | 0:22:12 | |
60, 80. | 0:22:12 | 0:22:14 | |
There is your change. | 0:22:14 | 0:22:16 | |
Thank you. Thank you. | 0:22:16 | 0:22:18 | |
-Wonderful, thank you very much. -Yes, thank you. | 0:22:18 | 0:22:20 | |
Well, Catherine's been busy. | 0:22:20 | 0:22:21 | |
She's bought five items to end the day's shopping. | 0:22:21 | 0:22:24 | |
For now, it's time to say night-night. | 0:22:24 | 0:22:27 | |
So, night-night. | 0:22:27 | 0:22:29 | |
Morning, all. | 0:22:31 | 0:22:32 | |
Ha! Catherine's in the driving seat today, so watch out. | 0:22:32 | 0:22:35 | |
There's some sort of petrol-y smell going on around here. | 0:22:35 | 0:22:38 | |
-It's just fine. -Are you sure? | 0:22:38 | 0:22:41 | |
-This feels like I should be going into third now. -Well, go on, then. | 0:22:41 | 0:22:44 | |
Up and away from you... Up. | 0:22:44 | 0:22:46 | |
Phil, put it in third for me! | 0:22:46 | 0:22:49 | |
-Foot on the clutch. -Oh, yeah, I forgot about the clutch. | 0:22:49 | 0:22:52 | |
-That's why it wasn't... -The armrest has come off in my arm. | 0:22:52 | 0:22:56 | |
Lordy... Let's have a catch-up on the shopping so far. | 0:22:56 | 0:23:00 | |
Catherine has been busy. | 0:23:00 | 0:23:01 | |
She's got five lots - the magnifier, the amber beads, the mini dominoes, | 0:23:01 | 0:23:07 | |
the pair of compacts and the mini tennis racket, | 0:23:07 | 0:23:09 | |
leaving her £37 to spend today. | 0:23:09 | 0:23:12 | |
Does it come with a free Wimbledon ticket for me? | 0:23:12 | 0:23:15 | |
As for Philip, he bought a stoneware barrel | 0:23:15 | 0:23:17 | |
and an industrial steel cabinet... | 0:23:17 | 0:23:19 | |
-That could be really cheap. -Oh, you naughty boy! | 0:23:19 | 0:23:23 | |
..leaving him £165 to spend if his nerves can hold out. | 0:23:23 | 0:23:26 | |
You know when people talk about those near-death experiences... | 0:23:26 | 0:23:28 | |
-Yes. -..when can just see the end of their life looming before them? | 0:23:28 | 0:23:32 | |
I never thought it would take the form a Citroen. | 0:23:32 | 0:23:36 | |
Today, our two experts are starting off in the village of Wootton Wawen, | 0:23:36 | 0:23:39 | |
located in the county of Warwickshire. | 0:23:39 | 0:23:41 | |
The most famous landmark around here is the cast-iron aqueduct that | 0:23:43 | 0:23:48 | |
carries the Stratford-upon-Avon canal across the village. | 0:23:48 | 0:23:50 | |
Stopping, stopped. | 0:23:50 | 0:23:52 | |
-Oh, that's a relief. -Oh, yes. | 0:23:52 | 0:23:54 | |
First stop of the day is at the aptly named Antiques Shop. | 0:23:54 | 0:23:57 | |
And with a moniker like that, I've high hopes for Philip. | 0:23:57 | 0:24:00 | |
-Good luck. -Reverse. -All right! -Reverse. | 0:24:00 | 0:24:04 | |
-Hello. -Hello? -Hi. How are you? Phil. | 0:24:05 | 0:24:08 | |
-Hi, there. -Good to see you. | 0:24:08 | 0:24:10 | |
And you. This is Phil, my business partner. | 0:24:10 | 0:24:12 | |
Phil, how are you doing? Good to see you. | 0:24:12 | 0:24:14 | |
-What can we do for you today? -Well, you can find me something | 0:24:14 | 0:24:16 | |
that's got a profit in it, that's what you can do. | 0:24:16 | 0:24:19 | |
This is interesting. I'll tell you what it's for. | 0:24:19 | 0:24:21 | |
You put that on a piece of flesh, or skin, and you press that, | 0:24:21 | 0:24:24 | |
which is now perished, and when it expands, | 0:24:24 | 0:24:28 | |
it sucks the skin up if you've got some sort of | 0:24:28 | 0:24:31 | |
nasty carbuncle or something. | 0:24:31 | 0:24:34 | |
I think that's designed to get it off. | 0:24:34 | 0:24:36 | |
Not a pretty sight. | 0:24:36 | 0:24:37 | |
Let's just leave that out - that might be a possibility. | 0:24:37 | 0:24:40 | |
Let's go and have a look outside. | 0:24:40 | 0:24:43 | |
See, that's ideal. That's a nice thing. | 0:24:43 | 0:24:45 | |
-A butter churn, isn't it? -Yeah, a butter churn. | 0:24:45 | 0:24:47 | |
A lot of these were made in Chippenham, in Wiltshire. | 0:24:47 | 0:24:49 | |
-Were they really? -Yes, very often you'd lose the stand. | 0:24:49 | 0:24:52 | |
220. | 0:24:52 | 0:24:55 | |
-I do like this. -It's really quite ornate, isn't it? | 0:24:55 | 0:24:57 | |
Put your back into it, Philip. | 0:24:57 | 0:24:59 | |
Yeah, it's a good-looking thing, but for me to make a profit, | 0:24:59 | 0:25:02 | |
I'm going to have to bid you really, really low on that. | 0:25:02 | 0:25:04 | |
-We're not shy. -Well, I'm looking at 60 quid. | 0:25:04 | 0:25:08 | |
How shy are you now? | 0:25:08 | 0:25:09 | |
-We're quite embarrassed. -I'm not! | 0:25:09 | 0:25:12 | |
We'll leave Philip negotiating. I wonder what Catherine's up to. | 0:25:12 | 0:25:17 | |
I have got all the time in the world, | 0:25:17 | 0:25:20 | |
cos I've got five rather nice objects. | 0:25:20 | 0:25:22 | |
She's headed into Stratford-upon-Avon, | 0:25:22 | 0:25:24 | |
Shakespeare's old stomping ground. | 0:25:24 | 0:25:26 | |
She's tamed the Citroen, look! | 0:25:26 | 0:25:28 | |
When there's no traffic, | 0:25:28 | 0:25:30 | |
it's actually quite lovely. | 0:25:30 | 0:25:32 | |
I want to show Phil how it's done. | 0:25:32 | 0:25:36 | |
Driving any type of car... | 0:25:36 | 0:25:39 | |
I shall show him how to drive a Citroen and drive it well. | 0:25:39 | 0:25:44 | |
Tres bon. Catherine has £37 left to spend here | 0:25:44 | 0:25:47 | |
in Henley Street Antiques Centre. | 0:25:47 | 0:25:50 | |
So, let's just get things straight. I don't really need to buy anything. | 0:25:50 | 0:25:55 | |
Don't speak too soon. | 0:25:55 | 0:25:57 | |
Oh, no, this is cool. | 0:25:57 | 0:25:59 | |
Deal of the month. | 0:25:59 | 0:26:01 | |
This is fantastic! £95. How much have I got left? | 0:26:01 | 0:26:04 | |
I just said £37. | 0:26:04 | 0:26:06 | |
Maybe I'd just buy...just one. | 0:26:06 | 0:26:08 | |
One drum. | 0:26:08 | 0:26:09 | |
SHE PLAYS DRUM | 0:26:09 | 0:26:12 | |
That is fantastic. | 0:26:12 | 0:26:13 | |
Right, I'm going to walk away cos I can't buy it. | 0:26:13 | 0:26:15 | |
"Philip Serrell was here. | 0:26:15 | 0:26:18 | |
"With all best wishes." | 0:26:18 | 0:26:19 | |
Did he seriously write on this wall? | 0:26:19 | 0:26:21 | |
That's terrible! What a vandal! | 0:26:21 | 0:26:24 | |
Graffiti from a previous road trip - the scamp. | 0:26:24 | 0:26:27 | |
It seems like Catherine's all shopped out. | 0:26:27 | 0:26:29 | |
-You never know though. -I think I'm probably going | 0:26:29 | 0:26:31 | |
to quit and call it a day. | 0:26:31 | 0:26:33 | |
Well, I suppose if you can't beat him... | 0:26:33 | 0:26:35 | |
Back in Wootton Wawen, Philip's been browsing the cabinets. | 0:26:37 | 0:26:41 | |
-What's he found? -I used to love that book as a kid. | 0:26:41 | 0:26:43 | |
I used to read it for hours and hours and hours. | 0:26:43 | 0:26:46 | |
"Mr Crabtree Goes Fishing." I like that. | 0:26:46 | 0:26:50 | |
Look at this. His son was Peter. | 0:26:50 | 0:26:52 | |
Peter used to go fishing with Mr Crabtree. | 0:26:52 | 0:26:54 | |
I love that. I absolutely love that. | 0:26:54 | 0:26:56 | |
I need to have a ruminate here, | 0:26:56 | 0:26:58 | |
because I really like your butter churn. | 0:26:58 | 0:27:01 | |
It's what you can do it for. | 0:27:01 | 0:27:02 | |
And just for old memories for me, I like Mr Crabtree. | 0:27:02 | 0:27:05 | |
Yes. 80 would do the two for you. | 0:27:05 | 0:27:07 | |
So you're saying Mr Crabtree and that at 80 squid? | 0:27:07 | 0:27:11 | |
-Yeah. -You have been very, very generous to me | 0:27:11 | 0:27:13 | |
and I'm very appreciative of that. | 0:27:13 | 0:27:15 | |
Yeah, go on, £80 the two. You have been very, very kind to me | 0:27:15 | 0:27:18 | |
and this is really sad, but I'm more excited about this. | 0:27:18 | 0:27:22 | |
Philip pays £75 for the butter churn and £5 for the book. | 0:27:22 | 0:27:26 | |
-Great discounts. -Two, four, six, eight. | 0:27:26 | 0:27:29 | |
You've been really kind. Thank you very, very much. | 0:27:29 | 0:27:31 | |
-No problem. -Lovely to see you. | 0:27:31 | 0:27:33 | |
Catherine, meanwhile, has finished shopping, | 0:27:36 | 0:27:39 | |
so she's headed to Redditch to hear a little local history. | 0:27:39 | 0:27:42 | |
Incredibly, by the late 1800s, | 0:27:42 | 0:27:44 | |
90% of the world's needles were being made in the town. | 0:27:44 | 0:27:47 | |
Catherine is visiting the Forge Mill Needle Museum | 0:27:47 | 0:27:51 | |
and meeting curator Jo-Ann Gloger. | 0:27:51 | 0:27:53 | |
-Hello, Jo-Ann, lovely to meet you. -Thank you. | 0:27:53 | 0:27:57 | |
Where are we here? What are these buildings all about? | 0:27:57 | 0:27:59 | |
This is the only remaining water-powered needle scouring mill | 0:27:59 | 0:28:03 | |
left in the entire world. | 0:28:03 | 0:28:05 | |
Victorian Redditch was located close to manufacturers that | 0:28:05 | 0:28:08 | |
needed a constant supply of needles to help them make their products. | 0:28:08 | 0:28:12 | |
You've got a fantastic leather industry over at Walsall, | 0:28:12 | 0:28:15 | |
Kidderminster for carpets - very famous - | 0:28:15 | 0:28:19 | |
and then you have the gloving trade over at Worcester. | 0:28:19 | 0:28:23 | |
You've got Nottingham for lace. | 0:28:23 | 0:28:25 | |
So you've got all these industrial markets, | 0:28:25 | 0:28:27 | |
plus the domestic demand as well. | 0:28:27 | 0:28:30 | |
In 1859, the Redditch needle makers really hit the jackpot | 0:28:30 | 0:28:34 | |
when the railway came to town. | 0:28:34 | 0:28:36 | |
It meant that a lot of people could set up in business | 0:28:36 | 0:28:40 | |
in the Redditch area and by 1869, | 0:28:40 | 0:28:45 | |
we've got recorded 117 companies, big and small, | 0:28:45 | 0:28:48 | |
in the Redditch area, which is amazing. | 0:28:48 | 0:28:51 | |
At the height of needle making in Redditch, | 0:28:51 | 0:28:53 | |
the town was producing 100 million needles every week. | 0:28:53 | 0:28:57 | |
All needles start their life as large coils of wire. | 0:28:57 | 0:29:01 | |
You can see how thick it is. Just feel that. Yeah? | 0:29:01 | 0:29:03 | |
Now from here, it has to be drawn down. | 0:29:03 | 0:29:06 | |
That's making it thinner and longer. | 0:29:06 | 0:29:08 | |
Look at that. Look at the difference from there to there. | 0:29:08 | 0:29:11 | |
From here it gets cut and then the pointer will then point the wires. | 0:29:11 | 0:29:17 | |
The pointers used grindstones to sharpen the ends of the needles, | 0:29:17 | 0:29:20 | |
but it was not without risks. | 0:29:20 | 0:29:21 | |
It was a very, very dangerous job. | 0:29:21 | 0:29:25 | |
I mean, their life expectancy | 0:29:25 | 0:29:27 | |
wasn't much beyond the age of about 30, 35. | 0:29:27 | 0:29:31 | |
He's breathing in a lethal mixture of dust from the grindstone | 0:29:31 | 0:29:36 | |
and metal dust from the wire, | 0:29:36 | 0:29:37 | |
so it's all going down into his lungs | 0:29:37 | 0:29:39 | |
and within two or three years, he'll be coughing up blood. | 0:29:39 | 0:29:43 | |
It was pretty horrible. | 0:29:43 | 0:29:45 | |
If they knew these kind of conditions, | 0:29:45 | 0:29:47 | |
why did they do it? | 0:29:47 | 0:29:48 | |
For the money. They were very, very well paid, | 0:29:48 | 0:29:52 | |
because they knew it was such a dangerous job, | 0:29:52 | 0:29:54 | |
they were earning two and three guineas per week, | 0:29:54 | 0:29:57 | |
which, in Victorian times, was a great deal of money. | 0:29:57 | 0:30:00 | |
So how many needles could he point a day? | 0:30:00 | 0:30:02 | |
Something like 10,000 needles per hour. | 0:30:02 | 0:30:06 | |
-Per hour?! -Wow. | 0:30:06 | 0:30:08 | |
-What's next? -Right. Putting the eyes in. | 0:30:08 | 0:30:11 | |
Have you ever wondered how they put eyes in needles? | 0:30:11 | 0:30:13 | |
Well, I must admit, I haven't laid awake at night wondering about that, | 0:30:13 | 0:30:16 | |
but now you come to mention it... | 0:30:16 | 0:30:18 | |
You can see we have a punch here and it's got some impressions | 0:30:18 | 0:30:24 | |
of where the eyes are going to be made. | 0:30:24 | 0:30:27 | |
So the kick stamper, as his name was, | 0:30:27 | 0:30:29 | |
he would actually put the wire like that. | 0:30:29 | 0:30:32 | |
It comes down and... | 0:30:32 | 0:30:35 | |
..he's going to make the impression of where the eyes are going to go. | 0:30:36 | 0:30:40 | |
-So he's put his foot in a peddle...? -He's put his foot in a stirrup | 0:30:40 | 0:30:43 | |
and he's letting the hammer come down | 0:30:43 | 0:30:47 | |
and he's making the impression. | 0:30:47 | 0:30:48 | |
50 kick stamps per minute on a 30lb drop hammer. | 0:30:48 | 0:30:50 | |
-That's amazing. -There were over 30 separate stages, | 0:30:50 | 0:30:53 | |
including being heated in ovens, dipped in oil and left to dry. | 0:30:53 | 0:30:57 | |
The end of the process was to clean and polish the needles, | 0:30:57 | 0:30:59 | |
known as scouring. | 0:30:59 | 0:31:01 | |
As you can see, the needles up to this stage were very, very dirty. | 0:31:02 | 0:31:05 | |
-Just look at that. -How did they get cleaned? | 0:31:05 | 0:31:08 | |
You would then put them into a long trough | 0:31:08 | 0:31:12 | |
with some sacking in it, with some powdered stone and some soft soap. | 0:31:12 | 0:31:17 | |
You would then put the set of needles | 0:31:17 | 0:31:19 | |
into the scouring beds and then the scouring beds press on top of it | 0:31:19 | 0:31:25 | |
and it's rubbed and rolled and the emery takes the grime away. | 0:31:25 | 0:31:29 | |
How long does that process take? | 0:31:29 | 0:31:31 | |
-Round about eight hours. -Eight hours? -Yeah. | 0:31:31 | 0:31:35 | |
Then, all that was left to do was to sift the needles out. | 0:31:35 | 0:31:38 | |
Ready? | 0:31:38 | 0:31:40 | |
No, hopeless. | 0:31:43 | 0:31:46 | |
By the middle of the 20th century, the industry was in steep decline | 0:31:46 | 0:31:49 | |
due to cheap imports and falling demand, | 0:31:49 | 0:31:51 | |
but Redditch will always be synonymous with needle making. | 0:31:51 | 0:31:55 | |
Meanwhile, Philip has made his way | 0:32:01 | 0:32:03 | |
to Fladbury in Worcestershire. | 0:32:03 | 0:32:04 | |
He's visiting his final shop, | 0:32:04 | 0:32:07 | |
which is run by an old business chum. | 0:32:07 | 0:32:09 | |
-Mr Humphries, how are you? -Mr Serrell, I'm very well. | 0:32:09 | 0:32:12 | |
All I would say to you is, I know you come to my sales regularly, | 0:32:12 | 0:32:15 | |
I do not want to buy anything that I've sold you, | 0:32:15 | 0:32:17 | |
cos that would be really embarrassing. | 0:32:17 | 0:32:19 | |
You've got a lot of stock, haven't you? | 0:32:19 | 0:32:21 | |
I tell you what, Phil, I like to keep it well stocked, | 0:32:21 | 0:32:24 | |
but I turn it over well, as well. | 0:32:24 | 0:32:26 | |
-Is that dear? -It depends what you call dear. | 0:32:26 | 0:32:29 | |
-Well, I can tell you how much money I've got. -Go on, then. | 0:32:29 | 0:32:33 | |
-I've got 80 quid left. -That's dear, then. | 0:32:33 | 0:32:36 | |
-Is it? That out of my range? -Yeah. -OK. | 0:32:36 | 0:32:38 | |
Oh, I like those, as well. | 0:32:38 | 0:32:40 | |
They're weathering nicely, aren't they? | 0:32:40 | 0:32:42 | |
-I know how they feel. -You and me both, Philip. | 0:32:42 | 0:32:44 | |
Ticketed at £275, they're still out of Philip's budget. | 0:32:44 | 0:32:48 | |
Is Ian feeling kind? | 0:32:48 | 0:32:50 | |
-You might be able to buy those, actually. -Really? | 0:32:50 | 0:32:53 | |
They're basically a pair of concrete dogs, aren't they? | 0:32:53 | 0:32:55 | |
-Greyhounds, aren't they? -They're not going to win many races. | 0:32:55 | 0:32:58 | |
-But they're so heavy. -Are they hollow? -No, they're solid. | 0:32:58 | 0:33:01 | |
-And they're concrete, aren't they? -Yes. -Oh, Lord above! | 0:33:01 | 0:33:05 | |
-These might be 30, 40 years old. -I think so. | 0:33:07 | 0:33:10 | |
And those might be a possibility? | 0:33:10 | 0:33:12 | |
-Might be. -Might be. | 0:33:12 | 0:33:13 | |
-I just really like them. -They are quite nice. | 0:33:13 | 0:33:16 | |
-The other reason why I like them is cos I had a lurcher. -Oh, really? | 0:33:16 | 0:33:19 | |
Who was the absolute love of my life. | 0:33:19 | 0:33:21 | |
-Myrtle the lurcher. -Oh, bless. -I loved her to bits. | 0:33:21 | 0:33:24 | |
Can we get one outside? | 0:33:24 | 0:33:26 | |
Do you mind? Look at that, there's a quick rupture. | 0:33:26 | 0:33:29 | |
It's a poor job that won't stand a good foreman. | 0:33:31 | 0:33:34 | |
(I'm the foreman.) | 0:33:34 | 0:33:35 | |
Try telling Catherine that. | 0:33:35 | 0:33:37 | |
-He's nice, isn't he? -You've got to buy it now. | 0:33:37 | 0:33:39 | |
Down, boy. They come as a pair. | 0:33:39 | 0:33:42 | |
They're just weathering down nicely. | 0:33:42 | 0:33:45 | |
They're going to go one way now, aren't they? | 0:33:45 | 0:33:47 | |
Yeah, they're going to go south, that's where they're going to go. | 0:33:47 | 0:33:49 | |
They're going to go down to Salisbury. You're a star. | 0:33:49 | 0:33:52 | |
-Fantastic. Good man. -I'd better pay you, my friend. | 0:33:52 | 0:33:54 | |
That last buy has Philip all spent up. | 0:33:54 | 0:33:57 | |
Sit down, Rover! | 0:33:57 | 0:33:59 | |
I'm just trying to train them. Just trying to train them. Sit! | 0:33:59 | 0:34:02 | |
Good dog, good dog. | 0:34:02 | 0:34:04 | |
And the dogs are added to Philip's other buys - | 0:34:04 | 0:34:06 | |
the stoneware barrel, a steel cabinet, | 0:34:06 | 0:34:08 | |
a butter churner and a book on fishing. | 0:34:08 | 0:34:10 | |
He spent £200 on the nail. | 0:34:10 | 0:34:14 | |
Catherine spent £163 on some amber beads, | 0:34:14 | 0:34:18 | |
a miniature tennis racket, | 0:34:18 | 0:34:20 | |
a gold magnifier, | 0:34:20 | 0:34:21 | |
a miniature set of dominoes and a pair of compacts. | 0:34:21 | 0:34:25 | |
So, what do they make of each other's buys? | 0:34:25 | 0:34:26 | |
I think Catherine's done a really, really good job. | 0:34:26 | 0:34:29 | |
I just love that little tennis racket she's bought. | 0:34:29 | 0:34:33 | |
I knew it, I knew it, I knew it. | 0:34:33 | 0:34:35 | |
I knew Phil Serrell would buy a butter churn. | 0:34:35 | 0:34:38 | |
But for me, the real jewel in the crown are those beads. | 0:34:38 | 0:34:41 | |
Amber. I think they could be a three-figure lot | 0:34:41 | 0:34:43 | |
and she's paid next to nothing for them. | 0:34:43 | 0:34:45 | |
The rusty shelves, £20. | 0:34:45 | 0:34:48 | |
I would walk straight past them a million times. | 0:34:48 | 0:34:51 | |
£200, all in. | 0:34:51 | 0:34:53 | |
Oh, dear. | 0:34:53 | 0:34:55 | |
After setting off from Coleshill, | 0:34:55 | 0:34:57 | |
our experts are now headed for auction in the city of Salisbury. | 0:34:57 | 0:35:01 | |
Do you know what I think my cheapest buy was? | 0:35:01 | 0:35:03 | |
-Oh, that shelf... -I bought a rusting tin thing. | 0:35:03 | 0:35:06 | |
Why did you buy that? | 0:35:06 | 0:35:08 | |
I think that's bang-on trend. You are looking at me now. | 0:35:08 | 0:35:11 | |
-Bang-on trend?! -I am bang-on trend. | 0:35:11 | 0:35:13 | |
I am up there with the kids. You've got no vision, Catherine. | 0:35:13 | 0:35:17 | |
No vision at all. It worries me about you sometimes. | 0:35:17 | 0:35:19 | |
Welcome to the Netherhampton Salerooms. | 0:35:19 | 0:35:22 | |
It's looking busy. | 0:35:22 | 0:35:24 | |
What does auctioneer Ian Souter make of our lot? | 0:35:24 | 0:35:26 | |
My favourite is definitely the butter churn. | 0:35:26 | 0:35:28 | |
Love it, always loved them. | 0:35:28 | 0:35:30 | |
If I had a house big enough to put one in, I'd have one. | 0:35:30 | 0:35:32 | |
Don't know what I'd do with it. | 0:35:32 | 0:35:33 | |
The mini dominoes - very cute, very good size. | 0:35:33 | 0:35:37 | |
I think one or two people spotted them earlier, | 0:35:37 | 0:35:39 | |
so hopefully they'll do well. | 0:35:39 | 0:35:41 | |
They say like attracts like, | 0:35:41 | 0:35:42 | |
so the little pretty things are Catherine's | 0:35:42 | 0:35:44 | |
and the larger more ugly things are Phil's. | 0:35:44 | 0:35:46 | |
-Probably enough said. -I think so, Ian. | 0:35:46 | 0:35:48 | |
We've got a full house, so quiet, please. | 0:35:48 | 0:35:51 | |
Are you excited? Our very first auction, isn't it? | 0:35:51 | 0:35:53 | |
I know, but look how many people are here. | 0:35:53 | 0:35:55 | |
-It's rammed, isn't it? -Absolutely heaving. | 0:35:55 | 0:35:58 | |
First up is Philip's fishing book. | 0:35:58 | 0:36:01 | |
-Why did you buy that? -It's part of my childhood. | 0:36:01 | 0:36:03 | |
Is it? Oh, so it's really old. | 0:36:03 | 0:36:05 | |
Right, who's got 50 or 60? | 0:36:06 | 0:36:07 | |
30 or 40 or 20? Who wants it? | 0:36:07 | 0:36:10 | |
Fiver, thank you. £5. | 0:36:10 | 0:36:11 | |
£6. £8. £10. £12. | 0:36:11 | 0:36:13 | |
-They all want it! -15. 18. | 0:36:13 | 0:36:15 | |
They all remember it from their childhood. | 0:36:15 | 0:36:17 | |
Happy days, isn't it? Happy days. | 0:36:17 | 0:36:19 | |
-They went fishing with me. -At £20. | 0:36:19 | 0:36:22 | |
-They all took the bait, didn't they? -They did. | 0:36:22 | 0:36:24 | |
A bittersweet result, as Philip says goodbye to Mr Crabtree for a profit. | 0:36:24 | 0:36:28 | |
And, actually, do you know what, that wasn't bang-on trend, was it? | 0:36:28 | 0:36:32 | |
Next up, Catherine's amber beads. | 0:36:33 | 0:36:37 | |
OK, so we've got 30, 40. | 0:36:37 | 0:36:38 | |
Who got 20? £10? | 0:36:38 | 0:36:40 | |
Some lovely beads. A tenner. £10? | 0:36:40 | 0:36:42 | |
Someone say something. Fiver. Five I have. £5. | 0:36:42 | 0:36:45 | |
£6. £8. | 0:36:45 | 0:36:46 | |
£10. £12. | 0:36:46 | 0:36:47 | |
-£15. -A long way to go. | 0:36:47 | 0:36:49 | |
15 on my left, 15 I have. | 0:36:49 | 0:36:51 | |
No. These need to be about 60. | 0:36:51 | 0:36:52 | |
18, £20. 22. 25. | 0:36:52 | 0:36:57 | |
25. Over here at 25. | 0:36:57 | 0:36:59 | |
-No, more. -Don't go shy. 25. | 0:36:59 | 0:37:01 | |
-Amber. Real amber. -£25. | 0:37:01 | 0:37:04 | |
Bad luck, first loss of the day. | 0:37:04 | 0:37:06 | |
But there's plenty of time to make it up. | 0:37:06 | 0:37:09 | |
-I don't know that much about amber, do I? -No. | 0:37:09 | 0:37:11 | |
Next up, Philip's stoneware barrel. | 0:37:11 | 0:37:14 | |
-Here to be sold, 30 or 40. -He's picking it up. | 0:37:14 | 0:37:17 | |
-What a man. -Nobody want it? | 0:37:17 | 0:37:19 | |
Five bid. £5. £6. | 0:37:19 | 0:37:21 | |
£8. £10. £12. | 0:37:21 | 0:37:23 | |
15, 18, £20. | 0:37:23 | 0:37:26 | |
-Don't mind been nice to you. -£20, £20. | 0:37:26 | 0:37:29 | |
Anybody else? 20. Being sold this, then, at £20. | 0:37:29 | 0:37:33 | |
Phil's going to be drowning his sorrows. | 0:37:33 | 0:37:35 | |
That's a loss after auction fees are deducted. | 0:37:35 | 0:37:38 | |
You said you knew this auction. | 0:37:38 | 0:37:39 | |
Yeah, I didn't say I was any good at it, though, did I? | 0:37:39 | 0:37:42 | |
It's Catherine's miniature dominoes set next. | 0:37:42 | 0:37:45 | |
50 or 60? 40 or 30? | 0:37:45 | 0:37:48 | |
Who wants them? 20. I've got 20. | 0:37:48 | 0:37:50 | |
Thank you, you like them. £20. £20 I have. £20, £20, £20. | 0:37:50 | 0:37:54 | |
He looks like a man who plays dominant dominoes, doesn't he? | 0:37:54 | 0:37:57 | |
22, 22, 22... | 0:37:57 | 0:38:01 | |
-Anybody else? -Come on! -At £22. | 0:38:01 | 0:38:04 | |
Another loss. Bad luck, Catherine. | 0:38:04 | 0:38:07 | |
-They were lovely. They were lovely. -It's not my night tonight. | 0:38:07 | 0:38:11 | |
And your compacts are up next. | 0:38:11 | 0:38:13 | |
Ten I have, 12, 15, 18, 20, 22, 25... | 0:38:13 | 0:38:18 | |
-Come on. -With me, 28. | 0:38:18 | 0:38:20 | |
£30. £30 in the hat. | 0:38:20 | 0:38:22 | |
-Don't stop at 30. Come on. -32. | 0:38:22 | 0:38:24 | |
What a shame. At 32. | 0:38:24 | 0:38:26 | |
32 I have. 35. That's the spirit. 35. | 0:38:26 | 0:38:29 | |
38. 38. | 0:38:29 | 0:38:32 | |
Last chance to stop. 38. 38. Being sold this time, then, at £38. | 0:38:32 | 0:38:37 | |
Ooh! | 0:38:37 | 0:38:38 | |
So near yet so far! | 0:38:38 | 0:38:42 | |
A run of bad luck, Catherine. They were nice, too. | 0:38:42 | 0:38:45 | |
What's next, though? Oh! Bang-on trend. | 0:38:45 | 0:38:48 | |
-Oh, is it your rust? -What do you mean, rust? | 0:38:48 | 0:38:51 | |
Philip's little cabinet is next. | 0:38:51 | 0:38:54 | |
Various interest. Going to start the bidding at £10. | 0:38:54 | 0:38:56 | |
£10 I have. £10, £10, £10 with me. | 0:38:56 | 0:38:58 | |
£10. £12. 15. 18. £20 with me. | 0:38:58 | 0:39:01 | |
He's got a commission on that. | 0:39:01 | 0:39:04 | |
22. 25. 25 with me. | 0:39:04 | 0:39:05 | |
At 25. 28. 30. | 0:39:05 | 0:39:07 | |
-What?! -32. 35. 38. £40. -Bang-on trend, you see. | 0:39:07 | 0:39:11 | |
-How did you do that? -At £42. | 0:39:11 | 0:39:15 | |
Look at that, get in. Dip your bread. | 0:39:15 | 0:39:18 | |
Blimey, he's just doubled his money. | 0:39:18 | 0:39:20 | |
Next, can Catherine's miniature magnifier be as successful? | 0:39:20 | 0:39:24 | |
-50 or 40. -Come on. | 0:39:24 | 0:39:26 | |
Who's got 30? | 0:39:26 | 0:39:27 | |
Who's got 20? Tenner if we have to. | 0:39:27 | 0:39:29 | |
-Can I put my hand up? -No. -Can I bid? | 0:39:29 | 0:39:31 | |
-Come on, it's nine-carat gold. -Can I big? | 0:39:31 | 0:39:34 | |
22. 25. 28. £30. | 0:39:34 | 0:39:38 | |
-£30 I have. -It's cheap! -I know it's cheap. | 0:39:38 | 0:39:40 | |
-Come on. -32, 35, 38. | 0:39:40 | 0:39:43 | |
£40. At £40. | 0:39:43 | 0:39:45 | |
42. 45. | 0:39:45 | 0:39:47 | |
-Yes! -48. £50. | 0:39:47 | 0:39:50 | |
55. 60. 60 in the back, £60. | 0:39:50 | 0:39:52 | |
Keep going, it's nine-carat. | 0:39:52 | 0:39:55 | |
Anyone else? Being sold this time at £60. | 0:39:55 | 0:39:58 | |
-Yours, sir. Thank you. -Yes! | 0:39:58 | 0:40:00 | |
-I love you! -Hey, steady! | 0:40:00 | 0:40:03 | |
Hoo-hoo-hoo! Well done, Catherine. A nice profit. | 0:40:03 | 0:40:07 | |
Philip's butter churn is next to go under the gavel. | 0:40:07 | 0:40:09 | |
What would people do with that now, though? | 0:40:09 | 0:40:12 | |
Shove it in the garden. Shove it in the big farmhouse kitchen. | 0:40:12 | 0:40:16 | |
Churn butter with it. I don't know. | 0:40:16 | 0:40:18 | |
OK, I've got various interest. I'm going to go straight in at £50. | 0:40:18 | 0:40:21 | |
-He's got interest. -60. | 0:40:21 | 0:40:23 | |
65. 70. 75. 80. | 0:40:23 | 0:40:26 | |
Oh, Phil. You've walked it. | 0:40:26 | 0:40:29 | |
85. 90. 95. 100. | 0:40:29 | 0:40:33 | |
-Philip! -100 with me. 100. | 0:40:33 | 0:40:35 | |
105. 110. | 0:40:35 | 0:40:37 | |
Bid last if you want it, sir. 110. 115. | 0:40:37 | 0:40:40 | |
120. | 0:40:40 | 0:40:41 | |
-That's amazing. -I'm quite pleased with that, I must admit. | 0:40:41 | 0:40:44 | |
125. 130. 135. | 0:40:44 | 0:40:47 | |
He's still bidding, that man by the door. | 0:40:47 | 0:40:51 | |
At 135, last chance. | 0:40:51 | 0:40:52 | |
He had a big commission bid on that. | 0:40:52 | 0:40:55 | |
At £135. | 0:40:55 | 0:40:57 | |
£135. | 0:40:57 | 0:40:59 | |
That's all right, isn't it? | 0:40:59 | 0:41:01 | |
Philip's on a roll. | 0:41:01 | 0:41:03 | |
Can Catherine serve up a profit with her last lot? | 0:41:03 | 0:41:06 | |
£50, somebody. 50 or 40. | 0:41:06 | 0:41:08 | |
-30, 20. -Come on. | 0:41:08 | 0:41:10 | |
-25. -Who wants it? We've got ten. Thank you, ten I have. | 0:41:10 | 0:41:12 | |
£10, £10, £10. £12. | 0:41:12 | 0:41:13 | |
15. 18. 18 final time. £18. £18 I have. 18. | 0:41:13 | 0:41:18 | |
-18. Who else wants it? 18? -No! -Don't let it miss you at 18. | 0:41:18 | 0:41:21 | |
Last chance. Being sold at £20, thank you. | 0:41:21 | 0:41:24 | |
At £20. £20. | 0:41:24 | 0:41:26 | |
On my right, 20. Being sold this time, then, at £20. | 0:41:26 | 0:41:29 | |
£20?! | 0:41:29 | 0:41:30 | |
-Not a lot of money. -How did that happen? | 0:41:30 | 0:41:33 | |
Is that game, set and match to Philip, then? | 0:41:33 | 0:41:36 | |
Or will his dogs let him down? | 0:41:36 | 0:41:39 | |
Two vintage life-size stone greyhounds. | 0:41:39 | 0:41:42 | |
Could Rocket hold them up, please? Hold them up, Rocket! | 0:41:42 | 0:41:45 | |
He'll be sold whether Rocket holds them up or not. | 0:41:45 | 0:41:47 | |
Right, who's got £100? 70 or 80? | 0:41:47 | 0:41:49 | |
50 or 40. £30. 35, 40. 45, 50. | 0:41:49 | 0:41:54 | |
55, 60. 65. 65 on my left. | 0:41:54 | 0:41:58 | |
-70. 75. -You'll be fine. -80. | 0:41:58 | 0:42:01 | |
85. 90. 95. 100. | 0:42:01 | 0:42:06 | |
100 at the back. At £100. I have 100. | 0:42:06 | 0:42:08 | |
-That's amazing. -Last chance, 100. | 0:42:08 | 0:42:09 | |
Anybody else want to join in? | 0:42:09 | 0:42:11 | |
Being sold this time, then, at £100. | 0:42:11 | 0:42:13 | |
After commission, it's breaking even. | 0:42:13 | 0:42:15 | |
Should have held them higher, Rocket. | 0:42:15 | 0:42:17 | |
LAUGHTER | 0:42:17 | 0:42:19 | |
Well, that last lot made a profit, but where does that leave us? | 0:42:19 | 0:42:22 | |
Right, so we need to do some sums, don't we? | 0:42:22 | 0:42:24 | |
You've got loads of cash. That's all I know. | 0:42:24 | 0:42:27 | |
Come on, then. | 0:42:27 | 0:42:28 | |
Catherine started with £200. | 0:42:29 | 0:42:31 | |
After paying auction costs, | 0:42:31 | 0:42:33 | |
she made a loss of £27.70, | 0:42:33 | 0:42:37 | |
leaving her £172.30 to carry forward. | 0:42:37 | 0:42:40 | |
Phil started with £200. | 0:42:40 | 0:42:42 | |
After paying all fees, he made a profit of £59.94. | 0:42:42 | 0:42:48 | |
Well done! Leaving him £259.94 to spend next time. | 0:42:48 | 0:42:53 | |
You are a bit of a star, Phil, | 0:42:53 | 0:42:55 | |
and I have to take my hat off to you. | 0:42:55 | 0:42:57 | |
Where's the next auction? Salisbury? | 0:42:57 | 0:42:59 | |
No, we're in Salisbury. | 0:42:59 | 0:43:01 | |
Cheerio, chaps. | 0:43:01 | 0:43:03 | |
Next time on the Antiques Road Trip... | 0:43:03 | 0:43:06 | |
-Are we in Hampshire? -Yeah. -..Philip plays rough... | 0:43:06 | 0:43:10 | |
Look at that. | 0:43:10 | 0:43:11 | |
-Instant discount with that. -..and Catherine's in heaven. | 0:43:11 | 0:43:15 | |
I am the queen of rust. | 0:43:15 | 0:43:17 |