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It's the nation's favourite antiques experts. | 0:00:02 | 0:00:03 | |
-With £200 each... -I want something shiny. | 0:00:03 | 0:00:06 | |
..a classic car and a goal - to scour Britain for antiques. | 0:00:06 | 0:00:10 | |
-I like a rummage! -I can't resist it. | 0:00:10 | 0:00:13 | |
The aim, to make the biggest profit at auction, but it's no mean feat. | 0:00:13 | 0:00:16 | |
Why do I always do this to myself? | 0:00:16 | 0:00:19 | |
-There'll be worthy winners... -Give us a kiss. -..and valiant losers. | 0:00:19 | 0:00:22 | |
Come on - stick 'em up. | 0:00:22 | 0:00:24 | |
-So, will it be the high road to glory... -Onwards and upwards! | 0:00:24 | 0:00:26 | |
..or the slow road to disaster? | 0:00:26 | 0:00:28 | |
Take me home! | 0:00:28 | 0:00:30 | |
This is Antiques Road Trip. | 0:00:30 | 0:00:31 | |
Yeah! | 0:00:33 | 0:00:34 | |
# It's a new dawn, it's a new day | 0:00:36 | 0:00:39 | |
# It's a new life for me | 0:00:39 | 0:00:43 | |
# And I'm feeling good. # | 0:00:45 | 0:00:47 | |
Today we begin a brand-new adventure in the south of England with | 0:00:47 | 0:00:50 | |
les auctioneers extraordinaires, | 0:00:50 | 0:00:52 | |
Catherine Southon and Charles Hanson. | 0:00:52 | 0:00:55 | |
How exciting. They make a nice couple, don't they? | 0:00:55 | 0:01:00 | |
I'm a northern guy, | 0:01:00 | 0:01:01 | |
and I've come very far south to take on a southern lass. | 0:01:01 | 0:01:04 | |
That's it. Southon in southern. | 0:01:04 | 0:01:07 | |
You know what they say - there can be a big North-South divide | 0:01:07 | 0:01:10 | |
and I'm feeling it, but not that much. | 0:01:10 | 0:01:13 | |
There is a big north and south divide here. | 0:01:13 | 0:01:15 | |
-Get out of here. -We'll never have a divide. | 0:01:15 | 0:01:17 | |
-We're going to have a fun challenge. -We're going to have fun. | 0:01:17 | 0:01:19 | |
Right. Road Trip regular Charles is a smooth talker | 0:01:19 | 0:01:23 | |
who knows his stuff when it comes to sniffing out antiques. | 0:01:23 | 0:01:26 | |
Isn't it beautiful? | 0:01:27 | 0:01:28 | |
Oh, look at this little lamb. | 0:01:28 | 0:01:30 | |
-I know. -Oh, look. | 0:01:30 | 0:01:32 | |
-Baaa! -Hello, lambs. | 0:01:32 | 0:01:34 | |
Hello, sheep. Here is the Derby Ram. | 0:01:34 | 0:01:37 | |
I am a Derby Ram, you know. | 0:01:37 | 0:01:39 | |
I do enjoy lamb to eat. | 0:01:39 | 0:01:41 | |
How can you say that? | 0:01:41 | 0:01:42 | |
Well, I do. Shall we put one in the back? | 0:01:42 | 0:01:44 | |
-How can you possibly say that? -There's one dead over there. | 0:01:44 | 0:01:47 | |
Oh, Charles. | 0:01:47 | 0:01:48 | |
I enjoy cooking lamb. | 0:01:48 | 0:01:51 | |
His rival on this journey, another Road Trip favourite, Catherine, | 0:01:51 | 0:01:55 | |
is the queen of brokering a good deal. | 0:01:55 | 0:01:58 | |
How do you play the Road Trip game? | 0:01:58 | 0:02:00 | |
-What is your game? -I don't have a game. | 0:02:00 | 0:02:02 | |
I don't have a strategy. | 0:02:02 | 0:02:04 | |
If I like it, I buy... | 0:02:04 | 0:02:05 | |
-What have you done? -My seat has gone back. | 0:02:05 | 0:02:07 | |
Sorry. Sorry, Catherine. | 0:02:07 | 0:02:09 | |
I'm just getting into the Road Trip week, OK? | 0:02:09 | 0:02:12 | |
Let me just lie back, | 0:02:12 | 0:02:13 | |
think of England and just think about the dream. | 0:02:14 | 0:02:17 | |
Oh, Charles. Starting this Road Trip with £200 each, | 0:02:17 | 0:02:21 | |
our experts will be zipping around in this snazzy 1981 MGB GT. | 0:02:21 | 0:02:27 | |
We don't have a great reputation | 0:02:27 | 0:02:30 | |
for driving particularly well, do we? | 0:02:30 | 0:02:32 | |
Do you think we're going to come out of this alive? | 0:02:34 | 0:02:36 | |
I do hope so. | 0:02:36 | 0:02:38 | |
On this epic Road Trip, | 0:02:38 | 0:02:40 | |
Catherine and Charles will start in the south of England before making | 0:02:40 | 0:02:43 | |
their way north, meandering around the West Midlands | 0:02:43 | 0:02:46 | |
and then travelling through the Peak District. | 0:02:46 | 0:02:48 | |
They will finish up with a final auction in Congleton in Cheshire. | 0:02:49 | 0:02:52 | |
This leg will kick off in Arundel, West Sussex, | 0:02:54 | 0:02:57 | |
and end in Paddock Wood, Kent, for an auction. Nice. | 0:02:57 | 0:03:01 | |
Charles, it is getting really hot in here. | 0:03:01 | 0:03:03 | |
You think this is right? | 0:03:03 | 0:03:05 | |
Um, do you mean the car or us? | 0:03:05 | 0:03:08 | |
-What? -Sorry. | 0:03:08 | 0:03:09 | |
Charles Hanson! | 0:03:09 | 0:03:12 | |
Yeah. This morning, our Charles will shop first. | 0:03:12 | 0:03:16 | |
Look out, Arundel. | 0:03:16 | 0:03:17 | |
Isn't that charming? | 0:03:17 | 0:03:19 | |
-Have a great day. -Have fun. | 0:03:19 | 0:03:21 | |
I will have fun. The sun is shining. | 0:03:21 | 0:03:23 | |
Have fun in the sun. | 0:03:23 | 0:03:25 | |
-Can you get out? -Thank you. | 0:03:25 | 0:03:27 | |
Bye. | 0:03:27 | 0:03:28 | |
-Good morning. -Good morning. | 0:03:31 | 0:03:33 | |
-How are you? -I'm very well, thank you, Charles. | 0:03:33 | 0:03:35 | |
-Charles Hanson. -Nice to meet you. -What a gorgeous town. | 0:03:35 | 0:03:37 | |
You are right there. | 0:03:37 | 0:03:39 | |
David's shop specialises in militaria, | 0:03:39 | 0:03:42 | |
but there are plenty of other antiques on offer here. | 0:03:42 | 0:03:45 | |
Right, let's go. | 0:03:45 | 0:03:46 | |
Let's go, Charles. | 0:03:46 | 0:03:48 | |
Stop hopping about. | 0:03:48 | 0:03:50 | |
Have you been married a few years, David? | 0:03:50 | 0:03:52 | |
Have I been married a few years? | 0:03:52 | 0:03:54 | |
I have indeed. I thought you said have I been mad for a few years? | 0:03:54 | 0:03:58 | |
Ha! So did I. | 0:03:59 | 0:04:00 | |
And standing by, David's good lady wife Amy has something she'd like to | 0:04:00 | 0:04:04 | |
show Charles, and she's a good egg. | 0:04:04 | 0:04:06 | |
Hello. Is that ostrich egg? Of course. | 0:04:06 | 0:04:08 | |
It's a cigarette stand, isn't it? | 0:04:08 | 0:04:09 | |
Dispenser. I would have thought... | 0:04:09 | 0:04:11 | |
What is it - 1930s? | 0:04:11 | 0:04:12 | |
Yes, it's so exotic, | 0:04:12 | 0:04:14 | |
it's so Jazz Age. | 0:04:14 | 0:04:16 | |
It's so, I suppose, stylish. | 0:04:16 | 0:04:19 | |
So really because this obviously is a faux shell. | 0:04:19 | 0:04:23 | |
It's not a real shell, is it? | 0:04:23 | 0:04:25 | |
It's just made to imitate some type of ostrich egg. | 0:04:25 | 0:04:27 | |
So a really stylish object, Amy. | 0:04:27 | 0:04:30 | |
How much is it? | 0:04:30 | 0:04:32 | |
-£50. -How much? -£50. -£15? -50! | 0:04:32 | 0:04:34 | |
Sorry. Five-zero. | 0:04:34 | 0:04:37 | |
You're happy. No problem. 20. | 0:04:37 | 0:04:39 | |
-How much? -20. | 0:04:39 | 0:04:41 | |
-20? -Yeah. -Oh, that's not bad. | 0:04:41 | 0:04:44 | |
I like the style. | 0:04:46 | 0:04:48 | |
One to consider. | 0:04:48 | 0:04:51 | |
All right, boys, OK? | 0:04:52 | 0:04:54 | |
Stay with me, OK? Stay with me. | 0:04:54 | 0:04:56 | |
So, while Charles's browsing continues outside, | 0:04:56 | 0:04:59 | |
Catherine has made her way to Storrington | 0:04:59 | 0:05:01 | |
and her first shop of the day. | 0:05:01 | 0:05:03 | |
-Hello. -Hello. | 0:05:03 | 0:05:05 | |
And you might be? | 0:05:05 | 0:05:07 | |
-Ian. -Hello, Ian, I'm Catherine. | 0:05:07 | 0:05:08 | |
Welcome to Stable Antiques. | 0:05:08 | 0:05:11 | |
With 35 dealers and wares set out over two floors, | 0:05:11 | 0:05:15 | |
there's plenty to peruse. | 0:05:15 | 0:05:17 | |
I don't think you'd find my name on there. | 0:05:17 | 0:05:21 | |
I wasn't the best behaved girl at school. | 0:05:21 | 0:05:24 | |
Crikey. Really? | 0:05:24 | 0:05:26 | |
Right, what have you found? | 0:05:26 | 0:05:29 | |
Fans, I have actually done OK with some fans recently. | 0:05:29 | 0:05:33 | |
This one in particular, though, this is mother-of-pearl, | 0:05:33 | 0:05:36 | |
so the guard sticks, the outer sticks, | 0:05:36 | 0:05:39 | |
are mother-of-pearl. The actual fan itself is usually silk. | 0:05:39 | 0:05:42 | |
It does say on it, AF, so "as found", | 0:05:42 | 0:05:45 | |
so that means there is obviously something wrong with it. | 0:05:45 | 0:05:47 | |
Well, there's only one way to find out, girl. | 0:05:47 | 0:05:50 | |
I think you will find it's in a little bit of a poorly state. | 0:05:50 | 0:05:52 | |
-Oh, gosh, it is, isn't it? -Yeah. | 0:05:52 | 0:05:55 | |
OK. Right. You don't have any more, by any chance, do you? | 0:05:55 | 0:06:01 | |
Anywhere else, dotted? | 0:06:01 | 0:06:03 | |
Well, actually, I have. I've got two more which I haven't priced up yet. | 0:06:03 | 0:06:06 | |
I haven't put out for sale. | 0:06:06 | 0:06:08 | |
Lovely. This is getting exciting. | 0:06:08 | 0:06:10 | |
It is indeed. | 0:06:10 | 0:06:12 | |
Right, let's see those fans. | 0:06:12 | 0:06:14 | |
I used to have a few of those. | 0:06:14 | 0:06:16 | |
That's actually the bad thing. | 0:06:16 | 0:06:17 | |
It is when the outer guard sticks get broken. | 0:06:17 | 0:06:21 | |
-Yes. -We've got one broken one, another broken one. | 0:06:21 | 0:06:24 | |
I think you'll like this one. | 0:06:24 | 0:06:26 | |
I'm going to put that one down. | 0:06:26 | 0:06:29 | |
Well, the problem that we have is that we have | 0:06:29 | 0:06:32 | |
three fans in very poor condition. | 0:06:32 | 0:06:36 | |
These two you haven't put prices on. | 0:06:36 | 0:06:40 | |
-No. -I mean, he's put £12 on that, your friend, Simon. -Yes. | 0:06:40 | 0:06:43 | |
I mean, I would probably offer eight, if that is acceptable to him. | 0:06:43 | 0:06:47 | |
-Eight for this one alone? -Yeah. | 0:06:47 | 0:06:50 | |
I think I can do it for ten. | 0:06:50 | 0:06:52 | |
Oh, OK. And then I would probably say ten for each of those. | 0:06:52 | 0:06:57 | |
I think this one is worth a little bit more. 25 for the two. | 0:06:57 | 0:07:02 | |
-So 35... -Yes. -Couldn't come to 30? | 0:07:02 | 0:07:05 | |
Shall we see what else you might buy? | 0:07:05 | 0:07:09 | |
Well, I'm quite interested in your little puppy outside. | 0:07:09 | 0:07:12 | |
-Ah. -How much is that doggie in the window? | 0:07:12 | 0:07:14 | |
Well, actually on the path. | 0:07:15 | 0:07:18 | |
-He's lovely. -He's actually... | 0:07:18 | 0:07:20 | |
although he is a puppy, he is about the same age | 0:07:20 | 0:07:21 | |
as the larger full-sized Great Dane. | 0:07:21 | 0:07:23 | |
Is he not very old? | 0:07:23 | 0:07:25 | |
He's probably about ten years old. | 0:07:25 | 0:07:28 | |
What sort of price could he be? | 0:07:28 | 0:07:30 | |
-He could be about 30-ish? -I would say 40. | 0:07:30 | 0:07:33 | |
If we could say 30 on the fans and 38 on him, we've got a deal. | 0:07:33 | 0:07:38 | |
You don't think we could do 32 on the fans and 38 on him? | 0:07:38 | 0:07:44 | |
Oh, I'm not going to argue over two pounds. | 0:07:46 | 0:07:48 | |
-Very good. -I'm not going to argue over two pounds. -Thank you. | 0:07:48 | 0:07:51 | |
It's been lovely. £32. £38. What are we going to call him? | 0:07:51 | 0:07:55 | |
-Lucky. -Absolutely. | 0:07:55 | 0:07:57 | |
Lucky, that's what we'll call him. | 0:07:57 | 0:07:59 | |
Lucky, you are coming home with me. | 0:07:59 | 0:08:02 | |
Well, let's hope he lives up to his name. | 0:08:02 | 0:08:05 | |
So that is the trio of fans and Lucky the dog bought for £70. | 0:08:05 | 0:08:09 | |
Good stuff. Woof. | 0:08:09 | 0:08:12 | |
Meanwhile, back in Arundel, | 0:08:14 | 0:08:15 | |
it looks like a Minton bowl has caught Charles's eye. | 0:08:15 | 0:08:17 | |
Just look at that gorgeous blue. | 0:08:17 | 0:08:20 | |
The reason that I like this is this, what we call... | 0:08:20 | 0:08:23 | |
we call this blue Blue Celeste. | 0:08:23 | 0:08:25 | |
What I love is this continuous band of sailing vessels | 0:08:25 | 0:08:29 | |
against this really well-illuminated skyline. | 0:08:29 | 0:08:34 | |
-Art Deco, 1930. -Oh, right. -HE TAPS THE BOWL | 0:08:34 | 0:08:36 | |
-That ring as well. -It has a nice ring to it. | 0:08:36 | 0:08:39 | |
Rings a bell, doesn't it? | 0:08:41 | 0:08:44 | |
Is that a chip? | 0:08:44 | 0:08:46 | |
Yeah, it is. | 0:08:46 | 0:08:48 | |
Yeah. Surely that will knock some money off | 0:08:48 | 0:08:52 | |
the £120 ticket price, then? | 0:08:52 | 0:08:55 | |
To me in a saleroom, I'd want to probably pay you about £50. | 0:08:55 | 0:09:00 | |
-Is that too little? -I think that's too low, I'm afraid. | 0:09:00 | 0:09:02 | |
I think 65 would be well below what we'd hope for. | 0:09:02 | 0:09:07 | |
-Really? -Yes. | 0:09:07 | 0:09:09 | |
Would you meet me at £60? | 0:09:09 | 0:09:11 | |
Let's do it at £60. | 0:09:11 | 0:09:12 | |
Amy, you are happy at 60? | 0:09:12 | 0:09:14 | |
-Yeah. -I think we're all good at 60. -David, you're happy? | 0:09:14 | 0:09:16 | |
So I can buy the attractive bowl, | 0:09:16 | 0:09:18 | |
my Road Trip now is off and running, | 0:09:18 | 0:09:21 | |
quite literally sailing. | 0:09:21 | 0:09:23 | |
You slightly lost me there, Charles. | 0:09:23 | 0:09:25 | |
Anyway, that's your first lot bought - | 0:09:25 | 0:09:28 | |
what else is here of interest? | 0:09:28 | 0:09:30 | |
A little rootwood carving of an elder. | 0:09:30 | 0:09:32 | |
Probably Japanese. | 0:09:32 | 0:09:34 | |
And this would date to around 1880. | 0:09:34 | 0:09:36 | |
He has got a split. | 0:09:36 | 0:09:38 | |
The feet are not particularly good, | 0:09:38 | 0:09:41 | |
but the detail in there is very, very nice indeed. | 0:09:41 | 0:09:44 | |
Nice patination. David, how much is he? | 0:09:44 | 0:09:47 | |
-35. -Yeah, he's nice. | 0:09:47 | 0:09:48 | |
And the best on him would be? | 0:09:48 | 0:09:49 | |
Make an offer. | 0:09:49 | 0:09:51 | |
-Make an offer? -Yes. | 0:09:51 | 0:09:53 | |
-£10. -All right. -Is that a sale? | 0:09:53 | 0:09:55 | |
It's a £10 sale. Well done. | 0:09:55 | 0:09:56 | |
-I'll take him. -Thank you very much indeed. -I'll take him. | 0:09:56 | 0:09:59 | |
Cor, he is on a roll, isn't he? | 0:09:59 | 0:10:01 | |
That's another lot bought and he is showing no sign of stopping. | 0:10:01 | 0:10:04 | |
What is this ink stand here, David? | 0:10:04 | 0:10:06 | |
-Well, I believe it to be Black Forest. -OK. So it is German. | 0:10:06 | 0:10:11 | |
It is all very typical of circa 1900. | 0:10:11 | 0:10:12 | |
I think it is quite late. | 0:10:12 | 0:10:14 | |
It is about 1900, 1910. | 0:10:14 | 0:10:17 | |
-But it is in remarkably good condition. -Yep. | 0:10:17 | 0:10:20 | |
Black Forest carvings became a symbol of luxury and wealth | 0:10:20 | 0:10:24 | |
associated with travel, and very popular today. | 0:10:24 | 0:10:27 | |
What would be your very best price, Amy? | 0:10:27 | 0:10:29 | |
You can have...150. | 0:10:29 | 0:10:33 | |
I like it, but my bid would be £70. | 0:10:33 | 0:10:39 | |
-£80. -Oh, don't say that. How much? | 0:10:39 | 0:10:44 | |
-£80. -80 and you can have it. | 0:10:44 | 0:10:46 | |
And we wish you well with it. | 0:10:46 | 0:10:49 | |
£75, you've got a deal. | 0:10:50 | 0:10:53 | |
-OK. -OK, 75 is good. | 0:10:53 | 0:10:55 | |
-I'll take it. Go on, thank you very much. -Thank you so much. | 0:10:55 | 0:10:58 | |
Another deal done and Charles is still considering | 0:10:58 | 0:11:00 | |
the cigarette dispenser, which could be a risky punt, | 0:11:00 | 0:11:03 | |
as tobacco-related collectables | 0:11:03 | 0:11:04 | |
aren't particularly popular these days. | 0:11:04 | 0:11:06 | |
HE COUGHS | 0:11:06 | 0:11:08 | |
This is quite novel because it's Art Deco and your best on this is 20? | 0:11:08 | 0:11:12 | |
-Yes. -This lovely sort of simulated ostrich egg in the jazz Art Deco style, | 0:11:12 | 0:11:17 | |
it's got great style, I will buy this for £20. | 0:11:17 | 0:11:21 | |
Thank you, Amy. | 0:11:21 | 0:11:22 | |
It seems like a no-brainer to me, and he is done! | 0:11:22 | 0:11:25 | |
That's a huge £165 spent on four lots in his very first shop. | 0:11:25 | 0:11:30 | |
Bye-bye, see you. | 0:11:30 | 0:11:32 | |
Crikey. Slightly concerned - | 0:11:32 | 0:11:35 | |
I'm just about spent up. | 0:11:35 | 0:11:37 | |
While Charles has been busy, | 0:11:41 | 0:11:43 | |
Catherine has made her way down the road to Ford. | 0:11:43 | 0:11:46 | |
Back in the 19th century, | 0:11:48 | 0:11:49 | |
cholera was a serious threat to towns and cities across the country. | 0:11:49 | 0:11:54 | |
Originating in India, the disease swept across the Empire, | 0:11:54 | 0:11:58 | |
arriving on UK shores in 1831. | 0:11:58 | 0:12:00 | |
Causing panic, | 0:12:00 | 0:12:03 | |
there was no practical proposal to stem its spread until an engineer | 0:12:03 | 0:12:07 | |
in nearby Littlehampton offered a way forward. | 0:12:07 | 0:12:10 | |
Catherine is meeting managing director at Dando Drilling, | 0:12:11 | 0:12:14 | |
Martin Fitch-Roy, to find out more. | 0:12:14 | 0:12:17 | |
Hi there. Catherine. Nice to meet you. | 0:12:17 | 0:12:19 | |
Hello, Catherine, shall we go inside? | 0:12:19 | 0:12:21 | |
Please. Show me the way. | 0:12:21 | 0:12:22 | |
In the summer of 1867, | 0:12:22 | 0:12:25 | |
an outbreak of cholera across the south coast | 0:12:25 | 0:12:28 | |
left 18 people dead in Littlehampton. | 0:12:28 | 0:12:31 | |
Dear, oh, dear. | 0:12:31 | 0:12:32 | |
So, taking it right back, what was the number one cause of cholera? | 0:12:33 | 0:12:38 | |
It was proven that a contamination of the water supply by human sewage, | 0:12:38 | 0:12:42 | |
either leaking pipes... | 0:12:42 | 0:12:44 | |
They had a theory that they could put the pipes into the river, | 0:12:44 | 0:12:47 | |
which only makes things worse. | 0:12:47 | 0:12:49 | |
But in our case in Littlehampton, | 0:12:49 | 0:12:51 | |
they were drinking water from the ground, ground water, | 0:12:51 | 0:12:53 | |
but also digging pit latrines in the proximity of the water supply. | 0:12:53 | 0:12:58 | |
So they were contaminating their water before they even used it. | 0:12:58 | 0:13:02 | |
In Littlehampton, a leading physician at that time, | 0:13:04 | 0:13:08 | |
Dr John Candy, | 0:13:08 | 0:13:09 | |
believed that by cleaning the water supply, cholera could be overcome. | 0:13:09 | 0:13:13 | |
Dr Candy had an associate, Albion Ockenden, | 0:13:14 | 0:13:17 | |
who was one of the founders of this company. | 0:13:17 | 0:13:19 | |
Who had an idea that he could make a machine and use technology to drill | 0:13:19 | 0:13:24 | |
further down into the geology, | 0:13:24 | 0:13:26 | |
below the depths of the wells they were using at the moment, | 0:13:26 | 0:13:29 | |
to get into clean water, thus presenting a clean water supply. | 0:13:29 | 0:13:33 | |
He would have used a very simple gantry machine | 0:13:33 | 0:13:36 | |
with just a rope and a winch, | 0:13:36 | 0:13:38 | |
but the secret was to find steel tubes that could be driven into | 0:13:38 | 0:13:42 | |
the ground and he used tubes from the boiler of an old steam tug | 0:13:42 | 0:13:47 | |
called the Newcastle, which happened to be in the harbour being renovated | 0:13:47 | 0:13:51 | |
at the time, and using those tubes, | 0:13:51 | 0:13:53 | |
he invented a method of drilling down into the geology | 0:13:53 | 0:13:57 | |
to acquire clean water. | 0:13:57 | 0:13:59 | |
Ockenden hit the jackpot with his tube-well invention | 0:14:00 | 0:14:04 | |
and quickly patented it. | 0:14:04 | 0:14:06 | |
With his partner, Reginald Duke, | 0:14:06 | 0:14:07 | |
they soon began to fix water supplies | 0:14:07 | 0:14:10 | |
in nearby towns and eventually across the British Empire, | 0:14:10 | 0:14:12 | |
saving millions of lives. | 0:14:12 | 0:14:15 | |
After the 1860s outbreak, | 0:14:15 | 0:14:17 | |
cholera never again reached epidemic proportions in this country. | 0:14:17 | 0:14:21 | |
It is, however, still a significant killer around the globe. | 0:14:21 | 0:14:25 | |
Ockenden and Duke's company are still making drills. | 0:14:25 | 0:14:28 | |
This one is destined for use in Africa. | 0:14:28 | 0:14:31 | |
Oh, wow. | 0:14:31 | 0:14:33 | |
Bring the lever, the right-hand one, down. | 0:14:33 | 0:14:35 | |
It will come down. | 0:14:35 | 0:14:37 | |
Woo-hoo! | 0:14:39 | 0:14:40 | |
Albion Ockenden's simple technique for drilling just a few feet deeper | 0:14:42 | 0:14:46 | |
continues to save lives around the world to this day. | 0:14:46 | 0:14:49 | |
Well, thank you very much indeed, Martin. | 0:14:49 | 0:14:51 | |
It has been really interesting finding out about the history, | 0:14:51 | 0:14:53 | |
and thanks for letting me drive the machine. | 0:14:53 | 0:14:55 | |
It's been a pleasure, Catherine. | 0:14:55 | 0:14:57 | |
-Thank you. -Let's hope it works again later. | 0:14:57 | 0:14:59 | |
THEY LAUGH | 0:14:59 | 0:15:00 | |
Back with Charles and he has made his way 12 miles north | 0:15:05 | 0:15:08 | |
to the small town of Petworth - I live near there. | 0:15:08 | 0:15:12 | |
With a reputation of being a leading antiques town, | 0:15:12 | 0:15:16 | |
there are sure to be a plethora of goodies available | 0:15:16 | 0:15:19 | |
at Petworth Antiques Market, but with just £35 left in his pocket, | 0:15:19 | 0:15:24 | |
Charles will need to buy very canni-li-li-lily. | 0:15:24 | 0:15:26 | |
Sometimes I can just see the dealer over there. | 0:15:32 | 0:15:35 | |
If you look a bit sad or look a bit lost, | 0:15:35 | 0:15:38 | |
they almost just feel a bit sorry for you and then sometimes that can work | 0:15:38 | 0:15:42 | |
in your favour and there might be a bit more discount. | 0:15:42 | 0:15:45 | |
Look a bit lost and it just helps sometimes. | 0:15:47 | 0:15:50 | |
Isn't that sweet? | 0:15:55 | 0:15:57 | |
We see lots of blue and white in antique centres | 0:15:57 | 0:15:59 | |
and often it's willow pattern, | 0:15:59 | 0:16:01 | |
it can be quite mundane and quite boring. | 0:16:01 | 0:16:04 | |
This is a fisherman pattern, | 0:16:04 | 0:16:06 | |
and this coffee cup would date to around 1785. | 0:16:06 | 0:16:10 | |
And what I like about this coffee pot is you will see, OK, | 0:16:10 | 0:16:13 | |
there is a crack here, but what really sets it off | 0:16:13 | 0:16:17 | |
is this almost fritting in the glaze, | 0:16:17 | 0:16:19 | |
which might suggest it is experimental. | 0:16:19 | 0:16:22 | |
It could be quite an early coffee cup. | 0:16:22 | 0:16:26 | |
With a ticket price of £10, it is time to talk to dealer Jeff. | 0:16:26 | 0:16:30 | |
Priced at £10, | 0:16:31 | 0:16:32 | |
that says 1,000 pence to me. | 0:16:32 | 0:16:35 | |
1,000 pence and the best price would be, in pence? | 0:16:37 | 0:16:41 | |
I should think £8. | 0:16:41 | 0:16:43 | |
800 pence. That's not bad. 800 pence. | 0:16:43 | 0:16:47 | |
-A good buy, I think. -It just sounds a bit more grand saying pence. | 0:16:47 | 0:16:50 | |
If you say so, Charles. | 0:16:50 | 0:16:52 | |
And it looks like that is a deal done on the Caughley coffee cup. | 0:16:52 | 0:16:56 | |
They say in antiques small is beautiful. | 0:16:58 | 0:17:01 | |
So I'll take it. Jeff, there is £10. | 0:17:01 | 0:17:04 | |
Thank you very much. I'm very grateful. | 0:17:04 | 0:17:06 | |
If I may have some change. | 0:17:06 | 0:17:07 | |
Yes, I'll just get you some change. | 0:17:07 | 0:17:09 | |
Very good of you. | 0:17:09 | 0:17:11 | |
And with that, a day's shopping draws to a close. | 0:17:11 | 0:17:14 | |
Nighty-night, guys. | 0:17:14 | 0:17:16 | |
It's the next day and Catherine and Charles are back on the road. | 0:17:21 | 0:17:25 | |
This is, Charles, | 0:17:25 | 0:17:27 | |
the first time I have ever been in a car with you driving | 0:17:27 | 0:17:30 | |
-and I am petrified. -You're not, are you? | 0:17:30 | 0:17:33 | |
Why? Are you being serious? | 0:17:33 | 0:17:35 | |
Yes! | 0:17:35 | 0:17:37 | |
Listen, this is all part of getting jiggy. | 0:17:37 | 0:17:39 | |
This is you. | 0:17:40 | 0:17:41 | |
So far, Charles has secured himself an impressive five lots. | 0:17:43 | 0:17:47 | |
Buying a Minton bowl, the 1930s ostrich egg cigarettes dispenser, | 0:17:47 | 0:17:52 | |
the Japanese carved figure, the Black Forest desk stand, | 0:17:52 | 0:17:57 | |
and the rare Caughley coffee cup, | 0:17:57 | 0:17:59 | |
which means he has just £27 left to spend today. | 0:17:59 | 0:18:03 | |
Catherine, meanwhile, has bagged two lots. | 0:18:03 | 0:18:06 | |
The trio of fans and Lucky the Great Dane, | 0:18:06 | 0:18:10 | |
leaving her with £130 to play with. | 0:18:10 | 0:18:12 | |
This morning, Catherine and Charles | 0:18:15 | 0:18:17 | |
have moseyed along to Lewes in East Sussex. | 0:18:17 | 0:18:21 | |
Nestled amongst the beautiful South Downs, | 0:18:21 | 0:18:23 | |
historic Lewes is home to our experts' first shop of the day. | 0:18:23 | 0:18:28 | |
Here we are, Catherine. | 0:18:28 | 0:18:30 | |
Top of the day. Good luck to you. | 0:18:30 | 0:18:31 | |
-Here we are. -Perfectly placed. | 0:18:31 | 0:18:34 | |
-Do you know this shop? -No. | 0:18:34 | 0:18:36 | |
First time. I'm a northern man lost in the south with you. | 0:18:36 | 0:18:40 | |
Well, this is well-known territory for me - I will show you around. | 0:18:40 | 0:18:43 | |
Come on. Ladies first. | 0:18:43 | 0:18:45 | |
Hello. Charles Hanson, good to see you. | 0:18:47 | 0:18:49 | |
-Michelle, hi. -Fantastic. | 0:18:49 | 0:18:50 | |
-What an amazing shop, isn't it? -It's really good. | 0:18:50 | 0:18:52 | |
I don't know whether we can maybe have a personal shopper each, | 0:18:52 | 0:18:55 | |
is that feasible? We can go our own ways | 0:18:55 | 0:18:57 | |
-and I might take the lady with me. -OK. -Is that OK with you? | 0:18:57 | 0:19:00 | |
Thank you very much. | 0:19:00 | 0:19:02 | |
Come on, let's go for a quick wander. | 0:19:02 | 0:19:03 | |
Here we go. | 0:19:03 | 0:19:05 | |
You old charmer, Charles. | 0:19:05 | 0:19:08 | |
Established for 18 years, this shop holds a wide variety of antiques. | 0:19:08 | 0:19:12 | |
This cabinet, I feel, is a very good place to start. | 0:19:13 | 0:19:18 | |
-Hello. -Hello, I am back with the keys. | 0:19:18 | 0:19:20 | |
Thank you, Michelle. | 0:19:20 | 0:19:21 | |
-Another thing... -Can I call you Michelle My Belle? | 0:19:21 | 0:19:24 | |
It might give us a discount as well. Thank you, Michelle. | 0:19:24 | 0:19:26 | |
ALARM SOUNDS Oh, my Lord! Charles! | 0:19:26 | 0:19:28 | |
-Sorry about that. -How alarming. | 0:19:28 | 0:19:31 | |
Meanwhile, Catherine has spied a small charm that she likes. | 0:19:31 | 0:19:35 | |
Is it silver gilt, or... | 0:19:35 | 0:19:36 | |
It's gilt metal. | 0:19:36 | 0:19:38 | |
Oh, OK. Can I have a little look at that? | 0:19:38 | 0:19:40 | |
Carrying on with my fan theme of yesterday. | 0:19:40 | 0:19:43 | |
Isn't that sweet? | 0:19:47 | 0:19:49 | |
You've got this nice sort of embossed design. | 0:19:49 | 0:19:54 | |
Quite sweet. What date do you think that is? | 0:19:54 | 0:19:56 | |
I would have thought it is about 1920. | 0:19:56 | 0:19:58 | |
-Somewhere around there. -Can I hold on to that? | 0:19:58 | 0:20:01 | |
Would you mind? Can I give that to you? | 0:20:01 | 0:20:02 | |
Thank you. I just like that because it is a little bit... | 0:20:02 | 0:20:05 | |
A little bit different. And we all love a fan, don't we? | 0:20:05 | 0:20:08 | |
We do indeed. | 0:20:08 | 0:20:09 | |
Well, you certainly seem to this Road Trip. | 0:20:10 | 0:20:13 | |
What has caught your eye, then, old girl? | 0:20:13 | 0:20:16 | |
I saw this ballerina. | 0:20:16 | 0:20:19 | |
I'm not a big fan of brooches, but she is quite sweet. | 0:20:19 | 0:20:22 | |
-Yes. -The subject is fantastic, | 0:20:22 | 0:20:24 | |
I mean, so often you find these big clusters with the big stone stuck in | 0:20:24 | 0:20:28 | |
the middle, but something like that.. | 0:20:28 | 0:20:29 | |
I mean, and she's quite elegant. | 0:20:29 | 0:20:31 | |
Her pose is quite elegant, isn't it? | 0:20:31 | 0:20:33 | |
She's actually quite lovely. | 0:20:33 | 0:20:35 | |
I quite like that. | 0:20:35 | 0:20:36 | |
It has got 50 on it. | 0:20:36 | 0:20:38 | |
I was thinking in my mind sort of 28, 30... | 0:20:38 | 0:20:40 | |
We'll leave Craig to consider Catherine's offer, | 0:20:40 | 0:20:43 | |
because Charles has found a Swansea porcelain ink stand. | 0:20:43 | 0:20:47 | |
He only has £27 left so fingers crossed, eh? | 0:20:47 | 0:20:50 | |
I think that's lovely. | 0:20:50 | 0:20:53 | |
It is this beautiful boat shape and I would call this a piece | 0:20:53 | 0:20:55 | |
of Georgian porcelain and then it would date to around 1820. | 0:20:55 | 0:20:59 | |
How much could that be, Michelle? | 0:20:59 | 0:21:01 | |
I would have to phone him - there is no ticket on it. | 0:21:01 | 0:21:04 | |
Could it be £25? | 0:21:04 | 0:21:06 | |
-I really don't know. -Could you give him a call? | 0:21:06 | 0:21:08 | |
All right, I'll ask him, yeah. | 0:21:08 | 0:21:09 | |
Ink well. Thanks, Michelle. | 0:21:09 | 0:21:11 | |
-Find out for me. -OK. | 0:21:11 | 0:21:14 | |
Hi, Ian, it is Michelle. | 0:21:14 | 0:21:15 | |
Hello, lovey, how are you? | 0:21:16 | 0:21:18 | |
Right, Michelle My Belle, what news? | 0:21:18 | 0:21:20 | |
-Michelle? -Your luck is in. | 0:21:20 | 0:21:22 | |
-No, really? -Well, he said 30, but... | 0:21:22 | 0:21:25 | |
Really? I just wonder if you could do £28? | 0:21:25 | 0:21:29 | |
I think that would be OK. | 0:21:29 | 0:21:31 | |
Really? I think I will say at £28, for the first time, | 0:21:31 | 0:21:36 | |
for the second time, and I will buy it. | 0:21:36 | 0:21:39 | |
-I will buy that for £28. -OK. | 0:21:39 | 0:21:41 | |
Oh, no, you won't. You're short, Charles. | 0:21:41 | 0:21:43 | |
Lovely. My last bit of money. | 0:21:43 | 0:21:45 | |
There's 20. | 0:21:45 | 0:21:47 | |
1, 2, 3, 4, 5, 6, 7. | 0:21:47 | 0:21:49 | |
Seven? 27? It was meant to be 28. | 0:21:52 | 0:21:54 | |
1, 2, 3, 4, 5, 6... | 0:21:54 | 0:21:57 | |
-Miscalculation? -I've only got £27 left. | 0:21:57 | 0:22:00 | |
-Oh, dear. -Would you like... -Never mind. | 0:22:00 | 0:22:02 | |
That is not on purpose. | 0:22:02 | 0:22:04 | |
-I believe you. -I am one pound short. | 0:22:04 | 0:22:06 | |
Would you take £27? | 0:22:06 | 0:22:09 | |
And you really have completely cleared me out. | 0:22:09 | 0:22:11 | |
I apologise. | 0:22:11 | 0:22:12 | |
Yes. It's fine, it's fine, never mind. | 0:22:12 | 0:22:14 | |
Are you sure? Michelle My Belle, give us a kiss. | 0:22:14 | 0:22:18 | |
-Are you happy with that? -Yes. | 0:22:18 | 0:22:19 | |
It doesn't matter. | 0:22:19 | 0:22:20 | |
It's only money. Thanks, Michelle. | 0:22:20 | 0:22:23 | |
-It is. -Take care, see you. | 0:22:23 | 0:22:24 | |
You naughty boy. | 0:22:24 | 0:22:26 | |
That forgiving deal means Charles has spent every single penny, | 0:22:26 | 0:22:29 | |
-so top marks. -Bye! | 0:22:29 | 0:22:31 | |
I do apologise. | 0:22:31 | 0:22:32 | |
Ha-ha! | 0:22:35 | 0:22:36 | |
Catherine is still shopping and Craig has something he thinks | 0:22:36 | 0:22:40 | |
will pique her interest. | 0:22:40 | 0:22:41 | |
Asprey hair brushes. | 0:22:43 | 0:22:45 | |
-Now you're talking. -These have only just come in to stock | 0:22:45 | 0:22:47 | |
-so they haven't even been cleaned yet. -They are lovely. | 0:22:47 | 0:22:50 | |
Absolutely perfect. | 0:22:51 | 0:22:53 | |
So this would've been in a set once upon a time. | 0:22:53 | 0:22:55 | |
Perhaps with some other little jars or something like that. | 0:22:55 | 0:22:58 | |
And maybe a hand mirror, probably. | 0:22:58 | 0:23:00 | |
But it's nice that we've got Asprey on the side there - | 0:23:00 | 0:23:03 | |
a nice clear mark, which is lovely, and you haven't polished them, | 0:23:03 | 0:23:06 | |
which I think is fantastic. | 0:23:06 | 0:23:08 | |
A great side as well is the lovely green enamel, the engine-turned enamel. | 0:23:09 | 0:23:14 | |
Did you have a price in mind for these? | 0:23:14 | 0:23:16 | |
Yes. They come in at a massive £10 each. | 0:23:16 | 0:23:19 | |
So £40. | 0:23:19 | 0:23:21 | |
Can they be 30 - is that cheeky? | 0:23:21 | 0:23:23 | |
-Can they be 30? -They can be 35. | 0:23:23 | 0:23:25 | |
So that's just come in, that's fresh stock. | 0:23:25 | 0:23:27 | |
I love fresh stock. | 0:23:27 | 0:23:29 | |
It gets me all excited. | 0:23:29 | 0:23:31 | |
Ohh-hoo-hoo! | 0:23:31 | 0:23:32 | |
So do I. | 0:23:32 | 0:23:34 | |
Now, decision time. | 0:23:34 | 0:23:35 | |
Catherine has three lots. | 0:23:35 | 0:23:37 | |
Did you find out anything else on that? | 0:23:37 | 0:23:39 | |
I had a word with Michelle, we've made a decision | 0:23:39 | 0:23:41 | |
and we're going to take 30 on it. | 0:23:41 | 0:23:42 | |
You can do 30, that's wonderful. | 0:23:42 | 0:23:43 | |
I'll take that at 30. | 0:23:43 | 0:23:45 | |
This had a little ticket on it, which is no longer on it... | 0:23:45 | 0:23:48 | |
What...? | 0:23:48 | 0:23:50 | |
It was £12, so it's £10. | 0:23:50 | 0:23:52 | |
£10, OK. | 0:23:52 | 0:23:54 | |
Can you do that for eight? | 0:23:54 | 0:23:56 | |
Just to make my lot... The reason being, the rest of my fans are 32 and if | 0:23:56 | 0:24:00 | |
I can make that eight, that gives it a nice comfortable... | 0:24:00 | 0:24:02 | |
-A nice round figure. -A nice round figure. | 0:24:02 | 0:24:04 | |
So, if I can do eight for that, that's lovely. | 0:24:04 | 0:24:06 | |
And £35 for the Asprey hairbrushes makes a combined total of £73. | 0:24:06 | 0:24:11 | |
S'marvellous. | 0:24:11 | 0:24:13 | |
Having spent every penny, | 0:24:19 | 0:24:21 | |
Charles has decided to take a trip to the seaside, | 0:24:21 | 0:24:23 | |
and has made his way to Brighton. | 0:24:23 | 0:24:25 | |
MUSIC: I Do Like To Be Beside The Seaside | 0:24:25 | 0:24:28 | |
But he is not here to stroll along the prom, prom, prom - oh, no. | 0:24:28 | 0:24:33 | |
Instead, he is here to learn all about how the town | 0:24:33 | 0:24:37 | |
used to pong, pong, pong, | 0:24:37 | 0:24:39 | |
as he has come to meet Stuart Slark, | 0:24:39 | 0:24:42 | |
who knows a thing or two about Brighton's sewers. | 0:24:42 | 0:24:44 | |
Rather Charles than me. | 0:24:44 | 0:24:46 | |
-Is it Stuart? -Yes, it is. | 0:24:47 | 0:24:49 | |
-Good to see you. -Hello, Charles, nice to meet you. | 0:24:49 | 0:24:51 | |
That smell. It is great taking in this lovely air. | 0:24:51 | 0:24:54 | |
-Oh, it's beautiful. -It's clean and we always say enjoy the sea air, | 0:24:54 | 0:24:58 | |
-don't we? -We do. | 0:24:58 | 0:24:59 | |
If we roll back the years to maybe when Brighton Pavilion | 0:24:59 | 0:25:02 | |
and Prince Regent George IV, it was the place to come, | 0:25:02 | 0:25:05 | |
it was highly fashionable, but back then there was a stench, wasn't there? | 0:25:05 | 0:25:10 | |
There was a very bad stench, yes. | 0:25:10 | 0:25:12 | |
Because Brighton didn't have any sewerage system at all. | 0:25:12 | 0:25:16 | |
All the properties were on cesspits, | 0:25:16 | 0:25:18 | |
which meant there was nowhere for it to go, | 0:25:18 | 0:25:20 | |
which meant when they were full up they used to tip them in the streets. | 0:25:20 | 0:25:23 | |
And it used to come all the way down on to the beach, and go into the sea. | 0:25:23 | 0:25:26 | |
You're going to show me what the sewers did to make this what it is today. | 0:25:26 | 0:25:30 | |
-Yes. -Great! I can't wait, Stuart. | 0:25:30 | 0:25:32 | |
By the 19th century, | 0:25:34 | 0:25:35 | |
Brighton was one of the fastest-growing towns in Britain | 0:25:35 | 0:25:39 | |
and thousands of families would visit for their annual seaside holiday. | 0:25:39 | 0:25:43 | |
As a result, parts of Brighton struggled to cope. | 0:25:43 | 0:25:46 | |
One huge problem was the stench from overflowing cesspits, | 0:25:46 | 0:25:50 | |
and it would take one engineering genius to fix it, | 0:25:50 | 0:25:53 | |
by creating a sewerage system. | 0:25:53 | 0:25:55 | |
-Mind your step, Charles. -I can smell it. | 0:25:58 | 0:26:00 | |
Oh, my goodness me. | 0:26:00 | 0:26:02 | |
-Is that sewage? -That is raw sewage going through there at the moment. | 0:26:02 | 0:26:06 | |
Oh, my goodness me. So are we now...? This is the old Victorian sewer. | 0:26:06 | 0:26:11 | |
Everything you see today with me is the old Victorian sewer, yes. | 0:26:11 | 0:26:16 | |
There is a surface run-off. | 0:26:16 | 0:26:18 | |
-Is that sewage? -No, that is just condensation in here at the moment. | 0:26:18 | 0:26:21 | |
I am pleased to hear it. | 0:26:21 | 0:26:23 | |
If you look here... | 0:26:23 | 0:26:24 | |
-Oh, yes. -This is where the rats normally sit. | 0:26:24 | 0:26:27 | |
Oh, you are joking. | 0:26:27 | 0:26:28 | |
-There's none here, so you're all right. -Oh, God! | 0:26:28 | 0:26:32 | |
This is awful, | 0:26:32 | 0:26:33 | |
in the nicest sense of learning about history, it's awful. | 0:26:33 | 0:26:38 | |
Gosh, we're quite deep now, aren't we, underground? | 0:26:38 | 0:26:40 | |
Yes, we are about 40 foot underground at the moment | 0:26:40 | 0:26:44 | |
in the sewers itself. | 0:26:44 | 0:26:45 | |
My immediate reaction, I think, Stuart, | 0:26:45 | 0:26:47 | |
to what I can see is what a tremendous feat of engineering. | 0:26:47 | 0:26:51 | |
It's an incredible feat of engineering | 0:26:51 | 0:26:54 | |
when you think this was all open-cast done, | 0:26:54 | 0:26:56 | |
in other words it was a great big hole and then they just built | 0:26:56 | 0:27:00 | |
the brickwork around a wooden frame. | 0:27:00 | 0:27:03 | |
The man in charge of designing this impressive system was Sir John Hawkshaw, | 0:27:05 | 0:27:09 | |
a talented civil engineer noted for work on Charing Cross | 0:27:09 | 0:27:13 | |
and Cannon Street railway stations in London. | 0:27:13 | 0:27:15 | |
What did Sir John Hawkshaw do? | 0:27:16 | 0:27:18 | |
All I can see is a tunnel. | 0:27:18 | 0:27:20 | |
What was different with his work? | 0:27:21 | 0:27:23 | |
The difference came because Brighton has got no pumping stations on it | 0:27:23 | 0:27:28 | |
at all, and everything was done by gravity. | 0:27:28 | 0:27:30 | |
So what they invented, they invented an egg-shaped barrel, | 0:27:31 | 0:27:35 | |
as you can see. | 0:27:35 | 0:27:36 | |
As you can see, the egg-shaped barrel there. | 0:27:36 | 0:27:40 | |
So what that does, because it is a small amount of gravity going through, | 0:27:40 | 0:27:45 | |
what it does, it speeds up and throws all the water into the bottom of the barrel | 0:27:45 | 0:27:50 | |
and makes it go faster as you can hear it going down | 0:27:50 | 0:27:53 | |
into the pipe bit. | 0:27:53 | 0:27:54 | |
What a man Sir John was. | 0:27:54 | 0:27:57 | |
He almost, I suppose, rescued Brighton from what had been. | 0:27:57 | 0:28:00 | |
I think he helped make it as popular as it was. | 0:28:00 | 0:28:02 | |
This is still in very good working condition now. | 0:28:02 | 0:28:05 | |
Which way are we going now? | 0:28:05 | 0:28:07 | |
Let's go down here. Again. | 0:28:07 | 0:28:09 | |
As you go round the second bend, just mind the step down. | 0:28:09 | 0:28:12 | |
I feel like I'm in a loo, literally. | 0:28:12 | 0:28:14 | |
There are an impressive 29 miles of Victorian sewers | 0:28:14 | 0:28:18 | |
running under Brighton. | 0:28:18 | 0:28:20 | |
Wow! | 0:28:20 | 0:28:22 | |
# Oh, I do like to be beside the seaside | 0:28:22 | 0:28:25 | |
# Oh, I do like to be beside the sea... # | 0:28:25 | 0:28:28 | |
I wish he would stop jumping up and down. | 0:28:28 | 0:28:31 | |
Stuart, I can see light. | 0:28:31 | 0:28:34 | |
Yes, this is one of the most impressive chambers | 0:28:34 | 0:28:37 | |
that has ever been built | 0:28:37 | 0:28:38 | |
by Sir John Hawkshaw. | 0:28:38 | 0:28:40 | |
Wow, that is amazing, isn't it? | 0:28:40 | 0:28:42 | |
If you would believe it, | 0:28:42 | 0:28:44 | |
we have been told there is over seven million bricks in here. | 0:28:44 | 0:28:47 | |
Who were the workers? | 0:28:47 | 0:28:49 | |
They employed Irish navvies, actually. | 0:28:49 | 0:28:52 | |
So the Irish came over in their droves to support this build. | 0:28:52 | 0:28:56 | |
Yes, correct, yes. | 0:28:56 | 0:28:57 | |
And it cost quite a bit of money in those days. | 0:28:57 | 0:29:01 | |
They estimated the cost to build this at £80,000. | 0:29:01 | 0:29:05 | |
Back in 1860 something? | 0:29:05 | 0:29:06 | |
Correct. | 0:29:06 | 0:29:08 | |
That would work out to be about £9 million today. | 0:29:08 | 0:29:12 | |
You would never get brickwork laid like this now in this day and age. | 0:29:12 | 0:29:15 | |
How long did it take to build? | 0:29:15 | 0:29:17 | |
It took from 1869 to 1874. | 0:29:17 | 0:29:20 | |
It was five years, which was incredible. | 0:29:20 | 0:29:24 | |
A tribute to Victorian engineering and construction, | 0:29:24 | 0:29:28 | |
Hawkshaw's sewers remain in use today, keeping Brighton clean, | 0:29:28 | 0:29:32 | |
fragrant and safe from disease. | 0:29:32 | 0:29:34 | |
Daylight. Thank goodness. | 0:29:36 | 0:29:38 | |
Talking of fragrant... | 0:29:38 | 0:29:40 | |
The sweet smell of Brighton is here once again. | 0:29:41 | 0:29:45 | |
That was an experience. | 0:29:45 | 0:29:48 | |
So romantic, Charles. | 0:29:48 | 0:29:50 | |
Back with Catherine and she's travelled half an hour south | 0:29:56 | 0:29:59 | |
to Peacehaven for a final spot of shopping. | 0:29:59 | 0:30:01 | |
Good afternoon, sir. | 0:30:05 | 0:30:07 | |
Hiding behind the cabinets! | 0:30:07 | 0:30:08 | |
Good afternoon. A pleasure to meet you. | 0:30:08 | 0:30:11 | |
-I'm Catherine and you're...? -Hello, Catherine, I'm Steve. | 0:30:11 | 0:30:14 | |
Hello, Steve. Catherine has £57 still to spend. | 0:30:14 | 0:30:17 | |
Thank goodness there's lots of stock. | 0:30:17 | 0:30:20 | |
A bit of silvery bits and bobs, nothing really in there. | 0:30:21 | 0:30:25 | |
This is all kind of militaria. | 0:30:25 | 0:30:27 | |
That's quite pretty. | 0:30:29 | 0:30:30 | |
Whenever I see anything shagreen, I have to pick it up. | 0:30:33 | 0:30:36 | |
Shagreen is the most wonderful, wonderful material. | 0:30:36 | 0:30:40 | |
So this is dyed, dyed green shark skin or ray skin. | 0:30:40 | 0:30:45 | |
You find it in 18th century and also very popular, | 0:30:45 | 0:30:49 | |
it's kind of revived really in Art Deco. | 0:30:49 | 0:30:51 | |
You find a lot of things made from this and the Art Deco period. | 0:30:51 | 0:30:54 | |
This is probably '20s, '30s. | 0:30:54 | 0:30:57 | |
It's a lighter. | 0:30:57 | 0:30:59 | |
Had that been an etui or something like that, | 0:30:59 | 0:31:01 | |
that would have been absolutely gorgeous. | 0:31:01 | 0:31:03 | |
Can you do this for 20? | 0:31:03 | 0:31:04 | |
HE SIGHS | 0:31:04 | 0:31:07 | |
No. | 0:31:07 | 0:31:08 | |
Oh! | 0:31:08 | 0:31:09 | |
22 really would be the lowest. | 0:31:09 | 0:31:12 | |
22. | 0:31:12 | 0:31:13 | |
Shake my hand, Steve. | 0:31:14 | 0:31:16 | |
I'm going to buy this at £22. | 0:31:16 | 0:31:18 | |
-Okey-doke. -Thank you very much. | 0:31:18 | 0:31:21 | |
I suppose you need to be paid, don't you? | 0:31:21 | 0:31:23 | |
Yes. | 0:31:23 | 0:31:25 | |
-It would be good. -Damn, I thought I was going to get away with that. | 0:31:25 | 0:31:28 | |
Nice try, Catherine. | 0:31:28 | 0:31:30 | |
That purchase brings the shopping to a close for this Road Trip. | 0:31:30 | 0:31:33 | |
Catherine will add the Art Deco gent's lighter | 0:31:35 | 0:31:38 | |
to her other purchases - | 0:31:38 | 0:31:40 | |
the collection of fans, including the novelty gilt metal charm, | 0:31:40 | 0:31:44 | |
the Great Dane woofer, | 0:31:44 | 0:31:45 | |
the green enamel brush set, | 0:31:46 | 0:31:48 | |
and the 1950s silver ballerina brooch. | 0:31:49 | 0:31:52 | |
She spent a total of £165. | 0:31:52 | 0:31:55 | |
Well done, that girl. | 0:31:55 | 0:31:57 | |
Charles, meanwhile, spent every single penny of his £200 pot, | 0:31:57 | 0:32:01 | |
buying a Minton bowl, the 1930s ostrich egg cigarette dispenser, | 0:32:01 | 0:32:07 | |
the Japanese carved figure, | 0:32:07 | 0:32:10 | |
the Black Forest desk stand, | 0:32:10 | 0:32:12 | |
the rare Caughley coffee cup | 0:32:12 | 0:32:15 | |
and the Swansea porcelain ink stand, which, | 0:32:15 | 0:32:18 | |
if it's right, is worth a fortune. | 0:32:18 | 0:32:19 | |
So, what do they make of each other's lots? | 0:32:19 | 0:32:21 | |
I adore, adore, his Minton bowl. | 0:32:21 | 0:32:25 | |
How he got that for £60, I shall never know. | 0:32:25 | 0:32:28 | |
I love Catherine's puppy. The Great Dane in the window, | 0:32:28 | 0:32:31 | |
made in Cotswold stone, was an inspired buy. | 0:32:31 | 0:32:34 | |
The public love small dogs in stone and at £32, to me, | 0:32:34 | 0:32:38 | |
it's worth between 50 and 70. | 0:32:38 | 0:32:41 | |
That little blue and white cup looks pretty rare to me, | 0:32:41 | 0:32:44 | |
but have you spotted that massive crack down it? | 0:32:44 | 0:32:47 | |
But then he only paid £8 so who knows what will happen? | 0:32:47 | 0:32:51 | |
After starting in Arundel in Sussex, | 0:32:53 | 0:32:55 | |
our experts are now en route to | 0:32:55 | 0:32:57 | |
auction in Paddock Wood, Kent. | 0:32:57 | 0:33:00 | |
Where are we? | 0:33:03 | 0:33:04 | |
All you need to know is we are in the Garden of England. | 0:33:04 | 0:33:07 | |
My home county! | 0:33:07 | 0:33:10 | |
-Really? -Welcome. | 0:33:10 | 0:33:11 | |
It is beautiful. The North-South divide, particularly for you and I, | 0:33:11 | 0:33:14 | |
it could result, I think, | 0:33:14 | 0:33:15 | |
in a shock result today in that it could be Catherine 1, Hanson 0. | 0:33:15 | 0:33:21 | |
-As in football. -I don't think so. | 0:33:21 | 0:33:23 | |
Our expert duo have finally arrived at Hop Farm Auctions | 0:33:23 | 0:33:27 | |
and they are raring to go. | 0:33:27 | 0:33:29 | |
We are literally at the back of the saleroom. | 0:33:29 | 0:33:32 | |
And the sun is shining. | 0:33:34 | 0:33:37 | |
And the sun is shining. | 0:33:37 | 0:33:38 | |
-What could go wrong? -Everything is in our favour today. | 0:33:38 | 0:33:40 | |
Presiding over today's proceedings is auctioneer Alex Jenkins. | 0:33:40 | 0:33:45 | |
What does he make of our experts' lots? | 0:33:45 | 0:33:49 | |
I think my favourite for the auction has got to be the Black Forest. | 0:33:49 | 0:33:53 | |
I think that one has just got it all going on. | 0:33:53 | 0:33:55 | |
I think it is going to do very well and I'm just jealous | 0:33:55 | 0:33:58 | |
that I can't buy it myself, I have to say. | 0:33:58 | 0:33:59 | |
The Cotswold stone, | 0:33:59 | 0:34:00 | |
this could be a little fun surprise hit of the auction, I think. | 0:34:00 | 0:34:04 | |
Time to find out. | 0:34:04 | 0:34:06 | |
With buyers online and in the room, | 0:34:06 | 0:34:08 | |
it's time for this pair to take their seats. | 0:34:08 | 0:34:12 | |
First up, Charles's Minton bowl - this could be good. | 0:34:12 | 0:34:16 | |
100, it starts at 100. | 0:34:16 | 0:34:18 | |
Oh, come on. | 0:34:18 | 0:34:19 | |
-I do hate to disappoint. -It's a great object, I had £100. | 0:34:19 | 0:34:23 | |
110, 120, 130, 140, 150 now. | 0:34:23 | 0:34:25 | |
160 on there, 170 now. | 0:34:25 | 0:34:29 | |
-Go on. -I'm over the moon with that. | 0:34:29 | 0:34:31 | |
Selling at 160. | 0:34:31 | 0:34:32 | |
Yeah! I just liked it. | 0:34:32 | 0:34:36 | |
-Thank you very much. -I wonder if they know about the chip. | 0:34:36 | 0:34:39 | |
Charles is off to a flying start, though. | 0:34:39 | 0:34:41 | |
That was your best thing. | 0:34:41 | 0:34:43 | |
Yeah, it was, and my blockbuster paid off, and I'm delighted. | 0:34:43 | 0:34:46 | |
Can Catherine make as big a splash with her first lot? | 0:34:46 | 0:34:50 | |
Her set of enamel brushes are next. | 0:34:50 | 0:34:53 | |
-£50 - I'm in. -Well done. | 0:34:53 | 0:34:54 | |
-Put it there? -£55 anywhere now? | 0:34:54 | 0:34:55 | |
-That's good, well done. -Sh! Keep going. | 0:34:55 | 0:34:58 | |
55 is online, 60. | 0:34:58 | 0:34:59 | |
At £60, £60, 65, 70, we're there. | 0:34:59 | 0:35:02 | |
-£70, sir? -I told you. | 0:35:02 | 0:35:04 | |
-I told you. -£70 here, 75 we want. | 0:35:04 | 0:35:06 | |
At £70 it is. | 0:35:06 | 0:35:08 | |
Yay! He's a friend of mine. | 0:35:08 | 0:35:10 | |
Hey! | 0:35:10 | 0:35:12 | |
That's a profit apiece - great stuff. | 0:35:12 | 0:35:14 | |
I think you did very well. | 0:35:14 | 0:35:16 | |
Charles is up again, this time with his Swansea porcelain ink stand. | 0:35:16 | 0:35:20 | |
Now, stand by. | 0:35:20 | 0:35:21 | |
£30 online. | 0:35:21 | 0:35:22 | |
Thank you, net, I'm happy. | 0:35:22 | 0:35:24 | |
32. 32 is at the back, 32. | 0:35:24 | 0:35:26 | |
34 there, 36? 36 there. | 0:35:26 | 0:35:29 | |
-Come on! -36 is there, 40. | 0:35:29 | 0:35:31 | |
-Keep going. -40 is there, 42. | 0:35:31 | 0:35:33 | |
-42 is there - 44, anywhere? -It doesn't need any more! | 0:35:33 | 0:35:35 | |
46 there, 48, 50 now. | 0:35:35 | 0:35:37 | |
£50 online. | 0:35:37 | 0:35:39 | |
At £50, we're selling at 50. | 0:35:39 | 0:35:42 | |
Gosh, well done. Another profit there for Charles, | 0:35:43 | 0:35:46 | |
but it could have been more. | 0:35:46 | 0:35:47 | |
You are flying. | 0:35:47 | 0:35:48 | |
-It's good. -£23... | 0:35:48 | 0:35:50 | |
Shall I go? You want to do this road trip by yourself? | 0:35:50 | 0:35:54 | |
Thank you, Wales, and thank you, Kent. | 0:35:54 | 0:35:56 | |
Time to find out if there are any dog lovers in the room. | 0:35:56 | 0:36:00 | |
It's Catherine's Great Dane. | 0:36:00 | 0:36:02 | |
Will he prove to be lucky? | 0:36:02 | 0:36:04 | |
-£20 is bid. -That's profit there. What's wrong? | 0:36:05 | 0:36:09 | |
Oh, is it bid? £22 now, | 0:36:09 | 0:36:10 | |
come along now. | 0:36:10 | 0:36:11 | |
-£22, 22 is online, 24. -Oh, come on! | 0:36:11 | 0:36:17 | |
-22 it is. -No. -The sympathy bids are coming in. | 0:36:17 | 0:36:20 | |
Ah! Get out! | 0:36:20 | 0:36:22 | |
£28, 30. Yay! 32, 34. 34 is online. | 0:36:22 | 0:36:26 | |
36. 38 there, 40 now. | 0:36:26 | 0:36:28 | |
-42. -Very, very, very good. | 0:36:28 | 0:36:30 | |
44, back in. 46 there, 48 to you. | 0:36:30 | 0:36:34 | |
48's there, 50 now. | 0:36:34 | 0:36:35 | |
48 it is. | 0:36:35 | 0:36:36 | |
It got there in the end. | 0:36:38 | 0:36:39 | |
And it's another profit for Catherine. | 0:36:39 | 0:36:41 | |
-Here we go, at £5... -Lucky, you made £10. | 0:36:41 | 0:36:44 | |
-Lucky. -Now, Charles, this time with his Oriental old boy. | 0:36:44 | 0:36:50 | |
-22, 24, 26, 28. -Quite right, yes. | 0:36:50 | 0:36:54 | |
30. Go on! | 0:36:54 | 0:36:56 | |
Go on! Go on! | 0:36:56 | 0:36:58 | |
32's online. 32 it is. | 0:36:58 | 0:36:59 | |
At £32. Sells at 32. | 0:36:59 | 0:37:02 | |
Charles is certainly on a roll today. | 0:37:04 | 0:37:06 | |
Quality sells. | 0:37:06 | 0:37:08 | |
Quality sells well. | 0:37:08 | 0:37:10 | |
Quality sells well. | 0:37:10 | 0:37:11 | |
That's his mantra. | 0:37:12 | 0:37:14 | |
Catherine's fan selection is up next. | 0:37:14 | 0:37:16 | |
£20, thank you, sir. | 0:37:16 | 0:37:18 | |
22 now, straight in at 20. | 0:37:18 | 0:37:19 | |
Net's in. Watch the net go. Watch the net. | 0:37:19 | 0:37:21 | |
Still cheap for this lot. | 0:37:21 | 0:37:23 | |
-It's really cheap. -22 is there, 24, 26, 28, 26 there, £28 we need now. | 0:37:23 | 0:37:27 | |
£26, 28, 30. 32, 34. No? | 0:37:27 | 0:37:33 | |
32 it is. In the middle at £32. | 0:37:33 | 0:37:35 | |
Anywhere else? Still pretty things, still cheap. | 0:37:35 | 0:37:37 | |
Watch the net. There's nothing on the net. | 0:37:37 | 0:37:41 | |
At £32 bid, it sells at 32. | 0:37:41 | 0:37:43 | |
-What? -Paris. Look at me. | 0:37:43 | 0:37:45 | |
-Oh, shush! 32. -How much? | 0:37:45 | 0:37:48 | |
I'm not telling you! | 0:37:48 | 0:37:49 | |
You know what they made, and they didn't make a profit. | 0:37:49 | 0:37:51 | |
It was a risky punt, given their condition, | 0:37:51 | 0:37:54 | |
and one which didn't pay off, unfortunately, | 0:37:54 | 0:37:57 | |
so bad luck, Catherine. | 0:37:57 | 0:37:58 | |
I'm really gutted. I really, really thought they would do brilliantly. | 0:37:58 | 0:38:02 | |
That was my hope. | 0:38:02 | 0:38:04 | |
Don't laugh. Don't laugh! | 0:38:04 | 0:38:07 | |
Time to see if Charles's ostrich egg cigarette dispenser | 0:38:07 | 0:38:11 | |
will go up in smoke or not. | 0:38:11 | 0:38:13 | |
-£60 I'm bid. £65 we want. -We are in. | 0:38:13 | 0:38:16 | |
-You've got 60? -Look! We're live in the States. | 0:38:16 | 0:38:19 | |
£60 I've got, £65 we need. | 0:38:19 | 0:38:21 | |
At £60. It's still cheap, isn't it? | 0:38:21 | 0:38:25 | |
£60 here, | 0:38:25 | 0:38:26 | |
-at 60 it is. -Come on! | 0:38:26 | 0:38:27 | |
-I'm a humble man. -How... -It's trebled up. -..did that make £60? | 0:38:29 | 0:38:33 | |
-I'm a happy man. -How did that make £60? -The world came to Kent | 0:38:33 | 0:38:37 | |
and the world saluted my egg and it hatched. I'm delighted. | 0:38:37 | 0:38:41 | |
I bet you are. That profit means Charles is romping | 0:38:41 | 0:38:44 | |
-further into the lead. -Funny old game, you know, | 0:38:44 | 0:38:47 | |
we've got a long way to go. | 0:38:47 | 0:38:49 | |
Oh, if looks could kill. | 0:38:49 | 0:38:52 | |
But can Catherine make a comeback | 0:38:52 | 0:38:54 | |
with her pretty little silver ballerina brooch? | 0:38:54 | 0:38:57 | |
Start straight in at £36. | 0:38:57 | 0:39:00 | |
-£38 anywhere? -Good. -Good. Keep going. -Good. -£38 now. | 0:39:00 | 0:39:03 | |
£38 there, 40 is here, 42, 44, 46. | 0:39:03 | 0:39:08 | |
-She's skipping away. -£48 now. | 0:39:08 | 0:39:11 | |
-Oh, that's quite good. -46 there, 48 we need. | 0:39:11 | 0:39:13 | |
Any more? | 0:39:13 | 0:39:15 | |
At 46. | 0:39:15 | 0:39:16 | |
Nice profit. | 0:39:16 | 0:39:18 | |
You've got to be pleased with that, Catherine. | 0:39:18 | 0:39:21 | |
-Good, that's good. That's sweet 16 profit. -It's good for you. | 0:39:21 | 0:39:25 | |
Next up, Charles's rare Caughley coffee cup. | 0:39:25 | 0:39:28 | |
-£30 for it. -30. | 0:39:28 | 0:39:29 | |
Come on, rare object. | 0:39:29 | 0:39:31 | |
Is that a bid? | 0:39:31 | 0:39:32 | |
No. £30 I'm bid, £32. | 0:39:32 | 0:39:33 | |
-Yeah, straight in at 30. -32 we need. Still cheap. £30 there, 32 we want. | 0:39:33 | 0:39:38 | |
At £30 it is. | 0:39:38 | 0:39:41 | |
32's in, £34 now. | 0:39:41 | 0:39:43 | |
£32, at £32, it is 34 we want. | 0:39:43 | 0:39:46 | |
-Going on the net. -At £32, £32 it is, that's 32. | 0:39:46 | 0:39:49 | |
-Stop dancing. -Sorry. -Another cracking profit there for Charles. | 0:39:49 | 0:39:54 | |
Look at me. Thanks a lot. That's good. | 0:39:54 | 0:39:56 | |
Catherine is back in the hot seat now with her last lot, | 0:39:56 | 0:40:00 | |
the Art Deco gents' lighter. | 0:40:00 | 0:40:02 | |
£10 I'm bid. | 0:40:02 | 0:40:04 | |
12, 14, 16, 18. | 0:40:04 | 0:40:07 | |
-Come on! -It's moving now, look. -16's there, 18 now. | 0:40:07 | 0:40:09 | |
£18 we need. | 0:40:09 | 0:40:11 | |
16, 18's there, 20. | 0:40:11 | 0:40:12 | |
22, 24. | 0:40:12 | 0:40:14 | |
-Come on, it's gorgeous. -22 it is. | 0:40:14 | 0:40:16 | |
24, worth a lot more. | 0:40:16 | 0:40:17 | |
-Too little ducks. Quack quack. -22, and 24 we need. | 0:40:17 | 0:40:21 | |
At 22. | 0:40:21 | 0:40:22 | |
Well, at least it wasn't a loss. | 0:40:24 | 0:40:26 | |
It had a good skin on it, it was a thick-skinned object, | 0:40:26 | 0:40:29 | |
you're thick-skinned as well, come on, it doesn't matter. | 0:40:29 | 0:40:33 | |
I think I'm going to cry. | 0:40:33 | 0:40:35 | |
Here comes Charles's final lot, the Black Forest desk stand. | 0:40:35 | 0:40:40 | |
-100 I'll take, 100, thank you. -Hello! | 0:40:40 | 0:40:42 | |
-You should take that and run. -No. Come on. | 0:40:42 | 0:40:43 | |
£100 it is. 110 now, should be more. | 0:40:43 | 0:40:46 | |
-110, 120, 130. -What? -Hold tight, baby. Sorry. | 0:40:46 | 0:40:49 | |
130, 140. | 0:40:49 | 0:40:50 | |
-Are you paying these guys? -140, 150. | 0:40:50 | 0:40:51 | |
-Hold tight. -160 online. | 0:40:51 | 0:40:53 | |
-170. -America is calling. | 0:40:53 | 0:40:55 | |
It's the American dream. Come on, America. | 0:40:55 | 0:40:57 | |
-Come on, America. -170, 180, 190? | 0:40:57 | 0:40:59 | |
-Yes, please. -Yes, please. -190 there, 200. | 0:40:59 | 0:41:01 | |
-200 is there, 210? -How do you... -Come on, America. -Charlie! | 0:41:01 | 0:41:04 | |
220, 230. 230 is there, 240 now. | 0:41:04 | 0:41:06 | |
-230 it is. -I'm amazed! | 0:41:06 | 0:41:09 | |
Baby, hold tight, it's a funny old game. | 0:41:09 | 0:41:11 | |
Sorry, Catherine. Keep going. | 0:41:11 | 0:41:13 | |
230 in the room, 240 we want. | 0:41:13 | 0:41:14 | |
-Come on, America! -240 is there, 250 is yours. | 0:41:14 | 0:41:17 | |
-250 it is, 260 now. -Come on! -At 250 in the room. | 0:41:17 | 0:41:21 | |
At 250 selling. | 0:41:21 | 0:41:23 | |
Come on, Internet. Sold. | 0:41:23 | 0:41:25 | |
-Thank you very much. -Well done. | 0:41:25 | 0:41:26 | |
-Wow! -Well done. -I can't believe it. | 0:41:26 | 0:41:29 | |
I think I need a kiss for that. | 0:41:29 | 0:41:31 | |
Oh! | 0:41:31 | 0:41:33 | |
And so Charles completes his full house of profits | 0:41:33 | 0:41:37 | |
with an amazing result. | 0:41:37 | 0:41:38 | |
I think you should do a little dance. | 0:41:38 | 0:41:41 | |
-I might have a little jig for joy. -I might do a little jig for joy as well. | 0:41:41 | 0:41:44 | |
-GAVEL BANGS -Sorry. We're being told off now. | 0:41:44 | 0:41:47 | |
Catherine started this leg with £200 and made a pretty profit | 0:41:47 | 0:41:49 | |
of £13.76 after auction costs, leaving her with £213.76. | 0:41:49 | 0:41:56 | |
Well done. | 0:41:56 | 0:41:59 | |
Charles also started with £200 and he made an amazing profit of | 0:41:59 | 0:42:04 | |
£278.88, after selling fees, | 0:42:04 | 0:42:09 | |
so he goes into the next leg way out in the lead, | 0:42:09 | 0:42:13 | |
with a fabulous £478.88. | 0:42:13 | 0:42:16 | |
You know, the sun is shining. | 0:42:18 | 0:42:19 | |
The sun is shining on you, Mr Hanson! | 0:42:19 | 0:42:22 | |
It's been great, come on. | 0:42:22 | 0:42:23 | |
You promised me a bit of a ballerina stance | 0:42:23 | 0:42:25 | |
and a little walk around on your tiptoes. | 0:42:25 | 0:42:28 | |
And you as well. Join in with me. | 0:42:28 | 0:42:29 | |
I can't do it, I'm on cloud nine now. | 0:42:29 | 0:42:32 | |
I'm really enjoying today. | 0:42:32 | 0:42:33 | |
-You've doubled. -On your tiptoes. | 0:42:33 | 0:42:35 | |
-You have doubled. -On your tiptoes. | 0:42:35 | 0:42:37 | |
Let's go. Come on. Funny old game. | 0:42:39 | 0:42:41 | |
In your manor as well. | 0:42:41 | 0:42:42 | |
In my manor? Yeah, rub it in a bit more, Charles. | 0:42:42 | 0:42:44 | |
On the lawns of Kent. | 0:42:44 | 0:42:46 | |
Yes. Let's rub it all in. | 0:42:46 | 0:42:48 | |
You did so well. | 0:42:49 | 0:42:50 | |
Take me home. Take me home! | 0:42:50 | 0:42:52 | |
-Sorry, wrong way. Sorry. -No, wrong way, that way. | 0:42:52 | 0:42:55 | |
Sorry, sorry, sorry. | 0:42:55 | 0:42:56 | |
-Goodbye! -See you soon, Road Trippers. | 0:42:56 | 0:42:58 | |
On the next Antiques Road Trip, | 0:43:01 | 0:43:03 | |
-there are plenty of surprises still to come... -Goodness me! | 0:43:03 | 0:43:06 | |
There's a man on a huge pair of stilts. | 0:43:06 | 0:43:10 | |
..as they hit the road again. | 0:43:10 | 0:43:11 | |
Eat your heart out, Charles Hanson. | 0:43:13 | 0:43:15 |