Episode 13 Antiques Road Trip


Episode 13

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It's the nation's favourite antiques experts.

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-With £200 each...

-I want something shiny.

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..a classic car and a goal to scour Britain for antiques.

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-I like a rummage.

-I can't resist.

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The aim? To make the biggest profit at auction.

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BELL RINGS But it's no mean feat.

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Why do I always do this to myself?

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-There will be worthy winners...

-Give us a kiss.

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-..and valiant losers.

-Come on, stick 'em up.

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-So, will it be the high road to glory?

-Onwards and upwards.

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-Or the slow road to disaster?

-Take me home.

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This is Antiques Road Trip.

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Yeah!

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Welcome to the ancient county town of Yorkshire

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in the company of Natasha Raskin and Paul Laidlaw.

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Look at that. Absolutely superb.

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And now you are in medieval York.

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-Vroom! Time travel.

-It is though, isn't it?

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Yes, they're manoeuvring the Mercedes through the heart of a city

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that's dominated by one of the great European cathedrals.

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-There it is, there's the Minster.

-Look at that.

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Oh! Look at that light on it.

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Is that English Gothic, Gothic Perpendicular? One or the other.

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If I don't see a flying buttress, I don't know what I'll do, Paul.

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Architecture enthusiast and art lover Natasha from Glasgow...

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No-one really likes these any more but I do.

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..is already more than a wee bit behind her countryman.

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-You've got all the money.

-Well, not all the money.

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-I don't have all the money.

-You've got a lot more money than I've got.

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And importantly, you've got more than what we started with.

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Yeah, good point.

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Paul from Carlisle, an auctioneer who even lists his guilty pleasure

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as buying antiques...

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It's good this, isn't it?

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..started off with a full head of steam.

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-AUCTIONEER:

-240...

-It's not funny!

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And shows little sign of cooling down.

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-Set off in Ayrshire, a gei dreich of course.

-Aye.

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Now, glorious sunshine in York.

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-Keeps going like this, it'll be taps-aff weather.

-For you, maybe.

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I'm not taking my top off for anyone.

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No, and neither am I.

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Natasha began with £200 and has thus far

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managed to slim that down to 192.

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Whilst Paul, who started out with the same sum,

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is well on his way to having increased it by three-fold

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with £562 and 22 pence.

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I seem to remember there's a random Roman pillar here. There is.

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-See that? That's a random Roman column.

-How odd.

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A Roman punctuation mark.

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I would have walked straight past it, but thank goodness you're here

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to tell me what it is.

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After kicking off on the west coast of Scotland,

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our crazy Caledonian couple will motor south, tootling towards

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the eastern coast of England before arriving in Norfolk at Diss.

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Today, we'll be heading for East Anglia

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and an auction at Downham Market,

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but starting out in the aforementioned city of York

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where, in the shadow of the mighty Minster...

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Have a great time. Bye, Paul.

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..Paul's about to take the retail plunge at this centre.

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The sheer scale of which would have his antiques antenna

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all of a tiz-was.

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Cabinets are wonderful, but they scare me,

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all these spotlights and price tags.

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I like a rummage.

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Quite right. That looks more like it.

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Although you might need to breathe in if you need to go any further.

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Here we go.

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You're looking at that and thinking,

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"That's just like my granny's whisky water jug that sits in her cabinet

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"with her finest cut crystal."

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This is considerably older.

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This is late Georgian, this is early 19th century.

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In its day, this was an expensive thing.

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Cut glass was very fashionable, it worked the light.

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If you think of this in a candlelit room, flickering light,

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glancing off all these surfaces, do have a magical effect.

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And yet the ticket price is just £28.

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I want to tell you how I can date this jug

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and here's a wee trick of the trade.

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Look at the handle.

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Your glass blower worked a rod of glass.

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He affixed it at the top and then worked it round,

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it's soft and it's molten, to the bottom, press it and there you go.

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There's a key change in manufacturing techniques

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around 1820, 1830.

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And from that point on to date,

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the handle is put on the other way around.

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And you can tell because there's a blob on the bottom.

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So I can assert that, stylistically,

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that's a Georgian piece, but it's not a reproduction.

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The truth of the matter is

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you stick that in a general auction, and you know what it is?

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It's your granny's old crystal water jug.

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I am heartbroken. Take it to auction and they'll walk past it.

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D'oh!

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Shrewd, Paul.

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Still on the ball, despite his winnings.

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But while Paul departs in search of a profit...

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..Natasha is elsewhere in York seeking out one of the world's

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most famous trains at the National Railway Museum.

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-Good morning. Hello, I'm Natasha.

-Hi, Natasha, I'm Andrew McLean.

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-I'm the head curator at the National Railway Museum.

-Lovely to meet you.

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So lovely to see such a busy museum.

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This is the cathedral of British railways,

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the country that gives railways to the world.

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I know that I'm here to learn about dozens of interesting locomotives,

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but one in particular.

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We've got one very special locomotive

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that came back into steam earlier this year.

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It's called Flying Scotsman

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and we're going to learn a bit more about it.

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-If you'd like to follow me.

-I sure would, thank you.

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But the name Flying Scotsman doesn't only refer

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to this speedy 20th century locomotive

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because there's been a service between London and Edinburgh

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bearing that name for over 150 years.

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The Flying Scotsman service becomes the most famous train service

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in the world. It opens up the tourism markets in Scotland.

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Queen Victoria was populising Scotland at the time...

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-Of course. Balmoral.

-Exactly.

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People want to visit these places so it becomes a crucial train

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that unites the two capitals of Scotland and England

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and famous people like Charles Dickens use the train,

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so it has a great reputation long before Flying Scotsman,

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the locomotive, was even constructed.

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But just like today, there were two routes,

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with a rival West Coast Main Line between London and Glasgow

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providing stiff competition in the race

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to supply the fastest and most efficient service.

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-To the Dynamometer.

-To the Dynamometer.

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Hence, this vitally important collection of gadgetry

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dedicated to making the trains go faster.

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This is a mobile laboratory.

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So in here you have all sorts of equipment and technology.

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The locomotive was out here so you have on the floor here,

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these big armoured cables.

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They were attached out the windows to the loco itself.

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The information from the loco is being transmitted through these

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to a series of dials the chaps are sitting at, noting down

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all the various things to do with the power and the fuel efficiency,

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but most importantly for the Flying Scotsman story

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also the speed as well.

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This car dates from 1906 so had already been in service

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for almost 20 years when the LNER launched the flagship locomotive

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that we now associate with the Flying Scotsman name.

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This ground-breaking early British sound film

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with a thrilling chase, in which actors like Pauline Johnson,

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did their own highly dangerous stunts.

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The real star though was the engine itself and the movie was

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great publicity for its pursuit of the 100mph rail land speed record.

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What was really spurring them on? What was it all for?

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Why did they have to make 100mph?

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Because of the competition.

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By the 1930s, you also have car ownership taking over,

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you had buses coming on the scene as well.

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The railways were trying to keep ahead of the game and any advantage

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that they could get would help to increase

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the passenger numbers, so speed was a great seller.

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So the Flying Scotsman had to live up to its name.

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And that world record, fully authenticated

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by this very Dynamometer on the 30th November 1934,

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ensured the Flying Scotsman's place in history.

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So there she is, Andrew, beautiful in racing green.

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-She's spectacular.

-She is indeed.

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When we first met, you used a lovely phrase,

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"She's been recently brought back to steam."

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When did she stop steaming?

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She came out of service in 1963

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with the advent of the diesel locomotives.

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-She was earmarked for the

-scrapyard. Genuinely?

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Genuinely, yeah. And she was rescued by a debonair businessman

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who'd been a fighter pilot in the Second World War.

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She's recently been restored back into working service.

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You can't travel on board the Queen Mary,

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you can't travel on board Concorde,

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but you can still get on board Flying Scotsman.

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I think we can get into the cab to have a look.

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After a huge campaign, the old loco was bought

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by the National Railway Museum in 2004.

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-Oh, hello!

-Hello.

-Hello, I'm Tasha.

-Hiya, I'm Clive.

-Clive...

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-Your hands, unsurprisingly, are boiling.

-They're just a bit warm.

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-And mine instantly are black.

-That's the colour we come in.

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-I've got to ask, am I allowed?

-You certainly are.

-To toot the whistle?

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-Blow the whistle.

-Right, are you ready for this?

-Go on, go for it.

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Here goes, lads.

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WHISTLE BLOWS

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Not feeling quite so chuffed is the other Scotsman -

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the fleeing one.

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Now departed from York and just pulled into Pocklington,

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also the proud possessor of a prominent church tower.

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-Hi, I'm Paul.

-Hello, I'm Pat.

-Lovely to see you.

-Nice to see you too.

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-This is lovely, is it not? Three storeys?

-Three storeys, yes.

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Do you know what? I cannot resist that staircase.

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-I'm going to head north and work my way down.

-You go and have a look.

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-See you in a minute.

-OK.

-Cheers, Pat.

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Yes, no time to waste.

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He's already had a bevy of browsing today.

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I adore this.

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Mid-20th century kitchen utility cabinet and it does everything.

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Post-war austerity, small homes built for soldiers

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returning from the war, setting up families.

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This is your larder, this is your work-surface all in one.

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You can have all your tins of Spam and dried eggs

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and, rather usefully, this extending enamel work-surface.

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Absolutely wonderful.

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Now, few years ago this was little better than firewood.

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Today, the price tag on your little kitchenette - £220!

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What's that going to get you?

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It's going to get you a square foot of marble work-surface.

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Pants to that.

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I love it, but it's not helping me today.

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Looks like spending those squillions is proving almost as tough

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as acquiring them in the first place. What about Natasha?

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Behind the wheel of the Mercedes, eh?

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No such worries, it seems, as she takes our road trip out west

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towards Boroughbridge and her first opportunity to start catching up.

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OK. Let's do some shopping.

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-Hello, good afternoon. I'm Natasha.

-How do you do? James.

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Lovely to meet you, James. Thank you for having me along.

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Nice place. What's the plan?

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I need to find something...something fun that's going to help me

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close the gap because I'm way behind Paul at this point.

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This could be quite fun.

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I did quite well with my non-operational

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growling German teddy bear.

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And he was, kind of, in not the best working order.

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This wee penguin is quite similar.

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Here you can see his little feet have burst through.

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It's probably late Victorian, could be 20th century Edwardian.

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Look at how his wee head moves.

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He's saying, "No, no, you cannot catch up with Paul Laidlaw."

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Is this anything but good clean fun?

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No price on him, though.

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Ah, backstage...

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Oh! I have it on good authority from James

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that I'm allowed to go anywhere in the shop.

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How about an old gun case?

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The exterior doesn't really reflect the glorious interior.

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This case has been made by Edward Whistler of London,

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11, The Strand.

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Maybe this is one those instances - don't judge a book by its cover.

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Don't judge a case by its exterior, look inside.

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It smells so good.

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It smells of the grease that's been used to clean the barrels

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and I like it.

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I just need to find out how much it is

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because, crucially, there's no price tag.

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But while the Boroughbridge rummage continues,

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Paul, still empty handed, has arrived at a third shop

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just outside Pocklington at Baaar Farm.

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GOAT BLEATS

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-Greg.

-Hello.

-How are you doing?

-Nice to meet you, Paul.

-It is...

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I would say it's nice to be here, but that would be an understatement.

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In terms of first impression, today in this sunshine,

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I love what I've walked into.

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Oh, good. It's always like this.

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PAUL LAUGHS

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I think Paul may be pinching himself.

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I am happy as Larry.

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Suddenly, barns of the stuff.

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Some containing militaria!

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That's an ammunition box for a Lewis machinegun.

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Great War period, an ingenious American design,

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manufactured under licence

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by the Birmingham Small Arms Company Limited.

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Birmingham Small Arms Limited, BSA,

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the same people that made the bikes.

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Lewis machinegun is the one you've seen in the movies

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that has the disc shaped magazine on top of the gun.

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This magazine box is specifically designed to carry these disc,

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or drum, magazines.

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This one is in immaculately good condition.

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The leather handle is missing and that is commonly the case.

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That's priced up at £40.

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Its value to a specialist buyer - £100 to £150.

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But you think to yourself, "Done it again, Laidlaw, fantastic."

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But here's my problem.

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Too clever for his own good.

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He takes this to an auction

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where it's seen as another old deed box and it makes all of £5.

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See the frustration?

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He's definitely on the case.

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And back in Boroughbridge, so is Natasha.

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She's found a bit of a "barn-I-like", too.

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Now, these are quite cool.

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Are these proper stained glass?

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Let's have a look.

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Are they windows? No, they've got handles.

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OK, let's see. Ah!

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Steady.

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Proper stained glass, not painted.

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Nicely leaded. It's quite an attractive pattern, isn't it?

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Very Art Nouveau, but not as old as that.

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You can say that again.

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Modern handles. So when was this cabinet, or whatever it was, made?

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Probably 1960s, '70s?

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The first one's not cracked.

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I don't see any cracks in the second.

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No, they're in pretty good nick.

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No price again, though.

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I don't really want to offer more that about £40 for the whole lot.

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That's about a tenner a pane.

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It is a "pane."

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There you are. Don't get up, please. You look so relaxed.

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I feel like this is sort of Godfather negotiations

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-and you're sitting in the Godfather chair!

-Now, my dear, what can I do?

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Softening him up, get ready for an offer he could well refuse.

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There are a few things that have caught my eye,

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the lovely leaded and stained glass panels in the shed.

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They are about £30.

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-£30 a panel. And the gun case.

-And the gun case.

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The canvas gun case with that lovely green interior.

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I was looking for about £75.

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If I could tempt you to do the two items...

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for £90? What do you think?

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-Could we make it just a little... 110.

-110.

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In the spirit of good fun and meeting one another halfway,

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-should we say 100?

-105.

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We could keep going all day!

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-105 and we've got a deal.

-Oh, for goodness' sake, go on!

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Go on!

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And she's still got a little bit left.

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-You'd better win.

-Thank you!

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So while Natasha goes to grab her purchases,

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her wealthy chum is still down on the farm.

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One ammo box pending, he's thinking of leaving

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his usual comfort zone with a few rustic items.

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Daft garden pieces like your hoes and...

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That's really nice, I'm no farmer or anything,

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but it's supposed to be, I believe, for potato...

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-That's for hoeing.

-For breaking up the soil on it.

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What buys something like that?

0:16:380:16:40

I don't know what price we have on it,

0:16:400:16:42

it's probably very reasonably priced anyway. 65.

0:16:420:16:45

I could do a little better on it if that's something.

0:16:450:16:49

-I think we're going down the right lines.

-OK.

0:16:490:16:51

Or furrow.

0:16:510:16:53

If I could come away with a piece or three like that...

0:16:530:16:57

In for a penny, eh, Paul?

0:16:570:16:59

What about the likes of these Mexican hat troughs?

0:16:590:17:02

Yeah. Pig feeders.

0:17:020:17:03

We got them initially because we had pigs.

0:17:030:17:06

As you do.

0:17:060:17:07

What are these like to sell?

0:17:070:17:09

They do better at auction, really, to tell you the truth.

0:17:090:17:11

-OK, what's the price on them?

-I think 120, something like that.

0:17:110:17:15

-120.

-Yeah, 120. But usually at auction they go anywhere

0:17:150:17:20

from 80 on up.

0:17:200:17:21

That's a lot in there, isn't there?

0:17:210:17:23

That's just it, they are very cumbersome and heavy,

0:17:230:17:26

-but they make a real nice garden feature.

-I can see that.

0:17:260:17:29

Are you watching, Philip Serrell?

0:17:290:17:32

That's a charming thing by any measure.

0:17:320:17:35

Not how most people would describe a humble seed drill.

0:17:350:17:38

So, you've got your blade, your hopper

0:17:380:17:40

and these fantastic wrought wheels.

0:17:400:17:43

-Late 19th, early 20th-century.

-Maybe '30s.

-As late as that?

0:17:430:17:47

So, what buys something like that?

0:17:470:17:49

Got 65 on this, but if you look at the inside,

0:17:490:17:52

and it's not working right now, you'd need to mess with it.

0:17:520:17:55

It's rusted up, but this would be spinning, as you push it,

0:17:550:17:59

the wheel would drive this brush and shoot this seed down

0:17:590:18:02

this little hole into the ground.

0:18:020:18:04

Utterly charming. I see why people are into these.

0:18:040:18:08

What could possibly top that?

0:18:080:18:10

That's just a lovely object by any measure.

0:18:100:18:13

It's a cart jack for changing a wagon wheel.

0:18:130:18:18

So you adjust the height on that pin, how do you lock it up?

0:18:180:18:22

I don't think you lock it up.

0:18:220:18:24

I think someone needs to just hold it.

0:18:240:18:26

-So somebody you trust when you're underneath the axle?

-Exactly.

0:18:260:18:30

Price on that is £46.

0:18:310:18:34

-40 would buy it.

-Doesn't sound dear.

0:18:340:18:37

OK, Greg's got his pencil and paper, time to do that deal.

0:18:370:18:41

We've got the jack and the jack can be...

0:18:410:18:45

-40.

-40.

-Yeah.

0:18:450:18:48

We've got the Mexican hat troughs.

0:18:480:18:50

All right, so you're thinking about those.

0:18:500:18:52

-Yeah, I'm thinking about one. The bottom line on one of those?

-65.

0:18:520:18:57

-The seed drill.

-50.

0:18:570:19:00

-Put it on the list. Potato rake.

-I think that was 65 on that, too.

0:19:000:19:05

-But it could be...

-Again, it could be 50.

-OK.

0:19:050:19:09

So, what does all that lot come to?

0:19:090:19:12

-It comes to 205.

-205.

0:19:120:19:13

-You want all four.

-I might do!

-If the price is right.

0:19:130:19:17

If you tempt me with numbers.

0:19:170:19:20

-All right.

-160 quid means 40 quid a piece.

0:19:200:19:22

I don't know if I can do that.

0:19:220:19:24

190 would be it.

0:19:240:19:26

-So 190.

-For all four.

0:19:260:19:28

-Wait there.

-Yes.

-Don't go anywhere!

-OK.

0:19:280:19:31

Looks like I'm going to have to throw in a freebie.

0:19:310:19:34

Just something a bit more familiar.

0:19:340:19:36

I came here with nothing.

0:19:360:19:38

At this rate, I could walk out with five items.

0:19:380:19:40

And how I'm going to move them, I've got no idea!

0:19:400:19:43

Right, old ammo box.

0:19:440:19:46

-That is a big price tag.

-You think?

0:19:460:19:50

I don't, actually, but I'm going to say it is.

0:19:500:19:55

£40, viewers.

0:19:550:19:56

We're at 190, what buys five things?

0:19:560:20:00

230.

0:20:000:20:02

What?

0:20:020:20:03

220.

0:20:030:20:05

You like it? Good luck.

0:20:050:20:08

Crikey, Paul. Let's hope that none of that old ironwork

0:20:080:20:12

ended up in the boot.

0:20:120:20:13

Nighty-night, guys.

0:20:130:20:16

Now, usually at this point, we feature shots of a classic car

0:20:180:20:22

whizzing through some lovely landscape.

0:20:220:20:24

Sorry.

0:20:240:20:26

-What did you do to the car yesterday?

-Oh, I was driving.

0:20:260:20:29

-The car was fine!

-It was making the odd squeak, I'm not going to lie.

0:20:290:20:33

SHE MIMICS CAR SQUEAKING

0:20:330:20:35

Part of its Germanic charm.

0:20:350:20:37

Anyway, yesterday, Paul was our bulk buyer

0:20:370:20:41

acquiring a smallholding's worth of agricultural oddments

0:20:410:20:45

including a potato rake, a seed drill, a pig trough and a cart jack.

0:20:450:20:50

That's just a lovely object, by any measure.

0:20:500:20:53

Plus an ammo box,

0:20:530:20:56

leaving him with almost £350 for future purchases,

0:20:560:20:59

while Natasha plumped for some stained-glass windows

0:20:590:21:04

and a gun case.

0:21:040:21:05

I normally buy the opposite of this sort of item. I'm quite drawn to it.

0:21:050:21:09

Enough to reduce her float to just £87.

0:21:090:21:13

Now, sit back and enjoy this 2008 Skoda Octavia.

0:21:130:21:18

I'm still new to driving it so I do enjoy it,

0:21:180:21:20

but I quite enjoy being driven around, don't you?

0:21:200:21:22

Maybe this is a new show, the Taxi Road Trip.

0:21:220:21:25

Nice, but not enough jeopardy.

0:21:250:21:28

Later, they'll be heading south to an auction in Norfolk

0:21:290:21:32

at Downham Market, but our first stop is the Yorkshire village

0:21:320:21:35

of Cullingworth.

0:21:350:21:37

Once part of the old West Riding.

0:21:390:21:42

Thank you! Take care!

0:21:420:21:44

-See you later.

-Bye-bye!

0:21:440:21:47

And famous for worsted production.

0:21:470:21:49

Hello, good morning, I'm Tasha!

0:21:490:21:50

Hello, Natasha, welcome to Antiques at the Mill, I'm Cherry.

0:21:500:21:53

Cherry, lovely to meet you, thank you very much for having me along.

0:21:530:21:56

-All I can think of is "trouble at mill".

-Quite possibly.

0:21:560:22:00

I don't see why, Natasha. More like grist to the mill, darling.

0:22:000:22:04

This is big.

0:22:060:22:07

Exactly. The only thing that isn't is your wee fund.

0:22:070:22:10

I've not even got £100 left and I've got a lot to buy,

0:22:100:22:14

so I'm going to have to think cheap, but not common.

0:22:140:22:18

Whatever that means.

0:22:180:22:19

Not sure. How about that?

0:22:190:22:21

In Glasgow, there's nothing we like more than a hot wash

0:22:210:22:25

and here is what I'd call a pulley.

0:22:250:22:27

You'd do your washing and if the weather's not good,

0:22:270:22:30

which by the by in Scotland it usually isn't,

0:22:300:22:33

then you have the pulley in your kitchen,

0:22:330:22:36

in the heart of the home.

0:22:360:22:37

You've got the range going, you'd hang it on the pulley,

0:22:370:22:40

pull it up, and then the heat in the kitchen would dry the clothes.

0:22:400:22:44

Yes, it might smell a little bit of the stew on the stove,

0:22:440:22:48

but never mind that. These are great things. What's it got on it?

0:22:480:22:51

Oh, they've described it as a criel. I've never heard of that.

0:22:510:22:53

In Scotland, a creel's for catching lobsters,

0:22:530:22:56

but maybe that's another word for a pulley.

0:22:560:22:58

Proper Yorkshire dialect, actually. £75.

0:22:580:23:01

These are quite nice, actually.

0:23:010:23:03

Very old spool!

0:23:030:23:05

Genuine Yorkshire mill mementoes.

0:23:050:23:08

Right place, then.

0:23:080:23:10

So you've got a set of six skittles, and handily,

0:23:100:23:13

you've got the two wooden balls as well.

0:23:130:23:16

Now, the label here is lovely.

0:23:160:23:18

"Have hours of fun with durable wood toys originally created

0:23:180:23:22

"for the children of mill workers almost a century ago."

0:23:220:23:25

You get them for bobbins too.

0:23:250:23:27

Ah, more wood.

0:23:270:23:29

This appeals to me purely because, A, it's pretty good quality,

0:23:290:23:33

and B, because it's functional. It's not just a pretty thing.

0:23:330:23:36

People would buy this to sit in it. It's actually really attractive.

0:23:360:23:41

It's got a nice smooth seat

0:23:410:23:43

with a little bit of a drop for your bottom.

0:23:430:23:46

It's got this balustrade at the top here

0:23:460:23:49

and you've got this shell carving at the top as well.

0:23:490:23:52

It's £50. Perhaps I could get it for 20.

0:23:520:23:55

Then you'd be sitting pretty.

0:23:550:23:57

Definitely worth talking about.

0:23:570:23:59

I think the only trouble at this mill

0:23:590:24:02

will be you deciding what to buy.

0:24:020:24:04

This would have been very much a gentleman's item.

0:24:040:24:07

A little pipe cabinet.

0:24:070:24:09

Look how sweet it is!

0:24:090:24:10

It's got little hinged brackets there and they fall down.

0:24:100:24:14

Space for three pipes on one side, space for three pipes on the other,

0:24:140:24:17

and inside, space... more for display,

0:24:170:24:21

maybe your finer pipes go in the back there

0:24:210:24:23

and then a handy wee drawer that you see in all smoker's cabinets.

0:24:230:24:27

It's not that old. When's that from?

0:24:270:24:29

Probably the 1950s, judging by the handles and the condition.

0:24:290:24:33

£40 it has on it.

0:24:330:24:35

That is probably, if bought by somebody who collect pipes

0:24:350:24:38

and uses pipes, going to be used.

0:24:380:24:41

It's more for function as opposed to form. I quite like that.

0:24:410:24:44

So over to Cherry.

0:24:440:24:46

There is a pipe cabinet on the wall marked up at 40.

0:24:460:24:50

I was hoping that maybe we could do that for £20.

0:24:500:24:53

25.

0:24:550:24:57

25... Could we do it for 22?

0:24:570:25:01

-Go on, then, 22.

-OK, cool!

0:25:040:25:06

Not so cool is the fact that the other stuff she is after

0:25:060:25:10

belongs to a dealer who is currently elsewhere, so gird your loins.

0:25:100:25:13

-Would you like to speak to her, shall I?

-I'll give it a bash.

0:25:130:25:17

Hi, Sharon, how are you?

0:25:170:25:20

I like your stand, it's supercool.

0:25:200:25:22

Quite keen on the rocking chair.

0:25:220:25:23

You've got £50 on it, OK, and then I love the pulley and I love also

0:25:230:25:28

the skittles, the vintage skittles which have been recycled.

0:25:280:25:32

The pulley's on at 75 and the skittles are on at 10.

0:25:320:25:35

My maths is quite poor, and to me that adds up to about £60?

0:25:350:25:41

Titter ye not!

0:25:410:25:43

75. OK.

0:25:430:25:45

And what if we take the pulley out of the equation

0:25:450:25:49

and if we did the chair for 20 and the skittles for five,

0:25:490:25:55

could we do 25?

0:25:550:25:57

We can do 30?

0:25:570:25:59

OK, well, I think that's really generous,

0:25:590:26:01

and I'll go for 30 for the chair and the skittles.

0:26:010:26:04

Well, all that went smoothly, so £52 paid for those three items.

0:26:040:26:08

-Don't come again.

-I'll only come back if I make a profit. How's that?

0:26:080:26:11

-I'm just kidding.

-Oh, you will, you will.

-I believe you, Cherry.

0:26:110:26:14

-Bye.

-Bye, Cherry.

-Taxi!

0:26:140:26:17

Not the same one, of course. Paul has that.

0:26:190:26:22

En route to the nearby city of Bradford,

0:26:220:26:25

and the National Media Museum...

0:26:250:26:28

-Thank you, mate.

-Aye, see you.

0:26:280:26:30

..to discover more about a form of photography he finds fascinating.

0:26:300:26:35

Witness this find from the last series.

0:26:350:26:37

Stereoscopy. Incredible subject.

0:26:370:26:40

Photographs through a viewer, giving a 3-D effect.

0:26:400:26:44

-But does he know it all started with the Victorians?

-Hello, Colin?

0:26:440:26:48

-Paul. Welcome. Welcome to the National Media Museum.

-Lovely.

0:26:480:26:52

What an amazing looking building!

0:26:520:26:54

Amongst the huge collection of objects and images in here

0:26:540:26:58

is a section dedicated to the very earliest days of photography.

0:26:580:27:03

This is an example of a daguerreotype,

0:27:030:27:05

the earliest photographic process. At the same time,

0:27:050:27:08

-there was a chap called William Henry Fox Talbot.

-Indeed.

0:27:080:27:11

Who invented a different process using paper negatives, and we've got

0:27:110:27:14

some examples here of photographs taken by Talbot in the 1840s.

0:27:140:27:18

I daresay, in 1840, this was shocking.

0:27:180:27:21

If I had walked up to Joe Public and said, "Look at that," it wouldn't...

0:27:210:27:26

-Shockingly real.

-Talbot actually described this,

0:27:260:27:28

"A little bit of magic realised," and they are magical.

0:27:280:27:31

The fact that you could just use light alone

0:27:310:27:33

to capture a scene and to retain it permanently.

0:27:330:27:36

Chemistry had suddenly put those pioneers

0:27:360:27:39

on a par with the great artists.

0:27:390:27:41

But photography remained equally two-dimensional

0:27:410:27:44

until it was combined with the work of another Victorian inventor,

0:27:440:27:47

Sir Charles Wheatstone.

0:27:470:27:49

Stereoscopy actually predates photography.

0:27:490:27:52

-Right.

-In 1838, he wrote about the theory of binocular vision.

0:27:520:27:57

So, can I take it that this pair of photographs

0:27:570:28:00

-lead us into stereoscopy?

-Initially, you might think they're identical.

0:28:000:28:04

But if we look closely, they're not identical,

0:28:040:28:06

there's a subtle difference, and the difference is

0:28:060:28:09

this photograph is taken from the viewpoint of your right side

0:28:090:28:12

and this from the viewpoint of your left eye.

0:28:120:28:14

If you put these together

0:28:140:28:15

in a special instrument called a stereoscope,

0:28:150:28:17

your brain converts this into a three-dimensional image.

0:28:170:28:21

That's astonishing.

0:28:210:28:23

Stereoscopy and photography have an intimate relationship that goes back

0:28:230:28:27

right to the origins of both.

0:28:270:28:28

In 1840, Wheatstone was awarded the Queen's Medal by the Royal Society

0:28:280:28:33

for his work on binocular vision,

0:28:330:28:36

and the stereoscope soon ushered in a fascinating era of depth.

0:28:360:28:40

Into the parlour.

0:28:400:28:42

As his idea of capturing two images from slightly different positions

0:28:420:28:46

-revolutionised the new art form.

-Do you want to have a try?

0:28:460:28:49

-May I? Yes.

-Have a go.

-Look at this.

0:28:490:28:52

And it works immediately.

0:28:520:28:55

PAUL LAUGHS

0:28:550:28:56

The effect is still quite magical.

0:28:560:28:58

It's genuinely a 3-D image. You feel you could reach into it.

0:28:580:29:03

And you could buy views, which could be travel views, they could be works

0:29:030:29:07

of art, sculpture, celebrities from stage, from literature, politicians,

0:29:070:29:12

or they could be something a bit more racy,

0:29:120:29:14

like this, from the theatre.

0:29:140:29:16

-PAUL LAUGHS

-Showing a glimpse of ankle.

0:29:160:29:17

Not quite right, but here's an idea

0:29:180:29:21

of what was keeping them so entranced. 3-D?

0:29:210:29:24

So you could buy these,

0:29:240:29:26

take them home and view them in the comfort of your home.

0:29:260:29:28

So you could travel the world without leaving your armchair.

0:29:280:29:31

So you may not be able to afford the Thomas Cook ticket to Egypt,

0:29:310:29:34

but you probably can afford the viewer and the album of views

0:29:340:29:38

-and travel the world that way.

-Yes.

0:29:380:29:40

Sometime around the turn-of-the-century,

0:29:400:29:42

the fad began to wane, though.

0:29:420:29:45

Perhaps obscured by the rise of the moving pictures,

0:29:450:29:48

but it was always ripe for reinvention.

0:29:480:29:51

We're into the 1950s and beyond here,

0:29:510:29:54

where stereoscopy has become 3-D.

0:29:540:29:56

-Fantastic stuff.

-But it's not all about entertainment.

0:29:560:30:00

It also has a vitally important application,

0:30:000:30:02

and believe it or not, in this little wallet,

0:30:020:30:04

I've got an instrument here

0:30:040:30:06

which helped us to win the Second World War.

0:30:060:30:08

Go on, you've got my attention now.

0:30:080:30:09

This is a War Department type D stereoscope.

0:30:090:30:14

And this is the sort of instrument

0:30:140:30:15

that was used in the Second World War by the RAF analysts

0:30:150:30:18

to analyse the aerial photographs in 3-D

0:30:180:30:21

to actually work out where the launch sites were

0:30:210:30:24

for the doodlebugs so that the RAF could go over and bomb them

0:30:240:30:27

before they could blitz Britain.

0:30:270:30:28

So we've come from the pastimes of the Victorians in their parlours

0:30:280:30:33

to secret military intelligence during the Second World War?

0:30:330:30:37

Right the way through to today - virtual reality and apps

0:30:370:30:41

for your smartphone where we still see 3-D stereoscopic images.

0:30:410:30:45

Colin, that's an astonishing history,

0:30:450:30:48

and thank you for explaining it

0:30:480:30:50

and showing me all these wonderful artefacts, Colin.

0:30:500:30:52

It's been a real pleasure, Paul. Thank you.

0:30:520:30:54

Now, where's Natasha got to?

0:30:590:31:00

The Pennines, that's where -

0:31:000:31:03

at Hebden Bridge in the happy Calderdale Valley.

0:31:030:31:06

No smiley face for the cash she has left to spend, though.

0:31:080:31:12

Scary.

0:31:120:31:13

Yep. Just £35.

0:31:130:31:15

So choose wisely.

0:31:150:31:18

It's a pipe in the form of a clog.

0:31:180:31:20

Look how cute that is - just a tiny wee one.

0:31:200:31:22

-Just...

-SHE IMITATES PUFFING

0:31:220:31:24

Wooden tobacco section, Bakelite mouthpiece,

0:31:240:31:27

probably from around the 1930s or so.

0:31:270:31:29

And does it not fall into the novelty category?

0:31:290:31:33

Would go with her rack!

0:31:330:31:34

Wasn't exactly what I was looking for, but at...

0:31:340:31:37

£10, it's not exactly going to break the bank.

0:31:370:31:40

I'll put it in my pocket, keep it with me.

0:31:400:31:42

I was hoping to find something a wee bit more sophisticated.

0:31:420:31:44

The pipes are definitely calling.

0:31:440:31:46

Seek and ye shall find.

0:31:460:31:48

Here is a nice pipe.

0:31:480:31:49

Now, compare that in quality

0:31:490:31:53

to the clog.

0:31:530:31:54

You can see, instantly, that, A, it's more sophisticated,

0:31:540:31:59

and, B, it's probably an earlier model.

0:31:590:32:01

The quality is there.

0:32:010:32:04

This here...

0:32:040:32:06

Now, what is that?

0:32:060:32:07

Do you know, that's so light and thin...

0:32:090:32:11

Could that be the spine of a feather?

0:32:130:32:17

£38?

0:32:170:32:18

I think I'll have a bash at the two of them.

0:32:180:32:20

Remember, she only has 35.

0:32:200:32:21

-Hello, I'm Natasha.

-Hiya. Nice to meet you, I'm Peter.

-Peter?

0:32:210:32:24

I have come across these two pipes.

0:32:240:32:27

£48 full price here.

0:32:270:32:30

What if I offered, for the two...

0:32:300:32:32

-..£20?

-HE EXHALES

0:32:330:32:35

HE SUCKS AIR

0:32:350:32:36

-That would be a... a real bargain, wouldn't it, at 20?

-It would be.

0:32:360:32:39

Shall we try...

0:32:390:32:42

£40 for two?

0:32:420:32:43

I simply can't afford £40.

0:32:430:32:45

I think my very top offer... Is it too cheeky?

0:32:450:32:49

It's going to be 25.

0:32:500:32:51

Can we just push it to 30, and I might be able to meet you there?

0:32:510:32:54

Can we make it 27?

0:32:540:32:56

-Yes, go on, then.

-We could?

0:32:560:32:57

For you, yes, we'll do 27.

0:32:570:32:59

I thought you were going to tell me to pipe down!

0:32:590:33:01

THEY LAUGH

0:33:010:33:02

Just squeezed in.

0:33:020:33:03

-Well, that's brilliant. Wish me luck.

-Good luck.

0:33:030:33:05

-Thank you, Peter, bye-bye.

-Bye.

0:33:050:33:07

So while those two take a look at each other's lots,

0:33:070:33:10

why don't we do likewise?

0:33:100:33:13

Natasha spent £184

0:33:130:33:16

on some stained-glass windows,

0:33:160:33:17

a gun case, the skittles,

0:33:170:33:19

rocking chair,

0:33:190:33:21

smoker's cabinet and pipes.

0:33:210:33:23

While Paul parted with £220

0:33:230:33:26

on an ammunition box,

0:33:260:33:29

a Mexican Hat trough,

0:33:290:33:30

a potato rake, a cart jack,

0:33:300:33:33

and a seed drill.

0:33:330:33:34

So who's about to harvest a profit, eh?

0:33:360:33:39

What's to be said about a pile of scrap iron?

0:33:390:33:41

What on earth was I thinking?

0:33:410:33:43

Paul's clearly become a farmer in his spare time, so I'll go with it.

0:33:430:33:47

The gun case, I like.

0:33:470:33:50

The label makes it.

0:33:500:33:52

£40 paid, and that could make double that.

0:33:520:33:55

I've gone a bit traditional, a bit brown.

0:33:550:33:58

A little bit smoky.

0:33:580:34:00

I think we'll just pass over the windows, shall we?

0:34:000:34:02

Second-hand, nasty,

0:34:020:34:05

'80s, '90s - they may not get a bid.

0:34:050:34:08

Crikey!

0:34:080:34:10

After starting off from York,

0:34:100:34:12

our experts are now on their way to auction

0:34:120:34:14

in Norfolk at Downham Market,

0:34:140:34:16

and back in their shiny Mercedes.

0:34:160:34:18

What about all your sort of farming stuff?

0:34:180:34:21

-It's consistent.

-It is consistent.

0:34:210:34:22

You can actually find this auction with a magnetic compass.

0:34:220:34:26

The Hawkins family have been doing this for over 150 years.

0:34:260:34:31

-This is our spot.

-THEY LAUGH

0:34:310:34:33

Let's hear the thoughts of great-grandson-of-the-founder Barry.

0:34:340:34:38

One gun case.

0:34:380:34:39

The size for the stock in there is a bit on the short side,

0:34:390:34:43

so we may have a problem in making much more

0:34:430:34:45

than a tenner off it, if that.

0:34:450:34:46

The potato harrow, it is an interesting item.

0:34:460:34:50

I don't think I've ever actually ever seen one before.

0:34:500:34:53

Could make something in there, £30-50.

0:34:530:34:56

Stained-glass windows, they are, in actual fact, fairly modern.

0:34:560:35:00

£1 or so.

0:35:000:35:02

Thanks, Barry. I think.

0:35:020:35:04

Oh, we've got front-row seats.

0:35:040:35:08

And here they are, in their glory, Natasha.

0:35:080:35:10

£20?

0:35:100:35:12

A tenner? A fiver?

0:35:120:35:14

-£5 I'm bid. 8.

-You've got a hand up.

0:35:140:35:15

12, 15, 18, 20.

0:35:150:35:18

-PAUL:

-Still this lady here.

0:35:180:35:20

22, 25?

0:35:200:35:21

28 in the corner.

0:35:210:35:23

At 30.

0:35:230:35:25

30, 35? 40.

0:35:250:35:26

45.

0:35:260:35:27

-Ooh!

-All done at 45?

0:35:290:35:31

Seriously, I think that's a result.

0:35:310:35:33

I think you might be right.

0:35:330:35:35

Done with such style, too.

0:35:350:35:37

Barry is the fastest auctioneer in the west.

0:35:370:35:41

Or, no, are we in the east?

0:35:410:35:43

Now, I think this may be our very first cart jack.

0:35:430:35:46

Starting at £50?

0:35:460:35:48

Tuppence-ha'penny, then?

0:35:480:35:50

2, 5, 8, 10.

0:35:500:35:54

The cart jack at 10, 12, 15.

0:35:540:35:57

At 15... Look, it goes well in the garden, if nothing else.

0:35:570:35:59

At 15, 18, I'm bid at 18. 20.

0:35:590:36:02

20, the bidder's right there.

0:36:020:36:04

20, all done at £20?

0:36:040:36:06

-I'm taking some pain here.

-Oo-o-oh.

-Ouch.

0:36:060:36:09

And I think there could be more of that to come.

0:36:090:36:12

Could Paul have got this one wrong?

0:36:120:36:13

Is Downham not the market for this sort of stuff?

0:36:130:36:17

Have you seen the wee lot indicator?

0:36:170:36:18

It's so cool!

0:36:180:36:20

He does cricket scoring at the weekend(!)

0:36:200:36:22

You could get a job as the lot number clicker.

0:36:220:36:25

Ah!

0:36:250:36:26

Any pipe smokers in?

0:36:260:36:29

At least two, ideally.

0:36:290:36:30

I don't know if we're going to do £49.

0:36:300:36:33

Don't say "we". Did you say "we" or "they"?

0:36:330:36:35

Don't drag me into the mess.

0:36:350:36:37

There we are, £1,000, then, this time?

0:36:370:36:39

LAUGHTER

0:36:390:36:40

2 I'm bid.

0:36:400:36:42

5, 8, 10.

0:36:420:36:43

15. Come on! 18.

0:36:430:36:45

At 20. 22.

0:36:450:36:47

25. Come on!

0:36:470:36:49

-Yeah, come on.

-Shouting at them, that's great.

0:36:490:36:52

"You, bid!"

0:36:520:36:53

-40. 45.

-Wait a minute. Wait a minute.

0:36:530:36:55

You all right?

0:36:550:36:56

You're good.

0:36:560:36:58

At 55, right-hand, quickly, at 55?

0:36:580:37:01

The man commands bids.

0:37:010:37:03

Wait a minute, we started at five.

0:37:030:37:04

We got 55 because he just shouted at them.

0:37:040:37:07

Via two come ons!

0:37:070:37:09

That one was definitely down to Barry.

0:37:090:37:11

A big fan of Mexican food?

0:37:120:37:13

Yes, let's think positive for Paul's second bit of farminalia.

0:37:140:37:19

It's a beautiful day, people could be inspired by gardening items.

0:37:190:37:23

You're good at... You're like a tonic.

0:37:230:37:26

-David, I asked you to hold this up, didn't I?

-No.

0:37:260:37:28

Oh, dear. Start that one £50 or 60?

0:37:280:37:31

Surely. Go on.

0:37:310:37:33

A tenner? A fiver?

0:37:330:37:34

8, 10, 12, 15.

0:37:340:37:36

18, 20, 22.

0:37:370:37:39

25, 28, 30.

0:37:390:37:41

At £30. £30!

0:37:410:37:43

Oh, no, come on, come on, come on.

0:37:430:37:44

At £30.

0:37:450:37:47

SHE GROANS

0:37:470:37:49

You seem like you're about to implode.

0:37:510:37:53

Huh! He's not used to this.

0:37:530:37:55

You look like you just had, like, a jalapeno.

0:37:550:37:57

Natasha's turn. Her skittles.

0:37:590:38:02

Tenner? 2 I'm bid.

0:38:020:38:04

At 4?

0:38:040:38:05

4, 6.

0:38:050:38:07

Come on!

0:38:070:38:09

£8.

0:38:090:38:10

10, 12. 12.

0:38:100:38:12

Do you know, what are you hesitating? 12, 15.

0:38:120:38:15

15, 18.

0:38:170:38:19

At 18. Come on!

0:38:190:38:20

-I'm getting frightened.

-At 18.

0:38:220:38:24

I'm glad I'm selling, not buying.

0:38:240:38:26

Imagine you were on the receiving end of "come on!"

0:38:260:38:29

"That poor man traumatised me.

0:38:290:38:31

"And I bought some stained glass windows I didn't want."

0:38:310:38:34

Yes, but, strangely, it's only working for Natasha's lots.

0:38:340:38:37

So maybe it's just you.

0:38:370:38:38

Perhaps a bit of trademark militaria can turn things round.

0:38:400:38:43

Nice little ammunition box.

0:38:430:38:45

It's a nice little ammunition box.

0:38:450:38:46

Start that one £20 or £30?

0:38:460:38:48

A tenner?

0:38:480:38:49

5? 5 bid here.

0:38:490:38:52

10, 12, 15, 18, 20.

0:38:520:38:54

Oh, it's flying.

0:38:540:38:56

-22, 22, 22, 25.

-That's better than I thought. It's still cheap.

0:38:560:38:58

At 25, at 25.

0:38:580:39:00

Closing at 25.

0:39:000:39:02

-Commission bid's got it.

-£25.

0:39:020:39:04

You know what? I'll take that.

0:39:040:39:06

That's a loss, and I am not disappointed.

0:39:060:39:09

Yes, things are almost looking up(!)

0:39:090:39:11

Natasha's case. The gun one.

0:39:110:39:14

Is that more of a Paul thing?

0:39:140:39:16

Just trying to be cool in front of you, and it's not really working,

0:39:160:39:19

so I bought something about which I know nothing.

0:39:190:39:21

Here we are, lovely little gun case, then, for you.

0:39:210:39:24

Work it, Barry, work it.

0:39:240:39:25

A tenner? A fiver?

0:39:250:39:26

At £10.

0:39:260:39:28

12, 12.

0:39:280:39:31

15, 18.

0:39:310:39:32

-20, 22.

-Plenty of people are playing at it.

0:39:320:39:35

25, 28, 28, 28... Come on!

0:39:350:39:38

-At 28. There at 28.

-"Are you a man or a mouse?"

0:39:380:39:41

-Aw, Paul, it's going.

-£28.

0:39:410:39:43

SHE GROANS

0:39:430:39:46

-"I know nothing."

-Neither do I!

0:39:460:39:49

Well, that's three of us.

0:39:490:39:50

I think I should actually just give up

0:39:500:39:52

and become the clicker of the lot numbers.

0:39:520:39:54

That's all I'm qualified to do.

0:39:540:39:56

Perhaps spuds are more the thing.

0:39:560:39:59

Paul's latest rusty offering.

0:39:590:40:00

Right, there we are, look, being held up for you.

0:40:000:40:03

Right, you all know what it is? Right.

0:40:030:40:05

-Start me at £100?

-Ooh.

0:40:050:40:07

-50? A tenner?

-I like the optimism.

0:40:070:40:09

At £10.

0:40:090:40:11

£10!

0:40:110:40:12

SHE SQUEALS

0:40:120:40:13

-12, 15, 18, 20.

-Man!

0:40:130:40:15

£20, 22, 25.

0:40:160:40:18

28. £30, 30.

0:40:180:40:20

Oh, don't want to wear David out. You can put it down.

0:40:200:40:23

28, 30.

0:40:230:40:25

35, 40.

0:40:250:40:26

-Wait a minute, wait a minute.

-At 40?

0:40:260:40:28

Almost not lost money.

0:40:280:40:30

At £40.

0:40:300:40:33

Didn't quite rake in the profit I'd hoped for, did it?

0:40:330:40:35

-SHE GROANS

-Boom. Did you hear that?

0:40:350:40:36

Did you see that?

0:40:360:40:37

A few more pounds off his pile.

0:40:370:40:39

Anything else, Paul?

0:40:390:40:41

It's more cast iron garden scrap.

0:40:410:40:44

It's a seed drill.

0:40:440:40:45

She's right, invented by Jethro Tull.

0:40:450:40:48

Before the whole rock thing took off.

0:40:480:40:51

£40 or £50? A tenner?

0:40:510:40:53

I love his optimism at the beginning of these things,

0:40:530:40:56

-and then it just...

-It's a quick job.

-It is.

0:40:560:40:58

Now, all begin to wake up? At 5, 8, 10.

0:40:580:41:01

-At 10, 12, 15.

-We've been here before.

0:41:010:41:04

At 18, 18 on the floor.

0:41:040:41:06

20, 22.

0:41:060:41:07

22, 25.

0:41:070:41:09

On my book at 25.

0:41:090:41:10

25, quickly out at 25?

0:41:100:41:14

Was that my worst result at auction ever?

0:41:140:41:17

The Antiques Road Trip annals are being consulted as I speak.

0:41:170:41:21

I got two chapters of my memoir today.

0:41:210:41:23

One, just Barry L Hawkins, the man.

0:41:230:41:26

And then another chapter which is Laidlaw. Worst day ever?

0:41:260:41:30

Someone might read it while sat in this very chair, Natasha.

0:41:300:41:33

-Can you hold it up, David?

-Yes, David.

0:41:330:41:35

That chair, then, start that one at £50?

0:41:350:41:38

A tenner?

0:41:380:41:39

10, 12, 15, 18, 20.

0:41:390:41:42

-25, 28, come on.

-That'll do.

0:41:430:41:45

30, 35.

0:41:450:41:47

-The lady, it's against you there.

-Shout, shout!

0:41:470:41:50

-At 35...

-Shout. Scream at them.

0:41:500:41:52

I'm trying!

0:41:520:41:54

Where did I get to? Now I'm lost.

0:41:540:41:56

28, 30.

0:41:560:41:57

32, 35.

0:41:570:42:00

35, 38.

0:42:000:42:02

40, at £40.

0:42:020:42:03

-Come on!

-Yeah!

0:42:030:42:06

The bid is here at 40.

0:42:060:42:08

It's got history to it now.

0:42:080:42:10

At £40, 40.

0:42:100:42:12

45, 50.

0:42:120:42:14

-SHE GASPS

-It's flying!

0:42:140:42:16

£50, in the door at £50.

0:42:160:42:17

You're done at £50.

0:42:170:42:19

Natasha's had a comfortable victory today.

0:42:210:42:24

Let's get out of here and, erm...

0:42:240:42:27

-do a reality check.

-Yeah, yeah, OK.

0:42:270:42:30

Paul began with...

0:42:300:42:31

He made a loss after auction costs of £105.20.

0:42:330:42:36

So he's ended up with...

0:42:380:42:40

Whilst Natasha started out with...

0:42:430:42:45

And after a much smaller loss of £23.28 after costs,

0:42:460:42:51

she has just...

0:42:510:42:52

..for next time.

0:42:540:42:56

Still a long way behind, but she's the winner today.

0:42:560:42:59

Pinch yourself, Paul.

0:42:590:43:01

-That was real.

-Oh, dearie me!

0:43:010:43:05

Cheerio!

0:43:050:43:06

You get over there!

0:43:060:43:08

Next on the Antiques Road Trip...

0:43:080:43:11

Natasha does her homework...

0:43:110:43:13

-I'm getting all excited.

-SHE LAUGHS

0:43:130:43:15

..and Paul goes old school.

0:43:150:43:17

Many an old boy has come back and they've had the cane in here.

0:43:170:43:20

THEY LAUGH

0:43:200:43:21

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