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It's the nation's favourite antiques experts. | 0:00:02 | 0:00:04 | |
-With £200 each... -I want something shiny. | 0:00:04 | 0:00:06 | |
..a classic car and a goal to scour Britain for antiques. | 0:00:06 | 0:00:10 | |
-I like a rummage. -I can't resist. | 0:00:10 | 0:00:13 | |
The aim? To make the biggest profit at auction. | 0:00:13 | 0:00:15 | |
BELL RINGS But it's no mean feat. | 0:00:15 | 0:00:17 | |
Why do I always do this to myself? | 0:00:17 | 0:00:19 | |
-There will be worthy winners... -Give us a kiss. | 0:00:19 | 0:00:21 | |
-..and valiant losers. -Come on, stick 'em up. | 0:00:21 | 0:00:24 | |
-So, will it be the high road to glory? -Onwards and upwards. | 0:00:24 | 0:00:26 | |
-Or the slow road to disaster? -Take me home. | 0:00:26 | 0:00:29 | |
This is Antiques Road Trip. | 0:00:29 | 0:00:31 | |
Yeah! | 0:00:33 | 0:00:35 | |
Welcome to the ancient county town of Yorkshire | 0:00:36 | 0:00:40 | |
in the company of Natasha Raskin and Paul Laidlaw. | 0:00:40 | 0:00:43 | |
Look at that. Absolutely superb. | 0:00:43 | 0:00:46 | |
And now you are in medieval York. | 0:00:46 | 0:00:48 | |
-Vroom! Time travel. -It is though, isn't it? | 0:00:48 | 0:00:52 | |
Yes, they're manoeuvring the Mercedes through the heart of a city | 0:00:52 | 0:00:56 | |
that's dominated by one of the great European cathedrals. | 0:00:56 | 0:01:00 | |
-There it is, there's the Minster. -Look at that. | 0:01:00 | 0:01:03 | |
Oh! Look at that light on it. | 0:01:03 | 0:01:05 | |
Is that English Gothic, Gothic Perpendicular? One or the other. | 0:01:05 | 0:01:09 | |
If I don't see a flying buttress, I don't know what I'll do, Paul. | 0:01:09 | 0:01:12 | |
Architecture enthusiast and art lover Natasha from Glasgow... | 0:01:12 | 0:01:17 | |
No-one really likes these any more but I do. | 0:01:17 | 0:01:19 | |
..is already more than a wee bit behind her countryman. | 0:01:19 | 0:01:22 | |
-You've got all the money. -Well, not all the money. | 0:01:22 | 0:01:26 | |
-I don't have all the money. -You've got a lot more money than I've got. | 0:01:26 | 0:01:29 | |
And importantly, you've got more than what we started with. | 0:01:29 | 0:01:32 | |
Yeah, good point. | 0:01:32 | 0:01:34 | |
Paul from Carlisle, an auctioneer who even lists his guilty pleasure | 0:01:34 | 0:01:38 | |
as buying antiques... | 0:01:38 | 0:01:41 | |
It's good this, isn't it? | 0:01:41 | 0:01:42 | |
..started off with a full head of steam. | 0:01:42 | 0:01:44 | |
-AUCTIONEER: -240... -It's not funny! | 0:01:44 | 0:01:46 | |
And shows little sign of cooling down. | 0:01:46 | 0:01:49 | |
-Set off in Ayrshire, a gei dreich of course. -Aye. | 0:01:49 | 0:01:52 | |
Now, glorious sunshine in York. | 0:01:52 | 0:01:54 | |
-Keeps going like this, it'll be taps-aff weather. -For you, maybe. | 0:01:54 | 0:01:57 | |
I'm not taking my top off for anyone. | 0:01:59 | 0:02:01 | |
No, and neither am I. | 0:02:01 | 0:02:03 | |
Natasha began with £200 and has thus far | 0:02:03 | 0:02:06 | |
managed to slim that down to 192. | 0:02:06 | 0:02:09 | |
Whilst Paul, who started out with the same sum, | 0:02:09 | 0:02:13 | |
is well on his way to having increased it by three-fold | 0:02:13 | 0:02:16 | |
with £562 and 22 pence. | 0:02:16 | 0:02:20 | |
I seem to remember there's a random Roman pillar here. There is. | 0:02:20 | 0:02:23 | |
-See that? That's a random Roman column. -How odd. | 0:02:23 | 0:02:28 | |
A Roman punctuation mark. | 0:02:28 | 0:02:29 | |
I would have walked straight past it, but thank goodness you're here | 0:02:29 | 0:02:32 | |
to tell me what it is. | 0:02:32 | 0:02:34 | |
After kicking off on the west coast of Scotland, | 0:02:34 | 0:02:37 | |
our crazy Caledonian couple will motor south, tootling towards | 0:02:37 | 0:02:42 | |
the eastern coast of England before arriving in Norfolk at Diss. | 0:02:42 | 0:02:45 | |
Today, we'll be heading for East Anglia | 0:02:45 | 0:02:48 | |
and an auction at Downham Market, | 0:02:48 | 0:02:50 | |
but starting out in the aforementioned city of York | 0:02:50 | 0:02:54 | |
where, in the shadow of the mighty Minster... | 0:02:54 | 0:02:57 | |
Have a great time. Bye, Paul. | 0:02:57 | 0:03:00 | |
..Paul's about to take the retail plunge at this centre. | 0:03:00 | 0:03:03 | |
The sheer scale of which would have his antiques antenna | 0:03:03 | 0:03:07 | |
all of a tiz-was. | 0:03:07 | 0:03:09 | |
Cabinets are wonderful, but they scare me, | 0:03:09 | 0:03:12 | |
all these spotlights and price tags. | 0:03:12 | 0:03:14 | |
I like a rummage. | 0:03:14 | 0:03:16 | |
Quite right. That looks more like it. | 0:03:16 | 0:03:18 | |
Although you might need to breathe in if you need to go any further. | 0:03:18 | 0:03:22 | |
Here we go. | 0:03:23 | 0:03:25 | |
You're looking at that and thinking, | 0:03:25 | 0:03:27 | |
"That's just like my granny's whisky water jug that sits in her cabinet | 0:03:27 | 0:03:30 | |
"with her finest cut crystal." | 0:03:30 | 0:03:32 | |
This is considerably older. | 0:03:32 | 0:03:34 | |
This is late Georgian, this is early 19th century. | 0:03:34 | 0:03:36 | |
In its day, this was an expensive thing. | 0:03:36 | 0:03:38 | |
Cut glass was very fashionable, it worked the light. | 0:03:38 | 0:03:41 | |
If you think of this in a candlelit room, flickering light, | 0:03:41 | 0:03:45 | |
glancing off all these surfaces, do have a magical effect. | 0:03:45 | 0:03:50 | |
And yet the ticket price is just £28. | 0:03:50 | 0:03:53 | |
I want to tell you how I can date this jug | 0:03:53 | 0:03:56 | |
and here's a wee trick of the trade. | 0:03:56 | 0:03:58 | |
Look at the handle. | 0:03:58 | 0:04:00 | |
Your glass blower worked a rod of glass. | 0:04:00 | 0:04:03 | |
He affixed it at the top and then worked it round, | 0:04:03 | 0:04:07 | |
it's soft and it's molten, to the bottom, press it and there you go. | 0:04:07 | 0:04:12 | |
There's a key change in manufacturing techniques | 0:04:12 | 0:04:17 | |
around 1820, 1830. | 0:04:17 | 0:04:20 | |
And from that point on to date, | 0:04:20 | 0:04:22 | |
the handle is put on the other way around. | 0:04:22 | 0:04:25 | |
And you can tell because there's a blob on the bottom. | 0:04:25 | 0:04:29 | |
So I can assert that, stylistically, | 0:04:29 | 0:04:31 | |
that's a Georgian piece, but it's not a reproduction. | 0:04:31 | 0:04:34 | |
The truth of the matter is | 0:04:34 | 0:04:36 | |
you stick that in a general auction, and you know what it is? | 0:04:36 | 0:04:39 | |
It's your granny's old crystal water jug. | 0:04:39 | 0:04:42 | |
I am heartbroken. Take it to auction and they'll walk past it. | 0:04:42 | 0:04:45 | |
D'oh! | 0:04:45 | 0:04:47 | |
Shrewd, Paul. | 0:04:47 | 0:04:49 | |
Still on the ball, despite his winnings. | 0:04:49 | 0:04:52 | |
But while Paul departs in search of a profit... | 0:04:54 | 0:04:57 | |
..Natasha is elsewhere in York seeking out one of the world's | 0:04:59 | 0:05:03 | |
most famous trains at the National Railway Museum. | 0:05:03 | 0:05:06 | |
-Good morning. Hello, I'm Natasha. -Hi, Natasha, I'm Andrew McLean. | 0:05:08 | 0:05:11 | |
-I'm the head curator at the National Railway Museum. -Lovely to meet you. | 0:05:11 | 0:05:14 | |
So lovely to see such a busy museum. | 0:05:14 | 0:05:16 | |
This is the cathedral of British railways, | 0:05:16 | 0:05:18 | |
the country that gives railways to the world. | 0:05:18 | 0:05:20 | |
I know that I'm here to learn about dozens of interesting locomotives, | 0:05:20 | 0:05:23 | |
but one in particular. | 0:05:23 | 0:05:25 | |
We've got one very special locomotive | 0:05:25 | 0:05:27 | |
that came back into steam earlier this year. | 0:05:27 | 0:05:29 | |
It's called Flying Scotsman | 0:05:29 | 0:05:30 | |
and we're going to learn a bit more about it. | 0:05:30 | 0:05:32 | |
-If you'd like to follow me. -I sure would, thank you. | 0:05:32 | 0:05:34 | |
But the name Flying Scotsman doesn't only refer | 0:05:34 | 0:05:37 | |
to this speedy 20th century locomotive | 0:05:37 | 0:05:40 | |
because there's been a service between London and Edinburgh | 0:05:40 | 0:05:43 | |
bearing that name for over 150 years. | 0:05:43 | 0:05:46 | |
The Flying Scotsman service becomes the most famous train service | 0:05:46 | 0:05:49 | |
in the world. It opens up the tourism markets in Scotland. | 0:05:49 | 0:05:52 | |
Queen Victoria was populising Scotland at the time... | 0:05:52 | 0:05:55 | |
-Of course. Balmoral. -Exactly. | 0:05:55 | 0:05:57 | |
People want to visit these places so it becomes a crucial train | 0:05:57 | 0:06:00 | |
that unites the two capitals of Scotland and England | 0:06:00 | 0:06:03 | |
and famous people like Charles Dickens use the train, | 0:06:03 | 0:06:06 | |
so it has a great reputation long before Flying Scotsman, | 0:06:06 | 0:06:08 | |
the locomotive, was even constructed. | 0:06:08 | 0:06:11 | |
But just like today, there were two routes, | 0:06:11 | 0:06:14 | |
with a rival West Coast Main Line between London and Glasgow | 0:06:14 | 0:06:16 | |
providing stiff competition in the race | 0:06:16 | 0:06:19 | |
to supply the fastest and most efficient service. | 0:06:19 | 0:06:22 | |
-To the Dynamometer. -To the Dynamometer. | 0:06:22 | 0:06:25 | |
Hence, this vitally important collection of gadgetry | 0:06:25 | 0:06:28 | |
dedicated to making the trains go faster. | 0:06:28 | 0:06:31 | |
This is a mobile laboratory. | 0:06:31 | 0:06:33 | |
So in here you have all sorts of equipment and technology. | 0:06:33 | 0:06:36 | |
The locomotive was out here so you have on the floor here, | 0:06:36 | 0:06:39 | |
these big armoured cables. | 0:06:39 | 0:06:41 | |
They were attached out the windows to the loco itself. | 0:06:41 | 0:06:43 | |
The information from the loco is being transmitted through these | 0:06:43 | 0:06:46 | |
to a series of dials the chaps are sitting at, noting down | 0:06:46 | 0:06:49 | |
all the various things to do with the power and the fuel efficiency, | 0:06:49 | 0:06:52 | |
but most importantly for the Flying Scotsman story | 0:06:52 | 0:06:55 | |
also the speed as well. | 0:06:55 | 0:06:56 | |
This car dates from 1906 so had already been in service | 0:06:56 | 0:07:01 | |
for almost 20 years when the LNER launched the flagship locomotive | 0:07:01 | 0:07:06 | |
that we now associate with the Flying Scotsman name. | 0:07:06 | 0:07:10 | |
This ground-breaking early British sound film | 0:07:10 | 0:07:13 | |
with a thrilling chase, in which actors like Pauline Johnson, | 0:07:13 | 0:07:17 | |
did their own highly dangerous stunts. | 0:07:17 | 0:07:19 | |
The real star though was the engine itself and the movie was | 0:07:19 | 0:07:23 | |
great publicity for its pursuit of the 100mph rail land speed record. | 0:07:23 | 0:07:28 | |
What was really spurring them on? What was it all for? | 0:07:29 | 0:07:32 | |
Why did they have to make 100mph? | 0:07:32 | 0:07:34 | |
Because of the competition. | 0:07:34 | 0:07:36 | |
By the 1930s, you also have car ownership taking over, | 0:07:36 | 0:07:39 | |
you had buses coming on the scene as well. | 0:07:39 | 0:07:42 | |
The railways were trying to keep ahead of the game and any advantage | 0:07:42 | 0:07:45 | |
that they could get would help to increase | 0:07:45 | 0:07:47 | |
the passenger numbers, so speed was a great seller. | 0:07:47 | 0:07:50 | |
So the Flying Scotsman had to live up to its name. | 0:07:50 | 0:07:54 | |
And that world record, fully authenticated | 0:07:54 | 0:07:56 | |
by this very Dynamometer on the 30th November 1934, | 0:07:56 | 0:08:00 | |
ensured the Flying Scotsman's place in history. | 0:08:00 | 0:08:04 | |
So there she is, Andrew, beautiful in racing green. | 0:08:04 | 0:08:07 | |
-She's spectacular. -She is indeed. | 0:08:07 | 0:08:09 | |
When we first met, you used a lovely phrase, | 0:08:09 | 0:08:11 | |
"She's been recently brought back to steam." | 0:08:11 | 0:08:13 | |
When did she stop steaming? | 0:08:13 | 0:08:15 | |
She came out of service in 1963 | 0:08:15 | 0:08:17 | |
with the advent of the diesel locomotives. | 0:08:17 | 0:08:19 | |
-She was earmarked for the -scrapyard. Genuinely? | 0:08:19 | 0:08:22 | |
Genuinely, yeah. And she was rescued by a debonair businessman | 0:08:22 | 0:08:25 | |
who'd been a fighter pilot in the Second World War. | 0:08:25 | 0:08:27 | |
She's recently been restored back into working service. | 0:08:27 | 0:08:30 | |
You can't travel on board the Queen Mary, | 0:08:30 | 0:08:32 | |
you can't travel on board Concorde, | 0:08:32 | 0:08:33 | |
but you can still get on board Flying Scotsman. | 0:08:33 | 0:08:35 | |
I think we can get into the cab to have a look. | 0:08:35 | 0:08:38 | |
After a huge campaign, the old loco was bought | 0:08:38 | 0:08:41 | |
by the National Railway Museum in 2004. | 0:08:41 | 0:08:43 | |
-Oh, hello! -Hello. -Hello, I'm Tasha. -Hiya, I'm Clive. -Clive... | 0:08:43 | 0:08:47 | |
-Your hands, unsurprisingly, are boiling. -They're just a bit warm. | 0:08:47 | 0:08:51 | |
-And mine instantly are black. -That's the colour we come in. | 0:08:51 | 0:08:55 | |
-I've got to ask, am I allowed? -You certainly are. -To toot the whistle? | 0:08:55 | 0:08:58 | |
-Blow the whistle. -Right, are you ready for this? -Go on, go for it. | 0:08:58 | 0:09:00 | |
Here goes, lads. | 0:09:00 | 0:09:02 | |
WHISTLE BLOWS | 0:09:02 | 0:09:04 | |
Not feeling quite so chuffed is the other Scotsman - | 0:09:04 | 0:09:07 | |
the fleeing one. | 0:09:07 | 0:09:10 | |
Now departed from York and just pulled into Pocklington, | 0:09:10 | 0:09:14 | |
also the proud possessor of a prominent church tower. | 0:09:14 | 0:09:17 | |
-Hi, I'm Paul. -Hello, I'm Pat. -Lovely to see you. -Nice to see you too. | 0:09:17 | 0:09:22 | |
-This is lovely, is it not? Three storeys? -Three storeys, yes. | 0:09:22 | 0:09:27 | |
Do you know what? I cannot resist that staircase. | 0:09:27 | 0:09:30 | |
-I'm going to head north and work my way down. -You go and have a look. | 0:09:30 | 0:09:33 | |
-See you in a minute. -OK. -Cheers, Pat. | 0:09:33 | 0:09:35 | |
Yes, no time to waste. | 0:09:35 | 0:09:36 | |
He's already had a bevy of browsing today. | 0:09:36 | 0:09:39 | |
I adore this. | 0:09:39 | 0:09:41 | |
Mid-20th century kitchen utility cabinet and it does everything. | 0:09:41 | 0:09:47 | |
Post-war austerity, small homes built for soldiers | 0:09:49 | 0:09:54 | |
returning from the war, setting up families. | 0:09:54 | 0:09:57 | |
This is your larder, this is your work-surface all in one. | 0:09:57 | 0:10:02 | |
You can have all your tins of Spam and dried eggs | 0:10:02 | 0:10:07 | |
and, rather usefully, this extending enamel work-surface. | 0:10:07 | 0:10:12 | |
Absolutely wonderful. | 0:10:12 | 0:10:15 | |
Now, few years ago this was little better than firewood. | 0:10:15 | 0:10:19 | |
Today, the price tag on your little kitchenette - £220! | 0:10:19 | 0:10:23 | |
What's that going to get you? | 0:10:23 | 0:10:25 | |
It's going to get you a square foot of marble work-surface. | 0:10:25 | 0:10:30 | |
Pants to that. | 0:10:30 | 0:10:32 | |
I love it, but it's not helping me today. | 0:10:32 | 0:10:35 | |
Looks like spending those squillions is proving almost as tough | 0:10:35 | 0:10:40 | |
as acquiring them in the first place. What about Natasha? | 0:10:40 | 0:10:42 | |
Behind the wheel of the Mercedes, eh? | 0:10:42 | 0:10:46 | |
No such worries, it seems, as she takes our road trip out west | 0:10:46 | 0:10:51 | |
towards Boroughbridge and her first opportunity to start catching up. | 0:10:51 | 0:10:56 | |
OK. Let's do some shopping. | 0:10:56 | 0:10:58 | |
-Hello, good afternoon. I'm Natasha. -How do you do? James. | 0:11:00 | 0:11:03 | |
Lovely to meet you, James. Thank you for having me along. | 0:11:03 | 0:11:06 | |
Nice place. What's the plan? | 0:11:06 | 0:11:08 | |
I need to find something...something fun that's going to help me | 0:11:08 | 0:11:12 | |
close the gap because I'm way behind Paul at this point. | 0:11:12 | 0:11:17 | |
This could be quite fun. | 0:11:17 | 0:11:18 | |
I did quite well with my non-operational | 0:11:18 | 0:11:21 | |
growling German teddy bear. | 0:11:21 | 0:11:24 | |
And he was, kind of, in not the best working order. | 0:11:24 | 0:11:27 | |
This wee penguin is quite similar. | 0:11:27 | 0:11:30 | |
Here you can see his little feet have burst through. | 0:11:30 | 0:11:34 | |
It's probably late Victorian, could be 20th century Edwardian. | 0:11:34 | 0:11:38 | |
Look at how his wee head moves. | 0:11:38 | 0:11:41 | |
He's saying, "No, no, you cannot catch up with Paul Laidlaw." | 0:11:41 | 0:11:45 | |
Is this anything but good clean fun? | 0:11:45 | 0:11:48 | |
No price on him, though. | 0:11:48 | 0:11:50 | |
Ah, backstage... | 0:11:50 | 0:11:51 | |
Oh! I have it on good authority from James | 0:11:51 | 0:11:54 | |
that I'm allowed to go anywhere in the shop. | 0:11:54 | 0:11:57 | |
How about an old gun case? | 0:11:57 | 0:11:59 | |
The exterior doesn't really reflect the glorious interior. | 0:11:59 | 0:12:04 | |
This case has been made by Edward Whistler of London, | 0:12:04 | 0:12:08 | |
11, The Strand. | 0:12:08 | 0:12:10 | |
Maybe this is one those instances - don't judge a book by its cover. | 0:12:10 | 0:12:14 | |
Don't judge a case by its exterior, look inside. | 0:12:14 | 0:12:17 | |
It smells so good. | 0:12:18 | 0:12:20 | |
It smells of the grease that's been used to clean the barrels | 0:12:20 | 0:12:23 | |
and I like it. | 0:12:23 | 0:12:24 | |
I just need to find out how much it is | 0:12:24 | 0:12:26 | |
because, crucially, there's no price tag. | 0:12:26 | 0:12:28 | |
But while the Boroughbridge rummage continues, | 0:12:28 | 0:12:31 | |
Paul, still empty handed, has arrived at a third shop | 0:12:31 | 0:12:35 | |
just outside Pocklington at Baaar Farm. | 0:12:35 | 0:12:38 | |
GOAT BLEATS | 0:12:38 | 0:12:39 | |
-Greg. -Hello. -How are you doing? -Nice to meet you, Paul. -It is... | 0:12:39 | 0:12:44 | |
I would say it's nice to be here, but that would be an understatement. | 0:12:44 | 0:12:47 | |
In terms of first impression, today in this sunshine, | 0:12:47 | 0:12:50 | |
I love what I've walked into. | 0:12:50 | 0:12:53 | |
Oh, good. It's always like this. | 0:12:53 | 0:12:55 | |
PAUL LAUGHS | 0:12:55 | 0:12:57 | |
I think Paul may be pinching himself. | 0:12:57 | 0:12:59 | |
I am happy as Larry. | 0:12:59 | 0:13:02 | |
Suddenly, barns of the stuff. | 0:13:02 | 0:13:05 | |
Some containing militaria! | 0:13:05 | 0:13:07 | |
That's an ammunition box for a Lewis machinegun. | 0:13:07 | 0:13:10 | |
Great War period, an ingenious American design, | 0:13:10 | 0:13:15 | |
manufactured under licence | 0:13:15 | 0:13:17 | |
by the Birmingham Small Arms Company Limited. | 0:13:17 | 0:13:20 | |
Birmingham Small Arms Limited, BSA, | 0:13:20 | 0:13:23 | |
the same people that made the bikes. | 0:13:23 | 0:13:25 | |
Lewis machinegun is the one you've seen in the movies | 0:13:25 | 0:13:29 | |
that has the disc shaped magazine on top of the gun. | 0:13:29 | 0:13:33 | |
This magazine box is specifically designed to carry these disc, | 0:13:33 | 0:13:38 | |
or drum, magazines. | 0:13:38 | 0:13:41 | |
This one is in immaculately good condition. | 0:13:41 | 0:13:43 | |
The leather handle is missing and that is commonly the case. | 0:13:43 | 0:13:46 | |
That's priced up at £40. | 0:13:46 | 0:13:49 | |
Its value to a specialist buyer - £100 to £150. | 0:13:49 | 0:13:53 | |
But you think to yourself, "Done it again, Laidlaw, fantastic." | 0:13:53 | 0:13:57 | |
But here's my problem. | 0:13:57 | 0:13:59 | |
Too clever for his own good. | 0:13:59 | 0:14:00 | |
He takes this to an auction | 0:14:00 | 0:14:02 | |
where it's seen as another old deed box and it makes all of £5. | 0:14:02 | 0:14:08 | |
See the frustration? | 0:14:08 | 0:14:09 | |
He's definitely on the case. | 0:14:09 | 0:14:11 | |
And back in Boroughbridge, so is Natasha. | 0:14:11 | 0:14:15 | |
She's found a bit of a "barn-I-like", too. | 0:14:15 | 0:14:17 | |
Now, these are quite cool. | 0:14:19 | 0:14:21 | |
Are these proper stained glass? | 0:14:21 | 0:14:23 | |
Let's have a look. | 0:14:23 | 0:14:25 | |
Are they windows? No, they've got handles. | 0:14:25 | 0:14:28 | |
OK, let's see. Ah! | 0:14:28 | 0:14:30 | |
Steady. | 0:14:32 | 0:14:33 | |
Proper stained glass, not painted. | 0:14:33 | 0:14:36 | |
Nicely leaded. It's quite an attractive pattern, isn't it? | 0:14:36 | 0:14:40 | |
Very Art Nouveau, but not as old as that. | 0:14:40 | 0:14:43 | |
You can say that again. | 0:14:43 | 0:14:45 | |
Modern handles. So when was this cabinet, or whatever it was, made? | 0:14:45 | 0:14:48 | |
Probably 1960s, '70s? | 0:14:48 | 0:14:51 | |
The first one's not cracked. | 0:14:51 | 0:14:53 | |
I don't see any cracks in the second. | 0:14:54 | 0:14:57 | |
No, they're in pretty good nick. | 0:14:57 | 0:14:59 | |
No price again, though. | 0:14:59 | 0:15:01 | |
I don't really want to offer more that about £40 for the whole lot. | 0:15:01 | 0:15:05 | |
That's about a tenner a pane. | 0:15:05 | 0:15:07 | |
It is a "pane." | 0:15:08 | 0:15:10 | |
There you are. Don't get up, please. You look so relaxed. | 0:15:10 | 0:15:15 | |
I feel like this is sort of Godfather negotiations | 0:15:15 | 0:15:18 | |
-and you're sitting in the Godfather chair! -Now, my dear, what can I do? | 0:15:18 | 0:15:22 | |
Softening him up, get ready for an offer he could well refuse. | 0:15:22 | 0:15:25 | |
There are a few things that have caught my eye, | 0:15:25 | 0:15:28 | |
the lovely leaded and stained glass panels in the shed. | 0:15:28 | 0:15:31 | |
They are about £30. | 0:15:31 | 0:15:32 | |
-£30 a panel. And the gun case. -And the gun case. | 0:15:32 | 0:15:35 | |
The canvas gun case with that lovely green interior. | 0:15:35 | 0:15:37 | |
I was looking for about £75. | 0:15:37 | 0:15:40 | |
If I could tempt you to do the two items... | 0:15:40 | 0:15:45 | |
for £90? What do you think? | 0:15:45 | 0:15:48 | |
-Could we make it just a little... 110. -110. | 0:15:48 | 0:15:52 | |
In the spirit of good fun and meeting one another halfway, | 0:15:52 | 0:15:56 | |
-should we say 100? -105. | 0:15:56 | 0:15:58 | |
We could keep going all day! | 0:16:01 | 0:16:02 | |
-105 and we've got a deal. -Oh, for goodness' sake, go on! | 0:16:02 | 0:16:05 | |
Go on! | 0:16:05 | 0:16:07 | |
And she's still got a little bit left. | 0:16:07 | 0:16:10 | |
-You'd better win. -Thank you! | 0:16:10 | 0:16:14 | |
So while Natasha goes to grab her purchases, | 0:16:14 | 0:16:16 | |
her wealthy chum is still down on the farm. | 0:16:16 | 0:16:20 | |
One ammo box pending, he's thinking of leaving | 0:16:20 | 0:16:23 | |
his usual comfort zone with a few rustic items. | 0:16:23 | 0:16:26 | |
Daft garden pieces like your hoes and... | 0:16:26 | 0:16:31 | |
That's really nice, I'm no farmer or anything, | 0:16:31 | 0:16:33 | |
but it's supposed to be, I believe, for potato... | 0:16:33 | 0:16:35 | |
-That's for hoeing. -For breaking up the soil on it. | 0:16:35 | 0:16:38 | |
What buys something like that? | 0:16:38 | 0:16:40 | |
I don't know what price we have on it, | 0:16:40 | 0:16:42 | |
it's probably very reasonably priced anyway. 65. | 0:16:42 | 0:16:45 | |
I could do a little better on it if that's something. | 0:16:45 | 0:16:49 | |
-I think we're going down the right lines. -OK. | 0:16:49 | 0:16:51 | |
Or furrow. | 0:16:51 | 0:16:53 | |
If I could come away with a piece or three like that... | 0:16:53 | 0:16:57 | |
In for a penny, eh, Paul? | 0:16:57 | 0:16:59 | |
What about the likes of these Mexican hat troughs? | 0:16:59 | 0:17:02 | |
Yeah. Pig feeders. | 0:17:02 | 0:17:03 | |
We got them initially because we had pigs. | 0:17:03 | 0:17:06 | |
As you do. | 0:17:06 | 0:17:07 | |
What are these like to sell? | 0:17:07 | 0:17:09 | |
They do better at auction, really, to tell you the truth. | 0:17:09 | 0:17:11 | |
-OK, what's the price on them? -I think 120, something like that. | 0:17:11 | 0:17:15 | |
-120. -Yeah, 120. But usually at auction they go anywhere | 0:17:15 | 0:17:20 | |
from 80 on up. | 0:17:20 | 0:17:21 | |
That's a lot in there, isn't there? | 0:17:21 | 0:17:23 | |
That's just it, they are very cumbersome and heavy, | 0:17:23 | 0:17:26 | |
-but they make a real nice garden feature. -I can see that. | 0:17:26 | 0:17:29 | |
Are you watching, Philip Serrell? | 0:17:29 | 0:17:32 | |
That's a charming thing by any measure. | 0:17:32 | 0:17:35 | |
Not how most people would describe a humble seed drill. | 0:17:35 | 0:17:38 | |
So, you've got your blade, your hopper | 0:17:38 | 0:17:40 | |
and these fantastic wrought wheels. | 0:17:40 | 0:17:43 | |
-Late 19th, early 20th-century. -Maybe '30s. -As late as that? | 0:17:43 | 0:17:47 | |
So, what buys something like that? | 0:17:47 | 0:17:49 | |
Got 65 on this, but if you look at the inside, | 0:17:49 | 0:17:52 | |
and it's not working right now, you'd need to mess with it. | 0:17:52 | 0:17:55 | |
It's rusted up, but this would be spinning, as you push it, | 0:17:55 | 0:17:59 | |
the wheel would drive this brush and shoot this seed down | 0:17:59 | 0:18:02 | |
this little hole into the ground. | 0:18:02 | 0:18:04 | |
Utterly charming. I see why people are into these. | 0:18:04 | 0:18:08 | |
What could possibly top that? | 0:18:08 | 0:18:10 | |
That's just a lovely object by any measure. | 0:18:10 | 0:18:13 | |
It's a cart jack for changing a wagon wheel. | 0:18:13 | 0:18:18 | |
So you adjust the height on that pin, how do you lock it up? | 0:18:18 | 0:18:22 | |
I don't think you lock it up. | 0:18:22 | 0:18:24 | |
I think someone needs to just hold it. | 0:18:24 | 0:18:26 | |
-So somebody you trust when you're underneath the axle? -Exactly. | 0:18:26 | 0:18:30 | |
Price on that is £46. | 0:18:31 | 0:18:34 | |
-40 would buy it. -Doesn't sound dear. | 0:18:34 | 0:18:37 | |
OK, Greg's got his pencil and paper, time to do that deal. | 0:18:37 | 0:18:41 | |
We've got the jack and the jack can be... | 0:18:41 | 0:18:45 | |
-40. -40. -Yeah. | 0:18:45 | 0:18:48 | |
We've got the Mexican hat troughs. | 0:18:48 | 0:18:50 | |
All right, so you're thinking about those. | 0:18:50 | 0:18:52 | |
-Yeah, I'm thinking about one. The bottom line on one of those? -65. | 0:18:52 | 0:18:57 | |
-The seed drill. -50. | 0:18:57 | 0:19:00 | |
-Put it on the list. Potato rake. -I think that was 65 on that, too. | 0:19:00 | 0:19:05 | |
-But it could be... -Again, it could be 50. -OK. | 0:19:05 | 0:19:09 | |
So, what does all that lot come to? | 0:19:09 | 0:19:12 | |
-It comes to 205. -205. | 0:19:12 | 0:19:13 | |
-You want all four. -I might do! -If the price is right. | 0:19:13 | 0:19:17 | |
If you tempt me with numbers. | 0:19:17 | 0:19:20 | |
-All right. -160 quid means 40 quid a piece. | 0:19:20 | 0:19:22 | |
I don't know if I can do that. | 0:19:22 | 0:19:24 | |
190 would be it. | 0:19:24 | 0:19:26 | |
-So 190. -For all four. | 0:19:26 | 0:19:28 | |
-Wait there. -Yes. -Don't go anywhere! -OK. | 0:19:28 | 0:19:31 | |
Looks like I'm going to have to throw in a freebie. | 0:19:31 | 0:19:34 | |
Just something a bit more familiar. | 0:19:34 | 0:19:36 | |
I came here with nothing. | 0:19:36 | 0:19:38 | |
At this rate, I could walk out with five items. | 0:19:38 | 0:19:40 | |
And how I'm going to move them, I've got no idea! | 0:19:40 | 0:19:43 | |
Right, old ammo box. | 0:19:44 | 0:19:46 | |
-That is a big price tag. -You think? | 0:19:46 | 0:19:50 | |
I don't, actually, but I'm going to say it is. | 0:19:50 | 0:19:55 | |
£40, viewers. | 0:19:55 | 0:19:56 | |
We're at 190, what buys five things? | 0:19:56 | 0:20:00 | |
230. | 0:20:00 | 0:20:02 | |
What? | 0:20:02 | 0:20:03 | |
220. | 0:20:03 | 0:20:05 | |
You like it? Good luck. | 0:20:05 | 0:20:08 | |
Crikey, Paul. Let's hope that none of that old ironwork | 0:20:08 | 0:20:12 | |
ended up in the boot. | 0:20:12 | 0:20:13 | |
Nighty-night, guys. | 0:20:13 | 0:20:16 | |
Now, usually at this point, we feature shots of a classic car | 0:20:18 | 0:20:22 | |
whizzing through some lovely landscape. | 0:20:22 | 0:20:24 | |
Sorry. | 0:20:24 | 0:20:26 | |
-What did you do to the car yesterday? -Oh, I was driving. | 0:20:26 | 0:20:29 | |
-The car was fine! -It was making the odd squeak, I'm not going to lie. | 0:20:29 | 0:20:33 | |
SHE MIMICS CAR SQUEAKING | 0:20:33 | 0:20:35 | |
Part of its Germanic charm. | 0:20:35 | 0:20:37 | |
Anyway, yesterday, Paul was our bulk buyer | 0:20:37 | 0:20:41 | |
acquiring a smallholding's worth of agricultural oddments | 0:20:41 | 0:20:45 | |
including a potato rake, a seed drill, a pig trough and a cart jack. | 0:20:45 | 0:20:50 | |
That's just a lovely object, by any measure. | 0:20:50 | 0:20:53 | |
Plus an ammo box, | 0:20:53 | 0:20:56 | |
leaving him with almost £350 for future purchases, | 0:20:56 | 0:20:59 | |
while Natasha plumped for some stained-glass windows | 0:20:59 | 0:21:04 | |
and a gun case. | 0:21:04 | 0:21:05 | |
I normally buy the opposite of this sort of item. I'm quite drawn to it. | 0:21:05 | 0:21:09 | |
Enough to reduce her float to just £87. | 0:21:09 | 0:21:13 | |
Now, sit back and enjoy this 2008 Skoda Octavia. | 0:21:13 | 0:21:18 | |
I'm still new to driving it so I do enjoy it, | 0:21:18 | 0:21:20 | |
but I quite enjoy being driven around, don't you? | 0:21:20 | 0:21:22 | |
Maybe this is a new show, the Taxi Road Trip. | 0:21:22 | 0:21:25 | |
Nice, but not enough jeopardy. | 0:21:25 | 0:21:28 | |
Later, they'll be heading south to an auction in Norfolk | 0:21:29 | 0:21:32 | |
at Downham Market, but our first stop is the Yorkshire village | 0:21:32 | 0:21:35 | |
of Cullingworth. | 0:21:35 | 0:21:37 | |
Once part of the old West Riding. | 0:21:39 | 0:21:42 | |
Thank you! Take care! | 0:21:42 | 0:21:44 | |
-See you later. -Bye-bye! | 0:21:44 | 0:21:47 | |
And famous for worsted production. | 0:21:47 | 0:21:49 | |
Hello, good morning, I'm Tasha! | 0:21:49 | 0:21:50 | |
Hello, Natasha, welcome to Antiques at the Mill, I'm Cherry. | 0:21:50 | 0:21:53 | |
Cherry, lovely to meet you, thank you very much for having me along. | 0:21:53 | 0:21:56 | |
-All I can think of is "trouble at mill". -Quite possibly. | 0:21:56 | 0:22:00 | |
I don't see why, Natasha. More like grist to the mill, darling. | 0:22:00 | 0:22:04 | |
This is big. | 0:22:06 | 0:22:07 | |
Exactly. The only thing that isn't is your wee fund. | 0:22:07 | 0:22:10 | |
I've not even got £100 left and I've got a lot to buy, | 0:22:10 | 0:22:14 | |
so I'm going to have to think cheap, but not common. | 0:22:14 | 0:22:18 | |
Whatever that means. | 0:22:18 | 0:22:19 | |
Not sure. How about that? | 0:22:19 | 0:22:21 | |
In Glasgow, there's nothing we like more than a hot wash | 0:22:21 | 0:22:25 | |
and here is what I'd call a pulley. | 0:22:25 | 0:22:27 | |
You'd do your washing and if the weather's not good, | 0:22:27 | 0:22:30 | |
which by the by in Scotland it usually isn't, | 0:22:30 | 0:22:33 | |
then you have the pulley in your kitchen, | 0:22:33 | 0:22:36 | |
in the heart of the home. | 0:22:36 | 0:22:37 | |
You've got the range going, you'd hang it on the pulley, | 0:22:37 | 0:22:40 | |
pull it up, and then the heat in the kitchen would dry the clothes. | 0:22:40 | 0:22:44 | |
Yes, it might smell a little bit of the stew on the stove, | 0:22:44 | 0:22:48 | |
but never mind that. These are great things. What's it got on it? | 0:22:48 | 0:22:51 | |
Oh, they've described it as a criel. I've never heard of that. | 0:22:51 | 0:22:53 | |
In Scotland, a creel's for catching lobsters, | 0:22:53 | 0:22:56 | |
but maybe that's another word for a pulley. | 0:22:56 | 0:22:58 | |
Proper Yorkshire dialect, actually. £75. | 0:22:58 | 0:23:01 | |
These are quite nice, actually. | 0:23:01 | 0:23:03 | |
Very old spool! | 0:23:03 | 0:23:05 | |
Genuine Yorkshire mill mementoes. | 0:23:05 | 0:23:08 | |
Right place, then. | 0:23:08 | 0:23:10 | |
So you've got a set of six skittles, and handily, | 0:23:10 | 0:23:13 | |
you've got the two wooden balls as well. | 0:23:13 | 0:23:16 | |
Now, the label here is lovely. | 0:23:16 | 0:23:18 | |
"Have hours of fun with durable wood toys originally created | 0:23:18 | 0:23:22 | |
"for the children of mill workers almost a century ago." | 0:23:22 | 0:23:25 | |
You get them for bobbins too. | 0:23:25 | 0:23:27 | |
Ah, more wood. | 0:23:27 | 0:23:29 | |
This appeals to me purely because, A, it's pretty good quality, | 0:23:29 | 0:23:33 | |
and B, because it's functional. It's not just a pretty thing. | 0:23:33 | 0:23:36 | |
People would buy this to sit in it. It's actually really attractive. | 0:23:36 | 0:23:41 | |
It's got a nice smooth seat | 0:23:41 | 0:23:43 | |
with a little bit of a drop for your bottom. | 0:23:43 | 0:23:46 | |
It's got this balustrade at the top here | 0:23:46 | 0:23:49 | |
and you've got this shell carving at the top as well. | 0:23:49 | 0:23:52 | |
It's £50. Perhaps I could get it for 20. | 0:23:52 | 0:23:55 | |
Then you'd be sitting pretty. | 0:23:55 | 0:23:57 | |
Definitely worth talking about. | 0:23:57 | 0:23:59 | |
I think the only trouble at this mill | 0:23:59 | 0:24:02 | |
will be you deciding what to buy. | 0:24:02 | 0:24:04 | |
This would have been very much a gentleman's item. | 0:24:04 | 0:24:07 | |
A little pipe cabinet. | 0:24:07 | 0:24:09 | |
Look how sweet it is! | 0:24:09 | 0:24:10 | |
It's got little hinged brackets there and they fall down. | 0:24:10 | 0:24:14 | |
Space for three pipes on one side, space for three pipes on the other, | 0:24:14 | 0:24:17 | |
and inside, space... more for display, | 0:24:17 | 0:24:21 | |
maybe your finer pipes go in the back there | 0:24:21 | 0:24:23 | |
and then a handy wee drawer that you see in all smoker's cabinets. | 0:24:23 | 0:24:27 | |
It's not that old. When's that from? | 0:24:27 | 0:24:29 | |
Probably the 1950s, judging by the handles and the condition. | 0:24:29 | 0:24:33 | |
£40 it has on it. | 0:24:33 | 0:24:35 | |
That is probably, if bought by somebody who collect pipes | 0:24:35 | 0:24:38 | |
and uses pipes, going to be used. | 0:24:38 | 0:24:41 | |
It's more for function as opposed to form. I quite like that. | 0:24:41 | 0:24:44 | |
So over to Cherry. | 0:24:44 | 0:24:46 | |
There is a pipe cabinet on the wall marked up at 40. | 0:24:46 | 0:24:50 | |
I was hoping that maybe we could do that for £20. | 0:24:50 | 0:24:53 | |
25. | 0:24:55 | 0:24:57 | |
25... Could we do it for 22? | 0:24:57 | 0:25:01 | |
-Go on, then, 22. -OK, cool! | 0:25:04 | 0:25:06 | |
Not so cool is the fact that the other stuff she is after | 0:25:06 | 0:25:10 | |
belongs to a dealer who is currently elsewhere, so gird your loins. | 0:25:10 | 0:25:13 | |
-Would you like to speak to her, shall I? -I'll give it a bash. | 0:25:13 | 0:25:17 | |
Hi, Sharon, how are you? | 0:25:17 | 0:25:20 | |
I like your stand, it's supercool. | 0:25:20 | 0:25:22 | |
Quite keen on the rocking chair. | 0:25:22 | 0:25:23 | |
You've got £50 on it, OK, and then I love the pulley and I love also | 0:25:23 | 0:25:28 | |
the skittles, the vintage skittles which have been recycled. | 0:25:28 | 0:25:32 | |
The pulley's on at 75 and the skittles are on at 10. | 0:25:32 | 0:25:35 | |
My maths is quite poor, and to me that adds up to about £60? | 0:25:35 | 0:25:41 | |
Titter ye not! | 0:25:41 | 0:25:43 | |
75. OK. | 0:25:43 | 0:25:45 | |
And what if we take the pulley out of the equation | 0:25:45 | 0:25:49 | |
and if we did the chair for 20 and the skittles for five, | 0:25:49 | 0:25:55 | |
could we do 25? | 0:25:55 | 0:25:57 | |
We can do 30? | 0:25:57 | 0:25:59 | |
OK, well, I think that's really generous, | 0:25:59 | 0:26:01 | |
and I'll go for 30 for the chair and the skittles. | 0:26:01 | 0:26:04 | |
Well, all that went smoothly, so £52 paid for those three items. | 0:26:04 | 0:26:08 | |
-Don't come again. -I'll only come back if I make a profit. How's that? | 0:26:08 | 0:26:11 | |
-I'm just kidding. -Oh, you will, you will. -I believe you, Cherry. | 0:26:11 | 0:26:14 | |
-Bye. -Bye, Cherry. -Taxi! | 0:26:14 | 0:26:17 | |
Not the same one, of course. Paul has that. | 0:26:19 | 0:26:22 | |
En route to the nearby city of Bradford, | 0:26:22 | 0:26:25 | |
and the National Media Museum... | 0:26:25 | 0:26:28 | |
-Thank you, mate. -Aye, see you. | 0:26:28 | 0:26:30 | |
..to discover more about a form of photography he finds fascinating. | 0:26:30 | 0:26:35 | |
Witness this find from the last series. | 0:26:35 | 0:26:37 | |
Stereoscopy. Incredible subject. | 0:26:37 | 0:26:40 | |
Photographs through a viewer, giving a 3-D effect. | 0:26:40 | 0:26:44 | |
-But does he know it all started with the Victorians? -Hello, Colin? | 0:26:44 | 0:26:48 | |
-Paul. Welcome. Welcome to the National Media Museum. -Lovely. | 0:26:48 | 0:26:52 | |
What an amazing looking building! | 0:26:52 | 0:26:54 | |
Amongst the huge collection of objects and images in here | 0:26:54 | 0:26:58 | |
is a section dedicated to the very earliest days of photography. | 0:26:58 | 0:27:03 | |
This is an example of a daguerreotype, | 0:27:03 | 0:27:05 | |
the earliest photographic process. At the same time, | 0:27:05 | 0:27:08 | |
-there was a chap called William Henry Fox Talbot. -Indeed. | 0:27:08 | 0:27:11 | |
Who invented a different process using paper negatives, and we've got | 0:27:11 | 0:27:14 | |
some examples here of photographs taken by Talbot in the 1840s. | 0:27:14 | 0:27:18 | |
I daresay, in 1840, this was shocking. | 0:27:18 | 0:27:21 | |
If I had walked up to Joe Public and said, "Look at that," it wouldn't... | 0:27:21 | 0:27:26 | |
-Shockingly real. -Talbot actually described this, | 0:27:26 | 0:27:28 | |
"A little bit of magic realised," and they are magical. | 0:27:28 | 0:27:31 | |
The fact that you could just use light alone | 0:27:31 | 0:27:33 | |
to capture a scene and to retain it permanently. | 0:27:33 | 0:27:36 | |
Chemistry had suddenly put those pioneers | 0:27:36 | 0:27:39 | |
on a par with the great artists. | 0:27:39 | 0:27:41 | |
But photography remained equally two-dimensional | 0:27:41 | 0:27:44 | |
until it was combined with the work of another Victorian inventor, | 0:27:44 | 0:27:47 | |
Sir Charles Wheatstone. | 0:27:47 | 0:27:49 | |
Stereoscopy actually predates photography. | 0:27:49 | 0:27:52 | |
-Right. -In 1838, he wrote about the theory of binocular vision. | 0:27:52 | 0:27:57 | |
So, can I take it that this pair of photographs | 0:27:57 | 0:28:00 | |
-lead us into stereoscopy? -Initially, you might think they're identical. | 0:28:00 | 0:28:04 | |
But if we look closely, they're not identical, | 0:28:04 | 0:28:06 | |
there's a subtle difference, and the difference is | 0:28:06 | 0:28:09 | |
this photograph is taken from the viewpoint of your right side | 0:28:09 | 0:28:12 | |
and this from the viewpoint of your left eye. | 0:28:12 | 0:28:14 | |
If you put these together | 0:28:14 | 0:28:15 | |
in a special instrument called a stereoscope, | 0:28:15 | 0:28:17 | |
your brain converts this into a three-dimensional image. | 0:28:17 | 0:28:21 | |
That's astonishing. | 0:28:21 | 0:28:23 | |
Stereoscopy and photography have an intimate relationship that goes back | 0:28:23 | 0:28:27 | |
right to the origins of both. | 0:28:27 | 0:28:28 | |
In 1840, Wheatstone was awarded the Queen's Medal by the Royal Society | 0:28:28 | 0:28:33 | |
for his work on binocular vision, | 0:28:33 | 0:28:36 | |
and the stereoscope soon ushered in a fascinating era of depth. | 0:28:36 | 0:28:40 | |
Into the parlour. | 0:28:40 | 0:28:42 | |
As his idea of capturing two images from slightly different positions | 0:28:42 | 0:28:46 | |
-revolutionised the new art form. -Do you want to have a try? | 0:28:46 | 0:28:49 | |
-May I? Yes. -Have a go. -Look at this. | 0:28:49 | 0:28:52 | |
And it works immediately. | 0:28:52 | 0:28:55 | |
PAUL LAUGHS | 0:28:55 | 0:28:56 | |
The effect is still quite magical. | 0:28:56 | 0:28:58 | |
It's genuinely a 3-D image. You feel you could reach into it. | 0:28:58 | 0:29:03 | |
And you could buy views, which could be travel views, they could be works | 0:29:03 | 0:29:07 | |
of art, sculpture, celebrities from stage, from literature, politicians, | 0:29:07 | 0:29:12 | |
or they could be something a bit more racy, | 0:29:12 | 0:29:14 | |
like this, from the theatre. | 0:29:14 | 0:29:16 | |
-PAUL LAUGHS -Showing a glimpse of ankle. | 0:29:16 | 0:29:17 | |
Not quite right, but here's an idea | 0:29:18 | 0:29:21 | |
of what was keeping them so entranced. 3-D? | 0:29:21 | 0:29:24 | |
So you could buy these, | 0:29:24 | 0:29:26 | |
take them home and view them in the comfort of your home. | 0:29:26 | 0:29:28 | |
So you could travel the world without leaving your armchair. | 0:29:28 | 0:29:31 | |
So you may not be able to afford the Thomas Cook ticket to Egypt, | 0:29:31 | 0:29:34 | |
but you probably can afford the viewer and the album of views | 0:29:34 | 0:29:38 | |
-and travel the world that way. -Yes. | 0:29:38 | 0:29:40 | |
Sometime around the turn-of-the-century, | 0:29:40 | 0:29:42 | |
the fad began to wane, though. | 0:29:42 | 0:29:45 | |
Perhaps obscured by the rise of the moving pictures, | 0:29:45 | 0:29:48 | |
but it was always ripe for reinvention. | 0:29:48 | 0:29:51 | |
We're into the 1950s and beyond here, | 0:29:51 | 0:29:54 | |
where stereoscopy has become 3-D. | 0:29:54 | 0:29:56 | |
-Fantastic stuff. -But it's not all about entertainment. | 0:29:56 | 0:30:00 | |
It also has a vitally important application, | 0:30:00 | 0:30:02 | |
and believe it or not, in this little wallet, | 0:30:02 | 0:30:04 | |
I've got an instrument here | 0:30:04 | 0:30:06 | |
which helped us to win the Second World War. | 0:30:06 | 0:30:08 | |
Go on, you've got my attention now. | 0:30:08 | 0:30:09 | |
This is a War Department type D stereoscope. | 0:30:09 | 0:30:14 | |
And this is the sort of instrument | 0:30:14 | 0:30:15 | |
that was used in the Second World War by the RAF analysts | 0:30:15 | 0:30:18 | |
to analyse the aerial photographs in 3-D | 0:30:18 | 0:30:21 | |
to actually work out where the launch sites were | 0:30:21 | 0:30:24 | |
for the doodlebugs so that the RAF could go over and bomb them | 0:30:24 | 0:30:27 | |
before they could blitz Britain. | 0:30:27 | 0:30:28 | |
So we've come from the pastimes of the Victorians in their parlours | 0:30:28 | 0:30:33 | |
to secret military intelligence during the Second World War? | 0:30:33 | 0:30:37 | |
Right the way through to today - virtual reality and apps | 0:30:37 | 0:30:41 | |
for your smartphone where we still see 3-D stereoscopic images. | 0:30:41 | 0:30:45 | |
Colin, that's an astonishing history, | 0:30:45 | 0:30:48 | |
and thank you for explaining it | 0:30:48 | 0:30:50 | |
and showing me all these wonderful artefacts, Colin. | 0:30:50 | 0:30:52 | |
It's been a real pleasure, Paul. Thank you. | 0:30:52 | 0:30:54 | |
Now, where's Natasha got to? | 0:30:59 | 0:31:00 | |
The Pennines, that's where - | 0:31:00 | 0:31:03 | |
at Hebden Bridge in the happy Calderdale Valley. | 0:31:03 | 0:31:06 | |
No smiley face for the cash she has left to spend, though. | 0:31:08 | 0:31:12 | |
Scary. | 0:31:12 | 0:31:13 | |
Yep. Just £35. | 0:31:13 | 0:31:15 | |
So choose wisely. | 0:31:15 | 0:31:18 | |
It's a pipe in the form of a clog. | 0:31:18 | 0:31:20 | |
Look how cute that is - just a tiny wee one. | 0:31:20 | 0:31:22 | |
-Just... -SHE IMITATES PUFFING | 0:31:22 | 0:31:24 | |
Wooden tobacco section, Bakelite mouthpiece, | 0:31:24 | 0:31:27 | |
probably from around the 1930s or so. | 0:31:27 | 0:31:29 | |
And does it not fall into the novelty category? | 0:31:29 | 0:31:33 | |
Would go with her rack! | 0:31:33 | 0:31:34 | |
Wasn't exactly what I was looking for, but at... | 0:31:34 | 0:31:37 | |
£10, it's not exactly going to break the bank. | 0:31:37 | 0:31:40 | |
I'll put it in my pocket, keep it with me. | 0:31:40 | 0:31:42 | |
I was hoping to find something a wee bit more sophisticated. | 0:31:42 | 0:31:44 | |
The pipes are definitely calling. | 0:31:44 | 0:31:46 | |
Seek and ye shall find. | 0:31:46 | 0:31:48 | |
Here is a nice pipe. | 0:31:48 | 0:31:49 | |
Now, compare that in quality | 0:31:49 | 0:31:53 | |
to the clog. | 0:31:53 | 0:31:54 | |
You can see, instantly, that, A, it's more sophisticated, | 0:31:54 | 0:31:59 | |
and, B, it's probably an earlier model. | 0:31:59 | 0:32:01 | |
The quality is there. | 0:32:01 | 0:32:04 | |
This here... | 0:32:04 | 0:32:06 | |
Now, what is that? | 0:32:06 | 0:32:07 | |
Do you know, that's so light and thin... | 0:32:09 | 0:32:11 | |
Could that be the spine of a feather? | 0:32:13 | 0:32:17 | |
£38? | 0:32:17 | 0:32:18 | |
I think I'll have a bash at the two of them. | 0:32:18 | 0:32:20 | |
Remember, she only has 35. | 0:32:20 | 0:32:21 | |
-Hello, I'm Natasha. -Hiya. Nice to meet you, I'm Peter. -Peter? | 0:32:21 | 0:32:24 | |
I have come across these two pipes. | 0:32:24 | 0:32:27 | |
£48 full price here. | 0:32:27 | 0:32:30 | |
What if I offered, for the two... | 0:32:30 | 0:32:32 | |
-..£20? -HE EXHALES | 0:32:33 | 0:32:35 | |
HE SUCKS AIR | 0:32:35 | 0:32:36 | |
-That would be a... a real bargain, wouldn't it, at 20? -It would be. | 0:32:36 | 0:32:39 | |
Shall we try... | 0:32:39 | 0:32:42 | |
£40 for two? | 0:32:42 | 0:32:43 | |
I simply can't afford £40. | 0:32:43 | 0:32:45 | |
I think my very top offer... Is it too cheeky? | 0:32:45 | 0:32:49 | |
It's going to be 25. | 0:32:50 | 0:32:51 | |
Can we just push it to 30, and I might be able to meet you there? | 0:32:51 | 0:32:54 | |
Can we make it 27? | 0:32:54 | 0:32:56 | |
-Yes, go on, then. -We could? | 0:32:56 | 0:32:57 | |
For you, yes, we'll do 27. | 0:32:57 | 0:32:59 | |
I thought you were going to tell me to pipe down! | 0:32:59 | 0:33:01 | |
THEY LAUGH | 0:33:01 | 0:33:02 | |
Just squeezed in. | 0:33:02 | 0:33:03 | |
-Well, that's brilliant. Wish me luck. -Good luck. | 0:33:03 | 0:33:05 | |
-Thank you, Peter, bye-bye. -Bye. | 0:33:05 | 0:33:07 | |
So while those two take a look at each other's lots, | 0:33:07 | 0:33:10 | |
why don't we do likewise? | 0:33:10 | 0:33:13 | |
Natasha spent £184 | 0:33:13 | 0:33:16 | |
on some stained-glass windows, | 0:33:16 | 0:33:17 | |
a gun case, the skittles, | 0:33:17 | 0:33:19 | |
rocking chair, | 0:33:19 | 0:33:21 | |
smoker's cabinet and pipes. | 0:33:21 | 0:33:23 | |
While Paul parted with £220 | 0:33:23 | 0:33:26 | |
on an ammunition box, | 0:33:26 | 0:33:29 | |
a Mexican Hat trough, | 0:33:29 | 0:33:30 | |
a potato rake, a cart jack, | 0:33:30 | 0:33:33 | |
and a seed drill. | 0:33:33 | 0:33:34 | |
So who's about to harvest a profit, eh? | 0:33:36 | 0:33:39 | |
What's to be said about a pile of scrap iron? | 0:33:39 | 0:33:41 | |
What on earth was I thinking? | 0:33:41 | 0:33:43 | |
Paul's clearly become a farmer in his spare time, so I'll go with it. | 0:33:43 | 0:33:47 | |
The gun case, I like. | 0:33:47 | 0:33:50 | |
The label makes it. | 0:33:50 | 0:33:52 | |
£40 paid, and that could make double that. | 0:33:52 | 0:33:55 | |
I've gone a bit traditional, a bit brown. | 0:33:55 | 0:33:58 | |
A little bit smoky. | 0:33:58 | 0:34:00 | |
I think we'll just pass over the windows, shall we? | 0:34:00 | 0:34:02 | |
Second-hand, nasty, | 0:34:02 | 0:34:05 | |
'80s, '90s - they may not get a bid. | 0:34:05 | 0:34:08 | |
Crikey! | 0:34:08 | 0:34:10 | |
After starting off from York, | 0:34:10 | 0:34:12 | |
our experts are now on their way to auction | 0:34:12 | 0:34:14 | |
in Norfolk at Downham Market, | 0:34:14 | 0:34:16 | |
and back in their shiny Mercedes. | 0:34:16 | 0:34:18 | |
What about all your sort of farming stuff? | 0:34:18 | 0:34:21 | |
-It's consistent. -It is consistent. | 0:34:21 | 0:34:22 | |
You can actually find this auction with a magnetic compass. | 0:34:22 | 0:34:26 | |
The Hawkins family have been doing this for over 150 years. | 0:34:26 | 0:34:31 | |
-This is our spot. -THEY LAUGH | 0:34:31 | 0:34:33 | |
Let's hear the thoughts of great-grandson-of-the-founder Barry. | 0:34:34 | 0:34:38 | |
One gun case. | 0:34:38 | 0:34:39 | |
The size for the stock in there is a bit on the short side, | 0:34:39 | 0:34:43 | |
so we may have a problem in making much more | 0:34:43 | 0:34:45 | |
than a tenner off it, if that. | 0:34:45 | 0:34:46 | |
The potato harrow, it is an interesting item. | 0:34:46 | 0:34:50 | |
I don't think I've ever actually ever seen one before. | 0:34:50 | 0:34:53 | |
Could make something in there, £30-50. | 0:34:53 | 0:34:56 | |
Stained-glass windows, they are, in actual fact, fairly modern. | 0:34:56 | 0:35:00 | |
£1 or so. | 0:35:00 | 0:35:02 | |
Thanks, Barry. I think. | 0:35:02 | 0:35:04 | |
Oh, we've got front-row seats. | 0:35:04 | 0:35:08 | |
And here they are, in their glory, Natasha. | 0:35:08 | 0:35:10 | |
£20? | 0:35:10 | 0:35:12 | |
A tenner? A fiver? | 0:35:12 | 0:35:14 | |
-£5 I'm bid. 8. -You've got a hand up. | 0:35:14 | 0:35:15 | |
12, 15, 18, 20. | 0:35:15 | 0:35:18 | |
-PAUL: -Still this lady here. | 0:35:18 | 0:35:20 | |
22, 25? | 0:35:20 | 0:35:21 | |
28 in the corner. | 0:35:21 | 0:35:23 | |
At 30. | 0:35:23 | 0:35:25 | |
30, 35? 40. | 0:35:25 | 0:35:26 | |
45. | 0:35:26 | 0:35:27 | |
-Ooh! -All done at 45? | 0:35:29 | 0:35:31 | |
Seriously, I think that's a result. | 0:35:31 | 0:35:33 | |
I think you might be right. | 0:35:33 | 0:35:35 | |
Done with such style, too. | 0:35:35 | 0:35:37 | |
Barry is the fastest auctioneer in the west. | 0:35:37 | 0:35:41 | |
Or, no, are we in the east? | 0:35:41 | 0:35:43 | |
Now, I think this may be our very first cart jack. | 0:35:43 | 0:35:46 | |
Starting at £50? | 0:35:46 | 0:35:48 | |
Tuppence-ha'penny, then? | 0:35:48 | 0:35:50 | |
2, 5, 8, 10. | 0:35:50 | 0:35:54 | |
The cart jack at 10, 12, 15. | 0:35:54 | 0:35:57 | |
At 15... Look, it goes well in the garden, if nothing else. | 0:35:57 | 0:35:59 | |
At 15, 18, I'm bid at 18. 20. | 0:35:59 | 0:36:02 | |
20, the bidder's right there. | 0:36:02 | 0:36:04 | |
20, all done at £20? | 0:36:04 | 0:36:06 | |
-I'm taking some pain here. -Oo-o-oh. -Ouch. | 0:36:06 | 0:36:09 | |
And I think there could be more of that to come. | 0:36:09 | 0:36:12 | |
Could Paul have got this one wrong? | 0:36:12 | 0:36:13 | |
Is Downham not the market for this sort of stuff? | 0:36:13 | 0:36:17 | |
Have you seen the wee lot indicator? | 0:36:17 | 0:36:18 | |
It's so cool! | 0:36:18 | 0:36:20 | |
He does cricket scoring at the weekend(!) | 0:36:20 | 0:36:22 | |
You could get a job as the lot number clicker. | 0:36:22 | 0:36:25 | |
Ah! | 0:36:25 | 0:36:26 | |
Any pipe smokers in? | 0:36:26 | 0:36:29 | |
At least two, ideally. | 0:36:29 | 0:36:30 | |
I don't know if we're going to do £49. | 0:36:30 | 0:36:33 | |
Don't say "we". Did you say "we" or "they"? | 0:36:33 | 0:36:35 | |
Don't drag me into the mess. | 0:36:35 | 0:36:37 | |
There we are, £1,000, then, this time? | 0:36:37 | 0:36:39 | |
LAUGHTER | 0:36:39 | 0:36:40 | |
2 I'm bid. | 0:36:40 | 0:36:42 | |
5, 8, 10. | 0:36:42 | 0:36:43 | |
15. Come on! 18. | 0:36:43 | 0:36:45 | |
At 20. 22. | 0:36:45 | 0:36:47 | |
25. Come on! | 0:36:47 | 0:36:49 | |
-Yeah, come on. -Shouting at them, that's great. | 0:36:49 | 0:36:52 | |
"You, bid!" | 0:36:52 | 0:36:53 | |
-40. 45. -Wait a minute. Wait a minute. | 0:36:53 | 0:36:55 | |
You all right? | 0:36:55 | 0:36:56 | |
You're good. | 0:36:56 | 0:36:58 | |
At 55, right-hand, quickly, at 55? | 0:36:58 | 0:37:01 | |
The man commands bids. | 0:37:01 | 0:37:03 | |
Wait a minute, we started at five. | 0:37:03 | 0:37:04 | |
We got 55 because he just shouted at them. | 0:37:04 | 0:37:07 | |
Via two come ons! | 0:37:07 | 0:37:09 | |
That one was definitely down to Barry. | 0:37:09 | 0:37:11 | |
A big fan of Mexican food? | 0:37:12 | 0:37:13 | |
Yes, let's think positive for Paul's second bit of farminalia. | 0:37:14 | 0:37:19 | |
It's a beautiful day, people could be inspired by gardening items. | 0:37:19 | 0:37:23 | |
You're good at... You're like a tonic. | 0:37:23 | 0:37:26 | |
-David, I asked you to hold this up, didn't I? -No. | 0:37:26 | 0:37:28 | |
Oh, dear. Start that one £50 or 60? | 0:37:28 | 0:37:31 | |
Surely. Go on. | 0:37:31 | 0:37:33 | |
A tenner? A fiver? | 0:37:33 | 0:37:34 | |
8, 10, 12, 15. | 0:37:34 | 0:37:36 | |
18, 20, 22. | 0:37:37 | 0:37:39 | |
25, 28, 30. | 0:37:39 | 0:37:41 | |
At £30. £30! | 0:37:41 | 0:37:43 | |
Oh, no, come on, come on, come on. | 0:37:43 | 0:37:44 | |
At £30. | 0:37:45 | 0:37:47 | |
SHE GROANS | 0:37:47 | 0:37:49 | |
You seem like you're about to implode. | 0:37:51 | 0:37:53 | |
Huh! He's not used to this. | 0:37:53 | 0:37:55 | |
You look like you just had, like, a jalapeno. | 0:37:55 | 0:37:57 | |
Natasha's turn. Her skittles. | 0:37:59 | 0:38:02 | |
Tenner? 2 I'm bid. | 0:38:02 | 0:38:04 | |
At 4? | 0:38:04 | 0:38:05 | |
4, 6. | 0:38:05 | 0:38:07 | |
Come on! | 0:38:07 | 0:38:09 | |
£8. | 0:38:09 | 0:38:10 | |
10, 12. 12. | 0:38:10 | 0:38:12 | |
Do you know, what are you hesitating? 12, 15. | 0:38:12 | 0:38:15 | |
15, 18. | 0:38:17 | 0:38:19 | |
At 18. Come on! | 0:38:19 | 0:38:20 | |
-I'm getting frightened. -At 18. | 0:38:22 | 0:38:24 | |
I'm glad I'm selling, not buying. | 0:38:24 | 0:38:26 | |
Imagine you were on the receiving end of "come on!" | 0:38:26 | 0:38:29 | |
"That poor man traumatised me. | 0:38:29 | 0:38:31 | |
"And I bought some stained glass windows I didn't want." | 0:38:31 | 0:38:34 | |
Yes, but, strangely, it's only working for Natasha's lots. | 0:38:34 | 0:38:37 | |
So maybe it's just you. | 0:38:37 | 0:38:38 | |
Perhaps a bit of trademark militaria can turn things round. | 0:38:40 | 0:38:43 | |
Nice little ammunition box. | 0:38:43 | 0:38:45 | |
It's a nice little ammunition box. | 0:38:45 | 0:38:46 | |
Start that one £20 or £30? | 0:38:46 | 0:38:48 | |
A tenner? | 0:38:48 | 0:38:49 | |
5? 5 bid here. | 0:38:49 | 0:38:52 | |
10, 12, 15, 18, 20. | 0:38:52 | 0:38:54 | |
Oh, it's flying. | 0:38:54 | 0:38:56 | |
-22, 22, 22, 25. -That's better than I thought. It's still cheap. | 0:38:56 | 0:38:58 | |
At 25, at 25. | 0:38:58 | 0:39:00 | |
Closing at 25. | 0:39:00 | 0:39:02 | |
-Commission bid's got it. -£25. | 0:39:02 | 0:39:04 | |
You know what? I'll take that. | 0:39:04 | 0:39:06 | |
That's a loss, and I am not disappointed. | 0:39:06 | 0:39:09 | |
Yes, things are almost looking up(!) | 0:39:09 | 0:39:11 | |
Natasha's case. The gun one. | 0:39:11 | 0:39:14 | |
Is that more of a Paul thing? | 0:39:14 | 0:39:16 | |
Just trying to be cool in front of you, and it's not really working, | 0:39:16 | 0:39:19 | |
so I bought something about which I know nothing. | 0:39:19 | 0:39:21 | |
Here we are, lovely little gun case, then, for you. | 0:39:21 | 0:39:24 | |
Work it, Barry, work it. | 0:39:24 | 0:39:25 | |
A tenner? A fiver? | 0:39:25 | 0:39:26 | |
At £10. | 0:39:26 | 0:39:28 | |
12, 12. | 0:39:28 | 0:39:31 | |
15, 18. | 0:39:31 | 0:39:32 | |
-20, 22. -Plenty of people are playing at it. | 0:39:32 | 0:39:35 | |
25, 28, 28, 28... Come on! | 0:39:35 | 0:39:38 | |
-At 28. There at 28. -"Are you a man or a mouse?" | 0:39:38 | 0:39:41 | |
-Aw, Paul, it's going. -£28. | 0:39:41 | 0:39:43 | |
SHE GROANS | 0:39:43 | 0:39:46 | |
-"I know nothing." -Neither do I! | 0:39:46 | 0:39:49 | |
Well, that's three of us. | 0:39:49 | 0:39:50 | |
I think I should actually just give up | 0:39:50 | 0:39:52 | |
and become the clicker of the lot numbers. | 0:39:52 | 0:39:54 | |
That's all I'm qualified to do. | 0:39:54 | 0:39:56 | |
Perhaps spuds are more the thing. | 0:39:56 | 0:39:59 | |
Paul's latest rusty offering. | 0:39:59 | 0:40:00 | |
Right, there we are, look, being held up for you. | 0:40:00 | 0:40:03 | |
Right, you all know what it is? Right. | 0:40:03 | 0:40:05 | |
-Start me at £100? -Ooh. | 0:40:05 | 0:40:07 | |
-50? A tenner? -I like the optimism. | 0:40:07 | 0:40:09 | |
At £10. | 0:40:09 | 0:40:11 | |
£10! | 0:40:11 | 0:40:12 | |
SHE SQUEALS | 0:40:12 | 0:40:13 | |
-12, 15, 18, 20. -Man! | 0:40:13 | 0:40:15 | |
£20, 22, 25. | 0:40:16 | 0:40:18 | |
28. £30, 30. | 0:40:18 | 0:40:20 | |
Oh, don't want to wear David out. You can put it down. | 0:40:20 | 0:40:23 | |
28, 30. | 0:40:23 | 0:40:25 | |
35, 40. | 0:40:25 | 0:40:26 | |
-Wait a minute, wait a minute. -At 40? | 0:40:26 | 0:40:28 | |
Almost not lost money. | 0:40:28 | 0:40:30 | |
At £40. | 0:40:30 | 0:40:33 | |
Didn't quite rake in the profit I'd hoped for, did it? | 0:40:33 | 0:40:35 | |
-SHE GROANS -Boom. Did you hear that? | 0:40:35 | 0:40:36 | |
Did you see that? | 0:40:36 | 0:40:37 | |
A few more pounds off his pile. | 0:40:37 | 0:40:39 | |
Anything else, Paul? | 0:40:39 | 0:40:41 | |
It's more cast iron garden scrap. | 0:40:41 | 0:40:44 | |
It's a seed drill. | 0:40:44 | 0:40:45 | |
She's right, invented by Jethro Tull. | 0:40:45 | 0:40:48 | |
Before the whole rock thing took off. | 0:40:48 | 0:40:51 | |
£40 or £50? A tenner? | 0:40:51 | 0:40:53 | |
I love his optimism at the beginning of these things, | 0:40:53 | 0:40:56 | |
-and then it just... -It's a quick job. -It is. | 0:40:56 | 0:40:58 | |
Now, all begin to wake up? At 5, 8, 10. | 0:40:58 | 0:41:01 | |
-At 10, 12, 15. -We've been here before. | 0:41:01 | 0:41:04 | |
At 18, 18 on the floor. | 0:41:04 | 0:41:06 | |
20, 22. | 0:41:06 | 0:41:07 | |
22, 25. | 0:41:07 | 0:41:09 | |
On my book at 25. | 0:41:09 | 0:41:10 | |
25, quickly out at 25? | 0:41:10 | 0:41:14 | |
Was that my worst result at auction ever? | 0:41:14 | 0:41:17 | |
The Antiques Road Trip annals are being consulted as I speak. | 0:41:17 | 0:41:21 | |
I got two chapters of my memoir today. | 0:41:21 | 0:41:23 | |
One, just Barry L Hawkins, the man. | 0:41:23 | 0:41:26 | |
And then another chapter which is Laidlaw. Worst day ever? | 0:41:26 | 0:41:30 | |
Someone might read it while sat in this very chair, Natasha. | 0:41:30 | 0:41:33 | |
-Can you hold it up, David? -Yes, David. | 0:41:33 | 0:41:35 | |
That chair, then, start that one at £50? | 0:41:35 | 0:41:38 | |
A tenner? | 0:41:38 | 0:41:39 | |
10, 12, 15, 18, 20. | 0:41:39 | 0:41:42 | |
-25, 28, come on. -That'll do. | 0:41:43 | 0:41:45 | |
30, 35. | 0:41:45 | 0:41:47 | |
-The lady, it's against you there. -Shout, shout! | 0:41:47 | 0:41:50 | |
-At 35... -Shout. Scream at them. | 0:41:50 | 0:41:52 | |
I'm trying! | 0:41:52 | 0:41:54 | |
Where did I get to? Now I'm lost. | 0:41:54 | 0:41:56 | |
28, 30. | 0:41:56 | 0:41:57 | |
32, 35. | 0:41:57 | 0:42:00 | |
35, 38. | 0:42:00 | 0:42:02 | |
40, at £40. | 0:42:02 | 0:42:03 | |
-Come on! -Yeah! | 0:42:03 | 0:42:06 | |
The bid is here at 40. | 0:42:06 | 0:42:08 | |
It's got history to it now. | 0:42:08 | 0:42:10 | |
At £40, 40. | 0:42:10 | 0:42:12 | |
45, 50. | 0:42:12 | 0:42:14 | |
-SHE GASPS -It's flying! | 0:42:14 | 0:42:16 | |
£50, in the door at £50. | 0:42:16 | 0:42:17 | |
You're done at £50. | 0:42:17 | 0:42:19 | |
Natasha's had a comfortable victory today. | 0:42:21 | 0:42:24 | |
Let's get out of here and, erm... | 0:42:24 | 0:42:27 | |
-do a reality check. -Yeah, yeah, OK. | 0:42:27 | 0:42:30 | |
Paul began with... | 0:42:30 | 0:42:31 | |
He made a loss after auction costs of £105.20. | 0:42:33 | 0:42:36 | |
So he's ended up with... | 0:42:38 | 0:42:40 | |
Whilst Natasha started out with... | 0:42:43 | 0:42:45 | |
And after a much smaller loss of £23.28 after costs, | 0:42:46 | 0:42:51 | |
she has just... | 0:42:51 | 0:42:52 | |
..for next time. | 0:42:54 | 0:42:56 | |
Still a long way behind, but she's the winner today. | 0:42:56 | 0:42:59 | |
Pinch yourself, Paul. | 0:42:59 | 0:43:01 | |
-That was real. -Oh, dearie me! | 0:43:01 | 0:43:05 | |
Cheerio! | 0:43:05 | 0:43:06 | |
You get over there! | 0:43:06 | 0:43:08 | |
Next on the Antiques Road Trip... | 0:43:08 | 0:43:11 | |
Natasha does her homework... | 0:43:11 | 0:43:13 | |
-I'm getting all excited. -SHE LAUGHS | 0:43:13 | 0:43:15 | |
..and Paul goes old school. | 0:43:15 | 0:43:17 | |
Many an old boy has come back and they've had the cane in here. | 0:43:17 | 0:43:20 | |
THEY LAUGH | 0:43:20 | 0:43:21 |