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It's the nation's favourite antiques experts. With £200 each... | 0:00:02 | 0:00:05 | |
I want something shiny. | 0:00:05 | 0:00:07 | |
..a classic car, and a goal to scour Britain for antiques. | 0:00:07 | 0:00:10 | |
-I like a rummage. -I can't resist. | 0:00:10 | 0:00:13 | |
The aim - to make the biggest profit at auction, but it's no mean feat. | 0:00:13 | 0:00:16 | |
-Sorry. -Why do I always do this to myself? | 0:00:16 | 0:00:19 | |
-There'll be worthy winners... -Give us a kiss! | 0:00:19 | 0:00:21 | |
-..and valiant losers. -Come on, stick 'em up. | 0:00:21 | 0:00:24 | |
-So, will it be the high road to glory... -Onwards and upwards! | 0:00:24 | 0:00:27 | |
-..or the slow road to disaster? -Take me home. | 0:00:27 | 0:00:29 | |
This is Antiques Road Trip. | 0:00:29 | 0:00:31 | |
Morning. Today's forecast calls for blue skies. | 0:00:36 | 0:00:40 | |
On this fourth leg of the trip, | 0:00:40 | 0:00:42 | |
we're horsing around in sunny southern England... | 0:00:42 | 0:00:44 | |
-New Forest. Ponies. -Ponies, yeah. | 0:00:46 | 0:00:49 | |
Here we are in the beautiful New Forest. | 0:00:49 | 0:00:52 | |
..with two blue-sky thinkers - James Braxton and Raj Bisram. | 0:00:52 | 0:00:57 | |
Yeah, isn't that lovely? Beautiful. | 0:00:57 | 0:00:59 | |
Raj has been steeped in antiques trading since the tender age | 0:00:59 | 0:01:02 | |
of ten, and he's very much in tune with the ancient landscape. | 0:01:02 | 0:01:06 | |
I mean, this has been like this for...thousands of years. | 0:01:07 | 0:01:11 | |
-Thousands of years. -Yeah. | 0:01:11 | 0:01:13 | |
"Thousands". Well, James is no less a legend of this game, | 0:01:13 | 0:01:17 | |
ever ready to steal a bargain. | 0:01:17 | 0:01:20 | |
You can expect to see some sort of highwayman rushing out any moment. | 0:01:20 | 0:01:25 | |
The only highwayman I've seen in the New Forest is you, James. | 0:01:26 | 0:01:30 | |
Both our aficionados of old stuff began with £200. | 0:01:32 | 0:01:36 | |
Raj has now traded that up to hold £432.66... | 0:01:36 | 0:01:42 | |
while James is a hair ahead of him - | 0:01:42 | 0:01:45 | |
well, he's got a bit more - having accumulated £471.90. | 0:01:45 | 0:01:49 | |
It is close! | 0:01:49 | 0:01:51 | |
Today, they're driving a dashing white darling - the 1968 | 0:01:51 | 0:01:54 | |
Renault Caravelle, and it looks as if they've made a new friend. | 0:01:54 | 0:01:58 | |
Hello, Daisy. Want to say hello to James? | 0:01:58 | 0:02:01 | |
After starting off in Bath, | 0:02:06 | 0:02:07 | |
our experts have roved around a fair chunk of southern England. | 0:02:07 | 0:02:11 | |
Later, they'll zip up to the Midlands, | 0:02:11 | 0:02:13 | |
before heading back down to Binegar in Somerset. | 0:02:13 | 0:02:15 | |
On this leg, they begin in the New Forest village of Brockenhurst, | 0:02:18 | 0:02:21 | |
and aim for auction in Shrewsbury, Shropshire. Crikey Moses! | 0:02:21 | 0:02:25 | |
Two more new friends in the New Forest. Giddy up! | 0:02:25 | 0:02:29 | |
-Nick, you obviously live in this area. -I'm very blessed to live here. | 0:02:29 | 0:02:32 | |
-You are. All the best to you. -Enjoy the rest of your stay, guys. | 0:02:32 | 0:02:34 | |
-Thank you very much. -Thanks a lot. Bye. | 0:02:34 | 0:02:37 | |
Cor, they're friendly sorts round here, aren't they? | 0:02:37 | 0:02:39 | |
So Brockenhurst should be just the place to kick off | 0:02:39 | 0:02:41 | |
with some more shopping. | 0:02:41 | 0:02:43 | |
This morning, Raj is dropping James off at his first shop, where | 0:02:43 | 0:02:47 | |
we'll hope for a little less horsing around, and maybe a bit of dog work. | 0:02:47 | 0:02:50 | |
-Ah, here's my shop! -Oh, James. -How exciting. | 0:02:50 | 0:02:54 | |
-Here you go, James. -Great. Thank you. | 0:02:54 | 0:02:57 | |
And don't forget what I said - spend everything you can. | 0:02:57 | 0:03:01 | |
I will. OK, see you, chief. | 0:03:01 | 0:03:04 | |
All the best, James. | 0:03:04 | 0:03:06 | |
Bye. Good luck. | 0:03:06 | 0:03:08 | |
Come on then, James. Time to shop! | 0:03:10 | 0:03:13 | |
-Hello. James. -Hi, I'm Pam. Nice to meet you. -Hello, Pam. | 0:03:13 | 0:03:16 | |
This is lovely. | 0:03:16 | 0:03:17 | |
I'll say! Pam has an electric shock... I mean eclectic stock, | 0:03:17 | 0:03:21 | |
including many pieces brought back from her travels in France. | 0:03:21 | 0:03:24 | |
And speaking of which... | 0:03:24 | 0:03:27 | |
-We've got a little light here. That's rather nice. -That's lovely. | 0:03:27 | 0:03:30 | |
That's actually, I would have thought... | 0:03:30 | 0:03:33 | |
Yeah, that is a Deco piece. | 0:03:33 | 0:03:35 | |
Oh, yes. This table lamp, a la Francais, | 0:03:35 | 0:03:38 | |
perhaps dates from the early 20th century. | 0:03:38 | 0:03:42 | |
You'd think something like that might be made of bronze, | 0:03:42 | 0:03:45 | |
but this is a sort of wrought iron, isn't it? | 0:03:45 | 0:03:46 | |
-No, I think that's a sort of poor man's version. -Yeah. | 0:03:46 | 0:03:49 | |
-But quite pretty. -Yeah. -Is that quite cheap? | 0:03:49 | 0:03:53 | |
Well, it depends what you call cheap. I have 55 on it. | 0:03:53 | 0:03:57 | |
-But there is always movement, as you know. -Yeah. That's... | 0:03:57 | 0:04:00 | |
I quite like that. | 0:04:00 | 0:04:02 | |
That's a possibility then, but James is on a real rummage this morning. | 0:04:02 | 0:04:06 | |
-Do you want a hand, or are you all right? -I think I'm all right. -OK. | 0:04:06 | 0:04:11 | |
Any breakages will be paid for. | 0:04:11 | 0:04:13 | |
That's you told then, James. | 0:04:13 | 0:04:15 | |
Interesting, behind there, there's a Coromandel, Chinese Coromandel | 0:04:15 | 0:04:19 | |
screen, which is lacquer | 0:04:19 | 0:04:23 | |
and applied bits of... | 0:04:23 | 0:04:27 | |
Generally, they were mother of pearl and bone. | 0:04:27 | 0:04:31 | |
I might ask about that. | 0:04:31 | 0:04:33 | |
Actually, I think this is a Japanese screen with | 0:04:33 | 0:04:37 | |
a type of lacquer work which is called Shibayama. | 0:04:37 | 0:04:41 | |
Right. Let's get down and dirty. | 0:04:41 | 0:04:45 | |
After you, then, James. | 0:04:45 | 0:04:47 | |
So, I'm after the screen, but to get to the screen, | 0:04:47 | 0:04:50 | |
I've got to uncover a couple of items. | 0:04:50 | 0:04:53 | |
Yeah. Well, keep at it then. CLATTER | 0:04:53 | 0:04:55 | |
Oh, my gosh! Remember, you break it, you buy it, James! | 0:04:55 | 0:04:58 | |
This is the screen. | 0:04:58 | 0:05:00 | |
It may be two-fold screen, but it's missing quite a lot of bits, | 0:05:00 | 0:05:04 | |
isn't it? | 0:05:04 | 0:05:05 | |
Missing the top bits as well. What's the other side like? | 0:05:05 | 0:05:08 | |
Oh, yeah. It's also missing a ticket price. | 0:05:08 | 0:05:11 | |
I quite like this. | 0:05:11 | 0:05:12 | |
The more effort you put in, the more you're going to get out, | 0:05:12 | 0:05:15 | |
so I'm going to start unpeeling the stuff. | 0:05:15 | 0:05:18 | |
Unpeeling. | 0:05:18 | 0:05:19 | |
Lord, unpeeling, he goes. | 0:05:19 | 0:05:22 | |
And your little Kashmir table, the carved one? | 0:05:22 | 0:05:25 | |
Yeah, definitely Kashmiri. North Indian subcontinent. | 0:05:25 | 0:05:29 | |
Well done, James. | 0:05:29 | 0:05:31 | |
-Quite nicely carved. -It is nicely carved, yes. | 0:05:31 | 0:05:34 | |
They're beginning to do slightly better, these. | 0:05:34 | 0:05:37 | |
That is an old one as well. | 0:05:37 | 0:05:38 | |
It's not one of the sort of really modern ones, but it's quite sweet. | 0:05:38 | 0:05:42 | |
-Very frustrating. -I think they are an intelligence test, to be honest. | 0:05:42 | 0:05:46 | |
-I think, yeah... -Yes, well done, James. | 0:05:46 | 0:05:49 | |
You just have to... | 0:05:49 | 0:05:51 | |
You have to keep working and then finally, it finds its form. | 0:05:51 | 0:05:54 | |
-And as you can see, dust comes free with that one. -Dust comes free. | 0:05:54 | 0:05:58 | |
Yeah. No charge. | 0:05:58 | 0:05:59 | |
Very reasonable then, Pam. What's the asking price? | 0:05:59 | 0:06:03 | |
-I've had it a while. -Yeah. -That can be £50. -£50, yeah. | 0:06:03 | 0:06:08 | |
So, James now has his sights on this table, the little | 0:06:08 | 0:06:12 | |
French Art Deco jobby and not forgetting the substantial screen. | 0:06:12 | 0:06:16 | |
Oh! | 0:06:18 | 0:06:19 | |
And then a bit of china. | 0:06:20 | 0:06:23 | |
So, what a... That's the great thing about antiques. | 0:06:23 | 0:06:26 | |
-You can see the world. -You can indeed. | 0:06:26 | 0:06:29 | |
Pam's offered this three item round the world jaunt for £130 all in. | 0:06:29 | 0:06:33 | |
Well, it's cheaper than the flight! | 0:06:33 | 0:06:35 | |
-Could I do the lot for 110? -Oh, goodness! | 0:06:35 | 0:06:38 | |
-Could we meet in the middle at 120? -120, you read my mind. | 0:06:38 | 0:06:42 | |
-Put it there. -Brilliant. | 0:06:42 | 0:06:43 | |
-OK. -Thank you very much indeed, Pam. -That's great. -Such a gent, James. | 0:06:43 | 0:06:47 | |
So, he has the screen for £50, the table for £40, and the lamp for 30. | 0:06:47 | 0:06:51 | |
Well done! | 0:06:51 | 0:06:53 | |
Thank you, Pam! Thank you! | 0:06:53 | 0:06:55 | |
In the meantime, Raj has travelled onwards. | 0:06:59 | 0:07:02 | |
He's heading for the New Forest village of Beaulieu, | 0:07:02 | 0:07:05 | |
which is home to the British National Motor Museum, | 0:07:05 | 0:07:09 | |
where Raj is strolling off to meet curator Richard. | 0:07:09 | 0:07:13 | |
-Hi there. -Hello, Raj. -Nice to meet you. What a fantastic place! | 0:07:17 | 0:07:22 | |
This enormous museum celebrates every facet of our automotive | 0:07:22 | 0:07:26 | |
heritage, from the supercharged to the frankly silly. | 0:07:26 | 0:07:31 | |
But today, Raj is here to learn about | 0:07:31 | 0:07:33 | |
a very British sort of motoring obsession - caravanning, | 0:07:33 | 0:07:37 | |
and Richard's taking him into the museum's backstage | 0:07:37 | 0:07:41 | |
archive rooms to learn more. | 0:07:41 | 0:07:43 | |
Well, leisure caravanning actually started in 1885, | 0:07:45 | 0:07:49 | |
with William Gordon Stables. | 0:07:49 | 0:07:51 | |
Wanderer was the first caravan, the first leisure caravan, and as I say, | 0:07:51 | 0:07:56 | |
William Gordon Stables built that himself, | 0:07:56 | 0:07:58 | |
he was an ex-naval officer, he was a surgeon, | 0:07:58 | 0:08:01 | |
and he had to retire early due to ill health in his mid 30s and | 0:08:01 | 0:08:06 | |
he was looking for something to do, I think, so he built this caravan | 0:08:06 | 0:08:10 | |
and he went from Twyford in Berkshire | 0:08:10 | 0:08:13 | |
back to his town of birth, Inverness, in Scotland. | 0:08:13 | 0:08:16 | |
This near 600-mile journey, horse drawn, was the first caravan holiday | 0:08:16 | 0:08:21 | |
and William Gordon Stables chronicled his adventure | 0:08:21 | 0:08:25 | |
in his 1886 book, The Cruise Of The Land Yacht Wanderer. | 0:08:25 | 0:08:29 | |
# You know, I'm the wanderer | 0:08:29 | 0:08:32 | |
# Yeah, I'm the wanderer | 0:08:32 | 0:08:34 | |
# I roam around, around, around, around, around... # | 0:08:34 | 0:08:37 | |
Once he'd published his book, of course, people reading it, | 0:08:39 | 0:08:42 | |
the wealthy and the aristocracy were thinking - what a great idea. | 0:08:42 | 0:08:45 | |
So, it became more popular and in fact, | 0:08:45 | 0:08:48 | |
the Caravan Club was formed in 1907. | 0:08:48 | 0:08:50 | |
And he became vice president. | 0:08:50 | 0:08:53 | |
The Caravan Club championed this new hobby in its early years. | 0:08:53 | 0:08:57 | |
It grew quite quickly in its initial stages as well. From those | 0:08:57 | 0:09:01 | |
first 11 members, within five years they had nearly 300 members. | 0:09:01 | 0:09:04 | |
267, I think, in 1912. | 0:09:04 | 0:09:06 | |
And a third of those were women. | 0:09:06 | 0:09:08 | |
Caravanning afforded these Edwardian ladies all sorts of new freedom. | 0:09:11 | 0:09:15 | |
The chance to go out into the countryside and actually take | 0:09:15 | 0:09:18 | |
part in activities, which would have been barred to them before - | 0:09:18 | 0:09:21 | |
hunting, fishing, sports, that sort of thing, they could do. | 0:09:21 | 0:09:24 | |
So, they would get together as groups, | 0:09:24 | 0:09:26 | |
usually unmarried women, would go off in a caravan to the country. | 0:09:26 | 0:09:30 | |
And here we can see a leisure caravan, | 0:09:30 | 0:09:34 | |
-just before the First World War. -This actually, to most people, | 0:09:34 | 0:09:37 | |
I'd say would be much more recognisable as a caravan. | 0:09:37 | 0:09:40 | |
Absolutely. This would probably be a single horse would be pulling that | 0:09:40 | 0:09:43 | |
and quite often caravans would | 0:09:43 | 0:09:45 | |
actually have been hired out for the day, | 0:09:45 | 0:09:47 | |
so we're looking at the change from the wealthy starting to | 0:09:47 | 0:09:50 | |
be able to hire a caravan just for the day to go out into the | 0:09:50 | 0:09:53 | |
New Forest or a day trip to the seaside, as they're doing here. | 0:09:53 | 0:09:57 | |
But as the pursuit became more popular, the First World War | 0:09:58 | 0:10:02 | |
loomed and the new caravans took on a more serious purpose. | 0:10:02 | 0:10:06 | |
They soon learned that they could be used for accommodation, | 0:10:06 | 0:10:09 | |
they could be used as ambulances, so the Caravan Club members | 0:10:09 | 0:10:14 | |
actually donated 50 caravans to be sent across to the front. | 0:10:14 | 0:10:18 | |
After the war ended, caravanning for leisure took off once more. | 0:10:18 | 0:10:22 | |
So, you have returning servicemen who have seen caravans in action | 0:10:22 | 0:10:26 | |
and how useful they could be, and at the same time, | 0:10:26 | 0:10:28 | |
the government was selling off lots of surplus materials. | 0:10:28 | 0:10:32 | |
And so, lots of enterprising businessmen could buy this | 0:10:32 | 0:10:37 | |
material quite cheaply and make trailer caravans. | 0:10:37 | 0:10:40 | |
One such one was the Navarac caravan, | 0:10:40 | 0:10:43 | |
which was actually made from aircraft parts. | 0:10:43 | 0:10:46 | |
These new caravans were designed to be towed by motor vehicles | 0:10:46 | 0:10:50 | |
and Richard's taking Raj on a little trip to see an early example. | 0:10:50 | 0:10:55 | |
-Richard, is this one of the first commercially made caravans? -It is. | 0:10:55 | 0:10:59 | |
This is an Eccles caravan, | 0:10:59 | 0:11:01 | |
really the first commercially produced caravans. | 0:11:01 | 0:11:04 | |
What year were these first manufactured? | 0:11:04 | 0:11:06 | |
The company started in 1919, | 0:11:06 | 0:11:08 | |
so right at the end of the First World War. | 0:11:08 | 0:11:10 | |
This caravan dates from 1926, so they went all the way through | 0:11:10 | 0:11:14 | |
the '20s and Eccles is still a well known name today. | 0:11:14 | 0:11:16 | |
-Wow! Fantastic! -From these beginnings, | 0:11:16 | 0:11:19 | |
caravanning grew in popularity through the 20th century, | 0:11:19 | 0:11:22 | |
becoming one of our most beloved hobbies and giving the masses | 0:11:22 | 0:11:26 | |
access to life on the open road. | 0:11:26 | 0:11:29 | |
Raj is quite taken. | 0:11:29 | 0:11:31 | |
He'll be buying one! | 0:11:31 | 0:11:33 | |
I quite like this! | 0:11:33 | 0:11:36 | |
In fact, if you don't mind, Richard, | 0:11:36 | 0:11:38 | |
would you shut the door and leave me to read my book? | 0:11:38 | 0:11:41 | |
Ah! | 0:11:43 | 0:11:44 | |
Life doesn't get any better! | 0:11:44 | 0:11:46 | |
You said it, Raj. Don't get too comfy, will you, or drop off? | 0:11:46 | 0:11:50 | |
Now, James has travelled on to the market town of Ringwood, | 0:11:52 | 0:11:56 | |
where he's sauntering off into his next shop, not a care in the world. | 0:11:56 | 0:12:00 | |
-Hello. James. -Oh, hello, James. My name is Peter. -Hello, Peter. | 0:12:03 | 0:12:07 | |
-Good to see you. Take me to your cheaper parts. -The bargain basement. | 0:12:07 | 0:12:10 | |
-The bargain basement, please. -Which happens to be upstairs. | 0:12:10 | 0:12:13 | |
-Perfect! Perfect! -Follow me. | 0:12:13 | 0:12:15 | |
-We shall, Peter. We shall. -So, up these lovely stairs. | 0:12:15 | 0:12:19 | |
Here we are, James, at the bargain basement. | 0:12:19 | 0:12:22 | |
-Yeah. -The first thing that catches my eye is this wonderful oil lamp. | 0:12:22 | 0:12:25 | |
-How much is that then, Peter? -Well... | 0:12:25 | 0:12:28 | |
-Don't look at the label. -Glasses on. -Do you need to...? Watch your head. | 0:12:28 | 0:12:31 | |
I'll watch my head. Well, we've got that marked at £225. | 0:12:31 | 0:12:37 | |
-It's too expensive. -But if not that lamp, maybe a spotlight. | 0:12:37 | 0:12:41 | |
Peter's love is not only oil lamps, but it's am dram. | 0:12:41 | 0:12:46 | |
Peter is just directing a local theatrical production. | 0:12:46 | 0:12:51 | |
So that's his life. You can tell it, can't you? | 0:12:51 | 0:12:54 | |
He does have a dramatic flair, | 0:12:54 | 0:12:57 | |
but is this an item I see before me, or just an old pot? | 0:12:57 | 0:13:01 | |
-Look at this! -Just feel the weight of that. | 0:13:01 | 0:13:04 | |
-That is a wee beastie. -Yes. -That is a wee beastie, isn't it? | 0:13:04 | 0:13:09 | |
Yeah, it's a substantial French copper cooking pan and lid. | 0:13:09 | 0:13:14 | |
Look at that! You could really... | 0:13:15 | 0:13:17 | |
You could cook something up in that, couldn't you? | 0:13:17 | 0:13:19 | |
-You could. -I've got a very lovely dish that I do. | 0:13:19 | 0:13:21 | |
Sausages and lentils with a bit of paprika. | 0:13:21 | 0:13:24 | |
That's a lot of sausages and lentils. | 0:13:24 | 0:13:26 | |
-That'd be lovely, wouldn't it? Feed an army! -Certainly would. | 0:13:26 | 0:13:29 | |
There's no ticket price on it, so Peter will find out what | 0:13:29 | 0:13:32 | |
the cost could be while James browses the rest of the shop. | 0:13:32 | 0:13:37 | |
When you come back, | 0:13:37 | 0:13:38 | |
I want a soliloquy from one of your latest productions, Peter. | 0:13:38 | 0:13:42 | |
A soliloquy? Well, I could give you... | 0:13:42 | 0:13:45 | |
I am the very model of a modern major general! | 0:13:45 | 0:13:47 | |
-But I don't think I will. -JAMES LAUGHS | 0:13:47 | 0:13:49 | |
Come on now, Peter! | 0:13:49 | 0:13:52 | |
Our James is the very model of a modern antiques maestro, methinks! | 0:13:52 | 0:13:57 | |
What think thou? | 0:13:57 | 0:13:58 | |
A brown cheese drainer. Blessed is the cheese maker. | 0:13:58 | 0:14:03 | |
# I am the very model of a modern major general | 0:14:03 | 0:14:06 | |
# I've information vegetable, animal, and mineral | 0:14:06 | 0:14:08 | |
# I know the kings of England, and I quote the fights historical | 0:14:08 | 0:14:11 | |
# From Marathon to Waterloo in order categorical... # | 0:14:11 | 0:14:13 | |
Oyster dish. Here we are. | 0:14:13 | 0:14:15 | |
# I'm very well acquainted too with matters mathematical | 0:14:15 | 0:14:18 | |
# I understand equations, both the simple and quadratical | 0:14:18 | 0:14:20 | |
# About binomial theorem I'm teeming with a lot o' news... # | 0:14:20 | 0:14:23 | |
Bamboo. The blessed material. | 0:14:23 | 0:14:26 | |
# But still, in matters vegetable, animal, and mineral, | 0:14:26 | 0:14:28 | |
# He is the very model of a modern Major General. # | 0:14:28 | 0:14:32 | |
But he hasn't spotted anything else that takes his fancy, | 0:14:32 | 0:14:34 | |
so back to that copper pan he goes. | 0:14:34 | 0:14:37 | |
But what can Peter propose? | 0:14:37 | 0:14:39 | |
-You're a man of the amateur dramatic, aren't you? -I am, yes. | 0:14:41 | 0:14:45 | |
-I want a dramatic... -Dramatic. Well, let's say £90! | 0:14:45 | 0:14:50 | |
I'll give you 70. | 0:14:50 | 0:14:51 | |
75. | 0:14:51 | 0:14:53 | |
-75, you have yourself a deal. -Right. -Thank you very much indeed. | 0:14:53 | 0:14:56 | |
-You're welcome, James. -Thank you, Peter. | 0:14:56 | 0:14:58 | |
That is a fine item, isn't it? | 0:14:58 | 0:15:00 | |
It's an absolute star. But just as James is paying up, look who it is. | 0:15:00 | 0:15:06 | |
-Oh, here he is. -Hello! Hello! -Peter, Raj. Raj, Peter. -I'm Peter. | 0:15:06 | 0:15:11 | |
Hello, Peter. Lovely to meet you. | 0:15:11 | 0:15:13 | |
Look at that. Big money passing hands! | 0:15:13 | 0:15:16 | |
-Can I just check it? -Check it. -My goodness! | 0:15:16 | 0:15:20 | |
-See? -Peter, you are in luck! | 0:15:20 | 0:15:23 | |
These are all real! | 0:15:23 | 0:15:25 | |
Thanks for checking, Raj. | 0:15:25 | 0:15:26 | |
But James is spending some serious cash today. | 0:15:27 | 0:15:30 | |
-For him to spend that much money on one item... -Yeah. | 0:15:30 | 0:15:34 | |
-Have I done well? -I can't... | 0:15:34 | 0:15:36 | |
Peter, you don't know how well you've done, OK? | 0:15:36 | 0:15:38 | |
Believe you me, that is normally a month's budget for him. | 0:15:38 | 0:15:42 | |
-But I hope I can find something as well. -Yeah. Well, good luck. | 0:15:42 | 0:15:45 | |
I'm going to... | 0:15:45 | 0:15:46 | |
So, it's goodbye to James and the hunt is on for Raj. | 0:15:46 | 0:15:51 | |
It's a papier mache apple. I should really buy it for James. | 0:15:51 | 0:15:55 | |
Teacher's pet. | 0:15:55 | 0:15:57 | |
But how's he feeling, now he's cased the joint? | 0:15:57 | 0:16:01 | |
Even though James got here first, I'm sure he's had trouble | 0:16:01 | 0:16:06 | |
buying here because there's not very much you can buy for a fiver. | 0:16:06 | 0:16:09 | |
So that leaves the door open for me. | 0:16:09 | 0:16:11 | |
And I'm sure I'm going to find some bargains. I like this shop. | 0:16:11 | 0:16:14 | |
Pretty comfortable. | 0:16:17 | 0:16:18 | |
Come on, Raj. You need some buys. What's this? | 0:16:18 | 0:16:21 | |
Well, these are quite interesting. I'm not a fisherman, | 0:16:23 | 0:16:27 | |
but I do like sporting items and these are very unusual lures. | 0:16:27 | 0:16:32 | |
Yep, attractive to fish and to Raj. Focus, focus. That's it. | 0:16:32 | 0:16:36 | |
£148 on the price ticket, which is way over what I would want to | 0:16:36 | 0:16:41 | |
pay for them, but they are interesting. | 0:16:41 | 0:16:44 | |
If I could get these at 30 to £40... | 0:16:44 | 0:16:47 | |
I know it's a lot to knock off, but if I could get them for that, | 0:16:47 | 0:16:50 | |
I'm going to do a deal. | 0:16:50 | 0:16:52 | |
That's a big ask! Can Raj's powers of persuasion reel Peter in? | 0:16:52 | 0:16:57 | |
-Who writes this stuff? -I've got a price in mind. | 0:16:57 | 0:17:00 | |
-Can I make you a crazy offer? -Yes. | 0:17:00 | 0:17:02 | |
I was hoping that if I could get those for £35 there would be | 0:17:02 | 0:17:07 | |
a small profit in it. I'll happily pay you 40 for them. | 0:17:07 | 0:17:10 | |
-All right, we'll go for 40. -We will? -Go to 40. -You'll go to 40? | 0:17:10 | 0:17:14 | |
-40, yeah. -Right, let's shake hands then. -If you insist. -Yeah, lovely. | 0:17:14 | 0:17:17 | |
Fantastic. So we've done a deal at £40. | 0:17:17 | 0:17:20 | |
That is a generous and kind discount from Peter. | 0:17:20 | 0:17:23 | |
But might fate deal Raj another good hand? | 0:17:24 | 0:17:28 | |
I mean, this is a nice, brass crib board. | 0:17:30 | 0:17:33 | |
I mean, it used to be a great pub game, crib. I still play crib. | 0:17:33 | 0:17:37 | |
I love it. Not a lot of people do these days but it's still a nice... | 0:17:37 | 0:17:41 | |
It's still even a nice decorative piece. | 0:17:41 | 0:17:44 | |
That might date from the early 20th century. It's ticketed at £23. | 0:17:45 | 0:17:50 | |
Peter? | 0:17:50 | 0:17:52 | |
-Peter? Are you there? -Yes, Raj. What have we got here. | 0:17:52 | 0:17:55 | |
Nothing earth-shattering, OK? I do warn you. | 0:17:55 | 0:17:59 | |
-The crib board. -Yes? | 0:17:59 | 0:18:01 | |
Can offer you a tenner for it? You haven't got a lot of money on it. | 0:18:01 | 0:18:04 | |
-£10 then. -We have a deal. Thank you very much indeed. | 0:18:04 | 0:18:08 | |
So, all that remains is to pay Peter and skedaddle. | 0:18:08 | 0:18:12 | |
-Thank you very much indeed. -Lovely to see you. | 0:18:12 | 0:18:14 | |
You too. Thanks again. | 0:18:14 | 0:18:16 | |
And that swift deal brings us to the end of a | 0:18:16 | 0:18:19 | |
jam-packed first day on the trip. | 0:18:19 | 0:18:22 | |
So nighty-night, chaps. | 0:18:22 | 0:18:23 | |
But another bright summer morning finds our two boys back | 0:18:25 | 0:18:28 | |
in the car and raring to go. | 0:18:28 | 0:18:31 | |
James, a lovely, beautiful morning in Hampshire. | 0:18:31 | 0:18:34 | |
What a lovely day! | 0:18:34 | 0:18:37 | |
-Oh, it's gorgeous. -Well, it's the Caribbean of the UK, isn't it? | 0:18:37 | 0:18:40 | |
Hah! I don't think I'd go that far. | 0:18:40 | 0:18:43 | |
But Raj has hooked two lots - | 0:18:43 | 0:18:46 | |
the fishing lures and the cribbage board. | 0:18:46 | 0:18:49 | |
He still has £382.66 in his wallet though. | 0:18:49 | 0:18:52 | |
While James has collected four lots - the Oriental screen, | 0:18:54 | 0:18:58 | |
the Art Deco lamp, the Kashmiri table and copper cooking pan. | 0:18:58 | 0:19:03 | |
He still has £276.90 left to cook with. | 0:19:03 | 0:19:08 | |
And of course, | 0:19:08 | 0:19:10 | |
Raj had a sneak peek at that pricey pan as James was paying for it. | 0:19:10 | 0:19:14 | |
But it's more decorative than usable these days, that pot. | 0:19:16 | 0:19:20 | |
Oh! Excuse me! | 0:19:20 | 0:19:22 | |
RAJ LAUGHS | 0:19:22 | 0:19:23 | |
It's a lovely, heavy pan. | 0:19:23 | 0:19:25 | |
We could magic up some magic dishes IN that pan. | 0:19:25 | 0:19:28 | |
A nice, big Bouillabaisse. That would be nice. | 0:19:28 | 0:19:31 | |
Oh... Whelks and eels. | 0:19:31 | 0:19:35 | |
Whelks and eels, that's what we need. | 0:19:35 | 0:19:38 | |
Nah. What you want is buys. | 0:19:39 | 0:19:42 | |
This morning, their first shop is in the village of Wickham, | 0:19:42 | 0:19:46 | |
a pretty and pastoral place with roots dating back to ancient times. | 0:19:46 | 0:19:51 | |
-In! -Fantastic. -In we go. | 0:19:51 | 0:19:54 | |
-Well, good luck. -There it is. | 0:19:54 | 0:19:56 | |
-Enjoy some lovely handbags, second hand clothing. -Let's hope so. | 0:19:56 | 0:19:59 | |
-Enjoy your day. -A world of great days. | 0:19:59 | 0:20:02 | |
-Goodbye. -See you later. -Bye, bye, -bye, bye. Bye. | 0:20:02 | 0:20:04 | |
Raj is headed straight for Warwick Lane Shopping Centre | 0:20:06 | 0:20:09 | |
where he's meeting Steve. | 0:20:09 | 0:20:11 | |
-Hi, Steve. -Hello there. -Oh, Raj. | 0:20:11 | 0:20:13 | |
-And you must be Steve. -Indeed he is. | 0:20:13 | 0:20:16 | |
This is a large place with plenty of stock so Raj better look shipshape. | 0:20:18 | 0:20:23 | |
We're near the sea. How's that? | 0:20:25 | 0:20:28 | |
RAJ LAUGHS | 0:20:28 | 0:20:30 | |
Ridiculous. | 0:20:30 | 0:20:31 | |
But it's not a life on the ocean wave he's heading for this morning. | 0:20:31 | 0:20:34 | |
I mean, these could be a good buy | 0:20:35 | 0:20:38 | |
if I get left up the creek without a paddle. | 0:20:38 | 0:20:41 | |
You might be right. | 0:20:41 | 0:20:42 | |
But what's this then? | 0:20:42 | 0:20:45 | |
The whole world of telecommunications is | 0:20:45 | 0:20:48 | |
changing and people are collecting old telephones, | 0:20:48 | 0:20:51 | |
Bakelite telephones are fetching lots of money | 0:20:51 | 0:20:53 | |
and so are some of the 1960s and '70s telephones now. | 0:20:53 | 0:20:57 | |
They're even making money and what I've found here is an old... | 0:20:57 | 0:21:00 | |
An exchange. An old exchange telephone system. | 0:21:00 | 0:21:04 | |
This vintage device known as a dictograph comes with a small phone | 0:21:05 | 0:21:09 | |
extension and plenty of retro charm. | 0:21:09 | 0:21:12 | |
PHONE RINGS Hold the line please, caller. | 0:21:12 | 0:21:14 | |
It's really an interesting one because, I mean, | 0:21:14 | 0:21:17 | |
this exchange has got land channels, typists, planning, | 0:21:17 | 0:21:20 | |
drawing office, I mean this would probably have been used by | 0:21:20 | 0:21:23 | |
a council or something like that. | 0:21:23 | 0:21:26 | |
If I can get this at the right price... | 0:21:26 | 0:21:28 | |
It's got £30 on the ticket. I'd like to get this for £20 or below. | 0:21:28 | 0:21:32 | |
Steve can speak to the vendor by phone, probably. | 0:21:32 | 0:21:37 | |
-I will give her £20 for the two items. -OK. All right. | 0:21:37 | 0:21:40 | |
-And it's going to be cash. -And it's cash. -And it's cash. | 0:21:40 | 0:21:43 | |
-All right, I'll go and ask. -Use your charm. | 0:21:43 | 0:21:45 | |
-You've got a nice smile there. -I will. All right. | 0:21:45 | 0:21:48 | |
And while Steve flashes his pearly whites... | 0:21:48 | 0:21:50 | |
PHONE RINGS | 0:21:50 | 0:21:52 | |
Hello? | 0:21:52 | 0:21:54 | |
James. Get off the line. There's a train coming! | 0:21:54 | 0:21:59 | |
Ha! But we have an answer. | 0:22:00 | 0:22:03 | |
-Steve. How did you get on? -Good news. She'll do it. | 0:22:03 | 0:22:06 | |
-20 quid. -Fantastic. Brilliant. We have a deal. -All right. | 0:22:06 | 0:22:10 | |
-So, £20 for the two, yeah? -Yeah, yeah. -Fantastic. | 0:22:10 | 0:22:13 | |
He's got the dictograph and the little phone extension | 0:22:13 | 0:22:16 | |
set up for only £20. | 0:22:16 | 0:22:18 | |
Dog-on-it. | 0:22:18 | 0:22:21 | |
But there might be something else maybe downstairs. | 0:22:21 | 0:22:23 | |
This is interesting. | 0:22:23 | 0:22:25 | |
It's German or Austrian and it's a pipe. | 0:22:25 | 0:22:29 | |
But it's really quite old. It's dated 1807. | 0:22:32 | 0:22:36 | |
-1807! -Yeah! | 0:22:36 | 0:22:39 | |
The pipe is finished with hallmarked silver, | 0:22:39 | 0:22:41 | |
a touch of quality, methinks. | 0:22:41 | 0:22:43 | |
You know, I can just see an old Austrian or German farmer | 0:22:44 | 0:22:49 | |
sitting in the Gaststube drinking his beer and smoking his pipe. | 0:22:49 | 0:22:56 | |
You paint quite a picture, Raj. | 0:22:56 | 0:22:58 | |
Ticket price on that is £55. | 0:22:58 | 0:23:01 | |
Time for another word with young Steve who can negotiate perhaps | 0:23:01 | 0:23:05 | |
on behalf of the vendor again on the phone. Maybe. | 0:23:05 | 0:23:09 | |
I'll offer you £20 for it. | 0:23:09 | 0:23:12 | |
I don't think he'd go down that far. | 0:23:12 | 0:23:14 | |
I think he'd be happier with £30 to be honest with you, Raj. | 0:23:14 | 0:23:17 | |
£30 I think is too much. OK, I tell you what I'll do, | 0:23:17 | 0:23:21 | |
A good dealer will split it down the middle, so what about £25? | 0:23:21 | 0:23:25 | |
-All right, then. OK, £25. -Fantastic. We have a deal. | 0:23:25 | 0:23:29 | |
-Thank you very much, indeed. -Fantastic. | 0:23:29 | 0:23:32 | |
With two more items bagged, our boy in blue is wandering off. | 0:23:32 | 0:23:36 | |
James, meanwhile, | 0:23:40 | 0:23:41 | |
has motored on to the environs of the village of Twyford. | 0:23:41 | 0:23:44 | |
A fan of our greatest historical feats of engineering, he's planning | 0:23:44 | 0:23:48 | |
to pay a visit to Twyford Waterworks | 0:23:48 | 0:23:50 | |
where he's meeting trustee, Martin Gregory. | 0:23:50 | 0:23:53 | |
-Hello, James. -Martin. -Hello, Martin. | 0:23:55 | 0:23:58 | |
Welcome to Twyford waterworks. | 0:23:58 | 0:24:00 | |
This beautifully preserved Edwardian pumping station and water | 0:24:02 | 0:24:05 | |
treatment plant was designed to draw fresh water from wells | 0:24:05 | 0:24:09 | |
deep below the Hampshire, countryside's chalky landscape. | 0:24:09 | 0:24:13 | |
After the Acts of Parliament in the 1860s that required local | 0:24:14 | 0:24:18 | |
authorities to build waterworks to supply clean water, | 0:24:18 | 0:24:22 | |
in Hampshire, we drilled wells in the chalk and pumped | 0:24:22 | 0:24:27 | |
the water out to the customers around the area. | 0:24:27 | 0:24:31 | |
The Waterworks has been supplying water to the area ever since. | 0:24:31 | 0:24:37 | |
But the clean water drawn from these wells | 0:24:38 | 0:24:42 | |
has one big disadvantage. | 0:24:42 | 0:24:44 | |
Hampshire water's very hard which did present a problem. | 0:24:44 | 0:24:49 | |
-And what's the problem with hard water then? -Two problems. | 0:24:49 | 0:24:52 | |
One, you get limescale in the pipes so the pipes fur up. | 0:24:52 | 0:24:57 | |
And two, the soap won't lather, at least, | 0:24:57 | 0:25:01 | |
old 19th-century soaps won't lather. | 0:25:01 | 0:25:03 | |
Luckily, an Aberdeen doctor, | 0:25:03 | 0:25:06 | |
Thomas Clark patented a system for getting around this in | 0:25:06 | 0:25:11 | |
the 1840s and all the waterworks in Hampshire were equipped with | 0:25:11 | 0:25:16 | |
this Clark's lime softening process. | 0:25:16 | 0:25:20 | |
This method used chalk quarried here on-site to produce | 0:25:20 | 0:25:24 | |
a substance known as lime which is essential | 0:25:24 | 0:25:27 | |
in the water softening process. | 0:25:27 | 0:25:30 | |
Here we are up at the top of the railway incline. | 0:25:30 | 0:25:33 | |
-Ah! That looks very much like chalk. -It is chalk. | 0:25:33 | 0:25:36 | |
It's chalk that's been quarried just down below us | 0:25:36 | 0:25:40 | |
and is being brought up here to the Lime Kiln. | 0:25:40 | 0:25:43 | |
-Don't tell me these poor people had to lug it up, did they? -No. | 0:25:43 | 0:25:46 | |
From the start in 1903, getting it up the hill, up the incline, | 0:25:46 | 0:25:51 | |
we had a hydraulic engine. | 0:25:51 | 0:25:53 | |
-Well, that makes sense, you're a waterworks. -That's right. | 0:25:53 | 0:25:56 | |
A water engine driven by the water that we're pumping up to the reservoir. | 0:25:56 | 0:26:00 | |
-Really? -Yes. -And is that still functioning? | 0:26:00 | 0:26:02 | |
-That still functions. Come and look at it. -Oh, lovely. -Jubbly. | 0:26:02 | 0:26:05 | |
Obviously, James can't wait to see this water-powered engine move | 0:26:05 | 0:26:09 | |
the skip of chalk up the hill. Here we go. | 0:26:09 | 0:26:12 | |
Right, so here is the hydraulic engine. The water comes in | 0:26:12 | 0:26:16 | |
this pipe here, there's the throttle valve, so open | 0:26:16 | 0:26:19 | |
the water valve and let some water in. There you are. | 0:26:19 | 0:26:22 | |
So, release the break. And up it comes. | 0:26:22 | 0:26:26 | |
Now, we can see it coming up the incline now. | 0:26:26 | 0:26:29 | |
And that's just pressure of water? | 0:26:29 | 0:26:31 | |
And that's just the pressure of the water in this pipe here. | 0:26:31 | 0:26:33 | |
Isn't that fabulous? | 0:26:33 | 0:26:36 | |
Once the water drawn from the wells has been softened, | 0:26:36 | 0:26:40 | |
it was pumped out to a reservoir from which it supplied local homes. | 0:26:40 | 0:26:44 | |
Martin, what is this mighty machine? | 0:26:44 | 0:26:47 | |
This is the machine that did two jobs. | 0:26:47 | 0:26:49 | |
It raised water from the wells, with one set of pumps | 0:26:49 | 0:26:53 | |
and it delivered water to the reservoir with the other set of pumps. | 0:26:53 | 0:26:57 | |
-Wow. -It's a steam engine made in Leeds in 1914. | 0:26:57 | 0:27:02 | |
Although this engine is no longer in use, | 0:27:03 | 0:27:05 | |
the plant is still pumping water today. | 0:27:05 | 0:27:09 | |
We're still supplying about 20 million litres | 0:27:09 | 0:27:14 | |
a day of water to the public water supply. | 0:27:14 | 0:27:17 | |
The only thing that's changed is it's | 0:27:17 | 0:27:19 | |
now electric pumps in place of steam pumps. Marvellous. | 0:27:19 | 0:27:24 | |
But it's time for James to hit the road. | 0:27:24 | 0:27:26 | |
So, Martin, I must thank you. It's been absolutely fascinating. | 0:27:26 | 0:27:31 | |
In the meanwhile, | 0:27:35 | 0:27:37 | |
Raj has travelled on to the seaside city of Portsmouth where he's | 0:27:37 | 0:27:40 | |
strolling to Parmiters Antiques with just over £337 in his pocket. | 0:27:40 | 0:27:46 | |
-It's his last chance to shop. -Hello, there. -Hello, Raj. | 0:27:46 | 0:27:50 | |
Hi, you must be Ian. | 0:27:50 | 0:27:52 | |
That he is. This place is a real treasure trove. | 0:27:52 | 0:27:55 | |
Absolutely stuffed with weird and wonderful items | 0:27:55 | 0:27:59 | |
but could Raj have bitten off more than he can chew? | 0:27:59 | 0:28:02 | |
The Big Apple. | 0:28:02 | 0:28:04 | |
This is right up my street. | 0:28:06 | 0:28:09 | |
There are some really unusual, wonderful things in this shop. | 0:28:09 | 0:28:13 | |
This is fantastic. Let's just hope I can afford one or two of them. | 0:28:13 | 0:28:17 | |
Over here, we've got those three owls and something that I was | 0:28:20 | 0:28:24 | |
told when I first started out in the business was that the owl was | 0:28:24 | 0:28:29 | |
-a lucky emblem of the antique dealer. -Oh, yeah? | 0:28:29 | 0:28:33 | |
Well, let's hope those bring you luck in your search, Raj. | 0:28:33 | 0:28:36 | |
What's it going to make at auction? Can we keep looking? | 0:28:36 | 0:28:41 | |
-I mean, I know that's out of my league but... -900. -900. | 0:28:42 | 0:28:44 | |
-I had to know. -That's out of the question then. But wait! | 0:28:44 | 0:28:49 | |
-The mirror? -You might be in business. -Oh! | 0:28:49 | 0:28:53 | |
-Came in a house clearance. -Yep? | 0:28:53 | 0:28:55 | |
Age. It's got age. | 0:29:01 | 0:29:03 | |
Yes, it's got age, it's got age, it's nice bevelled glass, | 0:29:03 | 0:29:06 | |
it's a nice, decorative one. | 0:29:06 | 0:29:08 | |
This 19th-century brass mirror is certainly striking, | 0:29:09 | 0:29:12 | |
but at what price? | 0:29:12 | 0:29:14 | |
Hit me with that. | 0:29:15 | 0:29:18 | |
£45. That's a bargain. | 0:29:18 | 0:29:20 | |
-35, we got a deal. -You got a deal. | 0:29:20 | 0:29:23 | |
£35, Ian, we have a deal. | 0:29:23 | 0:29:26 | |
Marvellous. We have a deal. | 0:29:26 | 0:29:28 | |
Without much reflection at all, Raj pounces on that excellent buy. | 0:29:28 | 0:29:33 | |
-Once again, thank you very much indeed. -Great to meet you. -You too. | 0:29:33 | 0:29:37 | |
Thanks, Ian. You're a gent. | 0:29:37 | 0:29:39 | |
Meanwhile, James has motored on to the ancient city of | 0:29:44 | 0:29:47 | |
Winchester where he has one more shop | 0:29:47 | 0:29:50 | |
in his sights with £276.90 left. | 0:29:50 | 0:29:53 | |
Here, dealer Mary resides. Hi, Mary. | 0:29:53 | 0:29:57 | |
Not contrary. | 0:29:57 | 0:29:58 | |
-Hello. -Hello. -James. -Hi, I'm Mary, nice to meet you. | 0:29:58 | 0:30:02 | |
Hello, Mary, good to meet you. | 0:30:02 | 0:30:04 | |
This place specialises in vintage and industrial homewares. | 0:30:04 | 0:30:08 | |
But it's not quite the usual antiques emporium. | 0:30:08 | 0:30:11 | |
The stuff you'll want to see is probably downstairs. | 0:30:11 | 0:30:14 | |
-Basement, oh! Will you lead me down? -In the basement. | 0:30:14 | 0:30:17 | |
-Yes, I will. -Will you lead me down? Come on. | 0:30:17 | 0:30:20 | |
Deep down in the basement, | 0:30:20 | 0:30:22 | |
there's mood lighting and all sorts of retro and reclaimed items. | 0:30:22 | 0:30:27 | |
But one important question | 0:30:27 | 0:30:28 | |
is playing on James' mind this afternoon. | 0:30:28 | 0:30:31 | |
Why do people like buckets? | 0:30:31 | 0:30:33 | |
The buckets, we find people mainly buy the buckets | 0:30:33 | 0:30:36 | |
-for planting outside. -Ah. -Or as a bin. | 0:30:36 | 0:30:39 | |
-As a funky, different, cool bin. -A cool bin, isn't it? -A cool bin. | 0:30:39 | 0:30:42 | |
And they have integrity. They are nicely made, | 0:30:42 | 0:30:44 | |
-they've got some weight. -Exactly. They are very well aged. | 0:30:44 | 0:30:48 | |
Some builder has kindly mixed some pug. | 0:30:48 | 0:30:51 | |
Added a bit of cement. | 0:30:51 | 0:30:54 | |
-Didn't quite clean it out, did he? -Naughty monkey. | 0:30:54 | 0:30:57 | |
Anyway, the old fire buckets. | 0:30:57 | 0:30:59 | |
But James is still quite taken with it. | 0:30:59 | 0:31:01 | |
Could you do me a special deal? | 0:31:02 | 0:31:04 | |
-I could. -Taking into account the pug? | 0:31:04 | 0:31:07 | |
-That's additional extras. -Oh, is that? Oh, sorry. Silly me. | 0:31:07 | 0:31:10 | |
I'm not quite in the vintage retro field. | 0:31:10 | 0:31:14 | |
I see that as a condition problem, but you see that as an asset. | 0:31:14 | 0:31:18 | |
-I do indeed. -An asset. -You could do a little bit on it. | 0:31:18 | 0:31:21 | |
What's your price on that? | 0:31:21 | 0:31:23 | |
-So, we could do it for £20? -£20, £20. | 0:31:23 | 0:31:26 | |
I'll tell you what, would you do it for £19? | 0:31:26 | 0:31:28 | |
-19 is fine, yes. -Thank you very much indeed, Mary. | 0:31:28 | 0:31:31 | |
Well, lovely. I'm a vintage convert. | 0:31:31 | 0:31:34 | |
Ever the optimist, James. | 0:31:34 | 0:31:37 | |
He's got that for less than a purple note. | 0:31:37 | 0:31:40 | |
-Thank you. -Thank you very much indeed. Bye. | 0:31:40 | 0:31:42 | |
So, James has bagged that as well. | 0:31:42 | 0:31:44 | |
Oh, Lordy, he's keen to get to the auction. | 0:31:46 | 0:31:48 | |
As well as the fire bucket, James also has the Oriental screen, | 0:31:50 | 0:31:53 | |
the Kashmir table, the Art Deco lamp and a large copper pan with lid. | 0:31:53 | 0:31:59 | |
He spent £214 exactly. | 0:31:59 | 0:32:02 | |
While Raj has the fishing lures, the cribbage board, | 0:32:02 | 0:32:05 | |
the dictograph, the pipe and the brass mirror. | 0:32:05 | 0:32:09 | |
He spent £130, but what do they think of each other's finds? | 0:32:09 | 0:32:13 | |
We'll soon see. Sea. | 0:32:13 | 0:32:15 | |
Surreal. | 0:32:15 | 0:32:18 | |
Pipe I don't think much of. | 0:32:18 | 0:32:20 | |
Lures I don't think much of. | 0:32:20 | 0:32:22 | |
Cribbage board, what's a cribbage board? | 0:32:22 | 0:32:24 | |
James' fire bucket, all I can imagine is, he's worried, | 0:32:24 | 0:32:28 | |
cos things are hotting up and he'll need the fire bucket | 0:32:28 | 0:32:30 | |
to put the flames out. | 0:32:30 | 0:32:32 | |
Modesty precludes me from saying who will win the auction, | 0:32:32 | 0:32:36 | |
but I'll be very cross if it ain't me. | 0:32:36 | 0:32:39 | |
That's fighting talk. I love it. | 0:32:39 | 0:32:42 | |
As they head to auction. | 0:32:42 | 0:32:43 | |
They began in Brockenhurst and are now aiming for the saleroom, | 0:32:43 | 0:32:47 | |
in Shrewsbury, Shropshire. | 0:32:47 | 0:32:49 | |
We're off to Shrewsbury, which is... | 0:32:49 | 0:32:52 | |
Shroos-bury, Shrows-bury, Shrews-bury. | 0:32:52 | 0:32:54 | |
Is it a Shrews-bury or is it a Shrows-bury? | 0:32:54 | 0:32:57 | |
That's a matter of heated debate locally. | 0:32:57 | 0:32:59 | |
-It is pretty. Look at the costumes. -I know. | 0:32:59 | 0:33:01 | |
It's lovely. | 0:33:01 | 0:33:03 | |
They're headed for Halls salesroom, | 0:33:04 | 0:33:06 | |
which is just on the outskirts of town. | 0:33:06 | 0:33:08 | |
-Wow. -A purpose-built auction house, raring to go. | 0:33:10 | 0:33:13 | |
Well, let's hope they do us proud today. | 0:33:13 | 0:33:16 | |
Good rooms for good items. | 0:33:16 | 0:33:18 | |
Today, our auctioneer is Alexander Clement. | 0:33:18 | 0:33:21 | |
Before the off, though, what does he make of James' and Raj's lot? | 0:33:21 | 0:33:26 | |
I think the thing which will move the quickest is the Kashmir table. | 0:33:26 | 0:33:29 | |
Nice size and well carved. | 0:33:29 | 0:33:32 | |
The mirror, I really like. It's really nicely made. | 0:33:32 | 0:33:35 | |
It is well cast. Nice quality. | 0:33:35 | 0:33:38 | |
I like it, but will the market agree with me? I don't know. | 0:33:38 | 0:33:42 | |
The sale's about to begin. | 0:33:42 | 0:33:43 | |
Take your seats, please, gents. | 0:33:43 | 0:33:46 | |
What's your sense and feeling? | 0:33:47 | 0:33:49 | |
I think the stars are aligning for me. | 0:33:49 | 0:33:51 | |
Good items, good saleroom. | 0:33:51 | 0:33:53 | |
Hopefully good prices. | 0:33:53 | 0:33:55 | |
First up, it's Raj's set of fishing lures. | 0:33:56 | 0:34:00 | |
Will they bring in a profit? | 0:34:00 | 0:34:02 | |
Interest here with me on commission at £10 commission bid. | 0:34:02 | 0:34:05 | |
15 online. 20 here. | 0:34:05 | 0:34:07 | |
25, commission's out. £25 online bed. | 0:34:07 | 0:34:10 | |
-Any advance on £25? -25, go on. | 0:34:10 | 0:34:13 | |
Go on. Keep going. | 0:34:13 | 0:34:14 | |
Online bid, 25. And I'm selling if we're all done. | 0:34:14 | 0:34:18 | |
£25... | 0:34:18 | 0:34:20 | |
Only a loss of £15. | 0:34:20 | 0:34:23 | |
Don't despair, Raj, you have bigger fish yet to fry. | 0:34:23 | 0:34:27 | |
Don't dwell on it. Just move on. You've got another four options. | 0:34:27 | 0:34:31 | |
You're so kind, James. You make me feel so much better. | 0:34:31 | 0:34:34 | |
Now, one for James, as his Oriental lacquered screen greets the room. | 0:34:36 | 0:34:40 | |
We will start this one at £30. | 0:34:40 | 0:34:42 | |
-£30. -It'll make it. It'll make it. | 0:34:42 | 0:34:45 | |
I'll take 20 if it helps. £20. | 0:34:45 | 0:34:48 | |
-Oh, dear. -Surely there must be 20? | 0:34:48 | 0:34:51 | |
-Hey, your dreams are coming true. -I'll take ten then. | 0:34:51 | 0:34:53 | |
£10. | 0:34:53 | 0:34:56 | |
At £10. | 0:34:56 | 0:34:57 | |
-Turning into a nightmare. -£10 I have online. | 0:34:57 | 0:35:00 | |
-15 now. -Here we go. -Still online. | 0:35:00 | 0:35:03 | |
-Keep going. -I will sell then if we're all done. | 0:35:03 | 0:35:05 | |
No, 20. £20. Any advance? | 0:35:05 | 0:35:07 | |
-25. -Oh, dear. | 0:35:07 | 0:35:08 | |
£25 there. Settling there and I'm selling. | 0:35:08 | 0:35:11 | |
Fair warning now. If we're all done then at £25... | 0:35:11 | 0:35:14 | |
30. Fresh place in the room. Thank you. | 0:35:14 | 0:35:16 | |
-Blimey. -Any advance on that 30? | 0:35:16 | 0:35:17 | |
And I'm selling, if we're all done. Fair warning now. | 0:35:17 | 0:35:20 | |
£30. All done then at 30. | 0:35:20 | 0:35:22 | |
Only a £20 loss. Dear, oh, dear. That wasn't expected, was it? | 0:35:22 | 0:35:26 | |
No. | 0:35:26 | 0:35:28 | |
Not the best start for Mr Braxton either, | 0:35:28 | 0:35:30 | |
but there's everything still to play for. | 0:35:30 | 0:35:33 | |
That was the lot I thought you were going to make loads of money on. | 0:35:33 | 0:35:35 | |
-I mean, that's a really nice thing. -Nice thing. | 0:35:35 | 0:35:38 | |
Raj is next to try his hand, as his cribbage board is up. | 0:35:38 | 0:35:41 | |
Start this one with a quick start, £10. | 0:35:41 | 0:35:44 | |
-Yeah, come on. Straight in. -Ten I have in the room here at £10. | 0:35:44 | 0:35:47 | |
Any advance at £10? | 0:35:47 | 0:35:49 | |
-Not a loss. -15 online. | 0:35:49 | 0:35:51 | |
-£15 then. -One more. | 0:35:51 | 0:35:53 | |
Are we all done? I'm selling then, if we're all done. | 0:35:53 | 0:35:55 | |
Fair warning now at £15. | 0:35:55 | 0:35:57 | |
It's a profit. | 0:35:57 | 0:35:58 | |
I didn't think I'd be saying this, | 0:35:58 | 0:36:00 | |
but that was the first profit of the day. | 0:36:00 | 0:36:02 | |
First profit of the day. | 0:36:02 | 0:36:04 | |
Indeed it is. Well done, Raj. | 0:36:04 | 0:36:07 | |
You must be a little bit depressed with your screen. | 0:36:07 | 0:36:10 | |
I know, I can tell. I already know your smiles. | 0:36:10 | 0:36:13 | |
OK? You've got one smile which is really happy, made lots of money. | 0:36:13 | 0:36:16 | |
Then you've got that other smile, haven't made a penny yet. | 0:36:16 | 0:36:19 | |
Very sad. | 0:36:19 | 0:36:20 | |
But James has a chance to turn that around with his Kashmir table. | 0:36:20 | 0:36:25 | |
We'll start here with a commission bid. | 0:36:25 | 0:36:27 | |
-£20 commission bid. -£20. | 0:36:27 | 0:36:30 | |
£20, that's good. | 0:36:30 | 0:36:32 | |
How prophetic it is. Good. | 0:36:32 | 0:36:34 | |
25, thank you. | 0:36:34 | 0:36:35 | |
30, 35, 40. | 0:36:35 | 0:36:37 | |
45, 50. | 0:36:37 | 0:36:39 | |
55, 60. | 0:36:39 | 0:36:40 | |
65, commission is out. £65. | 0:36:40 | 0:36:42 | |
Any advance at £65? | 0:36:42 | 0:36:44 | |
That's more like it. Keep going. Keep it coming. | 0:36:45 | 0:36:48 | |
All done then. And selling. Fair warning now. £65. | 0:36:48 | 0:36:52 | |
That's a nice little earner for him. | 0:36:52 | 0:36:55 | |
You've got to be pleased with that. That's a really... | 0:36:55 | 0:36:57 | |
-Oh, it's nice. -Yeah, yeah. | 0:36:57 | 0:36:58 | |
It's nice to have your tastes ratified by a larger public, | 0:36:58 | 0:37:01 | |
-isn't it? -RAJ SIGHS | 0:37:01 | 0:37:03 | |
The dictograph is next. | 0:37:03 | 0:37:05 | |
Will it ring in a profit for Raj? | 0:37:05 | 0:37:07 | |
I have interest here with me on commission. | 0:37:07 | 0:37:09 | |
I can go straight in with a commission bid of £10. | 0:37:09 | 0:37:12 | |
Oh, God. I don't like it when he says that. | 0:37:12 | 0:37:14 | |
-But it's only the start. -15 online. | 0:37:14 | 0:37:17 | |
20 with me. 25, 30. | 0:37:17 | 0:37:20 | |
-Well done. -35, 40. | 0:37:20 | 0:37:21 | |
40. | 0:37:21 | 0:37:23 | |
On commission then and selling if we are all done. 45. | 0:37:23 | 0:37:26 | |
Your mate's woken up, see. | 0:37:26 | 0:37:27 | |
You've got a friend there. You've got a friend. | 0:37:27 | 0:37:30 | |
Wiped your smile off your face. | 0:37:30 | 0:37:32 | |
I can't tell you. You've made my auction here. | 0:37:32 | 0:37:35 | |
Thanks indeed to the bidder in the room, that's a real winner. | 0:37:35 | 0:37:39 | |
-How much did that make again, James? -Sorry? -Did you catch that? | 0:37:39 | 0:37:42 | |
-How much did it make? -Yeah, 45. | 0:37:42 | 0:37:43 | |
45, lovely. | 0:37:43 | 0:37:45 | |
And the man of taste sitting there, 40. | 0:37:45 | 0:37:48 | |
There was a few people online as well. Don't you have a go at this | 0:37:48 | 0:37:51 | |
man next to me. | 0:37:51 | 0:37:52 | |
I should jolly well think not. | 0:37:52 | 0:37:54 | |
James' Art Deco lamps now tries to light the way to riches. | 0:37:54 | 0:37:58 | |
Let's go straight in at £10. | 0:37:58 | 0:38:01 | |
-Oh, -£10. £10 I have online. | 0:38:01 | 0:38:03 | |
15, 20. | 0:38:03 | 0:38:06 | |
25, 30. | 0:38:06 | 0:38:07 | |
35, 40. | 0:38:07 | 0:38:10 | |
Thank you anyway. £40 online bid. Any advance there? | 0:38:10 | 0:38:13 | |
Give your mate a nudge. | 0:38:13 | 0:38:15 | |
I will sell then to the online bidder. | 0:38:15 | 0:38:17 | |
If we are all done then at 40. | 0:38:17 | 0:38:19 | |
£40. | 0:38:20 | 0:38:22 | |
I do wish I could walk into a shop and buy an Art Deco lamp for £40. | 0:38:22 | 0:38:26 | |
You walked into a shop and bought it for £30, to be fair, James. | 0:38:28 | 0:38:32 | |
Based on what we've sold so far, the copper pan will make a loss | 0:38:32 | 0:38:36 | |
and my fire bucket will make a loss. | 0:38:36 | 0:38:38 | |
If you carry on like this, I actually am going to buy, | 0:38:38 | 0:38:40 | |
there is a violin coming up and I'm thinking of buying it. | 0:38:40 | 0:38:44 | |
Serenade me. | 0:38:44 | 0:38:46 | |
HE IMITATES PLAYING VIOLIN | 0:38:46 | 0:38:47 | |
Chin up, chaps. | 0:38:47 | 0:38:49 | |
As the pipe which took Raj's fancy tries to smoke out some buyers. | 0:38:49 | 0:38:53 | |
We'll start this one at £20. | 0:38:53 | 0:38:55 | |
-£20. -So cheap. -£20 anywhere? | 0:38:55 | 0:38:58 | |
-25. -25. | 0:38:58 | 0:39:00 | |
30, 35. | 0:39:00 | 0:39:02 | |
Yeah, well done. Steady work. | 0:39:02 | 0:39:05 | |
In the room then at £35... | 0:39:05 | 0:39:08 | |
-40. -40? -Fresh place. | 0:39:08 | 0:39:10 | |
-45. -45. -Thank you anyway. | 0:39:10 | 0:39:12 | |
And I'm selling if we're all done then. | 0:39:12 | 0:39:13 | |
Fair warning now, £45. | 0:39:13 | 0:39:16 | |
Well done. | 0:39:16 | 0:39:18 | |
Well done, very good. | 0:39:18 | 0:39:19 | |
James has piped down as that lot strikes gold. | 0:39:19 | 0:39:23 | |
Well, that lot didn't go up in smoke, did it? | 0:39:23 | 0:39:25 | |
Listen, I'll do the jokes, thanks, Raj. | 0:39:25 | 0:39:28 | |
This sizeable copper pan now for James. | 0:39:28 | 0:39:30 | |
20 I have, at £20. | 0:39:31 | 0:39:33 | |
Here in the room. 25 online. | 0:39:33 | 0:39:35 | |
30. | 0:39:35 | 0:39:36 | |
35. | 0:39:36 | 0:39:38 | |
40. | 0:39:38 | 0:39:39 | |
Here in the room then and selling if we are all done, at £45. | 0:39:39 | 0:39:43 | |
45. | 0:39:43 | 0:39:45 | |
That cops a loss, sadly. | 0:39:45 | 0:39:47 | |
Could've melted it down for more. | 0:39:47 | 0:39:50 | |
I mean, these are lovely pans, but to be honest, | 0:39:50 | 0:39:53 | |
they're quite decorative more than unusable. | 0:39:53 | 0:39:55 | |
I mean, people these days, they want nonstick, don't they? | 0:39:55 | 0:39:58 | |
Nonstick! Don't give me nonstick. | 0:39:58 | 0:40:01 | |
Nonstick... | 0:40:01 | 0:40:03 | |
Tell you how you get nonstick, is you stand over the pot | 0:40:03 | 0:40:06 | |
and occasionally use a wooden spoon. | 0:40:06 | 0:40:09 | |
That's how things don't stick. | 0:40:09 | 0:40:11 | |
Thanks, Delia. | 0:40:11 | 0:40:12 | |
Raj has one last chance to shine now with his brass mirror. | 0:40:12 | 0:40:16 | |
I'll go straight in here with a commission bid of £30. | 0:40:16 | 0:40:18 | |
-Commission bid. -£30. -Any advance on £30? | 0:40:18 | 0:40:22 | |
35 online. | 0:40:22 | 0:40:23 | |
40 here with me. | 0:40:23 | 0:40:25 | |
Online is quite busy, isn't it? | 0:40:25 | 0:40:27 | |
45, 50. | 0:40:27 | 0:40:28 | |
45, 50, 60. | 0:40:28 | 0:40:30 | |
I will sell to my commission bid at £50 if we're all done. | 0:40:30 | 0:40:32 | |
At 50... | 0:40:32 | 0:40:35 | |
Well done. | 0:40:35 | 0:40:36 | |
You see, steady work, Raj. | 0:40:36 | 0:40:39 | |
You've come out smelling of roses, really, haven't you? | 0:40:39 | 0:40:41 | |
How many profits? | 0:40:41 | 0:40:43 | |
-Four? -Four. -Wow. | 0:40:43 | 0:40:46 | |
You don't sound at all jealous, James. | 0:40:48 | 0:40:50 | |
Another one to Raj. | 0:40:50 | 0:40:52 | |
Well, you came in very confident. | 0:40:52 | 0:40:54 | |
-I did, I did. -You liked your items. | 0:40:54 | 0:40:56 | |
I liked my items. | 0:40:56 | 0:40:59 | |
And as if to cement his less than stellar day, | 0:40:59 | 0:41:02 | |
now, it's James' dingy fire bucket. | 0:41:02 | 0:41:05 | |
I have interest here on commission, at £10 commission bid. | 0:41:05 | 0:41:08 | |
-£10. Straight in. -Any advance then at £10? | 0:41:08 | 0:41:11 | |
-Hey, look. -Oh, my man. | 0:41:11 | 0:41:12 | |
-25, 30. -Oh, my God. | 0:41:12 | 0:41:15 | |
-I don't believe it! No. -35, 40. | 0:41:15 | 0:41:17 | |
45, commission's out. | 0:41:17 | 0:41:18 | |
-£45. -£45! | 0:41:18 | 0:41:20 | |
At £45... | 0:41:20 | 0:41:23 | |
45. | 0:41:23 | 0:41:25 | |
-Goodness. -Talk about blaze of glory. | 0:41:25 | 0:41:28 | |
Well done. £45. God. | 0:41:28 | 0:41:32 | |
-Anyway, OK, that put my flame out, didn't it? -Yeah. | 0:41:32 | 0:41:35 | |
An unexpected run on the bucket cheers James right up. | 0:41:35 | 0:41:39 | |
On the very last lot. | 0:41:39 | 0:41:41 | |
After you. | 0:41:41 | 0:41:42 | |
So, let's do the maths. | 0:41:42 | 0:41:45 | |
James began this leg with £471.90. | 0:41:45 | 0:41:49 | |
After auction costs, he made an unfortunate loss. | 0:41:49 | 0:41:52 | |
£29.50. | 0:41:52 | 0:41:54 | |
Leaving him with £442.40 to carry forward. | 0:41:54 | 0:41:59 | |
Don't look so gloomy. | 0:41:59 | 0:42:01 | |
While Raj has clinched victory. | 0:42:03 | 0:42:05 | |
He started with £432.66. | 0:42:05 | 0:42:08 | |
After auction costs, he made a profit of £17.60 | 0:42:08 | 0:42:11 | |
and leaves today with £450.26. | 0:42:11 | 0:42:15 | |
So, he is today's victor and has narrowly stolen James' lead. | 0:42:15 | 0:42:20 | |
Well done. | 0:42:20 | 0:42:22 | |
It couldn't be closer now. | 0:42:22 | 0:42:24 | |
-I mean, you were in front. -You've taken it. | 0:42:24 | 0:42:26 | |
I know, but only just. So, what a last leg we're into. | 0:42:26 | 0:42:29 | |
-What a last leg. You sound like Mo Faro. -Or even Mo Farah! | 0:42:29 | 0:42:31 | |
As long as I come back with a gold, I'll be happy, all right? | 0:42:31 | 0:42:36 | |
Tripping over at the beginning and now you're racing ahead. | 0:42:36 | 0:42:39 | |
For the moment, I'm going to run round the back of the car, | 0:42:39 | 0:42:42 | |
so you can drive me away from here. OK? | 0:42:42 | 0:42:44 | |
Oh, it'll be my rather grudging pleasure I think, Raj. | 0:42:44 | 0:42:48 | |
Shouldn't have happened with my lots. | 0:42:48 | 0:42:50 | |
It really shouldn't have happened. | 0:42:50 | 0:42:52 | |
That's the luck of the saleroom, James. | 0:42:52 | 0:42:55 | |
Onto the final trip, eh? | 0:42:55 | 0:42:57 | |
Cheerio. | 0:42:57 | 0:42:58 | |
On the next Antiques Road Trip, it's James and Raj's final showdown. | 0:43:01 | 0:43:06 | |
If Raj is keen to win, I'm keener to beat him, OK? | 0:43:06 | 0:43:10 | |
As the competition really heats up. | 0:43:10 | 0:43:13 | |
I know what James is up to. I know what he's up to. | 0:43:13 | 0:43:16 |