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The nation's favourite antiques experts with £200 each... | 0:00:02 | 0:00:05 | |
I want something shiny. | 0:00:05 | 0:00:06 | |
..A classic car... CAR HORN TOOTS | 0:00:06 | 0:00:08 | |
..and a goal to scour Britain for antiques. | 0:00:08 | 0:00:10 | |
-I like a rummage. -I can't resist. | 0:00:10 | 0:00:13 | |
The aim, to make the biggest profit at auction. But it's no mean feat. | 0:00:13 | 0:00:17 | |
-Why do I always do this to myself? -They'll be worthy winners... | 0:00:17 | 0:00:20 | |
-Give us a kiss. -..and valiant losers. -Come on, stick him up. | 0:00:20 | 0:00:24 | |
-So, will it be the high road to glory... -Onwards and upwards. | 0:00:24 | 0:00:26 | |
..or the slow road to disaster? | 0:00:26 | 0:00:28 | |
-Take me home! -This is Antiques Road Trip. | 0:00:28 | 0:00:31 | |
Yeah! | 0:00:34 | 0:00:35 | |
On this final leg of the trip, | 0:00:37 | 0:00:38 | |
we're in the lovely northwest of England... | 0:00:38 | 0:00:41 | |
..with two gros fromages of antiques trading, | 0:00:42 | 0:00:46 | |
Raj Bisram and James Braxton. | 0:00:46 | 0:00:48 | |
-We are in this lovely county of Cheshire. -Cheshire cheese. | 0:00:48 | 0:00:51 | |
Cheshire cheese. | 0:00:51 | 0:00:53 | |
Football bling! | 0:00:53 | 0:00:55 | |
So far, the trip has been a titanic battle for the upper hand. | 0:00:55 | 0:00:59 | |
# If you like to gamble I'll tell you I'm your man | 0:00:59 | 0:01:02 | |
# You win some, lose some | 0:01:02 | 0:01:04 | |
# It's all the same to me. # | 0:01:04 | 0:01:06 | |
James won the second and third legs... | 0:01:06 | 0:01:09 | |
-£20. -Oh, my goodness. -Another. | 0:01:09 | 0:01:12 | |
But Raj played an ace at their last auction to emerge just | 0:01:12 | 0:01:16 | |
a hair in front. | 0:01:16 | 0:01:18 | |
-# The ace of spades... # -Wiped your smile off your face. | 0:01:18 | 0:01:21 | |
It's a bit like a relay, isn't it? | 0:01:23 | 0:01:25 | |
You know, you always keep your best man for the end. The final leg. | 0:01:25 | 0:01:30 | |
The final leg. | 0:01:30 | 0:01:31 | |
We are now nearing the finish line, but right back at the start | 0:01:31 | 0:01:35 | |
of this relay race, our experts begin with £200. | 0:01:35 | 0:01:38 | |
James has now increased his cash pot to hold... | 0:01:38 | 0:01:41 | |
While Raj has... | 0:01:45 | 0:01:46 | |
So, there is less than £8 in it as they face this final tussle. | 0:01:49 | 0:01:54 | |
-It's fantastic. -It is. -It's great that it's that close. | 0:01:54 | 0:01:57 | |
This neck-and-neck battle has really covered some territory. | 0:01:57 | 0:02:01 | |
Behind the wheel of a 1968 Renault Caravelle, | 0:02:02 | 0:02:06 | |
this pair started off in Bath, | 0:02:06 | 0:02:08 | |
they've since roved widely | 0:02:08 | 0:02:10 | |
around the pastoral English | 0:02:10 | 0:02:12 | |
countryside on an epic traverse | 0:02:12 | 0:02:14 | |
of several hundred miles. | 0:02:14 | 0:02:16 | |
Today, they will begin in the Cheshire village of Sandiway | 0:02:16 | 0:02:19 | |
and fight their very last auction | 0:02:19 | 0:02:21 | |
in Binegar, Somerset. | 0:02:21 | 0:02:23 | |
Don't forget - spend, spend, spend. | 0:02:24 | 0:02:28 | |
THEY LAUGH | 0:02:28 | 0:02:29 | |
Sandiway is a pretty little place for Raj to start | 0:02:29 | 0:02:32 | |
his buying. He is striding with confidence into his first shop. | 0:02:32 | 0:02:37 | |
Gosh! | 0:02:37 | 0:02:38 | |
-Hello there. -Hello. -I'm Raj. | 0:02:38 | 0:02:41 | |
Welcome to Peggotty's Attic. | 0:02:41 | 0:02:43 | |
Duly welcomed, Raj is on the hunt. | 0:02:44 | 0:02:47 | |
This is an antiques centre with multiple dealings trading. | 0:02:48 | 0:02:51 | |
And in this particular corner... | 0:02:53 | 0:02:56 | |
-Hi, Raj. I'm David. -Hi, David. Hi. This is your stand? | 0:02:56 | 0:03:00 | |
-It is, indeed. -You've got some really nice things, I have to say. | 0:03:00 | 0:03:02 | |
-Thank you very much. -I quite like these. | 0:03:02 | 0:03:04 | |
These are quite nice, you know? | 0:03:04 | 0:03:06 | |
They are a little bit unusual. | 0:03:06 | 0:03:08 | |
It's a pair of cast-iron posts, originally used for tethering horses | 0:03:10 | 0:03:14 | |
and probably dating from the mid-19th century. | 0:03:14 | 0:03:17 | |
-The provenance on them is that I live in Llandudno, North Wales. -OK. | 0:03:19 | 0:03:23 | |
And I bought them from some Irish Travellers who do the fairs. | 0:03:23 | 0:03:27 | |
They are certainly unusual. | 0:03:29 | 0:03:31 | |
But David's price tag is £495. | 0:03:31 | 0:03:35 | |
That's...er...more money than Raj has in his pocket. | 0:03:35 | 0:03:39 | |
-Is there any way that we might be able to start negotiating? -There is. | 0:03:39 | 0:03:43 | |
I do like them, they are a bit different. | 0:03:43 | 0:03:45 | |
But again, I've only got an X amount of budget. What about £150? | 0:03:46 | 0:03:51 | |
-I couldn't do them 150. -160? | 0:03:52 | 0:03:55 | |
175, you got a deal. | 0:03:57 | 0:03:58 | |
175. | 0:03:59 | 0:04:01 | |
How about we shake hands on 170? | 0:04:03 | 0:04:05 | |
-OK. -You sure? -Yeah. | 0:04:05 | 0:04:07 | |
We have a deal. | 0:04:07 | 0:04:08 | |
Crikey Moses. | 0:04:08 | 0:04:10 | |
That's a very generous deal from David and | 0:04:10 | 0:04:12 | |
a bold first buy from Raj. | 0:04:12 | 0:04:14 | |
He's certainly off on the gallop. | 0:04:14 | 0:04:16 | |
-I'm going to shake your hand again. -OK. -Thank you. -And good luck. | 0:04:16 | 0:04:20 | |
But he is not finished yet. | 0:04:20 | 0:04:23 | |
Fantastic, aren't they? Fantastic old crutches. | 0:04:23 | 0:04:26 | |
I love them. | 0:04:26 | 0:04:27 | |
And they are free. There's no price on them. | 0:04:27 | 0:04:31 | |
I doubt they are free, Raj. | 0:04:31 | 0:04:33 | |
But they are probably late Victorian or Edwardian. | 0:04:33 | 0:04:36 | |
The dealer Mike might be able to help. | 0:04:36 | 0:04:37 | |
Mike, I know these aren't the normal thing that I would buy, | 0:04:39 | 0:04:42 | |
but they are very, very different. | 0:04:42 | 0:04:44 | |
Well, this means that we'll have to contact the dealer. | 0:04:44 | 0:04:48 | |
-We'll have to ring him up, see what the best price is. -OK. | 0:04:48 | 0:04:52 | |
Mike will make inquiries while Raj browses on. | 0:04:53 | 0:04:56 | |
Meanwhile James has travelled to the town of Northwich. | 0:04:59 | 0:05:02 | |
And he's strolling into | 0:05:02 | 0:05:04 | |
Northwich Auction Antiques & Collectables. | 0:05:04 | 0:05:07 | |
-Hello, James. -Morning, I'm Lynn. -Hello, Lynn. Good to see you. | 0:05:08 | 0:05:12 | |
-Lots of antique dealers here? -Lots of dealers. -Yeah. -Lots of cabinets. | 0:05:12 | 0:05:16 | |
He'll need a map to get around this maze of a place. | 0:05:17 | 0:05:20 | |
Right, upstairs. I think my... | 0:05:22 | 0:05:25 | |
..my future... | 0:05:26 | 0:05:28 | |
Whatever...he says. | 0:05:30 | 0:05:32 | |
James does seem to be a little discombobulated this morning. | 0:05:32 | 0:05:35 | |
Ah, blessed is the copper. And, of course, I can kiss it. | 0:05:38 | 0:05:42 | |
You can almost lick it, really, because, of course, | 0:05:42 | 0:05:45 | |
copper is antibacterial. | 0:05:45 | 0:05:47 | |
There's no need to lick the stock, thanks. | 0:05:47 | 0:05:50 | |
Teddy, but elevate him onto a box... | 0:05:52 | 0:05:56 | |
..and look, you've got quite a... | 0:05:57 | 0:05:59 | |
You've elevated him. | 0:05:59 | 0:06:00 | |
Not only physically, but also commercially. | 0:06:01 | 0:06:04 | |
Yes. | 0:06:04 | 0:06:06 | |
He's preoccupied with higher thoughts today. | 0:06:06 | 0:06:09 | |
I think. | 0:06:09 | 0:06:11 | |
You know, what is art? | 0:06:11 | 0:06:13 | |
Perhaps while you ponder that, you might find something to buy. | 0:06:13 | 0:06:18 | |
Naughty. | 0:06:18 | 0:06:19 | |
But while James is all of a dither, | 0:06:22 | 0:06:24 | |
back in Sandiway, Raj is still on a buying streak. | 0:06:24 | 0:06:28 | |
I've seen something that... | 0:06:30 | 0:06:32 | |
every antique dealer, every home should have one. | 0:06:32 | 0:06:35 | |
It's a little magnifying glass, but it looks like it's got a silver handle. | 0:06:35 | 0:06:38 | |
I'm just going to get it out....of the cabinet. | 0:06:38 | 0:06:40 | |
You do that. | 0:06:40 | 0:06:41 | |
It's Sheffield, it's dated 1912, so it's got a bit of age to it. | 0:06:43 | 0:06:47 | |
It's over 100 years old. And... | 0:06:47 | 0:06:50 | |
..it's not in bad condition at all. | 0:06:51 | 0:06:53 | |
But, to be honest, I'm going to make a one-time offer on this. | 0:06:54 | 0:06:58 | |
It says £22 on the ticket and I'm going to be a bit cheeky | 0:06:58 | 0:07:03 | |
and offer a fiver for it. | 0:07:03 | 0:07:04 | |
That would be cheeky, but it's worth a punt. | 0:07:06 | 0:07:08 | |
Mike will go and ask the vendor who owns it. | 0:07:08 | 0:07:11 | |
I'll see whether they'll accept a fiver. OK? | 0:07:11 | 0:07:14 | |
Fingers crossed, eh, Raj? | 0:07:17 | 0:07:19 | |
-Oh, stand lively. -Well, Raj, I've got some good news for you. | 0:07:20 | 0:07:24 | |
-Good. -A fiver. -Fantastic. I'll shake your hand. | 0:07:24 | 0:07:27 | |
-Thank the dealer very much, indeed. -I will. | 0:07:27 | 0:07:29 | |
Another buy under his belt and now Mike also | 0:07:31 | 0:07:34 | |
has the vendor of the crutches on the blower. | 0:07:34 | 0:07:37 | |
Can the bold, bartering Bisram repeat the trick? | 0:07:37 | 0:07:41 | |
We'll see what happens. Watch and learn, as they say. | 0:07:42 | 0:07:45 | |
You are confident. | 0:07:47 | 0:07:48 | |
Hello, Andy. | 0:07:50 | 0:07:51 | |
Yeah, I'm good, thank you. | 0:07:52 | 0:07:53 | |
I know this is going to be a bit cheeky, but, you know, | 0:07:53 | 0:07:56 | |
these crutches, how about if I said to you - | 0:07:56 | 0:07:59 | |
would you take £20 in cash? | 0:07:59 | 0:08:00 | |
You sure? | 0:08:02 | 0:08:04 | |
OK, fantastic. We have a deal then, at £20. | 0:08:04 | 0:08:07 | |
OK. You're a nice man, I'm going to hand you back to Mike. | 0:08:08 | 0:08:12 | |
Thanks again. | 0:08:12 | 0:08:14 | |
Success yet again, eh? | 0:08:14 | 0:08:15 | |
-Yes! -OK, Andy. | 0:08:15 | 0:08:17 | |
Lucky Raj is three lots to the good already, | 0:08:18 | 0:08:21 | |
thanks to his optimistic offers. | 0:08:21 | 0:08:23 | |
Well, you don't ask, you don't get. It's always worth trying. | 0:08:25 | 0:08:28 | |
You know, they can only say no. | 0:08:28 | 0:08:30 | |
-It seems to be a winning philosophy. -Thank you very much indeed, Mike. | 0:08:30 | 0:08:34 | |
-All the best. -All the best. Thank you. -Cheerio. | 0:08:34 | 0:08:37 | |
Back in Northwich, James is still in his first shop and | 0:08:39 | 0:08:43 | |
he has some catching up to do. | 0:08:43 | 0:08:45 | |
Huh, what's this? | 0:08:45 | 0:08:47 | |
Now, this is a... This is a book I always, always wanted. | 0:08:49 | 0:08:54 | |
A lady who brought colour into pottery, Clarice Cliff, | 0:08:54 | 0:08:57 | |
a very famous name in the antiques world, in the pottery world. | 0:08:57 | 0:09:01 | |
Cliff's ceramics really shook up design of the inter-war | 0:09:02 | 0:09:06 | |
period and this book details them all. | 0:09:06 | 0:09:09 | |
And look at these jugs. Look at the colour. | 0:09:09 | 0:09:12 | |
You know, up until then, everything was a bit beigey, | 0:09:12 | 0:09:15 | |
and then this great sort of jazz age. | 0:09:15 | 0:09:19 | |
James is quite a fan, you know. | 0:09:19 | 0:09:21 | |
It's got £6 on it. | 0:09:21 | 0:09:23 | |
But this is worth so much to an auctioneer, | 0:09:23 | 0:09:26 | |
or anybody interested in ceramics. | 0:09:26 | 0:09:28 | |
I'm going to buy this. | 0:09:28 | 0:09:30 | |
But it's all about price. The cheaper I can get it, the better. | 0:09:30 | 0:09:34 | |
Then it's time for a word with the lovely Lynn. | 0:09:35 | 0:09:39 | |
-Lynn, I have found something. -What have you found? -A book. A book. | 0:09:39 | 0:09:43 | |
-Not my normal purchase. -Clarice? -Clarice. | 0:09:43 | 0:09:47 | |
But with £6 on the ticket, what sort of a deal with Lynn strike? | 0:09:47 | 0:09:51 | |
# So let me get right to the point... # | 0:09:51 | 0:09:54 | |
-Lynn, if I said to you, £2.50, what would you say? -I'd say £3. | 0:09:54 | 0:09:58 | |
-You'd say £3. OK. I will buy it at £3, Lynn. -Fine. -Very kind. | 0:09:58 | 0:10:02 | |
-Thank you very much indeed. £3. -£3! | 0:10:02 | 0:10:05 | |
-I never thought it would be a sort of... -Absolute bargain! | 0:10:05 | 0:10:08 | |
-I've only got two! Come on. -Oh! | 0:10:08 | 0:10:11 | |
Don't worry, Lynn. I will rustle up another pound for you. | 0:10:11 | 0:10:15 | |
# Hey, big spender... # | 0:10:15 | 0:10:18 | |
That last of the big spenders, James, | 0:10:18 | 0:10:21 | |
has his book on a jazz age marvel and he's trotting off. | 0:10:21 | 0:10:26 | |
-Thank you. -You're welcome. -Goodbye. -Bye. | 0:10:26 | 0:10:28 | |
Now, Raj has travelled on to the Cheshire town of Crewe. | 0:10:39 | 0:10:43 | |
He's taking a break from shopping to pay | 0:10:43 | 0:10:45 | |
a quick look at the local Bentley Motors factory, | 0:10:45 | 0:10:49 | |
where he's going to learn about some pioneering petrol heads of | 0:10:49 | 0:10:53 | |
the 1920s. He's meeting Bentley's Nigel Lofkin. | 0:10:53 | 0:10:58 | |
-Hello, Raj. -Hello. Nigel, is it? -Yes, it is. Welcome to Bentley. | 0:10:58 | 0:11:03 | |
Thank you. What a pleasure it is to be here. | 0:11:03 | 0:11:05 | |
Founded in 1919 by Walter Owen Bentley, the company reigned | 0:11:08 | 0:11:13 | |
supreme in the new and exciting motorsports of the jazz age. | 0:11:13 | 0:11:17 | |
This photograph here, this is very significant, | 0:11:17 | 0:11:20 | |
taken on the 15th of May, 1921. | 0:11:20 | 0:11:23 | |
Why it's significant is because it's the first Bentley to win a race. | 0:11:23 | 0:11:26 | |
The first Bentley to win a race. | 0:11:26 | 0:11:28 | |
At the Brooklands race track, in Weybridge in Surrey. | 0:11:28 | 0:11:30 | |
The man behind the wheel is Frank Clement, | 0:11:30 | 0:11:32 | |
one of the famous Bentley Boys. | 0:11:32 | 0:11:34 | |
The Boys were a glamorous motor racing team, | 0:11:34 | 0:11:37 | |
largely composed of wealthy thrill seekers. | 0:11:37 | 0:11:40 | |
They raced cars made by the fledgling motor company and | 0:11:40 | 0:11:44 | |
brought Bentley worldwide fame. | 0:11:44 | 0:11:46 | |
Their stunning race victories and rakish playboy antics were | 0:11:46 | 0:11:49 | |
widely covered in the press and enjoyed by a British public | 0:11:49 | 0:11:53 | |
happy for distraction after the hard years of the First World War. | 0:11:53 | 0:11:57 | |
Yes, they were a select group of individuals and they were the | 0:11:58 | 0:12:02 | |
playboys of the day. | 0:12:02 | 0:12:04 | |
It was in 1923 at the very first Le Mans 24-hour endurance race | 0:12:07 | 0:12:12 | |
in France that the Boys came into their own, | 0:12:12 | 0:12:15 | |
led by racers Frank Clement and John Duff. | 0:12:15 | 0:12:18 | |
Frank Clement and John Duff went to Le Mans in | 0:12:20 | 0:12:22 | |
a Werks-Bentley and through a rutted course and hailstone and | 0:12:22 | 0:12:25 | |
-breakdowns, they finished fourth. -Fourth. -They finished fourth. | 0:12:25 | 0:12:30 | |
-In 1924, the Bentley Boys returned and won. -Wow! | 0:12:30 | 0:12:33 | |
This historic victory began a winning streak for the team | 0:12:36 | 0:12:40 | |
-with their iconic cars. -Wow! Look at this lot! | 0:12:40 | 0:12:43 | |
Yeah, fantastic. Here we have some of the most famous Bentleys in the world in this | 0:12:43 | 0:12:47 | |
-room here today. And here you have the oldest surviving Bentley, Experimental Number Two. -Fantastic! | 0:12:47 | 0:12:52 | |
Wow! | 0:12:52 | 0:12:53 | |
Very famous motorcar. | 0:12:53 | 0:12:55 | |
Priceless. | 0:12:55 | 0:12:57 | |
A very precious vehicle indeed. | 0:12:57 | 0:12:59 | |
But driving conditions in the early days of motorsport were tough. | 0:13:01 | 0:13:05 | |
-And I guess, well, it's an open top, so... -Open top, that's right. | 0:13:05 | 0:13:08 | |
-So it was raining... -Yes, you got wet. | 0:13:08 | 0:13:11 | |
-You got wet. -With your leather helmet and your goggles on. | 0:13:11 | 0:13:14 | |
Yeah, that's what you did. | 0:13:14 | 0:13:16 | |
-Look at the windscreens. -Yes, the little windscreens on there, yes. | 0:13:16 | 0:13:19 | |
Such is the importance of the Bentley Boys to the story of | 0:13:19 | 0:13:23 | |
British motorsport, the company maintains a room, | 0:13:23 | 0:13:26 | |
decorated in glittering '20s style, | 0:13:26 | 0:13:29 | |
that's stuffed full of keepsakes that celebrate their achievements. | 0:13:29 | 0:13:32 | |
We call this room the Living Room, so it's full of all | 0:13:32 | 0:13:35 | |
memorabilia about the famous glory days of the Bentley Boys. | 0:13:35 | 0:13:39 | |
And much of it pertains to perhaps the most famous | 0:13:40 | 0:13:43 | |
Bentley Boy, Woolf Barnato, the fabulously wealthy heir to | 0:13:43 | 0:13:48 | |
a diamond fortune and the quintessential 1920s playboy. | 0:13:48 | 0:13:52 | |
He was the most successful Bentley Le Mans driver, so his first attempt | 0:13:54 | 0:13:57 | |
was 1927 and after his victory, he drove the winning car into the Savoy | 0:13:57 | 0:14:01 | |
Hotel and the car was the guest of honour, it was old Number Seven. | 0:14:01 | 0:14:04 | |
He dined round the car. | 0:14:04 | 0:14:06 | |
That's an amazing thing, to take a Bentley into the Savoy, you know. | 0:14:14 | 0:14:17 | |
-Yeah. -Well, these guys were wealthy, had influence, and they | 0:14:17 | 0:14:21 | |
-could almost do anything they wanted. -They could and they did. | 0:14:21 | 0:14:24 | |
But Barnato was more than just a party animal. | 0:14:25 | 0:14:29 | |
He was a cricketer, he was a footballer, he was a boxer, | 0:14:29 | 0:14:32 | |
so he was an all-round sportsman, so a man of many talents. | 0:14:32 | 0:14:37 | |
It was again at Le Mans that Barnato made his mark. | 0:14:38 | 0:14:42 | |
He won in '27, '28, and '29. | 0:14:42 | 0:14:44 | |
That three year consecutive run has never been broken. | 0:14:44 | 0:14:48 | |
-Never been broken? -Never been broken. | 0:14:48 | 0:14:51 | |
An incredible achievement. Nigel's got one more treat for Raj. | 0:14:52 | 0:14:58 | |
My goodness! Wow! | 0:14:58 | 0:14:59 | |
Wow! | 0:14:59 | 0:15:01 | |
-Hi, I'm Raj. -Keith. -Lovely to meet you, Keith. | 0:15:04 | 0:15:07 | |
This is the original 1929 Bentley Blower team car. | 0:15:07 | 0:15:11 | |
What a privilege to be taken for | 0:15:11 | 0:15:13 | |
a ride in this truly priceless machine. | 0:15:13 | 0:15:16 | |
Wow! This is something else! This really is exhilarating. | 0:15:16 | 0:15:20 | |
What a lovely experience! | 0:15:20 | 0:15:22 | |
Oh, boy! Would I love to use this for a road trip. | 0:15:22 | 0:15:26 | |
I doubt they'd let you borrow it, Raj, but you can always ask! | 0:15:26 | 0:15:29 | |
James, meanwhile, has travelled on to the town of Middlewich, | 0:15:33 | 0:15:36 | |
where his next shop beckons. | 0:15:36 | 0:15:39 | |
Oh, my goodness! You know, how many shopping days until Christmas? | 0:15:40 | 0:15:44 | |
Always too few, James. Always too few. | 0:15:44 | 0:15:46 | |
Let's hope you have a very merry time though in here. | 0:15:46 | 0:15:50 | |
-Hello. James. -Hi. Richard. -Richard, very good to see you. | 0:15:50 | 0:15:54 | |
Hello, Richard! But with pleasantries barely concluded... | 0:15:54 | 0:15:58 | |
-That's interesting. What's that? -It's a travel chess set. | 0:15:58 | 0:16:02 | |
Travel chess set, and what are the chess pieces? What are they made of? | 0:16:03 | 0:16:08 | |
-They're die-cast. -Oh, they're die-cast, like say Dinky toys. | 0:16:08 | 0:16:13 | |
The little metal chess pieces lend this vintage set a touch of quality. | 0:16:13 | 0:16:18 | |
Isn't that fun? I bet that's travelled around a bit. | 0:16:20 | 0:16:23 | |
-It's showing the rigours of use. -It's had some use, yes. | 0:16:23 | 0:16:27 | |
-That could be a possibility. I rather like that. -Yeah. | 0:16:27 | 0:16:32 | |
He'll set that aside and search on. | 0:16:32 | 0:16:34 | |
Oh, you've got a bit of Chinese... Chinese... What's happening here? | 0:16:37 | 0:16:42 | |
Oh, dear. | 0:16:42 | 0:16:43 | |
That's suffered more than the rigours of use, that one, hasn't it? | 0:16:43 | 0:16:47 | |
-Been in the wars. -That has been in the wars! | 0:16:47 | 0:16:50 | |
This Cantonese punch bowl was broken long ago, | 0:16:52 | 0:16:55 | |
but repaired in the Victorian period. | 0:16:55 | 0:16:58 | |
They just drilled little holes and then they put these sort of lead... | 0:16:58 | 0:17:03 | |
Lead or brass studs and just stapled... Well, staples, really. | 0:17:03 | 0:17:08 | |
They just stapled it together. | 0:17:08 | 0:17:10 | |
-That is really... -HE CHUCKLES | 0:17:12 | 0:17:15 | |
Despite the damage, James is keen. | 0:17:15 | 0:17:17 | |
What have you got on that? | 0:17:18 | 0:17:20 | |
-£30. -Is that cheap? £30? | 0:17:20 | 0:17:22 | |
£30. Any leverage on that? | 0:17:22 | 0:17:25 | |
I'll always listen to an offer. | 0:17:25 | 0:17:27 | |
You'll always listen to an offer, will you? | 0:17:27 | 0:17:30 | |
Well, I don't want to be mean. What about 20? | 0:17:30 | 0:17:32 | |
Yeah, that's fine. Yeah. | 0:17:32 | 0:17:33 | |
Put it there, Richard. Let's buy that. | 0:17:33 | 0:17:35 | |
After a slow start this morning, | 0:17:37 | 0:17:38 | |
James is really upping his game with a foray into Chinese ceramics. | 0:17:38 | 0:17:43 | |
I'm betting that somebody might buy that, | 0:17:43 | 0:17:46 | |
repatriate it to China and get it restored properly. | 0:17:46 | 0:17:50 | |
I tell you what, if Raj is keen to win, I am keener to beat him, OK? | 0:17:50 | 0:17:55 | |
As I walked in, I noticed this. | 0:18:00 | 0:18:02 | |
This watering can. | 0:18:04 | 0:18:06 | |
What I loved about it is that is an | 0:18:06 | 0:18:09 | |
elephant's trunk spout, isn't it? | 0:18:09 | 0:18:12 | |
Isn't that fun? | 0:18:12 | 0:18:14 | |
What on earth is that? | 0:18:14 | 0:18:16 | |
What is it? | 0:18:16 | 0:18:18 | |
It's what we used to fill the baths with back in the Georgian times. | 0:18:18 | 0:18:21 | |
Really? So, why is it that early, do you think? | 0:18:21 | 0:18:25 | |
-It's marked underneath. -It's marked underneath? So it's got GR on it. | 0:18:25 | 0:18:30 | |
The GR mark shows that this was made during the reign of one of | 0:18:32 | 0:18:35 | |
our six kings named George and might even date back to the | 0:18:35 | 0:18:39 | |
early 19th century Regency period. | 0:18:39 | 0:18:42 | |
That is a beautiful object, isn't it? It's rather fun. | 0:18:42 | 0:18:46 | |
But James still has his sights on that little chess set too, | 0:18:46 | 0:18:50 | |
which Richard has ticketed at £5. | 0:18:50 | 0:18:53 | |
I'm very happy to pay a fiver for that. But what could this be? | 0:18:54 | 0:18:59 | |
-Call it 40 for the both of them then. -Put your hand there, Richard. | 0:18:59 | 0:19:03 | |
Very kind. Thank you. | 0:19:03 | 0:19:04 | |
Checkmate! | 0:19:04 | 0:19:05 | |
With a spirited rally to end the day, James has the chess set | 0:19:05 | 0:19:10 | |
for £5, the bath can for £35, as well as the Chinese bowl for £20. | 0:19:10 | 0:19:15 | |
-Thank you. -Thank you. | 0:19:15 | 0:19:16 | |
-Thanks a lot, Richard. -Thank you. -Bye. -Bye now. | 0:19:16 | 0:19:19 | |
And so the curtain falls on our first day. Nighty-night! | 0:19:19 | 0:19:23 | |
But the morning sun finds them back on the road and heading to | 0:19:27 | 0:19:31 | |
Birmingham, that storied centre of trade at industry. | 0:19:31 | 0:19:34 | |
This was the workshop of the empire, you know. | 0:19:34 | 0:19:37 | |
They said, even a fool can be a rich man when he left Birmingham. | 0:19:37 | 0:19:41 | |
Really? We should have moved here ages ago, James! | 0:19:41 | 0:19:44 | |
THEY LAUGH | 0:19:44 | 0:19:46 | |
Ha-ha, perhaps you should! | 0:19:46 | 0:19:48 | |
So far, Raj has three lots. The cast iron horse posts, | 0:19:48 | 0:19:52 | |
the pair of crutches, and the magnifying glass. | 0:19:53 | 0:19:56 | |
He still has £255.26 in his pocket. | 0:19:56 | 0:19:59 | |
While James has amassed four lots. The book on Clarice Cliff, | 0:20:02 | 0:20:06 | |
the little travel chess set, the repaired Chinese bowl, | 0:20:06 | 0:20:10 | |
and the Regency bath can. He still has £379.40 left to play with. | 0:20:10 | 0:20:16 | |
Four items, four cracking items, £63. | 0:20:19 | 0:20:23 | |
-That's all you've spent? -Yes. -James, that's terrible! -Why is it terrible? | 0:20:23 | 0:20:28 | |
With all that money to spend! | 0:20:28 | 0:20:31 | |
Four items, £63?! | 0:20:31 | 0:20:32 | |
How can canniness and self restraint be regarded as...? | 0:20:32 | 0:20:37 | |
Playing it safe, I'd call it. | 0:20:37 | 0:20:40 | |
I would. I'd call it playing safe! | 0:20:40 | 0:20:42 | |
Raj has thrown down the gauntlet for some serious spending on | 0:20:44 | 0:20:47 | |
their last day of shopping. | 0:20:47 | 0:20:49 | |
This morning, they're aiming for the Birmingham suburb of Moseley, | 0:20:49 | 0:20:53 | |
where Raj's first shop awaits. | 0:20:53 | 0:20:56 | |
-Now, don't forget what I said, James. Spend your money. -Good luck. | 0:20:56 | 0:21:00 | |
He's striding into Moseley Emporium and meeting dealer Maurice. | 0:21:00 | 0:21:04 | |
Hello there. | 0:21:04 | 0:21:06 | |
-Oh, hello, Raj. How are you? -I'm good. | 0:21:06 | 0:21:08 | |
With his slim lead over James ever in mind, | 0:21:08 | 0:21:11 | |
Raj will scout for a real bargain. | 0:21:11 | 0:21:14 | |
I've spotted a chair over here. Now, this is a really early chair. | 0:21:16 | 0:21:22 | |
The oak side chair might date from as far back as the | 0:21:24 | 0:21:27 | |
late 17th century. | 0:21:27 | 0:21:29 | |
But it's had lots of replacements. If we turn it upside down, | 0:21:29 | 0:21:35 | |
you can see that some of the stretchers have been replaced. | 0:21:38 | 0:21:42 | |
But it's a very, very attractive chair. | 0:21:42 | 0:21:45 | |
CLUNK | 0:21:45 | 0:21:47 | |
Careful! Oh, Lord! It'll need even more repairs. Let's call Maurice. | 0:21:47 | 0:21:50 | |
Maurice? | 0:21:50 | 0:21:53 | |
-What are we after? -Well, I'd like to ask you about this chair first of all. | 0:21:53 | 0:21:57 | |
-OK. -OK? -OK. -I mean, it's had lots... | 0:21:57 | 0:21:59 | |
Yes, it's been messed with over the years. | 0:21:59 | 0:22:02 | |
Ticket price is £85, but what's the best, Maurice? | 0:22:02 | 0:22:05 | |
Tell you the lowest I'll go on that would be 35. | 0:22:07 | 0:22:11 | |
That's what... | 0:22:11 | 0:22:13 | |
I'm being truthful with you, it has been a while, 35's not dear. | 0:22:13 | 0:22:18 | |
-30 quid. -I tell you what, how about split the difference then? | 0:22:18 | 0:22:21 | |
-You said 30, what about 25? -It's got to be 30. | 0:22:21 | 0:22:24 | |
Every penny counts. I tell you what, let's split it again. £27.50. | 0:22:25 | 0:22:30 | |
-Are we going to shake hands on that? -Yes, we are. You're a good man. | 0:22:30 | 0:22:34 | |
-You're a better barterer than me. -He is good, isn't he? | 0:22:34 | 0:22:39 | |
A great deal from Maurice gives Raj | 0:22:39 | 0:22:41 | |
another chance to unseat his opponent. | 0:22:41 | 0:22:43 | |
Lovely! | 0:22:43 | 0:22:45 | |
Speaking of whom... | 0:22:45 | 0:22:47 | |
James has travelled on to central Birmingham's jewellery quarter, | 0:22:49 | 0:22:53 | |
where he's keen to visit the spiritual home of many of his | 0:22:53 | 0:22:57 | |
favourite antiques, the Assay Office, Birmingham. | 0:22:57 | 0:23:00 | |
He's meeting archivist Craig O'Donnell. | 0:23:00 | 0:23:03 | |
-Hello, Craig. -Hello, James. -Hello. -Good to meet you. -Good to meet you. | 0:23:04 | 0:23:08 | |
An assay office is responsible for assessing and hallmarking | 0:23:11 | 0:23:15 | |
objects made of precious metal, like gold and silver. | 0:23:15 | 0:23:19 | |
James is here to learn the fascinating story of how this office | 0:23:19 | 0:23:22 | |
contributed to a metalworking boom that made Birmingham the | 0:23:22 | 0:23:26 | |
workshop of the world. | 0:23:26 | 0:23:28 | |
Craig, what is this little sample here? | 0:23:29 | 0:23:32 | |
-This is a sample of Birmingham-made, what we call, toys. -Toys. | 0:23:32 | 0:23:37 | |
-Not playthings. -Yeah. -But small metal objects for personal use. | 0:23:37 | 0:23:41 | |
Originally, the Birmingham manufacturers were making | 0:23:41 | 0:23:45 | |
-their toys in base metal. -OK. | 0:23:45 | 0:23:47 | |
In the mid 18th century, it was a massive industry, | 0:23:47 | 0:23:50 | |
to the point in that just in terms of exports, | 0:23:50 | 0:23:54 | |
it was worth over half a million pound to the Exchequer. | 0:23:54 | 0:23:57 | |
Which is more than £42 million in today's money. | 0:23:57 | 0:24:01 | |
It's an interesting point with the base metal toy manufacturers, | 0:24:01 | 0:24:07 | |
that's where we actually get the term Brummie from because the | 0:24:07 | 0:24:12 | |
all-encompassing terms for base metal toys of the time was | 0:24:12 | 0:24:16 | |
called Brummagem ware. | 0:24:16 | 0:24:18 | |
Brummagem ware. | 0:24:18 | 0:24:20 | |
-And it was a bit of a disparaging term. -OK. | 0:24:20 | 0:24:23 | |
-And it meant sort of shoddily made metal items. -Like bodging, yeah. | 0:24:23 | 0:24:28 | |
-Yeah. -And Brummagem was then sort of shortened to Brummies. | 0:24:28 | 0:24:33 | |
And one Brummie in particular was responsible for giving | 0:24:34 | 0:24:38 | |
Birmingham its own assay office. | 0:24:38 | 0:24:40 | |
Largely, it was due to Matthew Boulton. | 0:24:41 | 0:24:44 | |
He was a massive industrialist of the time. | 0:24:44 | 0:24:48 | |
A giant figure in the Industrial Revolution, Boulton owned | 0:24:48 | 0:24:52 | |
a factory near Birmingham which produced metal toys. | 0:24:52 | 0:24:56 | |
At its height, it employed 220 people. At that time, that was huge. | 0:24:57 | 0:25:03 | |
He was making silver and had to send it up to Chester to be hallmarked. | 0:25:03 | 0:25:08 | |
Now, that's 80 miles with the road conditions of the time and | 0:25:08 | 0:25:13 | |
-things like that... -In winter, impassable. | 0:25:13 | 0:25:15 | |
Also, it was just a case of he was worried that his designs were | 0:25:15 | 0:25:20 | |
going to be stolen, due to the fact that the main thing you could | 0:25:20 | 0:25:23 | |
sell your silver on back then was the actual quality of the design. | 0:25:23 | 0:25:27 | |
I see. | 0:25:27 | 0:25:28 | |
As well as industrial espionage, Boulton also faced the risk | 0:25:28 | 0:25:32 | |
that his shipments of silver would be stolen en route by highwaymen. | 0:25:32 | 0:25:37 | |
Naturally, he was keen to have an assay service closer to home. | 0:25:37 | 0:25:41 | |
How do you go about setting up an assay office? | 0:25:41 | 0:25:44 | |
-Did he go down to London? -He had to petition parliament. | 0:25:44 | 0:25:48 | |
At the same time as Birmingham wanted an assay office, | 0:25:48 | 0:25:50 | |
Sheffield also wanted an assay office. | 0:25:50 | 0:25:53 | |
So, representatives of both Sheffield and Birmingham met | 0:25:53 | 0:25:56 | |
in the Crown and Anchor pub in the Strand, in London. | 0:25:56 | 0:25:59 | |
Every assay office has a unique symbol, | 0:25:59 | 0:26:02 | |
which is stamped on to every item it authenticates. | 0:26:02 | 0:26:05 | |
This historic meeting in the Crown and Anchor pub gave | 0:26:05 | 0:26:08 | |
Sheffield and Birmingham theirs. | 0:26:08 | 0:26:11 | |
And so we ended up with the anchor and they ended up with the crown. | 0:26:11 | 0:26:15 | |
-How interesting! -All down to the pub. | 0:26:15 | 0:26:18 | |
The anchor is still the assay symbol for Birmingham today, but | 0:26:18 | 0:26:22 | |
back in the 1700s, the new office was a boon to local businesses. | 0:26:22 | 0:26:26 | |
What did it do for all the manufacturers then? | 0:26:26 | 0:26:29 | |
Did it change their fortunes in Birmingham? | 0:26:29 | 0:26:31 | |
A lot of them went from making Brummagem, | 0:26:31 | 0:26:34 | |
suddenly because of the convenience, they could move over to | 0:26:34 | 0:26:37 | |
making things in precious metals, at that time, silver. | 0:26:37 | 0:26:41 | |
Birmingham soon became a world leader in producing jewellery | 0:26:41 | 0:26:45 | |
and metal work and today, | 0:26:45 | 0:26:46 | |
the office is still serving the city's busy precious metals trade. | 0:26:46 | 0:26:51 | |
One of the Assay Office's head honchos, Marion, | 0:26:51 | 0:26:54 | |
can bring James bang up-to-date with a tour. | 0:26:54 | 0:26:57 | |
Nowadays, sophisticated tools are used to test items, | 0:26:57 | 0:27:00 | |
but some objects are still hallmarked by hand, | 0:27:00 | 0:27:04 | |
as here, by specialist Fay. | 0:27:04 | 0:27:07 | |
-Silver ashtray here. -OK. | 0:27:07 | 0:27:09 | |
And I'm going to put the customer's sponsor's mark on them. | 0:27:09 | 0:27:13 | |
And then put the 925, which is the sterling silver, | 0:27:13 | 0:27:15 | |
and then the anchor for Birmingham. | 0:27:15 | 0:27:19 | |
This is the sponsor's mark. | 0:27:19 | 0:27:22 | |
-OK, are you going to let me have a go? -Not on this. | 0:27:22 | 0:27:26 | |
LAUGHTER | 0:27:26 | 0:27:28 | |
Not if it's a customer's product, sorry! | 0:27:28 | 0:27:30 | |
I should think not! | 0:27:30 | 0:27:32 | |
You can practise on a piece of spare aluminium, James. | 0:27:32 | 0:27:35 | |
-Hm. -Oh, dear. | 0:27:38 | 0:27:40 | |
Oh, dear. Failed. | 0:27:40 | 0:27:42 | |
You've got to get it square, haven't you? | 0:27:42 | 0:27:45 | |
-Oh. -Not bad. | 0:27:48 | 0:27:49 | |
Not... Not bad! | 0:27:49 | 0:27:51 | |
Really fascinating, really interesting. | 0:27:51 | 0:27:54 | |
And I can see hallmarking is probably not the avenue for me. | 0:27:54 | 0:27:57 | |
I'll leave it to you, Fay. | 0:27:57 | 0:27:59 | |
Probably wise, James. | 0:27:59 | 0:28:01 | |
And time to hit the road. | 0:28:01 | 0:28:02 | |
Meanwhile, Raj has scooted on to the town of Warwick, where this | 0:28:06 | 0:28:10 | |
sunny afternoon finds him strolling off into Warwick Antique Centre. | 0:28:10 | 0:28:14 | |
-Hello there. -Oh, hello. -Hi, I'm Raj. -Oh, I'm Colin Waite. | 0:28:17 | 0:28:21 | |
Nice to meet you. | 0:28:21 | 0:28:22 | |
Raj is running out of chances to bag a killer item, | 0:28:24 | 0:28:26 | |
so he'll need to look sharp. | 0:28:26 | 0:28:28 | |
I think this shop is fantastic. | 0:28:34 | 0:28:36 | |
I mean, there's some really, really great things in here. | 0:28:36 | 0:28:39 | |
I think I've got to be a little bit careful cos I know what James | 0:28:39 | 0:28:42 | |
-is up to. I know what he's up to. -Pish-posh. | 0:28:42 | 0:28:45 | |
James is a teddy bear, | 0:28:45 | 0:28:46 | |
but he'll certainly be trying to out-buy you too. | 0:28:46 | 0:28:50 | |
But what's this? | 0:28:50 | 0:28:52 | |
Chinese, as we know, is very, very in at the moment. | 0:28:52 | 0:28:55 | |
On the bottom shelf there, | 0:28:55 | 0:28:57 | |
it says it's an 18th to 19th century incense burner. | 0:28:57 | 0:29:00 | |
Let's take a closer look, shall we? | 0:29:00 | 0:29:03 | |
Well, what's drawn me to it is the price. | 0:29:03 | 0:29:06 | |
I mean, there's only £10 on the ticket. | 0:29:06 | 0:29:09 | |
The thing is that they reproduce these things all the time at | 0:29:09 | 0:29:13 | |
the moment and I have seen these reproduction ones. | 0:29:13 | 0:29:16 | |
I actually, to be honest, I think this is an old one. | 0:29:16 | 0:29:19 | |
I think this is a 19th century. | 0:29:19 | 0:29:20 | |
I don't think it's 18th, I think it's a 19th century one, but the | 0:29:20 | 0:29:24 | |
problem is, will other people stay away from it because they | 0:29:24 | 0:29:27 | |
think it's a 20th century one, or won't they? | 0:29:27 | 0:29:29 | |
It's a risky one, but it's a risk I'm prepared to take. | 0:29:31 | 0:29:35 | |
Well, with that spirit in mind, | 0:29:35 | 0:29:37 | |
it's time to call the vendor who owns it for a little chat. | 0:29:37 | 0:29:40 | |
Thank you. Hello, Don. You've got some lovely things in | 0:29:43 | 0:29:46 | |
your cabinet, first of all, Don, I have to say. | 0:29:46 | 0:29:48 | |
But I noticed the incense burner. | 0:29:48 | 0:29:52 | |
With only £10 on the ticket, what deal can they strike? | 0:29:52 | 0:29:56 | |
I'll give you seven for it. I think it's a risk. | 0:29:56 | 0:29:59 | |
Because it may not be an old one. | 0:29:59 | 0:30:01 | |
£7? | 0:30:01 | 0:30:03 | |
Fantastic. OK, we have a deal then. | 0:30:03 | 0:30:05 | |
Another great deal. | 0:30:06 | 0:30:08 | |
Raj just needs his change and he'll be trotting off. | 0:30:08 | 0:30:12 | |
But just as he's leaving the shop, look who's here! | 0:30:12 | 0:30:16 | |
Jack Nicholson's lookalike! | 0:30:16 | 0:30:18 | |
James! James, what are you doing here? | 0:30:18 | 0:30:21 | |
-What have you got there? -I wasn't expecting you so soon. | 0:30:21 | 0:30:24 | |
You're going to have to wait and see! | 0:30:24 | 0:30:26 | |
You're going to have to wait and see. | 0:30:26 | 0:30:27 | |
-It looked blue and white, it looked Oriental. -You're not allowed to look at it. | 0:30:27 | 0:30:31 | |
-Really? -But I tell you what, there's some great things in here. | 0:30:31 | 0:30:34 | |
You'll do really well. But you need to spend some money. | 0:30:34 | 0:30:37 | |
-OK. -OK? See you. -I've got a tenner on me. | 0:30:37 | 0:30:40 | |
-Cheers. -Bye. -Bye. | 0:30:40 | 0:30:41 | |
You've got around £380 actually, James! | 0:30:42 | 0:30:46 | |
As soon as he's through the door, he's straight to dealer Maggie's cabinet of trinkets. | 0:30:46 | 0:30:51 | |
-Hello. James. -How do you do, James? Maggie. | 0:30:51 | 0:30:54 | |
-And this is all your stock, Maggie. -It is. | 0:30:54 | 0:30:56 | |
-Yes. -This is your stock. I'm interested in your cufflinks there. -Oh. -Can I have a...? | 0:30:56 | 0:30:59 | |
Certainly, you can. | 0:30:59 | 0:31:01 | |
Very good. Thank you. | 0:31:01 | 0:31:02 | |
-Lovely. Nice little case, pair of cufflinks here. -Yes, original case. | 0:31:04 | 0:31:08 | |
Original case. | 0:31:08 | 0:31:10 | |
I'm fresh from Birmingham, from the Assay Office. | 0:31:10 | 0:31:13 | |
They probably ARE silver, but they don't have a hallmark, | 0:31:14 | 0:31:17 | |
which could make them a risky purchase. | 0:31:17 | 0:31:20 | |
They're quite nice, with the case. | 0:31:20 | 0:31:22 | |
-And they're always popular, aren't they? -Absolutely. | 0:31:22 | 0:31:25 | |
Good presents, cufflinks. | 0:31:25 | 0:31:27 | |
Ticket price is £39. | 0:31:28 | 0:31:30 | |
-And so, the eternal question... -What could they be? | 0:31:30 | 0:31:34 | |
To a poor... To a poor chap, taking them to auction? | 0:31:34 | 0:31:39 | |
-Oh... -I know, woe is me. | 0:31:39 | 0:31:41 | |
Woe is me in my linen suit. | 0:31:41 | 0:31:44 | |
Manage to go down to 30 for those for you. | 0:31:44 | 0:31:47 | |
-Thank you, Maggie. That would be very kind. £30. -Thank you. | 0:31:47 | 0:31:50 | |
-Thank you very much. -Thank you very much, yes. -Thank you. 30. -Yes. | 0:31:50 | 0:31:54 | |
Very agreeably done. | 0:31:54 | 0:31:56 | |
Fifth and final item bought. I've spent under £100. | 0:31:58 | 0:32:02 | |
Raj will be absolutely furious, but the golden rule is - | 0:32:02 | 0:32:07 | |
never do what your opposition wants you to do. | 0:32:07 | 0:32:10 | |
-And with that fighting talk, both boys are all bought up. -Bye! | 0:32:10 | 0:32:14 | |
So, as well as the cufflinks, James has the book on Clarice Cliff, | 0:32:16 | 0:32:20 | |
the travel chess set, | 0:32:20 | 0:32:22 | |
the repaired Chinese bowl, and the bath can. | 0:32:22 | 0:32:26 | |
He's spent a thrifty £93. | 0:32:26 | 0:32:29 | |
While Raj has a pair of cast iron horse posts, a magnifying glass, | 0:32:31 | 0:32:35 | |
the pair of crutches, | 0:32:35 | 0:32:36 | |
the 17th century chair and the Chinese incense burner. | 0:32:36 | 0:32:40 | |
He spent a more generous £229.50. | 0:32:41 | 0:32:45 | |
But what do they make of each other's haul? | 0:32:46 | 0:32:49 | |
Once again, James has done it. He's definitely got me worried. | 0:32:50 | 0:32:54 | |
A 19th century Chinese Famille-Rose bowl. | 0:32:54 | 0:32:57 | |
It's a lovely bowl this, but it's very, very damaged. | 0:32:57 | 0:32:59 | |
But it's got the old staples in it. And it can be restored. £20? | 0:32:59 | 0:33:05 | |
What a price! | 0:33:05 | 0:33:06 | |
I'm going to say, I wouldn't swap my items. | 0:33:06 | 0:33:08 | |
I'm going to say, my items will win, | 0:33:08 | 0:33:10 | |
but as we all know from the last auction - who knows? | 0:33:10 | 0:33:13 | |
On this final trip, they began their buying in Sandiway, Cheshire, | 0:33:15 | 0:33:19 | |
and are now aiming for auction in Binegar, Somerset. | 0:33:19 | 0:33:22 | |
They're almost at today's battleground, Mendip Auction Rooms. | 0:33:23 | 0:33:27 | |
It's the final one, James. This is it. | 0:33:28 | 0:33:31 | |
May the best man win. | 0:33:31 | 0:33:32 | |
May the best man win. | 0:33:32 | 0:33:35 | |
Auctioneer Tom Killen will be presiding today and before | 0:33:35 | 0:33:39 | |
the off, what does he make of our lots? | 0:33:39 | 0:33:42 | |
The silver cufflinks from the 1930s, | 0:33:42 | 0:33:44 | |
what we're more interested in here actually is the case. | 0:33:44 | 0:33:47 | |
It's a very nice case to go with the cufflinks, | 0:33:47 | 0:33:49 | |
so that may have that added attraction. | 0:33:49 | 0:33:51 | |
The item with legs, which I'm really tempted to say will run away, | 0:33:51 | 0:33:54 | |
is the crutches, but it's not going to be. | 0:33:54 | 0:33:56 | |
It's going to be the tethering post, I think. | 0:33:56 | 0:33:58 | |
That's going to be the item which is going to attract most | 0:33:58 | 0:34:00 | |
interest and we're really hopeful for that one. | 0:34:00 | 0:34:03 | |
It's time for James and Raj's final showdown, | 0:34:03 | 0:34:07 | |
with online bidding and a lively crowd. | 0:34:07 | 0:34:09 | |
Very good. Full room, isn't it? | 0:34:09 | 0:34:12 | |
-It is a full room, yeah. -Very good. -Indeed. | 0:34:12 | 0:34:14 | |
First up, it's a lot for James. | 0:34:16 | 0:34:17 | |
His book on ceramic artist Clarice Cliff. | 0:34:17 | 0:34:21 | |
-At £5. -In profit. -Eight. At £8. | 0:34:21 | 0:34:25 | |
You're in profit. You've doubled up. You've quadrupled. | 0:34:25 | 0:34:29 | |
Oh, what a great start. He's going crazy. | 0:34:29 | 0:34:31 | |
At £18 and sold away then at £18. That goes to heaven. 501. | 0:34:31 | 0:34:36 | |
That's a good start, James. | 0:34:36 | 0:34:38 | |
Indeed, it is. A cracking profit on the Clarice Cliff tome. | 0:34:38 | 0:34:43 | |
You only invested £3, James. | 0:34:43 | 0:34:45 | |
Raj's first lot now, his biggest gamble, | 0:34:45 | 0:34:48 | |
the cast iron horse tethering posts. | 0:34:48 | 0:34:51 | |
50 is bid. 60. 70. 80. | 0:34:51 | 0:34:54 | |
90. 100. 110. 120. | 0:34:54 | 0:34:58 | |
-130. 140. 150. -He's away. | 0:34:58 | 0:35:02 | |
160. 170. At 170. 180. | 0:35:02 | 0:35:04 | |
At 190. Fill her up. 200. | 0:35:04 | 0:35:07 | |
-At 220. At 220. -Well done. Well done. -240 now. 260. | 0:35:07 | 0:35:10 | |
At £260. Last call then. | 0:35:10 | 0:35:13 | |
-At £260. -Well done, well done. Well done. | 0:35:13 | 0:35:17 | |
He certainly backed the right horse there! | 0:35:17 | 0:35:20 | |
I was hoping a little bit more. I was hoping it might make 300. | 0:35:20 | 0:35:23 | |
Don't be greedy. | 0:35:23 | 0:35:24 | |
Another for James now, as his little travel chess set comes in to play. | 0:35:24 | 0:35:29 | |
-Oh, £10 at the back of the room. -He looked surprised. | 0:35:29 | 0:35:32 | |
Mate, you're in profit already. You've doubled your money. | 0:35:32 | 0:35:36 | |
12. 12 bid. 15? 15 bidder. At 18. 18 bid. At £18. Go 20 now? | 0:35:36 | 0:35:40 | |
Shaking the head, the wrong way. | 0:35:40 | 0:35:42 | |
You've only got £20 notes in your pocket. | 0:35:42 | 0:35:45 | |
19? 20? | 0:35:45 | 0:35:46 | |
Go on, 20 is bid. At £20. At £20. | 0:35:46 | 0:35:49 | |
At £20 and sold and away then at £20. | 0:35:49 | 0:35:53 | |
Another winner for James proves he's certainly more than | 0:35:53 | 0:35:57 | |
a pawn in this game. | 0:35:57 | 0:35:58 | |
You've quadrupled your money. | 0:35:58 | 0:36:01 | |
Raj will be hoping to spy more profit now with his little | 0:36:01 | 0:36:04 | |
magnifying glass. | 0:36:04 | 0:36:06 | |
-10's bid. -He's keen. | 0:36:06 | 0:36:08 | |
At 12 now. 10. 12. At 12. 15. | 0:36:08 | 0:36:12 | |
18. 20. At £20. | 0:36:12 | 0:36:14 | |
At £20 and sold and away then at 20... | 0:36:14 | 0:36:17 | |
-Looking to the gods, looking for help. -Oh, put it down. | 0:36:17 | 0:36:20 | |
At £20, in the front row, and sold and away then at £20. | 0:36:20 | 0:36:24 | |
THEY LAUGH | 0:36:24 | 0:36:25 | |
-He does linger with your lots, doesn't he? -Linger with my lots! | 0:36:25 | 0:36:31 | |
-How can you say that? -Terrible. | 0:36:31 | 0:36:34 | |
Perish the thought. Our auctioneer is as even as they come. | 0:36:34 | 0:36:38 | |
And that's actually added to Raj's profit. | 0:36:38 | 0:36:41 | |
I think there might have to be a steward's inquiry, formal. | 0:36:41 | 0:36:44 | |
Lingering. No lingering, please. | 0:36:44 | 0:36:46 | |
Oh, do pipe down! | 0:36:46 | 0:36:48 | |
A chance for James to make up some ground now with his repaired | 0:36:48 | 0:36:52 | |
-Chinese bowl. -20 online. At £20. -Internet at 20. | 0:36:52 | 0:36:57 | |
-25. It's running on on the internet. -Of course it's going to run. -At 30. | 0:36:57 | 0:37:01 | |
32. At 32. 35 is bid. | 0:37:01 | 0:37:03 | |
38. At 38. It's a good size. You can't see that at home. | 0:37:03 | 0:37:06 | |
-You're in profit. -45. 48. At 48. At 50. | 0:37:06 | 0:37:10 | |
It's going to do it. It's going to make the £80. | 0:37:10 | 0:37:13 | |
-At 55. -At least. -60 is bid. -Yep. | 0:37:13 | 0:37:15 | |
It's going to be sold at £60, online buyer and sold and away then. | 0:37:15 | 0:37:19 | |
At £60. | 0:37:19 | 0:37:21 | |
-Not half bad for a broken bowl, James. -Going to be close then. | 0:37:21 | 0:37:26 | |
-I know. -I think that was a... You know... Yeah? | 0:37:26 | 0:37:31 | |
-Yeah. -All right? -Yeah, very good. | 0:37:31 | 0:37:34 | |
The mood grows tense, as Raj's crutches hop up before the crowd. | 0:37:34 | 0:37:40 | |
£10, surely? 10 bid. | 0:37:40 | 0:37:42 | |
10 bid! | 0:37:42 | 0:37:44 | |
I've only got half the money so far. | 0:37:44 | 0:37:47 | |
At £10. 12. At £12. 15. 18. | 0:37:47 | 0:37:49 | |
-At 18. Go 20. 20 is bid. -Put it down, sir. -Come on. | 0:37:49 | 0:37:52 | |
Don't labour it. | 0:37:52 | 0:37:54 | |
-At 22. -It's all over. | 0:37:54 | 0:37:56 | |
-At 25? Have one each. -Come on. | 0:37:56 | 0:37:58 | |
£22 and sold and away then at £22. | 0:37:58 | 0:38:03 | |
-Well... -Blimey! | 0:38:03 | 0:38:05 | |
-I thought you were going to make some money on those. -So did I! | 0:38:05 | 0:38:09 | |
Those limp to a tiny profit. | 0:38:09 | 0:38:11 | |
I'm sort of worried for the sanity of this room, I must say! | 0:38:11 | 0:38:16 | |
Now, James hopes his bath can will really clean up. | 0:38:16 | 0:38:20 | |
18. At £18 at the back of the room. 20 bid. At 22. | 0:38:20 | 0:38:24 | |
-The internet's loving it. They're loving it. -Yeah. -The world is there. | 0:38:24 | 0:38:28 | |
-There's people in their bedrooms, going... -Here we go. | 0:38:28 | 0:38:31 | |
35. At 35. 38. 38. At 38. 40 bid. | 0:38:31 | 0:38:34 | |
-At £40. 42. At 42. 45. 45's bid. 48 now. 50. -He's got to hurry up. | 0:38:34 | 0:38:39 | |
-He's got to keep pace. -At £50 and sold and away then at £50. | 0:38:39 | 0:38:44 | |
-£50. -Not bad. | 0:38:44 | 0:38:46 | |
-It's a profit. -It's a profit. | 0:38:46 | 0:38:48 | |
It certainly didn't take an early bath. | 0:38:48 | 0:38:50 | |
Though it wasn't the flier he'd hoped for. | 0:38:50 | 0:38:53 | |
But this game is still anyone's. | 0:38:53 | 0:38:55 | |
Another for Raj, as his 17th century chair is up next. | 0:38:55 | 0:38:59 | |
10. 12. 15. 18. 20. | 0:38:59 | 0:39:02 | |
I think you're all right. Don't worry. | 0:39:02 | 0:39:04 | |
25. 28. At 28. 30. 30? At £30. 32, fresh blood in. | 0:39:04 | 0:39:10 | |
32. 35. 35. 38. 38. 40. | 0:39:10 | 0:39:13 | |
At £40. Go two now. 42. | 0:39:13 | 0:39:16 | |
45. 48. 48. 50 now. 50's bid. | 0:39:16 | 0:39:20 | |
At £50. Five. At 55. 60. | 0:39:20 | 0:39:23 | |
At £60. At £60, in front. At £60. | 0:39:23 | 0:39:27 | |
Go on, put it down. | 0:39:27 | 0:39:28 | |
I just can't bear this lingering, can you? | 0:39:28 | 0:39:31 | |
At £60. | 0:39:31 | 0:39:33 | |
-It's yours. -Well done. | 0:39:33 | 0:39:35 | |
-Ha-ha! Raj is sitting pretty again. -Blimey! It's going to be close. | 0:39:35 | 0:39:40 | |
It's going to be close. | 0:39:40 | 0:39:42 | |
It certainly is, but James is in with another shot now, | 0:39:42 | 0:39:45 | |
with his set of unhallmarked silver cufflinks. | 0:39:45 | 0:39:48 | |
20 up in the gods. At £20. You're in. | 0:39:48 | 0:39:51 | |
I'm getting nervous now. | 0:39:51 | 0:39:53 | |
£20. 22. 25. 25. 28. | 0:39:53 | 0:39:56 | |
At 28. At 28. 30. At £30. | 0:39:56 | 0:39:59 | |
At £30. Have another go. | 0:39:59 | 0:40:01 | |
At £30. 32. At 32. | 0:40:01 | 0:40:04 | |
-35? -Go on, madam. | 0:40:04 | 0:40:06 | |
35. One more, is it? | 0:40:06 | 0:40:08 | |
-At £35 upstairs. At £35 upstairs. -Cheap! | 0:40:08 | 0:40:12 | |
At £35. | 0:40:12 | 0:40:15 | |
James adds another nice little win to his coffers. | 0:40:15 | 0:40:18 | |
-And you've got one more opportunity. -One more opportunity. | 0:40:18 | 0:40:21 | |
-If this bombs.. -The very last lot of this whole road trip now. | 0:40:21 | 0:40:26 | |
It's Raj's incense burner, possibly dating from the 19th century. | 0:40:26 | 0:40:30 | |
Will his gamble pay off? | 0:40:30 | 0:40:32 | |
-30's bid, straight in. -Well done. | 0:40:32 | 0:40:36 | |
-35. At 35. 38. At 38. 40 is bid. At 45. At 45. -Well done. | 0:40:36 | 0:40:41 | |
At 48. At 48. 50. At £50. At £50. Five. At 55. 60. | 0:40:41 | 0:40:47 | |
65. At 65. 70. At £70. | 0:40:47 | 0:40:50 | |
-Certainly climbing! -Look at him smiling! | 0:40:50 | 0:40:52 | |
-Well, you would, wouldn't you? -At 80. At £80. 85. At 85. 90. | 0:40:52 | 0:40:58 | |
95. 100. 110. At 110. | 0:40:58 | 0:41:01 | |
Go 120. Just put one more in. | 0:41:01 | 0:41:04 | |
Just to see if he's at his limit. | 0:41:04 | 0:41:05 | |
120. 130. He wasn't. At 130. Go 140 now. | 0:41:05 | 0:41:09 | |
At 130. At 130. At 130 and sold and away then, at £130. | 0:41:09 | 0:41:15 | |
Blimey! He made over 18 times what he spent on that! | 0:41:16 | 0:41:20 | |
-What a way to end this trip! -Put it there. | 0:41:20 | 0:41:24 | |
-I think that's done it, hasn't it? -I think that's done it. | 0:41:24 | 0:41:27 | |
It is your road trip. | 0:41:27 | 0:41:29 | |
So, let's do the maths. | 0:41:29 | 0:41:31 | |
James began this leg with £442.40. | 0:41:31 | 0:41:35 | |
After auction costs, he made a profit of £57.06, | 0:41:35 | 0:41:40 | |
giving him a grand total of £499.46. | 0:41:40 | 0:41:45 | |
Just shy of 500. | 0:41:45 | 0:41:47 | |
Raj started with £450.26. | 0:41:47 | 0:41:51 | |
After costs, he made £173.94. | 0:41:51 | 0:41:57 | |
He ends this whole road trip victorious with £624.20. | 0:41:57 | 0:42:01 | |
Well done, Raj. | 0:42:01 | 0:42:02 | |
And all profits go to Children In Need. | 0:42:02 | 0:42:05 | |
Well, I never did! | 0:42:05 | 0:42:08 | |
-So, you're our clear winner. Well done.. Congratulations. -Wow! Yes! | 0:42:08 | 0:42:12 | |
-JAMES LAUGHS -Hey-hey! Fantastic! -Go on, get in the car. Get in the car. | 0:42:12 | 0:42:16 | |
-You're not going to open the door then? -Don't push it. Don't push it. | 0:42:16 | 0:42:19 | |
-Just thought I'd ask. -Don't push it. -Just thought I'd ask! | 0:42:19 | 0:42:23 | |
-Oh! -I'm going to miss you, James. -I will miss you too. | 0:42:23 | 0:42:26 | |
And we'll miss you, James and Raj, you superstars of the saleroom! | 0:42:26 | 0:42:31 | |
In the style of Mick Jagger... | 0:42:32 | 0:42:35 | |
-It's been a hard fought trip... -We're moving in for the kill now. | 0:42:35 | 0:42:40 | |
-..with steely nerves... -Remember, it's war out there. | 0:42:40 | 0:42:43 | |
Yeah! | 0:42:43 | 0:42:45 | |
-..and fancy footwork on both sides. -Hello! | 0:42:45 | 0:42:48 | |
I'm freestyling! | 0:42:48 | 0:42:50 | |
Ho-ho, course you are, James(!) | 0:42:50 | 0:42:52 | |
Hoy! | 0:42:52 | 0:42:54 | |
That's brilliant! | 0:42:54 | 0:42:55 | |
-Do you like wooden boxes? -As long as they're not coffins. | 0:42:55 | 0:42:59 | |
They battled down to the final lot... | 0:42:59 | 0:43:02 | |
You've come out, smelling of roses really, haven't you? | 0:43:02 | 0:43:06 | |
..but still ended up the best of pals. | 0:43:06 | 0:43:09 | |
THEY LAUGH | 0:43:09 | 0:43:11 | |
Toodle-oo, you two! | 0:43:11 | 0:43:13 |