Browse content similar to Episode 8. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
It's the nation's favourite antiques experts, with £200 each... | 0:00:02 | 0:00:05 | |
I want something shiny. | 0:00:05 | 0:00:06 | |
..a classic car and a goal to scour Britain for antiques. | 0:00:06 | 0:00:10 | |
-I like a rummage. -I can't resist. | 0:00:10 | 0:00:11 | |
The aim, to make the biggest profit at auction, | 0:00:11 | 0:00:15 | |
-but it's no mean feat. -Why do I always do this to myself? | 0:00:15 | 0:00:18 | |
-There'll be worthy winners... -Give us a kiss! -..and valiant losers. | 0:00:18 | 0:00:22 | |
-Come on, stick 'em up! -So will it be the high road to glory... | 0:00:22 | 0:00:25 | |
-Onwards and upwards! -..or the slow road to disaster? | 0:00:25 | 0:00:28 | |
-Take me home! -This is Antiques Road Trip. | 0:00:28 | 0:00:33 | |
Yeah! | 0:00:33 | 0:00:36 | |
Excitement reigns once more with the return of dealer Mark Stacey and | 0:00:40 | 0:00:44 | |
auctioneer Christina Trevanion | 0:00:44 | 0:00:45 | |
and the third instalment of their road-tripping | 0:00:45 | 0:00:48 | |
spectacular. Oh, it's spooky this morning, though. | 0:00:48 | 0:00:53 | |
-It's quite scary, this mist. -It's quite eerie, isn't it? | 0:00:53 | 0:00:57 | |
-It is very eerie. Let me see your teeth. -What? | 0:00:57 | 0:01:01 | |
-Let me see your teeth. -Why? | 0:01:01 | 0:01:02 | |
Ah, that's all right, your fangs aren't out yet. | 0:01:02 | 0:01:04 | |
Not yet! If I start going for your neck... | 0:01:04 | 0:01:06 | |
-Keep away from my neck. -SHE SNARLS | 0:01:06 | 0:01:10 | |
Blimey, don't worry, dear viewers, Christina's not a vampire. | 0:01:10 | 0:01:17 | |
-# The hills are alive with the... # -Not with THAT angelic voice. | 0:01:17 | 0:01:20 | |
# ..Sound of Music. # | 0:01:20 | 0:01:23 | |
Well, I'm afraid it would be a no from me. | 0:01:23 | 0:01:26 | |
What? What?! | 0:01:26 | 0:01:27 | |
-HE MIMICS BUZZER -You're out! -Next! | 0:01:27 | 0:01:31 | |
Surely it would be "fab-u-lous!" | 0:01:32 | 0:01:35 | |
No, darling, it would definite be that was GHASTLY! | 0:01:35 | 0:01:38 | |
-Oh, come on! -It would be a ten from me. | 0:01:38 | 0:01:41 | |
Come on, Mark, you've got to win an auction now. | 0:01:41 | 0:01:44 | |
-I'm relying on you. -Christina, don't worry about me. | 0:01:44 | 0:01:47 | |
-I like being the underdog. -Really? | 0:01:47 | 0:01:51 | |
From his original £200, Mark has £273.90. | 0:01:51 | 0:01:56 | |
Christina also began with £200, | 0:01:56 | 0:01:59 | |
but she's sneaking into the lead with the sum of £330.90. | 0:01:59 | 0:02:05 | |
It's a close one. | 0:02:05 | 0:02:08 | |
And this 1977 Alfa Romeo Spider is their lovely little motor of choice. | 0:02:08 | 0:02:14 | |
At least you're concentrating on driving so well. | 0:02:14 | 0:02:17 | |
-It's these hills again, isn't it? -She really doesn't like hills. | 0:02:17 | 0:02:21 | |
This does not bode well. | 0:02:21 | 0:02:24 | |
Christina and Mark began in West Sussex, | 0:02:27 | 0:02:29 | |
jollied their way north as far as Merseyside and have auctions in | 0:02:29 | 0:02:33 | |
Cheshire, Gloucestershire and Manchester to look forward to. | 0:02:33 | 0:02:36 | |
They will conclude their adventure in Bolton, in Greater Manchester. | 0:02:36 | 0:02:39 | |
This leg begins in the Staffordshire town of Leek. | 0:02:40 | 0:02:43 | |
And the auction will take place in the town of Wotton-under-Edge in | 0:02:43 | 0:02:47 | |
Gloucestershire. Lovely. | 0:02:47 | 0:02:50 | |
Oh, here we are, Odeon Antiques. | 0:02:52 | 0:02:53 | |
Oh, I'll drop you around the corner here. | 0:02:53 | 0:02:55 | |
Can you? Oh, that looks wonderful. | 0:02:55 | 0:02:58 | |
Now, there's a woman on a mission if ever I saw one. | 0:02:58 | 0:03:02 | |
-Oh, hello. -Hello! | 0:03:03 | 0:03:06 | |
This fine establishment is owned by Steve, with four floors, | 0:03:06 | 0:03:09 | |
jam-packed with fine antiques. | 0:03:09 | 0:03:11 | |
This should be a good start for Christina. | 0:03:11 | 0:03:13 | |
There's plenty to look at. | 0:03:13 | 0:03:15 | |
Oh, Christina, loving the Gregory Pecks! | 0:03:15 | 0:03:18 | |
Are they new? | 0:03:18 | 0:03:21 | |
I love it when you walk in to somewhere | 0:03:25 | 0:03:27 | |
and people thought of things you don't necessarily think of before, | 0:03:27 | 0:03:30 | |
like, for example, they've turned amp metres, volt metres, | 0:03:30 | 0:03:33 | |
whatever they are, into lamps. | 0:03:33 | 0:03:37 | |
Love this shop. Oh, dear! | 0:03:37 | 0:03:39 | |
That means I'm in danger of spending far too much money. | 0:03:39 | 0:03:42 | |
Never worried you before, love! | 0:03:42 | 0:03:45 | |
What's this? Looks interesting. | 0:03:50 | 0:03:52 | |
I love this. | 0:03:52 | 0:03:54 | |
Oh! | 0:03:54 | 0:03:56 | |
A little model of Doncaster railway station. | 0:03:56 | 0:04:00 | |
What does that say? Waiting room. | 0:04:00 | 0:04:02 | |
So, all hand=painted, dining room... | 0:04:02 | 0:04:05 | |
Booking office. This has probably been from somebody's little model | 0:04:05 | 0:04:11 | |
railway they've built at home. | 0:04:11 | 0:04:13 | |
It would have been part of a much larger, whole massive track, | 0:04:13 | 0:04:16 | |
railway configuration. | 0:04:16 | 0:04:19 | |
Obviously we've only got the station there, but | 0:04:19 | 0:04:22 | |
I love the fact that it's been hand painted. | 0:04:22 | 0:04:24 | |
Somebody has lovingly made this for their own little railway set. | 0:04:24 | 0:04:29 | |
That's quite cool. One thing that's not cool is that there's no price. | 0:04:29 | 0:04:34 | |
It's a bit worrying. I'll have to go and get Steve. | 0:04:35 | 0:04:39 | |
OK. | 0:04:39 | 0:04:40 | |
But before that, anything else catch your fancy? | 0:04:40 | 0:04:44 | |
1950, 1960. | 0:04:46 | 0:04:48 | |
Now we're finding that at the moment these at auction are selling really | 0:04:48 | 0:04:51 | |
well. This is what we call a valet and they were used in a gentleman's | 0:04:51 | 0:04:57 | |
bedroom to put his jacket on and his various bits and bobs, | 0:04:57 | 0:05:00 | |
trousers over there. Last one I saw for £45. | 0:05:00 | 0:05:03 | |
That's marked up at £36. | 0:05:03 | 0:05:05 | |
So that potentially could be a good buy. | 0:05:05 | 0:05:08 | |
While Christina has a ponder, let's catch up with Mark. | 0:05:08 | 0:05:11 | |
I'm stuck because the moo-cows are coming. | 0:05:13 | 0:05:16 | |
Just have to sit and wait. | 0:05:16 | 0:05:18 | |
-CATTLE LOW -Morning. -Mornin'! | 0:05:18 | 0:05:21 | |
Hello! Oh, I'm not that frightening. | 0:05:21 | 0:05:24 | |
-Oh, I've frightened her. -I don't blame her, you old bull. | 0:05:24 | 0:05:28 | |
"Moo-ving" on to pastures new, | 0:05:31 | 0:05:33 | |
Mark's travelled north-west into Cheshire | 0:05:33 | 0:05:35 | |
and the environs of Congleton. | 0:05:35 | 0:05:37 | |
Victoria Mill Antiques is located in one of the town's old mills and is | 0:05:38 | 0:05:42 | |
home to a number of dealers. | 0:05:42 | 0:05:45 | |
So, Mark can you find the antique that will give you | 0:05:45 | 0:05:49 | |
a Christina-crushing profit? | 0:05:49 | 0:05:53 | |
Oh, hello! | 0:05:53 | 0:05:54 | |
Hello. Who's this? | 0:05:54 | 0:05:56 | |
-Tinkerbell. -Tinkerbell! | 0:05:56 | 0:05:58 | |
Are you a Tinkerbell? Are you? | 0:05:58 | 0:06:01 | |
Look at her. She's such an attention-seeker. | 0:06:01 | 0:06:04 | |
-Aren't you? -Takes one to know one! | 0:06:04 | 0:06:07 | |
-Dear girl. -Aw, she is lovely. | 0:06:07 | 0:06:10 | |
What's he sniffed out now? | 0:06:13 | 0:06:14 | |
I quite like portrait miniatures. | 0:06:14 | 0:06:16 | |
These were commissioned by | 0:06:16 | 0:06:18 | |
the fairly rich and affluent, by specialist | 0:06:18 | 0:06:22 | |
portrait miniaturists, | 0:06:22 | 0:06:23 | |
and they create these wonderful little works of art. | 0:06:23 | 0:06:26 | |
And often you'd find whole families of them, | 0:06:26 | 0:06:28 | |
husband and wife and sometimes generations of them. | 0:06:28 | 0:06:31 | |
Those are quite rare to find a series of them. | 0:06:31 | 0:06:34 | |
And it's marked up at £18. | 0:06:34 | 0:06:36 | |
Where's dealer Julia to chat cash? | 0:06:36 | 0:06:39 | |
-Julia. -Yes. -Hello. -Hi. | 0:06:39 | 0:06:43 | |
I've found something very little, I'm afraid, but isn't she pretty? | 0:06:43 | 0:06:46 | |
-Very pretty. -And it is a watercolour. | 0:06:46 | 0:06:49 | |
I am not convinced it's Georgian, myself, to be honest with you. | 0:06:49 | 0:06:52 | |
But I think it would look nice in a general sale. | 0:06:52 | 0:06:55 | |
-Very decorative. -But do you think I can get a good price on that? | 0:06:55 | 0:06:59 | |
As it's you, £10. | 0:07:00 | 0:07:03 | |
Julia! I must have it. | 0:07:03 | 0:07:06 | |
-Now, will you keep it for me? -Yes. -And I'll keep looking. | 0:07:06 | 0:07:09 | |
-Absolutely. -Thank you, Julia. -Not a problem. | 0:07:09 | 0:07:11 | |
First purchase of this leg. Well done, Mark. | 0:07:11 | 0:07:15 | |
Back to Christina, and she's still in Leek. | 0:07:16 | 0:07:19 | |
MUSIC: Addams Family Theme | 0:07:19 | 0:07:22 | |
Er...and she's in a rather grisly corner of the shop. | 0:07:22 | 0:07:25 | |
-Ear, ear! -Oh, my goodness. | 0:07:25 | 0:07:28 | |
Wow! It's all quite macabre. | 0:07:28 | 0:07:31 | |
(But I quite like it.) | 0:07:33 | 0:07:36 | |
That's cool. | 0:07:36 | 0:07:39 | |
Look at that, vintage, oversized dental human jaw model. | 0:07:39 | 0:07:43 | |
"Jaw further dissects to reveal the roots and nerves of the teeth." | 0:07:43 | 0:07:47 | |
Eurgh! Feel like I need to get plastic gloves on or something. | 0:07:47 | 0:07:51 | |
Latex, if you're not allergic. | 0:07:51 | 0:07:53 | |
I mean, I hate the dentist at the best of times, | 0:07:53 | 0:07:58 | |
but I find that really quite gruesomely fascinating | 0:07:58 | 0:08:01 | |
and it's really trendy at the moment, | 0:08:01 | 0:08:04 | |
and also you have to think, | 0:08:04 | 0:08:06 | |
a dentist might want this as a bit of a desk toy, maybe. | 0:08:06 | 0:08:10 | |
I'm not sure. But look at this! | 0:08:10 | 0:08:13 | |
Can you take that one out, or are they glued in? | 0:08:13 | 0:08:15 | |
It's amazing. It shows you all the bits and the veins. | 0:08:15 | 0:08:19 | |
-I love this! -It might seem a bit gruesome, | 0:08:19 | 0:08:22 | |
but vintage medical items | 0:08:22 | 0:08:23 | |
are carving a real niche in the antiques market. | 0:08:23 | 0:08:26 | |
TIM LAUGHS | 0:08:26 | 0:08:29 | |
Time to have a jaw with dealer Steve. | 0:08:29 | 0:08:32 | |
This anatomical over-bite sports a price tag of £95. | 0:08:32 | 0:08:38 | |
85 on that. But I will just have to go and check. | 0:08:38 | 0:08:41 | |
She may knock a little bit more off, hopefully. | 0:08:41 | 0:08:43 | |
-Splendid. -OK? -OK. Let's have a look at the wish list. | 0:08:43 | 0:08:46 | |
Prepare yourself, Steve. | 0:08:46 | 0:08:49 | |
So, Steve, the other thing that I saw was this... | 0:08:49 | 0:08:52 | |
-Yes. -..which isn't really its best side, this side. | 0:08:52 | 0:08:55 | |
-No. -But it hasn't got a price on it. | 0:08:55 | 0:08:57 | |
No, I don't quite know what happened with that one. | 0:08:57 | 0:08:59 | |
It was £95, that one. | 0:08:59 | 0:09:01 | |
-Is this one yours? -This one's mine. | 0:09:01 | 0:09:03 | |
I can do that for, erm, £60. | 0:09:03 | 0:09:07 | |
-OK. -And Christina's third possible is the valet, marked up at £36. | 0:09:10 | 0:09:17 | |
Right, OK, 20 on that one. | 0:09:17 | 0:09:20 | |
-Yes. -That was easy. | 0:09:20 | 0:09:23 | |
Now, all that's left to do is make | 0:09:23 | 0:09:26 | |
a quick call to the vendor of the model jaw. | 0:09:26 | 0:09:29 | |
I've said she can have it for 85. Is that the best you could do? | 0:09:29 | 0:09:33 | |
Right. OK. That's great. | 0:09:34 | 0:09:36 | |
Thanks very much. Thank you. | 0:09:36 | 0:09:38 | |
Bye-bye, bye-bye. | 0:09:38 | 0:09:41 | |
-65. -Really? | 0:09:42 | 0:09:45 | |
-Really? -Yeah. Is that OK? -What was her name? -Jan. | 0:09:45 | 0:09:48 | |
Jan? I think I love Jan! | 0:09:48 | 0:09:51 | |
-Seriously, I'm not going to haggle on that. -She's very nice. -£65. | 0:09:51 | 0:09:54 | |
Absolutely. Yes, that's good. | 0:09:54 | 0:09:55 | |
Oh, no, hang on a second. | 0:09:55 | 0:09:57 | |
Take that back because we've got exciting things, haven't we? | 0:09:57 | 0:09:59 | |
-We've got the jawbone at £65. -Yep. | 0:09:59 | 0:10:03 | |
-The valet at 20? -Yep. | 0:10:03 | 0:10:05 | |
So, 85. | 0:10:05 | 0:10:07 | |
I just think that railway station's charming. | 0:10:07 | 0:10:09 | |
-Right. -What can you do that for me? | 0:10:09 | 0:10:11 | |
Don't make me haggle! Don't make me do it! | 0:10:11 | 0:10:14 | |
£50 would be the absolute best on that one. | 0:10:14 | 0:10:16 | |
-OK, so where did we get to, 85? -Yep. | 0:10:16 | 0:10:19 | |
-So that will be 135. -Yep. | 0:10:19 | 0:10:20 | |
Would you do 120 all in? And I haven't haggled. | 0:10:20 | 0:10:24 | |
-Erm... Yeah. That's fine. -120? -Yeah. | 0:10:24 | 0:10:26 | |
-You're a gentleman. Thank you so much. -Thank you. | 0:10:26 | 0:10:29 | |
That breaks down to £65 for the anatomical oversized jawbone, | 0:10:29 | 0:10:34 | |
£20 for the gentleman's valet and £35 for the model railway station. | 0:10:34 | 0:10:38 | |
What a great haul, eh? | 0:10:38 | 0:10:41 | |
Back to Mark and he's still in Congleton | 0:10:41 | 0:10:43 | |
and still on the prowl, looking like a lumberjack. | 0:10:43 | 0:10:46 | |
Ooh, now this does look interesting. | 0:10:46 | 0:10:51 | |
I love these little table spirit barrels. | 0:10:52 | 0:10:56 | |
They come in all shapes and sizes and they're made from all sorts of | 0:10:56 | 0:10:59 | |
material. This is obviously modelled as a coopered beer barrel, really. | 0:10:59 | 0:11:04 | |
And it's made of light oak, but I do like this silver plating, | 0:11:04 | 0:11:08 | |
particularly on the feet. | 0:11:08 | 0:11:11 | |
Because it looks quite proud and expensive | 0:11:11 | 0:11:14 | |
and pleased to have been made. | 0:11:14 | 0:11:15 | |
Unfortunately, the stopper is missing, | 0:11:15 | 0:11:18 | |
but I don't think that's the end of the world. | 0:11:18 | 0:11:20 | |
The price is marked up at 47. | 0:11:20 | 0:11:23 | |
Now, Julia was quite nice to me with the miniature. | 0:11:23 | 0:11:25 | |
I wonder if she'll be as nice to me with this. | 0:11:25 | 0:11:28 | |
Well, she's very kindly called | 0:11:28 | 0:11:30 | |
the vendor for his very, very, very best price. | 0:11:30 | 0:11:32 | |
He's in a very good mood today, | 0:11:34 | 0:11:36 | |
and so, as it's you... | 0:11:36 | 0:11:39 | |
-£35 would be his very, very best. -£35 would be his very best. | 0:11:39 | 0:11:43 | |
Well, I do like it. | 0:11:43 | 0:11:46 | |
-Yes. -I think I'll go for it. Thank you very much. | 0:11:46 | 0:11:49 | |
The portrait miniature and the little spirit barrel | 0:11:49 | 0:11:52 | |
for a total of £45. That's a good start, Mark. | 0:11:52 | 0:11:56 | |
Meanwhile, Christina has happily | 0:11:58 | 0:12:00 | |
made her way to the spa town of Buxton in Derbyshire. | 0:12:00 | 0:12:04 | |
It's known as the Gateway to the Peak District, don't you know! | 0:12:04 | 0:12:09 | |
What a funny-looking bus. | 0:12:09 | 0:12:12 | |
Christina's visiting this lovely town to shop, right here. | 0:12:12 | 0:12:17 | |
Oh, he looks scary! | 0:12:17 | 0:12:20 | |
-Hello. -Hi, there. | 0:12:20 | 0:12:22 | |
Hi. Christina. | 0:12:22 | 0:12:24 | |
-Julia. -Julia, lovely to meet you. | 0:12:24 | 0:12:25 | |
-You too. -Hi. My goodness, this is a treasure trove, isn't it? | 0:12:25 | 0:12:29 | |
-Mmm! -Stuffed to the gunnels. | 0:12:29 | 0:12:31 | |
Do you mind if I have a quick squiz round? | 0:12:31 | 0:12:32 | |
-No. Help yourself. -Is that all right? -Yes, that's fine. | 0:12:32 | 0:12:35 | |
After that squiz around, what's Christina uncovered? | 0:12:40 | 0:12:45 | |
Phillip's popular mannequin. Tell me about this. | 0:12:45 | 0:12:48 | |
Right, this is in remarkable condition. | 0:12:48 | 0:12:51 | |
I've had several of these before, but | 0:12:51 | 0:12:53 | |
the contents have never been in such good condition. | 0:12:53 | 0:12:57 | |
-OK. -So, here, this is what's usually in a bit of a state, | 0:12:57 | 0:13:02 | |
but this is in fantastic condition. | 0:13:02 | 0:13:04 | |
-Wow! -So, for a medical student or something, it's quite something. | 0:13:04 | 0:13:09 | |
-Gosh, that's amazing, isn't it? -All the lids open. | 0:13:09 | 0:13:12 | |
So you've got the muscular system. | 0:13:12 | 0:13:13 | |
You've got all the nervous system and then you've got all the organs. | 0:13:13 | 0:13:18 | |
Organs, you've got your intestines... | 0:13:18 | 0:13:21 | |
I think he might need to have his spleen out. | 0:13:21 | 0:13:23 | |
-Do you think? -THEY LAUGH | 0:13:23 | 0:13:27 | |
In the late 19th century, publishers George Philip and Son | 0:13:28 | 0:13:32 | |
moved from printing maps to producing a | 0:13:32 | 0:13:34 | |
series of anatomical foldouts, such as this one. | 0:13:34 | 0:13:39 | |
What an intriguing item. We'll return to Christina later. | 0:13:39 | 0:13:43 | |
But now, let's catch up with Mark. | 0:13:43 | 0:13:46 | |
He's motored the Alfa Romeo to the town of Macclesfield. | 0:13:46 | 0:13:50 | |
Mark's visiting a building that was once at the centre of the town's | 0:13:51 | 0:13:54 | |
booming silk industry. | 0:13:54 | 0:13:56 | |
Two locals who know a lot about the silk history of Macclesfield are | 0:13:56 | 0:14:00 | |
museum director Sue Hughes and tour guide Derek Isherwood. | 0:14:00 | 0:14:05 | |
Welcome to Paradise Mill. | 0:14:05 | 0:14:07 | |
We're going to go in the lift to learn all about silk. | 0:14:07 | 0:14:10 | |
-That doesn't look like paradise. -It IS paradise. | 0:14:10 | 0:14:12 | |
Is it? Come on then, show me. | 0:14:12 | 0:14:15 | |
Paradise Mill was built around 1860 and formed a major part of | 0:14:15 | 0:14:19 | |
Macclesfield's silk production. | 0:14:19 | 0:14:22 | |
How old is the lift? | 0:14:24 | 0:14:25 | |
-1930s. -And you have to operate it by hand? | 0:14:25 | 0:14:27 | |
-You do, all the time. -Don't tell me it breaks down! | 0:14:27 | 0:14:31 | |
-Never. -I don't believe you! -THEY LAUGH | 0:14:31 | 0:14:34 | |
-LIFT CLATTERS TO STOP -Whoops! | 0:14:34 | 0:14:38 | |
HE PULLS LEVER | 0:14:38 | 0:14:40 | |
-Oh, no! -SHE LAUGHS | 0:14:40 | 0:14:43 | |
-Crumbs! This is a bit of a pickle. -Derek, please tell me you're joking! | 0:14:43 | 0:14:46 | |
I'm afraid it's the first time it's ever happened. | 0:14:46 | 0:14:49 | |
-Sue? -No, it's the first time it's ever happened. | 0:14:49 | 0:14:52 | |
I can't believe it! | 0:14:52 | 0:14:54 | |
-We're stuck in a lift. -We're stuck in a lift, in Macclesfield. | 0:14:54 | 0:14:56 | |
Only one thing for it. | 0:14:56 | 0:14:59 | |
-Go on! -All right. Thank you. | 0:15:00 | 0:15:03 | |
-SIREN WAILS Crikey! -It's an air raid shelter. | 0:15:03 | 0:15:07 | |
Was that an alarm or an air raid warning? | 0:15:07 | 0:15:09 | |
-An air raid! -It's all happening. | 0:15:09 | 0:15:12 | |
Gosh! Stuck in a lift with Mark Stacey. | 0:15:12 | 0:15:16 | |
While they wait rescue, | 0:15:16 | 0:15:18 | |
let's zip back to Buxton and that anatomical foldout. | 0:15:18 | 0:15:22 | |
I really like that. | 0:15:22 | 0:15:24 | |
Tell me, has it got a fantastic price? | 0:15:24 | 0:15:26 | |
Well, in mint condition I've been told by the bookshop at the top of | 0:15:26 | 0:15:31 | |
the hill that it's about 120. But I've actually got 85 on it. | 0:15:31 | 0:15:36 | |
-You've got 85 on it? -Yeah. -What's your very best price? | 0:15:36 | 0:15:39 | |
So that I get a teeny, weenie smidgen of a profit, | 0:15:39 | 0:15:43 | |
£60. | 0:15:44 | 0:15:47 | |
Deal! £60. | 0:15:47 | 0:15:49 | |
-Fabulous! I'm a happy lady. What shall we call him? -Anthony. -Anthony. | 0:15:49 | 0:15:53 | |
Nowadays, Tony! | 0:15:53 | 0:15:54 | |
-Anthony. Anthony Philips. -Anthony Philips. Yes! | 0:15:55 | 0:15:59 | |
£60. I'm very happy with that. It's brilliant. | 0:15:59 | 0:16:02 | |
Let's hope Anthony does make you a profit. | 0:16:02 | 0:16:04 | |
£60 for the Philips' Popular Manikin. | 0:16:04 | 0:16:08 | |
Interesting buy, that, Christina. | 0:16:08 | 0:16:10 | |
Right, back to the lift in Macclesfield. | 0:16:11 | 0:16:14 | |
Don't worry, dear viewers, they eventually managed to escape. | 0:16:14 | 0:16:17 | |
-So I'm a hero, really. -You really are. | 0:16:17 | 0:16:19 | |
Flailing! | 0:16:19 | 0:16:22 | |
Spirits revived, we can now get down to business. | 0:16:22 | 0:16:26 | |
This Cheshire town was once a powerhouse of silk production | 0:16:26 | 0:16:30 | |
and has long been regarded as the end of the famous Silk Road, | 0:16:30 | 0:16:34 | |
the ancient trade route between the Far East and the West. | 0:16:34 | 0:16:39 | |
A once closely guarded secret of the Chinese, | 0:16:39 | 0:16:42 | |
the luxurious fabric made its way to these shores around the mid-17th | 0:16:42 | 0:16:47 | |
century when this northern town became renowned for exquisite silk | 0:16:47 | 0:16:51 | |
buttons. Silk production boomed, | 0:16:51 | 0:16:54 | |
with ground-breaking technology in the early 19th century. | 0:16:54 | 0:16:57 | |
Originally, they would have done it all by hand, | 0:16:57 | 0:17:00 | |
but in 1801 a new loom came in called the Jacquard loom. | 0:17:00 | 0:17:04 | |
That made intricate patterns a lot easier and cheaper. | 0:17:04 | 0:17:08 | |
How does that machine work? | 0:17:08 | 0:17:10 | |
So, it actually starts off with the pattern. | 0:17:10 | 0:17:14 | |
This is drawn onto squared paper. | 0:17:14 | 0:17:16 | |
That pattern is then transferred on to these cards, | 0:17:16 | 0:17:19 | |
which are called Jacquard cards or punch cards. | 0:17:19 | 0:17:22 | |
-So these simple cards create this wonderful design? -They do. | 0:17:22 | 0:17:26 | |
If there's a hole in the card it means the needle can go through. | 0:17:26 | 0:17:29 | |
If there's no hole in the card it means the needle can't go through | 0:17:29 | 0:17:32 | |
and that's how you create those fantastic, elaborate patterns. | 0:17:32 | 0:17:35 | |
Amazing, isn't it? | 0:17:35 | 0:17:37 | |
It is, yeah. And this is the birth of computers, basically. | 0:17:37 | 0:17:41 | |
This is where it all came from. | 0:17:41 | 0:17:44 | |
This simple binary system was cutting-edge technology in its day. | 0:17:44 | 0:17:50 | |
In 19th-century Macclesfield there were 70 mills | 0:17:50 | 0:17:54 | |
producing silk clothing for royalty and the wealthy, | 0:17:54 | 0:17:57 | |
but during the Second World War the mills swapped exotic garments for | 0:17:57 | 0:18:01 | |
parachute silk. | 0:18:01 | 0:18:04 | |
And an important contribution particularly to the D-Day landings. | 0:18:04 | 0:18:07 | |
They were really important, but more important here were | 0:18:07 | 0:18:10 | |
actually making silk maps for the airmen | 0:18:10 | 0:18:12 | |
and in Macclesfield they developed a system where they could print on | 0:18:12 | 0:18:15 | |
both sides and of course it meant they couldn't get torn, or ripped, | 0:18:15 | 0:18:19 | |
or destroyed and they could be folded up to tiny little pieces | 0:18:19 | 0:18:22 | |
and sewn into their clothing... | 0:18:22 | 0:18:24 | |
-And hidden anywhere. -Yeah, so they could take them with them. | 0:18:24 | 0:18:26 | |
Now, let's see the machines in action. | 0:18:26 | 0:18:28 | |
To produce approximately one inch of that woven silk would be 200 of | 0:18:33 | 0:18:39 | |
-these treadle movements... -No! -..and a good weaver, | 0:18:39 | 0:18:43 | |
on a good working week, could produce about 12-15 yards of silk. | 0:18:43 | 0:18:48 | |
-Good Lord. -So would you like to try weaving, Mark? | 0:18:48 | 0:18:51 | |
I'd love to have a go, but I'll be very slow, Derek. | 0:18:51 | 0:18:53 | |
Don't you worry. Let me come this side. | 0:18:53 | 0:18:57 | |
This is when it goes horribly wrong. | 0:18:57 | 0:18:58 | |
Don't tempt fate, Mark, you already did that in the lift early year on. | 0:18:58 | 0:19:03 | |
-So, I push that back. Foot down. -Bring it across. | 0:19:03 | 0:19:07 | |
That's it. You did it. | 0:19:07 | 0:19:09 | |
I did it. I think I'm going to quit while I'm ahead. | 0:19:09 | 0:19:12 | |
-Good idea! -I think you would make a weaver, after all. -Oh, thank you! | 0:19:12 | 0:19:15 | |
For four centuries, Macclesfield has been home to silk production and to | 0:19:15 | 0:19:19 | |
this very day still is home to companies continuing to make | 0:19:19 | 0:19:24 | |
thousands of kilometres of finished silk fabric every year. | 0:19:24 | 0:19:27 | |
It's been a busy day, and time for a rest, so nighty-night. | 0:19:31 | 0:19:35 | |
Morning has broken and Mark's getting a grand tour | 0:19:39 | 0:19:43 | |
of Christina's home turf. | 0:19:43 | 0:19:44 | |
Also, my friends, the Applebys, live here, so they produce cheese, | 0:19:44 | 0:19:47 | |
that's Hawkstone Abbey Farm. | 0:19:47 | 0:19:49 | |
And that is literally just behind Hawkstone Hall, | 0:19:49 | 0:19:52 | |
so they're big cheesemakers, | 0:19:52 | 0:19:54 | |
I think one of the last farm producers in the w... | 0:19:54 | 0:19:57 | |
-Oi! -Oh, sorry, sorry. | 0:19:57 | 0:20:00 | |
-I'm so sorry. Were you saying something? -Yes, I was! | 0:20:00 | 0:20:04 | |
-CHRISTINA: -You are rude! | 0:20:04 | 0:20:07 | |
He's a cheeky blighter. | 0:20:08 | 0:20:10 | |
Let's refresh our memories with what our two luvvies have bought so far. | 0:20:10 | 0:20:16 | |
Christina's been very busy and has four lots. | 0:20:16 | 0:20:20 | |
The oversized jaw, | 0:20:20 | 0:20:22 | |
the gentleman's valet, the model railway station | 0:20:22 | 0:20:25 | |
and, of course, Anthony, or, to give him his proper name, | 0:20:25 | 0:20:29 | |
Philips' Popular Manikin. | 0:20:29 | 0:20:31 | |
Christina still has £150.90 for the day ahead. | 0:20:31 | 0:20:35 | |
Mark has two lots. The portrait miniature | 0:20:37 | 0:20:39 | |
and the late Victorian spirit barrel. | 0:20:39 | 0:20:43 | |
Mark has £228.90. | 0:20:43 | 0:20:45 | |
So he's got some catching up to do. | 0:20:45 | 0:20:48 | |
Our pair are headed for Christina's hometown of Whitchurch, Shropshire. | 0:20:50 | 0:20:54 | |
-MARK: -Here we are. -CHRISTINA: -Here we are. | 0:21:00 | 0:21:02 | |
-I see you've already got your fans out. -Ha-ha! Yes. | 0:21:02 | 0:21:08 | |
-Give them a cheery wave! -Absolutely. -Let's go! | 0:21:08 | 0:21:11 | |
Whitchurch Antiques Emporium's Simon and Linda are on hand to show our | 0:21:11 | 0:21:16 | |
twosome around. | 0:21:16 | 0:21:18 | |
BOTH: Hello! | 0:21:18 | 0:21:20 | |
How are you? Ooh, don't know which way round to go! | 0:21:20 | 0:21:22 | |
-Good. -I'm dying to get inside. Aren't you? -Go ahead. | 0:21:22 | 0:21:26 | |
Go for it. Right. | 0:21:26 | 0:21:27 | |
-Now, which way do we go, Christina? You know it. -I'll go this way. | 0:21:27 | 0:21:32 | |
-Ah, I'll go this way, then, I guess. -I'll go with you. | 0:21:32 | 0:21:36 | |
It's stuffed to the rafters in here and, with over two floors, | 0:21:36 | 0:21:39 | |
I'm sure these two can find something. | 0:21:39 | 0:21:42 | |
Oh, he's nice. | 0:21:44 | 0:21:46 | |
My eye is instantly drawn to this... What's this behind here? | 0:21:47 | 0:21:51 | |
There's a beautiful bed, and what's that? | 0:21:51 | 0:21:54 | |
Four-poster. | 0:21:54 | 0:21:56 | |
What's that? | 0:21:56 | 0:21:58 | |
That says Floating Bridge, Shirley. | 0:21:58 | 0:22:01 | |
-Am I allowed to sit on this? -'No, you just did.' | 0:22:02 | 0:22:06 | |
This is Southampton! | 0:22:06 | 0:22:08 | |
It's believed to have been on a tram. | 0:22:08 | 0:22:12 | |
Royal Pier, Holyrood, Bassett Junction, Depot Only, Special, | 0:22:12 | 0:22:15 | |
East Street via St Mary's... I used to live in St Mary's. | 0:22:15 | 0:22:18 | |
-Well, there you go! -Winn Road, Bitterne Park Triangle, | 0:22:18 | 0:22:21 | |
University Road... | 0:22:21 | 0:22:22 | |
Because I was at university in Southampton. | 0:22:22 | 0:22:24 | |
-Oh, right! -So it would've been on the front of a tram or a bus, | 0:22:24 | 0:22:28 | |
wound up in a spool, and, as you went to the next junction, you'd... | 0:22:28 | 0:22:31 | |
Yes. The driver would change it, so people would know each destination. | 0:22:31 | 0:22:37 | |
Brilliant. That's really cool. So how much is that? | 0:22:37 | 0:22:41 | |
"Southampton...vintage bus route, £125." | 0:22:41 | 0:22:45 | |
-I really like that. -'No hanging around.' | 0:22:46 | 0:22:50 | |
'Time to get the vendor on the blower.' | 0:22:50 | 0:22:53 | |
-Hi, Molly? -'Hello, Christina.' | 0:22:54 | 0:22:56 | |
Hi, Molly, how are you? It's Christina Trevanion here. | 0:22:56 | 0:22:59 | |
Hello, my love. I'm just looking at your amazing bus route thingummy. | 0:22:59 | 0:23:05 | |
What sort of price could you do it for? | 0:23:05 | 0:23:08 | |
-'90 is the best I could do it for.' -90 is your absolute death on that? | 0:23:08 | 0:23:12 | |
-'Absolutely.' -Well, I'm happy at £90, I think it's brilliant. | 0:23:12 | 0:23:17 | |
Thanks, Molly, bye now, bye, love, bye. | 0:23:17 | 0:23:20 | |
Well, I think that's fantastic. I'm thrilled to bits with that. | 0:23:20 | 0:23:23 | |
I can't believe I found a bit of my university nostalgia in my hometown. | 0:23:23 | 0:23:27 | |
No, there you go. That's really good luck. | 0:23:27 | 0:23:31 | |
Will a Southampton bus route sell in a Cotswold auction? | 0:23:31 | 0:23:36 | |
We'll soon find out. Christina's all done. | 0:23:36 | 0:23:38 | |
How's Mark getting along? | 0:23:38 | 0:23:41 | |
Gosh. | 0:23:41 | 0:23:43 | |
Well, I've never seen one of those before. | 0:23:43 | 0:23:45 | |
Don't worry, I'm not armed and dangerous. | 0:23:45 | 0:23:49 | |
-'Not much(!)' -This is apparently a dummy training Home Guard rifle. | 0:23:49 | 0:23:54 | |
£75. It's got the weight of a rifle, you know. | 0:23:54 | 0:23:57 | |
Simply made of a shaped piece of wood, and a solid barrel, | 0:23:57 | 0:24:02 | |
so you can't fire anything through this. | 0:24:02 | 0:24:04 | |
'I gathered that!' | 0:24:04 | 0:24:06 | |
I wonder if I could shoot a hole in Christina's profit with this. | 0:24:06 | 0:24:09 | |
Let's find out. Simon? | 0:24:09 | 0:24:11 | |
Hello. | 0:24:13 | 0:24:15 | |
I have no idea what this is. | 0:24:15 | 0:24:16 | |
According to the description it's a Home Guard training gun. | 0:24:16 | 0:24:20 | |
I imagine that's pretty accurate. | 0:24:20 | 0:24:22 | |
It's got a good weight, the weight of a rifle. | 0:24:22 | 0:24:24 | |
They had Lee-Enfield 303s back in the day. | 0:24:24 | 0:24:27 | |
-Oh! -But they didn't have enough to give to the Home Guard, | 0:24:27 | 0:24:32 | |
so when they first came out, the Dad's Army movie, | 0:24:32 | 0:24:35 | |
they started off with the broomsticks. | 0:24:35 | 0:24:37 | |
Then they moved on to things like this - you are very | 0:24:37 | 0:24:39 | |
Captain Mainwaring. | 0:24:39 | 0:24:41 | |
Don't tell them your name, Mark! Hee-hee! | 0:24:41 | 0:24:43 | |
-He's going for a deal. -I would like to pay £60 for it. | 0:24:44 | 0:24:47 | |
-£60... -Because I think, I have no idea whether it worth 20 or 120. | 0:24:47 | 0:24:52 | |
And I think if I can get it for 60, it stands me with a better chance. | 0:24:52 | 0:24:57 | |
She's written on here, "Do not sell to Mark". | 0:24:57 | 0:25:00 | |
Has she?! That's Christina's handwriting! | 0:25:00 | 0:25:02 | |
I think, it is a one-off, though, it is a one-off. | 0:25:02 | 0:25:05 | |
Come on, Simon, shake hands at 60? As friends. | 0:25:05 | 0:25:09 | |
-Thank you. -Go on, then. -I just happen to have some money, there. | 0:25:09 | 0:25:12 | |
-£60. -Let me check this. Oh! | 0:25:12 | 0:25:15 | |
Thank you, I'll let you go, I'll let you go. | 0:25:16 | 0:25:18 | |
Thank you again. Thank you. | 0:25:18 | 0:25:21 | |
The unusual World War II Home Guard practice rifle, for £60. | 0:25:22 | 0:25:27 | |
Meanwhile Christina is back in the trustee Alfa Romeo. | 0:25:27 | 0:25:30 | |
I think it's quite a girlie car, because the pedals are quite close together. | 0:25:32 | 0:25:36 | |
So, it's quite handy to drive in my heels. | 0:25:36 | 0:25:39 | |
Quite! | 0:25:39 | 0:25:40 | |
Christina's headed somewhere just outside Nantwich. | 0:25:43 | 0:25:47 | |
Amidst this rural area lies a once top-secret bunker. | 0:25:47 | 0:25:52 | |
One of 12 in the UK, | 0:25:52 | 0:25:54 | |
Hack Green was built in 1976 | 0:25:54 | 0:25:57 | |
to house regional government in the event of nuclear war. | 0:25:57 | 0:26:01 | |
From the rise of the Berlin Wall to Glasnost in the late 1980s, | 0:26:01 | 0:26:06 | |
the world seemed on a permanent countdown to Armageddon. | 0:26:06 | 0:26:10 | |
The existence of the covert bunkers would have allowed Britain to make | 0:26:10 | 0:26:14 | |
plans to rebuild the country, should such an attack occur. | 0:26:14 | 0:26:18 | |
Christina is meeting with museum | 0:26:18 | 0:26:20 | |
director Lucy Siebert to find out just | 0:26:20 | 0:26:23 | |
how vital the bunker was to Britain's survival. | 0:26:23 | 0:26:26 | |
Hi, welcome to Hack Green secret bunker. | 0:26:26 | 0:26:28 | |
-Shall we take a look? -Yeah, let's! | 0:26:28 | 0:26:31 | |
An abandoned radar site at Hack Green became the headquarters for | 0:26:33 | 0:26:36 | |
the local defence region. | 0:26:36 | 0:26:40 | |
In the event of an attack, | 0:26:40 | 0:26:43 | |
the Queen and the government would have been dissolved of power. | 0:26:43 | 0:26:47 | |
The Civil Defence network takes up control of the country. | 0:26:47 | 0:26:51 | |
And the 12 defence regions | 0:26:51 | 0:26:53 | |
the country is split into would be headed up | 0:26:53 | 0:26:56 | |
by regional commissioners and they would have been in control | 0:26:56 | 0:26:59 | |
of their particular region. | 0:26:59 | 0:27:01 | |
Ours is ten two, which takes a big piece out of Cheshire | 0:27:01 | 0:27:05 | |
and Manchester and Merseyside. | 0:27:05 | 0:27:08 | |
We were in charge of making sure | 0:27:08 | 0:27:09 | |
that everything happened when it needed to be | 0:27:09 | 0:27:12 | |
because the hardest thing to repair after any disaster, | 0:27:12 | 0:27:16 | |
whether it's natural or man-made, is the basic infrastructure. | 0:27:16 | 0:27:19 | |
Roads, supplies, water, communications, | 0:27:19 | 0:27:23 | |
basic things that people needed to continue. | 0:27:23 | 0:27:27 | |
At a cost of around £32 million - ha! - | 0:27:27 | 0:27:31 | |
the bunker was transformed into a vast underground complex that would | 0:27:31 | 0:27:36 | |
allow 135 civil servants | 0:27:36 | 0:27:38 | |
and military personnel to survive a nuclear attack. | 0:27:38 | 0:27:42 | |
In 1984 it became fully operational. | 0:27:42 | 0:27:46 | |
So, did this bunker provide communication? | 0:27:47 | 0:27:50 | |
We had communications for all sorts of different things - | 0:27:50 | 0:27:54 | |
including talking to the Queen herself. | 0:27:54 | 0:27:56 | |
-Really? -Yes, I can show you one of such phones. | 0:27:56 | 0:27:58 | |
You had a hotline to the Queen? | 0:27:58 | 0:28:01 | |
They were for calling her to make sure she could give Royal Assent | 0:28:01 | 0:28:05 | |
to enact the Emergency Powers Act, | 0:28:05 | 0:28:07 | |
which puts us on the highest state of alert. | 0:28:07 | 0:28:10 | |
But just how protected was this bunker from a nuclear attack? | 0:28:10 | 0:28:14 | |
We can actually take everything up to a direct hit. | 0:28:14 | 0:28:17 | |
We can take one megaton up to 500 yards away. | 0:28:17 | 0:28:20 | |
One megaton is the size of Hiroshima and Nagasaki. | 0:28:20 | 0:28:24 | |
While the bunker may have been secure, | 0:28:24 | 0:28:26 | |
what measures would have been taken to protect the British public in the | 0:28:26 | 0:28:29 | |
event of a nuclear attack? | 0:28:29 | 0:28:32 | |
So, there's a lot of machines around me here. | 0:28:32 | 0:28:34 | |
Who am I? Who would have sat here? | 0:28:34 | 0:28:36 | |
You were in charge of receiving and giving out the four-minute warning | 0:28:36 | 0:28:41 | |
which is how long you've got, at home, until the bombs actually hit. | 0:28:41 | 0:28:44 | |
OK. | 0:28:44 | 0:28:46 | |
SIREN SOUNDS | 0:28:46 | 0:28:48 | |
-Pick that phone up. -OK. | 0:28:48 | 0:28:50 | |
-Say, "Attack warning red". -Attack warning red, attack warning red! | 0:28:50 | 0:28:54 | |
Now, you are going to set the sirens off for the entire defence region | 0:28:56 | 0:29:01 | |
to let the people at home know there's an imminent attack. | 0:29:01 | 0:29:04 | |
So all of that area ten two? | 0:29:04 | 0:29:05 | |
Yeah, and we're going to put this one into attack mode. | 0:29:05 | 0:29:09 | |
Attack. OK. | 0:29:09 | 0:29:10 | |
So that's telling you that it's powering up the system, | 0:29:12 | 0:29:16 | |
it's sending the message, and pretty soon a siren should go off. | 0:29:16 | 0:29:21 | |
SIREN SOUNDS | 0:29:21 | 0:29:22 | |
There you go. And that's what you'd hear on the outside. | 0:29:22 | 0:29:25 | |
Following the fall of the Berlin Wall in 1989, | 0:29:28 | 0:29:31 | |
the real threat of nuclear war began to fade. | 0:29:31 | 0:29:35 | |
Hack Green, though, serves as a reminder of how Britain prepared | 0:29:35 | 0:29:39 | |
itself for the worst possible outcome. | 0:29:39 | 0:29:43 | |
Back to Mark now, | 0:29:45 | 0:29:46 | |
and he's in the town of Market Drayton in North Yorkshire. | 0:29:46 | 0:29:51 | |
He's got £168.90 to spend. | 0:29:51 | 0:29:55 | |
Hello, I'm Mark. | 0:29:55 | 0:29:56 | |
-Hi, Mark. -Nice to see you. | 0:29:56 | 0:29:58 | |
-Can I have a look? -Please feel free. -Lovely. Thank you. | 0:29:58 | 0:30:01 | |
John, I saw a pair of candles in the window. | 0:30:07 | 0:30:09 | |
-Can I have a look at them? -Yeah, I'll just go and get them for you. | 0:30:09 | 0:30:12 | |
There you go. | 0:30:12 | 0:30:14 | |
Great, thank you. I love this style. | 0:30:16 | 0:30:19 | |
It's sort of Adams revival, isn't it? Classical 18th-century shape. | 0:30:19 | 0:30:24 | |
With that sort of spiral, fluted urn. | 0:30:24 | 0:30:27 | |
I guess these are sort of 1920s. | 0:30:27 | 0:30:30 | |
I like the shape. | 0:30:30 | 0:30:31 | |
They're very classical. It's nice to have a pair them. | 0:30:31 | 0:30:33 | |
And there's no price on those, are they free?! | 0:30:33 | 0:30:35 | |
I'm a bit naughty on that. | 0:30:35 | 0:30:37 | |
-£30. -£30 for the pair? | 0:30:37 | 0:30:39 | |
-Yes. -Those are quite nice, actually. | 0:30:39 | 0:30:41 | |
I like those. | 0:30:41 | 0:30:44 | |
I think I'm going to have those as a consideration. | 0:30:44 | 0:30:47 | |
-OK. I'll put them to one side. -I'm going to put them down here. | 0:30:47 | 0:30:50 | |
So we have a possible on the oak candlesticks. | 0:30:50 | 0:30:54 | |
Anything else? | 0:30:54 | 0:30:57 | |
Oh, gosh. | 0:30:57 | 0:30:59 | |
Those are really heavy. | 0:30:59 | 0:31:01 | |
Think they might be lead, actually. Feels like lead. | 0:31:01 | 0:31:05 | |
How much are these? Lead doorstops, £15 each. | 0:31:05 | 0:31:08 | |
They are quite quirky. And dogs are quite popular. | 0:31:08 | 0:31:14 | |
They're quite crudely made, so I don't know when | 0:31:14 | 0:31:17 | |
they were manufactured. | 0:31:17 | 0:31:19 | |
Time for a chat with John. | 0:31:20 | 0:31:22 | |
I would like to try and buy the pair of candlesticks | 0:31:22 | 0:31:26 | |
-and the two charming little doggies. -Right. | 0:31:26 | 0:31:29 | |
So you said 30 on those, and they're 15 each, so another 30. | 0:31:29 | 0:31:33 | |
-Yes. -What about £30? | 0:31:33 | 0:31:37 | |
I'll do them for 40. | 0:31:37 | 0:31:40 | |
I think that seems very reasonable, actually. | 0:31:40 | 0:31:42 | |
-I think that's very fair. -Lovely. | 0:31:42 | 0:31:44 | |
That's our shopping complete for this road trip. | 0:31:44 | 0:31:48 | |
Mark adds a pair of candlesticks and doggy doorstops to his haul of | 0:31:48 | 0:31:52 | |
goodies which include the portrait miniature, | 0:31:52 | 0:31:55 | |
the spirit barrel and the Home Guard practice rifle. | 0:31:55 | 0:31:59 | |
In total, Mark has notched up a spend of £145. | 0:31:59 | 0:32:03 | |
Christina has also bought a total of five lots. | 0:32:03 | 0:32:06 | |
The oversized jaw, the gentleman's valet, the model railway station, | 0:32:06 | 0:32:12 | |
Philips' Popular Manekin and the Southampton bus route indicator. | 0:32:12 | 0:32:16 | |
Christina has spent a total of £270. | 0:32:16 | 0:32:20 | |
Come on, you two, what do you think of each other's extraordinary buys? | 0:32:20 | 0:32:24 | |
I adore your anatomical jaw. It's wonderful. | 0:32:24 | 0:32:30 | |
The doorstops, hmm, they're all right, but for the price he paid, | 0:32:30 | 0:32:34 | |
-can't be bad. -Your bus sign from Southampton I think is wonderful | 0:32:34 | 0:32:38 | |
but £90, Christina? | 0:32:38 | 0:32:40 | |
I think he's done very well, but I think he's also played it very, | 0:32:40 | 0:32:44 | |
very safe, because he hasn't spent a lot of money. | 0:32:44 | 0:32:47 | |
It's auction time, | 0:32:47 | 0:32:48 | |
and we're heading our way to the town of Wotton-under-Edge, | 0:32:48 | 0:32:52 | |
nestled in the Southern Cotswold Hills in Gloucestershire. | 0:32:52 | 0:32:57 | |
And look, we've got a new car! | 0:32:57 | 0:32:58 | |
This updated version of the Alfa Romeo Spider | 0:32:58 | 0:33:02 | |
replaces a kaput original. | 0:33:02 | 0:33:05 | |
It's wonderful, though, isn't it? | 0:33:05 | 0:33:07 | |
It really is. And we can move our in our seats. | 0:33:07 | 0:33:10 | |
And it's leather. We've got leather upholstery. | 0:33:10 | 0:33:13 | |
Electric windows... | 0:33:13 | 0:33:15 | |
Electric windows. Oh, stop it, Christina! | 0:33:15 | 0:33:17 | |
Certainly looks very luxurious. | 0:33:17 | 0:33:19 | |
They're headed for Wotton Auction Rooms. | 0:33:20 | 0:33:23 | |
-Look at this, isn't it beautiful? -It's an old chapel. | 0:33:24 | 0:33:28 | |
We could pray for profits. | 0:33:28 | 0:33:29 | |
Well, I think I might have to. | 0:33:29 | 0:33:32 | |
-Let's get in. Come on, dear. -She's not your granny, Mark. | 0:33:32 | 0:33:36 | |
Philip Taubenheim is the gentleman wielding the gavel today. | 0:33:36 | 0:33:40 | |
What do you think of Christina and Mark's lots, Philip? | 0:33:40 | 0:33:43 | |
The spirit barrel, I think that was an ideal size for the rostrum! | 0:33:43 | 0:33:46 | |
I don't see why we can't have one there ourselves. | 0:33:46 | 0:33:48 | |
The jaw model, now, that's caused a bit of excitement here. | 0:33:48 | 0:33:50 | |
I think somebody will buy that for a bit of fun. | 0:33:50 | 0:33:54 | |
Today's auction is also live on the web. | 0:33:54 | 0:33:56 | |
Time to take your seats, please. | 0:33:56 | 0:33:59 | |
-Oh, gosh, here we are, Christina. -Here we are. | 0:33:59 | 0:34:02 | |
-I've got squeaky shoes today. -It's hot. I brought my own fan! | 0:34:02 | 0:34:06 | |
You've only got the one! How very diva. | 0:34:07 | 0:34:10 | |
Your little doggy doorstops are up next. | 0:34:10 | 0:34:13 | |
-Thank you. -Oh, I know my place! | 0:34:14 | 0:34:18 | |
20, the two, 20, the two. And £20, I'm bid for the two doorstops. | 0:34:18 | 0:34:22 | |
30 online. | 0:34:22 | 0:34:25 | |
The room's coming back now, at £30, I'm bid, at £30. | 0:34:25 | 0:34:28 | |
At 35 at the back of the room... | 0:34:28 | 0:34:30 | |
35 at the back of the room. Come on, 40. | 0:34:30 | 0:34:32 | |
-Come on, internet! -Back of the room. At 35. Anybody moving? | 0:34:32 | 0:34:34 | |
All happy with that? No mistake, then. £35. | 0:34:34 | 0:34:37 | |
Take them away. | 0:34:37 | 0:34:39 | |
-A howling success, my love. Howling! -Woof, woof! | 0:34:40 | 0:34:44 | |
He's barking, you know! | 0:34:44 | 0:34:46 | |
Wonderful start there, Mark. | 0:34:46 | 0:34:49 | |
Oh, I'm relieved. | 0:34:49 | 0:34:50 | |
Good. I'm very nervous now. | 0:34:50 | 0:34:53 | |
Keep the faith, Christina. | 0:34:53 | 0:34:55 | |
It's your home-made, Doncaster railway station next. | 0:34:55 | 0:34:59 | |
At £20, four and £20 I'm bid. | 0:34:59 | 0:35:01 | |
At £20, here we go. At 20, I'm bid. At £20, I'm bid. | 0:35:01 | 0:35:04 | |
There it starts, and over there it stops. | 0:35:04 | 0:35:07 | |
Haven't left the station yet. At 25, I'm bid. | 0:35:07 | 0:35:10 | |
At 25, 30, I'm bid. At £30 I'm bid. | 0:35:10 | 0:35:12 | |
At £30. Against you now. At £30 I'm bid. | 0:35:12 | 0:35:15 | |
At £30. 35. £40. | 0:35:15 | 0:35:17 | |
-Oh! -40. -Ooh! Lord! | 0:35:17 | 0:35:19 | |
£40 it remains, then. At £40, I'm bid. Who moves it along at £40? | 0:35:19 | 0:35:22 | |
We're all out, then? You sure? £40 this time and at £40, then, 306. | 0:35:22 | 0:35:27 | |
Wow! It wasn't as bad as it could've been. | 0:35:27 | 0:35:30 | |
No, could have chugged out a lot slower than that. | 0:35:30 | 0:35:33 | |
-Precisely but remember, it's only your first lot. -Never mind. | 0:35:33 | 0:35:37 | |
-Don't buy another Doncaster station, will you? -I'll remember why! | 0:35:37 | 0:35:40 | |
-I'll know for next time. -You will. | 0:35:41 | 0:35:43 | |
Onwards we go. Mark's spirit barrel is next. | 0:35:44 | 0:35:48 | |
£20 but better than that, isn't it at 20? | 0:35:48 | 0:35:50 | |
20, I'm bid. 25, I'm bid. 30, I'm bid. | 0:35:50 | 0:35:53 | |
35, I'm bid. 40, I'm bid. | 0:35:53 | 0:35:55 | |
-At £40, I'm bid. -No, come on. -Keep going, keep going, keep going. | 0:35:55 | 0:35:59 | |
-Where's the internet? -At £40, I'm bid. | 0:35:59 | 0:36:01 | |
-Out? -Are you sure? Happy enough with that? At £40. | 0:36:01 | 0:36:04 | |
-No mistake, then, at 40. -All that for a fiver. | 0:36:04 | 0:36:07 | |
-Oh! -It's just the way of the auction, Mark, but don't fret. | 0:36:07 | 0:36:12 | |
We've still got a way to go. | 0:36:12 | 0:36:14 | |
Hey, all hope is not lost. | 0:36:14 | 0:36:16 | |
No, it's not. | 0:36:16 | 0:36:18 | |
-Who is Hope, anyway? -Where is she? | 0:36:18 | 0:36:19 | |
She might be outside enjoying the sun. | 0:36:19 | 0:36:22 | |
It's where we should be. I think she's just left in the car! | 0:36:22 | 0:36:25 | |
Never mind about Hope, | 0:36:25 | 0:36:27 | |
it's Christina's foldout Anthony next. | 0:36:27 | 0:36:29 | |
-I called him Tony. -Tony? After whom? -Anatomy. | 0:36:30 | 0:36:34 | |
Anato... anato-Tony! | 0:36:35 | 0:36:38 | |
20. 20 for the book. At £20, I'm bid. £20. | 0:36:38 | 0:36:42 | |
-Oh, 25. -At £30, I'm bid, 35, I have. | 0:36:42 | 0:36:45 | |
-35. -Yeah, right. -£35, I'm bid. At £40, I'm bid. | 0:36:45 | 0:36:51 | |
On the internet, £40, I'm bid. | 0:36:51 | 0:36:52 | |
You're having another go. At £40, I'm bid. | 0:36:52 | 0:36:54 | |
Bid lies online at £40. | 0:36:54 | 0:36:56 | |
-Come on! -No. -Because it is great, actually. | 0:36:56 | 0:36:59 | |
-Really? -No, I love it. | 0:36:59 | 0:37:01 | |
No, I do. Seriously. | 0:37:01 | 0:37:03 | |
-Down the hammer come. -BOTH: Aw! Aw! | 0:37:03 | 0:37:05 | |
No, indeed. | 0:37:05 | 0:37:07 | |
What a shame. That's a real bargain for some lucky bidder. | 0:37:07 | 0:37:11 | |
Like a stake through my heart. | 0:37:11 | 0:37:13 | |
If I had a heart. I'll borrow his heart! | 0:37:13 | 0:37:16 | |
Onwards and upwards, eh? It's Mark's portrait miniature next. | 0:37:16 | 0:37:20 | |
£20, I'm bid. £20, I'm bid. | 0:37:20 | 0:37:22 | |
-Doubled your money already. -We've got 20. | 0:37:22 | 0:37:24 | |
25 online. 25, I'm bid. | 0:37:24 | 0:37:26 | |
30 in the room. At £30, I'm bid. | 0:37:26 | 0:37:28 | |
-£30, I'm bid. £30, I have. The room holds it. -Oh, no! | 0:37:28 | 0:37:31 | |
-Where's the internet? -Anybody coming back out? | 0:37:31 | 0:37:33 | |
As 30, I'm bid. All out? | 0:37:33 | 0:37:35 | |
You're quite happy with that? At £30, and it's sold at £30, then. | 0:37:35 | 0:37:39 | |
Even though the portrait looks a bit glum, it's a sizeable profit. | 0:37:39 | 0:37:44 | |
Hey, that's not bad. £20 profit. | 0:37:44 | 0:37:46 | |
It's not bad, it's not bad, but I just thought, you know... | 0:37:46 | 0:37:48 | |
-Yeah. -That might... | 0:37:48 | 0:37:50 | |
Takeoff. Yeah. I was hoping it might... | 0:37:50 | 0:37:52 | |
but must be grateful for a profit. | 0:37:52 | 0:37:56 | |
That's the spirit. Now, watch out. | 0:37:56 | 0:37:58 | |
It's the giant-sized jawbone next. | 0:37:58 | 0:38:02 | |
£30. £30 online. | 0:38:02 | 0:38:04 | |
Where would you get another? £30 I'm only bid. | 0:38:04 | 0:38:07 | |
Where would you get the pair? At £30, £40, I'm bid. | 0:38:07 | 0:38:09 | |
At £40, I'm bid. Bids online at £40, I'm bid. | 0:38:09 | 0:38:12 | |
At £40, I'm bid. 45 on commission. | 0:38:12 | 0:38:14 | |
It's not the kind of thing that the room would buy, though, is it? | 0:38:14 | 0:38:17 | |
It was 45 on commission... | 0:38:17 | 0:38:19 | |
Anybody want it now? It's cheaper, that! | 0:38:19 | 0:38:21 | |
How can you value it, really? £45, I'm bid. | 0:38:21 | 0:38:23 | |
-All done. You happy enough with that at 45? -Oh. | 0:38:23 | 0:38:26 | |
-Oh! -45, then. | 0:38:26 | 0:38:27 | |
Ouch! That's taken a bite out of Christina's profit. | 0:38:27 | 0:38:32 | |
-That was great, you know. I loved that. -Well, me, too. | 0:38:32 | 0:38:35 | |
Sorry. | 0:38:35 | 0:38:37 | |
Dry your eyes, eh? | 0:38:39 | 0:38:41 | |
Mark's Home Guard practice rifle next. | 0:38:41 | 0:38:44 | |
It's great, because it's the right weight and I've never seen anything | 0:38:44 | 0:38:47 | |
-like it. -50, I'll take. | 0:38:47 | 0:38:49 | |
£30, I'm bid. Thank you. 30, I'm bid. Oh, 30. | 0:38:49 | 0:38:51 | |
At £30 here on the commission book at 30, I'm bid. | 0:38:51 | 0:38:55 | |
35 on commission. 40 on commission. 45, I'm bid. | 0:38:55 | 0:38:58 | |
-50, I'm bid. -Come on! | 0:38:58 | 0:39:00 | |
Five, 70. Five. | 0:39:00 | 0:39:04 | |
With you. 75, thank you. | 0:39:04 | 0:39:06 | |
-80, I'm bid. -In a Home Guard museum, it would be brilliant. | 0:39:06 | 0:39:09 | |
80, I'm bid. At £80. Commission bid at £80. | 0:39:09 | 0:39:12 | |
-Oh, magic! -At £80. | 0:39:12 | 0:39:14 | |
Anybody moving it along now, you sure? | 0:39:14 | 0:39:15 | |
At £80, it's sold at 80. | 0:39:15 | 0:39:17 | |
Great shot, Mark. Another profit. | 0:39:18 | 0:39:22 | |
-Well done. -Well, know, I'm relieved. | 0:39:22 | 0:39:24 | |
There's not much profit in it, Christina, | 0:39:24 | 0:39:26 | |
but it sort of justifies why you bought it. | 0:39:26 | 0:39:28 | |
-Exactly. -And somebody else appreciated it. | 0:39:28 | 0:39:31 | |
-Exactly. -Next up, Christina's Southampton bus route indicator. | 0:39:31 | 0:39:35 | |
It would look great in a hallway, wouldn't it? | 0:39:35 | 0:39:37 | |
-Yes. -Just on the wall. -Oh, amazing. | 0:39:37 | 0:39:39 | |
Particularly if you lived near Bassett Junction. | 0:39:39 | 0:39:41 | |
Exactly, or if you lived, near, you know, near Special! | 0:39:41 | 0:39:44 | |
-Well! -At £50, I'm bid. | 0:39:44 | 0:39:46 | |
Online at 50. And five in the room. | 0:39:46 | 0:39:48 | |
At 50, I'm bid. 55, I'm bid. 60, I'm bid. 65 in the room. | 0:39:48 | 0:39:52 | |
At 65, I'm bid. | 0:39:52 | 0:39:53 | |
A long way to go before I start make profit. | 0:39:53 | 0:39:55 | |
70, I'm bid. A £70 commission bid. | 0:39:55 | 0:39:58 | |
At £70. 75. | 0:39:58 | 0:40:02 | |
-Oh, in the room! -And 80, I'm bid. £80, I'm bid. Shakes his head. | 0:40:02 | 0:40:05 | |
And five. 85. | 0:40:05 | 0:40:06 | |
-Oh! -Oh! -85, bid's there. | 0:40:06 | 0:40:08 | |
At £85 I'm bid. 90, anywhere? At £85 and it's sold. | 0:40:08 | 0:40:13 | |
-Buyer 72. -Well... -It could have been a lot worse. | 0:40:13 | 0:40:15 | |
It could have been a lot worse! | 0:40:15 | 0:40:18 | |
Yeah, it's not your day, Christina. | 0:40:18 | 0:40:21 | |
Sort of story of my life. Missed the bus! | 0:40:21 | 0:40:25 | |
It was a gamble, but a buy that didn't pay. | 0:40:28 | 0:40:31 | |
Next, Mark's Edwardian candlesticks. | 0:40:31 | 0:40:33 | |
20 for the two. | 0:40:33 | 0:40:35 | |
20, I'm bid. Thank you. | 0:40:35 | 0:40:36 | |
Well, we've got 20. I've got my money back. | 0:40:36 | 0:40:39 | |
Who wants them now at £20 I'm bid? 20, 25 I'm bid. | 0:40:39 | 0:40:42 | |
30, I'm bid. 35, I'm bid. At £35, I'm bid. | 0:40:42 | 0:40:46 | |
-At £35, I'm bid. -That's all right, then. -£35! | 0:40:46 | 0:40:49 | |
At £35, I'm bid. | 0:40:49 | 0:40:51 | |
You're out. You're sure? At £35 and they go. | 0:40:51 | 0:40:54 | |
Well, it's a profit. | 0:40:54 | 0:40:56 | |
That's a profit on every lot today for Mark. | 0:40:56 | 0:40:59 | |
You're an absolute golden boy today, aren't you? | 0:40:59 | 0:41:03 | |
He liked that, Christina. It's the last lot now. | 0:41:03 | 0:41:06 | |
Christina's gentleman's valet. | 0:41:06 | 0:41:09 | |
This could claw you back, because I know they are fashionable. | 0:41:09 | 0:41:13 | |
£20, the lot. £20. | 0:41:13 | 0:41:15 | |
-Come on. -30. 35, 45. | 0:41:15 | 0:41:17 | |
-This is the internet. -Aw, Lordy! Look! -At £60 I'm bid. | 0:41:17 | 0:41:21 | |
-Oh! God, Christina! -At 65, I can't believe it! | 0:41:21 | 0:41:24 | |
-65. -£65! | 0:41:24 | 0:41:25 | |
At £65 I'm bid. | 0:41:25 | 0:41:26 | |
70, I'm bid. He goes on another five. | 0:41:26 | 0:41:28 | |
-Right, put the gavel down. -Yeah! | 0:41:28 | 0:41:30 | |
£70, I'm bid. | 0:41:30 | 0:41:32 | |
And five again! At 75, I'm bid. | 0:41:32 | 0:41:34 | |
At £75, I'm bid. | 0:41:34 | 0:41:36 | |
80 anyway now? At £75, right, we're sure? | 0:41:36 | 0:41:40 | |
Hammer's up at £75, and it's sold. | 0:41:40 | 0:41:42 | |
-Well done, you! -What a way to end, Christina! | 0:41:42 | 0:41:46 | |
It's the biggest profit of the day. | 0:41:46 | 0:41:48 | |
-Well, I'm blowed! -Right, we'll do some sums? | 0:41:48 | 0:41:51 | |
Oh, do we have to? I was quite happy till now! | 0:41:51 | 0:41:53 | |
-Oh, really? Shall we just go and sit in the sun! -Yeah. | 0:41:53 | 0:41:57 | |
Yeah! Let's find out who clinched victory today. | 0:41:57 | 0:42:01 | |
Christina began with £330.90. | 0:42:01 | 0:42:05 | |
And after auction costs, made a small loss of £36.30. | 0:42:05 | 0:42:11 | |
This gives Christina £294.60 to begin the penultimate leg. | 0:42:11 | 0:42:16 | |
Mark began with £273.90 | 0:42:18 | 0:42:23 | |
and made a profit of £35.40, | 0:42:23 | 0:42:25 | |
so Mark wins today and now takes the lead | 0:42:25 | 0:42:30 | |
with a grand total of £309.30. | 0:42:30 | 0:42:34 | |
Christina! | 0:42:34 | 0:42:35 | |
You've got £15 ahead of me, I think. | 0:42:35 | 0:42:37 | |
So it's still all to play for? | 0:42:37 | 0:42:39 | |
It's all to play for, darling, into the next leg. | 0:42:39 | 0:42:43 | |
-All righty! -Are you buckled up? -I am and ready to get going again. | 0:42:43 | 0:42:48 | |
-Or should I say, belt up? -Well, you do, regularly! | 0:42:48 | 0:42:52 | |
-Ready? -Yeah. -We're off. | 0:42:52 | 0:42:54 | |
Eh, cheerio, road trippers! | 0:42:54 | 0:42:57 | |
Next time on the Antiques Road Trip, Mark offers up a pearl of wisdom. | 0:42:57 | 0:43:02 | |
It could be worth thousands. It could be worth ten quid. | 0:43:02 | 0:43:05 | |
-Oh, my goodness! -And Christina invests in the exotic. | 0:43:05 | 0:43:09 | |
-I just bought a dragon. -As you do. | 0:43:09 | 0:43:12 |