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It's the nation's favourite antiques experts, with £200 each... | 0:00:02 | 0:00:04 | |
I want something shiny. | 0:00:04 | 0:00:06 | |
..a classic car and a goal, to scour Britain for antiques. | 0:00:06 | 0:00:10 | |
I like a rummage. | 0:00:10 | 0:00:11 | |
I can't resist. | 0:00:11 | 0:00:13 | |
The aim - to make the biggest profit at auction, | 0:00:13 | 0:00:15 | |
-but it's no mean feat. -Sorry. | 0:00:15 | 0:00:17 | |
Why do I always do this to myself? | 0:00:17 | 0:00:19 | |
-There'll be worthy winners... -Give us a kiss. | 0:00:19 | 0:00:21 | |
..and valiant losers. | 0:00:21 | 0:00:22 | |
Come on, stick them up. | 0:00:22 | 0:00:23 | |
So, will it be the high road to glory... | 0:00:23 | 0:00:25 | |
Onwards and upwards. | 0:00:25 | 0:00:26 | |
..or the slow road to disaster? | 0:00:26 | 0:00:28 | |
Take me home. | 0:00:28 | 0:00:29 | |
This is Antiques Road Trip. | 0:00:29 | 0:00:31 | |
Yeah! | 0:00:34 | 0:00:35 | |
Today, we roar into the second instalment of | 0:00:40 | 0:00:43 | |
our road trip extravaganza | 0:00:43 | 0:00:45 | |
with auctioneer Christina Trevanion and dealer Mark Stacey. | 0:00:45 | 0:00:49 | |
That sun feels like May. | 0:00:50 | 0:00:51 | |
-In my world... -I'm under a cloud. | 0:00:51 | 0:00:53 | |
-No, you're not. -Yes, I am. | 0:00:53 | 0:00:55 | |
-No, you're not. -And that cloud is Christina Trevanion. | 0:00:55 | 0:00:57 | |
Oh, dear. | 0:00:57 | 0:00:59 | |
On the first leg, a chocolate display cabinet | 0:00:59 | 0:01:02 | |
launched Christina into lead position. | 0:01:02 | 0:01:05 | |
Remember that cabinet? | 0:01:05 | 0:01:06 | |
-Yeah, I do. -Do you remember how much money I made on it? | 0:01:06 | 0:01:09 | |
-I do, £102. -Was it? Was it? | 0:01:09 | 0:01:11 | |
Yeah, £102. | 0:01:11 | 0:01:13 | |
-People will hate you for this. -That was good, wasn't it? | 0:01:13 | 0:01:15 | |
Blimey! Thankfully, Mark's a wonderful sport, really. | 0:01:17 | 0:01:22 | |
Well, you did very well at that auction. | 0:01:22 | 0:01:23 | |
I'm very, very happy for you. | 0:01:23 | 0:01:26 | |
Can you say it again with meaning, please? | 0:01:26 | 0:01:28 | |
That'll be the day! | 0:01:28 | 0:01:30 | |
From his original £200, Mark's got £234.60 for his back pocket. | 0:01:31 | 0:01:37 | |
Christina also began with £200, | 0:01:40 | 0:01:42 | |
but she's way out in front with £295.20 weighing down her handbag. | 0:01:42 | 0:01:49 | |
And this 1977 Alfa Romeo Spider is the fruity chariot of choice. | 0:01:49 | 0:01:55 | |
They are gorgeous, those. | 0:01:55 | 0:01:56 | |
-Yeah, she's brilliant - going like a dream. -She's very smooth. | 0:01:56 | 0:01:59 | |
-Very smooth. -And it's nice and lush here - | 0:01:59 | 0:02:00 | |
-nice country lanes, beautiful countryside. -Yeah, great. | 0:02:00 | 0:02:03 | |
You keep touching my knee! | 0:02:03 | 0:02:05 | |
Well, I can't help myself. | 0:02:05 | 0:02:06 | |
It just happens. | 0:02:06 | 0:02:08 | |
Believe that if you might. | 0:02:08 | 0:02:10 | |
Christina and Mark began in West Sussex, | 0:02:15 | 0:02:18 | |
jollied their way north as far as Merseyside, | 0:02:18 | 0:02:21 | |
and have auctions in Cheshire, Gloucestershire | 0:02:21 | 0:02:23 | |
and Manchester to come. | 0:02:23 | 0:02:24 | |
They will conclude their adventure in Bolton. | 0:02:24 | 0:02:26 | |
Today, we're bound for the Cotswolds, | 0:02:28 | 0:02:30 | |
kicking off in the town of Winchcombe in Gloucestershire, | 0:02:30 | 0:02:33 | |
and we'll auction in the Cheshire town of Knutsford - | 0:02:33 | 0:02:36 | |
Gaskell country. | 0:02:36 | 0:02:37 | |
Oh, Christina, thank you so much. | 0:02:37 | 0:02:40 | |
-Now is your chance to redeem... -You were very gentle with me. | 0:02:40 | 0:02:43 | |
As always. Right. | 0:02:43 | 0:02:45 | |
Well, as always! Are we going to have to have a race into the shop? | 0:02:45 | 0:02:47 | |
There's no competition. Bye. | 0:02:47 | 0:02:49 | |
Gosh, it's very low down there, isn't it? | 0:02:49 | 0:02:51 | |
Oi, come back! | 0:02:51 | 0:02:52 | |
Hey! Danger ahead! | 0:02:52 | 0:02:54 | |
They're sharing a shop. Oh, no! | 0:02:54 | 0:02:56 | |
CHRISTINA LAUGHS | 0:02:58 | 0:03:00 | |
Oi! | 0:03:00 | 0:03:02 | |
Oh, sorry, were you behind me? I didn't see you there. | 0:03:02 | 0:03:04 | |
-I'm sure you didn't(!) -I just thought it was a bit draughty. | 0:03:04 | 0:03:06 | |
-Hello. -Hello. -Hi. | 0:03:06 | 0:03:08 | |
Watch it, you two - | 0:03:09 | 0:03:10 | |
Richard is the dealer in charge of Winchcombe Antiques Centre. | 0:03:10 | 0:03:14 | |
There are two floors packed with wares here, | 0:03:14 | 0:03:17 | |
and good luck with these two. | 0:03:17 | 0:03:18 | |
There's tonnes of stuff. It's wonderful. | 0:03:24 | 0:03:28 | |
I'm quite optimistic that I'm going to find things here. | 0:03:28 | 0:03:31 | |
What I'm going to find, of course, is another thing. | 0:03:32 | 0:03:35 | |
Never a truer word said, Mark. | 0:03:35 | 0:03:37 | |
Oh, gosh. I thought somebody was looking at me, then. | 0:03:37 | 0:03:41 | |
It's an antelope's head or a deer's head. | 0:03:41 | 0:03:44 | |
£75? I think that's a bit too DEER. | 0:03:44 | 0:03:46 | |
Oh, dear. Oh, dear! | 0:03:46 | 0:03:49 | |
Now, who's this little chap? | 0:03:53 | 0:03:55 | |
He's obviously a sort of admiral or something, | 0:03:56 | 0:03:58 | |
and he's got his hands in his pockets, there. | 0:03:58 | 0:04:00 | |
He's got his binoculars, | 0:04:00 | 0:04:02 | |
and I think this is Russian. | 0:04:02 | 0:04:05 | |
I love this because it's obviously hand-painted. | 0:04:05 | 0:04:07 | |
You've got these lovely vivid blues, | 0:04:07 | 0:04:09 | |
and I think he looks a bit like... | 0:04:09 | 0:04:12 | |
George V or Tsar Nicholas II. | 0:04:12 | 0:04:14 | |
He doesn't look very old, Mark. | 0:04:15 | 0:04:17 | |
How much does he cost? | 0:04:17 | 0:04:19 | |
And it's only priced up at £20. | 0:04:19 | 0:04:20 | |
Mark sounds keen. What's Christina up to? | 0:04:22 | 0:04:26 | |
Eastern throwing spear. | 0:04:26 | 0:04:28 | |
It might be quite useful to keep in the car. | 0:04:28 | 0:04:31 | |
Christina, focus, please. | 0:04:32 | 0:04:35 | |
That's quite nice. | 0:04:35 | 0:04:36 | |
That's really sweet, isn't it? | 0:04:38 | 0:04:40 | |
A little porcupine quill box. It's really quite unusual. | 0:04:40 | 0:04:43 | |
It's not the sort of thing that we do, now, | 0:04:43 | 0:04:44 | |
is using porcupine quills, but they did. | 0:04:44 | 0:04:46 | |
It was quite exotic. | 0:04:46 | 0:04:47 | |
So, we've got porcupine quills set into the box, | 0:04:47 | 0:04:50 | |
and then what looks like ebony and possibly ivory inlaid. | 0:04:50 | 0:04:55 | |
Ivory can only be traded if it predates the 1947 CITES agreement, | 0:04:55 | 0:05:01 | |
and this box is well over 100 years old. | 0:05:01 | 0:05:05 | |
It's quite fun. Sort of Anglo-Indian, isn't it? | 0:05:05 | 0:05:07 | |
It's lovely. | 0:05:07 | 0:05:08 | |
It's priced at £29. | 0:05:08 | 0:05:11 | |
Ooh, we have a visitor. | 0:05:11 | 0:05:12 | |
-Have you bought anything? -I'm thinking. | 0:05:13 | 0:05:15 | |
-Thinking? -Yeah. -I thought I could smell something. | 0:05:15 | 0:05:17 | |
Yeah, well, I've thunked out, I reckon. Good. | 0:05:17 | 0:05:19 | |
-OK, well, thunk away. -All right, I will. | 0:05:19 | 0:05:21 | |
-I'll see you later. -Yeah, bye, darling. | 0:05:21 | 0:05:24 | |
It doesn't take long for Mark to thunk about something else. | 0:05:25 | 0:05:28 | |
What's this? | 0:05:28 | 0:05:30 | |
Now, this is... Oh, ah... | 0:05:30 | 0:05:32 | |
No, it's got something inside it, which is a good sign, | 0:05:32 | 0:05:34 | |
because you can see this is a chess or draughts board, | 0:05:34 | 0:05:38 | |
and it's made of various woods. | 0:05:38 | 0:05:40 | |
And, actually, the box itself looks sort of late 19th-century, | 0:05:40 | 0:05:44 | |
and then inside we've got the chess pieces, which aren't 19th-century. | 0:05:44 | 0:05:50 | |
Ha! | 0:05:50 | 0:05:51 | |
But they're rather amusing, actually, cos rather than the usual | 0:05:51 | 0:05:55 | |
pawns and rooks and castles and the king and the queen, | 0:05:55 | 0:05:58 | |
these are made up of various animals. | 0:05:58 | 0:06:01 | |
There's a little rhino, there. | 0:06:01 | 0:06:03 | |
He might be the castle. | 0:06:03 | 0:06:05 | |
And it looks like it's all intact. | 0:06:05 | 0:06:08 | |
And the price is... | 0:06:10 | 0:06:12 | |
£29. | 0:06:12 | 0:06:14 | |
Let's call upon Richard to talk about money. | 0:06:15 | 0:06:18 | |
-It's got 29 on it, as a price. -Uh-huh. Yeah. | 0:06:18 | 0:06:22 | |
Can you do me something better than that? | 0:06:22 | 0:06:24 | |
-What are you thinking? -Well, I... I'm going to be very mean. | 0:06:24 | 0:06:27 | |
-That's all right, I might say no. -Shall I be very mean? | 0:06:27 | 0:06:30 | |
Well, I'm sure you will. I was, sort of, thinking about 15. | 0:06:30 | 0:06:33 | |
OK. Well, I was thinking 20. | 0:06:33 | 0:06:35 | |
-20? -Yeah. | 0:06:35 | 0:06:36 | |
So, if we settle for 18, could we shake hands? | 0:06:36 | 0:06:38 | |
-Thank you very much. -No problem at all. | 0:06:40 | 0:06:42 | |
I think that's a nice set for auction, actually. | 0:06:42 | 0:06:44 | |
It is, yeah. | 0:06:44 | 0:06:45 | |
Wonderful. That's one deal in the old bag | 0:06:45 | 0:06:47 | |
and Richard now has Christina to deal with. Stand by. | 0:06:47 | 0:06:50 | |
What could that be? | 0:06:50 | 0:06:52 | |
Remember, the porcupine quill and ivory box is priced at £29. | 0:06:52 | 0:06:56 | |
All right, the very best is 20. | 0:06:56 | 0:06:58 | |
-£20? -Yeah, yeah. | 0:06:58 | 0:06:59 | |
I like it, and it doesn't massively excite... | 0:06:59 | 0:07:01 | |
-I'm not haggling, but... -Yes? | 0:07:01 | 0:07:03 | |
..is there any chance it could be 15? | 0:07:03 | 0:07:06 | |
-No. -Oh... | 0:07:06 | 0:07:07 | |
What could be the absolute best on...on the... | 0:07:07 | 0:07:10 | |
broken box? | 0:07:10 | 0:07:11 | |
CHRISTINA LAUGHS | 0:07:11 | 0:07:13 | |
You'd better buy it, now. | 0:07:13 | 0:07:15 | |
-Oops. -At least... -What could be the absolute, absolute best? | 0:07:15 | 0:07:19 | |
Well, you know, a third off's pretty good. | 0:07:19 | 0:07:21 | |
-It is. -Yeah. | 0:07:21 | 0:07:23 | |
It's very good. | 0:07:23 | 0:07:25 | |
Could it be any better? | 0:07:25 | 0:07:27 | |
-18. -18? | 0:07:27 | 0:07:28 | |
OK, fair enough. | 0:07:28 | 0:07:30 | |
OK, £18... | 0:07:30 | 0:07:33 | |
-for a slightly now dented porcupine quill box. -A slightly damaged box. | 0:07:33 | 0:07:36 | |
-Yeah. -Thanks. -No worries. | 0:07:36 | 0:07:38 | |
-That's all right. Pleasure, good luck. -Brilliant. | 0:07:38 | 0:07:40 | |
The porcupine quill and ivory box with an £11 discount. Nice. | 0:07:40 | 0:07:45 | |
Mark's still mooching about, so stand by. | 0:07:45 | 0:07:49 | |
Richard, I caught you, there. | 0:07:49 | 0:07:50 | |
-Yes? -I've been admiring this little box and cover. | 0:07:50 | 0:07:53 | |
-It's not very old, is it? -No, interesting, though. | 0:07:53 | 0:07:55 | |
It's interesting, and all hand-painted, | 0:07:55 | 0:07:57 | |
and it is signed on the bottom. | 0:07:57 | 0:07:58 | |
And I'm trying to convince myself that this might be | 0:07:58 | 0:08:02 | |
-George V or Nicholas II of Russia... -OK, Yeah? | 0:08:02 | 0:08:05 | |
..cos they were seen in sailor costumes a lot. | 0:08:05 | 0:08:08 | |
That's true. | 0:08:08 | 0:08:09 | |
And it's marked up at £20. It's a throwaway item, really. | 0:08:09 | 0:08:12 | |
Erm... | 0:08:12 | 0:08:13 | |
I mean, is there any wiggle room on that? | 0:08:13 | 0:08:15 | |
Very small, I'm afraid. It's not mine. | 0:08:15 | 0:08:17 | |
-It's one of your dealer's? -It is, yeah, | 0:08:17 | 0:08:19 | |
so she only lets me do 10%. | 0:08:19 | 0:08:20 | |
-So I can have it for 18? -Yeah. | 0:08:20 | 0:08:23 | |
Well, I think it's different | 0:08:23 | 0:08:24 | |
and it's going to shine out at the auction | 0:08:24 | 0:08:26 | |
so I'm going to buy it for 18. | 0:08:26 | 0:08:28 | |
-No problem. -Thank you very much indeed, Richard. -Pleasure. | 0:08:28 | 0:08:31 | |
Mark's spent a total of £36 on the Russian canister | 0:08:31 | 0:08:33 | |
and the chess set. | 0:08:33 | 0:08:35 | |
Meanwhile, Christina is back behind the wheel of the Alfa. | 0:08:38 | 0:08:42 | |
I don't think Mark's a very touchy-feely person, | 0:08:42 | 0:08:44 | |
and I just do it, it just happens, | 0:08:44 | 0:08:46 | |
and I think he gets quite cross with me. | 0:08:46 | 0:08:48 | |
Just ignore him! | 0:08:48 | 0:08:50 | |
Christina's zipped her way to the city of Gloucester. | 0:08:52 | 0:08:55 | |
It's here that the fearless Gloucestershire Regiment, | 0:08:55 | 0:08:59 | |
or Glorious Glosters, was formed in 1881. | 0:08:59 | 0:09:01 | |
With more battle honours on their regimental colours than any other | 0:09:01 | 0:09:05 | |
British Lion Regiment, the levels of excellence were outstanding | 0:09:05 | 0:09:09 | |
and thus spawned many heroes. | 0:09:09 | 0:09:12 | |
One such hero was the valiant Sir Adrian Carton de Wiart - | 0:09:12 | 0:09:17 | |
a true example of honour and courage, | 0:09:17 | 0:09:20 | |
he proved invincible while serving in the Boer War, | 0:09:20 | 0:09:23 | |
the First World War and the Second World War. | 0:09:23 | 0:09:26 | |
Christina is meeting with the museum director of | 0:09:26 | 0:09:28 | |
the Soldiers Of Gloucestershire, Chris Chatterton, | 0:09:28 | 0:09:32 | |
to find out more about this exemplary officer. | 0:09:32 | 0:09:35 | |
By the time we get to the First World War, | 0:09:36 | 0:09:37 | |
he gets shot in the face and loses his eye, | 0:09:37 | 0:09:41 | |
which most of us would think is... | 0:09:41 | 0:09:43 | |
you've done your duty, you don't need to serve, but not De Wiart. | 0:09:43 | 0:09:46 | |
He was one of these chaps who wanted to get back | 0:09:46 | 0:09:49 | |
and into the thick of things. | 0:09:49 | 0:09:50 | |
So, by wearing a glass eye, | 0:09:50 | 0:09:52 | |
he managed to persuade the board to allow him back to the front. | 0:09:52 | 0:09:54 | |
Surviving life-threatening wounds, De Wiart also had his arm amputated, | 0:09:54 | 0:09:59 | |
but this didn't stop him from serving. | 0:09:59 | 0:10:02 | |
In June of 1916, | 0:10:02 | 0:10:04 | |
-he's appointed as the commanding officer of the 8th Glosters. -Right. | 0:10:04 | 0:10:07 | |
And this is in the immediate build-up to the Battle of the Somme, | 0:10:07 | 0:10:09 | |
and they're ordered to attack an area called La Boisselle, | 0:10:09 | 0:10:12 | |
and so De Wiart, one-armed and one-eyed, | 0:10:12 | 0:10:15 | |
where his weapons are a bag of grenades, | 0:10:15 | 0:10:17 | |
which he uses by pulling the pins out with his teeth... | 0:10:17 | 0:10:20 | |
They attack over the top, and they move forward. | 0:10:20 | 0:10:24 | |
Three battalions joined the Glosters in their fearless attack | 0:10:24 | 0:10:28 | |
in No Man's Land, | 0:10:28 | 0:10:29 | |
but, within seconds, all three commanding officers are killed. | 0:10:29 | 0:10:33 | |
De Wiart assumes control of all four battalions. | 0:10:33 | 0:10:36 | |
So he leads them forward. | 0:10:36 | 0:10:38 | |
The Germans launch a massed counterattack to | 0:10:38 | 0:10:40 | |
try and take the trenches back, | 0:10:40 | 0:10:41 | |
and De Wiart, just through an astonishing feat of bravery, | 0:10:41 | 0:10:44 | |
moving up and down the line, controlling all of this, | 0:10:44 | 0:10:47 | |
and they achieve their objective. | 0:10:47 | 0:10:49 | |
In the Battle of the Somme, | 0:10:49 | 0:10:50 | |
more than one million men were wounded or killed. | 0:10:50 | 0:10:52 | |
The sheer magnitude of De Wiart's courage ensured he was the recipient | 0:10:54 | 0:10:59 | |
of the ultimate accolade for valour, the Victoria Cross. | 0:10:59 | 0:11:03 | |
This is the original medal group of Carton de Wiart. | 0:11:03 | 0:11:06 | |
And that one is the one that's shouting at me. | 0:11:06 | 0:11:08 | |
That's the VC, isn't it? | 0:11:08 | 0:11:09 | |
I've never seen a Victoria Cross or a VC that's not behind glass before. | 0:11:09 | 0:11:14 | |
-No. -So this is a first for me. That's amazing. | 0:11:14 | 0:11:18 | |
Although Adrian Carton de Wiart was awarded the highest honour one can | 0:11:18 | 0:11:23 | |
receive for bravery, he was very humble about his achievement. | 0:11:23 | 0:11:27 | |
Whenever he was asked about the VC, he always says it wasn't won by him, | 0:11:27 | 0:11:30 | |
it was won by the magnificent men of the 8th Glosters... | 0:11:30 | 0:11:34 | |
-Really? -..and the bravery that they showed, | 0:11:34 | 0:11:36 | |
and he consistently said that all the way through his life. | 0:11:36 | 0:11:39 | |
By the time the Second World War arrives, De Wiart's in his 60s. | 0:11:39 | 0:11:43 | |
So he's, what, desk job in the Second World War? | 0:11:43 | 0:11:45 | |
Absolutely not. Do you imagine that this man is going to | 0:11:45 | 0:11:48 | |
-have a desk job?! -That's not his style, is it? | 0:11:48 | 0:11:50 | |
No! He's quite good friends with Churchill, | 0:11:50 | 0:11:52 | |
so Churchill sends him to Yugoslavia | 0:11:52 | 0:11:54 | |
to be the head of the military mission. | 0:11:54 | 0:11:55 | |
And as he's flying over the Mediterranean, | 0:11:55 | 0:11:57 | |
unfortunately, his plane crashes. | 0:11:57 | 0:12:00 | |
-So he survives the plane crash but... -No, he doesn't! | 0:12:00 | 0:12:02 | |
Oh, he absolutely does! | 0:12:02 | 0:12:03 | |
De Wiart becomes a prisoner of war in Italy, | 0:12:03 | 0:12:06 | |
and despite attempting an escape, he sees out the war imprisoned, | 0:12:06 | 0:12:11 | |
and is only freed as part of the Armistice Agreement. | 0:12:11 | 0:12:14 | |
Even just small sections of his life, | 0:12:14 | 0:12:16 | |
you could make whole films about, couldn't you? | 0:12:16 | 0:12:18 | |
I mean, he sounds like a movie character. | 0:12:18 | 0:12:20 | |
The problem is, his story is so extraordinary, | 0:12:20 | 0:12:23 | |
who would believe that all of this could happen to just one person | 0:12:23 | 0:12:25 | |
in one lifetime? I mean, it is genuinely remarkable. | 0:12:25 | 0:12:28 | |
It really is. It's been so fascinating learning about him. | 0:12:28 | 0:12:30 | |
Thank you so much, Chris. | 0:12:30 | 0:12:31 | |
-No, thank you. -It's been an absolute joy. | 0:12:31 | 0:12:34 | |
Lieutenant General Adrian Carton de Wiart remains | 0:12:34 | 0:12:38 | |
a paragon of military excellence. | 0:12:38 | 0:12:41 | |
And would you believe it? | 0:12:41 | 0:12:42 | |
The daredevil thrill-seeker swapped his swashbuckling lifestyle for | 0:12:42 | 0:12:47 | |
peaceful retirement, salmon fishing in County Cork, | 0:12:47 | 0:12:51 | |
where he died at the age of 83. | 0:12:51 | 0:12:54 | |
Mark's made his way to the beautiful Gloucestershire village of | 0:12:56 | 0:13:00 | |
Bourton-on-the-Water. | 0:13:00 | 0:13:01 | |
It's dubbed the Little Venice of the Cotswolds, | 0:13:02 | 0:13:06 | |
because of its elegant walking bridges. | 0:13:06 | 0:13:09 | |
Nice bunting - they must have known you were coming, Mark! | 0:13:09 | 0:13:11 | |
It's like a royal visit. | 0:13:11 | 0:13:14 | |
Also, a hot spot for tourists. | 0:13:14 | 0:13:16 | |
What can our Roadtripper find in here? | 0:13:16 | 0:13:18 | |
-Hello, I'm Mark. -Hello. Hi, Andrew. No, I'm Andrew. | 0:13:19 | 0:13:22 | |
Nice to meet you, Andrew. | 0:13:22 | 0:13:23 | |
This is an amazing village. | 0:13:23 | 0:13:24 | |
You get so much tourism. | 0:13:24 | 0:13:26 | |
I mean, how many people on an average day? | 0:13:26 | 0:13:27 | |
On a bank holiday weekend like this, probably 3,000-5,000. | 0:13:28 | 0:13:32 | |
Wow! Gosh. | 0:13:32 | 0:13:34 | |
No wonder you're smiling, all that money you're taking! | 0:13:34 | 0:13:36 | |
5,000? | 0:13:36 | 0:13:37 | |
Ha! I hope there's something left for you, Mark! | 0:13:37 | 0:13:40 | |
What's this he's rooted out, then? | 0:13:45 | 0:13:47 | |
Now, this is rather interesting. | 0:13:49 | 0:13:51 | |
This is Edwardian or late Victorian, and it's a sort of travelling set, | 0:13:51 | 0:13:55 | |
or even, you could if you wanted to be more artistic, | 0:13:55 | 0:13:58 | |
call it a campaign set. | 0:13:58 | 0:14:00 | |
And in here, we've got a little tin case, | 0:14:00 | 0:14:05 | |
and then you pull out, and you've got... | 0:14:05 | 0:14:07 | |
your own travelling fork. | 0:14:07 | 0:14:09 | |
The handles, I think, are made of bone. | 0:14:10 | 0:14:13 | |
You have a spoon there, of course. | 0:14:14 | 0:14:16 | |
So that could be used as your knife as well. | 0:14:17 | 0:14:19 | |
There is a couple of bits missing. | 0:14:19 | 0:14:21 | |
And we've also got a little spice rack there - | 0:14:21 | 0:14:24 | |
I suppose you'd keep your salt and pepper or something in it. | 0:14:24 | 0:14:27 | |
In the late 19th century, when travelling by rail was all the rage, | 0:14:27 | 0:14:31 | |
this proved to be a very popular, practical little item. | 0:14:31 | 0:14:34 | |
And it does have the leather cover, | 0:14:35 | 0:14:39 | |
and these sort of things do appeal to various collectors, | 0:14:39 | 0:14:43 | |
and I think that's quite a nice item. | 0:14:43 | 0:14:44 | |
The other thing about it is, | 0:14:44 | 0:14:47 | |
if I show you the price, | 0:14:47 | 0:14:49 | |
it's £34. | 0:14:49 | 0:14:51 | |
Andrew, where are you? | 0:14:51 | 0:14:52 | |
-Andy. -You've found something. -Now, you've got a lovely shop here. | 0:14:54 | 0:14:57 | |
-I did find this. -That's lovely, that is. | 0:14:57 | 0:14:59 | |
-It's great fun, isn't it? -Yeah. -It's missing, of course, a few pieces. | 0:14:59 | 0:15:02 | |
-A few pieces. -And there's a little bit of, I think it was a... | 0:15:02 | 0:15:06 | |
That's the cup, to drink from. | 0:15:06 | 0:15:07 | |
Ah. I was hoping you didn't notice that! | 0:15:07 | 0:15:11 | |
Erm... | 0:15:11 | 0:15:13 | |
Can you do a very, very special price? | 0:15:13 | 0:15:14 | |
A very special price? | 0:15:14 | 0:15:17 | |
What've we got? That's a really good price now, isn't it? | 0:15:17 | 0:15:20 | |
Erm... | 0:15:20 | 0:15:21 | |
There's money to be made on that, easily. Erm... | 0:15:21 | 0:15:23 | |
At auction, remember. | 0:15:23 | 0:15:25 | |
Erm... | 0:15:25 | 0:15:26 | |
£28 is probably the lowest. | 0:15:27 | 0:15:29 | |
Oh, £28? Andrew! | 0:15:29 | 0:15:31 | |
Can't you do it for... | 0:15:31 | 0:15:33 | |
-£20? -I was going to say £20. | 0:15:33 | 0:15:34 | |
-Are you happy at £20? -I'm happy at £20. -Now... | 0:15:34 | 0:15:36 | |
-Deal? -Deal. | 0:15:36 | 0:15:38 | |
And there's some money. | 0:15:38 | 0:15:40 | |
-That was short but sweet! -Thank you very much. Take care. | 0:15:40 | 0:15:42 | |
£20 for the late 19th-century campaign cutlery set. | 0:15:42 | 0:15:46 | |
Time to call it a day, and break for a nice bit of shuteye. | 0:15:46 | 0:15:50 | |
Nighty-night! | 0:15:50 | 0:15:51 | |
It's morning. | 0:15:56 | 0:15:58 | |
It's damp, but there's a whole load of love in the Alfa! | 0:15:58 | 0:16:01 | |
# You're just too good to be true... # | 0:16:01 | 0:16:04 | |
Oh, God! | 0:16:04 | 0:16:05 | |
# Can't take my eyes off of you... # | 0:16:05 | 0:16:08 | |
Please try! | 0:16:08 | 0:16:09 | |
# You'd feel like heaven to touch... # | 0:16:09 | 0:16:12 | |
No, I really wouldn't! | 0:16:12 | 0:16:13 | |
# Oh, I want to hold you so much! # | 0:16:13 | 0:16:15 | |
Yeah, thank you. | 0:16:15 | 0:16:16 | |
She's quite a good singer, | 0:16:16 | 0:16:18 | |
but she's picked the wrong bloke! | 0:16:18 | 0:16:21 | |
Here's what they've bought so far. | 0:16:21 | 0:16:23 | |
Mark has three lots - | 0:16:23 | 0:16:24 | |
the Russian canister, | 0:16:24 | 0:16:26 | |
the chess set and the late 19th-century campaign cutlery set. | 0:16:26 | 0:16:29 | |
Mark has £178.60 for the lovely day ahead. | 0:16:29 | 0:16:35 | |
As for Christina, well, she's only got one item, | 0:16:35 | 0:16:38 | |
the porcupine quill and ivory box, which she dropped, | 0:16:38 | 0:16:42 | |
and that leaves her an ample £277.20 to spend. | 0:16:42 | 0:16:46 | |
We'll catch up with Mark later, | 0:16:49 | 0:16:51 | |
as Christina's travelled to the town of Tetbury in Gloucestershire. | 0:16:51 | 0:16:54 | |
Prince Charles has a regular visit to this pretty town, | 0:16:55 | 0:16:59 | |
and our own princess is no stranger either. | 0:16:59 | 0:17:02 | |
Christina's shopped here before, | 0:17:03 | 0:17:04 | |
so dealer Julian knows what he's dealing with, and he'll stand by. | 0:17:04 | 0:17:08 | |
-Oh, hello! -Julian! -It's lovely to see you again. | 0:17:08 | 0:17:10 | |
How are you? Are you well? | 0:17:10 | 0:17:11 | |
-Yes, I'm brilliant, thank you. -Good. Good to see you! | 0:17:11 | 0:17:14 | |
Oh! | 0:17:22 | 0:17:24 | |
That looks nice! | 0:17:24 | 0:17:25 | |
"Wills's Gold Flake, the world's most famous cigarette." | 0:17:26 | 0:17:29 | |
I mean, obviously controversial, now, because of smoking | 0:17:29 | 0:17:32 | |
and all that sort of thing, | 0:17:32 | 0:17:33 | |
but enamel advertising signs are really popular, aren't they? | 0:17:33 | 0:17:37 | |
Absolutely, and I think smoking is part of history. | 0:17:37 | 0:17:39 | |
It's almost as though it's a fashion that's come and gone. | 0:17:39 | 0:17:41 | |
You know, if you think of all the sort of glamorous movie stars | 0:17:41 | 0:17:45 | |
-in the '30s with their great big cigarette holders and stuff. -Yeah. | 0:17:45 | 0:17:48 | |
-Exactly. -Yeah. | 0:17:48 | 0:17:49 | |
And, I think, literally, advertising is a part of history | 0:17:49 | 0:17:52 | |
and that's, you know, that's it, I think, you know. | 0:17:52 | 0:17:55 | |
And this is an original sign, | 0:17:55 | 0:17:56 | |
but how much do you want for it, Julian? | 0:17:56 | 0:17:59 | |
-£150. -What could you do on that, Julian? | 0:17:59 | 0:18:01 | |
-Of course. -It's got to be your very best price. | 0:18:01 | 0:18:03 | |
-Just a one-hit wonder. -Yeah. | 0:18:03 | 0:18:04 | |
I reckon 100 quid. | 0:18:04 | 0:18:06 | |
-Really? -Mmm. Just as a warmer, to get you started. | 0:18:06 | 0:18:09 | |
-Ooh, you're a tease! -Mmm, mmm. | 0:18:09 | 0:18:12 | |
I like that. | 0:18:12 | 0:18:13 | |
While things are bubbling away nicely with Christina, | 0:18:13 | 0:18:16 | |
where's our man Mark? | 0:18:16 | 0:18:18 | |
The town of Stroud in Gloucestershire, that's where. | 0:18:18 | 0:18:21 | |
It's here that the inventor of the lawnmower was born - fancy that! | 0:18:21 | 0:18:25 | |
And Mark's next stop, this antiques emporium, looks interesting. | 0:18:25 | 0:18:29 | |
Oh, an Airstream! | 0:18:29 | 0:18:31 | |
Well, interesting word, "interesting". | 0:18:31 | 0:18:35 | |
-Hello. I'm Mark. -Hello, I'm Sarah. | 0:18:35 | 0:18:37 | |
-Nice to meet you, Sarah. -And you. | 0:18:37 | 0:18:39 | |
-Gosh, you've got a lot of stuff here! -I know, isn't it wonderful? | 0:18:39 | 0:18:41 | |
It is. I'd better start rummaging. | 0:18:41 | 0:18:43 | |
What's going on here, then? | 0:18:48 | 0:18:50 | |
Now, they don't look very comfortable, | 0:18:50 | 0:18:53 | |
but you'll be surprised. | 0:18:53 | 0:18:55 | |
-It rather is. -Oh, it suits you! -Hello, Sarah. | 0:18:55 | 0:18:57 | |
-Oh, that suits you. -It suits me, does it? | 0:18:57 | 0:18:58 | |
I've found this, Mark - I thought you might be interested in this. | 0:18:58 | 0:19:01 | |
-This is a Nottingham lace bedspread. -Oh, God! | 0:19:01 | 0:19:04 | |
Now, I know nothing about lace, Sarah. | 0:19:04 | 0:19:06 | |
How do you know it's Nottingham? | 0:19:06 | 0:19:08 | |
Because it says so on the ticket! | 0:19:08 | 0:19:11 | |
Well, at least you're honest! | 0:19:11 | 0:19:12 | |
Well, I have to be honest. | 0:19:12 | 0:19:14 | |
During the days of the British Empire, | 0:19:15 | 0:19:17 | |
Nottingham was a world leader in lacemaking. | 0:19:17 | 0:19:20 | |
So, what does that date from, the 1920s or something? | 0:19:20 | 0:19:23 | |
I would say... | 0:19:23 | 0:19:25 | |
No, I would say a little bit later than that. | 0:19:25 | 0:19:28 | |
It's a sort of '50s, '60s one. | 0:19:28 | 0:19:32 | |
-Well, actually, that's quite pretty, though. -It is, isn't it? | 0:19:32 | 0:19:35 | |
How much is it? | 0:19:35 | 0:19:37 | |
-£10 to you. -£10? | 0:19:37 | 0:19:38 | |
-Yes. -Do you know, you've got my... You've got me thinking. | 0:19:38 | 0:19:41 | |
I've never bought a piece of lace, but for £10... | 0:19:41 | 0:19:44 | |
Do carry it around with you for a while. | 0:19:44 | 0:19:45 | |
£10. I will, I'll carry it around. | 0:19:45 | 0:19:47 | |
-Sarah, thank you. -It's a pleasure. | 0:19:47 | 0:19:49 | |
£10, that's got to be cheap, hasn't it? | 0:19:49 | 0:19:52 | |
I don't know. | 0:19:52 | 0:19:54 | |
£10... | 0:19:54 | 0:19:56 | |
£10? | 0:19:56 | 0:19:58 | |
Sounds cheap to me, Mark. | 0:19:58 | 0:19:59 | |
Now, Christina, what are you up to? | 0:19:59 | 0:20:01 | |
-Well, that's nice. -It's another angle for the auction, isn't it? | 0:20:01 | 0:20:04 | |
-Yeah. And that is useful today, cutlery tray. -Absolutely. | 0:20:04 | 0:20:07 | |
Absolutely. Do you know what this would be best for of all? | 0:20:07 | 0:20:09 | |
You see, this is where you're missing a trick. | 0:20:09 | 0:20:11 | |
-Oh. -Bottles of wine. Absolutely perfect. | 0:20:11 | 0:20:14 | |
-I like your style. -You've got a couple of bottles of wine, | 0:20:14 | 0:20:17 | |
a few in the middle, fantastic. | 0:20:17 | 0:20:19 | |
-I think I love that. What have you got on that? -Yes, it's a good lot. | 0:20:19 | 0:20:21 | |
I think... I'll cunningly retrieve it from here. | 0:20:21 | 0:20:24 | |
Oh, did it fall on the floor? | 0:20:24 | 0:20:26 | |
-A mere £48. -Damn, you've found it! | 0:20:26 | 0:20:27 | |
But I reckon, to you, £35. | 0:20:27 | 0:20:30 | |
£35, OK. | 0:20:30 | 0:20:32 | |
What's that, about 1830? | 0:20:32 | 0:20:33 | |
-Yes, 1820, 1830, maybe. -1820, 1830... | 0:20:33 | 0:20:36 | |
If somebody was to invest some elbow grease in that, | 0:20:36 | 0:20:39 | |
-it could actually be a lovely thing, couldn't it? -Absolutely. | 0:20:39 | 0:20:41 | |
-OK, cool, well... -Brilliant. | 0:20:41 | 0:20:43 | |
Hey, we've got lots of things to go on. | 0:20:43 | 0:20:44 | |
-You've got a good old list coming up. -Yeah. OK. | 0:20:44 | 0:20:46 | |
-Can I go and look at some sparkly things now? -Mmm. | 0:20:46 | 0:20:48 | |
-Go on, as you... -Am I allowed? -If you insist. | 0:20:48 | 0:20:50 | |
-I've looked at some wooden stuff. -THEY LAUGH | 0:20:50 | 0:20:53 | |
Let's leave Christina to nosy at sparkly things and zip back to Mark. | 0:20:53 | 0:20:58 | |
Furniture, a sea of furniture. | 0:21:01 | 0:21:03 | |
Oh. | 0:21:05 | 0:21:06 | |
Now... | 0:21:06 | 0:21:07 | |
Now, indeed. | 0:21:07 | 0:21:09 | |
Now, these are sometimes called grandmother clocks | 0:21:09 | 0:21:11 | |
because they're much smaller than the longcase clocks, | 0:21:11 | 0:21:14 | |
which are called grandfather clocks, | 0:21:14 | 0:21:15 | |
but this is actually, I suppose, a miniature longcase clock. | 0:21:15 | 0:21:19 | |
And the first thing I quite like about it is it's got that sort of | 0:21:19 | 0:21:22 | |
Arts and Crafts feel. | 0:21:22 | 0:21:24 | |
You know, you've got almost this Celtic knot carved down here | 0:21:24 | 0:21:28 | |
with the panel down here. | 0:21:28 | 0:21:29 | |
It's in light oak. | 0:21:29 | 0:21:31 | |
Erm... | 0:21:31 | 0:21:32 | |
And you've got nice shelves inside. There's a key there to lock it. | 0:21:32 | 0:21:35 | |
Of course, there's no real age to this, sadly. | 0:21:37 | 0:21:40 | |
I mean, if it was a period one, we'd be looking at a lot of money. | 0:21:40 | 0:21:43 | |
And the price says "clock" - very descriptive - | 0:21:43 | 0:21:47 | |
"£55". | 0:21:47 | 0:21:49 | |
So, we're kind of in the ballpark figure, | 0:21:49 | 0:21:50 | |
we just need to get it a bit down. | 0:21:50 | 0:21:53 | |
And I know time is ticking, so I'd better get Sarah. | 0:21:53 | 0:21:56 | |
-Sarah. -Yes, Mark. | 0:21:56 | 0:21:57 | |
-Now, come here. -Right. -I need your help. | 0:21:57 | 0:21:59 | |
Right, my darling. How can I help you? | 0:21:59 | 0:22:01 | |
-Well, I quite like this. -Oh. | 0:22:01 | 0:22:04 | |
-I do. -Of course, there's no age to it. -No. | 0:22:04 | 0:22:06 | |
I'd really, really like to get it for about 30. | 0:22:06 | 0:22:09 | |
-Would you like me to ring? -Would you mind? | 0:22:09 | 0:22:11 | |
I will, with pleasure. | 0:22:11 | 0:22:13 | |
So, after a quick call to the vendor, | 0:22:13 | 0:22:15 | |
here's Sarah back with the verdict. | 0:22:15 | 0:22:19 | |
-Oh, Sarah, do sit down. -SARAH CHUCKLES | 0:22:19 | 0:22:21 | |
You've got a stern look on your face - is it good news? | 0:22:21 | 0:22:24 | |
-It's very good news. -Is it? How much? | 0:22:24 | 0:22:26 | |
-30. -Hallelujah. -MARK SIGHS | 0:22:26 | 0:22:28 | |
He's been very generous. | 0:22:28 | 0:22:29 | |
He's been very kind to me. Will you thank him? | 0:22:29 | 0:22:31 | |
-I will, of course, yeah. -And I've got some money for you. | 0:22:31 | 0:22:33 | |
Oh, how lovely. I love cash. | 0:22:33 | 0:22:35 | |
-And, of course, you'll get me some change later. -I will. -I love it. | 0:22:35 | 0:22:38 | |
£30 sees Mark CLOCK up another lot for auction. | 0:22:38 | 0:22:43 | |
Here we are Mark, here's your change. | 0:22:43 | 0:22:45 | |
-No. -Oh, oh. -Keep the change. | 0:22:45 | 0:22:47 | |
-Oh, thank you. -I want that Nottingham lace bedspread. | 0:22:47 | 0:22:50 | |
Oh, how wonderful. Well done. | 0:22:50 | 0:22:52 | |
I thought he had forgotten about that. | 0:22:52 | 0:22:53 | |
A total of £40 buys Mark the clock and the Nottingham lace bedspread. | 0:22:53 | 0:22:58 | |
Christina is still in Tetbury. | 0:23:00 | 0:23:02 | |
I wonder how she's getting on? | 0:23:02 | 0:23:04 | |
That's nice. I like that. | 0:23:05 | 0:23:08 | |
-Right. -Can you, can you hold? -Yeah, of course. | 0:23:08 | 0:23:10 | |
-That's cool, isn't it? -Do I need a bigger tray? | 0:23:10 | 0:23:11 | |
No, but I might be able to put them in my cutlery drawer. | 0:23:11 | 0:23:14 | |
-Absolutely. I think... -From one cutlery tray to another. | 0:23:14 | 0:23:16 | |
Is there scope, I hope? | 0:23:16 | 0:23:17 | |
I like that, I mean that's so 1970s, isn't it? | 0:23:17 | 0:23:19 | |
-Look at that, that bark effect. -Yeah, and, of course, | 0:23:19 | 0:23:22 | |
they call this modernist and they're very sought-after at the moment. | 0:23:22 | 0:23:25 | |
-Really? -And I think hopefully... | 0:23:25 | 0:23:28 | |
Oh, don't look at it, the price'll go up. | 0:23:28 | 0:23:30 | |
Well, what I'm hoping to find is a little hallmark. | 0:23:30 | 0:23:33 | |
Yes, ah-hah, and it actually has got a full English hallmark. | 0:23:33 | 0:23:36 | |
It's got a maker, the maker EFG, who, I must admit, | 0:23:36 | 0:23:39 | |
I'm waiting for an expert like yourself to tell me who it is. | 0:23:39 | 0:23:42 | |
Yeah, not so easy, that, actually. | 0:23:42 | 0:23:45 | |
What is it? What... How much are things in here? | 0:23:45 | 0:23:47 | |
Basically, they're a tenner a lump, so, absolute bargain. | 0:23:47 | 0:23:51 | |
-Oh, £10 apiece. -And they're sterling silver. | 0:23:51 | 0:23:53 | |
OK, well, I'll have that, definitely. | 0:23:53 | 0:23:55 | |
Great. | 0:23:55 | 0:23:57 | |
OK, right, so... | 0:23:57 | 0:24:00 | |
that's got to be silver. | 0:24:00 | 0:24:02 | |
Oh, yeah, definitely. It'll be hallmarked inside. | 0:24:02 | 0:24:04 | |
-Can you flip the cover? -That is sweet, isn't it? | 0:24:04 | 0:24:06 | |
-And for a little lady's... -Have you seen the little pretty face as well? | 0:24:06 | 0:24:09 | |
-Yeah. -Look, a little pretty enamel face. | 0:24:09 | 0:24:10 | |
There is a crack in it, but for £10... | 0:24:10 | 0:24:12 | |
-I mean, £10 for a Victorian lady's fob, that's cute. -I mean... | 0:24:12 | 0:24:17 | |
-OK, I'll have that. -Brilliant, brilliant. | 0:24:17 | 0:24:20 | |
So, technically, I've got one, two, three, four - £40 there. | 0:24:20 | 0:24:23 | |
OK, so, let's think about what we...cos I still... | 0:24:23 | 0:24:27 | |
I love that, and I love that, and I love the enamel sign. | 0:24:27 | 0:24:31 | |
That's a lot of loves, | 0:24:31 | 0:24:32 | |
and with a combined price of £175. | 0:24:32 | 0:24:37 | |
So, to save a lot of time, how about 150 quid? | 0:24:37 | 0:24:39 | |
Ha! Have you got a hot date somewhere that I don't know about? | 0:24:39 | 0:24:42 | |
-Oh, well... -Have you got to get out of here? | 0:24:42 | 0:24:45 | |
Let's just say 100 and I'll go. | 0:24:45 | 0:24:46 | |
I promise, I'll leave you in peace. I promise! | 0:24:46 | 0:24:48 | |
-It's not that hot a date, I promise you. -Oh, OK. | 0:24:48 | 0:24:52 | |
£150. | 0:24:52 | 0:24:53 | |
I think that's an absolute bargain. | 0:24:53 | 0:24:55 | |
-I think you're absolutely right. -Brilliant. -£150. -Fantastic. | 0:24:55 | 0:24:57 | |
-You're a legend. -Brilliant. Thank you. -Cool. | 0:24:57 | 0:25:00 | |
My goodness, Christina, a whirlwind of goodies - | 0:25:00 | 0:25:03 | |
the enamel sign for £100, | 0:25:03 | 0:25:05 | |
the cutlery tray for 25, and the jewellery collection, also for 25. | 0:25:05 | 0:25:10 | |
Wonderful. | 0:25:10 | 0:25:11 | |
Meanwhile, Mark's made his way just up the road to the village of Slad | 0:25:14 | 0:25:18 | |
in Gloucestershire. | 0:25:18 | 0:25:20 | |
Right here in this picture postcard village was the setting for a local | 0:25:20 | 0:25:25 | |
lad's backwards glance at the warm glow of childhood just after | 0:25:25 | 0:25:29 | |
the First World War. | 0:25:29 | 0:25:31 | |
That chap was the writer and poet Laurie Lee, | 0:25:31 | 0:25:35 | |
and the novel Cider With Rosie would become a worldwide bestseller. | 0:25:35 | 0:25:41 | |
Mark's meeting with writer Kevan Manwaring to find out | 0:25:41 | 0:25:45 | |
just how much the rolling green valley and the surrounds | 0:25:45 | 0:25:48 | |
would prove to be instrumental in Laurie's writing triumph. | 0:25:48 | 0:25:52 | |
Kevan, we're sitting in the Woolpack Inn in Slad - | 0:25:52 | 0:25:54 | |
why is this so important? | 0:25:54 | 0:25:57 | |
Well, this was his local pub - he almost lived here. | 0:25:57 | 0:26:00 | |
I mean, he actually... His house was next door, | 0:26:00 | 0:26:02 | |
so it was within staggering distance. | 0:26:02 | 0:26:04 | |
He often would be drinking something a little bit stronger | 0:26:04 | 0:26:07 | |
than we're drinking today. | 0:26:07 | 0:26:08 | |
He would kind of hold court here with his friends, | 0:26:08 | 0:26:10 | |
and he loved to, kind of, meet and greet visitors to Slad | 0:26:10 | 0:26:13 | |
who often came here to see him. | 0:26:13 | 0:26:15 | |
He was very much a local man, a village man, | 0:26:15 | 0:26:18 | |
and in a way, he kind of lived off of that myth | 0:26:18 | 0:26:23 | |
for the rest of his life. | 0:26:23 | 0:26:25 | |
Cider With Rosie propelled Laurie Lee to starry success in 1959. | 0:26:25 | 0:26:31 | |
Aged 45, his ode to village life would become an overnight sensation. | 0:26:31 | 0:26:37 | |
It was reprinted three times within the first month... | 0:26:37 | 0:26:40 | |
-Gosh. -..of its publication, | 0:26:40 | 0:26:41 | |
and went on to sell 6 million copies around the world. | 0:26:41 | 0:26:45 | |
He was writing about stuff from a long time ago, | 0:26:45 | 0:26:48 | |
but, in a way, perhaps that gave him the critical distance | 0:26:48 | 0:26:50 | |
to do it justice, to capture that childhood, | 0:26:50 | 0:26:54 | |
that age that will never come back again. | 0:26:54 | 0:26:56 | |
You know, this was at the end of the First World War and things | 0:26:56 | 0:26:59 | |
were never going to be quite the same after that war. | 0:26:59 | 0:27:02 | |
It captured a time, I think, | 0:27:02 | 0:27:05 | |
-of Britain in a very special period... -Mm-hmm. | 0:27:05 | 0:27:07 | |
..but did that time ever really exist? | 0:27:07 | 0:27:10 | |
Well, as he says in the book, | 0:27:10 | 0:27:13 | |
it was somewhat distorted by time, you know - | 0:27:13 | 0:27:15 | |
he adds that important caveat. | 0:27:15 | 0:27:18 | |
I think we have to allow him that, allow him his artistic licence. | 0:27:18 | 0:27:21 | |
As a local himself, Kevan knows all the haunts of Laurie Lee. | 0:27:25 | 0:27:29 | |
Why are we here, Kevan? | 0:27:30 | 0:27:31 | |
Well, this is the perfect place to read out a section of the book | 0:27:31 | 0:27:35 | |
because behind us is his house that he lived in, | 0:27:35 | 0:27:38 | |
and in front of us the school he went to as a young boy, | 0:27:38 | 0:27:42 | |
so that's why I wanted to bring you here. | 0:27:42 | 0:27:45 | |
"The June grass, amongst which I stood, | 0:27:45 | 0:27:47 | |
"was taller than I was, and I wept. | 0:27:47 | 0:27:50 | |
"I had never been so close to grass before." | 0:27:50 | 0:27:53 | |
I mean, that really gets you straight into it. | 0:27:53 | 0:27:55 | |
You want to read more just from those... | 0:27:55 | 0:27:57 | |
-Oh, definitely, what a place to start. -..few words. | 0:27:57 | 0:27:59 | |
-It's wonderful. -You know, in media res, here we are, | 0:27:59 | 0:28:01 | |
plunged into the grass with a three-year-old Laurie Lee, you know, | 0:28:01 | 0:28:04 | |
up to his eyeballs in grass, | 0:28:04 | 0:28:06 | |
so embedded in nature from the very beginning. | 0:28:06 | 0:28:09 | |
Wonderful. | 0:28:09 | 0:28:10 | |
The success of Cider With Rosie allowed Laurie Lee to become | 0:28:11 | 0:28:15 | |
a full-time writer. | 0:28:15 | 0:28:17 | |
He went on to create an autobiographical trilogy | 0:28:17 | 0:28:20 | |
and a selection of novels, poetry and plays. | 0:28:20 | 0:28:24 | |
Laurie Lee returned to his beloved childhood home in the 1960s | 0:28:25 | 0:28:29 | |
and lived here for many years, | 0:28:29 | 0:28:31 | |
until he passed away in 1997, aged 82. | 0:28:31 | 0:28:35 | |
Laurie Lee said that he wanted to be buried between the church | 0:28:36 | 0:28:39 | |
and the pub so that he could balance the secular and spiritual. | 0:28:39 | 0:28:43 | |
And so... And so here it is. | 0:28:44 | 0:28:47 | |
Gosh, how wonderful. Very simple. | 0:28:47 | 0:28:49 | |
Yeah, very understated, very modest, and an inscription below, | 0:28:49 | 0:28:52 | |
"He lies in the valley he loves," which says it all, really. | 0:28:52 | 0:28:56 | |
It does, doesn't it? | 0:28:56 | 0:28:57 | |
It really does. | 0:28:57 | 0:28:59 | |
The village of Slad is the perfect resting place for Laurie Lee, | 0:28:59 | 0:29:03 | |
the author that created such beautiful prose that continues | 0:29:03 | 0:29:06 | |
to be loved by millions the world over. | 0:29:06 | 0:29:09 | |
Meanwhile, Christina has journeyed to the capital of the Cotswolds, | 0:29:13 | 0:29:16 | |
the town of Cirencester. | 0:29:16 | 0:29:18 | |
Oh, this looks nice. | 0:29:21 | 0:29:23 | |
-Hello. -Hello. Hi. -Hello. -Pleased to meet you. Christina. | 0:29:25 | 0:29:28 | |
-Pleased to meet you, Brian. -Very pleased to meet you. | 0:29:28 | 0:29:30 | |
-Brian, lovely to meet you. -Welcome to Cirencester. | 0:29:30 | 0:29:32 | |
-My goodness, I love your tiepin. -Oh, thank you. | 0:29:32 | 0:29:34 | |
A man of bling, I love it. | 0:29:34 | 0:29:36 | |
Hello. Hi. Christina. | 0:29:36 | 0:29:37 | |
-Will. -Will. Lovely to meet you, Will. | 0:29:37 | 0:29:39 | |
Great hair. Looks like you've been in a strong wind. | 0:29:39 | 0:29:42 | |
-It takes a long time to get like that. -Oh, does it? | 0:29:42 | 0:29:46 | |
Right, well, this is cool, Brian. | 0:29:46 | 0:29:47 | |
I mean, there's a lot of cabinets going on here. | 0:29:47 | 0:29:49 | |
Yes, yeah, it's quite deceiving. It goes on for miles. | 0:29:49 | 0:29:52 | |
It's a bit of a TARDIS, this building, so... | 0:29:52 | 0:29:54 | |
-Oh, is it? -..so please feel free to have a good wander. Yeah, yeah. | 0:29:54 | 0:29:57 | |
OK, I will have a good wander, but I have to be honest with you... | 0:29:57 | 0:30:01 | |
-I've seen something in the window and I like it. -Right. | 0:30:01 | 0:30:03 | |
I love that petrol canister that you've got | 0:30:03 | 0:30:05 | |
at the far end of the window. | 0:30:05 | 0:30:06 | |
-Oh, the round one? -Yeah. Can I have a look? | 0:30:06 | 0:30:08 | |
-Sure, sure, yeah. -Do you mind? | 0:30:08 | 0:30:10 | |
Oh, let's have a look. | 0:30:13 | 0:30:15 | |
-CHRISTINA GASPS -I love it. | 0:30:15 | 0:30:18 | |
I really love it. | 0:30:18 | 0:30:19 | |
I mean, that sounds completely crazy to say I love a petrol canister, | 0:30:19 | 0:30:22 | |
but, I mean, it's certainly seen a bit of life, hasn't it? | 0:30:22 | 0:30:24 | |
It's lived, it's lived. | 0:30:24 | 0:30:25 | |
Believe it or not, there are collectors of old petrol cans. | 0:30:25 | 0:30:29 | |
As always, condition is key. | 0:30:29 | 0:30:31 | |
This may not be the gamble it seems. | 0:30:31 | 0:30:34 | |
OK, guys, so what have we got on that? | 0:30:34 | 0:30:35 | |
49 is the label on there. | 0:30:35 | 0:30:38 | |
-£49. -Yeah. -OK, is there anything that you can do, | 0:30:38 | 0:30:41 | |
bearing in mind I'm not allowed to haggle? | 0:30:41 | 0:30:43 | |
-Oh, my God, what's that? -SHE BREATHES HEAVILY | 0:30:43 | 0:30:47 | |
I love it, a sharp intake of breath. | 0:30:47 | 0:30:49 | |
We could do it for 40 for you. | 0:30:49 | 0:30:51 | |
£40, OK... | 0:30:51 | 0:30:52 | |
So, at auction, for me, I see that at £30-£50. | 0:30:52 | 0:30:57 | |
-Is there any way that you can, sort of, nudge down a touch? -Oh... | 0:30:57 | 0:31:01 | |
-Because obviously, I know it... -35. -35. | 0:31:01 | 0:31:04 | |
OK, I'm not allowed to haggle... It's you! | 0:31:04 | 0:31:07 | |
He's like a little sound effect. | 0:31:07 | 0:31:09 | |
-He is. -Isn't he? -SHE INHALES AND EXHALES | 0:31:09 | 0:31:12 | |
Well, your offer is a bit cheeky, Christina. | 0:31:12 | 0:31:14 | |
-I think, at £30, I'd love it. I think it's fab. -Right. | 0:31:16 | 0:31:18 | |
-But I'll go for a wander, see what else you've got. -Great. | 0:31:18 | 0:31:21 | |
-All right, see you in a minute. -See you soon. Bye. | 0:31:21 | 0:31:23 | |
Having looked around here, I mean, it is amazing, | 0:31:35 | 0:31:38 | |
it just goes on and on and on, | 0:31:38 | 0:31:40 | |
it really does, it just keeps giving, | 0:31:40 | 0:31:42 | |
but, for me, I think it's all about the petrol can, | 0:31:42 | 0:31:44 | |
and if I can get that for £30, I'd be a happy girl. | 0:31:44 | 0:31:47 | |
Well, wouldn't we all, darling? Let's go and ask about it. | 0:31:47 | 0:31:49 | |
-Hi, guys. -Hello. | 0:31:49 | 0:31:51 | |
So, I've had a good... Gosh, it goes on and on and on, doesn't it? | 0:31:51 | 0:31:53 | |
-You've had a good rummage. -I really have. | 0:31:53 | 0:31:55 | |
There's some amazing stuff, but I can't stop thinking about this. | 0:31:55 | 0:31:57 | |
-Aw, first love, they say, don't they? -Yeah, yeah. Exactly, exactly. | 0:31:57 | 0:32:03 | |
Is there any chance that you could do it for £30? | 0:32:03 | 0:32:06 | |
-There is. -Yeah? | 0:32:06 | 0:32:07 | |
-As it's you, I've had a word with my superior and... -Yeah. | 0:32:07 | 0:32:11 | |
The senior assistant and... | 0:32:11 | 0:32:12 | |
-Really? -Yes, for you. | 0:32:12 | 0:32:14 | |
Well, that worked out just fine in the end | 0:32:14 | 0:32:16 | |
and that purchase completes the shopping of this road trip. | 0:32:16 | 0:32:19 | |
Cheerio. | 0:32:19 | 0:32:21 | |
Looks like a handbag. | 0:32:21 | 0:32:23 | |
Christina has a total of five lots - | 0:32:23 | 0:32:25 | |
the porcupine quill and ivory box, the cutlery tray, | 0:32:25 | 0:32:29 | |
the collection of jewellery, | 0:32:29 | 0:32:31 | |
the enamel sign and, of course, the vintage petrol canister. | 0:32:31 | 0:32:35 | |
Christina has spent a total of £198. | 0:32:35 | 0:32:39 | |
Mark also bought five lots - | 0:32:41 | 0:32:44 | |
the Russian canister, the chess set, the campaign cutlery set, | 0:32:44 | 0:32:48 | |
the Nottingham lace bedspread and the grandmother clock. | 0:32:48 | 0:32:51 | |
He bought all of that for just £96. | 0:32:51 | 0:32:54 | |
Come on, you two - thoughts on one another's buys. | 0:32:55 | 0:32:58 | |
Be truthful, be candid and be honest. | 0:32:58 | 0:33:02 | |
The thing that I'm probably most nervous about | 0:33:02 | 0:33:04 | |
is his grandmother clock, which I think is absolutely gorgeous, | 0:33:04 | 0:33:07 | |
and he only spent £30 on it. | 0:33:07 | 0:33:09 | |
That, for me, is dangerous territory. | 0:33:09 | 0:33:11 | |
Advertising is really in at the moment - | 0:33:11 | 0:33:14 | |
very fashionable, very commercial at auction. | 0:33:14 | 0:33:16 | |
I'm not sure about the Wills's Cigarette connotation but £100... | 0:33:16 | 0:33:20 | |
good on you, Christina, you've given it a bash there. | 0:33:20 | 0:33:23 | |
The bedspread is an odd choice, isn't it? | 0:33:23 | 0:33:28 | |
Petrol cans, French or otherwise, have no interest to me whatsoever. | 0:33:28 | 0:33:32 | |
Are they commercial? | 0:33:32 | 0:33:34 | |
I wouldn't have a clue and quite frankly I didn't give a damn. | 0:33:34 | 0:33:36 | |
Who's going to win this auction? | 0:33:36 | 0:33:38 | |
Me. | 0:33:38 | 0:33:39 | |
There you go. | 0:33:40 | 0:33:42 | |
Are you sure? | 0:33:42 | 0:33:43 | |
Ooh, probably not now! | 0:33:43 | 0:33:46 | |
Lordy, the cameraman's blushing. | 0:33:46 | 0:33:48 | |
Right, the auction is nearly upon us and our pair are headed for their | 0:33:48 | 0:33:51 | |
second saleroom battle in Knutsford in Cheshire. | 0:33:51 | 0:33:55 | |
I predicted that I was going to win but I don't think I will now. | 0:33:57 | 0:33:59 | |
-Today? -Mm-hmm. -Oh, I don't know, Christina. | 0:33:59 | 0:34:02 | |
I think that grandmother clock could see me into the runners-up position. | 0:34:02 | 0:34:08 | |
Oh, you can say that again. | 0:34:08 | 0:34:10 | |
I think someone wants to win. | 0:34:13 | 0:34:15 | |
Well, best of luck. | 0:34:18 | 0:34:19 | |
Oh, I know, Christina, but whatever happens, we'll still be friends. | 0:34:19 | 0:34:22 | |
Really? | 0:34:22 | 0:34:23 | |
-Get in. -CHRISTINA LAUGHS | 0:34:23 | 0:34:25 | |
It's a general sale today at Wright Marshall. | 0:34:25 | 0:34:29 | |
The auctioneer taking command of the room is Nick Hall. | 0:34:29 | 0:34:32 | |
Come on, spill it about our pair's offerings. | 0:34:32 | 0:34:35 | |
These big enamel signs, | 0:34:37 | 0:34:38 | |
even in distressed condition like today's one, | 0:34:38 | 0:34:41 | |
they're so on trend at the minute. | 0:34:41 | 0:34:43 | |
It just fits in with that cool, 20th-century chic interior | 0:34:43 | 0:34:46 | |
that's going on at the minute. | 0:34:46 | 0:34:48 | |
I particularly like the little campaign piece as well | 0:34:48 | 0:34:50 | |
with all the little accoutrements inside it. | 0:34:50 | 0:34:53 | |
Now, they are quite sought-after | 0:34:53 | 0:34:55 | |
and I particularly like the quality of that. | 0:34:55 | 0:34:57 | |
I think, if I'm going to predict anything, | 0:34:57 | 0:34:59 | |
that could go over estimate. | 0:34:59 | 0:35:02 | |
Take your seats, the auction's about to begin | 0:35:02 | 0:35:05 | |
and we're also live on the internet today. | 0:35:05 | 0:35:08 | |
Here we are. This is exciting, isn't it? | 0:35:08 | 0:35:10 | |
-Have you got a catalogue? -I have. | 0:35:10 | 0:35:11 | |
-Where did you get that from? -Ah... | 0:35:11 | 0:35:13 | |
-Oh, blimey. -I know the powers that be, you see. | 0:35:13 | 0:35:16 | |
-Do you? -No. | 0:35:16 | 0:35:18 | |
First up, it's Christina's porcupine quill and ivory box. | 0:35:19 | 0:35:23 | |
30 for it. 35. | 0:35:23 | 0:35:25 | |
Thank you, 35. Breathe in, madam, don't drop out now. | 0:35:25 | 0:35:27 | |
-What's he got? -35, he's got. -Really? | 0:35:27 | 0:35:28 | |
Go 40. Going 40? | 0:35:28 | 0:35:30 | |
Come on, nod at me. Thank you, madam. 40 I'm bid. | 0:35:30 | 0:35:32 | |
-£40 now. -Lady seated at £40. | 0:35:32 | 0:35:34 | |
Are you in at the back, sir? | 0:35:34 | 0:35:36 | |
It's against you at 40. | 0:35:36 | 0:35:37 | |
The lady seated at £40. | 0:35:37 | 0:35:39 | |
All done and sure with you, madam. Nothing online. | 0:35:39 | 0:35:41 | |
40 and selling, your bid, all sure, all done. | 0:35:41 | 0:35:44 | |
-And yours at £40. -What did it sell for? -£40... | 0:35:44 | 0:35:46 | |
-Oh, blimey. -..so you made £22 on that. -Oh, happy days. | 0:35:46 | 0:35:49 | |
A nice start for Christina with a nice profit. | 0:35:49 | 0:35:51 | |
Next, it's Mark's Russian canister thingy. | 0:35:53 | 0:35:56 | |
15. Tenner. | 0:35:57 | 0:35:59 | |
-Thank you, sir. -Tenner's bid. | 0:35:59 | 0:36:01 | |
-I'm bid at £10. -Come on, more, more, more, more. | 0:36:01 | 0:36:03 | |
-At £10. They're not rushing to bid, are they? -Come on. -Oh, come on. -15. | 0:36:03 | 0:36:06 | |
20. With you, sir, at 20. | 0:36:06 | 0:36:07 | |
At 20. Not dear at 20. | 0:36:07 | 0:36:09 | |
-It's not dear. -All done. -You need another couple of bids. | 0:36:09 | 0:36:11 | |
-One more bid. -Last chance, with you at 20 now. | 0:36:11 | 0:36:13 | |
Oh, Christina. | 0:36:13 | 0:36:15 | |
Just remember it's early days, Mark. | 0:36:16 | 0:36:19 | |
Onwards and upwards, you're just warming up. | 0:36:19 | 0:36:21 | |
I'm just warming up, so I'm even further behind you now, | 0:36:21 | 0:36:23 | |
-which is really making my day. -SHE GIGGLES | 0:36:23 | 0:36:25 | |
I can see that. | 0:36:28 | 0:36:29 | |
It's Christina's cutlery tray next. | 0:36:29 | 0:36:31 | |
15, one-five, 15 I start on commission. | 0:36:32 | 0:36:35 | |
20 I'm bid at the back. At £20. | 0:36:35 | 0:36:37 | |
You're bidding online. The bid's at 20. | 0:36:37 | 0:36:39 | |
Go five, 25, thank you. | 0:36:39 | 0:36:41 | |
Are you bidding? 30, five. | 0:36:41 | 0:36:43 | |
35. 35 in the red. | 0:36:43 | 0:36:45 | |
-Don't shake, nod. -What did you say? 30? | 0:36:45 | 0:36:47 | |
Come on, I've got 35. 35, bid's in the room. | 0:36:47 | 0:36:49 | |
What about you online? Try one more. | 0:36:49 | 0:36:51 | |
I've got 35 bid at the back of the room. | 0:36:51 | 0:36:52 | |
With you, sir, at £35, all done. | 0:36:52 | 0:36:55 | |
Another good result, Christina. | 0:36:56 | 0:36:58 | |
Well done. | 0:36:58 | 0:37:00 | |
And another profit. | 0:37:00 | 0:37:02 | |
-Well done. -Only just. -Well, it's a profit. | 0:37:02 | 0:37:04 | |
Slow and steady. | 0:37:04 | 0:37:05 | |
Come on, Mark, it's your unusual chess set, next. | 0:37:07 | 0:37:09 | |
20. £20, surely. | 0:37:11 | 0:37:13 | |
-Come on. -Oh, come on. -At 20 I'm bid. | 0:37:13 | 0:37:14 | |
The bid's in at 20 and cheap at that. | 0:37:14 | 0:37:16 | |
Five online. 30. | 0:37:16 | 0:37:18 | |
-That's a profit. -I've got 30 in the room, try five. | 0:37:18 | 0:37:20 | |
I've got 30. Try another. | 0:37:20 | 0:37:21 | |
At £30. With you, sir, at 30. | 0:37:21 | 0:37:23 | |
At 30, the gent has it. | 0:37:23 | 0:37:24 | |
Come on, not like this. I only need one bid online. | 0:37:24 | 0:37:26 | |
So, £30. | 0:37:26 | 0:37:27 | |
Checkmate at 30. | 0:37:27 | 0:37:28 | |
All sure, all done... | 0:37:28 | 0:37:30 | |
Well, that's £12 profit, so it's better than nothing. | 0:37:31 | 0:37:34 | |
Absolutely, you just need a few more like that | 0:37:34 | 0:37:37 | |
to help you get back in the game. | 0:37:37 | 0:37:39 | |
The collection of jewellery from Christina is next. | 0:37:42 | 0:37:45 | |
20 to start me and away, surely. | 0:37:45 | 0:37:46 | |
-Thank you, 20 I'm bid. -20 now. | 0:37:46 | 0:37:48 | |
-Where's online? -20 I'm offered. Nice jewellery. | 0:37:48 | 0:37:50 | |
Five, 30... | 0:37:50 | 0:37:52 | |
Don't nod, shake. | 0:37:52 | 0:37:54 | |
-35, new bidder. -35. | 0:37:54 | 0:37:55 | |
40, five, 50. | 0:37:55 | 0:37:57 | |
-Wow. -To him, standing. Any more at £50? | 0:37:57 | 0:37:59 | |
With you, sir. It'll suit you as well. | 0:37:59 | 0:38:01 | |
-It's exceeded my expectations. -Yes. -Any advance on 50? | 0:38:01 | 0:38:03 | |
Anyone else, missed anyone? | 0:38:03 | 0:38:05 | |
Your bid at the back, at 50 and selling. | 0:38:05 | 0:38:07 | |
Do you know, that was a very good result. | 0:38:07 | 0:38:09 | |
Our Christina really knows what she's doing - | 0:38:09 | 0:38:11 | |
another lovely profit. | 0:38:11 | 0:38:14 | |
Mark's campaign cutlery set is up for grabs next. | 0:38:17 | 0:38:20 | |
This is an internet bidder's dream. | 0:38:20 | 0:38:23 | |
-I hope so. -£20. | 0:38:23 | 0:38:25 | |
Yes, 20 I'm bid. I'm away. Thank you. | 0:38:25 | 0:38:26 | |
At 20, five, 30, five, | 0:38:26 | 0:38:28 | |
40, five, 50. | 0:38:28 | 0:38:30 | |
At 50. Any more than 50? | 0:38:30 | 0:38:31 | |
-More. Got to be more. -The commission still has it. | 0:38:31 | 0:38:33 | |
Against you online at £50. The hammer's up and selling. | 0:38:33 | 0:38:36 | |
-Come on. -More, more, more, more, more. -All sure and done at 50? | 0:38:36 | 0:38:39 | |
But I just thought that might fly a bit, you know. | 0:38:39 | 0:38:42 | |
That was tasty. | 0:38:42 | 0:38:44 | |
Tasty indeed - a much meatier profit for Mark. | 0:38:44 | 0:38:47 | |
That is my favourite lot that you have bought... | 0:38:49 | 0:38:51 | |
-Oh. -..so far. | 0:38:51 | 0:38:52 | |
So I've got a hope, then? | 0:38:52 | 0:38:54 | |
Next up, it's Christina's pricey advertising sign. | 0:38:56 | 0:39:01 | |
I completely fell in love with it, | 0:39:01 | 0:39:03 | |
bought it with my heart and paid too much money for it. | 0:39:03 | 0:39:05 | |
I don't know, because sometimes when you buy with your heart it's good. | 0:39:05 | 0:39:08 | |
At 75 I start. | 0:39:08 | 0:39:09 | |
80, five, 90, five. | 0:39:09 | 0:39:11 | |
Round me up, come on. Try 100. | 0:39:11 | 0:39:13 | |
100 I'm bid, thank you. | 0:39:13 | 0:39:14 | |
OK, now I've cleared my debt, I've just... | 0:39:14 | 0:39:17 | |
110, fresh blood at 110 now. | 0:39:17 | 0:39:18 | |
120, 120 here. | 0:39:18 | 0:39:20 | |
Worth a bit more, come on. I've got 120. | 0:39:20 | 0:39:22 | |
Look at the sign, look at the condition, the sign. | 0:39:22 | 0:39:24 | |
I've got 120, any more? | 0:39:24 | 0:39:25 | |
Any advance? With you, sir, and seated, all done? | 0:39:25 | 0:39:29 | |
-You know... -That was better than I expected. | 0:39:29 | 0:39:31 | |
Another profit not to be sniffed at. | 0:39:31 | 0:39:35 | |
It could have been worse. | 0:39:35 | 0:39:36 | |
-No, it could have been worse, yeah. -I was hoping. | 0:39:36 | 0:39:38 | |
Oh, he is a rascal. | 0:39:40 | 0:39:42 | |
Now it's Mark's Nottingham lace bedspread. | 0:39:42 | 0:39:45 | |
I'm hoping that maybe all those Nottingham lace collectors out there | 0:39:46 | 0:39:50 | |
-will be online. -Mmm. | 0:39:50 | 0:39:52 | |
It's decorated with romantic panels of cherubs, | 0:39:52 | 0:39:55 | |
fruits of love and playful putto. | 0:39:55 | 0:39:57 | |
What more could you possibly want... | 0:39:57 | 0:40:00 | |
than two playful putto down here with their fingers crossed? | 0:40:00 | 0:40:02 | |
-Yes, we are playful, got you. -Aw... | 0:40:02 | 0:40:05 | |
20. Thank you, sir. 20 I'm bid, cheap at that. | 0:40:05 | 0:40:07 | |
I know, it's £20. | 0:40:07 | 0:40:08 | |
£20, who's got five? | 0:40:08 | 0:40:10 | |
-Five online. -Online. -25. | 0:40:10 | 0:40:12 | |
At 25. 30. Nice-quality lot, this, at £30. | 0:40:12 | 0:40:16 | |
35. | 0:40:16 | 0:40:17 | |
At 35 online. | 0:40:17 | 0:40:19 | |
Oh, go on, sir. Go on, it's lovely. One more. | 0:40:19 | 0:40:21 | |
-Go on. -Online bidding, are you sure? | 0:40:21 | 0:40:23 | |
Go on, go on, quick. Don't miss it for a bid. | 0:40:23 | 0:40:25 | |
Try one more? I've got 35 against you. | 0:40:25 | 0:40:27 | |
Try and round it up. Go on. | 0:40:27 | 0:40:28 | |
You know it makes sense. No? | 0:40:28 | 0:40:29 | |
I've got 35 then, online. | 0:40:29 | 0:40:31 | |
He's out. 35 and selling. | 0:40:31 | 0:40:33 | |
Another tidy little earner. | 0:40:35 | 0:40:37 | |
-Ugh. -It's still a profit. -I know, but I... -£25 profit. | 0:40:38 | 0:40:41 | |
Yeah, but I need a big profit, Christina. | 0:40:41 | 0:40:42 | |
Yeah, but Mark, seriously, I'm getting a bit worried now. | 0:40:42 | 0:40:45 | |
Worry not, it's your vintage petrol can next. | 0:40:45 | 0:40:49 | |
30, 20. | 0:40:49 | 0:40:51 | |
Come on, £20, surely? | 0:40:51 | 0:40:52 | |
Thank you, sir. 20 I'm bid. Any advance on 20? | 0:40:52 | 0:40:55 | |
Nice bit of advertising memorabilia. | 0:40:55 | 0:40:56 | |
25 now. 30 now. | 0:40:56 | 0:40:58 | |
-At 35. -35. -Oh. -It's 35 with you, sir. | 0:40:58 | 0:41:01 | |
Try another online, come on. | 0:41:01 | 0:41:03 | |
Fill your tank, bid again. | 0:41:03 | 0:41:04 | |
40, thank you. 40 I'm bid. | 0:41:04 | 0:41:06 | |
-Come on. -At £40, online bidder. -Put the gavel down. | 0:41:06 | 0:41:08 | |
-Come on. -Nothing in the room, 40 and selling, all done. | 0:41:08 | 0:41:10 | |
Put the... | 0:41:10 | 0:41:12 | |
-Oh, Christina. -Thanks. | 0:41:12 | 0:41:14 | |
-I'm so sorry(!) -Oh... | 0:41:14 | 0:41:17 | |
Once more with sincerity, Mark. | 0:41:17 | 0:41:19 | |
Well, it's all to play for with Mark's final lot, | 0:41:21 | 0:41:24 | |
the grandmother clock. | 0:41:24 | 0:41:26 | |
But, at the moment, I think we're neck-and-neck-and-neck. | 0:41:26 | 0:41:28 | |
I think we are neck-and-neck. | 0:41:28 | 0:41:29 | |
-We're like that, aren't we? -I think so. -Yeah. | 0:41:29 | 0:41:31 | |
-£50. -Yes. -40. | 0:41:31 | 0:41:33 | |
-No... -30, come on. | 0:41:33 | 0:41:35 | |
£30, Arts and Crafts oak clock. | 0:41:35 | 0:41:38 | |
30 I'm bid, thank you. 30 I'm offered. | 0:41:38 | 0:41:39 | |
-Any advance on 30? -Will they drop it? -Try five. | 0:41:39 | 0:41:41 | |
Where's five? The bid's with you at 30 now. | 0:41:41 | 0:41:43 | |
At 30 seated. | 0:41:43 | 0:41:44 | |
Sounds cheap to me. Come on, tick tock, tick tock. | 0:41:44 | 0:41:47 | |
All sure, all done? | 0:41:47 | 0:41:48 | |
It's £30, the maiden bid. | 0:41:48 | 0:41:49 | |
At 30 and selling. | 0:41:49 | 0:41:51 | |
-Ah... -Well... | 0:41:51 | 0:41:52 | |
Oh, that's unfortunate. | 0:41:52 | 0:41:53 | |
Disappointing, but what a great buy for the bidder. | 0:41:53 | 0:41:57 | |
-Come on, let's go and count some numbers. -Yeah, come on. | 0:41:57 | 0:42:00 | |
Time for the calculations, then. | 0:42:00 | 0:42:02 | |
Christina set out with £295.20 and, after auction costs, | 0:42:04 | 0:42:09 | |
made a profit of £35.70, | 0:42:09 | 0:42:12 | |
leaving her with a rather lovely £330.90 for next time. | 0:42:12 | 0:42:19 | |
Mark started with £234.60. | 0:42:19 | 0:42:22 | |
After paying saleroom fees, he's made a profit of £39.30, | 0:42:22 | 0:42:26 | |
leaving him with £273.90. | 0:42:26 | 0:42:30 | |
He's today's auction champion | 0:42:30 | 0:42:33 | |
and has chipped into Christina's overall lead. | 0:42:33 | 0:42:37 | |
Oh, fantastic. | 0:42:37 | 0:42:39 | |
Profits all round, Christina. | 0:42:39 | 0:42:41 | |
Profits all round but... | 0:42:41 | 0:42:43 | |
I'm still £60 behind... | 0:42:43 | 0:42:45 | |
-Still?! -..so I'm not happy. | 0:42:45 | 0:42:46 | |
Oh, Mark, come on. | 0:42:46 | 0:42:48 | |
-No, I am happy, Christina. -What can we do to make you happy? | 0:42:48 | 0:42:51 | |
Could you drive me home, Jeeves? | 0:42:51 | 0:42:53 | |
Cheerio, Roadtrippers. | 0:42:53 | 0:42:55 | |
Next time on Antiques Road Trip, Mark has an emergency... | 0:42:59 | 0:43:03 | |
I can't believe it. We're stuck in a lift. | 0:43:04 | 0:43:06 | |
We're stuck in a lift in Macclesfield. | 0:43:06 | 0:43:08 | |
..while Christina deals with one. | 0:43:08 | 0:43:10 | |
Attack warning red, attack warning red. | 0:43:10 | 0:43:13 |