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It's the nation's favourite antique experts. With £200 each... | 0:00:02 | 0:00:05 | |
I want something shiny. | 0:00:05 | 0:00:06 | |
..a classic car, and a goal - to scour Britain for antiques. | 0:00:06 | 0:00:10 | |
-I like a rummage! -I can't resist! | 0:00:10 | 0:00:12 | |
The aim - to make the biggest profit at auction. But it's no mean feat. | 0:00:12 | 0:00:16 | |
-Sorry! -Why do I always do this to myself? | 0:00:16 | 0:00:19 | |
There'll be worthy winners... | 0:00:19 | 0:00:20 | |
-Give us a kiss. -..and valiant losers. | 0:00:20 | 0:00:22 | |
-Come on, stick 'em up. -So, will it be the high road to glory... | 0:00:22 | 0:00:25 | |
-Onwards and upwards! -..or the slow road to disaster? | 0:00:25 | 0:00:28 | |
-Take me home! -This is Antiques Road Trip! | 0:00:28 | 0:00:31 | |
Yeah! | 0:00:33 | 0:00:35 | |
Sound the antiques klaxon! | 0:00:38 | 0:00:41 | |
HORN TOOTS | 0:00:41 | 0:00:42 | |
We're off on a brand-new adventure, | 0:00:42 | 0:00:44 | |
with auctioneer Christina Trevanion and dealer Mark Stacey. | 0:00:44 | 0:00:47 | |
Should be a laugh! | 0:00:47 | 0:00:49 | |
Christina! Gosh, this is exciting! | 0:00:49 | 0:00:52 | |
The first day of our Antiques Roadshow! | 0:00:52 | 0:00:54 | |
Yep. Very exciting, but I'm also quite nervous. | 0:00:54 | 0:00:57 | |
-Oh, Christina! -I am, because I've never, ever worked with you before. | 0:00:57 | 0:01:01 | |
Mmm. I'd be feeling anxious, too. | 0:01:01 | 0:01:04 | |
-People say I flirt. -Ha-ha! | 0:01:04 | 0:01:07 | |
Does the Pope have a balcony? | 0:01:07 | 0:01:08 | |
I don't flirt, I wouldn't know how to flirt! | 0:01:08 | 0:01:10 | |
Oh, no, Christina, of course you wouldn't! No! | 0:01:10 | 0:01:13 | |
Oh, no! Here we go! | 0:01:13 | 0:01:16 | |
I think that's your strategy, Christina - flirt, flirt, flirt, | 0:01:16 | 0:01:19 | |
and then if all else fails, flirt some more. | 0:01:19 | 0:01:22 | |
OK, so, my strategy is going to be, | 0:01:22 | 0:01:25 | |
no flirting, no haggling. | 0:01:25 | 0:01:28 | |
HE LAUGHS | 0:01:28 | 0:01:32 | |
Now, this SHOULD prove interesting! | 0:01:32 | 0:01:34 | |
Our cheeky twosome have £200 apiece in their pocket and they're roaring | 0:01:34 | 0:01:38 | |
along the countryside in a sassy 1977 Alfa Romeo Spider. | 0:01:38 | 0:01:42 | |
I used to have one of those once. Red - for danger. | 0:01:42 | 0:01:46 | |
I feel happy for you to drive all the time - | 0:01:46 | 0:01:48 | |
-I like being driven by you. -Do you?! | 0:01:48 | 0:01:51 | |
Pants on fire! | 0:01:51 | 0:01:53 | |
This road trip kicks off in West Sussex before taking | 0:01:56 | 0:01:59 | |
a gallivant north as far as Merseyside, | 0:01:59 | 0:02:01 | |
with auctions in Cheshire, Gloucestershire and Manchester, | 0:02:01 | 0:02:04 | |
and will conclude in Bolton. | 0:02:04 | 0:02:06 | |
Today, our bold adventurers begin | 0:02:09 | 0:02:11 | |
in Climping in Littlehampton, | 0:02:11 | 0:02:13 | |
and will auction in Birkenhead | 0:02:13 | 0:02:14 | |
in Merseyside. That's a long way! | 0:02:14 | 0:02:17 | |
Do you want me to teach you how to bat your eyelids? | 0:02:17 | 0:02:19 | |
Go on, bat, bat. | 0:02:19 | 0:02:20 | |
Crumbs! Mark is a lucky chap, | 0:02:23 | 0:02:26 | |
as Christina is dropping him off at his first shopping rendezvous. | 0:02:26 | 0:02:29 | |
-Thank you so much. -You're very welcome, dear passenger. | 0:02:31 | 0:02:34 | |
-All right, have fun. -Take care. Thanks, Christina. | 0:02:34 | 0:02:37 | |
-Take care, all right. -See you later. -Bye! Bye! | 0:02:37 | 0:02:40 | |
We'll catch up with Christina soon. | 0:02:40 | 0:02:42 | |
Now, Mark, get in there and get buying. | 0:02:42 | 0:02:45 | |
Hello, I'm Mark. | 0:02:45 | 0:02:47 | |
-I'm Simon. -Nice to meet you, Simon. -And you. | 0:02:47 | 0:02:49 | |
Well, I'll have a good rummage round | 0:02:49 | 0:02:51 | |
and hopefully we can find a few things I can negotiate with you. | 0:02:51 | 0:02:54 | |
-Excellent. -Lovely. Thanks, Simon. -OK, thank you. | 0:02:54 | 0:02:56 | |
Mark loves a good mooch about | 0:02:57 | 0:03:00 | |
and there's certainly plenty to look at in here. | 0:03:00 | 0:03:02 | |
Except for Jumbo. | 0:03:06 | 0:03:07 | |
Don't worry, he did ask permission. | 0:03:12 | 0:03:14 | |
Ah, what's this? | 0:03:18 | 0:03:20 | |
Gosh, this is interesting. | 0:03:22 | 0:03:24 | |
Look at the carving on this. I mean, it's absolutely amazing, isn't it? | 0:03:26 | 0:03:30 | |
All this wood, and I think it might be sandalwood | 0:03:30 | 0:03:32 | |
or something like this. I know what this is, it's a writing slope. | 0:03:32 | 0:03:36 | |
And you see Victorian writing slopes and Georgian writing slopes | 0:03:36 | 0:03:39 | |
all the time. This one, however, is slightly different. | 0:03:39 | 0:03:43 | |
You can tell instantly that it's Anglo-Indian, or Burmese, | 0:03:43 | 0:03:47 | |
something like that. I mean, these are always difficult to date. | 0:03:47 | 0:03:51 | |
But I don't think it'll be any later than around about 1900. | 0:03:52 | 0:03:56 | |
So, it is an antique. | 0:03:56 | 0:03:58 | |
It needs a little bit of work here and there. | 0:03:58 | 0:04:01 | |
Ha-ha! I like your thinking, Mark! | 0:04:01 | 0:04:03 | |
A handcrafted 19th-century writing box could be a very nice choice, | 0:04:03 | 0:04:07 | |
particularly as it comes from India. Let's ask Simon for the price. | 0:04:07 | 0:04:10 | |
It's lovely - how much have you got on it? | 0:04:10 | 0:04:13 | |
-£35. -£35, gosh. | 0:04:13 | 0:04:15 | |
You'd struggle to carve a single scroll | 0:04:15 | 0:04:18 | |
for that these days, wouldn't you? | 0:04:18 | 0:04:19 | |
That's a definite consideration, I think. | 0:04:19 | 0:04:22 | |
-OK. -So if anybody comes in, this is reserved. -Right. -Thank you. | 0:04:22 | 0:04:25 | |
Let's leave Mark to mooch further. | 0:04:27 | 0:04:29 | |
Now, what about the lovely Christina? | 0:04:29 | 0:04:31 | |
Honestly, flirt? | 0:04:33 | 0:04:37 | |
Me?! | 0:04:37 | 0:04:38 | |
Apparently, I'm a flirt. | 0:04:40 | 0:04:42 | |
So I've said, right, OK, well, I will not flirt, | 0:04:42 | 0:04:46 | |
and therefore on a level playing field, no flirting. | 0:04:46 | 0:04:49 | |
No flirting whatsoever, no haggling, | 0:04:49 | 0:04:51 | |
it will just be me doing a simple business transaction. | 0:04:51 | 0:04:54 | |
And hopefully winning. | 0:04:54 | 0:04:56 | |
Once a flirt, always a flirt. | 0:04:59 | 0:05:01 | |
Christina is off to the cathedral city of Chichester in West Sussex - | 0:05:02 | 0:05:06 | |
my county town. | 0:05:06 | 0:05:08 | |
And it's here that the British astronaut Major Tim Peake was born. | 0:05:08 | 0:05:13 | |
We know that our very own star Christina can rocket to success, | 0:05:13 | 0:05:16 | |
but can she find what she needs in Whitestone Farm Antiques? | 0:05:16 | 0:05:19 | |
Remember, she said no flirting or haggling. | 0:05:19 | 0:05:23 | |
Right... | 0:05:23 | 0:05:24 | |
-Hello. -Hi. -Hi. Christina. | 0:05:24 | 0:05:27 | |
-Hi, I'm Joe. -Joe, lovely to meet you, Joe. | 0:05:27 | 0:05:29 | |
-And you. -My goodness, this is a barn full of treasure, isn't it? | 0:05:29 | 0:05:32 | |
Well, we try, we try. | 0:05:32 | 0:05:34 | |
I like the disco balls! | 0:05:34 | 0:05:36 | |
Party girl! | 0:05:37 | 0:05:39 | |
What was that about no flirting, Christina? | 0:05:39 | 0:05:42 | |
-Can I open this, Joe? -Yeah, certainly. Yeah. | 0:05:53 | 0:05:55 | |
GLASS SQUEAKS | 0:05:55 | 0:05:57 | |
That's a good sound effect. | 0:05:57 | 0:05:59 | |
It's like a nail going down a blackboard - that would put me off! | 0:05:59 | 0:06:03 | |
Ooh! | 0:06:03 | 0:06:04 | |
It's not that bad, Christina! | 0:06:04 | 0:06:06 | |
Erm, what did I see in here? | 0:06:07 | 0:06:09 | |
That's rather nice, isn't it? | 0:06:09 | 0:06:12 | |
I do love a nice Stilton scoop, and there are collectors for them, | 0:06:12 | 0:06:15 | |
aren't there? That's quite fun. | 0:06:15 | 0:06:18 | |
-A little silver-plated example. -Yeah. -What have you got on that? | 0:06:18 | 0:06:21 | |
I could do that for 18. | 0:06:21 | 0:06:23 | |
OK. Now...this could be interesting cos I'm not allowed to flirt | 0:06:23 | 0:06:27 | |
-and I'm not allowed to haggle. -Ah, right, well... | 0:06:27 | 0:06:30 | |
So you've got to give me your best price. What, have I got to go? | 0:06:30 | 0:06:32 | |
-I've got to leave? -The flirting... | 0:06:32 | 0:06:35 | |
-it's mandatory. -Oh, really? | 0:06:35 | 0:06:37 | |
-Absolutely. -Well, if it's mandatory, then I'll have to. -Mmm. | 0:06:37 | 0:06:41 | |
I feel like a gooseberry. | 0:06:41 | 0:06:43 | |
-So, 18 on that. -18. -And I'm not allowed to haggle, remember, | 0:06:43 | 0:06:46 | |
so that's your best price on that? | 0:06:46 | 0:06:48 | |
-Yeah, you are allowed to haggle. -No, I'm not! -You are! | 0:06:48 | 0:06:50 | |
No, I've told Mark I'm not allowed to haggle. | 0:06:50 | 0:06:53 | |
I can't haggle about haggling! | 0:06:53 | 0:06:55 | |
SHE LAUGHS | 0:06:55 | 0:06:57 | |
-Everybody haggles. -That's not good. -15. | 0:06:57 | 0:06:59 | |
OK, I have taken five steps into a shop and I have already broken | 0:06:59 | 0:07:02 | |
-the no flirting and no haggling rule! -No, no. -I am doomed! | 0:07:02 | 0:07:06 | |
-I saw it, I got the price wrong. It is 15. -OK. | 0:07:06 | 0:07:10 | |
I like your style. | 0:07:10 | 0:07:11 | |
OK, let's leave flirty Trevelyan and catch up with Mark. | 0:07:13 | 0:07:17 | |
He is still browsing the stock of his first shop. | 0:07:17 | 0:07:20 | |
I found this little box... I've been to Moscow and the Russians are | 0:07:21 | 0:07:25 | |
very famous for this type of papier-mache lacquer. | 0:07:25 | 0:07:29 | |
It has been going on for centuries. This isn't quite a newish piece. | 0:07:29 | 0:07:33 | |
And I think this represents Saint Basil's in Red Square. | 0:07:33 | 0:07:38 | |
It's a lovely Russian Orthodox church. | 0:07:38 | 0:07:41 | |
And this is all hand-painted and hand-gilded. | 0:07:41 | 0:07:45 | |
The art of Russian lacquer painting | 0:07:45 | 0:07:47 | |
is internationally recognised amongst collectors. | 0:07:47 | 0:07:50 | |
This could be a goodie, but it looks a bit new to me. | 0:07:50 | 0:07:53 | |
A pretty little thing, but I'm thinking, | 0:07:53 | 0:07:55 | |
these days when things are online, | 0:07:55 | 0:07:57 | |
people are often looking for just decorative things and sometimes | 0:07:57 | 0:08:01 | |
the pictures look a lot better than the piece is. | 0:08:01 | 0:08:04 | |
So people go mad for them. It's priced at £15. | 0:08:04 | 0:08:07 | |
Time to talk money. | 0:08:09 | 0:08:10 | |
I like these two items. | 0:08:12 | 0:08:14 | |
I think they will appeal to auction. You said 15 on this and 35 on that. | 0:08:14 | 0:08:17 | |
Can I make you a sort of... a tempting offer? | 0:08:17 | 0:08:21 | |
-OK. -Could we do them for 30 for the two? | 0:08:21 | 0:08:24 | |
-Yes, that's fine. -Lovely. Let's shake hands on that quickly | 0:08:24 | 0:08:27 | |
-and I am going to give you some money. -That was easy. | 0:08:27 | 0:08:30 | |
And it makes the sandalwood writing box £20 | 0:08:30 | 0:08:34 | |
and the papier-mache box £10. | 0:08:34 | 0:08:36 | |
Well done, Mark. | 0:08:36 | 0:08:38 | |
Now, dare we return to the vivacious Christina? | 0:08:38 | 0:08:42 | |
Oh, it's broken. | 0:08:42 | 0:08:43 | |
She's still with dealer Joe in Chichester. | 0:08:44 | 0:08:47 | |
-Hey, this is cool. -What is this? | 0:08:49 | 0:08:51 | |
It needs a little bit of TLC. | 0:08:51 | 0:08:53 | |
A little bit?! | 0:08:54 | 0:08:58 | |
It turns out Joe remembers seeing this very arcade machine | 0:08:58 | 0:09:02 | |
when he was a teenager, in Brighton. | 0:09:02 | 0:09:04 | |
That cannot be true. | 0:09:04 | 0:09:06 | |
You don't remember seeing this, last year when you were a teenager. | 0:09:06 | 0:09:09 | |
Last year when I was a teenager! | 0:09:09 | 0:09:11 | |
Love you. | 0:09:11 | 0:09:12 | |
All right, flirty Trevelyan. | 0:09:12 | 0:09:15 | |
So, what have you got on it? | 0:09:15 | 0:09:17 | |
-What does it say on the price tag? -What does it say on the price tag? | 0:09:17 | 0:09:21 | |
-Oh! -It says 350. | 0:09:21 | 0:09:23 | |
Oh, indeed. | 0:09:23 | 0:09:26 | |
-Sock it to me, Joe. Come on. -250. | 0:09:26 | 0:09:29 | |
And be kind, I should have said, before you said that. | 0:09:29 | 0:09:32 | |
I'm being kind. 250. | 0:09:32 | 0:09:34 | |
I've only got a £200 budget | 0:09:35 | 0:09:37 | |
and I have to buy lots of different things. | 0:09:37 | 0:09:39 | |
Is there any, any way I could secure this for under £200? | 0:09:39 | 0:09:44 | |
No pressure, Joe. | 0:09:44 | 0:09:45 | |
200, absolute... That is, that is... | 0:09:45 | 0:09:48 | |
Right, OK. I need to be sensible. | 0:09:50 | 0:09:52 | |
I do love it. | 0:09:52 | 0:09:54 | |
But I need to leave myself some money to buy other stuff. | 0:09:54 | 0:09:59 | |
So...180 | 0:09:59 | 0:10:03 | |
and you've got a deal. | 0:10:03 | 0:10:04 | |
But I'm not haggling with you. | 0:10:04 | 0:10:06 | |
-At all. -No, you're not haggling. | 0:10:06 | 0:10:09 | |
-You're not haggling. -And maybe the Stilton scoop as well. | 0:10:09 | 0:10:12 | |
180 for a Stilton scoop and an amusement arcade machine thing. | 0:10:13 | 0:10:17 | |
HE SIGHS | 0:10:18 | 0:10:19 | |
-Go on. -You're haggling. | 0:10:19 | 0:10:22 | |
No, I'm not. | 0:10:22 | 0:10:23 | |
I promise. Really? | 0:10:23 | 0:10:25 | |
180 quid. 180 Great British pounds. | 0:10:25 | 0:10:28 | |
-Have I flirted? -No. | 0:10:28 | 0:10:30 | |
Have I haggled? | 0:10:30 | 0:10:31 | |
-Yes. -No! -No, sorry, no. | 0:10:31 | 0:10:34 | |
£180. | 0:10:36 | 0:10:37 | |
Oh, God. I've just spent all my money. | 0:10:37 | 0:10:39 | |
It's going to be tight now, isn't it? | 0:10:39 | 0:10:42 | |
It really is. Thank you very much. | 0:10:42 | 0:10:44 | |
Goodness gracious. | 0:10:44 | 0:10:45 | |
That breaks down to £165 for the vintage arcade game | 0:10:45 | 0:10:49 | |
and £15 for the Stilton scoop. | 0:10:49 | 0:10:52 | |
And blimey, look - she's only got two Great British tenners left. | 0:10:54 | 0:10:58 | |
Meanwhile, Mark has made his way to Chichester. | 0:11:00 | 0:11:03 | |
His next stop is Gems Antiques. | 0:11:03 | 0:11:07 | |
Fascinating, cos I think there's going to be lots of gems in here. | 0:11:12 | 0:11:15 | |
Ha, how original of you, Mark(!) | 0:11:15 | 0:11:18 | |
I love this shop. | 0:11:18 | 0:11:20 | |
Cos there's quality, quality everywhere. | 0:11:20 | 0:11:23 | |
Now, this looks like it might be a mighty fine specimen. | 0:11:26 | 0:11:29 | |
The horse, not Mark. | 0:11:29 | 0:11:31 | |
Now, this is interesting. | 0:11:31 | 0:11:33 | |
I don't usually go for rocking horses | 0:11:33 | 0:11:35 | |
or things to do with juvenilia, | 0:11:35 | 0:11:37 | |
but this is actually quite nice. | 0:11:37 | 0:11:39 | |
It's quite well-proportioned. | 0:11:39 | 0:11:41 | |
I like the stylised head and it has little glass eyes, can you see? | 0:11:41 | 0:11:45 | |
Which are a nice feature. | 0:11:45 | 0:11:47 | |
It's obviously been well loved and played with | 0:11:47 | 0:11:49 | |
cos all the original fur is off it... | 0:11:49 | 0:11:53 | |
Not only that, it is believed the rocking horse belonged to | 0:11:53 | 0:11:56 | |
the brother of the King of the Belgians | 0:11:56 | 0:11:58 | |
and reputedly came from his summer palace in Ostend. Gosh! | 0:11:58 | 0:12:03 | |
It's certainly got age. | 0:12:03 | 0:12:05 | |
It's certainly Edwardian, | 0:12:05 | 0:12:07 | |
so it's going back to sort of 1900, 1910. | 0:12:07 | 0:12:09 | |
It's rather nice, that. | 0:12:09 | 0:12:12 | |
Time to get Maureen over for a price. | 0:12:12 | 0:12:15 | |
I've had it about 12 years in store. | 0:12:15 | 0:12:17 | |
Really? What are you looking for on that, Maureen? | 0:12:17 | 0:12:22 | |
Because I am stuck for space... | 0:12:22 | 0:12:24 | |
100 is what I gave. You can have it for 100. | 0:12:24 | 0:12:29 | |
I love him so much I'm going to say yes, Maureen. Thank you. | 0:12:29 | 0:12:31 | |
-And you want some money, don't you? -I will, yeah! | 0:12:31 | 0:12:34 | |
Half his budget on a bald, old rocking horse. | 0:12:34 | 0:12:38 | |
A bold move from Mark. | 0:12:38 | 0:12:40 | |
Come on, giddy-up. | 0:12:40 | 0:12:42 | |
It's not real, you know. | 0:12:42 | 0:12:43 | |
Meanwhile, Christina has travelled | 0:12:47 | 0:12:49 | |
to the West Sussex town | 0:12:49 | 0:12:50 | |
of Bognor Regis. | 0:12:50 | 0:12:51 | |
She's having some respite from the rigours of shopping to find out | 0:12:51 | 0:12:56 | |
about the British love of packing a bucket and spade | 0:12:56 | 0:12:59 | |
and heading on to the good old seaside. | 0:12:59 | 0:13:02 | |
Here in Bognor, it all started in the late 18th century | 0:13:03 | 0:13:07 | |
when wealthy property tycoon Sir Richard Hotham | 0:13:07 | 0:13:10 | |
wanted to emulate smart towns like Brighton and Weymouth | 0:13:10 | 0:13:13 | |
and so began the creation of Bognor as a popular seaside resort. | 0:13:13 | 0:13:17 | |
Christina is meeting with local historian Sylvia Endacott | 0:13:19 | 0:13:23 | |
to find out just why this seaside town became such a hit | 0:13:23 | 0:13:26 | |
with holiday-makers. | 0:13:26 | 0:13:28 | |
So, how did Bognor develop? | 0:13:28 | 0:13:30 | |
Because obviously Hotham thought of it as a seaside town, | 0:13:30 | 0:13:34 | |
he wanted to build this resort. | 0:13:34 | 0:13:36 | |
He built large constructions | 0:13:36 | 0:13:38 | |
on the road into Bognor and they still exist today. | 0:13:38 | 0:13:42 | |
And these were going to be the large houses for royalty | 0:13:42 | 0:13:47 | |
and moneyed people to come down and stay. | 0:13:47 | 0:13:50 | |
It became the fashion to take to the water. | 0:13:50 | 0:13:54 | |
The curative properties of the sea were considered to be beneficial | 0:13:54 | 0:13:58 | |
in aiding speedy recovery from diseases and ailments. | 0:13:58 | 0:14:01 | |
The Victorian era saw a dramatic increase in visits to the seaside | 0:14:01 | 0:14:06 | |
and Bognor was the very first English resort | 0:14:06 | 0:14:10 | |
specially designed for bathing. | 0:14:10 | 0:14:11 | |
Brrrr! | 0:14:11 | 0:14:13 | |
This was the sort of thing, away from all your troubles, come down, | 0:14:13 | 0:14:17 | |
sit by this, and it was a case of come and sit by this | 0:14:17 | 0:14:21 | |
or use a bathing machine | 0:14:21 | 0:14:23 | |
if you wanted to go swimming. | 0:14:23 | 0:14:25 | |
A bathing machine, I like the sound of a bathing machine. | 0:14:25 | 0:14:29 | |
Principally, to us, it's a hut on wheels. | 0:14:29 | 0:14:32 | |
You climb up the steps, go inside, close the door. | 0:14:32 | 0:14:37 | |
As you are getting undressed, | 0:14:37 | 0:14:40 | |
there was a horse put on the front and it pulls you out to sea. | 0:14:40 | 0:14:44 | |
And when it is out far enough, the horse gets taken off, | 0:14:44 | 0:14:48 | |
brought back onto the beach and you walk down the steps and go swimming. | 0:14:48 | 0:14:52 | |
-My goodness! -All very prim and proper. | 0:14:52 | 0:14:54 | |
Just in case anybody saw your ankles! | 0:14:54 | 0:14:57 | |
Perish the thought. | 0:14:58 | 0:15:00 | |
The advent of the railway boom in the 1840s meant Bognor became | 0:15:00 | 0:15:04 | |
very accessible and would attract people in their thousands. | 0:15:04 | 0:15:09 | |
The major visit was when King George V came down here in 1929. | 0:15:09 | 0:15:15 | |
He came to convalesce for 13 weeks. | 0:15:15 | 0:15:17 | |
I think the first five or six, it snowed! | 0:15:17 | 0:15:20 | |
But he did convalesce and went back to London | 0:15:20 | 0:15:25 | |
and then sometime afterwards, | 0:15:25 | 0:15:28 | |
Regis was bestowed on Bognor. | 0:15:28 | 0:15:31 | |
And that is how we get our Bognor Regis. | 0:15:31 | 0:15:34 | |
With the addition of the word "Regis", meaning "of the King", | 0:15:34 | 0:15:37 | |
Bognor received the ultimate royal seal of approval. | 0:15:37 | 0:15:40 | |
The town has evolved over the years and adapted to changing lifestyles. | 0:15:42 | 0:15:47 | |
Now, it would be rude not to have a quick game of minigolf, wouldn't it? | 0:15:47 | 0:15:52 | |
Right. | 0:15:52 | 0:15:53 | |
Oh! Like snooker. | 0:15:55 | 0:15:57 | |
Not really. | 0:15:57 | 0:15:59 | |
It may have had its Victorian heyday, but there will always be | 0:15:59 | 0:16:02 | |
a call for the seaside town in the UK, won't there? | 0:16:02 | 0:16:06 | |
I think the seaside is the biggest draw to any resort. | 0:16:06 | 0:16:10 | |
And the ability to see the sea and sit quietly and contemplate, maybe. | 0:16:10 | 0:16:14 | |
Exactly. I agree. It's been a delight, thank you very much. | 0:16:14 | 0:16:18 | |
-Pleasure. -Come on, I'll beat you. | 0:16:18 | 0:16:20 | |
Oh, come on! | 0:16:22 | 0:16:24 | |
THEY LAUGH | 0:16:24 | 0:16:25 | |
Over the last 200 years, the love of the British seaside getaway | 0:16:27 | 0:16:31 | |
has enjoyed an enduring appeal. | 0:16:31 | 0:16:34 | |
Even in the 21st century, Bognor Regis still captures the essence | 0:16:34 | 0:16:38 | |
of a traditional trip to the seaside, and long may it continue. | 0:16:38 | 0:16:42 | |
Christina is reunited with Mark and after all that fresh sea air, | 0:16:47 | 0:16:52 | |
it's time to relax. Nighty night, you two. | 0:16:52 | 0:16:55 | |
Look at that sunshine. I wonder what the topic of conversation in the car | 0:17:01 | 0:17:06 | |
will be this morning? | 0:17:06 | 0:17:08 | |
The trouble is, I knew you wouldn't be able to do it. | 0:17:08 | 0:17:11 | |
Do you know how I knew? | 0:17:11 | 0:17:14 | |
-I didn't say I couldn't do it. -How you couldn't do it? | 0:17:14 | 0:17:17 | |
-I could do it. -Because your lips were moving. | 0:17:17 | 0:17:19 | |
THEY LAUGH | 0:17:19 | 0:17:22 | |
Mark, I did do it. | 0:17:22 | 0:17:25 | |
I didn't flirt. Much. | 0:17:25 | 0:17:27 | |
Methinks the lady doth protest. | 0:17:27 | 0:17:31 | |
Here is what they have snapped up so far. | 0:17:31 | 0:17:34 | |
Mark has three international lots - | 0:17:34 | 0:17:36 | |
the 19th century Indian sandalwood writing box, | 0:17:36 | 0:17:39 | |
the Russian papier-mache box | 0:17:39 | 0:17:41 | |
and the delightful rocking horse, perhaps owned by Belgian royalty. | 0:17:41 | 0:17:45 | |
This gives Mark £70 for the day ahead. | 0:17:45 | 0:17:50 | |
As for Christina, she bought a little Stilton scoop | 0:17:50 | 0:17:54 | |
and a rather big arcade game, | 0:17:54 | 0:17:56 | |
splashing almost all her money on this gamble, | 0:17:56 | 0:18:00 | |
leaving her with just £20. Good luck with that, girl. | 0:18:00 | 0:18:03 | |
What are we going to call the car? | 0:18:04 | 0:18:06 | |
I don't know. Do you go for things like that? It's a car. | 0:18:06 | 0:18:09 | |
-It's an Alfa Romeo. -It's a Spider. | 0:18:09 | 0:18:12 | |
Incy Wincy. | 0:18:12 | 0:18:14 | |
Incy Wincy. | 0:18:14 | 0:18:16 | |
Now, then, our lovely road trip pals - and Incy Wincy - | 0:18:17 | 0:18:22 | |
have travelled to the Hampshire city of Winchester. | 0:18:22 | 0:18:24 | |
The city has inspired a wealth of literary classics, | 0:18:24 | 0:18:28 | |
including Jane Austen's Sense And Sensibility. | 0:18:28 | 0:18:31 | |
Talking of sense, who decided to make this pair share a shop? | 0:18:31 | 0:18:36 | |
Kings Walk Antiques Market is the place of battle. | 0:18:36 | 0:18:40 | |
Well, Christina, antique centre, here we go. | 0:18:40 | 0:18:43 | |
Two floors, antiques and crafts. | 0:18:43 | 0:18:45 | |
-Age before beauty, dear. -Age before beauty? | 0:18:45 | 0:18:48 | |
Age before beauty?! | 0:18:48 | 0:18:50 | |
What are you doing, pushing me away? | 0:18:50 | 0:18:52 | |
-How rude! -Happy hunting. -Have fun. | 0:18:52 | 0:18:54 | |
They're like naughty children, aren't they? | 0:18:54 | 0:18:57 | |
-Hello. -Hello. -You must be Penny. -I am. | 0:18:59 | 0:19:02 | |
-Hello, Christina. -How do we get in, how do we...? | 0:19:02 | 0:19:06 | |
This one is open. | 0:19:06 | 0:19:07 | |
You can get into that one. | 0:19:07 | 0:19:10 | |
It sort of feels like I'm behind a bar. | 0:19:10 | 0:19:13 | |
Yes, we haven't got any drinks apart from cups of coffee. | 0:19:13 | 0:19:16 | |
Cocktail? | 0:19:16 | 0:19:17 | |
Cheers! | 0:19:17 | 0:19:19 | |
I am sensing Trevelyan is in a mischievous mood. | 0:19:20 | 0:19:24 | |
(Mark is only just there so we had better be quiet. | 0:19:24 | 0:19:27 | |
(I don't want him to think I'm looking at really good stuff. | 0:19:27 | 0:19:29 | |
(No, no. Oh, right.) | 0:19:29 | 0:19:32 | |
What are you up to over there? | 0:19:32 | 0:19:34 | |
-Nothing! -Christina, I can see you. | 0:19:34 | 0:19:36 | |
-I am hiding. -I only have one thing to say to you. | 0:19:36 | 0:19:40 | |
Carry on flirting. | 0:19:40 | 0:19:43 | |
-Secret agent. -Oh, dear. | 0:19:43 | 0:19:45 | |
Mark is not in the mood for silliness. | 0:19:45 | 0:19:48 | |
But dealer Jocelyn has something Mark likes the look of. | 0:19:48 | 0:19:51 | |
-What is that little carved bit there? -This is New Zealand jade. | 0:19:51 | 0:19:56 | |
Oh, it is pretty, that. How much is that? | 0:19:56 | 0:19:59 | |
-That could be 25. -Gosh. | 0:20:00 | 0:20:02 | |
This looks to me like a modern piece of Chinese jade, or nephrite, | 0:20:02 | 0:20:06 | |
unlikely to have been made in New Zealand and hence the price. | 0:20:06 | 0:20:10 | |
It is probably only 30 or 40 years old. | 0:20:11 | 0:20:15 | |
-Let's go. -Look out, someone is on the prowl again. | 0:20:15 | 0:20:19 | |
I can hear somebody coming. | 0:20:19 | 0:20:21 | |
-Hi. -I will pop it in my pocket. | 0:20:21 | 0:20:23 | |
What are you looking at? | 0:20:23 | 0:20:24 | |
Something extraordinarily rare. | 0:20:24 | 0:20:26 | |
-Is it? -And you can't have it. | 0:20:26 | 0:20:29 | |
It is in my pocket. | 0:20:29 | 0:20:31 | |
In your pocket? Have you been pocketing things? | 0:20:31 | 0:20:33 | |
Stop being so nosy, Christina. | 0:20:33 | 0:20:36 | |
Come on, Penny, we are looking at antiques. We have priceless things. | 0:20:36 | 0:20:38 | |
-I don't trust a word that woman says. -Is this yours as well? | 0:20:38 | 0:20:43 | |
Has she gone? I can get it back out now. | 0:20:43 | 0:20:46 | |
I think you should reserve that for me. | 0:20:46 | 0:20:48 | |
Do not show it to you know who. | 0:20:48 | 0:20:50 | |
-I will pop it down there. -I will carry on looking a bit. | 0:20:50 | 0:20:53 | |
Thank you very much, Jocelyn. | 0:20:53 | 0:20:55 | |
Anything else catch your eye? | 0:20:55 | 0:20:57 | |
These are a set of five sterling silver buttons. | 0:20:59 | 0:21:03 | |
Quite heavy. | 0:21:03 | 0:21:05 | |
And they are all hand-beaten | 0:21:05 | 0:21:07 | |
and they have got a kind of Arts and Crafts look about them, | 0:21:07 | 0:21:12 | |
so they date to 1900-ish. | 0:21:12 | 0:21:15 | |
And they are not all the same, are they? | 0:21:15 | 0:21:18 | |
Five different designs and they're not even that. | 0:21:18 | 0:21:22 | |
Or were they? | 0:21:22 | 0:21:23 | |
You see, there is different designs on each of them. | 0:21:23 | 0:21:26 | |
Can you just tell me the best price you could do on those on? | 0:21:26 | 0:21:30 | |
Just for me to think. | 0:21:30 | 0:21:31 | |
-45. -45. | 0:21:33 | 0:21:36 | |
I think for me to give them a chance at auction, | 0:21:36 | 0:21:39 | |
I need to get them 35. So that would be 25...£60 for the two. | 0:21:39 | 0:21:43 | |
Can you go to 65? | 0:21:45 | 0:21:47 | |
I knew you were going to say that. You have been so sweet to me. | 0:21:47 | 0:21:51 | |
They are yours at 65. | 0:21:52 | 0:21:54 | |
Oh, go on. You have had to put up with me all this time. | 0:21:54 | 0:21:57 | |
You need a fiver compensation. | 0:21:57 | 0:21:59 | |
-Thank you so much. -You're welcome. | 0:21:59 | 0:22:02 | |
That's £25 for the nephrite plaque, | 0:22:02 | 0:22:05 | |
and £40 for the collection of patterns. | 0:22:05 | 0:22:08 | |
Now Christina has nabbed Jocelyn. What's that you've got there? | 0:22:08 | 0:22:12 | |
-Christina, are you all right? -Absolutely. | 0:22:13 | 0:22:17 | |
So, we have got a mahogany cased and glazed display cabinet, | 0:22:17 | 0:22:21 | |
which I think is for JS Fry - so that's chocolate, isn't it? | 0:22:21 | 0:22:26 | |
Which is really rather lovely. Jocelyn, what do you have on this? | 0:22:26 | 0:22:29 | |
I have 30 on it. | 0:22:29 | 0:22:31 | |
£30, OK. So, my slight problem | 0:22:31 | 0:22:36 | |
is that I've got... | 0:22:36 | 0:22:38 | |
I've got to buy two or three more things and I have £20 left to do it. | 0:22:38 | 0:22:43 | |
Is there any chance you could do it for £18, Jocelyn? | 0:22:44 | 0:22:49 | |
-Yes, I will take 18. -At £18, Jocelyn, I thank you very much. | 0:22:49 | 0:22:52 | |
You're welcome. | 0:22:52 | 0:22:53 | |
Well, she laid her cards on the table | 0:22:53 | 0:22:56 | |
and she achieved a brilliant deal. | 0:22:56 | 0:22:58 | |
£12 discount on Fry's chocolate display cabinet, | 0:22:58 | 0:23:01 | |
which is a really good thing. | 0:23:01 | 0:23:03 | |
While Christina was closing her deal, | 0:23:04 | 0:23:06 | |
Mark has got back behind the wheel of the Spider. | 0:23:06 | 0:23:09 | |
Christina is quite fun, but she does not stop talking. | 0:23:10 | 0:23:14 | |
And she is very competitive, even though she says she is not, | 0:23:14 | 0:23:18 | |
but I know she is. | 0:23:18 | 0:23:19 | |
Ha, unlike our Mr Stacey, eh? | 0:23:20 | 0:23:23 | |
Mark is making his way to the Hampshire village of Swanwick. | 0:23:25 | 0:23:29 | |
Situated near Southampton, it's home to the Bursledon Brickworks, | 0:23:29 | 0:23:34 | |
the only surviving Victorian steam-driven brickworks in the UK. | 0:23:34 | 0:23:39 | |
Since the beginning of time, | 0:23:40 | 0:23:42 | |
the ordinary brick has proved to be extraordinary and is responsible for | 0:23:42 | 0:23:47 | |
creating everything from the mundane to the remarkable. | 0:23:47 | 0:23:50 | |
Mark is meeting with project manager Caroline Haynes to find out why | 0:23:50 | 0:23:54 | |
the simple brick helped shape and build Britain. | 0:23:54 | 0:23:58 | |
-Hello, Caroline. I'm Mark. -Hello, Mark. Welcome to the brickworks. | 0:23:58 | 0:24:01 | |
We're going to learn all about bricks, aren't we? | 0:24:01 | 0:24:03 | |
More than you ever knew you needed to know. | 0:24:03 | 0:24:06 | |
With a history spanning thousands of years, | 0:24:06 | 0:24:09 | |
the first fired bricks were used in ancient Mesopotamia. | 0:24:09 | 0:24:14 | |
When the Romans conquered Britain, | 0:24:14 | 0:24:15 | |
they brought with them the trusty brick, | 0:24:15 | 0:24:18 | |
but it wasn't until centuries later that its true value was recognised. | 0:24:18 | 0:24:22 | |
By the time of the 16th, 17th century, | 0:24:22 | 0:24:25 | |
people have got tired of their houses burning down. | 0:24:25 | 0:24:27 | |
-Of course, the Great Fire of London. -Exactly. We were still building out | 0:24:27 | 0:24:31 | |
of an ancient tradition of wattle and daub, which is clay | 0:24:31 | 0:24:35 | |
but it is squashed onto timber, | 0:24:35 | 0:24:37 | |
and they would catch fire regularly and after the Great Fire of London, | 0:24:37 | 0:24:42 | |
it was the first time legislation said, | 0:24:42 | 0:24:44 | |
"You mustn't use materials that burn." | 0:24:44 | 0:24:47 | |
As demand increased, | 0:24:47 | 0:24:49 | |
so did the need for more efficient methods of production, | 0:24:49 | 0:24:53 | |
and on an industrial scale. | 0:24:53 | 0:24:56 | |
When did that mass technology come in? | 0:24:56 | 0:24:59 | |
That really came in with the Victorians. They were the great | 0:24:59 | 0:25:02 | |
inventors and innovators and they took hand-making of bricks | 0:25:02 | 0:25:06 | |
and they started trying to mechanise it to get the volumes, | 0:25:06 | 0:25:09 | |
and it took a long time to get it going but then machinery - | 0:25:09 | 0:25:13 | |
like the ones we have here - came on the market and they were | 0:25:13 | 0:25:16 | |
snapped up and these were serious, | 0:25:16 | 0:25:18 | |
big machines that could make a lot of bricks. | 0:25:18 | 0:25:21 | |
Founded in 1897, | 0:25:23 | 0:25:25 | |
the Bursledon Brickworks was fitted out | 0:25:25 | 0:25:27 | |
with these state-of-the-art contraptions. | 0:25:27 | 0:25:30 | |
Time to take a look at the mighty machine that was capable | 0:25:30 | 0:25:33 | |
of producing as many as 30,000 bricks a day. | 0:25:33 | 0:25:37 | |
Caroline, this looks like a wonderful machine. | 0:25:38 | 0:25:41 | |
-It doesn't still work, does it? -It actually does still work. | 0:25:41 | 0:25:44 | |
It has been fully restored. Would you like to see it going? | 0:25:44 | 0:25:46 | |
-I'd love to. -OK. Bob, can you start her? | 0:25:46 | 0:25:50 | |
Thanks, Bob. | 0:25:52 | 0:25:53 | |
By 1935, and after various extensions, | 0:25:58 | 0:26:01 | |
the brickworks was producing in excess of 20 million bricks a year. | 0:26:01 | 0:26:05 | |
So, the clay comes down through here and it gets squeezed out of there | 0:26:07 | 0:26:11 | |
as a big sausage of brown clay to make bricks. | 0:26:11 | 0:26:15 | |
It comes through here. | 0:26:15 | 0:26:17 | |
It gets sand dropped on it | 0:26:17 | 0:26:18 | |
and then it goes through the cutting wires there. | 0:26:18 | 0:26:21 | |
-These? -So, if you pull the lever. -This one? Just pull it? -Yeah. | 0:26:21 | 0:26:25 | |
You'll engage the engine, it will do the work. | 0:26:25 | 0:26:28 | |
Oh, gosh! | 0:26:28 | 0:26:29 | |
-Wow. -And that has cut the bricks into the right sizes. | 0:26:29 | 0:26:33 | |
And this would have been going on every second? | 0:26:33 | 0:26:35 | |
All the time. And you took four off like that. | 0:26:35 | 0:26:38 | |
-It keeps going. -Four, four, four. | 0:26:38 | 0:26:41 | |
-And they swapped sides. -Yes. | 0:26:41 | 0:26:45 | |
It was here the famous Fareham red brick was produced and was used | 0:26:45 | 0:26:49 | |
to build magnificent buildings such as the Royal Albert Hall. | 0:26:49 | 0:26:54 | |
Now, that's how the machine would make it, | 0:26:55 | 0:26:58 | |
how about trying out the old-fashioned method by hand, Mark? | 0:26:58 | 0:27:02 | |
Well, this is a much gentler job than working in the factory. | 0:27:02 | 0:27:05 | |
It is much gentler in one way - | 0:27:05 | 0:27:08 | |
you haven't got the noisy machinery, | 0:27:08 | 0:27:10 | |
but if you see how slowly we are going, | 0:27:10 | 0:27:13 | |
you would be expected to do four of these minute. | 0:27:13 | 0:27:15 | |
Four a minute? | 0:27:15 | 0:27:17 | |
Yeah, much, much faster than we are managing at the moment. | 0:27:17 | 0:27:20 | |
-What you're going to do now... -Lift it up? | 0:27:20 | 0:27:22 | |
Throw it into the mould. | 0:27:22 | 0:27:24 | |
Like that. Ready. | 0:27:24 | 0:27:27 | |
Perfect. I will push it in a bit. | 0:27:27 | 0:27:30 | |
And now you strike the top off. | 0:27:30 | 0:27:31 | |
This is called a strike. | 0:27:31 | 0:27:33 | |
-Run it along the top... -This is like baking. | 0:27:33 | 0:27:36 | |
The whole thing is very like bread baking. | 0:27:36 | 0:27:38 | |
Pull, pull, pull back. | 0:27:38 | 0:27:41 | |
And this comes off. | 0:27:41 | 0:27:43 | |
-Peel that off. -And there is the brick. | 0:27:43 | 0:27:46 | |
And then it goes on that piece of wood, does it? | 0:27:46 | 0:27:48 | |
Yeah, it sometimes comes out quite quick. | 0:27:48 | 0:27:51 | |
-That is not bad. -A very good brick. | 0:27:51 | 0:27:54 | |
Well done. It is perfect. | 0:27:54 | 0:27:56 | |
-Your own brick. -First of four a minute. | 0:27:56 | 0:27:58 | |
Yeah, you need about 10,000 more. | 0:27:58 | 0:28:00 | |
I want a garden shed made of bricks | 0:28:02 | 0:28:05 | |
-so I will let you carry on making the rest for me. -Thank you so much! | 0:28:05 | 0:28:10 | |
A bit cheeky, Mark. | 0:28:10 | 0:28:12 | |
In 1974, the brickworks were closed, | 0:28:12 | 0:28:14 | |
but thankfully the site has been saved from destruction and continues | 0:28:14 | 0:28:18 | |
to honour the brick making industry of our country as a museum, | 0:28:18 | 0:28:22 | |
paying testament to the legacy of the humble British brick. | 0:28:22 | 0:28:27 | |
Meanwhile, Christina has journeyed to the largest city in Hampshire - | 0:28:31 | 0:28:34 | |
Southampton. | 0:28:34 | 0:28:36 | |
Our flirty girl wants to blow her budget. | 0:28:36 | 0:28:39 | |
With only two pounds left, good luck! | 0:28:39 | 0:28:42 | |
BELL JINGLES | 0:28:42 | 0:28:44 | |
Simon is manning his father's shop today. | 0:28:46 | 0:28:49 | |
Prepare yourself, young man. | 0:28:49 | 0:28:51 | |
My goodness, this is a massive trip down memory lane for me. | 0:28:51 | 0:28:54 | |
My university halls of residence were about.. | 0:28:54 | 0:28:58 | |
-Well, over there. -Not far. | 0:28:58 | 0:29:01 | |
We went to the same halls of residence. | 0:29:01 | 0:29:03 | |
-Did you? -Yes. Solent University. | 0:29:03 | 0:29:05 | |
That's right. When did you graduate? | 0:29:05 | 0:29:08 | |
2002. | 0:29:08 | 0:29:09 | |
Oh, my God. | 0:29:09 | 0:29:10 | |
I graduated in 2001. | 0:29:10 | 0:29:13 | |
We were probably there at the same time! | 0:29:13 | 0:29:15 | |
Uh-oh! | 0:29:15 | 0:29:17 | |
You don't look familiar, thank goodness! | 0:29:17 | 0:29:20 | |
Oh, blimey. | 0:29:20 | 0:29:21 | |
Moving swiftly on... | 0:29:21 | 0:29:23 | |
This shop has been here for 40 years | 0:29:24 | 0:29:26 | |
and specialises in marine memorabilia. | 0:29:26 | 0:29:30 | |
So, is there anything that you have in possibly the sort of £2 region? | 0:29:30 | 0:29:36 | |
£2? Er... | 0:29:36 | 0:29:39 | |
You have full permission to throw me out of your shop if you want to. | 0:29:39 | 0:29:42 | |
We have things slightly more, but I am sure we can do a deal. | 0:29:42 | 0:29:45 | |
-OK. -Let's have a look. £2... | 0:29:45 | 0:29:47 | |
We have to be looking at about four or five. | 0:29:47 | 0:29:50 | |
Or 30 or 40. 70 or 80. | 0:29:50 | 0:29:54 | |
£4. | 0:29:56 | 0:29:57 | |
This is a QE2 bottle opener. | 0:29:57 | 0:30:00 | |
That is £4. | 0:30:00 | 0:30:01 | |
You can have that for £2. | 0:30:01 | 0:30:03 | |
-It doesn't float my boat! -Good one! | 0:30:03 | 0:30:06 | |
That was quite funny, even for me. | 0:30:08 | 0:30:11 | |
Yes, ha-ha(!) Maybe there will be something downstairs, then. | 0:30:13 | 0:30:16 | |
Oh, gosh. This isn't going well, is it? | 0:30:18 | 0:30:21 | |
Don't lose the faith, Simon. | 0:30:21 | 0:30:23 | |
We can do this. I know we can do this. | 0:30:23 | 0:30:26 | |
What's that? | 0:30:28 | 0:30:29 | |
That is an old college cap. | 0:30:29 | 0:30:32 | |
How much is that? | 0:30:32 | 0:30:33 | |
-£9. -£9. | 0:30:37 | 0:30:39 | |
That is quite fun, isn't it? | 0:30:39 | 0:30:41 | |
Adrian Shipwright. | 0:30:41 | 0:30:43 | |
-I don't know who he is. -Is that why you bought it, it has "ship" in it? | 0:30:43 | 0:30:46 | |
No, no. It just came in. | 0:30:46 | 0:30:49 | |
It is an old college cap, probably for cricket. | 0:30:51 | 0:30:54 | |
Yeah, would you do that for £2? | 0:30:54 | 0:30:56 | |
-Is that all you have got, £2? -Literary that is all I have. | 0:30:58 | 0:31:02 | |
£2. That is it. That is all I have left in my budget. | 0:31:04 | 0:31:07 | |
Well, it is quite a nice-looking £2. | 0:31:07 | 0:31:10 | |
-Very shiny, isn't it? -Yes, it is clean. | 0:31:10 | 0:31:12 | |
-We will take that. -£2 for the cap. | 0:31:12 | 0:31:15 | |
It is a deal. Thank you very, very much. | 0:31:15 | 0:31:17 | |
-And you model it so beautifully. -Thank you. | 0:31:17 | 0:31:19 | |
Well done, thank you very much. | 0:31:21 | 0:31:22 | |
That's it. I am done. | 0:31:22 | 0:31:24 | |
-Two quid. -Sorry. | 0:31:24 | 0:31:26 | |
That is enough for a coffee. | 0:31:26 | 0:31:28 | |
If you're lucky. | 0:31:28 | 0:31:29 | |
Well done, Christina. Your last £2 | 0:31:29 | 0:31:32 | |
on a charming vintage public school cap. | 0:31:32 | 0:31:35 | |
Very fetching. You could start a new trend. Maybe. | 0:31:39 | 0:31:43 | |
And that is it. Our first leg of shopping is complete. | 0:31:45 | 0:31:49 | |
Christina has a total of four lots comprising the vintage arcade game, | 0:31:49 | 0:31:53 | |
the 19th-century Stilton scoop, | 0:31:53 | 0:31:55 | |
the chocolate display cabinet | 0:31:55 | 0:31:58 | |
and the public school cap. | 0:31:58 | 0:31:59 | |
Christina has blown her £200 budget exactly. | 0:31:59 | 0:32:03 | |
Mark has bought five lots - | 0:32:05 | 0:32:07 | |
the 19th-century writing box, | 0:32:07 | 0:32:09 | |
the Russian papier-mache box, | 0:32:09 | 0:32:12 | |
the rocking horse, | 0:32:12 | 0:32:13 | |
the nephrite plaque | 0:32:13 | 0:32:15 | |
and the collection of silver arts and crafts buttons. | 0:32:15 | 0:32:17 | |
Mark was pretty confident, too - | 0:32:19 | 0:32:21 | |
he spent £195. | 0:32:21 | 0:32:24 | |
Come on, you two. Confess what you really think | 0:32:24 | 0:32:26 | |
of one another's haul of goodies. Stand by. | 0:32:26 | 0:32:30 | |
Congratulations to you, Christina. I think it's amazing you spent | 0:32:30 | 0:32:33 | |
every penny and you have taken some gambles, girl. | 0:32:33 | 0:32:36 | |
Mark's items are a little eclectic bunch of loveliness, | 0:32:36 | 0:32:40 | |
much like himself, he would say. | 0:32:40 | 0:32:43 | |
That pinball machine, 1930s from Brighton Pier, 165 quid... | 0:32:43 | 0:32:47 | |
I wish you luck with that one. It is a good gamble. | 0:32:47 | 0:32:50 | |
He did pay an awful lot of money for the rocking horse, | 0:32:50 | 0:32:52 | |
£100, but potentially it was a risk worth taking. | 0:32:52 | 0:32:56 | |
It might just win him the race. | 0:32:56 | 0:32:58 | |
Time now to point the Alfa Romeo | 0:32:59 | 0:33:01 | |
at Merseyside and an auction in Birkenhead. | 0:33:01 | 0:33:04 | |
-Were you nervous? -Always. | 0:33:06 | 0:33:08 | |
Are you nervous today? | 0:33:08 | 0:33:09 | |
Don't touch me. | 0:33:09 | 0:33:11 | |
Stop poking me, Christina. | 0:33:13 | 0:33:15 | |
Leave my hair alone. | 0:33:15 | 0:33:17 | |
-Christina. -What? | 0:33:17 | 0:33:18 | |
It is soft, your hair. | 0:33:18 | 0:33:21 | |
Don't pull it too much. It'll come off. | 0:33:21 | 0:33:24 | |
While our lovebirds pull themselves together, | 0:33:26 | 0:33:28 | |
today's sale is held at Kruger Gibbons. | 0:33:28 | 0:33:31 | |
-Look, I drive you right to the door. -Well done, sweetheart. Thank you. | 0:33:31 | 0:33:35 | |
I just need a red carpet now. | 0:33:35 | 0:33:37 | |
Don't get carried away, dear. | 0:33:37 | 0:33:39 | |
-There is only room for one star in the show. -You're right. | 0:33:39 | 0:33:43 | |
Our auction today is Adrian Kruger. | 0:33:43 | 0:33:47 | |
How do our pair's offerings grab you, Adrian? | 0:33:47 | 0:33:51 | |
The papier-mache box is lovely. | 0:33:51 | 0:33:53 | |
The workmanship in that is gorgeous. | 0:33:53 | 0:33:55 | |
It is so precise, beautiful piece. I think that could do quite well. | 0:33:55 | 0:33:58 | |
The arcade game, which is a fabulous piece. | 0:33:58 | 0:34:01 | |
Some real history in that and the fact it came from Brighton, | 0:34:01 | 0:34:04 | |
we have already had some interest on that one so it'll be interesting | 0:34:04 | 0:34:07 | |
-to see where it goes. -OK, quiet, everyone - | 0:34:07 | 0:34:10 | |
the auction is about to begin and we are also open to online bidders. | 0:34:10 | 0:34:15 | |
Looks comfy, doesn't it? | 0:34:16 | 0:34:18 | |
I'll tell you what, it's like being at home. | 0:34:18 | 0:34:21 | |
I wonder what's coming on telly next? | 0:34:21 | 0:34:24 | |
Well, don't switch over because | 0:34:24 | 0:34:27 | |
first up is Mark's pretty Russian papier-mache box. | 0:34:27 | 0:34:30 | |
-£30, start me. -Come on... | 0:34:31 | 0:34:34 | |
20, I have got. £20 I have. | 0:34:34 | 0:34:35 | |
£20 on the net. 25 I have got. | 0:34:35 | 0:34:37 | |
25 in the room. 25 in the room and 30 I am looking for. | 0:34:37 | 0:34:40 | |
£25 in the room. | 0:34:40 | 0:34:42 | |
£30 I have. | 0:34:42 | 0:34:44 | |
£30 I have. And 5. | 0:34:44 | 0:34:45 | |
35 I have. £35 and 40 I am looking for. | 0:34:45 | 0:34:48 | |
Selling at £35 and away... | 0:34:48 | 0:34:50 | |
GAVEL TAPS | 0:34:50 | 0:34:52 | |
Well, that's not bad. £25 profit. | 0:34:52 | 0:34:54 | |
Wonderful result. | 0:34:54 | 0:34:56 | |
Well done, Mark. Long may it continue. | 0:34:56 | 0:34:58 | |
Good start. I am positive. Are you? | 0:34:58 | 0:35:00 | |
-Good. -I think this is going to be all right. | 0:35:00 | 0:35:02 | |
Let's hope so. | 0:35:02 | 0:35:04 | |
It is Christina's big gamble next - | 0:35:04 | 0:35:07 | |
the vintage arcade game. | 0:35:07 | 0:35:09 | |
It is a 1930s arcade game from Brighton. | 0:35:09 | 0:35:12 | |
Do you remember playing on it? | 0:35:12 | 0:35:14 | |
As a child. Do you remember it? | 0:35:14 | 0:35:16 | |
I bet you do, don't you? | 0:35:16 | 0:35:18 | |
I bet you had hours of fun. | 0:35:18 | 0:35:20 | |
Christina, you are now nothing to me. | 0:35:20 | 0:35:24 | |
Start me at 150. 150 we have. | 0:35:24 | 0:35:28 | |
150 I have got. | 0:35:28 | 0:35:30 | |
-Internet. -160 I will take. -Come on, internet. | 0:35:30 | 0:35:32 | |
160 we have. | 0:35:32 | 0:35:34 | |
-170. -They're online? | 0:35:34 | 0:35:37 | |
180 on the net. | 0:35:37 | 0:35:39 | |
180 I have. | 0:35:39 | 0:35:41 | |
Rare thing, this. 190. | 0:35:41 | 0:35:42 | |
180 I have. | 0:35:42 | 0:35:44 | |
-I will take 190. -190. | 0:35:44 | 0:35:46 | |
Online. | 0:35:46 | 0:35:48 | |
200. 200 on the net. | 0:35:48 | 0:35:50 | |
I told you. | 0:35:50 | 0:35:52 | |
200 we have got. 210 anywhere? | 0:35:52 | 0:35:54 | |
You see, two dealers online are bidding... | 0:35:54 | 0:35:57 | |
£200, all done and selling. | 0:35:57 | 0:35:59 | |
On the net at 200. | 0:35:59 | 0:36:00 | |
GAVEL TAPS | 0:36:00 | 0:36:02 | |
Well, you are out of it. | 0:36:02 | 0:36:05 | |
I can breathe. | 0:36:05 | 0:36:06 | |
The gamble paid off. Well done, Christina. | 0:36:06 | 0:36:09 | |
-Well done, you. -I thought it would be a loss. | 0:36:10 | 0:36:12 | |
I am massively relieved about that. | 0:36:12 | 0:36:14 | |
Time now for Mark's big gamble - | 0:36:14 | 0:36:17 | |
the late 19th century rocking horse is next. | 0:36:17 | 0:36:21 | |
Start me at 100, somebody. | 0:36:21 | 0:36:22 | |
£100, we are in. £100 I have. | 0:36:22 | 0:36:25 | |
100 in the room. 110 I will take. | 0:36:25 | 0:36:28 | |
-Come on. -100 in the room, 110 I am looking for. | 0:36:28 | 0:36:31 | |
110, we have. 120 anywhere? | 0:36:31 | 0:36:34 | |
£110. | 0:36:34 | 0:36:36 | |
Great history to this. Nice thing. | 0:36:36 | 0:36:38 | |
-Come on. -Are you all done at £110 and selling? | 0:36:38 | 0:36:42 | |
At £110. | 0:36:42 | 0:36:43 | |
GAVEL TAPS | 0:36:43 | 0:36:45 | |
Oh, that's disappointing. | 0:36:45 | 0:36:46 | |
Surely is and someone has got one heck of a good buy. | 0:36:48 | 0:36:51 | |
-Never mind. -Move on. -Plenty more rocking horses in the sea. | 0:36:52 | 0:36:57 | |
Seahorses. I'm going to do a rocking seahorse. | 0:37:00 | 0:37:04 | |
Sounds different. | 0:37:06 | 0:37:08 | |
Christina's silver-plated Stilton scoop is next. | 0:37:09 | 0:37:13 | |
£20 to start me. | 0:37:13 | 0:37:14 | |
£20 I have. | 0:37:14 | 0:37:16 | |
-£20. -25. | 0:37:16 | 0:37:19 | |
25 I have got. | 0:37:19 | 0:37:21 | |
And 30 with me. | 0:37:21 | 0:37:22 | |
-Oh, Christina. -£30 I have. | 0:37:22 | 0:37:24 | |
5 anywhere? £30 I have. | 0:37:24 | 0:37:26 | |
I didn't think this would make a profit. | 0:37:26 | 0:37:29 | |
Selling. | 0:37:29 | 0:37:30 | |
GAVEL TAPS | 0:37:30 | 0:37:31 | |
Well done, you. | 0:37:31 | 0:37:33 | |
And this nice little profit allows Christina a small lead. | 0:37:33 | 0:37:38 | |
We're sort of bumbling along evenly here, aren't we? | 0:37:38 | 0:37:41 | |
Yeah. Bit of a break, even, bit of a profit, bit of a loss. | 0:37:41 | 0:37:45 | |
How exciting. | 0:37:45 | 0:37:46 | |
Can Mark race into lead position with his sandalwood writing box? | 0:37:48 | 0:37:52 | |
£30. 30 I've got. | 0:37:52 | 0:37:54 | |
£30 in the room. 30 in the room and 5 I'll take. | 0:37:54 | 0:37:57 | |
£30 I have. 5 I'm looking for. | 0:37:57 | 0:37:59 | |
£30 I have, 35 on the net and 40 in the room. | 0:37:59 | 0:38:03 | |
35 on the net. | 0:38:03 | 0:38:04 | |
35 on the net. Do I see 40? | 0:38:04 | 0:38:06 | |
£35. Are you all done on the internet? | 0:38:06 | 0:38:08 | |
And selling at 35. | 0:38:08 | 0:38:10 | |
Well... | 0:38:10 | 0:38:12 | |
-Profit. -It is a profit. | 0:38:12 | 0:38:14 | |
-You've got to be grateful for a profit. -That you do. | 0:38:14 | 0:38:18 | |
And it brings you neck and neck with Christina. | 0:38:18 | 0:38:20 | |
The winning post is within sight | 0:38:21 | 0:38:23 | |
-and I think we both might be short of it. -Yeah! | 0:38:23 | 0:38:26 | |
Well, one of you has to win. | 0:38:29 | 0:38:31 | |
It's Christina's vintage schoolboy cap next. | 0:38:31 | 0:38:34 | |
£10 on this. | 0:38:35 | 0:38:37 | |
-£10 I have. -There we are. | 0:38:37 | 0:38:39 | |
12 I'll take. 10 I have and 12 I'll take. | 0:38:39 | 0:38:42 | |
Look great in a cabinet. | 0:38:42 | 0:38:44 | |
-£10 I have. 12 anywhere? -Or on your head. -Put the gavel down. | 0:38:44 | 0:38:47 | |
£10. Are you all done at a tenner? | 0:38:47 | 0:38:49 | |
I can't tell you how excited I am, honestly. | 0:38:49 | 0:38:52 | |
Thank you. | 0:38:52 | 0:38:53 | |
I'm glad you're excited, Mark. | 0:38:53 | 0:38:55 | |
Excellent result on your £2 purchase, Christina. | 0:38:55 | 0:38:58 | |
-It's only a small profit. -It's only a small profit. | 0:38:59 | 0:39:02 | |
-Just a tiny weeny one. -Five times what you paid for it. | 0:39:02 | 0:39:04 | |
It's forgivable, yeah. | 0:39:04 | 0:39:06 | |
Thank goodness he's smiling. | 0:39:09 | 0:39:10 | |
It's Mark's nephrite next. | 0:39:10 | 0:39:13 | |
-Come on, come on. -No, I'm very positive. | 0:39:13 | 0:39:15 | |
I never give up. | 0:39:15 | 0:39:17 | |
£30 to start, £30 we have. | 0:39:17 | 0:39:19 | |
-Profit. Profit. -£5 profit. | 0:39:19 | 0:39:22 | |
Fabulous piece, beautiful... | 0:39:22 | 0:39:24 | |
-It is. -£30 online. | 0:39:24 | 0:39:26 | |
Oh, come on. | 0:39:26 | 0:39:29 | |
£30 maiden bid. | 0:39:29 | 0:39:30 | |
£30. Are you all done? | 0:39:30 | 0:39:32 | |
Selling at £30, if you're all out. I thought it would do more. | 0:39:32 | 0:39:35 | |
I thought it would do more. | 0:39:35 | 0:39:37 | |
Ha, blimey. | 0:39:37 | 0:39:39 | |
But a small profit, nevertheless. | 0:39:39 | 0:39:42 | |
I'm thinking already of round two. | 0:39:42 | 0:39:44 | |
-Really? What are you going to buy next time? -Just watch out. | 0:39:44 | 0:39:46 | |
Oh, really? Ooh, fighting talk, I like it! | 0:39:46 | 0:39:49 | |
Come on, stick them up. Come on. | 0:39:49 | 0:39:51 | |
Give me a good fight, come on. | 0:39:51 | 0:39:53 | |
Now it's Christina's Fry's chocolate display cabinet. | 0:39:56 | 0:40:01 | |
This is the one I'm most worried about. | 0:40:01 | 0:40:03 | |
-Oh, are you? -Yeah, cos you only paid 18 quid for it. | 0:40:03 | 0:40:06 | |
And it's so in at the moment. Such a good find. | 0:40:06 | 0:40:09 | |
I can start that one with me at £80 I have. | 0:40:09 | 0:40:12 | |
-£80 I have. -I told you. -He's got £80. | 0:40:12 | 0:40:16 | |
-It told you that. -85 I have, 90 I have and 5. | 0:40:16 | 0:40:19 | |
And 100, 10, 120, 130, 120 with the gentleman to our left. | 0:40:19 | 0:40:24 | |
-Told you. -120 I have, 130. | 0:40:24 | 0:40:27 | |
I'm looking for £120 we have in the room. | 0:40:27 | 0:40:30 | |
Are you all done, £120? | 0:40:30 | 0:40:31 | |
I'm selling. | 0:40:31 | 0:40:33 | |
-120 and away. -Told you. | 0:40:33 | 0:40:35 | |
What a whopper of a profit, Christina. | 0:40:36 | 0:40:39 | |
Dry your eyes, Mark. | 0:40:39 | 0:40:40 | |
Christina, I'm not a pet. | 0:40:42 | 0:40:44 | |
Darling, are you all right? | 0:40:44 | 0:40:46 | |
I'm not speaking to you. | 0:40:46 | 0:40:48 | |
It's Mark's last chance to take the day with his collection | 0:40:52 | 0:40:55 | |
of silver Arts and Crafts buttons. | 0:40:55 | 0:40:58 | |
-I predict a profit. -Do you? -Mm-hm. Yep. | 0:40:58 | 0:41:00 | |
I think they're lovely. I think you need to believe in them more. | 0:41:00 | 0:41:04 | |
I believe. I believe I can fly. | 0:41:04 | 0:41:05 | |
I believe that I can fly, Christina. | 0:41:05 | 0:41:08 | |
-You can touch the sky? -Touch the sky. | 0:41:08 | 0:41:11 | |
-What's the next line? -Um, I think about you every night and day. | 0:41:11 | 0:41:14 | |
I do, actually. It's like a nightmare. | 0:41:14 | 0:41:18 | |
And with the net now at £60. | 0:41:18 | 0:41:20 | |
£60 on the net. | 0:41:20 | 0:41:22 | |
-Oh. -See? | 0:41:22 | 0:41:24 | |
That's more than I thought. They will make a profit. | 0:41:24 | 0:41:28 | |
65, 70, 70 we have. | 0:41:28 | 0:41:30 | |
£70 and 5. | 0:41:30 | 0:41:32 | |
£70, are you all done? Lovely set. £70, are you all done? | 0:41:32 | 0:41:35 | |
I'm selling on the net at £70. | 0:41:35 | 0:41:38 | |
I said from the minute I bought them, I'm so pleased I bought them. | 0:41:38 | 0:41:41 | |
No, you didn't! No, you didn't! | 0:41:41 | 0:41:43 | |
Thankfully, Mark's got a much needed profit. Ye of little faith, eh? | 0:41:46 | 0:41:50 | |
-Come on. -Let's go and count my pennies. | 0:41:52 | 0:41:54 | |
-And yours. -I'll help you. I'll help you count them. | 0:41:54 | 0:41:58 | |
Who will reign supreme for the first leg? | 0:41:58 | 0:42:02 | |
Let's work out the numbers. | 0:42:02 | 0:42:03 | |
Mark began leg one with £200 | 0:42:05 | 0:42:07 | |
and, after all auction costs, made a profit of £34.60. | 0:42:07 | 0:42:12 | |
Mark's grand total to carry forward is £234.60. | 0:42:12 | 0:42:16 | |
Christina also began with £200 and has bounded ahead | 0:42:19 | 0:42:23 | |
with an excellent profit of £95.20. | 0:42:23 | 0:42:26 | |
Christina's daring buys allow her to take the lead for leg one | 0:42:26 | 0:42:30 | |
and has a wonderful £295.20 for next time. | 0:42:30 | 0:42:35 | |
So well done, girl. | 0:42:35 | 0:42:36 | |
Well, Christina. | 0:42:36 | 0:42:38 | |
-Here we go. Profits all round, Mark. -It is profits. -Yeah. | 0:42:38 | 0:42:41 | |
I'm so pleased we made profits. | 0:42:41 | 0:42:43 | |
-We backed our judgements. -Well, I think... | 0:42:43 | 0:42:45 | |
It's just your judgements were a bit better than mine. | 0:42:45 | 0:42:48 | |
But it's the start of the week. | 0:42:48 | 0:42:49 | |
But you've got some catching up to do already. | 0:42:49 | 0:42:51 | |
-I know. You like that, don't you? -Yeah, I do. | 0:42:51 | 0:42:54 | |
Whoa! Pip-pip, roadtrippers. | 0:42:55 | 0:42:57 | |
Next time on the Antiques Road Trip, | 0:43:01 | 0:43:02 | |
Christina reminds Mark just who's in the lead. | 0:43:02 | 0:43:06 | |
-Remember that cabinet? -Yeah. -Do you remember how much money I made? | 0:43:06 | 0:43:09 | |
-I do. £102. -Was it? That was good, wasn't it? | 0:43:09 | 0:43:12 | |
SHE LAUGHS | 0:43:12 | 0:43:14 |