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It's the nation's favourite antiques experts... | 0:00:02 | 0:00:04 | |
-What a job. -..with £200 each... | 0:00:04 | 0:00:06 | |
-Are you with me? -..a classic car... | 0:00:06 | 0:00:08 | |
-Buckle up. -..and a goal - to scour Britain for antiques. | 0:00:08 | 0:00:12 | |
-Ooh, sorry! -Ha-ha! | 0:00:12 | 0:00:14 | |
The aim - to make the biggest profit at auction. | 0:00:14 | 0:00:17 | |
But it's no mean feat. | 0:00:17 | 0:00:19 | |
-There'll be worthy winners... -Yes! -..and valiant losers. | 0:00:19 | 0:00:23 | |
So will it be the high road to glory or the slow road to disaster? | 0:00:23 | 0:00:27 | |
Have a good trip. | 0:00:27 | 0:00:29 | |
This is the Antiques Road Trip. | 0:00:29 | 0:00:31 | |
Yeah! | 0:00:34 | 0:00:35 | |
Welcome to the hop gardens and orchards of Kent... | 0:00:36 | 0:00:39 | |
..for a brand-new instalment of an age-old struggle. | 0:00:40 | 0:00:44 | |
-Deja vu. -Deja vu. | 0:00:44 | 0:00:46 | |
Not just twice but thrice. | 0:00:46 | 0:00:48 | |
This is the gunfight at the OK Corral in Kent. | 0:00:48 | 0:00:52 | |
Yes, auctioneers Charlie Ross and James Braxton | 0:00:52 | 0:00:54 | |
have famously fought it out before... | 0:00:54 | 0:00:57 | |
Are you hearing this? | 0:00:57 | 0:00:59 | |
..with Charlie's jumbo profits | 0:00:59 | 0:01:01 | |
making the difference north of the border. | 0:01:01 | 0:01:03 | |
Last time. £2,700. | 0:01:03 | 0:01:06 | |
APPLAUSE | 0:01:06 | 0:01:07 | |
I was big in Scotland. | 0:01:07 | 0:01:09 | |
-You were very big in Scotland. -You were huge in East Anglia. | 0:01:09 | 0:01:12 | |
Quite. James served up his revenge a few years later... | 0:01:12 | 0:01:16 | |
£50, I'll take it. | 0:01:16 | 0:01:18 | |
On the net at £200 dead. | 0:01:18 | 0:01:20 | |
Done. | 0:01:20 | 0:01:21 | |
..leaving things nicely poised for a decider of sorts. | 0:01:21 | 0:01:25 | |
Monetary-wise you are nudging ahead with about 1,500 quid. | 0:01:25 | 0:01:29 | |
Well, fortunately for James, | 0:01:31 | 0:01:32 | |
the slate's been wiped clean for this trip, | 0:01:32 | 0:01:35 | |
so they're setting out with £200 each | 0:01:35 | 0:01:38 | |
and an Alfa Romeo Spider to share. | 0:01:38 | 0:01:40 | |
-Lovely. Have you got a theme for your buying? -Normal stuff. | 0:01:40 | 0:01:43 | |
Anything that would sit comfortably in my drawing room, I will buy. | 0:01:43 | 0:01:47 | |
After taking off from Chart Sutton in Kent, | 0:01:51 | 0:01:54 | |
Charlie and James will be | 0:01:54 | 0:01:55 | |
sauntering around the south-east, | 0:01:55 | 0:01:57 | |
moseying up towards the Midlands | 0:01:57 | 0:01:59 | |
and then wandering west before eventually | 0:01:59 | 0:02:02 | |
making Dorset their destination and a D-Day in Dorchester. | 0:02:02 | 0:02:05 | |
Today's journey will conclude | 0:02:07 | 0:02:08 | |
at auction number one in Washington, West Sussex. | 0:02:08 | 0:02:11 | |
But their first stop is in the aforementioned Kent village | 0:02:11 | 0:02:15 | |
of Chart Sutton, | 0:02:15 | 0:02:17 | |
on the edge of the Weald, just south of Maidstone. | 0:02:17 | 0:02:20 | |
Ah, now, here we are. | 0:02:23 | 0:02:24 | |
James, why have you brought me to a garden centre? | 0:02:24 | 0:02:28 | |
Oh, they've got plenty of antiques as well. | 0:02:28 | 0:02:32 | |
-Hang on. -Touching, isn't it? -My dear old thing. | 0:02:32 | 0:02:36 | |
This is a little higher. | 0:02:36 | 0:02:37 | |
They're in this one together. | 0:02:37 | 0:02:39 | |
-You'll be all right. -Thank you. | 0:02:39 | 0:02:41 | |
-Lead on, James. -This looks very good, doesn't it? | 0:02:41 | 0:02:43 | |
Ah-ha! | 0:02:43 | 0:02:45 | |
-Charlie? -Yep. -Trevor. -Nice to meet you. -James. -James. | 0:02:45 | 0:02:49 | |
-Very good to meet you. -And who's lurking here? | 0:02:49 | 0:02:51 | |
-Jackie. Hello. -Jackie. -Lovely to meet you, Jackie. | 0:02:51 | 0:02:54 | |
-Hi. -Splendid. | 0:02:54 | 0:02:55 | |
-Jackie, do you have things here? -I do, yes. | 0:02:55 | 0:02:58 | |
Take me to your stock, Jackie! | 0:02:58 | 0:03:00 | |
I'm going to stick with Trevor. You can't go wrong with a Trevor. | 0:03:00 | 0:03:04 | |
Plenty to choose from. | 0:03:04 | 0:03:06 | |
There are 22 dealers represented here. | 0:03:06 | 0:03:08 | |
Where's your little patch? | 0:03:09 | 0:03:11 | |
My cabinet's over here. | 0:03:11 | 0:03:13 | |
But nothing beats being on the ground. | 0:03:13 | 0:03:16 | |
What are those little pair of shoes you've got here? | 0:03:16 | 0:03:18 | |
-Victorian boots. -I rather think | 0:03:18 | 0:03:21 | |
that they belonged to somebody rather smart. | 0:03:21 | 0:03:23 | |
-They're very cute, aren't they? -Yeah. | 0:03:23 | 0:03:25 | |
Look at those. | 0:03:30 | 0:03:32 | |
How old was the child, do you think? | 0:03:32 | 0:03:33 | |
-About three maybe? -About three. Yeah. £50. | 0:03:33 | 0:03:37 | |
Hmm... | 0:03:37 | 0:03:38 | |
-Pop them back in the cabinet. -Sure. -Worth thinking about. -OK. | 0:03:38 | 0:03:41 | |
Any other promising places? | 0:03:42 | 0:03:44 | |
This is absolutely wonderful. | 0:03:46 | 0:03:49 | |
Do you know what that is? | 0:03:49 | 0:03:51 | |
-No. -Have a guess. | 0:03:51 | 0:03:54 | |
But don't say a jockey's cap because that's what it is. | 0:03:54 | 0:03:57 | |
But what do you think it was used for? | 0:03:58 | 0:04:00 | |
-Come on, Jackie. -Sugar or salt? No? | 0:04:00 | 0:04:03 | |
-Getting there. -Tea? -Tea! -Tea. -Yeah. Isn't that wonderful? | 0:04:03 | 0:04:07 | |
-Tea caddy, spoon or scoop. -Cute. | 0:04:07 | 0:04:10 | |
Yeah, beautifully, beautifully made. | 0:04:10 | 0:04:14 | |
Silver. It's late, though. | 0:04:14 | 0:04:15 | |
It's...certainly not Victorian. | 0:04:17 | 0:04:19 | |
It's 20th century. In fact it's dated here. Yeah, 1943. | 0:04:19 | 0:04:23 | |
That is a real shame in so much that I like things to be antique | 0:04:23 | 0:04:28 | |
and this is missing out by a bit. | 0:04:28 | 0:04:30 | |
-Do you like loose leaf tea? -I do. -So do I. | 0:04:30 | 0:04:32 | |
The quality of workmanship is superb. | 0:04:33 | 0:04:36 | |
But it's £85. | 0:04:36 | 0:04:39 | |
If it could be bought for £40-45, | 0:04:39 | 0:04:41 | |
I think it would make a small profit. | 0:04:41 | 0:04:43 | |
Meanwhile, James has also found a bit of a scoop. | 0:04:45 | 0:04:48 | |
This is sort of like a maltster's shovel, so it's a grain shovel. | 0:04:49 | 0:04:54 | |
And years ago people talk about malting barley in Kent. | 0:04:54 | 0:04:59 | |
Produced masses of barley for the brewing process. | 0:04:59 | 0:05:03 | |
And you've got an all-wooden shaft here. | 0:05:03 | 0:05:05 | |
I suppose the last thing you wanted to do was have metal stuff. | 0:05:05 | 0:05:09 | |
So you were probably terribly conscious of sparks. | 0:05:09 | 0:05:11 | |
But also its lightness. | 0:05:11 | 0:05:13 | |
I don't know what it's made of. | 0:05:13 | 0:05:15 | |
Normally, it would be an ash shaft and then something like this, | 0:05:15 | 0:05:19 | |
the actual plate here, would be probably sycamore. | 0:05:19 | 0:05:22 | |
Sycamore has antibacterial properties to it. | 0:05:22 | 0:05:26 | |
And this was for turning. | 0:05:26 | 0:05:27 | |
So you're drying your malts, | 0:05:27 | 0:05:29 | |
you're getting the sugars out of the barley. | 0:05:29 | 0:05:31 | |
And every village, especially around Kent, would have a malthouse. | 0:05:31 | 0:05:36 | |
Not exactly in a rush this morning, are they? | 0:05:36 | 0:05:38 | |
A splendid box! | 0:05:41 | 0:05:43 | |
-I love that. -It's nice, isn't it? | 0:05:43 | 0:05:45 | |
Sampson Mordan. They were silversmiths | 0:05:47 | 0:05:51 | |
who made a lot of patented silverware, | 0:05:51 | 0:05:54 | |
and that's a safe box. | 0:05:54 | 0:05:56 | |
I bet it's heavy. | 0:05:56 | 0:05:57 | |
Beautiful lock. | 0:05:57 | 0:05:59 | |
S Mordan and Co, Makers of London. | 0:06:01 | 0:06:03 | |
I love that. Oh, someone's put something in it. | 0:06:03 | 0:06:06 | |
-Ooh, sorry! -Steady on, Charlie. | 0:06:06 | 0:06:08 | |
"SM and Company - that's Mordan and Company - | 0:06:08 | 0:06:11 | |
"may safely assert that their fireproof boxes and safes, | 0:06:11 | 0:06:15 | |
"from the peculiar interior construction | 0:06:15 | 0:06:18 | |
"and the superior manner put together..." They're amazing. | 0:06:18 | 0:06:21 | |
Can you see how thick the walls are? | 0:06:21 | 0:06:24 | |
I think they're hollow, but they're fireproof. | 0:06:24 | 0:06:28 | |
So they're filled with sand. | 0:06:28 | 0:06:30 | |
-OK. -That's what gives it weight. It's not solid steel. | 0:06:30 | 0:06:33 | |
You could stick that in a furnace, | 0:06:33 | 0:06:34 | |
and with the sand acting as an insulator, | 0:06:34 | 0:06:38 | |
that would keep the interior from getting damaged. | 0:06:38 | 0:06:41 | |
-Has it got a key? -It hasn't. | 0:06:41 | 0:06:43 | |
-Oh, Jackie! -I know. -No key? | 0:06:43 | 0:06:46 | |
-No key, I don't think. -I mean, what good is a safe without a key? | 0:06:46 | 0:06:49 | |
Good question. What's the ticket price? | 0:06:50 | 0:06:53 | |
£68. | 0:06:53 | 0:06:55 | |
No, there's not a profit in it at £68. | 0:06:55 | 0:06:58 | |
But with that name on it, that really takes it above a level. | 0:06:58 | 0:07:03 | |
And I love it. | 0:07:03 | 0:07:05 | |
I can contact the dealer and see what best price is. | 0:07:05 | 0:07:08 | |
I think we're getting somewhere at last. | 0:07:09 | 0:07:12 | |
OK, well, it's Jackie from Chart Sutton Antiques. | 0:07:12 | 0:07:14 | |
How can Trevor help? | 0:07:14 | 0:07:16 | |
I like luxury goods, Trevor. | 0:07:16 | 0:07:18 | |
What have you got, luxury goods? | 0:07:18 | 0:07:20 | |
Well, there's a very nice Sampson Mordan... | 0:07:20 | 0:07:22 | |
-Ooh! -..pencil extender there. | 0:07:22 | 0:07:24 | |
-I'd like to see that. -If that's up your street. -Yes. | 0:07:24 | 0:07:26 | |
More Sampson and Mordan. | 0:07:26 | 0:07:28 | |
You know, the Braxton barometer of quality | 0:07:28 | 0:07:31 | |
is always weight, and that feels quite heavy. It's a pencil, | 0:07:31 | 0:07:35 | |
often known as a racing pencil. | 0:07:35 | 0:07:37 | |
Often the racing pencils had a little sort of fob there | 0:07:37 | 0:07:41 | |
-so they could be put in a pocket for racing. -Yes. | 0:07:41 | 0:07:44 | |
But this is a more heavy-duty one. | 0:07:44 | 0:07:46 | |
Take the pencil out and that is a weight, isn't it? | 0:07:46 | 0:07:49 | |
It's quite a weight of silver. | 0:07:49 | 0:07:50 | |
It's silver, is it? SM and Co. There we are. | 0:07:50 | 0:07:53 | |
The firm's founder was the co-inventor | 0:07:53 | 0:07:56 | |
of the very first propelling pencil in 1822. | 0:07:56 | 0:08:00 | |
85 quid we've got. | 0:08:00 | 0:08:02 | |
Does it owe you a lot? | 0:08:02 | 0:08:04 | |
It does owe us a bit, I'm afraid. | 0:08:04 | 0:08:05 | |
Erm... | 0:08:05 | 0:08:07 | |
I think 60 probably is going to be where I'm going to be on it. | 0:08:07 | 0:08:10 | |
Nice bit of silence. | 0:08:13 | 0:08:14 | |
Could I squeeze you a bit? How about 50? | 0:08:14 | 0:08:16 | |
-Yes, let's do 50. -Come on, Trevor. Put it there. -Let's do 50. | 0:08:17 | 0:08:20 | |
Thank you very much indeed. | 0:08:20 | 0:08:22 | |
We're finally off and running. | 0:08:22 | 0:08:24 | |
That's a good start, Trevor. | 0:08:24 | 0:08:26 | |
Plus, Charlie has to choose between the caddy spoon, now £50, | 0:08:26 | 0:08:29 | |
and that strongbox, now 40. | 0:08:29 | 0:08:31 | |
So why not ask a friend? | 0:08:31 | 0:08:34 | |
Hypothetical question. | 0:08:34 | 0:08:35 | |
-Two things. -Yep. | 0:08:35 | 0:08:37 | |
-One is a Sampson Mordan 19th-century safe... -Spooky! | 0:08:37 | 0:08:43 | |
..beautifully made, lovely label. | 0:08:43 | 0:08:45 | |
-Superb condition. -Key? -No key. | 0:08:45 | 0:08:47 | |
-No key. -No key. | 0:08:47 | 0:08:49 | |
Second object, a caddy spoon... | 0:08:49 | 0:08:51 | |
-Yep. -..in the form of a jockey's hat. | 0:08:51 | 0:08:55 | |
-Jockey's cap. Yep. -Beautifully made. | 0:08:55 | 0:08:57 | |
1943. | 0:08:57 | 0:09:01 | |
-1943. -Very late. -From the two of it, | 0:09:01 | 0:09:03 | |
I think the date sounds a little late, 1943. | 0:09:03 | 0:09:06 | |
-Yeah. -You're safe with the safe! | 0:09:06 | 0:09:08 | |
And with that, our sage departs. | 0:09:11 | 0:09:14 | |
We entered as two, I leave as one. | 0:09:14 | 0:09:16 | |
But will his purely hypothetical advice be heeded? | 0:09:17 | 0:09:21 | |
"You're safe with the safe." | 0:09:21 | 0:09:24 | |
-Good plan. -Whether I'll be able to lift it or not is another matter. | 0:09:24 | 0:09:27 | |
I'm going to buy it. | 0:09:27 | 0:09:29 | |
Put it there, Jackie. | 0:09:29 | 0:09:30 | |
Mwah! | 0:09:30 | 0:09:31 | |
-Charlie! -Happy with the deal? | 0:09:31 | 0:09:33 | |
-Yes, that's fine. -Goody. | 0:09:33 | 0:09:35 | |
First, cash. £40. | 0:09:35 | 0:09:37 | |
Then, carry. Quite a bit more than 40lbs. | 0:09:37 | 0:09:40 | |
HE STRAINS LOUDLY | 0:09:40 | 0:09:42 | |
Our Father's... | 0:09:44 | 0:09:46 | |
I'm not sure this is going to work. | 0:09:46 | 0:09:48 | |
Neither am I. | 0:09:48 | 0:09:49 | |
It's a snug fit. | 0:09:53 | 0:09:55 | |
Look at that. | 0:09:55 | 0:09:56 | |
Oh. | 0:09:59 | 0:10:00 | |
Meanwhile, elsewhere in Kent, | 0:10:03 | 0:10:05 | |
James is off to see a local historian | 0:10:05 | 0:10:07 | |
about one of the county's more unusual visitors. | 0:10:07 | 0:10:10 | |
Beside the Thames estuary at Gravesend, | 0:10:11 | 0:10:14 | |
where at St George's Church, | 0:10:14 | 0:10:17 | |
400 years ago, Pocahontas was buried. | 0:10:17 | 0:10:20 | |
Hello. Sandra Sodor. Please come in out of the rain | 0:10:24 | 0:10:27 | |
to learn about Pocahontas. | 0:10:27 | 0:10:29 | |
Although the original building was destroyed by fire in 1727, | 0:10:32 | 0:10:36 | |
there are several reminders at St George's | 0:10:36 | 0:10:38 | |
of the Native American princess who died here when returning home | 0:10:38 | 0:10:42 | |
from visits to London. | 0:10:42 | 0:10:44 | |
-She'd been presented at court... -Yes. -And had had a rather fun time. | 0:10:45 | 0:10:50 | |
-Yes. -And was she married? | 0:10:50 | 0:10:52 | |
She was with her husband, John Rolfe, who had been a colonist, | 0:10:52 | 0:10:56 | |
and her son. | 0:10:56 | 0:10:58 | |
And they had been visiting London. | 0:10:58 | 0:11:01 | |
And people were very curious to see them. | 0:11:01 | 0:11:03 | |
Come over and join us in this brave new world. | 0:11:03 | 0:11:06 | |
-How old was she at this point? -One can't be too exact, | 0:11:06 | 0:11:10 | |
but we believe she was born 1596, | 0:11:10 | 0:11:13 | |
and when they first came over, it's 1616. | 0:11:13 | 0:11:16 | |
-Really? So, early 20s? -Yes, yes. | 0:11:16 | 0:11:19 | |
-Amazing life already, isn't it? -That's right. | 0:11:19 | 0:11:21 | |
The story starts in 1607 | 0:11:23 | 0:11:25 | |
with the British colonisation of the area | 0:11:25 | 0:11:28 | |
that would become Jamestown, Virginia, | 0:11:28 | 0:11:31 | |
where the early ill-prepared settlers | 0:11:31 | 0:11:33 | |
suffered from famine and disease. | 0:11:33 | 0:11:36 | |
And that is where you get Captain John Smith. | 0:11:36 | 0:11:39 | |
He is out trying to find friendly native Americans | 0:11:39 | 0:11:43 | |
that he can trade with. | 0:11:43 | 0:11:44 | |
But after a skirmish, he is taken back to the village | 0:11:44 | 0:11:48 | |
where Powhattan was. | 0:11:48 | 0:11:50 | |
He's given food, so Smith says. | 0:11:50 | 0:11:53 | |
And then they bring out two stones and they make as if to kill him. | 0:11:53 | 0:11:57 | |
And a child runs out from the crowd, | 0:11:57 | 0:12:01 | |
protects him by laying her head on his. | 0:12:01 | 0:12:03 | |
This is Pocahontas? | 0:12:03 | 0:12:04 | |
This is Pocahontas, | 0:12:04 | 0:12:06 | |
favoured daughter of Powhattan, the big chief. | 0:12:06 | 0:12:10 | |
Although some historians doubt the veracity of Smith's account, | 0:12:10 | 0:12:14 | |
what undoubtedly is true is that Pocahontas | 0:12:14 | 0:12:17 | |
was kidnapped by the British a few years later, at the age of about 17. | 0:12:17 | 0:12:22 | |
Another English sea captain takes her back to Jamestown. | 0:12:22 | 0:12:26 | |
And they held her as a hostage | 0:12:26 | 0:12:28 | |
because they want to try to free English prisoners. | 0:12:28 | 0:12:30 | |
And it's there, whilst she is there in Jamestown, | 0:12:30 | 0:12:34 | |
she is converted to Christianity and meets Rolfe. | 0:12:34 | 0:12:38 | |
And she then takes the name Rebecca. | 0:12:38 | 0:12:40 | |
The governor promises to bring her back with him when he returns, | 0:12:42 | 0:12:45 | |
back to England, which is why she travels, | 0:12:45 | 0:12:48 | |
and also some of the other Native Americans, | 0:12:48 | 0:12:51 | |
and they come over. | 0:12:51 | 0:12:52 | |
-She's a princess. -Yes. -And this is acknowledged in London. | 0:12:54 | 0:12:58 | |
Yes, it is. Got lots of attention, | 0:12:58 | 0:13:00 | |
but sadly some of the Native Americans | 0:13:00 | 0:13:03 | |
are succumbing to our germs. | 0:13:03 | 0:13:05 | |
They were returning home, and she was already unwell. | 0:13:05 | 0:13:10 | |
She boarded the vessel very unwell. | 0:13:10 | 0:13:13 | |
And sadly, she died. | 0:13:13 | 0:13:15 | |
Pocahontas is so well known throughout the world. | 0:13:15 | 0:13:18 | |
Why does it have such great resonance? | 0:13:18 | 0:13:21 | |
She was curious. | 0:13:21 | 0:13:23 | |
She was, erm... | 0:13:23 | 0:13:24 | |
She was also intelligent and she brought together the two people. | 0:13:24 | 0:13:28 | |
-The Europeans and this new country. -Yes, the Native Americans. | 0:13:28 | 0:13:32 | |
She worked for peace between them. | 0:13:32 | 0:13:35 | |
It is the story of a young woman who is representing a people | 0:13:35 | 0:13:39 | |
that have often been misrepresented, I believe. | 0:13:39 | 0:13:42 | |
Pocahontas' funeral took place on March the 21st, 1617. | 0:13:42 | 0:13:47 | |
Cause of death, unknown. | 0:13:47 | 0:13:49 | |
Now, whither Charlie behind the wheel of the Alfa? | 0:13:53 | 0:13:57 | |
These windscreen wipers are spectacular. | 0:13:58 | 0:14:01 | |
I have never seen anything like it. | 0:14:01 | 0:14:04 | |
They move like a nonagenarian who's on his last legs. | 0:14:04 | 0:14:09 | |
Weather permitting, he's en route to Faversham | 0:14:09 | 0:14:13 | |
and his second shop of the day. | 0:14:13 | 0:14:15 | |
My word, Peter, is it? | 0:14:20 | 0:14:22 | |
-Charlie. -Yes! | 0:14:22 | 0:14:24 | |
Long time. Look at you! | 0:14:24 | 0:14:26 | |
What do you mean, look at me? Hey! | 0:14:26 | 0:14:28 | |
-You recognise me? -Yeah, Finchley Auctions. | 0:14:28 | 0:14:31 | |
-No! -Yeah! We're going back a long time now. | 0:14:31 | 0:14:34 | |
-25... -25, 30 years. | 0:14:34 | 0:14:37 | |
-I haven't done Finchley for 25, 30. -You look really well. -How amazing! | 0:14:37 | 0:14:40 | |
-Yeah. -And I come up here. -Yeah, you found us. | 0:14:40 | 0:14:43 | |
Well, that was nice. Charming shop too, | 0:14:45 | 0:14:47 | |
seemingly full of stock from France, Spain and Italy. | 0:14:47 | 0:14:50 | |
You're going to find the unusual here. | 0:14:57 | 0:14:59 | |
Titian...Vecelli. | 0:15:00 | 0:15:03 | |
That is Titian. | 0:15:03 | 0:15:04 | |
The Venetian old master, don't you know? | 0:15:04 | 0:15:06 | |
I don't think this is 16th century, but isn't it fun? | 0:15:06 | 0:15:10 | |
It's an embossed portrait on copper. | 0:15:10 | 0:15:13 | |
That is what you call a speculative lot, | 0:15:14 | 0:15:17 | |
in a distressed condition, which I particularly like. | 0:15:17 | 0:15:20 | |
Auction estimate, 10-200. | 0:15:20 | 0:15:23 | |
Quite. | 0:15:23 | 0:15:25 | |
Don't know what Mr James Braxton would think of that. | 0:15:25 | 0:15:28 | |
A Titian, that's not to be sneezed at, perhaps. | 0:15:28 | 0:15:32 | |
Now, does anything else make the cut? | 0:15:32 | 0:15:34 | |
This is rather splendid. | 0:15:34 | 0:15:36 | |
A guillotine. | 0:15:36 | 0:15:38 | |
-Peter? -Yes? -May I borrow you? -Certainly. | 0:15:38 | 0:15:42 | |
-What is it? -It's a baguette... -Oh, a baguette slicer! | 0:15:42 | 0:15:46 | |
-Yeah, a guillotine, yeah. -What a lovely idea. | 0:15:46 | 0:15:48 | |
-It's got a maker's name on it. -Yeah. | 0:15:48 | 0:15:50 | |
Oh, yes! | 0:15:50 | 0:15:52 | |
Mr Georgeson, Faubourg. | 0:15:52 | 0:15:55 | |
-Nice bit of kitchen aid. -It's beautiful, isn't it? Yes. | 0:15:55 | 0:15:57 | |
-And this is the number three, sir? -Yeah. | 0:15:57 | 0:15:59 | |
Did you know this was the number three? | 0:15:59 | 0:16:01 | |
-Yeah, we had a number two. -Did you? -Yeah. | 0:16:01 | 0:16:03 | |
CHARLIE LAUGHS | 0:16:03 | 0:16:05 | |
-If you could get the matched set, of course. -Oh, yeah. | 0:16:05 | 0:16:07 | |
I'm sure there's someone out there who's got the set | 0:16:07 | 0:16:09 | |
-or looking for this one. -Yes. | 0:16:09 | 0:16:11 | |
I mean, if you had that in a modern, big kitchen, | 0:16:11 | 0:16:14 | |
people would ask about it, wouldn't they? | 0:16:14 | 0:16:16 | |
-Apart from it being useful, it's decorative and... -Yeah. | 0:16:16 | 0:16:19 | |
I love that. | 0:16:19 | 0:16:20 | |
No ticket price. Anything else? | 0:16:20 | 0:16:22 | |
Do you fancy being adventurous | 0:16:22 | 0:16:24 | |
-and climbing up there? -Yes, I am happy to climb. | 0:16:24 | 0:16:27 | |
-I'll move a chair if you want. -Lovely. | 0:16:27 | 0:16:30 | |
Looks like he's after something on that wall. | 0:16:30 | 0:16:32 | |
Oh, stand lively. | 0:16:32 | 0:16:34 | |
-Plaster, I take it? -Yeah. | 0:16:34 | 0:16:37 | |
Original would have been marble or something. | 0:16:37 | 0:16:39 | |
Bit of a crack. Yes. Absolutely. | 0:16:39 | 0:16:41 | |
I think we've got Pan with his pipes on the left here. | 0:16:41 | 0:16:44 | |
There he is. | 0:16:44 | 0:16:46 | |
I'd like to think on the right there we've got Mr Bacchus, | 0:16:46 | 0:16:48 | |
because he was the god of wine. | 0:16:48 | 0:16:50 | |
He's certainly delivering the grapes to these two, | 0:16:50 | 0:16:52 | |
who are treading the grapes | 0:16:52 | 0:16:55 | |
and having rather a jolly time about it. | 0:16:55 | 0:16:58 | |
Relief-moulded plaster plaque copy of something from Pompeii, | 0:16:58 | 0:17:02 | |
-somewhere like that. -Grand tour. -From the grand tour. -1920s. | 0:17:02 | 0:17:05 | |
Yeah, 1920s. | 0:17:05 | 0:17:07 | |
Ticket price, £65. | 0:17:07 | 0:17:10 | |
I like your Titian. I like your baguette cutter. | 0:17:10 | 0:17:12 | |
I like your plaque. I like those three things, | 0:17:12 | 0:17:15 | |
and I'd like to make an offer for those three things. | 0:17:15 | 0:17:17 | |
I want to pay £100 for the three. | 0:17:17 | 0:17:19 | |
Oh, dear. | 0:17:19 | 0:17:21 | |
Oh, crikey. Really? | 0:17:21 | 0:17:22 | |
-110? -Are you sure? -Yeah. | 0:17:22 | 0:17:25 | |
-I think that's incredibly generous. -It gives you a bit of... | 0:17:25 | 0:17:28 | |
-It gives me a bit of a chance. -Yeah. | 0:17:28 | 0:17:29 | |
Pleasure to do business with you. | 0:17:29 | 0:17:33 | |
A touching reunion plus three items bought. | 0:17:33 | 0:17:36 | |
£30 for the relief, 40 for the Titian | 0:17:36 | 0:17:39 | |
and 40 for the baguette slicer. | 0:17:39 | 0:17:41 | |
Quite a day, really. | 0:17:41 | 0:17:44 | |
It's got a name, this car. | 0:17:44 | 0:17:45 | |
-It's called Nelly. -Nelly. | 0:17:45 | 0:17:47 | |
-Nelly. -Nelly the elephant. -Yep. | 0:17:47 | 0:17:49 | |
# Nelly the elephant packed her trunk | 0:17:49 | 0:17:51 | |
# And said goodbye to the circus. # | 0:17:51 | 0:17:53 | |
-HORN TOOTS -Ooh! | 0:17:53 | 0:17:55 | |
Night-night, Nelly. | 0:17:55 | 0:17:56 | |
Next day, Charlie is being a bit coy about one of his purchases. | 0:18:01 | 0:18:05 | |
Something that is related to French food. | 0:18:05 | 0:18:09 | |
-Oh-hon-hon! -Yeah, ah-ha-ha-ha! | 0:18:09 | 0:18:12 | |
I'm not going to tell you what it is, | 0:18:12 | 0:18:14 | |
but it's a wonderful feat of engineering. | 0:18:14 | 0:18:16 | |
-FRENCH ACCENT: -Is it for the snail? | 0:18:16 | 0:18:18 | |
-Non. -For the oyster? -Non. | 0:18:18 | 0:18:22 | |
Do you know, I can't see James | 0:18:22 | 0:18:23 | |
ever guessing it's a baguette slicer somehow, | 0:18:23 | 0:18:26 | |
and as for the portrait of Titian and the Italian relief? | 0:18:26 | 0:18:29 | |
Although he definitely had a clue | 0:18:29 | 0:18:32 | |
with that purely hypothetical safe... | 0:18:32 | 0:18:34 | |
-Your brain is thinking, "Which could make the biggest loss?" -Yes! | 0:18:34 | 0:18:38 | |
..leaving Charlie with only £50 in his wallet. | 0:18:38 | 0:18:41 | |
Whereas James acquired just the silver pencil holder. | 0:18:42 | 0:18:45 | |
The Braxton barometer of quality is always weight, | 0:18:45 | 0:18:49 | |
and that feels quite heavy. | 0:18:49 | 0:18:51 | |
Which means he still has 150 to spend today. | 0:18:51 | 0:18:54 | |
Later, they'll be heading both south and west | 0:18:57 | 0:18:59 | |
to an auction in Washington, West Sussex. | 0:18:59 | 0:19:02 | |
But the first stop this morning is back in Faversham, | 0:19:02 | 0:19:06 | |
that splendid old Kent market town. | 0:19:06 | 0:19:09 | |
Thank you for a lovely ride. | 0:19:09 | 0:19:10 | |
-That's a pleasure, Charlie. -I'm going off to splash the cash. | 0:19:10 | 0:19:13 | |
But not too much. | 0:19:14 | 0:19:15 | |
Just £50 left, remember. | 0:19:16 | 0:19:18 | |
Wonderful old box plane | 0:19:22 | 0:19:24 | |
together with a lot of tools and a splendid box. | 0:19:24 | 0:19:26 | |
What I like about this is you can tell who owned it. | 0:19:26 | 0:19:30 | |
Mr AW Hildrew. These were valuable things, | 0:19:30 | 0:19:34 | |
so you'd put your name on them so that you didn't lose them. | 0:19:34 | 0:19:37 | |
It's together with a lot of other tools and the original box. | 0:19:37 | 0:19:42 | |
The whole lot's priced up at £200. | 0:19:42 | 0:19:44 | |
I haven't got £200, | 0:19:46 | 0:19:47 | |
but if I had £200, I would seriously think of making an offer, certainly. | 0:19:47 | 0:19:52 | |
Let's leave Charlie pondering and catch up with James, | 0:19:52 | 0:19:56 | |
manoeuvring the motor towards the village of Chilham... | 0:19:56 | 0:19:59 | |
..and Bagham Barn. | 0:20:01 | 0:20:03 | |
-Hello. Hello. James. -Morning. | 0:20:08 | 0:20:11 | |
-I'm Peggy. -Hello, Peggy, lovely to meet you. | 0:20:11 | 0:20:13 | |
-Welcome. -Was it agricultural, this farm? | 0:20:13 | 0:20:15 | |
Yes. The farmer, Smith, was here 40 years with his cows. | 0:20:15 | 0:20:19 | |
Lovely. Lovely. | 0:20:19 | 0:20:21 | |
The aroma has changed a bit since the cows were around, of course. | 0:20:21 | 0:20:25 | |
Now, this is something I really like. | 0:20:29 | 0:20:31 | |
We've got some floor tiles here and the reassurance of turning them over | 0:20:31 | 0:20:36 | |
and seeing a clear manufacturer. Minton. | 0:20:36 | 0:20:38 | |
Herbert Minton really got going with this new technique for | 0:20:38 | 0:20:44 | |
Victorian... Victorians were building churches like Billy-oh. | 0:20:44 | 0:20:48 | |
Most of these tiles, which were known as encaustic tiles, | 0:20:48 | 0:20:52 | |
ended up on the pavements of churches. | 0:20:52 | 0:20:55 | |
They were used in places that had heavy foot traffic. | 0:20:55 | 0:21:00 | |
So, as they wore down, the pattern remained. | 0:21:00 | 0:21:03 | |
There was another very famous resident in Kent | 0:21:03 | 0:21:06 | |
during the 19th century. | 0:21:06 | 0:21:07 | |
Augustus Welby Northmore Pugin, the great architect. | 0:21:07 | 0:21:12 | |
He and Sir Charles Barry did the palaces of Westminster. | 0:21:12 | 0:21:16 | |
And, who knows, this might be a Pugin design. | 0:21:16 | 0:21:19 | |
We have only got three floor tiles. | 0:21:19 | 0:21:21 | |
I'd expect these tiles to be maybe £10 or £20 each. | 0:21:21 | 0:21:26 | |
Let's see. I'll ask what price they have on them. | 0:21:26 | 0:21:29 | |
Peggy? Hello, Peggy. | 0:21:29 | 0:21:31 | |
Now, I've found these tiles here. | 0:21:31 | 0:21:33 | |
How much are they? | 0:21:33 | 0:21:34 | |
£45. | 0:21:34 | 0:21:35 | |
-£15 each. -Each. -About what I thought. | 0:21:35 | 0:21:38 | |
-Did you? -Are you open for offers on these? | 0:21:38 | 0:21:42 | |
Not half price. | 0:21:42 | 0:21:43 | |
There is little damage. | 0:21:43 | 0:21:45 | |
What about 30, Peggy? Can you do 30? | 0:21:45 | 0:21:48 | |
-That's fair. -Is it fair? | 0:21:48 | 0:21:50 | |
-That's fair. -I thought it was very unfair, | 0:21:50 | 0:21:52 | |
-but I'll shake your hand on that. -No, that is fair. | 0:21:52 | 0:21:54 | |
Anyway, that's the first one bought. | 0:21:56 | 0:21:58 | |
-I have to keep looking. I will see you later. -Thank you. -Bye. -OK. | 0:21:58 | 0:22:00 | |
Now, what about Charlie in Faversham? | 0:22:00 | 0:22:03 | |
Looks like the tools are on hold. | 0:22:03 | 0:22:06 | |
-Hello, madam. -Hello. -How are you? -I'm fine. | 0:22:06 | 0:22:09 | |
-You've made my day. -I've made your day? -Yes. | 0:22:09 | 0:22:11 | |
-Well, you've made my day. -Happy to meet you. -Happy? -Yes. | 0:22:11 | 0:22:14 | |
You are saying "appy". You are not English. | 0:22:14 | 0:22:17 | |
-I am French. -You are French. | 0:22:17 | 0:22:18 | |
-Bonjour, madame. -Bonjour, monsieur. -Enchante. | 0:22:18 | 0:22:22 | |
-I shall never wash again. -I should 'ope not. | 0:22:22 | 0:22:25 | |
Entente cordiale aside, what's he going to buy here? | 0:22:26 | 0:22:30 | |
Ah. | 0:22:30 | 0:22:32 | |
Chinese? | 0:22:35 | 0:22:36 | |
Bronze. | 0:22:38 | 0:22:39 | |
Not great quality. | 0:22:40 | 0:22:42 | |
Looks like it's had a few repairs, but it's got rather a splendid... | 0:22:42 | 0:22:47 | |
..bottom. And that almost looks Japanese. | 0:22:47 | 0:22:51 | |
Have a look at the bottom. | 0:22:51 | 0:22:53 | |
I think you might be right, Charlie. | 0:22:53 | 0:22:55 | |
And there's a signature. | 0:22:55 | 0:22:56 | |
If only I could read the signature. | 0:22:58 | 0:23:01 | |
Unfortunately, the ticket price is only too legible. | 0:23:01 | 0:23:05 | |
Time to talk to the dealer. | 0:23:05 | 0:23:06 | |
Are you the owner of this exceptional object, sir? | 0:23:06 | 0:23:08 | |
-I am indeed. -I am Charlie. You are? -Pleased to meet you, Charlie. | 0:23:08 | 0:23:11 | |
-Mike. -Mike. Marvellous. | 0:23:11 | 0:23:13 | |
Tell me about your pot. | 0:23:13 | 0:23:14 | |
I know it's Japanese, and that's all I know about it. | 0:23:14 | 0:23:17 | |
It is Japanese. That looks Japanese on the inside. | 0:23:17 | 0:23:19 | |
-Yes, I think it is. -Yeah? | 0:23:19 | 0:23:21 | |
But the outside looks Chinese to me. | 0:23:21 | 0:23:24 | |
-Not a clue. -Neither have I. | 0:23:24 | 0:23:26 | |
I just took a punt on it because it looked... | 0:23:26 | 0:23:28 | |
-..intriguing. -Yes, and you put a punt on the price. | 0:23:28 | 0:23:32 | |
Hmm. | 0:23:32 | 0:23:33 | |
Optimistic, isn't it? | 0:23:34 | 0:23:36 | |
Yes. | 0:23:36 | 0:23:37 | |
-Right answer. -But you have to start somewhere. -Absolutely. | 0:23:38 | 0:23:42 | |
That all sounds encouraging, doesn't it? | 0:23:42 | 0:23:44 | |
I could do you a really good deal. | 0:23:44 | 0:23:46 | |
-I'd need to buy that ever so cheaply. -A one-off price for you. | 0:23:46 | 0:23:49 | |
-Yeah? -20 quid. | 0:23:49 | 0:23:51 | |
-What? -£20. | 0:23:51 | 0:23:53 | |
Does 20 quid show you a profit? | 0:23:53 | 0:23:55 | |
No, that's what I paid for it, but I'm fed up with looking at it. | 0:23:55 | 0:23:58 | |
You're fed up with looking at it. | 0:23:58 | 0:23:59 | |
-Well, thank you very much indeed. -You're welcome. | 0:23:59 | 0:24:01 | |
Well, that really was quite a reduction. | 0:24:01 | 0:24:05 | |
Anything like that in the barn, I wonder? | 0:24:05 | 0:24:08 | |
A sort of walnut German box, Continental box, | 0:24:08 | 0:24:12 | |
nice bevelled piece of glass here. | 0:24:12 | 0:24:14 | |
A gilt metal frame. We've got a very interesting ship. | 0:24:14 | 0:24:16 | |
I wonder which ship it is. | 0:24:16 | 0:24:18 | |
Here we are. What does it say? | 0:24:18 | 0:24:20 | |
Box with Titanic photo. | 0:24:20 | 0:24:23 | |
Eh? £35. | 0:24:23 | 0:24:25 | |
That's perked him up a bit. | 0:24:25 | 0:24:27 | |
I doubt it probably came from the Titanic, | 0:24:27 | 0:24:30 | |
but I think it's a souvenir of history's most famous ship. | 0:24:30 | 0:24:34 | |
It went under, April 1912. | 0:24:34 | 0:24:38 | |
It means I can write in the catalogue description, | 0:24:38 | 0:24:41 | |
rather ordinary box with picture of Titanic on the thing. | 0:24:41 | 0:24:45 | |
That'll be picked up by all these fans. | 0:24:45 | 0:24:48 | |
I think the box is slightly earlier. I think this has been put on, | 0:24:48 | 0:24:52 | |
but sometimes it's best not to dwell these things. | 0:24:52 | 0:24:55 | |
Well said. | 0:24:55 | 0:24:57 | |
I like this item. | 0:24:57 | 0:24:58 | |
Peggy, I have found another item. | 0:24:58 | 0:25:01 | |
-Wow. -Have a look at it. Have you seen it? -Titanic. -Titanic. | 0:25:01 | 0:25:04 | |
-A marriage. -Yeah, a marriage, is it? | 0:25:04 | 0:25:07 | |
That's a very nice way of saying it. How much could that be? | 0:25:07 | 0:25:10 | |
-Do you think they might take 20? -No. -No? What would they take? | 0:25:10 | 0:25:13 | |
-25. -25 for it, it is. | 0:25:13 | 0:25:15 | |
So 30, 25, that's 55. | 0:25:15 | 0:25:18 | |
Business is certainly brisk today. | 0:25:18 | 0:25:21 | |
-Right. -Well done. -Tiles away, box away. | 0:25:21 | 0:25:24 | |
Don't scratch the box. | 0:25:24 | 0:25:25 | |
Thank you. Bye. | 0:25:25 | 0:25:27 | |
But while James makes for his last shop... | 0:25:28 | 0:25:31 | |
..Charlie is taking a bit of a break | 0:25:33 | 0:25:35 | |
down by the River Medway at Chatham. | 0:25:35 | 0:25:37 | |
This is the historic Royal Dockyard, | 0:25:38 | 0:25:41 | |
which for hundreds of years was where Britain's warships were built. | 0:25:41 | 0:25:44 | |
And Charlie is here to explore the HMS Ocelot | 0:25:46 | 0:25:49 | |
in the company of a former submarine commander. | 0:25:49 | 0:25:52 | |
Aha! It's Chris. | 0:25:54 | 0:25:56 | |
Hello, Charlie, welcome on board. Chris Reynolds. | 0:25:56 | 0:25:58 | |
Thank you very much indeed. I feel privileged being on board your ship. | 0:25:58 | 0:26:01 | |
It's not a ship, she's a submarine. | 0:26:01 | 0:26:04 | |
Oh, I see. Can I call her a boat? | 0:26:04 | 0:26:06 | |
You can call her a boat if you want, and that's what many people do. | 0:26:06 | 0:26:09 | |
-Yes. -Right. Lesson number one. | 0:26:09 | 0:26:12 | |
The first submarines built here | 0:26:13 | 0:26:15 | |
had an important role to play in World War I, | 0:26:15 | 0:26:18 | |
and the vessels soon became vital, both as weapons and deterrents. | 0:26:18 | 0:26:22 | |
HMS Ocelot was launched in 1962 at the very height of the Cold War, | 0:26:23 | 0:26:28 | |
and much of what it actually did remains classified to this day. | 0:26:28 | 0:26:32 | |
Chris, my first reaction is this is incredibly complicated. | 0:26:34 | 0:26:39 | |
There's so much going on down here. | 0:26:39 | 0:26:41 | |
You are now in the fore ends or the torpedo compartments | 0:26:41 | 0:26:44 | |
-of the submarine. -Yes, and I can see that | 0:26:44 | 0:26:46 | |
because there's a torpedo there. | 0:26:46 | 0:26:48 | |
One of the 24 the sub would have been armed with. | 0:26:48 | 0:26:51 | |
-We are now going to go through into the junior rates mess. -Yes. | 0:26:53 | 0:26:56 | |
Be careful with your head as you go through. | 0:26:56 | 0:26:58 | |
Crikey, that's a squeeze. | 0:26:58 | 0:27:00 | |
OK, Charlie, best way to go through here is feet first, | 0:27:00 | 0:27:03 | |
so if you hold on to the handle at the top, | 0:27:03 | 0:27:05 | |
feet through, swing through, and there you are. | 0:27:05 | 0:27:09 | |
Piece of cake, frankly. | 0:27:09 | 0:27:11 | |
Not bad for a first effort, Charlie. | 0:27:15 | 0:27:17 | |
Ah, this is where we sleep, is it? | 0:27:18 | 0:27:20 | |
-Yes. -Can I give one a try? -Please do. | 0:27:20 | 0:27:23 | |
Can you remember what it's like to sleep in one of these? | 0:27:23 | 0:27:25 | |
I certainly can. I will show you my bunk later on. | 0:27:25 | 0:27:27 | |
This is the best we've got, so feel free. | 0:27:27 | 0:27:29 | |
I expect you had a luxury model... | 0:27:29 | 0:27:31 | |
Oh, no, everybody had the same. | 0:27:31 | 0:27:33 | |
-Really? -Absolutely. -What, even the commander? | 0:27:33 | 0:27:36 | |
You wait until you see the captain's cabin. | 0:27:36 | 0:27:38 | |
I can't wait. Blimey. | 0:27:38 | 0:27:40 | |
Not a lot of room, is there? To be honest... | 0:27:41 | 0:27:44 | |
..if you had an insomniac above you and below you, | 0:27:46 | 0:27:49 | |
it would be a pretty miserable night. | 0:27:49 | 0:27:51 | |
Would we have a grille here to stop me rolling out of bed | 0:27:51 | 0:27:55 | |
-if it was rough? -No, just practice. | 0:27:55 | 0:27:57 | |
So, at any one time, how many chaps on board? | 0:27:57 | 0:28:00 | |
You would have a complemented crew of 69 people. | 0:28:00 | 0:28:03 | |
Right. I've had enough of sleeping. | 0:28:03 | 0:28:06 | |
Now...can you take me into the dining room? | 0:28:06 | 0:28:09 | |
-You're sat at it. -What? | 0:28:09 | 0:28:11 | |
This is where the junior rates would sit, bring their meals, | 0:28:11 | 0:28:14 | |
and they would sit, eat, sleep in this compartment. | 0:28:14 | 0:28:17 | |
Marvellous. Waitress service? | 0:28:17 | 0:28:19 | |
No. | 0:28:19 | 0:28:21 | |
No-one, regardless of rank, | 0:28:23 | 0:28:24 | |
was likely to get much breathing space on the Ocelot. | 0:28:24 | 0:28:27 | |
This, for example, is the captain's quarters. | 0:28:27 | 0:28:30 | |
Note the en-suite. | 0:28:30 | 0:28:31 | |
On the right-hand side, you've got the toilets, | 0:28:33 | 0:28:35 | |
or the heads as we would call them. | 0:28:35 | 0:28:37 | |
Lovely. Luxury accommodation. | 0:28:37 | 0:28:39 | |
Here's the galley. They used to produce some fantastic food. | 0:28:39 | 0:28:43 | |
-Did they? -Yes. | 0:28:43 | 0:28:44 | |
It takes a certain sort of personality to be able to remain | 0:28:44 | 0:28:48 | |
submerged under the most perilous of conditions. | 0:28:48 | 0:28:50 | |
And at the centre of any drama was usually the control room. | 0:28:52 | 0:28:55 | |
This is extraordinary. | 0:28:58 | 0:29:00 | |
This is the sort of thing I've seen in films. | 0:29:00 | 0:29:02 | |
This must be the periscope. | 0:29:04 | 0:29:06 | |
This is one of two periscopes we've got on board. | 0:29:06 | 0:29:08 | |
This is the attack periscope. | 0:29:08 | 0:29:10 | |
It's called the attack periscope | 0:29:10 | 0:29:12 | |
because if you look at it from outside, it's got a very thin neck, | 0:29:12 | 0:29:17 | |
so it's not so visible from enemy ships. | 0:29:17 | 0:29:20 | |
I see. That is amazing. I can see the Bismarck. | 0:29:20 | 0:29:23 | |
After almost 30 years and 90,000 miles of highly secret missions, | 0:29:24 | 0:29:30 | |
the HMS Ocelot was decommissioned in 1991. | 0:29:30 | 0:29:34 | |
-You know what's disappointing, don't you, Chris? -What? | 0:29:34 | 0:29:37 | |
It hasn't got a horn. | 0:29:37 | 0:29:39 | |
The old boat soon became a tourable museum, | 0:29:40 | 0:29:43 | |
alongside this Victorian sloop, and a World War II destroyer. | 0:29:43 | 0:29:47 | |
Chris, it's been absolutely fascinating. | 0:29:48 | 0:29:51 | |
Thank you so much. | 0:29:51 | 0:29:52 | |
-It was a pleasure. -If I may, I'll just remain in the seat and dive. | 0:29:52 | 0:29:56 | |
Please do. | 0:29:56 | 0:29:57 | |
Let's leave Charlie on manoeuvres... | 0:30:01 | 0:30:03 | |
..and catch up with James's shopping mission, in the village of Teynham, | 0:30:07 | 0:30:11 | |
beside the Chatham main line, with £95 in his pocket. | 0:30:11 | 0:30:16 | |
-Hello, James. -Hi, Vicky. | 0:30:19 | 0:30:20 | |
Hello, Vicky, nice to meet you. | 0:30:20 | 0:30:22 | |
Now, Vicky, are there many bays to this? | 0:30:22 | 0:30:24 | |
Yes, we've got just over 20 dealers. | 0:30:24 | 0:30:27 | |
And some of them may be antiques. | 0:30:27 | 0:30:28 | |
-Definitely. -Well, I'll get my nose... | 0:30:28 | 0:30:31 | |
So, with Vicky's affirmative ringing in his ears, | 0:30:31 | 0:30:33 | |
what can he come up with? | 0:30:33 | 0:30:35 | |
These are commonly known as Gypsy tables. | 0:30:35 | 0:30:38 | |
Rather nicely turned base, three legs, and... | 0:30:38 | 0:30:41 | |
Can you see this rather plain top? | 0:30:41 | 0:30:43 | |
I might just take these things off. | 0:30:43 | 0:30:45 | |
This is just beech. I think it's even pine. | 0:30:45 | 0:30:48 | |
But this top would have been covered in a rather nice velvet cloth. | 0:30:48 | 0:30:53 | |
And on top of there, you would have had your witch's ball, | 0:30:53 | 0:30:56 | |
your fortune-telling ball. | 0:30:56 | 0:30:58 | |
And you can imagine the lady telling your fortune | 0:30:58 | 0:31:01 | |
with that big crystal ball there. | 0:31:01 | 0:31:04 | |
I can see many profits. | 0:31:04 | 0:31:07 | |
I can see abject misery for Mr Ross. | 0:31:07 | 0:31:11 | |
Lordy! Let's have a look at the ticket first. | 0:31:11 | 0:31:15 | |
It's 85 quid. I might be able to do a deal on this. | 0:31:15 | 0:31:18 | |
If I could get that for 40 or 50 quid, I might buy it. | 0:31:18 | 0:31:22 | |
Mind you, I've always suspected James might possess special powers. | 0:31:22 | 0:31:26 | |
So we've got a snake here. | 0:31:30 | 0:31:32 | |
They say possibly bronze. | 0:31:32 | 0:31:33 | |
Definitely. | 0:31:33 | 0:31:34 | |
The Braxton weight test, that is bronze. | 0:31:34 | 0:31:38 | |
It feels strong. | 0:31:38 | 0:31:40 | |
How unusual. | 0:31:40 | 0:31:41 | |
Now, he would do an unusual thing like that? | 0:31:41 | 0:31:43 | |
Quite well defined here, we've got all the scales there. | 0:31:43 | 0:31:47 | |
This has the work of the Japanese about it, I think. | 0:31:47 | 0:31:51 | |
Maybe the tip has got a bit damaged, | 0:31:51 | 0:31:54 | |
but damage, sometimes, is a sign of age. | 0:31:54 | 0:31:57 | |
I must say, I haven't seen many of these. | 0:31:57 | 0:31:59 | |
When buying antiques, always look for the unusual. | 0:31:59 | 0:32:03 | |
The ticket price is £50. Time for our Vicky to call the dealer. | 0:32:03 | 0:32:07 | |
Hi, Jeanette. I've got your snake here. | 0:32:08 | 0:32:11 | |
He just wondered if he could have a quick talk to you | 0:32:11 | 0:32:15 | |
about the price, is that OK? | 0:32:15 | 0:32:16 | |
That's James, not the snake. | 0:32:16 | 0:32:18 | |
-Who am I speaking to? -This is Jeanette. | 0:32:18 | 0:32:20 | |
Hello, Jeanette. | 0:32:20 | 0:32:22 | |
I've got your Sid. | 0:32:23 | 0:32:24 | |
This is why we're not in Paradise, I've found the culprit. | 0:32:24 | 0:32:27 | |
What could you do? I was volunteering a cheeky 30. | 0:32:27 | 0:32:30 | |
39, you have a deal, that's very kind, Jeanette. | 0:32:31 | 0:32:35 | |
Now for the table. The asking price is £85, | 0:32:35 | 0:32:39 | |
but James now only has 56 left. | 0:32:39 | 0:32:41 | |
Lovely legs. | 0:32:43 | 0:32:44 | |
Just like you, I can tell. | 0:32:44 | 0:32:47 | |
Would £40 buy it, Jenny? | 0:32:47 | 0:32:49 | |
I can go to 45. | 0:32:51 | 0:32:53 | |
That was close. | 0:32:53 | 0:32:54 | |
-Thank you. -You've done well there, didn't you? -I did do well... | 0:32:55 | 0:32:59 | |
So, with £84 paid... | 0:32:59 | 0:33:01 | |
-God bless Kent. Thank you very much indeed, Vicky. -Thank you. | 0:33:01 | 0:33:04 | |
..it's time to pocket the python | 0:33:04 | 0:33:07 | |
and point the motor towards that south coast saleroom. | 0:33:07 | 0:33:10 | |
The auction we're going to is just north of Worthing, | 0:33:10 | 0:33:13 | |
and it's very much a family affair. | 0:33:13 | 0:33:15 | |
-All online? -Online? Undoubtedly online. | 0:33:15 | 0:33:19 | |
-Yes. -Probably wears braces, as well. | 0:33:19 | 0:33:21 | |
I don't know... | 0:33:22 | 0:33:23 | |
-All good auctioneers wear braces. -All good auctioneers wear braces. | 0:33:23 | 0:33:27 | |
Don't forget the belt, for good measure. | 0:33:27 | 0:33:30 | |
Time for some shut-eye. | 0:33:30 | 0:33:31 | |
This is Washington. | 0:33:34 | 0:33:36 | |
No sign of a White House. | 0:33:36 | 0:33:39 | |
Still, a very big deal, though. | 0:33:39 | 0:33:40 | |
-This is our date with destiny, Charlie. -I'm nervous. -Why? | 0:33:40 | 0:33:44 | |
-I'm very nervous. -I'm very excited. -Are you? | 0:33:44 | 0:33:46 | |
-What, really excited? -Very excited. -Come on, then. Very excited. | 0:33:46 | 0:33:49 | |
After starting their trip at Chart Sutton in Kent, | 0:33:49 | 0:33:52 | |
Charlie and James have gone all the way to West Sussex... | 0:33:52 | 0:33:55 | |
..to Toovey's auction house, | 0:33:56 | 0:33:58 | |
a family concern, with internet bidding. | 0:33:58 | 0:34:00 | |
James parted with £189 for his five auction lots. | 0:34:02 | 0:34:05 | |
Charlie spent a bit less, £170 for his five lots. | 0:34:10 | 0:34:14 | |
Matron! | 0:34:15 | 0:34:16 | |
So, what do they make of each other's chances? | 0:34:16 | 0:34:20 | |
It's a lovely object. Totally impractical. | 0:34:20 | 0:34:22 | |
Value? I suppose £30 to £35. | 0:34:22 | 0:34:26 | |
Price paid? | 0:34:26 | 0:34:28 | |
£50. Well done, Braxton. | 0:34:28 | 0:34:30 | |
Well, let's have the opinion of the man in charge - | 0:34:30 | 0:34:33 | |
gavel-wielder Rupert Toovey himself. | 0:34:33 | 0:34:36 | |
That Oriental bronze vase is beautiful. | 0:34:36 | 0:34:39 | |
My specialist says it's actually Chinese. | 0:34:39 | 0:34:42 | |
Though the base has been repaired with a Japanese panel. | 0:34:42 | 0:34:46 | |
Most unusual. | 0:34:46 | 0:34:48 | |
The Titanic box. | 0:34:48 | 0:34:49 | |
Well, it is of the period, but it's certainly not of the ship. | 0:34:49 | 0:34:53 | |
I love that 19th-century classical frieze. | 0:34:53 | 0:34:56 | |
A grand tall piece. | 0:34:56 | 0:34:58 | |
It's such lovely taste. | 0:34:58 | 0:35:00 | |
The Japanese bronze snake is the star of the show. | 0:35:00 | 0:35:02 | |
If anything is going to fly, it will be that. | 0:35:02 | 0:35:05 | |
That is exciting. | 0:35:05 | 0:35:07 | |
-Very excited. -I feel a swarm of profits coming on. | 0:35:07 | 0:35:12 | |
I do, I do. | 0:35:12 | 0:35:14 | |
First, Charlie's slicer. | 0:35:14 | 0:35:16 | |
Baguettes, it's had a few. | 0:35:16 | 0:35:18 | |
Typically French, you know, to have a kitchen item after the guillotine. | 0:35:19 | 0:35:25 | |
Exactly, yes. | 0:35:25 | 0:35:26 | |
We're opening here at £25. | 0:35:26 | 0:35:29 | |
-He's got a bid. -28 now online. | 0:35:29 | 0:35:31 | |
At £28, can I see 30? | 0:35:31 | 0:35:32 | |
We need a little bit more. | 0:35:32 | 0:35:34 | |
£28, then? | 0:35:34 | 0:35:35 | |
Selling at £28. | 0:35:35 | 0:35:37 | |
-Oh, dear. -20. | 0:35:37 | 0:35:38 | |
£28. | 0:35:38 | 0:35:40 | |
Well, it's nice to see you're on normal form, Charlie. | 0:35:40 | 0:35:43 | |
Don't get too excited yet, James, unless, of course, | 0:35:43 | 0:35:46 | |
your table has just given you a glimpse of the future. | 0:35:46 | 0:35:49 | |
-£25. -£25! | 0:35:49 | 0:35:51 | |
-Yes, that's not bad. -It's a start. | 0:35:51 | 0:35:53 | |
£25. £28 do I see? 28 in the front row. | 0:35:53 | 0:35:56 | |
£28, can I see 30? | 0:35:56 | 0:35:58 | |
28 and 30 there is now. 32. | 0:35:58 | 0:36:00 | |
32, 35. 38? | 0:36:00 | 0:36:02 | |
-Come on, keep going. -Is there any advance on £35? | 0:36:02 | 0:36:06 | |
Fair warning. | 0:36:06 | 0:36:08 | |
35. | 0:36:08 | 0:36:09 | |
Currently as bad as each other. | 0:36:09 | 0:36:12 | |
It's not all roses in the Braxton bed. | 0:36:12 | 0:36:14 | |
It isn't. | 0:36:14 | 0:36:16 | |
How about Charlie's Renaissance maestro? | 0:36:16 | 0:36:19 | |
-Have you seen Titian? -Yes. | 0:36:19 | 0:36:21 | |
-What did you think of Titian? -Not something I'd put on my wall. | 0:36:21 | 0:36:24 | |
Is it not? It's only because it needs a polish. | 0:36:24 | 0:36:27 | |
-It needs more than a polish. -Now, now! | 0:36:27 | 0:36:29 | |
We've got to open this lot at £30. | 0:36:29 | 0:36:31 | |
£30. There you are. | 0:36:31 | 0:36:32 | |
At £30, is there any more? | 0:36:32 | 0:36:34 | |
We've seen 32, 32, 35, 38. | 0:36:34 | 0:36:37 | |
38 with the team. £38. | 0:36:37 | 0:36:39 | |
At £38 in the room now. | 0:36:39 | 0:36:41 | |
Against the commission bidder, fair warning, £38... | 0:36:41 | 0:36:44 | |
In the nick of time, online, 40. | 0:36:44 | 0:36:46 | |
40 now, 42 will you bid? | 0:36:46 | 0:36:48 | |
-No. -It's a steal. | 0:36:48 | 0:36:50 | |
Online at £40. | 0:36:50 | 0:36:52 | |
At £40, is there any advance? | 0:36:52 | 0:36:53 | |
We're selling, £40. | 0:36:53 | 0:36:55 | |
He doesn't look at all happy with that, does he? | 0:36:56 | 0:36:59 | |
Well done, Charlie. You know, you're getting there, you're improving... | 0:36:59 | 0:37:02 | |
Look, I can do without this patronising Braxton behaviour. | 0:37:02 | 0:37:05 | |
-Under... -You haven't won yet. -..break even. | 0:37:05 | 0:37:07 | |
Well, a profit would be a good start. His tiles. | 0:37:07 | 0:37:11 | |
-What do you think they are? -Very sober colouring. | 0:37:11 | 0:37:13 | |
-Drab is the word I was looking for. -No, sober. | 0:37:13 | 0:37:15 | |
-Drab. -Sober. | 0:37:15 | 0:37:17 | |
Opening the bidding here with conflicting bids to £30. | 0:37:17 | 0:37:20 | |
At £30 now, 32 can I see? | 0:37:20 | 0:37:22 | |
At £30 now. At £30. | 0:37:22 | 0:37:24 | |
Is there any advance? And two standing. | 0:37:24 | 0:37:25 | |
-32 in the room. At £32. -A man of taste. | 0:37:25 | 0:37:28 | |
£32 in the room, with you, sir. | 0:37:28 | 0:37:30 | |
-At £32. -Nearly washing their face. | 0:37:30 | 0:37:33 | |
36. 36, 38. | 0:37:33 | 0:37:35 | |
Internet coming alive. | 0:37:35 | 0:37:37 | |
38 and 40? £40 in the room again. | 0:37:37 | 0:37:42 | |
All done, I think, at 40. | 0:37:42 | 0:37:43 | |
It's £40 and selling. | 0:37:43 | 0:37:46 | |
Thank you, sir, £40. | 0:37:46 | 0:37:48 | |
At last. | 0:37:48 | 0:37:50 | |
By the law of averages, I suppose. | 0:37:50 | 0:37:52 | |
I'd like to call myself Midas. | 0:37:52 | 0:37:55 | |
I'd like to call you something else, but I won't. | 0:37:55 | 0:37:58 | |
Now, can Charlie's Bacchanalian relief provide just that? | 0:37:58 | 0:38:02 | |
Have you ever trodden the grapes? | 0:38:02 | 0:38:04 | |
I've never trodden, squelching, you can't... | 0:38:04 | 0:38:07 | |
-Is that what it's called? -You can't beat a bit of squelching. | 0:38:07 | 0:38:09 | |
The lowest we can start at £45. | 0:38:09 | 0:38:11 | |
-Well done. -£45, can I see the 50? | 0:38:11 | 0:38:13 | |
-A profit! -55 now, and 60. | 0:38:13 | 0:38:15 | |
55 here. | 0:38:15 | 0:38:16 | |
60 is there online. | 0:38:16 | 0:38:18 | |
£55. 60, can we see? | 0:38:18 | 0:38:20 | |
-£55. -£55 come on commission. | 0:38:20 | 0:38:21 | |
It's a steal at 55. | 0:38:21 | 0:38:23 | |
Lovely thing. 55. | 0:38:23 | 0:38:25 | |
Things are definitely looking up. | 0:38:25 | 0:38:28 | |
-Well done. -That's a profit. -Congratulations. | 0:38:28 | 0:38:30 | |
-You're surprised at that, aren't you? -No, it's a very nice item. | 0:38:30 | 0:38:33 | |
As is your pencil holder. | 0:38:33 | 0:38:36 | |
I paid £50 for it. | 0:38:36 | 0:38:38 | |
-Too much money. -It's got to make 60 plus, hasn't it, to pull you away? | 0:38:38 | 0:38:42 | |
At £25, can I see 28? | 0:38:42 | 0:38:45 | |
28 I have with the lady now. | 0:38:45 | 0:38:47 | |
£28. At £28, can I see the 30 anywhere? | 0:38:47 | 0:38:49 | |
At £28, and 30 now, in a fresh place. | 0:38:49 | 0:38:52 | |
Go on, sir. | 0:38:52 | 0:38:53 | |
35 I have, and 38? | 0:38:53 | 0:38:55 | |
Lovely thing. 38 I have, and 40 is there? | 0:38:55 | 0:38:58 | |
-No? -You're getting there, old bean. | 0:38:58 | 0:39:01 | |
Fair warning. Madam, 38. | 0:39:01 | 0:39:03 | |
Thank you. | 0:39:03 | 0:39:05 | |
Well, Charlie did predict as much. | 0:39:05 | 0:39:07 | |
Time for his Oriental bronze bowl. | 0:39:07 | 0:39:10 | |
I have high hope of this. | 0:39:10 | 0:39:12 | |
-Do you? -Have you seen the auctioneer's estimate? | 0:39:12 | 0:39:14 | |
-How much did you pay for it? -20. | 0:39:14 | 0:39:16 | |
That's good. 20. What the estimate? | 0:39:16 | 0:39:18 | |
80 to 120. | 0:39:18 | 0:39:20 | |
We're opening at £40. | 0:39:20 | 0:39:21 | |
That's twice what I paid. | 0:39:21 | 0:39:23 | |
£40. Two can I see? | 0:39:23 | 0:39:25 | |
It's 40. | 0:39:25 | 0:39:26 | |
£40, then, and two. | 0:39:26 | 0:39:28 | |
45? 48, 50, and five. | 0:39:28 | 0:39:30 | |
55, I have in the front row. | 0:39:30 | 0:39:32 | |
At £55, is there any advance? | 0:39:32 | 0:39:33 | |
-55, that's all right. -Fair warning, 55. | 0:39:33 | 0:39:38 | |
It's a profit, but not what he'd hoped for. | 0:39:38 | 0:39:41 | |
Oh, I'm sorry about that. | 0:39:41 | 0:39:43 | |
-You're not at all. -No, I'm not. -No. -No. | 0:39:43 | 0:39:45 | |
Now, can snakes fly? | 0:39:45 | 0:39:48 | |
We're about to find out. | 0:39:48 | 0:39:49 | |
This is where Braxton's Road trip explodes. | 0:39:49 | 0:39:53 | |
-Do you think so? -Yeah, I do. | 0:39:53 | 0:39:55 | |
The lowest that we can start on this is £80. | 0:39:55 | 0:39:58 | |
£80, can I see the 85? | 0:39:58 | 0:39:59 | |
At £80, 85 can I see? | 0:39:59 | 0:40:01 | |
85, and 90, and five. | 0:40:01 | 0:40:04 | |
-Go on, 100. -95 and 100 here. | 0:40:04 | 0:40:06 | |
110. 110 now online. | 0:40:06 | 0:40:08 | |
Against the commission... 120. | 0:40:08 | 0:40:11 | |
And rising, 130. | 0:40:11 | 0:40:12 | |
-At £130. 140 now. -Keep going, keep going. | 0:40:12 | 0:40:15 | |
-At £140. -140. -£140. | 0:40:15 | 0:40:16 | |
150, it is. | 0:40:16 | 0:40:18 | |
£160. 160 now, 170 is there? | 0:40:18 | 0:40:22 | |
Slowing at £160. | 0:40:22 | 0:40:24 | |
-Keep going. -180, it's jumped to, £180. | 0:40:24 | 0:40:27 | |
Can I see 190? At £180! | 0:40:27 | 0:40:31 | |
Wave now or forever hold your peace. | 0:40:31 | 0:40:32 | |
£180, sold. | 0:40:32 | 0:40:35 | |
James Braxton, you are nothing short of genius. | 0:40:35 | 0:40:39 | |
-I salute you. -Thank you. | 0:40:39 | 0:40:41 | |
We all salute you. | 0:40:41 | 0:40:43 | |
Charlie's last chance to impress. | 0:40:44 | 0:40:46 | |
That safe, er...no key. | 0:40:46 | 0:40:48 | |
It's very heavy. Do you think it won't get a bid at all? | 0:40:49 | 0:40:52 | |
Because it's quite difficult to pick up. | 0:40:52 | 0:40:54 | |
I tried to put it in our car. | 0:40:54 | 0:40:56 | |
-I picked it up. -Did you? | 0:40:56 | 0:40:58 | |
Straight lift. | 0:40:58 | 0:40:59 | |
They call him Bulging Braxton. | 0:40:59 | 0:41:01 | |
We're opening the bidding here at £30. | 0:41:04 | 0:41:05 | |
£30 and two, 35, 38. | 0:41:05 | 0:41:08 | |
-Hang on. -35, I have. | 0:41:08 | 0:41:10 | |
-Come on, then. -At £35 all done. | 0:41:10 | 0:41:12 | |
35. | 0:41:12 | 0:41:14 | |
Well, there we are, it's not been Charlie's day today, has it? | 0:41:16 | 0:41:20 | |
Do you know, that very nearly made a profit. | 0:41:20 | 0:41:24 | |
I know, that was... | 0:41:24 | 0:41:26 | |
If it had just had that key. | 0:41:26 | 0:41:28 | |
Next up, James's Titanic interest. | 0:41:28 | 0:41:31 | |
Opening at £25. £25, I can see 28. | 0:41:32 | 0:41:34 | |
At £25, 28, I have in the room. | 0:41:34 | 0:41:37 | |
-Can I see 30? -Somebody in the room bidding. | 0:41:37 | 0:41:40 | |
32, it's jumped up to here online. | 0:41:40 | 0:41:41 | |
34, will you bid? No. 32 here. | 0:41:41 | 0:41:44 | |
At £32, 34 in the room. | 0:41:44 | 0:41:46 | |
34, hang on. It's taking off. | 0:41:46 | 0:41:48 | |
38, I have, and 40. | 0:41:48 | 0:41:50 | |
-It's floating. -40, I have, and two. | 0:41:50 | 0:41:52 | |
Two I have, and five is... | 0:41:52 | 0:41:54 | |
Yes. Five I have. | 0:41:54 | 0:41:56 | |
48? 48 it is. | 0:41:56 | 0:41:58 | |
50, I have, and five? | 0:41:58 | 0:41:59 | |
-This is a whitewash. -At £55, 60 is there? | 0:41:59 | 0:42:02 | |
60, and 65, is there? | 0:42:02 | 0:42:03 | |
£60. | 0:42:05 | 0:42:06 | |
At £60, is there any advance? Fair warning. | 0:42:06 | 0:42:09 | |
£60. | 0:42:09 | 0:42:11 | |
Just putting on a bit of flesh now, Charlie, a bit of flesh. | 0:42:11 | 0:42:16 | |
I think rump might be one way of describing this. | 0:42:16 | 0:42:19 | |
Don't worry, there's always another round. | 0:42:19 | 0:42:21 | |
This is only the first round. | 0:42:21 | 0:42:24 | |
Have I got to do four more auctions with you? | 0:42:24 | 0:42:26 | |
I want to go and count the cash. | 0:42:26 | 0:42:28 | |
-Come on. -Get on with it. | 0:42:30 | 0:42:32 | |
Charlie started out with £200, | 0:42:32 | 0:42:34 | |
and after auction costs, he made a wee profit of £4.66. | 0:42:34 | 0:42:39 | |
While James, who began with the same sum, made, after costs, | 0:42:39 | 0:42:43 | |
a profit of £100.46. | 0:42:43 | 0:42:45 | |
So, he already has quite a margin. | 0:42:45 | 0:42:47 | |
The Lord shines on winners, Ross. | 0:42:49 | 0:42:53 | |
Yes, I'm surprised it's not raining on me. | 0:42:53 | 0:42:56 | |
A little cloud hovering. | 0:42:56 | 0:42:58 | |
Blue skies might be just around the corner. | 0:42:58 | 0:43:01 | |
Next on the Antiques Road Trip... | 0:43:01 | 0:43:03 | |
Are you just going to be sitting on your £300? Gloating? | 0:43:03 | 0:43:07 | |
Big budget. Small shops. | 0:43:07 | 0:43:09 | |
It is tiny, isn't it? | 0:43:09 | 0:43:11 | |
I've just been, sort of, trying to measure it. | 0:43:11 | 0:43:13 | |
And titchy treasures. | 0:43:13 | 0:43:15 | |
Oh, I say. If Braxton doesn't buy that, I'll eat my hat. | 0:43:15 | 0:43:19 |