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It's the nation's favourite antiques experts... | 0:00:02 | 0:00:04 | |
-What a job. -..with £200 each... -Are you with me? -..a classic car... | 0:00:04 | 0:00:08 | |
-Buckle up. -..and a goal - to scour Britain for antiques. | 0:00:08 | 0:00:12 | |
Oh, sorry. | 0:00:12 | 0:00:14 | |
The aim, to make the biggest profit at auction. | 0:00:14 | 0:00:17 | |
But it's no mean feat. | 0:00:17 | 0:00:19 | |
-There will be worthy winners... -Yes! -..and valiant losers. | 0:00:19 | 0:00:23 | |
So, will it be the high road to glory, or the slow road to disaster? | 0:00:23 | 0:00:27 | |
Have a good trip! | 0:00:27 | 0:00:29 | |
This is the Antiques Road Trip! | 0:00:29 | 0:00:31 | |
Yeah! | 0:00:33 | 0:00:35 | |
Look lively, we're off on an antiquing expedition in Lincolnshire | 0:00:38 | 0:00:42 | |
with swashbuckling auctioneer Paul Laidlaw | 0:00:42 | 0:00:45 | |
and glamorous dealer Margie Cooper. | 0:00:45 | 0:00:47 | |
-But which is which? -I don't know much about it. | 0:00:47 | 0:00:49 | |
-Airfields - Lincs, East Coast. -Yeah. -I've got to bring the war up. | 0:00:49 | 0:00:53 | |
Fabulous cathedral. | 0:00:53 | 0:00:54 | |
Oh, don't, you're not going to start with all this war stuff, I hope. | 0:00:54 | 0:00:58 | |
-Come on! -Cripes. | 0:00:58 | 0:01:00 | |
My tactic is... But you won't, I'm sure this won't upset you. | 0:01:00 | 0:01:03 | |
I will just be hovering behind, ready to snatch. | 0:01:03 | 0:01:06 | |
-Is that the best you can do? I'll take it! -Don't you dare! Don't you dare. | 0:01:09 | 0:01:12 | |
The fight is on. | 0:01:14 | 0:01:15 | |
Our pair are all set for their thrilling escapade. | 0:01:17 | 0:01:20 | |
Each have £200 in their pockets and they have the super, | 0:01:20 | 0:01:23 | |
lovely Morris Minor 1000 convertible to pad around town and city. | 0:01:23 | 0:01:28 | |
Quintessentially English, isn't it? | 0:01:29 | 0:01:31 | |
Yeah, it's a great car, absolutely great car. | 0:01:31 | 0:01:34 | |
And it's a nice one, no roof. | 0:01:34 | 0:01:37 | |
You are observant, Paul. | 0:01:37 | 0:01:38 | |
Our pair's road trip kicks off in Hemswell Cliff in Lincolnshire. | 0:01:41 | 0:01:45 | |
They'll gallop around Yorkshire, | 0:01:46 | 0:01:47 | |
take a spin around the Midlands | 0:01:47 | 0:01:49 | |
before concluding in Shrewsbury, Shropshire. | 0:01:49 | 0:01:51 | |
Today, our cheeky chumsters are headed for the village | 0:01:52 | 0:01:56 | |
of Hemswell Cliff in North Lincolnshire, | 0:01:56 | 0:01:59 | |
and will auction in the North Yorkshire town of Harrogate. Lovely. | 0:01:59 | 0:02:03 | |
I reckon... | 0:02:04 | 0:02:05 | |
..we may end up in the same shop this morning. | 0:02:07 | 0:02:10 | |
-Sniffing around. -I'm talking about militaria. | 0:02:10 | 0:02:13 | |
Oh, no! | 0:02:13 | 0:02:15 | |
Please! | 0:02:15 | 0:02:16 | |
You're not still buying that old rubbish, are you? | 0:02:16 | 0:02:19 | |
What? | 0:02:19 | 0:02:21 | |
Crumbs! | 0:02:21 | 0:02:23 | |
This is going to be interesting. | 0:02:23 | 0:02:25 | |
-There is a sign. -Yeah. | 0:02:25 | 0:02:26 | |
Yeah, right. | 0:02:27 | 0:02:29 | |
-What does that say? -We've got, like, four centres. | 0:02:29 | 0:02:32 | |
-Thataway then, eh? -Shall we divide and conquer? | 0:02:33 | 0:02:35 | |
-Definitely. -I'll just abandon you by the roadside. | 0:02:35 | 0:02:39 | |
Charming. Once part of RAF Hemswell, home of the Lancaster bomber, | 0:02:41 | 0:02:47 | |
this is now the site for Europe's largest antiques centre. | 0:02:47 | 0:02:51 | |
Let's begin with Paul in his Martin Bell suit. | 0:02:51 | 0:02:53 | |
This is the cool corner. | 0:02:58 | 0:02:59 | |
You can see that. | 0:02:59 | 0:03:01 | |
Buying on trend. | 0:03:01 | 0:03:04 | |
Gramophone horn converted to a ceiling light shade. | 0:03:04 | 0:03:08 | |
-HE CHUCKLES -This is where it's at at the moment, | 0:03:08 | 0:03:11 | |
from a popular interior design point of view. | 0:03:11 | 0:03:14 | |
Sadly, however, prices are bang on trend as well. | 0:03:14 | 0:03:18 | |
I see no profits here. | 0:03:18 | 0:03:21 | |
So I'm off. | 0:03:21 | 0:03:22 | |
Where's our lovely Margie, then? | 0:03:26 | 0:03:27 | |
Noddy. | 0:03:33 | 0:03:34 | |
That's happy memories. | 0:03:36 | 0:03:37 | |
I'm the Noddy era. | 0:03:38 | 0:03:39 | |
I love Noddy. Absolutely adored him, still like him. | 0:03:39 | 0:03:43 | |
Oi, less nostalgia. | 0:03:43 | 0:03:44 | |
How about some buying? | 0:03:44 | 0:03:47 | |
What's Paul found, the old fox? | 0:03:47 | 0:03:49 | |
HE MUTTERS | 0:03:49 | 0:03:52 | |
Two questions. | 0:03:54 | 0:03:56 | |
Is it bronze and is it old? | 0:03:56 | 0:03:58 | |
Now, just because you spy that little treasure in the cabinet and | 0:03:58 | 0:04:02 | |
it's dark chocolate brown, | 0:04:02 | 0:04:04 | |
don't assume for a moment it's necessarily metallic bronze. | 0:04:04 | 0:04:07 | |
What do we look for? We look for that. | 0:04:07 | 0:04:10 | |
That coppery hue. | 0:04:10 | 0:04:12 | |
That is bronze. | 0:04:12 | 0:04:13 | |
First box ticked, good news. | 0:04:14 | 0:04:17 | |
It's priced at £35. | 0:04:17 | 0:04:19 | |
But is it old? | 0:04:19 | 0:04:21 | |
Now, I'd like it to date to the late 19th or early 20th century. | 0:04:21 | 0:04:25 | |
And if it does... Do you know what, I think it does, | 0:04:25 | 0:04:29 | |
I think you could put it under the umbrella of the animalia school. | 0:04:29 | 0:04:33 | |
And this is | 0:04:33 | 0:04:34 | |
a group of sculptors that's focusing on a very naturalistic depiction | 0:04:34 | 0:04:40 | |
of animals and wildlife. | 0:04:40 | 0:04:42 | |
Let's find manager Penny. | 0:04:44 | 0:04:45 | |
How you doing, Penny? | 0:04:45 | 0:04:47 | |
-Good, thank you. -Wee fox, £35. -Yeah... | 0:04:47 | 0:04:51 | |
-It's nice, isn't it? -Yeah, he is. | 0:04:51 | 0:04:52 | |
Will there be a wee bit of slack, or not? | 0:04:52 | 0:04:54 | |
Yeah, I think so. 1240... | 0:04:54 | 0:04:56 | |
I think he'll be all right with straight 30. | 0:04:56 | 0:04:58 | |
Sounds all right to me. Can I leave that with you? | 0:04:58 | 0:05:01 | |
Yeah, of course you can. | 0:05:01 | 0:05:02 | |
One item bought, but still more to see. | 0:05:02 | 0:05:04 | |
How's Margie getting on? | 0:05:05 | 0:05:07 | |
That's...that's an old gardener's watering can. | 0:05:09 | 0:05:14 | |
Ten pints in there. | 0:05:15 | 0:05:16 | |
Gosh, would you believe that, ten pints in there? | 0:05:16 | 0:05:21 | |
That's got a really good old look about it, hasn't it? | 0:05:21 | 0:05:24 | |
About 80 years old, I would think. | 0:05:24 | 0:05:26 | |
And look. | 0:05:26 | 0:05:27 | |
£12. | 0:05:27 | 0:05:29 | |
I wonder, if the people of Harrogate would like that | 0:05:30 | 0:05:34 | |
and give me a small profit? | 0:05:34 | 0:05:37 | |
That's one to think about. | 0:05:39 | 0:05:41 | |
I'll put that down there. | 0:05:41 | 0:05:42 | |
I've just put that down and I've spotted this Victorian teapot. | 0:05:43 | 0:05:48 | |
Looks the sort that you'd put over a witch's cauldron. | 0:05:48 | 0:05:51 | |
Which my husband would say, "Perfect for you!" | 0:05:51 | 0:05:55 | |
Cheeky devil! | 0:05:55 | 0:05:56 | |
How good is that, gosh! | 0:05:57 | 0:06:00 | |
That's well over, that must be about 120 years old. | 0:06:00 | 0:06:03 | |
It's impossible to damage it, that's why it's survived. | 0:06:04 | 0:06:07 | |
That's ticketed at £20. | 0:06:08 | 0:06:10 | |
Looks Japanese to me. | 0:06:10 | 0:06:12 | |
Yeah, I think I'm going to go for these two. | 0:06:12 | 0:06:14 | |
They could either go together or I could sell them separately. | 0:06:14 | 0:06:18 | |
But, you know, I just feel they're going to make a profit. | 0:06:18 | 0:06:22 | |
Do you think I'm mad? | 0:06:22 | 0:06:24 | |
-No comment. -Let's go. | 0:06:24 | 0:06:25 | |
-CLUNK -Ooh! | 0:06:29 | 0:06:30 | |
Oh, Lord! I thought you said they were impossible to damage? | 0:06:30 | 0:06:35 | |
-CLUNK -Ooh! -Oh, no! For goodness' sake! | 0:06:35 | 0:06:38 | |
OK, Esme's here to help. Esme, over to you. | 0:06:39 | 0:06:42 | |
Would these be your choices? | 0:06:45 | 0:06:46 | |
-I don't think so. -Very unusual. | 0:06:46 | 0:06:48 | |
Very diplomatic, Esme. Mind the spout. | 0:06:48 | 0:06:51 | |
The best price we can do on this watering can is £10. | 0:06:51 | 0:06:54 | |
-I thought you might say that. -And this one has to be 18. | 0:06:54 | 0:06:58 | |
And nothing for two together? | 0:07:00 | 0:07:01 | |
-No, sorry. -So it's 28? | 0:07:01 | 0:07:03 | |
-Yes, please. -Thank you very much indeed. -Thank you very much. | 0:07:03 | 0:07:06 | |
The Victorian watering can for £10 and the Victorian kettle - | 0:07:06 | 0:07:10 | |
looks Japanese - for 18. | 0:07:10 | 0:07:11 | |
-Oh, looks very good in here. -Whoa, whoa, whoa! | 0:07:14 | 0:07:17 | |
Hi! | 0:07:17 | 0:07:18 | |
Are you familiar with the concept of trespassing? | 0:07:18 | 0:07:20 | |
-I thought you were... -I am allowed to go where I want to. | 0:07:22 | 0:07:24 | |
I was told. | 0:07:24 | 0:07:26 | |
How's it going? | 0:07:26 | 0:07:27 | |
-All right. -You shopping, buying? | 0:07:27 | 0:07:29 | |
Yeah, yeah, yeah. Bought a couple of bits. | 0:07:29 | 0:07:31 | |
-Are you finished? -Mind your... What is this, an interrogation? | 0:07:31 | 0:07:35 | |
You come in here, you trespass, you interrogate me. | 0:07:35 | 0:07:37 | |
I'm going now. Because I don't want to spoil your chances. | 0:07:37 | 0:07:41 | |
I've secured mine. | 0:07:43 | 0:07:44 | |
Oh, you've secured your future profitability. | 0:07:44 | 0:07:47 | |
-See you, darling. -See you later. -Bye! | 0:07:47 | 0:07:49 | |
Cheerio, darling Margie! | 0:07:49 | 0:07:50 | |
Now, what's next for Paul? | 0:07:52 | 0:07:53 | |
This is worth...I have tried these in the past. | 0:07:54 | 0:07:56 | |
That just looks like a slightly comical... | 0:07:58 | 0:08:01 | |
..copper and brass... | 0:08:03 | 0:08:05 | |
..jug. | 0:08:06 | 0:08:08 | |
I can tell you who designed it. | 0:08:08 | 0:08:09 | |
That was designed by WAS Benson, | 0:08:09 | 0:08:13 | |
perhaps the most prolific and certainly one of the most important | 0:08:13 | 0:08:18 | |
English designers of the tail end of the 19th century. | 0:08:18 | 0:08:22 | |
William Arthur Smith Benson is credited as a genius of the Arts and Crafts movement. | 0:08:22 | 0:08:28 | |
Prove it, Laidlaw, prove that's the work of the great WAS Benson. | 0:08:28 | 0:08:33 | |
Well, if you know what you're looking for and where to look, | 0:08:35 | 0:08:38 | |
it says there, Benson's patent on the handle. | 0:08:38 | 0:08:42 | |
It's small, it's hardly visible, it's polished. | 0:08:42 | 0:08:45 | |
But that's what it is. | 0:08:45 | 0:08:47 | |
And this is one of a series of his patent hot water jugs. | 0:08:47 | 0:08:51 | |
Whole series of these. | 0:08:51 | 0:08:52 | |
And it's lined, it has an enamelled vessel within, | 0:08:52 | 0:08:57 | |
but it was an insulated jug. | 0:08:57 | 0:08:59 | |
It just kept... It's like a Thermos, wasn't it? | 0:08:59 | 0:09:02 | |
But when you know the background to that, the importance of the man, | 0:09:02 | 0:09:05 | |
does that not talk to you and does it not seem cheap at £15? | 0:09:05 | 0:09:11 | |
Looks plenty. | 0:09:11 | 0:09:13 | |
Let's find Penny to chat cash. | 0:09:13 | 0:09:16 | |
Penny, I'm back. I won't keep you. | 0:09:16 | 0:09:19 | |
I'm interested in that. See what we can do on the price? | 0:09:19 | 0:09:22 | |
£13 sound all right? | 0:09:22 | 0:09:24 | |
It's going to have to be all right. | 0:09:24 | 0:09:25 | |
-Yeah. -It's all right. -Yeah. -Yeah, we're going to take a punt. | 0:09:25 | 0:09:30 | |
Success for Paul. The rather lovely WAS Benson copper hot water jug | 0:09:30 | 0:09:35 | |
and the animalia bronze fox for a total of £43. | 0:09:35 | 0:09:39 | |
Good stuff. | 0:09:39 | 0:09:40 | |
Meanwhile, Margie has made her way to the North Lincolnshire town | 0:09:44 | 0:09:47 | |
of Barton-upon-Humber. | 0:09:47 | 0:09:48 | |
It's back to school for Margie. | 0:09:50 | 0:09:51 | |
She's going to learn about one of the most important schools in the world, | 0:09:51 | 0:09:55 | |
set up by a founding father of modern-day education, Samuel Wilderspin. | 0:09:55 | 0:10:00 | |
Margie's meeting with John French to find out more. | 0:10:02 | 0:10:06 | |
Hello, you must be John. | 0:10:06 | 0:10:07 | |
You must be Margie. | 0:10:07 | 0:10:08 | |
-That's right. -Welcome to the Barton Wilderspin National School. | 0:10:08 | 0:10:12 | |
-Thank you very much. -Can I show you around? | 0:10:12 | 0:10:15 | |
Built in 1844 and still wonderfully complete, | 0:10:15 | 0:10:19 | |
this former church school is unique | 0:10:19 | 0:10:21 | |
as it's the only surviving Wilderspin school and playground. | 0:10:21 | 0:10:26 | |
So, John, who was Samuel Wilderspin? | 0:10:26 | 0:10:29 | |
He was born in 1791 in Hornsey, London. | 0:10:29 | 0:10:32 | |
-Really? -His father taught him initially and he couldn't understand | 0:10:32 | 0:10:37 | |
why children on their way to whatever schools there were | 0:10:37 | 0:10:41 | |
in those days - Sunday schools or dame schools - cried. | 0:10:41 | 0:10:46 | |
And eventually, his father had to send him to school | 0:10:46 | 0:10:50 | |
and he learnt why these children were so unhappy. | 0:10:50 | 0:10:53 | |
They were caned, for instance, | 0:10:53 | 0:10:56 | |
-for not knowing what they hadn't been taught. -Oh! | 0:10:56 | 0:10:59 | |
As a young man Samuel became a teacher, and in 1818 | 0:11:00 | 0:11:04 | |
found employment at England's first infant school in Westminster. | 0:11:04 | 0:11:09 | |
From this, he managed a second infant school in Spitalfields, in London. | 0:11:09 | 0:11:14 | |
A curriculum hadn't been established, | 0:11:14 | 0:11:16 | |
so Samuel experimented with ideas of his own. | 0:11:16 | 0:11:20 | |
It was a very poor area. | 0:11:20 | 0:11:22 | |
And when Wilderspin and his wife went to this place, | 0:11:22 | 0:11:26 | |
they found a room full of children, probably 200 little tots, | 0:11:26 | 0:11:30 | |
and they were all crying for their mother. | 0:11:30 | 0:11:33 | |
And he said, well, what can we do? | 0:11:33 | 0:11:35 | |
He couldn't quieten them down. | 0:11:35 | 0:11:37 | |
So he took his wife's hat, | 0:11:37 | 0:11:39 | |
put it on a stick and went down on all fours and he went into this room | 0:11:39 | 0:11:45 | |
and the children were quiet. | 0:11:45 | 0:11:48 | |
And he realised that that you have to attract, | 0:11:48 | 0:11:51 | |
gain the children's attention. | 0:11:51 | 0:11:53 | |
He didn't believe in corporal punishment at all. | 0:11:53 | 0:11:56 | |
The cane was completely banned in his schools. | 0:11:56 | 0:11:59 | |
He believed in love. | 0:11:59 | 0:12:01 | |
That was his method of getting over to children. | 0:12:01 | 0:12:04 | |
And he also realised the importance of play. | 0:12:04 | 0:12:08 | |
In the early 19th century, | 0:12:09 | 0:12:11 | |
Wilderspin helped set up the Infant School Society, that | 0:12:11 | 0:12:14 | |
believed that poor children should be given the principles of virtue | 0:12:14 | 0:12:18 | |
and kept from a life of crime. | 0:12:18 | 0:12:20 | |
For the next 20 years, until 1844, he toured the country, helping | 0:12:20 | 0:12:27 | |
found infant schools, and he actually helped promote and found | 0:12:27 | 0:12:34 | |
hundreds, probably 2,000 infant schools in this country. | 0:12:34 | 0:12:39 | |
Wilderspin then moved to Barton | 0:12:39 | 0:12:41 | |
and created his model school, which he helped design and equip. | 0:12:41 | 0:12:46 | |
He taught here with his wife and daughter, and used it as a base | 0:12:46 | 0:12:49 | |
for his promotion of enlightened education throughout Britain. | 0:12:49 | 0:12:53 | |
Children all over the world have Samuel Wilderspin to thank for playtime. | 0:12:53 | 0:12:57 | |
He was a pioneer of the playground, and believed that schools | 0:12:57 | 0:13:00 | |
should be a place of education and fun. | 0:13:00 | 0:13:04 | |
This is the gallery, one of Wilderspin's inventions, | 0:13:04 | 0:13:08 | |
and he realised that children had to be in a position | 0:13:08 | 0:13:12 | |
to see and be seen. | 0:13:12 | 0:13:14 | |
And this would accommodate 150 children. | 0:13:14 | 0:13:17 | |
The lower steps are only six inches high - | 0:13:17 | 0:13:21 | |
-they're for the young children, the really young ones. -Little legs. | 0:13:21 | 0:13:24 | |
Little legs, that's right. | 0:13:24 | 0:13:25 | |
And what are these? | 0:13:25 | 0:13:27 | |
These are the lesson posts, the teaching posts. | 0:13:27 | 0:13:30 | |
The lesson posts here. | 0:13:30 | 0:13:31 | |
And the children would gather round and be taught in small groups. | 0:13:31 | 0:13:36 | |
So where are all the desks? | 0:13:36 | 0:13:38 | |
There weren't any desks in here. | 0:13:38 | 0:13:40 | |
-Yeah. -The children would be encouraged to sit in the gallery | 0:13:40 | 0:13:44 | |
or the benches around the wall there. | 0:13:44 | 0:13:47 | |
-Yeah. -Or they would be gathering around the lesson posts, | 0:13:47 | 0:13:50 | |
the teaching posts here. | 0:13:50 | 0:13:52 | |
So his ideas, Samuel's ideas have been beneficial to us all? | 0:13:52 | 0:13:56 | |
Very much so, yes. | 0:13:56 | 0:13:57 | |
In most schools, in fact, all schools, | 0:13:57 | 0:14:00 | |
Wilderspin's ideas are there, really. | 0:14:00 | 0:14:03 | |
The basis for modern teaching lies with Wilderspin. | 0:14:03 | 0:14:06 | |
Now, how's Paul in the Morris? | 0:14:10 | 0:14:12 | |
It is a competition. Ain't no bones about it. | 0:14:17 | 0:14:21 | |
But I find it hard, you don't want to hear this, | 0:14:21 | 0:14:24 | |
but I'm going to find it hard to see it as such | 0:14:24 | 0:14:27 | |
because I love Margie to bits. | 0:14:27 | 0:14:29 | |
I think we're just | 0:14:29 | 0:14:31 | |
two happy-go-lucky antiques-y types | 0:14:31 | 0:14:35 | |
in a quaint car...having fun. | 0:14:35 | 0:14:40 | |
Let's see if you feel the same at the end of the week. | 0:14:40 | 0:14:42 | |
Paul's journeyed his way to the Lincolnshire town of Gainsborough. | 0:14:44 | 0:14:47 | |
Pilgrims Antiques Centre has been in business for over 30 years. | 0:14:49 | 0:14:54 | |
Paul has £157 left to spend in here. | 0:14:54 | 0:14:57 | |
-Hello, there. -Afternoon. | 0:14:57 | 0:14:59 | |
Afternoon it is, how are you? | 0:14:59 | 0:15:01 | |
-Fine, thank you. -I'm Paul. -I'm Michael. | 0:15:01 | 0:15:04 | |
This is a sweet little Georgian single-compartment caddy. | 0:15:14 | 0:15:19 | |
Caddies commonly had two compartments or three. | 0:15:19 | 0:15:24 | |
You could have green tea, gunpowder tea, | 0:15:24 | 0:15:27 | |
an aperture for a mixing bowl. | 0:15:27 | 0:15:30 | |
This, one variety of tea. | 0:15:30 | 0:15:33 | |
And I think its near cubic nature lends it charm. | 0:15:33 | 0:15:40 | |
And it's priced at £35. | 0:15:41 | 0:15:43 | |
Quite cubic. Anything else? | 0:15:43 | 0:15:44 | |
-That's all right. -Yes, it's better than you think, that one. | 0:15:52 | 0:15:55 | |
-Isn't it? -It gets better. | 0:15:55 | 0:15:58 | |
-Really? -I'll let you discover it. | 0:15:58 | 0:16:00 | |
These Victorian leather-bound portable desks, | 0:16:00 | 0:16:04 | |
jewellery caskets, whatever, | 0:16:04 | 0:16:06 | |
I adore, but they're always too worn for me to live with. | 0:16:06 | 0:16:11 | |
But you've got the one that was looked after. | 0:16:11 | 0:16:13 | |
-Exactly. -It's a portable writing box. | 0:16:13 | 0:16:17 | |
So stationery, I assume, in the drop-down lid. | 0:16:17 | 0:16:23 | |
Hinge intact, never the case. | 0:16:23 | 0:16:27 | |
Now, does that self support if I drop? | 0:16:27 | 0:16:29 | |
-It does, yeah. -Pen tray. | 0:16:29 | 0:16:33 | |
Are these portable inkwells? | 0:16:33 | 0:16:34 | |
-They are. -With a sprung lid. | 0:16:34 | 0:16:37 | |
Wow! | 0:16:37 | 0:16:39 | |
-What? -Look at that, he's getting excited. | 0:16:39 | 0:16:43 | |
The price on that is £30. | 0:16:43 | 0:16:45 | |
25. | 0:16:45 | 0:16:46 | |
Right, OK. And the wee caddy, was it, it is 30 on there, 30... | 0:16:54 | 0:17:01 | |
-I can't quite remember. -Give me a little bit, I'll be two ticks. | 0:17:01 | 0:17:03 | |
That tea caddy from earlier is still a hot contender. | 0:17:05 | 0:17:08 | |
35 on the wee Georgian caddy. | 0:17:08 | 0:17:10 | |
Right. That can be 30, round it off, 30. | 0:17:10 | 0:17:14 | |
Michael, I'm not a fool. | 0:17:15 | 0:17:19 | |
Michael, thank you very much indeed. | 0:17:19 | 0:17:21 | |
-You're welcome. -Right, I'm going to settle my debt. | 0:17:21 | 0:17:25 | |
That last purchase from Paul concludes today's shopping. | 0:17:25 | 0:17:28 | |
I think this car suits our style. | 0:17:31 | 0:17:33 | |
It does. A bit cosy, though. | 0:17:33 | 0:17:34 | |
Don't like it? | 0:17:36 | 0:17:37 | |
Not much room for my legs. | 0:17:37 | 0:17:39 | |
Yours look a bit, it's a funny angle. | 0:17:39 | 0:17:41 | |
Get some rest, you two. Nighty-night. | 0:17:41 | 0:17:44 | |
Good morning, campers! | 0:17:53 | 0:17:55 | |
Ready for another fun-filled day? | 0:17:55 | 0:17:57 | |
How did you sleep, Margie? | 0:17:57 | 0:17:59 | |
Very well, very well, I'm a very, very good sleeper. | 0:17:59 | 0:18:02 | |
-This is good. -Yeah. | 0:18:02 | 0:18:04 | |
I'm not exactly a calm person but I sleep well, which amazes me. | 0:18:04 | 0:18:08 | |
You'd think I'd be up all night worrying about you. | 0:18:08 | 0:18:11 | |
Another day in paradise with this pair. | 0:18:11 | 0:18:15 | |
Paul's been working like a trooper. | 0:18:15 | 0:18:17 | |
He has the animalia bronze fox, the Arts and Crafts hot water jug, | 0:18:17 | 0:18:22 | |
the George III tea caddy | 0:18:22 | 0:18:23 | |
and the Victorian leather-bound stationery box. | 0:18:23 | 0:18:25 | |
This is my kind of material. | 0:18:25 | 0:18:28 | |
Leaving him £102 for the day ahead. | 0:18:28 | 0:18:30 | |
Margie has the Victorian watering can and the Victorian kettle. | 0:18:32 | 0:18:35 | |
Do you think I'm mad? | 0:18:35 | 0:18:36 | |
She has £172 left to spend. | 0:18:38 | 0:18:41 | |
-What did you buy? -I'm not telling you. -How much did you spend? | 0:18:42 | 0:18:44 | |
-28 quid. -On two things? | 0:18:46 | 0:18:48 | |
-Yes. 28 quid. -Are you coming over all canny and shrewd? | 0:18:49 | 0:18:53 | |
Lovely Margie is dropping her Road Trip pal at his first shop | 0:18:53 | 0:18:57 | |
of the day in the West Yorkshire town of Ossett. | 0:18:57 | 0:18:59 | |
Spa Farm Antiques. | 0:18:59 | 0:19:01 | |
Here we are, that looks very nice to me. | 0:19:01 | 0:19:04 | |
Doesn't that look amazing, Margie? | 0:19:04 | 0:19:06 | |
Oh, I love that architectural stuff. | 0:19:06 | 0:19:08 | |
Can you smell that? Coffee and cakes. | 0:19:08 | 0:19:11 | |
-Don't! -Cheers, Margie. -Bye! | 0:19:11 | 0:19:14 | |
Spa Farm Antiques does look rather wonderful. | 0:19:14 | 0:19:17 | |
Hi, Paul. So lovely to meet you. | 0:19:17 | 0:19:19 | |
How are you? | 0:19:19 | 0:19:21 | |
I'm good, I'm good to be back. | 0:19:21 | 0:19:22 | |
-I know. -It was a few years ago. | 0:19:22 | 0:19:24 | |
-You were, and it's really nice to see you again. -It really is. | 0:19:24 | 0:19:27 | |
He's definitely patrolling the premises. | 0:19:37 | 0:19:40 | |
Now, what's this? | 0:19:40 | 0:19:41 | |
That's a Second World War... | 0:19:43 | 0:19:44 | |
..or pre-Second World War RAF officer's cap. | 0:19:46 | 0:19:51 | |
They're quite glamorous things, | 0:19:51 | 0:19:53 | |
because one thinks of what this chap may have seen. | 0:19:53 | 0:19:56 | |
There's some initials there. | 0:19:56 | 0:19:57 | |
GHW, 1845. That clearly isn't a date, that must be a service number. | 0:19:57 | 0:20:02 | |
It's lacking a patent leather chinstrap, there's a problem. | 0:20:07 | 0:20:10 | |
And priced at £45. | 0:20:10 | 0:20:14 | |
A quandary. | 0:20:14 | 0:20:16 | |
Never buy anything you'd have to apologise for. | 0:20:16 | 0:20:19 | |
Sorry, it doesn't have a chinstrap. | 0:20:19 | 0:20:20 | |
Oh, blimey. | 0:20:20 | 0:20:23 | |
Let's leave him to it and check in with our Margie now. | 0:20:23 | 0:20:26 | |
Not too sure about yesterday's purchases, | 0:20:26 | 0:20:28 | |
but I've really got to shape up today... | 0:20:28 | 0:20:31 | |
..because you really can't trust Paul Laidlaw. | 0:20:32 | 0:20:34 | |
You know, when I leave him like I've just done, going into the shop, | 0:20:34 | 0:20:38 | |
you know that you've really got to be on your mettle, | 0:20:38 | 0:20:41 | |
otherwise he's going to beat you. | 0:20:41 | 0:20:44 | |
We're accompanying Margie to the West Yorkshire town of Huddersfield. | 0:20:44 | 0:20:48 | |
Serendipity Antiques is next for Margie to have a good old rummage. | 0:20:49 | 0:20:53 | |
So you must be Sam. | 0:20:54 | 0:20:56 | |
-Good morning. -Good morning. | 0:20:56 | 0:20:58 | |
Plenty to look at here. | 0:20:58 | 0:21:00 | |
-Thank you. -Going to take me ages. | 0:21:00 | 0:21:01 | |
-It might do. -And are you around if I want you? | 0:21:01 | 0:21:03 | |
Yeah, if you need any help, just give me a shout. | 0:21:03 | 0:21:05 | |
We've got three floors, and you just wander around. | 0:21:05 | 0:21:07 | |
And watch the haunted room upstairs. | 0:21:07 | 0:21:09 | |
-Haunted room? -Yeah. | 0:21:09 | 0:21:10 | |
Ooh-ooh! | 0:21:11 | 0:21:12 | |
As long as it's a friendly ghost, she'll be all right. | 0:21:12 | 0:21:16 | |
Margie's got £172 weighing down her blazer pockets | 0:21:16 | 0:21:20 | |
and that's a lot of brass. | 0:21:20 | 0:21:22 | |
This is the haunted, the haunted room. | 0:21:22 | 0:21:25 | |
It's quite small. | 0:21:25 | 0:21:26 | |
Can you feel atmosphere? Is there anybody there? | 0:21:28 | 0:21:31 | |
I shouldn't laugh, because I don't disbelieve, | 0:21:32 | 0:21:36 | |
but I'm not sure I believe either, so I'm going. | 0:21:36 | 0:21:39 | |
I don't blame you. | 0:21:39 | 0:21:40 | |
Now, what's this? | 0:21:42 | 0:21:44 | |
Ah! | 0:21:44 | 0:21:46 | |
There's Royal Dux porcelain there which looks very attractive. | 0:21:46 | 0:21:50 | |
You can tell by the colours, the lovely greens and creams. | 0:21:50 | 0:21:53 | |
And there should be a lozenge mark underneath. | 0:21:55 | 0:21:57 | |
And there it is. | 0:21:57 | 0:21:59 | |
This raised triangle of clay is one of the most distinctive marks | 0:21:59 | 0:22:02 | |
found on porcelain. | 0:22:02 | 0:22:04 | |
Just having a look at it. Yeah, we've got a bit of a flaw here. | 0:22:04 | 0:22:10 | |
That's the trouble with porcelain, | 0:22:11 | 0:22:14 | |
you've really got to keep your eye out. | 0:22:14 | 0:22:16 | |
It doesn't have a price tag. | 0:22:16 | 0:22:18 | |
Where's dealer Sam? Sam? | 0:22:18 | 0:22:19 | |
If it was perfect, I'd be looking around about the £300 mark. | 0:22:21 | 0:22:25 | |
Good pieces of Royal Dux are... | 0:22:25 | 0:22:28 | |
and it's a centrepiece. | 0:22:28 | 0:22:30 | |
Yeah, but it's damaged. | 0:22:30 | 0:22:31 | |
It's only the tail. | 0:22:31 | 0:22:32 | |
OK. Because it's damaged, I'd... | 0:22:32 | 0:22:35 | |
..be prepared to let it go for... | 0:22:35 | 0:22:38 | |
..60 quid. | 0:22:39 | 0:22:41 | |
So, is 60 your final word? | 0:22:41 | 0:22:44 | |
Because I really like it. | 0:22:44 | 0:22:46 | |
Well, I've got 40 quid in it. | 0:22:46 | 0:22:48 | |
I'd let you have it for 50, that honestly would be... | 0:22:48 | 0:22:51 | |
-We'll have it for 50. -Lovely. -Thanks, Sam. | 0:22:51 | 0:22:53 | |
-You're welcome. -Nice work, Margie. | 0:22:53 | 0:22:55 | |
While she browses on, let's return to Paul over in Ossett. | 0:22:57 | 0:23:00 | |
There we have, apparently, old binoculars, £5. | 0:23:02 | 0:23:06 | |
They look pretty standard... | 0:23:08 | 0:23:09 | |
..prismatic field glasses. | 0:23:09 | 0:23:12 | |
But it's all about the markings there. | 0:23:12 | 0:23:15 | |
And that says Dienstglas 6 x 30. | 0:23:15 | 0:23:18 | |
A serial number and then DDX. | 0:23:18 | 0:23:22 | |
Dienstglas, German, | 0:23:22 | 0:23:24 | |
Third Reich, Wehrmacht issue binoculars. | 0:23:24 | 0:23:28 | |
Second World War. | 0:23:28 | 0:23:30 | |
This is right up Paul's boulevard. | 0:23:30 | 0:23:33 | |
Look at what else I've got in my hand. Ta-dah! | 0:23:33 | 0:23:38 | |
We've got the RAF versus arguably the Luftwaffe here | 0:23:38 | 0:23:41 | |
because these could have been carried by a Luftwaffe chap. | 0:23:41 | 0:23:43 | |
And together, don't they make an interesting lot in auction? | 0:23:43 | 0:23:48 | |
You get a lot for your bucks now. | 0:23:48 | 0:23:51 | |
-You with me? -Yes, sir. | 0:23:51 | 0:23:54 | |
Walk this way. | 0:23:54 | 0:23:55 | |
Achtung, pet. | 0:23:55 | 0:23:56 | |
Time to chat with that lovely Judith. | 0:23:56 | 0:23:58 | |
-Hello, there. -Hi, how you doing? | 0:23:58 | 0:24:00 | |
-I found stuff. -Have you? | 0:24:00 | 0:24:01 | |
-I've found stuff. -Amazing. | 0:24:01 | 0:24:03 | |
Um... | 0:24:03 | 0:24:04 | |
-Amazing but with a problem. -Right. | 0:24:06 | 0:24:09 | |
-It ain't the price. -OK. | 0:24:09 | 0:24:11 | |
They're meant to have a patent leather chinstrap. | 0:24:11 | 0:24:13 | |
And then you've got an old set of binoculars | 0:24:13 | 0:24:16 | |
which you cannae argue with the price over. | 0:24:16 | 0:24:18 | |
Can you do me a deal on the two of them? | 0:24:18 | 0:24:20 | |
What were you thinking? | 0:24:20 | 0:24:21 | |
Keep that as it is, because it's cheap enough, I think. | 0:24:21 | 0:24:24 | |
Yeah, yeah. Well, a long way off that. | 0:24:24 | 0:24:26 | |
Is 25 too far away for reality? | 0:24:27 | 0:24:31 | |
I think so. I think I'd rather take 30 for that. | 0:24:31 | 0:24:34 | |
And I think that at that price is absolutely fabulous. | 0:24:34 | 0:24:37 | |
Why don't you and I agree that that's absolutely fabulous | 0:24:37 | 0:24:41 | |
-and I give you the money? -That sounds good. | 0:24:41 | 0:24:44 | |
Yeah. Definitely. | 0:24:44 | 0:24:46 | |
There we have it. | 0:24:46 | 0:24:47 | |
He sniffed out some militaria in the guise of the World War II RAF cap, | 0:24:47 | 0:24:52 | |
and the German Wehrmacht binoculars for total of £35. | 0:24:52 | 0:24:56 | |
Back to Margie in Huddersfield. | 0:24:57 | 0:25:00 | |
Oh, look. | 0:25:00 | 0:25:01 | |
It's a toddy ladle, a Georgian toddy ladle. | 0:25:02 | 0:25:06 | |
And that has survived roughly, | 0:25:08 | 0:25:10 | |
just roughly - there's some hallmarks in the middle there... | 0:25:10 | 0:25:15 | |
That's late 18th century, so that's 220 years old. | 0:25:15 | 0:25:20 | |
It's got a twisted horn handle and it's for scooping out mulled wine, | 0:25:20 | 0:25:26 | |
you know, toddy, putting into your glass. | 0:25:26 | 0:25:29 | |
Every Georgian house of some note would have one. | 0:25:29 | 0:25:32 | |
Ladles date back to the Romans, but it wasn't until the 18th century | 0:25:32 | 0:25:37 | |
that a companion to the newly-created soup tureen was needed. | 0:25:37 | 0:25:42 | |
And then, in turn, a small ladle for punch or hot toddy. | 0:25:42 | 0:25:46 | |
Oh, Sam? | 0:25:46 | 0:25:47 | |
How much are we talking about, Sam? | 0:25:47 | 0:25:50 | |
Georgian toddy spoon? | 0:25:50 | 0:25:51 | |
Yeah. | 0:25:51 | 0:25:53 | |
Um... Good condition, £60. | 0:25:53 | 0:25:55 | |
-Yeah. -Well, it's not in good condition, there's a few... | 0:25:55 | 0:25:57 | |
-A little split. -Yeah. | 0:25:57 | 0:25:59 | |
Can I come back at you? | 0:25:59 | 0:26:01 | |
Will you be offended? | 0:26:01 | 0:26:03 | |
No, I'll never be offended, you're a very charming lady, | 0:26:03 | 0:26:05 | |
I'll never be offended. | 0:26:05 | 0:26:07 | |
So, how about 45? | 0:26:07 | 0:26:09 | |
Yeah, that'll be all right, that'll be all right. | 0:26:12 | 0:26:15 | |
Our Margie doesn't hang about. | 0:26:15 | 0:26:17 | |
I'll put it with your other items, Margie. | 0:26:17 | 0:26:20 | |
While you're passing that shelf, I've actually seen some pens. | 0:26:20 | 0:26:24 | |
-Can I just have a quick look? -Yeah, course you can. | 0:26:24 | 0:26:27 | |
Could that be a trio-buy in the offing? | 0:26:27 | 0:26:30 | |
-You mean these? -Yeah, yeah, yeah, I do, actually. | 0:26:30 | 0:26:32 | |
Well, they're on the £20 shelf. | 0:26:32 | 0:26:35 | |
£20 shelf, I like it. | 0:26:35 | 0:26:37 | |
-Parker 45. Original in its box. -And we've got these here, which are, | 0:26:37 | 0:26:41 | |
what's that one? | 0:26:41 | 0:26:43 | |
-Has it got a name? -They've only just come in but this is... | 0:26:43 | 0:26:46 | |
-That's an old one. -Yeah, it's early Edwardian, I think it's Serpentine, | 0:26:46 | 0:26:49 | |
it's a pen...propelling pencil. | 0:26:49 | 0:26:51 | |
-Oh, that's nice. -You've got a Parker pen there, | 0:26:51 | 0:26:54 | |
with a 14 carat nib. | 0:26:54 | 0:26:56 | |
That's two boxes of pens priced at £20 each. | 0:26:56 | 0:26:59 | |
So, how much are we saying for the lot, then? | 0:26:59 | 0:27:03 | |
A little parcel. | 0:27:03 | 0:27:04 | |
And then I'm going now. | 0:27:04 | 0:27:06 | |
£30 for the two? | 0:27:06 | 0:27:08 | |
Yeah, that should be all right, shouldn't it? | 0:27:10 | 0:27:12 | |
Thank you. | 0:27:12 | 0:27:13 | |
And that swift purchase gives her three lovely lots for a total | 0:27:13 | 0:27:16 | |
of £125. | 0:27:16 | 0:27:18 | |
The town of Pontefract in West Yorkshire | 0:27:19 | 0:27:22 | |
is where Paul's next headed. He's come to learn about | 0:27:22 | 0:27:26 | |
the favourite sweetie namesake of the town, the Pontefract cake. | 0:27:26 | 0:27:31 | |
But there's an intriguing link to modern-day democracy too. | 0:27:31 | 0:27:34 | |
-Hi, is it Dave? -Hi, yes, Dave. | 0:27:36 | 0:27:38 | |
-Welcome. -Good to see you. | 0:27:38 | 0:27:40 | |
Dave Evans, curator of the Pontefract Museum, | 0:27:40 | 0:27:42 | |
is going to enlighten us further. | 0:27:42 | 0:27:45 | |
What's its origin, how far back does this sweet or foodstuff go? | 0:27:45 | 0:27:49 | |
Well, as far as we know, | 0:27:49 | 0:27:51 | |
liquorice goes back thousands of years | 0:27:51 | 0:27:53 | |
and it starts out as a medicine, | 0:27:53 | 0:27:56 | |
particularly good for stomach upsets and chest problems. | 0:27:56 | 0:27:59 | |
It's widely believed that liquorice arrived in Pontefract either from | 0:27:59 | 0:28:03 | |
Crusaders returning from their campaigns | 0:28:03 | 0:28:06 | |
or with 14th-century Dominican monks who settled | 0:28:06 | 0:28:09 | |
at Pontefract Priory. | 0:28:09 | 0:28:12 | |
So it's not native to the British Isles? | 0:28:12 | 0:28:14 | |
Liquorice itself isn't, no. | 0:28:14 | 0:28:16 | |
It grows in most places around the world, but | 0:28:16 | 0:28:18 | |
we're right on the northern extreme here of where you can grow it. | 0:28:18 | 0:28:22 | |
And what part of the plant's the good bit? | 0:28:22 | 0:28:24 | |
Surprisingly, it's the root that's used to make the liquorice. | 0:28:24 | 0:28:28 | |
It grows very deep and that's why Pontefract is so successful | 0:28:28 | 0:28:32 | |
in growing it, because it has very deep, rich, well-drained soil | 0:28:32 | 0:28:37 | |
so the roots grow down four, six feet, | 0:28:37 | 0:28:40 | |
and then you leave them to grow for about five years, | 0:28:40 | 0:28:43 | |
then dig the root up. | 0:28:43 | 0:28:44 | |
Pontefract guarded the growing of liquorice, | 0:28:44 | 0:28:47 | |
and laws passed forbidding anyone else from growing the herb. | 0:28:47 | 0:28:51 | |
By 1700, Pontefract is growing lots of it, | 0:28:51 | 0:28:54 | |
particularly around the castle area. | 0:28:54 | 0:28:57 | |
In 1760, local apothecary George Dunhill was | 0:28:59 | 0:29:02 | |
the first to add sugar and create a sweetie that could be chewed. | 0:29:02 | 0:29:06 | |
Dunhill's discovery made Pontefract liquorice world-famous. | 0:29:06 | 0:29:10 | |
Most of the fields in the area were involved, and by the end | 0:29:10 | 0:29:13 | |
of the 19th century, around 100 tons of liquorice was being produced. | 0:29:13 | 0:29:18 | |
When the sweets really take off in the middle to late-19th century, | 0:29:20 | 0:29:25 | |
production runs away ahead of what Pontefract can cope with, | 0:29:25 | 0:29:30 | |
and they start importing it, mainly from Spain and Turkey. | 0:29:30 | 0:29:34 | |
Quite why they were called cakes is lost in time, | 0:29:34 | 0:29:38 | |
but since the 17th century, Pontefract cakes featured | 0:29:38 | 0:29:41 | |
the local castle stamped into every sweetie to signify quality. | 0:29:41 | 0:29:46 | |
This stamp would go on to play a critical part | 0:29:46 | 0:29:49 | |
in a political first too. | 0:29:49 | 0:29:51 | |
OK, what have we here? | 0:29:52 | 0:29:55 | |
Well, this is a ballot box that was used in the first | 0:29:55 | 0:29:58 | |
British Parliamentary election held by secret ballot, | 0:29:58 | 0:30:02 | |
which was a by-election here in Pontefract in August, 1872. | 0:30:02 | 0:30:06 | |
And its connection to liquorice is that they closed the boxes, | 0:30:06 | 0:30:11 | |
locked them and needed to seal them, | 0:30:11 | 0:30:14 | |
and they needed to seal them with something that was common | 0:30:14 | 0:30:17 | |
across all five polling stations. | 0:30:17 | 0:30:20 | |
So they used wax and the Pontefract cake stamps | 0:30:20 | 0:30:23 | |
from the local company Wilkinson's. | 0:30:23 | 0:30:26 | |
What a survivor. | 0:30:26 | 0:30:28 | |
And what a history. So we've gone from medieval medicine to Georgian | 0:30:28 | 0:30:31 | |
sweets to Victorian politics all by virtue of this little sweet. | 0:30:31 | 0:30:36 | |
-Right. -Amazing. | 0:30:36 | 0:30:38 | |
Well, it's been fascinating and I'd love to cap it all off with a sweet. | 0:30:38 | 0:30:42 | |
Do you fancy going and getting some? | 0:30:42 | 0:30:44 | |
Yeah, we just happen to have a few here. | 0:30:44 | 0:30:46 | |
As if by magic! | 0:30:46 | 0:30:48 | |
-You like these things? -Yes, in moderation. | 0:30:48 | 0:30:50 | |
Well, one for you and one for me. | 0:30:50 | 0:30:52 | |
-Cheers, Dave. -Cheers. | 0:30:52 | 0:30:54 | |
Let's leave them to chomp on their sweeties. | 0:30:54 | 0:30:57 | |
Margie is off to the village of Dodworth in South Yorkshire. | 0:31:00 | 0:31:03 | |
I'm hoping that this shop's going to be good. | 0:31:04 | 0:31:07 | |
Quite exciting, really. | 0:31:07 | 0:31:09 | |
You never know what you're turning up to. | 0:31:09 | 0:31:11 | |
Margie's visiting Locked In Time, | 0:31:13 | 0:31:16 | |
with £47 burning a hole in her pocket. | 0:31:16 | 0:31:19 | |
-Hi, David. -Hello, Margie, all right? | 0:31:19 | 0:31:21 | |
-Lovely shop. -Yes, thank you. | 0:31:21 | 0:31:23 | |
Right. | 0:31:23 | 0:31:24 | |
What's ripe for Margie in here, then? | 0:31:24 | 0:31:26 | |
Gosh. | 0:31:37 | 0:31:39 | |
Keep your food warm. | 0:31:39 | 0:31:40 | |
It's 25 quid. | 0:31:42 | 0:31:44 | |
Cover a meat dish. | 0:31:45 | 0:31:46 | |
A good Edwardian house would have these of all different sizes | 0:31:49 | 0:31:52 | |
to keep the food warm when it's coming from the kitchen. | 0:31:52 | 0:31:55 | |
That's really nice, it's called a key pattern. | 0:31:56 | 0:31:59 | |
Very old pattern. It's called a key pattern. | 0:31:59 | 0:32:01 | |
You've got all that lovely engraving. | 0:32:01 | 0:32:03 | |
Still a useful item. | 0:32:03 | 0:32:05 | |
You know the problem? Who wants to clean it? | 0:32:05 | 0:32:07 | |
And who wants to use it? It's lost its use. | 0:32:09 | 0:32:11 | |
Moving on, then. | 0:32:12 | 0:32:14 | |
I've just found these. | 0:32:14 | 0:32:17 | |
And these are rather nice brass church sticks. | 0:32:17 | 0:32:20 | |
Don't they look lovely? | 0:32:20 | 0:32:21 | |
I mean, they're in every church that you go into. | 0:32:21 | 0:32:24 | |
A good age, they'll be mid-Victorian. | 0:32:24 | 0:32:27 | |
And alongside are these little brass candlesticks with the pushers | 0:32:28 | 0:32:32 | |
that push the candle out, there. | 0:32:32 | 0:32:33 | |
And they are probably earlier, Georgian, they're probably late Georgian. | 0:32:35 | 0:32:39 | |
Not worth a lot of money but if I can buy them cheaply | 0:32:40 | 0:32:43 | |
I could put them maybe with one of the things I bought yesterday, | 0:32:43 | 0:32:46 | |
like maybe the kettle or something. | 0:32:46 | 0:32:48 | |
They don't sport a price, though. | 0:32:48 | 0:32:51 | |
Let's see if David is up for a deal. | 0:32:51 | 0:32:53 | |
So, running out of time, running out of money. | 0:32:53 | 0:32:56 | |
So, how much? | 0:32:56 | 0:32:58 | |
I'd say about £35. | 0:32:58 | 0:32:59 | |
Yeah, you're near. | 0:32:59 | 0:33:01 | |
-I'm near, am I? -25? | 0:33:01 | 0:33:02 | |
Yeah, I think that's not too bad. | 0:33:04 | 0:33:05 | |
Is that all right? Sure? Absolutely sure? | 0:33:05 | 0:33:08 | |
Blimey, Margie doesn't waste her time. | 0:33:08 | 0:33:10 | |
Those candlesticks are the final purchase of this first leg. | 0:33:12 | 0:33:15 | |
So now let's cadge a lift with our chirpy Road Trippers. | 0:33:15 | 0:33:19 | |
Harrogate, here we come! | 0:33:21 | 0:33:23 | |
Feeling good? | 0:33:23 | 0:33:25 | |
Yes. Feeling good, optimistic. | 0:33:25 | 0:33:28 | |
-What? -Optimistic. | 0:33:28 | 0:33:30 | |
I don't want optimism from the opposite camp, Margie, | 0:33:30 | 0:33:32 | |
I want despondency. | 0:33:32 | 0:33:34 | |
No, that comes after. | 0:33:34 | 0:33:36 | |
Oh, blimey. Time, I think, now for a bit of shuteye. | 0:33:36 | 0:33:40 | |
Get set, it's auction day. | 0:33:46 | 0:33:48 | |
And we're in the heart of Yorkshire, the Victorian spa town of Harrogate | 0:33:48 | 0:33:51 | |
to be precise. A proper tea and bun destination. | 0:33:51 | 0:33:55 | |
-Excited? -Yeah. -Nervous? | 0:33:56 | 0:33:58 | |
Yeah, always nervous, auction day, and you don't help. | 0:33:58 | 0:34:01 | |
Thompsons Auctioneers is hosting today's showdown. | 0:34:04 | 0:34:07 | |
-It's big enough. -It is, plenty to see. | 0:34:08 | 0:34:10 | |
-Are you going for a mooch? -I am. | 0:34:10 | 0:34:12 | |
-Which way are you going? -See you later. | 0:34:12 | 0:34:15 | |
Let's have a refresher on how our Road Trip buddies have fared. | 0:34:15 | 0:34:18 | |
Margie's spent £178 on five lots. | 0:34:19 | 0:34:23 | |
Paul, well, he's been a bit more frugal, spending £133, | 0:34:25 | 0:34:29 | |
also on five auction lots. | 0:34:29 | 0:34:31 | |
Now for the verdict on one another's buys. | 0:34:34 | 0:34:38 | |
Margie has gone and bought brass candlesticks and a watering can. | 0:34:38 | 0:34:41 | |
She's crazy, yeah? | 0:34:43 | 0:34:44 | |
Surely, madness. | 0:34:44 | 0:34:46 | |
On the contrary. | 0:34:46 | 0:34:48 | |
Shrewd. For me, these steal the show. | 0:34:48 | 0:34:52 | |
Belting pair, ecclesiastical brass candlesticks, and frankly, | 0:34:52 | 0:34:56 | |
I think they're worth more than the £35 she paid for the lot. | 0:34:56 | 0:35:00 | |
Well, this is a typical Paul Laidlaw lot, isn't it? | 0:35:00 | 0:35:03 | |
Which puts you into a quandary and slightly worried. | 0:35:03 | 0:35:06 | |
To me, it's just an officer's cap | 0:35:06 | 0:35:08 | |
from World War II. But I think these might be | 0:35:08 | 0:35:11 | |
the things that's going to make the lot expensive. | 0:35:11 | 0:35:14 | |
Military, obviously, World War II. | 0:35:14 | 0:35:17 | |
Absolutely not a clue. | 0:35:17 | 0:35:19 | |
£35. | 0:35:19 | 0:35:22 | |
Going to be a worry, I think. | 0:35:22 | 0:35:24 | |
It's a general sale today. | 0:35:24 | 0:35:26 | |
What does auctioneer Kate Higgins make of Paul and Margie's purchases? | 0:35:26 | 0:35:30 | |
Go on, Kate, spill the beans. | 0:35:30 | 0:35:32 | |
The retro Parker pen, there's a pencil and three other pens. | 0:35:32 | 0:35:37 | |
We find a lot of people do collect fountain pens and what have you, | 0:35:37 | 0:35:41 | |
we do have other lots in the sale today. | 0:35:41 | 0:35:43 | |
I expect it to probably do £40 or £50. | 0:35:43 | 0:35:46 | |
The RAF peaked cap by Burberry and the binoculars, | 0:35:46 | 0:35:49 | |
it's one of my favourite lots in this week's sale. | 0:35:49 | 0:35:53 | |
I think you get a collector on that, it should do £80-£100. | 0:35:53 | 0:35:57 | |
Right! Let's take our seats. | 0:35:58 | 0:36:01 | |
Oh, they are comfortable. | 0:36:01 | 0:36:03 | |
They are very comfortable. | 0:36:03 | 0:36:05 | |
-Well, there's nowhere to hide now, Margie. -Absolutely. | 0:36:05 | 0:36:08 | |
Let's get jolly well started, then. | 0:36:10 | 0:36:12 | |
Paul's George III tea caddy is up first. | 0:36:12 | 0:36:15 | |
Here we go, come on. | 0:36:15 | 0:36:17 | |
I am 25 bid, 30 now. | 0:36:17 | 0:36:19 | |
30, five. | 0:36:19 | 0:36:21 | |
40. 40 with the lady, five anywhere else? | 0:36:21 | 0:36:24 | |
Lady's bid here. | 0:36:24 | 0:36:26 | |
-It's lean. -Yeah, yeah, yeah. | 0:36:26 | 0:36:27 | |
On my right, now, at 45. 50 anywhere? | 0:36:27 | 0:36:29 | |
I shall sell at 45. | 0:36:29 | 0:36:31 | |
-Well done. -It's a profit. | 0:36:31 | 0:36:33 | |
-You're in. -It's a start. | 0:36:33 | 0:36:34 | |
Certainly is, Paul. Long may the good fortune continue. | 0:36:34 | 0:36:39 | |
I'd be liking more than that, though, I don't mind telling you. | 0:36:39 | 0:36:41 | |
How greedy am I? | 0:36:41 | 0:36:43 | |
I couldn't possibly comment. | 0:36:43 | 0:36:45 | |
Margie's Victorian watering can | 0:36:45 | 0:36:47 | |
and brass candlesticks combo lot is next. | 0:36:47 | 0:36:49 | |
Commission starts at 25, 30 now. | 0:36:52 | 0:36:54 | |
With me here at 25, 30, five, 40 in the room. | 0:36:54 | 0:36:58 | |
45, 50. 55, 60. | 0:36:58 | 0:37:01 | |
60 here, gentleman's bid here is 60, do I see five? | 0:37:01 | 0:37:05 | |
I shall sell at 60. | 0:37:05 | 0:37:07 | |
-That's OK. -Happy days, Margie. | 0:37:07 | 0:37:10 | |
Well done, Margie. That result places you ahead of Paul. | 0:37:10 | 0:37:14 | |
Two profits in two lots. | 0:37:14 | 0:37:16 | |
Gosh. We're on a roll, Margie. | 0:37:16 | 0:37:19 | |
Here's hoping. Time for Paul's Arts and Crafts copper jug. | 0:37:22 | 0:37:27 | |
I am ten bid, 15 now. | 0:37:27 | 0:37:29 | |
15 we have, do I see 20? | 0:37:29 | 0:37:31 | |
Do we see 20, five? | 0:37:31 | 0:37:32 | |
Somebody's picked up on it. | 0:37:32 | 0:37:34 | |
30, five. | 0:37:34 | 0:37:36 | |
40. Your bid, sir, at 45. | 0:37:36 | 0:37:39 | |
-Take it. -In the room at £40. | 0:37:39 | 0:37:41 | |
I shall sell at 40. | 0:37:41 | 0:37:43 | |
That's very, very good. | 0:37:43 | 0:37:44 | |
Marvellous result. | 0:37:45 | 0:37:46 | |
You're firmly back in the lead, Paul. | 0:37:46 | 0:37:49 | |
And that was my weak lot. | 0:37:51 | 0:37:52 | |
You did well to spot the name because you could hardly see it. | 0:37:52 | 0:37:55 | |
He's not just a pretty face, Margie. | 0:37:57 | 0:37:59 | |
Let's see how your Georgian silver toddy ladle fares. | 0:37:59 | 0:38:02 | |
Commission starts at 25, 30 now. | 0:38:02 | 0:38:05 | |
30, five, 40. | 0:38:05 | 0:38:08 | |
Standing at 40. Five. 45 seated now. | 0:38:08 | 0:38:11 | |
-Oh, please. -You're out. | 0:38:11 | 0:38:13 | |
-Oh, no! -50, five. | 0:38:13 | 0:38:14 | |
55, still with you sir, 60 now? | 0:38:14 | 0:38:17 | |
I shall sell at 55. | 0:38:17 | 0:38:18 | |
8565. | 0:38:18 | 0:38:20 | |
Wee profit. | 0:38:20 | 0:38:22 | |
Someone's got a real bargain there. | 0:38:22 | 0:38:25 | |
On the other hand... | 0:38:28 | 0:38:30 | |
It's not over yet, mate. | 0:38:31 | 0:38:33 | |
I'm counting no chickens. | 0:38:35 | 0:38:36 | |
You certainly can't in this game. | 0:38:36 | 0:38:38 | |
Paul's Victorian leather-bound stationery box is next to go. | 0:38:40 | 0:38:45 | |
There's lots of boxes in the world, aren't there? | 0:38:45 | 0:38:48 | |
Steady, Margie, steady. | 0:38:48 | 0:38:50 | |
Stationary box, £10. | 0:38:50 | 0:38:52 | |
Ten for it, ten, 15, 20, five, 30, five, | 0:38:52 | 0:38:56 | |
40. Five. | 0:38:56 | 0:38:58 | |
-50. -We're safe. -Standing bid at 50. | 0:38:58 | 0:39:00 | |
-It's still cheap. -Gentleman's bid here at £50, | 0:39:00 | 0:39:03 | |
I shall sell in the room at 50. | 0:39:03 | 0:39:06 | |
I think that's a gift. | 0:39:06 | 0:39:07 | |
-It's a profit but it's too cheap. -Yeah. | 0:39:07 | 0:39:10 | |
Great result, Paul. | 0:39:10 | 0:39:12 | |
Are you going to do that with your moustache when you're pleased? | 0:39:12 | 0:39:15 | |
Be contemplative. | 0:39:15 | 0:39:17 | |
Mmm! | 0:39:17 | 0:39:18 | |
Oh, blimey. | 0:39:20 | 0:39:22 | |
Margie's propelling pencil and golden nibbed fountain pen are next. | 0:39:22 | 0:39:26 | |
Commission starts at 60, do I see 65? | 0:39:26 | 0:39:29 | |
It's too much, £15 too much, you said. | 0:39:29 | 0:39:31 | |
On commission at £60, I shall sell at 60. | 0:39:31 | 0:39:34 | |
11445. | 0:39:34 | 0:39:35 | |
Well done, Margie. | 0:39:38 | 0:39:40 | |
You've overtaken big beardy. | 0:39:40 | 0:39:43 | |
Hey, we're doing well today, aren't we? | 0:39:43 | 0:39:46 | |
It's the auctioneer's favourite, | 0:39:46 | 0:39:48 | |
Paul's RAF cap and Wehrmacht binoculars. | 0:39:48 | 0:39:50 | |
-Watch out. -Here we go, come on. | 0:39:50 | 0:39:53 | |
Oh, I can't look. | 0:39:53 | 0:39:54 | |
Commission starts at 75. | 0:39:54 | 0:39:56 | |
Yes! | 0:39:56 | 0:39:57 | |
With me here at 75, do I see... | 0:39:57 | 0:39:59 | |
Oh, it's all on commission. | 0:39:59 | 0:40:01 | |
On commission, I shall sell at 75. | 0:40:01 | 0:40:03 | |
I'll take it, though, yeah. | 0:40:03 | 0:40:05 | |
Yeah, that's fair enough. | 0:40:05 | 0:40:07 | |
Your expertise has paid off, Paul - nice finds. | 0:40:07 | 0:40:11 | |
Oh, we are doing all right, aren't we? | 0:40:11 | 0:40:14 | |
Oh, my word, we're doing all right. | 0:40:14 | 0:40:17 | |
Swimmingly. | 0:40:17 | 0:40:19 | |
Margie's Victorian kettle is next to go. | 0:40:19 | 0:40:21 | |
I think it's a nice kettle. | 0:40:21 | 0:40:24 | |
I hope somebody else does. | 0:40:25 | 0:40:27 | |
On commission at 20, do I see five? | 0:40:27 | 0:40:30 | |
25 we have, 30 now. | 0:40:30 | 0:40:32 | |
In the room, I shall sell at 25. | 0:40:32 | 0:40:35 | |
It's not a lot. | 0:40:35 | 0:40:36 | |
Come on, Margie, it's still a profit. | 0:40:38 | 0:40:40 | |
I'm happy. | 0:40:40 | 0:40:42 | |
And that's all that counts, Margie. | 0:40:42 | 0:40:44 | |
Paul's bronze animalia fox is next. | 0:40:45 | 0:40:48 | |
Commission starts at 60, five now. | 0:40:48 | 0:40:50 | |
-You're right. -With me here at 60, do I see five? | 0:40:50 | 0:40:53 | |
On commission at £60, I shall sell at 60. | 0:40:53 | 0:40:57 | |
-That's good. Double your money. -I'll take it. | 0:40:57 | 0:40:59 | |
This auctioneer doesn't hang about. | 0:41:00 | 0:41:02 | |
Well done again, Paul. | 0:41:02 | 0:41:04 | |
-I'll take it! -You've done very well with that. | 0:41:04 | 0:41:07 | |
Nine out of nine lots making profits. | 0:41:07 | 0:41:10 | |
Well done indeed. But can Margie's last lot, | 0:41:10 | 0:41:12 | |
the damaged Royal Dux figurine, | 0:41:12 | 0:41:14 | |
make it a clean sweep? | 0:41:14 | 0:41:16 | |
£20. 20 for it. | 0:41:16 | 0:41:19 | |
20 we have, do I see five? | 0:41:19 | 0:41:21 | |
25. 30. | 0:41:21 | 0:41:23 | |
Nope, on my right at 30, five anywhere else? | 0:41:23 | 0:41:26 | |
In the room at £30. | 0:41:26 | 0:41:28 | |
I shall sell at 30. | 0:41:28 | 0:41:29 | |
You scared me then. | 0:41:32 | 0:41:34 | |
Well, that is a blow. | 0:41:34 | 0:41:37 | |
The first and only loss of the day. | 0:41:39 | 0:41:41 | |
Bad luck, Margie. | 0:41:41 | 0:41:43 | |
Margie, four profits! | 0:41:43 | 0:41:45 | |
-Four profits. -And you've got five. | 0:41:45 | 0:41:48 | |
I know, but if I could give one of them back, I would. | 0:41:48 | 0:41:52 | |
Oh, you little liar. | 0:41:52 | 0:41:53 | |
You little liar. | 0:41:53 | 0:41:56 | |
He jests, Margie. | 0:41:56 | 0:41:57 | |
Will you take me for a coffee? | 0:41:59 | 0:42:01 | |
Of course, with my profits, I'll buy you a bun as well. | 0:42:01 | 0:42:04 | |
Come on. | 0:42:04 | 0:42:05 | |
Who will be triumphant at the first auction, then? | 0:42:06 | 0:42:09 | |
Let's work out the numbers. | 0:42:09 | 0:42:11 | |
Margie began with £200, and after all saleroom costs, | 0:42:13 | 0:42:17 | |
made a profit of £10.60. | 0:42:17 | 0:42:18 | |
She begins the second leg with... | 0:42:19 | 0:42:21 | |
Paul also kicked things off with £200 | 0:42:25 | 0:42:27 | |
and he has soared into the lead | 0:42:27 | 0:42:30 | |
with a profit of £88.40. | 0:42:30 | 0:42:32 | |
Paul claims the first leg and has a delightful £288.40 for next time. | 0:42:32 | 0:42:38 | |
-Well. -All right? | 0:42:40 | 0:42:42 | |
-Not bad. -Yeah, better than all right - nine out of ten. | 0:42:42 | 0:42:45 | |
-Yeah. -Yes? -Yes. | 0:42:45 | 0:42:47 | |
-Going to do more of this? -Yeah, could do. | 0:42:47 | 0:42:49 | |
-Shall we, then? -Yeah. See you tomorrow. | 0:42:49 | 0:42:52 | |
Can't wait, Road Trippers. | 0:42:52 | 0:42:54 | |
Next time on the Antiques Road Trip, Margie's on the warpath. | 0:42:56 | 0:42:59 | |
I think of the Civil War when I go to York. | 0:42:59 | 0:43:01 | |
Oh, here we go. | 0:43:01 | 0:43:03 | |
Paul believes in sprinting furniture. | 0:43:03 | 0:43:05 | |
That little chair could run off. | 0:43:05 | 0:43:08 | |
Margie's employing fearless bargaining. | 0:43:08 | 0:43:11 | |
I'm going to offer £38. | 0:43:11 | 0:43:14 | |
While Paul is Mr Wind-up Merchant. | 0:43:14 | 0:43:17 | |
-Have you not bought anything? -Not yet. -You're joking. | 0:43:17 | 0:43:19 | |
I've been through the door five minutes and I've got something. | 0:43:19 | 0:43:22 | |
You're a little liar. | 0:43:22 | 0:43:23 |