Browse content similar to Episode 10. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
It's the nation's favourite antiques experts... | 0:00:02 | 0:00:04 | |
-What a job! -..with £200 each. -Are you with me? -..a classic car... | 0:00:04 | 0:00:08 | |
-Buckle up. -..and a goal - to scour Britain for antiques. | 0:00:08 | 0:00:12 | |
-Ooh, sorry! -Ha-ha! | 0:00:12 | 0:00:13 | |
The aim? To make the biggest profit at auction. | 0:00:13 | 0:00:17 | |
But it's no mean feat. | 0:00:17 | 0:00:19 | |
-There'll be worthy winners... -Yes! -..and valiant losers. | 0:00:19 | 0:00:23 | |
So, will it be the high road to glory | 0:00:23 | 0:00:25 | |
or the slow road to disaster? | 0:00:25 | 0:00:27 | |
Have a good trip! | 0:00:27 | 0:00:29 | |
This is the Antiques Road Trip. | 0:00:29 | 0:00:31 | |
Yeah! | 0:00:33 | 0:00:35 | |
For the last time on this trip, | 0:00:38 | 0:00:40 | |
our proper Charlie and his darling are cavorting around Caledonia | 0:00:40 | 0:00:44 | |
in the 1972 Triumph Stag, and it's been a bumpy ride. | 0:00:44 | 0:00:48 | |
-I feel a bit of a flop. -Oh, no, Charlie! -Oh, I do! | 0:00:48 | 0:00:52 | |
Never, never, never, never... | 0:00:52 | 0:00:54 | |
I haven't quite taken any dizzy heights, | 0:00:54 | 0:00:57 | |
so I hope to make this leg end my legend. | 0:00:57 | 0:01:00 | |
Of a last day of a last shop, can I be your leg end? | 0:01:00 | 0:01:05 | |
Yes! They're both on their last legs. Ha! | 0:01:05 | 0:01:08 | |
And Charles needs to get back on his feet again | 0:01:10 | 0:01:12 | |
after a small loss last time. | 0:01:12 | 0:01:15 | |
He starts out today with £245.72 in his piggy... | 0:01:15 | 0:01:20 | |
..while Anita is standing her ground, | 0:01:21 | 0:01:23 | |
leading this time with a budget of £349.32. | 0:01:23 | 0:01:28 | |
Right, let's get moving! | 0:01:28 | 0:01:29 | |
If I was to say to you, "Are you a twister or a sticker?" | 0:01:31 | 0:01:36 | |
I think you'll say... | 0:01:36 | 0:01:38 | |
# Let's twist again like we did last summer. # | 0:01:38 | 0:01:42 | |
Come on, give me a twist, Anita. Come on, give me a twist. | 0:01:42 | 0:01:44 | |
-BOTH: -# Let's twist again... # | 0:01:44 | 0:01:45 | |
-Come on. It's the last time, Anita. -# Like we did last summer | 0:01:45 | 0:01:48 | |
# Like we did last summer... # | 0:01:48 | 0:01:49 | |
THEY LAUGH | 0:01:49 | 0:01:51 | |
Charles and Anita have twisted their way from Kilbarchan, | 0:01:51 | 0:01:55 | |
through Scotland and the Lakes, | 0:01:55 | 0:01:57 | |
heading for a final auction in North Shields. | 0:01:57 | 0:01:59 | |
Hello, horses. Give me some hay. | 0:01:59 | 0:02:02 | |
Before saying hello to North Shields, | 0:02:02 | 0:02:04 | |
they're off to Dundee, birthplace of Desperate Dan | 0:02:04 | 0:02:07 | |
and the desperate poetry of William McGonagall, | 0:02:07 | 0:02:11 | |
who famously lamented the collapse of the ill-fated bridge | 0:02:11 | 0:02:14 | |
of the silvery Tay in 1879. | 0:02:14 | 0:02:18 | |
Anita is dropping Charles off in the rain at his first shop... | 0:02:18 | 0:02:21 | |
-Bye. -..Clepington Antiques and Collectables, | 0:02:21 | 0:02:24 | |
presided over by Rosie. Hi, Rosie. | 0:02:24 | 0:02:27 | |
It's wet and there is so much stuff to see. | 0:02:27 | 0:02:32 | |
So, get looking. | 0:02:32 | 0:02:34 | |
How do you fancy some Australian | 0:02:37 | 0:02:41 | |
express gift food parcels plum pudding? | 0:02:41 | 0:02:45 | |
And this plum pudding is "to serve right now", | 0:02:45 | 0:02:49 | |
but I suspect this plum pudding went off a long time ago. | 0:02:49 | 0:02:54 | |
In fact, I think that's a 1950s tin of plums | 0:02:54 | 0:02:59 | |
with the original contents inside. It's amazing. | 0:02:59 | 0:03:03 | |
Well, that's lunch sorted, then. | 0:03:03 | 0:03:06 | |
-Anything else tasty? -"Mechanical toy gramophone." | 0:03:06 | 0:03:09 | |
Here, you've got this beautifully well-preserved case... | 0:03:09 | 0:03:13 | |
..and inside... Wow! | 0:03:14 | 0:03:17 | |
..are the original contents of the gramophone player | 0:03:17 | 0:03:23 | |
and various records. There we go. | 0:03:23 | 0:03:26 | |
This toy record player was made in Swansea in the early 1960s | 0:03:26 | 0:03:30 | |
by American toy manufacturer Louis Marx & Co. A possible? | 0:03:30 | 0:03:35 | |
Let's leave our 78 thinking about that | 0:03:36 | 0:03:40 | |
and find out what's singing to Anita this morning. | 0:03:40 | 0:03:43 | |
Her first port of call is 12 miles upriver | 0:03:43 | 0:03:46 | |
at the village of Abernyte, and she's bound for | 0:03:46 | 0:03:49 | |
the Scottish Antique & Arts Centre. | 0:03:49 | 0:03:52 | |
Gosh, you could get lost in here. | 0:03:53 | 0:03:55 | |
Keep your eyes peeled. You never know what's round the corner. | 0:03:55 | 0:03:58 | |
Does that remind you of anyone? | 0:03:59 | 0:04:02 | |
-His name's Charlie. -And he speaks so highly of you. | 0:04:02 | 0:04:06 | |
Right, something has caught her eye, | 0:04:06 | 0:04:08 | |
and dealer Stephen is on hand to help. | 0:04:08 | 0:04:11 | |
-Down here. -OK. -And you can maybe open it up for me. -Certainly. | 0:04:11 | 0:04:14 | |
-OK, thank you very much. -There we are. Thank you. | 0:04:16 | 0:04:18 | |
I love these Art Deco figures. | 0:04:20 | 0:04:22 | |
-She looks a bit like a windmill girl. -She does, yeah. | 0:04:22 | 0:04:26 | |
But I think she might possibly be French. | 0:04:26 | 0:04:30 | |
Now, there is a price on it of £85. | 0:04:30 | 0:04:36 | |
What is the very best that you can do? | 0:04:36 | 0:04:38 | |
-The best on that would be 77. -77. -Yeah. | 0:04:38 | 0:04:42 | |
-Is that the very, very best? -The best we'd do, yeah. | 0:04:42 | 0:04:45 | |
-I'm going to take it. -Oh. Well, thank you very much. | 0:04:45 | 0:04:47 | |
Thank you very much. That's terrific. Could you put that behind the counter? | 0:04:47 | 0:04:51 | |
-Because I'm going to keep on looking. -OK. Thank you. Will do. | 0:04:51 | 0:04:54 | |
Neat footwork, Anita. | 0:04:54 | 0:04:55 | |
Now, back in Dundee, Charles seems to be stuck on that record player, | 0:04:55 | 0:05:00 | |
and has summoned Rosie. | 0:05:00 | 0:05:01 | |
-HE SINGS ALONG TO GRAMOPHONE -You're so cool. | 0:05:01 | 0:05:04 | |
-Isn't that wonderful? -That's amazing. -And that's it. | 0:05:04 | 0:05:07 | |
What I like about it, Rosie, is it's so vibrant. | 0:05:07 | 0:05:12 | |
It is all complete. | 0:05:12 | 0:05:14 | |
-I love it. -OK. -To a humble man of a modern age... | 0:05:14 | 0:05:19 | |
-Mm-hm. -..how much could this be? | 0:05:19 | 0:05:21 | |
Well, we've got this priced at 50. Erm, I could bring it down. | 0:05:21 | 0:05:26 | |
-40? -30. -OK. -It's your call. | 0:05:27 | 0:05:32 | |
How about if we say 35? | 0:05:32 | 0:05:35 | |
I like it, and I think, from my jazz hands to yours, | 0:05:36 | 0:05:42 | |
-there we go. Give me your hand. -Oh. -Give me your hand. | 0:05:42 | 0:05:45 | |
-I'm going to turn you around. There you go. -Oh, wow! | 0:05:45 | 0:05:48 | |
-I'll take it. -Oh, deal! -Sold! | 0:05:48 | 0:05:50 | |
-Thank you very much. I love it. -Good. -It's got history. Play me out. | 0:05:50 | 0:05:55 | |
See you later! Bye! Bye! | 0:05:55 | 0:05:58 | |
Away he goes, pocket lightened to the tune of £35. | 0:05:58 | 0:06:03 | |
Meanwhile, what's catching our magpie's beady eye? | 0:06:05 | 0:06:09 | |
Ooh la la. I like this. | 0:06:09 | 0:06:12 | |
It's an opalescent bowl, | 0:06:12 | 0:06:15 | |
and it's very much in the style and manner of Rene Lalique. | 0:06:15 | 0:06:21 | |
This would have been made in the early 1900s. | 0:06:21 | 0:06:26 | |
The pattern is geometric. | 0:06:26 | 0:06:28 | |
It's 100 miles away from the fussiness of Victorian decoration, | 0:06:28 | 0:06:34 | |
and we can see on the back that it was made in France. | 0:06:34 | 0:06:38 | |
It's priced up at £48. | 0:06:38 | 0:06:41 | |
Now, if I can get a little bit off of that, | 0:06:41 | 0:06:44 | |
I think I could make a small profit in the North Shields auction. | 0:06:44 | 0:06:49 | |
You do that. | 0:06:49 | 0:06:51 | |
Stephen, I've fallen in love with this French Art Deco bowl. | 0:06:51 | 0:06:55 | |
Has a bit of style, has a bit of ooh la la. | 0:06:55 | 0:06:58 | |
-Bit like yourself. -SHE LAUGHS | 0:06:58 | 0:07:01 | |
It's priced at £48. What's the best you can do for me? | 0:07:01 | 0:07:03 | |
-The best would be £43. -That's absolutely fine with me. | 0:07:03 | 0:07:07 | |
-Lovely. -What's my total for both of these? | 0:07:07 | 0:07:09 | |
Right, so, 43, and we said 77, so £120. | 0:07:09 | 0:07:13 | |
Lovely. Lovely. I'm happy at that. | 0:07:13 | 0:07:16 | |
-Thank you very much. -Thank you. Bye-bye. | 0:07:16 | 0:07:19 | |
Two for the Auld Alliance. Vive la France! | 0:07:19 | 0:07:22 | |
Meanwhile, Charles is on his way north, | 0:07:28 | 0:07:30 | |
where the Angus Glens wind into the great mountain ranges beyond. | 0:07:30 | 0:07:36 | |
He's bound for Kirriemuir, | 0:07:36 | 0:07:38 | |
a town proud of its most famous son, JM Barrie, author of Peter Pan. | 0:07:38 | 0:07:43 | |
But we're not on the trail of Lost Boys today. | 0:07:43 | 0:07:47 | |
Charles is following the footsteps of another local hero, | 0:07:47 | 0:07:50 | |
whose name lives in the very landscape of Scotland, | 0:07:50 | 0:07:53 | |
mountaineer Sir Hugh Munro. | 0:07:53 | 0:07:55 | |
Charles is meeting Stewart Logan, he president of the Munro Society, | 0:07:55 | 0:07:59 | |
-to hear his story. -Come on in with me. -Thank you. | 0:07:59 | 0:08:03 | |
Hugh Munro was born in London in 1856, | 0:08:03 | 0:08:05 | |
but was brought up on the family estate near Kirriemuir, | 0:08:05 | 0:08:09 | |
where his lifelong love of the Scottish hills began. | 0:08:09 | 0:08:12 | |
He was a founder member | 0:08:12 | 0:08:13 | |
of the Scottish Mountaineering Club in 1889. | 0:08:13 | 0:08:16 | |
-Right. -And one of the first things the club decided was | 0:08:16 | 0:08:21 | |
they would get a formal list of the Scottish hills over 3,000ft. | 0:08:21 | 0:08:25 | |
And because Hugh Munro, earlier in the century, | 0:08:25 | 0:08:28 | |
and up to that point, | 0:08:28 | 0:08:29 | |
had climbed many of these Scottish hills himself, | 0:08:29 | 0:08:32 | |
they reckoned he was the ideal person with the knowledge | 0:08:32 | 0:08:34 | |
to start listing the hills. He did an extremely accurate job. | 0:08:34 | 0:08:38 | |
How did he do that? | 0:08:38 | 0:08:40 | |
He made extensive use of maps, which were around, | 0:08:40 | 0:08:43 | |
but not nearly as accurate as the ones today, | 0:08:43 | 0:08:45 | |
and he used an aneroid barometer. | 0:08:45 | 0:08:47 | |
And that is a device where, | 0:08:47 | 0:08:50 | |
if you set the height at a known height | 0:08:50 | 0:08:53 | |
and then go up a mountain to the top, | 0:08:53 | 0:08:56 | |
the change in pressure is recorded by the aneroid barometer, | 0:08:56 | 0:08:59 | |
and that gives you the height of the top of the mountain | 0:08:59 | 0:09:02 | |
relative to where you set it down at the base. | 0:09:02 | 0:09:04 | |
-How many Munros are there? -He listed 283. | 0:09:04 | 0:09:09 | |
The figure now is 282, | 0:09:09 | 0:09:12 | |
which sounds as though, "Oh, he was accurate within one hill," | 0:09:12 | 0:09:16 | |
but, in fact, there have been a few adjustments | 0:09:16 | 0:09:19 | |
because of new maps. | 0:09:19 | 0:09:21 | |
Many Scottish mountains are far from any roads, | 0:09:21 | 0:09:24 | |
and unpredictable weather can make them treacherous, | 0:09:24 | 0:09:27 | |
but Munro took just two years to produce his list, | 0:09:27 | 0:09:30 | |
and the tables were published in 1891. | 0:09:30 | 0:09:33 | |
His list is now really the Bible | 0:09:33 | 0:09:36 | |
for people climbing the Scottish hills. | 0:09:36 | 0:09:40 | |
Surprisingly, before the Second World War, | 0:09:40 | 0:09:42 | |
only eight people had finished his list. | 0:09:42 | 0:09:46 | |
When I finished, in 1981, | 0:09:46 | 0:09:49 | |
about 300 people had recorded as having finished them. | 0:09:49 | 0:09:52 | |
It is now 6,500. | 0:09:52 | 0:09:55 | |
Sir Hugh himself climbed all but two of the Munros, | 0:09:55 | 0:09:58 | |
as they came to be known, | 0:09:58 | 0:10:00 | |
but Stewart has bagged all 282 of them, ten times. | 0:10:00 | 0:10:05 | |
He has a very precious and personal possession of Sir Hugh's. | 0:10:05 | 0:10:09 | |
Does that mean anything to you? | 0:10:09 | 0:10:11 | |
It looks to be a small pocket aneroid barometer. | 0:10:11 | 0:10:15 | |
It is Monro's aneroid barometer. | 0:10:15 | 0:10:18 | |
This is the one that he measured all the hills with. | 0:10:18 | 0:10:21 | |
-It's amazing. -It really is quite amazing to handle this. | 0:10:21 | 0:10:25 | |
All the Scottish Munros can be bagged by walkers except one - | 0:10:25 | 0:10:28 | |
the Inaccessible Pinnacle on the Isle of Skye. | 0:10:28 | 0:10:32 | |
It requires rock climbing skills, | 0:10:32 | 0:10:34 | |
and which Munro himself never climbed. | 0:10:34 | 0:10:38 | |
To give Charles a taste of Munro bagging, | 0:10:38 | 0:10:40 | |
Stewart has arranged for a trip to a local quarry | 0:10:40 | 0:10:43 | |
with instructor Graeme Morrison. | 0:10:43 | 0:10:45 | |
-OK, wish me luck. -Good luck, Charles. -I'm going up. | 0:10:45 | 0:10:48 | |
-OK, now get your right hand in there. -Yeah. -Good. | 0:10:48 | 0:10:51 | |
Now bring your right foot to your left foot on the same ledge for me. | 0:10:51 | 0:10:54 | |
-That's it. -Ah! Pathetic, aren't I? -No, you're not. It's hard. | 0:10:54 | 0:10:59 | |
It's so embarrassing. I can't get off the ground! | 0:10:59 | 0:11:02 | |
It's terrible. Can I start higher up? | 0:11:02 | 0:11:04 | |
-Come on! You can do it! -HE LAUGHS | 0:11:04 | 0:11:07 | |
-Come on, Stewart! I can't hear you! -On you go, on you go! | 0:11:07 | 0:11:10 | |
What would Munro have said? | 0:11:10 | 0:11:12 | |
"I think he should just stick to antiques." | 0:11:12 | 0:11:14 | |
-HE LAUGHS -There. Ooh. -I can't. Sorry, guys. | 0:11:14 | 0:11:17 | |
I can't beat the Scottish rock face. | 0:11:19 | 0:11:21 | |
The Englishman clearly has come back down to earth. | 0:11:21 | 0:11:23 | |
What do you mean you've come down to earth? | 0:11:23 | 0:11:25 | |
-You never left it! -THEY LAUGH | 0:11:25 | 0:11:28 | |
Listen, how much is your sporran? How much is it? | 0:11:28 | 0:11:32 | |
-How much is it? -What would you take for it? | 0:11:32 | 0:11:34 | |
-How much? -You don't want it. I mean, this is a tatty old thing. | 0:11:34 | 0:11:38 | |
-You can buy a perfectly good one. -Yeah, but it's got your pedigree. | 0:11:38 | 0:11:40 | |
-OK, I'll give you a tenner for it. -If you're desperate for it. | 0:11:40 | 0:11:46 | |
-I will happily. Are you sure? -Yes. | 0:11:46 | 0:11:49 | |
I haven't conquered the rock face, but I'm very, very delighted | 0:11:49 | 0:11:53 | |
if I can go away wearing your sporran. | 0:11:53 | 0:11:56 | |
-And the kilt, as well? -You're not having that! | 0:11:56 | 0:11:59 | |
Certainly not. | 0:11:59 | 0:12:00 | |
-Where's my tenner, then? -There you go. | 0:12:00 | 0:12:02 | |
-I'm very grateful, Stewart. -OK. -Thanks a lot. -Right, OK. | 0:12:02 | 0:12:05 | |
Well, that's one of the cheekiest deals | 0:12:05 | 0:12:07 | |
we've ever seen on the Antiques Road Trip. | 0:12:07 | 0:12:09 | |
I'm glad Stewart was at least left with his kilt! | 0:12:09 | 0:12:13 | |
So, what's Anita got to say? | 0:12:13 | 0:12:16 | |
Charlie's nuts. He's just a marvellous guy. | 0:12:16 | 0:12:19 | |
A marvellous guy. | 0:12:19 | 0:12:21 | |
You likened him to a crocodile earlier this morning. | 0:12:21 | 0:12:24 | |
Now, Anita's headed further up the Tay to the village of Rait, | 0:12:24 | 0:12:29 | |
where she'll be hoping to pick up something precious at her next shop, | 0:12:29 | 0:12:33 | |
a lovely former farm now housing Rait Antique Centre. | 0:12:33 | 0:12:36 | |
-Hi, Val. -Good to see you. | 0:12:39 | 0:12:41 | |
This looks absolutely fabulous in here. | 0:12:41 | 0:12:43 | |
-Well, there's something for everybody. -There is. | 0:12:43 | 0:12:46 | |
Take your time and have a good look round. | 0:12:46 | 0:12:48 | |
I'm going to enjoy myself. | 0:12:48 | 0:12:50 | |
Time to cast her eyes over the wares. | 0:12:50 | 0:12:54 | |
Ha-ha-ha! Look, shiny things. | 0:12:54 | 0:12:56 | |
I've been drawn to the sparkly cabinets, | 0:12:57 | 0:13:00 | |
and this ring has caught my eye. | 0:13:00 | 0:13:04 | |
It's Art Deco style, | 0:13:04 | 0:13:06 | |
and it's the type of ring, or the style of ring, | 0:13:06 | 0:13:10 | |
which may have been worn by a gal like my little Art Deco figure. | 0:13:10 | 0:13:16 | |
It's unfortunately not a diamond. | 0:13:16 | 0:13:19 | |
If it was a diamond, it would be worth a lot of money, | 0:13:19 | 0:13:23 | |
but it's got the look. | 0:13:23 | 0:13:25 | |
It's priced at £39. | 0:13:25 | 0:13:27 | |
Now, yes, it doesn't have precious stones in it, | 0:13:27 | 0:13:31 | |
but it has the look, | 0:13:31 | 0:13:32 | |
and I think a stylish lady at the North Shields auction | 0:13:32 | 0:13:38 | |
might fancy that for herself. | 0:13:38 | 0:13:41 | |
-I quite like this ring. It's priced at £39. -Mm-hm. | 0:13:41 | 0:13:45 | |
-Is there anything you can do on that? -Erm, I could do 35. | 0:13:45 | 0:13:50 | |
-35? -Yeah. -I'm going to take it. -OK. -That's terrific. | 0:13:50 | 0:13:53 | |
-Thank you very much. -Thank you very much. | 0:13:53 | 0:13:55 | |
Now, if you could find a wee box for it, it would be fabulous. | 0:13:55 | 0:13:57 | |
-Let's do that. -If we can put that over there, | 0:13:57 | 0:14:00 | |
I want to continue looking. | 0:14:00 | 0:14:02 | |
-OK? -Fabulous. OK. | 0:14:02 | 0:14:04 | |
Yes, what might madame fancy next? | 0:14:04 | 0:14:08 | |
This box contains a lovely set comprising a silver paper knife | 0:14:08 | 0:14:15 | |
with pink marble handle and a little seal - again, silver. | 0:14:15 | 0:14:21 | |
On the end of the seal, we have initials. | 0:14:21 | 0:14:24 | |
And, again, with that lovely pink marble. | 0:14:24 | 0:14:28 | |
It's in its original box | 0:14:28 | 0:14:30 | |
with the retailer's address there, and I like to see that. | 0:14:30 | 0:14:37 | |
On the label, it says that it's circa 1860. | 0:14:37 | 0:14:42 | |
Now, is this of any use in today's world? | 0:14:42 | 0:14:46 | |
I don't know. Probably not, | 0:14:46 | 0:14:48 | |
but it's a beautiful item, and it's a thing of quality. | 0:14:48 | 0:14:53 | |
Val, I've found something that I've fallen in love with. | 0:14:53 | 0:14:56 | |
It's priced at £195. | 0:14:56 | 0:14:58 | |
-Now, that would completely blow my budget. -Right. | 0:14:58 | 0:15:02 | |
-What can you do for me on that? -We could do it for 160. | 0:15:02 | 0:15:06 | |
I'm going to shake your hand before you change your mind. | 0:15:06 | 0:15:09 | |
So, for my two items, what is my total? | 0:15:09 | 0:15:13 | |
Well, the ring was 39, which we'll reduce to 35. | 0:15:13 | 0:15:16 | |
160. It would be 195 in total. | 0:15:16 | 0:15:19 | |
195. I'm spending money today. | 0:15:19 | 0:15:21 | |
-Right. -THEY LAUGH | 0:15:21 | 0:15:23 | |
-95. -That's brilliant, thank you. | 0:15:23 | 0:15:26 | |
Having parted with £315 in two shops, | 0:15:26 | 0:15:30 | |
it's time for Anita to collect Charles and call it a day. | 0:15:30 | 0:15:33 | |
I almost could do with an orange. | 0:15:36 | 0:15:37 | |
-An orange, Charles? What are you talking about? -Yeah, yeah. Not a juice, an orange. | 0:15:37 | 0:15:41 | |
It's like half-time, and I need an orange to chew | 0:15:41 | 0:15:45 | |
and to think about my performance today. | 0:15:45 | 0:15:48 | |
It's been a good day. | 0:15:48 | 0:15:50 | |
Yes, tomorrow's another day. | 0:15:50 | 0:15:51 | |
Before it's all gone with the wind, nighty-night. | 0:15:51 | 0:15:55 | |
Going, going, going...gone! | 0:15:55 | 0:15:58 | |
The sun has got his hat on. | 0:16:02 | 0:16:04 | |
So do our two dashing experts, | 0:16:04 | 0:16:06 | |
duly rejuvenated this morning by the North Sea air | 0:16:06 | 0:16:10 | |
and ready to seize a last chance to make a splash at auction. | 0:16:10 | 0:16:13 | |
You're still looking for that biggie, Charlie, aren't you? | 0:16:13 | 0:16:16 | |
-They call me Hanson the Hunter. -SHE LAUGHS | 0:16:16 | 0:16:19 | |
Anita, you are the hunted. I hunted you down again. | 0:16:19 | 0:16:23 | |
But now it's my time to become the hunter. | 0:16:23 | 0:16:27 | |
-Well, good luck to you, Charlie. -Thanks, Anita. | 0:16:27 | 0:16:29 | |
He definitely needs it. Yesterday, Charles got in the groove | 0:16:29 | 0:16:34 | |
with a vintage toy record player, | 0:16:34 | 0:16:35 | |
before some jiggery-pokery with a sporran. | 0:16:35 | 0:16:38 | |
-I'll give you a tenner for it. -And he starts today with £200.72. | 0:16:38 | 0:16:43 | |
Dear, oh, dear. | 0:16:43 | 0:16:45 | |
While Anita came over all Francophile | 0:16:45 | 0:16:48 | |
-with an opalescent bowl... -Ooh la la! | 0:16:48 | 0:16:50 | |
..an Art Deco figurine, a gem-set ring, | 0:16:50 | 0:16:53 | |
and a tres cher French silver and marble paper knife and seal, | 0:16:53 | 0:16:58 | |
leaving her a petite £34.32. | 0:16:58 | 0:17:01 | |
But it's a new day and we're off to Aberdeen, | 0:17:03 | 0:17:06 | |
and the impressive granite pinnacles of Marischal College | 0:17:06 | 0:17:09 | |
are glinting in the sunshine. | 0:17:09 | 0:17:10 | |
The city's motto, Bon Accord, is French for good agreement. | 0:17:10 | 0:17:15 | |
Hopefully, we'll be seeing a few of those in our antiques shops today. | 0:17:15 | 0:17:19 | |
First, though, Charles is dropping Anita at Aberdeen Beach. | 0:17:19 | 0:17:23 | |
-Oh, Charlie! -Look at that! | 0:17:23 | 0:17:26 | |
Well, have a good day, and bye, bye, bye, Charlie. | 0:17:26 | 0:17:29 | |
While Charles shoots off in the Stag to start his shopping, | 0:17:31 | 0:17:35 | |
Anita's navigating her way to Aberdeen Maritime Museum | 0:17:35 | 0:17:38 | |
on Shiprow, near the city's harbour, | 0:17:38 | 0:17:41 | |
to hear about a 19th-century seafaring local | 0:17:41 | 0:17:44 | |
who made big waves in Japan. | 0:17:44 | 0:17:46 | |
-Hello. -Jason Finch has the story of Thomas Blake Glover, | 0:17:46 | 0:17:50 | |
the man they call the Scottish Samurai. | 0:17:50 | 0:17:53 | |
Jason, what was his background? | 0:17:53 | 0:17:55 | |
He's an Aberdeenshire-born man, born in Fraserburgh. | 0:17:55 | 0:17:58 | |
He's a merchant. He's an entrepreneur. | 0:17:58 | 0:18:00 | |
He goes out to Japan, | 0:18:00 | 0:18:02 | |
he introduces a whole new range of technologies out there. | 0:18:02 | 0:18:05 | |
He helps create the modern Japan we know today. | 0:18:05 | 0:18:07 | |
Thomas Blake Glover was employed by a Scottish merchant firm | 0:18:07 | 0:18:11 | |
and sailed to the Far East as a tea trader, aged 18, in 1857. | 0:18:11 | 0:18:16 | |
Just four years later, he was running his own company in Nagasaki, | 0:18:16 | 0:18:20 | |
in a society far removed | 0:18:20 | 0:18:22 | |
from the one he'd left behind in Aberdeenshire. | 0:18:22 | 0:18:25 | |
Japan had been closed for about 200 years. | 0:18:27 | 0:18:30 | |
When Glover arrives, it's just starting to open up | 0:18:30 | 0:18:33 | |
to the rest of the world, but it would be very much | 0:18:33 | 0:18:36 | |
what Thomas would have considered to be a medieval society. | 0:18:36 | 0:18:39 | |
From 1641, the military dictatorship of the shoguns | 0:18:39 | 0:18:43 | |
prohibited contact with most foreign countries | 0:18:43 | 0:18:46 | |
in order to secure their own cultural, | 0:18:46 | 0:18:48 | |
political and economic power. | 0:18:48 | 0:18:51 | |
Negotiating this Japanese society was a risky business. | 0:18:51 | 0:18:55 | |
Blake Glover learned Japanese and befriended the fearsome samurai | 0:18:55 | 0:18:59 | |
of powerful clans like the Satsuma, | 0:18:59 | 0:19:02 | |
who were keen to overthrow the old order. | 0:19:02 | 0:19:05 | |
-He was playing a very dangerous game. -Definitely. | 0:19:05 | 0:19:08 | |
He becomes involved in their revolution. | 0:19:08 | 0:19:10 | |
They trust him. They respect him. | 0:19:10 | 0:19:12 | |
He puts himself on the line for them. | 0:19:12 | 0:19:14 | |
They honour that, they respect that, | 0:19:14 | 0:19:15 | |
and that's why he becomes known as the Scottish Samurai. | 0:19:15 | 0:19:18 | |
Blake Glover helped arm the rebels, and in 1868, | 0:19:21 | 0:19:24 | |
when the military rule of the shogun was overthrown, | 0:19:24 | 0:19:26 | |
he set about working with the new regime | 0:19:26 | 0:19:28 | |
on a programme of modernisation. | 0:19:28 | 0:19:31 | |
If you look out the window behind us, | 0:19:31 | 0:19:33 | |
you will see Aberdeen Harbour. | 0:19:33 | 0:19:35 | |
Back in Thomas's time, this was a ship building centre, | 0:19:35 | 0:19:38 | |
and he had a whole series of vessels built for the Japanese - | 0:19:38 | 0:19:41 | |
warships and merchant ships. | 0:19:41 | 0:19:43 | |
He was also involved in introducing other technologies | 0:19:43 | 0:19:46 | |
and industries to Japan. | 0:19:46 | 0:19:47 | |
He helped get the first coalmine going in Japan. | 0:19:47 | 0:19:51 | |
He also helped set up Kirin, | 0:19:51 | 0:19:52 | |
the first successful Western-style brewery in Japan. | 0:19:52 | 0:19:55 | |
And he was happy in Japan because he made his home there. | 0:19:55 | 0:19:59 | |
Thomas Blake Glover lived the rest of his life in Japan, | 0:19:59 | 0:20:03 | |
introducing railways and co-founding the Mitsubishi company. | 0:20:03 | 0:20:07 | |
In 1908, he was awarded the Order of the Rising Sun, | 0:20:07 | 0:20:11 | |
acknowledged as a key figure in the speed and scale | 0:20:11 | 0:20:13 | |
of Japan's industrial revolution. | 0:20:13 | 0:20:16 | |
I think you can say he created the modern Japan we know today. | 0:20:16 | 0:20:19 | |
Many Japanese tourists come to Scotland | 0:20:19 | 0:20:21 | |
because it's where Thomas Blake Glover came from. | 0:20:21 | 0:20:24 | |
They want to visit his homeland. | 0:20:24 | 0:20:26 | |
-They're making a pilgrimage. -Exactly. | 0:20:26 | 0:20:28 | |
Jason, it has been a fascinating story. | 0:20:28 | 0:20:32 | |
-Thank you so much for sharing it with me. -It's been a pleasure. | 0:20:32 | 0:20:35 | |
-Thank you. -Thank you. | 0:20:35 | 0:20:36 | |
Time to follow Charles now, | 0:20:39 | 0:20:41 | |
as he makes his way ten miles north to Newmachar. | 0:20:41 | 0:20:45 | |
I like to believe | 0:20:45 | 0:20:47 | |
in the sapphire-jewelled seas and the glint of gold up above. | 0:20:47 | 0:20:54 | |
It certainly sets up that feeling that treasure is lurking. | 0:20:54 | 0:20:59 | |
And who knows what might well be lurking inside his first shop today, | 0:20:59 | 0:21:04 | |
the poetically named Collecting The World? | 0:21:04 | 0:21:07 | |
-How are you? -Good to meet you, Charles. | 0:21:07 | 0:21:09 | |
-Your name, sir, is...? -Brian. | 0:21:09 | 0:21:10 | |
Brian, what a lovely, traditional shop you've got here. | 0:21:10 | 0:21:13 | |
Has much been washed in by the waves? | 0:21:13 | 0:21:16 | |
Any buried treasure which could be Pirate Hanson's? | 0:21:16 | 0:21:20 | |
Well, a couple of things. I don't know if you're a gambler. | 0:21:20 | 0:21:24 | |
-I'm a gambler. -Greyhound racing. -Oh, amazing. -Just a wee quirky game. | 0:21:24 | 0:21:30 | |
Isn't that lovely? Of course, actually, greyhound racing | 0:21:30 | 0:21:33 | |
in and around Geordie land, that might go down quite well. | 0:21:33 | 0:21:37 | |
-How much is it, out of interest, Brian? -20, 25. | 0:21:37 | 0:21:40 | |
If it's of interest, yours for 15. | 0:21:40 | 0:21:43 | |
Wow. I'll tell you what, you're warming me up, | 0:21:43 | 0:21:46 | |
-so I'll mental-note that. -Yeah, have a think about that one. | 0:21:46 | 0:21:48 | |
-I'll put the lid back on. -Yeah, sure. -I'm almost out of the block. | 0:21:48 | 0:21:51 | |
I'm a greyhound, and I feel here, I'm at the races. | 0:21:51 | 0:21:55 | |
Get on with the search then, speedy. | 0:21:55 | 0:21:58 | |
-Brian? -What have you found, Charles? | 0:22:01 | 0:22:03 | |
I think you've put down here very good quality | 0:22:03 | 0:22:05 | |
hand-carved nutcrackers, | 0:22:05 | 0:22:09 | |
and I would have thought... | 0:22:09 | 0:22:11 | |
What are they made of, do you know? | 0:22:11 | 0:22:13 | |
No. I wondered maybe a lime wood of some kind. | 0:22:13 | 0:22:17 | |
-So, fruit wood. -Fruit wood, yeah. | 0:22:17 | 0:22:19 | |
So, I think it's probably an apple wood or a pear wood, | 0:22:19 | 0:22:22 | |
and hence their likeness to treen collectors, | 0:22:22 | 0:22:25 | |
which is that generic term for wooden works of art. | 0:22:25 | 0:22:29 | |
I think it's got an appeal. How old are they, do you think? | 0:22:29 | 0:22:32 | |
Well, that's what I'm not sure of. | 0:22:32 | 0:22:34 | |
I think they're either late 19th or early 20th, I would say. | 0:22:34 | 0:22:41 | |
-How much could that be? -The price is the price. | 0:22:41 | 0:22:43 | |
If it's 20 or less... So, Charles, it's 18. | 0:22:43 | 0:22:46 | |
-£18 is the bottom? -Yeah, I would say so. -Fine. | 0:22:46 | 0:22:51 | |
"Give us a kiss, though." Sorry. | 0:22:51 | 0:22:53 | |
I'll take it, Brian. I'll say going, going, gone. | 0:22:53 | 0:22:56 | |
-Good stuff. -Thanks, Brian. Take it over there. | 0:22:56 | 0:22:59 | |
Cheers. Thanks, lad. | 0:22:59 | 0:23:01 | |
One down! | 0:23:01 | 0:23:03 | |
Very good, but winning will still be a hard nut to crack. | 0:23:03 | 0:23:07 | |
What I love up here are these football figures. | 0:23:07 | 0:23:11 | |
As Anita might say, "They're wee bonny lads, aren't they?" | 0:23:12 | 0:23:15 | |
Oh, yes, she'd like them. | 0:23:15 | 0:23:17 | |
Anything footballing, collectable, prewar, | 0:23:17 | 0:23:21 | |
is sought after, and I think they're probably 1920s. | 0:23:21 | 0:23:24 | |
Yeah, I wondered about maybe even pre-First World War | 0:23:24 | 0:23:27 | |
-or just post, yeah. -How much could they be? | 0:23:27 | 0:23:29 | |
-I'd need £90 for them. -Would you really? -Yeah, yeah. | 0:23:32 | 0:23:35 | |
-For the pair? -Yeah. | 0:23:35 | 0:23:37 | |
And that's... I mean, they could fly, couldn't they? | 0:23:37 | 0:23:39 | |
-On the top deck. -Yeah. | 0:23:39 | 0:23:42 | |
Playing a 4-4-2. Thanks, but I'll keep on wandering, thanks. | 0:23:42 | 0:23:46 | |
Yes, there may be cash in that attic. | 0:23:46 | 0:23:50 | |
Oh, wow. | 0:23:50 | 0:23:51 | |
It's a big old room. | 0:23:53 | 0:23:55 | |
I'm looking for a smaller camera, | 0:23:58 | 0:24:00 | |
which might have the echoes of Paul Laidlaw, | 0:24:00 | 0:24:04 | |
and the riches of antique finds. | 0:24:04 | 0:24:08 | |
And long live Paul Laidlaw. | 0:24:08 | 0:24:11 | |
Catch him if you can, Charles. Now, time and tide wait for no man. | 0:24:11 | 0:24:16 | |
-Can we pull out the greyhound racing game again? -Sure. | 0:24:16 | 0:24:20 | |
So, I think, for £15, it's fun, it's fairly complete. | 0:24:21 | 0:24:27 | |
-I'll take it. £15 for that one, as well. -Good. -OK? | 0:24:29 | 0:24:32 | |
Now, is there one more item here I'd like to buy, Brian? | 0:24:32 | 0:24:36 | |
I think, at £90, I shall take those two figures and have a go. | 0:24:36 | 0:24:43 | |
-Good. -Thank you. -Good stuff. | 0:24:43 | 0:24:45 | |
Great. So, what's the final score? | 0:24:45 | 0:24:47 | |
18, 15 and 90, which comes to 123. | 0:24:47 | 0:24:53 | |
Here we go. | 0:24:53 | 0:24:55 | |
-Good stuff. Cheers. All the best. -Bye-bye. | 0:24:56 | 0:24:58 | |
All right, boy. How you doing? Away the lads. | 0:24:58 | 0:25:00 | |
Look, Anita can go in the back, OK? You can sit in the front with me. | 0:25:00 | 0:25:04 | |
Away the lads, indeed. | 0:25:04 | 0:25:06 | |
Let's see if they can top the league at auction. | 0:25:06 | 0:25:09 | |
Meanwhile, Anita has made her way further northwards, | 0:25:09 | 0:25:13 | |
through rural Aberdeenshire, to Ellon, | 0:25:13 | 0:25:16 | |
on the banks of the River Ythan. | 0:25:16 | 0:25:18 | |
And Ellon Indoor Market is the last shop of this trip. | 0:25:18 | 0:25:21 | |
SHE PLAYS BADLY | 0:25:22 | 0:25:25 | |
A piano is clearly not her forte. | 0:25:25 | 0:25:28 | |
As well as antiques, this store sells all manner of household goods, | 0:25:30 | 0:25:34 | |
hardware and pet supplies. | 0:25:34 | 0:25:37 | |
Ah, worms! | 0:25:37 | 0:25:39 | |
Never mind. There'll be a wee scone for you soon, | 0:25:39 | 0:25:43 | |
but you have to buy something first. | 0:25:43 | 0:25:46 | |
Hark, is that the sound of a Stag? | 0:25:46 | 0:25:49 | |
HE HUMS Crikey! | 0:25:49 | 0:25:51 | |
He's a big kid, really, you know. | 0:25:56 | 0:25:59 | |
And without further ado, he's roped in a grown-up. | 0:26:01 | 0:26:05 | |
What have we got, Kerry? I'm in my 11th hour. | 0:26:05 | 0:26:08 | |
I love that sort of thing. | 0:26:08 | 0:26:10 | |
-What are they? -I have no idea. We've never had them in before. | 0:26:10 | 0:26:12 | |
I thought they were footstools, but I don't know. | 0:26:12 | 0:26:14 | |
-They're for praying, aren't they? -For kneeling? -You might kneel. | 0:26:14 | 0:26:17 | |
-So, basically, I'll show you. -Are you going to kneel? | 0:26:17 | 0:26:20 | |
Have a kneel. So, what you do, | 0:26:20 | 0:26:22 | |
when the going gets tough - come round here - | 0:26:22 | 0:26:24 | |
on the Antiques Road Trip, you kneel down like that. | 0:26:24 | 0:26:27 | |
-I might not be able to get back up again. -And you pray for one man. | 0:26:27 | 0:26:30 | |
-OK. -OK, who do you pray for? | 0:26:30 | 0:26:32 | |
-You! -SHE LAUGHS | 0:26:32 | 0:26:34 | |
-Pray for Hanson, OK? -Pray for Hanson. | 0:26:34 | 0:26:36 | |
We pray, at the 11th hour, that I can find something amazing in here. | 0:26:36 | 0:26:39 | |
Yes, we'll pray for that. | 0:26:39 | 0:26:40 | |
And I can light up and illuminate the room and make some money. | 0:26:40 | 0:26:43 | |
-OK? Because somewhere, Miss Manning is about, OK? -Yes. | 0:26:43 | 0:26:47 | |
Hello. | 0:26:47 | 0:26:49 | |
I was praying, praying for the week we've had, the enjoyment. | 0:26:49 | 0:26:53 | |
You're on your knees to another woman, Charlie. | 0:26:53 | 0:26:57 | |
Sorry, Anita. It's been a wonderful week. | 0:26:57 | 0:27:00 | |
-You're a Lothario! -THEY LAUGH | 0:27:00 | 0:27:03 | |
I've had a wonderful week, Anita, with you, but time moves on. | 0:27:03 | 0:27:07 | |
-Don't listen to a word he says. -OK. | 0:27:07 | 0:27:09 | |
-He's a blether. -OK. OK. -What's that? What's a bletherer? | 0:27:09 | 0:27:12 | |
A blether is one who talks a lot without making much sense. Hm. | 0:27:12 | 0:27:17 | |
OK then, moving on. | 0:27:17 | 0:27:19 | |
-Let me see that green box, please. -I'll let you open those. | 0:27:20 | 0:27:24 | |
Well, I know that the military guys are always looking out for buttons, | 0:27:24 | 0:27:28 | |
you know, on uniforms that the buttons are missing. | 0:27:28 | 0:27:31 | |
And we seem to have really quite a quantity there. | 0:27:31 | 0:27:35 | |
I wonder what regiment these came from. | 0:27:39 | 0:27:43 | |
From Birmingham, and it's a name I'm not familiar with. | 0:27:45 | 0:27:49 | |
-It is a nice little group. -Yeah. | 0:27:49 | 0:27:52 | |
It's priced at £22... | 0:27:52 | 0:27:54 | |
..which might be a wee bit dear for me to put into auction at. | 0:27:56 | 0:28:00 | |
Erm, can you do a bit better on that for me, Danny? | 0:28:00 | 0:28:05 | |
-How about 18? -18? | 0:28:05 | 0:28:08 | |
-That's not bad, but I'll tell you, 15 would be even better. -Erm... | 0:28:08 | 0:28:13 | |
-How about 16? -16? Put it there. -Happy? -Yeah. | 0:28:14 | 0:28:18 | |
Meet in the middle. Thank you so much. | 0:28:18 | 0:28:20 | |
I haven't got much money left. | 0:28:20 | 0:28:22 | |
And with those military buttons, | 0:28:22 | 0:28:24 | |
Anita is marching to the end of this trip's manoeuvres. | 0:28:24 | 0:28:27 | |
-Thank you very much. -Thank you. -Bye-bye. -Thanks. | 0:28:27 | 0:28:30 | |
But is Private Hanson keeping up? | 0:28:30 | 0:28:32 | |
This is a really interesting chair. | 0:28:32 | 0:28:34 | |
I don't know where it's from. | 0:28:36 | 0:28:39 | |
Could be Ashanti, could be African. | 0:28:40 | 0:28:43 | |
It's been here a while because it was priced at 120. | 0:28:44 | 0:28:48 | |
Now it's 80. My budget is 77. | 0:28:48 | 0:28:52 | |
Maybe it's something I could buy for a bit less | 0:28:52 | 0:28:56 | |
and just go to North Shields on the beat. | 0:28:56 | 0:29:01 | |
-There's a chair down here. -Mm-hm. OK. -It's priced at £80. | 0:29:04 | 0:29:09 | |
-Mm-hm. -It was 120. -Mm-hm. | 0:29:09 | 0:29:11 | |
I'm wondering if, today, we can drop another £40, and go to 40? | 0:29:11 | 0:29:15 | |
-40, 80, 120 - what do you think? -60. | 0:29:15 | 0:29:18 | |
-Going, going, the week is... -60. -..gone. | 0:29:18 | 0:29:22 | |
-Thank you. -Perfect, thank you. | 0:29:22 | 0:29:24 | |
-There's 60. -Thank you very much. -Thanks for this. I'm very grateful. | 0:29:24 | 0:29:27 | |
-Cheers. Bye. -Bye. | 0:29:27 | 0:29:29 | |
And that, as they say, is that. Job's done. | 0:29:29 | 0:29:33 | |
-It's over! -Go south, young man! -Go south! | 0:29:33 | 0:29:37 | |
# You shall have a fishy in the little dishy | 0:29:37 | 0:29:40 | |
# You shall have a fishy when the boats come in. # | 0:29:40 | 0:29:44 | |
And we'll see who's boat is coming in at auction, | 0:29:44 | 0:29:47 | |
after some shut-eye. Night-night. | 0:29:47 | 0:29:50 | |
The stage is set on Tyneside for the last act of our antiques drama | 0:29:53 | 0:29:57 | |
and our characters are assembling downriver at North Shields. | 0:29:57 | 0:30:02 | |
Our star in cars premiered in Dundee, | 0:30:02 | 0:30:05 | |
and toured Tayside, Angus, and Aberdeenshire, | 0:30:05 | 0:30:08 | |
before the curtain comes down on the banks of the Tyne. | 0:30:08 | 0:30:12 | |
-It's our last sale. -I know! -I can't believe it. | 0:30:12 | 0:30:15 | |
It almost feels like a last date, Anita. | 0:30:15 | 0:30:17 | |
Good luck. After you. I'm nervous. | 0:30:17 | 0:30:21 | |
We're at Featonby's, | 0:30:21 | 0:30:22 | |
who've been auctioneering hereabouts since the 1920s, | 0:30:22 | 0:30:25 | |
when, unlike today, there was no internet bidding. | 0:30:25 | 0:30:29 | |
Anita was almost cleaned out again, | 0:30:29 | 0:30:31 | |
parting with £331 for her five lots, bless her, | 0:30:31 | 0:30:36 | |
while Charles put his record player and greyhound game together | 0:30:36 | 0:30:40 | |
to make one lot, and his total of five lots cost him £228. | 0:30:40 | 0:30:45 | |
But what do they each think of what the other bought? | 0:30:45 | 0:30:48 | |
This sporran has been up all the highest hills in Scotland, | 0:30:48 | 0:30:54 | |
and I'm sure that this sporran is going to be climbing | 0:30:54 | 0:31:00 | |
into profit in this auction today. | 0:31:00 | 0:31:03 | |
Anita likes to pull a pose, like this lady. | 0:31:03 | 0:31:07 | |
The base is in period, in keeping to 1920s, | 0:31:07 | 0:31:11 | |
and I think, for £77, she might be lucky in love at auction, | 0:31:11 | 0:31:16 | |
and make a small profit. | 0:31:16 | 0:31:18 | |
And what does auctioneer Darren Riach think? | 0:31:18 | 0:31:21 | |
The pair of footballers - Victorian. | 0:31:21 | 0:31:25 | |
Probably made in the Staffordshire region, | 0:31:25 | 0:31:27 | |
I think maybe the wrong colours for this particular area. | 0:31:27 | 0:31:31 | |
My favourite would probably be the Art Deco letter seal | 0:31:31 | 0:31:35 | |
and the letter opener. | 0:31:35 | 0:31:37 | |
It's a nice item, and it's in a lovely presentation case, | 0:31:37 | 0:31:41 | |
and I think it may do well in the auction. | 0:31:41 | 0:31:44 | |
Let's hope so, since it cost such a lot. | 0:31:44 | 0:31:48 | |
Now, this is your one-minute call, Ms Manning and Mr Hanson. | 0:31:48 | 0:31:52 | |
-Showtime! -Here we are, darling. -It's very busy. -Yeah. | 0:31:52 | 0:31:55 | |
Nice atmosphere. | 0:31:55 | 0:31:57 | |
First up, a duet of vintage toys - | 0:31:57 | 0:32:00 | |
Charles's record player and greyhound racing game. | 0:32:00 | 0:32:02 | |
And they're off! | 0:32:02 | 0:32:04 | |
I would have loved one of those when I was a wee girl. | 0:32:04 | 0:32:06 | |
Start the bidding straight in at ten, 12, 15, and away! | 0:32:06 | 0:32:09 | |
£15 have gone. 15 bid. 18. 20. 22. Five, on the left. | 0:32:09 | 0:32:12 | |
28 bid now. And in the room at 30. | 0:32:12 | 0:32:14 | |
-And two. 35. -Come on! -Go on! | 0:32:14 | 0:32:17 | |
40? Can we make it 40? | 0:32:17 | 0:32:19 | |
42. 45. Internet bidder at 45. 48 with the lady. | 0:32:19 | 0:32:23 | |
-Yes! -Thank you. I'm in business. One for the road. | 0:32:23 | 0:32:26 | |
50. 52. At 52. | 0:32:26 | 0:32:29 | |
-All done, finished? Selling at £52. -GAVEL BANGS | 0:32:29 | 0:32:33 | |
-Yay! -Yeah! | 0:32:33 | 0:32:35 | |
Hey, that's a lot of excitement for £2. | 0:32:35 | 0:32:37 | |
-Good start. -I'm very lucky, very lucky. | 0:32:37 | 0:32:40 | |
Must be the method acting kicking in. | 0:32:40 | 0:32:43 | |
And will Anita's Art Deco figure dance into the spotlight? | 0:32:43 | 0:32:46 | |
The only difference between you and her is she's Art Deco. | 0:32:46 | 0:32:50 | |
Start me at 30. It's a nice period figure there. | 0:32:50 | 0:32:52 | |
-Oh, no, darling! -Start me at 20, surely? | 0:32:52 | 0:32:55 | |
-£20. -In at 20. -22 on the internet. 22. | 0:32:55 | 0:32:58 | |
25. 20 at the back of the room. At 28. 30 bid. | 0:32:58 | 0:33:02 | |
32. 35. Internet bidder. At 35. 38, sir? | 0:33:02 | 0:33:05 | |
38 bid at the back. | 0:33:05 | 0:33:07 | |
-40 bid. -Oh, Charlie! -At £40. | 0:33:07 | 0:33:09 | |
42. 45. Back in. | 0:33:09 | 0:33:12 | |
-Good. -50. | 0:33:12 | 0:33:13 | |
At £50. Any advance on 50? Are we all done now? | 0:33:13 | 0:33:17 | |
-At £50. -One more, one more. | 0:33:17 | 0:33:18 | |
Last chance for the Art Deco figure. All done and finished at £50? | 0:33:18 | 0:33:22 | |
-Oh, there we are, Charlie. -I think... -There we are. | 0:33:22 | 0:33:24 | |
Yes, she paid "tutu" much for it and lost £27. | 0:33:24 | 0:33:29 | |
I knew that I was taking a wee chance, Charlie, | 0:33:29 | 0:33:32 | |
but I was willing to do it. | 0:33:32 | 0:33:34 | |
Next is the sporran Charles paid Stewart a tenner for. | 0:33:34 | 0:33:37 | |
Have all those Munros added to its value? | 0:33:37 | 0:33:40 | |
A man in a sporran is like no other, is that right? | 0:33:40 | 0:33:43 | |
Well, a man in a sporran is... | 0:33:43 | 0:33:45 | |
Well, it means that he's got a couple of quid. | 0:33:45 | 0:33:47 | |
THEY LAUGH | 0:33:47 | 0:33:49 | |
Start me at £50 for it. Someone straight in at 50 for it? | 0:33:49 | 0:33:51 | |
Surely? Nobody fancy a fling? A Highland fling? | 0:33:51 | 0:33:54 | |
-A Highland fling! -£50, surely? | 0:33:54 | 0:33:56 | |
£30? Start the bidding at 30, surely? I've got a bid at £20. | 0:33:56 | 0:34:00 | |
We're away, we're away, we're away. | 0:34:00 | 0:34:02 | |
Two. Five. At the back of the room, at £28. Is there 30? | 0:34:02 | 0:34:04 | |
-30 on the internet. -Well, here we go. | 0:34:04 | 0:34:06 | |
32. 35. Internet bidder at 35. | 0:34:06 | 0:34:10 | |
-38 bid from you, sir. -Wow! -At 38 bid now. -Good man. | 0:34:10 | 0:34:13 | |
Can't wait any longer. All done. Bid's in the room at £38. | 0:34:13 | 0:34:17 | |
-Yes! Well done, Charlie. -Anita, that's very good. | 0:34:17 | 0:34:19 | |
I'm very happy, Anita. | 0:34:19 | 0:34:20 | |
I should think so, with a £28 profit to put in your hairy purse. | 0:34:20 | 0:34:24 | |
Could I have worn a sporran, do you think, in my attire in England? | 0:34:24 | 0:34:28 | |
Yeah, why not? You can do whatever you want, Charlie. | 0:34:28 | 0:34:30 | |
Ha! That, I would like to see. | 0:34:30 | 0:34:32 | |
Time now for Anita's French bowl. | 0:34:32 | 0:34:35 | |
It glows. I love the geometric design. | 0:34:35 | 0:34:39 | |
And we start the bidding at 42. Five. At 45 bid now. 45 bid now. | 0:34:39 | 0:34:42 | |
-God! -48. 50 bid. | 0:34:42 | 0:34:44 | |
At 50. 52. 55. | 0:34:44 | 0:34:46 | |
58. 60 bid. | 0:34:46 | 0:34:48 | |
And five. 65 bid over here on my left. | 0:34:48 | 0:34:50 | |
-Anita, you're brilliant. -At 65. 70 bid. Internet bid. | 0:34:50 | 0:34:53 | |
Nobody does it better. | 0:34:53 | 0:34:56 | |
At £70, very reasonable. | 0:34:56 | 0:34:57 | |
Last chance, selling at £70. | 0:34:57 | 0:35:00 | |
-Yes, yes, yes! -Anita, nobody does it better. | 0:35:00 | 0:35:03 | |
Bravo, mon petit chou! | 0:35:03 | 0:35:05 | |
£27 profit, eh? Not bad. | 0:35:05 | 0:35:07 | |
And bingo! | 0:35:07 | 0:35:08 | |
Yeah, Charles's carved wooden nutcracker's next. | 0:35:08 | 0:35:12 | |
What are the biggest nuts you get? | 0:35:12 | 0:35:14 | |
The biggest nuts, which you can chew? | 0:35:14 | 0:35:16 | |
-Cashew nuts? -Coconuts. -Coconuts! | 0:35:16 | 0:35:19 | |
22 bid now. At 22. 25, is there? At 22. 25, the lady's bid. | 0:35:19 | 0:35:22 | |
-It's good, Anita. -They like them, Charlie. | 0:35:22 | 0:35:25 | |
At £28 bid now. At 28. 30 bid now. At 30. | 0:35:25 | 0:35:27 | |
-Go on! -Lady's bid at £30. £30 bid now. At 30. | 0:35:27 | 0:35:29 | |
At 32. 35? 35 in the room. | 0:35:29 | 0:35:32 | |
-Go on. -At £35 bid now. At £35. Do I see 38? 38, back in. | 0:35:32 | 0:35:35 | |
-I'll tell you what, Anita, my nuts... -I'll hold your hand. | 0:35:35 | 0:35:38 | |
40 bid. At £40, are we all done now? | 0:35:38 | 0:35:41 | |
I'm going to sell it, fair warning, | 0:35:41 | 0:35:43 | |
-at £40. -GAVEL BANGS | 0:35:43 | 0:35:44 | |
-Very good, Anita. -Charlie, that's 100% profit. | 0:35:44 | 0:35:48 | |
So it is. You cracked that one, Charles. | 0:35:48 | 0:35:51 | |
I might just, later, as a celebration, | 0:35:51 | 0:35:53 | |
buy you a packet of nuts. | 0:35:53 | 0:35:55 | |
-Peanuts OK? -Peanuts are fine. | 0:35:55 | 0:35:57 | |
Peanuts are fine. | 0:35:57 | 0:35:59 | |
Anita's French silver and marble paper knife and seal set next. | 0:35:59 | 0:36:04 | |
-Pull the jackpot. Here we go. -Here we are. -At £20. 22. | 0:36:04 | 0:36:07 | |
-Come here. Hold tight. Hold tight. -25. 28. | 0:36:07 | 0:36:10 | |
30. 30 bid. I had £30 bid on my left. | 0:36:10 | 0:36:12 | |
At £30, the bid's here on my left at 30. 32, fresh bid. | 0:36:12 | 0:36:14 | |
32. And five? 38? 38. | 0:36:14 | 0:36:17 | |
40. 42, sir? | 0:36:17 | 0:36:19 | |
42. 45. 45. 48. | 0:36:19 | 0:36:22 | |
At £45. It's worth more. At 45. | 0:36:22 | 0:36:25 | |
48, is there? At £45. | 0:36:25 | 0:36:27 | |
-Oh, he's trying. He's trying hard. -He's trying. -50 bid, sir. | 0:36:27 | 0:36:30 | |
52? Thought not. 55? 55? | 0:36:30 | 0:36:34 | |
At £55. Look at it. Beautiful lot, that. | 0:36:34 | 0:36:36 | |
Last chance, fair warning, at £55. | 0:36:36 | 0:36:39 | |
-He did his best, Charlie... -He did. -..but I've just lost over £100. | 0:36:39 | 0:36:44 | |
105, to be precise. Quelle catastrophe! | 0:36:44 | 0:36:48 | |
SHE CHUCKLES | 0:36:48 | 0:36:51 | |
-I don't know what to say. -I know. Don't say anything. | 0:36:51 | 0:36:53 | |
Do you want a coffee just as a half-time refreshment? | 0:36:53 | 0:36:56 | |
Let's think of the next lot. What's the next lot? | 0:36:56 | 0:36:58 | |
Exactly, Anita. The next lot, what is it? | 0:36:58 | 0:37:01 | |
It's your football figures, ready for kick-off. | 0:37:01 | 0:37:04 | |
Balancing a football on my shoulders. | 0:37:06 | 0:37:08 | |
Oh, I thought you were dancing wildly, Charlie. | 0:37:08 | 0:37:11 | |
-Or twitching. -No, no, they do that. | 0:37:11 | 0:37:15 | |
-Start me at £40 for the pair. -Come on. -£40. | 0:37:15 | 0:37:17 | |
-It's your big-ticket item. -They are. | 0:37:17 | 0:37:19 | |
Come on, surely? | 0:37:19 | 0:37:20 | |
Shearer! Gazza! Shearer! Gazza! | 0:37:21 | 0:37:26 | |
-Sorry. -I think you're ten years too late - Shearer and Gazza. | 0:37:26 | 0:37:29 | |
-Sorry. -LAUGHTER | 0:37:29 | 0:37:31 | |
-No interest? -Uh-oh. | 0:37:31 | 0:37:33 | |
Surely? £10 to start the bidding, the lot there. | 0:37:33 | 0:37:36 | |
£10 for the lot there? | 0:37:36 | 0:37:37 | |
I don't believe that, actually. £10, I'm bid. | 0:37:37 | 0:37:39 | |
£10 bid. 12 at the back there. £12 bid. 15 bid now. £15 bid now. | 0:37:39 | 0:37:42 | |
15. 18 on that now? At £18. | 0:37:42 | 0:37:44 | |
-They're so good. -I think they might be just teasing you, Charlie. | 0:37:44 | 0:37:47 | |
25 bid. Standing up at 25. Standing at 25. 28. At 30. | 0:37:47 | 0:37:50 | |
At £30. Surely they're worth more? | 0:37:50 | 0:37:52 | |
Yes, they are. 32. At 32. Internet interest at 32. | 0:37:52 | 0:37:56 | |
Is there 35? Last chance and fair warning. The hammer's up. | 0:37:56 | 0:37:59 | |
Bid's on the internet. | 0:37:59 | 0:38:00 | |
-All done at £32? -GAVEL BANGS | 0:38:00 | 0:38:02 | |
32. | 0:38:02 | 0:38:04 | |
And that own goal's just cost him £58. Wow! | 0:38:04 | 0:38:08 | |
-I've been given the red card. -Yeah! | 0:38:08 | 0:38:10 | |
You're into injury time now, Charles. | 0:38:10 | 0:38:13 | |
Next, Anita's gem-set ring. | 0:38:13 | 0:38:15 | |
Where are we going to start? Start me at £50 with the ring there. | 0:38:15 | 0:38:17 | |
£50 for the ring there. Beautiful ring there. Art Deco. | 0:38:17 | 0:38:20 | |
-£20, then. £20, I'm bid. -Oh, there we are. | 0:38:20 | 0:38:23 | |
28, I've got. 30? 30, bid. At £30, I've got now. | 0:38:23 | 0:38:26 | |
At £30. Somebody go 32? | 0:38:26 | 0:38:28 | |
32, fresh bid. 35? 35, internet. 35 bid now. | 0:38:28 | 0:38:32 | |
38? At 38. 40 bid. | 0:38:32 | 0:38:35 | |
40 bid in the front row. £40, I've got. | 0:38:35 | 0:38:37 | |
At £40. Is there 42 anywhere? Surely? | 0:38:37 | 0:38:40 | |
-42. -Yes! -Good lad. -45. 48. 50 bid. | 0:38:40 | 0:38:45 | |
At 50. Bid's here now at 50. | 0:38:45 | 0:38:47 | |
-Get in. -At £50. Lady's bid. She wants it. | 0:38:47 | 0:38:49 | |
The lady gets what the lady wants. | 0:38:49 | 0:38:51 | |
At £50. That's usually the case, the way it goes, isn't it? | 0:38:51 | 0:38:54 | |
-At £50. -He's good. He's good. -At £50. | 0:38:54 | 0:38:55 | |
The lady's bid. All done, selling at £50. | 0:38:55 | 0:38:59 | |
-Yes! -Well done, Anita. Enjoy it. -It's lovely. | 0:38:59 | 0:39:03 | |
So it is, and £15 back in your piggy. | 0:39:03 | 0:39:07 | |
That'll help with my minus 105. | 0:39:07 | 0:39:11 | |
Well, a little bit, anyway. | 0:39:11 | 0:39:12 | |
Next, Charles's last lot, the tribal chair. | 0:39:12 | 0:39:16 | |
You've got to believe. | 0:39:16 | 0:39:17 | |
HE HUMS | 0:39:17 | 0:39:22 | |
-I'm meditating. -Oh, you're meditating, Charlie. | 0:39:22 | 0:39:24 | |
Start me at £50 for the chair there. Very unusual. | 0:39:24 | 0:39:26 | |
£50 for the chair. £50 for it. | 0:39:26 | 0:39:28 | |
When are you going to see another one? Think about it. | 0:39:28 | 0:39:30 | |
£50 for that beautiful chair there. | 0:39:30 | 0:39:32 | |
-Meditate! -HE BREATHES DEEPLY | 0:39:32 | 0:39:34 | |
£30, we're going to start then. | 0:39:34 | 0:39:36 | |
£30. The bid's here now at £30. The bid's here now at 30. | 0:39:36 | 0:39:39 | |
Somebody go 32. 32, I've got. | 0:39:39 | 0:39:41 | |
And five. 40 bid. | 0:39:41 | 0:39:43 | |
42. And five. 48. | 0:39:43 | 0:39:46 | |
-Are we going to get 50? -Go on! | 0:39:46 | 0:39:48 | |
-Go on! -HE BREATHES DEEPLY | 0:39:48 | 0:39:50 | |
50 bid. 52. | 0:39:50 | 0:39:52 | |
At 52. 55, is there? | 0:39:52 | 0:39:54 | |
-At 52. -Go on! -Charlie, we're nearly there. | 0:39:54 | 0:39:56 | |
At £52. Any advance on 52? | 0:39:56 | 0:39:58 | |
-Go on! -Come on! -At £52. For 52. -Come on! -At 52. | 0:39:58 | 0:40:02 | |
-Last chance at 52. -Go on! -All done at £52. | 0:40:02 | 0:40:06 | |
-GAVEL BANGS -Aw! -Anita... | 0:40:06 | 0:40:09 | |
-Charlie, it could have been a lot worse. -It could. | 0:40:09 | 0:40:11 | |
Or better. £8 down, then. | 0:40:11 | 0:40:14 | |
-I'm very happy. -Maybe you didn't meditate hard enough. | 0:40:17 | 0:40:20 | |
Time for the finale now - Anita's military buttons. | 0:40:20 | 0:40:23 | |
-We salute them. -Yeah. -We'll start the bidding at ten. | 0:40:23 | 0:40:26 | |
12. 15. 18. 20. 20, I've got. | 0:40:26 | 0:40:28 | |
-Good. -22 somewhere? At £20. Bid now at 20. At £20. | 0:40:28 | 0:40:31 | |
Bid now at 20. I've got a bid of 20. | 0:40:31 | 0:40:33 | |
-Profit. -At 22. 25. Bid now at 25. | 0:40:33 | 0:40:35 | |
Bid now at 28. Bid on the net at 28. Bid now at 28. | 0:40:35 | 0:40:37 | |
Is there 30? At 28, still on the net. | 0:40:37 | 0:40:40 | |
-£28! -At £28. | 0:40:40 | 0:40:44 | |
-That's good. -I am a happy girl. | 0:40:44 | 0:40:47 | |
And £12 isn't buttons, or washers, or something. | 0:40:47 | 0:40:51 | |
That's my week over, Anita. Thank you for the memories. | 0:40:51 | 0:40:53 | |
The emotion, the moment, the timings, the passion, the love. | 0:40:53 | 0:40:57 | |
I'm going to burst oot greetin' in a minute. | 0:40:57 | 0:40:59 | |
-SHE LAUGHS -Gretna Green, did you say? | 0:40:59 | 0:41:02 | |
-Greetin'. -Gretna Green? | 0:41:02 | 0:41:04 | |
No, burst oot greetin'. | 0:41:04 | 0:41:07 | |
-What does that mean? -It means burst into tears. | 0:41:07 | 0:41:10 | |
Burst oot greetin'? | 0:41:10 | 0:41:11 | |
-SHE LAUGHS -Is that better? You're going to cry? | 0:41:11 | 0:41:14 | |
I am! I've burst oot greetin'! | 0:41:16 | 0:41:18 | |
I'm going to burst oot greetin' if this goes on any longer. | 0:41:18 | 0:41:22 | |
Uh-oh, they're off. | 0:41:22 | 0:41:24 | |
Now for the epilogue. | 0:41:27 | 0:41:28 | |
A mixed bag of profits and losses cost Charles £2.52, | 0:41:28 | 0:41:34 | |
leaving him with a final total of £193.20... | 0:41:34 | 0:41:39 | |
..while Anita's made quite a loss today of £123.54. | 0:41:41 | 0:41:46 | |
However, her final tally is £225.78. | 0:41:46 | 0:41:51 | |
So, we declare that she is our prima donna this time. | 0:41:51 | 0:41:55 | |
Bravo! All profits go to Children In Need. | 0:41:55 | 0:41:58 | |
-Charlie... -Oh, Anita! -..that was wonderful. | 0:42:00 | 0:42:03 | |
Oh, there they are. Look at the Geordie skies, | 0:42:03 | 0:42:06 | |
and the trials and tribulations, hey? | 0:42:06 | 0:42:08 | |
-What a week. -The end of a wonderful trip. | 0:42:08 | 0:42:10 | |
It's been wonderful, Anita. You're going north. I'm going south. | 0:42:10 | 0:42:13 | |
There's one where I can take you now - | 0:42:13 | 0:42:15 | |
-over the threshold... -Oh, Charlie! -..for one last time. | 0:42:15 | 0:42:19 | |
-Let's go! -SHE LAUGHS | 0:42:19 | 0:42:22 | |
# Love lift us up where we belong... # | 0:42:22 | 0:42:25 | |
Ah, yes, up there where they belong. | 0:42:25 | 0:42:28 | |
I do talk some rubbish, don't I? | 0:42:28 | 0:42:30 | |
We salute their talents... | 0:42:30 | 0:42:32 | |
-SMASHING -Sorry, sorry, sorry. | 0:42:32 | 0:42:34 | |
Charlie can keep the stack! | 0:42:34 | 0:42:36 | |
-Fishy, fishy, fishy! -HE WHISTLES | 0:42:36 | 0:42:39 | |
..their vitality... | 0:42:39 | 0:42:41 | |
OK, darling, buckle up. | 0:42:42 | 0:42:45 | |
..tender hearts... | 0:42:45 | 0:42:46 | |
# Up where the clear winds blow... # | 0:42:46 | 0:42:50 | |
-..and their tactics. -Yay! | 0:42:50 | 0:42:53 | |
HE GROANS | 0:42:53 | 0:42:57 | |
God bless them, and all who sail with them. | 0:42:57 | 0:43:00 | |
Thank you, Anita and Charles. | 0:43:00 | 0:43:03 | |
Next time on the Antiques Road Trip, | 0:43:03 | 0:43:05 | |
a new pair of experts, Margie Cooper and Paul Laidlaw. | 0:43:05 | 0:43:08 | |
Pull over and give me a big hug. | 0:43:08 | 0:43:11 | |
There's going to be wheeling... | 0:43:11 | 0:43:13 | |
SHE LAUGHS ..and dealing. | 0:43:13 | 0:43:16 | |
Profit - that's what I want. | 0:43:16 | 0:43:18 | |
Hey, it's looking good. | 0:43:18 | 0:43:20 | |
But who will hit the right note on the next antique adventure? Ha-ha! | 0:43:20 | 0:43:26 |