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It's the nation's favourite antiques experts. | 0:00:02 | 0:00:04 | |
-What a job! -With £200 each... -You with me? | 0:00:04 | 0:00:07 | |
-..a classic car... -Buckle up. | 0:00:07 | 0:00:09 | |
..and a goal, to scour Britain for antiques. | 0:00:09 | 0:00:12 | |
Oh, sorry. | 0:00:12 | 0:00:14 | |
The aim? To make the biggest profit at auction. | 0:00:14 | 0:00:16 | |
But it's no mean feat. | 0:00:17 | 0:00:19 | |
-There will be worthy winners... -Yes! -..and valiant losers. | 0:00:19 | 0:00:23 | |
So, will it be the high road to glory, or the slow road to disaster? | 0:00:23 | 0:00:27 | |
Have a good trip! | 0:00:27 | 0:00:29 | |
This is the Antiques Road Trip. | 0:00:29 | 0:00:31 | |
Yeah. | 0:00:34 | 0:00:35 | |
Look lively, you horrible lot. | 0:00:39 | 0:00:41 | |
It's the third leg with sparkly road trippers Paul Laidlaw and | 0:00:41 | 0:00:45 | |
-Margie Cooper. -Well, there's one good thing about the rain. | 0:00:45 | 0:00:47 | |
-What's that? -The roof's up. | 0:00:48 | 0:00:50 | |
-Indeed. -It's cosy, isn't it? | 0:00:50 | 0:00:51 | |
-Yeah. -Dead cosy. | 0:00:51 | 0:00:53 | |
Just me and thee. | 0:00:53 | 0:00:54 | |
Paul's little mind digs this. | 0:00:55 | 0:00:57 | |
-Positively. -I've got three goes left. | 0:00:57 | 0:01:01 | |
Yes, look, | 0:01:01 | 0:01:03 | |
one mistake on my part, never going to happen. | 0:01:03 | 0:01:06 | |
Does that ever happen? | 0:01:06 | 0:01:08 | |
Well, I'm desperately trying to avoid it, Margie. | 0:01:08 | 0:01:11 | |
You're not doing too badly, Paul. | 0:01:11 | 0:01:12 | |
Margie's lagging behind. | 0:01:14 | 0:01:16 | |
From her original £200, she has £213.70. | 0:01:16 | 0:01:21 | |
Paul had the same amount but he has multiplied it to a wonderful | 0:01:22 | 0:01:26 | |
£434.40. | 0:01:26 | 0:01:29 | |
So, well done! | 0:01:29 | 0:01:30 | |
They're in a Morris Minor which was first registered in 1963. | 0:01:32 | 0:01:35 | |
-We're having fun. -We're having fun, the Moggie's holding up. | 0:01:37 | 0:01:42 | |
It's not raining on the inside. | 0:01:42 | 0:01:44 | |
Goodness! | 0:01:44 | 0:01:46 | |
Our pair's road trip kicked off in Hemswell Cliff | 0:01:48 | 0:01:52 | |
in Lincolnshire, and they'll gallop across Yorkshire, | 0:01:52 | 0:01:55 | |
and take a spin around the Midlands before concluding | 0:01:55 | 0:01:58 | |
in Shrewsbury in Shropshire. | 0:01:58 | 0:02:00 | |
Today, our adventure begins in the seaside resort of Scarborough, | 0:02:00 | 0:02:03 | |
and we conclude with an auction at Rotherham in South Yorkshire. | 0:02:03 | 0:02:07 | |
How lovely. | 0:02:07 | 0:02:08 | |
It's fish and chip weather. | 0:02:09 | 0:02:10 | |
It's not ice cream, but fish and chip weather. | 0:02:10 | 0:02:12 | |
-What a shame. -You fancy a wee poke of chips? | 0:02:12 | 0:02:15 | |
No, thank you. | 0:02:15 | 0:02:16 | |
I'm concentrating today. | 0:02:17 | 0:02:19 | |
Now, there's a turn up for the books. | 0:02:21 | 0:02:23 | |
Spillage in aisle three. | 0:02:24 | 0:02:26 | |
Giggles galore with this pair, eh? | 0:02:28 | 0:02:30 | |
Here we go. | 0:02:30 | 0:02:31 | |
Ah, the joys of the great British weather, eh? | 0:02:32 | 0:02:35 | |
Don't I take you to the nicest of places? | 0:02:35 | 0:02:39 | |
Come on. Let's go shopping. | 0:02:41 | 0:02:43 | |
Now, they're ready for Scarborough but is Scarborough ready for them? | 0:02:44 | 0:02:48 | |
What's this, then? A romantic stroll? | 0:02:50 | 0:02:52 | |
Do you know what, even in the rain this is gorgeous. | 0:02:52 | 0:02:55 | |
I know. Victorian England. | 0:02:55 | 0:02:57 | |
Like yourself, Margie. | 0:02:57 | 0:02:58 | |
Oh, do you see what I did there?! | 0:02:58 | 0:03:00 | |
-Oh! -And yet, this is all about competition. | 0:03:00 | 0:03:03 | |
-It is. -Shops. | 0:03:03 | 0:03:05 | |
Shops. I'll race you. | 0:03:05 | 0:03:08 | |
All right, Paul. He's such a big kid, isn't he? | 0:03:08 | 0:03:11 | |
Let's stick with Margie girl, | 0:03:11 | 0:03:13 | |
Antiques And Collectors Centre is a family run affair | 0:03:13 | 0:03:16 | |
and has been on the go since 1965. | 0:03:16 | 0:03:19 | |
Way before her time. | 0:03:19 | 0:03:20 | |
This looks quite an interesting corner. | 0:03:25 | 0:03:27 | |
Feeling under pressure, Margie? | 0:03:29 | 0:03:31 | |
Lots of catching up to do. | 0:03:31 | 0:03:34 | |
So I fancy a little collection of something, | 0:03:34 | 0:03:37 | |
which will hopefully make a profit. | 0:03:37 | 0:03:39 | |
And then I can catch up. So, who says I won't? | 0:03:40 | 0:03:44 | |
-I think I might. -Well, we're rooting for you, Margie girl. | 0:03:44 | 0:03:48 | |
Oh! | 0:03:50 | 0:03:51 | |
What is it for a start? | 0:03:52 | 0:03:54 | |
That's a lovely engraving on the... Oh! | 0:03:54 | 0:03:58 | |
It's for cigarette cards. | 0:03:58 | 0:04:01 | |
And it's never been used. | 0:04:02 | 0:04:03 | |
Foldout... A complete set can go in there. | 0:04:05 | 0:04:09 | |
And of course, the great York Minster. | 0:04:09 | 0:04:10 | |
And how much is that? | 0:04:11 | 0:04:12 | |
£65. | 0:04:14 | 0:04:15 | |
Never seen one of those. | 0:04:15 | 0:04:17 | |
She's spoiled for choice in here. | 0:04:17 | 0:04:20 | |
Let's take a peek at Paul. | 0:04:20 | 0:04:21 | |
The current champ is starting here, The Vintage Window. | 0:04:23 | 0:04:27 | |
Nice name. | 0:04:27 | 0:04:29 | |
-Hello there. -Hello! | 0:04:29 | 0:04:30 | |
-Welcome! -I'm Paul, you are? | 0:04:30 | 0:04:32 | |
I'm Faye, nice to meet you. | 0:04:32 | 0:04:33 | |
Likewise. Nice to be out of the rain. | 0:04:33 | 0:04:35 | |
Yes. Come inside into the dry. | 0:04:35 | 0:04:38 | |
On this summer's day. | 0:04:38 | 0:04:39 | |
He's chirpy. | 0:04:41 | 0:04:42 | |
Very rummagey. | 0:04:45 | 0:04:47 | |
You can get in, can't you? | 0:04:47 | 0:04:49 | |
Oof! | 0:04:49 | 0:04:50 | |
Faye, what's the story with the banknote? | 0:04:55 | 0:04:58 | |
Oh, here you go. Have a look. | 0:04:58 | 0:05:00 | |
-World War II. -So... | 0:05:00 | 0:05:02 | |
A French ten franc note. | 0:05:03 | 0:05:05 | |
Dix francs. Dated 1941. | 0:05:05 | 0:05:07 | |
Well, we know what was going on in France in 1941. | 0:05:07 | 0:05:10 | |
They were thoroughly occupied. | 0:05:10 | 0:05:11 | |
But what draws my attention | 0:05:11 | 0:05:14 | |
are all these notes. | 0:05:14 | 0:05:16 | |
So, we've got... | 0:05:16 | 0:05:17 | |
5th of July, Bretteville, 16th of July, 25th of July, | 0:05:19 | 0:05:26 | |
Bassin... | 0:05:26 | 0:05:27 | |
-He's got around. -Yeah, yeah. | 0:05:27 | 0:05:29 | |
This is the story of one man's | 0:05:29 | 0:05:33 | |
service post D-Day up to presumably VE Day. | 0:05:33 | 0:05:38 | |
Isn't that a fascinating thing? | 0:05:38 | 0:05:40 | |
Just had that folded away somewhere safe. | 0:05:40 | 0:05:42 | |
Yeah. Yeah. And he'd come home and get the kids on his knee and go, | 0:05:42 | 0:05:47 | |
there's where your dad... | 0:05:47 | 0:05:49 | |
-Wow! -And that gets you, doesn't it? | 0:05:49 | 0:05:51 | |
-Yeah. -Gets me. -Yeah, gets me. | 0:05:51 | 0:05:53 | |
-What? -Superb find, Paul. | 0:05:53 | 0:05:56 | |
It's a fantastic thing. | 0:05:56 | 0:05:57 | |
You have got a World War II French banknote priced | 0:05:57 | 0:06:00 | |
up at £15 there. | 0:06:00 | 0:06:01 | |
Any... Do you haggle? | 0:06:01 | 0:06:03 | |
Of course, yes. | 0:06:03 | 0:06:05 | |
Get in. What are you going to charge me for that if I buy it? | 0:06:05 | 0:06:08 | |
-£12? -Ten? | 0:06:08 | 0:06:09 | |
-11. -I'm not going to haggle over a pound. | 0:06:10 | 0:06:13 | |
-Faye. -Wonderful. | 0:06:13 | 0:06:14 | |
-Spot on. -Thank you very much. | 0:06:14 | 0:06:17 | |
Astonishing piece of World War II history, Paul. | 0:06:17 | 0:06:20 | |
I like it. | 0:06:20 | 0:06:21 | |
Now, is Margie having as much fun? | 0:06:23 | 0:06:24 | |
These are always popular. | 0:06:25 | 0:06:27 | |
These sweet little... Sweetheart brooches. | 0:06:27 | 0:06:30 | |
Which is exactly what they are. | 0:06:30 | 0:06:32 | |
They are silver, so they are | 0:06:32 | 0:06:34 | |
nice quality. You give it to your loved one. | 0:06:34 | 0:06:37 | |
Often when the war was on, too, | 0:06:38 | 0:06:41 | |
they would buy a little gift for their beloved. | 0:06:41 | 0:06:43 | |
There's also a lucky stick pin. | 0:06:45 | 0:06:47 | |
-Anything else? -This is a little cravat pin. | 0:06:48 | 0:06:51 | |
With a little opal. | 0:06:52 | 0:06:53 | |
Rose gold. I mean, | 0:06:54 | 0:06:57 | |
you are just hoping that they've had it in stock for a while and | 0:06:57 | 0:07:00 | |
maybe they will do me a deal. | 0:07:00 | 0:07:03 | |
It says 65. | 0:07:03 | 0:07:05 | |
It's rose gold, it's early part of the 20th century. | 0:07:05 | 0:07:07 | |
It's quite pretty, isn't it? And then you've got this here. | 0:07:07 | 0:07:10 | |
That's mother-of-pearl and some kind of... | 0:07:12 | 0:07:14 | |
I don't know, that's some kind of agate stone. | 0:07:14 | 0:07:18 | |
It looks as though it's gold. | 0:07:18 | 0:07:19 | |
Yes, it says nine carat. | 0:07:19 | 0:07:21 | |
You can't go wrong with gold and you can't go wrong with silver. | 0:07:21 | 0:07:24 | |
Just got to buy it, get the price right. | 0:07:24 | 0:07:26 | |
The agate pendant is priced at £25. | 0:07:28 | 0:07:31 | |
The cravat pin is 65, | 0:07:31 | 0:07:33 | |
and the sweetheart brooches are unpriced. | 0:07:33 | 0:07:36 | |
Gird your loins, dealer Matt. | 0:07:36 | 0:07:38 | |
She's on her way. | 0:07:38 | 0:07:40 | |
Those sweetheart brooches are going to have to be cheap. | 0:07:40 | 0:07:42 | |
-There's millions of them around. -Right. -Yeah. | 0:07:42 | 0:07:45 | |
£50 with the box. | 0:07:45 | 0:07:47 | |
-Yeah. 30. -40. -25. | 0:07:47 | 0:07:50 | |
Go on. | 0:07:50 | 0:07:51 | |
-£30. -OK. | 0:07:53 | 0:07:54 | |
I will go to the rose gold cravat pin. | 0:07:54 | 0:07:58 | |
And this little... Little incidental thing. | 0:07:58 | 0:08:02 | |
How about I do the pair for £60? | 0:08:02 | 0:08:04 | |
My thoughts for that little lot there was 45. | 0:08:05 | 0:08:08 | |
Thank you, Margie. Good luck with those. | 0:08:11 | 0:08:14 | |
£75 in her first shop. | 0:08:14 | 0:08:17 | |
She is a girl on a mission. | 0:08:17 | 0:08:19 | |
Now, how is the big fella getting on? | 0:08:19 | 0:08:21 | |
That is a stunning vase. | 0:08:23 | 0:08:24 | |
-You like it? -Yeah. Stunning. | 0:08:24 | 0:08:26 | |
I love it. | 0:08:26 | 0:08:28 | |
Holmegaard, Danish glass, Danish studio glass, | 0:08:28 | 0:08:31 | |
with its origins in the early 19th century but we know this is a '50s | 0:08:31 | 0:08:35 | |
design. Per Lutken, famous Scandinavian glass designer. | 0:08:35 | 0:08:41 | |
Per Lutken was the unsurpassed master of Danish glass design. | 0:08:41 | 0:08:46 | |
You've got you've got a Holmegaard vase there, £35. | 0:08:46 | 0:08:50 | |
-Back to haggling... -I do love this one. | 0:08:50 | 0:08:53 | |
OK. You're going to be hard, aren't you? | 0:08:53 | 0:08:55 | |
Yeah, this is a beauty. | 0:08:55 | 0:08:57 | |
OK. Give me a beauty of a price. | 0:08:57 | 0:09:01 | |
-Or am I making you an offer? -Make me an offer. | 0:09:01 | 0:09:03 | |
-20 quid. -20 quid?! | 0:09:05 | 0:09:07 | |
That's a good reaction. | 0:09:07 | 0:09:08 | |
That's sincere. How dare you! | 0:09:08 | 0:09:10 | |
-Get out of the shop! -Yeah! -Not a penny less than... | 0:09:10 | 0:09:12 | |
30. It is beautiful. | 0:09:14 | 0:09:17 | |
It's sold, then. | 0:09:17 | 0:09:18 | |
-Brilliant. -Wasn't difficult. | 0:09:18 | 0:09:20 | |
-Thank you. -Paul is quick off the mark today. | 0:09:20 | 0:09:23 | |
Along with the 1941 ten franc note, he has parted with a total of £41. | 0:09:23 | 0:09:28 | |
-All the best. -Take care. Bye. | 0:09:28 | 0:09:30 | |
While he's been spending his gold doubloons... | 0:09:30 | 0:09:33 | |
..Margie has journeyed to the maritime town of Whitby. | 0:09:35 | 0:09:39 | |
The place is famed for many a seafaring legend, | 0:09:39 | 0:09:42 | |
but back in the 18th century, | 0:09:42 | 0:09:44 | |
it was the epicentre for whaling expeditions. | 0:09:44 | 0:09:46 | |
Margie has come to Whitby Museum to learn how voyages to the Arctic | 0:09:48 | 0:09:52 | |
resulted in crucial scientific discoveries. | 0:09:52 | 0:09:56 | |
Curator Fiona Barnard is going to enlighten Margie further. | 0:09:56 | 0:10:00 | |
So, when did whaling begin in Whitby? | 0:10:01 | 0:10:03 | |
It began in the 1770s, '80s. | 0:10:03 | 0:10:06 | |
Right. And it seems a very, very slightly barbaric and hard life. | 0:10:06 | 0:10:10 | |
It was extremely barbaric. | 0:10:10 | 0:10:13 | |
-And hard. -Yeah. | 0:10:13 | 0:10:14 | |
But it was... | 0:10:14 | 0:10:16 | |
Fulfilled a vital role in the economy of the country. | 0:10:16 | 0:10:19 | |
Sometimes as many as 16 ships with around 50 men per vessel would be | 0:10:21 | 0:10:26 | |
Arctic-bound. | 0:10:26 | 0:10:28 | |
Although this killing is abhorrent in today's society, | 0:10:28 | 0:10:31 | |
for the Georgian whalers, it was the dawning of the Industrial Revolution | 0:10:31 | 0:10:35 | |
and whale oil was a precious commodity. | 0:10:35 | 0:10:37 | |
For the first time, | 0:10:37 | 0:10:40 | |
weavers and spinners were moving away from their cottages and into | 0:10:40 | 0:10:44 | |
factories, so they needed to be lit. | 0:10:44 | 0:10:47 | |
So you couldn't just sit on your doorstep | 0:10:47 | 0:10:49 | |
getting the last of the light, | 0:10:49 | 0:10:51 | |
you would want to be working all hours of the day and night | 0:10:51 | 0:10:55 | |
in a large building, so they desperately needed the oil | 0:10:55 | 0:10:58 | |
for lighting. It was also the oil that oiled the machinery. | 0:10:58 | 0:11:02 | |
If the ships were successful, they could make up to £3,000 per trip, | 0:11:03 | 0:11:08 | |
which equates to £250,000 today. | 0:11:08 | 0:11:11 | |
But the challenge of working in such a harsh environment required | 0:11:11 | 0:11:15 | |
great ingenuity. | 0:11:15 | 0:11:16 | |
Prompting father and son William Scoresby senior and William Scoresby | 0:11:17 | 0:11:22 | |
junior, Whitby's most famous whaling ship captains, | 0:11:22 | 0:11:26 | |
to create some rather clever inventions. | 0:11:26 | 0:11:28 | |
The crow's nest was developed by the father and that did a huge job | 0:11:29 | 0:11:33 | |
protecting whoever was in it. | 0:11:33 | 0:11:35 | |
In the crow's nest, you will find a telescope for looking for whales, | 0:11:35 | 0:11:40 | |
obviously, but also a speaking trumpet, | 0:11:40 | 0:11:43 | |
so he could shout instructions to the crew as he directed the ship | 0:11:43 | 0:11:47 | |
through the ice. | 0:11:47 | 0:11:48 | |
And there would have been signal flags into signal to the whale | 0:11:48 | 0:11:51 | |
boats that were way out at sea. | 0:11:51 | 0:11:54 | |
Before that, the person on lookout navigating through the ice just had | 0:11:54 | 0:11:59 | |
to tie themselves onto the rigging with maybe | 0:11:59 | 0:12:01 | |
a little platform for their feet. | 0:12:01 | 0:12:03 | |
So this meant they could stay up there longer. | 0:12:03 | 0:12:05 | |
There's a seat inside. | 0:12:05 | 0:12:07 | |
They can have their dinner sent up. | 0:12:07 | 0:12:09 | |
They can have a brew sent up. | 0:12:09 | 0:12:11 | |
They drank enormous amounts of tea. | 0:12:11 | 0:12:13 | |
Really? While the boat is doing that? | 0:12:13 | 0:12:15 | |
Gosh! | 0:12:15 | 0:12:17 | |
Scoresby senior also developed | 0:12:17 | 0:12:19 | |
different types of rigging for easier | 0:12:19 | 0:12:21 | |
manoeuvrability in the ice. | 0:12:21 | 0:12:23 | |
But his son became not only a brave captain | 0:12:23 | 0:12:26 | |
but also a brilliant scientist. | 0:12:26 | 0:12:28 | |
He did a lot of work on where to put a compass so that it wasn't affected | 0:12:29 | 0:12:34 | |
by the ship's metal. | 0:12:34 | 0:12:35 | |
So you mustn't put it beside the engine, for instance. | 0:12:35 | 0:12:38 | |
-Right. -Which seems logical to us but a lot of people did it then. | 0:12:38 | 0:12:43 | |
Scoresby's research in magnetic navigation | 0:12:43 | 0:12:46 | |
was critical to chart making. | 0:12:46 | 0:12:48 | |
A skilled cartographer, | 0:12:48 | 0:12:49 | |
his mapping of the East coast of Greenland | 0:12:49 | 0:12:52 | |
contributed to the first real knowledge of this area. | 0:12:52 | 0:12:56 | |
Something the Admiralty hadn't yet achieved. | 0:12:56 | 0:12:59 | |
He was a fellow of the Royal Society and a founder member of | 0:12:59 | 0:13:03 | |
the British Association for the Advancement of Science. | 0:13:03 | 0:13:07 | |
He wrote about 200 publications. | 0:13:07 | 0:13:09 | |
Both father and son had retired by the time declining numbers brought | 0:13:11 | 0:13:15 | |
whaling to an end in Whitby in the 1830s. | 0:13:15 | 0:13:19 | |
The town's whalers gave Britain so much more than the oil that lit and | 0:13:19 | 0:13:23 | |
lubricated the Industrial Revolution. | 0:13:23 | 0:13:25 | |
They also helped to advance the science of seafaring. | 0:13:25 | 0:13:29 | |
Now, where art thou, Paul Laidlaw? | 0:13:35 | 0:13:39 | |
I could relax now, could I not? | 0:13:39 | 0:13:41 | |
£200 ahead. | 0:13:41 | 0:13:42 | |
But do you know what? I wouldn't be me if I did. | 0:13:42 | 0:13:45 | |
Because do you know what? It is not about the winning, is it? | 0:13:45 | 0:13:48 | |
I'm as focused now as I was when we were even-stevens | 0:13:48 | 0:13:51 | |
with £200 a piece to go out. | 0:13:51 | 0:13:54 | |
Oh, I believe it. | 0:13:55 | 0:13:56 | |
We're headed for the town of Pickering in North Yorkshire. | 0:13:58 | 0:14:01 | |
There you go. Antiques and collectables. That'll do. | 0:14:01 | 0:14:06 | |
JSC Collectables is next on Paul's radar. | 0:14:06 | 0:14:10 | |
With almost £400, he's positively loaded. | 0:14:10 | 0:14:13 | |
Now, this is a shop that could be right up Paul's Street. | 0:14:15 | 0:14:19 | |
They are specialist in militaria but there's plenty of other stuff to | 0:14:19 | 0:14:22 | |
recce too. | 0:14:22 | 0:14:23 | |
Caroline, can I have a look in this cabinet? | 0:14:29 | 0:14:31 | |
-Of course you can. -Is it open? | 0:14:31 | 0:14:33 | |
-Yeah, there you go. -Thank you very much. | 0:14:33 | 0:14:36 | |
It is a nice thing, that fob, isn't it? | 0:14:36 | 0:14:39 | |
-It is nice, that. -The enamelling and the doms... | 0:14:39 | 0:14:43 | |
The dominoes that make it. | 0:14:43 | 0:14:45 | |
I just put it out this afternoon. | 0:14:45 | 0:14:47 | |
It's meant to be. | 0:14:47 | 0:14:49 | |
WECC, sounds like cricket club, doesn't it? | 0:14:49 | 0:14:51 | |
-It does, yeah. -But what the doms have got to do with... | 0:14:51 | 0:14:55 | |
One, two, three, four. | 0:14:55 | 0:14:56 | |
Any ideas? I'm beat. | 0:14:57 | 0:14:58 | |
I genuinely don't have a clue. | 0:14:58 | 0:15:00 | |
-We didn't either. -Have you got a set of scales? | 0:15:00 | 0:15:02 | |
Everything down to numbers, shall we? | 0:15:02 | 0:15:05 | |
So, we are not going to weigh this label. | 0:15:05 | 0:15:08 | |
Priced at £72. | 0:15:08 | 0:15:10 | |
Six grams... | 0:15:10 | 0:15:13 | |
I'll make you an offer. 40 quid. | 0:15:13 | 0:15:16 | |
Can you not do a bit more? | 0:15:17 | 0:15:19 | |
I might be able to. | 0:15:19 | 0:15:21 | |
See how far you can get that arm up there. | 0:15:21 | 0:15:23 | |
-Another fiver. -Silence. | 0:15:25 | 0:15:28 | |
Think about that. £45 offer is there on the table. | 0:15:28 | 0:15:31 | |
-I'll have a look upstairs. -Right, OK, then. Thank you. | 0:15:31 | 0:15:35 | |
Old laughing boy is not hanging around today. | 0:15:35 | 0:15:37 | |
He's a bit of a flirty charmer too. | 0:15:37 | 0:15:39 | |
Guess where he's returning. | 0:15:41 | 0:15:42 | |
Don't see one of those every day. | 0:15:44 | 0:15:46 | |
In amongst RAF tropical and British battle dress | 0:15:46 | 0:15:50 | |
and Russian tunics... | 0:15:50 | 0:15:54 | |
..Imperial Japan. | 0:15:54 | 0:15:56 | |
This is an army officer's tunic in the Second World War. | 0:15:57 | 0:16:00 | |
Highly uncommon. | 0:16:02 | 0:16:04 | |
These are collectable. This is history. | 0:16:04 | 0:16:06 | |
Make no bones about it. | 0:16:06 | 0:16:07 | |
And the veterans... | 0:16:07 | 0:16:09 | |
..our veterans that fought over there and were taken as prisoners of | 0:16:09 | 0:16:12 | |
war were terribly, terribly treated. | 0:16:12 | 0:16:15 | |
And felt... | 0:16:15 | 0:16:16 | |
What can I say, difficult to find the words, passionately about it. | 0:16:17 | 0:16:22 | |
Many of them to their dying day. | 0:16:22 | 0:16:25 | |
And that's what makes these things so powerful, is it not? | 0:16:25 | 0:16:28 | |
-This is real history. -Stirring stuff, eh? | 0:16:28 | 0:16:31 | |
Let's find Caroline to try and broker a deal. | 0:16:31 | 0:16:33 | |
Right, then. | 0:16:34 | 0:16:35 | |
From upstairs, one Imperial Japanese tunic. | 0:16:36 | 0:16:40 | |
And that's priced up at 130. | 0:16:40 | 0:16:43 | |
Is there a deal to be done on that? | 0:16:43 | 0:16:46 | |
Yes, we can do something on that. | 0:16:46 | 0:16:47 | |
What's the something? | 0:16:47 | 0:16:49 | |
80? | 0:16:49 | 0:16:51 | |
-Is that it? -Yeah. | 0:16:51 | 0:16:53 | |
If that's 80, | 0:16:53 | 0:16:55 | |
can our dominoes fob be then the 45 that I offered? | 0:16:55 | 0:16:59 | |
-Go on, then. -We did it. | 0:17:02 | 0:17:05 | |
Thank you very much. | 0:17:05 | 0:17:06 | |
And that frisky little deal comes to a total of £125 | 0:17:07 | 0:17:11 | |
for the 9-carat gold watch fob and the Japanese military tunic. | 0:17:11 | 0:17:16 | |
Those signal the end of shopping for today. | 0:17:16 | 0:17:20 | |
It's tipping down again. | 0:17:21 | 0:17:23 | |
-What do you fancy for tea? -I've no idea. | 0:17:23 | 0:17:25 | |
-Are you going to join me for dinner? -Fish and chips, Margie! | 0:17:25 | 0:17:29 | |
Plenty of salt and vinegar, nice. | 0:17:30 | 0:17:32 | |
Nighty night. | 0:17:32 | 0:17:33 | |
Good morning, sunshine. | 0:17:38 | 0:17:40 | |
Our antiques luvvies are up and at 'em. | 0:17:41 | 0:17:43 | |
Fixed the weather, Margie. This is... | 0:17:43 | 0:17:46 | |
What a difference a day makes, I think is the expression. | 0:17:46 | 0:17:49 | |
Absolutely. Are you comfortable? | 0:17:49 | 0:17:52 | |
Do you know? I like being driven. | 0:17:52 | 0:17:55 | |
And by you, Margie. | 0:17:55 | 0:17:57 | |
-Driven well. -Driven crazy. | 0:17:57 | 0:17:58 | |
-One more word and you walk. -Watch your step, Paul. | 0:17:58 | 0:18:04 | |
Let's remind ourselves of what our darlings have bought thus far. | 0:18:05 | 0:18:09 | |
Margie has two lots. | 0:18:09 | 0:18:10 | |
The sweetheart brooches and the horseshoe stick pin. | 0:18:10 | 0:18:14 | |
Plus the cravat pin and agate pendant. | 0:18:14 | 0:18:17 | |
Can't go wrong with gold and you can't go wrong with silver. | 0:18:17 | 0:18:20 | |
Margie has £138.70 left. | 0:18:20 | 0:18:24 | |
Paul is buying his kind of thing this leg of the road trip. | 0:18:26 | 0:18:30 | |
He has four lots. | 0:18:30 | 0:18:32 | |
The 1941 ten franc note. | 0:18:32 | 0:18:34 | |
The Holmegaard vase. | 0:18:34 | 0:18:37 | |
The gold watch fob and the Japanese military tunic. | 0:18:37 | 0:18:41 | |
He's been busy. | 0:18:41 | 0:18:42 | |
We could be on a roll here. | 0:18:42 | 0:18:43 | |
£268.40 is the sum total left in his wallet. | 0:18:44 | 0:18:50 | |
You're fairly getting on my nerves, Margie. | 0:18:52 | 0:18:55 | |
You sound like my husband! | 0:18:55 | 0:18:57 | |
I was on the phone to him last night. | 0:18:58 | 0:19:00 | |
We take great solace in one another's shared experience. | 0:19:00 | 0:19:04 | |
Hang on. Can I join that club? | 0:19:06 | 0:19:08 | |
Next stop is County Durham, the town of Stockton-on-Tees, to be precise. | 0:19:08 | 0:19:12 | |
Enjoy your day. | 0:19:14 | 0:19:17 | |
I wish I could say I'm going to miss you, | 0:19:17 | 0:19:19 | |
but frankly, looking at that... | 0:19:19 | 0:19:21 | |
Are you not going to miss me? | 0:19:21 | 0:19:23 | |
Of course I'm going to miss you. You have fun. | 0:19:23 | 0:19:25 | |
Just don't be buying any bargains. | 0:19:25 | 0:19:26 | |
What are those? What bargains? | 0:19:26 | 0:19:28 | |
All right, Margie. | 0:19:30 | 0:19:31 | |
Paul is getting the chance to indulge | 0:19:31 | 0:19:34 | |
in two of his great loves now. | 0:19:34 | 0:19:36 | |
Collecting and militaria. | 0:19:36 | 0:19:38 | |
He's come to Preston Park Museum to discover more about | 0:19:38 | 0:19:41 | |
Colonel Gilbert Spence, | 0:19:41 | 0:19:43 | |
a phenomenal collector of all things military. | 0:19:43 | 0:19:46 | |
This is exciting. | 0:19:46 | 0:19:48 | |
Stand to. | 0:19:48 | 0:19:50 | |
Museum development manager John Bealey is going to make Paul's day. | 0:19:50 | 0:19:53 | |
-Wow! -That's Colonel Spence's own personal dress uniform. | 0:19:54 | 0:19:59 | |
So there's the man. | 0:19:59 | 0:20:00 | |
-He wore that. -So we are standing here with him, in a sense. | 0:20:00 | 0:20:03 | |
Oh, my word! | 0:20:03 | 0:20:05 | |
Welcome to Paradise, Paul. | 0:20:05 | 0:20:07 | |
Spence was a shipyard owner in Stockton-on-Tees. | 0:20:08 | 0:20:11 | |
It gave him the means and the wealth to buy anything he really fancied. | 0:20:12 | 0:20:16 | |
And he fancied quite a lot. | 0:20:16 | 0:20:18 | |
A wide variety of things | 0:20:18 | 0:20:20 | |
but especially militaria, weapons, armour, | 0:20:20 | 0:20:23 | |
but you name it, he bought it. | 0:20:23 | 0:20:26 | |
Spence became a Lieutenant Colonel in the Territorial Army | 0:20:26 | 0:20:30 | |
and soon found himself leading his battalion, | 0:20:30 | 0:20:33 | |
the Fifth Durham Light Infantry, | 0:20:33 | 0:20:35 | |
on the Western Front during World War I. | 0:20:35 | 0:20:37 | |
They are shipped out to France in 1915. | 0:20:39 | 0:20:42 | |
They didn't get long to acclimatise. | 0:20:42 | 0:20:44 | |
They were only there a matter of days | 0:20:44 | 0:20:46 | |
when the Germans launched the second Battle of Ypres, | 0:20:46 | 0:20:49 | |
with gas for the first time in the First World War. | 0:20:49 | 0:20:52 | |
And they were rushed to the front. | 0:20:52 | 0:20:53 | |
And so they saw pretty terrible fighting right from the off. | 0:20:53 | 0:20:56 | |
But throughout that time, he still collected, | 0:20:56 | 0:20:59 | |
so he is still purchasing some of the objects | 0:20:59 | 0:21:02 | |
while he's a serving officer. | 0:21:02 | 0:21:04 | |
-I think that shows... -The passion. | 0:21:06 | 0:21:08 | |
And his addiction to collection. | 0:21:08 | 0:21:10 | |
That I understand. | 0:21:10 | 0:21:12 | |
Remarkably, Colonel Spence was receiving Sotheby catalogues and | 0:21:12 | 0:21:16 | |
ordering beautiful items to be delivered direct to his home. | 0:21:16 | 0:21:19 | |
He was calm under fire, as men say. | 0:21:20 | 0:21:22 | |
He was brave, he's been decorated. | 0:21:22 | 0:21:25 | |
And sadly, in 1918, | 0:21:25 | 0:21:28 | |
the Fifth DLI was just about annihilated and Spence was wounded. | 0:21:28 | 0:21:31 | |
And his war was over. | 0:21:31 | 0:21:33 | |
Tragically, after surviving the First World War, | 0:21:35 | 0:21:38 | |
Colonel Spence was killed in a road accident in 1925, aged just 46. | 0:21:38 | 0:21:44 | |
He bequeathed everything to the museum. | 0:21:44 | 0:21:46 | |
Due to the sheer number of artefacts, it can't all be displayed. | 0:21:48 | 0:21:51 | |
Paul is getting an exclusive peek behind the scenes. | 0:21:51 | 0:21:54 | |
There you go. There is a spectrum of material but I'll tell you what | 0:21:54 | 0:22:00 | |
really, really catches my eye. | 0:22:00 | 0:22:02 | |
I love the Fenton and Sons, dealers in arms and armour invoice. | 0:22:03 | 0:22:10 | |
-Yeah. -So, there you have it. | 0:22:10 | 0:22:12 | |
Bought off Fenton and Sons, Colonel GO Spence. | 0:22:12 | 0:22:17 | |
Dated September 1915. | 0:22:17 | 0:22:21 | |
And what was he buying? My word! | 0:22:21 | 0:22:22 | |
That's a big, long list. | 0:22:22 | 0:22:24 | |
Including, "powder flask formed of pearl shell, | 0:22:24 | 0:22:28 | |
"engraved with silver enamelled rosettes, Persian, 18th century" - | 0:22:28 | 0:22:31 | |
and there it is. | 0:22:31 | 0:22:34 | |
There it is. | 0:22:34 | 0:22:35 | |
-Yeah. -What a jewel. | 0:22:35 | 0:22:38 | |
Please, put some gloves on, because it is a precious jewel, as you say. | 0:22:38 | 0:22:41 | |
An Indo Persian object. | 0:22:44 | 0:22:46 | |
This is a martial piece, likely hunting, in all honesty. | 0:22:46 | 0:22:50 | |
-Absolutely. -Sumptuous and fabulous object. | 0:22:50 | 0:22:53 | |
And again, this is reflected... | 0:22:53 | 0:22:55 | |
This is consistent through everything I see, | 0:22:55 | 0:22:57 | |
he is buying the best. | 0:22:57 | 0:22:59 | |
He does buy the best. | 0:22:59 | 0:23:00 | |
I'm tempted to say, if this was all one owned, | 0:23:00 | 0:23:04 | |
one could sit happily and say my work here is done. | 0:23:04 | 0:23:08 | |
That's right. | 0:23:08 | 0:23:09 | |
He's buying in a day what some people buy in a lifetime. | 0:23:10 | 0:23:13 | |
The entire Spence collection is an invaluable source | 0:23:16 | 0:23:19 | |
for British military history, | 0:23:19 | 0:23:22 | |
highlighting one man's passion for the extraordinary and | 0:23:22 | 0:23:25 | |
the role he and his comrades played in the Great War. | 0:23:25 | 0:23:28 | |
Meanwhile, our other warrior, Margie, | 0:23:32 | 0:23:35 | |
is making her way to the North Yorkshire town of Redcar. | 0:23:35 | 0:23:38 | |
Can't really plan this trip. | 0:23:38 | 0:23:42 | |
You just don't know what you're turning up to. | 0:23:42 | 0:23:45 | |
Be lovely to find something... | 0:23:46 | 0:23:47 | |
I want something that excites me a bit. | 0:23:47 | 0:23:49 | |
So here's hoping I do find that. | 0:23:49 | 0:23:52 | |
Well, I think she's talking about antiques. | 0:23:52 | 0:23:54 | |
Oh, fish and chips. | 0:23:56 | 0:23:57 | |
Paul will be jealous. | 0:23:57 | 0:23:58 | |
She's got a lot of catching up to do. | 0:24:00 | 0:24:02 | |
Let's see what she can find in here, at Redcar Antiques. | 0:24:02 | 0:24:05 | |
-Good morning. -Good morning. Pleasure to meet you. -And you too. | 0:24:06 | 0:24:09 | |
-You're James. -Yes, yes. | 0:24:09 | 0:24:10 | |
With just under £140, she still has a bit of money to play with. | 0:24:11 | 0:24:16 | |
That looks quite sweet, on top there. | 0:24:25 | 0:24:28 | |
These little cold-painted pheasants, | 0:24:28 | 0:24:30 | |
on an onyx base. | 0:24:30 | 0:24:32 | |
Painted after they've been cast. | 0:24:32 | 0:24:34 | |
I quite like them. I don't think it's terribly old. | 0:24:34 | 0:24:36 | |
Maybe mid-20th century. | 0:24:36 | 0:24:37 | |
Might ask the price because I think it's maybe quite a saleable thing. | 0:24:39 | 0:24:43 | |
That's the name of the game, Margie. | 0:24:45 | 0:24:47 | |
Cold painting on bronze | 0:24:47 | 0:24:48 | |
was a technique made popular during the decadence | 0:24:48 | 0:24:51 | |
of the Art Deco period. | 0:24:51 | 0:24:52 | |
Oh, James? | 0:24:54 | 0:24:55 | |
I've got 60 on that but... | 0:24:55 | 0:24:58 | |
I think there's a bit of room there. | 0:24:58 | 0:25:00 | |
-A bit? -Yeah. I mean, we could do... | 0:25:00 | 0:25:02 | |
40? | 0:25:02 | 0:25:03 | |
I'm never keen on onyx but... | 0:25:04 | 0:25:06 | |
No. No, that's the only thing. | 0:25:06 | 0:25:07 | |
It would be nicer on marble, wouldn't it? | 0:25:07 | 0:25:09 | |
Well, do 30, if you like. | 0:25:09 | 0:25:12 | |
Yeah. Resignation... | 0:25:12 | 0:25:15 | |
-Right, so 30 quid, yeah? -Yeah, we can do that for you. | 0:25:15 | 0:25:18 | |
-I think it gives you a fair shout. -It does, yeah. Thanks a lot. | 0:25:18 | 0:25:20 | |
-Best of luck. -Thanks, James. -No problem. -I'll pay you. Do you want some money? | 0:25:20 | 0:25:23 | |
Now, the Margie technique is to have a good old moan and get | 0:25:23 | 0:25:26 | |
the half-price deal. | 0:25:26 | 0:25:28 | |
Thank you, James. | 0:25:28 | 0:25:29 | |
Paul has arrived in the sunny climes of Bishop Auckland | 0:25:29 | 0:25:32 | |
in County Durham. | 0:25:32 | 0:25:33 | |
He is visiting Something Different. | 0:25:35 | 0:25:36 | |
This family-run biz looks jam-packed with goodies. | 0:25:36 | 0:25:40 | |
Guess how much money he has. | 0:25:42 | 0:25:44 | |
Nearly £270. | 0:25:44 | 0:25:46 | |
He's definitely got the big bucks. | 0:25:46 | 0:25:48 | |
I'm digging tatties. | 0:25:58 | 0:26:00 | |
I'm getting my hands dirty here. | 0:26:00 | 0:26:02 | |
Well, then. What am I playing with? | 0:26:03 | 0:26:06 | |
Lawn edging tiles. | 0:26:06 | 0:26:07 | |
You've seen the type before in the formal gardens. | 0:26:07 | 0:26:10 | |
Let's have a wee look-see. We've got a variety of styles here. | 0:26:10 | 0:26:13 | |
There is the most commonly encountered. | 0:26:13 | 0:26:15 | |
Yeah. Salt-glazed fireclay. | 0:26:15 | 0:26:18 | |
And you bury these... | 0:26:18 | 0:26:19 | |
..in your garden in lines to define your borders. | 0:26:21 | 0:26:24 | |
Keep the garden nice and tidy. | 0:26:24 | 0:26:25 | |
I love them. And these have some age to them. | 0:26:25 | 0:26:29 | |
All right, Percy Thrower. | 0:26:29 | 0:26:31 | |
They're quite nice, actually. | 0:26:33 | 0:26:35 | |
Now, wither Margie? | 0:26:35 | 0:26:36 | |
Absolutely lovely here. | 0:26:38 | 0:26:40 | |
Gosh. Just keep looking at the beautiful rolling countryside. | 0:26:41 | 0:26:47 | |
It's lovely. | 0:26:47 | 0:26:49 | |
And keep your eye on the road! | 0:26:49 | 0:26:51 | |
She's eventually arrived at the wonderful Yorkshire town of Thirsk. | 0:26:51 | 0:26:54 | |
Watch out, Three Tons Antiques. | 0:26:55 | 0:26:57 | |
Here she comes. | 0:26:57 | 0:26:58 | |
The pennies are dwindling, Margie. | 0:26:59 | 0:27:02 | |
You've got less than £110 left. | 0:27:02 | 0:27:04 | |
I like drums. | 0:27:10 | 0:27:12 | |
Are you musical, Margie? | 0:27:12 | 0:27:14 | |
You've got to, haven't you? | 0:27:14 | 0:27:16 | |
-Anybody listening? -Loud and clear. | 0:27:16 | 0:27:17 | |
RATTLING THUD | 0:27:17 | 0:27:18 | |
Oh, God, that didn't sound too good, did it? | 0:27:18 | 0:27:21 | |
Nope. | 0:27:21 | 0:27:22 | |
-Make it stop. -I like drums. | 0:27:24 | 0:27:26 | |
I wonder where that's come from, the local band? | 0:27:26 | 0:27:29 | |
They make little tables, don't they? | 0:27:30 | 0:27:32 | |
They look like little side tables, but they've got a glass top on. | 0:27:32 | 0:27:37 | |
£150. | 0:27:37 | 0:27:39 | |
Out of my league. | 0:27:40 | 0:27:41 | |
My poor ears! | 0:27:42 | 0:27:43 | |
That's clever. | 0:27:50 | 0:27:51 | |
Tell us what you've found, Margie. | 0:27:55 | 0:27:57 | |
Compacts. A variety of compacts. | 0:27:57 | 0:28:01 | |
Let's have a look at this one. | 0:28:01 | 0:28:02 | |
Paul did very well the other day with one. | 0:28:02 | 0:28:04 | |
Right, but this is a bit different, isn't it? | 0:28:05 | 0:28:07 | |
Yes. What's she put on it? | 0:28:10 | 0:28:11 | |
And it is a watch powder sifter. | 0:28:11 | 0:28:15 | |
What is that? | 0:28:17 | 0:28:18 | |
Well, Margie, I'll tell you. | 0:28:18 | 0:28:21 | |
This nifty little compact has a watch-like mechanism | 0:28:21 | 0:28:23 | |
that delivers just the right amount of powder | 0:28:23 | 0:28:26 | |
every time you want to freshen up your hooter. | 0:28:26 | 0:28:29 | |
Sadly, it doesn't tell the time, though. | 0:28:29 | 0:28:31 | |
That's nice, £50, though. | 0:28:34 | 0:28:36 | |
It's a lot. | 0:28:36 | 0:28:37 | |
And it's not silver. | 0:28:37 | 0:28:40 | |
It's quite nice. Quite like that. | 0:28:40 | 0:28:41 | |
It's different. | 0:28:41 | 0:28:43 | |
Lovely. Now, let's zip back to Paul in Bishop Auckland. | 0:28:43 | 0:28:46 | |
Thistle, rose, shamrock. | 0:28:48 | 0:28:51 | |
Fantastic. Rather smart. | 0:28:51 | 0:28:53 | |
Now, we've got a few of them, | 0:28:53 | 0:28:56 | |
we've got white and salt-glazed and they would make quite a striking | 0:28:56 | 0:29:01 | |
border if we went for the chequerboard-type effect. | 0:29:01 | 0:29:04 | |
Just trying to work out how many of each we've got. | 0:29:04 | 0:29:06 | |
Well, they are priced at £2 apiece. | 0:29:07 | 0:29:09 | |
Make sure I've got my numbers right. | 0:29:09 | 0:29:11 | |
Two, four, six, eight, ten, 12, 14, 16, 18, leave the dull ones. | 0:29:11 | 0:29:18 | |
Let's get dealer Yvonne in to see if we can strike a deal. | 0:29:18 | 0:29:21 | |
Yvonne, I've gone and sifted and sorted all the edging tiles. | 0:29:21 | 0:29:25 | |
Well done. | 0:29:25 | 0:29:27 | |
And I've got ten of the white cabled, eight of the others... | 0:29:27 | 0:29:32 | |
-OK. -18, a couple of quid apiece? | 0:29:32 | 0:29:34 | |
-36 quid? -Yeah, done. | 0:29:34 | 0:29:36 | |
We are in business. | 0:29:36 | 0:29:37 | |
-Pleasure. -Pleasure, Paul. | 0:29:37 | 0:29:40 | |
That was one swift deal, Paul. | 0:29:40 | 0:29:42 | |
Nice work. Now, has Margie bought anything yet? | 0:29:42 | 0:29:47 | |
Ah, there's manager Victoria. | 0:29:47 | 0:29:49 | |
Victoria, stand by. | 0:29:49 | 0:29:51 | |
Isn't this a curiosity? | 0:29:51 | 0:29:53 | |
-Yes. -Have you ever seen one before? | 0:29:53 | 0:29:55 | |
It's a watch powder compact. | 0:29:55 | 0:29:58 | |
And it's priced up at £50. | 0:29:58 | 0:30:00 | |
I wouldn't mind buying it but it's just... | 0:30:00 | 0:30:02 | |
There's just no way, Jose. | 0:30:02 | 0:30:06 | |
-£30? -I just don't... | 0:30:06 | 0:30:08 | |
I think, what it will fetch at auction in this particular situation | 0:30:08 | 0:30:13 | |
would be 20 to 25. | 0:30:13 | 0:30:14 | |
So what are you looking at, around about...? | 0:30:14 | 0:30:16 | |
I'm looking at 15. | 0:30:16 | 0:30:18 | |
Yeah, we can do it. | 0:30:18 | 0:30:19 | |
-Yeah. Are you happy to do that? -Yeah, I'll do it for 15. | 0:30:19 | 0:30:22 | |
-Yeah. OK. -You can make some money on it. | 0:30:22 | 0:30:23 | |
-Well, I hope so. -Blimey, Margie. | 0:30:23 | 0:30:26 | |
And thank you, Victoria. | 0:30:26 | 0:30:27 | |
That drum keeps catching my eye. | 0:30:29 | 0:30:31 | |
Oh, don't play it again! | 0:30:31 | 0:30:32 | |
But I think it's... | 0:30:34 | 0:30:35 | |
I'm always pleading poverty. | 0:30:35 | 0:30:38 | |
-I know you are. -And remember, it's priced at £150. | 0:30:38 | 0:30:42 | |
What sort of price are you looking at? | 0:30:44 | 0:30:46 | |
Yeah. I was thinking... | 0:30:47 | 0:30:49 | |
Yeah... | 0:30:49 | 0:30:51 | |
-It's got to be... -Go on. | 0:30:51 | 0:30:52 | |
I saw a bit of dust on it. | 0:30:52 | 0:30:55 | |
You don't see any dust at all in this shop. | 0:30:55 | 0:30:58 | |
-Oops! -You're looking around 50 quid, aren't you? | 0:30:58 | 0:31:01 | |
Oh, she's gritting her teeth. | 0:31:04 | 0:31:06 | |
Yes. I'll let you have it for 50. | 0:31:06 | 0:31:09 | |
-You're fed up with me now, aren't you? -Yes. -Funny that. | 0:31:09 | 0:31:13 | |
No, because I think I might have a chance. | 0:31:13 | 0:31:15 | |
That's one heck of a deal. | 0:31:15 | 0:31:17 | |
The drum and the watch powder compact bought for just £65. | 0:31:17 | 0:31:21 | |
Wow! | 0:31:21 | 0:31:23 | |
You're not going to believe this, it's the end of the shopping | 0:31:23 | 0:31:26 | |
for our road trippers. | 0:31:26 | 0:31:27 | |
So, how far is Rotherham from here? | 0:31:27 | 0:31:29 | |
If I knew where here was, I would tell you, Margie. | 0:31:29 | 0:31:32 | |
And I'll buy you a nice big Rotherham fish supper. | 0:31:32 | 0:31:35 | |
That Paul loves his food. | 0:31:35 | 0:31:37 | |
Enjoy your din dins. | 0:31:37 | 0:31:38 | |
Then some much-needed shuteye, you two. | 0:31:38 | 0:31:41 | |
We are off to South Yorkshire and the town of Rotherham, | 0:31:44 | 0:31:47 | |
the showdown for the next auction. | 0:31:47 | 0:31:49 | |
Very exciting. | 0:31:49 | 0:31:50 | |
Today's matinee performance is being held at Paul Beighton auctioneers. | 0:31:52 | 0:31:56 | |
It used to be a 1920s cinema, don't you know? | 0:31:56 | 0:31:59 | |
Taking you to the pictures, Margie. | 0:32:01 | 0:32:03 | |
Oh, another auction. | 0:32:05 | 0:32:06 | |
Margie has nearly exhausted her entire budget, | 0:32:10 | 0:32:13 | |
spending £170 exactly on five lots. | 0:32:13 | 0:32:16 | |
Paul is doing his usual, keeping a stash in reserve. | 0:32:18 | 0:32:21 | |
He's spent £202, also on five lots. | 0:32:21 | 0:32:24 | |
Spill the beans on each other's buys, please. | 0:32:25 | 0:32:28 | |
Doesn't look very old, does it? | 0:32:30 | 0:32:31 | |
It's not very old, is it? | 0:32:31 | 0:32:33 | |
Absolutely not a clue. | 0:32:36 | 0:32:38 | |
Not a clue. But if Paul thinks it's worth £80, | 0:32:40 | 0:32:43 | |
I would be very surprised if he gets his money back on this. | 0:32:43 | 0:32:46 | |
Very surprised indeed. | 0:32:46 | 0:32:48 | |
It's charming. OK? | 0:32:48 | 0:32:49 | |
1950s... | 0:32:49 | 0:32:50 | |
..cold-painted pheasants... | 0:32:51 | 0:32:54 | |
..nicely modelled. | 0:32:54 | 0:32:56 | |
Onyx base, for once, isn't all chipped and cracked. | 0:32:56 | 0:33:01 | |
I'd love to be able to pick holes in this and, confound her, I cannot. | 0:33:01 | 0:33:06 | |
But mind you, it's fragile this, and if somebody puts it down too hard... | 0:33:06 | 0:33:11 | |
Avert your gaze. | 0:33:11 | 0:33:12 | |
Behave yourself, Paul. | 0:33:15 | 0:33:16 | |
Jody Beighton is today's auctioneer. | 0:33:18 | 0:33:20 | |
Now, what are your thoughts on their offerings? | 0:33:20 | 0:33:22 | |
The Holmegaard vase, I mean, | 0:33:24 | 0:33:25 | |
that sort of a period item is really on trend now. | 0:33:25 | 0:33:29 | |
So I think that'll do really well. | 0:33:29 | 0:33:31 | |
The cold-painted pheasants, they are my favourite lot. | 0:33:32 | 0:33:35 | |
If somebody brought that in to put into one of our antique sales, | 0:33:35 | 0:33:38 | |
I certainly wouldn't turn my nose up. | 0:33:38 | 0:33:40 | |
I think they are a really good lot. | 0:33:40 | 0:33:41 | |
-Thanks, Jody. -It's definitely a picture house, isn't it? | 0:33:41 | 0:33:45 | |
Yeah. | 0:33:45 | 0:33:46 | |
The auction is about to begin. | 0:33:46 | 0:33:48 | |
Today, we're also open to internet bidders. | 0:33:48 | 0:33:50 | |
-Here we go. -Right in the... | 0:33:50 | 0:33:54 | |
Cinema seats. | 0:33:54 | 0:33:55 | |
Isn't this nice? Look at that over there, isn't that nice? | 0:33:55 | 0:33:58 | |
-Margie! -It's not the back row, it's the front row. | 0:33:59 | 0:34:02 | |
Keep your hands to yourself, Paul. | 0:34:02 | 0:34:04 | |
We begin with the Japanese military tunic. | 0:34:06 | 0:34:09 | |
Did I introduce you to the Japanese Army Collectors Society? | 0:34:09 | 0:34:14 | |
I phoned them up. They're at the back. | 0:34:14 | 0:34:15 | |
-They want to meet you. -It wouldn't surprise me. | 0:34:15 | 0:34:18 | |
-£20, start. -Uh-oh. | 0:34:19 | 0:34:22 | |
At £20. Any interest for 20? | 0:34:22 | 0:34:24 | |
-Ten then, if you must. -That's not possible. | 0:34:24 | 0:34:26 | |
-That's not possible. -Ten bid online, looking for 12. | 0:34:26 | 0:34:28 | |
Any advance? The bid is at 12 online. | 0:34:28 | 0:34:30 | |
-That's not possible. -14, 16. | 0:34:30 | 0:34:32 | |
Bid's at 14 on the internet. | 0:34:32 | 0:34:34 | |
Looking for 16. Any interest in the room? | 0:34:34 | 0:34:36 | |
At £14 only. | 0:34:36 | 0:34:37 | |
16 bid. 18. | 0:34:37 | 0:34:39 | |
In the room at 16. | 0:34:39 | 0:34:40 | |
18, we are looking for. 18 bid online. | 0:34:40 | 0:34:42 | |
20. The bid is at 18 on the internet. | 0:34:42 | 0:34:45 | |
20 with you. At £18. | 0:34:45 | 0:34:47 | |
-Below estimate. -You're joking. -At 18 and selling... | 0:34:47 | 0:34:49 | |
Hold the front page. | 0:34:51 | 0:34:52 | |
Laidlaw just lost a packet on militaria. | 0:34:52 | 0:34:56 | |
I wouldn't believe it possible. | 0:34:57 | 0:34:59 | |
Ouch. | 0:34:59 | 0:35:00 | |
Mum, a big boy hit me in the playground! | 0:35:01 | 0:35:03 | |
I've just been done over, Margie, and you're laughing. | 0:35:05 | 0:35:08 | |
Well, sorry. I'm not laughing. | 0:35:08 | 0:35:10 | |
I feel very sorry for you. | 0:35:10 | 0:35:12 | |
Hey, it's looking good. | 0:35:13 | 0:35:14 | |
You might be in here with a chance, Margie. | 0:35:16 | 0:35:19 | |
Your turn with the unusual watch powder compact. | 0:35:19 | 0:35:23 | |
Watch this space. It'll go for 18. | 0:35:23 | 0:35:26 | |
Egg, meet face. | 0:35:26 | 0:35:28 | |
Never seen one of those before. | 0:35:29 | 0:35:30 | |
Ten, I'm bid. Take 12. | 0:35:30 | 0:35:32 | |
12, internet. 14, sir. | 0:35:32 | 0:35:33 | |
16. 18. | 0:35:33 | 0:35:35 | |
20. The bid is at 18 in the room. | 0:35:35 | 0:35:37 | |
-20, we are looking for. -That's enough. | 0:35:37 | 0:35:39 | |
26, 28. | 0:35:39 | 0:35:41 | |
The bid is at 26. 28, let's see. | 0:35:41 | 0:35:43 | |
Any advance? Bid at 26 and done. | 0:35:43 | 0:35:46 | |
That'll do. | 0:35:46 | 0:35:47 | |
Do you know, I much prefer it when I'm winning. | 0:35:49 | 0:35:51 | |
I'll bet you do. Good result, Margie. | 0:35:52 | 0:35:54 | |
Hey, I got that wrong and hats off, you were spot-on. | 0:35:56 | 0:36:00 | |
Let's see if you are on the money | 0:36:02 | 0:36:03 | |
with the Victorian border tiles, Paul. | 0:36:03 | 0:36:05 | |
£10, bid in the room. | 0:36:05 | 0:36:07 | |
-12 bid. 14. -There you go. | 0:36:07 | 0:36:08 | |
-It's going up. -16. | 0:36:08 | 0:36:10 | |
-18. -A long way to go. | 0:36:10 | 0:36:12 | |
-20. -Keep going. -22. | 0:36:12 | 0:36:13 | |
The bid is at £20, back of the room, take two now. | 0:36:13 | 0:36:17 | |
Any advance. 22, 24. | 0:36:17 | 0:36:19 | |
-26. -Getting there. -At 28, sir? | 0:36:19 | 0:36:23 | |
30. 35. At £30. | 0:36:23 | 0:36:26 | |
The bid is at £30. Selling in the room for 30. | 0:36:26 | 0:36:31 | |
I frankly think that's a result. | 0:36:31 | 0:36:33 | |
Cause for a celebration. | 0:36:33 | 0:36:35 | |
-Whoop-de-do. -Well, at least he's cheery. | 0:36:36 | 0:36:38 | |
And it's not a huge loss. | 0:36:38 | 0:36:39 | |
Can you believe I'm so happy over a loss? | 0:36:41 | 0:36:44 | |
No, I can't! | 0:36:44 | 0:36:45 | |
Margie's collection of sweetheart brooches and stick pin are up next. | 0:36:47 | 0:36:50 | |
I'd wish you luck but in all sincerity | 0:36:50 | 0:36:53 | |
with every fibre of my being, | 0:36:53 | 0:36:54 | |
I want you to make colossal losses right now. | 0:36:54 | 0:36:57 | |
Let's see your bids. 15, 16, bid online. | 0:36:58 | 0:37:00 | |
18 online. 20. | 0:37:00 | 0:37:01 | |
22. Let's see. | 0:37:01 | 0:37:03 | |
Bid is at 22. 24. 26. 28. | 0:37:03 | 0:37:06 | |
Here we go. | 0:37:06 | 0:37:07 | |
Bid is at 26 in the room. | 0:37:07 | 0:37:09 | |
28, we are looking for. Any advance? | 0:37:09 | 0:37:10 | |
28, new bidder. 30. 35. | 0:37:10 | 0:37:12 | |
40. 45. At £40 now, looking for 45. | 0:37:12 | 0:37:17 | |
Any advance? | 0:37:17 | 0:37:18 | |
-Thanks. -At £40, Selling if you are all through. | 0:37:18 | 0:37:20 | |
Margie is on a roll here. | 0:37:22 | 0:37:24 | |
Tidy profits thus far. | 0:37:24 | 0:37:25 | |
I'm a bit up. | 0:37:26 | 0:37:27 | |
-You're doing all right. -She certainly is. | 0:37:29 | 0:37:31 | |
Paul, can your gold watch fob bring you back into the game? | 0:37:31 | 0:37:36 | |
On the book at 30. 40. | 0:37:36 | 0:37:37 | |
-Five. -There you go. | 0:37:37 | 0:37:38 | |
50. Five. I'm out. | 0:37:38 | 0:37:41 | |
60. The bids at 55 in the room. | 0:37:41 | 0:37:42 | |
60. 60 online. | 0:37:42 | 0:37:44 | |
-65. -Online. | 0:37:44 | 0:37:46 | |
70. Room bid at 65. | 0:37:46 | 0:37:48 | |
70 we need. 75. | 0:37:48 | 0:37:50 | |
-80. -It's a lovely thing. | 0:37:50 | 0:37:53 | |
85. The bid is at £80 online. | 0:37:53 | 0:37:57 | |
Looking for 85. Any advance? | 0:37:57 | 0:37:59 | |
At £80, then, if you are all done and sure... | 0:37:59 | 0:38:01 | |
£80 online... | 0:38:01 | 0:38:02 | |
That's more like it. | 0:38:03 | 0:38:05 | |
Finally, a profit for Paul. | 0:38:05 | 0:38:07 | |
I don't mind you making a profit. | 0:38:07 | 0:38:09 | |
You... You... | 0:38:10 | 0:38:12 | |
-You do. -Little liar. | 0:38:12 | 0:38:13 | |
Your combo lot of the Edwardian brooch and cravat pin | 0:38:16 | 0:38:20 | |
are next, Margie. | 0:38:20 | 0:38:21 | |
30 we are bid. Online. | 0:38:21 | 0:38:22 | |
35. 35. 40. 45 online. | 0:38:22 | 0:38:25 | |
50 with you. the internet bid is at 45. | 0:38:25 | 0:38:27 | |
Any advance for 50? | 0:38:27 | 0:38:29 | |
Seems to have settled at 45. | 0:38:29 | 0:38:30 | |
No further interest. At 45 and away. | 0:38:30 | 0:38:32 | |
How irritating is that? | 0:38:35 | 0:38:36 | |
Stopped in your tracks. | 0:38:36 | 0:38:39 | |
You hope, Paul. | 0:38:39 | 0:38:41 | |
Here's hoping you've not peaked | 0:38:41 | 0:38:43 | |
and you've had your moment. | 0:38:43 | 0:38:45 | |
Wishful thinking, Paul. | 0:38:45 | 0:38:47 | |
Your turn now with the 1941 ten franc note. | 0:38:47 | 0:38:51 | |
£10. Ten, I am bid. | 0:38:51 | 0:38:53 | |
12. 14. 16. | 0:38:53 | 0:38:55 | |
Bid at 16, sir? | 0:38:55 | 0:38:56 | |
18. 20. | 0:38:56 | 0:38:57 | |
20 online. | 0:38:59 | 0:39:01 | |
In the room 22. | 0:39:01 | 0:39:03 | |
Take four, any advance? | 0:39:03 | 0:39:04 | |
Double my money. | 0:39:04 | 0:39:06 | |
26, 28. | 0:39:06 | 0:39:07 | |
I thought the internet would pick it up. | 0:39:07 | 0:39:09 | |
-How would you put a price on it? -30? 35. | 0:39:09 | 0:39:11 | |
Are you going again, sir? | 0:39:11 | 0:39:12 | |
35? At £30. | 0:39:12 | 0:39:14 | |
35 on the net. | 0:39:14 | 0:39:16 | |
-40. 45. -The net wants it. | 0:39:16 | 0:39:18 | |
Yeah. It's a good thing. | 0:39:18 | 0:39:20 | |
45? At £40. | 0:39:20 | 0:39:22 | |
Still in the room, the original bidder at £40. | 0:39:22 | 0:39:24 | |
Good for them. | 0:39:24 | 0:39:26 | |
All done? | 0:39:26 | 0:39:28 | |
-There you go. -That's all right. -Well done. | 0:39:28 | 0:39:31 | |
Good return on a precious piece of World War II history. | 0:39:31 | 0:39:35 | |
Ah! | 0:39:35 | 0:39:36 | |
Margie's cold-painted bronze pheasants are next. | 0:39:37 | 0:39:41 | |
40, I am bid. Take 45. | 0:39:41 | 0:39:43 | |
Bid is at 40. Five. | 0:39:43 | 0:39:44 | |
50. Five. | 0:39:44 | 0:39:45 | |
60. Five. | 0:39:45 | 0:39:47 | |
70. Five. | 0:39:47 | 0:39:48 | |
-Margie... -80. | 0:39:48 | 0:39:49 | |
Five. | 0:39:49 | 0:39:50 | |
90. Five. | 0:39:51 | 0:39:52 | |
Hey, things are looking up. | 0:39:52 | 0:39:53 | |
£90. Five with you. | 0:39:53 | 0:39:55 | |
95, new bidder. 100. | 0:39:55 | 0:39:56 | |
110. 120. 130. | 0:39:56 | 0:39:59 | |
At 120, then. | 0:39:59 | 0:40:00 | |
30 with you. The bid is at 120 in the room, then. | 0:40:00 | 0:40:03 | |
At 120 and selling. | 0:40:03 | 0:40:04 | |
Margie, I've got to say, well done. | 0:40:06 | 0:40:09 | |
Excellent, Margie. | 0:40:09 | 0:40:10 | |
This is a brilliant comeback. | 0:40:10 | 0:40:12 | |
Just got real, as they say. | 0:40:12 | 0:40:14 | |
Maybe a Danish vase can turn your fortunes, Paul? | 0:40:17 | 0:40:21 | |
Let's see your bids. 22 bid. | 0:40:21 | 0:40:22 | |
Take four. 24. | 0:40:22 | 0:40:23 | |
26. 28 we're looking for. | 0:40:23 | 0:40:25 | |
The bid's at £26. | 0:40:25 | 0:40:26 | |
-Eight, let's see. -Keep going. | 0:40:26 | 0:40:28 | |
-35. 40. -Yeah. | 0:40:29 | 0:40:31 | |
45. At £45 in the room. | 0:40:31 | 0:40:34 | |
-Don't stop. -At £45. | 0:40:34 | 0:40:36 | |
All done and sure for 45. | 0:40:36 | 0:40:38 | |
-That is a wee profit. -I'm impressed by your positivity, Paul. | 0:40:39 | 0:40:43 | |
That's all right. I'm no' disheartened by that. | 0:40:43 | 0:40:45 | |
Good. | 0:40:45 | 0:40:47 | |
-Pleased for you. -Good. | 0:40:47 | 0:40:50 | |
Margie's big drum is the final lot for today. | 0:40:50 | 0:40:53 | |
If this goes down, I've lost my galloping lead. | 0:40:54 | 0:40:58 | |
Oh, no, no. Hush your mouth. | 0:40:58 | 0:41:01 | |
30 bid, back of the room. | 0:41:01 | 0:41:02 | |
-Take 35. -Confound it, you've got a bid. | 0:41:02 | 0:41:04 | |
45. 50. Five. 60. Five. 70. Five. £70. 75 internet. | 0:41:04 | 0:41:12 | |
80. Five. | 0:41:12 | 0:41:14 | |
-I'm dreaming. -90. | 0:41:14 | 0:41:16 | |
-Five. -Hey, I'm going to buy drums from now on. | 0:41:16 | 0:41:19 | |
95 internet. 100, we are looking for. | 0:41:19 | 0:41:21 | |
110 on the internet. 120. | 0:41:21 | 0:41:23 | |
You make tables out of them. | 0:41:24 | 0:41:26 | |
Any advance? At 110 and selling... | 0:41:26 | 0:41:29 | |
Margie, I'm not worthy to be in your company. | 0:41:29 | 0:41:32 | |
Blooming heck, Margie! | 0:41:34 | 0:41:36 | |
You've played a blinder there. | 0:41:36 | 0:41:38 | |
Marvellous. | 0:41:38 | 0:41:39 | |
I'm really very thrilled. | 0:41:39 | 0:41:41 | |
-Really? -Yeah, are you? | 0:41:41 | 0:41:42 | |
-Are you thrilled for me? -Shocked. | 0:41:42 | 0:41:44 | |
I'm in shock. | 0:41:44 | 0:41:45 | |
Would you like me to buy you a little drinkie? | 0:41:45 | 0:41:47 | |
A little drinkie? | 0:41:47 | 0:41:49 | |
If you could up that to a very substantial drinkie... | 0:41:49 | 0:41:53 | |
Go on, then. I will. | 0:41:53 | 0:41:54 | |
While they go for a drinkie, let's work out the figures. | 0:41:56 | 0:41:59 | |
Paul began with £434.40. | 0:42:01 | 0:42:04 | |
And after auction costs, wait for it, he made a loss! | 0:42:04 | 0:42:08 | |
£27.34. | 0:42:09 | 0:42:11 | |
Paul has £407.06. | 0:42:11 | 0:42:15 | |
Marvellous Margie started the third leg with | 0:42:17 | 0:42:21 | |
£213.70. | 0:42:21 | 0:42:23 | |
After all sale room costs, she's made a fantastic profit of £109.62. | 0:42:23 | 0:42:29 | |
The first win for Margie, who now has £323.32 for the next leg. | 0:42:29 | 0:42:37 | |
Well done. | 0:42:37 | 0:42:38 | |
Let me open the door for you. | 0:42:38 | 0:42:40 | |
Margie, that's the least you can do. | 0:42:40 | 0:42:42 | |
I was starting to enjoy that. | 0:42:42 | 0:42:44 | |
-Coming after you. -You've ruined everything. | 0:42:44 | 0:42:46 | |
I'll tell you what, from now on, no more Mr Nice Guy. | 0:42:46 | 0:42:49 | |
And he's not joking. | 0:42:49 | 0:42:50 | |
Next time on the Antiques Road Trip, is there trouble in paradise? | 0:42:51 | 0:42:56 | |
-Twittering on. -I can hear your booming, Scottish, bearded voice | 0:42:56 | 0:43:01 | |
from miles away. | 0:43:01 | 0:43:03 | |
Paul revisits his childhood... | 0:43:03 | 0:43:05 | |
Come on, let's play buses. | 0:43:05 | 0:43:07 | |
..while Margie takes a trip to the exotic. | 0:43:07 | 0:43:10 | |
I feel as though I'm in the jungles of Borneo here. | 0:43:10 | 0:43:13 | |
But will Paul end on a bum note? | 0:43:14 | 0:43:16 | |
HE PLAYS OUT OF TUNE | 0:43:16 | 0:43:18 | |
THEY CHEER | 0:43:18 | 0:43:19 |