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It's the nation's favourite antiques experts... | 0:00:02 | 0:00:04 | |
-What a job. -..with £200 each... | 0:00:04 | 0:00:05 | |
-You with me? -..a classic car... | 0:00:05 | 0:00:07 | |
Buckle up. | 0:00:07 | 0:00:09 | |
..and a goal to scour Britain for antiques. | 0:00:09 | 0:00:11 | |
-Ooh, sorry. -Ha-ha! | 0:00:11 | 0:00:13 | |
The aim? To make the biggest profit at auction. | 0:00:13 | 0:00:17 | |
But it's no mean feat. | 0:00:17 | 0:00:19 | |
There'll be worthy winners... | 0:00:19 | 0:00:20 | |
-Yes! -..and valiant losers. | 0:00:20 | 0:00:23 | |
So, will it be the high road to glory... | 0:00:23 | 0:00:25 | |
..or the slow road to disaster? | 0:00:25 | 0:00:27 | |
-Have a good trip! -SHE LAUGHS | 0:00:27 | 0:00:29 | |
This is the Antiques Road Trip. | 0:00:29 | 0:00:31 | |
Yeah. | 0:00:33 | 0:00:35 | |
Hang about! | 0:00:40 | 0:00:42 | |
It's only the fourth leg of the road trip with auctioneer | 0:00:42 | 0:00:44 | |
Paul Laidlaw and dealer Margie Cooper. | 0:00:44 | 0:00:47 | |
Here we go. | 0:00:47 | 0:00:48 | |
Penultimate day! | 0:00:48 | 0:00:50 | |
Past the halfway point. | 0:00:50 | 0:00:52 | |
And I'm feeling quite happy this morning. | 0:00:52 | 0:00:54 | |
Hmm, positively perky. | 0:00:54 | 0:00:56 | |
This is the bit I like. I like the bit where we're just tootling about. | 0:00:56 | 0:00:59 | |
-I know. -When auctions are behind us, shops are ahead of us, | 0:00:59 | 0:01:03 | |
but for now, no pressure, good company, hey - pleasant sunshine. | 0:01:03 | 0:01:09 | |
Sounds too good to be true. | 0:01:10 | 0:01:12 | |
From her original £200, | 0:01:12 | 0:01:14 | |
Margie now has... | 0:01:14 | 0:01:16 | |
Despite losing at the last auction, | 0:01:19 | 0:01:21 | |
Paul is still in the lead | 0:01:21 | 0:01:23 | |
with a kitty of... | 0:01:23 | 0:01:27 | |
-Ah! -I was just relaxing into this, and | 0:01:28 | 0:01:30 | |
now I've got to put my game face back on. | 0:01:30 | 0:01:33 | |
Dust it off and put it on. | 0:01:33 | 0:01:36 | |
-Yes. -And put up with your gloating. | 0:01:36 | 0:01:38 | |
Crumbs. | 0:01:40 | 0:01:42 | |
They're in a Morris Minor which was first registered in 1963. | 0:01:42 | 0:01:46 | |
Seems Paul's a bit hot under the collar this morning. | 0:01:46 | 0:01:49 | |
Yeah. I can see in my rear-view mirror now. | 0:01:49 | 0:01:53 | |
I thought I was leaving you behind at the start line! | 0:01:53 | 0:01:55 | |
Cheeky. | 0:01:55 | 0:01:56 | |
Our pair's road trip kicked off and Hemswell Cliff in Lincolnshire. | 0:01:58 | 0:02:03 | |
They will gallop around Yorkshire and take a spin around the Midlands | 0:02:03 | 0:02:06 | |
before concluding in Shrewsbury in Shropshire. | 0:02:06 | 0:02:09 | |
Today, our adventure begins in Chesterfield in Derbyshire, | 0:02:09 | 0:02:12 | |
and we end with an auction in Leicester in the East Midlands. | 0:02:12 | 0:02:16 | |
Well, we're going to kick off... | 0:02:18 | 0:02:20 | |
-Yeah. -..in this, under the same roof, Margie, you and I. | 0:02:20 | 0:02:23 | |
-Oh, no. -That's lovely, isn't it? | 0:02:23 | 0:02:25 | |
-It's nice to be together, isn't it? -You, you hanging around! | 0:02:25 | 0:02:29 | |
"What's he looking at? What's he picking that up for?" | 0:02:29 | 0:02:32 | |
They're best friends, really. | 0:02:32 | 0:02:34 | |
Told you. | 0:02:37 | 0:02:38 | |
Hey! | 0:02:38 | 0:02:39 | |
And good job their first shop is big enough for the two of them. | 0:02:39 | 0:02:42 | |
Here we are. How are your jolliness levels? | 0:02:42 | 0:02:45 | |
Are they still high? In fact, adios. | 0:02:45 | 0:02:49 | |
I'm chomping at the bit. | 0:02:49 | 0:02:50 | |
No time for stragglers. | 0:02:50 | 0:02:52 | |
Come on. Let's go find some treasure. | 0:02:54 | 0:02:57 | |
Bossy, isn't he? Olympia House is an emporium full of traders | 0:02:57 | 0:03:01 | |
dealing their wares. | 0:03:01 | 0:03:03 | |
-Right, then. -Right. I am going to peel off left, yeah? | 0:03:03 | 0:03:07 | |
-Oh, nice. -Yeah. | 0:03:07 | 0:03:10 | |
-See you. -See you later! | 0:03:10 | 0:03:11 | |
Don't follow me. | 0:03:11 | 0:03:13 | |
Right. What can you get your hands on in here, then, Margie? | 0:03:15 | 0:03:18 | |
Oh, God, I hate these things. | 0:03:24 | 0:03:26 | |
Keep calm and take any advantage you can of the situation. | 0:03:32 | 0:03:38 | |
He's geared up. | 0:03:38 | 0:03:39 | |
There's an English classic, and an English classic that's had a life. | 0:03:41 | 0:03:46 | |
That is the Windsor armchair. | 0:03:46 | 0:03:49 | |
A design that goes back to, certainly, the 18th century, and | 0:03:49 | 0:03:53 | |
characterised by the use of bent wood elements. | 0:03:53 | 0:03:58 | |
What on earth are you talking about, Paul? | 0:03:58 | 0:04:00 | |
I am talking about, for one, the hoop back there, | 0:04:00 | 0:04:04 | |
and this horseshoe arm. | 0:04:04 | 0:04:08 | |
How on earth do you bend that wood without snapping it? | 0:04:08 | 0:04:10 | |
Well, you steam it. | 0:04:10 | 0:04:12 | |
You steam it, makes it pliable. | 0:04:12 | 0:04:13 | |
That one there is going to be all of 150-year-old if it's a day. | 0:04:13 | 0:04:19 | |
It's priced at £50. | 0:04:19 | 0:04:21 | |
Sounds like a strong possible. | 0:04:21 | 0:04:23 | |
Look at that. | 0:04:24 | 0:04:27 | |
Bagatelle. Don't you know what...? It's a game. | 0:04:27 | 0:04:30 | |
And you put your balls in there. | 0:04:30 | 0:04:33 | |
Fire it, and then it's whoever scores the most, | 0:04:33 | 0:04:36 | |
where the ball lodges. | 0:04:36 | 0:04:38 | |
I rather like the look of that. | 0:04:38 | 0:04:41 | |
Popular in 19th century taverns, bagatelle originates from billiards. | 0:04:41 | 0:04:47 | |
I think that's got quite a good look about it. | 0:04:47 | 0:04:51 | |
But not for £30! | 0:04:51 | 0:04:53 | |
Oh, Paul looks pleased with himself. | 0:04:57 | 0:04:59 | |
Come on, you've got to love this. | 0:04:59 | 0:05:01 | |
That is a London Transport Company toy ticket machine. | 0:05:01 | 0:05:06 | |
This is a Clippy's ticket clipper. | 0:05:06 | 0:05:08 | |
And here we go, we're playing buses, come on, let's play buses. | 0:05:08 | 0:05:12 | |
Have you got your wee ticket? | 0:05:12 | 0:05:14 | |
Give me your ticket, ma'am. | 0:05:14 | 0:05:17 | |
Stick it in there and your ticket goes, | 0:05:17 | 0:05:19 | |
a bit of paper goes in there and we go click, click, and | 0:05:19 | 0:05:23 | |
a wee punch you've made. "There you go, see you later." | 0:05:23 | 0:05:27 | |
You don't buy sweets. | 0:05:27 | 0:05:30 | |
Is that not tremendous? I mean, is that not tremendous? | 0:05:30 | 0:05:33 | |
Certainly is. And I think you've played that game before. | 0:05:33 | 0:05:37 | |
Look at the price tag on this, a piece of nostalgia. | 0:05:37 | 0:05:40 | |
1950s/1960s, yeah, £8. | 0:05:40 | 0:05:43 | |
That's nothing. £8. | 0:05:43 | 0:05:44 | |
£8! And if you are a collector of transport memorabilia or toys... | 0:05:44 | 0:05:51 | |
..I'm sure that is a gift. | 0:05:51 | 0:05:53 | |
Whether it's for me remains to be seen. | 0:05:53 | 0:05:56 | |
And I'll tell you what, you'd be damned unlucky not to make money on that at auction. | 0:05:56 | 0:05:59 | |
Uh-oh. What's this? | 0:06:06 | 0:06:09 | |
Yeah. I just think it's nice to have interesting things. | 0:06:09 | 0:06:13 | |
And that's interesting. | 0:06:13 | 0:06:15 | |
I reckon that this must be 100 years old. | 0:06:15 | 0:06:19 | |
In the days where they docked horse's tails... | 0:06:19 | 0:06:22 | |
Cos let's face it, it's like having long hair, isn't it? | 0:06:23 | 0:06:25 | |
Tails were a flipping nuisance to be looked after, they all soiled up. | 0:06:25 | 0:06:29 | |
It feels great. It's very tactile... | 0:06:29 | 0:06:31 | |
..like these things are. It's part of our history. | 0:06:31 | 0:06:34 | |
I know it's gruesome, but it's part of what happened. | 0:06:34 | 0:06:37 | |
Horses, especially those used for hunting, | 0:06:37 | 0:06:40 | |
would have had their tails docked, a practise now illegal. | 0:06:40 | 0:06:43 | |
Horses have their tails plaited instead. | 0:06:43 | 0:06:46 | |
But it's £45, and I'm not buying it for £45. | 0:06:46 | 0:06:49 | |
Dealer Debbie is on hand to help our Margie. | 0:06:50 | 0:06:53 | |
Whose is this little bit, section? | 0:06:53 | 0:06:55 | |
-One of the traders. -Is it? | 0:06:55 | 0:06:57 | |
-Yeah. -Yeah, but I mean, he's put here, he's only knocking £4 off. | 0:06:57 | 0:07:01 | |
You know, I'd be looking to buy that much cheaper. | 0:07:01 | 0:07:03 | |
Cos it's... I don't know whether they'll even... | 0:07:03 | 0:07:06 | |
-You know? -I don't know, I just think they're really unusual. | 0:07:06 | 0:07:09 | |
-Yeah. -They're not something that you would see every day. -No, I absolutely know that. | 0:07:09 | 0:07:13 | |
Ooh, we've got an interloper. | 0:07:13 | 0:07:16 | |
There's big business going on here. | 0:07:16 | 0:07:17 | |
You need any mirrors? Would you like windows? | 0:07:17 | 0:07:19 | |
-It's all frosted. Makes you look better. -Oh, I like his beard. | 0:07:19 | 0:07:23 | |
-I think it suits him. -He looks very handsome. | 0:07:23 | 0:07:25 | |
I'm having a job to keep my hands off him. | 0:07:25 | 0:07:27 | |
Are you, really? I would be, too. | 0:07:27 | 0:07:28 | |
-Yeah. -Yeah. | 0:07:28 | 0:07:30 | |
I am, in a minute. | 0:07:31 | 0:07:35 | |
Control yourself, ladies. I think we all need to calm down. | 0:07:35 | 0:07:39 | |
Let's get back to business, eh? | 0:07:39 | 0:07:41 | |
Er...30 quid. | 0:07:41 | 0:07:43 | |
32. | 0:07:44 | 0:07:46 | |
-I've obviously got to do the best for the trader. -I know. | 0:07:47 | 0:07:50 | |
-I understand that. -So... | 0:07:50 | 0:07:51 | |
Oh, go on. Let's go for it. | 0:07:51 | 0:07:53 | |
-32. -Yeah. Thank you. | 0:07:53 | 0:07:54 | |
-Fabulous. -Yeah. | 0:07:54 | 0:07:56 | |
And while we're at it... | 0:07:56 | 0:07:57 | |
Debbie, what about this bagatelle? | 0:07:57 | 0:08:00 | |
Well, unfortunately, it's only just come into the shop last week. | 0:08:00 | 0:08:04 | |
And I have been told I can only knock £5 off, | 0:08:04 | 0:08:08 | |
which would make it 25. | 0:08:08 | 0:08:10 | |
Aw! Can't it just sneak under 20? | 0:08:10 | 0:08:12 | |
20 would be the bottom line on it. | 0:08:15 | 0:08:18 | |
OK, I'm not going to argue any more. | 0:08:18 | 0:08:19 | |
-Yes. OK? -Right, so that's two items. | 0:08:19 | 0:08:22 | |
Margie has spent a total of £52. | 0:08:22 | 0:08:25 | |
Now, is Paul still playing at buses? | 0:08:25 | 0:08:28 | |
-Is it Sophia? -It is. | 0:08:29 | 0:08:31 | |
Good to see you. I'm Paul. | 0:08:31 | 0:08:32 | |
Nice to meet you. | 0:08:32 | 0:08:33 | |
Very nice to be here. I've recced your joint. | 0:08:33 | 0:08:37 | |
Have you found something? | 0:08:37 | 0:08:38 | |
Yeah, a piece of frivolity but it is charming. | 0:08:38 | 0:08:41 | |
One wee vintage toy, tin-plate Clippy's machine... | 0:08:41 | 0:08:45 | |
-Yes. -..with a modest price tag. | 0:08:45 | 0:08:48 | |
I hate to haggle over such modest sums but, somehow, | 0:08:50 | 0:08:54 | |
I dig deep and I find the stamina to do so. | 0:08:54 | 0:08:56 | |
Right. | 0:08:56 | 0:08:57 | |
Is there anything can be done on that price tag? | 0:08:58 | 0:09:00 | |
Could that be a fiver? | 0:09:00 | 0:09:02 | |
It can't be five. | 0:09:02 | 0:09:03 | |
-What can it be? -It can be six. | 0:09:03 | 0:09:05 | |
-It is six, then. -Yeah. | 0:09:05 | 0:09:07 | |
-There we are. Easy. -Easy peasy. | 0:09:07 | 0:09:09 | |
Lemon squeezy. | 0:09:09 | 0:09:11 | |
But what about that charming Windsor armchair? | 0:09:11 | 0:09:14 | |
My offer is 35. | 0:09:14 | 0:09:17 | |
I can ring them and ask them. | 0:09:17 | 0:09:18 | |
-Would you? -Yeah. Anna, it's Soph. | 0:09:18 | 0:09:20 | |
Would you accept £35 on that Windsor chair in your space? | 0:09:23 | 0:09:27 | |
-ON PHONE: -Yeah, that's fine, yeah. -Yeah? That's great stuff. Thank you. | 0:09:27 | 0:09:30 | |
-All right. -All right, thanks, bye. -Bye. | 0:09:30 | 0:09:32 | |
35 it is. | 0:09:34 | 0:09:35 | |
Easy peasy! | 0:09:35 | 0:09:37 | |
Great result. Two lots for auction. | 0:09:37 | 0:09:39 | |
£6 for the toy clipping machine | 0:09:39 | 0:09:42 | |
and 35 for the lovely Windsor armchair. | 0:09:42 | 0:09:44 | |
Ooh! I like that. | 0:09:44 | 0:09:46 | |
Meanwhile, Margie has made her way to the town | 0:09:50 | 0:09:53 | |
of Bakewell in Derbyshire. | 0:09:53 | 0:09:54 | |
She must have been behaving herself, because look where she's headed. | 0:09:56 | 0:10:00 | |
The lavish Chatsworth House. | 0:10:00 | 0:10:03 | |
It may seem like the unlikely inspiration for today's global | 0:10:03 | 0:10:07 | |
banana industry, but the majority of bananas eaten in the Western world | 0:10:07 | 0:10:11 | |
are directly descended from a plant grown in a hothouse on this very | 0:10:11 | 0:10:15 | |
estate, 180 years ago. | 0:10:15 | 0:10:18 | |
Yes, really. | 0:10:18 | 0:10:20 | |
-Hello. -Welcome to Chatsworth. | 0:10:20 | 0:10:21 | |
-Thank you very much. -Come on in. -Great. | 0:10:21 | 0:10:23 | |
Head gardener Steve Porter is going to tell us more about the | 0:10:23 | 0:10:26 | |
green-fingered genius that made it all happen, Joseph Paxton. | 0:10:26 | 0:10:30 | |
So, Steve, I know Joseph Paxton was a famous gardener, | 0:10:33 | 0:10:36 | |
so how did he come to be in Chatsworth? | 0:10:36 | 0:10:38 | |
Well, he was spotted by the sixth Duke of Devonshire at Chiswick House in London, | 0:10:38 | 0:10:42 | |
where the sixth Duke had a home. | 0:10:42 | 0:10:43 | |
-Yeah. -And he was obviously really impressed by Paxton, because in | 0:10:43 | 0:10:46 | |
1826, he offered him the job of head gardener here at Chatsworth, | 0:10:46 | 0:10:49 | |
and Paxton was only 23 at that point. | 0:10:49 | 0:10:52 | |
The talented gardener continued to impress with several incredible | 0:10:52 | 0:10:56 | |
creations, including the Emperor's Fountain, | 0:10:56 | 0:11:00 | |
which was twice the height of Nelson's Column. | 0:11:00 | 0:11:02 | |
But his experimentation in | 0:11:02 | 0:11:04 | |
glasshouses was the beginning of his fascination with tropical fruit. | 0:11:04 | 0:11:08 | |
As the years went on, he got more adventurous, and the glasshouses got | 0:11:08 | 0:11:11 | |
bigger and they got different shapes. | 0:11:11 | 0:11:13 | |
And he also worked with engineers to | 0:11:13 | 0:11:15 | |
develop bigger panes of glass and different ways of arranging the | 0:11:15 | 0:11:18 | |
glass so the light levels were better. | 0:11:18 | 0:11:20 | |
And this pioneering work with hot houses would be a fruitful project. | 0:11:20 | 0:11:25 | |
South-east Asian farmers first domesticated the banana, but Paxton | 0:11:26 | 0:11:30 | |
came across a specimen imported from Mauritius. | 0:11:30 | 0:11:33 | |
Wow! Gosh. | 0:11:36 | 0:11:38 | |
Amazing place. | 0:11:38 | 0:11:40 | |
-Warmer in here. -Yeah! | 0:11:40 | 0:11:41 | |
The crowning glory, really, is the Cavendish Dwarf banana and the | 0:11:41 | 0:11:44 | |
Cavendish banana's named after the family here, the Cavendish family. | 0:11:44 | 0:11:47 | |
And Paxton, back in 1836, had obtained the plant and he bought | 0:11:47 | 0:11:51 | |
it here and he cultivated it. And he got it to flourish and flower and fruit. | 0:11:51 | 0:11:55 | |
And it was a huge success, so he was very proud | 0:11:55 | 0:11:57 | |
of this particular banana. | 0:11:57 | 0:11:59 | |
Some of Chatsworth's bananas were given to a missionary, John Williams, | 0:11:59 | 0:12:03 | |
who took them to the new colonies like Fiji and Tahiti. | 0:12:03 | 0:12:07 | |
The Cavendish Dwarf banana prospered abroad. | 0:12:07 | 0:12:10 | |
Time for Margie to channel her inner David Attenborough. | 0:12:12 | 0:12:16 | |
Ooh! | 0:12:16 | 0:12:17 | |
I feel as though I'm in the jungles of Borneo. | 0:12:17 | 0:12:19 | |
-Yeah, yeah. -So how many crops do you get? | 0:12:19 | 0:12:22 | |
It varies from year to year. | 0:12:22 | 0:12:23 | |
Some years, like this year, we'll have six or seven bunches, | 0:12:23 | 0:12:26 | |
but the bunches have 100 bananas on, maybe, so, you know, | 0:12:26 | 0:12:29 | |
600 or 700 bananas. | 0:12:29 | 0:12:31 | |
Some years, we have much less. | 0:12:31 | 0:12:32 | |
But these are probably the plants that Paxton were growing. | 0:12:32 | 0:12:35 | |
Because they don't produce seed. | 0:12:35 | 0:12:36 | |
You can't produce them from seed. You have to take a bit of the plant | 0:12:36 | 0:12:39 | |
and grow it again, so there's every chance these plants have just been | 0:12:39 | 0:12:42 | |
perpetuated over the years. | 0:12:42 | 0:12:43 | |
-So we've got to treasure these. -Yeah. | 0:12:43 | 0:12:46 | |
55 million tonnes of Cavendish bananas | 0:12:46 | 0:12:49 | |
are grown annually worldwide. | 0:12:49 | 0:12:51 | |
That's a lot of bananas. | 0:12:51 | 0:12:54 | |
And is that the end of the story? | 0:12:54 | 0:12:55 | |
Well, no. In the 1950s, | 0:12:55 | 0:12:57 | |
a disease called the Panama disease came along and wiped out many of the | 0:12:57 | 0:13:00 | |
bananas around the world. Lots of the commercially grown bananas | 0:13:00 | 0:13:03 | |
were just wiped completely away. | 0:13:03 | 0:13:04 | |
Luckily, the Cavendish Dwarf was immune. | 0:13:04 | 0:13:07 | |
So the Cavendish Dwarf survived, carries on, and still produces most | 0:13:07 | 0:13:11 | |
of the bananas grown around the world. | 0:13:11 | 0:13:12 | |
And, to this day, | 0:13:12 | 0:13:14 | |
seems to be immune to the disease and seems to follow it on. | 0:13:14 | 0:13:17 | |
And it all started here. | 0:13:17 | 0:13:18 | |
It all started back here, in the 1830s. | 0:13:18 | 0:13:20 | |
With more than 100 billion bananas being munched every year, | 0:13:22 | 0:13:25 | |
it's truly wonderful that the success of the Cavendish Dwarf | 0:13:25 | 0:13:29 | |
banana is all down to a Chatsworth | 0:13:29 | 0:13:31 | |
gardener with a passion for hothouses. | 0:13:31 | 0:13:33 | |
Right, let's seek out Paul and the Morris. | 0:13:37 | 0:13:40 | |
Don't panic, don't panic. | 0:13:40 | 0:13:42 | |
I think Margie is going to get a bit overconfident. | 0:13:42 | 0:13:46 | |
I suspect she thinks she's back in the zone. | 0:13:46 | 0:13:50 | |
She's rediscovered her mojo and she's going to overstep the mark. | 0:13:50 | 0:13:56 | |
I hope! | 0:13:56 | 0:13:57 | |
Welcome to Sheffield. | 0:13:59 | 0:14:01 | |
The city of steel is the hunting ground for Paul's next antiques mission. | 0:14:01 | 0:14:05 | |
Dronfield Antiques is a family-run establishment. | 0:14:07 | 0:14:11 | |
-Is it Howard? -Yes, it's Paul. | 0:14:11 | 0:14:13 | |
Good afternoon. | 0:14:13 | 0:14:15 | |
Paul's wallet is bulging. | 0:14:15 | 0:14:16 | |
He's got just over £366. | 0:14:16 | 0:14:19 | |
In the Gods! | 0:14:19 | 0:14:21 | |
Let me show you a scarce mirror. | 0:14:23 | 0:14:25 | |
It's all about the decoration, ornament, round and about. | 0:14:25 | 0:14:28 | |
The surmount incorporates a scroll with the welcoming message. | 0:14:28 | 0:14:32 | |
Look at this. "Welcome, welcome thrice." | 0:14:32 | 0:14:36 | |
Either side, we've got these pooti, or amarini, and then this pendant, | 0:14:36 | 0:14:41 | |
floral swagger, ribbon-tied swag. | 0:14:41 | 0:14:46 | |
It really is, it's a jewel, is it not? | 0:14:46 | 0:14:49 | |
A confection. | 0:14:49 | 0:14:50 | |
But it's going to be about 1870, let's say. | 0:14:50 | 0:14:53 | |
I think, frankly, if you want it, | 0:14:53 | 0:14:57 | |
if you've got the right corner of the hall for it, that's worth... | 0:14:57 | 0:15:02 | |
It's cheap at £150. | 0:15:02 | 0:15:03 | |
And not inexpensive at 250. | 0:15:03 | 0:15:04 | |
I kid you not. | 0:15:04 | 0:15:06 | |
What's it worth at auction? | 0:15:06 | 0:15:07 | |
All bets are off then. | 0:15:07 | 0:15:09 | |
But it's a good thing. I'm going to leave it at that. | 0:15:10 | 0:15:14 | |
You still don't like it, do you? | 0:15:14 | 0:15:16 | |
Trust me, it's a rarity. | 0:15:16 | 0:15:17 | |
And it's not priced. | 0:15:20 | 0:15:22 | |
Let's continue the foraging expedition. | 0:15:22 | 0:15:24 | |
You've got to ignore this. | 0:15:32 | 0:15:34 | |
That's the red herring, because what it's not | 0:15:34 | 0:15:37 | |
is an ornament to sit on a sideboard. | 0:15:37 | 0:15:40 | |
What it is is an ornament to go atop a flag standard and these were | 0:15:40 | 0:15:46 | |
carried by armies, going back to the year dot. | 0:15:46 | 0:15:50 | |
I put it to you that that is European | 0:15:50 | 0:15:53 | |
and probably, I would think, | 0:15:53 | 0:15:55 | |
if not a German state, Austrian, Imperial Austrian. | 0:15:55 | 0:15:59 | |
And date-wise, | 0:15:59 | 0:16:01 | |
I'm going to suggest the First World War and I think this is a trophy of war. | 0:16:01 | 0:16:06 | |
And someone took it home in their kit bag or whatever and got home and | 0:16:06 | 0:16:09 | |
thought, "Well, there you go. | 0:16:09 | 0:16:11 | |
"That's my little souvenir of war. | 0:16:11 | 0:16:12 | |
"What I'm going to do, take it down the cabinet-makers." | 0:16:12 | 0:16:15 | |
And they turned up this nice oak sockle to display it. | 0:16:15 | 0:16:20 | |
That is a fabulous object by any measure - and scarce. | 0:16:20 | 0:16:25 | |
It's ALSO not priced. | 0:16:25 | 0:16:27 | |
Let's seek out dealer, Howard. | 0:16:27 | 0:16:29 | |
Howard? | 0:16:29 | 0:16:31 | |
-Fabulous mirror. -Nice, isn't it? | 0:16:31 | 0:16:33 | |
-Very unusual. -Can we play the game as we do? | 0:16:33 | 0:16:35 | |
-Go on, then. Fire away. -50 quid? -Ugh! | 0:16:35 | 0:16:38 | |
No, I'd need a bit more than that. | 0:16:41 | 0:16:43 | |
I'll give you a bit more than that. | 0:16:43 | 0:16:45 | |
75 would buy it? | 0:16:45 | 0:16:46 | |
Another tenner off it. | 0:16:48 | 0:16:49 | |
65. | 0:16:49 | 0:16:51 | |
70 would be better, wouldn't it? | 0:16:52 | 0:16:54 | |
Now, what about the First World War flag standard finial? | 0:16:55 | 0:16:59 | |
20 quid. | 0:16:59 | 0:17:01 | |
85 the two. | 0:17:03 | 0:17:04 | |
-Have we got a deal? -We've got a deal. -Excellent. | 0:17:06 | 0:17:09 | |
Operation Antiques was a great success. | 0:17:09 | 0:17:11 | |
£70 for the Victorian cast-iron wall mirror, and 15 for the | 0:17:11 | 0:17:16 | |
First World War flag standard finial. | 0:17:16 | 0:17:18 | |
And that concludes today's shopping. | 0:17:18 | 0:17:21 | |
So what's it going to be, the usual? | 0:17:23 | 0:17:25 | |
I don't know what I fancy. | 0:17:25 | 0:17:27 | |
-What do you fancy? -No idea, until the menu is brought out to me. | 0:17:27 | 0:17:32 | |
Wondered what they were talking about there! | 0:17:32 | 0:17:34 | |
Time for dinner, then, and some rest, so - nighty-night. | 0:17:34 | 0:17:37 | |
Wakey-wakey! Buckle up, | 0:17:40 | 0:17:41 | |
because we're back on the road for another fabulous day of adventure. | 0:17:41 | 0:17:45 | |
Our experts certainly scrub up well. | 0:17:46 | 0:17:49 | |
You're looking very smart today. | 0:17:49 | 0:17:51 | |
Why thank you, Margie. | 0:17:51 | 0:17:54 | |
You know, are you like a jeans man on your quiet days? | 0:17:54 | 0:17:57 | |
No, no, no. Sometimes tweed shorts | 0:17:57 | 0:17:59 | |
or, if I'm swimming, tweed trunks! | 0:17:59 | 0:18:02 | |
Well, you look very smart. | 0:18:02 | 0:18:04 | |
Well, you are very kind. | 0:18:04 | 0:18:06 | |
Blimey, they're polite. | 0:18:06 | 0:18:08 | |
That won't last, of course! | 0:18:08 | 0:18:09 | |
Let's refresh our minds of what our luvvies have bought so far. | 0:18:11 | 0:18:14 | |
Margie has two lots - the antique | 0:18:14 | 0:18:16 | |
horse-tail docker and the retro bagatelle. | 0:18:16 | 0:18:20 | |
I rather like the look of that. | 0:18:20 | 0:18:22 | |
Margie has £271.32 for the rest of the day. | 0:18:22 | 0:18:27 | |
Paul has four very different lots. | 0:18:28 | 0:18:30 | |
The Windsor armchair, the Victorian cast-iron wall mirror, | 0:18:30 | 0:18:34 | |
the First World War standard flag finial | 0:18:34 | 0:18:37 | |
and the child's Clippy machine. | 0:18:37 | 0:18:39 | |
You'd be dammed unlucky not to make money on that at auction. | 0:18:39 | 0:18:43 | |
£281.06 is the sum he's still got to play with. | 0:18:43 | 0:18:47 | |
Trackie bottoms? | 0:18:49 | 0:18:51 | |
Tartan trackie bottoms. I have a pair of tracksuit bottoms. | 0:18:51 | 0:18:54 | |
I wore them the one time I went to the gym. | 0:18:54 | 0:18:57 | |
That was a mistake, so I'm still paying that subscription! | 0:18:57 | 0:19:00 | |
I can't imagine him in joggers! | 0:19:01 | 0:19:03 | |
The Nottinghamshire town of Newark is next for Paul. | 0:19:05 | 0:19:08 | |
Albert Street Antiques Centre has over 50 dealers selling under its | 0:19:10 | 0:19:14 | |
roof, and Paul's got just over £280 to spend. | 0:19:14 | 0:19:19 | |
What have we here? | 0:19:24 | 0:19:26 | |
Eggs in a basket. | 0:19:26 | 0:19:28 | |
Yeah. | 0:19:28 | 0:19:30 | |
Label tells us John Grensell. | 0:19:30 | 0:19:32 | |
Silver-plated with pottery egg, salt and pepper. | 0:19:32 | 0:19:38 | |
So that wants to be a novelty cruet set, but where is the third pot? | 0:19:38 | 0:19:45 | |
Mustard, most likely. | 0:19:45 | 0:19:46 | |
My problem is... | 0:19:46 | 0:19:47 | |
..I don't think they belong together. | 0:19:48 | 0:19:50 | |
Because they're rattling all over the place, are they not? | 0:19:50 | 0:19:54 | |
Now, if you know your stuff, | 0:19:55 | 0:19:57 | |
there's one name you think about when you think about ceramic eggs. | 0:19:57 | 0:20:03 | |
James Macintyre and Co produced extremely finely decorated examples, | 0:20:04 | 0:20:10 | |
commonly silver-mounted as little scent bottles. | 0:20:10 | 0:20:14 | |
Perfumes. And they are a joy and they're somewhat valuable. | 0:20:14 | 0:20:20 | |
James Macintyre and Company were a great pottery | 0:20:20 | 0:20:23 | |
in the late 19th century | 0:20:23 | 0:20:24 | |
and even had William Moorcroft working there for a time. | 0:20:24 | 0:20:27 | |
What on earth is that staple doing there? | 0:20:28 | 0:20:31 | |
Well, that staple and that one there is holding it together. | 0:20:31 | 0:20:36 | |
Because the poor little pepper pot was dropped and the wee egg burst. | 0:20:36 | 0:20:41 | |
But someone thought this was so valuable, so precious to them, | 0:20:41 | 0:20:45 | |
that they had the repair carried out. | 0:20:45 | 0:20:48 | |
One to think about. Anything else? | 0:20:50 | 0:20:51 | |
I like that. | 0:20:54 | 0:20:56 | |
This is good fun. | 0:20:56 | 0:20:57 | |
It's also silver. | 0:20:58 | 0:21:01 | |
English silver, fully assayed, early 20th century. | 0:21:01 | 0:21:05 | |
Why am I looking at it? | 0:21:05 | 0:21:06 | |
Not because it's silver, not because it's an egg cup - | 0:21:06 | 0:21:09 | |
because it's an egg cup that has features | 0:21:09 | 0:21:12 | |
drawn from a Scottish object, the Quaich. | 0:21:12 | 0:21:15 | |
Yeah, you know what a Quaich is. | 0:21:15 | 0:21:18 | |
Distinctly Scottish drinking vessel. | 0:21:18 | 0:21:21 | |
It's also by luxury goods company Mappin & Webb, | 0:21:21 | 0:21:24 | |
which can trace its origins back to a silver workshop | 0:21:24 | 0:21:28 | |
-in the late 18th century. -I like that. | 0:21:28 | 0:21:30 | |
It's got something going on. | 0:21:30 | 0:21:33 | |
I'm going to find Simon. | 0:21:33 | 0:21:35 | |
And have a wee conversation. | 0:21:35 | 0:21:37 | |
It's priced at £22. | 0:21:40 | 0:21:42 | |
Simon, how you doing? | 0:21:42 | 0:21:44 | |
-All right, you? -Good, thanks. | 0:21:44 | 0:21:46 | |
Having a ball, having a ball. | 0:21:46 | 0:21:47 | |
One little early George V silver egg cup. | 0:21:48 | 0:21:52 | |
Before, a cabinet had a little cruet and two bird eggs in. | 0:21:53 | 0:21:58 | |
-Yeah. -£22 and if we cut to the chase, | 0:21:58 | 0:22:01 | |
what could both lots be together? | 0:22:01 | 0:22:05 | |
Egg cup, eggs? | 0:22:05 | 0:22:07 | |
Yeah. £30 the pair. | 0:22:08 | 0:22:12 | |
15 and 15. | 0:22:12 | 0:22:13 | |
That's not daft. | 0:22:14 | 0:22:15 | |
-OK. -Thank you, sir. -Thank you. -Wonderful. | 0:22:17 | 0:22:19 | |
That's a pretty unusual lot. Well done, Paul. | 0:22:19 | 0:22:21 | |
Let's join our friend Margie. | 0:22:24 | 0:22:26 | |
I'd like to spend a bit, buy something now. | 0:22:27 | 0:22:29 | |
I bought sort of weird quirky things yesterday. | 0:22:29 | 0:22:34 | |
Right you are! | 0:22:34 | 0:22:35 | |
The town of Mansfield in Nottinghamshire | 0:22:36 | 0:22:38 | |
is where she's motoring too. | 0:22:38 | 0:22:40 | |
There are 20 dealers in here. | 0:22:42 | 0:22:44 | |
Margie's got a lot of ground to cover and she's got over £270. | 0:22:44 | 0:22:49 | |
Flies! | 0:22:54 | 0:22:55 | |
Maybe owner Rich can point you in the right direction. | 0:22:56 | 0:23:00 | |
What is that? | 0:23:00 | 0:23:02 | |
That, Margie, is actually a honey separator. | 0:23:02 | 0:23:05 | |
Well, how amazing. | 0:23:05 | 0:23:07 | |
It looks like a bicycle chain. | 0:23:07 | 0:23:08 | |
It's quite interesting, isn't it? | 0:23:08 | 0:23:10 | |
-Yeah. -It came from a smallholding. | 0:23:10 | 0:23:12 | |
Can't remember where, but... | 0:23:12 | 0:23:14 | |
Do you know how it works? | 0:23:14 | 0:23:15 | |
Put your honeycomb in there. | 0:23:15 | 0:23:18 | |
-Yeah. -Give it a whizz round. | 0:23:18 | 0:23:19 | |
Yeah. | 0:23:19 | 0:23:20 | |
Yeah? | 0:23:22 | 0:23:23 | |
-And it separates. -Yeah! | 0:23:23 | 0:23:25 | |
Is there a tap or something down there, or... | 0:23:25 | 0:23:27 | |
The honey separator is priced at £110. | 0:23:27 | 0:23:31 | |
How did you value that? | 0:23:31 | 0:23:33 | |
Did you think of a number and double it? | 0:23:33 | 0:23:36 | |
Well... | 0:23:36 | 0:23:37 | |
Yes! If I'm honest. | 0:23:38 | 0:23:41 | |
She's having a great time. | 0:23:42 | 0:23:44 | |
What's next? | 0:23:44 | 0:23:45 | |
That's quite nice, isn't it? | 0:23:48 | 0:23:49 | |
Not English. It's got a good age. | 0:23:50 | 0:23:54 | |
Yes, I think it's a wine or a liqueur decanter. | 0:23:54 | 0:23:56 | |
Probably German, mid-19th century. | 0:23:56 | 0:23:59 | |
It's got this nice gold decoration here, | 0:23:59 | 0:24:02 | |
there's a nice young chap going through the forest. | 0:24:02 | 0:24:05 | |
An exotic sort of bird here. | 0:24:07 | 0:24:09 | |
More little birds. | 0:24:11 | 0:24:12 | |
Yes, it's a good-looking thing, isn't it? | 0:24:14 | 0:24:17 | |
I like that. | 0:24:17 | 0:24:19 | |
It's priced at £75. | 0:24:19 | 0:24:21 | |
Let's get Rich over. | 0:24:21 | 0:24:23 | |
I was thinking more in the way of... | 0:24:23 | 0:24:26 | |
-..like 45. -45. | 0:24:26 | 0:24:27 | |
It's your lucky day today. | 0:24:29 | 0:24:30 | |
£45 and it's yours. | 0:24:30 | 0:24:32 | |
-All right. -OK? -Thank you very much indeed. | 0:24:32 | 0:24:34 | |
Right, I'm just going to have a final little click up here. | 0:24:34 | 0:24:36 | |
-OK. -And see if I'm on for it. | 0:24:36 | 0:24:38 | |
-But thank you very much. -No problem. -Yeah. | 0:24:38 | 0:24:40 | |
So do I go for this or not? | 0:24:42 | 0:24:45 | |
Or... | 0:24:45 | 0:24:46 | |
I am thinking | 0:24:46 | 0:24:48 | |
about the honey separator as well. | 0:24:48 | 0:24:51 | |
Oh, blooming heck, Margie! | 0:24:51 | 0:24:53 | |
Now then, Margie. I've had a word with him, the gaffer. | 0:24:53 | 0:24:57 | |
-He's the gaffer, is he? -Yeah. | 0:24:57 | 0:24:58 | |
Well, likes to think there is, anyway. Yeah, actually. | 0:24:58 | 0:25:01 | |
-It actually doesn't owe him that much. -I didn't think it would. | 0:25:01 | 0:25:04 | |
Right. So, he says to you, £50. | 0:25:04 | 0:25:09 | |
-OK? -Well, that's very good of him. | 0:25:09 | 0:25:11 | |
That's...! | 0:25:11 | 0:25:12 | |
That's a huge discount, Margie. | 0:25:12 | 0:25:14 | |
-Decision time. -What if I had the two? | 0:25:14 | 0:25:16 | |
Could it be eased a bit more? | 0:25:16 | 0:25:18 | |
I'll knock you a tenner off. | 0:25:18 | 0:25:19 | |
Deal? | 0:25:21 | 0:25:22 | |
Yeah. Thanks very much. | 0:25:23 | 0:25:24 | |
-We'll do it. -No problem. | 0:25:24 | 0:25:25 | |
I must be mad. | 0:25:25 | 0:25:27 | |
You have the patience of a saint, Rich. | 0:25:27 | 0:25:31 | |
Thank you for your generosity. | 0:25:31 | 0:25:33 | |
40 for the glass wine ewer and 45 for the honey separator. | 0:25:33 | 0:25:37 | |
Dear, oh, dear. | 0:25:37 | 0:25:38 | |
Next, Paul's Nottingham bound. | 0:25:42 | 0:25:44 | |
The city is home to the legendary outlaw Robin Hood but it is also the | 0:25:45 | 0:25:51 | |
birthplace of another hero, the father of the Salvation Army, | 0:25:51 | 0:25:54 | |
William Booth. | 0:25:54 | 0:25:55 | |
-Hello, Julie. -Hello. | 0:25:56 | 0:25:58 | |
Curator Julie Obermeyer is going to tell Paul more about this great man. | 0:25:58 | 0:26:03 | |
150 years since its creation, | 0:26:05 | 0:26:07 | |
this Christian movement with the military flavour | 0:26:07 | 0:26:10 | |
has become one of the largest distributors | 0:26:10 | 0:26:13 | |
of humanitarian aid in the world. | 0:26:13 | 0:26:16 | |
What's the significance of this room? | 0:26:16 | 0:26:18 | |
Well, we're standing in the bedroom, where William Booth was born. | 0:26:18 | 0:26:22 | |
On the 10th of April 1829. | 0:26:22 | 0:26:24 | |
It's a fine Georgian residence, Sue. | 0:26:24 | 0:26:27 | |
What was his background? | 0:26:27 | 0:26:29 | |
-Was it well-to-do? -You could say the Booth family were comfortably | 0:26:29 | 0:26:32 | |
well-off in terms of having enough food | 0:26:32 | 0:26:34 | |
and having comfortable surroundings. | 0:26:34 | 0:26:37 | |
But when William was 13, his father became bankrupt and suddenly | 0:26:38 | 0:26:42 | |
life took a very different turn. | 0:26:42 | 0:26:44 | |
William couldn't continue with his school, | 0:26:44 | 0:26:47 | |
because they couldn't pay for it any longer so he was taken out and | 0:26:47 | 0:26:50 | |
apprenticed to a pawnbroker in Nottingham | 0:26:50 | 0:26:53 | |
and that would've been a real change for a young William Booth, | 0:26:53 | 0:26:57 | |
because he would have seen destitution, | 0:26:57 | 0:27:00 | |
people living hand-to-mouth, feeding, you know, | 0:27:00 | 0:27:03 | |
back in each week just to try to make ends meet. | 0:27:03 | 0:27:06 | |
Life as a pawnbroker wasn't to be. | 0:27:06 | 0:27:10 | |
In his teens, | 0:27:10 | 0:27:11 | |
he had started attending a Wesleyan Methodist Chapel in Nottingham | 0:27:11 | 0:27:15 | |
and was so moved by his experiences there that, walking home one night, | 0:27:15 | 0:27:20 | |
he had a conversion experience and is decided to dedicate his life to | 0:27:20 | 0:27:25 | |
preaching the gospel. | 0:27:25 | 0:27:27 | |
In his mid-20s, Booth met Catherine, a fellow preacher. | 0:27:28 | 0:27:32 | |
The genesis of the Salvation Army began when they met like-minded | 0:27:33 | 0:27:38 | |
preachers within a group called the East London Revival Society. | 0:27:38 | 0:27:42 | |
13 years later, rebranding of the group took place, | 0:27:42 | 0:27:46 | |
thanks to Booth's son. | 0:27:46 | 0:27:48 | |
William was writing that the Christian mission | 0:27:48 | 0:27:51 | |
is a volunteer army, | 0:27:51 | 0:27:52 | |
waging a war against sin. | 0:27:52 | 0:27:54 | |
His son Bramwell overheard him and said, "Dad, I'm not a volunteer. | 0:27:54 | 0:27:59 | |
"I'm a regular." | 0:27:59 | 0:28:00 | |
And so, William struck out the word volunteer and put in the word | 0:28:02 | 0:28:06 | |
salvation, and the name really stuck since that time and it just gathered | 0:28:06 | 0:28:10 | |
momentum, this idea of an army. | 0:28:10 | 0:28:13 | |
The Salvation Army grew in popularity | 0:28:15 | 0:28:17 | |
but thanks to its abstinence policy, | 0:28:17 | 0:28:20 | |
publicans were up in arms. | 0:28:20 | 0:28:22 | |
Riots became commonplace. | 0:28:22 | 0:28:24 | |
Members were in danger and needed protection, | 0:28:24 | 0:28:26 | |
so a unique form of bodyguards were born. | 0:28:26 | 0:28:30 | |
It was a Methodist family, Charles Fry and his three sons, | 0:28:31 | 0:28:34 | |
and they just happened to all play brass instruments | 0:28:34 | 0:28:37 | |
which worked really well at obviously drowning out opposition | 0:28:37 | 0:28:41 | |
and hecklers and it sort of developed from there, really. | 0:28:41 | 0:28:44 | |
Almost really naturally all over the country within about four or five | 0:28:44 | 0:28:48 | |
years, you had up to about 400 Salvation Army bands | 0:28:48 | 0:28:53 | |
all over the country. | 0:28:53 | 0:28:54 | |
And on that note... | 0:28:54 | 0:28:56 | |
BAND PLAYS A CAROL ARRANGEMENT | 0:28:56 | 0:28:58 | |
Superb. | 0:29:19 | 0:29:20 | |
Gentlemen, that was fantastic and of course, now it's Christmas! | 0:29:20 | 0:29:23 | |
And it gets you there. | 0:29:24 | 0:29:26 | |
It's such a sound. | 0:29:26 | 0:29:28 | |
I've got to say, you've got the cool kit with the heavy artillery. | 0:29:28 | 0:29:32 | |
-What is that? -It's a tuba. Do you want a shot? | 0:29:32 | 0:29:35 | |
Are you serious? | 0:29:35 | 0:29:37 | |
-Yeah. -Come on! You're a gentleman. | 0:29:37 | 0:29:39 | |
Gentlemen, come on. Clearly, I'm a virtuoso here. | 0:29:42 | 0:29:44 | |
A natural talent. Set me up. | 0:29:44 | 0:29:45 | |
There must be a few bars of something you can play | 0:29:45 | 0:29:48 | |
to end with this. | 0:29:48 | 0:29:50 | |
BAND PLAYS | 0:29:50 | 0:29:51 | |
HE PLAYS A ROUGH NOTE | 0:29:56 | 0:29:57 | |
THEY CHEER | 0:29:57 | 0:29:59 | |
What a beautiful day. | 0:30:02 | 0:30:03 | |
I feel great. I feel very relaxed. The sun is shining. | 0:30:05 | 0:30:07 | |
Margie has made her way to Bolsover in Derbyshire. | 0:30:08 | 0:30:11 | |
Bolsover Antiques Centre, brace yourselves. | 0:30:13 | 0:30:16 | |
Our Margie is on the mooch. | 0:30:16 | 0:30:17 | |
I don't want to do handbags, do I? | 0:30:24 | 0:30:26 | |
With a little under £200, | 0:30:28 | 0:30:30 | |
she's got a decent amount tucked away in her purse. | 0:30:30 | 0:30:33 | |
The man in charge today is Andy. | 0:30:36 | 0:30:38 | |
Lovely. | 0:30:38 | 0:30:39 | |
Brass-bound, lovely bit of mahogany. | 0:30:41 | 0:30:45 | |
Is it mahogany? | 0:30:45 | 0:30:46 | |
I think it's rosewood. | 0:30:46 | 0:30:48 | |
Is it? Yeah, Oh, yeah. | 0:30:48 | 0:30:50 | |
It is. Look, I can see. I love rosewood, don't you? | 0:30:50 | 0:30:52 | |
-I do. -It's a really good hardwood. | 0:30:52 | 0:30:54 | |
Yes, has it got a whatsit? | 0:30:55 | 0:30:57 | |
-Secret drawer? -Yeah. | 0:30:57 | 0:30:58 | |
Pull one of these up. | 0:30:59 | 0:31:01 | |
Yeah. Pull one of those. | 0:31:01 | 0:31:03 | |
That one? Wahey! | 0:31:03 | 0:31:05 | |
They always fly out. | 0:31:05 | 0:31:06 | |
Good fun finding them. Put all your love letters in there, Andy! | 0:31:06 | 0:31:09 | |
Yeah. Don't get many of those. | 0:31:09 | 0:31:12 | |
Don't you? Ah, what a shame. | 0:31:12 | 0:31:13 | |
-I don't, either! -I refuse to believe it, Margie! | 0:31:13 | 0:31:17 | |
This is an antique and legal to sell, but the international trade in | 0:31:17 | 0:31:22 | |
rosewood is strictly controlled. | 0:31:22 | 0:31:24 | |
-No sovereigns, unfortunately. -No, how many people have left the deeds | 0:31:24 | 0:31:28 | |
-of their houses and things in there? -True. -Yeah. | 0:31:28 | 0:31:30 | |
Right, so how much is that? | 0:31:30 | 0:31:32 | |
I've got 120 on it. | 0:31:32 | 0:31:33 | |
It's a nice clean thing, isn't it? | 0:31:35 | 0:31:37 | |
It's nice. Thank you. | 0:31:38 | 0:31:39 | |
-That's OK. -Yeah. | 0:31:39 | 0:31:41 | |
After a final mooch and a mull, it's time to talk money. | 0:31:44 | 0:31:48 | |
So, like, something like 68 is out of the question? | 0:31:48 | 0:31:51 | |
It is, yeah. Really, it's got to be 80. | 0:31:52 | 0:31:56 | |
I could probably squeeze to 75 at the most. | 0:31:56 | 0:32:00 | |
Yeah. I like it. | 0:32:00 | 0:32:01 | |
-So I'll have it. -OK. Lovely. | 0:32:01 | 0:32:03 | |
-Thanks very much, Marg½ret. -No messing about there, Margie. | 0:32:03 | 0:32:06 | |
The Georgian writing box with a very generous discount from Andy. | 0:32:06 | 0:32:10 | |
That's it. We've completed the shopping for this trip. | 0:32:10 | 0:32:12 | |
Hurray! | 0:32:12 | 0:32:13 | |
MUSIC: Do You Know The Way To San Jose? arrangement | 0:32:13 | 0:32:16 | |
So, do you know...the way to San Jose? | 0:32:17 | 0:32:21 | |
Do you know the way to Leicester? Cos that's where we're going, kiddo! | 0:32:22 | 0:32:25 | |
No-one said anything about navigating. | 0:32:25 | 0:32:29 | |
I was just going to be chauffeured. | 0:32:29 | 0:32:31 | |
You're in for a shock, then. | 0:32:32 | 0:32:34 | |
Time for a bit of shut-eye. | 0:32:34 | 0:32:35 | |
We're off to the city of Leicester in the East Midlands for | 0:32:40 | 0:32:42 | |
the penultimate auction. | 0:32:42 | 0:32:45 | |
Churchgate Auctions is the place to test the profit-making skills of | 0:32:45 | 0:32:50 | |
Paul and Margie. | 0:32:50 | 0:32:51 | |
-Nearly there. -The second last one. | 0:32:51 | 0:32:52 | |
-It is. -Wait till you see what I've bought, Margie. | 0:32:52 | 0:32:55 | |
Oh, don't start! | 0:32:55 | 0:32:56 | |
Trying to wind me up. | 0:32:56 | 0:32:57 | |
You're going to love it. | 0:32:59 | 0:33:01 | |
Margie has gone large and spent £212 on five auction lots. | 0:33:04 | 0:33:08 | |
Whereas Paul is being frugal by comparison. | 0:33:10 | 0:33:13 | |
He's totted up a sum of £156, also on five lots. | 0:33:13 | 0:33:17 | |
Dish the dirt on one another's buys, please. | 0:33:19 | 0:33:22 | |
Well, I'm lost for words. | 0:33:23 | 0:33:24 | |
I think Paul's on a flight of fancy. | 0:33:26 | 0:33:28 | |
This is a child's ticket puncher. | 0:33:28 | 0:33:32 | |
This does not look like Paul Laidlaw, does it? | 0:33:32 | 0:33:34 | |
What a lovely piece of 19th-century glass. | 0:33:35 | 0:33:39 | |
And nobody cares. | 0:33:39 | 0:33:41 | |
I think she's going to struggle for no other reason than fashion. | 0:33:41 | 0:33:46 | |
Ouch! Great news. | 0:33:46 | 0:33:49 | |
I've never seen anything like this. | 0:33:49 | 0:33:51 | |
I'd be really interested to see how he gets on with this. | 0:33:52 | 0:33:55 | |
I don't like it but I think it's a good thing. | 0:33:55 | 0:33:57 | |
Dickon Dearman is today's auctioneer. | 0:33:59 | 0:34:02 | |
Now, what are his thoughts on our experts' buys? | 0:34:02 | 0:34:05 | |
My favourite item in the sale today | 0:34:06 | 0:34:08 | |
is the Georgian rosewood writing box. | 0:34:08 | 0:34:10 | |
It's got a very good interior. | 0:34:10 | 0:34:12 | |
It's also got the secret drawer and secret compartment. | 0:34:12 | 0:34:15 | |
It's got the original key with it, which is always a bonus. | 0:34:15 | 0:34:17 | |
The First World War Austrian flag standard finial is probably the most | 0:34:17 | 0:34:21 | |
unusual item in the sale today and I think that that's certainly an item | 0:34:21 | 0:34:25 | |
to look out for. It would definitely be one of the most unusual pieces | 0:34:25 | 0:34:28 | |
that I've seen this year. | 0:34:28 | 0:34:30 | |
Thanks, Dickon. | 0:34:30 | 0:34:31 | |
The auction is about to begin. | 0:34:32 | 0:34:35 | |
Blimey, it's a packed house, look! | 0:34:35 | 0:34:36 | |
Exciting! | 0:34:37 | 0:34:38 | |
-It's busy. -Nice to see a busy auction house. | 0:34:40 | 0:34:43 | |
Must have heard about my lots. | 0:34:43 | 0:34:45 | |
-The word's out. -Be quiet! | 0:34:45 | 0:34:48 | |
Zip it, Paul. Margie's horse tail docker is first to go. | 0:34:48 | 0:34:52 | |
I'm opening the bidding here at £30 on this. | 0:34:52 | 0:34:55 | |
£30 being bid. Do I see 35? | 0:34:55 | 0:34:56 | |
40. 45. 50. 55. 60. 65. | 0:34:56 | 0:35:02 | |
65 now. | 0:35:02 | 0:35:03 | |
65. Is there anyone at 65? | 0:35:03 | 0:35:05 | |
New bidder. 70. | 0:35:05 | 0:35:06 | |
£70 now. | 0:35:06 | 0:35:07 | |
£70. Is there anywhere? | 0:35:07 | 0:35:08 | |
Do I see 70? | 0:35:08 | 0:35:10 | |
£70 being bid. | 0:35:10 | 0:35:11 | |
Do I see 75 now? | 0:35:11 | 0:35:13 | |
75 is there? Selling then for £70. | 0:35:13 | 0:35:16 | |
Redeemed! | 0:35:17 | 0:35:19 | |
Certainly has! | 0:35:19 | 0:35:20 | |
Even though it's gruesome. | 0:35:20 | 0:35:22 | |
Note to self, love every one of my deals. | 0:35:22 | 0:35:26 | |
Well, it's your turn now to test the water with the well-loved Windsor | 0:35:26 | 0:35:31 | |
-armchair. -£50, any interest at 50? | 0:35:31 | 0:35:33 | |
-£50 being bid. -Yeah, not bad. | 0:35:33 | 0:35:35 | |
£60. 60. £70. | 0:35:35 | 0:35:38 | |
-Oh! -80. 90. £100 | 0:35:38 | 0:35:41 | |
has been bid just there. £100. | 0:35:41 | 0:35:43 | |
-I see 110? 110. -Well done. | 0:35:43 | 0:35:44 | |
110 I have just there, madam. | 0:35:44 | 0:35:46 | |
-110. 120. -Character. | 0:35:46 | 0:35:48 | |
-130. -Character. | 0:35:48 | 0:35:50 | |
Gosh. Who'd have thought that would have run? | 0:35:50 | 0:35:52 | |
140 do I see? | 0:35:52 | 0:35:54 | |
No further interest. Selling for £130. | 0:35:54 | 0:35:57 | |
My goodness, that's a heck of a way to start, Paul. | 0:36:00 | 0:36:02 | |
Someone shares your passion. | 0:36:02 | 0:36:05 | |
I think you were a bit lucky with that. | 0:36:05 | 0:36:08 | |
Well, let's see if you can score high with the bagatelle, Margie. | 0:36:08 | 0:36:12 | |
I'm opening the bidding here at £30 on this. | 0:36:12 | 0:36:15 | |
-That'll do. -Do I see 35 now? | 0:36:15 | 0:36:16 | |
35 just there. | 0:36:16 | 0:36:18 | |
£40. 45. 50, madam. | 0:36:18 | 0:36:20 | |
55. 55, 60. 65 there. | 0:36:20 | 0:36:24 | |
65 just there. | 0:36:24 | 0:36:25 | |
£70 now. £70. | 0:36:25 | 0:36:27 | |
Selling then, to you, sir, for £65. | 0:36:27 | 0:36:30 | |
Don't look so surprised. | 0:36:32 | 0:36:33 | |
I knew it was going to fetch that. | 0:36:33 | 0:36:36 | |
Fibber! Well done. | 0:36:36 | 0:36:38 | |
It's a lovely thing. | 0:36:38 | 0:36:39 | |
We are flying, Margie. | 0:36:40 | 0:36:42 | |
Yeah, aren't we? | 0:36:42 | 0:36:44 | |
Long may it continue. | 0:36:44 | 0:36:46 | |
Paul's child's clipping machine is next. | 0:36:46 | 0:36:49 | |
-Cheapskate! -Opening the bidding here at £20 on this. | 0:36:49 | 0:36:52 | |
£20 has been bid. | 0:36:52 | 0:36:54 | |
Do I see £22? 22, 24. | 0:36:54 | 0:36:55 | |
26, 28, £30. 32, 34, 36 now. | 0:36:55 | 0:37:01 | |
36 now. | 0:37:01 | 0:37:02 | |
36, is there anywhere? | 0:37:02 | 0:37:04 | |
36 do I see? | 0:37:04 | 0:37:05 | |
Selling now for £34. | 0:37:05 | 0:37:07 | |
Oh, my giddy aunt! | 0:37:07 | 0:37:09 | |
Would you make some mayonnaise with those words? | 0:37:09 | 0:37:12 | |
Double helping, I think! | 0:37:13 | 0:37:15 | |
This is great. | 0:37:15 | 0:37:16 | |
Another chunky profit. | 0:37:16 | 0:37:17 | |
Well, that's very good. | 0:37:18 | 0:37:20 | |
How many percentage profit is that? | 0:37:20 | 0:37:22 | |
Millions and trill... | 0:37:22 | 0:37:23 | |
Gazillions! | 0:37:23 | 0:37:25 | |
Yeah! Not quite. | 0:37:25 | 0:37:27 | |
Time for Margie's honey separator. | 0:37:27 | 0:37:30 | |
It's different. | 0:37:30 | 0:37:31 | |
Any interest at 50? | 0:37:31 | 0:37:32 | |
£50 has been bid. Thank you, madam. | 0:37:32 | 0:37:34 | |
Do I see 55 now? | 0:37:34 | 0:37:36 | |
55. 55. Is there anyone at 55? | 0:37:36 | 0:37:39 | |
Stop, stop, stop. No, don't bid. | 0:37:39 | 0:37:41 | |
65, 70. 75, 75. £80. £80 | 0:37:41 | 0:37:45 | |
has been bid. Do I see 85 now? | 0:37:45 | 0:37:47 | |
Is there anywhere? Selling, then, for £80. | 0:37:47 | 0:37:50 | |
-That'll do. -Outrageous! | 0:37:51 | 0:37:53 | |
Unusual sells, and this is a fabulous return. | 0:37:55 | 0:37:58 | |
We haven't had a loss yet, have we? | 0:38:00 | 0:38:02 | |
Don't jinx it. | 0:38:02 | 0:38:04 | |
Look what's next. | 0:38:04 | 0:38:05 | |
Paul's super heavy cast iron Victorian mirror. | 0:38:05 | 0:38:08 | |
£50 have been bid. Thank you. Do I see 55? | 0:38:08 | 0:38:10 | |
55. 55 just there. | 0:38:10 | 0:38:12 | |
60. 65. 70. 75. 80. 85, now, 85, | 0:38:12 | 0:38:19 | |
85 - do I see any further bids? | 0:38:19 | 0:38:21 | |
No? Selling, then, for £80. | 0:38:21 | 0:38:23 | |
-Thank you. -Look at that. | 0:38:23 | 0:38:24 | |
-I took a punt. -Yeah, you did. | 0:38:24 | 0:38:27 | |
It's good to take risks and it still made a little something. | 0:38:27 | 0:38:31 | |
Was it the lowest profit of the day? | 0:38:31 | 0:38:33 | |
I can't remember. Really no idea. | 0:38:33 | 0:38:36 | |
Don't listen to her, Paul. | 0:38:37 | 0:38:39 | |
Margie's 19th-century glass wine ewer is next. | 0:38:39 | 0:38:42 | |
Tenner if you like, then. £10, 12, £14, sir. | 0:38:43 | 0:38:47 | |
14. 16. £16, 18, £18, | 0:38:47 | 0:38:51 | |
over there. 20. £20. 22, 24, £24, 26, 28. | 0:38:51 | 0:38:57 | |
£30, 32, 32. 34, 36. 38, £38. 38, 40. £40. | 0:38:57 | 0:39:05 | |
40 on the front. Back to you for 42, sir. | 0:39:05 | 0:39:09 | |
No. 42 now. | 0:39:09 | 0:39:10 | |
42, is there anywhere? | 0:39:10 | 0:39:11 | |
42, do I see? | 0:39:11 | 0:39:12 | |
Selling down here, then, for £40. | 0:39:12 | 0:39:15 | |
Thank goodness for that. | 0:39:15 | 0:39:17 | |
See what happens when you become too smug, Margie? | 0:39:18 | 0:39:22 | |
This audience here seem to know what they're doing. | 0:39:22 | 0:39:25 | |
I think... Do you know what, you're right. | 0:39:25 | 0:39:28 | |
Let's see how savvy they are with Paul's First World War standard flag | 0:39:28 | 0:39:32 | |
-finial. -Any interest at 50? | 0:39:32 | 0:39:34 | |
£50 has been bid straightaway. | 0:39:34 | 0:39:35 | |
Thank you. Do I see 55? | 0:39:35 | 0:39:36 | |
60? 65? 70? 75? 80. 85. | 0:39:36 | 0:39:42 | |
-90. 95. £100. -You paid 15? | 0:39:42 | 0:39:47 | |
-Oh, God. -110 do I see? | 0:39:47 | 0:39:49 | |
Any further bids? No. | 0:39:49 | 0:39:50 | |
Selling over there to you, sir, for £100. | 0:39:50 | 0:39:54 | |
Well, someone knew what it was. | 0:40:00 | 0:40:02 | |
Another high profit for Paul. | 0:40:02 | 0:40:04 | |
I'm not going to be with you any more. | 0:40:04 | 0:40:06 | |
Patience, Margie, your top-quality Georgian writing box is next. | 0:40:09 | 0:40:13 | |
I'm opening the bidding here at £80 on this. | 0:40:13 | 0:40:15 | |
-Bang on. -£80 on a commission bid. | 0:40:15 | 0:40:17 | |
Do I see 85 now? | 0:40:17 | 0:40:18 | |
85. 85. Is there anywhere, 85, do I see? | 0:40:18 | 0:40:21 | |
85 just there. | 0:40:21 | 0:40:22 | |
£90 now. | 0:40:22 | 0:40:23 | |
90, 90 just there. | 0:40:23 | 0:40:25 | |
-95. -It's going to creep. | 0:40:25 | 0:40:26 | |
95. £100. | 0:40:26 | 0:40:28 | |
£100, thank you, madam. | 0:40:28 | 0:40:29 | |
-£100. 110. -Well, I liked it. | 0:40:29 | 0:40:30 | |
110. 110, I have just there. | 0:40:30 | 0:40:32 | |
You bought well. | 0:40:32 | 0:40:33 | |
110 has been bid. 120 now. | 0:40:33 | 0:40:35 | |
120. 120. Is there anyone at 120, do I see any further bids? | 0:40:35 | 0:40:38 | |
It's about right for it, isn't it? | 0:40:38 | 0:40:40 | |
It was. It was well bought. | 0:40:40 | 0:40:43 | |
Not bad, Margie. It is a thing of beauty. | 0:40:43 | 0:40:46 | |
Look at us. Look at as with our profits! | 0:40:46 | 0:40:48 | |
Isn't it wonderful? Last lot. | 0:40:52 | 0:40:54 | |
Paul's George V silver egg cup and little egg cruets. | 0:40:54 | 0:40:59 | |
20, if you like, then. | 0:40:59 | 0:41:00 | |
£20. £20 just there. | 0:41:00 | 0:41:01 | |
It has been bid. Do I see 22 now? | 0:41:01 | 0:41:03 | |
22, £22, 24, 26, 28, £30. | 0:41:03 | 0:41:08 | |
32, 35, 37, £40, madam. | 0:41:08 | 0:41:11 | |
40. 42, yes, 45. | 0:41:11 | 0:41:13 | |
47. £50. 55. | 0:41:13 | 0:41:17 | |
It looks like it. | 0:41:17 | 0:41:19 | |
Yes, 70. | 0:41:19 | 0:41:21 | |
£70 now. £70 now. | 0:41:21 | 0:41:23 | |
70, do I see? 70, a new bidder just there. | 0:41:23 | 0:41:25 | |
75. 75. | 0:41:25 | 0:41:28 | |
Is there anywhere 75? | 0:41:28 | 0:41:29 | |
-Well done. -75, £80. | 0:41:29 | 0:41:31 | |
80, madam, just there. | 0:41:31 | 0:41:33 | |
85 now. 85 is there? | 0:41:33 | 0:41:35 | |
Selling, then, for £80. | 0:41:35 | 0:41:36 | |
Thank you. | 0:41:36 | 0:41:38 | |
Well done. Over doubled. | 0:41:38 | 0:41:40 | |
Lovely way to finish. | 0:41:40 | 0:41:42 | |
-What an auction! -We've done OK, haven't we? | 0:41:42 | 0:41:46 | |
Should we just go home early now? | 0:41:46 | 0:41:47 | |
Yeah. | 0:41:47 | 0:41:49 | |
Not do any more buying and selling. | 0:41:49 | 0:41:50 | |
I think we might have peaked, Margie. | 0:41:50 | 0:41:52 | |
-We've peaked. -Come on, let's just blow the profits on a day's outing. | 0:41:52 | 0:41:56 | |
Come on! | 0:41:56 | 0:41:58 | |
No, you will not. | 0:41:58 | 0:42:00 | |
Let's get the abacus out and tot up the figures. | 0:42:00 | 0:42:03 | |
Now, Margie began with £323.32, and after saleroom costs, | 0:42:05 | 0:42:12 | |
she's made a profit of £87.30, giving her £410.62 | 0:42:12 | 0:42:18 | |
for the next leg. | 0:42:18 | 0:42:19 | |
£407.06 was the starting figure for Paul. After all auction | 0:42:20 | 0:42:26 | |
costs, he made a marvellous profit of £191.68. | 0:42:26 | 0:42:31 | |
Paul is today's winner and starts the finale with £598.74. | 0:42:31 | 0:42:39 | |
Well done. | 0:42:39 | 0:42:40 | |
Hey, not a bad day. | 0:42:42 | 0:42:43 | |
Superb. | 0:42:43 | 0:42:44 | |
I'm flying and you're soaring. | 0:42:45 | 0:42:48 | |
That's my problem. | 0:42:48 | 0:42:49 | |
It's all good, Margie. | 0:42:49 | 0:42:50 | |
Come on. Let's soar over here. | 0:42:50 | 0:42:52 | |
Next time on Antiques Road Trip, things are hotting up for the final, | 0:42:54 | 0:42:57 | |
I think. | 0:42:57 | 0:42:59 | |
-How are you, my friend? -Perishing, Margie. | 0:42:59 | 0:43:01 | |
Get your coat! | 0:43:01 | 0:43:03 | |
Pull over and give me a big hug. | 0:43:03 | 0:43:05 | |
Paul's going great guns. | 0:43:05 | 0:43:07 | |
It's child's play for Margie. | 0:43:09 | 0:43:12 | |
Whee! I'm getting good. | 0:43:12 | 0:43:13 | |
I am getting better. | 0:43:13 | 0:43:15 | |
Paul gets on his bike | 0:43:15 | 0:43:17 | |
and can Margie sniff out a deal? | 0:43:17 | 0:43:19 | |
Yeah, I can. | 0:43:19 | 0:43:22 |