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It's the nation's favourite antiques experts. | 0:00:02 | 0:00:03 | |
-What a job. -..with £200 each... | 0:00:03 | 0:00:05 | |
You with me? | 0:00:05 | 0:00:07 | |
..a classic car... | 0:00:07 | 0:00:08 | |
Buckle up. | 0:00:08 | 0:00:09 | |
..and a goal, to scour Britain for antiques. | 0:00:09 | 0:00:11 | |
Oh, sorry. | 0:00:11 | 0:00:13 | |
Ha-ha! | 0:00:13 | 0:00:14 | |
The aim - to make the biggest profit at auction, | 0:00:14 | 0:00:17 | |
but it's no mean feat. | 0:00:17 | 0:00:19 | |
-There will be worthy winners... -Yes! | 0:00:19 | 0:00:21 | |
..and valiant losers. | 0:00:21 | 0:00:22 | |
So, will it be the high road to glory or the slow road to disaster? | 0:00:22 | 0:00:27 | |
Have a good trip. | 0:00:27 | 0:00:28 | |
This is the Antiques Road Trip. | 0:00:28 | 0:00:31 | |
Yeah! | 0:00:33 | 0:00:34 | |
Well, here we are, it's the fifth and final leg of the road trip | 0:00:37 | 0:00:41 | |
with silver expert Margie Cooper | 0:00:41 | 0:00:43 | |
and militaria mad auctioneer Paul Laidlaw. | 0:00:43 | 0:00:46 | |
-How are you, my friend? -Perishing, Margie. | 0:00:46 | 0:00:50 | |
Are you listening? | 0:00:50 | 0:00:51 | |
Just forget you're cold. | 0:00:51 | 0:00:53 | |
Pull over and give me a big hug. | 0:00:53 | 0:00:55 | |
At least it's still warm in their hearts, | 0:00:55 | 0:00:57 | |
even if it's cold in the car. | 0:00:57 | 0:00:59 | |
Have you noticed anything about the car? | 0:00:59 | 0:01:01 | |
Have you sold the other one and managed to buy a cheaper one | 0:01:01 | 0:01:05 | |
and this is augmenting your profits? | 0:01:05 | 0:01:07 | |
It's going to be at the next auction. | 0:01:07 | 0:01:09 | |
Yes, there's been a quick swap, | 0:01:09 | 0:01:11 | |
it's still a Morris Minor 1,000 convertible but it's from 1958, | 0:01:11 | 0:01:16 | |
and with a 48 horsepower engine. Racy! | 0:01:16 | 0:01:20 | |
Why say horsepower? | 0:01:20 | 0:01:22 | |
It depends on how big... If you had ten little horses with short legs, | 0:01:22 | 0:01:25 | |
you'd need more of them. | 0:01:25 | 0:01:26 | |
So it's like a word that's come from the past. | 0:01:26 | 0:01:29 | |
Yes, a bit like us. | 0:01:29 | 0:01:32 | |
-Horsepower. -I said us, I meant you. | 0:01:32 | 0:01:34 | |
That's not very gallant. | 0:01:34 | 0:01:37 | |
From her original £200, Margie begins today with £410.62. | 0:01:37 | 0:01:44 | |
Paul won the last auction and now has £598.74. | 0:01:44 | 0:01:50 | |
Hey, we've done well. Seriously. | 0:01:50 | 0:01:52 | |
You're still ahead, my dear. | 0:01:52 | 0:01:55 | |
-Sorry, pardon? -You're still ahead. | 0:01:55 | 0:01:57 | |
-Pardon? -You're still ahead. | 0:01:57 | 0:01:59 | |
It's fantastic, that. Could you text me that? | 0:01:59 | 0:02:01 | |
-We've got... -SHE LAUGHS | 0:02:01 | 0:02:04 | |
We've got another load of buying to do. | 0:02:04 | 0:02:06 | |
Indeed you have. | 0:02:06 | 0:02:07 | |
Our pair's road trip kicked off in Hemswell Cliff in Lincolnshire, | 0:02:09 | 0:02:14 | |
they've yomped around Yorkshire, mooched around the Midlands, | 0:02:14 | 0:02:18 | |
and they'll be selling in Shrewsbury. | 0:02:18 | 0:02:21 | |
Today, they're aiming for that auction in Shropshire, | 0:02:21 | 0:02:23 | |
but they're kicking of the day in Wootton Wawen, in Warwickshire. | 0:02:23 | 0:02:28 | |
This is our last day. | 0:02:28 | 0:02:30 | |
Last day of buying. | 0:02:30 | 0:02:32 | |
While Margie drives on, | 0:02:32 | 0:02:34 | |
Paul's first stop is to check out the wares in Sims Vintage. | 0:02:34 | 0:02:38 | |
-Hello, is it Phil? -It is. -Good to see you. -Hi, Paul. | 0:02:38 | 0:02:42 | |
I like the look of this place. | 0:02:42 | 0:02:43 | |
Positive and upbeat as ever, Mr Laidlaw. | 0:02:43 | 0:02:47 | |
Let's get to work, shall we? | 0:02:47 | 0:02:49 | |
I'm not usually one to pick up vintage toys, | 0:02:56 | 0:03:00 | |
but this one has my attention. | 0:03:00 | 0:03:03 | |
And that, surely you recognise, is a little miniature pistol. | 0:03:03 | 0:03:08 | |
Yeah. What do you reckon, 1950s cowboys and Indians? | 0:03:08 | 0:03:11 | |
Nah, Victorian. | 0:03:11 | 0:03:13 | |
Proper antique. | 0:03:13 | 0:03:15 | |
Nah. Why don't we go Tudor? | 0:03:15 | 0:03:18 | |
HE GIGGLES | 0:03:18 | 0:03:20 | |
Tudor. One of the oldest things I have picked up this road trip. | 0:03:20 | 0:03:25 | |
And it dates indeed to the time of William Shakespeare. | 0:03:25 | 0:03:29 | |
And there is a little vent or touch hole there, and the theory is that | 0:03:30 | 0:03:34 | |
you could say, "Dad, give me some powder, give me some powder," | 0:03:34 | 0:03:38 | |
and he goes, "OK, you be careful, | 0:03:38 | 0:03:40 | |
"your mother will murder me if you burn yourself." | 0:03:40 | 0:03:42 | |
And you get a few grains of powder, and you pop it in there, | 0:03:42 | 0:03:45 | |
and with a wee match you can go, boom! | 0:03:45 | 0:03:48 | |
"Look at me, I'm Francis Drake! Got ye!" | 0:03:48 | 0:03:51 | |
Now, price tag on this, you're wondering. | 0:03:51 | 0:03:54 | |
Antique pistolet, £165. | 0:03:54 | 0:03:57 | |
Well, thankfully, | 0:03:57 | 0:03:59 | |
we're not allowed to entertain the kids like that any more. | 0:03:59 | 0:04:01 | |
But it's still a possible purchase for Paul. | 0:04:01 | 0:04:04 | |
Let's see how Margie is getting on, shall we? | 0:04:04 | 0:04:06 | |
She's on her way to the town of Middleton, in Warwickshire, | 0:04:06 | 0:04:09 | |
hoping to get some bargains of her own. | 0:04:09 | 0:04:12 | |
Yeah, well, I'd love to find something hidden | 0:04:12 | 0:04:15 | |
that would completely trounce Laidlaw. | 0:04:15 | 0:04:17 | |
But I'm getting there. I'm getting there. | 0:04:19 | 0:04:22 | |
Well, let's discover what's hidden in Meadowview Antiques. | 0:04:22 | 0:04:26 | |
Here to give her a hand is owner Mike. | 0:04:26 | 0:04:29 | |
Good morning, Mike. Oh, dear. | 0:04:29 | 0:04:30 | |
Not that hand, the other one. | 0:04:30 | 0:04:33 | |
Yes, don't do that. | 0:04:33 | 0:04:35 | |
Not too serious, I hope. | 0:04:35 | 0:04:36 | |
No, just an operation on my hand. | 0:04:36 | 0:04:39 | |
Right, so we're here. | 0:04:39 | 0:04:40 | |
An eclectic mix. | 0:04:40 | 0:04:41 | |
We specialise in rare items. | 0:04:41 | 0:04:43 | |
-You'll see probably things you haven't seen. -Right. | 0:04:43 | 0:04:47 | |
Like these little Victorian shoes, perhaps. | 0:04:47 | 0:04:50 | |
Are they an apprentice thing? | 0:04:50 | 0:04:52 | |
Yeah, I would think so, yeah. | 0:04:52 | 0:04:54 | |
Little shoes like these were often made by Victorian cobblers | 0:04:55 | 0:04:58 | |
at the end of their apprenticeship, | 0:04:58 | 0:05:00 | |
before they were allowed to start making the adult versions. | 0:05:00 | 0:05:03 | |
Let's take a closer look, shall we? | 0:05:05 | 0:05:06 | |
Oh, look at those little things. | 0:05:08 | 0:05:11 | |
What sort of money are those? | 0:05:11 | 0:05:13 | |
I've got 48 on them. | 0:05:13 | 0:05:14 | |
-I could do them you for 30. -Right. | 0:05:14 | 0:05:17 | |
I've only just arrived. Can I have a little think? | 0:05:17 | 0:05:19 | |
Yes, carry on, you carry on. | 0:05:19 | 0:05:20 | |
-You're moving in the right direction, Mike. -Yeah. | 0:05:20 | 0:05:24 | |
THEY LAUGH | 0:05:24 | 0:05:26 | |
OK... | 0:05:26 | 0:05:27 | |
So that's a Margie maybe. | 0:05:27 | 0:05:28 | |
Paul also had a miniature maybe with his pistol, | 0:05:30 | 0:05:33 | |
but what else has he seen? | 0:05:33 | 0:05:34 | |
This beautifully crafted Chinese white metal mug | 0:05:34 | 0:05:37 | |
has a ticket price of £25. | 0:05:37 | 0:05:39 | |
White metal is the term used for un-hallmarked silver. | 0:05:39 | 0:05:44 | |
This is a South Asian piece, | 0:05:44 | 0:05:47 | |
there are numerals scratched on the bottom, | 0:05:47 | 0:05:49 | |
jewellers' marks, so someone cared enough back in, when, | 0:05:49 | 0:05:54 | |
the late-19th or early-20th century, | 0:05:54 | 0:05:57 | |
to have that looked at. | 0:05:57 | 0:05:59 | |
I think it is what I want it to be. | 0:05:59 | 0:06:02 | |
It's a nice piece of Indian, Burmese or Siamese silver. | 0:06:02 | 0:06:08 | |
Sweet, isn't it? I like it. | 0:06:08 | 0:06:10 | |
Let's have a word with Phil. | 0:06:10 | 0:06:12 | |
-How are you doing, Phil? -Hello. -I have been busy. | 0:06:14 | 0:06:17 | |
I will return to that in a moment. | 0:06:17 | 0:06:19 | |
Yes. | 0:06:19 | 0:06:21 | |
In one of the cabinets, | 0:06:21 | 0:06:23 | |
one of your chaps does military material and some archaeological... | 0:06:23 | 0:06:27 | |
-Yes. -And he's got some antique toy pistols. | 0:06:27 | 0:06:32 | |
-The pistolets. -Yes. | 0:06:32 | 0:06:34 | |
165 quid a pop. | 0:06:34 | 0:06:36 | |
-It's me. -It's him. | 0:06:36 | 0:06:38 | |
-It's you. -It's me. -You dark horse! | 0:06:38 | 0:06:40 | |
You were keeping that. | 0:06:40 | 0:06:42 | |
Are you buying them cheap or no? | 0:06:42 | 0:06:44 | |
I just fell in love with them, to be honest. I think they're great. | 0:06:44 | 0:06:47 | |
They're cool as hell. | 0:06:47 | 0:06:48 | |
And I just imagine some child, almost 300 years ago, | 0:06:48 | 0:06:51 | |
putting a bit of shot or something and shooting the cat. | 0:06:51 | 0:06:53 | |
-It's fantastic. -Definitely. | 0:06:53 | 0:06:55 | |
-Not sure about the cat. -Not for the cat. | 0:06:55 | 0:06:58 | |
We should assure all our viewers, | 0:06:58 | 0:07:00 | |
no historical cats were harmed in the making of Phil's imagination. | 0:07:00 | 0:07:04 | |
I could go to 120 on one of those. | 0:07:04 | 0:07:06 | |
-I don't know where that leaves it for you. -Still at three figures. | 0:07:06 | 0:07:08 | |
Probably too dear at auction. I would bid 50 quid on them. | 0:07:08 | 0:07:11 | |
Oh. | 0:07:11 | 0:07:13 | |
-Yeah, that's what I mean. -Um... | 0:07:13 | 0:07:15 | |
-I could do 70. -Could you? | 0:07:15 | 0:07:17 | |
I'll do 70 on them. | 0:07:17 | 0:07:18 | |
-Can we park that? -We can. | 0:07:18 | 0:07:21 | |
What about that little Chinese, | 0:07:21 | 0:07:23 | |
possible South Asian white metal mug for £25? | 0:07:23 | 0:07:27 | |
The very best on that will be 15 quid. | 0:07:27 | 0:07:30 | |
Can I offer you... | 0:07:31 | 0:07:32 | |
..75 for a pistolet and that, so another tenner off the pistolet, | 0:07:34 | 0:07:40 | |
-and the 15 quid for that? -Yes. | 0:07:40 | 0:07:43 | |
Boom, that's how you do a deal. | 0:07:43 | 0:07:45 | |
-You're a joy to do business with, my friend. -Thank you, Paul. | 0:07:45 | 0:07:48 | |
That's Paul, in like a shot, | 0:07:48 | 0:07:50 | |
with more than half off the ticket price for the pistolet | 0:07:50 | 0:07:53 | |
and a good saving on the mug, too. | 0:07:53 | 0:07:56 | |
Now, how's Margie getting on? | 0:07:56 | 0:07:59 | |
She's got a maybe with the kids' shoes. Anything else? | 0:07:59 | 0:08:02 | |
-I tell you what I do like, but it's a fortune. -What's that? | 0:08:02 | 0:08:06 | |
-That. -The Titanic? | 0:08:06 | 0:08:09 | |
No, the zebra. | 0:08:09 | 0:08:11 | |
-Oh, the zebra. -Yeah. | 0:08:11 | 0:08:13 | |
This child's toy has a £125 ticket price, | 0:08:14 | 0:08:17 | |
it's probably late-Victorian or early-Edwardian | 0:08:17 | 0:08:20 | |
and its clever rocking motion is a testament to the toymaker's craft. | 0:08:20 | 0:08:24 | |
You could make a baby go to sleep watching that. | 0:08:24 | 0:08:27 | |
I like his movement. | 0:08:27 | 0:08:30 | |
-It's unbelievable. -I could go to sleep. | 0:08:30 | 0:08:32 | |
Look at that. | 0:08:32 | 0:08:33 | |
I'm getting hypnotised. | 0:08:33 | 0:08:36 | |
You're not the only one. | 0:08:36 | 0:08:38 | |
Feeling a bit drowsy myself. | 0:08:38 | 0:08:40 | |
Go on, how much is it, then? | 0:08:41 | 0:08:43 | |
How much do you want to pay for it? | 0:08:43 | 0:08:45 | |
I would probably offend you. | 0:08:47 | 0:08:49 | |
Yeah. | 0:08:49 | 0:08:50 | |
50 quid. | 0:08:50 | 0:08:52 | |
What I'll do for you, I'll do it you for 75. | 0:08:52 | 0:08:56 | |
-And while we're here... -Yes? | 0:08:56 | 0:08:59 | |
What is the very best on the little diddy shoes. | 0:08:59 | 0:09:02 | |
I'm sorry, the shoes, I was miles away there. | 0:09:02 | 0:09:05 | |
I'll tell you what I'll do, | 0:09:05 | 0:09:06 | |
-if I did the shoes and this for £100... -Yeah. | 0:09:06 | 0:09:11 | |
..you've got a good deal. | 0:09:11 | 0:09:12 | |
So 90 wouldn't buy the two, as friends? | 0:09:14 | 0:09:17 | |
-95. -Gosh. | 0:09:17 | 0:09:19 | |
All right, I'm not going to argue with you for a fiver. | 0:09:21 | 0:09:25 | |
I was going to shake that poorly hand. | 0:09:25 | 0:09:27 | |
You can shake that one instead. | 0:09:27 | 0:09:30 | |
I think a big hand for Margie, that was a good bit of negotiating. | 0:09:30 | 0:09:34 | |
£60 off the zebra to get it for 75 | 0:09:34 | 0:09:37 | |
and more than half price off the shoes to get them for £20. | 0:09:37 | 0:09:41 | |
Paul, meanwhile, has now made the journey across Warwickshire, | 0:09:44 | 0:09:47 | |
to the little town of Alcester. | 0:09:47 | 0:09:50 | |
He's heading for the most excellently named Classic Clutter. | 0:09:50 | 0:09:54 | |
I bet his home is a bit like that, too. Ha! | 0:09:54 | 0:09:57 | |
-Hello there, is it Vicky? -It is, yes. -Lovely to see you, I'm Paul. | 0:09:57 | 0:10:00 | |
Nice to meet you, Paul. | 0:10:00 | 0:10:02 | |
-Pleasant wee high street you're parked on. -It's lovely. | 0:10:02 | 0:10:05 | |
With the pleasantries out of the way, | 0:10:05 | 0:10:08 | |
it's time to hunt down some antiques. | 0:10:08 | 0:10:10 | |
I am no musician, is the truth of the matter, | 0:10:17 | 0:10:20 | |
but I feel good about the instrument I have in my hand, | 0:10:20 | 0:10:24 | |
a small oboe. | 0:10:24 | 0:10:26 | |
This is turned ebony. | 0:10:26 | 0:10:28 | |
And these are... | 0:10:30 | 0:10:32 | |
..German silver mounts. | 0:10:33 | 0:10:35 | |
And nickel alloy. | 0:10:35 | 0:10:36 | |
This lovely little oboe is made by Buffet a Paris, | 0:10:36 | 0:10:39 | |
a name which still exists in music shops today as Buffet & Crampon, | 0:10:39 | 0:10:45 | |
but Crampon didn't get in on the act until the 1830s, | 0:10:45 | 0:10:48 | |
so this must predate that. | 0:10:48 | 0:10:50 | |
The reed's missing but it's replaceable. | 0:10:50 | 0:10:52 | |
I like what I see. | 0:10:52 | 0:10:54 | |
And, of course, vintage instruments are highly collectable, | 0:10:54 | 0:10:57 | |
to be used and restored. | 0:10:57 | 0:11:00 | |
So what's that worth? | 0:11:00 | 0:11:02 | |
In any auction, I think it should be worth 40 to £80. | 0:11:02 | 0:11:05 | |
Depending, of course, on who's at the auction. | 0:11:05 | 0:11:08 | |
The price - 8. | 0:11:08 | 0:11:10 | |
There are some price tags you just don't haggle over. | 0:11:10 | 0:11:14 | |
Can we just put that to one side? That is sold. | 0:11:14 | 0:11:17 | |
-Lovely. Thank you. -Thank you. | 0:11:17 | 0:11:19 | |
No haggling, that's rarer on this show than Philip Sorel in a good mood(!) | 0:11:19 | 0:11:23 | |
What else might be rare in here? | 0:11:25 | 0:11:27 | |
That's an elegant object. | 0:11:30 | 0:11:32 | |
I suspect this is for the dining table. | 0:11:32 | 0:11:36 | |
After dinner, the ladies have withdrawn to the drawing room, | 0:11:36 | 0:11:41 | |
and the gentleman remain with the brandy and cigars. | 0:11:41 | 0:11:47 | |
I think this is a cigar lighter. | 0:11:47 | 0:11:49 | |
This rather ornate and elegant little set-up | 0:11:49 | 0:11:52 | |
has a reservoir for oil in the middle, | 0:11:52 | 0:11:54 | |
a wick and two vessels for holding little tapers, called spills, | 0:11:54 | 0:11:57 | |
which you used for transferring the flame from the wick to your cigar. | 0:11:57 | 0:12:01 | |
And I'm sitting there and I'd say, | 0:12:01 | 0:12:03 | |
"Right, old chap. Yes." | 0:12:03 | 0:12:06 | |
Get my little spill, take a light from the wick, and then... | 0:12:06 | 0:12:10 | |
..there you go. | 0:12:12 | 0:12:14 | |
And chew the cud. | 0:12:14 | 0:12:15 | |
"I say, what do you make of the news from the front, old chap, | 0:12:15 | 0:12:18 | |
"it's damned bad news, is it not?" | 0:12:18 | 0:12:21 | |
This is late-Victorian, early-Edwardian, | 0:12:21 | 0:12:23 | |
and made from silver plate. | 0:12:23 | 0:12:25 | |
No condition issues, lovely form, a rich object. | 0:12:25 | 0:12:29 | |
What's the price tag? £18. | 0:12:29 | 0:12:31 | |
Doesn't sound expensive. | 0:12:31 | 0:12:32 | |
I think I'd like to buy it. | 0:12:32 | 0:12:34 | |
Let's go see what Vicky has to say. | 0:12:34 | 0:12:36 | |
-Vicky. -Paul. | 0:12:38 | 0:12:40 | |
I think it's a cigar lighter. | 0:12:40 | 0:12:43 | |
It's priced at £18. | 0:12:43 | 0:12:44 | |
Any slack in the price of that? | 0:12:44 | 0:12:46 | |
-Possibly. -OK, well... | 0:12:46 | 0:12:49 | |
£8 for the instrument, that comes to 26 the pair. | 0:12:49 | 0:12:54 | |
£20 the pair any use? | 0:12:54 | 0:12:56 | |
I could do 22. | 0:12:56 | 0:12:58 | |
Let's do 22. | 0:12:58 | 0:13:00 | |
-Fabulous. -Easy, Vicky, fantastic. -Thank you very much. -Great. | 0:13:00 | 0:13:03 | |
-I'd better give you some money. -That would be great. | 0:13:03 | 0:13:05 | |
So, ticket price for the oboe and £4 off the cigar lighter, | 0:13:05 | 0:13:09 | |
another brisk bit of business from Paul. | 0:13:09 | 0:13:12 | |
Meanwhile, Margie is off on | 0:13:13 | 0:13:15 | |
a West Midlands magical mystery tour to Coleshill, | 0:13:15 | 0:13:19 | |
to investigate the story of a man often seen in places like this | 0:13:19 | 0:13:23 | |
with a notebook in his hand. | 0:13:23 | 0:13:24 | |
And she's picked up a passenger, Steve Corthray, | 0:13:24 | 0:13:27 | |
to tell her more. | 0:13:27 | 0:13:29 | |
This is all a bit of a mystery. | 0:13:29 | 0:13:31 | |
I'm getting more and more excited. | 0:13:31 | 0:13:34 | |
This is the Ladywalk Nature Reserve - | 0:13:34 | 0:13:37 | |
a 100-acre-site that used to be part of the Hams Hall estate, | 0:13:37 | 0:13:41 | |
but in 1971, volunteers of the West Midlands Bird club, like Steve, | 0:13:41 | 0:13:45 | |
turned it into the bird-watchers paradise it is today. | 0:13:45 | 0:13:49 | |
214 species of birds have been recorded here. | 0:13:49 | 0:13:54 | |
I've got my special scarf on for you. | 0:13:54 | 0:13:56 | |
Yeah, I saw that. | 0:13:56 | 0:13:58 | |
That's actually a flamingo. | 0:13:58 | 0:14:00 | |
You've actually brought a new species down to the reserve. | 0:14:00 | 0:14:03 | |
So, make that 215. | 0:14:03 | 0:14:06 | |
Ladywalk Reserve is one of hundreds of bird-watching sites across the UK | 0:14:06 | 0:14:10 | |
that thousands of us flock to every week. | 0:14:10 | 0:14:14 | |
But all of this arguably wouldn't have been possible without this man, | 0:14:14 | 0:14:18 | |
Thomas Bewick. Born in 1753, he initially worked as an engraver, | 0:14:18 | 0:14:22 | |
but then this keen nature lover made a discovery that revolutionised | 0:14:22 | 0:14:27 | |
the world of book illustration | 0:14:27 | 0:14:28 | |
and created bird-watching as we know it today. | 0:14:28 | 0:14:31 | |
They used to work with wood, and etch a design into the wood, | 0:14:31 | 0:14:36 | |
and then print from that design. | 0:14:36 | 0:14:38 | |
But the beautiful thing that he did, | 0:14:38 | 0:14:40 | |
he found that by using a hardwood such as teak, | 0:14:40 | 0:14:44 | |
and cutting across the grain, he could get a finer detail, and hence, | 0:14:44 | 0:14:49 | |
when he printed, the detail in the pictures was so much better. | 0:14:49 | 0:14:53 | |
Bewick already had an amazing talent for detailed sketches of birds, | 0:14:53 | 0:14:57 | |
and he realised he could turn these | 0:14:57 | 0:14:59 | |
into high-quality detailed illustrations at a low cost. | 0:14:59 | 0:15:03 | |
So, in 1797, Bewick authored and illustrated his first book, | 0:15:03 | 0:15:08 | |
A History Of British Birds, | 0:15:08 | 0:15:09 | |
and it set the mould for all bird-watching books since. | 0:15:09 | 0:15:14 | |
And up in his hide here, | 0:15:14 | 0:15:16 | |
Steve has some examples of Bewick's eye for detail | 0:15:16 | 0:15:19 | |
to show Margie. | 0:15:19 | 0:15:21 | |
Margie, these are a selection of Thomas' pictures. | 0:15:21 | 0:15:24 | |
Aren't they beautiful? | 0:15:24 | 0:15:26 | |
What fine detail. | 0:15:26 | 0:15:27 | |
It is, isn't it? | 0:15:27 | 0:15:29 | |
This sketch is of a bittern. | 0:15:29 | 0:15:31 | |
There are now reckoned to be less than 100 breeding pairs in the UK. | 0:15:31 | 0:15:35 | |
One of the few places you can regularly see them is here, | 0:15:35 | 0:15:38 | |
at Ladywalk Reserve. | 0:15:38 | 0:15:39 | |
But this illustration also shows how much of Bewick's style | 0:15:39 | 0:15:43 | |
has influenced the modern bird guide. | 0:15:43 | 0:15:45 | |
He would include the scientific name, which is also done today, | 0:15:45 | 0:15:49 | |
and group the birds into species. | 0:15:49 | 0:15:52 | |
-Right. -And you can see that when you compare it to the modern-day book. | 0:15:52 | 0:15:55 | |
That's a picture of the bittern, similar angle, | 0:15:55 | 0:15:59 | |
but also pictures of birds in flight, how you'd see them. | 0:15:59 | 0:16:02 | |
Even in the 21st-century, | 0:16:02 | 0:16:03 | |
illustrations are still preferred over photos, | 0:16:03 | 0:16:07 | |
to show birds' features. | 0:16:07 | 0:16:08 | |
Bewick's intricate, detailed drawings set the standard | 0:16:08 | 0:16:12 | |
which is still followed today. | 0:16:12 | 0:16:14 | |
And in the 19th century, | 0:16:14 | 0:16:15 | |
it also changed the public's attitude to birds. | 0:16:15 | 0:16:19 | |
This was used not only by natural historians | 0:16:19 | 0:16:22 | |
but it was an affordable book, | 0:16:22 | 0:16:25 | |
lots of people could get it and identify the birds. | 0:16:25 | 0:16:28 | |
Birds on the local ponds, birds on the garden. | 0:16:28 | 0:16:31 | |
-It popularised the hobby of bird-watching. -Yeah. | 0:16:31 | 0:16:34 | |
People wanted to go and see the birds, not to shoot them, | 0:16:34 | 0:16:38 | |
but to watch them. | 0:16:38 | 0:16:39 | |
Hence, conservation has come on and evolved | 0:16:39 | 0:16:42 | |
because of the early work that he's done. | 0:16:42 | 0:16:45 | |
And Ladywalk is a fine example | 0:16:45 | 0:16:47 | |
of the conservation that Bewick's work inspired. | 0:16:47 | 0:16:51 | |
Time to grab a pair of bins for a spot of twitching, Margie. | 0:16:51 | 0:16:55 | |
-Here we go. -Have a look out of these. | 0:16:55 | 0:16:58 | |
-Tell me what you see. -What was that? | 0:16:58 | 0:17:00 | |
-That was a heron. A grey heron. -Yeah. | 0:17:00 | 0:17:02 | |
And Thomas Bewick's legacy lives on in other ways, too, | 0:17:02 | 0:17:06 | |
his History Of British Birds is the favourite book | 0:17:06 | 0:17:08 | |
of Charlotte Bronte's Jane Eyre. | 0:17:08 | 0:17:10 | |
And he inspired the poets Wordsworth and Tennyson | 0:17:10 | 0:17:14 | |
to mention him in verse. | 0:17:14 | 0:17:15 | |
Very fittingly, both a swan and a wren were named after him. | 0:17:15 | 0:17:19 | |
It's the popularity of bird-watching that is his greatest legacy. | 0:17:19 | 0:17:23 | |
What are those black ones? | 0:17:23 | 0:17:25 | |
Those are cormorants. | 0:17:25 | 0:17:27 | |
They actually breed on the reserve. | 0:17:27 | 0:17:29 | |
I can see how it gets addictive. | 0:17:29 | 0:17:31 | |
-It is. -But unfortunately, I'm off antiquing. | 0:17:31 | 0:17:35 | |
-Got to keep going. -You've got a full-time job, haven't you? | 0:17:35 | 0:17:37 | |
I have, yeah. | 0:17:37 | 0:17:38 | |
Well, that concludes today's action for our dynamic duo of old birds. | 0:17:40 | 0:17:46 | |
You said that you fancied a curry later. | 0:17:46 | 0:17:48 | |
Curry, yeah. You fancy? | 0:17:48 | 0:17:50 | |
I'll do whatever you want. | 0:17:50 | 0:17:52 | |
-Really? -As long as you haven't bought any militaria. | 0:17:52 | 0:17:56 | |
Best not mention that pistol then, Paul. | 0:17:56 | 0:17:59 | |
Enjoy your curry. Nighty-night. | 0:17:59 | 0:18:01 | |
Rise and shine, or maybe rise and rain, | 0:18:06 | 0:18:09 | |
it's time for the final day's buying on this road trip. | 0:18:09 | 0:18:12 | |
What a miserable day for our last buying day together. | 0:18:13 | 0:18:16 | |
Mind you, it's cosy. Just me and you. | 0:18:16 | 0:18:20 | |
Steaming up those windows. | 0:18:20 | 0:18:23 | |
For all the wrong reasons. | 0:18:23 | 0:18:24 | |
Like the car not having air conditioning, eh? | 0:18:24 | 0:18:28 | |
Let's remind ourselves what they bought yesterday. | 0:18:28 | 0:18:30 | |
Margie has two lots, | 0:18:30 | 0:18:32 | |
the vintage rocking zebra toy | 0:18:32 | 0:18:34 | |
and the 19th-century kids' leather shoes. | 0:18:34 | 0:18:37 | |
Look at those little things. | 0:18:37 | 0:18:39 | |
Margie has £315.62 for the rest of the day. | 0:18:40 | 0:18:45 | |
Paul has four very different lots, the Victorian cigar lighter, | 0:18:45 | 0:18:50 | |
the French oboe, | 0:18:50 | 0:18:51 | |
the Anglo-Indian cup | 0:18:51 | 0:18:53 | |
and the Elizabethan toy pistol. | 0:18:53 | 0:18:55 | |
-Boof! -HE CHUCKLES | 0:18:55 | 0:18:57 | |
Leaving him with £501.74 to spend today. | 0:18:57 | 0:19:01 | |
So you had a full day buying, didn't you? | 0:19:01 | 0:19:05 | |
I bought from the 16th century... | 0:19:05 | 0:19:06 | |
..to the 20th. | 0:19:08 | 0:19:10 | |
For goodness' sake. | 0:19:10 | 0:19:11 | |
Can you believe it? | 0:19:11 | 0:19:12 | |
The British Museum have expressed interest already. | 0:19:12 | 0:19:15 | |
But they're having to vie against the V&A. | 0:19:15 | 0:19:18 | |
If you're not going to be sensible, I'm not going to talk. | 0:19:18 | 0:19:22 | |
Looks like a quiet journey, then. | 0:19:22 | 0:19:25 | |
And for Margie, the journey is going to be all the way to the beautiful | 0:19:25 | 0:19:28 | |
but damp historic town of Warwick. | 0:19:28 | 0:19:32 | |
The castle here dates back to the Norman conquest. | 0:19:32 | 0:19:35 | |
But let's see what our Margie can conquer today. | 0:19:35 | 0:19:38 | |
Good luck with the rain, Margie. I hope it's a long walk to your shop. | 0:19:38 | 0:19:41 | |
I think it's going to stop. | 0:19:41 | 0:19:43 | |
I'm sure it's going to stop. | 0:19:43 | 0:19:45 | |
See you later, Margie! | 0:19:45 | 0:19:46 | |
OK, I've abandoned Margie to the rain and the shops. | 0:19:56 | 0:19:59 | |
Is she going to go all chips in? | 0:19:59 | 0:20:02 | |
Or we could, I don't know... | 0:20:02 | 0:20:04 | |
Watch this space. | 0:20:05 | 0:20:07 | |
We're watching. | 0:20:07 | 0:20:08 | |
Margie's first stop is Warwick Antique Centre. | 0:20:10 | 0:20:13 | |
I really like those. | 0:20:21 | 0:20:23 | |
Really little, little liqueur glasses there. | 0:20:23 | 0:20:27 | |
In the box, really nice, but have you spotted anything? | 0:20:27 | 0:20:30 | |
One of the glasses is broken. | 0:20:32 | 0:20:33 | |
It's a shame. The silver is Continental. | 0:20:33 | 0:20:37 | |
Could be Dutch or French. | 0:20:37 | 0:20:39 | |
You see them quite a lot but they're really very nice things. | 0:20:39 | 0:20:42 | |
These six lovely little Dutch liqueur glasses | 0:20:42 | 0:20:45 | |
have a ticket price of £75. | 0:20:45 | 0:20:48 | |
But what can Margie get these little babies for? | 0:20:48 | 0:20:50 | |
Right, these have caught my eye, George. | 0:20:50 | 0:20:53 | |
I can't forget your name, I've got a cat called George. | 0:20:53 | 0:20:56 | |
Nice tactic, Margie. | 0:20:56 | 0:20:58 | |
Comparing him to a much-loved pet. | 0:20:58 | 0:21:00 | |
He's called Boy George! | 0:21:00 | 0:21:03 | |
Well, he's no longer, he's died now. | 0:21:03 | 0:21:05 | |
But he's got a headstone in my garden. | 0:21:05 | 0:21:08 | |
Just by the by! | 0:21:08 | 0:21:10 | |
Er... That's nice, thank you(!) | 0:21:10 | 0:21:12 | |
-One of the glasses does need a replacement. -Yes. | 0:21:12 | 0:21:15 | |
It's not the end of the world but it's just hassle, isn't it? | 0:21:15 | 0:21:18 | |
-Yes. -It's hassle for anybody. | 0:21:18 | 0:21:20 | |
Could I buy those for £48? | 0:21:20 | 0:21:25 | |
No, I couldn't to £48. | 0:21:25 | 0:21:26 | |
55 for the set. | 0:21:27 | 0:21:30 | |
55. | 0:21:30 | 0:21:32 | |
And if I do buy them, have you got any silver polish? | 0:21:32 | 0:21:34 | |
-I can get some for you. -Can you? -Yes. | 0:21:34 | 0:21:37 | |
So... | 0:21:37 | 0:21:38 | |
Well, I tell you what, if you'll clean them for me, | 0:21:40 | 0:21:44 | |
I'll make a decision now and say... | 0:21:44 | 0:21:47 | |
-..yes. -OK. | 0:21:47 | 0:21:50 | |
It's a deal. £55 and some free elbow grease for the glasses set. | 0:21:50 | 0:21:55 | |
Now, what else can Margie get some free labour on? | 0:21:55 | 0:21:59 | |
-Hello, Margie. -Hi. -We've just had these in from another dealer. | 0:21:59 | 0:22:03 | |
I don't know if you'd like to have a look at these. | 0:22:03 | 0:22:05 | |
-Is that your shopping? -You been out to the shops? | 0:22:05 | 0:22:08 | |
Oh, where are we going? | 0:22:08 | 0:22:11 | |
Oh, my goodness, what have we got here? | 0:22:11 | 0:22:13 | |
Oh, silver? | 0:22:16 | 0:22:17 | |
Two sets... | 0:22:19 | 0:22:21 | |
So, this gentleman is selling this as a job lot? | 0:22:21 | 0:22:24 | |
-As a job lot. -Yes. | 0:22:24 | 0:22:26 | |
I'm sure he'd sell individual items. | 0:22:27 | 0:22:29 | |
Right, yeah. | 0:22:29 | 0:22:31 | |
Luckily, the shop's owner, Colin, can act on behalf of the dealer. | 0:22:31 | 0:22:35 | |
So, is there any particular bit there that you like? | 0:22:35 | 0:22:37 | |
Yes. I think that's saleable. | 0:22:37 | 0:22:39 | |
-I don't think that's a scrapper, is it? -It's up to you. | 0:22:39 | 0:22:42 | |
She's spotted an Art Deco cigarette case. | 0:22:42 | 0:22:44 | |
Not so fashionable nowadays, but it is silver gilt inside. | 0:22:44 | 0:22:49 | |
Call it 30 quid. Here, give it the handshake... | 0:22:49 | 0:22:52 | |
SHE LAUGHS | 0:22:52 | 0:22:54 | |
-Oh, go on. I'm too weary. -Cheers. -I'm weary! | 0:22:54 | 0:22:59 | |
That's 30 for the case and 55 for the glasses, | 0:22:59 | 0:23:02 | |
making the spend in here £85. | 0:23:02 | 0:23:05 | |
Paul, meanwhile, has travelled to Coventry, the UK's Motor City. | 0:23:07 | 0:23:11 | |
He's come to the city's Transport Museum to find out about | 0:23:11 | 0:23:15 | |
Coventry's pivotal role in the story of another form of transport, | 0:23:15 | 0:23:18 | |
the humble bicycle. | 0:23:18 | 0:23:20 | |
Here to show him round is curator, Megan Nass. | 0:23:20 | 0:23:23 | |
-Hello, Megan! -Yes, Paul, nice to meet you. | 0:23:23 | 0:23:26 | |
The first bicycle seen here was the Hobby Horse, | 0:23:26 | 0:23:30 | |
invented in Germany around 1817. | 0:23:30 | 0:23:33 | |
But it's this French velocipede, or boneshaker, from 1868, | 0:23:33 | 0:23:37 | |
that kick-started Coventry's cycle industry. | 0:23:37 | 0:23:41 | |
Rowley B Turner, who was one of the cycle pioneers in Coventry, | 0:23:41 | 0:23:45 | |
he was living and working in Paris. | 0:23:45 | 0:23:47 | |
And he noticed the locals riding around on these machines called | 0:23:47 | 0:23:51 | |
velocipedes and he just thought, "That's a great thing." | 0:23:51 | 0:23:55 | |
So, he brought one back from Paris to Coventry, | 0:23:55 | 0:23:57 | |
to his uncle's sewing machine factory. | 0:23:57 | 0:24:00 | |
So, it was Rowley B Turner | 0:24:00 | 0:24:01 | |
that persuaded his uncle and James Starley | 0:24:01 | 0:24:04 | |
to start producing these velocipedes. | 0:24:04 | 0:24:07 | |
From Coventry, James Starley and his co-partner Josiah Turner | 0:24:07 | 0:24:12 | |
made the uncomfortable velocipede practical and sellable. | 0:24:12 | 0:24:15 | |
But Starley realised that to increase speed, | 0:24:15 | 0:24:18 | |
the front pedals needed to power a larger wheel. | 0:24:18 | 0:24:21 | |
So, in 1871, the first penny-farthing, called The Ariel, | 0:24:21 | 0:24:25 | |
was made in Coventry. | 0:24:25 | 0:24:27 | |
So, Megan, how was this an improvement on the velocipede? | 0:24:27 | 0:24:31 | |
We have the addition of wire spokes, | 0:24:31 | 0:24:33 | |
as opposed to the wooden spokes. | 0:24:33 | 0:24:36 | |
You also notice that it was | 0:24:36 | 0:24:37 | |
probably a little bit more of a smoother ride, | 0:24:37 | 0:24:40 | |
with the solid rubber tyres. | 0:24:40 | 0:24:42 | |
And then also, the addition of the braking system on the back there. | 0:24:42 | 0:24:47 | |
These look precarious, I imagine it's difficult to mount up... | 0:24:47 | 0:24:50 | |
-Yes, yes. -..difficult to stop, and just dangerous all round. | 0:24:50 | 0:24:55 | |
Yeah, it... I think it would have been and it would have really... | 0:24:55 | 0:24:58 | |
The penny-farthing would have really only suited athletic men. | 0:24:58 | 0:25:02 | |
-Hey. -Oh! | 0:25:02 | 0:25:04 | |
We can make this happen! | 0:25:04 | 0:25:05 | |
And here is a suited athletic man. | 0:25:05 | 0:25:08 | |
My word. Is that a period specimen? | 0:25:08 | 0:25:10 | |
Absolutely, this is 1885, and she was made here in Coventry. | 0:25:10 | 0:25:14 | |
By the Singer Company. | 0:25:14 | 0:25:15 | |
-Oh, fantastic! -Which is a fine example of... | 0:25:15 | 0:25:18 | |
So how difficult is it to get on one of those? | 0:25:18 | 0:25:20 | |
I think the answer is very difficult, Paul. | 0:25:20 | 0:25:23 | |
But Simon is going to give you a hand. | 0:25:23 | 0:25:26 | |
-Go ahead. On two, three... -Tell my kids I love them, yeah. | 0:25:26 | 0:25:28 | |
My wife as well! | 0:25:28 | 0:25:30 | |
LAUGHTER | 0:25:30 | 0:25:31 | |
And there we go. | 0:25:31 | 0:25:33 | |
Assume the position, haughty. | 0:25:33 | 0:25:35 | |
Yes, absolutely, very straight back... | 0:25:35 | 0:25:37 | |
You look as if you were born to ride that, Paul. | 0:25:37 | 0:25:40 | |
This is petrifying. | 0:25:40 | 0:25:42 | |
Seriously, it looks high up from down there. | 0:25:42 | 0:25:44 | |
Oh, you're a long way up. | 0:25:44 | 0:25:46 | |
Up here, you look like ants, to be quite frank. | 0:25:46 | 0:25:49 | |
But can Paul get off again? | 0:25:49 | 0:25:52 | |
Penny-farthings were notorious for toppling while stationary, | 0:25:52 | 0:25:55 | |
so most people jumped off them while they were still moving. | 0:25:55 | 0:25:58 | |
-And I'm just going to... -And then down off the bike. Well done. | 0:25:58 | 0:26:01 | |
I felt I was better on the way down than up. | 0:26:01 | 0:26:04 | |
Very good! And this is how we would mount and... | 0:26:04 | 0:26:07 | |
-Properly! -OK, so... | 0:26:07 | 0:26:10 | |
One, two, three. | 0:26:10 | 0:26:12 | |
And off into the sunset. | 0:26:16 | 0:26:18 | |
Just another day at the museum. | 0:26:18 | 0:26:20 | |
LAUGHTER | 0:26:20 | 0:26:21 | |
Well, we have certainly done the penny-farthing. | 0:26:21 | 0:26:24 | |
-Yes, mm-hm. -But where do we go from here? | 0:26:24 | 0:26:28 | |
We go to this next bike, the Rover safety bike, | 0:26:28 | 0:26:31 | |
so-called because it was safer than the iconic penny-farthing. | 0:26:31 | 0:26:34 | |
This humble looking bike would sell millions around the world, | 0:26:34 | 0:26:38 | |
changing cycling forever | 0:26:38 | 0:26:40 | |
and set the blueprint for all modern bicycles. | 0:26:40 | 0:26:43 | |
All from a factory right here in Coventry. | 0:26:43 | 0:26:46 | |
That is a bike as I know it. | 0:26:46 | 0:26:49 | |
It is, John Kemp Starley, who was the nephew of James Starley, | 0:26:49 | 0:26:53 | |
this was his 1888 version. | 0:26:53 | 0:26:55 | |
-It seems very modern for 1888. -It does. | 0:26:55 | 0:27:01 | |
John Starley came up with several new features | 0:27:01 | 0:27:04 | |
that are still around today. | 0:27:04 | 0:27:05 | |
Same sized wheels, a chain drive, | 0:27:05 | 0:27:07 | |
and he added a recent invention, John Dunlop's pneumatic tyre. | 0:27:07 | 0:27:13 | |
The journey from the Hobby Horse to the bicycle was complete, | 0:27:13 | 0:27:16 | |
and by the mid-20th century, | 0:27:16 | 0:27:18 | |
the bike was the most popular form of transport in the world, | 0:27:18 | 0:27:21 | |
all thanks to the sewing machine pioneers of Coventry. | 0:27:21 | 0:27:25 | |
And it wasn't long before those pioneers that made Coventry | 0:27:25 | 0:27:29 | |
the world capital of bike making | 0:27:29 | 0:27:31 | |
would also start Britain's car industry. | 0:27:31 | 0:27:34 | |
Speaking of which, it's time for Paul to get back on the road. | 0:27:34 | 0:27:38 | |
Look at that. | 0:27:38 | 0:27:39 | |
I'd don't think you'll get Margie on the back of that, Paul. | 0:27:39 | 0:27:44 | |
With Paul left messing around on the penny-farthing, | 0:27:44 | 0:27:47 | |
Margie has stolen a march to their joint last shopping destination, | 0:27:47 | 0:27:52 | |
beautiful Stratford-upon-Avon. | 0:27:52 | 0:27:54 | |
Birthplace of our national bard, William Shakespeare. | 0:27:54 | 0:27:58 | |
She is first to Bond's Antiques, | 0:27:58 | 0:28:00 | |
where she's going to be helped out by the lovely Richard. | 0:28:00 | 0:28:02 | |
Shall we wander together? | 0:28:02 | 0:28:03 | |
-Let's wander. -Let's wander. | 0:28:03 | 0:28:06 | |
So, the final shop. | 0:28:06 | 0:28:08 | |
What can she snaffle away before Paul gets here? | 0:28:08 | 0:28:11 | |
Oh, what's that? | 0:28:13 | 0:28:15 | |
I think that's a... | 0:28:15 | 0:28:16 | |
Is that a pill holder thing? | 0:28:16 | 0:28:18 | |
-It looks like a pill holder, doesn't it? -Yeah. | 0:28:18 | 0:28:20 | |
There you are, what's he said? | 0:28:20 | 0:28:22 | |
"Cuban cigar mould." | 0:28:22 | 0:28:24 | |
We're both wrong. | 0:28:24 | 0:28:25 | |
This cigar mould - or bonche as it's known - is, | 0:28:25 | 0:28:29 | |
as the name suggests, | 0:28:29 | 0:28:30 | |
for moulding the cigars into the right shape. | 0:28:30 | 0:28:33 | |
This one was made in Berlin. | 0:28:33 | 0:28:35 | |
The ticket price is £50. | 0:28:35 | 0:28:37 | |
Does he smell? | 0:28:38 | 0:28:39 | |
Yeah, I can, I can. | 0:28:40 | 0:28:42 | |
Or am I just dreaming? | 0:28:42 | 0:28:44 | |
HE LAUGHS | 0:28:44 | 0:28:46 | |
Can you do a bit? I can smell it a bit. | 0:28:46 | 0:28:48 | |
You can a bit, and there's some staining, look. | 0:28:48 | 0:28:51 | |
You can see where they've been sitting. | 0:28:51 | 0:28:53 | |
-Yeah, and my grandpa... -SHE INHALES | 0:28:53 | 0:28:55 | |
..used to smell like that. | 0:28:55 | 0:28:57 | |
I really like it. | 0:28:58 | 0:29:01 | |
So, what do you think, price-wise? | 0:29:01 | 0:29:03 | |
I mean, smoke related items, it's a bit sort of... | 0:29:03 | 0:29:07 | |
in the past. A piece of social history, yeah? | 0:29:07 | 0:29:11 | |
-Social history. -Yeah. | 0:29:11 | 0:29:13 | |
-Decorative object, isn't it now? -Yes. | 0:29:13 | 0:29:15 | |
The cigar mould belongs to a dealer, | 0:29:15 | 0:29:17 | |
but Richard has permission to negotiate on his behalf. | 0:29:17 | 0:29:20 | |
So, is he open to a little bit of an offer? | 0:29:20 | 0:29:23 | |
Go on, make us an offer. | 0:29:23 | 0:29:25 | |
I was thinking about 35 quid. | 0:29:25 | 0:29:27 | |
I was going to try and get you to around 40. | 0:29:27 | 0:29:29 | |
Well, if you drop a tad under 40, I'll buy it. | 0:29:29 | 0:29:32 | |
What shall we do? 38? | 0:29:32 | 0:29:34 | |
-Yeah. -OK. | 0:29:34 | 0:29:36 | |
-Done? -Deal. -Definitely having that. | 0:29:36 | 0:29:37 | |
Well done, Margie, £12 off the cigar mould. | 0:29:37 | 0:29:40 | |
Perfect timing, too, as the Flying Scotsman has just pulled up outside. | 0:29:42 | 0:29:47 | |
Now, what can Paul find in here | 0:29:49 | 0:29:50 | |
that could bring a tidy profit at auction? | 0:29:50 | 0:29:53 | |
If you were paying any attention a few auctions ago, | 0:29:56 | 0:29:59 | |
you'd have seen me sell one of these huge profit. | 0:29:59 | 0:30:01 | |
This is a patent hot water jug, | 0:30:01 | 0:30:06 | |
by... | 0:30:06 | 0:30:08 | |
WAS Benson! | 0:30:08 | 0:30:09 | |
You see, if you don't know what you're looking at, | 0:30:09 | 0:30:12 | |
that's just loosely an Arts & Crafts lidded jug. | 0:30:12 | 0:30:16 | |
But if you know to have a look there, | 0:30:16 | 0:30:18 | |
there's a mark that says "Benson's patent." | 0:30:18 | 0:30:23 | |
What's the price on that? £34. | 0:30:23 | 0:30:26 | |
Do you think we can be lucky twice? | 0:30:26 | 0:30:27 | |
Don't know, it's worth asking. | 0:30:29 | 0:30:31 | |
I'm buying that one for now. | 0:30:31 | 0:30:33 | |
Wonder what Margie would think! | 0:30:34 | 0:30:36 | |
With nothing else catching Margie's eye, she's at a bit of a loose end. | 0:30:36 | 0:30:41 | |
Margie, are you... | 0:30:41 | 0:30:42 | |
Are you stalking me, Margie? Have you got anything to buy? | 0:30:42 | 0:30:45 | |
-I'm just trying... -If you need a hand, just ask. | 0:30:45 | 0:30:47 | |
I'm just trying to find out what you're interested in. | 0:30:47 | 0:30:50 | |
You see what I put down? | 0:30:50 | 0:30:51 | |
I'll leave you, honey. | 0:30:52 | 0:30:54 | |
Ah, just ignore her, Paul. | 0:30:54 | 0:30:56 | |
You'll only encourage her. | 0:30:56 | 0:30:57 | |
Now, about that pot. | 0:30:57 | 0:30:59 | |
Let's see what Richard can do. | 0:30:59 | 0:31:01 | |
It's got £34 on it. | 0:31:01 | 0:31:03 | |
Is there wriggle room on this? | 0:31:03 | 0:31:04 | |
It's got to be high 20s. | 0:31:04 | 0:31:06 | |
-How high? -28, absolute max. | 0:31:07 | 0:31:09 | |
-28 quid, this is food for thought. -All right. | 0:31:09 | 0:31:12 | |
Still time to keep looking, Paul, | 0:31:12 | 0:31:14 | |
provided you're not distracted, that is. | 0:31:14 | 0:31:16 | |
Paul? | 0:31:16 | 0:31:17 | |
Paul? | 0:31:17 | 0:31:18 | |
SHE LAUGHS | 0:31:18 | 0:31:20 | |
Whee! I'm getting good. | 0:31:20 | 0:31:21 | |
I'm getting better, I'm getting better. | 0:31:21 | 0:31:24 | |
Really? | 0:31:24 | 0:31:25 | |
HE LAUGHS | 0:31:25 | 0:31:27 | |
Have you forgotten to take your medication today? | 0:31:27 | 0:31:30 | |
I'll take it back. Excuse me. | 0:31:30 | 0:31:32 | |
Wait a minute, I've got it. | 0:31:35 | 0:31:37 | |
I'm in a nightmare! | 0:31:37 | 0:31:39 | |
THEY BOTH LAUGH | 0:31:39 | 0:31:41 | |
Oh, let's go road-tripping with Margie. | 0:31:43 | 0:31:45 | |
Right, time for Margie to get off the scooter | 0:31:45 | 0:31:47 | |
and for Paul to get on his bike. | 0:31:47 | 0:31:49 | |
Richard? | 0:31:49 | 0:31:50 | |
Hi, how are you doing? | 0:31:50 | 0:31:53 | |
-Truth be known, I made a lot of money out of one of these. -OK! | 0:31:53 | 0:31:56 | |
-A less good example, a few auctions ago. -Ah. | 0:31:56 | 0:31:59 | |
Think I'm going to be lucky twice? | 0:31:59 | 0:32:01 | |
-Let's hope so. -We're committing anyway. | 0:32:01 | 0:32:03 | |
-Yeah, go for it. -£28, it's done. -Brilliant! | 0:32:03 | 0:32:06 | |
Hooray. That's the last buy of this road trip. | 0:32:07 | 0:32:11 | |
Off to auction next, | 0:32:11 | 0:32:12 | |
if Road Trip's odd couple are still talking, that is. | 0:32:12 | 0:32:16 | |
Get in the car, Margie. | 0:32:16 | 0:32:18 | |
I can't! | 0:32:19 | 0:32:21 | |
HE LAUGHS | 0:32:21 | 0:32:22 | |
It won't open. | 0:32:22 | 0:32:24 | |
And if they can ever get to auction. | 0:32:24 | 0:32:26 | |
-It won't open. -Let me abandon you here. | 0:32:26 | 0:32:27 | |
-It won't open. -Had enough, Margie. | 0:32:27 | 0:32:29 | |
I've had enough of this! | 0:32:29 | 0:32:30 | |
DOOR SLAMS ENGINE STARTS | 0:32:30 | 0:32:33 | |
You really taking this seriously enough, Margie? | 0:32:33 | 0:32:35 | |
I'm not so sure I am! | 0:32:35 | 0:32:37 | |
Time for some shut-eye. | 0:32:37 | 0:32:38 | |
We're off to Shrewsbury in the county of Shropshire, | 0:32:41 | 0:32:44 | |
for our final auction. | 0:32:44 | 0:32:45 | |
And Halls Fine Arts is the venue for our last showdown | 0:32:45 | 0:32:49 | |
between Paul and Margie. | 0:32:49 | 0:32:51 | |
Oh, no, this is it, Margie! | 0:32:51 | 0:32:52 | |
-At last! -What have you bought? | 0:32:52 | 0:32:54 | |
-Are you going to do this? -Yes, I am. | 0:32:54 | 0:32:57 | |
Open sesame. | 0:32:57 | 0:32:58 | |
Is that how it works? | 0:32:58 | 0:33:01 | |
Margie has spent big, with £218 exactly on five auction lots. | 0:33:01 | 0:33:06 | |
Whereas parsimonious Paul has only spent £125, | 0:33:08 | 0:33:13 | |
also on five lots. | 0:33:13 | 0:33:15 | |
But are they worried by each other's purchases? | 0:33:15 | 0:33:18 | |
SHE SIGHS | 0:33:18 | 0:33:20 | |
He's done it again, I think. | 0:33:20 | 0:33:23 | |
£8? | 0:33:23 | 0:33:24 | |
I mean, he can't lose, can he? | 0:33:24 | 0:33:25 | |
An old musical instrument with a good maker's name on it. | 0:33:25 | 0:33:29 | |
There's only one way, and that's up. | 0:33:29 | 0:33:31 | |
This worries me. | 0:33:33 | 0:33:34 | |
And I think it's going to make eyes at people in the room. | 0:33:34 | 0:33:38 | |
This little chap here could gallop away at north of £120. | 0:33:38 | 0:33:42 | |
And that would be bad news for me at the final hurdle. | 0:33:42 | 0:33:46 | |
We'll see, shall we? | 0:33:48 | 0:33:50 | |
Jeremy Lamond is our auctioneer. | 0:33:50 | 0:33:52 | |
What does he think might sink or swim in today's sale? | 0:33:52 | 0:33:56 | |
Little Continental silver mounted case, the liqueur glasses, | 0:33:57 | 0:34:01 | |
nice presentation case. | 0:34:01 | 0:34:02 | |
But one glass is cracked and that's going to hold them back because | 0:34:02 | 0:34:06 | |
they're difficult, probably, to sell on in that condition. | 0:34:06 | 0:34:09 | |
I think the riskiest buy might be the Anglo-Indian cup, | 0:34:09 | 0:34:12 | |
because it is a white metal one. And they're not rare particularly, | 0:34:12 | 0:34:15 | |
so I think that's a pretty tricky buy. | 0:34:15 | 0:34:17 | |
It's a full house and the online bidders are ready to go. | 0:34:17 | 0:34:21 | |
So, for the last time this trip, let's auction, shall we? | 0:34:21 | 0:34:24 | |
It's the last time we're going to park our backsides | 0:34:24 | 0:34:26 | |
-next to one another in an auction room, Margie. -I know! | 0:34:26 | 0:34:29 | |
I hate goodbyes. | 0:34:29 | 0:34:30 | |
I really do. Can I say goodbye now? | 0:34:30 | 0:34:33 | |
Bye. | 0:34:33 | 0:34:34 | |
Could this be a good buy now? | 0:34:36 | 0:34:38 | |
Paul's Elizabethan toy pistol. | 0:34:38 | 0:34:40 | |
Good luck. | 0:34:40 | 0:34:42 | |
Thanks, Margie. | 0:34:42 | 0:34:43 | |
£30. 30 bid down here immediately, at 30. I'll take 5. | 0:34:43 | 0:34:47 | |
-35, internet. -That's some. | 0:34:47 | 0:34:49 | |
40, at £40. 40 it is. | 0:34:49 | 0:34:51 | |
5, internet. | 0:34:51 | 0:34:53 | |
At £45, the bid is online, anybody else? | 0:34:53 | 0:34:56 | |
At £45, I'm selling it online at 45. | 0:34:56 | 0:34:58 | |
Who else then at 45? | 0:34:58 | 0:35:00 | |
Last chance, 45... | 0:35:00 | 0:35:02 | |
-45. -Do you know what? | 0:35:02 | 0:35:05 | |
-That's all right. -Is it, are you sure? | 0:35:05 | 0:35:08 | |
I could have made 20. | 0:35:08 | 0:35:09 | |
That's all right, it's close enough, I can stand that. | 0:35:09 | 0:35:12 | |
That didn't exactly go with a bullet, did it? | 0:35:12 | 0:35:15 | |
Oh, Margie, that's very... | 0:35:15 | 0:35:16 | |
-You're loving it, aren't you? -No. | 0:35:16 | 0:35:18 | |
Well, let's see if the Dutch liqueur glasses | 0:35:18 | 0:35:21 | |
give Margie any thing to celebrate. | 0:35:21 | 0:35:23 | |
At 15, at 15... | 0:35:23 | 0:35:25 | |
15? | 0:35:25 | 0:35:26 | |
20, 25, 30. | 0:35:26 | 0:35:28 | |
30 in the room, at 30. 5, internet. | 0:35:28 | 0:35:32 | |
-Oh, dear. -You've got... -40, internet. -..on the net! | 0:35:32 | 0:35:34 | |
45, internet. | 0:35:34 | 0:35:35 | |
-50, internet. -Yeah. | 0:35:35 | 0:35:37 | |
5, internet. 60. | 0:35:37 | 0:35:39 | |
£60. The bid's online at 60, you're out at the back. | 0:35:39 | 0:35:42 | |
At £60, I'm going to sell online then. At 60, last chance. | 0:35:42 | 0:35:47 | |
£60... | 0:35:47 | 0:35:49 | |
How can you be disappointed? | 0:35:49 | 0:35:50 | |
That's a healthy profit, Margie. | 0:35:50 | 0:35:51 | |
I was hoping for a teeny bit more. | 0:35:51 | 0:35:54 | |
You need to be more glass-half-full, Margie. | 0:35:54 | 0:35:57 | |
It's a profit! | 0:35:57 | 0:35:58 | |
I'll swap you my loss for your profit. | 0:35:58 | 0:36:01 | |
Next, it's Paul's Anglo-Indian white metal mug. | 0:36:01 | 0:36:05 | |
£15. | 0:36:05 | 0:36:06 | |
Who'll start? 10 then, £10 I need. | 0:36:06 | 0:36:08 | |
10 is bid at the back. | 0:36:08 | 0:36:10 | |
At £10 now, I'll take 15 if you like. | 0:36:10 | 0:36:12 | |
15, 20. | 0:36:13 | 0:36:15 | |
At £20 it is. £20... | 0:36:15 | 0:36:17 | |
It's still cheap. | 0:36:17 | 0:36:19 | |
OVERLAPPING SPEECH | 0:36:19 | 0:36:21 | |
At £20, it's here, | 0:36:21 | 0:36:23 | |
at the back of the room and selling at 20. | 0:36:23 | 0:36:26 | |
-Small step, that. -Do surprise me! | 0:36:26 | 0:36:28 | |
Well, his mug isn't running over, but it is still Paul's first profit. | 0:36:28 | 0:36:33 | |
There is no lot 77. | 0:36:35 | 0:36:37 | |
Lot 78... | 0:36:37 | 0:36:39 | |
Well, you can at least laugh. | 0:36:39 | 0:36:41 | |
Here's Margie's silver cigarette case. | 0:36:41 | 0:36:43 | |
I don't know why I bought it. | 0:36:43 | 0:36:44 | |
I'm just going to be quiet. | 0:36:44 | 0:36:46 | |
You know what, neither of us may be able to make money on this! | 0:36:46 | 0:36:49 | |
20, 20 is the bid online. I'll take 5. | 0:36:49 | 0:36:52 | |
-Yes... -At £20, who's got 5? | 0:36:52 | 0:36:55 | |
-At £20... -You were right! | 0:36:55 | 0:36:57 | |
I hope you were right. | 0:36:57 | 0:36:59 | |
Maiden bid of £20. | 0:36:59 | 0:37:01 | |
All finished...at £20. | 0:37:01 | 0:37:03 | |
Anybody else in the room at 20? | 0:37:03 | 0:37:05 | |
Shall I tell you something? I deserve that. | 0:37:05 | 0:37:07 | |
THEY LAUGH | 0:37:07 | 0:37:09 | |
Oh, don't be so hard on yourself, Margie. | 0:37:09 | 0:37:12 | |
Where was I? Where was my brain? | 0:37:12 | 0:37:14 | |
As you like it... | 0:37:14 | 0:37:15 | |
Did you leave it in the little glass beside your bed and forget to...? | 0:37:16 | 0:37:20 | |
That's my teeth. | 0:37:20 | 0:37:22 | |
Now it's the Benson jug. | 0:37:22 | 0:37:24 | |
20? | 0:37:24 | 0:37:25 | |
£15. He's not making any more, you know. | 0:37:25 | 0:37:28 | |
15. | 0:37:28 | 0:37:30 | |
15 I've got on the internet already. | 0:37:30 | 0:37:32 | |
20. At £20. I'll take 5. | 0:37:32 | 0:37:34 | |
At £20. At 20 it is. | 0:37:34 | 0:37:36 | |
Going to sell that at £20. | 0:37:36 | 0:37:38 | |
-Quite sure at 20... -It's not your day, is it? | 0:37:38 | 0:37:41 | |
Proof that lightning never strikes in the same place twice. | 0:37:41 | 0:37:46 | |
But it makes people realise it's very hard, this game. | 0:37:46 | 0:37:50 | |
Hopefully, that's not going to be the case | 0:37:50 | 0:37:52 | |
with your miniature shoes, Margie. | 0:37:52 | 0:37:54 | |
I'm dying to know what they fetch. | 0:37:54 | 0:37:56 | |
£20 for the leather shoes. | 0:37:56 | 0:37:58 | |
20 is bid. At £20. | 0:37:58 | 0:38:01 | |
Bids online at 20, 5. At £25... | 0:38:01 | 0:38:05 | |
Oh, come on, they're a bit more! | 0:38:05 | 0:38:06 | |
30 in the room. At £30 it is. | 0:38:06 | 0:38:09 | |
£30 against you online. | 0:38:09 | 0:38:11 | |
At 35, 40. | 0:38:11 | 0:38:13 | |
At £40 in the room, 5. | 0:38:13 | 0:38:16 | |
Internet bid of 45, I'll take 50 anywhere. | 0:38:16 | 0:38:19 | |
£45, all finished at 45. | 0:38:19 | 0:38:22 | |
Another profit for Margie. | 0:38:23 | 0:38:25 | |
They were lovely, weren't they? | 0:38:25 | 0:38:27 | |
No, they were horrible. | 0:38:27 | 0:38:28 | |
Let's see if Paul's luck changes with the cigar lighter. | 0:38:30 | 0:38:33 | |
And I can start here at £20, at 20. | 0:38:33 | 0:38:36 | |
20, 5, 30. | 0:38:36 | 0:38:38 | |
£30 I've got already, £30 it is. | 0:38:38 | 0:38:41 | |
At £30! | 0:38:41 | 0:38:43 | |
5, just in time, internet. | 0:38:43 | 0:38:45 | |
40 with me, at £40. | 0:38:45 | 0:38:47 | |
-Go again, if you like. -I'm happy with that. | 0:38:47 | 0:38:49 | |
At £40, selling to a commission bid at £40. | 0:38:49 | 0:38:52 | |
BANGS GAVEL | 0:38:52 | 0:38:54 | |
Well, that's turned your frown upside down, Paul. | 0:38:54 | 0:38:57 | |
A tidy profit. | 0:38:57 | 0:39:00 | |
This is close, this, isn't it, in this auction? | 0:39:00 | 0:39:02 | |
It's close, but no cigars. | 0:39:02 | 0:39:05 | |
Just a cigar mould. | 0:39:05 | 0:39:06 | |
10? | 0:39:07 | 0:39:09 | |
Down here, £10. 15 where? | 0:39:09 | 0:39:11 | |
£10 for the Cuban cigar mould. | 0:39:11 | 0:39:14 | |
Maiden bid then, one and only bid, in fact. | 0:39:14 | 0:39:16 | |
Bombed! I've bombed. | 0:39:16 | 0:39:18 | |
BANGS GAVEL | 0:39:18 | 0:39:20 | |
There you go. | 0:39:20 | 0:39:21 | |
-You're pleased, aren't you? -I am, darling. | 0:39:21 | 0:39:23 | |
Do you know what? I couldn't be happier. | 0:39:23 | 0:39:26 | |
You cad, Paul. Unlucky, Margie. | 0:39:26 | 0:39:29 | |
Thank goodness it was sold! | 0:39:29 | 0:39:31 | |
Next, Paul's French oboe. | 0:39:31 | 0:39:34 | |
Will it go for a song? | 0:39:34 | 0:39:36 | |
Ask me how much I'd like it to make. | 0:39:36 | 0:39:38 | |
-Go on, then. -A gazillion. | 0:39:38 | 0:39:42 | |
Start me at £20, then. | 0:39:42 | 0:39:43 | |
20 to go for the oboe, £20. | 0:39:43 | 0:39:45 | |
It could... | 0:39:45 | 0:39:46 | |
20 is bid. Internet bid at 20. | 0:39:46 | 0:39:48 | |
-Blow it all the way up... -At £20, I've got. | 0:39:48 | 0:39:51 | |
-20... -This was my big hope. | 0:39:51 | 0:39:54 | |
Quite sure? £20, selling at 20. | 0:39:54 | 0:39:57 | |
-Do we know what we're doing? -20. | 0:39:57 | 0:39:59 | |
THEY LAUGH | 0:39:59 | 0:40:01 | |
I do sometimes wonder. | 0:40:01 | 0:40:02 | |
It's not been a great day for Paul. | 0:40:02 | 0:40:05 | |
I'd have liked a little bit more. | 0:40:05 | 0:40:07 | |
Did I say I would like a little bit... | 0:40:07 | 0:40:09 | |
I would have liked a little bit more? | 0:40:09 | 0:40:11 | |
It's the final furlong of the road trip. | 0:40:11 | 0:40:14 | |
Will the Victorian toy zebra bring a grandstand finish? | 0:40:14 | 0:40:18 | |
It's a huge gamble for me. | 0:40:18 | 0:40:19 | |
It's the end, it's our last item. | 0:40:19 | 0:40:21 | |
So, here we have £15. Bid at 15. | 0:40:23 | 0:40:26 | |
At 15 it is, at 15. | 0:40:26 | 0:40:28 | |
£15, 15, 20, 25, 30, 35... | 0:40:28 | 0:40:33 | |
40. | 0:40:33 | 0:40:34 | |
Commission bids are out, £40 is bid. | 0:40:34 | 0:40:37 | |
At 40 over here, selling then at £40. | 0:40:37 | 0:40:40 | |
-Oh, no! -All done at 40 in the room. | 0:40:40 | 0:40:42 | |
Any more? | 0:40:42 | 0:40:43 | |
-Took a gamble. -Wait a minute, I'm not good at acting. | 0:40:43 | 0:40:47 | |
-Oh, Margie. Oh, no! -Flippin' heck! | 0:40:47 | 0:40:50 | |
Well, it was fun while it lasted. | 0:40:50 | 0:40:53 | |
Come on, though! What has this trip been like? | 0:40:53 | 0:40:56 | |
-It's been superb. -Oh, come on, it's been... | 0:40:56 | 0:40:58 | |
-It has. -Who's buying the tea? | 0:40:58 | 0:41:00 | |
You. | 0:41:00 | 0:41:02 | |
I'd wait to hear how much money you got first, Paul. | 0:41:02 | 0:41:05 | |
Margie began with £410.62, | 0:41:06 | 0:41:09 | |
and after saleroom costs, | 0:41:09 | 0:41:11 | |
she's made a loss of £74.50, | 0:41:11 | 0:41:14 | |
meaning she finishes with £336.12. | 0:41:14 | 0:41:19 | |
£598.74 was the starting figure for Paul. | 0:41:19 | 0:41:25 | |
After all auction costs, he made a loss, too, of £6.10, | 0:41:25 | 0:41:30 | |
meaning he ends up with £592.64. | 0:41:30 | 0:41:33 | |
Making him the winner of this road trip! | 0:41:33 | 0:41:36 | |
Congratulations, Paul, and commiserations, Margie. | 0:41:36 | 0:41:40 | |
All profits go to Children In Need. | 0:41:40 | 0:41:44 | |
Here we go! | 0:41:44 | 0:41:46 | |
It's over! | 0:41:46 | 0:41:47 | |
-Oh, Margie! -Has the fat lady sung? | 0:41:48 | 0:41:51 | |
And no, I don't hear her sing! | 0:41:51 | 0:41:53 | |
Is this...? I want to keep going, Margie! | 0:41:53 | 0:41:56 | |
-You're my...my best companion. -We're going home, we're going home. | 0:41:56 | 0:42:00 | |
Let's find the car. | 0:42:00 | 0:42:01 | |
-Can we have a nice tea? -Yes. -Curry? -Yep. | 0:42:01 | 0:42:04 | |
What a week it's been. From north to south... | 0:42:04 | 0:42:07 | |
So, how far's Rotherham from here? | 0:42:07 | 0:42:09 | |
If I knew where here was, I'd tell you. | 0:42:09 | 0:42:12 | |
..there's been a lot of love... | 0:42:12 | 0:42:13 | |
-See you, darling. -See you later. | 0:42:13 | 0:42:14 | |
Positive little man... | 0:42:14 | 0:42:16 | |
..and a lot of rivalry. | 0:42:16 | 0:42:18 | |
Shops! I'll race you. | 0:42:18 | 0:42:20 | |
Paul scooped the best money-makers early in the week. | 0:42:20 | 0:42:23 | |
Profit, and that's what I want. | 0:42:23 | 0:42:25 | |
Until a tunic... | 0:42:28 | 0:42:30 | |
turned out to be a turkey. | 0:42:30 | 0:42:32 | |
Hey, it's looking good. | 0:42:32 | 0:42:34 | |
Ha-ha! But although Margie won that battle, | 0:42:34 | 0:42:37 | |
Paul won the week. | 0:42:37 | 0:42:38 | |
Is that not tremendous? | 0:42:38 | 0:42:39 | |
But they're still great friends. | 0:42:39 | 0:42:41 | |
Do you know, I wouldn't have another compadre over yourself. | 0:42:41 | 0:42:44 | |
Well, that's very nice to hear. | 0:42:44 | 0:42:46 | |
Until next time then, thank you, Margie and Paul. | 0:42:46 | 0:42:49 | |
It's been great. | 0:42:49 | 0:42:51 | |
Next time on the Antiques Road Trip, | 0:42:51 | 0:42:53 | |
it's the turn of Catherine Southon and the Raj Bisram. | 0:42:53 | 0:42:56 | |
Well, Catherine... Are you looking forward to this trip? | 0:42:56 | 0:42:59 | |
-I'm looking forward to being with you. -Ah. | 0:42:59 | 0:43:02 | |
Their first-ever journey together. | 0:43:02 | 0:43:04 | |
There's fighting talk... | 0:43:05 | 0:43:07 | |
Are you going to be taking risks? | 0:43:07 | 0:43:10 | |
Big risks. | 0:43:10 | 0:43:11 | |
..but will Raj walk the walk? | 0:43:11 | 0:43:14 | |
I am a risk taker, but am I that much of a risk taker? | 0:43:14 | 0:43:18 |