Episode 15 Antiques Road Trip


Episode 15

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Transcript


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It's the nation's favourite antiques experts.

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-What a job.

-..with £200 each...

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You with me?

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..a classic car...

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Buckle up.

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..and a goal, to scour Britain for antiques.

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Oh, sorry.

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Ha-ha!

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The aim - to make the biggest profit at auction,

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but it's no mean feat.

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-There will be worthy winners...

-Yes!

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..and valiant losers.

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So, will it be the high road to glory or the slow road to disaster?

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Have a good trip.

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This is the Antiques Road Trip.

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Yeah!

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Well, here we are, it's the fifth and final leg of the road trip

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with silver expert Margie Cooper

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and militaria mad auctioneer Paul Laidlaw.

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-How are you, my friend?

-Perishing, Margie.

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Are you listening?

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Just forget you're cold.

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Pull over and give me a big hug.

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At least it's still warm in their hearts,

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even if it's cold in the car.

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Have you noticed anything about the car?

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Have you sold the other one and managed to buy a cheaper one

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and this is augmenting your profits?

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It's going to be at the next auction.

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Yes, there's been a quick swap,

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it's still a Morris Minor 1,000 convertible but it's from 1958,

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and with a 48 horsepower engine. Racy!

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Why say horsepower?

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It depends on how big... If you had ten little horses with short legs,

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you'd need more of them.

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So it's like a word that's come from the past.

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Yes, a bit like us.

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-Horsepower.

-I said us, I meant you.

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That's not very gallant.

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From her original £200, Margie begins today with £410.62.

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Paul won the last auction and now has £598.74.

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Hey, we've done well. Seriously.

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You're still ahead, my dear.

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-Sorry, pardon?

-You're still ahead.

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-Pardon?

-You're still ahead.

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It's fantastic, that. Could you text me that?

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-We've got...

-SHE LAUGHS

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We've got another load of buying to do.

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Indeed you have.

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Our pair's road trip kicked off in Hemswell Cliff in Lincolnshire,

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they've yomped around Yorkshire, mooched around the Midlands,

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and they'll be selling in Shrewsbury.

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Today, they're aiming for that auction in Shropshire,

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but they're kicking of the day in Wootton Wawen, in Warwickshire.

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This is our last day.

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Last day of buying.

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While Margie drives on,

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Paul's first stop is to check out the wares in Sims Vintage.

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-Hello, is it Phil?

-It is.

-Good to see you.

-Hi, Paul.

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I like the look of this place.

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Positive and upbeat as ever, Mr Laidlaw.

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Let's get to work, shall we?

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I'm not usually one to pick up vintage toys,

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but this one has my attention.

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And that, surely you recognise, is a little miniature pistol.

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Yeah. What do you reckon, 1950s cowboys and Indians?

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Nah, Victorian.

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Proper antique.

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Nah. Why don't we go Tudor?

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HE GIGGLES

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Tudor. One of the oldest things I have picked up this road trip.

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And it dates indeed to the time of William Shakespeare.

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And there is a little vent or touch hole there, and the theory is that

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you could say, "Dad, give me some powder, give me some powder,"

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and he goes, "OK, you be careful,

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"your mother will murder me if you burn yourself."

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And you get a few grains of powder, and you pop it in there,

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and with a wee match you can go, boom!

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"Look at me, I'm Francis Drake! Got ye!"

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Now, price tag on this, you're wondering.

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Antique pistolet, £165.

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Well, thankfully,

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we're not allowed to entertain the kids like that any more.

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But it's still a possible purchase for Paul.

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Let's see how Margie is getting on, shall we?

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She's on her way to the town of Middleton, in Warwickshire,

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hoping to get some bargains of her own.

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Yeah, well, I'd love to find something hidden

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that would completely trounce Laidlaw.

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But I'm getting there. I'm getting there.

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Well, let's discover what's hidden in Meadowview Antiques.

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Here to give her a hand is owner Mike.

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Good morning, Mike. Oh, dear.

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Not that hand, the other one.

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Yes, don't do that.

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Not too serious, I hope.

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No, just an operation on my hand.

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Right, so we're here.

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An eclectic mix.

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We specialise in rare items.

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-You'll see probably things you haven't seen.

-Right.

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Like these little Victorian shoes, perhaps.

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Are they an apprentice thing?

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Yeah, I would think so, yeah.

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Little shoes like these were often made by Victorian cobblers

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at the end of their apprenticeship,

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before they were allowed to start making the adult versions.

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Let's take a closer look, shall we?

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Oh, look at those little things.

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What sort of money are those?

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I've got 48 on them.

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-I could do them you for 30.

-Right.

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I've only just arrived. Can I have a little think?

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Yes, carry on, you carry on.

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-You're moving in the right direction, Mike.

-Yeah.

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THEY LAUGH

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OK...

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So that's a Margie maybe.

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Paul also had a miniature maybe with his pistol,

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but what else has he seen?

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This beautifully crafted Chinese white metal mug

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has a ticket price of £25.

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White metal is the term used for un-hallmarked silver.

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This is a South Asian piece,

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there are numerals scratched on the bottom,

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jewellers' marks, so someone cared enough back in, when,

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the late-19th or early-20th century,

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to have that looked at.

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I think it is what I want it to be.

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It's a nice piece of Indian, Burmese or Siamese silver.

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Sweet, isn't it? I like it.

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Let's have a word with Phil.

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-How are you doing, Phil?

-Hello.

-I have been busy.

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I will return to that in a moment.

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Yes.

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In one of the cabinets,

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one of your chaps does military material and some archaeological...

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-Yes.

-And he's got some antique toy pistols.

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-The pistolets.

-Yes.

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165 quid a pop.

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-It's me.

-It's him.

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-It's you.

-It's me.

-You dark horse!

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You were keeping that.

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Are you buying them cheap or no?

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I just fell in love with them, to be honest. I think they're great.

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They're cool as hell.

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And I just imagine some child, almost 300 years ago,

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putting a bit of shot or something and shooting the cat.

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-It's fantastic.

-Definitely.

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-Not sure about the cat.

-Not for the cat.

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We should assure all our viewers,

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no historical cats were harmed in the making of Phil's imagination.

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I could go to 120 on one of those.

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-I don't know where that leaves it for you.

-Still at three figures.

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Probably too dear at auction. I would bid 50 quid on them.

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Oh.

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-Yeah, that's what I mean.

-Um...

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-I could do 70.

-Could you?

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I'll do 70 on them.

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-Can we park that?

-We can.

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What about that little Chinese,

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possible South Asian white metal mug for £25?

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The very best on that will be 15 quid.

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Can I offer you...

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..75 for a pistolet and that, so another tenner off the pistolet,

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-and the 15 quid for that?

-Yes.

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Boom, that's how you do a deal.

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-You're a joy to do business with, my friend.

-Thank you, Paul.

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That's Paul, in like a shot,

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with more than half off the ticket price for the pistolet

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and a good saving on the mug, too.

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Now, how's Margie getting on?

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She's got a maybe with the kids' shoes. Anything else?

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-I tell you what I do like, but it's a fortune.

-What's that?

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-That.

-The Titanic?

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No, the zebra.

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-Oh, the zebra.

-Yeah.

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This child's toy has a £125 ticket price,

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it's probably late-Victorian or early-Edwardian

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and its clever rocking motion is a testament to the toymaker's craft.

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You could make a baby go to sleep watching that.

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I like his movement.

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-It's unbelievable.

-I could go to sleep.

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Look at that.

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I'm getting hypnotised.

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You're not the only one.

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Feeling a bit drowsy myself.

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Go on, how much is it, then?

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How much do you want to pay for it?

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I would probably offend you.

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Yeah.

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50 quid.

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What I'll do for you, I'll do it you for 75.

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-And while we're here...

-Yes?

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What is the very best on the little diddy shoes.

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I'm sorry, the shoes, I was miles away there.

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I'll tell you what I'll do,

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-if I did the shoes and this for £100...

-Yeah.

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..you've got a good deal.

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So 90 wouldn't buy the two, as friends?

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-95.

-Gosh.

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All right, I'm not going to argue with you for a fiver.

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I was going to shake that poorly hand.

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You can shake that one instead.

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I think a big hand for Margie, that was a good bit of negotiating.

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£60 off the zebra to get it for 75

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and more than half price off the shoes to get them for £20.

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Paul, meanwhile, has now made the journey across Warwickshire,

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to the little town of Alcester.

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He's heading for the most excellently named Classic Clutter.

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I bet his home is a bit like that, too. Ha!

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-Hello there, is it Vicky?

-It is, yes.

-Lovely to see you, I'm Paul.

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Nice to meet you, Paul.

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-Pleasant wee high street you're parked on.

-It's lovely.

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With the pleasantries out of the way,

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it's time to hunt down some antiques.

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I am no musician, is the truth of the matter,

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but I feel good about the instrument I have in my hand,

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a small oboe.

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This is turned ebony.

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And these are...

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..German silver mounts.

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And nickel alloy.

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This lovely little oboe is made by Buffet a Paris,

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a name which still exists in music shops today as Buffet & Crampon,

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but Crampon didn't get in on the act until the 1830s,

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so this must predate that.

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The reed's missing but it's replaceable.

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I like what I see.

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And, of course, vintage instruments are highly collectable,

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to be used and restored.

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So what's that worth?

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In any auction, I think it should be worth 40 to £80.

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Depending, of course, on who's at the auction.

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The price - 8.

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There are some price tags you just don't haggle over.

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Can we just put that to one side? That is sold.

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-Lovely. Thank you.

-Thank you.

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No haggling, that's rarer on this show than Philip Sorel in a good mood(!)

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What else might be rare in here?

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That's an elegant object.

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I suspect this is for the dining table.

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After dinner, the ladies have withdrawn to the drawing room,

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and the gentleman remain with the brandy and cigars.

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I think this is a cigar lighter.

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This rather ornate and elegant little set-up

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has a reservoir for oil in the middle,

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a wick and two vessels for holding little tapers, called spills,

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which you used for transferring the flame from the wick to your cigar.

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And I'm sitting there and I'd say,

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"Right, old chap. Yes."

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Get my little spill, take a light from the wick, and then...

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..there you go.

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And chew the cud.

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"I say, what do you make of the news from the front, old chap,

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"it's damned bad news, is it not?"

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This is late-Victorian, early-Edwardian,

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and made from silver plate.

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No condition issues, lovely form, a rich object.

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What's the price tag? £18.

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Doesn't sound expensive.

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I think I'd like to buy it.

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Let's go see what Vicky has to say.

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-Vicky.

-Paul.

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I think it's a cigar lighter.

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It's priced at £18.

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Any slack in the price of that?

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-Possibly.

-OK, well...

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£8 for the instrument, that comes to 26 the pair.

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£20 the pair any use?

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I could do 22.

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Let's do 22.

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-Fabulous.

-Easy, Vicky, fantastic.

-Thank you very much.

-Great.

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-I'd better give you some money.

-That would be great.

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So, ticket price for the oboe and £4 off the cigar lighter,

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another brisk bit of business from Paul.

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Meanwhile, Margie is off on

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a West Midlands magical mystery tour to Coleshill,

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to investigate the story of a man often seen in places like this

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with a notebook in his hand.

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And she's picked up a passenger, Steve Corthray,

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to tell her more.

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This is all a bit of a mystery.

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I'm getting more and more excited.

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This is the Ladywalk Nature Reserve -

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a 100-acre-site that used to be part of the Hams Hall estate,

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but in 1971, volunteers of the West Midlands Bird club, like Steve,

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turned it into the bird-watchers paradise it is today.

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214 species of birds have been recorded here.

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I've got my special scarf on for you.

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Yeah, I saw that.

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That's actually a flamingo.

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You've actually brought a new species down to the reserve.

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So, make that 215.

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Ladywalk Reserve is one of hundreds of bird-watching sites across the UK

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that thousands of us flock to every week.

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But all of this arguably wouldn't have been possible without this man,

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Thomas Bewick. Born in 1753, he initially worked as an engraver,

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but then this keen nature lover made a discovery that revolutionised

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the world of book illustration

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and created bird-watching as we know it today.

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They used to work with wood, and etch a design into the wood,

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and then print from that design.

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But the beautiful thing that he did,

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he found that by using a hardwood such as teak,

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and cutting across the grain, he could get a finer detail, and hence,

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when he printed, the detail in the pictures was so much better.

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Bewick already had an amazing talent for detailed sketches of birds,

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and he realised he could turn these

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into high-quality detailed illustrations at a low cost.

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So, in 1797, Bewick authored and illustrated his first book,

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A History Of British Birds,

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and it set the mould for all bird-watching books since.

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And up in his hide here,

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Steve has some examples of Bewick's eye for detail

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to show Margie.

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Margie, these are a selection of Thomas' pictures.

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Aren't they beautiful?

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What fine detail.

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It is, isn't it?

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This sketch is of a bittern.

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There are now reckoned to be less than 100 breeding pairs in the UK.

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One of the few places you can regularly see them is here,

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at Ladywalk Reserve.

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But this illustration also shows how much of Bewick's style

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has influenced the modern bird guide.

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He would include the scientific name, which is also done today,

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and group the birds into species.

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-Right.

-And you can see that when you compare it to the modern-day book.

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That's a picture of the bittern, similar angle,

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but also pictures of birds in flight, how you'd see them.

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Even in the 21st-century,

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illustrations are still preferred over photos,

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to show birds' features.

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Bewick's intricate, detailed drawings set the standard

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which is still followed today.

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And in the 19th century,

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it also changed the public's attitude to birds.

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This was used not only by natural historians

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but it was an affordable book,

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lots of people could get it and identify the birds.

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Birds on the local ponds, birds on the garden.

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-It popularised the hobby of bird-watching.

-Yeah.

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People wanted to go and see the birds, not to shoot them,

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but to watch them.

0:16:380:16:39

Hence, conservation has come on and evolved

0:16:390:16:42

because of the early work that he's done.

0:16:420:16:45

And Ladywalk is a fine example

0:16:450:16:47

of the conservation that Bewick's work inspired.

0:16:470:16:51

Time to grab a pair of bins for a spot of twitching, Margie.

0:16:510:16:55

-Here we go.

-Have a look out of these.

0:16:550:16:58

-Tell me what you see.

-What was that?

0:16:580:17:00

-That was a heron. A grey heron.

-Yeah.

0:17:000:17:02

And Thomas Bewick's legacy lives on in other ways, too,

0:17:020:17:06

his History Of British Birds is the favourite book

0:17:060:17:08

of Charlotte Bronte's Jane Eyre.

0:17:080:17:10

And he inspired the poets Wordsworth and Tennyson

0:17:100:17:14

to mention him in verse.

0:17:140:17:15

Very fittingly, both a swan and a wren were named after him.

0:17:150:17:19

It's the popularity of bird-watching that is his greatest legacy.

0:17:190:17:23

What are those black ones?

0:17:230:17:25

Those are cormorants.

0:17:250:17:27

They actually breed on the reserve.

0:17:270:17:29

I can see how it gets addictive.

0:17:290:17:31

-It is.

-But unfortunately, I'm off antiquing.

0:17:310:17:35

-Got to keep going.

-You've got a full-time job, haven't you?

0:17:350:17:37

I have, yeah.

0:17:370:17:38

Well, that concludes today's action for our dynamic duo of old birds.

0:17:400:17:46

You said that you fancied a curry later.

0:17:460:17:48

Curry, yeah. You fancy?

0:17:480:17:50

I'll do whatever you want.

0:17:500:17:52

-Really?

-As long as you haven't bought any militaria.

0:17:520:17:56

Best not mention that pistol then, Paul.

0:17:560:17:59

Enjoy your curry. Nighty-night.

0:17:590:18:01

Rise and shine, or maybe rise and rain,

0:18:060:18:09

it's time for the final day's buying on this road trip.

0:18:090:18:12

What a miserable day for our last buying day together.

0:18:130:18:16

Mind you, it's cosy. Just me and you.

0:18:160:18:20

Steaming up those windows.

0:18:200:18:23

For all the wrong reasons.

0:18:230:18:24

Like the car not having air conditioning, eh?

0:18:240:18:28

Let's remind ourselves what they bought yesterday.

0:18:280:18:30

Margie has two lots,

0:18:300:18:32

the vintage rocking zebra toy

0:18:320:18:34

and the 19th-century kids' leather shoes.

0:18:340:18:37

Look at those little things.

0:18:370:18:39

Margie has £315.62 for the rest of the day.

0:18:400:18:45

Paul has four very different lots, the Victorian cigar lighter,

0:18:450:18:50

the French oboe,

0:18:500:18:51

the Anglo-Indian cup

0:18:510:18:53

and the Elizabethan toy pistol.

0:18:530:18:55

-Boof!

-HE CHUCKLES

0:18:550:18:57

Leaving him with £501.74 to spend today.

0:18:570:19:01

So you had a full day buying, didn't you?

0:19:010:19:05

I bought from the 16th century...

0:19:050:19:06

..to the 20th.

0:19:080:19:10

For goodness' sake.

0:19:100:19:11

Can you believe it?

0:19:110:19:12

The British Museum have expressed interest already.

0:19:120:19:15

But they're having to vie against the V&A.

0:19:150:19:18

If you're not going to be sensible, I'm not going to talk.

0:19:180:19:22

Looks like a quiet journey, then.

0:19:220:19:25

And for Margie, the journey is going to be all the way to the beautiful

0:19:250:19:28

but damp historic town of Warwick.

0:19:280:19:32

The castle here dates back to the Norman conquest.

0:19:320:19:35

But let's see what our Margie can conquer today.

0:19:350:19:38

Good luck with the rain, Margie. I hope it's a long walk to your shop.

0:19:380:19:41

I think it's going to stop.

0:19:410:19:43

I'm sure it's going to stop.

0:19:430:19:45

See you later, Margie!

0:19:450:19:46

OK, I've abandoned Margie to the rain and the shops.

0:19:560:19:59

Is she going to go all chips in?

0:19:590:20:02

Or we could, I don't know...

0:20:020:20:04

Watch this space.

0:20:050:20:07

We're watching.

0:20:070:20:08

Margie's first stop is Warwick Antique Centre.

0:20:100:20:13

I really like those.

0:20:210:20:23

Really little, little liqueur glasses there.

0:20:230:20:27

In the box, really nice, but have you spotted anything?

0:20:270:20:30

One of the glasses is broken.

0:20:320:20:33

It's a shame. The silver is Continental.

0:20:330:20:37

Could be Dutch or French.

0:20:370:20:39

You see them quite a lot but they're really very nice things.

0:20:390:20:42

These six lovely little Dutch liqueur glasses

0:20:420:20:45

have a ticket price of £75.

0:20:450:20:48

But what can Margie get these little babies for?

0:20:480:20:50

Right, these have caught my eye, George.

0:20:500:20:53

I can't forget your name, I've got a cat called George.

0:20:530:20:56

Nice tactic, Margie.

0:20:560:20:58

Comparing him to a much-loved pet.

0:20:580:21:00

He's called Boy George!

0:21:000:21:03

Well, he's no longer, he's died now.

0:21:030:21:05

But he's got a headstone in my garden.

0:21:050:21:08

Just by the by!

0:21:080:21:10

Er... That's nice, thank you(!)

0:21:100:21:12

-One of the glasses does need a replacement.

-Yes.

0:21:120:21:15

It's not the end of the world but it's just hassle, isn't it?

0:21:150:21:18

-Yes.

-It's hassle for anybody.

0:21:180:21:20

Could I buy those for £48?

0:21:200:21:25

No, I couldn't to £48.

0:21:250:21:26

55 for the set.

0:21:270:21:30

55.

0:21:300:21:32

And if I do buy them, have you got any silver polish?

0:21:320:21:34

-I can get some for you.

-Can you?

-Yes.

0:21:340:21:37

So...

0:21:370:21:38

Well, I tell you what, if you'll clean them for me,

0:21:400:21:44

I'll make a decision now and say...

0:21:440:21:47

-..yes.

-OK.

0:21:470:21:50

It's a deal. £55 and some free elbow grease for the glasses set.

0:21:500:21:55

Now, what else can Margie get some free labour on?

0:21:550:21:59

-Hello, Margie.

-Hi.

-We've just had these in from another dealer.

0:21:590:22:03

I don't know if you'd like to have a look at these.

0:22:030:22:05

-Is that your shopping?

-You been out to the shops?

0:22:050:22:08

Oh, where are we going?

0:22:080:22:11

Oh, my goodness, what have we got here?

0:22:110:22:13

Oh, silver?

0:22:160:22:17

Two sets...

0:22:190:22:21

So, this gentleman is selling this as a job lot?

0:22:210:22:24

-As a job lot.

-Yes.

0:22:240:22:26

I'm sure he'd sell individual items.

0:22:270:22:29

Right, yeah.

0:22:290:22:31

Luckily, the shop's owner, Colin, can act on behalf of the dealer.

0:22:310:22:35

So, is there any particular bit there that you like?

0:22:350:22:37

Yes. I think that's saleable.

0:22:370:22:39

-I don't think that's a scrapper, is it?

-It's up to you.

0:22:390:22:42

She's spotted an Art Deco cigarette case.

0:22:420:22:44

Not so fashionable nowadays, but it is silver gilt inside.

0:22:440:22:49

Call it 30 quid. Here, give it the handshake...

0:22:490:22:52

SHE LAUGHS

0:22:520:22:54

-Oh, go on. I'm too weary.

-Cheers.

-I'm weary!

0:22:540:22:59

That's 30 for the case and 55 for the glasses,

0:22:590:23:02

making the spend in here £85.

0:23:020:23:05

Paul, meanwhile, has travelled to Coventry, the UK's Motor City.

0:23:070:23:11

He's come to the city's Transport Museum to find out about

0:23:110:23:15

Coventry's pivotal role in the story of another form of transport,

0:23:150:23:18

the humble bicycle.

0:23:180:23:20

Here to show him round is curator, Megan Nass.

0:23:200:23:23

-Hello, Megan!

-Yes, Paul, nice to meet you.

0:23:230:23:26

The first bicycle seen here was the Hobby Horse,

0:23:260:23:30

invented in Germany around 1817.

0:23:300:23:33

But it's this French velocipede, or boneshaker, from 1868,

0:23:330:23:37

that kick-started Coventry's cycle industry.

0:23:370:23:41

Rowley B Turner, who was one of the cycle pioneers in Coventry,

0:23:410:23:45

he was living and working in Paris.

0:23:450:23:47

And he noticed the locals riding around on these machines called

0:23:470:23:51

velocipedes and he just thought, "That's a great thing."

0:23:510:23:55

So, he brought one back from Paris to Coventry,

0:23:550:23:57

to his uncle's sewing machine factory.

0:23:570:24:00

So, it was Rowley B Turner

0:24:000:24:01

that persuaded his uncle and James Starley

0:24:010:24:04

to start producing these velocipedes.

0:24:040:24:07

From Coventry, James Starley and his co-partner Josiah Turner

0:24:070:24:12

made the uncomfortable velocipede practical and sellable.

0:24:120:24:15

But Starley realised that to increase speed,

0:24:150:24:18

the front pedals needed to power a larger wheel.

0:24:180:24:21

So, in 1871, the first penny-farthing, called The Ariel,

0:24:210:24:25

was made in Coventry.

0:24:250:24:27

So, Megan, how was this an improvement on the velocipede?

0:24:270:24:31

We have the addition of wire spokes,

0:24:310:24:33

as opposed to the wooden spokes.

0:24:330:24:36

You also notice that it was

0:24:360:24:37

probably a little bit more of a smoother ride,

0:24:370:24:40

with the solid rubber tyres.

0:24:400:24:42

And then also, the addition of the braking system on the back there.

0:24:420:24:47

These look precarious, I imagine it's difficult to mount up...

0:24:470:24:50

-Yes, yes.

-..difficult to stop, and just dangerous all round.

0:24:500:24:55

Yeah, it... I think it would have been and it would have really...

0:24:550:24:58

The penny-farthing would have really only suited athletic men.

0:24:580:25:02

-Hey.

-Oh!

0:25:020:25:04

We can make this happen!

0:25:040:25:05

And here is a suited athletic man.

0:25:050:25:08

My word. Is that a period specimen?

0:25:080:25:10

Absolutely, this is 1885, and she was made here in Coventry.

0:25:100:25:14

By the Singer Company.

0:25:140:25:15

-Oh, fantastic!

-Which is a fine example of...

0:25:150:25:18

So how difficult is it to get on one of those?

0:25:180:25:20

I think the answer is very difficult, Paul.

0:25:200:25:23

But Simon is going to give you a hand.

0:25:230:25:26

-Go ahead. On two, three...

-Tell my kids I love them, yeah.

0:25:260:25:28

My wife as well!

0:25:280:25:30

LAUGHTER

0:25:300:25:31

And there we go.

0:25:310:25:33

Assume the position, haughty.

0:25:330:25:35

Yes, absolutely, very straight back...

0:25:350:25:37

You look as if you were born to ride that, Paul.

0:25:370:25:40

This is petrifying.

0:25:400:25:42

Seriously, it looks high up from down there.

0:25:420:25:44

Oh, you're a long way up.

0:25:440:25:46

Up here, you look like ants, to be quite frank.

0:25:460:25:49

But can Paul get off again?

0:25:490:25:52

Penny-farthings were notorious for toppling while stationary,

0:25:520:25:55

so most people jumped off them while they were still moving.

0:25:550:25:58

-And I'm just going to...

-And then down off the bike. Well done.

0:25:580:26:01

I felt I was better on the way down than up.

0:26:010:26:04

Very good! And this is how we would mount and...

0:26:040:26:07

-Properly!

-OK, so...

0:26:070:26:10

One, two, three.

0:26:100:26:12

And off into the sunset.

0:26:160:26:18

Just another day at the museum.

0:26:180:26:20

LAUGHTER

0:26:200:26:21

Well, we have certainly done the penny-farthing.

0:26:210:26:24

-Yes, mm-hm.

-But where do we go from here?

0:26:240:26:28

We go to this next bike, the Rover safety bike,

0:26:280:26:31

so-called because it was safer than the iconic penny-farthing.

0:26:310:26:34

This humble looking bike would sell millions around the world,

0:26:340:26:38

changing cycling forever

0:26:380:26:40

and set the blueprint for all modern bicycles.

0:26:400:26:43

All from a factory right here in Coventry.

0:26:430:26:46

That is a bike as I know it.

0:26:460:26:49

It is, John Kemp Starley, who was the nephew of James Starley,

0:26:490:26:53

this was his 1888 version.

0:26:530:26:55

-It seems very modern for 1888.

-It does.

0:26:550:27:01

John Starley came up with several new features

0:27:010:27:04

that are still around today.

0:27:040:27:05

Same sized wheels, a chain drive,

0:27:050:27:07

and he added a recent invention, John Dunlop's pneumatic tyre.

0:27:070:27:13

The journey from the Hobby Horse to the bicycle was complete,

0:27:130:27:16

and by the mid-20th century,

0:27:160:27:18

the bike was the most popular form of transport in the world,

0:27:180:27:21

all thanks to the sewing machine pioneers of Coventry.

0:27:210:27:25

And it wasn't long before those pioneers that made Coventry

0:27:250:27:29

the world capital of bike making

0:27:290:27:31

would also start Britain's car industry.

0:27:310:27:34

Speaking of which, it's time for Paul to get back on the road.

0:27:340:27:38

Look at that.

0:27:380:27:39

I'd don't think you'll get Margie on the back of that, Paul.

0:27:390:27:44

With Paul left messing around on the penny-farthing,

0:27:440:27:47

Margie has stolen a march to their joint last shopping destination,

0:27:470:27:52

beautiful Stratford-upon-Avon.

0:27:520:27:54

Birthplace of our national bard, William Shakespeare.

0:27:540:27:58

She is first to Bond's Antiques,

0:27:580:28:00

where she's going to be helped out by the lovely Richard.

0:28:000:28:02

Shall we wander together?

0:28:020:28:03

-Let's wander.

-Let's wander.

0:28:030:28:06

So, the final shop.

0:28:060:28:08

What can she snaffle away before Paul gets here?

0:28:080:28:11

Oh, what's that?

0:28:130:28:15

I think that's a...

0:28:150:28:16

Is that a pill holder thing?

0:28:160:28:18

-It looks like a pill holder, doesn't it?

-Yeah.

0:28:180:28:20

There you are, what's he said?

0:28:200:28:22

"Cuban cigar mould."

0:28:220:28:24

We're both wrong.

0:28:240:28:25

This cigar mould - or bonche as it's known - is,

0:28:250:28:29

as the name suggests,

0:28:290:28:30

for moulding the cigars into the right shape.

0:28:300:28:33

This one was made in Berlin.

0:28:330:28:35

The ticket price is £50.

0:28:350:28:37

Does he smell?

0:28:380:28:39

Yeah, I can, I can.

0:28:400:28:42

Or am I just dreaming?

0:28:420:28:44

HE LAUGHS

0:28:440:28:46

Can you do a bit? I can smell it a bit.

0:28:460:28:48

You can a bit, and there's some staining, look.

0:28:480:28:51

You can see where they've been sitting.

0:28:510:28:53

-Yeah, and my grandpa...

-SHE INHALES

0:28:530:28:55

..used to smell like that.

0:28:550:28:57

I really like it.

0:28:580:29:01

So, what do you think, price-wise?

0:29:010:29:03

I mean, smoke related items, it's a bit sort of...

0:29:030:29:07

in the past. A piece of social history, yeah?

0:29:070:29:11

-Social history.

-Yeah.

0:29:110:29:13

-Decorative object, isn't it now?

-Yes.

0:29:130:29:15

The cigar mould belongs to a dealer,

0:29:150:29:17

but Richard has permission to negotiate on his behalf.

0:29:170:29:20

So, is he open to a little bit of an offer?

0:29:200:29:23

Go on, make us an offer.

0:29:230:29:25

I was thinking about 35 quid.

0:29:250:29:27

I was going to try and get you to around 40.

0:29:270:29:29

Well, if you drop a tad under 40, I'll buy it.

0:29:290:29:32

What shall we do? 38?

0:29:320:29:34

-Yeah.

-OK.

0:29:340:29:36

-Done?

-Deal.

-Definitely having that.

0:29:360:29:37

Well done, Margie, £12 off the cigar mould.

0:29:370:29:40

Perfect timing, too, as the Flying Scotsman has just pulled up outside.

0:29:420:29:47

Now, what can Paul find in here

0:29:490:29:50

that could bring a tidy profit at auction?

0:29:500:29:53

If you were paying any attention a few auctions ago,

0:29:560:29:59

you'd have seen me sell one of these huge profit.

0:29:590:30:01

This is a patent hot water jug,

0:30:010:30:06

by...

0:30:060:30:08

WAS Benson!

0:30:080:30:09

You see, if you don't know what you're looking at,

0:30:090:30:12

that's just loosely an Arts & Crafts lidded jug.

0:30:120:30:16

But if you know to have a look there,

0:30:160:30:18

there's a mark that says "Benson's patent."

0:30:180:30:23

What's the price on that? £34.

0:30:230:30:26

Do you think we can be lucky twice?

0:30:260:30:27

Don't know, it's worth asking.

0:30:290:30:31

I'm buying that one for now.

0:30:310:30:33

Wonder what Margie would think!

0:30:340:30:36

With nothing else catching Margie's eye, she's at a bit of a loose end.

0:30:360:30:41

Margie, are you...

0:30:410:30:42

Are you stalking me, Margie? Have you got anything to buy?

0:30:420:30:45

-I'm just trying...

-If you need a hand, just ask.

0:30:450:30:47

I'm just trying to find out what you're interested in.

0:30:470:30:50

You see what I put down?

0:30:500:30:51

I'll leave you, honey.

0:30:520:30:54

Ah, just ignore her, Paul.

0:30:540:30:56

You'll only encourage her.

0:30:560:30:57

Now, about that pot.

0:30:570:30:59

Let's see what Richard can do.

0:30:590:31:01

It's got £34 on it.

0:31:010:31:03

Is there wriggle room on this?

0:31:030:31:04

It's got to be high 20s.

0:31:040:31:06

-How high?

-28, absolute max.

0:31:070:31:09

-28 quid, this is food for thought.

-All right.

0:31:090:31:12

Still time to keep looking, Paul,

0:31:120:31:14

provided you're not distracted, that is.

0:31:140:31:16

Paul?

0:31:160:31:17

Paul?

0:31:170:31:18

SHE LAUGHS

0:31:180:31:20

Whee! I'm getting good.

0:31:200:31:21

I'm getting better, I'm getting better.

0:31:210:31:24

Really?

0:31:240:31:25

HE LAUGHS

0:31:250:31:27

Have you forgotten to take your medication today?

0:31:270:31:30

I'll take it back. Excuse me.

0:31:300:31:32

Wait a minute, I've got it.

0:31:350:31:37

I'm in a nightmare!

0:31:370:31:39

THEY BOTH LAUGH

0:31:390:31:41

Oh, let's go road-tripping with Margie.

0:31:430:31:45

Right, time for Margie to get off the scooter

0:31:450:31:47

and for Paul to get on his bike.

0:31:470:31:49

Richard?

0:31:490:31:50

Hi, how are you doing?

0:31:500:31:53

-Truth be known, I made a lot of money out of one of these.

-OK!

0:31:530:31:56

-A less good example, a few auctions ago.

-Ah.

0:31:560:31:59

Think I'm going to be lucky twice?

0:31:590:32:01

-Let's hope so.

-We're committing anyway.

0:32:010:32:03

-Yeah, go for it.

-£28, it's done.

-Brilliant!

0:32:030:32:06

Hooray. That's the last buy of this road trip.

0:32:070:32:11

Off to auction next,

0:32:110:32:12

if Road Trip's odd couple are still talking, that is.

0:32:120:32:16

Get in the car, Margie.

0:32:160:32:18

I can't!

0:32:190:32:21

HE LAUGHS

0:32:210:32:22

It won't open.

0:32:220:32:24

And if they can ever get to auction.

0:32:240:32:26

-It won't open.

-Let me abandon you here.

0:32:260:32:27

-It won't open.

-Had enough, Margie.

0:32:270:32:29

I've had enough of this!

0:32:290:32:30

DOOR SLAMS ENGINE STARTS

0:32:300:32:33

You really taking this seriously enough, Margie?

0:32:330:32:35

I'm not so sure I am!

0:32:350:32:37

Time for some shut-eye.

0:32:370:32:38

We're off to Shrewsbury in the county of Shropshire,

0:32:410:32:44

for our final auction.

0:32:440:32:45

And Halls Fine Arts is the venue for our last showdown

0:32:450:32:49

between Paul and Margie.

0:32:490:32:51

Oh, no, this is it, Margie!

0:32:510:32:52

-At last!

-What have you bought?

0:32:520:32:54

-Are you going to do this?

-Yes, I am.

0:32:540:32:57

Open sesame.

0:32:570:32:58

Is that how it works?

0:32:580:33:01

Margie has spent big, with £218 exactly on five auction lots.

0:33:010:33:06

Whereas parsimonious Paul has only spent £125,

0:33:080:33:13

also on five lots.

0:33:130:33:15

But are they worried by each other's purchases?

0:33:150:33:18

SHE SIGHS

0:33:180:33:20

He's done it again, I think.

0:33:200:33:23

£8?

0:33:230:33:24

I mean, he can't lose, can he?

0:33:240:33:25

An old musical instrument with a good maker's name on it.

0:33:250:33:29

There's only one way, and that's up.

0:33:290:33:31

This worries me.

0:33:330:33:34

And I think it's going to make eyes at people in the room.

0:33:340:33:38

This little chap here could gallop away at north of £120.

0:33:380:33:42

And that would be bad news for me at the final hurdle.

0:33:420:33:46

We'll see, shall we?

0:33:480:33:50

Jeremy Lamond is our auctioneer.

0:33:500:33:52

What does he think might sink or swim in today's sale?

0:33:520:33:56

Little Continental silver mounted case, the liqueur glasses,

0:33:570:34:01

nice presentation case.

0:34:010:34:02

But one glass is cracked and that's going to hold them back because

0:34:020:34:06

they're difficult, probably, to sell on in that condition.

0:34:060:34:09

I think the riskiest buy might be the Anglo-Indian cup,

0:34:090:34:12

because it is a white metal one. And they're not rare particularly,

0:34:120:34:15

so I think that's a pretty tricky buy.

0:34:150:34:17

It's a full house and the online bidders are ready to go.

0:34:170:34:21

So, for the last time this trip, let's auction, shall we?

0:34:210:34:24

It's the last time we're going to park our backsides

0:34:240:34:26

-next to one another in an auction room, Margie.

-I know!

0:34:260:34:29

I hate goodbyes.

0:34:290:34:30

I really do. Can I say goodbye now?

0:34:300:34:33

Bye.

0:34:330:34:34

Could this be a good buy now?

0:34:360:34:38

Paul's Elizabethan toy pistol.

0:34:380:34:40

Good luck.

0:34:400:34:42

Thanks, Margie.

0:34:420:34:43

£30. 30 bid down here immediately, at 30. I'll take 5.

0:34:430:34:47

-35, internet.

-That's some.

0:34:470:34:49

40, at £40. 40 it is.

0:34:490:34:51

5, internet.

0:34:510:34:53

At £45, the bid is online, anybody else?

0:34:530:34:56

At £45, I'm selling it online at 45.

0:34:560:34:58

Who else then at 45?

0:34:580:35:00

Last chance, 45...

0:35:000:35:02

-45.

-Do you know what?

0:35:020:35:05

-That's all right.

-Is it, are you sure?

0:35:050:35:08

I could have made 20.

0:35:080:35:09

That's all right, it's close enough, I can stand that.

0:35:090:35:12

That didn't exactly go with a bullet, did it?

0:35:120:35:15

Oh, Margie, that's very...

0:35:150:35:16

-You're loving it, aren't you?

-No.

0:35:160:35:18

Well, let's see if the Dutch liqueur glasses

0:35:180:35:21

give Margie any thing to celebrate.

0:35:210:35:23

At 15, at 15...

0:35:230:35:25

15?

0:35:250:35:26

20, 25, 30.

0:35:260:35:28

30 in the room, at 30. 5, internet.

0:35:280:35:32

-Oh, dear.

-You've got...

-40, internet.

-..on the net!

0:35:320:35:34

45, internet.

0:35:340:35:35

-50, internet.

-Yeah.

0:35:350:35:37

5, internet. 60.

0:35:370:35:39

£60. The bid's online at 60, you're out at the back.

0:35:390:35:42

At £60, I'm going to sell online then. At 60, last chance.

0:35:420:35:47

£60...

0:35:470:35:49

How can you be disappointed?

0:35:490:35:50

That's a healthy profit, Margie.

0:35:500:35:51

I was hoping for a teeny bit more.

0:35:510:35:54

You need to be more glass-half-full, Margie.

0:35:540:35:57

It's a profit!

0:35:570:35:58

I'll swap you my loss for your profit.

0:35:580:36:01

Next, it's Paul's Anglo-Indian white metal mug.

0:36:010:36:05

£15.

0:36:050:36:06

Who'll start? 10 then, £10 I need.

0:36:060:36:08

10 is bid at the back.

0:36:080:36:10

At £10 now, I'll take 15 if you like.

0:36:100:36:12

15, 20.

0:36:130:36:15

At £20 it is. £20...

0:36:150:36:17

It's still cheap.

0:36:170:36:19

OVERLAPPING SPEECH

0:36:190:36:21

At £20, it's here,

0:36:210:36:23

at the back of the room and selling at 20.

0:36:230:36:26

-Small step, that.

-Do surprise me!

0:36:260:36:28

Well, his mug isn't running over, but it is still Paul's first profit.

0:36:280:36:33

There is no lot 77.

0:36:350:36:37

Lot 78...

0:36:370:36:39

Well, you can at least laugh.

0:36:390:36:41

Here's Margie's silver cigarette case.

0:36:410:36:43

I don't know why I bought it.

0:36:430:36:44

I'm just going to be quiet.

0:36:440:36:46

You know what, neither of us may be able to make money on this!

0:36:460:36:49

20, 20 is the bid online. I'll take 5.

0:36:490:36:52

-Yes...

-At £20, who's got 5?

0:36:520:36:55

-At £20...

-You were right!

0:36:550:36:57

I hope you were right.

0:36:570:36:59

Maiden bid of £20.

0:36:590:37:01

All finished...at £20.

0:37:010:37:03

Anybody else in the room at 20?

0:37:030:37:05

Shall I tell you something? I deserve that.

0:37:050:37:07

THEY LAUGH

0:37:070:37:09

Oh, don't be so hard on yourself, Margie.

0:37:090:37:12

Where was I? Where was my brain?

0:37:120:37:14

As you like it...

0:37:140:37:15

Did you leave it in the little glass beside your bed and forget to...?

0:37:160:37:20

That's my teeth.

0:37:200:37:22

Now it's the Benson jug.

0:37:220:37:24

20?

0:37:240:37:25

£15. He's not making any more, you know.

0:37:250:37:28

15.

0:37:280:37:30

15 I've got on the internet already.

0:37:300:37:32

20. At £20. I'll take 5.

0:37:320:37:34

At £20. At 20 it is.

0:37:340:37:36

Going to sell that at £20.

0:37:360:37:38

-Quite sure at 20...

-It's not your day, is it?

0:37:380:37:41

Proof that lightning never strikes in the same place twice.

0:37:410:37:46

But it makes people realise it's very hard, this game.

0:37:460:37:50

Hopefully, that's not going to be the case

0:37:500:37:52

with your miniature shoes, Margie.

0:37:520:37:54

I'm dying to know what they fetch.

0:37:540:37:56

£20 for the leather shoes.

0:37:560:37:58

20 is bid. At £20.

0:37:580:38:01

Bids online at 20, 5. At £25...

0:38:010:38:05

Oh, come on, they're a bit more!

0:38:050:38:06

30 in the room. At £30 it is.

0:38:060:38:09

£30 against you online.

0:38:090:38:11

At 35, 40.

0:38:110:38:13

At £40 in the room, 5.

0:38:130:38:16

Internet bid of 45, I'll take 50 anywhere.

0:38:160:38:19

£45, all finished at 45.

0:38:190:38:22

Another profit for Margie.

0:38:230:38:25

They were lovely, weren't they?

0:38:250:38:27

No, they were horrible.

0:38:270:38:28

Let's see if Paul's luck changes with the cigar lighter.

0:38:300:38:33

And I can start here at £20, at 20.

0:38:330:38:36

20, 5, 30.

0:38:360:38:38

£30 I've got already, £30 it is.

0:38:380:38:41

At £30!

0:38:410:38:43

5, just in time, internet.

0:38:430:38:45

40 with me, at £40.

0:38:450:38:47

-Go again, if you like.

-I'm happy with that.

0:38:470:38:49

At £40, selling to a commission bid at £40.

0:38:490:38:52

BANGS GAVEL

0:38:520:38:54

Well, that's turned your frown upside down, Paul.

0:38:540:38:57

A tidy profit.

0:38:570:39:00

This is close, this, isn't it, in this auction?

0:39:000:39:02

It's close, but no cigars.

0:39:020:39:05

Just a cigar mould.

0:39:050:39:06

10?

0:39:070:39:09

Down here, £10. 15 where?

0:39:090:39:11

£10 for the Cuban cigar mould.

0:39:110:39:14

Maiden bid then, one and only bid, in fact.

0:39:140:39:16

Bombed! I've bombed.

0:39:160:39:18

BANGS GAVEL

0:39:180:39:20

There you go.

0:39:200:39:21

-You're pleased, aren't you?

-I am, darling.

0:39:210:39:23

Do you know what? I couldn't be happier.

0:39:230:39:26

You cad, Paul. Unlucky, Margie.

0:39:260:39:29

Thank goodness it was sold!

0:39:290:39:31

Next, Paul's French oboe.

0:39:310:39:34

Will it go for a song?

0:39:340:39:36

Ask me how much I'd like it to make.

0:39:360:39:38

-Go on, then.

-A gazillion.

0:39:380:39:42

Start me at £20, then.

0:39:420:39:43

20 to go for the oboe, £20.

0:39:430:39:45

It could...

0:39:450:39:46

20 is bid. Internet bid at 20.

0:39:460:39:48

-Blow it all the way up...

-At £20, I've got.

0:39:480:39:51

-20...

-This was my big hope.

0:39:510:39:54

Quite sure? £20, selling at 20.

0:39:540:39:57

-Do we know what we're doing?

-20.

0:39:570:39:59

THEY LAUGH

0:39:590:40:01

I do sometimes wonder.

0:40:010:40:02

It's not been a great day for Paul.

0:40:020:40:05

I'd have liked a little bit more.

0:40:050:40:07

Did I say I would like a little bit...

0:40:070:40:09

I would have liked a little bit more?

0:40:090:40:11

It's the final furlong of the road trip.

0:40:110:40:14

Will the Victorian toy zebra bring a grandstand finish?

0:40:140:40:18

It's a huge gamble for me.

0:40:180:40:19

It's the end, it's our last item.

0:40:190:40:21

So, here we have £15. Bid at 15.

0:40:230:40:26

At 15 it is, at 15.

0:40:260:40:28

£15, 15, 20, 25, 30, 35...

0:40:280:40:33

40.

0:40:330:40:34

Commission bids are out, £40 is bid.

0:40:340:40:37

At 40 over here, selling then at £40.

0:40:370:40:40

-Oh, no!

-All done at 40 in the room.

0:40:400:40:42

Any more?

0:40:420:40:43

-Took a gamble.

-Wait a minute, I'm not good at acting.

0:40:430:40:47

-Oh, Margie. Oh, no!

-Flippin' heck!

0:40:470:40:50

Well, it was fun while it lasted.

0:40:500:40:53

Come on, though! What has this trip been like?

0:40:530:40:56

-It's been superb.

-Oh, come on, it's been...

0:40:560:40:58

-It has.

-Who's buying the tea?

0:40:580:41:00

You.

0:41:000:41:02

I'd wait to hear how much money you got first, Paul.

0:41:020:41:05

Margie began with £410.62,

0:41:060:41:09

and after saleroom costs,

0:41:090:41:11

she's made a loss of £74.50,

0:41:110:41:14

meaning she finishes with £336.12.

0:41:140:41:19

£598.74 was the starting figure for Paul.

0:41:190:41:25

After all auction costs, he made a loss, too, of £6.10,

0:41:250:41:30

meaning he ends up with £592.64.

0:41:300:41:33

Making him the winner of this road trip!

0:41:330:41:36

Congratulations, Paul, and commiserations, Margie.

0:41:360:41:40

All profits go to Children In Need.

0:41:400:41:44

Here we go!

0:41:440:41:46

It's over!

0:41:460:41:47

-Oh, Margie!

-Has the fat lady sung?

0:41:480:41:51

And no, I don't hear her sing!

0:41:510:41:53

Is this...? I want to keep going, Margie!

0:41:530:41:56

-You're my...my best companion.

-We're going home, we're going home.

0:41:560:42:00

Let's find the car.

0:42:000:42:01

-Can we have a nice tea?

-Yes.

-Curry?

-Yep.

0:42:010:42:04

What a week it's been. From north to south...

0:42:040:42:07

So, how far's Rotherham from here?

0:42:070:42:09

If I knew where here was, I'd tell you.

0:42:090:42:12

..there's been a lot of love...

0:42:120:42:13

-See you, darling.

-See you later.

0:42:130:42:14

Positive little man...

0:42:140:42:16

..and a lot of rivalry.

0:42:160:42:18

Shops! I'll race you.

0:42:180:42:20

Paul scooped the best money-makers early in the week.

0:42:200:42:23

Profit, and that's what I want.

0:42:230:42:25

Until a tunic...

0:42:280:42:30

turned out to be a turkey.

0:42:300:42:32

Hey, it's looking good.

0:42:320:42:34

Ha-ha! But although Margie won that battle,

0:42:340:42:37

Paul won the week.

0:42:370:42:38

Is that not tremendous?

0:42:380:42:39

But they're still great friends.

0:42:390:42:41

Do you know, I wouldn't have another compadre over yourself.

0:42:410:42:44

Well, that's very nice to hear.

0:42:440:42:46

Until next time then, thank you, Margie and Paul.

0:42:460:42:49

It's been great.

0:42:490:42:51

Next time on the Antiques Road Trip,

0:42:510:42:53

it's the turn of Catherine Southon and the Raj Bisram.

0:42:530:42:56

Well, Catherine... Are you looking forward to this trip?

0:42:560:42:59

-I'm looking forward to being with you.

-Ah.

0:42:590:43:02

Their first-ever journey together.

0:43:020:43:04

There's fighting talk...

0:43:050:43:07

Are you going to be taking risks?

0:43:070:43:10

Big risks.

0:43:100:43:11

..but will Raj walk the walk?

0:43:110:43:14

I am a risk taker, but am I that much of a risk taker?

0:43:140:43:18

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