Browse content similar to Episode 16. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
-It's the nation's favourite antiques experts... -What a job. | 0:00:02 | 0:00:05 | |
-..with £200 each... -You with me? | 0:00:05 | 0:00:07 | |
-..a classic car... -Buckle up. | 0:00:07 | 0:00:09 | |
..and a goal to scour Britain for antiques. | 0:00:09 | 0:00:12 | |
-Oh, sorry. -Ha-ha! | 0:00:12 | 0:00:13 | |
The aim, to make the biggest profit at auction. | 0:00:13 | 0:00:16 | |
But it's no mean feat. | 0:00:16 | 0:00:19 | |
-There'll be worthy winners... -Yes! | 0:00:19 | 0:00:21 | |
..and valiant losers. | 0:00:21 | 0:00:23 | |
So will it be the high road to glory or the slow road to disaster? | 0:00:23 | 0:00:27 | |
Have a good trip! | 0:00:27 | 0:00:29 | |
This is the Antiques Road Trip. | 0:00:29 | 0:00:31 | |
Yeah. | 0:00:34 | 0:00:35 | |
Today we begin a brand-new adventure in the east of England | 0:00:35 | 0:00:39 | |
with two Road Trip favourites, the charming Raj Bisram - very pink - | 0:00:39 | 0:00:43 | |
and the delightful Catherine Southon - just delightful. | 0:00:43 | 0:00:46 | |
Well, Catherine... | 0:00:46 | 0:00:48 | |
-Oh! -Are you looking forward to this trip? | 0:00:48 | 0:00:50 | |
I'm looking forward to being with you. | 0:00:50 | 0:00:52 | |
-Oh, you're very kind. -This is new and this is all very cosy in here. | 0:00:52 | 0:00:55 | |
Yeah, looks a tad tight. | 0:00:55 | 0:00:57 | |
Raj, who runs a saleroom in Kent, bought his first antique aged just ten. | 0:00:59 | 0:01:04 | |
So what do you like to buy, then, Raj? | 0:01:04 | 0:01:06 | |
What are your favourite things to find? | 0:01:06 | 0:01:08 | |
-Antiques. -No! | 0:01:08 | 0:01:11 | |
That's a relief. Raj's rival on this journey, Catherine, | 0:01:11 | 0:01:14 | |
has worked in the world of antiques for over two decades, | 0:01:14 | 0:01:17 | |
including with me! | 0:01:17 | 0:01:18 | |
-And you? -I love everything. | 0:01:18 | 0:01:21 | |
I love being with you, Raj, I love antiques. | 0:01:21 | 0:01:23 | |
You know, that's only cos it's been five minutes. | 0:01:23 | 0:01:26 | |
No, I... Am I going to not enjoy this? | 0:01:26 | 0:01:28 | |
Give it 50 minutes and you'll be changing your tune. | 0:01:28 | 0:01:30 | |
No, I love this, this is great. | 0:01:30 | 0:01:32 | |
I wonder how long this cutesy camaraderie will last | 0:01:32 | 0:01:36 | |
before their competitive sides kick in. | 0:01:36 | 0:01:39 | |
Starting this trip with £200 each, | 0:01:42 | 0:01:45 | |
our experts will be zipping around in this 1967 MGB GT, | 0:01:45 | 0:01:49 | |
which even has its own nickname. | 0:01:49 | 0:01:51 | |
I'll give you a clue. | 0:01:51 | 0:01:53 | |
So what do we call weather that's grey and misty | 0:01:53 | 0:01:57 | |
and a little bit of rain? | 0:01:57 | 0:02:00 | |
-Miserable. -No, it's not called miserable. | 0:02:00 | 0:02:03 | |
Nice try. | 0:02:03 | 0:02:05 | |
It should be! Because that's what I call it. | 0:02:05 | 0:02:07 | |
It's called Foggy. | 0:02:07 | 0:02:09 | |
Oh, Foggy. Oh, yeah, I can see that. | 0:02:09 | 0:02:10 | |
Foggy and grey. | 0:02:10 | 0:02:12 | |
That's a shame, really, I think we should change the name, Raj, | 0:02:12 | 0:02:15 | |
-cos I don't... -Really? -I don't like Foggy. | 0:02:15 | 0:02:18 | |
What shall we call it? Let's have our own name. | 0:02:18 | 0:02:20 | |
Sunshine. | 0:02:20 | 0:02:21 | |
Sunshine? Really? | 0:02:21 | 0:02:24 | |
Our Road Trip kicks off in Cambridge and carries on around East Anglia, | 0:02:26 | 0:02:30 | |
then heads both north and west towards the Peak District | 0:02:30 | 0:02:34 | |
before taking us through the West Midlands | 0:02:34 | 0:02:36 | |
to finish up over 600 miles later in Bristol. | 0:02:36 | 0:02:39 | |
Today's leg kicks off in Cambridge | 0:02:41 | 0:02:43 | |
and will end at auction in Beccles, Suffolk. Wow. | 0:02:43 | 0:02:46 | |
This is the first time we've met. | 0:02:46 | 0:02:49 | |
-Yeah. -I have no idea about your little tactics. | 0:02:49 | 0:02:52 | |
-OK, I'm... -How do you work? | 0:02:52 | 0:02:54 | |
OK, I'm ruthless. | 0:02:54 | 0:02:56 | |
-Are you? -No, I'm not. I'm not, I'm not at all, no, no. | 0:02:56 | 0:02:59 | |
I'm joking. I've decided this time I'm going to try, if it's possible, | 0:02:59 | 0:03:03 | |
to buy things I like. | 0:03:03 | 0:03:05 | |
I like your style, Raj. | 0:03:05 | 0:03:07 | |
-That sounds good. -Sometimes you have to take a risk, don't you? | 0:03:07 | 0:03:10 | |
You do. Yeah, you do. | 0:03:10 | 0:03:11 | |
You can play safe all your life and... | 0:03:11 | 0:03:14 | |
-Shall we take risks, then, Raj? -Let's take risks. -Oh, right, then. | 0:03:14 | 0:03:17 | |
Oh! | 0:03:17 | 0:03:18 | |
Our risky experts have arrived in the university city of Cambridge, | 0:03:18 | 0:03:22 | |
where they're pulling up at not one but two antique emporiums. | 0:03:22 | 0:03:26 | |
-I can't get out of this. -I'll come and let you out. | 0:03:26 | 0:03:29 | |
-How do we get out? -Hang on a second. | 0:03:29 | 0:03:31 | |
Oh, you're such a gent, Raj. | 0:03:31 | 0:03:32 | |
Isn't he just? | 0:03:32 | 0:03:34 | |
-Here we go. -Oh, you're lovely. You know, | 0:03:36 | 0:03:38 | |
now you've started this you've got to do it all the time. | 0:03:38 | 0:03:41 | |
-OK. -Do you know that? -I will. -Now, two shops. | 0:03:41 | 0:03:44 | |
-Where shall we go? -Which one would you like? | 0:03:44 | 0:03:46 | |
Shall I go there and you go there? | 0:03:46 | 0:03:48 | |
-OK. -Good luck. | 0:03:48 | 0:03:50 | |
-Good luck to you, as well. -We may swap. | 0:03:50 | 0:03:51 | |
HE CHUCKLES | 0:03:51 | 0:03:52 | |
See you late... Oh, he's got a cheeky laugh! | 0:03:52 | 0:03:55 | |
-Hello there. -Hi there. | 0:03:55 | 0:03:57 | |
-How you doing? -Nice to meet you, I'm Bill. | 0:03:57 | 0:03:59 | |
The Hive has a wide range of antiques and curios on offer. | 0:04:01 | 0:04:05 | |
This is what we need in here, it's absolutely baking. | 0:04:05 | 0:04:08 | |
I like this. | 0:04:14 | 0:04:16 | |
One of the things which is great about it is the colour. | 0:04:16 | 0:04:19 | |
Really good striking colours, | 0:04:19 | 0:04:21 | |
which makes me think that once upon a time this must have been kept away | 0:04:21 | 0:04:24 | |
from the light, because it's not faded or anything, is it? | 0:04:24 | 0:04:27 | |
And the staining is quite minimal. | 0:04:27 | 0:04:29 | |
I think it's quite good. | 0:04:30 | 0:04:32 | |
So do I, this silk needlework is well worth a closer inspection. | 0:04:32 | 0:04:36 | |
Really interesting. | 0:04:36 | 0:04:37 | |
You've got these sort of... | 0:04:37 | 0:04:39 | |
I mean, almost humanlike. | 0:04:39 | 0:04:41 | |
-Very humanlike. -..monkeys. | 0:04:41 | 0:04:43 | |
One on the ground and one climbing up the tree. | 0:04:43 | 0:04:45 | |
The colours are wonderful. | 0:04:45 | 0:04:46 | |
It could be late 18th century. | 0:04:46 | 0:04:48 | |
But it's been quite well done. | 0:04:48 | 0:04:50 | |
It's an interesting subject. | 0:04:50 | 0:04:52 | |
-It's very interesting. -OK, you've got 195 on it, | 0:04:52 | 0:04:55 | |
which is pretty much all my budget. | 0:04:55 | 0:04:57 | |
I'll say! She's certainly game for taking a risk. | 0:04:57 | 0:05:00 | |
But what's the best, then? No monkey business. | 0:05:00 | 0:05:03 | |
Could you do, like, 150 or something? | 0:05:03 | 0:05:04 | |
I... I can find out for you but I doubt it. | 0:05:04 | 0:05:08 | |
While Bill makes that call, | 0:05:09 | 0:05:12 | |
next door it seems our other expert is being a little less impulsive. | 0:05:12 | 0:05:17 | |
I'm looking for something really old, an antique, | 0:05:17 | 0:05:20 | |
and there's a lot of collectables here but antique-wise... | 0:05:20 | 0:05:24 | |
..nothing that really, really grabs me yet, but it's early days yet. | 0:05:25 | 0:05:29 | |
In your own time, then, Raj. | 0:05:29 | 0:05:31 | |
I love cards. I love playing cards, I love doing tricks. | 0:05:33 | 0:05:36 | |
Here's an interesting little packet. | 0:05:36 | 0:05:38 | |
Wills Woodbine Cigarettes. | 0:05:38 | 0:05:40 | |
A lot of the cigarette companies used to provide the pubs with packs of cards. | 0:05:40 | 0:05:44 | |
He's such a joker! | 0:05:44 | 0:05:46 | |
Next door, Catherine's laid her cards on the table | 0:05:47 | 0:05:50 | |
and the dealer has agreed to £150 for the needlework. | 0:05:50 | 0:05:53 | |
It's still a hefty chunk of her budget, Mark. | 0:05:53 | 0:05:56 | |
If I buy it, it'll be the biggest risk I've ever taken | 0:05:56 | 0:05:59 | |
-at the beginning of a Road Trip. -You're either going to make money... | 0:05:59 | 0:06:03 | |
Or...? Come on, give me the "or". | 0:06:03 | 0:06:06 | |
It could sell for 30 quid. | 0:06:06 | 0:06:07 | |
Oh, no, it's going to make a lot more than that. | 0:06:07 | 0:06:10 | |
Well, it should do. Do you know what? Raj, | 0:06:10 | 0:06:12 | |
when we were talking in the car earlier, | 0:06:12 | 0:06:14 | |
he said to me he sort of takes risks. | 0:06:14 | 0:06:16 | |
I don't think you'll be taking that big of a risk on this. | 0:06:18 | 0:06:21 | |
I'm going to go and ask him. | 0:06:21 | 0:06:22 | |
I'm going to run next door and check that he is taking risks. | 0:06:22 | 0:06:25 | |
-He's probably buying something for a fiver. -Right. -Do you mind, Bill? | 0:06:25 | 0:06:27 | |
-Not at all. -Back in a second. -I'm not going anywhere. | 0:06:27 | 0:06:30 | |
Mind the step! Well done. | 0:06:30 | 0:06:32 | |
-Raj! -Hello, Catherine. | 0:06:35 | 0:06:37 | |
I come with a question. | 0:06:37 | 0:06:39 | |
-OK. -Are you going to be taking risks? | 0:06:39 | 0:06:42 | |
-Big risks. -I think every time you buy something, | 0:06:42 | 0:06:45 | |
you take a certain amount of risk. | 0:06:45 | 0:06:47 | |
But if you like it, go with your gut feeling. | 0:06:47 | 0:06:50 | |
I will do for certain. | 0:06:50 | 0:06:52 | |
Fantastic. That's what I want to hear, Raj. | 0:06:52 | 0:06:54 | |
-Right, OK. -Good luck, then. -I'm off. -Spend it all. -OK. | 0:06:54 | 0:06:57 | |
I hope YOU do! | 0:06:57 | 0:06:59 | |
Careful, Catherine! | 0:06:59 | 0:07:01 | |
Raj could be playing a very clever game here. | 0:07:01 | 0:07:04 | |
Is there any tiny amount you could take off, another £10? | 0:07:04 | 0:07:07 | |
Well, look, I'll take it off my own back. | 0:07:07 | 0:07:09 | |
It's not mine, as I said, but I'm going to say yes. | 0:07:09 | 0:07:12 | |
-Are you? -Yep. | 0:07:12 | 0:07:13 | |
It's just a great thing and I think sometimes you've just | 0:07:13 | 0:07:16 | |
-got to go with it. -Hopefully... I think you will do well with it. | 0:07:16 | 0:07:18 | |
-It's a good thing, isn't it? -At 140, I think you will. | 0:07:18 | 0:07:20 | |
-Can I shake your hand? -You can. | 0:07:20 | 0:07:22 | |
Thank you so much. I'm... I'm in love with it. | 0:07:22 | 0:07:25 | |
You'd better be. That's a very, very pricey price for a first purchase. | 0:07:25 | 0:07:31 | |
Mwah! | 0:07:31 | 0:07:32 | |
I love it. Thank you. | 0:07:32 | 0:07:34 | |
Steady on! | 0:07:34 | 0:07:35 | |
Now, Raj, dealer Stephen has something he thinks you'll like. | 0:07:35 | 0:07:40 | |
I brought these lovely silver-plated candelabra over with me today. | 0:07:40 | 0:07:45 | |
They're quite... They're decorative, they're decorative, | 0:07:45 | 0:07:48 | |
-I'll give you that. -Decorative, useful. | 0:07:48 | 0:07:50 | |
Early 20th century. | 0:07:50 | 0:07:52 | |
Are they a good maker, Elkington or something? | 0:07:52 | 0:07:54 | |
No, they're Viners. | 0:07:54 | 0:07:56 | |
Viners have an illustrious history as a family of silversmiths, | 0:07:56 | 0:08:00 | |
but by the time they made these they were into mass production. | 0:08:00 | 0:08:03 | |
Alpha Plate, Viners of Sheffield, England. | 0:08:03 | 0:08:06 | |
So they are pre-1915... | 0:08:06 | 0:08:10 | |
-..which makes them an antique. -Well done. | 0:08:10 | 0:08:12 | |
-And what are you looking for for those? -120 for the pair. | 0:08:12 | 0:08:16 | |
I'd like to be paying sort of around half that. | 0:08:16 | 0:08:19 | |
You know, I think at £50-£60... | 0:08:19 | 0:08:21 | |
£50 is good for me. | 0:08:21 | 0:08:23 | |
£50. | 0:08:23 | 0:08:24 | |
£50 it is. | 0:08:24 | 0:08:26 | |
-Well done. -Thank you very much. | 0:08:26 | 0:08:27 | |
Thank you. My first buy on this trip. | 0:08:27 | 0:08:30 | |
As Raj pays for his purchase, look who's snuck in. Naughty! | 0:08:30 | 0:08:35 | |
Powder horn, I quite like that. | 0:08:35 | 0:08:37 | |
Interesting. Used to carry gunpowder which primed muzzle-loaded guns | 0:08:37 | 0:08:42 | |
in the old days. This one clearly came from a cow. | 0:08:42 | 0:08:45 | |
Moo! No... | 0:08:45 | 0:08:47 | |
..Boom! | 0:08:47 | 0:08:48 | |
And then a steamer. | 0:08:49 | 0:08:51 | |
That's lovely as a nice planter. | 0:08:51 | 0:08:54 | |
Once upon a time it would have been used more as a steamer perhaps | 0:08:54 | 0:08:58 | |
for fish in a big country kitchen. | 0:08:58 | 0:09:01 | |
£38. Yeah. | 0:09:01 | 0:09:04 | |
Interested in these but not at those prices. | 0:09:04 | 0:09:07 | |
Let me see what I can get. | 0:09:07 | 0:09:09 | |
Yoo-hoo! Stephen! | 0:09:09 | 0:09:11 | |
You've got a powder horn that hasn't got a price on | 0:09:11 | 0:09:13 | |
and this has got very expensive on it. | 0:09:13 | 0:09:16 | |
-What can that be, the old planter? -Can I just see... | 0:09:16 | 0:09:19 | |
I tell you what, could I make you an offer on both of them. | 0:09:19 | 0:09:22 | |
Well, you can but I have thrown people out before. | 0:09:22 | 0:09:25 | |
-Oh, don't throw me out. -The powder horn... | 0:09:25 | 0:09:28 | |
-Yeah. -..final price £15. -Right. | 0:09:28 | 0:09:31 | |
The fish kettle, you can have that for £5. | 0:09:31 | 0:09:34 | |
-Really? -So that's £20. It's because I work in round numbers. | 0:09:34 | 0:09:37 | |
-It's got to be a no-brainer. Thank you, Catherine. -Done. | 0:09:37 | 0:09:40 | |
-Thank you very much. -That's the quickest deal I've ever done in Cambridge. | 0:09:40 | 0:09:43 | |
Anywhere! | 0:09:43 | 0:09:45 | |
You're not hanging about, girl. | 0:09:45 | 0:09:47 | |
That speedy sale sees Catherine blow a whopping £160 | 0:09:47 | 0:09:50 | |
in her first morning. Right, Raj, what have you found, mate? | 0:09:50 | 0:09:54 | |
This is a picture. It's a print, actually, | 0:09:54 | 0:09:57 | |
of one of Scotland's most famous artists, Sir William Russell Flint, | 0:09:57 | 0:10:00 | |
and he had a fantastic life. | 0:10:00 | 0:10:03 | |
He went around the world painting beautiful women. What a job! | 0:10:03 | 0:10:06 | |
But what's really interesting is that there is a print here | 0:10:06 | 0:10:10 | |
of Sir William Russell Flint, | 0:10:10 | 0:10:12 | |
but it's done by his son and it's actually of him painting. | 0:10:12 | 0:10:16 | |
And his son was called Francis Flint, | 0:10:16 | 0:10:19 | |
and I don't think I've ever seen a picture by the son before. | 0:10:19 | 0:10:23 | |
Stephen, your services are required again. | 0:10:23 | 0:10:26 | |
It's got 39 on it, I can do that for 25. | 0:10:26 | 0:10:30 | |
What about 20? | 0:10:30 | 0:10:32 | |
-Yeah, why not? -Is that unreasonable? -No, that's fine. | 0:10:32 | 0:10:34 | |
Are you happy with that? Come on, Raj. We've got a deal. | 0:10:34 | 0:10:37 | |
-Put it there. -We've got a deal. | 0:10:37 | 0:10:38 | |
-Thank you, thank you. Thank you very much. -You're very welcome. | 0:10:38 | 0:10:41 | |
Raj has bought the candlesticks and the Flint print for | 0:10:41 | 0:10:44 | |
a total of £70. | 0:10:44 | 0:10:45 | |
Good-o. And it fits in the MG. | 0:10:45 | 0:10:48 | |
Perfect. | 0:10:48 | 0:10:49 | |
Voila. | 0:10:52 | 0:10:54 | |
Back with Catherine, | 0:10:55 | 0:10:57 | |
and she's made her way to Prickwillow in Cambridgeshire. | 0:10:57 | 0:11:00 | |
Catherine's come to hear about the centuries-old battle | 0:11:02 | 0:11:05 | |
to control nature, and drain 400,000 hectares of land known as the Fens, | 0:11:05 | 0:11:11 | |
much of which is below sea level. | 0:11:11 | 0:11:13 | |
She's visiting the Prickwillow Drainage Engine Museum | 0:11:15 | 0:11:18 | |
to meet founder member Mike Penberth to learn more. | 0:11:18 | 0:11:22 | |
As I understand it, the Fens is known as a very fertile landscape. | 0:11:22 | 0:11:28 | |
I understand it hasn't always been that way. | 0:11:28 | 0:11:31 | |
So what was life really like for the people before the drainage? | 0:11:31 | 0:11:34 | |
Very wet and pretty tough. | 0:11:34 | 0:11:37 | |
It was quite an unhealthy environment. | 0:11:37 | 0:11:39 | |
There was forms of malaria, it would have been cold and pretty miserable. | 0:11:39 | 0:11:43 | |
So something had to be done, so when did that happen? | 0:11:43 | 0:11:46 | |
Well, there've been various attempts to drain the Fens, | 0:11:46 | 0:11:49 | |
but not very successful. | 0:11:49 | 0:11:51 | |
Around 1600 King Charles got Cornelius Vermuyden to come | 0:11:51 | 0:11:56 | |
from Holland. He'd had some success in draining the polders in Holland. | 0:11:56 | 0:12:00 | |
One of the most talented Dutch waterway and drainage engineers, | 0:12:00 | 0:12:05 | |
Cornelius Vermuyden successfully turned the waterlogged marsh | 0:12:05 | 0:12:10 | |
of fenland into profitable farmland. | 0:12:10 | 0:12:12 | |
What did Cornelius Vermuyden do? | 0:12:13 | 0:12:16 | |
He straightened the main river. | 0:12:16 | 0:12:19 | |
The main river that runs through the Fens is the Great Ouse. | 0:12:19 | 0:12:23 | |
It carried the water from Bedfordshire Hills straight through | 0:12:23 | 0:12:26 | |
the fen and out to sea, bypassing all the meandering that had gone on | 0:12:26 | 0:12:32 | |
-in the past when the rivers moved about with the seasons. -Right. | 0:12:32 | 0:12:35 | |
-How long did that take? -Probably the best part of 100 years. | 0:12:35 | 0:12:39 | |
-Wow. -It came either side of the Civil War. | 0:12:39 | 0:12:41 | |
There were prisoners of war being employed, so the Dutch, | 0:12:41 | 0:12:46 | |
Scottish, French, all played a part. | 0:12:46 | 0:12:48 | |
All done by hand. | 0:12:48 | 0:12:50 | |
Back then, though, in the 1600s, that was no easy task. | 0:12:52 | 0:12:55 | |
What happened after that? What was the next stage? | 0:12:55 | 0:12:58 | |
Well, the next stage was rather strange. | 0:12:58 | 0:13:00 | |
The drainage had taken the water out of the peat | 0:13:00 | 0:13:03 | |
and left the rivers higher than the land. The rivers had a hard bed, | 0:13:03 | 0:13:07 | |
it had a silt and gravel bed, | 0:13:07 | 0:13:09 | |
so they stayed where they were and the land shrank either side of them. | 0:13:09 | 0:13:13 | |
So, hold on, so if the rivers were above land, | 0:13:13 | 0:13:16 | |
then why aren't we underwater now? That doesn't make sense. | 0:13:16 | 0:13:19 | |
-We... We're now pumped. -Right. | 0:13:19 | 0:13:21 | |
The Fen is pumped. | 0:13:21 | 0:13:23 | |
That started in Vermuyden's time, pumping into the main rivers, | 0:13:23 | 0:13:27 | |
-with wind pumps. -Oh, I see. | 0:13:27 | 0:13:30 | |
And then in the early 1800s we had steam engines | 0:13:30 | 0:13:34 | |
-and they were employed. -I can see these amazing engines. | 0:13:34 | 0:13:38 | |
Presumably they power the pump. | 0:13:38 | 0:13:41 | |
Yes, that's right. This is a 250 horsepower | 0:13:41 | 0:13:44 | |
Mirrlees, Bickerton and Day, and that lifted 140 tonnes a minute... | 0:13:44 | 0:13:48 | |
-Oh, my goodness. -..from the drain into the river. | 0:13:48 | 0:13:51 | |
Always keen to get stuck in, | 0:13:51 | 0:13:53 | |
Catherine's convinced engine operator John to give her a go | 0:13:53 | 0:13:57 | |
on this blast injection engine which was built in 1924. | 0:13:57 | 0:14:01 | |
-Oh, oh! -Stand by! | 0:14:01 | 0:14:03 | |
-Wow. -Blast off! | 0:14:03 | 0:14:06 | |
ENGINE CLATTERS LOUDLY | 0:14:06 | 0:14:10 | |
-This one? -That's it, yes. | 0:14:16 | 0:14:18 | |
So is this the noise it would have made when this was pumping? | 0:14:18 | 0:14:22 | |
-Yes. -Blimey. | 0:14:22 | 0:14:24 | |
Oh, it sounds amazing, doesn't it? | 0:14:24 | 0:14:27 | |
Really fantastic, really good. | 0:14:28 | 0:14:31 | |
A great bit of machinery. | 0:14:31 | 0:14:33 | |
Thank you. Thank you so much. | 0:14:33 | 0:14:36 | |
Thanks to Cornelius Vermuyden and machines like this, | 0:14:36 | 0:14:39 | |
there are more than 4,000 farms in the Fens which are still pumped | 0:14:39 | 0:14:44 | |
to this day, proving that while we may never be able to fully control | 0:14:44 | 0:14:48 | |
nature, it can be harnessed and improve the lives of many. | 0:14:48 | 0:14:52 | |
Raj, meanwhile, has motored 15 miles east to Newmarket in Suffolk. | 0:14:55 | 0:15:00 | |
This market town is considered by many as the home of British | 0:15:00 | 0:15:03 | |
horse racing, but Raj isn't here for a flutter on the old gee-gees. | 0:15:03 | 0:15:06 | |
No, no. He's here to shop at Treasures Antiques. | 0:15:06 | 0:15:10 | |
Go on, Raj, you know you want to. | 0:15:10 | 0:15:13 | |
-Hello. -Oh, hi, there. Hi, Raj. How do you do? -Hi. -Patrick. | 0:15:15 | 0:15:18 | |
Nice to meet you, Patrick, lovely to meet you. | 0:15:18 | 0:15:20 | |
-Yeah, good to meet you, too. -Well, this looks like a busy shop. | 0:15:20 | 0:15:22 | |
You've got lots of things here, haven't you? | 0:15:22 | 0:15:24 | |
Yeah, it's a bit of an eclectic mix in here, Raj, bit of everything, | 0:15:24 | 0:15:27 | |
-really, we like to think. -I'll go and have a wander round. | 0:15:27 | 0:15:29 | |
Yeah, please, have a wander. There's another floor upstairs, as well. | 0:15:29 | 0:15:32 | |
Originally the town fire station, | 0:15:32 | 0:15:34 | |
this shop has been selling antiques for nearly 30 years. | 0:15:34 | 0:15:37 | |
Lots of horsey things. | 0:15:42 | 0:15:44 | |
Stacks of horsey things. | 0:15:44 | 0:15:45 | |
Loads of riding boots but there's got to be something here. | 0:15:45 | 0:15:48 | |
This is quite a nice scalloped edge Chinese blue and white plate. | 0:15:50 | 0:15:55 | |
I mean, it's got lots going on in here. | 0:15:55 | 0:15:58 | |
Chinese is where it's at at the moment. | 0:15:58 | 0:16:00 | |
If you can find the right Chinese thing, you could do really well. | 0:16:00 | 0:16:03 | |
I mean, this is a pretty run-of-the-mill thing, | 0:16:03 | 0:16:06 | |
but it's in great condition. As you can see here, | 0:16:06 | 0:16:09 | |
we've got this lovely work on the back here. | 0:16:09 | 0:16:11 | |
I think it's rather decorative. | 0:16:11 | 0:16:13 | |
Something to consider, then. | 0:16:13 | 0:16:15 | |
Now, what else do you have, Patrick? | 0:16:15 | 0:16:17 | |
There's some quite interesting sort of old exhibition pieces here. | 0:16:18 | 0:16:22 | |
If you wanted something just a bit of fun. | 0:16:22 | 0:16:24 | |
Festival of Britain. What do you think's in here? | 0:16:24 | 0:16:26 | |
-A medal? -You'd think so, wouldn't you? | 0:16:26 | 0:16:28 | |
Yeah, it looks like a... It looks like a medal box. | 0:16:28 | 0:16:31 | |
I wouldn't put money on it because actually it's a little bar of soap. | 0:16:31 | 0:16:34 | |
That's a bit different. I quite... | 0:16:34 | 0:16:35 | |
Don't tell me you've got a lot of money on this. | 0:16:35 | 0:16:37 | |
-No, no, I don't. -That's going to be, what, a fiver? | 0:16:37 | 0:16:40 | |
I would think if you came up to £6, we might be able to have | 0:16:40 | 0:16:42 | |
-a deal on that. -Sure. I've not seen soap for years! | 0:16:42 | 0:16:45 | |
What else have we got here? This is, like you said, | 0:16:45 | 0:16:47 | |
you said about a coin or a medal. This is actually a coin | 0:16:47 | 0:16:50 | |
from the Festival of Britain, celebrating 1951. | 0:16:50 | 0:16:53 | |
And maybe the two together. | 0:16:53 | 0:16:55 | |
What about £10 for the two? | 0:16:55 | 0:16:57 | |
If you made it £12, we've got a deal. | 0:16:57 | 0:17:00 | |
I'm not going to quibble over that. £12. Patrick, we've got a deal. | 0:17:00 | 0:17:03 | |
Thank you. Thank you. | 0:17:03 | 0:17:05 | |
What about that plate? | 0:17:06 | 0:17:08 | |
Ticketed at £39. | 0:17:08 | 0:17:09 | |
I think it's in fairly good condition, no chips or cracks. | 0:17:11 | 0:17:14 | |
-Yeah. -Erm... | 0:17:14 | 0:17:16 | |
What sort of offer would you like to make on it? | 0:17:16 | 0:17:19 | |
I'd be happy to give you sort of £15-20 for that. | 0:17:19 | 0:17:23 | |
I think if we did £20, we could have a deal on it. | 0:17:23 | 0:17:26 | |
-£20, huh? -That's what I was thinking, that's what you mentioned. | 0:17:26 | 0:17:30 | |
Yeah. I'm not going to argue. | 0:17:30 | 0:17:32 | |
£20. We have a deal. | 0:17:32 | 0:17:34 | |
-We have a deal. -Pleasure. -Thank you very much indeed. | 0:17:34 | 0:17:36 | |
£32 bags Raj the two Festival of Britain pieces and the old plate. | 0:17:36 | 0:17:42 | |
Reunited, Raj has a confession for Catherine. | 0:17:43 | 0:17:46 | |
Uh-oh. | 0:17:46 | 0:17:48 | |
I prefer to be driven, to be honest. | 0:17:48 | 0:17:50 | |
Oh, do you? Would you like to swap? | 0:17:50 | 0:17:52 | |
-Would you like me to jump in? -At some stage definitely, Catherine. | 0:17:52 | 0:17:56 | |
A man can dream. And it's time just to do that, | 0:17:56 | 0:17:59 | |
so nighty-night. | 0:17:59 | 0:18:01 | |
It's the next day and Raj's wish has been granted. | 0:18:04 | 0:18:09 | |
I feel I'm like a granny driving this. | 0:18:09 | 0:18:12 | |
I'm driving my little MG in first gear. | 0:18:12 | 0:18:15 | |
This is beautiful round here, though, isn't it? | 0:18:15 | 0:18:18 | |
It is lovely. I take you to all the best places, don't I, Raj? | 0:18:18 | 0:18:21 | |
You do. Look at that. | 0:18:21 | 0:18:22 | |
Beautiful. | 0:18:22 | 0:18:24 | |
So far Catherine has secured three lots - | 0:18:26 | 0:18:28 | |
the 18th-century silk needlework, | 0:18:28 | 0:18:31 | |
the vintage tin steamer and the late-19th-century powder horn, | 0:18:31 | 0:18:35 | |
leaving her £40 to spend today. | 0:18:35 | 0:18:37 | |
Mwah! | 0:18:39 | 0:18:40 | |
Raj, meanwhile, has bagged four lots - | 0:18:40 | 0:18:43 | |
the early-20th-century candelabra, | 0:18:43 | 0:18:45 | |
the Francis Flint print, | 0:18:45 | 0:18:47 | |
the two Festival of Britain items and the old plate, | 0:18:47 | 0:18:51 | |
which means he still has £98 in one or other of his pink pockets. | 0:18:51 | 0:18:56 | |
Voila. | 0:18:56 | 0:18:57 | |
Did you shop till you dropped yesterday? | 0:18:59 | 0:19:01 | |
I did a bit of shopping. | 0:19:01 | 0:19:02 | |
Yes. I want to see you take a risk, though, Raj. | 0:19:02 | 0:19:06 | |
Believe you me, I will take... | 0:19:06 | 0:19:08 | |
I take risks, Catherine. You don't have to worry about that. | 0:19:08 | 0:19:11 | |
-That's all right. -OK, believe you me, by the time this week's out, | 0:19:11 | 0:19:14 | |
-you will have seen me take lots of risks. -Oh, good! | 0:19:14 | 0:19:17 | |
Promises, promises, Raj. | 0:19:17 | 0:19:20 | |
This morning, our intrepid experts have journeyed | 0:19:22 | 0:19:24 | |
to Thetford in Norfolk, where Catherine and Raj are parting ways. | 0:19:24 | 0:19:28 | |
-Have a good day, Raj. -You, too. -See you later. | 0:19:28 | 0:19:31 | |
Yeah, bye. Drive carefully. | 0:19:31 | 0:19:33 | |
-I will try. -OK. | 0:19:33 | 0:19:35 | |
-Bye. -See you later. | 0:19:35 | 0:19:37 | |
Raj has evaporated! | 0:19:38 | 0:19:40 | |
Well, well, Catherine's back on the road | 0:19:43 | 0:19:46 | |
and heading to Risby in Suffolk, | 0:19:46 | 0:19:48 | |
and already missing her rival. | 0:19:48 | 0:19:49 | |
Gosh, they've got close quickly. | 0:19:49 | 0:19:51 | |
He's a lovely person to have around, but I really miss him at the moment | 0:19:51 | 0:19:55 | |
because he's fantastic at helping me to change gear. | 0:19:55 | 0:19:58 | |
GEARS GRIND | 0:19:58 | 0:20:00 | |
SHE LAUGHS | 0:20:00 | 0:20:02 | |
You see what I mean? I have problems with changing gear in this. | 0:20:02 | 0:20:05 | |
The gear stick is too small for me, and he's very good at reversing. | 0:20:05 | 0:20:09 | |
Raj, I love you. | 0:20:09 | 0:20:11 | |
Catherine's first shop of the day is Risby Barn Antique Centre, | 0:20:16 | 0:20:19 | |
home to over 30 dealers. | 0:20:19 | 0:20:20 | |
Oh, look, red trousers today. | 0:20:20 | 0:20:23 | |
Hello, there. Oh, that's what I like to see - a man polishing the silver. | 0:20:23 | 0:20:26 | |
Somebody's got to do it. | 0:20:26 | 0:20:28 | |
-You must be Richard. -I am indeed. | 0:20:28 | 0:20:29 | |
Hi. Catherine. Nice to meet you. | 0:20:29 | 0:20:32 | |
This 16th-century barn has stock piled to its beams, | 0:20:32 | 0:20:36 | |
but Catherine has only got £40 left. What can she find? | 0:20:36 | 0:20:39 | |
Something alcoholic, perhaps. | 0:20:39 | 0:20:42 | |
Do people drink sherry any more? | 0:20:42 | 0:20:44 | |
I hate sherry. | 0:20:44 | 0:20:46 | |
Oh, this looks like quirky corner. | 0:20:49 | 0:20:51 | |
This looks like a good place to find a bargain. | 0:20:51 | 0:20:54 | |
Croquet sets. I always do well with croquet sets. | 0:20:55 | 0:20:58 | |
This has been in the bottom of someone's shed for a very long time. | 0:20:59 | 0:21:02 | |
We have four mallets. | 0:21:02 | 0:21:04 | |
We have... | 0:21:04 | 0:21:05 | |
I don't know if all of these are the right balls. | 0:21:07 | 0:21:09 | |
We've got a mixture of balls in here. | 0:21:09 | 0:21:11 | |
Richard, how are you at playing croquet? | 0:21:11 | 0:21:14 | |
Better than you may assume, actually. | 0:21:14 | 0:21:16 | |
-Oh, really? -I have a set at home. -Oh, have you? Right. | 0:21:16 | 0:21:19 | |
-My wife was a demon at it. -We've got a mixture of balls here. | 0:21:19 | 0:21:22 | |
-How many wooden balls should we have? -Four. -Four? | 0:21:22 | 0:21:25 | |
Four balls, four mallets. | 0:21:25 | 0:21:27 | |
-And then the... -Hoops and the stake. | 0:21:28 | 0:21:30 | |
Yeah. And we've got the hoops and the stake. | 0:21:30 | 0:21:32 | |
So we've just got a bit of a mishmash. | 0:21:32 | 0:21:35 | |
So this mishmash says 66. | 0:21:35 | 0:21:39 | |
66, yeah. | 0:21:39 | 0:21:40 | |
66. What could this be? | 0:21:40 | 0:21:42 | |
What's the bottom line on this? | 0:21:42 | 0:21:44 | |
Well, speaking with Brian the other day, the dealer, | 0:21:45 | 0:21:47 | |
-he's had it a little while. -Has he? | 0:21:47 | 0:21:49 | |
Has he had it a while? Could it be 25 quid? | 0:21:49 | 0:21:52 | |
I think you might be pushing it a bit at 25. | 0:21:52 | 0:21:55 | |
If you can squeeze 30, we'll do a deal at 30. | 0:21:56 | 0:22:00 | |
I'd love 25, just cos of the mishmash of balls. | 0:22:00 | 0:22:03 | |
-Special offer today, then. Go on. -Special offer? | 0:22:05 | 0:22:08 | |
Put it there. Thank you. | 0:22:08 | 0:22:09 | |
-OK, then. -I'd like to say I'll challenge you to a game but... | 0:22:09 | 0:22:13 | |
-Sounds like you're the pro. -Oh, well. | 0:22:13 | 0:22:16 | |
Ah, but you're the pro-negotiator. | 0:22:16 | 0:22:19 | |
That kind discount means Catherine leaves with the croquet set | 0:22:19 | 0:22:22 | |
in the boot, and £15 in her pocket. | 0:22:22 | 0:22:25 | |
Raj meanwhile is still in Thetford. | 0:22:31 | 0:22:33 | |
This market town has been home to many influential | 0:22:33 | 0:22:36 | |
historic characters, including one of the most radical thinkers | 0:22:36 | 0:22:40 | |
and writers of the 1700s, Thomas Paine. | 0:22:40 | 0:22:43 | |
Raj is meeting Learning Officer Melissa Hawker to find out more. | 0:22:45 | 0:22:49 | |
It all started here in Thetford and possibly even on the streets | 0:22:49 | 0:22:53 | |
we're standing on. He saw a huge amount of public punishments | 0:22:53 | 0:22:58 | |
that were happening in the town - ducking stools, whipping posts, | 0:22:58 | 0:23:02 | |
even people on the gallows or in gibbets, | 0:23:02 | 0:23:05 | |
and it inspired him to think about, was this right? | 0:23:05 | 0:23:07 | |
Was this what should be happening? | 0:23:07 | 0:23:09 | |
What were the essential civil rights of every human? | 0:23:09 | 0:23:12 | |
I mean, he was known as a writer and a thinker. | 0:23:12 | 0:23:14 | |
When did he write his first works? | 0:23:14 | 0:23:17 | |
So his first pamphlet was written | 0:23:17 | 0:23:19 | |
when he was working as an excise officer. He had been unfairly sacked | 0:23:19 | 0:23:24 | |
from an earlier job doing the same thing, and when he received | 0:23:24 | 0:23:28 | |
another position he was asked by his fellow excise man to write | 0:23:28 | 0:23:31 | |
about the injustices that they were experiencing, and that was his first | 0:23:31 | 0:23:35 | |
pamphlet and put him sort of centre stage in that act of rebellion. | 0:23:35 | 0:23:38 | |
-Where did he go from there? -He did lots of different jobs | 0:23:38 | 0:23:41 | |
and they say that he kind of failed at almost everything | 0:23:41 | 0:23:44 | |
he attempted, up until the age of 34, | 0:23:44 | 0:23:47 | |
when he had a chance meeting with Benjamin Franklin. | 0:23:47 | 0:23:50 | |
-Famous chap. -Yeah, yeah. | 0:23:50 | 0:23:52 | |
Future founding father of America, who advised Paine to go to America | 0:23:52 | 0:23:57 | |
and seek his fortune there and gave him a letter of introduction, | 0:23:57 | 0:24:00 | |
so he set sail at 34 to America, where he started | 0:24:00 | 0:24:03 | |
to write the pamphlets that are most famous today. | 0:24:03 | 0:24:07 | |
In 1776, Paine published Common Sense, | 0:24:07 | 0:24:11 | |
which advocated American independence from Britain. | 0:24:11 | 0:24:14 | |
It became a sensation and was credited with rousing the colonists into action. | 0:24:14 | 0:24:19 | |
When war broke out, Paine then wrote a series of pamphlets called | 0:24:23 | 0:24:27 | |
The American Crisis, with the aim of boosting public morale. | 0:24:27 | 0:24:30 | |
His words were used to inspire the troops. | 0:24:30 | 0:24:34 | |
There's a great account of them kind of huddling in fear, | 0:24:34 | 0:24:37 | |
waiting to take on this big battle with the British Army | 0:24:37 | 0:24:41 | |
and Paine reading his words to inspire them | 0:24:41 | 0:24:44 | |
and put the steel in them to go forth and fight | 0:24:44 | 0:24:47 | |
and achieve the freedom of America. | 0:24:47 | 0:24:49 | |
So in America he was a bit of a hero, but back home? | 0:24:49 | 0:24:52 | |
Ah. Not so much. | 0:24:52 | 0:24:53 | |
No, he was considered to be something of a traitor | 0:24:53 | 0:24:57 | |
and a lot of his works which spoke against the idea of a monarchy, | 0:24:57 | 0:25:01 | |
he said that the idea of a hereditary monarchy | 0:25:01 | 0:25:04 | |
was as ridiculous as the idea of a hereditary mathematician. | 0:25:04 | 0:25:08 | |
So they actually put up the price on his head | 0:25:08 | 0:25:11 | |
and tried him for seditious libel. | 0:25:11 | 0:25:13 | |
With the American revolution over, and unable to return to England, | 0:25:13 | 0:25:18 | |
Paine was lured to France, with its simmering revolution. | 0:25:18 | 0:25:22 | |
So he travelled there, | 0:25:23 | 0:25:25 | |
where he was given a hero's welcome | 0:25:25 | 0:25:28 | |
and taken into the French National Convention, | 0:25:28 | 0:25:31 | |
so part of their government. And this, to me, is brilliant - | 0:25:31 | 0:25:34 | |
shows that he is the typical Englishman abroad - | 0:25:34 | 0:25:36 | |
he refused to learn French. | 0:25:36 | 0:25:38 | |
He did really well for quite a long time, people thought he was amazing, | 0:25:38 | 0:25:41 | |
but, as I said, he's unafraid of upsetting anybody | 0:25:41 | 0:25:44 | |
when he saw something that he thought was wrong | 0:25:44 | 0:25:47 | |
and he didn't think it was right to execute the monarch. | 0:25:47 | 0:25:50 | |
And for this he was put into prison in the Luxembourg jail. | 0:25:50 | 0:25:54 | |
After 11 months of imprisonment, Paine was released | 0:25:55 | 0:25:58 | |
and went on to produce the last of his great pamphlets - | 0:25:58 | 0:26:02 | |
The Age Of Reason, arguing against organised religion. | 0:26:02 | 0:26:06 | |
On his return to America in 1802, | 0:26:06 | 0:26:08 | |
Paine came under constant assault by evangelical Christians | 0:26:08 | 0:26:13 | |
for his anti-religious writing, | 0:26:13 | 0:26:15 | |
and coupled with a bitter feud with George Washington, | 0:26:15 | 0:26:18 | |
his reputation was ruined. | 0:26:18 | 0:26:20 | |
He died in 1809 in New York. | 0:26:20 | 0:26:23 | |
Once a people's hero, only six mourners attended his funeral. | 0:26:23 | 0:26:27 | |
This Thetford man contributed profoundly to the American and French revolutions, | 0:26:27 | 0:26:31 | |
one of the most remarkable political writers of the modern world. | 0:26:31 | 0:26:35 | |
I mean, I've actually got a few lines from American Crisis here... | 0:26:35 | 0:26:39 | |
-Fantastic. -..OK, which I think just are really, really good. | 0:26:39 | 0:26:42 | |
"These are the times that try men's souls but the harder the conflict, | 0:26:42 | 0:26:46 | |
"the more glorious the triumph. | 0:26:46 | 0:26:48 | |
"What we obtain too cheap, we esteem too lightly. | 0:26:48 | 0:26:51 | |
"It is dearness only that gives everything its value. | 0:26:51 | 0:26:55 | |
"Heaven knows how to put a proper price upon its goods. | 0:26:55 | 0:26:58 | |
"And it would be strange indeed if so celestial an article as freedom | 0:26:58 | 0:27:02 | |
"should not be highly rated." | 0:27:02 | 0:27:04 | |
-I mean, they're great lines. -It's very powerful, isn't it? | 0:27:04 | 0:27:08 | |
And it's interesting that President Obama, | 0:27:08 | 0:27:10 | |
when he gave his inaugural address in 2008, he actually chose | 0:27:10 | 0:27:14 | |
to quote those lines from the start of American Crisis, | 0:27:14 | 0:27:17 | |
so you got the first black president, you know, | 0:27:17 | 0:27:19 | |
calling back to Paine's words for his first address to the nation, | 0:27:19 | 0:27:23 | |
so I think it shows he's still relevant today. | 0:27:23 | 0:27:26 | |
Catherine, meanwhile, has made her way to Clare in Suffolk. | 0:27:31 | 0:27:34 | |
An old wool town, historic Clare is home to | 0:27:36 | 0:27:38 | |
Catherine's final shop of this leg. | 0:27:38 | 0:27:41 | |
-Hello, there. -Hiya. | 0:27:42 | 0:27:44 | |
-You all right, Catherine? -Afternoon. Nice to meet you. | 0:27:44 | 0:27:46 | |
-And you are? -Robin. -Robin. Robin. Good to meet you. | 0:27:46 | 0:27:48 | |
The good news is that I've come to buy something in your shop. | 0:27:48 | 0:27:51 | |
-Right. -The bad news? | 0:27:51 | 0:27:53 | |
You've got no money. | 0:27:53 | 0:27:55 | |
You're good at this. | 0:27:55 | 0:27:57 | |
That's it. | 0:27:57 | 0:27:59 | |
And I need to turn that into a profit. | 0:28:00 | 0:28:03 | |
Robin's unimpressed. Huh! | 0:28:03 | 0:28:05 | |
So Catherine's on the prowl for something special costing no more than £15. | 0:28:05 | 0:28:09 | |
Very, very, very good luck. | 0:28:09 | 0:28:11 | |
Good stuff. Shame I haven't got any money to spend! | 0:28:12 | 0:28:16 | |
I thought that said 25 there on this lovely little chick pin cushion. | 0:28:17 | 0:28:20 | |
-What have I got? -325, yeah. | 0:28:20 | 0:28:22 | |
-It's realistically priced. -It is. | 0:28:22 | 0:28:25 | |
£15 won't be buying that! | 0:28:25 | 0:28:27 | |
I'll say. Anything actually affordable, Catherine? | 0:28:27 | 0:28:31 | |
This interests me. | 0:28:31 | 0:28:33 | |
This is tapered and it's... | 0:28:33 | 0:28:35 | |
Well, it's blooming heavy. | 0:28:35 | 0:28:37 | |
A seal, basically, I'd say. Mid-Victorian? I don't know. | 0:28:37 | 0:28:40 | |
Mid-Victorian seal and you've got all these different... | 0:28:40 | 0:28:43 | |
..bands and then you've got somebody's initials. | 0:28:44 | 0:28:48 | |
I can't quite make them out. | 0:28:48 | 0:28:50 | |
I love... I mean, | 0:28:50 | 0:28:51 | |
look at the amount of work that's gone into that for a seal. | 0:28:51 | 0:28:54 | |
That's actually quite special. | 0:28:54 | 0:28:56 | |
£30. | 0:28:58 | 0:28:59 | |
That is possibly doable. | 0:28:59 | 0:29:02 | |
Anything else? | 0:29:02 | 0:29:04 | |
This is Art Deco, so 1920s, sterling silver locket, | 0:29:05 | 0:29:09 | |
which you open up and then you put a little picture of your loved ones | 0:29:09 | 0:29:14 | |
inside. And what's on that? | 0:29:14 | 0:29:16 | |
£22. | 0:29:18 | 0:29:19 | |
The other piece... | 0:29:19 | 0:29:21 | |
Let's pop that back. | 0:29:21 | 0:29:23 | |
..which is also a possibility... | 0:29:23 | 0:29:25 | |
..is a thimble case. | 0:29:27 | 0:29:29 | |
And there are people who are interested in sewing these days. | 0:29:29 | 0:29:31 | |
These sewing accessories can make a fortune. But that's not very old. | 0:29:31 | 0:29:35 | |
I think that's modern. | 0:29:35 | 0:29:37 | |
But, again, it doesn't really excite me. | 0:29:37 | 0:29:39 | |
This excites me a bit more. | 0:29:39 | 0:29:42 | |
Oh, decisions! | 0:29:42 | 0:29:43 | |
With three possibilities, Robin, you're required. | 0:29:43 | 0:29:47 | |
I like this. I do like this seal. | 0:29:48 | 0:29:50 | |
I think it's lovely. I think the amount of work... | 0:29:50 | 0:29:53 | |
Mid- to late-19th-century letter seal. | 0:29:53 | 0:29:55 | |
-Yeah. -It's quite nice. Yeah, it's an Art Deco locket. | 0:29:55 | 0:29:59 | |
-Mm. -I can obviously do a bit on that price for you. | 0:29:59 | 0:30:01 | |
That's not a problem. The thimble case is a relatively modern piece. | 0:30:01 | 0:30:04 | |
-I know, isn't it? -But there are collectors of sewing memorabilia. | 0:30:04 | 0:30:07 | |
-Yeah, there are. -And it is silver. | 0:30:07 | 0:30:09 | |
Do you know what? My thought is probably to pass on that one | 0:30:09 | 0:30:12 | |
and do one of these two. Is there any chance that | 0:30:12 | 0:30:14 | |
I could have both of these for £15? | 0:30:14 | 0:30:17 | |
-No. -Are you sure? | 0:30:17 | 0:30:19 | |
-Dead sure. -Could I have that one for 15? | 0:30:19 | 0:30:23 | |
I will do the seal for 15. | 0:30:23 | 0:30:25 | |
-You will? -I can't do a penny less than that. | 0:30:25 | 0:30:27 | |
And this one for...? What's the bottom on that? | 0:30:27 | 0:30:29 | |
I'd do that for £5. | 0:30:29 | 0:30:31 | |
-Would you? -Yeah. | 0:30:31 | 0:30:32 | |
What do we go for? The £5 or the 15? | 0:30:32 | 0:30:35 | |
-Well... It's got to be done, hasn't it? -You got to look at profit. | 0:30:35 | 0:30:38 | |
Haven't you? You have! And I'm going for... | 0:30:38 | 0:30:41 | |
-What are you going for? -I'm going for that. | 0:30:41 | 0:30:43 | |
I thought you might. You've let your heart rule your mind. | 0:30:43 | 0:30:46 | |
I have to. I just love it. | 0:30:46 | 0:30:49 | |
Catherine's taken a risk, not for the first time on this trip, | 0:30:50 | 0:30:53 | |
and spent every penny of her pot. | 0:30:53 | 0:30:56 | |
Raj is playing catch up, and he's made his way to Bury St Edmunds. | 0:30:58 | 0:31:02 | |
Originally known as Beodericsworth, | 0:31:04 | 0:31:07 | |
nowadays the place is best known for brewing and malting... | 0:31:07 | 0:31:10 | |
..and antiques, hopefully. | 0:31:10 | 0:31:12 | |
Smoking Monkey Antiques. | 0:31:15 | 0:31:17 | |
Well, well. | 0:31:17 | 0:31:19 | |
-Hello. -Hi. | 0:31:19 | 0:31:20 | |
-Hello. -My name's Marcia. | 0:31:20 | 0:31:22 | |
-Hello, Marcia, I'm Raj. -Hi, nice to meet you. -You, too. You, too. | 0:31:22 | 0:31:26 | |
This quirky shop has an eclectic mix of antiques. | 0:31:26 | 0:31:30 | |
Raj has nearly £100 burning a hole in his pocket. | 0:31:30 | 0:31:33 | |
-Marcia. -Yes? | 0:31:35 | 0:31:36 | |
I wondered, is it possible that I could have a look at that vase? | 0:31:36 | 0:31:39 | |
-Certainly. -It's got 4th century Egyptian on it. -Hm. | 0:31:39 | 0:31:44 | |
If this is indeed 1,600 years old, what a find! | 0:31:44 | 0:31:49 | |
All in one piece. | 0:31:49 | 0:31:50 | |
It would be one of the earliest things I've ever bought. | 0:31:50 | 0:31:54 | |
-Mm. -The thing is, I don't know. | 0:31:54 | 0:31:55 | |
It's a real risk. Catherine said to me, "Take risks, Raj," | 0:31:55 | 0:31:59 | |
-and I am a risk-taker. -Mm-hm. -But am I that much of a risk-taker? | 0:31:59 | 0:32:04 | |
Especially as the ticket says £125. | 0:32:04 | 0:32:07 | |
-What were you thinking? -If I could get that for £60, I'd take a risk. | 0:32:09 | 0:32:14 | |
-OK. -Are you sure? | 0:32:15 | 0:32:17 | |
-Yes. -I want you to be happy as well. | 0:32:17 | 0:32:18 | |
No, no, I'm happy. | 0:32:18 | 0:32:20 | |
-You sure? -I'm happy, yes. | 0:32:20 | 0:32:22 | |
Marcia, let's shake hands. | 0:32:22 | 0:32:23 | |
-OK. -£60. | 0:32:23 | 0:32:25 | |
That final purchase means our experts are both bought up and it's time to reunite. | 0:32:25 | 0:32:31 | |
What do you know about the auction house we're going to? | 0:32:31 | 0:32:35 | |
Not a lot. I do know it's online. | 0:32:35 | 0:32:37 | |
-Oh, that's good. That's good. -I think it's quite a country auction. | 0:32:37 | 0:32:40 | |
Right, you two, better go and get some shut eye, eh? | 0:32:40 | 0:32:43 | |
Kicking off from Cambridge our pair pootled the MGB GT | 0:32:47 | 0:32:52 | |
through Norfolk and Suffolk, aiming for an auction in Beccles. | 0:32:52 | 0:32:55 | |
This ancient market town boasts a 16th-century bell tower. | 0:32:55 | 0:32:59 | |
It took 40 years to build and stands 97 feet tall. | 0:32:59 | 0:33:03 | |
Impressive. | 0:33:03 | 0:33:05 | |
Established in more recent times is Durrants Auction Room, | 0:33:07 | 0:33:11 | |
hosts to today's sale. Lovely. | 0:33:11 | 0:33:14 | |
-Exciting, isn't it? -Yeah, lovely building. | 0:33:14 | 0:33:16 | |
-First auction. Are you nervous? -Oh, yes. No. Yes. | 0:33:16 | 0:33:20 | |
-No. Yes, yes, yes. -Exciting. | 0:33:20 | 0:33:23 | |
On this leg, Catherine bought five lots for auction, | 0:33:25 | 0:33:29 | |
spending every penny of her £200. | 0:33:29 | 0:33:31 | |
While Raj, well, he spent a total of £162 on his five lots. | 0:33:32 | 0:33:37 | |
But I wonder what they make of each other's lots, eh? | 0:33:39 | 0:33:42 | |
Well, this is really, really lovely. | 0:33:42 | 0:33:45 | |
Catherine paid £140 for it. | 0:33:45 | 0:33:47 | |
I think that's slightly risky, but the subject matter is really lovely. | 0:33:47 | 0:33:51 | |
This is either going to fly or it's just going to make its money back. | 0:33:51 | 0:33:55 | |
Oh, it smells a bit musty. | 0:33:56 | 0:33:58 | |
It doesn't smell great, but I think this is a great thing. | 0:33:58 | 0:34:02 | |
It comes with a crown for the Festival of Britain, which is | 0:34:02 | 0:34:05 | |
a bit boring. This should easily make him a nice tidy profit. | 0:34:05 | 0:34:08 | |
Well done, Raj. | 0:34:08 | 0:34:10 | |
The man with the gavel today is Nicholas Rudge. | 0:34:10 | 0:34:14 | |
What does he think of our experts' lots? | 0:34:14 | 0:34:16 | |
The pottery flask, a Roman period from the late 4th century, | 0:34:17 | 0:34:20 | |
it's unusual. It's still got the hook ring with it, as well, | 0:34:20 | 0:34:23 | |
and we expect that to make £50, £60 or more. | 0:34:23 | 0:34:26 | |
A late-18th-century powder horn in original condition. | 0:34:26 | 0:34:29 | |
It's unspoilt, it's the genuine article | 0:34:29 | 0:34:31 | |
and we expect that to sell quite well. | 0:34:31 | 0:34:33 | |
Well, let's find out, shall we? | 0:34:33 | 0:34:35 | |
With buyers online and in the room, our experts are taking their seats. | 0:34:35 | 0:34:40 | |
-It's you and me against the world. -Here we are. Absolutely. | 0:34:41 | 0:34:45 | |
First up, it's Raj's old plate. | 0:34:46 | 0:34:49 | |
Ten? Yes, bids. | 0:34:50 | 0:34:52 | |
Definitely worth that, isn't it? | 0:34:52 | 0:34:54 | |
At £10. 10, 12. £12. | 0:34:54 | 0:34:57 | |
£12, front row. At 15. 15. | 0:34:57 | 0:34:58 | |
No. £15, the bid's in the middle. At £15. | 0:34:58 | 0:35:01 | |
-He's trying. -Going to sell at £15. | 0:35:01 | 0:35:05 | |
-Why are you smiling? -I'm not. | 0:35:07 | 0:35:09 | |
I think that's his shocked face. | 0:35:09 | 0:35:11 | |
Hard luck, old chap. | 0:35:11 | 0:35:13 | |
I'm worried about you. | 0:35:13 | 0:35:14 | |
You're worried about me, I'm worried about me! | 0:35:14 | 0:35:17 | |
Can Catherine take an early lead with her vintage steamer? | 0:35:18 | 0:35:22 | |
Fiver, then, anybody? Anyone a fiver? | 0:35:22 | 0:35:24 | |
You said it would make £20. | 0:35:24 | 0:35:26 | |
A fiver, surely. £5 bid. | 0:35:26 | 0:35:28 | |
-That's what I paid! -Eight, online. | 0:35:28 | 0:35:30 | |
-Yes. -£8, online bid. | 0:35:30 | 0:35:32 | |
At £8, the bid's online. | 0:35:32 | 0:35:33 | |
I'm going to sell, online, at eight. | 0:35:33 | 0:35:36 | |
-10. -Yes. -There you go. | 0:35:36 | 0:35:38 | |
£10. At £10, £10, £10. | 0:35:38 | 0:35:40 | |
-You're out online. -You've doubled your money. | 0:35:40 | 0:35:43 | |
Second row bid at £10, thank you. | 0:35:43 | 0:35:45 | |
Someone knows her geraniums will look lovely in that | 0:35:45 | 0:35:48 | |
when she gets home. | 0:35:48 | 0:35:49 | |
They will indeed, and Catherine kicks off with a profit. | 0:35:49 | 0:35:53 | |
-Not bad. -Doubled your money. | 0:35:54 | 0:35:56 | |
Not bad. | 0:35:56 | 0:35:57 | |
Right, Raj, you're playing catch-up with your two items | 0:35:58 | 0:36:01 | |
from the Festival of Britain. | 0:36:01 | 0:36:02 | |
-10? £10 bid. -Yay! | 0:36:02 | 0:36:06 | |
At £10, £10, £10, £10, £10, £10... | 0:36:06 | 0:36:08 | |
12, £12. | 0:36:08 | 0:36:09 | |
£12, 15. At 15, 18. | 0:36:09 | 0:36:11 | |
It's such good fun, this. | 0:36:11 | 0:36:13 | |
The bid's in the middle of the room, make no mistake, at £20. | 0:36:13 | 0:36:18 | |
That's all right. | 0:36:18 | 0:36:19 | |
Well, it washed its face. | 0:36:19 | 0:36:21 | |
Nice little earner there. Well done, Raj. | 0:36:23 | 0:36:26 | |
Don't you worry, Raj, don't you worry. | 0:36:26 | 0:36:29 | |
Next it's one of the lots that Catherine loved, her Victorian seal. | 0:36:30 | 0:36:34 | |
20? | 0:36:34 | 0:36:36 | |
-£20 for it. -Come on. -£20 online bid. | 0:36:36 | 0:36:38 | |
-£20. -Come on. -£20, £20, £20, £20... | 0:36:38 | 0:36:41 | |
-At £20. -Come on. -22. | 0:36:41 | 0:36:44 | |
22, 22, 25. | 0:36:44 | 0:36:45 | |
£25. 28, in the middle, at the back. | 0:36:45 | 0:36:48 | |
£28, 30. | 0:36:48 | 0:36:49 | |
£30. £30. | 0:36:49 | 0:36:51 | |
-Going to go online. -I thought that would make more. | 0:36:51 | 0:36:53 | |
-35, 40, £40. £40. -Oh! Oh, just in time. | 0:36:53 | 0:36:57 | |
-That shot up rather quickly. -£40, online, the bid. | 0:36:57 | 0:36:59 | |
You're all out in the room. | 0:36:59 | 0:37:00 | |
At £40. | 0:37:00 | 0:37:02 | |
-Yay! -Wow, yeah, well done. Well done. | 0:37:02 | 0:37:04 | |
I really, really liked that. | 0:37:04 | 0:37:06 | |
Yeah, and I bet you liked the profit, too. Fantastic. | 0:37:06 | 0:37:11 | |
I'd like to have that in my collection. | 0:37:11 | 0:37:13 | |
-Yep. -Somebody else has got it now. | 0:37:13 | 0:37:14 | |
Next up is Raj's Francis Flint print. | 0:37:14 | 0:37:18 | |
£30, someone. | 0:37:18 | 0:37:20 | |
£30 bid online. | 0:37:20 | 0:37:22 | |
-Oh, well done. -At last. | 0:37:22 | 0:37:24 | |
-Into a profit. -Five anywhere, then. | 0:37:24 | 0:37:26 | |
At £30. £30. Five anywhere? Anyone else want to join in? | 0:37:26 | 0:37:29 | |
-Come on. -£30 it remains, and it's online. -That's a shame. -Come on. | 0:37:29 | 0:37:32 | |
Last chance, then. | 0:37:32 | 0:37:34 | |
Maiden bid of £30. | 0:37:34 | 0:37:36 | |
Thank you. | 0:37:36 | 0:37:38 | |
-Ah. -I'm surprised. -Well... -Yeah, it was worth it. | 0:37:38 | 0:37:40 | |
It's a profit, but I expected it to do better than that, to be honest. | 0:37:40 | 0:37:44 | |
Suffolk's Flint fans will be kicking themselves. | 0:37:44 | 0:37:48 | |
Never mind, I've made a profit at last. | 0:37:48 | 0:37:51 | |
I can relax. | 0:37:51 | 0:37:53 | |
Catherine's vintage croquet set is up next. | 0:37:54 | 0:37:56 | |
-I've got two commission bids. -Oh, I love you! | 0:37:56 | 0:37:59 | |
-See. -I can start the bidding at £22, £25. | 0:37:59 | 0:38:01 | |
-Oh, that's what I paid. -£25 bid. | 0:38:01 | 0:38:03 | |
-£25, eight, 30. -£30 still with me. | 0:38:03 | 0:38:06 | |
-You're out online. -You're out in the room. | 0:38:06 | 0:38:08 | |
Are you bidding? £35. | 0:38:08 | 0:38:09 | |
You've beaten me now. | 0:38:09 | 0:38:11 | |
£35, the bid's in the room. | 0:38:11 | 0:38:13 | |
You're out online, as well. | 0:38:13 | 0:38:14 | |
-That's all right. -In the middle of the room at £30. | 0:38:14 | 0:38:17 | |
£40 online. | 0:38:17 | 0:38:18 | |
£40. Don't blame me. | 0:38:18 | 0:38:20 | |
At £40. 45, madam? | 0:38:20 | 0:38:22 | |
No. Online the bid, then, at £40. | 0:38:22 | 0:38:25 | |
Thank you. | 0:38:25 | 0:38:27 | |
I'm quite happy with that. | 0:38:27 | 0:38:28 | |
I think that was better than I thought. | 0:38:28 | 0:38:32 | |
Catherine's winning streak continues. | 0:38:32 | 0:38:34 | |
You've made a profit on everything so far, haven't you? | 0:38:35 | 0:38:38 | |
Yeah, I've done all right. | 0:38:38 | 0:38:39 | |
Right, Raj, you said you were a risk-taker - | 0:38:39 | 0:38:42 | |
will it pay off with your 4th-century Egyptian bottle? | 0:38:42 | 0:38:45 | |
I've got commission bids on this one | 0:38:45 | 0:38:48 | |
and I'm going to start the bidding at £65. | 0:38:48 | 0:38:51 | |
At £65. 70, five. | 0:38:51 | 0:38:53 | |
£75. £75. 80, fresh bidder. | 0:38:53 | 0:38:57 | |
£85 with me. | 0:38:57 | 0:38:59 | |
£90. I'm out. | 0:38:59 | 0:39:00 | |
Bid's in the middle of the room at £90. | 0:39:00 | 0:39:02 | |
At £90, in the middle of the room. | 0:39:02 | 0:39:04 | |
Make no mistake, I'm going to sell. You're out online, as well. | 0:39:04 | 0:39:07 | |
At £90. Thank you. | 0:39:07 | 0:39:09 | |
You are a bit of an Egyptologist on the quiet, aren't you? | 0:39:09 | 0:39:13 | |
Well done, risky Raj. | 0:39:13 | 0:39:15 | |
You're pretty hot, Raj. You're hot. | 0:39:17 | 0:39:19 | |
Can Catherine's luck continue with her powder horn? | 0:39:19 | 0:39:23 | |
£30, surely. £30 I'm bid. | 0:39:24 | 0:39:26 | |
£30, 35, madam? | 0:39:26 | 0:39:28 | |
35. 40. £40. 45. 50. | 0:39:29 | 0:39:34 | |
In the cafe at £50. | 0:39:34 | 0:39:36 | |
-In the cafe. -That's a good price. | 0:39:36 | 0:39:38 | |
The bid's in the cafe, make no mistake, in the cafe at £50. | 0:39:38 | 0:39:43 | |
-I was right. -You were right, actually. | 0:39:43 | 0:39:45 | |
You didn't jinx it. | 0:39:45 | 0:39:47 | |
I didn't jinx it - and £50, that's a good price. | 0:39:47 | 0:39:50 | |
Yeah, and a good profit. | 0:39:50 | 0:39:52 | |
She's on a roll. | 0:39:52 | 0:39:54 | |
I like being on this road trip with you, Raj. | 0:39:54 | 0:39:56 | |
Stick with me. | 0:39:56 | 0:39:58 | |
Time now for Raj's last lot, his early-20th-century candelabra. | 0:39:58 | 0:40:04 | |
£40, somebody. | 0:40:04 | 0:40:06 | |
-Come on. -30, £30 bid. | 0:40:06 | 0:40:08 | |
-Oh, good. -35. | 0:40:08 | 0:40:10 | |
-40, five. 50, five. -Excellent! | 0:40:10 | 0:40:13 | |
60, madam? | 0:40:13 | 0:40:16 | |
60. 65, 70. | 0:40:16 | 0:40:19 | |
75. | 0:40:19 | 0:40:20 | |
-That was fantastic. -80. Are you sure? | 0:40:20 | 0:40:24 | |
Shaking his head. It's the lady's bid seated. | 0:40:24 | 0:40:26 | |
-Keep going. -£80. | 0:40:26 | 0:40:28 | |
Are you coming again? He is. | 0:40:28 | 0:40:29 | |
You've talked him into it. 85, 90. | 0:40:29 | 0:40:32 | |
No. Do you mean no this time? | 0:40:32 | 0:40:34 | |
-You don't. You don't mean no. -At £90, seated bid. | 0:40:34 | 0:40:37 | |
Last chance. Are you coming again? | 0:40:37 | 0:40:39 | |
No. At £90. | 0:40:39 | 0:40:41 | |
-Well done. -That was all right. -Well done. -That was OK. | 0:40:41 | 0:40:45 | |
Talk about ending on a high. | 0:40:45 | 0:40:47 | |
Marvellous stuff. | 0:40:47 | 0:40:48 | |
I'm back in the game, as I would say. | 0:40:49 | 0:40:51 | |
-I could be way out of the game in a minute, so I wouldn't worry. -No. | 0:40:51 | 0:40:54 | |
It's their last lot, the priciest purchase of the trip - | 0:40:55 | 0:40:59 | |
Catherine's silk needlework. | 0:40:59 | 0:41:01 | |
Start me £100. | 0:41:02 | 0:41:03 | |
Start me 100. | 0:41:03 | 0:41:05 | |
£100, someone. | 0:41:05 | 0:41:06 | |
-80. -Oh, gosh. | 0:41:06 | 0:41:08 | |
Anybody £80, surely? 80. | 0:41:08 | 0:41:10 | |
I was hoping a couple of hundred on this. | 0:41:10 | 0:41:11 | |
No. 50, then, someone? | 0:41:11 | 0:41:13 | |
Bid. Five, 60. | 0:41:13 | 0:41:15 | |
-£60. 65, 70. -Come on. | 0:41:15 | 0:41:18 | |
Five, 80. Five, 90. | 0:41:18 | 0:41:21 | |
-Got a long way to go. -£100, and 10. | 0:41:21 | 0:41:24 | |
-£120. -Come on! | 0:41:24 | 0:41:26 | |
-£120 online. -No, it's such a good thing. | 0:41:26 | 0:41:29 | |
-Don't go, no. -£130 online. | 0:41:29 | 0:41:32 | |
Are you sure? | 0:41:32 | 0:41:34 | |
It's online now at £130. | 0:41:34 | 0:41:36 | |
-You're both out in the room. -Come on. -£130, the bid's online. | 0:41:36 | 0:41:38 | |
Oh, no. This is such a good buy. | 0:41:38 | 0:41:41 | |
-£130, the bid's online. -No! -Last chance at £130. | 0:41:41 | 0:41:44 | |
Thank you. | 0:41:44 | 0:41:46 | |
Oh, no, nearly there. | 0:41:46 | 0:41:48 | |
-Nearly, nearly. -Never mind. | 0:41:48 | 0:41:50 | |
Now, that's a shame. Catherine finishes with her first loss, | 0:41:50 | 0:41:54 | |
but has she still done enough to beat Raj? | 0:41:54 | 0:41:57 | |
Well, I mean, I think we've both ended up with a profit. | 0:41:57 | 0:42:00 | |
-I think it's really close. -So close. -Yeah. | 0:42:00 | 0:42:03 | |
We're practically touching. | 0:42:03 | 0:42:04 | |
Exciting. Let's go. | 0:42:04 | 0:42:07 | |
Time to put them out of their misery and reveal who is today's winner. | 0:42:07 | 0:42:11 | |
Catherine started this leg with £200 | 0:42:14 | 0:42:16 | |
and made a profit of £21.40 after auction costs, | 0:42:16 | 0:42:19 | |
leaving her £221.40 to spend on the next leg. | 0:42:19 | 0:42:25 | |
Raj started with the same amount and after auction costs he too gained | 0:42:25 | 0:42:29 | |
a profit, making £38.90 which means he's crowned today's king | 0:42:29 | 0:42:34 | |
and goes into the next leg with a fabulous £238.90. | 0:42:34 | 0:42:39 | |
Well done. | 0:42:39 | 0:42:40 | |
We're both in profit. That's a great start, isn't it? | 0:42:42 | 0:42:45 | |
-That's a good start. -I mean, there's very little in it, tiny amount, | 0:42:45 | 0:42:48 | |
not even worth mentioning, not really! | 0:42:48 | 0:42:50 | |
Next time on the Antiques Road Trip... | 0:42:52 | 0:42:54 | |
-BOTH: -It's BOOtiful! | 0:42:54 | 0:42:56 | |
..there's envy... | 0:42:56 | 0:42:58 | |
It's always the way, isn't it? You always want what you can't have. | 0:42:58 | 0:43:02 | |
..bravado... | 0:43:04 | 0:43:05 | |
If you'd said no, I was going to say I'd arm wrestle you for it. | 0:43:05 | 0:43:08 | |
You would lose. | 0:43:08 | 0:43:10 | |
..and sweet, sweet music. | 0:43:10 | 0:43:13 | |
HORN TOOTS TUNELESSLY | 0:43:13 | 0:43:15 | |
Sorry. | 0:43:18 | 0:43:20 |