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It's the nation's favourite antiques experts... | 0:00:02 | 0:00:04 | |
-What a job! -..with £200 each... | 0:00:04 | 0:00:06 | |
-Are you with me? -..a classic car... -Buckle up. | 0:00:06 | 0:00:09 | |
..and a goal - to scour Britain for antiques. | 0:00:09 | 0:00:12 | |
-Oh, sorry! -Ha-ha! | 0:00:12 | 0:00:13 | |
The aim - to make the biggest profit at auction. | 0:00:13 | 0:00:16 | |
But it's no mean feat. | 0:00:16 | 0:00:19 | |
There'll be worthy winners... | 0:00:19 | 0:00:20 | |
-Yes! -..and valiant losers. | 0:00:20 | 0:00:22 | |
So will it be the high road to glory | 0:00:22 | 0:00:25 | |
or the slow road to disaster? | 0:00:25 | 0:00:27 | |
Have a good trip! | 0:00:27 | 0:00:29 | |
This is the Antiques Road Trip! | 0:00:29 | 0:00:32 | |
Yeah! | 0:00:33 | 0:00:35 | |
Hold on to your hats, it's leg two of an epic antiquing adventure | 0:00:37 | 0:00:41 | |
with road trip regulars Raj Bisram and Catherine Southon. | 0:00:41 | 0:00:46 | |
-BOTH: -It's BOOTIFUL! | 0:00:47 | 0:00:49 | |
No prizes for guessing where you two are, then! | 0:00:51 | 0:00:54 | |
-Yes, we're in Norfolk! -And it is! It is. | 0:00:54 | 0:00:57 | |
The sun is shining today and we're in our little sunshine car. | 0:00:57 | 0:01:01 | |
And what a car it is - | 0:01:03 | 0:01:05 | |
a smashing little 1967 MGB GT. | 0:01:05 | 0:01:08 | |
You're looking at me very funny. Have you got a plan? | 0:01:10 | 0:01:14 | |
You've got that look. | 0:01:14 | 0:01:16 | |
You've got the little Raj glint. | 0:01:16 | 0:01:18 | |
That kind of little, "I know I'm going to get a bargain," | 0:01:18 | 0:01:21 | |
kind of glint, "I don't know about you." | 0:01:21 | 0:01:24 | |
Not at all. Do you know, I always think I'm going to get a bargain, | 0:01:24 | 0:01:27 | |
that's the problem. It's my downfall. | 0:01:27 | 0:01:29 | |
Hopefully it won't be today. | 0:01:29 | 0:01:32 | |
From Catherine's original £200, | 0:01:32 | 0:01:34 | |
she's increased her purse, | 0:01:34 | 0:01:36 | |
so has £221.40 available to spend. | 0:01:36 | 0:01:40 | |
Raj's £200 pot has also risen, | 0:01:41 | 0:01:44 | |
nudging him into the lead with £238.90. | 0:01:44 | 0:01:48 | |
So there's a mere, a very mere £20 between us. | 0:01:50 | 0:01:55 | |
Starting off today, how are you feeling? | 0:01:55 | 0:01:58 | |
-Fantastic! -Oh, Raj! | 0:01:58 | 0:02:01 | |
Oh, you are a devil! | 0:02:01 | 0:02:03 | |
Ain't he just! | 0:02:04 | 0:02:06 | |
This roving Road Trip kicked off in Cambridge | 0:02:07 | 0:02:09 | |
and carries on around East Anglia, | 0:02:09 | 0:02:12 | |
then heads both north and west towards the Peak District, | 0:02:12 | 0:02:15 | |
before taking us through the West Midlands | 0:02:15 | 0:02:17 | |
to finish up over 600 miles later in Bristol. Wow. | 0:02:17 | 0:02:20 | |
Today we'll begin in the fine city of Norwich in Norfolk | 0:02:22 | 0:02:26 | |
and end at auction in Colchester in Essex. | 0:02:26 | 0:02:29 | |
The good thing about Norfolk is it's one of those counties | 0:02:32 | 0:02:35 | |
where there are still lots of antique shops. | 0:02:35 | 0:02:37 | |
-Yes. There are, actually, aren't there? -Yeah! | 0:02:37 | 0:02:41 | |
This morning our pair are splitting up and | 0:02:41 | 0:02:43 | |
Raj is heading to the oldest historical street in Norwich | 0:02:43 | 0:02:47 | |
to start his shopping at Elm Hill Collectables. | 0:02:47 | 0:02:50 | |
Sweet. | 0:02:50 | 0:02:52 | |
-Hello there. -Hello, Raj. Hello. -Hello, and you are? -Paul. | 0:02:53 | 0:02:56 | |
Paul, lovely to meet you. So lots of bargains in here? | 0:02:56 | 0:02:59 | |
-Everything's a bargain. -Everything is a bargain. | 0:02:59 | 0:03:02 | |
I can tell, I can tell I'm going to have trouble here! | 0:03:02 | 0:03:04 | |
There's bits and pieces all over the place, | 0:03:09 | 0:03:12 | |
and that's the kind of shop I really, really like. | 0:03:12 | 0:03:15 | |
What a beautiful butterfly this is. | 0:03:19 | 0:03:20 | |
It's called a Rajah Brooke. | 0:03:20 | 0:03:23 | |
What a lovely name that is! | 0:03:23 | 0:03:25 | |
-Paul... -Yes, Raj? | 0:03:28 | 0:03:30 | |
I've had a little look round, you've got some lovely things, | 0:03:30 | 0:03:33 | |
but I bet you've got something under the counter that's probably | 0:03:33 | 0:03:36 | |
-just come in, haven't you? -Let me think. | 0:03:36 | 0:03:39 | |
How about...? | 0:03:39 | 0:03:41 | |
What do you think? | 0:03:45 | 0:03:47 | |
-You can see the maker. -Yes, Georg Jensen. | 0:03:48 | 0:03:51 | |
-Yes. -Fine maker. | 0:03:51 | 0:03:53 | |
Indeed. | 0:03:53 | 0:03:55 | |
They've been producing eye-catching designs for more than 100 years. | 0:03:55 | 0:03:59 | |
Good quality. Bit of a designer thing, isn't it? | 0:03:59 | 0:04:03 | |
Strange, isn't it, I mean, it does nothing for me, the style. | 0:04:03 | 0:04:06 | |
-It's very unusual. Silver, I presume. -Yes, it's hallmarked. | 0:04:06 | 0:04:09 | |
And the auction we're going to... | 0:04:09 | 0:04:11 | |
-Yes. -..is in Essex. | 0:04:11 | 0:04:13 | |
Right. They'll love that there. | 0:04:13 | 0:04:16 | |
Well, they could love it or they could really hate it. | 0:04:16 | 0:04:19 | |
-I mean, it's not really my taste, I have to be honest. -No. | 0:04:19 | 0:04:22 | |
-Or yours. You just want to get rid of it! -Yes, I do, yes. -OK. | 0:04:22 | 0:04:25 | |
Give me a clue as to what you want for it? | 0:04:25 | 0:04:27 | |
-I think 75. -Oh, no. | 0:04:27 | 0:04:30 | |
How about 50? And you'll double your money. | 0:04:30 | 0:04:33 | |
No, I'm not sure about that. | 0:04:33 | 0:04:35 | |
-Oh, I'm totally sure. -Can I think about it? | 0:04:35 | 0:04:38 | |
-Have you got anything else? Have you got anything else? -Probably. | 0:04:38 | 0:04:41 | |
What is that, Japanese, do you think? | 0:04:41 | 0:04:43 | |
I think it is. | 0:04:43 | 0:04:44 | |
A bit of 19th century papier mache. | 0:04:44 | 0:04:46 | |
-Yes. Quite attractive, I thought. -Yes, it's quite attractive. | 0:04:46 | 0:04:50 | |
That can be ever so reasonable. Essex would appreciate that. | 0:04:50 | 0:04:53 | |
-How much could that be? -How about £10? | 0:04:53 | 0:04:56 | |
How about, I don't want to hit you too hard, | 0:04:58 | 0:05:02 | |
so how about the Georg Jensen ring and this for £50? | 0:05:02 | 0:05:05 | |
-Deal? -Yeah. -Oh, I should have come in less! | 0:05:06 | 0:05:08 | |
I should have come in less! That was much too quick. | 0:05:08 | 0:05:11 | |
-Does that include the box? -Of course it includes the box! | 0:05:11 | 0:05:14 | |
-Fantastic, I bought two things off you. -Nice. | 0:05:14 | 0:05:16 | |
-Fantastic. -I hope you do well, Raj. -Thank you very much indeed, Paul. | 0:05:16 | 0:05:20 | |
It's been an absolute pleasure. | 0:05:20 | 0:05:21 | |
So Raj has secured the 1960s Georg Jensen ring for £40 | 0:05:21 | 0:05:26 | |
and the 19th century papier mache box for a tenner. | 0:05:26 | 0:05:30 | |
A cracking start. | 0:05:30 | 0:05:32 | |
Back with Catherine and she's decided to start her day | 0:05:37 | 0:05:40 | |
by soaking up a bit of culture in Norwich. | 0:05:40 | 0:05:43 | |
Considered the modern-day capital of East Anglia, | 0:05:45 | 0:05:49 | |
Catherine's come to hear about the region's most ferocious | 0:05:49 | 0:05:52 | |
warrior queen, the legendary Boudicca. | 0:05:52 | 0:05:55 | |
She's meeting an expert on the story, | 0:05:56 | 0:05:58 | |
chief curator of Norwich Castle Museum, Dr John Davies. | 0:05:58 | 0:06:02 | |
So John, we're going right back to the first century AD. | 0:06:02 | 0:06:07 | |
Who was Boudicca? | 0:06:07 | 0:06:08 | |
Boudicca is one of the most famous heroines from | 0:06:08 | 0:06:12 | |
the whole of world history. She stood up to the great might | 0:06:12 | 0:06:15 | |
of the Roman Empire, who were just undefeated at that time, | 0:06:15 | 0:06:19 | |
and she very nearly ejected the might of the whole Romans | 0:06:19 | 0:06:22 | |
-from this country. -What did she do then, where did it all begin? | 0:06:22 | 0:06:26 | |
This was in the mid-1st century AD, around about AD 60. | 0:06:26 | 0:06:29 | |
Boudicca was queen of the Iceni tribe who were a rural community | 0:06:29 | 0:06:32 | |
living in what is now Norfolk. Chieftain at the time, | 0:06:32 | 0:06:35 | |
the king of the tribe of the Iceni, Prasutagus, died. | 0:06:35 | 0:06:39 | |
Boudicca was his wife, his queen, | 0:06:39 | 0:06:41 | |
and she seceded to the leadership of the Iceni. | 0:06:41 | 0:06:45 | |
And Prasutagus had tried to leave part of his estate to Boudicca | 0:06:45 | 0:06:50 | |
and her daughters. The Romans were having none of that and | 0:06:50 | 0:06:53 | |
so the episode that is so famous, when Boudicca's uprising occurred, | 0:06:53 | 0:06:58 | |
essentially was in response to the Romans' very heavy-handed approach | 0:06:58 | 0:07:03 | |
to clawing back the whole of Boudicca's estate for the Romans. | 0:07:03 | 0:07:08 | |
The Roman soldiers were ordered to occupy Iceni, and Boudicca | 0:07:09 | 0:07:14 | |
and her daughters were said to have been brutally attacked and flogged. | 0:07:14 | 0:07:17 | |
These actions exacerbated widespread resentment for Roman rule, | 0:07:17 | 0:07:23 | |
and while Roman governor Paulinus was leading a campaign | 0:07:23 | 0:07:27 | |
in North Wales, the Iceni rebelled. | 0:07:27 | 0:07:30 | |
Members of other tribes soon followed, | 0:07:30 | 0:07:33 | |
all led by the mighty Boudicca. | 0:07:33 | 0:07:35 | |
Boudicca, the Queen of the Iceni tribe. | 0:07:35 | 0:07:38 | |
But what was she really like? | 0:07:38 | 0:07:40 | |
Well, she clearly was a very charismatic person. | 0:07:40 | 0:07:43 | |
However accidental it was that she turned out to lead the tribe, | 0:07:43 | 0:07:47 | |
certainly she was in a position where people respected her hugely | 0:07:47 | 0:07:51 | |
and in the region of 120,000 people were prepared | 0:07:51 | 0:07:55 | |
to lay down their lives to support her. | 0:07:55 | 0:07:57 | |
People really wanted to back her and follow her and they thought that | 0:07:57 | 0:08:01 | |
she was strong enough to indeed defeat the Romans | 0:08:01 | 0:08:04 | |
and eject them from this country. | 0:08:04 | 0:08:06 | |
Boudicca and her warriors struck at symbols of the Roman occupation. | 0:08:08 | 0:08:12 | |
The capital at Colchester was burned, as was London and St Albans. | 0:08:12 | 0:08:17 | |
Boudicca's treatment of her enemies was fierce, | 0:08:17 | 0:08:20 | |
sending shock waves through the Roman Empire. | 0:08:20 | 0:08:22 | |
We know that the Roman army was in the region of about 10,000 soldiers. | 0:08:22 | 0:08:27 | |
Compared with in the region of about 120,000 on the British side. | 0:08:27 | 0:08:33 | |
The Iceni were just numbers, they were untrained. | 0:08:33 | 0:08:37 | |
Through physical strength of being outdoor people and farmers, | 0:08:37 | 0:08:40 | |
that was in their favour. | 0:08:40 | 0:08:42 | |
They had very strong adrenaline through wanting to defeat these | 0:08:42 | 0:08:45 | |
Roman oppressors, but essentially they had no military skill, | 0:08:45 | 0:08:48 | |
very few of them had actually ever fought in a battle before. | 0:08:48 | 0:08:51 | |
Their weaponry would have reflected the fact that they were farmers, | 0:08:51 | 0:08:54 | |
they probably would have had sickles and scythes in a pitch battle | 0:08:54 | 0:08:58 | |
facing each other, person-to-person, | 0:08:58 | 0:09:00 | |
that there was only ever going to be one outcome - | 0:09:00 | 0:09:02 | |
they stood no chance whatsoever. | 0:09:02 | 0:09:04 | |
The Roman figures are something like 80,000 British died at that battle, | 0:09:04 | 0:09:07 | |
compared with something like 400 Romans. | 0:09:07 | 0:09:10 | |
I think there's an element of Roman propaganda there, | 0:09:10 | 0:09:13 | |
but you can get the scale of the massacre. | 0:09:13 | 0:09:15 | |
-Wow. That is incredible, isn't it? -Yes. | 0:09:15 | 0:09:17 | |
The exact location of Boudicca's defeat is unknown. | 0:09:17 | 0:09:20 | |
And although it's said she survived the battle, | 0:09:20 | 0:09:23 | |
legend has it that she poisoned herself rather than face capture | 0:09:23 | 0:09:27 | |
by the Romans. To this day, there are many myths | 0:09:27 | 0:09:31 | |
surrounding Boudicca's final resting place. | 0:09:31 | 0:09:33 | |
But one thing is sure, she had a special place in British history, | 0:09:33 | 0:09:36 | |
remembered for her courage - | 0:09:36 | 0:09:38 | |
the warrior queen who fought the might of Rome. | 0:09:38 | 0:09:42 | |
Meanwhile, the mighty Raj has left Norwich | 0:09:51 | 0:09:54 | |
and is heading west towards Attleborough. | 0:09:54 | 0:09:56 | |
As far as my tactics for this leg, | 0:09:58 | 0:10:00 | |
I'm just going to go and see what I find. | 0:10:00 | 0:10:03 | |
I'm always looking for something that's a little bit different, | 0:10:03 | 0:10:06 | |
so fingers crossed that I can find it. | 0:10:06 | 0:10:09 | |
If it's different you're after, Morways Reclamation should deliver. | 0:10:09 | 0:10:14 | |
Not quite the quaint antiques emporiums Raj is used to, | 0:10:14 | 0:10:18 | |
this yard is packed with some serious salvage. | 0:10:18 | 0:10:21 | |
Thankfully owner John is on hand to help. | 0:10:21 | 0:10:24 | |
I'm mostly into heavies, I'm afraid. | 0:10:24 | 0:10:26 | |
You are? Well, look at me, I'm a wimp compared to you! You know. | 0:10:26 | 0:10:30 | |
He is tall, isn't he? | 0:10:30 | 0:10:32 | |
Wow, look at some of these beams you've got here. | 0:10:33 | 0:10:36 | |
Some of them are ancient. | 0:10:36 | 0:10:37 | |
For example, John, something like this, what would that cost? | 0:10:37 | 0:10:41 | |
Most of the stuff, which is just old timber buildings, | 0:10:41 | 0:10:44 | |
-just a piece of wood like that probably 700 quid. -Gee-whiz! | 0:10:44 | 0:10:48 | |
I think I'm probably looking for something a little bit | 0:10:48 | 0:10:51 | |
-on the smaller side. -I thought you might be. -You know? | 0:10:51 | 0:10:54 | |
Good luck with that! | 0:10:54 | 0:10:56 | |
These ladders, though, they're interesting. | 0:10:56 | 0:10:58 | |
Are they old? They almost remind me of hop ladders. | 0:10:58 | 0:11:00 | |
These are old painter's ladders. | 0:11:00 | 0:11:02 | |
Which are not small. | 0:11:02 | 0:11:04 | |
-They would go well. -Something smaller. -Something smaller? | 0:11:04 | 0:11:08 | |
It's all too big, isn't it? | 0:11:08 | 0:11:10 | |
We're going down in size, it might take a while for us to get there! | 0:11:10 | 0:11:13 | |
Ah-ha! Those stained glass windows look more your size, Raj. | 0:11:15 | 0:11:19 | |
They're quite nice architectural things. | 0:11:19 | 0:11:21 | |
-I've got loads of those. -What, these? | 0:11:21 | 0:11:23 | |
Yes, those sort of things and they'd be quite... I mean, they're 1920s. | 0:11:23 | 0:11:27 | |
Pick it up so you can see through it. | 0:11:27 | 0:11:29 | |
Very common, it's a very common Art Nouveau design. | 0:11:29 | 0:11:33 | |
-It is. It jolly well is. -Yes. | 0:11:33 | 0:11:36 | |
-So say six of those, have you got six of those? -Probably six, yes. | 0:11:36 | 0:11:40 | |
I mean, if you want, 60 quid. | 0:11:40 | 0:11:42 | |
I tell you what, because I've got to haggle a little bit, OK? | 0:11:42 | 0:11:46 | |
What about £50 for six? | 0:11:46 | 0:11:48 | |
-Yeah, go on, then. -Yeah? | 0:11:48 | 0:11:49 | |
Shake hands. Thank you. Brilliant, fantastic. | 0:11:49 | 0:11:52 | |
Deal done. Raj picks up his six stained glass windows. | 0:11:52 | 0:11:57 | |
That's a nice one, isn't it? | 0:11:57 | 0:11:59 | |
Then the search for small things continues. | 0:11:59 | 0:12:02 | |
These are rather nice. How much would one... | 0:12:02 | 0:12:05 | |
That one, that one and that one, those three together, | 0:12:05 | 0:12:08 | |
-what would they cost me? -To be honest with you, | 0:12:08 | 0:12:10 | |
you're going to be over 100 quid. | 0:12:10 | 0:12:12 | |
-And what about those two? -You can have those two for 80 quid. | 0:12:12 | 0:12:15 | |
Go on, hit me. | 0:12:15 | 0:12:18 | |
I wouldn't want to pay more than £40 for those two. | 0:12:18 | 0:12:21 | |
-What, 20 quid each? -Yeah. | 0:12:21 | 0:12:23 | |
-That's tight, you know? -I tell you what, | 0:12:25 | 0:12:27 | |
because I think you've done such a great job on the stained glass, | 0:12:27 | 0:12:30 | |
what about, what about 50 quid for the two? | 0:12:30 | 0:12:33 | |
-You've got a bargain. -Really? | 0:12:36 | 0:12:38 | |
Because if you'd said no, | 0:12:38 | 0:12:39 | |
I was going to say I'd arm-wrestle for you for one. | 0:12:39 | 0:12:42 | |
-You would lose. -You think I don't know that! | 0:12:42 | 0:12:45 | |
Lucky escape there, Raj. | 0:12:46 | 0:12:49 | |
So that's the six stained glass windows | 0:12:49 | 0:12:52 | |
and his 19th century brass door knockers for £100, | 0:12:52 | 0:12:56 | |
and not a sore arm in sight. | 0:12:56 | 0:12:58 | |
Playing catch up, Catherine has made her way to Wymondham, where she's | 0:13:01 | 0:13:05 | |
arrived in this historic market town with over £220 in her pocket. | 0:13:05 | 0:13:09 | |
And time to spend it at Market Cross Antiques. | 0:13:09 | 0:13:13 | |
White trousers today. | 0:13:13 | 0:13:15 | |
-Hello. -Hi, Catherine. -I'm Catherine. -Hi. Good to see you. | 0:13:15 | 0:13:18 | |
-And you, I'm Gary. -Hi, Gary. | 0:13:18 | 0:13:20 | |
This Grade II listed building has three showrooms | 0:13:20 | 0:13:24 | |
packed with potential purchases. | 0:13:24 | 0:13:26 | |
I need to be inspired. | 0:13:31 | 0:13:33 | |
Oh, poker work. | 0:13:33 | 0:13:35 | |
It's like a little miniature dresser, but it's been... | 0:13:35 | 0:13:38 | |
It's a poker work. So basically it's been done, so they get | 0:13:38 | 0:13:41 | |
a hot poker and then they mark it, press it all into the wood. | 0:13:41 | 0:13:45 | |
It's clever. | 0:13:45 | 0:13:46 | |
But I just don't really like it. | 0:13:46 | 0:13:49 | |
On we go. | 0:13:49 | 0:13:51 | |
I like your ship's wheel. | 0:13:54 | 0:13:55 | |
-Yes, sweet, isn't it? -Yeah, nice little thing. | 0:13:55 | 0:13:58 | |
-Where are we going? -Anywhere you want to, Catherine! | 0:13:58 | 0:14:01 | |
-Have you got your sou'wester? -I have! And my wellingtons! | 0:14:01 | 0:14:03 | |
What does it say? | 0:14:03 | 0:14:05 | |
Y...K Not. | 0:14:05 | 0:14:07 | |
-Why not. Why not! -Yeah. | 0:14:07 | 0:14:09 | |
-There you go. -What I like about this is it does have age. | 0:14:09 | 0:14:13 | |
I mean, there's so many reproductions of these. | 0:14:13 | 0:14:15 | |
I mean, you can find them anywhere. | 0:14:15 | 0:14:18 | |
-And it's got that horrible darker wood. -OK. | 0:14:18 | 0:14:20 | |
But this is how it should be. | 0:14:20 | 0:14:23 | |
I mean, this is about 100 years old, I would say. | 0:14:23 | 0:14:25 | |
It's got 95 on it, but it has got a big split through it. | 0:14:25 | 0:14:29 | |
OK. How about 65? | 0:14:29 | 0:14:32 | |
Hmmm. | 0:14:34 | 0:14:36 | |
No, I don't think that would probably... | 0:14:36 | 0:14:39 | |
Where are you at? | 0:14:39 | 0:14:40 | |
I really wouldn't want to go much more than about 40 on it, honestly. | 0:14:40 | 0:14:44 | |
-OK. -Because of that break. | 0:14:44 | 0:14:47 | |
But if you can't do it, then that's absolutely fine. | 0:14:47 | 0:14:49 | |
No, I'll do 40. I will do 40. | 0:14:49 | 0:14:52 | |
But I can't go a penny less. | 0:14:52 | 0:14:54 | |
-You'll make money on that, Catherine. -I think I will. | 0:14:54 | 0:14:56 | |
-I'm going to shake your hand. Thank you very much. -You're welcome. | 0:14:56 | 0:14:59 | |
-Thank you. -Anchors aweigh, then! | 0:14:59 | 0:15:02 | |
Catherine's made her first purchase! | 0:15:02 | 0:15:05 | |
Which brings an end to a successful day of shopping. | 0:15:05 | 0:15:08 | |
Norfolk also has something that I love, absolutely love, | 0:15:10 | 0:15:14 | |
-which is crab. -Oh, yes, bit of a crab salad! | 0:15:14 | 0:15:18 | |
-Is it Cromer, Cromer crab? -It is, absolutely. | 0:15:18 | 0:15:20 | |
In fact, that's got me going. What shall we have tonight? | 0:15:20 | 0:15:24 | |
Crab for two, methinks! | 0:15:25 | 0:15:27 | |
Nighty-night! | 0:15:27 | 0:15:28 | |
It's the next day and our experts are in high spirits. | 0:15:34 | 0:15:37 | |
That's a lovely old tractor! | 0:15:40 | 0:15:42 | |
Beautiful old tractor. | 0:15:44 | 0:15:45 | |
So far Catherine's only bought one item - | 0:15:48 | 0:15:51 | |
the mahogany ship's wheel - | 0:15:51 | 0:15:52 | |
giving her £181.40 to spend. | 0:15:52 | 0:15:57 | |
-Where are we going? -Anywhere you want to, Catherine. -Where do you fancy? | 0:15:57 | 0:16:00 | |
Raj on the other hand has bought four lots - | 0:16:00 | 0:16:02 | |
the 1960s Georg Jensen ring, | 0:16:02 | 0:16:05 | |
the 19th century papier mache box, | 0:16:05 | 0:16:08 | |
the set of six stained glass windows, | 0:16:08 | 0:16:11 | |
and the two 19th-century brass knockers... | 0:16:11 | 0:16:14 | |
I'd arm wrestle you for it. | 0:16:14 | 0:16:16 | |
You would lose. | 0:16:16 | 0:16:17 | |
..leaving him £88.90. | 0:16:17 | 0:16:20 | |
Don't you go enjoying yourself too much today. | 0:16:20 | 0:16:23 | |
-I'm going to spend it all. -Oh, that's what I like to hear. | 0:16:23 | 0:16:25 | |
My intention is to spend it all. | 0:16:25 | 0:16:27 | |
Good. You're going to take some risks this time. | 0:16:27 | 0:16:30 | |
What do you mean this time? | 0:16:30 | 0:16:31 | |
I took some risks last time. | 0:16:31 | 0:16:33 | |
-Rubbish! -I did. | 0:16:33 | 0:16:34 | |
Your idea of risk is very different from mine. | 0:16:34 | 0:16:37 | |
Come on, Raj, play the game. | 0:16:37 | 0:16:39 | |
Play the game. | 0:16:39 | 0:16:40 | |
Well, it really will be dog eat dog today, as they'll both start their | 0:16:41 | 0:16:45 | |
shopping in Tottenhill near King's Lynn. | 0:16:45 | 0:16:48 | |
-I forgot we're going together this morning. -We are. | 0:16:48 | 0:16:50 | |
-Yes. -Shopping together. -Yeah, so a little bit | 0:16:50 | 0:16:52 | |
of competition. Let's hope we don't spot the same thing. | 0:16:52 | 0:16:55 | |
I think you buy very differently from me, actually. | 0:16:55 | 0:16:58 | |
I'll be honest, I don't really know what I buy. | 0:16:58 | 0:17:01 | |
-No. -I have no... | 0:17:01 | 0:17:02 | |
I never, ever go in with the intention of buying anything. | 0:17:02 | 0:17:05 | |
If I see something and my... | 0:17:05 | 0:17:06 | |
-..gut instinct is there's a profit in that, I will buy it. -Yeah. | 0:17:08 | 0:17:11 | |
That's kind of how I work really. | 0:17:11 | 0:17:13 | |
First stop of the day, Tottenhill, and the antiques emporium. | 0:17:17 | 0:17:21 | |
OK, as I'm here... | 0:17:21 | 0:17:23 | |
Such a gent. Ready? | 0:17:24 | 0:17:25 | |
-Yeah. -OK. -Let's go. | 0:17:25 | 0:17:26 | |
An ex-car showroom, | 0:17:28 | 0:17:30 | |
there's 30 dealers' wares spread across 8,000 square feet. | 0:17:30 | 0:17:34 | |
Let the fun begin. | 0:17:34 | 0:17:35 | |
Wow! | 0:17:39 | 0:17:40 | |
That is impressive. | 0:17:40 | 0:17:42 | |
-Hello, Catherine. -Hello. | 0:17:53 | 0:17:55 | |
You look like you're doing something wrong. | 0:17:56 | 0:17:58 | |
I'm not. I've just found something that you would absolutely love. | 0:17:58 | 0:18:02 | |
-You would kill for. -Really? | 0:18:02 | 0:18:03 | |
What do you love doing in your spare time? | 0:18:03 | 0:18:06 | |
Apart from annoying me. | 0:18:06 | 0:18:08 | |
Well, my big hobby is skiing, of course. | 0:18:08 | 0:18:10 | |
Oh, you found something ski... | 0:18:10 | 0:18:12 | |
Can I just say, if you see it, you're not having it, | 0:18:12 | 0:18:15 | |
cos I found it. Look at that. | 0:18:15 | 0:18:16 | |
-Little downhill... -Oh, lovely. | 0:18:16 | 0:18:19 | |
-A little skier, isn't that fantastic? -Oh, that's gorgeous. | 0:18:19 | 0:18:22 | |
Well, it's not for you, Raj. | 0:18:22 | 0:18:24 | |
-I've told you. -OK. | 0:18:24 | 0:18:26 | |
It's always the way, isn't it? | 0:18:26 | 0:18:28 | |
You always want what you can't have. | 0:18:28 | 0:18:30 | |
Oh, she's a minx! | 0:18:30 | 0:18:31 | |
What do I like about this? | 0:18:33 | 0:18:36 | |
Well... | 0:18:36 | 0:18:37 | |
..best of all... | 0:18:38 | 0:18:40 | |
..I like this object. | 0:18:41 | 0:18:43 | |
Maybe mid-20th century, maybe slightly earlier. | 0:18:43 | 0:18:46 | |
It's quite nice, it's quite a good novelty item. | 0:18:46 | 0:18:49 | |
The thing is, it's really quite dirty, | 0:18:49 | 0:18:54 | |
so you can't actually make out his face particularly well. | 0:18:54 | 0:18:57 | |
He's got a cute bottom though. | 0:18:57 | 0:18:59 | |
By George! | 0:18:59 | 0:19:01 | |
With a ticket of £22, can saucy Southon do a deal with Kingsley? | 0:19:01 | 0:19:06 | |
I quite like it. As I'm turning it round, actually, I'm noticing | 0:19:06 | 0:19:09 | |
there is a bit of damage there - one of his poles is a bit bent. | 0:19:09 | 0:19:12 | |
And you can't see his face very well but I think | 0:19:12 | 0:19:14 | |
he's probably quite well done, it's just you can't... | 0:19:14 | 0:19:17 | |
-He's filthy dirty. -Yeah. | 0:19:17 | 0:19:19 | |
Can anything be done on that? | 0:19:19 | 0:19:21 | |
Yeah, there's usually 10% off ticket price, but since it's you, | 0:19:21 | 0:19:25 | |
-it will be 14. -14? -Is that OK? | 0:19:25 | 0:19:28 | |
-Yeah. -Give you a chance of a profit. -Yeah. That's wonderful. | 0:19:28 | 0:19:32 | |
Thank you. I'll take that at 14. | 0:19:32 | 0:19:33 | |
Jolly good first deal of the day. | 0:19:33 | 0:19:36 | |
Worth a toot, I'd say. | 0:19:36 | 0:19:37 | |
HORN TOOTS TUNELESSLY | 0:19:37 | 0:19:39 | |
I'm pretty good at that! | 0:19:39 | 0:19:41 | |
You're not! | 0:19:41 | 0:19:43 | |
I might have a career. | 0:19:43 | 0:19:44 | |
I don't think so. If I may interrupt, OK... | 0:19:44 | 0:19:48 | |
-You have a go. -I don't know what that noise was, | 0:19:48 | 0:19:51 | |
but three pigeons have just dropped out of the sky. | 0:19:51 | 0:19:53 | |
Right, if I wipe this, you have a go. | 0:19:53 | 0:19:56 | |
Go on. You do it better. | 0:19:56 | 0:19:58 | |
Sammy, play it again! | 0:19:58 | 0:20:00 | |
Come on. | 0:20:00 | 0:20:01 | |
I'll get a little bit of a... | 0:20:01 | 0:20:03 | |
HE ALMOST PLAYS A TUNE | 0:20:03 | 0:20:06 | |
Sorry. | 0:20:08 | 0:20:11 | |
All right, balloon lungs, | 0:20:11 | 0:20:13 | |
back to buying. | 0:20:13 | 0:20:15 | |
Chinese things at the moment are really, really collectable | 0:20:19 | 0:20:23 | |
and these are two really lovely watercolours. | 0:20:23 | 0:20:27 | |
They're Chinese, they are signed, and these are beautifully done. | 0:20:27 | 0:20:32 | |
They'd make a nice lot, the two of these. | 0:20:32 | 0:20:35 | |
I'm going to call Jane and see what she can do them for. | 0:20:35 | 0:20:38 | |
With a combined ticket price of £96 for the two, Jane, you're up. | 0:20:38 | 0:20:42 | |
I think my best, Raj, would be 70. | 0:20:44 | 0:20:47 | |
70... | 0:20:47 | 0:20:49 | |
What about if I said 60? | 0:20:49 | 0:20:51 | |
Seeing as it's you, yes. | 0:20:53 | 0:20:55 | |
Yes? Are you sure? | 0:20:55 | 0:20:56 | |
-Yes. -Shake hands. | 0:20:56 | 0:20:58 | |
-£60. Fantastic. -OK. | 0:20:58 | 0:21:00 | |
Fantastic. I really like them. | 0:21:00 | 0:21:02 | |
The two 19th century watercolours bought, and Raj is spent. | 0:21:02 | 0:21:06 | |
Now, what have you got there, Catherine? | 0:21:08 | 0:21:11 | |
So this is something completely different, but I like this. | 0:21:11 | 0:21:15 | |
It's probably for your taters, | 0:21:15 | 0:21:18 | |
because of these little nodules on the end here... | 0:21:18 | 0:21:22 | |
They're so you won't pierce your potatoes | 0:21:22 | 0:21:25 | |
when you're digging them up. | 0:21:25 | 0:21:27 | |
The ticket says £28. Kingsley? | 0:21:27 | 0:21:31 | |
So, what would you do on that? | 0:21:31 | 0:21:32 | |
-What would be the best price? -That only came in yesterday. | 0:21:32 | 0:21:35 | |
-Did it? -And he's got 28... -And it could fly out, I'm sure. | 0:21:35 | 0:21:38 | |
-So probably about 15. -You wouldn't do ten on that? | 0:21:38 | 0:21:41 | |
Yeah, for you I would. Yeah. | 0:21:41 | 0:21:42 | |
Ten. Yeah, that could be a goer at ten. | 0:21:42 | 0:21:45 | |
OK. That's an idea but I've just seen something else. | 0:21:45 | 0:21:48 | |
-I am cooking on gas. -OK. -Can we have another look over here? | 0:21:48 | 0:21:50 | |
Fantastic. | 0:21:50 | 0:21:52 | |
What have you spied then? | 0:21:52 | 0:21:55 | |
A bit of Arts and Crafts. | 0:21:55 | 0:21:56 | |
Arts and Crafts, copper, hand-beaten... | 0:21:59 | 0:22:03 | |
What I like is the big image of the dragon, or the griffin. | 0:22:03 | 0:22:06 | |
It would be lovely if it had some initials on the back... | 0:22:06 | 0:22:09 | |
-Yeah. -..of one of the top makers, | 0:22:09 | 0:22:11 | |
but I can see it's not that sort of quality. | 0:22:11 | 0:22:14 | |
But it's sort of turn-of-the-century, | 0:22:14 | 0:22:16 | |
it's quite well-defined. Nice image. What's on it? | 0:22:16 | 0:22:20 | |
-45. -45. | 0:22:20 | 0:22:22 | |
Is there a lot of movement in that? | 0:22:22 | 0:22:24 | |
There could be. Probably 25. | 0:22:24 | 0:22:27 | |
25, yeah... | 0:22:27 | 0:22:29 | |
And then, what did we say on the fork? | 0:22:29 | 0:22:31 | |
-Ten. -Ten. | 0:22:31 | 0:22:33 | |
Could that be 20 as well, I could have them both at 30? | 0:22:35 | 0:22:38 | |
-Yeah, go on. Yeah. Fine. -You're a good man. | 0:22:38 | 0:22:41 | |
-Right, thank you. -We're done. | 0:22:41 | 0:22:43 | |
I make that three items bought for £44. | 0:22:43 | 0:22:46 | |
Spiffing shopping, Southon. | 0:22:46 | 0:22:48 | |
Staying in Norfolk, Raj has made his way to Swaffham, | 0:22:53 | 0:22:57 | |
a quaint market town that has an unlikely connection | 0:22:57 | 0:23:01 | |
to the Valley of Kings in Egypt. | 0:23:01 | 0:23:03 | |
Raj has come to Swaffham Museum to meet volunteer manager Sue Gattuso... | 0:23:03 | 0:23:08 | |
-Hello there. -..to learn about the town's most famous resident, | 0:23:08 | 0:23:12 | |
the man who discovered the tomb of Tutankhamun, Howard Carter. | 0:23:12 | 0:23:17 | |
-Let's go in. -After you. | 0:23:17 | 0:23:19 | |
An enigmatic artist and archaeologist, | 0:23:21 | 0:23:24 | |
Howard Carter shocked the world when he discovered the prized tomb | 0:23:24 | 0:23:28 | |
of Tutankhamun in 1922, | 0:23:28 | 0:23:31 | |
but the story starts here in this Norfolk market town. | 0:23:31 | 0:23:35 | |
His family was a Swaffham family. | 0:23:35 | 0:23:38 | |
His father was Samuel John Carter, | 0:23:38 | 0:23:40 | |
who was a well-known animal portrait painter in the Victorian times, | 0:23:40 | 0:23:44 | |
and he married Martha Joyce, who was also from Swaffham. | 0:23:44 | 0:23:47 | |
Her father was a builder. And Howard was one of ten children. | 0:23:47 | 0:23:52 | |
He was the youngest of their ten children. | 0:23:52 | 0:23:54 | |
His father made sure that all of his children could draw and paint | 0:23:54 | 0:23:58 | |
because he insisted that they'd all be able to earn their living. | 0:23:58 | 0:24:01 | |
And when he was 15, Howard decided that he wanted to be | 0:24:01 | 0:24:03 | |
an artist, just like his father, and paint portraits. | 0:24:03 | 0:24:07 | |
And so he served really an apprenticeship, | 0:24:07 | 0:24:09 | |
he went around with his father to the gentry houses. | 0:24:09 | 0:24:12 | |
And one of those was Didlington Hall, and met | 0:24:12 | 0:24:14 | |
Lord and Lady Amherst, who had one of the biggest Egyptian collections. | 0:24:14 | 0:24:19 | |
-So I presume that's where his first passion for Egyptology actually started. -Yes, exactly. | 0:24:19 | 0:24:24 | |
Carter's love for Egyptology was ignited, | 0:24:24 | 0:24:28 | |
and in 1891, aged just 17, | 0:24:28 | 0:24:31 | |
he headed to Egypt where he worked for 16 years | 0:24:31 | 0:24:34 | |
before meeting wealthy English aristocrat Lord Caernarfon. | 0:24:34 | 0:24:38 | |
And in what year did he actually meet Lord Caernarfon? | 0:24:39 | 0:24:44 | |
He met him in 1907. | 0:24:44 | 0:24:46 | |
When Lord Caernarfon was in Egypt, interested in Egyptian antiquities, | 0:24:46 | 0:24:50 | |
and somebody suggested to him, you need Howard Carter, | 0:24:50 | 0:24:53 | |
and so that's how the two of them met. | 0:24:53 | 0:24:56 | |
-So this was a big turning point in Carter's life. -Absolutely. | 0:24:56 | 0:24:59 | |
Howard always had this dream of finding the tomb of Tutankhamun, | 0:24:59 | 0:25:03 | |
which everybody said never existed, | 0:25:03 | 0:25:05 | |
but they kept finding little bits and pieces, | 0:25:05 | 0:25:07 | |
and so Howard began to put the jigsaw together. | 0:25:07 | 0:25:11 | |
A lot of the archaeologists thought that there was nothing left in | 0:25:11 | 0:25:13 | |
the Valley of the Kings, and they had to have licences to dig. | 0:25:13 | 0:25:16 | |
And in 1914, the license to dig in the Valley of the Kings came up | 0:25:16 | 0:25:22 | |
for sale and Howard persuaded Caernarfon to buy that licence. | 0:25:22 | 0:25:25 | |
Then came the First World War, | 0:25:25 | 0:25:27 | |
and they had to stop digging then, | 0:25:27 | 0:25:29 | |
and they didn't start again until 1917. | 0:25:29 | 0:25:32 | |
And they'd dug for five or six seasons and then Caernarfon said, | 0:25:32 | 0:25:36 | |
"No, I can't do any more. There's obviously nothing here. | 0:25:36 | 0:25:39 | |
"Let's give up." | 0:25:39 | 0:25:40 | |
And Howard persuaded him to just do one more dig, | 0:25:40 | 0:25:44 | |
and that's where the story starts. | 0:25:44 | 0:25:46 | |
The 26th of November 1922 was, in Carter's own words, | 0:25:48 | 0:25:53 | |
"The day of days, the most wonderful I've ever lived through | 0:25:53 | 0:25:56 | |
"and certainly one whose like I can never hope to see again." | 0:25:56 | 0:26:01 | |
He had found the tomb of Tutankhamun. | 0:26:01 | 0:26:05 | |
So, Sue, you're Howard Carter, I'm Lord Caernarfon. | 0:26:05 | 0:26:09 | |
We're outside the tomb, tell me what happened. | 0:26:09 | 0:26:13 | |
They came down a long corridor and they came to this door, | 0:26:13 | 0:26:16 | |
which was sealed, which meant that nobody had been there before | 0:26:16 | 0:26:19 | |
in those thousands of years. Carter made a small incision in the door, | 0:26:19 | 0:26:24 | |
just enough so that he could get a candle through. | 0:26:24 | 0:26:27 | |
And Caernarfon stood behind and he said, "What can you see? What can you see?" | 0:26:27 | 0:26:31 | |
Carter just said, "Wonderful things," | 0:26:31 | 0:26:34 | |
because everything he saw was just covered in gold. | 0:26:34 | 0:26:37 | |
Wow! Amazing! | 0:26:37 | 0:26:39 | |
Having lain undiscovered for over 3,000 years, | 0:26:40 | 0:26:44 | |
it was by far the best preserved royal tomb ever found | 0:26:44 | 0:26:48 | |
and sparked a global frenzy for Ancient Egypt. | 0:26:48 | 0:26:52 | |
Carter spent the next ten years excavating the tomb's treasures. | 0:26:52 | 0:26:56 | |
Sadly, Lord Caernarfon never lived long enough to witness one of | 0:26:56 | 0:27:00 | |
the greatest moments, the opening of Tutankhamun's sarcophagus. | 0:27:00 | 0:27:05 | |
And inside, there were three coffins, one inside of the other, | 0:27:05 | 0:27:09 | |
like Russian dolls. And the third one, the inner coffin, | 0:27:09 | 0:27:13 | |
-was made of pure gold. -Wow! | 0:27:13 | 0:27:15 | |
Encrusted with jewels and so forth. | 0:27:15 | 0:27:17 | |
It wasn't until late 1925 that he actually came face-to-face | 0:27:17 | 0:27:21 | |
with Tutankhamun. | 0:27:21 | 0:27:24 | |
Howard Carter's discovery made him one of the world's | 0:27:24 | 0:27:27 | |
most famous archaeologists, and without his first brush | 0:27:27 | 0:27:31 | |
with Egyptian artefacts here in Swaffham, the boy king, Tutankhamun, | 0:27:31 | 0:27:36 | |
could have remained hidden to this very day. | 0:27:36 | 0:27:39 | |
Back with Catherine, | 0:27:41 | 0:27:43 | |
and she's made her way to Long Sutton in Lincolnshire. | 0:27:43 | 0:27:46 | |
This pretty little market town was allegedly once home | 0:27:47 | 0:27:51 | |
to notorious highwayman Dick Turpin. | 0:27:51 | 0:27:54 | |
Better watch out for your purse, Catherine! | 0:27:54 | 0:27:56 | |
-Good afternoon. -Hello, how are you? | 0:27:57 | 0:27:59 | |
Oh! Your little doggie pricked his ears up then. | 0:27:59 | 0:28:01 | |
-I'm Catherine. -Hello, nice to see you. | 0:28:01 | 0:28:03 | |
-I'm Catherine too. -Oh, very good. | 0:28:03 | 0:28:06 | |
With two floors filled with antiques and collectables, | 0:28:06 | 0:28:09 | |
Catherine is on the prowl for something to shoot her into the lead. | 0:28:09 | 0:28:13 | |
Starting cannon. | 0:28:14 | 0:28:16 | |
A-ha! So, this is steel-lined. | 0:28:16 | 0:28:19 | |
So he's saying it's like for starting a yacht race or something like that. | 0:28:19 | 0:28:23 | |
So you'd put the match in there and then it would fire from here. | 0:28:23 | 0:28:28 | |
The thing is, the carriage looks a very, | 0:28:28 | 0:28:30 | |
very different colour to the actual barrel. | 0:28:30 | 0:28:33 | |
It sits quite well, but... | 0:28:33 | 0:28:36 | |
I think it's a marriage. | 0:28:37 | 0:28:39 | |
I think the carriage is a marriage. | 0:28:39 | 0:28:42 | |
And probably therefore not for us. | 0:28:43 | 0:28:45 | |
I spy with my little eye a few little sewing accessories. | 0:28:50 | 0:28:54 | |
Now, I like this. | 0:28:54 | 0:28:55 | |
So this is boxwood, I would say... | 0:28:56 | 0:28:59 | |
Some other wood, maybe not boxwood, maybe...well, fruit wood, probably. | 0:28:59 | 0:29:03 | |
But it's a little tape measure in the form of a fishing reel, | 0:29:03 | 0:29:07 | |
which is rather sweet. | 0:29:07 | 0:29:08 | |
But it has got a break in it here. | 0:29:08 | 0:29:10 | |
You see? It's got a bit of damage. | 0:29:10 | 0:29:12 | |
But sewing accessories can be quite desirable. | 0:29:12 | 0:29:16 | |
There's a couple of other bits in here as well. | 0:29:16 | 0:29:19 | |
Two little pin cushions. One in the form of a swan. | 0:29:19 | 0:29:22 | |
Tiny little thing. | 0:29:22 | 0:29:24 | |
And another one in the form of a doggy. | 0:29:24 | 0:29:26 | |
My thought, maybe put them together in a little group lot. | 0:29:26 | 0:29:30 | |
30, £40, something like that. | 0:29:30 | 0:29:32 | |
That's probably what I want to spend. | 0:29:32 | 0:29:34 | |
But each one has got quite a price on it. | 0:29:34 | 0:29:37 | |
Let's hope your namesake is feeling generous then. | 0:29:38 | 0:29:41 | |
This is what caught my eye. I thought that was quite sweet. | 0:29:41 | 0:29:43 | |
-It is cute. -A tape measure in the form of a fishing reel, | 0:29:43 | 0:29:46 | |
but I don't know if you are aware that there is a break here. | 0:29:46 | 0:29:49 | |
-Can you see there? -Oh, yes. | 0:29:49 | 0:29:51 | |
-I hadn't noticed it. -There's a break there. | 0:29:51 | 0:29:53 | |
So, that will affect the value. | 0:29:55 | 0:29:57 | |
-Yes. -The other couple of little things I saw was the doggy, | 0:29:57 | 0:30:01 | |
pin cushion, but again, I think it's just cast metal, isn't he? | 0:30:01 | 0:30:04 | |
-No precious metal. -There's no marks on it. | 0:30:04 | 0:30:06 | |
And then this one. | 0:30:06 | 0:30:08 | |
And that's silver, is it? | 0:30:08 | 0:30:09 | |
Well, I think it's got a silver mark on it, | 0:30:09 | 0:30:11 | |
-but it might not be English... -It's not English, so it's probably... | 0:30:11 | 0:30:14 | |
There's a little bit of age to the pin cushion | 0:30:14 | 0:30:17 | |
but I don't think it's terribly old. | 0:30:17 | 0:30:19 | |
The combined ticket price for the three is a whopping £118. | 0:30:20 | 0:30:24 | |
In my mind, I would like to buy them at around £30... | 0:30:26 | 0:30:30 | |
for the group. | 0:30:30 | 0:30:31 | |
I can't go that far. | 0:30:34 | 0:30:35 | |
-No? -I can't, no. | 0:30:35 | 0:30:37 | |
I don't really want to do much more than say 35, honestly. | 0:30:37 | 0:30:41 | |
Go 40 and I'll do it. | 0:30:41 | 0:30:43 | |
-Right, lovely. -OK? -Thank you. No, I appreciate that. | 0:30:45 | 0:30:49 | |
That final delightful deal means our experts' classic car's boot | 0:30:49 | 0:30:54 | |
is full-up with items for auction. | 0:30:54 | 0:30:56 | |
Well, the auction that we're going to is in Colchester. | 0:30:59 | 0:31:02 | |
-Yes. -Which is in Essex. -That's where I went to uni. | 0:31:02 | 0:31:05 | |
-Oh, is it? -I spent four years of my life there. | 0:31:05 | 0:31:07 | |
-Really? -I did indeed. -Oh, so you know it well. | 0:31:07 | 0:31:10 | |
Party town, Raj! | 0:31:10 | 0:31:11 | |
-Oh, good. -Party town! | 0:31:11 | 0:31:13 | |
Good, I can't wait to get there. | 0:31:13 | 0:31:15 | |
Well, don't party too hard. | 0:31:16 | 0:31:18 | |
You've got an auction to face in the morning. | 0:31:18 | 0:31:20 | |
Send in the sandman. | 0:31:20 | 0:31:22 | |
After starting in Norwich, our experts have zipped | 0:31:26 | 0:31:29 | |
around the East of England and are now off to auction | 0:31:29 | 0:31:31 | |
in Catherine's old stomping ground. | 0:31:31 | 0:31:33 | |
Britain's oldest recorded town, and former capital of England, | 0:31:34 | 0:31:38 | |
Colchester is home to a heritage stretching back over 2,000 years. | 0:31:38 | 0:31:44 | |
Today's auction is being hosted by Reeman Dansie. | 0:31:44 | 0:31:47 | |
-Auction two. -Hardly anything in it. | 0:31:48 | 0:31:51 | |
Anything could happen today. | 0:31:51 | 0:31:53 | |
Indeed. | 0:31:53 | 0:31:54 | |
On this leg, Catherine bought five lots for auction, spending £124... | 0:31:56 | 0:32:01 | |
..while Raj promised to spend big and he did, | 0:32:02 | 0:32:05 | |
buying five lots for £210. | 0:32:05 | 0:32:08 | |
So, what do they think of each other's bounty? | 0:32:08 | 0:32:10 | |
I really, really like this. | 0:32:11 | 0:32:14 | |
This is a beautiful little skier. It's got some damage to it, | 0:32:14 | 0:32:18 | |
and I don't think that the base is original to the actual skier, | 0:32:18 | 0:32:22 | |
but it is silver. | 0:32:22 | 0:32:23 | |
I don't normally say this cos everything I buy, I would never swap, but | 0:32:23 | 0:32:27 | |
this is the first thing that I've seen that I would actually swap. | 0:32:27 | 0:32:31 | |
You could have anything that I bought for this cos I love it. | 0:32:31 | 0:32:34 | |
If this does well, | 0:32:34 | 0:32:35 | |
it's going to be all downhill from here on in for me. | 0:32:35 | 0:32:38 | |
Not too happy with Raj buying this piece of Jensen. | 0:32:38 | 0:32:42 | |
Jensen is probably one of my favourite designers of jewellery. | 0:32:42 | 0:32:46 | |
What I like about this is it's classic, it's classy. | 0:32:46 | 0:32:50 | |
Really, it's timeless. | 0:32:50 | 0:32:51 | |
The man wielding the gavel today is Lewis Rabett, | 0:32:53 | 0:32:57 | |
so what does he make of our experts' items? | 0:32:57 | 0:33:00 | |
The copper tray is a nice piece of Arts and Crafts metalwork. | 0:33:00 | 0:33:03 | |
It's nice with the decoration on it as well, | 0:33:03 | 0:33:05 | |
of the dragon or the griffin. I think if it had a name on it | 0:33:05 | 0:33:08 | |
it would potentially sell a bit better but as it is, | 0:33:08 | 0:33:10 | |
it's still a very nice little item and we get plenty of collectors | 0:33:10 | 0:33:13 | |
for that kind of thing, so it should sell well. | 0:33:13 | 0:33:15 | |
The papier mache box is quite nice. Probably it's a little table snuff. | 0:33:15 | 0:33:19 | |
But it's a nice little item that someone would have in their sort of | 0:33:19 | 0:33:22 | |
curiosity cabinet. You know, it's in good order, | 0:33:22 | 0:33:24 | |
cos papier mache is quite fragile. | 0:33:24 | 0:33:26 | |
With buyers online and in the room, let's get things started. | 0:33:26 | 0:33:30 | |
-Ready? -As ready as I'll ever be. | 0:33:33 | 0:33:36 | |
First up, Raj's papier mache box. | 0:33:36 | 0:33:39 | |
£30 for it. 30, £30? | 0:33:41 | 0:33:43 | |
30 is bid with Ian. | 0:33:43 | 0:33:45 | |
-Maiden bid then with Ian. -You're in profit. | 0:33:45 | 0:33:48 | |
34. At £34, back with Ian. | 0:33:48 | 0:33:51 | |
At 34. 36. 38. | 0:33:51 | 0:33:54 | |
At 38. 40 in the room now. | 0:33:54 | 0:33:56 | |
-42. -Well done. | 0:33:56 | 0:33:57 | |
44. At £44 at the back of the room then. | 0:33:57 | 0:34:00 | |
46. 48. | 0:34:00 | 0:34:03 | |
At 48 then in the room, gentleman's bid, | 0:34:03 | 0:34:05 | |
and I'm going to sell, all done at 48. | 0:34:05 | 0:34:08 | |
I love you - "Nobody wants these sorts of things." | 0:34:08 | 0:34:11 | |
"Oh, yeah, I quite like it now." | 0:34:11 | 0:34:13 | |
Well, I didn't make 50. | 0:34:13 | 0:34:15 | |
No, but it did make you rather an impressive profit. | 0:34:15 | 0:34:18 | |
Well done, my friend. | 0:34:20 | 0:34:22 | |
That high five needs some work. | 0:34:22 | 0:34:24 | |
Right, vintage potato fork, anyone? | 0:34:24 | 0:34:27 | |
£20 somewhere to start me for it. | 0:34:27 | 0:34:29 | |
20? 20 is bid with David. | 0:34:29 | 0:34:30 | |
-Straight in, you've done well. -22 online. | 0:34:30 | 0:34:32 | |
At £22 then on the internet. | 0:34:32 | 0:34:34 | |
At £22 only online. | 0:34:34 | 0:34:36 | |
-Yay! I'm delighted with that. -At 22 then, on the internet, | 0:34:36 | 0:34:40 | |
I'm going to sell. | 0:34:40 | 0:34:41 | |
-Yay! -All done? At 22. | 0:34:41 | 0:34:44 | |
-That's good, that is. -That's very good. | 0:34:44 | 0:34:45 | |
You should be pleased with that. | 0:34:45 | 0:34:47 | |
So, it's a profit apiece. | 0:34:47 | 0:34:49 | |
Smashing start. | 0:34:49 | 0:34:51 | |
I think that was quite jammy. | 0:34:51 | 0:34:52 | |
No, it was potatoes. | 0:34:53 | 0:34:55 | |
It had nothing to do with jam. Sorry. | 0:34:55 | 0:34:58 | |
So you should be, old boy. | 0:34:58 | 0:35:00 | |
Right, your 19th-century watercolours are up next. Stand by. | 0:35:00 | 0:35:04 | |
The thing is with these watercolours, | 0:35:05 | 0:35:07 | |
I find sometimes they can totally fly. | 0:35:07 | 0:35:11 | |
And I have £30 with me now. | 0:35:11 | 0:35:12 | |
At £30 only now. | 0:35:12 | 0:35:14 | |
Anywhere else? At £30. | 0:35:14 | 0:35:16 | |
32. 34. | 0:35:16 | 0:35:18 | |
-Good. -At 34, 36, 38. | 0:35:18 | 0:35:20 | |
At 38. | 0:35:20 | 0:35:22 | |
40. 42. | 0:35:22 | 0:35:23 | |
At 42. 44. | 0:35:23 | 0:35:26 | |
At £44, 46. | 0:35:26 | 0:35:28 | |
-Yeah. -At 46. 48. | 0:35:28 | 0:35:29 | |
-Good. -At £48, I'm out. | 0:35:29 | 0:35:31 | |
-Oh, no. -£48 then, on my right at 48... | 0:35:31 | 0:35:34 | |
All done, at £48. | 0:35:34 | 0:35:37 | |
I'm sorry about that cos I think they... I quite rate them. | 0:35:37 | 0:35:40 | |
I think that's cheap. | 0:35:40 | 0:35:42 | |
Oh, well. | 0:35:42 | 0:35:44 | |
Ah, didn't quite fly like they expected. Hard luck. | 0:35:44 | 0:35:48 | |
That was a fishy lot. | 0:35:48 | 0:35:50 | |
Oh, please! | 0:35:50 | 0:35:51 | |
Remind me to buy you a new joke book, Raj. | 0:35:51 | 0:35:54 | |
Now the turn of Catherine's ship's wheel. | 0:35:54 | 0:35:58 | |
Hard a-starboard. | 0:35:58 | 0:35:59 | |
-At £50 with me only. Five anywhere? -That's fine. | 0:35:59 | 0:36:01 | |
There you go, straight in. | 0:36:01 | 0:36:04 | |
60 with me then. 65. 70. | 0:36:04 | 0:36:07 | |
-It's good. -£70 then, with me at 70. | 0:36:07 | 0:36:10 | |
All done? I'm going to sell then. | 0:36:10 | 0:36:11 | |
-I'm happy with that. -£70. | 0:36:11 | 0:36:14 | |
-Good man. -Another profit. | 0:36:14 | 0:36:16 | |
Yeah, yeah. | 0:36:16 | 0:36:17 | |
Clearly Catherine knows what the Colchester crowd are after. | 0:36:17 | 0:36:21 | |
You're doing very well today, Catherine. | 0:36:21 | 0:36:23 | |
The thing is, if it's happening for me, you haven't even done yours | 0:36:23 | 0:36:26 | |
properly yet, so you know, you could be sailing away. | 0:36:26 | 0:36:28 | |
I wouldn't speak too soon. | 0:36:28 | 0:36:31 | |
His two brass knockers are up next. | 0:36:31 | 0:36:34 | |
£20 for them. 20? | 0:36:34 | 0:36:35 | |
You hovering online? You're tempted. | 0:36:35 | 0:36:36 | |
£20 for them. 20? | 0:36:36 | 0:36:38 | |
-They're worth that. -Bid in the room. At £20 only now then. | 0:36:38 | 0:36:41 | |
Two anywhere else? At £20 in the room. | 0:36:41 | 0:36:44 | |
-Yes, yes, yes. -At 22. | 0:36:44 | 0:36:45 | |
He likes his knockers! | 0:36:45 | 0:36:47 | |
At 24. 26. At £26 then. | 0:36:47 | 0:36:50 | |
-Gentleman's bid on the front row. -It's not enough. -Come on. -More. | 0:36:50 | 0:36:53 | |
I will sell, make no mistake. At £26. | 0:36:53 | 0:36:56 | |
-Another loss. -Yours, sir, 492. | 0:36:56 | 0:36:59 | |
Oh, dear. That silence says it all. | 0:37:00 | 0:37:02 | |
It's not Raj's day. | 0:37:03 | 0:37:05 | |
But can Catherine's luck continue | 0:37:05 | 0:37:07 | |
with her Arts and Crafts copper tray? | 0:37:07 | 0:37:10 | |
If it makes something... 30, 40, I'll be very pleased. | 0:37:10 | 0:37:14 | |
-It should make 30. -In fact, I'll run round and just, "Yay!" | 0:37:14 | 0:37:17 | |
-Really, promise? -And I can start straight in on commission at £30. | 0:37:17 | 0:37:21 | |
-There you go. -Ooh! -32. | 0:37:21 | 0:37:23 | |
-34. -Oh, lovely. | 0:37:23 | 0:37:24 | |
Get your running shoes on. Oh, my goodness. | 0:37:24 | 0:37:27 | |
40. 42. | 0:37:27 | 0:37:28 | |
-Get to 50. -44, 46. -Come on. -48. | 0:37:28 | 0:37:31 | |
55 with me? | 0:37:31 | 0:37:32 | |
No. At £55 then on commission. | 0:37:32 | 0:37:34 | |
-60 anywhere else? -I'm going to hold you to this, Catherine. | 0:37:34 | 0:37:37 | |
I'm quite pleased with that. | 0:37:37 | 0:37:38 | |
On commission at 55, and I'm going to sell. | 0:37:38 | 0:37:40 | |
All done now then, at 55. | 0:37:40 | 0:37:42 | |
-Away you go. -Right, I'm off. | 0:37:42 | 0:37:45 | |
See you in a minute. | 0:37:45 | 0:37:47 | |
Catherine is running rings around Raj today. | 0:37:47 | 0:37:50 | |
-Wow. I'm pleased with that. -That was quick. | 0:37:51 | 0:37:54 | |
Right, Raj, can you redeem yourself with your George Jenson ring? | 0:37:56 | 0:37:59 | |
£80 with me only. | 0:37:59 | 0:38:02 | |
-Come on, 120. -At £80 on commission now. | 0:38:02 | 0:38:04 | |
85 if you're coming in online. | 0:38:04 | 0:38:06 | |
-Come on. -80 with me. Five anywhere else? | 0:38:06 | 0:38:09 | |
I will sell. Maiden bid, then, with me. | 0:38:09 | 0:38:11 | |
All done, at 85 online. | 0:38:11 | 0:38:13 | |
-Yes. -At £85 on the internet. | 0:38:13 | 0:38:15 | |
Takes out my commission. | 0:38:15 | 0:38:17 | |
At £85 then online. | 0:38:17 | 0:38:19 | |
-Come on, it's worth more than that. -It is. -It is worth more than that. | 0:38:19 | 0:38:21 | |
I'm going to sell. All done at 85. | 0:38:21 | 0:38:24 | |
-That's OK. -Are you all right? -Yeah, I'm absolutely fine, yeah. | 0:38:25 | 0:38:28 | |
A little bit disappointing. | 0:38:28 | 0:38:30 | |
Should have done better, but it's a good profit nevertheless. | 0:38:30 | 0:38:34 | |
Not quite helped me catch up but it's good enough. | 0:38:34 | 0:38:37 | |
-A profit is a profit. -Yeah, we can't complain. | 0:38:37 | 0:38:39 | |
Let's see how Catherine's Victorian sewing accessories will fare. | 0:38:41 | 0:38:44 | |
And I have 40 bid on commission. | 0:38:46 | 0:38:48 | |
At £40 now. Two anywhere else? | 0:38:48 | 0:38:49 | |
-That's what I paid. -At £40 on commission. | 0:38:49 | 0:38:52 | |
42. 44. At £44. | 0:38:52 | 0:38:54 | |
46, if you like. | 0:38:54 | 0:38:55 | |
46. I have 50 with me. | 0:38:55 | 0:38:57 | |
-At £50. -That's just about a little... | 0:38:57 | 0:39:00 | |
55, if you like online? 55. | 0:39:00 | 0:39:02 | |
At £55 on the internet now, 60 in the second row. | 0:39:02 | 0:39:05 | |
-She's my friend. -At 60 in the second row. | 0:39:05 | 0:39:08 | |
Five if you're coming back in online. | 0:39:08 | 0:39:10 | |
65. 70. | 0:39:10 | 0:39:12 | |
At £70 then, in the second row at 70. | 0:39:12 | 0:39:14 | |
Five if you like. At £70 in the second row. | 0:39:14 | 0:39:17 | |
75 online. | 0:39:17 | 0:39:19 | |
80. At £80 then. | 0:39:19 | 0:39:22 | |
-This is good. -On the internet at 80. | 0:39:22 | 0:39:24 | |
Coming back in. 85. | 0:39:24 | 0:39:26 | |
90. | 0:39:26 | 0:39:27 | |
At £90 now. 95. At 95. | 0:39:27 | 0:39:30 | |
100. At £100 then in the second row. | 0:39:30 | 0:39:33 | |
You're done on the internet. At 100, then, in the second row. | 0:39:33 | 0:39:36 | |
-I'm really surprised. -All done at £100. | 0:39:36 | 0:39:39 | |
-That's good. -Yes, good for you, yeah. | 0:39:40 | 0:39:43 | |
-Very happy. -Are you pleased? | 0:39:43 | 0:39:45 | |
Of course, I'm ecstatic for you, Catherine. | 0:39:45 | 0:39:48 | |
Yeah, you look it. | 0:39:48 | 0:39:49 | |
Well done, that girl. | 0:39:49 | 0:39:51 | |
Well, I think you've done brilliantly so far. | 0:39:51 | 0:39:54 | |
I might just go actually. | 0:39:54 | 0:39:56 | |
Don't leave yet. Here comes Raj's final lot, | 0:39:57 | 0:40:01 | |
his six stained glass windows. | 0:40:01 | 0:40:03 | |
£30 for them. 30. | 0:40:04 | 0:40:05 | |
£20, I have. | 0:40:05 | 0:40:07 | |
At £30 on my right now. | 0:40:07 | 0:40:08 | |
At 30. 32 online. | 0:40:08 | 0:40:10 | |
-They'll do good. -34. At 34. | 0:40:10 | 0:40:12 | |
At £34 now. | 0:40:12 | 0:40:14 | |
36, if you like. 36. | 0:40:14 | 0:40:16 | |
38. At 38. | 0:40:16 | 0:40:18 | |
-Should be doing this in fivers. -42. At 42. | 0:40:18 | 0:40:22 | |
-Come on. -At £42 now. | 0:40:22 | 0:40:24 | |
44 if you like online. At £42 now. | 0:40:24 | 0:40:26 | |
44, if you like. | 0:40:26 | 0:40:28 | |
-44. 46. -We're not up there yet. | 0:40:28 | 0:40:31 | |
-We're still not in profit. -At £48? No. | 0:40:31 | 0:40:34 | |
At 48 then, on the internet at 48. | 0:40:34 | 0:40:35 | |
Do I see 50 anywhere else? | 0:40:35 | 0:40:37 | |
Come on, someone. | 0:40:37 | 0:40:39 | |
-Come on, come on. -Surely, £10 each. | 0:40:39 | 0:40:40 | |
All done now then at £48. | 0:40:40 | 0:40:43 | |
Another loss. | 0:40:43 | 0:40:45 | |
It was minuscule. | 0:40:45 | 0:40:47 | |
Mini, mini, mini loss. | 0:40:47 | 0:40:49 | |
A loss is a loss. | 0:40:49 | 0:40:50 | |
At least it wasn't a large one. | 0:40:50 | 0:40:52 | |
To be honest, that lot, I'm afraid, a bit of a PANE. | 0:40:54 | 0:40:56 | |
No? Never... Never mind. | 0:40:58 | 0:41:00 | |
No more jokes, Raj, please! | 0:41:02 | 0:41:04 | |
Final lot up, it's Catherine's lovely little silver skier. | 0:41:04 | 0:41:08 | |
£60 to start me for this one, somewhere, surely? | 0:41:08 | 0:41:11 | |
60's bid with David. | 0:41:11 | 0:41:13 | |
At 60, five, 70, five, 80 online. | 0:41:13 | 0:41:15 | |
-Yes! -Lovely. -85. | 0:41:15 | 0:41:17 | |
-Yes! -90. | 0:41:17 | 0:41:19 | |
-Yes! -95. At 95. | 0:41:19 | 0:41:21 | |
100. 110. | 0:41:21 | 0:41:23 | |
At 110. 120, if you like, on the internet. | 0:41:23 | 0:41:28 | |
At £110 then. | 0:41:28 | 0:41:30 | |
-That's great. -I'm delighted with that. | 0:41:30 | 0:41:32 | |
Getting you in the mood though, isn't it? Do you fancy a slalom? | 0:41:34 | 0:41:37 | |
The whole rest of this trip is going to go terribly now. | 0:41:37 | 0:41:40 | |
I'll be reminded of this forever. | 0:41:40 | 0:41:42 | |
Downhill, it's called. | 0:41:42 | 0:41:44 | |
What an ending. Superb profit. | 0:41:44 | 0:41:47 | |
You are way out in front. | 0:41:47 | 0:41:49 | |
That's something we don't hear very often, but I like that. | 0:41:49 | 0:41:52 | |
-Do you want me to say it again? -Yeah, yeah, keep saying it. | 0:41:52 | 0:41:54 | |
-Catherine, you're way out in front. -Keep saying it, all the way. | 0:41:54 | 0:41:57 | |
All the way, Raj. | 0:41:57 | 0:41:58 | |
Right, let's find out the figures then. | 0:41:58 | 0:42:01 | |
Raj started this leg in the lead with £238.90. | 0:42:02 | 0:42:07 | |
Sadly, he made a tiny loss after auction costs, | 0:42:07 | 0:42:12 | |
90p to be exact, | 0:42:12 | 0:42:13 | |
so he ends up with £238. | 0:42:13 | 0:42:16 | |
Catherine started with £221.40, | 0:42:17 | 0:42:21 | |
but she pulled in a profit after auction costs, | 0:42:21 | 0:42:24 | |
making a whopping £168.74, | 0:42:24 | 0:42:28 | |
which means she hurtles into the lead with an amazing £390.14 | 0:42:28 | 0:42:34 | |
to spend on the next leg. Well done, girl! | 0:42:34 | 0:42:37 | |
Well, that was interesting. | 0:42:37 | 0:42:39 | |
Well, you did amazingly well. | 0:42:39 | 0:42:41 | |
Fantastic. And I made a huge loss. | 0:42:41 | 0:42:44 | |
Oh, come on, Raj. It was about 90p. | 0:42:44 | 0:42:47 | |
That's a huge loss! | 0:42:47 | 0:42:49 | |
Next time on the Antiques Road Trip... | 0:42:50 | 0:42:53 | |
Watch out, Ipswich! | 0:42:53 | 0:42:55 | |
I don't know what Ipswich is like. | 0:42:55 | 0:42:56 | |
-Party town. -Is it? | 0:42:56 | 0:42:58 | |
I've no idea, but we'll make it a party town. | 0:42:58 | 0:43:00 | |
Catherine finds a new partner for Raj. | 0:43:00 | 0:43:03 | |
Come on, darling, Raj is going to love you. | 0:43:03 | 0:43:06 | |
It's back to the past for Raj... | 0:43:06 | 0:43:08 | |
This is me 30 years ago. | 0:43:08 | 0:43:10 | |
..and our expert duo have a porcine distraction. | 0:43:10 | 0:43:14 | |
-Oh, little piggies. -I think they've spotted us, Catherine. | 0:43:14 | 0:43:17 | |
-Come on, let's go. -They know what we had for breakfast. -I think they do! | 0:43:17 | 0:43:19 |